All language subtitles for Waking The Dead 608 - DaRmEtH-eng

SOUND OF CHILDREN
SCREAMING IN DISTANCE

WHIP CRACKS

MAN CRIES IN AGONY

(I told you I'd come back for you.)

The key to this is James Jenson -
who confessed to the murders
originally - he walked in

off the street into a police station
and signed a confession
saying that he was guilty.

What? Just like that? Yeah, but
it was thrown straight out of court.

Not quite right, the judge deemed
him unfit to stand trial and he was
sent for a psychological evaluation.

And while he was there,
he beat up the male nurse... Yeah.

And he hit him over a hundred times
in two minutes.

A hundred times in two minutes?
That's major Muhammad Ali speed...

Well he would've been sent down
for GBH but he was unfit to stand
so he was sent to...

..a psychiatric detention centre
where he's been for 20 years.
This is the urgency in the situation.

He came out a week ago
and two days ago, Mrs Goss received
these wallets through the mail.

Yes, now what's the relationship
to this Goss, Mrs Goss to Mr Goss?

Widow...she's the widow of Henry
Goss. Mr Goss? ..Councillor Goss.

Councillor, sorry, Councillor Goss.

Have we got photographs?
Yes. Let's go through
the chronology of these deaths, OK?

First one killed...

The first victim wasn't Goss,
it was, in fact, Harry Valentine.

And that was in 1979.

Then Frank Reilly. Then
Frank Reilly and that was in 1980.

And the third one
is Councillor Goss in 1985.

Now, there's an interesting thing
about all of these,

that they were all sent together
to Mrs Goss in this plastic bag.

Right, OK now, originally the motive
for these killings was robbery. Yeah.

Anyway, the thing is, forensically,
what's interesting to me,
is that this one in particular,

the first one, Harry Valentine,
is sealed with blood.

It's never been opened,
it's perfectly intact.

This is still full of credit cards?
Yes. Money? And all of them
have the credit cards and money.

Then, after the third killing, the
investigating officer decided that

there was probably a serial killer at
work here and that the wallets were
actually being taken as trophies.

The serious thing about the return
of these three wallets

is that the serial killer
could either be making amends
or he's going to do it again.

Right, which brings us right back to
James Jenson and the dilemma, do
we monitor him or do we bring him in?

Bring him in! They'll be monitoring
him. We don't need to bring him in.
THEY'LL be monitoring him?

Yes, he'll have a parole officer,
he'll be in a halfway house,
he's been deemed fit...

They never put anybody back anyone
who causes any danger to the public?

James.

Well, you start at eight and finish
at four. An hour for lunch.

And your parole officer
says you can use a fork-lift, yeah?

Don't say much, do you?

That's good. I like that in a man.

Yeah, well, put you on the sorting
bins, you'll be on fork-lift four...

And it'll be your responsibility
to keep it clean
and full of diesel, OK?

We wanna have a chat with him,
that's all. And I know
what your little chats are like.

Every time we bring someone in you
think we'll beat the crap out of
them! Maybe cos that's what you do(!)

I've read the sensitive
policing memo.

Well, I need to crack on with
the forensics because there's some
interesting traces in this bag.

All right, hang on one second.
Stella? I'll see Goss's wife.

I shall go through
the detention centre report.

Good and you can take
that stinking stuff... No!

I bought that stuff especially
for you! It's giving me a headache.

Feel the benefits...

with memory, concentration...

Are you all right? I feel sick.

James!

Jimmy, Jimbo... You're looking good.

Been working out
while you were inside, have you?

What do you want, Ricardo?
What d'you think?
I've come to give you a job.

I've got a job. Not some donkey
work your parole officer found you.

I mean a real job.

I'll keep the one I have.

James, I'm sensing animosity here.
You know, I mean...

I know what the word means.

So what's your problem? There's no
problem, I just wanna be left alone.

James...
Leave me alone.

Just trying to help you out.

BOY: 'Mum!'

'Mum!'

Where do you think you're going?
Come along, James. Mum!

Let go, James! Mum!
Come on! Thank you. Good boy.

No, James, listen!

If you're going to get along here,
you'll have to behave
a lot better than this. Come on!

Calmed down now?

It's hard for you to understand
things right now, I know that.

You don't know why
you're here, do you?

Let me explain something to you,
James.

I didn't put you in here.

Your parents didn't put you in here.

You put yourself in here by your
behaviour, do you understand that?

Now the way things are done here is
that if you do something wrong,
you are punished.

Receiving punishment
helps you to be good.

Now that makes sense, doesn't it?
You want to be a good boy,
don't you, James?

Now we're gonna help you to be good.

This is Mr Valentine.

He's the housemaster and he's in
charge of giving you the punishments
that will help you... James!

James! You have to learn how
to take your punishment!

Well... I'll leave you to it then.

WHIP CRACKS

Hi. Hey. I've had several messages
for Mel Silver on my extension.

Mel? Someone called Sarah,
never leaves a number.

So I had it traced, it's a New
York number, the Wiesenthal Center.

I'll get Boyd to deal with it.
So how far have you got today?

The original investigation was
looking at a Dr Bruno Rivelli.

He was the last person to see Goss
alive. It's here in Goss's diary.

So how far did they get
with this Bruno Rivelli?

Well, James Jenson confessed
before they moved on it.

Have you tracked down James yet?
Yeah, his parole officer found him
a job. The address is on my desk.

I'll bring him in. What about
victim number two? Dr Reilly?

Yep. He wasn't on the NHS list.

He was in a private practice.

Patient list? Not yet, but he was
based at the Hickley Private Clinic.

OK, follow that up
and I'll bring James in.

Jenson!

Jenson!

Someone to see ya.

DI Jordan... You're a policeman?

Yeah. Can you come with me, please?

What d'you wanna see me for?

Just a chat. About what?

Nothing major. Come on.

The residue on
the victims' clothing...

I ran some infrared spectroscopic
and GC tests, gas chromatography,

and it turns out to be a product
of the Apis Mellifera.

La cire d'abeille.
La cire d'abeille? Oui.

The bee?

Bon! Right.

The residue is a compound, but
the main ingredient is beeswax.

Like furniture polish? Close. Like
furniture polish, probably heavier
structure, more like floor polish.

On all three victims?

On all three victims,
deeply imbedded
into the fabric of the knees.

They were kneeling?

Possibly.

No, nothing about anybody
being forced to their knees
in the original crime scene report.

MAN GROANS IN PAIN

No, I know.
But the bodies were found in three
different places around the canal.

What about the floor polish then?

It wasn't on the ground there, so if
we're not looking at murder sites,
we're looking at dump sites. Yes.

And the reason a killer uses
a dump site is because the murder
scene will be dangerous for them.

Come and look at this.

Now, dump sites need to be
in a geography known to the killer.

We have three victims,
Harry Valentine... Frank Reilly...

Henry Goss.

So they were probably murdered
in the same spot and then moved.

So, we're looking for a murder scene

within that triangle.

What's in there?

In there? Nothing.

What's it for? The room.

It's called an interview room.

'James! You have to learn
how to take your punishment!'

What are you afraid of, James?

I don't like rooms...

I don't like to be
on my own in them.

I like outside.

I'll come in with you. OK.

If he sent the wallets, what d'you
think he's expecting to happen next?

I'm making you aware that he's
probably prepared his answers.

Come on, let's just
go through the profile.

I haven't even met the guy!
Boyd!

Hi. Who is he?

This is Detective Superintendent
Boyd, James. Is he a policeman too?

Yes, he is. OK.

D'you know why you're here?

D'you wanna take a wild guess?

You don't wanna play that game?
Well, I'm here to help you.

WHIP CRACKS

James... What's wrong?
Is he going to hit me?

No, I'm not going to hit you.

Why would you think that?

Don't know.

Do you still wanna say
that you killed

Harry Valentine,

Frank Reilly and Henry Goss?

I don't remember that now.
What d'you mean?

The doctors said I was

in a state of delusion.

They said I won't remember it...

I don't.
Yeah, but when the judge threw out

your guilty plea, you nearly killed
a male nurse to prove him wrong.

I was unwell at the time.

Who told you you were unwell?
Doctors.

If you were unwell, how do you know
you committed the murders? You were
unwell and couldn't remember, right?

So how would you have known?
D'you know what I'm saying?

I don't know. You don't know.

What about the male nurse that
you beat up? Do you remember that?

Yeah.

It was my fault hitting the nurse,
I didn't mean it.

I just wanted to...

Wanted to...? To go outside... I...

I didn't like the room.

You walked into a police station
and said you did it.

Why? I don't know.

I made it up.

I was confused about stuff
I had in my head and real stuff.

And now? Now I know the difference,
I don't get lost any more.

In here. But in here, the stuff you
made up, how did you know about it?
It wasn't even public knowledge...

What I mean is, the stuff that
you made up in here could only
have been known by the killer.

Don't know. He doesn't understand
what I'm saying really, does he?

D'you understand wh...

Look, in a copy of your statement
it says,

well, YOU said, that you took
wallets from the victims.

There, those are your words.
You took wallets from the victims.

Now that was not public knowledge.

You know what I'm saying?

So, how would you know,
Mr Jenson, about the wallets?

I never wrote that.

The policeman asked if I took them,
I said I did.

Rubbish policing.

You're sweating now, James,
why are you sweating?

I just want to be left alone.
Or what? What? What, what, what...

What if you're not left alone?
What do you do?

What are you gonna do
if I don't leave you alone?

Leave me alone.

'Boyd...' In a minute.

No, now please.

The voices, d'you get them?

No. 'Boyd!'

Yeah. OK, I'm coming.

You should get help for that.

Yeah...right.
HE LAUGHS

What's the problem now? Wasn't
I sensitive enough? I was nice...

It's better if you're aware of who
you're talking to before you wind
them up. What's important about him?

Oh...that he could've killed you.

Now is that important enough?

Really? Really.

Spence, you might wanna pop out
here for a second.

I think criticism is a little unfair.

I just think that sort of interview
is very destabilising.

That's what I do, I destabilise
people in stressful situations.

Yes, well, his particular type of
psychology doesn't respond well to
stress. So he may tell me the truth.

So I ran DNA tests on
saliva samples that I found

inside this bag and I got a hit on
two of the victims, victims
two and three, Reilly and Goss.

And you cross referenced that?
And I cross referenced it with DNA
from their personal effects...

So you know it's them... Yes.
So that's the murder weapon?

HE GASPS

Bag inside a bag. Yes, for two
of the victims, this is the murder
weapon, the bag within the bag.

What I don't have
is any information to link

our first victim, Harry Valentine...
But there's a whole different
signature though, isn't it?

There's a different signature. He
was excessively beaten, there were
multiple fractures to his skull...

In fact...erm...we're not even sure
if he was actually suffocated
to death or beaten to death.

The report does mention asphyxiation,
it wasn't sure if that was the cause
of death as he was so badly beaten.

That's Jenson's MO,
rage attack, savage beating...

Well, Jenson has a very high
propensity for violent rage as we

saw when he attacked the nurse, but
he has a low propensity to enact.

Taking of the bag to the scene
is the work of a controlled killer,
it's premeditated.

Now Jenson at the age of 14
wouldn't have the mental capacity

to plan and execute a killing,
let alone find a dump site...

Yeah, but this is very different
though, cos the Valentine killing

is a frenzied attack.

Whereas Reilly and Goss, I mean
there's no sign of them
being bound or... No ligatures.

So they'd be held down when the bag
was going over their heads.

Which could imply that there
were multiple killers involved.

Yep. Yeah, it's possible.
Yeah, now the motive...

Robbery we've ruled out.
Sexual?

No...sadistic, yes, in the cases
of Reilly and Goss,
but not in the case of Valentine.

I think it's probably more
to do with social interaction,
proximity of the killer...

So the victim would know
the killer or killers? Yeah.

Now the original investigation
was pursuing... They were
looking at a Dr Bruno Rivelli.

Uh huh. We've still got Jenson
in there, we should let him out.
You better follow him, Spence.

Yeah, OK. Thanks, Eve.
Great. Thank you.

Hello. I'm Dr Grace Foley, I have an
appointment with Dr Bruno Rivelli.

Yes, if you follow it up to the top
of the stairs, his office is
straight ahead of you. Thank you.

How do we feel
if someone's not nice to us? Bad.

Bad, angry, distraught... Unhappy?

Yes.

But if we remember how we feel is
up to us, then we don't have
to get sad or angry, do we?

We can make a choice
not to get angry, can't we?

Sorry... Can I help you?
I'm looking for Dr Bruno Rivelli.

Yes, I'll get him for you.
Thank you.

Hello, everyone. ALL: Hello.
What are you learning today?

ALL: Anger management.

Anger management? That's very good.

What makes you angry then?

When someone blames me
when it wasn't my fault.

Yes, that makes me very angry, yes.
Because it's not fair, is it?

It's unjust.

So you ran
the Hickley children's home?

Yes, I founded the Rivelli
Institute when it closed.

And you specialise in...? Behaviour.

Or behavioural problems
in children to be precise. Oh?

Why did the home close?

Funding.

What is this about? I'm trying
to get background on one of
your former children, James Jenson.

Ah, Jenson. How's he getting on?

Well, he's out.

I'm concerned
he's having problems adjusting.

Were you surprised when he admitted
to the killing of Henry Goss?

It was unexpected, I never had
Jenson down as a killer.

Mmm. Did you know Councillor Goss?
Know him? Well, he was on

the council's
Visiting Committee for the home.

I knew him in that capacity, but
not personally. Did he have
any contact with the children?

No more than the usual interviews
to see how they were doing.

What is it you're actually
investigating?

Oh, we're investigating
the deaths of Harry Valentine
and Dr Frank Reilly and Henry Goss.

Did you know these men?
As it happens I did.
Valentine worked for me.

And Dr Reilly?

He was my personal doctor.

Oh. Did he attend to the children?

No, he didn't.

Forgive me saying this,
but it sounds like you're
investigating the home. Oh, no, no.

It's just that two of the victims
have connections with the home.

One was a member of staff
and one was Councillor Goss.

I believe the police came
to see you after Henry Goss died?

Yes, they did. And they've been to
see you after Harry Valentine died?

Yes, they did. But as I said,
he worked at the home.

It was all fully investigated
at the time.

What was the purpose
of that last meeting you had
with Councillor Goss?

I told you, it was in his
capacity as chairman
of the Visiting Committee.

Well, forgive me if I'm wrong,
but hadn't the home closed
three years previously?

Yes, he was trying to trace
the whereabouts of the boys
in order to put together a report.

A report? For a funding application
to try to reopen.

Ah.

Well, thank you for your help.
Any time.

I'll bear that in mind in case I
want to ask you some more questions.

What now?

I've got a message for you. Post it.

Listen James, you can't just come
out and ignore the world.

What's that? It's a gift.

I don't want anything from you.

It's not from me. I don't want any
of his money either.

Take it,
if you know what's good for you.

'So, how is he doing?'

I don't know. I'm just trying
to find his friends and family.

Why? Well, we're still trying to
close the murders he confessed to.

But you know he didn't do it,
don't you?

Hopefully we'll be able to prove
that and catch whoever did it.

OK. Well, as far as family are
concerned, I think you might be out
of luck. Um...he grew up in a home.

He was put in when he was five.

Hickley Children's Home.

Did he have any friends?

There was one person who sent him
a Christmas card every year.

I have it here.

Alan Pierce. Alan Pierce...

D'you have an address? Yep.

This was the return address
on the envelopes.

Thanks.

Do you have his parents' address?

They don't want that given out.
This is a police investigation.

They have to speak to us
whether they like it or not.

So...I have no option
but to give it to you, then?

No.

Um...we're looking for Mrs Jenson.

I'm Detective Superintendent Boyd.

And I'm Dr Foley.

I'm Mrs Jenson.

We'd like to talk to you
about your son.

We don't have a son.

Ah, then we'd like to talk to you
about the son you don't have. May we?

Oh, yes. Come in.

It was my fault, I wanted a child.

So, you adopted James? Yes.

How old? Two months.

He wasn't right.

Sorry? He wasn't right,

I could see that in him.

What could you see?

Well, for example, we...we...

we couldn't train him to sleep.

Every night was a battle
of the bedroom door.

He needed more than we could give...

He was coming between us.

Children are demanding. Yes, but

constantly wanting
to be picked up...

Yes. On the lap...

always hugging.

You don't think children should hug?
I don't know.

Mrs Jenson, do you?
Well... I...

Well, it's different
for a woman, isn't it?

She was vulnerable to him and he
knew how to take advantage of her.

He was draining her. So...
So you gave him back?

Yes.

I'm not sure that it was right, but
he might have decided to kill us.

Oh, God. Excuse me.

I'm very sorry.
DOOR CLOSES

Just because they couldn't hack it
as parents

doesn't mean they're bad people.
I didn't say anything
about them being bad people.

I don't want to have this
conversation, all right? OK.

ENGINE STARTS

Welcome. Hello, Doctor.

Hello, James. Go in with Dr Rivelli,
it's just for a look round.

I'll wait right here.

Come along.

Go in and have a look round, James!

James, come along!

Mum! Come along.
James, no messing now. James...

Mum!

Go with Dr Rivelli.

If we're going to get along, you've
got to behave a lot better than
this, young man! Come on!

Lift up your feet James, come on!

Mum!

Mum!

Mum!

Mum!

Mum!

BIRDSONG

DOOR OPENS

What are you doing under there?

Hiding.
My name's Sophie. What's your name?

James. Daddy says you're one
of the naughty rabbits.

Yeah.

DOOR OPENS

Shhhhh!

Come on, it's OK.

He's Alan.
He's a naughty rabbit too.

If Alan Pierce came back drunk one
night he wouldn't know

which flat to go in, would he,
they're all the same.

No.
Well, it's this one here. I'm sober.

Oh, good. Mind the step.

Thank you.

I believe you're friends
with James Jenson?

Yeah, I've known him
most of my life...

but it's hard to know
if we're friends though.

Well, you sent him a Christmas card
each year that he was inside. Yeah.

Well, he means something to you then?

I was one of the lucky
ones in the home, you know.

The Hickley Children's Home?
Yeah, just up the road there.

It's closed now,
it's good riddance, innit?

Like, I never had no family,
so what you don't have,
you don't miss, yeah?

But James,

he had it rough.

He come in when he was about
four or five.

So I sort of looked
after him, you know.
Like, I never had no brothers, so...

So you must have
known Dr Bruno Rivelli?

Yeah, he was the governor,

although I don't think
he was a real doctor or nothing.

What was he like?

Firm.
Strict? Yeah, he used the cane.

Well, I mean, that's the way
it was then. It's not like now.

What about Harry Valentine?

Well, Bruno, yeah?

Well, he'd never hit you himself -
he'd get Valentine to do it.

Well, he enjoyed doing it,
you know what I'm saying?

Yes.

Who do you think killed Valentine?

I dunno.

But I wish it had been me, you know?

Liked to take the cane
to him and that...

beat him till there's
nothing left of him, you know?

OK, thanks. What's up with James
then, he's not in any trouble,
is he?

No, no, well we don't know.

If you see him, tell him you was
talking to me. I've got extra room
if he needs it.

Oh, right, good.
Thank you, I'll do that.

Thanks, look after yourself.
Yeah, I will, cheers. Bye.

Hurry up! Halfwit!

Hey!

I'm talking to you.

Halfwit!

Leave him alone, Rivelli.

Leave me alone.
Ricki, what are you doing?

What's it to you, Pierce?

He's done nothing to you.

Your boyfriend?

HE SHOUTS

Let him go! What are you doing?!

Put him down. Put him down! Let go!

What's going on? It's all right.

Ricardo, are you hurt?
I'm OK, Mr Valentine.

HE COUGHS

You - come with me.
Stay where you are.

You keep out of this, Wall!

Just leave it, Wall.

I'm all right, yeah? Don't bother.

HE COUGHS

What's your problem? Don't fancy it?

Well?

No problem.

Good.

I want to see Harris Wall.

Do you have an appointment?
James? What are you doing here?

Tell Wall I don't want his money.

Whoa, OK... James... Take it!

One punch - sparked him out cold.

He didn't go crazy? One clinical hit?
That was it. Where was this?

A development site,
but I'll get to that.

I followed him to work this morning,
where he was approached

by a guy in a sharp suit who handed
him a wad of cash in an envelope.

So anyway, Jenson takes a trip to
this development site, is blocked

by the security guard, clumps him,
throws the money at Mr Sharpsuit,
who turns out to be... Who?

Ricardo Rivelli.

Bruno Rivelli's... son?
Son. Yeah.

Now he's the project director
of Harris Wall Developments.
Ah, so this is the development...

Yeah. Now, Harris Wall
is a major building contractor
and a local councillor.

With a social conscience -
that's unusual, a developer
with a social conscience.

Local boy made good, who also grew
up in the Hickley Children's Home.

Same time as James Jenson.

I'm coming.
What an addict!

Someone didn't have a key!
Yeah.

Hello?

Rats' piss... Right.

I'll go up. Yeah. I'll go...

along...

here.

DIALS PHONE

Harris? Yes, I'll be back
at the Institute in a second.

I'm on my way.

They'd have put them up here
if they were sick.

It's probably the same floor polish
throughout the house.

There's something about this room...

It's at the top of the house,
it's isolated.

You could scream your lungs out
up here and no-one would hear you...

See you down there. Yeah, see you.

Don't leave without me.

Whoooooooo!

I'm coming. Hang on!

I do apologise, I really do -
he was called

into an emergency meeting and he'll
call you as soon as he gets out.

Absolutely. I'll get him to call you
as soon as he gets out.
It should be about 15, 20 minutes.

HE WHISPERS

What did you say to him?

Nothing. I just gave him the money
like you said. Thing is, we've got
to do something about it.

What do you think, Harris?

Well, I could go round, talk to him.
Let Harris speak.

Sorry. I don't want anyone else
trying to go near him. But you can't
just leave him out there on his own!

I'll be the judge of what
I can and can't do, OK?

Listen to Harris, he knows
what he's talking about.

Sorry. OK. You're right.
That's settled then?
You'll look after him?

So what would Jenson do if he knew

that he was being betrayed,
that he was being framed, set up?

Well, I think he'd be devastated.

I think he'd probably challenge
the person or confront the person.

Don't you think he has a right to
know though? Don't you think Jenson

has a right, a basic human right
to know that he's being betrayed?

Hm?

What are you saying?

Are you comfortable?

Do you feel all right in this room?

Yes.

That's very good.

I'm sorry to have to drag you, er...

back in here, James.

Do you mind if I call you James? I
can call you Mr Jenson if you prefer?

James it is then. Um...

it's just that I didn't tell you
the whole story last time.

I feel bad about that. Um...

you see, James...

..I think you're being set up.

Remember these wallets? These
must be familiar to you because
you said in your signed statement

that you took them from
the dead bodies, yeah?
Frank Reilly's wallet...

Harry Valentine...

Henry Goss...

Now these three wallets were sent to
Mrs Goss, Henry's widow, two days
after you came out of prison.

Two days after you got out of prison.
Do you see the significance in that?

Do you? I mean, you come out into
the big wide world and suddenly the
whole thing becomes active again.

So it looks like you

sent the wallets,
and you did the killings.

Now, I don't think that
you are the killer.

I think you know who the killer is...

but I don't think it's you,
all right?

Are you with me?

Do you have any idea
what I'm talking about?

Now, this is difficult, huh?

I mean...

Right. So...

I want you to tell me who this person
is, because they've betrayed you.

They want you...back in prison.

They don't like you,
so they've betrayed you.

They want everybody in the whole
wide world to think that you...

HE SIGHS

Can you tell me the name
of the killer?

OK. Go.

Spence? Take him now.

You're free to go. Out you go, James.

Come on, James.

I'm not comfortable with this.
I know.

I hope you're aware of
what you've just done.

Yeah, I've just followed Jenson
down to the marina.

Some big posh do.

Stay out of the way. Because they
know you! Don't be an idiot!

Stella, come on, lunch over. Grace...

Where are we going?

You're French, right?
Rich and not a bitch.

That's two out of three. Grace!
OK!

HE WHISTLES

Charming!

I hope you're ready
to take responsibility
for what might happen here.

Yes, I am, I am.

BUZZ OF CONVERSATION

Ladies and gentlemen,
can I get your attention please?

Thank you all for coming...

..Allow me to introduce
to you the visionary behind

the Newlands Development Scheme -
Councillor Harris Wall.

APPLAUSE

Thank you!

Who's paying for all
this food and drink?!

Now before I start,
anyone who's not here to make
lots of money, please leave.

Good.

Now, normally when I tell my
investors that I'm gonna take their

money and sink it into community
housing development schemes,
they usually wanna call security.

When I tell them who my partners
are, they actually do call security!

Now I would like you to meet
my partners. Guys, come on down!

Here they are.

Now don't worry,
they're not gonna rob you.

Come on down.

There we are.
Now, I'm not gonna introduce them
all, but between the ten of them,

they've committed over
a thousand petty crimes.

But for the past year
they have been working to create

this wonderful complex, earning
a living, paying tax, contributing.

Why?

Ownership.

They will be be living in
the houses that they are building.

So they... OK, Jenson's on his way
over and Spencer can see him. Got it.

Now the "shut out" policy
that a lot of people are
trying to advance, won't work.

Gated communities, won't work.

The only thing stopping us
is fear...

It was you!

You set me up, Ricardo!

James?

Sophie? What's going on?

He stopped...

Come with me.

I didn't destabilise him, did I?

He didn't turn into some
violent attacking monster.
No, you did destabilise him.

If he's so psychotic, where did he
get all this self-control from?

It's not necessarily
about self-control.

You told him something that might
have made him kill. She's told him
something that stopped him!

You're telling me something....
..I've seen her before.
She was at the Rivelli Institute.

Where have you been
since you were released?

Why haven't you been to see me?

I tried.

When?
Earlier.

You weren't there.

But...
I was in your dad's office.

Listen to me, James.

It's going to be all right, yes?

Yeah. I'm a bit busy now, but
we'll have a good talk later, OK?

Yeah.

Stella? 'Yes?' Who is the woman?

'I'm not sure.'

Well, I wanna know who the woman...

'I can't hear you.'
I wanna know who the woman is!

'The woman?' Yes, and bring
Ricardo Rivelli in right now.

All right, geezer?
Why are you with Ricardo?

You hate him. I'm not with him.

I saw you with him.
No, no, I'm working for Wall.

Doing what? Driving him.

Right.

Is Sophie coming back?

Yeah, well she wants to
see you later, in private.

Hey, you getting happy now?

Are you going to tell me
what all this is about?

Yeah, did you know a man
called Harry Valentine? Who?

He was a member of staff at the
children's home that your father ran.

Don't remember him, why? He was
murdered in 1979, and we've found
new DNA evidence on his clothing

which could rule out anyone who
may have had contact with him.

Well, I wouldn't know him.
I had nothing to do with the home.

Well, it shouldn't take long
to cross-reference
and rule you out then.

Yeah.

Thank you very much.

I'll take you over.

Thank you. What are you doing?
We don't have any foreign DNA.

He doesn't know that, does he?

I got the results on
the floor polish at the home.

It's a match with
the victims' clothing. All three?

All three connected to the home.

So I'm not actually charged
with anything? No.
Do you know James Jenson?

You know I do. Alan Pierce?

Yes. How do you know Alan Pierce?

Same way I know Jenson. They went to
the children's home my father ran.

We see each other about.
I thought you said you had nothing

to do with the children's home?
Not the staff.
I used to knock about with the kids.

The woman who stopped James Jenson
from beating you up. Who was she?

Why d'you want to know that?
It's in my nature.

Sophie.

Sophie? Wall. Sophie Wall.

Married? Yes. Who?

Harris...Wall.

How long have you known her? Forever.

She's my sister.

Yeah, I've got cable...

I've got all the sports channels,
24 hour non-stop, it's paradise.

Yeah? Hey, come round when the
football's on. Don't like football.

Well, wrestling then?
I've got WW and that?

Oh, you like that?

You could have been a pro
at that for real, man. Yeah.

There you are, Sophie's over there.

You not coming?

It's you she wants to see, man.

I'm all right, I've got company!
I'll wait. You take care, yeah?

CAR DOOR OPENS

CAR DOOR CLOSES

MORE CAR DOORS CLOSE

Help!

Hey, police!

JAMES SCREAMS
Leave it!

Jenson!

CAR ALARM BLARES

Jenson!

CAR ALARM CONTINUES

Boyd, get to Alan Pierce's
flat fast! Now!

James, I didn't know, listen to me!
I didn't know!

Lying!

It was Ricardo, it was his idea.
He told me to take you there
and meet Sophie.

Always lying to me!

James, mate,
you're having a laugh, ain't ya?

Don't do that please!
Don't do that...

Don't look at me...

Don't look at me!

ALAN SCREAMS