All language subtitles for Penguins.Life.on.the.Edge.2020.720p.WEB.h264-KOGi

The continent of Antarctica

is unbelievably vast and inhospitable.

It's the coldest place on Earth.

But each spring,

the warming sun draws life
from the southern ocean

onto the edges of the continent,

and it becomes home to one
of the toughest birds on the planet,

the Adelie penguin.

To chronicle the amazing story
of these polar pioneers,

Disneynature mounted one of the biggest
filming operations

Antarctica has ever seen,

assembling a unique team of filmmakers,

including some of the best
cinematographers in the world.

They'll face the worst
that Mother Nature can throw at them,

and still come back for more.

Whoo!

The penguins
are on a mission of their own.

Ah, these penguins.
Would you stand in the frame? They just...

Oh...

I can't believe this.

They can be wary of strangers.

I'm gonna be hiding
in their colony like this.

And finding them isn't easy.

Which way
was the penguin colony again?

But these filmmakers know
what it takes to capture every moment

of this magical story.

Oh, that was a penguin.

Aye.

That could have been
the Oscar-winning shot.

Just missed it.

The Adelies have spent
the winter out at sea.

Now they're heading back to land to breed.

It's the green light the Disneynature team
has been waiting for.

More than 20 cinematographers
will attempt to film the penguins' lives

in unparalleled detail.

They'll travel vast distances
to find those subjects,

carrying with them
over ten tons of filming equipment.

They will spend months
in some of the coldest

and most isolated places on the planet.

And they'll depend on hundreds
of support staff

from eight different nations

to get them there and keep them alive.

The first camera team
left England a week ago,

heading for a staging post in New Zealand.

They then flew to Ross Island

and the US Antarctic Research Base
at McMurdo.

Now the final leg
of their grueling journey

is taking them across the island
to the remote Cape Crozier.

Each year, Crozier becomes home

to the largest Adelie penguin colony
on the planet.

The crew is racing to get there
before the penguins do.

Mark Smith is a cinematographer
who has filmed here before,

as has Jeff Wilson,

the team's leader
and one of the film's directors.

So, two years of planning has gone
into this moment right now,

trying to get all the logistics,
all the people,

all the equipment, and the weather correct

in order to drop us into this base
that we're going,

has been an enormous effort.

This barren mountain
will be the main filming location

for the next few months.

Both Mark and Jeff
know the harsh conditions that lie ahead.

It's like a midsummer's day down here,
it's about minus 18.

Nice and warm.

For Antarctica,
it's actually unseasonably calm and sunny.

Man, I can't believe the weather.
I've never seen it like this here, ever.

Yeah, this is beautiful.

- Okay, good to go.
- Are you good?

- Have fun, guys.
- Thank you very much, mate.

You're welcome. See you soon.

- Whoo!
- Whoo!

Yeah.

Awesome.

How about that?

We made it.

That is the best feeling ever.

Landing here is pretty amazing.

This is our home.

It's been eight months
since this base was operational,

so the crew's first priority
is to rebuild the camp.

- Jeff.
- They also have to carry

the film kit, piece by piece,
to the penguin colony.

It's about a mile walk down to the colony

and we're just taking some of our gear,
some of the 5,000 pounds

of gear that we brought in with us.

The camera, tripod, and what have you,

we're gonna stash that down at the colony

so we don't have to bring it back
and forth each day.

Jeff, why aren't you carrying
as much as the rest of us?

Mark and Jeff hope to capture
the beginning of the Adelies' story:

the return of males across the sea ice,
on their way to their nesting grounds.

But have they made it ahead
of the penguins?

What do you think, Mark?

It's pretty amazing. It's incredible.

There's a few hundred penguins
of quarter of a million penguins here.

Most of them are still out in the sea

and coming back here in the next few days.

And the penguins have to pass through here
to get to the colony,

and hopefully, they'll come back
through all this amazing ice.

Each year,
the sea around Antarctica freezes.

By midwinter, it more than doubles
the size of the continent,

and then melts away again each summer.

This year, that melt is slower than usual.

The ice is about six kilometers out there,
so most normal years,

it's about half that, more or less.

It's a long way for the Adelies to walk.

There's a lot of Adelies
going through that ice there.

Very beautiful. Blue ice,

black and white Adelies, looks amazing.

With hundreds of males arriving

and the good weather holding,
it's the perfect start.

But Mark and Jeff had been here
many times

and know that conditions can change
in a matter of minutes.

So the Adelies are finally coming down
in huge numbers,

which is exactly what we came here for,

and then Mark is trying to film them.

But here's the dilemma.

Up on the top of the hill up there,
it's starting to blow an enormous gale.

And the winds here can get pretty strong.

So whilst we've got all this action,
we're, um, on a bit of a line

as to whether to head for home
or stay and get some good stuff.

It quickly becomes clear
that staying is not an option.

That's, uh... blowing snow,

which...
which puts the fear of God into me.

And that means that this
is, uh, some strong winds.

You never quite know how strong they are.

We're going to leave.

We're not gonna hang around to find out.

Pretty strong, eh?

Before they know it,

the crew are battling
hurricane-force winds

and temperatures dropping below
minus 30 degrees Fahrenheit.

Caught out in the open,
these are potentially lethal conditions.

At last, they reached
the safety of their camp,

but it was a narrow escape.

Whew!

Quite punchy.

Just a bit of breeze, isn't it?

The storm vanishes
as quickly as it arrives.

The next morning,
it's as if it never happened.

It seems all kind of very benign

now that we're sitting back in the colony
the next morning, but...

it came pretty close
to being serious last night.

And I don't think we wanna try
and test that wind again.

And there were times where I was thinking,

"I'm not sure I can take this anymore."

I was that tired.

I don't think I've ever been
that physically tired

when we got back to the hut.

And you know what?

If it had been any colder,
we would have been in real, real trouble.

The most amazing thing about a storm
is the penguins didn't mind at all.

The colony seems to be about
twice as full,

so more penguins came in
through those winds,

which must have topped
a hundred miles an hour at least.

They were still going
about their business,

which is unbelievable, really.

Credit to this tiny little animal.

Cape Crozier is the main
location for the penguins' story,

and will be filmed throughout the season
by three different camera crews.

But it's not the only colony
the Disneynature team will film.

Another film crew is sailing south
from Australia

on an ice-breaking resupply ship.

They're heading for the sea ice barrier

and the French research base
of Dumont d'Urville, or DDU.

Their three tons of camera
and diving equipment has to travel by sea.

But two of the crew are able to fly in
ahead of the others by small plane.

Their weight restriction only allows
for some clothes

and a single small camera.

It's their first time in Antarctica.

What do you reckon, Rolf?

Look at that. I mean...

There are icebergs frozen in the sea,

I mean, wow.

I'm a little bit speechless,
I have to admit.

Can't see any penguins yet.

But that's not such a bad thing,
because at the moment all our camera kit

is stuck out about 200 kilometers
that way,

on the boat with the rest of the team.

Fingers crossed they get here soon,

because without cameras,
we can't do anything.

The boat they're waiting for,
the Astrolabe,

hits early spring ice
far sooner than expected.

In addition to the equipment,

it's also carrying much-needed supplies
for all those living at DDU.

On board is underwater filming legend
Didier Noirot,

who has dived in Antarctica
many times before.

Normally, crossing from Australia
takes ten days,

but this season, the ship is struggling
against the unusually thick sea ice.

The closer they get,
and the further south they go,

the thicker the ice becomes.

Their progress grows slower day by day...

until finally, they can go no further.

They're stuck

and the mission hangs in the balance.

The research base
is still several days away.

They have no choice but to wait
until the weather improves.

While Rolf and Max must wait
for their cameras,

they are no longer waiting on the Adelies.

The main base is up here.

It's amazing,
it's one of the only bases down here

that's actually surrounded
by a penguin colony,

so it's ideal for us.

This is luxury,
because we only have a short stroll

and we're right in the colony itself,

and they've got Emperor penguins
just over this direction,

but we're completely surrounded
by Adelies.

They still have no idea
when they'll be able to start filming.

I mean, it's a little bit of a disaster
that we can't get our cameras,

because they are out there on the boat
and we can't do anything.

So, uh, we can get really familiar
with the area,

really familiar with the behavior,

but in the worst case, it's...
it's over when the cameras are here.

So, fingers crossed
that, uh, the boat will come soon.

The Astrolabe is marooned
in a sea of ice.

The chances of sailing to DDU
are fading fast.

But a window of fine weather
gives Didier and the underwater team

an opportunity to get ashore
by different means.

Now the true extent
of the sea ice becomes clear.

I can hear a helicopter.

The entire film team
will be guests at the French base at DDU,

which has been home to 30 scientists
and engineers all winter.

The helicopter is bringing
not only Didier,

but also fresh food for all,

and long-awaited messages from home.

This is the first mail in eight months.

I don't know what they get,
but everybody seems to be pretty excited.

That is heavenly.

Following delivery
of the salad appetizer,

the helicopter returns
with the main course

and a surprise for Max.

Finally, finally, we got everything.
In amongst a load of science kit.

It's been a long wait, but...

it's here, a camera.

We can finally start filming.

DDU has been chosen

because it allows the team
to film the Adelie penguins

on and beneath the thick sea ice.

Okay.

There's a big group coming there. Wow.

Rolf is focusing on the females
that are now returning from sea,

heading to the colony,
and the males awaiting them.

I often go for a process where

I try to simply get into the mind space

of the protagonist that I'm filming.

In this case, it's a penguin
who has decided to breed

in one of the most remote
and toughest places in the world, and...

their supermarket is the sea,

that's where they get their food,

and the sea ice is very thick this year,

so it's a long walk to the supermarket.

And, uh, we go back to our base.

As a chef, he has made the food.

And we don't have to think about that.

But these guys,
they know they have to find the sea

and they have to find a lot of food,
otherwise, they will never survive,

so it's serious business,

and we try to capture that.

So...

I definitely have a lot of respect
for those

tiny black-and-white miracle machines.

The Disneynature team
have created

a unique, new look for the film

that captures a penguin's-eye view
of the story.

Max uses a special camera rig

that's more at home in Hollywood
than Antarctica.

Everything here is really tough.

I mean, we're using cameras,
we're using equipment

that you'd normally use
on a feature film set,

but using them here,
at the end of the world,

is almost impossible

because every time I step
on a piece of snow and break through,

puts a wobble in the shot,

the wind here is just relentless.

We're getting 60, 70 mile-an-hour winds,

and I think the best we've had
is a nice breezy 30 miles an hour,

and you just can't even keep
the camera steady.

And the whole point
of this ridiculously heavy rig is that

I can get stable shots moving with them.

It's quite hard to get close to them.

Understandably, they're quite nervous.

God knows what the penguins think I am
when I come wandering towards them,

looking like the Terminator.

Didier is also eager to start
the underwater filming,

but he needs to find somewhere
he can dive.

The unusually thick spring ice means
there's no open water for many miles.

It is a problem for him and the penguins.

The open sea is too far away,

so the dive team search for holes
in the ice closer to the base,

where they hope to find some Adelies.

The first hole
is home to a Weddell seal.

They live further south
than any other mammal

and keep their ice holes open year round.

The next has penguins,

but they're Emperors, not Adelies.

Then Didier finds
a very promising-looking hole.

All he needs is an Adelie.

He's in luck.

Before he dives beneath the ice,

Didier wants shots of his star
getting into the water.

He's a cool guy.

As Didier sets up
to film the best angle,

our hero gets ready for his close up.

And like a true professional,
he's right on cue.

As the little Adelie continues
to perform for the camera,

it's clear a star is born.

Another reason
DDU has been chosen as a filming location

is that it's one of the few places
on the planet

where Emperor penguins...

...live near a colony of Adelies.

The Emperors
have been overwintering here

and now they're leaving.

All the adults
are starting to go to the sea.

We've just had one Adelie,
the first Adelie,

wander up unannounced from the sea,

straight through the middle
of this Emperor colony.

You could just see
these two species interact,

and you just see the different characters.

He's not even as big
as some of Emperor chicks,

but he's just barging
the full-sized adults out the way.

Once the Adelies are in town,
they seem to think they own the place.

Their behavior is like no other penguin.

They're almost these hyperactive,
caffeinated little...

bundles of energy.

I think we're gonna enjoy filming
these guys,

because they're... they're definitely
little characters,

and uh... it's gonna be fun.

Across Antarctica,

female Adelies
are heading to their colonies,

where the males are already busy
preparing their nests.

Their colonies are always situated
on bare rock...

...because Adelies need to lay their eggs
on solid ground.

So, all the males have come back
into the colony by now,

and they're fervently trying to build
their nests,

and they build their nests
out of these little stones.

In fact, Adelie penguin colonies
are only found where you find these stones

because they need them
to lift their eggs off the ground

for when the snow melts
so their eggs don't freeze.

And all the males are going backwards
and forwards and backwards and forwards

picking up rocks,
trying to build their nests up in time,

because they gotta do it
to impress the ladies.

But nest building
isn't as innocent as it seems.

Rocks are the money,
they are the currency in these colonies.

But some penguins, they're lazy.

Oh, he's on the prowl,
our little friend here.

They look so innocent.

Look.

This guy looks beautiful, clean.

And you would never think
that he's actually standing,

looking, "Where can I find a rock?"

And sometimes, they...
they just stand there for ages,

and they just observe the area,

and observe the area.

And that's what he's doing,
like, "Just looking around."

And then suddenly, bam, they just...
They run, they dive into the nest,

and grab their rock and... boom.

"Hi, baby, I'm the guy, I got the rock."

I don't know if everyone asks
where a nice present comes from.

Sometimes you just take the present
and... be thankful.

The next stage of Didier's mission

is filming penguins swimming around
beneath the ice.

And he knows exactly who his star will be.

The water is below freezing,
so gearing up takes a long time.

All right.

Didier is late on set,
and our lead actor is growing impatient.

The little penguin
is a natural performer,

and he leads Didier
into a magical world beneath the ice.

Down here,
the ice blocks out most of the sunlight,

preventing the algae from blooming.

The result is crystal-clear visibility

to distances of 800 feet.

And then, a surprise bonus.

The supporting cast arrives.

That's a wrap for the day.

Didier heads for home.

One thousand miles away
at Cape Crozier, there's been a change.

After two grueling months away from home,

Jeff and Mark have handed over
to a fresh new team,

Julie and Matt.

Julie has been to Antarctica before,
but it's Matt's first time,

and he has a lot to learn
about living with penguins.

Look what I've been sitting in.

Meltwater that's passed through,

well, let's just say much guano.

These pants
are starting to smell a little bit.

It's gonna take a few washes
to get the smell out, if I bother.

Yeah.

The colony is now home
to over a million breeding penguins.

Almost all of them have paired up,
mated, and laid their eggs.

Matt and Julie's mission is to capture
the exact moment when a chick hatches.

It's a shot that is essential to the film.

So, Matt has been filming
for the last three days.

It's a very, very slow process.

And if you miss the moment
that the chick breaks the egg,

then that's it.

You need to... m... move on
to a different egg.

So, Matt has to concentrate.

He just needs that magic moment.

I have no doubt he's gonna get it.

But... can't really talk to him.

He's, um...

just really, really focused on his...
on his work.

But at exactly the wrong moment,

an early summer storm arrives.

So, I went to bed last night,

and it was still beautiful outside.

I woke up this morning
and we have more wind,

which is pretty frustrating because
there's a lot happening in the colony.

So this is kind of like crucial time,

and I'm pretty keen to be working.

So, let's hope to get
as much sleep as I can

and wake up in the morning

and be blue sunshine

and ready for another day,

because we have so much
to... to actually achieve

in uh, such a short amount of time.

These are katabatic winds,

cold air from the icy interior

that is being pulled downhill
by the warmer sea.

They can reach nearly 200 miles per hour

and last for days.

It's like being stuck
in a big bass drum.

It's been like that all night.

I don't know what to do.

So, it's a new day
and the wind is still strong.

I am getting a bit anxious.

When we left the colony,
there was maybe 50 percent

of, um... the birds with eggs,
hatching eggs.

I imagine that figure

is... way down,

because penguins get on
with things regardless.

Regardless of the weather,
which is quite extraordinary, really.

Those eggs will have been hatching
under those crazy little birds.

Finally, the katabatics die down.

You know what, this is nothing really,
it's just a mild breeze.

Yeah, we'll be filming today.

Good.

Having barely slept,
Matt and Julie head back to the colony

desperate to make up for lost time.

But now, overcast skies

and snow flurries
create yet another obstacle.

So, I try my best not to get

my frustration out when I work.

Um...

But today...

Christmas Eve, um...

we decided to switch hours

and do, like, um,
an early... an early start,

um, because I needed some...

some specific shots.

But the specific shots
needs to be done in...

bright blue sky.

And I pretty much have the opposite.

So, hopefully I'll be able to do

those specific shots in the sun tomorrow
on Christmas day.

That'd be quite a nice...

Christmas present, um,
because I'm kind of running out of time.

That why I'm... I'm a bit upset.

Christmas morning,
and the weather is improving.

Julie's first task
is her daily radio check.

MacOps, this is Yankee 328 Camp Crozier
on Mount Terror.

Do you copy?

Yankee 328 Camp Crozier,
this is MacOps, good morning.

Morning, George.
This is Julie for our daily check-in.

There are two people and all is good.

Good morning, Julie.
Merry Christmas

and I copy that you have
two people in camp and all is good, over.

George,
Merry Christmas to you, too.

Is there any message for us?

Uh, Julie,
I do have one message for you.

The message is,
"Merry Christmas from Mick," over.

Thank you very much. Um...

Which Mick are we talking about?

Mick...
Oh, you know what?

I apologize, it's for the Cape Crozier
crew tonight, the Bravo 031.

I apologize, Julie.

So, no messages for us?

No,
there are no messages for you.

Uh, sorry about that,
and I have nothing further,

so have a very Merry Christmas
and we'll talk to you tomorrow.

MacOps is clear.

One thousand miles away
from the isolation of Crozier,

the DDU team are also enduring Christmas
far from home.

Sit on it!

It's Christmas for me.

Despite the pressing demands of filming,

Matt and Julie take a few hours off

and celebrate with a bottle of wine

they've been keeping
for a special occasion.

We have a very, very good wine
for Christmas.

It says, "A delicious red wine,"

a "vin rouge délicieux,"

...on this bottle.

And Julie's going to try some.

- Julie.
- Yup.

Oh. Ugh!

It's really bad.

In DDU, the vin rouge
really is délicieux.

- Again?
- Yeah, sure.

And there's no shortage of selection.

Julie cooks
a lavish meal to lift spirits.

There we are. Thank you, Julie.

- Gravy?
- That looks awesome. Yeah.

And at DDU...

Julie and Matt
have left friends, family,

and life's luxuries at home,

all to capture the special moment
a chick emerges from its shell.

Without that crucial shot,
a key part of the story will be missing,

and all their sacrifices
will have been for nothing.

So, we haven't been here
for, what, three days.

We... we were delayed by the storm.

A lot of change since, uh,
we were last here.

Most birds have now got chicks.

So, there's still birds with eggs
but not... not many.

I just have to be careful
to find the right bird

to concentrate on today.

Okay. There's a clearly hatching egg here.

So we've actually got a... a subject
I can line up on now.

It's got a big open hole in the egg,

which means it's not far off
from hatching.

Actually coming out.

And that...

is a very useful shot.

After all they've been through,

this one vital success
makes all their hardships worthwhile.

Good day today. Good hatching.

Very pleased.

For the penguins,
there's no time to rest.

The victory for Julie and Matt is a call
to action for the chick's parents.

They now have hungry mouths to feed.

Time to get busy.

For the next few weeks

the parents take turns
heading out in search of food

for their ravenous chicks.

The feeding relay race
soon creates a penguin super highway.

The team want to film a penguin's-eye view
of the rush-hour journey

to and from the sea.

It's a challenge that requires
more than one approach.

Plan A.

Max does his best to try and keep up,

but one misplaced foot and...

Following these waddling
miracle machines

is a lot harder than they thought.

Time for plan B.

What could possibly go wrong?

Okay.

So, plan C.

Good idea.

It's a camera version of a zip line.

Camera's running. Okay.

Just one test.

It works beautifully.

Once they've got
all the zip line shots they need,

it's time for a little free-styling.

The sea ice that surrounds Antarctica
is melting fast.

Cracks are appearing.

The open water feeding grounds
are getting closer.

It's time to call in
the ice edge chopper team.

Their mission is not just to film
the penguins from the air,

they're also here
to film them swimming underwater.

That means landing a helicopter
packed with heavy camera equipment

on sea ice that's breaking apart.

It's an extremely high-risk operation.

They must be absolutely certain
the ice can take their weight.

So, before Tom,

the cinematographer,
is allowed near the ice edge,

the team set up safety ropes.

There is no way that Tom could fall in.

But just in case he does,

we can pull on this
and yank him right out.

Keep right. Yeah...

As the Adelies follow the channels

toward open ocean and their food,

the crew get into position ahead of them.

With the camera on a jib arm,

Tom can film them underwater
without diving.

But suddenly,
the penguins halt their journey.

Something has spooked them.

Orca.

Killer whales.

Whoa.

Oh, my goodness.

Orca are Antarctica's
greatest predators.

And the ice channels
that let the penguins out

have let the orca in.

Oh, yes.

Whoa. Smell that breath.

That was so close.

Uh, so the camera I'm using here
is just a little underwater camera

in a waterproof housing.

Uh, the point of having it on this nice
big boom is that we can just move it

and just drift and follow the animal
in-frame as it enters and leaves.

It looks great. The colors are beautiful.

The water clarity is amazing.

Oh... yes.

Yes, Mark.

There you go. Beautiful.

This is amazing.

Oh, mate.

This is perfect.

He's gonna come right next to you.

Great guy, good guy.

Orca are hugely intelligent
social animals.

And the strangers on the ice edge
arouse their curiosity.

Oh, my goodness.

Wow.

- How was that, Tom?
- That was awesome.

That was a bit of luck.

I'd literally just dipped it in
and then a second later...

I wasn't recording!

I was.

The look on Mark's face.

Mate, we got it.

Whoa!

All around Antarctica,
the sea ice is breaking up.

It's becoming much easier

for the adult penguins
to get to their feeding grounds.

And this constant supply of fish and krill
is helping their chicks grow rapidly.

At Cape Crozier,
Matt has completed his time in the field

and heads home to his loved ones
and a well-earned shower.

He's handed it over to Sophie
for the last leg of filming.

She's more used to working in Africa
than Antarctica.

It's her first time.

Nothing. Nothing can prepare you
for this landscape.

It's exactly everything I wanted it to be.

Just huge and dramatic and awe-inspiring
and terrifyingly beautiful.

Together with Julie,

she's here to film
the final stages of the penguins' story.

And it's love at first sight.

They're just enchanting. They're so...

Can't get enough of them.
We really can't. They're just heaven.

It's a real treat to be here.

They're relentless. They don't stop.

I admire them for their tenacity.

They're just up and down this hill,
just motoring,

absolutely beetling up and down that hill.

We do it a couple of times a day
and it nearly breaks us.

I love their curiosity. Look at this.

They're just sitting there.
They're completely cool.

They're just happy to hang out with us
and let us be here.

Slightly bewildered. I think they think
we're very, very tall, stupid penguins.

Definitely the best bird
I have ever filmed.

Really, really. They're just amazing.

The chicks are now several weeks old.

They're constantly hungry.

So when a parent arrives back
from a fishing trip,

every chick in the neighborhood
tries to get in on the action.

Go on! You can get her. Go on!

That is the funniest thing
you can ever see.

If you imagine a Justin Bieber fan
in a gray, fluffy onesie

chasing Justin Bieber for an autograph,

that's the fervor with which those chicks
pursue their parents.

Sophie's mission
is to film the chicks

as they get ready to leave the colony.

It won't be long now
before they head out to sea.

I can't believe
the couple of weeks we've been here

the changes we've seen,

from the winter wonderland,
which was so incredibly beautiful.

And I don't think either of us
had the faintest idea

it would go so quickly.

It really took us by surprise.

One day to have this all ice,
just everything solid,

and the next day, a bit broken,
the next day, gone.

Um, the change is so quick.

The chicks are beginning
to change their plumage.

The adults are spending less and less time
up in the colony.

The ice is all gone.

We're down to a kind of
shingly, pebbly beach.

And now, look.

Open ocean.

A few hundred miles
north of Sophie,

another film team has arrived.

The open ocean and good weather
are what they've been waiting for.

It's the aerial team.

Until now, summer storms have made it
too rough and windy to launch.

Finally, after days of waiting,

we really now, tonight,
have the perfect conditions.

Absolutely no breeze at all.

Amazing clear skies.

Beautiful sunlight on the mountains.

And we're now just getting
the helicopter ready.

We'll take off in about half an hour,

and we'll spend
up to four hours in the air

trying to capture this amazing scenery.

- Okay, good?
- Yeah.

- Ready to go.
- Yeah, ready.

We got the 360
and the forward cameras running.

Their task is to film
Antarctica's majestic mountains

and icebergs freed
from the melting sea ice.

It's a chance to visit places
few have ever seen,

let alone filmed.

Marcelo, turn it over
to the black mountain, please.

That will be our starting point.

Yup.

- Okay. Let's go this way, please.
- Uh-huh.

Looking for
some good bergs, really.

Yup.

And let's head for these
uh, icebergs here in front of us.

Yeah, this is gonna be lovely.

That is one hell of an iceberg, there.

Okay. Let's try going low towards
the one just here,

the one with the... with the holes in it.

It's very nice with the gray sky
behind this way as well.

Yeah, that's great.

That's really nice.
That's like Stonehenge.

Those holes are superb.

That's beautiful.
The lighting's lovely, too.

This is great, Marcelo.

Just keep going round like this,
this is very nice.

That is a beautiful piece of ice.

- Very good flying. Thank you.
- Thank you.

Amazing sort of... where that glacier's
coming right down into the ocean there.

Altitude is good?

Altitude is lovely.

Uh-huh.

Push.

Let's keep going
in this direction.

Uh-huh.

Can we try and fly quite close

- to this ridge straight ahead of us?
- Uh-huh.

That's got a real feeling
of going forever.

Okay, Marcelo,
can you see that ridge there?

- Can we go over the top of it?
- Okay.

That's a lovely shot.
Very nice. Okay, keep going.

Nice altitude. Good speed.

And we stay on
the sunny side of the ridge.

Yeah, this is gonna be lovely.

Yeah, that's nice.

Three and a half thousand miles away,

on the other side of Antarctica,

the last of the Disneynature teams

is sailing from the Falkland Islands
down the Antarctic Peninsula

heading for the appropriately named
Avian Island.

It's accessible only by boat,

and only when there's open water
and the sea ice has broken up.

On board is the largest film crew
of the entire production,

with three separate filming teams,

all trying to get to a rarely visited
and very remote penguin colony.

One of the most experienced is John,

a specialist long lens cinematographer.

I've been here a few times filming,

but it's fresh, I think,
every single time, because...

the landscape changes,
all the ice moves around, and...

you never get
the same weather twice either.

Apparently this year
there's a huge amount of ice,

and it could well block this boat
from being able to get to the colony

where the Adelie penguins are
that we're trying to film.

And if that's the case,
then we may not be able to land there.

The dive team leader, Doug,
has also been here before,

and knows a thing or two
about these freezing waters.

Well, I've been diving the tropics
for the last two years,

so, um, yeah, I think it's gonna be
a bit of a shock to the system.

From memory, you know,
the first week is the hardest,

you know, before your body
starts to acclimatize to the cold.

And it's not really your core, um,
that's the problem.

It's, uh, your hands stop working.

Uh, so you simply can't control
the other buttons on a camera housing.

So, um, yeah, but if we can get an hour
in the water after a week,

then we're doing pretty well.

The third Antarctic veteran is Jamie.

His special camera
uses military technology.

It's a stabilized system,
so it means we can get stable images

while we're in a boat
filming penguins in the water.

And basically, it looks like, you know,
you get rock-steady images

while the boat's moving around
and we're tracking with them.

Three separate teams
with one common goal:

to film the chicks as they enter the sea
for the very first time.

But within hours, they run into trouble.

The change in the weather
catches them by surprise.

What a difference a day makes.

Yesterday, we had sunshine.
Glorious sunshine.

And uh... and now we're stuck in the ice,
parked next to an iceberg,

and we've got gale-force winds.

This is not exactly
what we were expecting.

Uh, we're in the middle of summer.

Uh, if the ice is like this
for us, you know,

this is their time
for the chicks to fledge.

What they need is open sea.

They need somewhere for the chicks
to be able to go and feed themselves,

as well as the parents to be able
to get fish to feed the chicks.

So as much as it's a problem for us,

my dinner's downstairs
being cooked in the mess.

These guys are having a much harder time.

On the other side of Antarctica,
at Cape Crozier,

Sophie is dealing with a storm
of a different kind.

The penguin chicks are molting.

Can I just... look.
Look at this, everywhere.

This, there was so much of this
in the air,

that I think that Julie and I
have inhaled

an entire penguin chick down sleeping bag.

Like, look, everything. It's...

The whole air is just full of this stuff.

The downy feathers have served
to keep them warm up until now.

But they're not waterproof,

so the chicks must shed them
before they can go to sea.

It's the penguin equivalent
of those awkward teenage years.

And it's not just down
that the chicks are leaving behind.

I don't like the way
they poo on our camera gear,

and the way I smell.

I smell worse than I've ever smelled,

because we spend all day
kneeling in down, excrement.

It's not a nice smell.

It really isn't. They're not gonna be
making a perfume any time soon.

And plus there's no shower,
so I think we smell quite high.

But they... they think
they smell delicious.

They... They're like,
"Yeah, man, we're good."

The chicks don't know it,
but this is a risky time for them.

If they molt too soon,

they run the risk
of being caught out by a storm.

Molt too late,

and they won't be able
to enter the water and leave the colony

before winter returns.

Back on the Antarctic Peninsula,

the boat crew have weathered their storm

and have arrived at Avian Island.

So our first footsteps onto Avian.

No film crew
has ever been here before.

They have no idea what they'll find.

It's a really large colony,

and we're seeing it for the first time,
so we're trying to work out

where we can land, where the penguins
are likely to go into the sea,

which is the most important thing
we're gonna film.

It's just very encouraging, really,
to find so many birds here.

They soon discover
that the penguins are not alone.

Elephant seals.

Up to 20 feet long,
and nearly 9,000 pounds,

they're the world's largest seal.

And they even smell even worse
than the penguins.

Oh, the stench.

It's like a great cloud of smell
that comes up from them.

It's amazing.

Not good neighbors.

But I don't want to get any closer.

They're so big.

It does sound pretty bad,
doesn't it? Terrible guts.

Soon, John is forced to retreat
from his filming position.

Yes, yes, okay.

We won't give you any trouble.

My tripod and camera
were right in the way,

so, um, we had to negotiate
who went where, and I lost.

All across Antarctica,

the adult Adelies
are leaving their colonies,

heading back to sea
for the last time this season.

For the chicks,

it's time to take their final step
toward independence.

Unlike other birds
which have to learn to fly,

penguins have to learn to swim.

It's a rite of passage for penguins
that they have to take.

There are lots of chicks going just now.
They're coming down from the colony,

and coming down to the shore
and trying to swim offshore,

but they've never done it before, so...

they're making a bit of a mess of it,
some of them.

Some just go in quite confidently,
and others fall in

and have to crash about
and then climb out again.

They don't seem to know
what to do at all, really.

Oh, dear, falling over.

Oh, gosh.

Yeah, there they go.

They jump like parachute jumpers,
they don't jump like penguins.

It's all jumping feet first.

All right. Ready for youse.

They're mainly coming up
on this little bit here.

No, no. Don't go there.

That's entirely the wrong way.

To me. To me.

Come on.

We've been on the beach for the last week

because the chicks have started to fledge.

And their excitement
at being in the water is just amazing.

It's like any toddler, you know.

It's like any kid
when they see the sea, the ocean.

They're just so happy.
They're in their element.

And they're off. They're going.

It's like, they're off for the sea ice,
for the winter, they're done.

So this is the end of the story
for us, actually.

It's really lovely to see
the, kind of, season drawing to a close.

Sophie's mission may be ending,

but there's still one more chapter
to the penguins' Antarctic adventure.

It's one of the most dangerous moments
in a young chick's life,

and it's the whole reason
the boat team have battled their way

so far south to Avian Island.

Here, brash ice
still surrounds the island.

It's a major barrier
the chicks need to cross

before they can reach the open sea.

But it's what's below the surface
that is the most feared.

Leopard seals.

Eleven feet
of specialized penguin predator.

The timing of this event
has been incredible,

because as soon as the chicks
started to leave the island,

leopard seals arrived.

The seals seem to have some kind of
in-built calendar

that brings them here exactly
on the same date as the penguins' leaving.

It's amazing how nature works.

There'd previously been none.

There are maybe six, seven,
or eight now around the island.

It's a big, risky place out there
for a young penguin.

For the story's climax,
the team want to capture

the nail-biting drama
of the seals hunting.

Three camera crews cover the action,

each from a different angle.

I'm here with the Cineflex,
so I'm filming topside,

Doug is doing underwater,
and then we've got John on land.

So hopefully they can give us a wider view
and a different perspective on it.

Hold still on the boat. Okay.

Well, for us, we wanna make it
feel exciting and dramatic,

so we're trying to give a sense of scale
to the leopard seals,

and to be with the chicks
as they're moving through the ice,

and wanna make people understand
how scary it is for the chicks, really.

You've got thousands of chicks
getting into the water

and these little lines streaming out.

And then these leopard seals
come out of nowhere

and just... utter mayhem.

Amid all the chaos,

the crew were facing
exactly the same problem as the chicks.

When the seal drops beneath the ice,

no one knows where it will appear next.

Okay. Everyone keep their eyes peeled
for the seal.

It's like cat and mouse
with the seal looking for the penguins

and us looking for the seal.

But from our point of view,
it's a needle in a haystack.

- There it is.
- Yeah.

He was just five meters to your right now.

Okay. Doug's getting in the water now.

The dive team
hope to have better luck.

Okay, camera's booting.

Underneath the ice,
they shouldn't be able to hide so easily.

But leopard seals
are masters of deception.

Doug, they're at the back.
The other side.

At last,
one seal decides to reveal itself

and Doug can start filming.

We've finally caught up
with a leopard seal

that doesn't seem to be
overly scared of Doug.

They tend to be very skittish,
don't like divers in the water,

whereas this the first time
we've seen one actually hang around,

and we're all crossing our fingers
and hoping that Doug's getting the shots

that we've been chasing
for days on end now.

But just as Doug's luck is improving,

he has to stop filming.

His hands are starting to freeze.

Well done, Dougie.

You're a trooper and a star.

Yeah, crikey.
You must be cold by now.

The seal has disappeared again.

The deadly game resumes.

Right now we're just waiting
for them to catch a chick.

You know, we're trying to get the chick
being caught by the leopard seal,

then escaping.

That's sort of our raison d'être.

The odds are stacked
against the chicks.

Those chicks are in trouble.
They're really struggling.

Oh!

But some do manage to get away.

Oh, that's a clever penguin.

It's amazing how they actually escape.

The crew's challenge
is to film how they do it.

No, we got a really good take
with that one, Raz.

Okay. He's coming around,
back of the boat.

As the seal hones in
on a vulnerable chick,

the final scene plays out,

and the chick's incredible escape trick
is about to be revealed.

They literally play dead.

When you see chick get dragged
underwater and then a few minutes later

it pops up again...

It's... yeah.
It's really, really exciting.

Is the guy still alive
or is he just acting dead?

The chicks hope
that the seal will lose interest...

and allow them one last chance...

to escape.

That was the last shot
that we needed to get.

We've got everything, which is amazing.

It's taken remarkable
physical endurance...

...unparalleled innovation,

expertise, patience, and determination.

But finally, the Disneynature team

has captured the life of the Adelie
as never before.

It's the amazing story of these
unstoppable little penguins

and their heroic fight
to breed and survive

in one of the harshest places on Earth.

When you get... uh, come down here,

you're issued with uh,
special outdoor safety equipment

to combat the cold and the conditions.

And uh...
most important of these is a... beard,

the uh... the long...
the long, gray beard.

And uh, that often...
you can use that in a lot of ways.

It protects your lower face area.

Um, often really useful.

And, of course, the... the penguin beak,

which enables you to get closer
to penguins.

Are they standard issue,
or are they specifically for...

No, they're... they're only for media.

Yeah, for media, because, uh,

we don't wanna upset the penguins,

so you gotta try
and blend in a little bit.

So there, obviously, look alike,
like a penguin immediately.

Um...

And, uh... And then... then often, they...

If... If you're from, uh, the UK,
they'll often give you a wig.