All language subtitles for Mr Young s01e22 Masterpiece.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,083 --> 00:00:04,500 [???] 2 00:00:04,542 --> 00:00:07,167 THERE HE IS! 3 00:00:07,209 --> 00:00:08,560 - MR. TATER, THIS REPORTER - WANTS TO TALK TO YOU. 4 00:00:08,584 --> 00:00:10,209 [SCREAMS] 5 00:00:10,250 --> 00:00:11,500 - YOU KNOW - THE RULES! 6 00:00:11,542 --> 00:00:13,292 NO SKATEBOARDING IN THE HALL. 7 00:00:13,334 --> 00:00:14,626 I'M CONFISCATING THIS. 8 00:00:19,918 --> 00:00:21,292 WATCH OUT, COMING THROUGH. 9 00:00:21,334 --> 00:00:22,876 WHOOP! 10 00:00:22,918 --> 00:00:23,918 WHOA... 11 00:00:25,959 --> 00:00:26,959 GO, FRYERS! 12 00:00:28,542 --> 00:00:30,064 WHO HAS HEARD OF 13 00:00:30,065 --> 00:00:31,584 THE WAR OF 1812? 14 00:00:37,959 --> 00:00:38,918 - ALL RIGHT, CLASS, - LET'S GET STARTED... 15 00:00:38,959 --> 00:00:39,959 [THUD] 16 00:00:46,375 --> 00:00:48,209 THANK GOODNESS. 17 00:00:48,250 --> 00:00:49,959 I THINK I FINALLY LOST HER. 18 00:00:50,000 --> 00:00:51,293 YOU'RE RUNNING AWAY 19 00:00:51,294 --> 00:00:52,584 FROM A WOMAN? 20 00:00:52,626 --> 00:00:55,250 OF COURSE NOT. 21 00:00:55,292 --> 00:00:56,563 BESIDES, MOMMY DROPPED 22 00:00:56,564 --> 00:00:57,834 THOSE CHARGES 23 00:00:57,876 --> 00:01:00,157 - AFTER I APOLOGIZED FOR MAKING - HER BUBBLE BATH TOO HOT. 24 00:01:01,959 --> 00:01:04,250 THERE'S A REPORTER AFTER ME. 25 00:01:04,292 --> 00:01:05,727 - I JUST KNOW - SHE'S GOING TO TRY TO PIN 26 00:01:05,751 --> 00:01:07,834 SOME CAREER-DAMAGING 27 00:01:07,876 --> 00:01:09,250 SCHOOL SCANDAL ON ME. 28 00:01:09,292 --> 00:01:10,542 WHAT MAKES YOU SAY THAT? 29 00:01:10,584 --> 00:01:11,768 - BECAUSE I'VE DONE - SOME CAREER-DAMAGING, 30 00:01:11,792 --> 00:01:14,417 SCANDALOUS THINGS! 31 00:01:14,459 --> 00:01:15,876 LIKE BUYING THAT DISCOUNT "BEEF" 32 00:01:15,877 --> 00:01:17,292 FROM AUSTRALIA. 33 00:01:17,334 --> 00:01:20,167 WHAT EXACTLY IS "BEEF?" 34 00:01:20,209 --> 00:01:22,250 TASMANIAN DEVIL. 35 00:01:22,292 --> 00:01:24,688 OR THIS COULD BE ABOUT 36 00:01:24,689 --> 00:01:27,083 THE "TOILET PAPER," 37 00:01:27,125 --> 00:01:30,375 OR THE EMERGENCY "EXITS," 38 00:01:30,417 --> 00:01:32,334 OR THE LUNCH "LADY." 39 00:01:34,375 --> 00:01:35,792 MR. TATER, THERE YOU ARE! 40 00:01:35,834 --> 00:01:36,834 [SCREAMS] 41 00:01:38,417 --> 00:01:39,417 [WINDOW SMASHING] 42 00:01:43,292 --> 00:01:45,209 - YOU'LL NEVER CATCH ME, - NEWSHOUND! 43 00:01:56,334 --> 00:01:59,542 GET A LONGER SKIRT, DOLORES. 44 00:02:02,918 --> 00:02:05,417 [???] 45 00:02:05,459 --> 00:02:07,980 ? GOODBYE, SUMMER 46 00:02:07,981 --> 00:02:10,500 HELLO, FALL ? 47 00:02:10,542 --> 00:02:12,334 - ? WE'VE BEEN TRYING - TO GET HERE ? 48 00:02:12,375 --> 00:02:14,355 ? SINCE WE BOTH 49 00:02:14,356 --> 00:02:16,334 WERE BARELY TWO-FEET TALL ? 50 00:02:16,375 --> 00:02:17,793 ? WHO YOU CALLIN' KID? 51 00:02:17,794 --> 00:02:19,209 WHO YOU CALLIN' KID? ? 52 00:02:19,250 --> 00:02:22,334 ? WHO YOU CALLIN' KID? ? 53 00:02:22,375 --> 00:02:24,334 ? CAN CALL ME WHAT YOU WANT ? 54 00:02:24,375 --> 00:02:26,459 ? BUT I WON'T HEAR A WORD 55 00:02:26,460 --> 00:02:28,542 WHERE I AM HERE ? 56 00:02:28,584 --> 00:02:30,167 ? WHO YOU CALLIN' KID? ? 57 00:02:30,209 --> 00:02:31,209 [???] 58 00:02:34,417 --> 00:02:35,584 EXTREE, EXTREE! 59 00:02:35,626 --> 00:02:36,626 READ ALL ABOUT IT! 60 00:02:40,334 --> 00:02:41,685 - I THOUGHT YOU EARNED - EXTREE MONEY 61 00:02:41,709 --> 00:02:43,509 - PARTICIPATING IN - MEDICAL RESEARCH STUDIES. 62 00:02:43,542 --> 00:02:46,250 NOT TRUE, IVY. 63 00:02:46,292 --> 00:02:48,373 - I DO THOSE EXPERIMENTS - BECAUSE THEY HELP MANKIND. 64 00:02:53,459 --> 00:02:54,459 SOMEDAY, 65 00:02:54,460 --> 00:02:55,460 THESE NOSES I'M GROWING 66 00:02:55,500 --> 00:02:56,626 ARE GOING TO HELP SOMEBODY 67 00:02:56,627 --> 00:02:57,751 TO SMELL AGAIN. 68 00:02:57,792 --> 00:02:59,334 NOSES? 69 00:02:59,375 --> 00:03:02,209 I ONLY SEE ONE. 70 00:03:02,250 --> 00:03:03,980 YEAH, THE OTHER ONE 71 00:03:03,981 --> 00:03:05,709 IS ON MY LOWER BACK. 72 00:03:05,751 --> 00:03:07,438 I PROBABLY WOULDN'T CHOOSE 73 00:03:07,439 --> 00:03:09,125 THAT LOCATION AGAIN. 74 00:03:09,167 --> 00:03:10,792 SO, I'M NOT SELLING THE PAPERS, 75 00:03:10,793 --> 00:03:12,417 I'M GIVING THEM AWAY. 76 00:03:12,459 --> 00:03:14,125 TURNS OUT THAT REPORTER 77 00:03:14,167 --> 00:03:15,959 - WASN'T TRYING TO DO - A HATCHET JOB ON ME. 78 00:03:16,000 --> 00:03:17,022 SHE JUST WANTED A QUOTE 79 00:03:17,023 --> 00:03:18,042 FOR THEIR LEAD STORY. 80 00:03:18,876 --> 00:03:20,626 "60% OFF 81 00:03:20,627 --> 00:03:22,375 OUR ALREADY LOW PRICES?" 82 00:03:27,751 --> 00:03:29,001 "RENOWNED ARTIST FERNANDO 83 00:03:29,002 --> 00:03:30,250 PASSES AWAY." 84 00:03:30,292 --> 00:03:32,125 HE WAS AN ART TEACHER HERE 85 00:03:32,167 --> 00:03:33,417 BACK IN THE 1930s, 86 00:03:33,459 --> 00:03:34,501 LONG BEFORE HE BECAME 87 00:03:34,502 --> 00:03:35,542 A HOUSEHOLD NAME 88 00:03:35,584 --> 00:03:36,876 AND THE MOST FAMOUS ARTIST 89 00:03:36,918 --> 00:03:38,500 OF THE PAST CENTURY. 90 00:03:38,542 --> 00:03:40,375 HMM, I FOUND YOUR QUOTE. 91 00:03:40,417 --> 00:03:42,584 "FAMED ARTIST FER-WHO-ZIT? 92 00:03:42,626 --> 00:03:44,417 NEVER HEARD OF HIM." 93 00:03:47,167 --> 00:03:49,226 - THERE'S A PICTURE - OF FER-WHO-ZIT ON PAGE EIGHT... 94 00:03:49,250 --> 00:03:51,959 AND NINE... 95 00:03:52,000 --> 00:03:54,542 AND TEN. 96 00:03:54,584 --> 00:03:57,667 WOW, HE WAS A BIG MAN. 97 00:03:57,709 --> 00:03:59,476 - IT SAYS HE DIDN'T CREATE - ANY NEW PAINTINGS 98 00:03:59,500 --> 00:04:00,500 WHILE HE WAS HERE. 99 00:04:00,542 --> 00:04:02,334 I KNOW THIS PLACE 100 00:04:02,375 --> 00:04:04,056 - SUCKS THE CREATIVE JUICES - OUT OF YOU... 101 00:04:05,500 --> 00:04:07,459 BUT HE MUST HAVE DONE SOME ART. 102 00:04:07,500 --> 00:04:09,542 MAYBE HIS WORK IS STILL HERE. 103 00:04:09,584 --> 00:04:10,876 IF IT IS, 104 00:04:10,877 --> 00:04:12,167 IT WOULD BE WORTH MILLIONS! 105 00:04:12,209 --> 00:04:13,459 EXTREE, EXTREE! 106 00:04:13,500 --> 00:04:14,375 READ ALL ABOUT... 107 00:04:14,417 --> 00:04:15,417 HEY! 108 00:04:17,417 --> 00:04:21,000 THIS IS MY TURF, BUDDY! 109 00:04:21,042 --> 00:04:22,189 NO, DERBY, I'M GIVING 110 00:04:22,190 --> 00:04:23,334 AWAY THE NEWSPAPERS. 111 00:04:23,375 --> 00:04:25,272 TRYING TO UNDERCUT 112 00:04:25,273 --> 00:04:27,167 THE COMPETITION. 113 00:04:27,209 --> 00:04:29,729 - IF IT'S A NEWSIE WAR YOU WANT, - IT'S A NEWSIE WAR YOU'LL GET. 114 00:04:30,167 --> 00:04:32,709 OW! 115 00:04:32,751 --> 00:04:34,459 I THINK YOU BROKE MY NOSE. 116 00:04:37,375 --> 00:04:38,709 [MURMURING IN EXCITEMENT] 117 00:04:41,334 --> 00:04:43,334 DID YOU CHECK? 118 00:04:43,375 --> 00:04:45,834 REALLY? 119 00:04:45,876 --> 00:04:47,709 THIS IS WHAT IT'S COME TO? 120 00:04:47,751 --> 00:04:50,334 TEARING APART OUR SCHOOL 121 00:04:50,375 --> 00:04:51,522 ON THE OFF CHANCE 122 00:04:51,523 --> 00:04:52,667 THERE'S A DRAWING, A DOODLE, 123 00:04:52,709 --> 00:04:54,500 - A SKETCH THAT CAN BE TRACED - TO FERNANDO? 124 00:04:54,542 --> 00:04:56,500 [JACKHAMMER RATTLING] 125 00:04:56,542 --> 00:04:58,792 WHAT ARE YOU DOING, FELLA? 126 00:04:58,834 --> 00:05:01,042 [JACKHAMMER RATTLING] 127 00:05:04,584 --> 00:05:05,584 HEY, ADAM! 128 00:05:08,000 --> 00:05:09,459 - DO YOU REALLY THINK - THE PAINTINGS 129 00:05:09,500 --> 00:05:10,417 WOULD BE HIDDEN IN THE FLOOR? 130 00:05:10,459 --> 00:05:12,209 NO. 131 00:05:12,250 --> 00:05:13,397 I'M JUST ELIMINATING 132 00:05:13,398 --> 00:05:14,542 THE COMPETITION. 133 00:05:14,584 --> 00:05:15,417 MAYBE THEY'RE IN THE SCIENCE... 134 00:05:15,459 --> 00:05:16,918 [WAILING]... LAB! 135 00:05:16,959 --> 00:05:18,209 [THUD] 136 00:05:21,584 --> 00:05:23,810 - [IVY, MUFFLED]: OKAY, - I'LL CHECK THE DRAMA ROOM FIRST. 137 00:05:23,834 --> 00:05:25,500 - NOW I'LL CHECK - THE SCIENCE LAB. 138 00:05:25,542 --> 00:05:28,334 ECHO, PLEASE. 139 00:05:28,375 --> 00:05:29,813 THERE'S NO REASON 140 00:05:29,814 --> 00:05:31,250 TO TEAR APART MY LAB! 141 00:05:37,125 --> 00:05:38,730 BECAUSE 142 00:05:38,731 --> 00:05:40,334 I ALREADY HAVE. 143 00:05:40,375 --> 00:05:42,351 - I REALIZED WE'VE BEEN GOING - ABOUT THIS THE WRONG WAY. 144 00:05:42,375 --> 00:05:43,476 - WE SHOULDN'T BE USING - BRUTE FORCE 145 00:05:43,500 --> 00:05:44,334 TO FIND THE PAINTINGS, 146 00:05:44,375 --> 00:05:45,209 WE SHOULD BE USING SCIENCE. 147 00:05:45,250 --> 00:05:47,334 EXCELLENT. 148 00:05:47,375 --> 00:05:48,584 WE'RE MAKING POISON 149 00:05:48,585 --> 00:05:49,792 TO ELIMINATE THE COMPETITION. 150 00:05:49,834 --> 00:05:51,476 - YOU KNOW, IT'S POSSIBLE - TO FIND THE PAINTINGS 151 00:05:51,500 --> 00:05:52,500 WITHOUT ELIMINATING 152 00:05:52,501 --> 00:05:53,501 THE COMPETITION. 153 00:05:53,542 --> 00:05:55,834 OKAY, WE'LL TRY IT YOUR WAY... 154 00:05:55,876 --> 00:05:56,959 FOR NOW. 155 00:05:58,959 --> 00:06:01,000 CANVAS WAS EXPENSIVE. 156 00:06:01,042 --> 00:06:02,560 - SOMEONE MIGHT HAVE - PAINTED OVER FERNANDO'S WORK. 157 00:06:02,584 --> 00:06:05,042 THIS MILD DISSOLVING AGENT 158 00:06:05,083 --> 00:06:06,804 - WILL STRIP AWAY - A SINGLE LAYER OF PAINT. 159 00:06:11,417 --> 00:06:12,476 - I GOT THIS FROM - THE TEACHER'S LOUNGE. 160 00:06:12,500 --> 00:06:14,000 EW. 161 00:06:14,042 --> 00:06:15,518 - IT'S CREEPY THE WAY - HIS BALD HEAD FOLLOWS YOU 162 00:06:15,542 --> 00:06:17,417 WHEREVER YOU GO. 163 00:06:26,292 --> 00:06:28,106 HEY, IT LOOKS LIKE 164 00:06:28,107 --> 00:06:29,918 THE "HOME ALONE" POSTER. 165 00:06:29,959 --> 00:06:31,480 - LET'S TRY TAKING OFF - ANOTHER LAYER. 166 00:06:37,167 --> 00:06:38,408 KIND OF PRETTY FOR A BALD GIRL. 167 00:06:47,459 --> 00:06:49,000 THIS IS TAKING TOO LONG. 168 00:06:49,042 --> 00:06:50,562 - LET'S JUST GET - TO THE BOTTOM LAYER. 169 00:06:51,083 --> 00:06:52,000 [SIZZLING] 170 00:06:52,042 --> 00:06:53,334 NO! 171 00:06:53,375 --> 00:06:54,375 THAT'S UNDILUTED FORMULA! 172 00:06:58,709 --> 00:07:00,667 [???] 173 00:07:02,209 --> 00:07:03,667 DIG! 174 00:07:03,709 --> 00:07:07,292 DIG LIKE THE WORMS YOU ARE! 175 00:07:07,334 --> 00:07:08,355 DO YOU REALLY THINK 176 00:07:08,356 --> 00:07:09,375 THE PAINTINGS ARE HIDDEN 177 00:07:09,417 --> 00:07:10,375 IN THE GROUND? 178 00:07:10,417 --> 00:07:12,250 NO. 179 00:07:12,292 --> 00:07:13,439 I'M JUST ELIMINATING 180 00:07:13,440 --> 00:07:14,584 THE COMPETITION. 181 00:07:14,626 --> 00:07:15,542 - WELL, THERE'S NOTHING - IN THE DRAMA... 182 00:07:15,584 --> 00:07:16,667 [WAILING]: ROOM! 183 00:07:16,709 --> 00:07:18,209 [THUD] 184 00:07:18,250 --> 00:07:19,250 [COINS PLINKING] 185 00:07:20,626 --> 00:07:22,125 I CAN'T DIG THROUGH 186 00:07:22,167 --> 00:07:23,314 ALL THE SHINY 187 00:07:23,315 --> 00:07:24,459 GOLD-COLORED METAL. 188 00:07:24,500 --> 00:07:26,459 AW, FORGET IT. 189 00:07:26,500 --> 00:07:27,602 - BESIDES, I'M SURE TATER - WON'T LIKE US 190 00:07:27,626 --> 00:07:30,375 DIGGING UP SCHOOL GROUNDS. 191 00:07:30,417 --> 00:07:31,542 WATCH YOUR BACKS! 192 00:07:31,584 --> 00:07:32,709 COMIN' THROUGH! 193 00:07:35,709 --> 00:07:36,709 [SCREAMS] 194 00:07:38,751 --> 00:07:39,751 [THUD] 195 00:07:43,626 --> 00:07:44,918 IT'S TOO BAD NO ONE 196 00:07:44,919 --> 00:07:46,209 FOUND ANY PAINTINGS. 197 00:07:46,250 --> 00:07:47,602 - THE SCHOOL COULD'VE - USED THE MONEY. 198 00:07:47,626 --> 00:07:48,751 I KNOW WHAT I'D DO 199 00:07:48,752 --> 00:07:49,876 WITH THE MONEY... 200 00:07:49,918 --> 00:07:51,250 [DREAM HARP CHIMES] 201 00:07:51,292 --> 00:07:53,834 MILLIONS? MILLIONS... 202 00:07:53,876 --> 00:07:56,292 I TELL YA, MILLIONS! 203 00:07:56,334 --> 00:07:58,751 YES, I WOULD LIKE 204 00:07:58,752 --> 00:08:01,167 EXTRA CHEESE ON MY PIZZA. 205 00:08:04,709 --> 00:08:06,125 THAT'S RIGHT, 206 00:08:06,167 --> 00:08:08,417 I'D SPEND MY DAYS 207 00:08:08,459 --> 00:08:09,876 DAYDREAMING ABOUT 208 00:08:09,877 --> 00:08:11,292 PAST DAYDREAMS. 209 00:08:11,334 --> 00:08:13,834 OKAY, CLASS, 210 00:08:13,876 --> 00:08:15,709 WE HAVE AN EXCITING NEW TOPIC 211 00:08:15,710 --> 00:08:17,542 TO COVER TODAY. 212 00:08:17,584 --> 00:08:19,292 WHO HAS HEARD OF 213 00:08:19,293 --> 00:08:21,000 THE WAR OF 1812? 214 00:08:24,626 --> 00:08:25,668 HOW LONG HAS SHE 215 00:08:25,669 --> 00:08:26,709 BEEN TEACHING THIS? 216 00:08:26,751 --> 00:08:28,314 WELL, WE KNOW SHE WASN'T 217 00:08:28,315 --> 00:08:29,876 TEACHING IT IN 1811. 218 00:08:29,918 --> 00:08:31,125 WAIT! 219 00:08:31,167 --> 00:08:32,226 MRS. BYRNE, HOW OLD ARE YOU? 220 00:08:32,250 --> 00:08:34,584 AGE IS BUT A NUMBER. 221 00:08:34,626 --> 00:08:35,751 A FOUR-DIGIT NUMBER? 222 00:08:38,167 --> 00:08:39,602 - WERE YOU BY ANY CHANCE - A TEACHER HERE 223 00:08:39,626 --> 00:08:40,918 AT THE SAME TIME AS FERNANDO? 224 00:08:40,959 --> 00:08:45,459 AH, FERNANDO! 225 00:08:45,500 --> 00:08:46,768 - I HAVEN'T THOUGHT ABOUT HIM - IN AGES. 226 00:08:46,792 --> 00:08:48,876 THE RASCAL. 227 00:08:48,918 --> 00:08:50,355 HE HAD SUCH AN APPETITE 228 00:08:50,356 --> 00:08:51,792 FOR LIFE... 229 00:08:51,834 --> 00:08:53,709 AND FOOD. 230 00:08:53,751 --> 00:08:55,292 MOSTLY FOOD. 231 00:08:55,334 --> 00:08:57,792 WOW, WAS HE FAT. 232 00:08:57,834 --> 00:08:58,959 SO YOU KNEW HIM. 233 00:08:59,000 --> 00:09:01,250 OH, YES. 234 00:09:01,292 --> 00:09:03,959 INTIMATELY. 235 00:09:04,000 --> 00:09:06,792 EW! 236 00:09:06,834 --> 00:09:07,709 TOO MUCH INFORMATION. 237 00:09:07,751 --> 00:09:09,000 NO. 238 00:09:09,042 --> 00:09:11,792 WE NEED MORE INFORMATION. 239 00:09:11,834 --> 00:09:13,126 EXACTLY HOW WELL 240 00:09:13,127 --> 00:09:14,417 DID YOU KNOW FERNANDO? 241 00:09:14,459 --> 00:09:18,626 I KNEW EVERY BIT OF THE MAN. 242 00:09:18,667 --> 00:09:20,834 - WELL, THERE WERE SOME CREASES - IN HIS ARMS 243 00:09:20,876 --> 00:09:22,959 I JUST COULDN'T GET TO. 244 00:09:23,000 --> 00:09:26,500 [GAGGING] 245 00:09:26,542 --> 00:09:29,042 NOW WE HAVE MORE INFORMATION. 246 00:09:29,083 --> 00:09:30,083 ARE YOU HAPPY? 247 00:09:32,083 --> 00:09:33,143 DID HE PAINT WHILE HE WAS HERE? 248 00:09:33,167 --> 00:09:34,250 CONSTANTLY. 249 00:09:34,292 --> 00:09:35,351 - AND DID HE LEAVE - HIS WORK AT THE SCHOOL? 250 00:09:35,375 --> 00:09:36,584 ALL OF IT. 251 00:09:36,626 --> 00:09:37,976 - AND DID HE TELL YOU - WHERE HE PUT IT? 252 00:09:38,000 --> 00:09:39,125 ABSOLUTELY. 253 00:09:39,167 --> 00:09:40,667 HE SHOWED ME. 254 00:09:40,709 --> 00:09:41,855 [EVERYONE, EAGERLY]: 255 00:09:41,856 --> 00:09:43,000 WHERE IS IT? 256 00:09:43,042 --> 00:09:45,083 I DON'T REMEMBER. 257 00:09:45,125 --> 00:09:46,751 [GROANING IN DISAPPOINTMENT] 258 00:09:46,792 --> 00:09:48,459 WHICH IS STRANGE, 259 00:09:48,500 --> 00:09:50,101 - BECAUSE I'M KNOWN - FOR MY GOOD MEMORY. 260 00:09:51,834 --> 00:09:53,876 NOW... 261 00:09:53,918 --> 00:09:55,355 WHO HAS HEARD OF 262 00:09:55,356 --> 00:09:56,792 THE WAR OF 1812? 263 00:10:00,209 --> 00:10:01,542 OF COURSE! 264 00:10:01,584 --> 00:10:02,542 MRS. BYRNE WAS HERE 265 00:10:02,584 --> 00:10:04,125 - AT THE SAME TIME - AS FERNANDO. 266 00:10:04,167 --> 00:10:06,042 WHY DIDN'T I THINK OF THAT? 267 00:10:06,083 --> 00:10:07,834 BECAUSE YOU'RE NOT VERY BRIGHT? 268 00:10:10,083 --> 00:10:11,310 - I WAS HOPING - IT WAS SOME OTHER REASON, 269 00:10:11,334 --> 00:10:13,709 BUT, NOPE, YOU NAILED IT. 270 00:10:13,751 --> 00:10:17,042 WHAT'S GOING ON? 271 00:10:17,083 --> 00:10:18,397 IS THIS SOME KIND OF 272 00:10:18,398 --> 00:10:19,709 INTERVENTION? 273 00:10:19,751 --> 00:10:20,876 BECAUSE I CAN QUIT 274 00:10:20,877 --> 00:10:22,000 THESE ANTI-GAS PILLS 275 00:10:22,042 --> 00:10:23,125 ANYTIME I WANT! 276 00:10:23,167 --> 00:10:24,751 [EVERYONE]: NO! 277 00:10:27,500 --> 00:10:28,938 WE JUST WANT YOU TO REMEMBER 278 00:10:28,939 --> 00:10:30,375 WHERE THE PAINTINGS ARE. 279 00:10:30,417 --> 00:10:31,750 YOU KNOW, THERE IS 280 00:10:31,751 --> 00:10:33,083 A SCIENTIFIC TECHNIQUE 281 00:10:33,125 --> 00:10:34,417 CALLED "REGRESSION THERAPY." 282 00:10:34,459 --> 00:10:35,935 - YOU CAN STIMULATE - THE AREA OF THE BRAIN 283 00:10:35,959 --> 00:10:37,751 THAT DEALS WITH MEMORY RECALL, 284 00:10:37,792 --> 00:10:39,685 - BY SPEAKING TO THE SUBJECT - IN A CERTAIN TONE. 285 00:10:39,709 --> 00:10:40,790 - WELL, IT'S WORTH - A SHOT. 286 00:10:45,083 --> 00:10:45,834 - [SCREAMING] - WHERE ARE THE PAINTINGS? 287 00:10:45,876 --> 00:10:49,042 TELL US WHERE THEY ARE! 288 00:10:52,417 --> 00:10:53,876 ONCE AGAIN, 289 00:10:53,877 --> 00:10:55,334 SCIENCE FAILS US. 290 00:10:58,459 --> 00:11:00,168 THAT'S NOT THE TONE 291 00:11:00,169 --> 00:11:01,876 I HAD IN MIND. 292 00:11:01,918 --> 00:11:03,542 LET ME GIVE IT A TRY. 293 00:11:05,626 --> 00:11:06,751 I'D LIKE YOU TO LISTEN TO 294 00:11:06,752 --> 00:11:07,876 THE SOUND OF MY VOICE 295 00:11:07,918 --> 00:11:09,564 AND THE SOUND OF THE WORDS 296 00:11:09,565 --> 00:11:11,209 THAT I AM USING... 297 00:11:11,250 --> 00:11:13,417 YOU'LL FIND YOURSELF RELAXING 298 00:11:13,459 --> 00:11:14,918 TO THE WORDS. 299 00:11:14,959 --> 00:11:16,167 PICTURE A CLOCK 300 00:11:16,209 --> 00:11:18,042 AS THE HANDS TURN BACKWARDS, 301 00:11:18,083 --> 00:11:20,792 AND LET THE YEARS MELT AWAY... 302 00:11:20,834 --> 00:11:22,959 ONE YEAR... 303 00:11:23,000 --> 00:11:25,834 FIVE YEARS... 304 00:11:25,876 --> 00:11:28,709 TEN YEARS... 305 00:11:28,751 --> 00:11:30,147 BACK AS FAR 306 00:11:30,148 --> 00:11:31,542 AS YOU CAN REMEMBER... 307 00:11:31,584 --> 00:11:33,375 - I REMEMBER YOU TELLING ME - TO REMEMBER, 308 00:11:33,417 --> 00:11:36,542 BUT I DON'T REMEMBER WHAT. 309 00:11:36,584 --> 00:11:37,500 IT DIDN'T WORK! 310 00:11:37,542 --> 00:11:39,250 IT WAS A LONG SHOT. 311 00:11:39,292 --> 00:11:40,834 - HYPNOSIS LIKE THIS - ONLY WORKS 312 00:11:40,876 --> 00:11:42,792 - ON THE MOST - SIMPLE-MINDED OF SUBJECTS. 313 00:11:42,834 --> 00:11:44,083 DARN IT! 314 00:11:44,125 --> 00:11:46,500 [CRYING] MOMMY'S MAD! 315 00:11:46,542 --> 00:11:47,709 [ALL WEEPING] 316 00:11:53,000 --> 00:11:55,542 [BLUBBERING LIKE BABIES] 317 00:11:55,584 --> 00:11:56,792 [???] 318 00:12:00,000 --> 00:12:02,125 [???] 319 00:12:02,167 --> 00:12:04,560 - THERE'S GOT TO BE SOME WAY - TO ACCESS MRS. BYRNE'S MEMORY. 320 00:12:04,584 --> 00:12:05,876 YOU'RE ALWAYS WORKING. 321 00:12:05,918 --> 00:12:07,542 - YOU NEVER HELP - WITH THE CHILDREN! 322 00:12:08,626 --> 00:12:09,834 OWIE! 323 00:12:09,876 --> 00:12:11,626 HE PULLED MY HAIR! 324 00:12:11,667 --> 00:12:13,083 DERBY, DO YOU WANT A TIME-OUT? 325 00:12:19,042 --> 00:12:20,459 GET YOUR FINGER 326 00:12:20,460 --> 00:12:21,876 OUT OF YOUR NOSE! 327 00:12:21,918 --> 00:12:24,500 AND YOUR OTHER NOSE. 328 00:12:24,542 --> 00:12:27,751 AND YOUR OTHER, OTHER NOSE! 329 00:12:27,792 --> 00:12:30,500 WILL YOU TAKE ME POTTY? 330 00:12:30,542 --> 00:12:31,542 ASK YOUR MOTHER. 331 00:12:34,417 --> 00:12:35,602 - OKAY, I'LL BRING THEM - OUT OF IT. 332 00:12:35,626 --> 00:12:36,626 [SNAPPING FINGERS] 333 00:12:41,584 --> 00:12:42,855 THAT DOESN'T CHANGE THE FACT 334 00:12:42,856 --> 00:12:44,125 THAT I HAVE TO GO POTTY. 335 00:12:46,959 --> 00:12:48,417 - OKAY, SINCE HYPNOSIS - DIDN'T WORK, 336 00:12:48,459 --> 00:12:50,375 WE NEED ANOTHER WAY 337 00:12:50,417 --> 00:12:51,810 - TO TRANSPORT MRS. BYRNE - BACK IN TIME. 338 00:12:51,834 --> 00:12:53,083 BACK TO THE 1930. 339 00:12:53,125 --> 00:12:53,959 YOU'RE RIGHT! 340 00:12:54,000 --> 00:12:56,918 WE NEED A TIME MACHINE. 341 00:12:56,959 --> 00:12:58,018 - DERBY, THAT TECHNOLOGY - DOESN'T EXIST. 342 00:12:58,042 --> 00:12:59,626 NOT YET, 343 00:12:59,667 --> 00:13:01,918 BUT YOU'RE SMART. 344 00:13:01,959 --> 00:13:03,185 - YOU COULD INVENT ONE - IN THE FUTURE. 345 00:13:03,209 --> 00:13:04,810 - THEN USE IT TO BRING IT - BACK TO THIS MOMENT, 346 00:13:04,834 --> 00:13:06,268 - PICK US UP, - AND TAKE US INTO THE PAST. 347 00:13:06,292 --> 00:13:08,042 IN FACT, 348 00:13:08,083 --> 00:13:11,125 YOU SHOULD BE ARRIVING... 349 00:13:11,167 --> 00:13:12,876 RIGHT... 350 00:13:12,918 --> 00:13:14,000 ABOUT... 351 00:13:14,042 --> 00:13:15,042 NOW! 352 00:13:22,667 --> 00:13:24,417 I GUESS IT DIDN'T WORK. 353 00:13:24,459 --> 00:13:26,542 OR IT DID WORK, 354 00:13:26,584 --> 00:13:27,938 BUT INSTEAD OF STOPPING 355 00:13:27,939 --> 00:13:29,292 IN THIS TIME TO PICK US UP, 356 00:13:29,334 --> 00:13:31,001 SELFISH ADAM TRAVELED STRAIGHT 357 00:13:31,002 --> 00:13:32,667 BACK TO THE 1930s HIMSELF 358 00:13:32,709 --> 00:13:34,727 - SO HE WOULDN'T HAVE TO - SHARE THE FORTUNE WITH US. 359 00:13:34,751 --> 00:13:35,959 LET'S GET HIM! 360 00:13:36,000 --> 00:13:38,209 YEAH! 361 00:13:38,250 --> 00:13:39,959 WAIT! 362 00:13:40,000 --> 00:13:41,271 I THINK WHAT ADAM 363 00:13:41,272 --> 00:13:42,542 WAS TRYING TO SAY WAS 364 00:13:42,584 --> 00:13:44,334 WE NEED TO PROVIDE MRS. BYRNE 365 00:13:44,335 --> 00:13:46,083 WITH A VISUAL STIMULATION... 366 00:13:46,125 --> 00:13:47,768 - RECREATE THE 1930s - RIGHT HERE AT FINNEGAN. 367 00:13:47,792 --> 00:13:49,000 - ACTUALLY, - I WAS THINKING 368 00:13:49,042 --> 00:13:50,000 - MY TIME MACHINE - WOULD BE ARRIVING 369 00:13:50,042 --> 00:13:51,042 RIGHT ABOUT... NOW! 370 00:13:55,334 --> 00:13:57,042 - OKAY, WE'LL TRY IT - YOUR WAY. 371 00:13:59,083 --> 00:14:00,334 [???] 372 00:14:08,626 --> 00:14:10,959 GEE WHIZ, MRS. BYRNE, MA'AM. 373 00:14:11,000 --> 00:14:12,626 - CARE TO JOIN ME - IN A ROUSING GAME 374 00:14:12,667 --> 00:14:13,834 OF KICK THE CAN? 375 00:14:16,792 --> 00:14:17,792 [CAN CLATTERS] 376 00:14:20,000 --> 00:14:21,125 WANNA PLAY AGAIN? 377 00:14:26,000 --> 00:14:27,250 HI THERE, MRS. BYRNE. 378 00:14:27,292 --> 00:14:29,083 WHO ARE YOU? 379 00:14:29,125 --> 00:14:30,459 - I'M ONE OF - YOUR STUDENTS. 380 00:14:30,500 --> 00:14:32,042 DON'T YOU REMEMBER? 381 00:14:32,083 --> 00:14:33,101 - JUST YESTERDAY, - YOU WERE TEACHING US 382 00:14:33,125 --> 00:14:35,083 ABOUT THE WAR OF 1812. 383 00:14:35,125 --> 00:14:36,709 THERE WAS A WAR 384 00:14:36,710 --> 00:14:38,292 IN 1812? 385 00:14:38,334 --> 00:14:39,751 REALLY? 386 00:14:42,334 --> 00:14:43,667 WE SHOULD 387 00:14:43,668 --> 00:14:45,000 HEAD INSIDE SOON. 388 00:14:45,042 --> 00:14:47,000 - WE'VE GOT ART STUDIES - WITH MR. FERNANDO. 389 00:14:47,042 --> 00:14:48,042 [SHOUTS] FERNANDO? 390 00:14:49,459 --> 00:14:50,542 HE'S HERE? 391 00:14:50,584 --> 00:14:52,167 I IMAGINE SO. 392 00:14:52,209 --> 00:14:53,272 AFTER ALL, THIS IS 393 00:14:53,273 --> 00:14:54,334 A TYPICAL, AUTHENTIC DAY 394 00:14:54,375 --> 00:14:55,959 AT FINNEGAN HIGH 395 00:14:55,960 --> 00:14:57,542 IN THE 1930s, RIGHT? 396 00:14:57,584 --> 00:15:01,459 RIGHT YOU ARE, DOLL FACE. 397 00:15:01,500 --> 00:15:03,167 - [WHISPERING] - "DOLL FACE?" 398 00:15:03,209 --> 00:15:04,376 [QUIETLY] 399 00:15:04,377 --> 00:15:05,542 THAT'S WHAT MOBSTERS SAY. 400 00:15:05,584 --> 00:15:07,626 - PLUS, YOUR FACE DOES KIND OF - LOOK LIKE A DOLL'S. 401 00:15:09,167 --> 00:15:10,543 I THOUGHT I WAS 402 00:15:10,544 --> 00:15:11,918 YOUR DOLL FACE. 403 00:15:11,959 --> 00:15:13,042 TAKE ME SOMEWHERE. 404 00:15:13,083 --> 00:15:16,125 LET'S GO DANCING! 405 00:15:16,167 --> 00:15:17,042 - [QUIETLY] - WHAT ARE YOU DOING? 406 00:15:17,083 --> 00:15:19,042 - YOU SAID TO RECREATE - THE 1930s. 407 00:15:19,083 --> 00:15:20,042 AT SCHOOL! 408 00:15:20,083 --> 00:15:22,667 YOU LOOK RIDICULOUS! 409 00:15:22,709 --> 00:15:24,190 - [IN COCKNEY ACCENT] - ALLO, GUV'NOR. 410 00:15:29,417 --> 00:15:30,771 YOU DON'T BY ANY CHANCE NEED 411 00:15:30,772 --> 00:15:32,125 YOUR CHIMNEY BRISTLED, DO YOU? 412 00:15:32,167 --> 00:15:33,459 [???] 413 00:15:37,876 --> 00:15:39,709 DERBY! 414 00:15:39,751 --> 00:15:41,101 - WHY WOULD THERE BE - A COCKNEY CHIMNEY SWEEP 415 00:15:41,125 --> 00:15:42,584 AT FINNEGAN HIGH? 416 00:15:42,626 --> 00:15:45,083 WELL, EXCUSE ME. 417 00:15:45,125 --> 00:15:46,602 - I DON'T SEE YOU COMING UP - WITH ANY BIG IDEAS. 418 00:15:46,626 --> 00:15:47,918 I CAME UP WITH 419 00:15:47,919 --> 00:15:49,209 THIS ENTIRE BIG IDEA. 420 00:15:51,500 --> 00:15:53,792 UH, MRS. BYRNE, 421 00:15:53,834 --> 00:15:55,518 - MR. FERNANDO ASKED US - TO FETCH HIS PAINTINGS. 422 00:15:55,542 --> 00:15:57,059 - DO YOU REMEMBER - WHERE HE LEFT THEM? 423 00:15:57,083 --> 00:15:58,334 OH, THE PAINTINGS? 424 00:15:58,375 --> 00:15:59,792 YES! 425 00:15:59,834 --> 00:16:00,852 AH, SUCH LOVELY PAINTINGS. 426 00:16:00,876 --> 00:16:02,167 YES, YES, THEY'RE LOVELY! 427 00:16:02,209 --> 00:16:03,351 - DO YOU REMEMBER - WHERE HE LEFT THEM? 428 00:16:03,375 --> 00:16:05,459 LEFT WHAT? 429 00:16:05,500 --> 00:16:06,959 THE PAINTINGS. 430 00:16:07,000 --> 00:16:08,375 OH, THE PAINTINGS? 431 00:16:08,417 --> 00:16:09,626 [TIGHTLY] YES. 432 00:16:09,667 --> 00:16:11,918 AH, SUCH LOVELY PAINTINGS. 433 00:16:11,959 --> 00:16:14,584 YES, YES, THEY'RE LOVELY! 434 00:16:14,626 --> 00:16:15,647 DO YOU REMEMBER 435 00:16:15,648 --> 00:16:16,667 WHERE HE LEFT THEM? 436 00:16:16,709 --> 00:16:18,334 LEFT WHAT? 437 00:16:19,125 --> 00:16:20,125 THIS IS NOT WORKING. 438 00:16:20,167 --> 00:16:21,751 I DON'T KNOW. 439 00:16:21,792 --> 00:16:23,143 - WHY DON'T YOU GO AROUND - ONE MORE TIME? 440 00:16:23,167 --> 00:16:25,042 ECHO'S RIGHT. 441 00:16:25,083 --> 00:16:25,876 WE NEED A HEAVY HITTER. 442 00:16:25,918 --> 00:16:28,167 [WHISTLES] 443 00:16:28,209 --> 00:16:29,209 FERNANDO? 444 00:16:34,375 --> 00:16:37,042 SI. SI. 445 00:16:44,209 --> 00:16:47,209 FERNANDO IS HERE. 446 00:16:47,250 --> 00:16:49,334 FERNANDO! 447 00:16:49,375 --> 00:16:51,000 MY LOVE! 448 00:16:51,042 --> 00:16:52,792 YES... 449 00:16:52,834 --> 00:16:53,834 FERNANDO YOUR LOVE. 450 00:16:56,459 --> 00:16:57,771 WHY COULDN'T I HAVE BEEN 451 00:16:57,772 --> 00:16:59,083 THE ADORABLE LOLLIPOP GIRL? 452 00:17:00,083 --> 00:17:01,500 OH, FERNANDO, 453 00:17:01,542 --> 00:17:03,272 YOU LOOK 454 00:17:03,273 --> 00:17:05,000 BETTER THAN EVER. 455 00:17:05,042 --> 00:17:07,250 SERIOUSLY? 456 00:17:07,292 --> 00:17:10,250 I MEAN, GRACIAS, MI CARIDA. 457 00:17:10,292 --> 00:17:13,334 NOW, UM, 458 00:17:13,375 --> 00:17:16,834 DO YOU RECALL 459 00:17:16,876 --> 00:17:18,460 WHERE I LEFT 460 00:17:18,461 --> 00:17:20,042 MY PRECIOUS PINTURAS? 461 00:17:20,083 --> 00:17:23,167 FORGET YOUR PAINTINGS. 462 00:17:23,209 --> 00:17:24,834 - HERE'S A REAL - WORK OF ART. 463 00:17:25,876 --> 00:17:27,626 [SHUDDERING IN HORROR] 464 00:17:27,667 --> 00:17:29,542 YUCK. 465 00:17:29,584 --> 00:17:31,500 - YOU MIGHT WANT TO - STRETCH OUT THAT CANVAS. 466 00:17:34,375 --> 00:17:35,793 I REALLY SHOULD 467 00:17:35,794 --> 00:17:37,209 GET BACK TO MY PAINTINGS. 468 00:17:37,250 --> 00:17:39,167 I DON'T UNDERSTAND. 469 00:17:39,209 --> 00:17:42,334 YOU SAID YOU LOVED ME! 470 00:17:42,375 --> 00:17:46,042 SOMETHING'S NOT MAKING SENSE. 471 00:17:48,125 --> 00:17:49,334 NOW KISS ME. 472 00:17:52,375 --> 00:17:53,083 WE'RE LOSING HER! 473 00:17:53,125 --> 00:17:54,209 DO SOMETHING! 474 00:17:54,250 --> 00:17:56,375 FOR THE PAINTINGS! 475 00:17:56,417 --> 00:17:57,439 COME ON, NOW, 476 00:17:57,440 --> 00:17:58,459 GIVE THE OLD BIRD A SNOG. 477 00:18:03,209 --> 00:18:04,292 [GAGGING] 478 00:18:13,792 --> 00:18:14,980 NOW, LET ME TAKE YOU 479 00:18:14,981 --> 00:18:16,167 TO YOUR PAINTINGS. 480 00:18:16,209 --> 00:18:18,709 [EVERYONE]: YES! 481 00:18:18,751 --> 00:18:19,626 [???] 482 00:18:19,667 --> 00:18:21,959 COME IN, 483 00:18:22,000 --> 00:18:24,230 AND I'LL SHOW YOU SOME OF 484 00:18:24,231 --> 00:18:26,459 FERNANDO'S GREATEST WORK. 485 00:18:26,500 --> 00:18:27,976 - THE PAINTINGS ARE - IN YOUR CLASSROOM? 486 00:18:28,000 --> 00:18:30,500 OF COURSE. 487 00:18:30,542 --> 00:18:32,863 - I WANTED TO PUT THEM SOMEWHERE - I WOULD EASILY REMEMBER. 488 00:18:39,042 --> 00:18:40,334 [GASPING] 489 00:18:42,667 --> 00:18:45,459 AND NOW, IF YOU'LL EXCUSE ME, 490 00:18:45,500 --> 00:18:47,605 I MUST FIND 491 00:18:47,606 --> 00:18:49,709 MY MOUSTACHIOED VIRTUOSO. 492 00:18:49,751 --> 00:18:51,063 I LOVE IT WHEN HE PLAYS 493 00:18:51,064 --> 00:18:52,375 HARD TO GET. 494 00:18:56,292 --> 00:18:58,053 - YOU THINK THERE ARE MORE - BEHIND THAT ONE? 495 00:18:59,751 --> 00:19:01,083 [YELPS] 496 00:19:03,250 --> 00:19:06,417 LET'S CALL THAT A "YES." 497 00:19:06,459 --> 00:19:08,083 - QUICK, PUT THEM - IN THAT BOX, 498 00:19:08,125 --> 00:19:09,646 - THEN WE DON'T HAVE TO - LOOK AT THEM! 499 00:19:25,167 --> 00:19:27,000 OH, THANK GOODNESS, SHE'S GONE. 500 00:19:27,042 --> 00:19:27,959 DID SHE SHOW YOU THE PAINTINGS? 501 00:19:28,000 --> 00:19:31,167 UH... YEAH. 502 00:19:31,209 --> 00:19:32,375 WELL, WHERE ARE THEY? 503 00:19:32,417 --> 00:19:33,876 FORGET IT. 504 00:19:33,918 --> 00:19:35,147 YOU DON'T WANT TO 505 00:19:35,148 --> 00:19:36,375 LOOK AT THEM. 506 00:19:36,417 --> 00:19:39,083 OH, SO THAT'S YOUR GAME. 507 00:19:39,125 --> 00:19:40,375 I DO ALL THE DIRTY WORK, 508 00:19:40,417 --> 00:19:42,226 - AND YOU GUYS TRY - AND CUT ME OUT OF THE SCORE. 509 00:19:42,250 --> 00:19:42,959 YOU DON'T UNDERSTAND. 510 00:19:43,000 --> 00:19:44,334 NO! 511 00:19:44,375 --> 00:19:46,584 YOU DON'T UNDERSTAND. 512 00:19:46,626 --> 00:19:48,351 - I AM NOT LEAVING THIS SPOT - UNTIL I SEE THOSE... 513 00:19:48,375 --> 00:19:49,500 [MRS. BYRNE]: FERNIE! 514 00:19:49,542 --> 00:19:51,125 IS THAT YOU? 515 00:19:51,167 --> 00:19:52,751 I CHANGED, 516 00:19:52,792 --> 00:19:53,814 AND I'M READY TO POSE 517 00:19:53,815 --> 00:19:54,834 FOR ANOTHER PORTRAIT! 518 00:19:55,959 --> 00:19:56,959 I'VE GOT TO GET OUT HERE! 519 00:20:02,709 --> 00:20:03,584 - REMEMBER THAT - SLINKY LITTLE DRESS 520 00:20:03,626 --> 00:20:06,167 YOU LOVED SO MUCH? 521 00:20:06,209 --> 00:20:07,730 WELL, IT JUST SLINKED 522 00:20:07,731 --> 00:20:09,250 DOWN TO THE FLOOR. 523 00:20:20,375 --> 00:20:22,375 HUH. 524 00:20:22,417 --> 00:20:24,417 I COULD'VE SWORN I HEARD HIM. 525 00:20:27,709 --> 00:20:28,792 FERNANDO? 526 00:20:35,751 --> 00:20:37,083 [???] 527 00:20:40,417 --> 00:20:42,209 - THOSE PAINTINGS MAY BE - WORTH A FORTUNE, 528 00:20:42,250 --> 00:20:43,375 BUT THE WORLD IS BETTER OFF 529 00:20:43,376 --> 00:20:44,500 IF THEY STAY BURIED 530 00:20:44,542 --> 00:20:48,417 FOREVER. 531 00:20:48,459 --> 00:20:49,501 I'M A LITTLE 532 00:20:49,502 --> 00:20:50,542 UNCOMFORTABLE WITH THIS. 533 00:20:50,584 --> 00:20:52,225 - MAYBE WE SHOULD PUT - MORE DIRT OVER IT. 534 00:20:53,918 --> 00:20:55,500 I'VE GOT A CEMENT GUY. 535 00:20:55,542 --> 00:20:57,500 WE COULD PAVE THE WHOLE QUAD. 536 00:20:57,542 --> 00:20:59,876 GOOD IDEA. 537 00:20:59,918 --> 00:21:01,810 - NO ONE SHOULD HAVE TO ENDURE - THE TRAUMA OF LOOKING AT THEM 538 00:21:01,834 --> 00:21:04,083 EVER AGAIN. 539 00:21:04,125 --> 00:21:05,375 [ALL SHUDDERING IN HORROR] 540 00:21:09,459 --> 00:21:10,876 [???] 541 00:21:19,417 --> 00:21:21,584 WHOA, I MUST HAVE FAINTED. 542 00:21:21,626 --> 00:21:23,667 [GROANS] 543 00:21:23,709 --> 00:21:24,731 I'M SURE THE COAST 544 00:21:24,732 --> 00:21:25,751 IS CLEAR BY NOW. 545 00:21:26,459 --> 00:21:28,083 [TAPPING ON LID] 546 00:21:28,125 --> 00:21:29,500 HUH... 547 00:21:29,542 --> 00:21:33,417 I WONDER WHY THAT WON'T OPEN. 548 00:21:33,459 --> 00:21:34,959 WELL, I'LL JUST CALL SOMEBODY 549 00:21:34,960 --> 00:21:36,459 AND HAVE THEM COME GET ME OUT. 550 00:21:36,500 --> 00:21:38,500 [BEEPING CELL PHONE] 551 00:21:38,542 --> 00:21:40,250 OH, NO SIGNAL. 552 00:21:40,292 --> 00:21:43,500 THAT'S JUST SUPER. 553 00:21:43,542 --> 00:21:45,393 - WELL, AT LEAST I WON'T HAVE TO - LOOK AT MRS. BYRNE AGAIN 554 00:21:45,417 --> 00:21:47,083 ANYTIME SOON. 555 00:21:50,250 --> 00:21:51,250 HMM. 556 00:21:54,125 --> 00:21:56,167 [SCREAMS] 557 00:21:56,209 --> 00:21:58,626 [BANGING ON LID] 558 00:21:58,667 --> 00:22:00,500 LET ME OUT OF HERE! 559 00:22:00,542 --> 00:22:01,209 [GASPING IN PANIC] 560 00:22:01,250 --> 00:22:02,459 [SCREAMS] 561 00:22:08,751 --> 00:22:12,334 [MUFFLED BANGING AND SCREAMING] 562 00:22:12,375 --> 00:22:13,375 [???] 563 00:22:13,425 --> 00:22:17,975 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 34687

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