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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,040 --> 00:00:09,021 - [scrape] - [thump] 2 00:00:09,040 --> 00:00:09,171 - [scrape] - [thump] 3 00:00:13,021 --> 00:00:16,051 Are you as much of a woman as you would like to be? 4 00:00:16,071 --> 00:00:19,031 All the way? -CRISTINA: Yes.[chuckles] 5 00:00:19,051 --> 00:00:20,021 PEPE NAVARRO: What's so funny? 6 00:00:20,040 --> 00:00:22,031 Well, you. You are. 7 00:00:22,051 --> 00:00:24,110 Oh, you think I'm funny, huh? 8 00:00:24,130 --> 00:00:27,251 Finally someone laughs at what I don't actually say. 9 00:00:28,031 --> 00:00:30,021 You haven't always been like this? Isn't that right? 10 00:00:30,040 --> 00:00:31,031 Let's take a little tour of... 11 00:00:31,051 --> 00:00:32,130 [continues indistinctly] 12 00:00:42,161 --> 00:00:44,111 PEPE: ...the show tonight. 13 00:00:44,130 --> 00:00:45,231 I think you're making them nervous. 14 00:00:45,250 --> 00:00:47,250 Ah! There you are. Yeah, you were 23... 15 00:00:48,030 --> 00:00:50,140 Babe, look who's awake. 16 00:00:50,161 --> 00:00:53,100 Did you feel this feminine when you were a man? 17 00:00:53,121 --> 00:00:56,140 Yes, exactly the same. 18 00:00:56,161 --> 00:00:59,021 Oh, and since when do you feel like a woman? 19 00:00:59,041 --> 00:01:01,170 I felt like a woman since I was born. 20 00:01:01,191 --> 00:01:03,111 I used to take my mother's clothes and dress up. 21 00:01:03,130 --> 00:01:05,051 You were pretty sure then, huh? 22 00:01:05,070 --> 00:01:07,100 Completely sure. The thing is 23 00:01:07,120 --> 00:01:10,090 that I was raised... - Hey, what are you doing up? 24 00:01:10,111 --> 00:01:11,210 - And I didn't know. - You have school tomorrow. 25 00:01:11,231 --> 00:01:13,040 ...these things even existed. 26 00:01:13,060 --> 00:01:14,031 But then I-- -Come on. 27 00:01:14,051 --> 00:01:16,191 Well, I moved to Madrid, 28 00:01:16,210 --> 00:01:18,171 where I made a good friend, and I said, "Let's do this." 29 00:01:18,191 --> 00:01:20,221 THIS STORY IS BASED ON THE MEMOIR 30 00:01:20,240 --> 00:01:23,040 OF CRISTINA ORTIZ, LA VENENO, AND ON THE ACCOUNTS 31 00:01:23,060 --> 00:01:25,051 OF THE PEOPLE WHOSE LIVES SHE CHANGED. 32 00:01:25,070 --> 00:01:28,130 AS A STORY PRODUCT OF THE MEMORY, 33 00:01:28,150 --> 00:01:32,081 IT HAS A BIT OF REALITY AND FICTION. 34 00:01:32,100 --> 00:01:36,081 AND, AS IN ALL FICTIONAL STORIES, 35 00:01:36,100 --> 00:01:38,221 IT HAS SOMETHING PROFOUNDLY TRUE. 36 00:01:41,021 --> 00:01:41,221 - Oh, man! - [buzzing, beeping] 37 00:01:41,240 --> 00:01:43,130 Aw, crap. 38 00:01:43,150 --> 00:01:45,030 [groans] 39 00:01:45,051 --> 00:01:46,240 [scoffs] 40 00:01:47,021 --> 00:01:49,100 Ugh! Damn it! I lost again, dude. 41 00:01:49,120 --> 00:01:51,171 Come on. Let me try. It's my turn. 42 00:01:51,191 --> 00:01:53,130 No, no, no. I'm gonna go again. My finger just slipped. 43 00:01:53,150 --> 00:01:54,191 Your finger slipped? 44 00:01:54,210 --> 00:01:56,191 You're totally addicted, Amparo. 45 00:01:56,210 --> 00:01:59,141 - Addicted? - Yeah. 46 00:01:59,161 --> 00:02:01,150 Well, you're addicted to weed, but I keep it to myself. 47 00:02:01,171 --> 00:02:02,221 [chuckles] No, you don't. 48 00:02:02,240 --> 00:02:04,141 You tell me that every day, so... 49 00:02:04,161 --> 00:02:05,141 [siren passing nearby] 50 00:02:05,161 --> 00:02:07,081 Come on. Give me a turn. 51 00:02:07,100 --> 00:02:08,160 [scoffs] Here. 52 00:02:08,180 --> 00:02:09,190 Thanks. 53 00:02:11,220 --> 00:02:14,051 [buzzing, beeping] 54 00:02:16,060 --> 00:02:17,171 [dog barking] 55 00:02:17,191 --> 00:02:18,231 Hey, Rubén. 56 00:02:18,250 --> 00:02:20,240 What? 57 00:02:21,021 --> 00:02:22,231 Have you noticed life was like Snake? 58 00:02:22,250 --> 00:02:24,090 What do you mean? 59 00:02:24,111 --> 00:02:25,180 That life's like it, totally. 60 00:02:25,201 --> 00:02:27,160 Just look at it. 61 00:02:27,180 --> 00:02:30,021 You start out, and you're super small, 62 00:02:30,041 --> 00:02:32,220 but the more you eat, the bigger you get. 63 00:02:32,240 --> 00:02:36,150 and the bigger you get, man, the harder things become. 64 00:02:36,171 --> 00:02:38,250 It's 'cause the space stays the same. 65 00:02:39,030 --> 00:02:41,171 Always the same four walls. 66 00:02:41,191 --> 00:02:43,231 Then from out of nowhere, 67 00:02:43,250 --> 00:02:47,071 one day, you notice that you're not the same person. 68 00:02:47,090 --> 00:02:49,131 You're different now, 69 00:02:49,150 --> 00:02:52,041 don't fit anymore. 70 00:02:52,060 --> 00:02:54,180 Eventually your face smacks you in your ass, 71 00:02:54,201 --> 00:02:56,081 and then you die. 72 00:02:56,100 --> 00:02:58,111 - [buzzes] - Jeez, dude, 73 00:02:58,131 --> 00:02:59,201 you're making me all paranoid. 74 00:02:59,220 --> 00:03:02,051 Why wouldn't you be paranoid? 75 00:03:02,071 --> 00:03:03,220 Life is rough, Rubén. You gotta stop and reflect sometimes. 76 00:03:03,240 --> 00:03:06,101 [dog barks] 77 00:03:06,120 --> 00:03:07,220 Excuse me, my love. Got a light? 78 00:03:07,240 --> 00:03:08,111 Nah, but he does. 79 00:03:24,141 --> 00:03:26,120 No lie. Nice schlong. 80 00:03:26,141 --> 00:03:28,071 I can tell you mean business. 81 00:03:28,090 --> 00:03:30,111 - No. - Thank you, bad boy. 82 00:03:30,131 --> 00:03:31,201 - Don't you know her? - What? 83 00:03:31,220 --> 00:03:33,120 - Wait. Did you see her? - Who was it? 84 00:03:33,141 --> 00:03:35,131 No way! Amazing! I can't let her go. 85 00:03:35,150 --> 00:03:36,191 - ...see what she just did? - Excuse me! 86 00:03:36,210 --> 00:03:38,250 You're-- you're La Veneno. 87 00:03:39,030 --> 00:03:41,120 Of course I'm La Veneno, baby, 88 00:03:41,141 --> 00:03:43,120 well-known worldwide. - [car horn honks] 89 00:03:43,141 --> 00:03:45,021 What are you doing in Valencia? 90 00:03:45,041 --> 00:03:46,071 I've got some gigs coming up. 91 00:03:46,090 --> 00:03:48,141 That's awesome! 92 00:03:48,160 --> 00:03:50,041 ♪ Phone is ringing, the clock is ticking ♪ 93 00:03:50,060 --> 00:03:52,051 ♪ Just let me out... ♪ 94 00:03:52,071 --> 00:03:56,060 [sighing] 95 00:03:56,081 --> 00:03:58,071 You saw her grab my-- my dick right? 96 00:03:58,090 --> 00:03:59,141 - Of course she grabbed your dick! 97 00:03:59,160 --> 00:04:01,101 It was the least she could do, man. 98 00:04:01,120 --> 00:04:02,240 Do you know who that was? - No, but, Amparo... 99 00:04:03,021 --> 00:04:04,101 [rock music playing] 100 00:04:10,231 --> 00:04:12,220 ♪ Waiting by the phone ♪ 101 00:04:12,240 --> 00:04:14,201 ♪ No, I haven't heard the news ♪ 102 00:04:14,220 --> 00:04:16,071 - [cellphone beeping] - ♪ Oh, no, I haven't ♪ 103 00:04:16,090 --> 00:04:17,191 ♪ Checked the watch, and, oh ♪ 104 00:04:17,210 --> 00:04:18,210 ♪ You're weighting me down ♪ 105 00:04:18,230 --> 00:04:20,131 ♪ Waiting by the phone ♪ 106 00:04:20,150 --> 00:04:22,150 ♪ No, I haven't checked the watch ♪ 107 00:04:22,170 --> 00:04:24,110 ♪ And, no, I haven't heard the news ♪ 108 00:04:24,131 --> 00:04:26,170 ♪ And, oh, you're weighting me down ♪ 109 00:04:26,191 --> 00:04:30,050 ♪ And I know this song's stealing your thunder ♪ 110 00:04:30,071 --> 00:04:34,071 ♪ And I know you're beating me down ♪ 111 00:04:34,090 --> 00:04:37,230 ♪ Like a roller coaster, stealing your thunder ♪ 112 00:04:37,251 --> 00:04:42,071 ♪ And I know you're weighting me down ♪ 113 00:04:42,090 --> 00:04:44,230 ♪ The phone is ringing, the clock is ticking ♪ 114 00:04:44,251 --> 00:04:46,210 ♪ Let me out ♪ 115 00:04:46,230 --> 00:04:48,230 ♪ The phone is ringing ♪ 116 00:04:48,251 --> 00:04:50,170 ♪ The world is spinning ♪ 117 00:04:50,191 --> 00:04:53,021 ♪ And now... ♪ 118 00:04:53,040 --> 00:04:54,111 [rock music continues] 119 00:05:14,040 --> 00:05:16,230 With this bombshell of a woman, Verhoeven digs again 120 00:05:16,251 --> 00:05:19,181 into the dark side of the American dream. 121 00:05:19,201 --> 00:05:22,170 Are we in the presence of a new talent, or we are not? 122 00:05:22,191 --> 00:05:24,170 The truth is that appearances, 123 00:05:24,191 --> 00:05:27,081 according to critics, do not deceive. 124 00:05:27,100 --> 00:05:29,201 Paul Verhoeven, as you might remember, 125 00:05:29,220 --> 00:05:31,110 previously directed Basic Instinct, 126 00:05:31,131 --> 00:05:33,141 and now, with this follow-up piece, 127 00:05:33,160 --> 00:05:34,220 critics are beginning to have their doubts 128 00:05:34,241 --> 00:05:37,061 about his kitsch aesthetics. 129 00:05:37,081 --> 00:05:38,121 Verhoeven began his directing career... 130 00:05:38,141 --> 00:05:40,170 Oh, my God. What are you doing here? 131 00:05:40,191 --> 00:05:42,050 - Just visiting. - What a surprise. 132 00:05:42,071 --> 00:05:44,030 - I know. - You should've let us know. 133 00:05:44,050 --> 00:05:45,050 We would've bought you a gift - No, no, it's fine. 134 00:05:45,071 --> 00:05:46,141 - Oh, hey. - What? 135 00:05:46,160 --> 00:05:47,201 - Congratulations. - Thank you. 136 00:05:47,220 --> 00:05:49,131 Uh, be ready for the change of image. 137 00:05:49,150 --> 00:05:50,040 Faela, I love you. 138 00:05:52,230 --> 00:05:54,210 - Sonia! Girl! - [squeals] 139 00:05:54,230 --> 00:05:56,131 - Come here. - Sweetie, hey! 140 00:05:56,150 --> 00:05:59,121 Let me see. You look great. 141 00:05:59,141 --> 00:06:01,040 Girl, I can't wait to meet your baby. 142 00:06:01,061 --> 00:06:02,170 I'm sorry I couldn't come visit. 143 00:06:02,191 --> 00:06:03,220 I can't help sleeping all morning. 144 00:06:03,241 --> 00:06:05,201 These night shifts are killing me. 145 00:06:05,220 --> 00:06:07,160 I can't wake up, I swear. - No worries. No worries. 146 00:06:07,181 --> 00:06:08,100 I have to tell you about Romario. 147 00:06:08,121 --> 00:06:10,030 What happened? 148 00:06:10,050 --> 00:06:11,040 Sonia Monroy, first call, please. 149 00:06:11,061 --> 00:06:12,090 - Are you serious? - Yeah. 150 00:06:12,110 --> 00:06:13,141 - Come on. - Okay, five. Get ready. 151 00:06:13,160 --> 00:06:15,030 Oh, no. You see who's over there? 152 00:06:15,050 --> 00:06:17,160 I brought all the paperwork. It's not fair. 153 00:06:17,181 --> 00:06:20,071 No, no, no. Look. I even have a video, 154 00:06:20,090 --> 00:06:21,241 and I'm willing to tell everything, you know, 155 00:06:22,021 --> 00:06:23,131 absolutely everything! 156 00:06:23,150 --> 00:06:25,110 Please keep your voice down. 157 00:06:25,131 --> 00:06:27,210 - [applause] - Faela, honey. 158 00:06:27,230 --> 00:06:30,090 What are you doing here? - Where's my kiss? 159 00:06:30,110 --> 00:06:31,241 I'm so happy to see you. How are you? 160 00:06:32,021 --> 00:06:33,180 - How are you? - Good. 161 00:06:33,201 --> 00:06:35,191 - All right. Come with me. - What's up? 162 00:06:35,210 --> 00:06:37,050 I've spent two hours in the dressing room 163 00:06:37,071 --> 00:06:39,081 with Mario Conde. - [laughs] 164 00:06:39,100 --> 00:06:41,061 Apparently he wants to sing with one of the Los Brincos 165 00:06:41,081 --> 00:06:44,021 all of a sudden, and with the mess he's in, 166 00:06:44,040 --> 00:06:45,160 I tell you, girl, this place is something else. 167 00:06:45,180 --> 00:06:47,090 I know. I'm following you guys, 168 00:06:47,111 --> 00:06:48,180 hey, and it's really turning out. 169 00:06:48,201 --> 00:06:50,131 - It's pretty. Thank you. - I love it. 170 00:06:50,150 --> 00:06:52,131 Yeah, I know. You should have seen Carlotti yesterday 171 00:06:52,150 --> 00:06:54,090 with two huge cured hams, 172 00:06:54,111 --> 00:06:56,050 coming to greet us for the ratings. 173 00:06:56,071 --> 00:06:57,201 Listen, dear, I've gotta go. 174 00:06:57,220 --> 00:07:00,131 Hey, how's the new girl? 175 00:07:00,150 --> 00:07:02,220 Ah, Machús? 176 00:07:02,241 --> 00:07:05,040 Mm, she's okay, but she's not you. 177 00:07:05,061 --> 00:07:05,210 See ya. 178 00:07:17,230 --> 00:07:19,030 - [squeals] - [gasps] You jerk. 179 00:07:19,050 --> 00:07:21,090 [laughs] What's up? 180 00:07:21,110 --> 00:07:24,040 [scoffs] Can't stand her. 181 00:07:24,061 --> 00:07:25,110 She'd put Judas to shame. 182 00:07:25,131 --> 00:07:27,090 - Trust me. - Yeah. 183 00:07:27,110 --> 00:07:28,241 - Video's up in 15 seconds. - [both chuckle] 184 00:07:29,021 --> 00:07:30,090 Let's go to the story. Cut to camera. 185 00:07:30,110 --> 00:07:31,141 Please, people, hurry up. 186 00:07:31,160 --> 00:07:32,241 Have you seen her segments? 187 00:07:33,021 --> 00:07:34,090 - Oh, yeah. - They make me sick. 188 00:07:34,111 --> 00:07:35,100 Thing is she's not a journalist. 189 00:07:35,121 --> 00:07:36,141 - Of course she's not. 190 00:07:36,160 --> 00:07:38,021 - Exactly. - Places! 191 00:07:38,040 --> 00:07:39,251 She's a Mama Chicho or an Oquette, 192 00:07:40,030 --> 00:07:42,021 but a journalist? No way. 193 00:07:42,040 --> 00:07:45,121 And now let's hear it for Machús Osinaga! 194 00:07:45,141 --> 00:07:47,021 - [applause] - It's the ones upstairs. 195 00:07:47,040 --> 00:07:48,241 They want her onscreen 196 00:07:49,021 --> 00:07:51,150 since the girl is, um, easy on the eyes. 197 00:07:51,170 --> 00:07:52,251 - How are you, Pepe? - I'm great. 198 00:07:53,030 --> 00:07:55,150 How's it going? - Aw, I'm doing great. 199 00:07:55,170 --> 00:07:57,220 And what have you got for us today? 200 00:07:57,241 --> 00:08:01,191 All right, today I've got a man with a super penis! 201 00:08:01,210 --> 00:08:04,090 - [audience gasping] - MACHUS: That's right. 202 00:08:04,110 --> 00:08:06,150 We really want to see him, but we'll have to wait, 203 00:08:06,170 --> 00:08:08,220 because we got a commercial, guys! 204 00:08:08,241 --> 00:08:10,241 And coming up, Juan Ignacio Blanco 205 00:08:11,021 --> 00:08:12,150 with new clues for you. Don't move from your seat. 206 00:08:12,170 --> 00:08:13,241 [theme music playing] 207 00:08:16,251 --> 00:08:18,061 And we're out. 208 00:08:18,081 --> 00:08:19,141 Juan Ignacio, first call. 209 00:08:19,160 --> 00:08:20,191 Makeup, please. 210 00:08:20,210 --> 00:08:22,100 [crew murmuring] 211 00:08:25,090 --> 00:08:26,181 Faela! 212 00:08:26,201 --> 00:08:28,081 What are you doing? 213 00:08:28,100 --> 00:08:28,181 - I came to see you. - Oh. 214 00:08:31,121 --> 00:08:33,150 I'm not staying all day at home. 215 00:08:33,170 --> 00:08:36,080 [inhales] I want to talk about... 216 00:08:36,101 --> 00:08:37,231 Hit me. What is it? 217 00:08:37,251 --> 00:08:40,040 Ah, I'll introduce you. 218 00:08:40,060 --> 00:08:41,091 Hey! Nice to meet you. 219 00:08:41,111 --> 00:08:43,021 - Machús Osinaga. - Yeah. 220 00:08:43,040 --> 00:08:45,040 Nice to meet you. Very well. 221 00:08:45,060 --> 00:08:47,060 And, hey, it's gotta be great, right? 222 00:08:47,080 --> 00:08:48,111 It's gotta be such a great thing. 223 00:08:48,131 --> 00:08:50,021 What thing? 224 00:08:50,040 --> 00:08:51,241 Being a mom, of course. 225 00:08:52,021 --> 00:08:53,131 Oh, yeah, it's amazing. 226 00:08:53,150 --> 00:08:55,121 It was quite a surprise, right? 227 00:08:55,141 --> 00:08:56,241 Can you give us a moment? 228 00:08:57,021 --> 00:08:57,231 - Uh, yeah! - Great. 229 00:08:57,251 --> 00:08:59,180 Yeah, yeah, right. Okay. 230 00:08:59,200 --> 00:09:01,030 - So... - Two minutes, guys. 231 00:09:01,050 --> 00:09:02,241 - Yeah? - Reporters on camera? 232 00:09:03,030 --> 00:09:06,121 - Ah. - Since when? [chuckles] 233 00:09:06,141 --> 00:09:08,121 Motherhood looks like it really suits you, sweetheart. 234 00:09:08,141 --> 00:09:10,101 - Really? You have to tell me. - [chuckles] 235 00:09:10,121 --> 00:09:12,211 Seriously, the new girl on camera? 236 00:09:12,231 --> 00:09:13,190 There's something to share, right? 237 00:09:13,211 --> 00:09:16,050 Ah, yes, Faela. 238 00:09:16,070 --> 00:09:17,231 That we've got a show to do every single day 239 00:09:17,251 --> 00:09:19,190 and we need try new things for, 240 00:09:19,211 --> 00:09:22,021 but don't worry. Next time, I'll call you 241 00:09:22,040 --> 00:09:24,160 to run any changes by you so you can give me the okay. 242 00:09:24,180 --> 00:09:27,141 All right, I ve got Gemio in advertising. 243 00:09:27,160 --> 00:09:29,111 Picture's up now. Places, everyone. 244 00:09:29,131 --> 00:09:30,091 - Okay. - I know. 245 00:09:32,190 --> 00:09:34,170 Faela! 246 00:09:34,190 --> 00:09:36,101 I'm glad to see you. 247 00:09:36,121 --> 00:09:37,141 I miss you. 248 00:09:37,160 --> 00:09:40,050 ["Dreams" playing] 249 00:09:40,070 --> 00:09:41,241 - Here, sweetie. - All right. 250 00:09:42,021 --> 00:09:44,111 We're rolling in five, four, three.. 251 00:09:44,131 --> 00:09:46,251 Hey, I'm on my way, Mom. 252 00:09:47,030 --> 00:09:49,070 It was great. 253 00:09:49,091 --> 00:09:49,231 How's Lucas? 254 00:09:52,030 --> 00:09:52,180 Mm-hmm. 255 00:09:54,080 --> 00:09:56,021 All right. 256 00:09:56,040 --> 00:09:57,131 Is he sleeping now? 257 00:09:57,150 --> 00:09:59,150 [grunts] 258 00:09:59,170 --> 00:10:01,221 Ah, that's perfect, perfect. 259 00:10:01,241 --> 00:10:02,131 And, Mom... 260 00:10:05,211 --> 00:10:06,091 thank you. 261 00:10:10,091 --> 00:10:14,101 ♪ Oh, my life ♪ 262 00:10:14,121 --> 00:10:17,190 ♪ Is changing every day... ♪ 263 00:10:17,211 --> 00:10:18,190 - [brakes squeal] - Ahh! Look out, asshole! 264 00:10:18,211 --> 00:10:21,030 You almost ran me over! 265 00:10:21,050 --> 00:10:24,030 - You bitch! - Hey, I'm sorry, okay? 266 00:10:24,050 --> 00:10:25,221 - [overlapping chatter] - How could you miss this pair? 267 00:10:25,241 --> 00:10:28,121 Please forgive me. I didn't see you. 268 00:10:28,141 --> 00:10:30,101 We have things to do, sweetheart. 269 00:10:30,121 --> 00:10:31,141 Don't let that motherfucker ruin our night. 270 00:10:31,160 --> 00:10:33,251 ♪ Never quite as it seems ♪ 271 00:10:34,030 --> 00:10:35,190 ♪ It's never quite as it seems ♪ 272 00:10:35,211 --> 00:10:37,030 [car horn honking] 273 00:10:37,050 --> 00:10:38,060 Jesus. 274 00:10:40,221 --> 00:10:44,241 ♪ I know I felt like this before ♪ 275 00:10:45,021 --> 00:10:49,121 ♪ But now I'm feeling it even more ♪ 276 00:10:49,141 --> 00:10:51,180 ♪ Because it came from you ♪ 277 00:10:56,121 --> 00:11:00,131 ♪ Then I open up and see ♪ 278 00:11:00,150 --> 00:11:04,180 ♪ The person falling here is me ♪ 279 00:11:04,200 --> 00:11:06,241 ♪ A different way to be ♪ 280 00:11:11,040 --> 00:11:12,091 [vocalizing over headphones] 281 00:11:28,111 --> 00:11:32,021 ♪ I want more ♪ 282 00:11:32,040 --> 00:11:36,030 ♪ Impossible to ignore ♪ 283 00:11:36,050 --> 00:11:38,150 ♪ Impossible to ignore... ♪ 284 00:11:38,170 --> 00:11:40,030 BLANCA: Elisabeth Noelle-Neumann, 285 00:11:40,050 --> 00:11:42,190 in her book The Spiral of Silence, 286 00:11:42,211 --> 00:11:46,080 examines public opinion as a form of social control 287 00:11:46,101 --> 00:11:48,200 in which individuals will shape their behavior 288 00:11:48,221 --> 00:11:50,070 to match with the prevailing attitudes 289 00:11:50,091 --> 00:11:53,131 about what is acceptable and what is not. 290 00:11:53,150 --> 00:11:57,070 Neumann theorizes that society threatens with isolation 291 00:11:57,091 --> 00:11:58,211 those individuals who express positions 292 00:11:58,231 --> 00:12:00,221 contrary to the majority. 293 00:12:00,241 --> 00:12:03,231 Let me clarify that so you all understand. 294 00:12:03,251 --> 00:12:06,251 As individuals, we are capable and can perceive 295 00:12:07,030 --> 00:12:09,141 what the climate of dominant opinion is 296 00:12:09,160 --> 00:12:12,080 and base our responses on that. 297 00:12:12,101 --> 00:12:16,021 We are capable of changing our own actual opinions 298 00:12:16,040 --> 00:12:18,200 to stop showing people how we truly feel 299 00:12:18,221 --> 00:12:21,030 and to do what others want. Do you understand? 300 00:12:21,050 --> 00:12:22,190 This is what she's talking about. 301 00:12:22,211 --> 00:12:24,170 There is an experiment outlined in the book 302 00:12:24,190 --> 00:12:26,200 that I find very impressive. 303 00:12:26,221 --> 00:12:28,121 It's very simple. You have ten people, 304 00:12:28,141 --> 00:12:30,190 between eight and ten people, 305 00:12:30,211 --> 00:12:33,091 and all of them except one is part of the experiment. 306 00:12:33,111 --> 00:12:35,211 - Shh! - [whispering] I'm sorry. 307 00:12:35,231 --> 00:12:37,141 ...the climate of dominant public opinion, 308 00:12:37,160 --> 00:12:39,091 meaning what others are saying... 309 00:12:39,111 --> 00:12:41,111 It's just my friend saw La Veneno. 310 00:12:41,131 --> 00:12:43,060 - [whispering] Who? - Cristina La Veneno, 311 00:12:43,080 --> 00:12:45,101 here in Valencia. I'm freaking out. 312 00:12:45,121 --> 00:12:46,180 Who are you even talking about? 313 00:12:46,200 --> 00:12:48,121 Is it important? We're in class. 314 00:12:48,141 --> 00:12:50,141 Everybody, be quiet if you would. 315 00:12:50,160 --> 00:12:51,190 Thanks! - [school bell rings] 316 00:12:51,211 --> 00:12:53,131 Just a minute! 317 00:12:53,150 --> 00:12:56,070 Just a minute! Listen up! 318 00:12:56,091 --> 00:12:58,040 This book is one of the sociological keystones. 319 00:12:58,060 --> 00:13:00,121 It's very important. 320 00:13:00,141 --> 00:13:02,091 It poses an essential question for us as journalists. 321 00:13:02,111 --> 00:13:04,150 Just a moment! 322 00:13:04,170 --> 00:13:06,211 It contains a question of great importance. 323 00:13:06,231 --> 00:13:08,200 I'm talking about the role that media plays 324 00:13:08,221 --> 00:13:11,231 in our social contextualization, okay? 325 00:13:11,251 --> 00:13:13,231 Read the book, and write an outline for next week, 326 00:13:13,251 --> 00:13:15,221 and I want to see a journalistic summary, 327 00:13:15,241 --> 00:13:18,080 not a monotonous rehashing. 328 00:13:18,101 --> 00:13:19,131 Okay? Don't be boring. You got it? 329 00:13:19,150 --> 00:13:21,080 That's it! 330 00:13:21,101 --> 00:13:23,091 Now you're free to go. 331 00:13:23,111 --> 00:13:24,180 - [sizzling] - [Chinese folk music playing] 332 00:13:24,200 --> 00:13:26,150 - What's she like? - Please enjoy. Thanks. 333 00:13:26,170 --> 00:13:28,121 [sighs] She's gotten fat, 334 00:13:28,141 --> 00:13:29,170 but still beautiful. 335 00:13:29,190 --> 00:13:30,231 But very fat, to be honest. 336 00:13:30,251 --> 00:13:32,211 But so beautiful, like a cross 337 00:13:32,231 --> 00:13:35,131 between a superhero and a virgin. 338 00:13:35,150 --> 00:13:37,170 - A virgin? Really? - No, not like that. 339 00:13:37,190 --> 00:13:40,030 more like an apparition of the Virgin, yeah. 340 00:13:40,050 --> 00:13:42,080 And I tell you, dude, her tits... 341 00:13:42,101 --> 00:13:43,180 gigantic. 342 00:13:43,200 --> 00:13:45,080 - Oh, my God. - Yes. 343 00:13:45,101 --> 00:13:46,211 Cristina La Veneno. 344 00:13:46,231 --> 00:13:48,040 But she was in jail. - Yeah. 345 00:13:48,060 --> 00:13:50,121 La Veneno? From on TV? 346 00:13:50,141 --> 00:13:51,141 That's right, Chenta, darling. 347 00:13:51,160 --> 00:13:54,160 Well done. From the TV. 348 00:13:54,180 --> 00:13:57,131 I ran into her the other night. We were face to face, 349 00:13:57,150 --> 00:13:59,180 standing as close as you and me are right now. 350 00:13:59,200 --> 00:14:01,231 But why is she here, Amparo? I just don't get it. 351 00:14:01,251 --> 00:14:04,050 Well, I don't know. She said she had some gigs. 352 00:14:04,070 --> 00:14:06,091 - A performance? - A performance? No way! 353 00:14:06,111 --> 00:14:08,040 She's with the girls from La Fe. 354 00:14:08,060 --> 00:14:09,131 - The what, now? - The Hospital La Fe. 355 00:14:09,150 --> 00:14:11,060 Those prostitutes? 356 00:14:11,080 --> 00:14:13,131 Okay, why don't you shut your mouth? 357 00:14:13,150 --> 00:14:16,160 Just because she's trans, you assume she's a prostitute? 358 00:14:16,180 --> 00:14:17,141 Well, for your information, she's had plenty of gigs here. 359 00:14:17,160 --> 00:14:19,080 Stop it, honey. 360 00:14:19,101 --> 00:14:20,211 Hear me out. I live around there, 361 00:14:20,231 --> 00:14:23,091 and every night, there she is 362 00:14:23,111 --> 00:14:25,091 stopping cars, stopping cars. 363 00:14:25,111 --> 00:14:27,101 But I'm a big fan of hers, okay? I love her. 364 00:14:27,121 --> 00:14:29,221 [both speaking Chinese] 365 00:14:29,241 --> 00:14:32,170 No lie! Ciao. 366 00:14:32,190 --> 00:14:34,030 Man, oh, man. I always knew that dude was gay. 367 00:14:34,050 --> 00:14:36,050 I was sure of it. 368 00:14:36,070 --> 00:14:38,101 Oh, but if his mother finds out, she'll die. 369 00:14:38,121 --> 00:14:39,170 But as gay as he is pretty, 370 00:14:39,190 --> 00:14:40,221 much like you. 371 00:14:40,241 --> 00:14:42,200 - Amparo - What? 372 00:14:42,221 --> 00:14:43,231 May we go to the hospital? 373 00:14:43,251 --> 00:14:46,101 Why the screaming? 374 00:14:46,121 --> 00:14:47,241 Because they say they're coming from upstairs, 375 00:14:48,021 --> 00:14:49,121 then downstairs, and then they're gone. 376 00:14:49,141 --> 00:14:50,221 We've all been here since 6 A.M., 377 00:14:50,241 --> 00:14:52,150 and they're still not coming. 378 00:14:52,170 --> 00:14:53,211 Tell me, who are you talking about? 379 00:14:53,231 --> 00:14:55,021 - Take That. - Take Khan. 380 00:14:55,040 --> 00:14:56,141 If they're not coming, 381 00:14:56,160 --> 00:14:58,070 then they should just say that! 382 00:14:58,091 --> 00:15:00,101 But to have us waiting here is so unfair. 383 00:15:00,121 --> 00:15:02,060 Right! Why all the tears, my dear? Tell me. 384 00:15:02,080 --> 00:15:03,080 Because I'm fed up! I think my nerves are shot. 385 00:15:03,101 --> 00:15:05,040 [screaming] 386 00:15:08,121 --> 00:15:10,121 My God! Then someone screams, "Over here!" 387 00:15:10,141 --> 00:15:12,030 "No, over here!" And then they're running in circles 388 00:15:12,050 --> 00:15:13,221 like crazy, stepping on each other. 389 00:15:13,241 --> 00:15:15,060 I think they'll be here soon and when they do-- 390 00:15:15,080 --> 00:15:17,111 But what if-- what if they're not? 391 00:15:17,131 --> 00:15:18,241 But then I'll just kill myself, 392 00:15:19,021 --> 00:15:20,190 because it's not fair. - Calm down. 393 00:15:20,211 --> 00:15:22,091 Maybe we aren't good enough fans for them. 394 00:15:22,111 --> 00:15:24,030 - No! -[fans shouting] 395 00:15:24,050 --> 00:15:28,121 [all singing] 396 00:15:28,141 --> 00:15:31,190 I love you! I love you! 397 00:15:31,211 --> 00:15:34,070 [sighs] Well, they're all bat-shit crazy. 398 00:15:34,091 --> 00:15:36,060 - Really. - Some came with their mothers, 399 00:15:36,080 --> 00:15:38,160 and their mothers were even crazier than the teenagers. 400 00:15:38,180 --> 00:15:39,160 - That was good. - Impressive. 401 00:15:39,180 --> 00:15:41,080 I can't even. Honestly, eh? 402 00:15:41,101 --> 00:15:43,021 - Tremendous job, Machús. - Thank you. 403 00:15:43,040 --> 00:15:43,190 We'll edit it and use it tonight. 404 00:15:43,211 --> 00:15:45,141 That's great. 405 00:15:45,160 --> 00:15:47,221 We'll put it between Tristan Braker 406 00:15:47,241 --> 00:15:49,200 - from the Vallecas scandal... - Mm-hmm. 407 00:15:49,221 --> 00:15:52,091 - and Beatriz Rico. - Okay. [chuckles] 408 00:15:52,111 --> 00:15:55,030 And tonight we've also got the "Medio Limón." 409 00:15:55,050 --> 00:15:57,241 - ♪ Un limón y medio limón ♪ - A song about lemons. 410 00:15:58,021 --> 00:15:59,150 ♪ Cincuenta limones y medio limón ♪ 411 00:15:59,170 --> 00:16:01,050 And, well, for those of you who don't know, Faela, 412 00:16:01,070 --> 00:16:03,160 our supermommy, is back early 413 00:16:03,180 --> 00:16:05,050 from her maternity leave to join us. 414 00:16:05,070 --> 00:16:05,211 - [applause] - Welcome back! 415 00:16:07,200 --> 00:16:10,040 - Welcome. - [laughs] 416 00:16:10,060 --> 00:16:12,160 You take your time, and when you got a story, let us know. 417 00:16:12,180 --> 00:16:13,211 - I've already got something. - Is that right? 418 00:16:13,231 --> 00:16:14,251 - Yes. But I don't know... - Yeah? 419 00:16:16,200 --> 00:16:18,170 Okay. I've got a man 420 00:16:18,190 --> 00:16:20,251 in Lavapiés who does whatever I say. 421 00:16:21,030 --> 00:16:23,170 He's got one of those weird sex philias. 422 00:16:23,190 --> 00:16:25,180 We'd spend the day together, and I'd share the experience. 423 00:16:25,200 --> 00:16:27,131 Okay, but Machús did that last week. 424 00:16:27,150 --> 00:16:30,040 - Yeah, but-- - At the Sex Fair in Barcelona. 425 00:16:30,060 --> 00:16:32,150 But it wouldn't have that festive feeling that-- 426 00:16:32,170 --> 00:16:34,231 Faela, I'm sorry. We need some new stuff. 427 00:16:34,251 --> 00:16:37,040 What do we have? - Can we bring back the mime? 428 00:16:37,060 --> 00:16:38,180 - No, not the mime. - Pepe, listen to me. 429 00:16:38,200 --> 00:16:40,150 - No way. - Listen to me. It'll be great. 430 00:16:40,170 --> 00:16:42,141 He'll do that joke you like from Felipe González 431 00:16:42,160 --> 00:16:44,190 and the English classes from Carrascal to set the stage. 432 00:16:44,211 --> 00:16:46,111 - The mime is a no, please. - And we'll compare 433 00:16:46,131 --> 00:16:47,251 Felipe González's dick to Bill Clinton's. 434 00:16:48,030 --> 00:16:49,111 It'd be funny, Pepe! - No. 435 00:16:49,131 --> 00:16:52,131 The police in Galicia are looking into 436 00:16:52,150 --> 00:16:54,080 some satanic rituals in an abandoned church. 437 00:16:54,101 --> 00:16:55,251 Um, no, come on. Has anyone got-- 438 00:16:56,030 --> 00:16:57,141 What about the father and daughter 439 00:16:57,160 --> 00:16:59,040 that say they were abducted in Cabo de Gata 440 00:16:59,060 --> 00:17:00,190 because of the energy field thing? 441 00:17:00,211 --> 00:17:02,111 Yeah, but we would need to go... - People! 442 00:17:02,131 --> 00:17:04,021 Does anyone have-- - Okay, me! I think 443 00:17:04,040 --> 00:17:07,100 I've got a story that I can give to Faela. 444 00:17:07,120 --> 00:17:10,251 I've two lesbian friends who own a bar in Chueca, 445 00:17:11,030 --> 00:17:12,120 and they're having a protest wedding. 446 00:17:12,140 --> 00:17:14,090 - When is it? - It's tonight. 447 00:17:14,110 --> 00:17:16,060 And since we've got the Barb Wirething 448 00:17:16,080 --> 00:17:18,040 with Pamela Anderson, I'm not available to follow up. 449 00:17:18,060 --> 00:17:19,050 Yeah, but that's not something new. 450 00:17:19,070 --> 00:17:21,040 You take it Faela, okay? 451 00:17:21,060 --> 00:17:22,191 Well, I think that'll do it for tonight. 452 00:17:22,211 --> 00:17:25,040 Right, Mari? - Yeah, we got it. 453 00:17:25,060 --> 00:17:26,251 And come in prepared tomorrow, 454 00:17:27,030 --> 00:17:29,050 because this was a bit dull, all right? Okay. 455 00:17:29,070 --> 00:17:30,090 - Fine. - [staff murmuring] 456 00:17:35,191 --> 00:17:37,110 Pepe, the auditions. 457 00:17:37,130 --> 00:17:38,110 Hope you called in some good ones, huh? 458 00:17:38,130 --> 00:17:39,191 - Here's hoping. - Pepe. 459 00:17:39,211 --> 00:17:41,040 - What? - More lesbians? 460 00:17:41,060 --> 00:17:42,191 - Yes. [sighs] - Really? 461 00:17:42,211 --> 00:17:44,140 What's so special about them, huh? 462 00:17:44,161 --> 00:17:46,100 You were just saying you need something new 463 00:17:46,120 --> 00:17:48,151 and out of the box. Jesus, my sister's a lesbian. 464 00:17:48,171 --> 00:17:50,040 - But it's a wedding. - But that's bullshit, man! 465 00:17:50,060 --> 00:17:51,191 If you came to piss me off, just go home. 466 00:17:51,211 --> 00:17:53,090 Precisely. Because I'm back, 467 00:17:53,110 --> 00:17:55,080 I'm not gonna do some shitty coverage. 468 00:17:55,100 --> 00:17:56,090 - Pepe, I've got more ideas... - Faela. Listen to me. 469 00:17:56,110 --> 00:17:58,070 I haven't slept in days. 470 00:17:58,090 --> 00:18:00,070 Maybe your kid is a saint, but mine isn't. 471 00:18:00,090 --> 00:18:02,201 I've gotta watch 2,000 auditions for a sketch 472 00:18:02,221 --> 00:18:05,120 before it falls apart. It is me who's getting tired, okay? 473 00:18:05,140 --> 00:18:07,181 You sure you wanna come back? - Yes. 474 00:18:07,201 --> 00:18:08,181 Then you are doing the lesbian wedding. 475 00:18:10,161 --> 00:18:11,060 Excuse me. 476 00:18:18,060 --> 00:18:18,211 [sighs] 477 00:18:40,070 --> 00:18:42,100 [sighs] 478 00:18:42,120 --> 00:18:44,191 [pop music playing] 479 00:18:44,211 --> 00:18:46,140 Hey, we're drawing attention. 480 00:18:46,161 --> 00:18:48,090 I can't help it. My boyfriend is tacky. 481 00:18:48,110 --> 00:18:49,231 Well, at least turn the music down. 482 00:18:49,251 --> 00:18:51,100 He says-- No, no, no! Don't touch it. 483 00:18:51,120 --> 00:18:52,221 Don't touch anything. It's a total mess. 484 00:18:52,241 --> 00:18:54,231 If you push that button, it starts to smoke, 485 00:18:54,251 --> 00:18:57,070 The the lights start flashing, and after that-- 486 00:18:57,090 --> 00:18:57,161 AMPARO: Oh, my God, quite a place, right? 487 00:19:01,241 --> 00:19:04,130 - This is it. - Here? 488 00:19:04,151 --> 00:19:05,161 Oh, my God. Look, look, look, look, look! 489 00:19:09,181 --> 00:19:11,090 Do you think they're all trans? 490 00:19:11,110 --> 00:19:13,241 Oh, man. I don't know. 491 00:19:14,021 --> 00:19:15,130 I can go ask them if you want me to. 492 00:19:15,151 --> 00:19:16,090 Oh, wow. 493 00:19:28,130 --> 00:19:29,201 [hydraulics whirring] 494 00:19:47,211 --> 00:19:50,151 Who are these snow bunnies? 495 00:19:50,171 --> 00:19:52,201 Newbies to the back of the line. 496 00:19:52,221 --> 00:19:53,191 If you don't have boobs, go with the transformers. 497 00:19:53,211 --> 00:19:56,040 Get in line. 498 00:19:56,060 --> 00:19:57,191 Know what's screwing up our business, don't you? 499 00:19:57,211 --> 00:19:59,021 It's the fucking Internet. 500 00:19:59,040 --> 00:20:00,090 - Oh! - Here we go again. 501 00:20:00,110 --> 00:20:01,040 Please. You're always so annoying. 502 00:20:01,060 --> 00:20:02,171 Go to the street, 503 00:20:02,191 --> 00:20:03,191 and stop some cars, why don't you? 504 00:20:03,211 --> 00:20:04,100 - Hello. - Hi. 505 00:20:09,161 --> 00:20:11,040 What is it? 506 00:20:11,060 --> 00:20:13,021 We're looking for Cristina. 507 00:20:13,040 --> 00:20:14,050 - From Huelva? - No, uh... 508 00:20:14,070 --> 00:20:15,151 La Veneno. 509 00:20:15,171 --> 00:20:17,100 - [whistles] - Ooh! 510 00:20:17,120 --> 00:20:17,221 They'd have to ask Paca. 511 00:20:19,191 --> 00:20:22,110 - Chesca! - What? 512 00:20:22,130 --> 00:20:24,181 - Where is Paca? - The Piranha? 513 00:20:24,201 --> 00:20:26,241 - Yeah. - She went off the dirt road. 514 00:20:27,021 --> 00:20:28,241 - [chuckles] - Yeah, so she's busy. 515 00:20:29,021 --> 00:20:30,201 - Very. - Well, then, thanks anyway. 516 00:20:30,221 --> 00:20:32,120 - Thank you. - Where are you going? 517 00:20:32,140 --> 00:20:34,231 She won't take long. Just relax, kiddos. 518 00:20:34,251 --> 00:20:36,161 What's the big hurry? We don't bite. 519 00:20:36,181 --> 00:20:38,181 What was I saying? - Leave the nails. 520 00:20:38,201 --> 00:20:40,080 I told you to leave those nails alone. 521 00:20:40,100 --> 00:20:42,060 - Yeah. - Oh, God. Come on, girl. 522 00:20:42,080 --> 00:20:43,231 You ever read that book called The Secret,huh? 523 00:20:43,251 --> 00:20:44,241 The secret she hides in her coochie, darling. 524 00:20:45,021 --> 00:20:46,181 Funny hats. Glasses. 525 00:20:46,201 --> 00:20:48,171 Cold beers. Coca-Cola. Blinking lights. 526 00:20:48,191 --> 00:20:49,191 Manolito, you look like a Christmas tree! 527 00:20:49,211 --> 00:20:51,040 Gorgeous! 528 00:20:51,060 --> 00:20:53,241 Such pretty little things. 529 00:20:54,021 --> 00:20:55,060 - I know. - He's adorable, right? 530 00:20:55,080 --> 00:20:56,171 Just can't believe him sometimes. 531 00:20:56,191 --> 00:20:57,060 Oh, no, no, no, no. [chuckles] 532 00:21:00,181 --> 00:21:01,231 What do you want? 533 00:21:01,251 --> 00:21:03,151 My picture or just an autograph? 534 00:21:03,171 --> 00:21:06,181 No, no. Sorry. It's just that-- 535 00:21:06,201 --> 00:21:08,070 I love your purse. 536 00:21:08,090 --> 00:21:09,151 Oh, yeah? I saw it in Telva. 537 00:21:09,171 --> 00:21:11,060 - Telva? -Mm-hmm. 538 00:21:11,080 --> 00:21:13,201 - You heard? In Telva. -Mm-hmm. 539 00:21:13,221 --> 00:21:15,211 It's the perfect size. It's great for two condoms, 540 00:21:15,231 --> 00:21:17,201 four wipes, two lipsticks. - Mm-hmm. 541 00:21:17,221 --> 00:21:20,030 I told you, leave those nails alone! 542 00:21:20,050 --> 00:21:21,050 - Don't do that, girl. - You're driving me crazy! 543 00:21:21,070 --> 00:21:23,161 Zane, here comes Paca! 544 00:21:23,181 --> 00:21:24,120 Paca! 545 00:21:26,130 --> 00:21:27,151 What? 546 00:21:27,171 --> 00:21:29,080 Come over here! 547 00:21:29,100 --> 00:21:30,110 They're looking for La Veneno. 548 00:21:30,130 --> 00:21:31,181 I'm coming! 549 00:21:31,201 --> 00:21:33,040 [techno music playing] 550 00:21:45,080 --> 00:21:47,030 - [music stops] - Come here. 551 00:21:47,050 --> 00:21:48,070 - Who are these outsiders? - I don't know. 552 00:21:48,090 --> 00:21:50,241 - Hello. - Hi. 553 00:21:51,021 --> 00:21:52,191 Good evening. And who are you looking for? 554 00:21:52,211 --> 00:21:54,181 We wanted to meet La Veneno. 555 00:21:54,201 --> 00:21:56,221 Oh, honey, there's no Veneno here. 556 00:21:56,241 --> 00:21:58,050 Who told you that? - AMPARO: No one. 557 00:21:58,070 --> 00:21:59,100 I saw her the other day. 558 00:21:59,120 --> 00:22:00,221 The other day? 559 00:22:00,241 --> 00:22:01,241 You must have been drunk. 560 00:22:02,021 --> 00:22:03,211 Ain't no Veneno here. 561 00:22:03,231 --> 00:22:05,060 Listen, man, I know I saw her. 562 00:22:05,080 --> 00:22:07,100 "Man"?! Haven't you seen my rack? 563 00:22:07,120 --> 00:22:08,140 I just hid my pussy in the crack! 564 00:22:08,161 --> 00:22:10,021 - Come on, Amparo. - Bug off! 565 00:22:10,040 --> 00:22:11,080 - She's mad. - Now sling your hook! 566 00:22:11,100 --> 00:22:12,211 - I promise I saw her. - Amparo. 567 00:22:12,231 --> 00:22:14,050 - Get in your car, and go! - Amparo, let it go. 568 00:22:14,070 --> 00:22:15,110 - I did. - On your way now. 569 00:22:15,130 --> 00:22:16,241 - Don't come back! - Bye-bye! 570 00:22:17,021 --> 00:22:18,191 Good night now. Take care, and drive safe. 571 00:22:18,211 --> 00:22:20,140 - Who are they? - No one. 572 00:22:20,161 --> 00:22:21,201 - Is there a fight or what? - No, no, honey. 573 00:22:21,221 --> 00:22:23,181 Big fight tonight! 574 00:22:23,201 --> 00:22:25,090 - No! there's no-- - Big fight tonight! 575 00:22:25,110 --> 00:22:27,080 - Listen here! - The things I have to endure. 576 00:22:27,100 --> 00:22:28,221 I told you to leave them alone. - Leave them alone. 577 00:22:28,241 --> 00:22:30,060 You don't have to yell. My God. 578 00:22:30,080 --> 00:22:33,040 [engine sputtering] 579 00:22:33,060 --> 00:22:34,211 You didn't say anything to them, right? 580 00:22:34,231 --> 00:22:36,080 I didn't say anything, no. 581 00:22:36,100 --> 00:22:37,070 - I didn't. - I really hope so. 582 00:22:37,090 --> 00:22:38,231 - I didn't. - No. 583 00:22:38,251 --> 00:22:42,080 Someone asks for La Veneno, she is not here. 584 00:22:42,100 --> 00:22:44,040 I gotta get her her magazine 585 00:22:44,060 --> 00:22:45,130 and her tobacco. - Right. 586 00:22:45,151 --> 00:22:47,130 That girl smokes like a chimney. 587 00:22:47,151 --> 00:22:49,211 - God bless you, dear. - If they come back, shh! 588 00:22:49,231 --> 00:22:51,060 Over and out. 589 00:22:51,080 --> 00:22:55,030 [dance music playing nearby] 590 00:22:55,050 --> 00:22:57,221 - Great. Just great. - The bar is closed tonight-- 591 00:22:57,241 --> 00:22:59,171 Trust me. I know girls like this, the games they play. 592 00:22:59,191 --> 00:23:01,120 I've dealt with her type before. 593 00:23:01,140 --> 00:23:03,030 Lesbians can be very intense. 594 00:23:03,050 --> 00:23:04,181 No, dude. Machús! 595 00:23:04,201 --> 00:23:06,030 I'm talking about Machús! 596 00:23:06,050 --> 00:23:07,100 She's yanking our chain. 597 00:23:07,120 --> 00:23:09,050 This was a setup. 598 00:23:09,070 --> 00:23:10,241 Do you know who I saw her with today? 599 00:23:11,021 --> 00:23:13,161 - No, who? - With Rober. 600 00:23:13,181 --> 00:23:15,140 - Doing what? - [laughs] 601 00:23:15,161 --> 00:23:17,130 Haven't you heard the joke? 602 00:23:17,151 --> 00:23:19,070 "There once was an actress who was so stupid 603 00:23:19,090 --> 00:23:20,070 she hooked up with the writer." 604 00:23:20,090 --> 00:23:22,110 Seriously? 605 00:23:22,130 --> 00:23:23,211 Are you crazy? 606 00:23:23,231 --> 00:23:25,100 You're smoking? 607 00:23:25,120 --> 00:23:27,060 Dude, I've already had the baby. 608 00:23:27,080 --> 00:23:29,140 True. 609 00:23:29,161 --> 00:23:31,110 What do we do? Grab a beer? 610 00:23:31,130 --> 00:23:32,171 Or maybe two? 611 00:23:32,191 --> 00:23:34,040 No, forget it. 612 00:23:34,060 --> 00:23:36,130 I need a story, a good comeback. 613 00:23:36,151 --> 00:23:37,050 Yeah. 614 00:23:39,090 --> 00:23:41,120 Well, it's your call. 615 00:23:41,140 --> 00:23:43,080 Come on. 616 00:23:43,100 --> 00:23:48,251 Come on. Let's go. 617 00:23:49,030 --> 00:23:49,241 I know that look. 618 00:23:50,021 --> 00:23:51,070 [laughs] 619 00:23:55,161 --> 00:23:57,021 Oh, no, no, no, Faela. We can't film here. 620 00:23:57,040 --> 00:23:59,211 Why not? 621 00:23:59,231 --> 00:24:01,050 Well, because-- 'cause not even the cops come here. 622 00:24:03,060 --> 00:24:03,161 [Pablo sighs] 623 00:24:07,201 --> 00:24:08,090 Oh, my God. 624 00:24:12,050 --> 00:24:13,241 Let's go. 625 00:24:14,021 --> 00:24:14,201 For crying out loud. 626 00:24:26,151 --> 00:24:27,181 Shit! 627 00:24:27,201 --> 00:24:28,161 The mic. Here. 628 00:24:30,171 --> 00:24:31,151 The camera, turn it on. 629 00:24:31,171 --> 00:24:33,050 Someone's coming. 630 00:24:33,070 --> 00:24:34,120 Sound check. Everything okay? 631 00:24:34,140 --> 00:24:35,221 Rolling. Rolling! 632 00:24:35,241 --> 00:24:37,050 - One sec. - Hello! 633 00:24:37,070 --> 00:24:39,100 Excuse me! Stop, please! 634 00:24:39,120 --> 00:24:41,021 - It's rolling. - Hello. Good evening. 635 00:24:41,040 --> 00:24:43,181 Do you require the services of a prostitute? 636 00:24:43,201 --> 00:24:44,221 Do you know what kind of prostitution goes on here? 637 00:24:44,241 --> 00:24:45,140 Sir! Sir! 638 00:24:49,080 --> 00:24:51,070 That's it. Let's go. 639 00:24:51,090 --> 00:24:52,030 We're not gonna get anything. 640 00:24:52,050 --> 00:24:53,120 Wait. Wait, wait. Wait. 641 00:24:53,140 --> 00:24:55,110 We're not over yet. Hit it. 642 00:24:55,130 --> 00:24:57,211 - Hello! - Don't film me, okay? 643 00:24:57,231 --> 00:24:59,120 - Wait. Don't go. - Don't film me! No. 644 00:24:59,140 --> 00:25:01,171 - You look amazing! - Fuck off! Go away! 645 00:25:01,191 --> 00:25:02,090 - Let's go! - You look like shit. 646 00:25:02,110 --> 00:25:03,040 Oh, fuck! 647 00:25:06,151 --> 00:25:08,120 - Let's go. No one's gonna talk. - Just gimme a sec. Look! 648 00:25:08,140 --> 00:25:09,191 - [car horn honking] - Somebody's coming. 649 00:25:09,211 --> 00:25:10,140 - Another one? - Somebody's coming. 650 00:25:10,161 --> 00:25:12,241 Stop! Stop! Stop! 651 00:25:13,021 --> 00:25:13,201 - [beeping fades] - What an asshole. 652 00:25:13,221 --> 00:25:15,030 [Pablo groans] 653 00:25:15,050 --> 00:25:16,181 There, Faela. Let's go. 654 00:25:16,201 --> 00:25:18,040 That's it. - Okay, just a second. 655 00:25:18,060 --> 00:25:19,241 Let's go. Do you know what time it is? 656 00:25:20,021 --> 00:25:22,110 It's dangerous. Bad things happen around here. 657 00:25:22,130 --> 00:25:23,221 People get killed. 658 00:25:23,241 --> 00:25:26,070 - [brakes squealing] - Come on. 659 00:25:26,090 --> 00:25:29,030 Do you want to get us killed? Huh? 660 00:25:29,050 --> 00:25:30,171 Just let it go, please! 661 00:25:30,191 --> 00:25:31,070 All right? 662 00:25:33,130 --> 00:25:34,201 Pablo. 663 00:25:34,221 --> 00:25:37,100 No. "Pablo," my ass! 664 00:25:37,120 --> 00:25:39,231 When I saw that you came back, I was so excited to see you, 665 00:25:39,251 --> 00:25:41,040 but you are being impossible right now. 666 00:25:41,060 --> 00:25:41,241 Pablo, you have to look. 667 00:25:43,161 --> 00:25:44,140 Jesus! 668 00:25:46,100 --> 00:25:48,231 [chorus vocalizing] 669 00:25:48,251 --> 00:25:49,151 Roll. 670 00:25:51,030 --> 00:25:52,211 Hello! 671 00:25:52,231 --> 00:25:54,161 Mind if we ask some questions? 672 00:25:54,181 --> 00:25:56,130 No, my love. Please, just ask. 673 00:25:56,151 --> 00:25:58,201 Wow, you are beautiful. 674 00:25:58,221 --> 00:26:02,030 Well, you know, I like luxury and high fashion. 675 00:26:02,050 --> 00:26:03,211 Tell me, do you always wear the same outfit? 676 00:26:03,231 --> 00:26:04,231 Each night, it's something different, 677 00:26:04,251 --> 00:26:06,110 like the bombshell I am. 678 00:26:06,130 --> 00:26:08,201 What are you, a man or a woman? 679 00:26:08,221 --> 00:26:11,040 Is that a joke? I'm a chameleon, baby. 680 00:26:11,060 --> 00:26:12,201 What are you dressed as tonight, a sultan? 681 00:26:12,221 --> 00:26:14,030 Well, I don't know what I am, honestly. 682 00:26:14,050 --> 00:26:16,201 A sultan, a Moor, an Indian. 683 00:26:16,221 --> 00:26:20,021 I'm Pocahontas, but I have a shark. 684 00:26:20,040 --> 00:26:22,050 What's a shark? 685 00:26:22,070 --> 00:26:24,151 You don't know what a shark is? 686 00:26:24,171 --> 00:26:27,221 "El tiburón se la llevo, se la llevo" 687 00:26:27,241 --> 00:26:29,191 between my legs, baby. 688 00:26:29,211 --> 00:26:31,100 I'm hiding a shark that'll grab you. 689 00:26:31,120 --> 00:26:33,221 - And how much? - I'm very expensive. 690 00:26:33,241 --> 00:26:36,060 I don't want to say how much, 'cause... 691 00:26:36,080 --> 00:26:38,070 - [car horn honks] - Hang on a sec, my love. 692 00:26:38,090 --> 00:26:39,151 FAELA: Get the car. Get the car. 693 00:26:39,171 --> 00:26:40,100 On it. On it. I got it. 694 00:26:42,191 --> 00:26:44,021 $80. 695 00:26:44,040 --> 00:26:45,040 Fancy these, baby? 696 00:26:47,100 --> 00:26:49,191 Well, fuck you very much. 697 00:26:49,211 --> 00:26:51,090 How much did that cheapskate offer you? 698 00:26:51,110 --> 00:26:53,151 $40. 40 for a shine, 699 00:26:53,171 --> 00:26:55,040 but I'm worth way more. 700 00:26:55,060 --> 00:26:56,130 And what is "a shine"? 701 00:26:56,151 --> 00:26:57,241 You don't know what a shine is? 702 00:26:58,021 --> 00:26:59,100 [inhales] 703 00:26:59,120 --> 00:27:01,211 It's a very intense thing. 704 00:27:01,231 --> 00:27:02,201 Do you know what a Greek is? - No. 705 00:27:02,221 --> 00:27:03,201 You're clueless. 706 00:27:03,221 --> 00:27:06,040 Very well. 707 00:27:06,060 --> 00:27:11,080 Imagine that this is a spicy lollipop. Spicy. 708 00:27:11,100 --> 00:27:14,100 And then you put the rubber, always a rubber on it, 709 00:27:14,120 --> 00:27:16,130 so it's never gonna spill, you hear me? 710 00:27:16,151 --> 00:27:18,070 Better inside than out. 711 00:27:18,090 --> 00:27:19,211 And then where do you put it? 712 00:27:19,231 --> 00:27:21,181 Where do I put it? 713 00:27:21,201 --> 00:27:22,171 My coochie... - [car horn honks] 714 00:27:22,191 --> 00:27:24,070 clear as day, my love. 715 00:27:24,090 --> 00:27:25,191 Hang on a sec. 716 00:27:25,211 --> 00:27:27,110 What do I do? What do I do? 717 00:27:27,130 --> 00:27:28,021 What do you do? Roll. Roll. 718 00:27:30,151 --> 00:27:31,040 You want a taste, sweetie? 719 00:27:33,130 --> 00:27:35,050 - She's leaving. - I know. 720 00:27:35,070 --> 00:27:36,211 See you soon, my love! 721 00:27:36,231 --> 00:27:38,241 And practice your shine. 722 00:27:39,021 --> 00:27:39,241 It'll make your life better. 723 00:27:42,140 --> 00:27:43,130 - [car door closes] - Oh, my God. 724 00:27:43,151 --> 00:27:45,241 Amazing. Amazing! 725 00:27:46,021 --> 00:27:48,040 - That's heavy! - [gasping] 726 00:27:48,060 --> 00:27:49,130 Follow me. Let's get some B-roll. Come on. 727 00:27:49,151 --> 00:27:50,201 I'm totally speechless. 728 00:27:50,221 --> 00:27:52,201 [overlapping chatter] 729 00:27:52,221 --> 00:27:54,090 PABLO: Yeah, this'll work, but quickly. 730 00:27:54,110 --> 00:27:54,231 Okay. [grunts] 731 00:27:57,030 --> 00:27:58,110 - [engine revs] - I've got you. 732 00:27:58,130 --> 00:28:00,201 Go whenever you're ready. Rolling. 733 00:28:00,221 --> 00:28:03,231 We captured these scenes in this place, 734 00:28:03,251 --> 00:28:06,110 the Madrid's West Side Park, 735 00:28:06,130 --> 00:28:09,050 where each night, these encounters are occurring, 736 00:28:09,070 --> 00:28:11,070 the things no one talks about. - Hey! 737 00:28:11,090 --> 00:28:12,241 Wait. Keep-- keep rolling just in case, Pablo. 738 00:28:13,021 --> 00:28:14,130 - What are you doing? - Don't turn the camera off. 739 00:28:14,151 --> 00:28:15,191 - Turn that off now! - No. Calm down. 740 00:28:15,211 --> 00:28:17,161 Turn the camera off now! Go to hell! 741 00:28:17,181 --> 00:28:19,130 - Careful with the camera. - You, get Norma! 742 00:28:19,151 --> 00:28:20,120 Tamara! - What's wrong? 743 00:28:20,140 --> 00:28:22,030 Go get Manola! 744 00:28:22,050 --> 00:28:23,221 - Manola! - What are you doing? 745 00:28:23,241 --> 00:28:24,181 - Give me the tape! - We're doing extra shots. 746 00:28:24,201 --> 00:28:26,231 Do not touch the camera. 747 00:28:26,251 --> 00:28:28,251 Go get your extra shots of your mother's ass, bitch! 748 00:28:29,030 --> 00:28:30,151 We're out here freezing, selling our pussy. 749 00:28:30,171 --> 00:28:32,151 - Hey-- - And you come to laugh at us? 750 00:28:32,171 --> 00:28:34,070 I'm working, too, my friend, okay? 751 00:28:34,090 --> 00:28:36,050 We're both doing our jobs just like you. 752 00:28:36,070 --> 00:28:37,181 What are you filming here? Give me the tape. 753 00:28:37,201 --> 00:28:39,201 Come on. - No, no, we're not filming you. 754 00:28:39,221 --> 00:28:41,151 You misunderstand us. We're not recording you. 755 00:28:41,171 --> 00:28:42,151 - You liar! - It's just about the park. 756 00:28:42,171 --> 00:28:44,060 I don't care. Give me the tape. 757 00:28:44,080 --> 00:28:45,130 - I'll give you the tape. - Hand it over! 758 00:28:45,151 --> 00:28:46,130 Good. That's right. Hand it over. 759 00:28:46,151 --> 00:28:48,211 Hey, what are you doing? 760 00:28:48,231 --> 00:28:50,171 Don't make any problems for yourself. Hand it over. 761 00:28:50,191 --> 00:28:51,231 No, no, no, you're the one causing the problem. 762 00:28:51,251 --> 00:28:53,050 - Hey, hey, hey, listen! - Hey, hey, hey! 763 00:28:53,070 --> 00:28:54,171 You gotta do what they say, or else. 764 00:28:54,191 --> 00:28:56,021 What is this? What's happening here? Tell me. 765 00:28:56,040 --> 00:28:56,251 I caught this motherfucker filming us. 766 00:28:57,030 --> 00:28:58,151 The fuck you filming us? 767 00:28:58,171 --> 00:29:00,070 What are you, deaf? - Yeah! 768 00:29:00,090 --> 00:29:01,201 You better watch out, fucker. 769 00:29:01,221 --> 00:29:03,080 I'm gonna beat the crap out of you 770 00:29:03,100 --> 00:29:04,231 and then rip off your head. - Hey! Stop it! 771 00:29:04,251 --> 00:29:06,080 And you shut your fucking mouth. - Told you. 772 00:29:06,100 --> 00:29:08,030 - Hey! Watch it. - You hear me? 773 00:29:08,050 --> 00:29:09,231 You hear me? Now give me the fucking cassette, 774 00:29:09,251 --> 00:29:11,060 or I'll gouge your eyes out! 775 00:29:11,080 --> 00:29:12,231 Hey, what's happening here? 776 00:29:12,251 --> 00:29:14,070 These motherfuckers were filming us! 777 00:29:14,090 --> 00:29:16,050 What are you doing here in the park? 778 00:29:16,070 --> 00:29:17,161 We were filming other things. We weren't filming them. 779 00:29:17,181 --> 00:29:19,140 They weren't in our frame. - Filming what? 780 00:29:19,161 --> 00:29:20,241 You can't film the girls here while we're working! 781 00:29:21,021 --> 00:29:22,060 Faela, give her the tape, and let's go. 782 00:29:22,080 --> 00:29:23,221 Hand over the tape, and off you go! 783 00:29:23,241 --> 00:29:25,090 - Faela, give it to her. - No. I mean... 784 00:29:25,110 --> 00:29:27,060 Go get Tito! 785 00:29:27,080 --> 00:29:28,070 That's right. Get Tito. 786 00:29:28,090 --> 00:29:30,231 Tito! Tito! 787 00:29:30,251 --> 00:29:32,140 I tried to tell you. Tito's crazy. 788 00:29:32,161 --> 00:29:34,100 - Hand over the tape, - Faela! 789 00:29:34,120 --> 00:29:35,241 - You can't film here. - Let me have her! 790 00:29:36,021 --> 00:29:37,070 Let me have her! I'll kill her! I'll kill her! 791 00:29:37,090 --> 00:29:38,251 - It's Tito! - Here comes Tito. 792 00:29:39,030 --> 00:29:40,070 - He'll be pissed. - Give me the tape. 793 00:29:40,090 --> 00:29:42,151 You're gonna pay for this now, you bitch. 794 00:29:42,171 --> 00:29:44,140 Give us the tape, or you're gonna get in trouble. 795 00:29:44,161 --> 00:29:45,191 - You'll be sorry. - FAELA: Please don't. 796 00:29:45,211 --> 00:29:47,130 He's here. 797 00:29:47,151 --> 00:29:49,201 The fuck's goin' on? 798 00:29:49,221 --> 00:29:51,181 Tito, they were out here filming us, 799 00:29:51,201 --> 00:29:53,221 and now they're gonna play it on TV. 800 00:29:53,241 --> 00:29:55,201 What are you filming? 801 00:29:55,221 --> 00:29:57,151 We weren't filming them, I swear. 802 00:29:57,171 --> 00:29:58,161 - You are a lying bitch! - Liar! 803 00:29:58,181 --> 00:30:00,021 Of course you were filming. 804 00:30:00,040 --> 00:30:01,171 You were filming us and La Veneno. 805 00:30:01,191 --> 00:30:03,151 - We didn't record 'em. - She did. 806 00:30:03,171 --> 00:30:04,171 - Stop lying, asshole! - What'd you record then? 807 00:30:04,191 --> 00:30:05,151 - The park. - The tape, 808 00:30:05,171 --> 00:30:07,161 give it to us right now. 809 00:30:07,181 --> 00:30:09,181 Give me the tape. 810 00:30:09,201 --> 00:30:12,070 I-I'm sorry, but I can't do that. 811 00:30:12,090 --> 00:30:14,201 - Oh, really? - Listen to her! 812 00:30:14,221 --> 00:30:16,040 This one! - You can't? 813 00:30:16,060 --> 00:30:17,231 Give him the tape. 814 00:30:17,251 --> 00:30:19,060 Give me that thing right fuckin' now! 815 00:30:19,080 --> 00:30:21,060 - Faela! - There you go, filth! 816 00:30:21,080 --> 00:30:22,050 Faela, give him the tape. Please, let's go home! 817 00:30:22,070 --> 00:30:23,100 - Okay. - Please hurry! 818 00:30:23,120 --> 00:30:24,211 - Yes. - Fuck! 819 00:30:24,231 --> 00:30:25,201 - Come on. - Wait. Wait, wait. 820 00:30:25,221 --> 00:30:26,221 Oh, now you're saying yes. 821 00:30:26,241 --> 00:30:28,191 Just don't shoot, please. 822 00:30:28,211 --> 00:30:30,090 - Get down on your knees, too. - Yes, yes, yes. 823 00:30:30,110 --> 00:30:31,090 PABLO: Hand it over. Hand it over. 824 00:30:31,110 --> 00:30:33,211 Do it. Come on. 825 00:30:33,231 --> 00:30:36,021 All right. - Th-there. Let him go. 826 00:30:36,040 --> 00:30:37,140 Do it. We're leaving. 827 00:30:37,161 --> 00:30:38,060 - Smash it! - [grunting] 828 00:30:38,080 --> 00:30:40,090 Destroy it. 829 00:30:40,110 --> 00:30:42,040 - Come on, man. - Let us go. 830 00:30:42,060 --> 00:30:42,231 - It's done. - My wife works in this park... 831 00:30:45,021 --> 00:30:47,060 and nobody gets to film my wife. 832 00:30:47,080 --> 00:30:49,050 Tito, not your wife or any of the rest of us, okay? 833 00:30:52,040 --> 00:30:53,090 We're leaving. We're-- we're leaving now. 834 00:30:53,110 --> 00:30:55,070 You're leaving? 835 00:30:55,090 --> 00:30:56,231 No, you're not going anywhere! - No! 836 00:30:56,251 --> 00:30:58,040 Please don't, Tito! - No, no, no! 837 00:30:58,060 --> 00:31:00,100 Please, I'm begging you, no! 838 00:31:00,120 --> 00:31:02,181 No, no, no, not on the car. Aah! 839 00:31:02,201 --> 00:31:04,040 - Here we go! - Please don't! 840 00:31:04,060 --> 00:31:05,251 Beat this bitch until she's dead! 841 00:31:06,030 --> 00:31:07,140 - Motherfucker! - I'm in charge! 842 00:31:07,161 --> 00:31:08,211 - I'm begging you. - You get it? 843 00:31:08,231 --> 00:31:10,231 No one films my wife! - Listen to me. 844 00:31:10,251 --> 00:31:12,100 Listen to me. Please, I'm begging you 845 00:31:12,120 --> 00:31:14,171 Listen to me. 846 00:31:14,191 --> 00:31:16,110 Listen to me. Please, don't kill me. 847 00:31:16,130 --> 00:31:18,130 We're leaving now. 848 00:31:18,151 --> 00:31:19,201 I have a baby. 849 00:31:19,221 --> 00:31:22,080 Please don't kill me. 850 00:31:22,100 --> 00:31:23,120 I'm begging you with all my heart. 851 00:31:23,140 --> 00:31:26,130 I'm fucking terrified. 852 00:31:26,151 --> 00:31:27,231 Tito, let her go. Come on. This is over. 853 00:31:27,251 --> 00:31:29,060 We got the tape. Let her go, Tito! 854 00:31:29,080 --> 00:31:30,251 If I ever see you here again 855 00:31:31,030 --> 00:31:33,030 or that scumbag you got with you, 856 00:31:33,050 --> 00:31:35,070 I'll murder you both! You hear me? 857 00:31:35,090 --> 00:31:37,100 - Tito, Jesus, let her go! - Don't touch me! 858 00:31:37,120 --> 00:31:39,140 - I'm going. I'm going. - Faela, let's go now! 859 00:31:39,161 --> 00:31:41,040 - You were lucky this time! - Let go of her, Tito. 860 00:31:41,060 --> 00:31:42,251 Leave. - Thank you. 861 00:31:43,030 --> 00:31:44,060 - Don't come back, fag! - Get outta here! 862 00:31:44,080 --> 00:31:45,100 Get out of here, you assholes! 863 00:31:45,120 --> 00:31:46,201 Go to hell, and don't come back! 864 00:31:46,221 --> 00:31:47,120 - Fuck you! - Get out of here! 865 00:31:47,140 --> 00:31:49,161 Fuck all of you! 866 00:31:49,181 --> 00:31:51,171 And don't you ever fucking come back! 867 00:31:51,191 --> 00:31:52,080 - TITO: All right, back to work! - Forget about her. 868 00:31:52,100 --> 00:31:53,080 Holy shit! 869 00:31:53,100 --> 00:31:55,191 My God! 870 00:31:55,211 --> 00:31:56,171 Jesus Christ! 871 00:31:59,231 --> 00:32:01,140 Are you okay? - [panting] 872 00:32:01,161 --> 00:32:04,130 Man, I'm shaking. My God. 873 00:32:04,151 --> 00:32:05,191 Come on now. 874 00:32:05,211 --> 00:32:07,110 Hey. You okay? 875 00:32:07,130 --> 00:32:08,181 Come on 876 00:32:08,201 --> 00:32:10,030 Look. 877 00:32:10,050 --> 00:32:12,090 What is it? What's that? 878 00:32:12,110 --> 00:32:13,021 The tape we got earlier. 879 00:32:14,221 --> 00:32:16,211 Oh, my God! 880 00:32:16,231 --> 00:32:17,221 Move! Move! 881 00:32:19,130 --> 00:32:22,080 Fuck's sake! 882 00:32:22,100 --> 00:32:23,151 What are you waiting for? 883 00:32:23,171 --> 00:32:25,201 [singing in Spanish] 884 00:33:40,100 --> 00:33:40,211 [song ends] 885 00:33:43,040 --> 00:33:44,040 - Eh, Pepe... 886 00:33:44,060 --> 00:33:46,251 sorry, but we-- 887 00:33:47,030 --> 00:33:49,090 [sniffs] We don't have anything ready. I'm sorry. 888 00:33:49,110 --> 00:33:51,151 Nothing? Faela, really? 889 00:33:51,171 --> 00:33:53,040 No, it was too complicated a night. 890 00:33:53,060 --> 00:33:55,221 The Chueca story didn't occur. 891 00:33:55,241 --> 00:33:57,151 Yeah, I know. I'm sorry. 892 00:33:57,171 --> 00:33:59,140 Yeah, so this is all we got, 893 00:33:59,161 --> 00:34:00,130 but it's not enough material to run. 894 00:34:02,120 --> 00:34:04,090 Well, let's see what it is. 895 00:34:04,110 --> 00:34:04,231 That's a shame. 896 00:34:14,220 --> 00:34:16,120 FAELA: Do you know who I saw her with today? 897 00:34:16,140 --> 00:34:18,120 - No, who? - With Rober. 898 00:34:18,140 --> 00:34:20,151 - Doing what? - Haven't you heard the joke? 899 00:34:20,171 --> 00:34:22,080 "There once was an actress who was so stupid 900 00:34:22,100 --> 00:34:23,071 she hooked up with the writer." 901 00:34:23,091 --> 00:34:24,040 Hey, fast-forward, please. 902 00:34:24,060 --> 00:34:25,120 Fast-forward the tape. 903 00:34:25,140 --> 00:34:29,240 [tape squeaking] 904 00:34:30,021 --> 00:34:31,140 - Just gimme a sec. Look! - Let's go. 905 00:34:31,160 --> 00:34:33,071 - [car horn honking] - Somebody's coming. 906 00:34:33,091 --> 00:34:35,240 Somebody's coming. Stop! Stop! Stop! 907 00:34:36,021 --> 00:34:37,160 - [beeping fades] - Asshole. 908 00:34:37,180 --> 00:34:39,100 Hello! Mind if we ask some questions? 909 00:34:39,120 --> 00:34:41,091 No, my love. Please, just ask. 910 00:34:41,111 --> 00:34:42,120 Wow, you are beautiful. 911 00:34:42,140 --> 00:34:44,100 Well, you know, 912 00:34:44,120 --> 00:34:47,040 I like luxury and high fashion. 913 00:34:47,060 --> 00:34:49,071 Tell me, do you always wear the same outfit? 914 00:34:49,091 --> 00:34:50,240 Each night, it's something different, 915 00:34:51,021 --> 00:34:52,180 like the bombshell I am. -See, I don't know-- 916 00:34:52,200 --> 00:34:54,120 - Shh! - Is that a joke? 917 00:34:54,140 --> 00:34:56,171 I'm a chameleon, baby. 918 00:34:56,191 --> 00:34:58,080 What are you dressed as tonight, a sultan? 919 00:34:58,100 --> 00:34:59,220 Well, I don't know what I am, honestly. 920 00:34:59,240 --> 00:35:02,160 A sultan, a Moor, an Indian. 921 00:35:02,180 --> 00:35:05,171 I'm Pocahontas, but I have a shark. 922 00:35:05,191 --> 00:35:07,211 - [laughs] - What's a shark? 923 00:35:07,231 --> 00:35:09,160 You don't know what a shark is? 924 00:35:09,180 --> 00:35:13,080 "El tiburón se la llevo, se la llevo" 925 00:35:13,100 --> 00:35:15,091 between my legs, baby. 926 00:35:15,111 --> 00:35:17,021 I'm hiding a shark that'll grab you. 927 00:35:17,040 --> 00:35:18,220 - And how much? - I'm very expensive. 928 00:35:18,240 --> 00:35:21,151 I don't want to say how much, 'cause... 929 00:35:21,171 --> 00:35:22,240 - [car horn honks] - Hang on a sec, my love. 930 00:35:23,021 --> 00:35:24,220 - [beeps] - [laughs] 931 00:35:24,240 --> 00:35:27,060 Hats off, Faela. 932 00:35:27,080 --> 00:35:29,120 This is exactly what I've been looking for. 933 00:35:29,140 --> 00:35:31,160 I knew you'd come through for me. 934 00:35:31,180 --> 00:35:34,031 Well, thank you, really. 935 00:35:34,051 --> 00:35:36,100 Very well, so this runs tonight. 936 00:35:36,120 --> 00:35:39,031 She's fantastic. 937 00:35:39,051 --> 00:35:42,131 - Tomorrow I want her here. - What do you mean? 938 00:35:42,151 --> 00:35:43,220 Go back to the West Side Park, and bring her to the show. 939 00:35:43,240 --> 00:35:45,251 No. Uh, P-Pepe, thank you so much, 940 00:35:46,031 --> 00:35:47,091 but you don't know how dangerous it is. 941 00:35:47,111 --> 00:35:48,160 I reported the war in Iran. 942 00:35:48,180 --> 00:35:50,091 I'm sure it's not that bad. 943 00:35:50,111 --> 00:35:51,160 I mean, take Pablo. He can protect you 944 00:35:51,180 --> 00:35:53,251 Who, me? No, no. 945 00:35:54,031 --> 00:35:55,240 I can't, 'cause they need me on set. 946 00:35:56,021 --> 00:35:58,211 - Well, can't you switch days? 947 00:35:58,231 --> 00:36:00,160 I can go with you. 948 00:36:00,180 --> 00:36:02,140 PEPE: Oh, yes. 949 00:36:02,160 --> 00:36:04,131 I love this match. 950 00:36:04,151 --> 00:36:05,220 Go together. 951 00:36:05,240 --> 00:36:08,111 Faela... 952 00:36:08,131 --> 00:36:10,111 you should have never crossed the Mississippi... 953 00:36:10,131 --> 00:36:12,051 - [chuckles] - outsider. 954 00:36:12,071 --> 00:36:14,111 [Pepe laughs] All right, let's go! 955 00:36:14,131 --> 00:36:16,200 - I shouldn't have. - Did you have breakfast? 956 00:36:16,220 --> 00:36:18,180 - [staff murmuring] - [sighs] 957 00:36:18,200 --> 00:36:19,071 I better go. 958 00:36:22,120 --> 00:36:22,251 I can't believe this shit. 959 00:36:25,060 --> 00:36:25,200 Faela. 960 00:36:27,240 --> 00:36:29,220 What? What? 961 00:36:29,240 --> 00:36:32,021 What the fuck do you want? 962 00:36:32,040 --> 00:36:34,040 [sighs] I want to apologize for yesterday. 963 00:36:34,060 --> 00:36:35,171 I got the wrong date, and I already told Pepe. 964 00:36:35,191 --> 00:36:38,060 Right. Look, Machús... 965 00:36:38,080 --> 00:36:39,080 you can't fool me. 966 00:36:39,100 --> 00:36:42,021 You can't fool me, okay? 967 00:36:42,040 --> 00:36:44,131 Yesterday you screwed me, 968 00:36:44,151 --> 00:36:46,151 and now you wanna come with me to take the credit. 969 00:36:46,171 --> 00:36:48,091 And I don't really care. 970 00:36:48,111 --> 00:36:49,251 You wanna come with me, that's fine, 971 00:36:50,031 --> 00:36:51,111 but cut the crap. 972 00:36:51,131 --> 00:36:53,100 You're totally wrong about me. 973 00:36:53,120 --> 00:36:54,111 - I don't think so. - Yes! 974 00:36:54,131 --> 00:36:56,131 [Faela scoffs] 975 00:36:56,151 --> 00:36:57,051 I guess you don't remember me. 976 00:36:59,111 --> 00:37:01,160 I was an intern 977 00:37:01,180 --> 00:37:02,071 months before they cancelled Todo va bien. 978 00:37:04,240 --> 00:37:05,231 And I really wanted to work with you... 979 00:37:08,151 --> 00:37:10,051 because I've always been a fan of yours. 980 00:37:10,071 --> 00:37:11,171 [sighs] 981 00:37:11,191 --> 00:37:14,231 And you might be right. 982 00:37:14,251 --> 00:37:18,060 Maybe I am so stupid that I've fallen for the writer. 983 00:37:18,080 --> 00:37:20,031 It is what it is. 984 00:37:20,051 --> 00:37:23,071 I've worked hard to get here. 985 00:37:23,091 --> 00:37:24,111 If you don't believe it, that's your problem. 986 00:37:28,051 --> 00:37:30,171 Rocío Jurado's health is getting worse and worse. 987 00:37:30,191 --> 00:37:32,220 The singer is always accompanied by her husband, 988 00:37:32,240 --> 00:37:35,131 the bullfighter José Ortega Cano, 989 00:37:35,151 --> 00:37:37,171 and their daughter, Rocío Carrasco. 990 00:37:37,191 --> 00:37:38,240 And now we'll talk about La Veneno, 991 00:37:39,021 --> 00:37:40,180 Spain's most famous prostitute. 992 00:37:40,200 --> 00:37:43,160 Mom, can you turn up the volume? 993 00:37:43,180 --> 00:37:46,091 ...during the darkest of nights on television is back. 994 00:37:46,111 --> 00:37:48,200 Her image is so different from 10 years ago, 995 00:37:48,220 --> 00:37:50,031 and the time she spent behind bars has left us perplexed. 996 00:37:50,051 --> 00:37:52,091 - But-- but that's Valencia. 997 00:37:52,111 --> 00:37:54,060 Yeah, that's the new part of town, right. 998 00:37:54,080 --> 00:37:57,031 ...behind a life of light and shadow. 999 00:37:57,051 --> 00:37:59,120 - She's from Valencia? - Here is her story. 1000 00:37:59,140 --> 00:38:00,220 Are you going out? 1001 00:38:00,240 --> 00:38:02,071 I just gotta go, Mom. 1002 00:38:02,091 --> 00:38:03,160 You coming home for dinner? 1003 00:38:03,180 --> 00:38:04,211 I don't know. 1004 00:38:04,231 --> 00:38:07,080 Take your key, then. 1005 00:38:07,100 --> 00:38:09,071 I finally got a day off, 1006 00:38:09,091 --> 00:38:11,151 and we're acting like tourists in Valencia. 1007 00:38:11,171 --> 00:38:14,060 I would have preferred the City of Arts and Sciences, 1008 00:38:14,080 --> 00:38:16,220 but, I mean, you brought me to Marchalenes. 1009 00:38:16,240 --> 00:38:19,131 Yeah, dude, I know we're in Marchalenes. 1010 00:38:19,151 --> 00:38:21,100 To be honest, I've only ever come here once before, 1011 00:38:21,120 --> 00:38:23,240 an after-party, 1012 00:38:24,021 --> 00:38:26,080 so I guess you can imagine. Mm. 1013 00:38:26,100 --> 00:38:26,251 Just give me a second, please. 1014 00:38:30,031 --> 00:38:32,021 It's gotta be one of these. 1015 00:38:32,040 --> 00:38:34,091 Right, one of those or those or these. 1016 00:38:34,111 --> 00:38:35,100 Valencia is full of terraces. 1017 00:38:35,120 --> 00:38:37,160 Amparo, stop that! 1018 00:38:37,180 --> 00:38:39,040 If you wanna leave, go, but stop nagging, 1019 00:38:39,060 --> 00:38:40,091 because you're driving me crazy. 1020 00:38:40,111 --> 00:38:41,240 No, I want to help you. 1021 00:38:42,021 --> 00:38:44,031 I want to do this with you, 1022 00:38:44,051 --> 00:38:45,251 but we've spent two hours wandering, so... 1023 00:38:46,031 --> 00:38:48,120 I know it's been two hours, Amparo. 1024 00:38:48,140 --> 00:38:49,231 Honestly, man, I don't know how you're expecting to find her. 1025 00:38:49,251 --> 00:38:51,131 [scoffs] 1026 00:38:51,151 --> 00:38:52,191 [door opens, creaks] 1027 00:38:54,251 --> 00:38:56,071 [classical music playing] 1028 00:39:05,231 --> 00:39:06,220 Good afternoon. 1029 00:39:06,240 --> 00:39:08,040 BOTH: Hello. 1030 00:39:08,060 --> 00:39:09,100 Should I ask her? 1031 00:39:11,151 --> 00:39:12,021 Uh, miss, uh... 1032 00:39:15,051 --> 00:39:16,140 you know where we could find La Veneno? 1033 00:39:16,160 --> 00:39:18,031 Second on the left. 1034 00:39:20,060 --> 00:39:21,021 - Thanks so much. - Thank you. 1035 00:39:24,071 --> 00:39:25,051 - [snorts] - [laughs] 1036 00:39:25,071 --> 00:39:27,171 Okay, come on. Let's go. 1037 00:39:27,191 --> 00:39:28,180 - Oh, God. - Let's do this. 1038 00:39:28,200 --> 00:39:30,140 [line rings] 1039 00:39:33,060 --> 00:39:34,120 Yes? Who is this? 1040 00:39:34,140 --> 00:39:35,231 - Hello. - Uh... 1041 00:39:35,251 --> 00:39:37,080 Hello. Who's there? 1042 00:39:37,100 --> 00:39:39,060 Uh, we're looking for La Veneno. 1043 00:39:39,080 --> 00:39:41,180 La Veneno? No, honey. 1044 00:39:41,200 --> 00:39:43,171 This is Paqui The Piranha's house. 1045 00:39:43,191 --> 00:39:44,220 We were told she lived here. 1046 00:39:44,240 --> 00:39:46,140 They must have been mistaken. 1047 00:39:46,160 --> 00:39:48,191 Yeah, but who's this? 1048 00:39:48,211 --> 00:39:49,220 [whispering] We're her fans. 1049 00:39:49,240 --> 00:39:51,160 Uh, we're her fans. 1050 00:39:51,180 --> 00:39:54,080 Oh, I see. Her fans. I'm sorry. 1051 00:39:54,100 --> 00:39:56,040 You must be mistaken. She's not here. 1052 00:39:56,060 --> 00:39:58,021 All right? Okay. 1053 00:39:58,040 --> 00:39:59,251 Take care. Ciao. 1054 00:40:00,031 --> 00:40:02,151 - Ciao. - Thank you. 1055 00:40:02,171 --> 00:40:06,031 I have no time for her motherfucking fans. 1056 00:40:06,051 --> 00:40:07,031 Who was it, Paca? 1057 00:40:07,051 --> 00:40:08,131 No one! 1058 00:40:08,151 --> 00:40:10,051 You're so nosy. 1059 00:40:10,071 --> 00:40:12,160 You want to know everything. 1060 00:40:12,180 --> 00:40:14,200 No one? It must have been someone. 1061 00:40:14,220 --> 00:40:16,200 Well, it was just a client of mine, 1062 00:40:16,220 --> 00:40:18,211 but I told him I'm not available 1063 00:40:18,231 --> 00:40:20,140 and that he has to come back later 1064 00:40:20,160 --> 00:40:21,180 Paca, don't lie to me. I heard you. 1065 00:40:23,171 --> 00:40:26,191 All right. If you need to know, 1066 00:40:26,211 --> 00:40:28,191 the people who called just now 1067 00:40:28,211 --> 00:40:29,240 said they were fans of La Veneno. 1068 00:40:30,021 --> 00:40:31,211 What do you mean by fans, Paca? 1069 00:40:31,231 --> 00:40:33,191 That's right, fans of La Veneno. 1070 00:40:33,211 --> 00:40:35,191 - My fans? - They are fans of La Veneno. 1071 00:40:35,211 --> 00:40:37,191 - Why didn't you say so? - I told them you're not here. 1072 00:40:37,211 --> 00:40:39,160 - Jeez, Paca! - Where are you going? 1073 00:40:39,180 --> 00:40:41,040 - They're my fans! - I told them you're not here! 1074 00:40:41,060 --> 00:40:42,200 Are you crazy? Don't run! 1075 00:40:42,220 --> 00:40:43,231 Come back! You're nuts! 1076 00:40:48,140 --> 00:40:50,091 Hey, are you my fans? 1077 00:40:50,111 --> 00:40:52,131 [girl crying] 1078 00:40:57,180 --> 00:40:58,180 It's me. 1079 00:41:04,100 --> 00:41:05,071 Come here. 1080 00:41:08,160 --> 00:41:09,180 Let's go. Let's go. [laughs] 1081 00:41:12,131 --> 00:41:13,211 Are you in drag? 1082 00:41:13,231 --> 00:41:14,251 What? No! Just Goth. 1083 00:41:15,031 --> 00:41:16,051 Mm-hmm. 1084 00:41:22,060 --> 00:41:23,160 Come on up. 1085 00:41:23,180 --> 00:41:24,191 [both laugh] 1086 00:41:24,211 --> 00:41:27,180 Paca! Paca! 1087 00:41:27,200 --> 00:41:29,060 Come here! 1088 00:41:29,080 --> 00:41:30,251 - Who's that? - My fans! 1089 00:41:31,031 --> 00:41:33,060 - Hello. - Oh, it was you! 1090 00:41:33,080 --> 00:41:34,231 - Hi! - But wait. 1091 00:41:34,251 --> 00:41:36,251 I know these two from the other night. 1092 00:41:37,031 --> 00:41:38,131 - Oh, is that right? - I bumped into them 1093 00:41:38,151 --> 00:41:40,171 when I went to get your cigarettes. 1094 00:41:40,191 --> 00:41:43,051 They were right there on the street asking about you. 1095 00:41:43,071 --> 00:41:45,021 Now go fix us something to eat, huh? 1096 00:41:45,040 --> 00:41:47,111 Can I get you coffees, cookies, anything? 1097 00:41:47,131 --> 00:41:48,120 - AMPARO: Uh, yes, please. - A pastry or something sweet? 1098 00:41:48,140 --> 00:41:50,051 - Thanks. - You, too? 1099 00:41:50,071 --> 00:41:51,220 - Oh, yeah. - You're funny, honey, 1100 00:41:51,240 --> 00:41:53,100 because you look like that girl from Star Wars. 1101 00:41:53,120 --> 00:41:54,171 - She does. - [laughs] 1102 00:41:54,191 --> 00:41:56,151 You know, Princess Chenoa, honey 1103 00:41:56,171 --> 00:41:58,111 Please fix us some dinner, Paca. Let's go. 1104 00:41:58,131 --> 00:42:00,120 Easy, girl. I'm going. 1105 00:42:00,140 --> 00:42:02,091 So you're fans of mine, huh? 1106 00:42:02,111 --> 00:42:04,140 Of course. All of my life, yes. 1107 00:42:04,160 --> 00:42:06,200 I'm chubby right now, but Paca put me on a diet. 1108 00:42:06,220 --> 00:42:09,151 Aw, girl, but you are beautiful. 1109 00:42:09,171 --> 00:42:11,140 Breathtaking, and you still have that essence 1110 00:42:11,160 --> 00:42:14,211 I weighed 138. Before I went to jail, 1111 00:42:14,231 --> 00:42:17,200 I was a doll with perky big tits, right, Paca? 1112 00:42:17,220 --> 00:42:19,200 My dear, let's be honest. 1113 00:42:19,220 --> 00:42:22,060 When she left, she had a wasp waist. 1114 00:42:22,080 --> 00:42:24,140 She looked like Betty Boop. But now look at her, 1115 00:42:24,160 --> 00:42:26,220 the bride of King Kong. - Shut up, Paca! 1116 00:42:26,240 --> 00:42:28,091 Take the pictures out. They want to see my albums. 1117 00:42:28,111 --> 00:42:30,091 Look how cheerful you are... 1118 00:42:30,111 --> 00:42:31,060 - Now we can-- - with your drooling face. 1119 00:42:31,080 --> 00:42:33,120 With your drooling face! 1120 00:42:33,140 --> 00:42:35,120 You're about to see the real Spanish bombshell. 1121 00:42:35,140 --> 00:42:36,211 A bombshell, she says. 1122 00:42:36,231 --> 00:42:38,140 More like a stink bomb. 1123 00:42:38,160 --> 00:42:40,131 You should have seen her. 1124 00:42:40,151 --> 00:42:41,240 The pictures, honey, she was so pretty. 1125 00:42:42,021 --> 00:42:42,160 Here. 1126 00:42:45,111 --> 00:42:46,191 Look. Scandalous. 1127 00:42:46,211 --> 00:42:48,140 Wow, so gorgeous! 1128 00:42:48,160 --> 00:42:49,151 - Look at that face... - Wow. 1129 00:42:49,171 --> 00:42:51,171 that body, and those tits! 1130 00:42:51,191 --> 00:42:53,151 See, that dress was Pepe Rubio, 1131 00:42:53,171 --> 00:42:55,251 a designer that made me outfits to scandalize. 1132 00:42:56,031 --> 00:42:58,131 My God, here. Marilyn Monroe. 1133 00:42:58,151 --> 00:43:00,051 That was at the Joy Eslava. 1134 00:43:00,071 --> 00:43:02,060 They put on a fashion show for me, 1135 00:43:02,080 --> 00:43:04,021 and it was crawling with press, honey. It was fabulous. 1136 00:43:04,040 --> 00:43:06,071 - So gorgeous! - Wow! 1137 00:43:06,091 --> 00:43:08,191 Here you look like a top model for real! 1138 00:43:08,211 --> 00:43:10,251 That photo was from when I was at the Isla Fantasía performing, 1139 00:43:11,031 --> 00:43:12,040 We had Ricky Martin, 1140 00:43:12,060 --> 00:43:13,151 if you get what I mean. 1141 00:43:13,171 --> 00:43:15,060 - You for real? - Amazing! 1142 00:43:15,080 --> 00:43:16,240 Shove it in my cunt. 1143 00:43:17,021 --> 00:43:19,060 Ah, here comes her dirty stories. 1144 00:43:19,080 --> 00:43:20,111 Here comes what? You're just jealous, Paca. 1145 00:43:20,131 --> 00:43:21,160 Jealous of what? 1146 00:43:21,180 --> 00:43:23,131 My type is more like... 1147 00:43:23,151 --> 00:43:24,171 that Jean-Claude Van Damme guy. 1148 00:43:24,191 --> 00:43:27,100 Look. 1149 00:43:27,120 --> 00:43:29,071 In this one, you're a total goddess. 1150 00:43:29,091 --> 00:43:30,191 I was three months into my transition, 1151 00:43:30,211 --> 00:43:32,051 my hormone boobies. 1152 00:43:32,071 --> 00:43:33,171 - Just three months? - Yep. 1153 00:43:33,191 --> 00:43:34,091 And look at those beauties. 1154 00:43:36,051 --> 00:43:36,200 And you? 1155 00:43:39,040 --> 00:43:40,151 Me what? 1156 00:43:40,171 --> 00:43:42,120 When are you gonna you jump in? 1157 00:43:42,140 --> 00:43:44,031 - Jump in where? - Leave the kid alone. That's-- 1158 00:43:44,051 --> 00:43:45,051 It's good to talk about these things, Paca. 1159 00:43:45,071 --> 00:43:46,140 The kid's very young. Come on. 1160 00:43:46,160 --> 00:43:48,171 Don't put ideas in that head. 1161 00:43:48,191 --> 00:43:49,191 I'm kinda lost in this conversation. 1162 00:43:49,211 --> 00:43:51,080 It's clear as day, baby. 1163 00:43:51,100 --> 00:43:53,031 Your friend here is a puzzle. 1164 00:43:53,051 --> 00:43:55,051 And the cops ain't stupid 1165 00:43:55,071 --> 00:43:55,171 We can smell our own. 1166 00:43:58,200 --> 00:43:59,080 I don't know when it's gonna be the right moment. 1167 00:44:01,160 --> 00:44:03,051 Hey, listen to me. 1168 00:44:03,071 --> 00:44:05,231 I transitioned at the age of 30, 1169 00:44:05,251 --> 00:44:08,200 and I became a bombshell. 1170 00:44:08,220 --> 00:44:10,231 You take your time, as much as you need to, 1171 00:44:10,251 --> 00:44:12,231 and when you feel it, 1172 00:44:12,251 --> 00:44:14,231 boom! You go for it, 1173 00:44:14,251 --> 00:44:16,191 and leave everyone gagging. 1174 00:44:16,211 --> 00:44:18,251 If this is who you are, 1175 00:44:19,031 --> 00:44:20,080 it's who you will always be, honey. 1176 00:44:20,100 --> 00:44:23,111 Believe me, always! 1177 00:44:23,131 --> 00:44:26,060 You carry this inside from the time you're born, 1178 00:44:26,080 --> 00:44:28,100 so now you take your time, 1179 00:44:28,120 --> 00:44:29,211 and choose a spectacular name. 1180 00:44:29,231 --> 00:44:31,091 Vanessa... 1181 00:44:31,111 --> 00:44:32,100 Penelope... 1182 00:44:32,120 --> 00:44:34,120 or Victoria. 1183 00:44:34,140 --> 00:44:35,231 You may pick Natasha. 1184 00:44:35,251 --> 00:44:37,171 - Natasha. - Or Scheherazade. 1185 00:44:37,191 --> 00:44:39,091 Whatever you want, my love! 1186 00:44:39,111 --> 00:44:40,160 But don't wait too long, 1187 00:44:40,180 --> 00:44:42,100 because those who wait 1188 00:44:42,120 --> 00:44:43,140 end up looking like tomboys. 1189 00:44:43,160 --> 00:44:45,171 Like Marta from Asturias, 1190 00:44:45,191 --> 00:44:46,251 who looked like Geronimo from Pocahontas, 1191 00:44:47,031 --> 00:44:49,021 huh, her father! 1192 00:44:49,040 --> 00:44:50,251 - [laughs] - Sweetie, stop that nonsense. 1193 00:44:51,031 --> 00:44:52,140 Don't you dare put ideas like that in that baby's mind. 1194 00:44:52,160 --> 00:44:53,251 What're you talking about, nonsense, Paca? 1195 00:44:54,031 --> 00:44:54,240 Well, look at her. Whatever happens happens, 1196 00:44:55,021 --> 00:44:57,031 You leave that baby alone, 1197 00:44:57,051 --> 00:44:59,191 because with a face like that, nothing can go wrong. 1198 00:44:59,211 --> 00:45:01,191 You're so pretty and tall, dear. 1199 00:45:01,211 --> 00:45:03,200 Be someone like Vanessa Estilo. 1200 00:45:03,220 --> 00:45:06,200 - Vanessa Estilo? - Vanessa Estilo. Poor thing. 1201 00:45:06,220 --> 00:45:09,060 May she rest in peace. She was murdered by a client. 1202 00:45:09,080 --> 00:45:11,071 Bring the other albums, the ones where I'm whoring on the street. 1203 00:45:11,091 --> 00:45:13,091 Give you something to do since you can't keep your mouth shut. 1204 00:45:13,111 --> 00:45:14,140 Cool it with the albums, my dear. Finish with that one. 1205 00:45:14,160 --> 00:45:16,171 You like it? 1206 00:45:16,191 --> 00:45:16,211 - You're so annoying sometimes - I love it. 1207 00:45:19,140 --> 00:45:21,131 Here, my love, for you. 1208 00:45:21,151 --> 00:45:24,071 Thank you so much. 1209 00:45:24,091 --> 00:45:25,060 AMPARO: Oh, my God. 1210 00:45:27,160 --> 00:45:30,071 Not very discreet. 1211 00:45:30,091 --> 00:45:31,120 I thought I could blend in, right? 1212 00:45:31,140 --> 00:45:32,200 You're something else, Machús. 1213 00:45:36,091 --> 00:45:38,091 [brakes squeal] 1214 00:45:38,111 --> 00:45:41,180 Okay, now listen to me, all right? 1215 00:45:41,200 --> 00:45:43,160 I can't get out of the car, because they'll kill me, 1216 00:45:43,180 --> 00:45:46,240 so when I see her, I'll say, "It's her." 1217 00:45:47,021 --> 00:45:49,200 You jump out and bring her back in here as fast as possible. 1218 00:45:49,220 --> 00:45:50,220 Super fast. Got it? 1219 00:45:52,120 --> 00:45:53,240 Machús... 1220 00:45:54,021 --> 00:45:55,071 it's very dangerous 1221 00:45:55,091 --> 00:45:57,111 I need to-- Machús, wait. 1222 00:45:57,131 --> 00:45:58,100 Machús, get back in this car immediately. 1223 00:46:00,080 --> 00:46:00,171 Are you crazy? - Relax. 1224 00:46:05,091 --> 00:46:06,211 What are you doing? Fuck. 1225 00:46:06,231 --> 00:46:07,140 Fuck, fuck, fuck, fucking Christ. 1226 00:46:09,120 --> 00:46:11,180 Baby, how are you? 1227 00:46:11,200 --> 00:46:13,140 So happy to see you. - Who are you? 1228 00:46:13,160 --> 00:46:15,021 Me? I'm La Machús. 1229 00:46:15,040 --> 00:46:15,151 - [gasps] - [car horn honks] 1230 00:46:15,171 --> 00:46:17,140 Fuck. 1231 00:46:17,160 --> 00:46:19,220 I owe you 15 bucks. I didn't forget. 1232 00:46:19,240 --> 00:46:21,060 - Will you come later? - Yes, of course, of course. 1233 00:46:21,080 --> 00:46:22,091 You look great tonight. 1234 00:46:22,111 --> 00:46:24,111 - Hi, honey! - Mwah! 1235 00:46:24,131 --> 00:46:26,211 Good evening, gentlemen. 1236 00:46:26,231 --> 00:46:29,080 How are you tonight? All good? 1237 00:46:29,100 --> 00:46:30,220 See you later, handsome. 1238 00:46:30,240 --> 00:46:33,240 Honey. Um... 1239 00:46:34,021 --> 00:46:36,040 listen, quick question. 1240 00:46:36,060 --> 00:46:38,251 I'm looking for someone. - Son of a bitch. 1241 00:46:39,031 --> 00:46:40,231 - ...really big boobs. - [pounding on window] 1242 00:46:40,251 --> 00:46:42,180 Hello there, beautiful. 1243 00:46:42,200 --> 00:46:44,080 Tell me what sounds good for dinner? 1244 00:46:44,100 --> 00:46:45,231 No, no, no, no. - A threesome? 1245 00:46:45,251 --> 00:46:48,051 - Thank you, really. - A dynamic lesbian duo, 1246 00:46:48,071 --> 00:46:50,171 you and I? - No, really. Thank you, no. 1247 00:46:50,191 --> 00:46:52,131 Well, if you change your mind, just give me a call, precious. 1248 00:46:52,151 --> 00:46:54,140 My God. 1249 00:46:54,160 --> 00:46:58,131 [flute playing] 1250 00:46:58,151 --> 00:47:00,120 I can't believe this. 1251 00:47:00,140 --> 00:47:02,151 I'm just saying you should hear her out. 1252 00:47:02,171 --> 00:47:04,151 Can't you see I'm peeing? 1253 00:47:04,171 --> 00:47:07,040 Some privacy! - Sorry. Forgive me. 1254 00:47:07,060 --> 00:47:08,120 She's just from the same show. - It was rude! 1255 00:47:08,140 --> 00:47:10,151 Machús. Machús... 1256 00:47:10,171 --> 00:47:12,100 - You using the video or not? - that's her. 1257 00:47:12,120 --> 00:47:13,191 - What are you talking about? - She's the one. 1258 00:47:13,211 --> 00:47:16,051 No, we're not asking you to be on TV. 1259 00:47:16,071 --> 00:47:18,071 I just want to talk to you, and just give me... 1260 00:47:18,091 --> 00:47:19,191 Well, that friend of yours put me on TV... 1261 00:47:19,211 --> 00:47:21,051 - Let's move. - and it ruined my life 1262 00:47:21,071 --> 00:47:22,240 Get her. Come on, Machús. - Maybe, uh... 1263 00:47:23,021 --> 00:47:24,151 But, Cristina, Cristina, isn't that the reporter there? 1264 00:47:26,211 --> 00:47:27,240 Yeah, that's her! You scoundrel! 1265 00:47:28,021 --> 00:47:30,040 Come here! 1266 00:47:30,060 --> 00:47:31,200 - Cristina! - Come here! 1267 00:47:31,220 --> 00:47:33,071 What, you can't hold your own?! - Please. 1268 00:47:33,091 --> 00:47:34,240 Take it easy. - Make my day, you little bitch! 1269 00:47:35,021 --> 00:47:36,180 I just want to talk to you! I don't have a camera! 1270 00:47:36,200 --> 00:47:38,040 Get over here! I'll kick your ass! 1271 00:47:38,060 --> 00:47:39,111 Cristina, calm down! - What?! What?! 1272 00:47:39,131 --> 00:47:40,120 - Please calm down! - What?! 1273 00:47:40,140 --> 00:47:41,051 - Veneno, Veneno! - What?! 1274 00:47:41,071 --> 00:47:42,251 I saw you on TV. 1275 00:47:43,031 --> 00:47:44,180 And I saw you on Roots,faggot! 1276 00:47:44,200 --> 00:47:45,211 That's enough outta you, asshole! 1277 00:47:45,231 --> 00:47:47,231 - Faela! - Please don't run! 1278 00:47:47,251 --> 00:47:49,111 - You ruined my life, you cunt! - Veneno, calm down! 1279 00:47:49,131 --> 00:47:51,171 - Cunt! - I just want to speak with you. 1280 00:47:51,191 --> 00:47:53,091 You had no right to put me on that shitty circus! 1281 00:47:53,111 --> 00:47:55,021 Hey, you from the TV! 1282 00:47:55,040 --> 00:47:56,211 - Holy shit. Who's that? - What?! 1283 00:47:56,231 --> 00:47:57,180 What's your excuse? - Come on! Let's go! 1284 00:47:57,200 --> 00:48:00,031 Let's go! Quick! 1285 00:48:00,051 --> 00:48:01,231 I'm being kidnapped! I'm being kidnapped! 1286 00:48:01,251 --> 00:48:03,211 I told you to never come back to this park! 1287 00:48:03,231 --> 00:48:05,180 - Veneno! - Let me go! 1288 00:48:05,200 --> 00:48:06,211 Stop the car! I'm not going anywhere! 1289 00:48:06,231 --> 00:48:08,120 - [gasps] - [screams] 1290 00:48:08,140 --> 00:48:09,180 Goodness, why are you screaming so loud? 1291 00:48:09,200 --> 00:48:10,251 - Open the door now! - [pounding] 1292 00:48:11,031 --> 00:48:12,021 - Just go now! - Okay, which way?! 1293 00:48:12,040 --> 00:48:13,151 Bitch! 1294 00:48:13,171 --> 00:48:14,140 Tito, you gotta do something! 1295 00:48:14,160 --> 00:48:16,151 TITO: Stop that car! 1296 00:48:16,171 --> 00:48:17,151 Hey! - [thump] 1297 00:48:17,171 --> 00:48:19,200 Where are you taking me? 1298 00:48:19,220 --> 00:48:21,251 Are you kidnapping me? 1299 00:48:22,031 --> 00:48:23,200 - Come back, motherfuckers! - Yeah, motherfuckers! 1300 00:48:23,220 --> 00:48:25,211 [yelling] 1301 00:48:25,231 --> 00:48:27,251 - Okay, okay. - Veneno, listen. 1302 00:48:28,031 --> 00:48:30,071 Stop. Stop yelling, "Veneno"! What fuckery is this shit?! 1303 00:48:30,091 --> 00:48:33,031 You ruined my life! Since you put me on TV, 1304 00:48:33,051 --> 00:48:35,051 all my clients act like idiots asking for my autograph. 1305 00:48:35,071 --> 00:48:37,080 Pepe Navarro wants you to appear on Mississippi. 1306 00:48:37,100 --> 00:48:39,180 - I'm not gonna take any part-- - Ooh, honey! 1307 00:48:39,200 --> 00:48:41,200 What a scandal, the Mississippi. 1308 00:48:41,220 --> 00:48:43,191 Why can't you just leave me alone? 1309 00:48:43,211 --> 00:48:45,071 - Why wouldn't you want to? - Because it's my turf, 1310 00:48:45,091 --> 00:48:47,031 and I get to call the shots, not you! 1311 00:48:47,051 --> 00:48:48,171 - Veneno! - I am fed up! What?! 1312 00:48:48,191 --> 00:48:49,171 - How much do you charge? - A lot. 1313 00:48:49,191 --> 00:48:51,051 I want a number! 1314 00:48:51,071 --> 00:48:52,240 - More than 400 a night. - Fine. 1315 00:48:53,021 --> 00:48:54,211 Well, on TV, you can make more than 800, 1316 00:48:54,231 --> 00:48:56,140 plus if you keep your regular job, 1317 00:48:56,160 --> 00:48:58,060 you'll double your income per night. 1318 00:48:58,080 --> 00:49:00,151 Wow! It'd be like having three pairs of tits! 1319 00:49:00,171 --> 00:49:03,031 Three pairs of tits, my ass? I am not a fucking alien! 1320 00:49:03,051 --> 00:49:05,100 Now stop the car. I am fed up with this bullshit! 1321 00:49:05,120 --> 00:49:07,021 Stop the car now! - Fine, fine, fine! 1322 00:49:07,040 --> 00:49:07,060 - Stop the car! - I'm stopping! I'm stopping! 1323 00:49:08,200 --> 00:49:09,160 [tires skid] 1324 00:49:16,140 --> 00:49:17,051 - [crying] - Faela. 1325 00:49:19,140 --> 00:49:22,140 Faela, don't cry. It's okay. 1326 00:49:22,160 --> 00:49:24,071 - I suck at this. I'm done. - No, that's not true. 1327 00:49:24,091 --> 00:49:25,151 I'm doing it all wrong! - No, no, it's not. 1328 00:49:25,171 --> 00:49:26,251 You're not done! - Come on. 1329 00:49:27,031 --> 00:49:28,040 - You're not done. - Stop that, 1330 00:49:28,060 --> 00:49:30,111 the lady with the camellias. 1331 00:49:30,131 --> 00:49:31,240 Honey, you didn't do anything wrong. 1332 00:49:32,021 --> 00:49:33,200 You just plowed on through here 1333 00:49:33,220 --> 00:49:36,220 like we were a pack of animals at some safari. 1334 00:49:36,240 --> 00:49:38,131 You didn't even introduce yourselves to anyone. 1335 00:49:38,151 --> 00:49:40,131 I'm Paca The Piranha, 1336 00:49:40,151 --> 00:49:42,080 a very close friend of La Veneno. 1337 00:49:42,100 --> 00:49:44,120 But you didn't even introduce yourselves. 1338 00:49:44,140 --> 00:49:46,140 You just bulldozed your way in, driving off the clients. 1339 00:49:46,160 --> 00:49:48,200 Of course they got pissed. 1340 00:49:48,220 --> 00:49:51,140 Of course the other day, Tito came close to killing you. 1341 00:49:51,160 --> 00:49:53,051 Okay, give me some paper. 1342 00:49:55,140 --> 00:49:57,171 A piece of paper if you don't mind. 1343 00:49:57,191 --> 00:49:58,251 Some paper, bitch. 1344 00:49:59,031 --> 00:49:59,171 Th-there on the right. 1345 00:50:02,031 --> 00:50:05,021 And here's a-a pen. 1346 00:50:05,040 --> 00:50:05,171 - No, I've got a pen. - Oh, okay. 1347 00:50:09,031 --> 00:50:11,151 Oh, girl, incredible. 1348 00:50:11,171 --> 00:50:13,160 I mean, honestly, you made a mess. 1349 00:50:13,180 --> 00:50:15,120 You've really made a mess of things. 1350 00:50:15,140 --> 00:50:17,231 Here. This is Cristina's address. 1351 00:50:17,251 --> 00:50:20,160 You could speak more peacefully with her there. 1352 00:50:20,180 --> 00:50:22,171 And obviously you gotta have more tact next time. 1353 00:50:22,191 --> 00:50:24,031 I promise. For sure. - Thank you so much. 1354 00:50:24,051 --> 00:50:24,191 - Have a nice night, ladies. - Thank you. 1355 00:50:28,200 --> 00:50:30,160 [squeals] Come here! 1356 00:50:30,180 --> 00:50:33,080 [chuckles] Good job. 1357 00:50:33,100 --> 00:50:34,231 We did it, girl! We did it! 1358 00:50:34,251 --> 00:50:36,220 - We did it! - Ah, but at what cost? 1359 00:50:36,240 --> 00:50:38,171 Fuck, yeah! 1360 00:50:38,191 --> 00:50:40,140 - Come on. We better go. - Of course. 1361 00:50:40,160 --> 00:50:43,051 CRISTINA: Hey, there. You want to rumpy-bumpy? 1362 00:50:43,071 --> 00:50:44,051 Wanna have a good time? 1363 00:50:45,251 --> 00:50:48,071 Let's go. 1364 00:50:48,091 --> 00:50:50,140 You're gonna bring out the beast inside of me. 1365 00:50:50,160 --> 00:50:51,240 Paca, what happened? 1366 00:50:52,021 --> 00:50:54,111 I was taking a shit. 1367 00:50:54,131 --> 00:50:55,160 Our little girl is gonna be a star. 1368 00:50:57,180 --> 00:50:59,040 I knew it, my darling. 1369 00:50:59,060 --> 00:51:00,100 I've always knew she was special. 1370 00:51:05,200 --> 00:51:07,160 PACA: You like it, hon? 1371 00:51:07,180 --> 00:51:09,131 Oh, I love her! Rocío Jurado. 1372 00:51:09,151 --> 00:51:11,240 It's a nice altar, right? 1373 00:51:12,021 --> 00:51:14,060 I set it up because she's been sick 1374 00:51:14,080 --> 00:51:16,180 so the Lord will-- the Lord will heal her. 1375 00:51:16,200 --> 00:51:18,071 I do her. I'm a performer 1376 00:51:18,091 --> 00:51:19,240 I sing because of Rocío Jurado. 1377 00:51:20,021 --> 00:51:21,191 Yeah, I mean, she's great. 1378 00:51:21,211 --> 00:51:24,091 I'm a huge fan, her biggest fan. 1379 00:51:24,111 --> 00:51:26,151 - We should go, yeah? - Are you leaving? 1380 00:51:26,171 --> 00:51:29,040 - You're not staying for dinner? - No, they can't stay, honey, 1381 00:51:29,060 --> 00:51:31,051 because I don't have enough food for everyone. 1382 00:51:31,071 --> 00:51:33,031 I only have things on her diet, but nothing else in the house. 1383 00:51:33,051 --> 00:51:34,131 - Then come back another day. - Thank you. 1384 00:51:34,151 --> 00:51:35,180 I'm going to the market tomorrow. 1385 00:51:35,200 --> 00:51:37,140 Bye, hon. - Thank you, Paca. 1386 00:51:37,160 --> 00:51:39,200 - Paca, you are such a treat. - I know. Goodbye. 1387 00:51:39,220 --> 00:51:40,231 - Come back, my love. - Thank you, honey. 1388 00:51:40,251 --> 00:51:42,060 You be safe. - Bye. 1389 00:51:42,080 --> 00:51:43,080 Because I've got tons of albums. 1390 00:51:43,100 --> 00:51:45,031 It was nice to meet you 1391 00:51:45,051 --> 00:51:47,151 Ciao, Princess Sh-Sheila, um, Chenoa. 1392 00:51:47,171 --> 00:51:49,120 - Bye. - See you. 1393 00:51:49,140 --> 00:51:51,160 And stay away from all the bad guys out there. 1394 00:51:51,180 --> 00:51:53,031 [buzzing, beeping] 1395 00:51:56,100 --> 00:51:57,240 [sighs] 1396 00:51:58,021 --> 00:51:58,251 She talks a lot, right? 1397 00:52:01,200 --> 00:52:03,251 Can't help herself, I guess. 1398 00:52:04,031 --> 00:52:05,180 She talks a lot, yeah. 1399 00:52:05,200 --> 00:52:06,240 [chuckles] Maybe a little too much. 1400 00:52:15,031 --> 00:52:15,231 [buzzes, beeping stops] 1401 00:52:15,251 --> 00:52:16,220 [sighs] 1402 00:52:21,211 --> 00:52:24,040 I'm gonna get going. 1403 00:52:24,060 --> 00:52:26,071 Yeah. I've got so much homework 1404 00:52:26,091 --> 00:52:27,231 I'm not gonna sleep tonight. 1405 00:52:27,251 --> 00:52:28,251 I'll text you when I get home, 'kay? 1406 00:52:29,031 --> 00:52:29,180 Okay. 1407 00:52:44,120 --> 00:52:45,140 [sighs] 1408 00:52:48,100 --> 00:52:49,021 A super smart girl. 1409 00:52:51,021 --> 00:52:51,211 Come again? 1410 00:52:51,231 --> 00:52:54,191 When I-- 1411 00:52:54,211 --> 00:52:55,171 When I look at you, that's what I see, 1412 00:52:55,191 --> 00:52:56,180 a really smart girl. 1413 00:52:58,140 --> 00:52:59,180 You do? 1414 00:52:59,200 --> 00:53:01,240 [sniffs] Yeah. 1415 00:53:02,021 --> 00:53:03,140 Because... 1416 00:53:03,160 --> 00:53:05,231 I'm just like this snake 1417 00:53:05,251 --> 00:53:07,211 locked forever inside these four walls. 1418 00:53:07,231 --> 00:53:09,120 I go through one door 1419 00:53:09,140 --> 00:53:10,251 and come back in through another. 1420 00:53:11,031 --> 00:53:12,200 and I'll keep eating and eating 1421 00:53:12,220 --> 00:53:16,071 until I can't fit anymore, but not you. 1422 00:53:16,091 --> 00:53:17,231 You'll walk through a door one day, 1423 00:53:17,251 --> 00:53:20,171 but you won't come back in through another. 1424 00:53:20,191 --> 00:53:23,031 And I'm gonna miss you so much, but... 1425 00:53:23,051 --> 00:53:25,180 you're so much bigger 1426 00:53:25,200 --> 00:53:28,040 than these four walls could ever hold, 1427 00:53:28,060 --> 00:53:30,071 because your game hasn't been invented, 1428 00:53:30,091 --> 00:53:32,180 because your game is the coolest ever. 1429 00:53:32,200 --> 00:53:33,200 Amparo. 1430 00:53:33,220 --> 00:53:35,051 What? 1431 00:53:35,071 --> 00:53:37,060 You're addicted. 1432 00:53:37,080 --> 00:53:39,091 - Addicted as fuck. - [laughs] 1433 00:53:39,111 --> 00:53:41,120 But anyway... [sniffs] 1434 00:53:41,140 --> 00:53:42,180 girlfriend... - [laughs] 1435 00:53:42,200 --> 00:53:44,060 I gotta go. 1436 00:53:44,080 --> 00:53:46,031 [sniffs] I love you so much, 1437 00:53:46,051 --> 00:53:47,040 and I'll text you tonight, okay? 1438 00:53:47,060 --> 00:53:47,211 Okay. Love you. 1439 00:54:07,060 --> 00:54:09,140 Fortunately or unfortunately. 1440 00:54:09,160 --> 00:54:10,200 I didn't meet Cristina in the mid-nineties. 1441 00:54:15,180 --> 00:54:17,100 I mean, I knew her the same way 1442 00:54:17,120 --> 00:54:19,211 everyone else in my generation did, 1443 00:54:19,231 --> 00:54:22,131 those of us whose parents sent them to bed at midnight 1444 00:54:22,151 --> 00:54:24,120 when it was time forMississippi. 1445 00:54:24,140 --> 00:54:26,040 - CRISTINA: You wanna know? - Yes. 1446 00:54:26,060 --> 00:54:28,120 If I'm transgender? I am transgender. 1447 00:54:28,140 --> 00:54:30,191 Prostitute? That, too. 1448 00:54:30,211 --> 00:54:32,151 But what I think you really want... 1449 00:54:32,171 --> 00:54:34,220 VALERIA: We were dying to see that impressive woman 1450 00:54:34,240 --> 00:54:36,091 taken from another planet. 1451 00:54:36,111 --> 00:54:38,251 She's so funny. 1452 00:54:39,031 --> 00:54:41,111 I know, right? And she's gorgeous, too. 1453 00:54:41,131 --> 00:54:44,021 - She is. - Nocturnal and treacherous, 1454 00:54:44,040 --> 00:54:46,191 she entered into our homes to give voice and body 1455 00:54:46,211 --> 00:54:48,131 to a subject that, up until then... 1456 00:54:48,151 --> 00:54:49,040 - [doorbell rings] - had been taboo. 1457 00:54:53,100 --> 00:54:56,240 A reality that society had decided to look away from. 1458 00:55:00,231 --> 00:55:03,180 That was a rough start. 1459 00:55:03,200 --> 00:55:06,191 My name is Faela Sainz, and I work at Mississippi. 1460 00:55:06,211 --> 00:55:10,180 I had a baby recently, and... 1461 00:55:10,200 --> 00:55:12,200 I need to prove I'm still good at my job. 1462 00:55:12,220 --> 00:55:15,191 I'd love it if you'd come with me, 1463 00:55:15,211 --> 00:55:17,051 and I also think this opportunity 1464 00:55:17,071 --> 00:55:19,021 could be incredible for you. 1465 00:55:19,040 --> 00:55:20,031 If I didn't, I wouldn't say so, I promise. 1466 00:55:22,120 --> 00:55:25,021 It's so nice meeting you, Faela, 1467 00:55:25,040 --> 00:55:26,120 but I can't be on television. 1468 00:55:26,140 --> 00:55:28,040 But why not? 1469 00:55:31,151 --> 00:55:32,211 Because my mother's never seen me like this. 1470 00:55:32,231 --> 00:55:35,191 Like what? 1471 00:55:35,211 --> 00:55:38,200 Like my mother doesn't know me as a woman. 1472 00:55:38,220 --> 00:55:41,200 She doesn't know me. 1473 00:55:41,220 --> 00:55:44,200 She doesn't know the person I am nowadays. 1474 00:55:44,220 --> 00:55:47,021 You understand? 1475 00:55:47,040 --> 00:55:48,120 Mm, perfectly well. 1476 00:55:50,180 --> 00:55:51,080 Um... 1477 00:55:53,151 --> 00:55:55,151 in case... 1478 00:55:55,171 --> 00:55:56,160 you change your mind. 1479 00:55:58,080 --> 00:55:58,200 Thank you. 1480 00:56:00,151 --> 00:56:01,251 No, thank you. 1481 00:56:02,031 --> 00:56:02,171 - Bye, Faela. - Bye. 1482 00:56:06,200 --> 00:56:08,191 VALERIA: It was clear that Cristina wasn't perfect, 1483 00:56:08,211 --> 00:56:10,231 but then who is? 1484 00:56:10,251 --> 00:56:12,140 Is television perfect? 1485 00:56:12,160 --> 00:56:15,120 I said no! I am not gonna do it! 1486 00:56:15,140 --> 00:56:17,160 - Is that your final answer? - Yes. 1487 00:56:17,180 --> 00:56:19,231 Fine, fine, fine. I'm not gonna fight with you anymore, 1488 00:56:19,251 --> 00:56:21,080 'cause fighting with you is fucking bullshit! 1489 00:56:21,100 --> 00:56:23,080 Keep your life of misery, 1490 00:56:23,100 --> 00:56:25,091 keep your crying over your mother, 1491 00:56:25,111 --> 00:56:27,060 and keep your life the same way it is! 1492 00:56:27,080 --> 00:56:28,240 Nothing changes. Who cares? It works. 1493 00:56:29,021 --> 00:56:30,051 But you're gonna miss the opportunity 1494 00:56:30,071 --> 00:56:32,100 of a lifetime, a lifetime, 1495 00:56:32,120 --> 00:56:34,021 because you're worried about what she thinks of you 1496 00:56:34,040 --> 00:56:34,220 when she's never cared about you at all. 1497 00:56:37,191 --> 00:56:38,060 [door slams] 1498 00:56:43,111 --> 00:56:45,251 Rocío Jurado passed away at 5:15 this morning. 1499 00:56:46,031 --> 00:56:49,040 For the singer... - Oh, my, Rocío. So sad. 1500 00:56:49,060 --> 00:56:50,240 Next time those girls come over, 1501 00:56:51,021 --> 00:56:52,251 I'm gonna show them every gown I've got. 1502 00:56:55,040 --> 00:56:57,120 The black one, the polka dots, 1503 00:56:57,140 --> 00:56:59,251 the red one. 1504 00:57:00,031 --> 00:57:01,120 They won't believe it. 1505 00:57:01,140 --> 00:57:04,160 Oh, sweet Cristina, my love. 1506 00:57:04,180 --> 00:57:06,071 You were so relaxed and calm. 1507 00:57:06,091 --> 00:57:09,080 Quiet! You're jealous of me. 1508 00:57:09,100 --> 00:57:13,111 I'm not jealous, but I've seen that look in your eyes before, 1509 00:57:13,131 --> 00:57:15,131 and it never led to anything good. 1510 00:57:15,151 --> 00:57:17,231 And now that I've lost my Rocío Jurado, 1511 00:57:17,251 --> 00:57:19,231 I don't wanna lose you, too. 1512 00:57:19,251 --> 00:57:22,111 Please, I don't want anything to happen to you. 1513 00:57:22,131 --> 00:57:25,071 VALERIA: Did those shows take advantage of her vulnerability 1514 00:57:25,091 --> 00:57:27,160 just so they could turn her drama into simple ratings? 1515 00:57:27,180 --> 00:57:29,111 PEPE: Her profession, a prostitute. 1516 00:57:29,131 --> 00:57:31,031 Her price, more than $800 a night. 1517 00:57:31,051 --> 00:57:32,111 VALERIA: Or did they save her... 1518 00:57:32,131 --> 00:57:34,080 PEPE: If you're talking about sex... 1519 00:57:34,100 --> 00:57:35,051 VALERIA: with the opportunity of a lifetime? 1520 00:57:35,071 --> 00:57:36,080 Ladies and gentlemen, 1521 00:57:36,100 --> 00:57:38,021 here at the studio 1522 00:57:38,040 --> 00:57:39,160 live with us, 1523 00:57:39,180 --> 00:57:40,231 please welcome... - Ready? 1524 00:57:40,251 --> 00:57:43,060 Cristina! La Veneno! 1525 00:57:43,080 --> 00:57:44,211 [applause] 1526 00:57:53,171 --> 00:57:57,021 Elisabeth Noelle-Neumann argues inThe Spiral of Silence 1527 00:57:57,040 --> 00:57:59,160 that the responsibility lies with the media, 1528 00:57:59,180 --> 00:58:01,240 because they draw the line 1529 00:58:02,021 --> 00:58:04,080 between what's socially accepted and what's not, 1530 00:58:04,100 --> 00:58:06,171 because they can transform prejudice... 1531 00:58:10,080 --> 00:58:10,231 into empathy. 1532 00:58:13,021 --> 00:58:16,071 [humming a tune] 1533 00:58:16,091 --> 00:58:17,231 VALERIA: Darkness... 1534 00:58:17,251 --> 00:58:19,240 [overlapping chatter] 1535 00:58:20,021 --> 00:58:22,060 'Cause I almost went bald. 1536 00:58:22,080 --> 00:58:23,060 - ...into light. -He was pulling it so hard. 1537 00:58:23,080 --> 00:58:24,160 [overlapping chatter] 1538 00:58:27,091 --> 00:58:29,060 And make the invisible visible. 1539 00:58:29,080 --> 00:58:30,160 Do I call you Cristina? 1540 00:58:30,180 --> 00:58:33,021 Yes, call me Cristina, 1541 00:58:33,040 --> 00:58:35,191 because my name is not Veneno. That's a nickname. 1542 00:58:35,211 --> 00:58:39,031 Oh, but that nickname is because you kill with something. 1543 00:58:39,051 --> 00:58:39,200 - No, no, I got it... - Good job. 1544 00:58:39,220 --> 00:58:41,131 Thank you. 1545 00:58:41,151 --> 00:58:43,211 What's for tomorrow? 1546 00:58:43,231 --> 00:58:46,021 ...I was a transvestite, and they wanted to kick me out, 1547 00:58:46,040 --> 00:58:47,251 so I carried in my purse 1548 00:58:48,031 --> 00:58:49,171 a reaping hook that you use to cut grass. 1549 00:58:49,191 --> 00:58:52,151 - Nothing. - Well, yeah, I did. 1550 00:58:52,171 --> 00:58:55,120 A couple of times I had to. I carried it in a big purse, 1551 00:58:55,140 --> 00:58:57,021 and when anyone... - I'm gonna finish my leave... 1552 00:58:57,040 --> 00:58:58,191 I would say, "Come on. Come here." 1553 00:58:58,211 --> 00:59:00,191 get to know my son. 1554 00:59:00,211 --> 00:59:01,191 PEPE: What were you threatening to cut? 1555 00:59:01,211 --> 00:59:03,080 Their throat, to start. 1556 00:59:03,100 --> 00:59:04,211 What are we gonna do without you? 1557 00:59:04,231 --> 00:59:06,151 You've got Machús. 1558 00:59:06,171 --> 00:59:08,120 She's an exceptional journalist. 1559 00:59:08,140 --> 00:59:10,080 - [audience laughs] - PEPE: What's so funny? 1560 00:59:10,100 --> 00:59:12,160 - Well, you. You are. - Oh, you think I'm funny, huh? 1561 00:59:12,180 --> 00:59:14,200 Finally someone laughs at what I don't actually say. 1562 00:59:14,220 --> 00:59:16,191 [audience laughs] 1563 00:59:16,211 --> 00:59:19,120 PEPE: You haven't always been like this? 1564 00:59:19,140 --> 00:59:22,111 Isn't that right? - She glows. 1565 00:59:22,131 --> 00:59:24,151 - ...a little tour of your life. - Of course she does. 1566 00:59:24,171 --> 00:59:25,160 [interview continues indistinctly] 1567 00:59:36,021 --> 00:59:38,180 VALERIA: Nobody's perfect, 1568 00:59:38,200 --> 00:59:41,151 but if Cristina hadn't appeared on TV, 1569 00:59:41,171 --> 00:59:43,051 they might have remained in the shadows. 1570 00:59:43,071 --> 00:59:45,111 ♪ Unh, unh, unh ♪ 1571 00:59:45,131 --> 00:59:49,060 What is not spoken about doesn't exist, 1572 00:59:49,080 --> 00:59:50,180 and what doesn't exist is marginalized. 1573 00:59:52,060 --> 00:59:52,191 Hello. 1574 00:59:55,240 --> 00:59:57,231 What you wrote is not an outline. 1575 00:59:57,251 --> 00:59:59,191 Yeah, I know, but I didn't know if the approach was-- 1576 00:59:59,211 --> 01:00:00,120 It's better than an outline. 1577 01:00:02,120 --> 01:00:03,040 Wait. Really? 1578 01:00:07,131 --> 01:00:08,231 So did you really meet her? 1579 01:00:08,251 --> 01:00:10,151 Yes. 1580 01:00:15,200 --> 01:00:17,051 I already chose. 1581 01:00:17,071 --> 01:00:18,080 - What, hon? - My name. 1582 01:00:20,111 --> 01:00:21,091 Valeria. 1583 01:00:25,051 --> 01:00:26,111 Come on in. 1584 01:00:26,131 --> 01:00:29,091 Paca, her name is Valeria! 1585 01:00:29,111 --> 01:00:31,180 Oh, oh! My leg! 1586 01:00:31,200 --> 01:00:32,140 VALERIA: For me, there's no doubt. 1587 01:00:32,160 --> 01:00:33,080 She saved me. 1588 01:00:33,100 --> 01:00:37,071 [laughing] 1589 01:00:37,091 --> 01:00:39,151 Because she made me see I wasn't alone. 1590 01:00:39,171 --> 01:00:42,100 And meeting her 1591 01:00:42,120 --> 01:00:43,021 was the beginning of the adventure of my life. 1592 01:00:46,231 --> 01:00:47,100 Have you ever thought about writing a book? 1593 01:00:50,171 --> 01:00:51,200 A book? 1594 01:00:51,220 --> 01:00:53,051 Mm-hmm, a book. 1595 01:00:58,091 --> 01:00:59,111 [ballad playing] 1596 01:01:14,040 --> 01:01:16,111 [singing in Spanish] 1597 01:02:24,051 --> 01:02:26,080 [piano playing] 108157