All language subtitles for Everyone.Is.Doing.Great.S01E07.HULU.WEBRip.x264-ION10

Look at that glass tile.

‐It's‐‐it's pretty nice.
It's really nice.
‐Yeah.

‐Two bedrooms.
Two bathrooms too.
‐Ah.

Uh, can you forward that?
What's the price on that?

Uh...

$3500 a month, so,

that's not too bad for
considering where it is.

‐I mean, look at this place.
‐Ah...

It's‐‐it's gonna
add up quickly, man.

I mean, you gotta,
you gotta put furniture in.

It doesn't come
with that furniture.

You gotta pay first
and last month's rent.

You gotta put deposit
down, utilities,
all that stuff.

Okay, all right, yeah, yeah.

I've got like 25, 25 grand
left from that T‐shirt deal, so,

It's not going to get you
to a year. It's probably going
to get you to a half a year.

‐Or maybe, like, four months.
‐Well, I could just do
another one, then.

Do you really want to
do another t‐shirt deal?

Well, what's wrong with it?

You're not going to sell
t‐shirts for the rest
of your life.

Well, yeah, obviously eventually
I'm going to audition.

‐You know, so‐‐
‐There you go. Auditions
are good. Now we're talking.

Have you reached out
to your agent about it?

‐Yeah.
‐You got auditions?

Yeah, I got one,
I got one yesterday.

‐Are you lying to me?
You got one?
‐Yeah. I did.

I didn't really respond to the
material, so it's not really‐‐

Well, maybe you should
still go in on it.

‐What?
‐Still go in.

I think actually, you know,
you want to go in there

and like kinda grease
the wheels a little bit.

I already deleted the email,
so...

Well, it'd be good for you
to go in, I think, dude.

Just go show your face,
get back in a room.

You should reconsider it.

[shower turns on]

Okay, all right, Jeremy,
I'm going to take off
for rehearsals.

‐Wait, what?
‐I'll see you later.

‐Oh, see ya.
‐Later.

Just think about it!

Let's take a moment
to align, everybody.

[inhales and exhales]

[instructor]
Feels good, great.

So, we begin.

‐Yeah?
‐[all] Yeah, yeah.

All right.
We begin this journey.

Right, great, so,
a couple of bits of business.

One, uh, I do have a cold
sore coming on,

so there's going to be
no kissing. Of me, at least.

Just wanted to let
everyone know that.
That's important news.

I'm not ashamed of it.
It is my reality.

Fantastic, I just want to
introduce everybody to you,

'cause we've been
working with each other,

some of us, 10, 15 years now.

‐[woman clears throat]
‐And, and, you know,
this is your first day, so...

It's important that we
all know each other,

so I just want to start
down here with Pierre.

Pierre comes to us from Chicago.
He's a Chicago actor.

And, uh, I don't want to brag
about you too much, but, he uh,

he just finished up
doing a production

of a Sam Shepard
play called True West

with Michael Shannon,
directed by Terry Kinney.

Congratulations.

Leo is also a Chicago
actor from Chicago
Shakespeare Theatre.

He just wrapped up
playing Bottom in
Midsummer Night's Dream,

in Chicago out at Navy Pier.

Just, uh, it's funny,
I always say this.

If there's three men
in a play and two of them
are Chicago actors,

the third one could just be
a mannequin, it doesn't matter.

[all laugh]

Niko, Niko here is
a very old friend of mine,

and, um, has done, really,
just work all over the world.

I saw her in The Goat
in Poland.

‐Yeah. [trills]
‐And, um. [laughs]

And we're very
lucky to have her.

‐And then we have Yun, here.
‐Don't touch me.

Right, so, uh, we call,
just Karen, she goes by Karen.

‐Um, we met Yun
while we touring‐‐
‐My name is Karen.

‐Yep. We have a lot
of history here.
‐Okay.

Just so you know,
we're all on the same page.

Karen is, uh, I will say I am
Karen's ex‐husband,

as well as Pierre is also
Karen's ex‐husband.

[woman]
But we all get along here.

It's a very long,
storied history.

So Freya Freitag,
so you're in the presence
of German royalty here.

Her parents created the free,
the Freitag method.

‐The Freitag method.
‐The Freitag method. Yeah.

‐Freitag.
‐Right.

So Freya's mother and father
created the Freitag method,

and, uh, it's really
groundbreaking stuff.
And it's incredible.

But, um, yeah, so there we go.

Now, everybody, this is Seth.

Seth Stewart.

Seth is an actor,
and he was on a television
show called Eternal.

‐For the whole thing? For.
‐Yes.

‐All the seasons, so.
‐Yes.

It's, if you
haven't seen Eternal, it's
a really interesting show.

It's a prolific show.

It's, uh, a lot of your
demographic. [chuckles]

‐What does that mean?
‐It's, uh, it was like a teen
drama, though, so, it's a, um...

You played a teenager?

I, at one point, then we grew up
a little bit, yeah, yeah.

‐Teenaged vampires?
‐Yes.

[director]
So, let's dive right into
the work, if we don't mind.

It's a table, you know, Seth.
Just kind of go with the flow.

‐Just try to keep up, basically.
‐Oh, okay.

‐It should be fine, though.
‐And somehow the flight crew
wasn't informed

of his energy and
it was a terrible energy.

I'll never forget those
wet, warm winter nights
at my place.

[cries]

That was great,
that was really, really good.

Uh, good job, um, Seth.

If I may, I was looking
at the scene last night.

I think it's a classic
white swan/red turtle scene.

‐Mm, yes.
‐The dynamic between
the characters.

W‐what's a red swan/
white turtle?

You haven't read any
Peterborough?

Um, no, no.

[all] Ooh.

Do you have a problem with me,
man? Why are you looking
at me like that?

‐It's just fu‐‐, it's our
first day of rehearsal here.
‐It's fine.

‐If you have a problem, just‐‐
‐Fuck you, Phil.

Great. Fuck you too, Pierre.
We'll talk about that later.

This is a fucking disaster.

And it sounds like
it's going to get worse
before it gets better.

‐Why?
‐Because you have to tell her.

I do?

If you want to talk
to another actor about a note

or a performance note,
just talk to me,

and then I will
relay the information.

‐How does that sound?
‐Fuck you, Phil.

Fuck you, Pierre.

Fuck you!

America was great.
Make America America again.

[clears throat]
Soapbox, Bob. Don't forget
to breathe a little.

[under breath]
Jesus Christ.

It's good, it's good.
Just slow, slow, slow.

‐[Pierre talking]
‐[Phil] Deep, deep, deep!

Deep Pierre, go deep, go deep!
God damn it, find it! Find it!
Find it!

[all shouting]

Please! [indistinct]

[Niko softly]
He only this got this part
because of his show.

[Freya]
People only see the show
because of his show.

Is that why we want people here?

Well, we want people here,
period.

It gets butts in the seats,
like Phil said.

Seth?

How are you feeling right now?

Uh, I feel good, thank you.

How you feeling?

Satiated.

[Pierre]
What is your fucking problem?

[Phil]
What's my fucking problem?
My fucking problem is

that you are undermining me
in front of my cast

and the new member
of our company.

You told me to make him
comfortable. I'm trying
to make him comfortable.

Well, you're doing
a shit job of it, all right?

[phone dings]

[Phil]
I know what this is about,
you and your fucking ego again.

[Pierre]
No, what this is about is you
not having a vision

and picking this guy.
He's a fucking hack!

‐[shouting, chair thrown]
‐You're such an actor!

You throw a chair, and you
think it's intense!

[both yelling]

You piece of shit.

[exhales]

And classique.

Hands on hips.

So. [clears throat]
Why do we play theatre games?

No, I'm asking, why do we
play theatre games? Why do
we play theatre games? Why?

To get in.

Um, okay.
Any, any, anybody else?

‐Courage.
‐Courage.

‐Play.
‐Play.

‐Love.
‐Thank you, love.

Emotionality.

Emotionality.
Thank you, Karen.

So, I want to start
with two quotes.

One is "We are not, um, people,

we are humans who are actors."

That's Tom Stoppard.

[clears throat]
And the other quote‐‐

I think that quote is,

"We're actors, we're
the opposite of people."

It's, I think
it's a translation issue.

I think the way
I said it is the way‐‐

‐He's English.
‐Jesus.

Pierre, you want
to talk about this right now?

‐No, not really.
‐Sacred space in rehearsal.

I'm sorry.
We should just move on.

Fuck you, Pierre. Fuck you.

Uh, excuse me. Can I address
everybody real quick?

You've already started.
Go, just go ahead.

It'll just take a second.
Um, just want to thank you guys

for allowing me inside
your group for this.

Uh, I know
I'm like an outsider here,

and you guys all know each
other very well, but,

thank you for having me,
is what I wanted to say,

to each and every one of you.
A little eye contact. Thank you.

And thank you, Phil.

‐You're welcome.
‐Thanks.

I totally lost my train of
thought, again.

Okay, I'd like to play
bippity bippity bop now.

It's not permanent, all right?
It's not permanent.

Desperate...

It's tough out there.

It's worse than I thought.

And we're two weeks away
from getting kicked out.

Two weeks away.

Still got it.

You can blame Jeremy for
the strategic way he put these.

‐This is Jeremy's doing?
‐Yes.

‐Love that guy.
‐Love that guy, yes, yep.

But they'll look really good
for the engagement party.

And I want it to
look perfect for Izzy.

You guys are‐‐
you're both coming, right?

Yes, my ex‐girlfriend's
engagement party.

‐I know.
‐I'm going to be there.

Are you bringing dates?
Just for numbers.

Just 'cause I'm sort of just
figuring everything out.

‐I‐I didn't really think
that far ahead.
‐Yeah.

I'm going to say no, though,
I'm definitely not.

Um, so what about‐‐ is‐‐
Jeremy's bringing a date

‐to the party, or no...?
‐Um...

That is funny you're asking,
but I think that, uh,

uh, he's not going
to bring a date.

I think he's excited to see,
you know, some people,

and, you know, he's probably
excited to see you.

Ex‐‐excited to see me?

Did he say that?

‐Did he say what?
‐That he's excited to see me.

‐Did I say that?
‐You sa‐‐ yeah, I just
thought it was a bit weird.

No, no, no, I, I don't know.

I mean, I would imagine
he's excited to see you.

‐I'm guessing, yeah.
‐Hmm. Okay.

Yeah, it's going to be great.
A lot of fun.

It's gonna be, uh, you know,
like an Eternal reunion.

An Eternal reunion, yes.
Can we just‐‐

All right, how do you‐‐
how do you‐‐ how do you
feel about it?

But does it not seem
a little bit strange

that all of a sudden
he's sort of just presented

this idea that it's
a possibility,

even though
I can't physically do it

'cause I'm obviously
on another contract.

‐Of course. Of course.
‐You don't‐‐ you don't
want to do it.

I don't know,
I would consider doing it.

It's‐‐ it's probably not
going to happen anytime soon
because you've got Feds,

and, you know, I'm doing
something and, and Jeremy's...

It's just not really possible
anymore, is it, though,

you know,
for a bunch of reasons,

and it kind of feels
like I'm being sucked

back into this vortex
by this announcement.

I'm just kind of feeling
like the past's all sort
of being thrown

back up into the air,
and I'm‐‐

it's different now,
everybody's doing
different things,

and the show's over.

It's not gonna happen anymore,
and I just think that I'm...

I'm a little bit upset,
I think, that he's just,
you know...

Are you okay?

Am I okay?
Yeah, yeah, I'm‐‐ I'm good.

I'm, I guess I just, um,

I've had a lot of time,
kind of on my own,

to just sort of think about
everything, and I haven't‐‐

I haven't spoken to‐‐ to you
guys in a long time, and, um,

lot of changes going on.

Lot of changes.

You can, you know, you can
call me whenever you need to.

Okay, I didn't mean to put
you in a weird position.

‐I'll come over here
and untangle your Christmas‐‐
‐Ha, sorry.

It's‐‐ you don't need
to apologize.

No, it's‐‐ yeah, you're‐‐

Sorry, Seth, sorry.
I'm fine.

It's fine. It's fine.

[exhales]

[phone rings]

Hmm.

Nope.

No, that's a trap.

[phone dings]

Hey, stranger,
I feel like I haven't
talked to you in a while,

and that's probably
because I haven't talked
to you in a while.

It's on me. I know
I owed you a phone call.

Things have just
been so busy with school,

and time has flown by quicker
than I'm comfortable with.

Should we expect
more of this in adulthood?

If so, let's start
a commune in Topanga Canyon

and develop
our hula hooping skills.

‐[laughs]
‐Deal?

Give me a call,
I'd really like to see you.

‐I'll provide the hula hoops.
I hope you're doing well.
‐Mm.

[door opens]

Jeremy. Hey.

How you doin?

Uh... oh, I was just
going over my sides.

‐Is that your audition?
‐Yeah.

‐Those are the sides?
‐Yeah, yeah.

Have you been
out here for a while?

I don't know, what time is it?

4:00.

‐Yep. Hot beer.
‐That's warm.

Are you ready for it?

Uh, not totally ready.

‐I was just, uh, I was just
kinda highlighting the lines.
‐Let me see them.

You want to run 'em?

Oh, right now, um, I haven't
really memorized them yet.

That's all right.
We'll just kind of run it
for dialogue a little bit.

Get those lines in you
a little bit. You want
to run it for words?

Yeah, cool. Thanks, man.

Definitely. You want to, uh‐‐
you want to grab your hot beers?

Oh, yeah, I'll just get these.

Yeah, thank you.

‐Okay.
‐Let me get this.

[mumbling]

Olivia!

Look at this place, baby.
Look around you.

We're living like dogs,
and we're two weeks away

from getting kicked
out of this place.

I thought you said‐‐

‐Cut me off there.
‐Huh?

You gotta cut me off.
Cut me off right there.

‐I lied!
‐Okay, one more time.

Pick up that cue.

‐Cool.
‐Cool.

‐Olivia.
‐No, wait, no no no.

‐Olivia's up.
‐Keep Olivia up?

He composes himself.

‐Oh.
‐Come down a little bit.
Start high.

Is that what it says?
Does it say he composes?

‐It says he composes himself.
‐Ah, I missed that.

Look around you!
We're living like dogs,

and we're two weeks away
from getting kicked out.

‐I thought you said‐‐
‐I lied!

‐I, uh...
‐Good! That was good.
You gotta keep going.

‐Look around you, just.
‐Ah, ah, actually
lower the voice.

‐After that.
‐Yes. Different speeds,
different speeds.

I didn't want you to
worry about me. I, uh, I, uh...

I wanted to just figure it out.

Uh, fuck.

C'mon man. Um, you know
what you need to do?

You need to go
to audition workshop.

I got a class,
open door policy.

I think I can get you
in there tonight.

‐Okay, can you go with me?
‐No.

‐Why not?
‐This is something you
gotta do on your own, man.

I'm not going to be able to go
on the audition with you,

so just go to the audition
workshop without me as well.

Are you sure you
can't go with me?

I can't. I'm sorry.

I'm actually, um, I'm going
to see Sarah tonight.

‐Sarah Dinsey?
‐Yeah.

‐Really?
‐Yep, she, uh,
left me a voicemail.

I thought you
were done with her.

She wants to catch up.

Are you sure
that's a good idea?

Eh, just a catch up.

‐All right.
‐Yeah, yeah, yeah.

‐Work on this and..
‐Protect your heart.

I'm going to give them
a call for you,

and we'll be able to get you
in there tonight.

Olivia! Olivia! God!

[woman]
Those were the worst
three days of my life.

[Jeremy, softly]
They weren't so easy
for me either.

[woman]
You were asleep,
you son of a bitch!

Don't even!

I hear everything
you're saying. And I'm sorry.

You know how sorry I am.

[paper ruffles]

Okay. Janice, how was that?

Um, it felt like a warm‐up.

Did you feel connected to him?

No. No, I didn't.

Okay, well, were you looking,
were you seeing anything
happening in his eyes?

I couldn't see his eyes
for most of it.

Okay, Jeremy.

[coughs] Yeah.

Um.

I don't know you,
I know Seth.

How would you
describe your process?

Um, well, when I was working
a lot, I would, uh,

‐I would read
the script a few times,
‐Uh‐huh.

I would try to write
a little backstory for it,

‐Okay.
‐the character.

Did you do that this morning?

‐No, I didn't.
‐Okay.

Did you connect with her
in any way, shape or form?

I thought I was pretty
connected, I thought I was...

So what did you see from her,
what did you take from her?

What went between you two?

If you don't give her anything,
she has nothing to take.

You're not executing.

And I'm not crazy
about your choices 'cause
you're not making any.

What's happening here?

I mean, you disrespect
your own talent,

you disrespect the rest of us,

you disrespect your audience.

What are you not doing now
that you were doing before?

Is it caring? Is it‐‐
did you lose your passion?

A lot of these people
would love to have the
experience that you've had.

To be on a show like Eternal
that runs for four years.

But it doesn't end with that.

It's over.

So, what happened?

Why aren't you
emotionally connecting?

I mean, I guess I'm pretty‐‐

I'm pretty nervous
to get back into it.

‐I don't feel that‐‐
‐What do you think
you're afraid of?

Not, doing that well,
you know.

Like, not...

Dude, you're there.

You're not doing that well.
[laughs]

So, you gotta get back
to how you can do better.

Or don't do it,
it's too hard.

And there's too many
people who want to do it.

So do it right or get
out of the way.

And trying to just fit in,
do my part.

‐I'm sure you fit in.
‐Eh, we'll see.

We'll see what happens.
Pray for me.

I will pray for you.
I'm so excited for you.

‐Thank you.
‐You seem so jazzed about it.

‐I love that.
‐Yeah.

How have you been?

‐Great.
‐Yeah.

Well, great busy.

‐Yeah.
‐Really, really busy.

Okay, I'm swamped. I, um,

thought I could handle
the workload but it's
catching up to me.

‐Oh, yeah?
‐When I'm not writing,
I'm studying.

And when I'm not studying,
I'm in class.

‐Classes and studying
and writing.
‐Yeah. All of that.

So it's just been all school.

Yeah, yeah.

Hmm. Hmm.

Are you okay?

Yeah, can I show you something?

‐Just where we were.
I don't know whether we...
‐Yeah.

‐How I came across this
the other day, but, um,
‐Okay.

I was on the internet here
and um, I uh, found that.

‐I uh, I found that.
‐Mm.

That was a shock. Yeah.

Didn't expect to see that
show up on my phone.

‐That is you, right?
‐Yeah.

Don't date actors, huh?

Oh, yeah, okay,
you're upset about this. Um...

Oh, no, I'm not upset,
I just‐‐ I was, uh...

He was my first boyfriend,
and we stay in touch.

We're friends now,
but, I mean, I barely see him.

But, yeah, we keep in touch
from time to time.

‐Are we "just friends" now?
‐I'm sorry?

Oh, I mean, I just, I don't
know what your definition
of "just friends" is.

What do you want to know?

I'm showing you right now,
like is this, I mean,

is this why you've
kind of been flighty?

Ha. Flighty. Okay. Wow.

I mean, hey, I don't know
what you want to call it.
I, you know, just‐‐

All right, fine,
you want an explanation,

'cause clearly you're not
asking me that straight out,
so I'll tell you.

Um, yeah, he was my first
boyfriend. I've known
him since I was 13.

Our families are friends.

We moved out
to Los Angeles together.

And he became a huge,
successful, famous actor,

and he changed.
He changed for good.

And it completely...

destroyed our relationship,
and it ruined me. It ruined me.

So...

[sighs, clears throat]

Um...

I...

I'm sorry. I didn't know, um,

I didn't know all that.

Uh, yeah, that was‐‐
I shouldn't have shown you that.

No, you shouldn't have.

No.

Thank you. Thank you
for reminding me how

emotionally reckless
and impulsive and

immature actors
can be, so, um,

‐Look, I‐‐I'm not.
‐You know what, it's okay.

‐You don't have to
say anything else.
‐I'm not‐‐ I'm not‐‐ look.

I think this was
a mistake, and, um...

No, no, no,
it was not a mistake,

I'm going to go. I'm going.

Hey, I'm s‐‐

[mumbles]

Deal with it.

Deal with it.

Red leather yellow leather.

You got this.

[Sarah]
Emotionally reckless
and impulsive and immature.

[knock at door]

Hey, Seth?

‐[knocking] Hey, Seth.
‐What?

Hey, hey, man. I just need you
for a couple seconds.

‐I have kind of an emergency.
‐Right now?

Yeah, I'm really sorry, man,
just two seconds.

‐Okay, one sec.
‐Sweet.

Thanks, man,
I'll be in my room.

[sighs]

I'm an asshole.

I'm really sorry, but my
audition's in, like, 15 minutes,

and I want to make sure I get
it right. What do you think?

It's like a lumberjack.

No, dude, no, you don't.
Not at all.

‐I gotta jump in the shower.
‐Don't, don't, don't.

I'm all sweaty now.
We don't have any...

Third button.
No, down a button.

‐Sorry, man. Fuck.
‐Right there.

Hang on, hang on, hang on.

Dude, you're killing me.
You're going to make me late.

You're late.
I don't want to be late.

Look at yourself.
You're wearing Canadian tuxedo.

‐What's a Canadian tuxedo?
‐What's a Canadian tuxedo?

What you're wearing right now.
It's all jean, all blue.

Okay. Is that bad?
He's from Alaska.

That's near Canada, right?

Dude, hold on, hold on,
just give me a second,
all right?

‐Let me think, let me think.
‐Yes, dude, thank you.

I saw that one,
but I thought you
would be kind of like,

"No, it's fine, you can use
whatever you want of mine."

Wait, wait, wait, wait.
I need a jacket,
I need a jacket.

It's pretty loud, what if
I have to like, walk around?

It's okay, why, don't do that,
why are you doing that?

‐Okay. You're not a tap dancer,
you're a lumberjack.
‐You're right.

Just come in, just be cool,
calm, collected, all right?

Don't forget to breathe,
all right? Don't
forget to blink.

You're a lifesaver.
Thank you.

‐Okay. Good luck.
‐Good luck today!

Thank you.
Oh, god damn it!

Jeremy?

Hey, Jax.

Where have you been?
Bring it in.

Hey, man, how are you.

I'm good, I'm good.
How's it going?

It's going pretty good man.

I haven't seen you in forever.

Yeah, I'm just kind of getting
back into it, actually.

‐It's a fun role.
‐It is, it's a lot of fun.

Yeah. I camped out last night.
I was just trying to really,
you know, feel the character.

I got some firewood,
brought an axe,

got to chop down
the firewood, you know.

Really embody the character.

Where did you even
do something like that?

Silver Lake. It was awesome.
It was right next to the Vons.

Oh, yeah, I think I know
what you're talking about.

So I just parked the car
right in the parking lot,

I go get the firewood, right,

and then just chop it
up a little extra.

That's, that's
really good for me to know
next time, for sure, yeah.

Oh, I wanted to ask
you about Andrea, man.

‐Oh, yeah.
‐How you doing?

How, I'm not, well...

You guys still able to connect

and, you know, continue, like,
that relationship, you know?

Yeah, we still have
a, um, dialogue.

We still are on speaking terms.

Dude, that's awesome.
That's so progressive.

100%. I should, um.

Maybe get
a little focused on this.

Oh, yeah, yeah, yeah.

‐Hi.
‐Hey there. How are you?

‐Good.
‐Good.

‐Hello.
‐Hi.

Who's next?

‐He was‐‐
‐Actually, it's you man.

No, you were here first, so‐‐

I haven't even signed in,
so just go right ahead.

Um, you know what? I actually
had a really long drive over,

so I'm just going to pop out
and use the bathroom,
you go ahead.

We have a restroom here if
you want to use it real quick.

‐There you go.
‐I, uh... I shouldn't
do that here.

‐I'll just.
‐Oh.

I don't know why I said that.

‐I just, I'll be back.
‐Sure, yeah.

You gotta go, you gotta go.

I guess so. I guess you're next.

So great to see you.
You look amazing.

[beat‐driven
vocal ballad plays]

Loosen up those arms,
loosen it up.

[mumbles to self]

[beat‐driven
vocal ballad continues]

Come on.

[continues mumbling to self]

Next time I'll bring
you with me.

‐Oh, okay, awesome.
‐Yeah, well, I mean,

next time I'll bring the axe
and everything, I'll teach
you how to chop it.

‐Ooh, that'd be really cool.
‐Yeah, it'd be a lot of fun.

‐Yeah.
‐So good seeing you.

Great to see you too.

‐Great.
‐Yeah.

All right,
I'll see you soon.

‐Yes, we'll be in touch.
‐Okay.

Bye.

‐[clears throat]
‐Andy?

You're next. Come with me.

[door closes]

Hey, Phil, how's it going,
it's Seth, I'm standing
outside on the street,

uh, at the stage door just
knocking on the door, um.

Running a couple minutes late
here, if somebody could let
me in, that'd be great.

All right, I'll just be
standing out here waiting.

Thanks.

Oh, shit.

It's okay, that's now
what I wrote, so if that's
what she wants to say,

‐she can be in another play.
‐What's up, man?

Why are you banging
on the door? We're
working in here.

Sorry, I know, I'm running
a little bit late today.

‐I'm here now.
‐We started 20 minutes ago.

Oh, I know, I know.
I'm sorry about that.

I tell you what,
just take the day off,
go get a massage, hit the spa.

You know, have a "you" day.

If you wake up tomorrow,
you feel like you want to work,

come to rehearsal on time,

and we'll reincorporate
you back into the play.

Oh, no, no, I'm ready
to work. I just‐‐

Not today, just take a day off,
and we'll see you tomorrow,
okay? On time. Bye.

[beat‐driven
vocal ballad plays]

Jeremy Davis?

[beat‐driven
vocal ballad playing]