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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,367 --> 00:00:05,527 - THIS SEASON ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,533 --> 00:00:06,703 - YOU WANT TO RACE? 3 00:00:06,700 --> 00:00:08,530 - WHOOP. AAH! 4 00:00:08,533 --> 00:00:10,373 [crowd cheers] - LISA! 5 00:00:10,367 --> 00:00:11,997 [cheers and applause] 6 00:00:12,000 --> 00:00:13,030 - AAH! 7 00:00:13,033 --> 00:00:14,533 - CAN WE CATCH A RIDE? 8 00:00:14,533 --> 00:00:16,433 - WELCOME TO AMSTERDAM. WHOO! 9 00:00:16,433 --> 00:00:17,433 - [laughs] 10 00:00:17,433 --> 00:00:19,433 - CAN WE JUST GO IN ALREADY? 11 00:00:19,433 --> 00:00:20,773 - IT'S REALLY IMPORTANT TO ME 12 00:00:20,767 --> 00:00:23,197 PORTIA DOESN'T BECOME A SPOILED BRAT. 13 00:00:23,200 --> 00:00:24,300 - MWAH. 14 00:00:24,300 --> 00:00:27,130 - HAPPY BIRTHDAY! HAPPY BIRTHDAY! 15 00:00:27,133 --> 00:00:29,303 - I'LL DO ANYTHING TO MAKE A BUCK. 16 00:00:29,300 --> 00:00:31,300 I DON'T SAY NO VERY MUCH. I SAY YES. 17 00:00:31,300 --> 00:00:33,130 - HOW WOULD HE EVER KNOW THIS IS US? 18 00:00:33,133 --> 00:00:37,073 - KIM IS ABSOLUTELY NUTBALL CRAZY. 19 00:00:37,066 --> 00:00:38,366 - [bleep] YOU. 20 00:00:38,367 --> 00:00:40,297 - WHAT DID YOU SAY? - I-I DIDN'T SAY ANYTHING. 21 00:00:40,300 --> 00:00:41,700 - WHOO! 22 00:00:41,700 --> 00:00:44,370 - THE FIRST TIME I MET EILEEN ON YOUNG AND THE RESTLESS, 23 00:00:44,367 --> 00:00:47,067 TO ME, IT WAS LIKE, "OH, MY GOD, THERE'S ASHLEY." 24 00:00:47,066 --> 00:00:48,396 - DID YOU KILL ANYONE? 25 00:00:48,400 --> 00:00:49,600 - NOT YET. BEING AN ACTOR, 26 00:00:49,600 --> 00:00:51,230 PEOPLE ASSUME THAT YOU LOVE TO HAVE 27 00:00:51,233 --> 00:00:53,203 THE ATTENTION FOCUSED ON YOU. 28 00:00:53,200 --> 00:00:55,770 PLEASE PAY ATTENTION TO ME! DON'T PAY ATTENTION TO ME! 29 00:00:55,767 --> 00:00:57,167 PLEASE PAY ATTENTION TO ME! 30 00:00:57,166 --> 00:00:58,326 - YOLANDA? 31 00:00:58,333 --> 00:00:59,703 - I KNEW SOMETHING WAS WRONG. 32 00:00:59,700 --> 00:01:01,200 IT JUST THREW ME OFF. 33 00:01:01,200 --> 00:01:02,670 - IT WAS A TRAGIC MISTAKE. 34 00:01:02,667 --> 00:01:05,667 - IT'S JUST FEAR THAT I HAVE TO DEAL WITH. 35 00:01:05,667 --> 00:01:08,067 - EVERYONE IS ENABLING AN ADDICT. 36 00:01:08,066 --> 00:01:09,366 - I'M NOT GONNA KISS YOUR ASS. 37 00:01:09,367 --> 00:01:11,427 - OH, ARE YOU WITH KYLE? 38 00:01:11,433 --> 00:01:12,703 I REALLY DON'T THINK IT'S ANYBODY'S [bleep] BUSINESS, 39 00:01:12,700 --> 00:01:13,730 TO BE HONEST. 40 00:01:13,734 --> 00:01:15,704 YOU ARE FEELING HOW I FELT LAST YEAR. 41 00:01:15,700 --> 00:01:16,730 I-I'M NOT--I'M-- 42 00:01:16,734 --> 00:01:18,074 - THIS IS NOT ABOUT YOU RIGHT NOW, LISA! 43 00:01:19,066 --> 00:01:20,266 - WHY WOULD ANYBODY DO THAT? 44 00:01:20,266 --> 00:01:21,466 IT'S SO RUDE. 45 00:01:21,467 --> 00:01:23,767 IT FELT LIKE A VIOLATION, WHICH WAS SUPER CREEPY. 46 00:01:23,767 --> 00:01:26,227 - SHE SLEEPS AROUND AND TRIES TO STEAL MEN. 47 00:01:26,233 --> 00:01:28,273 - DON'T [bleep] CALL ME A HOME WRECKER. 48 00:01:28,266 --> 00:01:29,696 OH! 49 00:01:29,700 --> 00:01:31,670 - YOU [bleep]... - WOW, REALLY? 50 00:01:31,667 --> 00:01:32,727 - [bleep] DO THAT. 51 00:01:32,734 --> 00:01:34,274 - DO YOU EVER TAKE RESPONSIBILITY 52 00:01:34,266 --> 00:01:35,626 FOR ANY OF YOUR ACTIONS? 53 00:01:35,633 --> 00:01:37,373 - DON'T YOU [bleep]-- - [bleep] YOU! 54 00:01:37,367 --> 00:01:39,027 - DON'T YOU EVER GO AFTER MY [bleep] HUSBAND! 55 00:01:39,033 --> 00:01:40,373 [overlapping shouts] 56 00:01:42,166 --> 00:01:43,696 ♪♪ ♪♪ 57 00:01:43,700 --> 00:01:45,370 - THROW ME TO THE WOLVES 58 00:01:45,367 --> 00:01:48,727 AND I SHALL RETURN LEADING THE PACK. 59 00:01:48,734 --> 00:01:50,374 - CHARACTER ISN'T WHAT YOU HAVE. 60 00:01:50,367 --> 00:01:52,767 IT'S WHO YOU ARE. 61 00:01:52,767 --> 00:01:54,667 - YOU'VE HEARD A LOT ABOUT ME, 62 00:01:54,667 --> 00:01:59,067 BUT IT'S ONLY TRUE WHEN IT COMES FROM MY LIPS. 63 00:01:59,066 --> 00:02:00,266 - I'M NOT A BITCH, 64 00:02:00,266 --> 00:02:02,996 BUT I'VE PLAYED ONE ON TV. 65 00:02:03,000 --> 00:02:05,400 - I'VE BEEN RICH AND I'VE BEEN FAMOUS, 66 00:02:05,400 --> 00:02:08,700 BUT HAPPINESS BEATS THEM BOTH. 67 00:02:08,700 --> 00:02:10,630 - I'D RATHER SPEND MY LIFE KICKING ASS 68 00:02:10,633 --> 00:02:13,173 THAN KISSING IT. 69 00:02:13,166 --> 00:02:15,296 - PLANES AND YACHTS ARE NICE, 70 00:02:15,300 --> 00:02:17,570 BUT MY HAPPINESS STARTS AT HOME. 71 00:02:27,166 --> 00:02:28,996 - IT'S SORT OF A DISCO CIRQUE PARTY 72 00:02:29,000 --> 00:02:31,530 WITH WHAT WE HAVE, RIGHT, WITH THE DISCO NINJAS? 73 00:02:31,533 --> 00:02:32,733 - YEAH. 74 00:02:34,600 --> 00:02:36,200 - THEY'RE MAKING A BAR FOR YOU 75 00:02:36,200 --> 00:02:38,330 THAT'S TUFTED, THAT'S-- THE WHITE AND SILVER. 76 00:02:38,333 --> 00:02:39,373 - NICE. - TUFTED. 77 00:02:39,367 --> 00:02:40,567 - OKAY. - THAT GLOWS, 78 00:02:40,567 --> 00:02:41,997 IF YOU WANT IT TO GLOW. 79 00:02:42,000 --> 00:02:43,430 - I WANT IT TO GLOW. I'M ALL ABOUT THE GLOWING. 80 00:02:43,433 --> 00:02:44,573 - YEAH. - I KNOW YOU ARE. 81 00:02:44,567 --> 00:02:45,667 - OKAY. - NOW, LET'S TALK ABOUT-- 82 00:02:45,667 --> 00:02:46,767 YOU WANT TO TALK ABOUT WHAT WE SORT OF FEEL 83 00:02:46,767 --> 00:02:48,197 THE WAY IT SHOULD BE? 84 00:02:48,200 --> 00:02:49,230 'CAUSE I WANT TO--I HAVE-- - SHOULD WE GO OUTSIDE? 85 00:02:49,233 --> 00:02:50,273 - I HAVE SUCH A GREAT 86 00:02:50,266 --> 00:02:51,696 IDEA FOR YOU. - OKAY. 87 00:02:51,700 --> 00:02:56,030 THE WHITE PARTY HAS GROWN AND BECOME SUCH A BIG PARTY. 88 00:02:56,033 --> 00:02:58,703 I MEAN, EVERY YEAR I FEEL LIKE I WANT IT TO GET BETTER 89 00:02:58,700 --> 00:03:00,030 AND BETTER AND BETTER. 90 00:03:00,033 --> 00:03:03,403 AND IT PUTS A LOT OF PRESSURE ON ME. 91 00:03:03,400 --> 00:03:05,170 - WE'RE GONNA DO THE DANCE FLOOR ON THIS SIDE. 92 00:03:05,166 --> 00:03:08,066 WE'RE GONNA HAVE THE TENT--IT'S GONNA BE SWAGGED GORGEOUSLY. 93 00:03:08,066 --> 00:03:09,326 - RIGHT. - IT'S GONNA LOOK BEAUTIFUL. 94 00:03:09,333 --> 00:03:11,303 THE LOUNGES AND THE BOOTHS THAT WE'RE GETTING... 95 00:03:11,300 --> 00:03:13,070 - OKAY. - AROUND HERE. 96 00:03:13,066 --> 00:03:15,026 - WHAT ABOUT THOSE PLATFORMS FOR THE DANCERS? 97 00:03:15,033 --> 00:03:17,103 MAYBE TWO ON EACH SIDE OF THE DANCE FLOOR? 98 00:03:17,100 --> 00:03:18,300 - OH, OKAY. 99 00:03:18,300 --> 00:03:21,130 ONE OF OUR CIRQUE PERFORMERS IS A SNAKE-CHARMER. 100 00:03:21,133 --> 00:03:22,673 - NO, I'M NOT HAVING ANYTHING TO DO WITH A SNAKE. 101 00:03:22,667 --> 00:03:24,197 THERE'S NO WAY. 102 00:03:24,200 --> 00:03:27,200 THE BUDGET FOR THE WHITE PARTY HAS PRETTY MUCH QUADRUPLED. 103 00:03:27,200 --> 00:03:30,470 SO MY LITTLE DO-IT-MYSELF PARTY THAT I DID WITH MY FRIENDS 104 00:03:30,467 --> 00:03:32,497 HAS NOW TURNED INTO THIS BEVERLY HILLS 105 00:03:32,500 --> 00:03:36,400 EVENT OF THE YEAR PARTY THAT EVERYBODY WANTS TO COME TO. 106 00:03:36,400 --> 00:03:39,270 I NEED SOME ADVICE REALLY QUICKLY. 107 00:03:39,266 --> 00:03:42,166 SO THE WHITE PARTY NEEDS A THEME OTHER THAN WHITE. 108 00:03:42,166 --> 00:03:43,266 WHAT SHOULD WE DO? - HOW COOL WOULD IT BE 109 00:03:43,266 --> 00:03:44,596 IF, LIKE, WE DID, LIKE, A WHITE CIRCUS, 110 00:03:44,600 --> 00:03:46,370 WHERE, LIKE, WE HAVE A BUNCH OF PEOPLE, LIKE, 111 00:03:46,367 --> 00:03:49,127 FLAME-THROWERS, LIKE, DRESSED IN ALL, LIKE, BEADED WHITE, 112 00:03:49,133 --> 00:03:50,273 AND, LIKE, WHITE HORSES? 113 00:03:50,266 --> 00:03:51,726 - LIKE A CIRQUE DU SOLEIL? 114 00:03:51,734 --> 00:03:54,604 MY KIDS ARE ALL DOING FANTASTIC. 115 00:03:54,600 --> 00:03:57,600 PORTIA IS AS FEISTY AS EVER. 116 00:03:57,600 --> 00:04:00,530 - LET'S GET A WHITE FERRIS WHEEL. 117 00:04:00,533 --> 00:04:03,503 - I'M JUST SAYING. - A WHITE FERRIS WHEEL! 118 00:04:03,500 --> 00:04:06,130 SOPHIA IS NOW 5'9" 119 00:04:06,133 --> 00:04:08,603 AND GOING INTO HIGH SCHOOL FOR HER FIRST YEAR. 120 00:04:08,600 --> 00:04:12,100 AND ALEXIA IS GOING OFF TO COLLEGE, 121 00:04:12,100 --> 00:04:14,130 WHICH IS REALLY SCARY. 122 00:04:14,133 --> 00:04:17,503 FARRAH IS KILLING IT IN REAL ESTATE AT THE AGENCY, 123 00:04:17,500 --> 00:04:19,570 AND I COULDN'T BE MORE PROUD. 124 00:04:19,567 --> 00:04:20,697 WE'RE JUST GOING OVER EVERYTHING. 125 00:04:20,700 --> 00:04:22,700 I'LL GIVE YOU THE WHOLE RECAP LATER. 126 00:04:22,700 --> 00:04:23,770 - SURE. - OVER THE WHITE PARTY, 127 00:04:23,767 --> 00:04:24,767 EVERYTHING. 128 00:04:24,767 --> 00:04:26,567 I'M SO PROUD OF MAURICIO. 129 00:04:26,567 --> 00:04:28,527 THE AGENCY'S JUST BLOWN UP. 130 00:04:28,533 --> 00:04:32,673 WE HAD TO MOVE OFFICES. HE'S OPENING EVERYWHERE. 131 00:04:32,667 --> 00:04:35,527 HE'S NOW NUMBER-ONE BROKER IN CALIFORNIA 132 00:04:35,533 --> 00:04:38,733 AND NUMBER, I THINK, SIX IN THE NATION. 133 00:04:38,734 --> 00:04:40,374 - DO YOU WANT TO GO OVER THIS GUEST LIST? 134 00:04:40,367 --> 00:04:41,367 - YEAH, THERE'S A COUPLE PEOPLE ON THERE THAT I DON'T KNOW 135 00:04:41,367 --> 00:04:42,627 HOW THEY GOT ON THERE, BY THE WAY. 136 00:04:42,633 --> 00:04:45,633 - WELL, CAN WE DO IT NOW BEFORE THEY OPEN THEM? 137 00:04:45,633 --> 00:04:49,573 ALI AND ALEJANDRO HAVE RSVP'D. 138 00:04:49,567 --> 00:04:51,267 WE HAVE TAYLOR COMING. 139 00:04:51,266 --> 00:04:52,696 - TAYLOR AND JOHN. - TAYLOR AND JOHN. 140 00:04:52,700 --> 00:04:56,730 BLAIR CHANG, BRANDI, BRENDAN AND MORGAN... 141 00:04:56,734 --> 00:04:58,004 - WHO-- - BROOKE DAVENPORT. 142 00:04:58,000 --> 00:05:00,000 - HAS LISA VANDERPUMP RSVP'D YET? 143 00:05:00,000 --> 00:05:01,270 - NO. 144 00:05:01,266 --> 00:05:04,466 - LISA AND I HAVE NOT SEEN EACH OTHER IN A LONG TIME. 145 00:05:04,467 --> 00:05:09,267 LAST TIME WE SPOKE, WE DID NOT LEAVE OFF IN THE BEST PLACE. 146 00:05:09,266 --> 00:05:10,496 - DON'T HURL LIES. 147 00:05:10,500 --> 00:05:12,270 - AT LEAST ADMIT ONE THING YOU'VE DONE WRONG. 148 00:05:12,266 --> 00:05:14,226 - KYLE, I WAS-- - CAN YOU NOT SAY ONE THING? 149 00:05:15,633 --> 00:05:18,573 WE WERE BOTH HURT BY EACH OTHER, BUT I THINK THAT 150 00:05:18,567 --> 00:05:21,067 IF YOU'VE HAD A FRIENDSHIP WITH SOMEONE 151 00:05:21,066 --> 00:05:23,626 AND YOU CARED ABOUT THEM ENOUGH, IT'S WORTH FIXING. 152 00:05:23,633 --> 00:05:26,203 I ALSO DID NOT PUT ADRIENNE AND PAUL. 153 00:05:26,200 --> 00:05:28,270 - [laughs] - THAT WAS YOUR BAD. 154 00:05:28,266 --> 00:05:30,026 - I CORRECTED IT. I CORRECTED IT. 155 00:05:30,033 --> 00:05:31,303 COULD YOU IMAGINE? - HOW DO YOU KNOW 156 00:05:31,300 --> 00:05:32,700 SHE DIDN'T SEE THAT? - BECAUSE IT ONLY SAYS 157 00:05:32,700 --> 00:05:34,070 "SENT" AND "NOT OPEN." 158 00:05:34,066 --> 00:05:35,326 - THAT'S EMBARRASSING. - [sighs] 159 00:05:45,000 --> 00:05:46,300 - YOLANDA? 160 00:05:47,433 --> 00:05:49,373 IT TOOK ME SO LONG TO GET HERE. 161 00:05:49,367 --> 00:05:50,527 - JEEZ, HOW ARE YOU? - I KNOW. 162 00:05:50,533 --> 00:05:52,033 THAT'S WHY I NEVER COME TO TOWN. 163 00:05:52,033 --> 00:05:53,303 - I KNOW. - THAT'S WHY I'M STUCK 164 00:05:53,300 --> 00:05:54,530 ON THE MOUNTAIN HERE. 165 00:05:54,533 --> 00:05:55,573 - OH. IT'S BEAUTIFUL. 166 00:05:55,567 --> 00:05:57,167 - HOW ARE YOU? - THERE'S A BETTER-- 167 00:05:57,166 --> 00:05:59,026 I MEAN, THERE'S NO BETTER PLACE FOR YOUR STUFF, BUT-- 168 00:05:59,033 --> 00:06:01,103 - YEAH. - ARE WE HIKING? 169 00:06:01,100 --> 00:06:03,230 - WELL, LET'S GO TO THE BEACH. IT'S SUCH A BEAUTIFUL DAY. 170 00:06:03,233 --> 00:06:05,173 ALL RIGHT, LET'S GO. 171 00:06:05,166 --> 00:06:06,426 MY LOVE. 172 00:06:06,433 --> 00:06:07,573 - HI, HONEY. 173 00:06:07,567 --> 00:06:09,027 - HOW ARE YOU? - I'M GOOD, HOW ARE YOU? 174 00:06:09,033 --> 00:06:10,173 - GOOD. WHERE YOU GUYS GOING? 175 00:06:10,166 --> 00:06:11,696 - WE'RE GONNA GO FOR A WALK ON THE BEACH. 176 00:06:11,700 --> 00:06:13,070 WHAT ARE YOU DOING? 177 00:06:13,066 --> 00:06:14,226 - WE'RE WORKING ON THE PLAY. 178 00:06:14,233 --> 00:06:15,473 - WHAT ARE YOU--WELL, CAN WE HEAR A LITTLE? 179 00:06:15,467 --> 00:06:16,467 - NO. - JUST A LITTLE. 180 00:06:16,467 --> 00:06:17,727 - [laughs] - ONE NOTE. 181 00:06:17,734 --> 00:06:20,634 - WELL, I WAS JUST ABOUT TO EXPLAIN TO THEM ABOUT-- 182 00:06:20,633 --> 00:06:23,533 [upbeat piano music] 183 00:06:23,533 --> 00:06:25,033 - [laughs] 184 00:06:25,033 --> 00:06:27,073 ♪♪ ♪♪ 185 00:06:27,066 --> 00:06:31,396 WE GOT A JOB ON BROADWAY! 186 00:06:31,400 --> 00:06:33,270 - RIGHT? - YOU DO BETTER THAN ME. 187 00:06:33,266 --> 00:06:35,666 ♪♪ ♪♪ 188 00:06:35,667 --> 00:06:39,627 DAVID AND I ARE MOVING TO A NEW CHAPTER OF LIFE. 189 00:06:39,633 --> 00:06:41,173 - IT'S AMAZING. - GOOD. 190 00:06:41,166 --> 00:06:42,196 - WE'RE WORKING. - SOLD. 191 00:06:42,200 --> 00:06:43,230 - ALL RIGHT. - SOLD. 192 00:06:43,233 --> 00:06:44,633 - GIGI'S BEEN IN COLLEGE FOR A YEAR, 193 00:06:44,633 --> 00:06:47,633 BELLA'S LEAVING, YOU KNOW, THIS AUGUST, 194 00:06:47,633 --> 00:06:51,603 AND IT'LL JUST BE DAVID AND I AND ANWAR, SO... 195 00:06:51,600 --> 00:06:53,370 LIFE IS CHANGING. 196 00:06:53,367 --> 00:06:55,067 - ALL RIGHT. 197 00:06:55,066 --> 00:06:56,466 - LOVE YOU. BYE, GUYS. - BYE, GUYS. 198 00:06:56,467 --> 00:06:58,027 YOLANDA AND I ARE GREAT. 199 00:06:58,033 --> 00:07:00,403 SHE'S INSPIRATIONAL TO EVERYONE AROUND HER. 200 00:07:00,400 --> 00:07:02,330 SHE'S THE BEST MOM, SHE'S THE BEST WIFE, 201 00:07:02,333 --> 00:07:05,633 SHE'S BATTLING THIS, YOU KNOW, LIFE-THREATENING ILLNESS, 202 00:07:05,633 --> 00:07:07,233 AND SHE'S STILL, LIKE, 203 00:07:07,233 --> 00:07:09,433 DOING EVERYTHING BETTER THAN MOST PEOPLE DO ANYTHING. 204 00:07:15,166 --> 00:07:16,296 - OH, MY GOD. - THAT'S CUTE. 205 00:07:16,300 --> 00:07:18,100 - WHAT ARE THESE PEOPLE DOING ON MY PROPERTY? 206 00:07:18,100 --> 00:07:19,230 - ARE THEY-- IS THIS YOUR PROPERTY? 207 00:07:19,233 --> 00:07:21,603 - YEAH. [laughs] 208 00:07:21,600 --> 00:07:23,530 THAT IS SO FUNNY. 209 00:07:23,533 --> 00:07:25,633 SOMEBODY MOVED IN. 210 00:07:25,633 --> 00:07:27,203 HI. 211 00:07:27,200 --> 00:07:28,300 - HOW YOU DOING? 212 00:07:28,300 --> 00:07:29,370 - GOOD. 213 00:07:29,367 --> 00:07:31,427 DO YOU KNOW THAT THIS IS OUR PROPERTY? 214 00:07:31,433 --> 00:07:33,203 - THIS IS? - YEAH. 215 00:07:33,200 --> 00:07:35,100 - OKAY, NO. I DIDN'T KNOW. 216 00:07:35,100 --> 00:07:36,330 - [laughs] 217 00:07:36,333 --> 00:07:38,403 IT'S CUTE, THOUGH. YOU HAVE BEAUTIFUL STUFF. 218 00:07:38,400 --> 00:07:40,300 - THANK YOU. - IT'S NICE. 219 00:07:40,300 --> 00:07:41,670 - MAYBE HOW LONG ARE THEY GONNA BE HERE. 220 00:07:41,667 --> 00:07:43,227 - WELL, AS LONG AS YOU'RE NOT GONNA BE HERE EVERY DAY... 221 00:07:43,233 --> 00:07:44,573 - NO. - IT'S OKAY. 222 00:07:44,567 --> 00:07:47,027 HAVE A GOOD DAY, AND I HOPE YOU HAVE A LOT OF BUSINESS. 223 00:07:47,033 --> 00:07:49,173 - ALL RIGHT. - OKAY, SEE YOU, BYE. 224 00:07:49,166 --> 00:07:50,996 THE PROPERTY IS 4 1/2 ACRES. 225 00:07:51,000 --> 00:07:52,130 YOU KNOW, THAT'S A LOT OF LAND. 226 00:07:52,133 --> 00:07:54,033 SO I DON'T REALLY KNOW WHAT GOES ON 227 00:07:54,033 --> 00:07:56,533 ON THE BOTTOM OF THE PROPERTY OR ON THE TOP. 228 00:08:02,600 --> 00:08:05,400 - OH, IT FEELS REALLY GOOD. - YAY! 229 00:08:05,400 --> 00:08:07,330 THE BEACH! 230 00:08:07,333 --> 00:08:08,433 ISN'T IT GREAT? 231 00:08:08,433 --> 00:08:10,133 WE GOTTA CONNECT TO THE EARTH. - [laughs] 232 00:08:10,133 --> 00:08:11,573 NO, YOU DO. 233 00:08:11,567 --> 00:08:12,727 - FEEL. 234 00:08:12,734 --> 00:08:14,634 - ALL RIGHT. 235 00:08:14,633 --> 00:08:15,673 - DO YOU FEEL IT? DON'T YOU FEEL 236 00:08:15,667 --> 00:08:17,197 WHEN YOU CONNECT TO THE EARTH? 237 00:08:17,200 --> 00:08:18,300 - I DON'T FEEL ANYTHING. 238 00:08:18,300 --> 00:08:20,030 - YOU DON'T FEEL THAT? - UH-UHH. 239 00:08:20,033 --> 00:08:22,703 - I'M AN EARTH CHILD. I WAS BORN ON THE FARM, 240 00:08:22,700 --> 00:08:24,600 AND YOU CAN TAKE THE GIRL AWAY FROM THE FARM, 241 00:08:24,600 --> 00:08:26,130 BUT YOU CAN'T TAKE-- 242 00:08:26,133 --> 00:08:27,373 HOW DO YOU SAY THAT? [laughs] 243 00:08:27,367 --> 00:08:29,227 I LOVE IT. - SO GIGI--SO TELL ME. 244 00:08:29,233 --> 00:08:31,533 - GIGI'S GOOD. GIGI'S IN NEW YORK. 245 00:08:31,533 --> 00:08:33,403 - GIGI'S, LIKE, KILLING IT IN THE MODELING SCENE. 246 00:08:33,400 --> 00:08:35,700 - SHE'S DOING SO WELL. DID I TELL YOU 247 00:08:35,700 --> 00:08:37,730 SHE GOT THE TOM FORD CAMPAIGN? - YES. 248 00:08:37,734 --> 00:08:40,274 - AND LOOK AT GIGI AND GOING LIKE, "OH, MY GOD." 249 00:08:40,266 --> 00:08:45,166 SHE'S A TEN-TIME BETTER VERSION OF WHAT I EVER WAS IN MY LIFE, 250 00:08:45,166 --> 00:08:47,426 AND I THOUGHT I WAS A GIRL WITH BALLS 251 00:08:47,433 --> 00:08:50,173 AND I TOOK ON A LOT EARLY ON IN LIFE, 252 00:08:50,166 --> 00:08:53,026 BUT SHE JUST-- I MEAN, SHE'S DOING IT. 253 00:08:53,033 --> 00:08:54,673 BELLA'S GOING OFF TO COLLEGE... 254 00:08:54,667 --> 00:08:58,027 - THAT'S CRAZY. - IN AUGUST, AND... 255 00:08:58,033 --> 00:09:00,133 SO ALL IS JUST MOVING ALONG. 256 00:09:00,133 --> 00:09:01,633 - I JUST NEED TO [bleep]ING MOVE INTO A HOUSE, 257 00:09:01,633 --> 00:09:04,433 BECAUSE WE'VE BEEN TWO MONTHS NOW FLOATING AROUND. 258 00:09:04,433 --> 00:09:05,473 - YEAH. - WE'VE SPENT, LIKE, 259 00:09:05,467 --> 00:09:07,467 OVER $40,000 IN TWO MONTHS 260 00:09:07,467 --> 00:09:10,727 JUST WITH STORAGE AND MOVING AND MOVING AGAIN AND... 261 00:09:10,734 --> 00:09:12,204 - OH, MY GOD. - HAVING TO GET FULLY FURNISHED, 262 00:09:12,200 --> 00:09:13,600 LIKE, CONDOS TO STAY IN. 263 00:09:13,600 --> 00:09:15,530 MY LIFE IS CRAZY HECTIC. 264 00:09:15,533 --> 00:09:17,033 YOU KNOW, I'M A MOTHER OF TWO BOYS. 265 00:09:17,033 --> 00:09:19,003 MY ELDEST IS STARTING JUNIOR HIGH, 266 00:09:19,000 --> 00:09:20,370 WHICH I'M NOT OKAY WITH. 267 00:09:20,367 --> 00:09:22,667 I'M MOVING INTO A NEW HOUSE, AND IT IS A RENTAL, 268 00:09:22,667 --> 00:09:25,067 BUT I'M HOPING TO BUY IT AT THE END OF THE LEASE. 269 00:09:25,066 --> 00:09:27,726 THIS YEAR, IT'S ALL POSITIVE. - YES. 270 00:09:27,734 --> 00:09:31,204 - I HAVE A THIRD BOOK DEAL. I HAVE A PODCAST. 271 00:09:31,200 --> 00:09:33,670 I HAVE AMAZING OPPORTUNITIES IN BUSINESS. 272 00:09:33,667 --> 00:09:35,197 I MEAN, IT COULDN'T BE BETTER, 273 00:09:35,200 --> 00:09:37,570 SO I JUST WANT TO, LIKE, MOVE FORWARD AND BE POSITIVE 274 00:09:37,567 --> 00:09:40,197 AND GET RID OF ALL THE NEGATIVE BULL[bleep] IN MY LIFE. 275 00:09:40,200 --> 00:09:42,370 - WE NEED TO START MAKING A CONSCIOUS DECISION 276 00:09:42,367 --> 00:09:43,497 TO BE POSITIVE... - HAPPY. 277 00:09:43,500 --> 00:09:45,570 - AND TO JUST MAKE HAPPY DAYS. - YEAH. 278 00:09:45,567 --> 00:09:47,127 I MEAN, I DON'T KNOW WITH LISA AND EVERYTHING, 279 00:09:47,133 --> 00:09:48,373 BUT I REALLY THINK-- I HOPE THAT WE CAN 280 00:09:48,367 --> 00:09:49,327 ALL MOVE FORWARD WITH HER. 281 00:09:49,333 --> 00:09:51,133 I KNOW LISA PROBABLY BETTER 282 00:09:51,133 --> 00:09:54,573 THAN ANY OF THE GIRLS, AND, YOU KNOW, SHE CAN NEVER ADMIT 283 00:09:54,567 --> 00:09:56,627 TO EVER BEING WRONG OR DOING WRONG. 284 00:09:56,633 --> 00:09:59,103 I DO NOT WANT TO TALK TO SOMEONE THAT [bleep] MY HUSBAND 285 00:09:59,100 --> 00:10:00,200 WHILE I WAS PREGNANT. - I GET IT, I GET IT, I GET IT. 286 00:10:00,200 --> 00:10:02,270 - BUT YOU ALREADY-- YOU ALREADY GOT IT. 287 00:10:02,266 --> 00:10:04,496 YOU ALREADY KNEW THAT. 288 00:10:04,500 --> 00:10:05,670 - UGH. 289 00:10:05,667 --> 00:10:07,697 - THE FACT IS, WE'RE ALL IMPERFECT. 290 00:10:07,700 --> 00:10:10,130 YOU KNOW, I'VE DONE WRONG, SHE'S DONE WRONG, 291 00:10:10,133 --> 00:10:12,333 BUT I CAN ADMIT WHEN I'M WRONG. 292 00:10:12,333 --> 00:10:13,703 - LET'S CHECK OUT THOSE LITTLE THINGS. 293 00:10:13,700 --> 00:10:15,300 COME HERE. 294 00:10:15,300 --> 00:10:18,000 - YOU HAVE TO FORGIVE TO BE A GOOD FRIEND TO SOMEBODY. 295 00:10:18,000 --> 00:10:19,030 AH! 296 00:10:19,033 --> 00:10:20,773 THERE'S A CRAB RIGHT THERE! 297 00:10:20,767 --> 00:10:22,327 - [laughs] 298 00:10:22,333 --> 00:10:23,733 - JESUS CHRIST. 299 00:10:23,734 --> 00:10:25,034 - IT'S OKAY. 300 00:10:25,033 --> 00:10:27,333 - LISTEN, I DON'T WANT TO BE EARTHY. 301 00:10:27,333 --> 00:10:29,533 [bleep] THE EARTH. - [laughs] 302 00:10:45,500 --> 00:10:47,100 - DARLING? 303 00:10:48,500 --> 00:10:49,730 THERE YOU ARE. 304 00:10:49,734 --> 00:10:51,674 TAKE THE SEX MONSTER. 305 00:10:51,667 --> 00:10:53,697 - OH, OKAY, HI. OH. 306 00:10:53,700 --> 00:10:56,530 I HAVE TO PUT MY CUP DOWN. 307 00:10:56,533 --> 00:10:57,673 WHERE ARE YOU OFF TO? - ALL RIGHT, BYE. 308 00:10:57,667 --> 00:10:59,027 - WHERE ARE YOU OFF TO? - I'M NOT TELLING YOU, 309 00:10:59,033 --> 00:11:00,173 BUT I'LL BE BACK IN A COUPLE OF HOURS. 310 00:11:00,166 --> 00:11:02,326 IF I TELL YOU, YOU WON'T LET ME. 311 00:11:02,333 --> 00:11:04,303 BYE. - WHERE ARE YOU GOING? 312 00:11:04,300 --> 00:11:05,670 - BYE. I LOVE YOU. 313 00:11:05,667 --> 00:11:07,227 - I LOVE YOU TOO. 314 00:11:11,500 --> 00:11:14,100 - I FEEL THAT I HAVE SEPARATED MYSELF FROM THIS GROUP 315 00:11:14,100 --> 00:11:16,670 AFTER PUERTO RICO, AND, REALLY, 316 00:11:16,667 --> 00:11:20,297 JUST TRIED TO FORGET EVERYTHING THAT HAD GONE DOWN. 317 00:11:20,300 --> 00:11:22,230 - YOU HAVEN'T CALLED ME. YOU HAVEN'T CHECKED IN ON ME 318 00:11:22,233 --> 00:11:24,033 LIKE YOU NORMALLY DO. - OH, I HAVE, BRANDI. 319 00:11:24,033 --> 00:11:26,473 YOU KNOW WHAT? I'M REALLY UPSET. 320 00:11:26,467 --> 00:11:27,697 - I WANT TO KNOW THE TRUTH 321 00:11:27,700 --> 00:11:29,730 ABOUT THE TABLOIDS AND THE SUITCASE. 322 00:11:29,734 --> 00:11:31,334 - ALL RIGHT, WE'VE BEEN SET UP. - KEN HAD TWO DIFFERENT-- 323 00:11:31,333 --> 00:11:32,533 - WELL DONE. - THERE'S--NOBODY'S-- 324 00:11:32,533 --> 00:11:35,033 - LISTEN. - THANK YOU VERY MUCH. 325 00:11:35,033 --> 00:11:37,633 - I THINK IT WAS VICIOUS. I THINK IT WAS MEAN-SPIRITED. 326 00:11:37,633 --> 00:11:39,773 I DON'T QUITE UNDERSTAND WHERE IT CAME FROM, 327 00:11:39,767 --> 00:11:41,397 BUT IT WAS A REAL EYE-OPENER. 328 00:11:41,400 --> 00:11:45,470 SO I WILL WAIT FOR EACH ONE OF THEM 329 00:11:45,467 --> 00:11:48,467 TO REACH OUT TO ME, AND WE'LL SEE. 330 00:11:55,000 --> 00:11:56,200 HI. - HI. 331 00:11:56,200 --> 00:11:58,430 - TABLE FOR TWO? - THIS WAY. 332 00:12:02,633 --> 00:12:03,633 - THANK YOU. 333 00:12:13,333 --> 00:12:15,003 - HELLO. 334 00:12:15,000 --> 00:12:16,070 HOW ARE YOU? - HOW ARE YOU? 335 00:12:16,066 --> 00:12:18,196 GOOD. - GOOD TO SEE YOU. 336 00:12:18,200 --> 00:12:20,030 - DON'T WORRY, I'VE ONLY BEEN HERE HALF AN HOUR. 337 00:12:20,033 --> 00:12:22,603 - OH, PLEASE. 338 00:12:22,600 --> 00:12:24,130 HOW IS EVERYTHING? 339 00:12:24,133 --> 00:12:26,203 - EVERYTHING'S GOOD. - GOOD. 340 00:12:26,200 --> 00:12:28,630 - A LITTLE CRAZY, BUT IT'S OKAY. 341 00:12:28,633 --> 00:12:30,303 - CRAZY? WELL, CRAZY IS GOOD. 342 00:12:30,300 --> 00:12:32,430 - EH. - BETTER THAN BEING BORED. 343 00:12:32,433 --> 00:12:35,103 I CALLED LISA AND I TEXTED HER 344 00:12:35,100 --> 00:12:37,230 A NUMBER OF TIMES WITH NO RESPONSE. 345 00:12:37,233 --> 00:12:40,103 HONESTLY, I FELT THAT... 346 00:12:40,100 --> 00:12:41,470 I WAS THE ONE WHO SHOULD'VE BEEN CALLED. 347 00:12:46,000 --> 00:12:47,230 - COMING UP... 348 00:12:47,233 --> 00:12:49,303 - NO, I GOT A LITTLE-- - LOOK AT YOUR BOOBS. 349 00:12:49,300 --> 00:12:54,000 - WHAT CAN I SAY? - GOD, YOU HAVE SUCH GOOD BOOBS. 350 00:12:56,734 --> 00:12:58,234 - YOU LOOK GOOD. - I DO? 351 00:12:58,233 --> 00:12:59,673 YOU LOOK SKINNY. - YEAH. 352 00:12:59,667 --> 00:13:00,667 I DO? - YEAH. 353 00:13:00,667 --> 00:13:01,767 - I'VE BEEN TRYING REALLY HARD. 354 00:13:01,767 --> 00:13:03,027 HOW'S KEN, IS HE GOOD? 355 00:13:03,033 --> 00:13:04,003 - YEAH, HE'S REALLY GOOD. 356 00:13:04,000 --> 00:13:06,070 - AND PANDORA AND MAX? 357 00:13:06,066 --> 00:13:07,026 - YEAH, THEY'RE ALL GOOD. 358 00:13:07,033 --> 00:13:08,003 - GOOD EVENING, LADIES. 359 00:13:08,000 --> 00:13:09,100 WELCOME TO PALMERI. - HI. 360 00:13:09,100 --> 00:13:10,270 THANK YOU. - HI. 361 00:13:10,266 --> 00:13:12,666 I-I'M GONNA START OFF WITH A CHARDONNAY. 362 00:13:12,667 --> 00:13:14,197 - I'LL HAVE A GLASS OF ROSE. 363 00:13:14,200 --> 00:13:15,200 - OH-- - WOULD YOU LIKE TO HEAR 364 00:13:15,200 --> 00:13:16,200 THE SPECIALS? 365 00:13:16,200 --> 00:13:17,270 - UM-- - UM, YOU KNOW WHAT? 366 00:13:17,266 --> 00:13:18,426 I'M JUST GONNA HAVE THE BURRATA, PLEASE, 367 00:13:18,433 --> 00:13:19,733 WITH THE HEIRLOOM TOMATOES. 368 00:13:19,734 --> 00:13:21,304 - THAT'S MY FAVORITE. IT'S A GREAT CHOICE. 369 00:13:21,300 --> 00:13:22,570 - IT IS? - IT IS, ABSOLUTELY. 370 00:13:22,567 --> 00:13:24,097 - THEN I THINK I'M GONNA HAVE THAT TOO, ACTUALLY. 371 00:13:24,100 --> 00:13:25,300 - YEAH, THANK YOU. - OKAY, NOT A PROBLEM. 372 00:13:25,300 --> 00:13:26,670 - THANK YOU VERY MUCH. - NOT A PROBLEM. 373 00:13:26,667 --> 00:13:29,667 - IT'S BEEN AGES, BUT, YOU KNOW, MAYBE-- 374 00:13:29,667 --> 00:13:31,127 BUT A DISTANCE WAS GOOD 375 00:13:31,133 --> 00:13:33,533 BECAUSE IT ALL GOT A BIT TOO KIND OF CRAZY AND-- 376 00:13:33,533 --> 00:13:35,573 - THE DISTANCE MADE YOU MISS ME. 377 00:13:35,567 --> 00:13:38,567 - NO, NO, YOU MISSED ME. 378 00:13:38,567 --> 00:13:41,127 - I DON'T DENY THAT. - OKAY. 379 00:13:41,133 --> 00:13:44,533 - I DON'T DENY THAT. 380 00:13:44,533 --> 00:13:49,303 I MEAN, OBVIOUSLY, WHAT HAPPENED HAPPENED, AND I'M... 381 00:13:49,300 --> 00:13:51,100 - IT WAS ALL SO STUPID. - HAPPY TO MOVE FORWARD. 382 00:13:51,100 --> 00:13:52,400 - IT WAS ALL SO RIDICULOUS. - BUT I'VE ALWAYS WANTED 383 00:13:52,400 --> 00:13:53,730 TO MOVE FORWARD FROM ANY TIME WE'VE HAD AN ISSUE. 384 00:13:53,734 --> 00:13:56,174 - WELL, LET'S NOT EVEN TALK ABOUT IT AGAIN, SHALL WE? 385 00:13:58,033 --> 00:13:59,373 - YEAH-- - IF YOU WANT TO. 386 00:13:59,367 --> 00:14:00,667 - I'M PRETTY GOOD ABOUT THAT. 387 00:14:00,667 --> 00:14:03,427 - WELL I AM, BUT THEN YOU DO KIND OF BRING IT UP. 388 00:14:03,433 --> 00:14:05,003 - NO, WHAT DO YOU MEAN? - YES, YOU DO, 389 00:14:05,000 --> 00:14:06,430 LIKE ON THE EIFFEL TOWER. 390 00:14:06,433 --> 00:14:08,533 - YOU'RE JUST DIFFERENT TOWARDS ME AND YOU ACT DISTANT 391 00:14:08,533 --> 00:14:10,133 AND ODD AND THEN--THEN-- 392 00:14:10,133 --> 00:14:11,303 - THERE WERE THINGS YOU SAID TO ME 393 00:14:11,300 --> 00:14:12,670 THAT WERE PRETTY MEAN. 394 00:14:12,667 --> 00:14:14,067 - NO, I BRING IT UP TO FIX THINGS. 395 00:14:14,066 --> 00:14:15,426 - AND THEN YOU BRING IT UP. - AND YOU BRING UP 396 00:14:15,433 --> 00:14:17,173 THE THINGS THAT HAPPENED. I'M--I WAS TRYING TO-- 397 00:14:17,166 --> 00:14:18,566 - WELL, LET'S NOT BRING IT UP AT ALL. 398 00:14:18,567 --> 00:14:22,567 - IT'S VERY HARD FOR LISA TO TAKE ANY RESPONSIBILITY 399 00:14:22,567 --> 00:14:24,167 WHEN SHE'S DONE SOMETHING WRONG. 400 00:14:24,166 --> 00:14:25,766 BUT HER EVEN JUST SAYING, "YOU KNOW WHAT? 401 00:14:25,767 --> 00:14:27,397 I FEEL BAD. I SHOULDN'T HAVE SAID THIS." 402 00:14:27,400 --> 00:14:29,570 I WOULD BE... 403 00:14:29,567 --> 00:14:32,767 SHOCKED AND HAPPY. [laughs] 404 00:14:32,767 --> 00:14:34,067 I REALLY WANT TO MOVE FORWARD 405 00:14:34,066 --> 00:14:35,696 AND NOT-- - OKAY. 406 00:14:35,700 --> 00:14:37,270 - YOU KNOW, AND... 407 00:14:37,266 --> 00:14:38,726 HANDLE THINGS DIFFERENTLY. - IT ALL GOT TOO COMPLICATED. 408 00:14:38,734 --> 00:14:40,574 IT GOT TOO BITCHY. IT GOT TOO AGGRESSIVE. 409 00:14:40,567 --> 00:14:42,427 I JUST COULDN'T TAKE IT ANYMORE, TO BE HONEST. 410 00:14:42,433 --> 00:14:44,003 - ME EITHER. 411 00:14:44,000 --> 00:14:45,600 THE SIDE OF LISA THAT I LOVE, 412 00:14:45,600 --> 00:14:47,400 THAT I WANT TO HAVE BACK IN MY LIFE, 413 00:14:47,400 --> 00:14:51,130 IS THE LISA THAT IS FUNNY AND BEAUTIFUL AND SMART 414 00:14:51,133 --> 00:14:53,133 AND MAKES ME LAUGH, YOU KNOW? 415 00:14:53,133 --> 00:14:54,733 SHE IS. SHE'S ALL THOSE THINGS. 416 00:14:54,734 --> 00:14:56,434 SO... 417 00:14:56,433 --> 00:15:00,373 I THINK THAT'S WHY I STILL MAKE THAT EFFORT. 418 00:15:00,367 --> 00:15:02,067 LET ME ASK YOU A QUICK QUESTION. OR MAYBE THIS 419 00:15:02,066 --> 00:15:03,296 IS DELVING TOO DEEP. - YOU CAN ASK ME ANYTHING. 420 00:15:03,300 --> 00:15:05,270 GO ON, I DON'T CARE. - NO, BUT LAST TIME, 421 00:15:05,266 --> 00:15:06,996 YOU SAID, "WELL, I DON'T WANT ANYTHING FROM YOU." 422 00:15:08,533 --> 00:15:12,333 - SO YOU WOULD LIKE-- YOU WOULD LIKE WHAT FROM KYLE? 423 00:15:12,333 --> 00:15:13,673 - NOTHING. 424 00:15:15,734 --> 00:15:17,504 - REMEMBER THAT? 425 00:15:17,500 --> 00:15:19,270 WHEN YOU SAID THAT, IT HURT MY FEELINGS. 426 00:15:19,266 --> 00:15:20,566 - OH, FOR GOODNESS SAKE. - NOT THAT I'M THINKING-- 427 00:15:20,567 --> 00:15:22,227 BUT YOU KNOW WHAT I MEAN? IT SEEMED LIKE 428 00:15:22,233 --> 00:15:24,473 YOU WERE MORE OPEN TO FORGIVING BRANDI THAN-- 429 00:15:24,467 --> 00:15:26,027 - I DON'T REALLY HAVE-- - THAN PATCHING THINGS WITH ME. 430 00:15:26,033 --> 00:15:27,073 - I DON'T REALLY HAVE ANYTHING-- - THERE WAS NOTHING FOR YOU 431 00:15:27,066 --> 00:15:28,496 TO FORGIVE WITH ME, BUT-- - EXACTLY. 432 00:15:28,500 --> 00:15:29,600 - OKAY. - YEAH, BUT, I MEAN, I DON'T-- 433 00:15:29,600 --> 00:15:30,600 - MAYBE THAT'S WHAT YOU MEANT. - YEAH. 434 00:15:30,600 --> 00:15:33,400 NOTHING. STOP, IT'S DONE. 435 00:15:33,400 --> 00:15:34,570 NO? 436 00:15:34,567 --> 00:15:38,127 - FOR ME, YEAH. 437 00:15:38,133 --> 00:15:40,003 FOR ME, YEAH, FOR SURE. - YEAH. 438 00:15:40,000 --> 00:15:41,230 WHAT IS WRONG WITH YOU? 439 00:15:41,233 --> 00:15:42,773 STOP GOING BACKWARDS. GO FORWARD. 440 00:15:42,767 --> 00:15:46,027 I JUST HOPE THAT KYLE AND I HAVE ENOUGH OF A RELATIONSHIP, 441 00:15:46,033 --> 00:15:49,003 REALLY, TO MOVE FORWARD AND TO UNDERSTAND 442 00:15:49,000 --> 00:15:53,600 THAT WHAT'S GONE DOWN IS BEST LEFT IN THE PAST. 443 00:15:53,600 --> 00:15:55,600 TO LOYALTY 444 00:15:55,600 --> 00:15:59,100 AND TO NOT TALKING [bleep] BEHIND EACH OTHER'S BACK. 445 00:15:59,100 --> 00:16:00,670 - OH, AND WHO'S GONNA SAY LOYALTY TO EACH OTHER 446 00:16:00,667 --> 00:16:02,497 AND WHEN WE'RE NOT WITH EACH OTHER. 447 00:16:02,500 --> 00:16:04,230 - OH, 1,000% 448 00:16:04,233 --> 00:16:06,173 - YEAH. 449 00:16:14,567 --> 00:16:16,997 [cell phone ringing] 450 00:16:17,000 --> 00:16:18,070 - HELLO? 451 00:16:18,066 --> 00:16:20,126 - HELLO, HOW ARE YOU? IT'S KYLE. 452 00:16:20,133 --> 00:16:21,403 - HI, KYLE. 453 00:16:21,400 --> 00:16:22,700 I'M GOOD. HOW ARE YOU? 454 00:16:22,700 --> 00:16:25,030 - I'M GOOD. WHAT'S GOING ON? 455 00:16:25,033 --> 00:16:26,273 - LET'S SEE, WHAT AM I DOING? 456 00:16:26,266 --> 00:16:27,726 I-I DON'T KNOW WHERE I'VE BEEN. 457 00:16:27,734 --> 00:16:30,104 YOU KNOW WHEN YOU'VE BEEN ON A PLANE SO MANY TIMES, 458 00:16:30,100 --> 00:16:31,070 YOU'RE LIKE, "OKAY, 459 00:16:31,066 --> 00:16:32,426 "AM I COMING? AM I GOING? 460 00:16:32,433 --> 00:16:33,603 WHERE--WHERE AM I?" 461 00:16:33,600 --> 00:16:35,530 - I-I KNOW THE FEELING. ME TOO. 462 00:16:35,533 --> 00:16:39,233 I KNEW LISA FROM TELEVISION AND LIVING IN THE SAME NEIGHBORHOOD. 463 00:16:39,233 --> 00:16:42,303 I'D SEE HER AT SPINNING CLASS AND KABBALAH CLASS. 464 00:16:42,300 --> 00:16:46,530 OUR KIDS WERE IN A CLASS CALLED "SPIRITUALITY FOR KIDS." 465 00:16:46,533 --> 00:16:48,633 IT SOUNDS REALLY OBNOXIOUS. WHATEVER. 466 00:16:48,633 --> 00:16:50,073 - WHAT HAVE YOU BEEN DOING? 467 00:16:50,066 --> 00:16:52,726 - I'M PLANNING, YOU KNOW, THE ANNUAL WHITE PARTY. 468 00:16:52,734 --> 00:16:54,674 I WANT TO BE SURE THAT YOU HAVE IT ON YOUR RADAR. 469 00:16:54,667 --> 00:16:58,697 - YES. THE ONLY THING THAT WE HAVE... 470 00:16:58,700 --> 00:17:01,030 IS THE MAD MEN WRAP PARTY. 471 00:17:01,033 --> 00:17:03,433 - OKAY, SO THEN AT LEAST COME BY THE WHITE PARTY, 472 00:17:03,433 --> 00:17:04,503 HAVE SOME FUN WITH US, 473 00:17:04,500 --> 00:17:06,530 AND THEN GO ON TO THE MAD MEN PARTY. 474 00:17:06,533 --> 00:17:08,373 - YEAH, IT'LL BE SO FUNNY BECAUSE 475 00:17:08,367 --> 00:17:10,167 YOUR PARTY BEING ALL WHITE, 476 00:17:10,166 --> 00:17:12,366 WE'LL LITERALLY HAVE TO DRIVE HOME, I THINK, 477 00:17:12,367 --> 00:17:15,027 AND CHANGE OUR CLOTHES BECAUSE IF WE SHOWED UP IN ALL WHITE 478 00:17:15,033 --> 00:17:18,573 AT A MAD MEN PARTY, WE WOULD LOOK LIKE JESUS. 479 00:17:18,567 --> 00:17:20,127 [laughs] 480 00:17:20,133 --> 00:17:22,233 I HAVE A REALLY FABULOUS LIFE 481 00:17:22,233 --> 00:17:23,733 AND I WOULDN'T CHANGE IT FOR THE WORLD. 482 00:17:23,734 --> 00:17:25,374 I AM MARRIED TO HARRY HAMLIN. 483 00:17:25,367 --> 00:17:27,567 HE'S CURRENTLY ON MAD MEN. 484 00:17:27,567 --> 00:17:30,197 HE'S A [bleep] FOX. 485 00:17:30,200 --> 00:17:32,270 - OKAY, GOOD, WELL, I'M GLAD THAT YOU GUYS CAN MAKE IT. 486 00:17:32,266 --> 00:17:33,996 - OF COURSE. - AND WE LOOK FORWARD 487 00:17:34,000 --> 00:17:35,170 TO SEEING YOU GUYS THEN. 488 00:17:45,200 --> 00:17:48,170 - HI, LOVIES. 489 00:17:49,734 --> 00:17:52,004 MWAH. 490 00:17:52,000 --> 00:17:53,300 WE'RE GONNA GO TO THE CAR. 491 00:17:53,300 --> 00:17:55,030 LET'S GO. 492 00:17:55,033 --> 00:17:56,333 HOW WAS SCHOOL? 493 00:17:56,333 --> 00:17:57,773 - IT WAS OKAY. 494 00:17:57,767 --> 00:18:01,527 - I AM THE MOTHER OF TWO GORGEOUS GIRLS. 495 00:18:01,533 --> 00:18:05,433 DELILAH BELLE IS 16 AND AMELIA GRAY IS 13. 496 00:18:05,433 --> 00:18:07,233 TELL ME ABOUT COACHELLA. 497 00:18:07,233 --> 00:18:08,373 - WHAT ABOUT COACHELLA? - I'M SO JEALOUS OF THEM. 498 00:18:08,367 --> 00:18:09,727 - WELL, HOW WAS IT? 499 00:18:09,734 --> 00:18:11,374 - THEY CAME BACK 500 00:18:11,367 --> 00:18:13,397 AND THEY SAID IT WAS, LIKE, THE BEST THING OF THEIR LIVES, 501 00:18:13,400 --> 00:18:15,630 BUT THEY'RE, LIKE, RUBBING IT IN ALL OF OUR FACES 502 00:18:15,633 --> 00:18:18,133 AND, LIKE, SHOWING US PICTURES OF IT 503 00:18:18,133 --> 00:18:20,003 AND, OH, I'M SO JEALOUS. 504 00:18:20,000 --> 00:18:21,770 - WHAT ARE YOU JEALOUS ABOUT? 505 00:18:21,767 --> 00:18:23,227 - LIKE, EVERYTHING. 506 00:18:23,233 --> 00:18:27,103 - IT IS A TRIP AND A HALF RAISING TEENAGE DAUGHTERS. 507 00:18:27,100 --> 00:18:29,270 SOMETIMES, I FEEL LIKE I'M ON AN ACID TRIP. 508 00:18:29,266 --> 00:18:30,496 THOUGH I'VE NEVER TAKEN ACID. 509 00:18:30,500 --> 00:18:33,700 I IMAGINE THIS IS WHAT AN ACID TRIP WOULD FEEL LIKE. 510 00:18:33,700 --> 00:18:38,470 [playing acoustic guitar] 511 00:18:38,467 --> 00:18:41,727 HARRY! 512 00:18:41,734 --> 00:18:43,734 - WHAT? 513 00:18:43,734 --> 00:18:45,534 - IS THIS THE VASE I USE FOR THESE? 514 00:18:45,533 --> 00:18:46,533 - YEAH. 515 00:18:46,533 --> 00:18:48,433 - HARRY IS KING, 516 00:18:48,433 --> 00:18:51,633 SO WE KIND OF PLAY ALONG WITH THAT WITH HARRY. 517 00:18:51,633 --> 00:18:54,133 WE LET HIM BE KING. WE LET HIM BE GOD. 518 00:18:54,133 --> 00:18:56,303 HOW MUCH DO I CUT AT THE BOTTOM? 519 00:18:56,300 --> 00:18:58,070 - YOU HAVE TO BE AN ARTIST ABOUT THIS, DARLING. 520 00:18:58,066 --> 00:18:59,396 YOU GOTTA LOOK AT IT AND YOU GOTTA GO, 521 00:18:59,400 --> 00:19:02,200 "OH, THAT'S JUST EXACTLY THE WAY I WANT IT." 522 00:19:02,200 --> 00:19:03,230 DO IT THE WAY YOU WANT TO DO IT. - OH, IS THAT HOW 523 00:19:03,233 --> 00:19:04,333 I HAVE TO DO IT? - THAT'S RIGHT. 524 00:19:04,333 --> 00:19:05,673 - DO I HAVE TO STAND BACK AND GO, 525 00:19:05,667 --> 00:19:08,267 "OOH, I'M GONNA DO IT JUST LIKE THIS"? 526 00:19:08,266 --> 00:19:09,266 - YES. - ALL RIGHT, THANK YOU 527 00:19:09,266 --> 00:19:11,596 VERY MUCH, SIR. [laughs] 528 00:19:11,600 --> 00:19:16,200 SOMETIMES, I DON'T WANT TO ANSWER TO GOD OR KING, 529 00:19:16,200 --> 00:19:18,270 AND I REBEL AGAINST THAT. 530 00:19:18,266 --> 00:19:21,566 IT'S MY OWN FAULT FOR SETTING UP THE DYNAMIC. 531 00:19:21,567 --> 00:19:23,467 - IT IS A GOOD THING YOU GOT A CUTE BUTT 532 00:19:23,467 --> 00:19:24,567 'CAUSE YOU'RE NOT VERY GOOD WITH FLOWERS. 533 00:19:24,567 --> 00:19:26,027 - AND DON'T YOU [bleep]ING FORGET IT. 534 00:19:26,033 --> 00:19:27,303 DON'T YOU [bleep]ING FORGET IT. - [laughs] 535 00:19:27,300 --> 00:19:29,130 - I'M AN ENTERTAINER. YOU KNOW? 536 00:19:29,133 --> 00:19:31,633 I'M AN ACTOR/ENTERTAINER. [laughs] 537 00:19:31,633 --> 00:19:33,673 I DON'T KNOW WHAT THE [bleep] I AM, REALLY. 538 00:19:33,667 --> 00:19:38,327 THE HIGHLIGHTS OF MY CAREER ARE BILLIE ON DAYS OF OUR LIVES. 539 00:19:38,333 --> 00:19:42,303 ROXIE HART, CHICAGO ON BROADWAY. 540 00:19:42,300 --> 00:19:43,570 UM... 541 00:19:43,567 --> 00:19:45,567 MELROSE PLACE! I FORGOT MELROSE PLACE. 542 00:19:45,567 --> 00:19:47,567 TAYLOR MCBRIDE, HELLO! 543 00:19:47,567 --> 00:19:48,697 - AH! OH! 544 00:19:48,700 --> 00:19:50,300 - WHAT? - OH. 545 00:19:50,300 --> 00:19:52,370 - OH-HO-HO-HO. - I FOUND THIS GUY OUTSIDE. 546 00:19:52,367 --> 00:19:53,527 THIS IS THE RATTLESNAKE THAT WAS OUTSIDE. 547 00:19:53,533 --> 00:19:55,303 - HARRY, IT COULD JUMP OUT! 548 00:19:55,300 --> 00:19:56,670 - AH! - [laughs] 549 00:19:56,667 --> 00:19:57,997 JUST CLOSE IT. - COVER IT! 550 00:19:58,000 --> 00:20:00,000 PUT YOUR HANDS OVER THE TOP! 551 00:20:00,000 --> 00:20:01,300 - NO, IT'S NOT GONNA JUMP OUT. 552 00:20:01,300 --> 00:20:03,170 - OH, MY GOD, IT'S POISED TO. - [laughs] 553 00:20:03,166 --> 00:20:04,596 - IT'S COILED. - I KNOW. 554 00:20:04,600 --> 00:20:06,200 IT'S COILED, IT'S READY TO GO... - IT'S LOOKING AT US. 555 00:20:06,200 --> 00:20:07,370 BUT IT'S NOT GONNA JUMP OUT. - IT'S LOOKING AT US. 556 00:20:07,367 --> 00:20:09,197 - IT'S OKAY. - IT'S LOOKING AT US. 557 00:20:09,200 --> 00:20:10,270 - WHEN I'M WITH MY FAMILY, 558 00:20:10,266 --> 00:20:12,596 WHEN I HAVE ALL FOUR OF US TOGETHER, 559 00:20:12,600 --> 00:20:15,200 I KNOW WHERE WE ALL ARE. WE'RE ALL IN THE SAME PLACE. 560 00:20:15,200 --> 00:20:17,470 THAT IS WHEN I AM BLISSFULLY HAPPY. 561 00:20:17,467 --> 00:20:19,327 LOOK AT THE COLORING, THOUGH. THAT WOULD MAKE SUCH A PRETTY-- 562 00:20:19,333 --> 00:20:20,333 [snake rattles] - OH! 563 00:20:20,333 --> 00:20:24,503 [all exclaiming and laughing] 564 00:20:24,500 --> 00:20:26,730 - HARRY, IT'S GONNA JUMP OUT. 565 00:20:26,734 --> 00:20:28,474 - COMING UP... 566 00:20:28,467 --> 00:20:29,667 - DO WE HAVE TO GO TO THE PARTY? 567 00:20:29,667 --> 00:20:31,397 - YES, WE DO. NOW, STOP. 568 00:20:31,400 --> 00:20:33,770 IF WE DON'T GO, IT'S GONNA LOOK REALLY BAD. 569 00:20:39,734 --> 00:20:42,274 - OH, MY GOD, IT LOOKS SO GOOD. 570 00:20:42,266 --> 00:20:44,096 I LOVE THE DETAIL. 571 00:20:45,700 --> 00:20:48,100 LOOKING GOOD. 572 00:20:48,100 --> 00:20:50,230 I NEVER IMAGINED, WHEN IT WAS JUST MY FRIENDS 573 00:20:50,233 --> 00:20:52,103 HELPING ME DO THIS LITTLE PARTY, 574 00:20:52,100 --> 00:20:55,670 IT WOULD TURN IT INTO ONE OF THE PARTIES OF THE YEAR 575 00:20:55,667 --> 00:20:58,067 IN L.A. THAT EVERYBODY'S TRYING TO GET ON THE LIST TO. 576 00:21:03,100 --> 00:21:05,530 ARE YOU THE DANCER? THE MALE DANCER? 577 00:21:05,533 --> 00:21:06,603 - I CAN, I CAN BE. 578 00:21:06,600 --> 00:21:07,770 - [laughs] - I CAN BE. 579 00:21:07,767 --> 00:21:09,097 - OH, BUT YOU'RE NOT? 580 00:21:09,100 --> 00:21:10,330 - I'M NOT, NO. I'M THE BARTENDER. 581 00:21:10,333 --> 00:21:11,773 - WHY'D YOU ASSUME HE WAS THE DANCER, AND NOT ME? 582 00:21:11,767 --> 00:21:12,997 - HONEY. I'VE SEEN YOU-- 583 00:21:13,000 --> 00:21:14,200 [laughter] 584 00:21:14,200 --> 00:21:17,300 - AS THE AGENCY HAS GROWN, SO HAS THE WHITE PARTY. 585 00:21:17,300 --> 00:21:20,130 WE'RE NOT JUST ENTERTAINING OUR FRIENDS AND FAMILY. 586 00:21:20,133 --> 00:21:22,703 NOW, WE'RE ENTERTAINING CLIENTS AND AGENTS 587 00:21:22,700 --> 00:21:26,530 AND WE BOTH WANT THIS TO BE A REALLY BIG, FUN EVENT. 588 00:21:26,533 --> 00:21:28,673 - WHAT'S GOING ON HERE? I MEAN, HELLO. 589 00:21:41,500 --> 00:21:43,170 - YOU READY? 590 00:21:43,166 --> 00:21:44,666 - GETTING READY. YOU'RE NOT READY. 591 00:21:44,667 --> 00:21:47,367 - WELL, I'VE SHOWERED. WE'RE NOT TAKING GIGGY, NO? 592 00:21:47,367 --> 00:21:49,127 - NO. HE'LL CRY, THOUGH, 593 00:21:49,133 --> 00:21:51,273 SO JUST DON'T LET HIM KNOW WE'RE GOING OUT. 594 00:21:51,266 --> 00:21:52,726 - DO WE HAVE TO GO TO THE PARTY? 595 00:21:52,734 --> 00:21:54,704 - YES, WE DO. NOW, STOP. 596 00:21:54,700 --> 00:21:57,070 IF WE DON'T GO, IT'S GONNA LOOK REALLY BAD. 597 00:21:57,066 --> 00:21:59,296 - OH, COME ON. - GO PUT YOUR WHITE, YOU KNOW, 598 00:21:59,300 --> 00:22:00,600 TENNIS SHORTS ON. - I DON'T THINK I CAN STAND-- 599 00:22:00,600 --> 00:22:03,000 STAND ANOTHER FATBURGER. 600 00:22:03,000 --> 00:22:04,270 - MAY I HAVE A CHEESEBURGER, PLEASE? 601 00:22:04,266 --> 00:22:05,466 - OKAY. 602 00:22:05,467 --> 00:22:06,997 - OH, STOP IT. THAT'S SO RUDE. 603 00:22:07,000 --> 00:22:08,170 - [laughs] 604 00:22:08,166 --> 00:22:10,066 - THAT REALLY IS RUDE. - THAT'S NOT RUDE. 605 00:22:10,066 --> 00:22:12,026 - UH-UHH. - COME ON. 606 00:22:12,033 --> 00:22:14,673 - I MEAN, BRANDI MIGHT BE THERE, BUT THAT'S OKAY. 607 00:22:14,667 --> 00:22:15,767 I HAVEN'T SEEN HER IN-- - OH, CAN'T WAIT. 608 00:22:15,767 --> 00:22:17,597 - HUH? - I CAN'T WAIT. 609 00:22:17,600 --> 00:22:20,130 - I THINK YOLANDA'S GOING. 610 00:22:20,133 --> 00:22:22,303 - WELL, I SAW YOLANDA THE OTHER DAY... 611 00:22:22,300 --> 00:22:23,500 - I KNOW. 612 00:22:23,500 --> 00:22:25,200 - WHEN YOU WERE HAVING LUNCH WITH HER, SO-- 613 00:22:25,200 --> 00:22:26,530 - WE NEED TO MOVE ON. 614 00:22:26,533 --> 00:22:29,273 IT BLEW OUT OF PROPORTION, BUT-- - IT START--IT DID, YEAH. 615 00:22:29,266 --> 00:22:32,566 - BUT THE HEART OF IT WAS THAT I JUST MISSED YOU WHEN I WAS SICK, 616 00:22:32,567 --> 00:22:35,267 AND I WANTED YOU TO PAY MORE ATTENTION TO ME, 617 00:22:35,266 --> 00:22:37,566 BUT I UNDERSTAND THAT YOU ARE BUILDING 618 00:22:37,567 --> 00:22:40,167 THIS HUGE, BIG NEW RESTAURANT AND THAT YOUR TIME WAS THERE, 619 00:22:40,166 --> 00:22:41,696 AND I GET IT. THAT'S WHY. 620 00:22:41,700 --> 00:22:43,170 I MEAN, IT'S--FOR ME, IT'S DONE. 621 00:22:43,166 --> 00:22:44,326 - I THINK SO 100%. - YOU KNOW? 622 00:22:44,333 --> 00:22:46,173 - I DON'T WANT TO GO BACKWARDS AT ALL. 623 00:22:46,166 --> 00:22:48,266 - NO, ME NEITHER. - AND IT'S GOOD TO SEE YOU. 624 00:22:48,266 --> 00:22:49,566 - IT'S GOOD TO SEE YOU TOO. 625 00:22:49,567 --> 00:22:51,427 - I'M GONNA PUT IT IN THE BACK OF MY MIND. 626 00:22:51,433 --> 00:22:53,073 - I'LL PUT SOMETHING IN YOUR BACK-- 627 00:22:53,066 --> 00:22:54,196 [laughs] - AND-- 628 00:22:54,200 --> 00:22:55,670 - IN THE BACK OF YOUR BEHIND. - UH-HUH. 629 00:22:55,667 --> 00:22:58,027 - CAN YOU GO AND GET YOUR ASS IN GEAR, PLEASE? 630 00:22:58,033 --> 00:22:59,573 - [laughs] 631 00:23:03,633 --> 00:23:05,603 - I'M SWEATY BETTY RIGHT NOW. - YES. 632 00:23:05,600 --> 00:23:07,700 ARE YOU? - I DON'T KNOW WHY. 633 00:23:07,700 --> 00:23:09,470 I THINK I'M ANXIOUS FOR TONIGHT. 634 00:23:09,467 --> 00:23:11,297 - WELL, IT'S A LOT. THERE'S A LOT OF PEOPLE 635 00:23:11,300 --> 00:23:12,470 GONNA BE THERE TONIGHT. - THAT'S YOUR PHONE. 636 00:23:12,467 --> 00:23:14,467 AT THE MOMENT, WE'RE STAYING IN A CONDO. 637 00:23:14,467 --> 00:23:15,497 IT'S TEMPORARY. 638 00:23:15,500 --> 00:23:18,430 I DON'T THINK IT MATTERS WHERE YOU LIVE. 639 00:23:18,433 --> 00:23:19,733 I MEAN, AS LONG AS LOVE IS THERE. 640 00:23:19,734 --> 00:23:21,474 MY KIDS SLEEP IN MY BED, ANYWAY. 641 00:23:21,467 --> 00:23:23,527 - WHO ALL'S GONNA BE-- LIKE, WHO, LIKE, EVERYONE? 642 00:23:23,533 --> 00:23:24,533 LIKE-- 643 00:23:24,533 --> 00:23:26,703 - LISA, TAYLOR, ADRIENNE, CAMILLE. 644 00:23:26,700 --> 00:23:28,300 CAMILLE IS GREAT. YOU'LL LOVE HER, SHE'S AWESOME. 645 00:23:28,300 --> 00:23:30,370 - I'M EXCITED TO MEET CAMILLE. - SHE'S REALLY SWEET. 646 00:23:30,367 --> 00:23:32,627 I'M FEELING ANXIETY BECAUSE I HAVEN'T SEEN LISA FOR A WHILE, 647 00:23:32,633 --> 00:23:35,103 AND I HAVEN'T SEEN ADRIENNE SINCE I RAN INTO HER 648 00:23:35,100 --> 00:23:36,500 AT THE POLO LOUNGE AND WE DIDN'T SPEAK, 649 00:23:36,500 --> 00:23:38,400 WHICH WAS VERY UNCOMFORTABLE. 650 00:23:38,400 --> 00:23:40,230 HERE, HAVE A SEAT. I'M GONNA JUST FINISH THIS UP 651 00:23:40,233 --> 00:23:41,503 REAL--AND THEN I'LL GO TO THE HAIR CHAIR. 652 00:23:41,500 --> 00:23:44,470 WHAT I AM NERVOUS ABOUT IS SEEING LISA. 653 00:23:44,467 --> 00:23:46,997 I FEEL LIKE, "WAH!" 654 00:23:47,000 --> 00:23:48,630 I HAVEN'T SEEN LISA AND KEN IN MONTHS. 655 00:23:48,633 --> 00:23:51,503 I WANT TO BE FRIENDS WITH THEM AND APOLOGIZE. 656 00:23:51,500 --> 00:23:54,000 IT REALLY SUCKED THAT THEY BACKED OFF OF OUR FRIENDSHIP. 657 00:23:54,000 --> 00:23:55,370 IT REALLY HURT MY FEELINGS. 658 00:23:55,367 --> 00:23:59,367 - I DON'T THINK I COULD EVER LET YOU BACK INTO MY LIFE. 659 00:23:59,367 --> 00:24:02,127 - YOU KNOW I LOVE YOU. [cries] 660 00:24:02,133 --> 00:24:05,273 BUT I CARE ABOUT THEM IMMENSELY AND I WANT TO MOVE FORWARD. 661 00:24:05,266 --> 00:24:06,666 - ARE WE DOING GLITTER? 662 00:24:06,667 --> 00:24:08,497 - NO, WE DON'T NEED GLITTER. WE'LL SAVE GLITTER. 663 00:24:08,500 --> 00:24:09,700 THAT'S ADRIENNE MALOOF'S DEAL. 664 00:24:09,700 --> 00:24:11,600 I DON'T WANT TO STEAL HER GLITTER. 665 00:24:13,133 --> 00:24:14,403 - THAT LOOKS GOOD, ALEXIA. 666 00:24:14,400 --> 00:24:17,030 - YEAH? - YOUR EYE MAKEUP LOOKS PRETTY. 667 00:24:17,033 --> 00:24:19,173 - WAIT, CAN I PICK OUT MY NAIL POLISH? 668 00:24:19,166 --> 00:24:20,296 - YOU'RE NOT WEARING NAIL POLISH. 669 00:24:20,300 --> 00:24:22,270 WE'RE TAKING YOUR NAIL POLISH OFF. 670 00:24:22,266 --> 00:24:23,996 WHAT DO YOU NEED ME TO DO? 671 00:24:24,000 --> 00:24:25,600 - I'M GETTING READY. DO YOU LIKE THESE? 672 00:24:25,600 --> 00:24:27,570 - I DO. 673 00:24:27,567 --> 00:24:29,697 OKAY? - MWAH. 674 00:24:29,700 --> 00:24:30,770 YOU LOOK HOT. 675 00:24:32,633 --> 00:24:34,503 - READY? 676 00:24:35,734 --> 00:24:37,334 - HI. 677 00:24:37,333 --> 00:24:39,003 WELL, EAT YOUR DINNER, AND THEN-- 678 00:24:39,000 --> 00:24:40,630 I KNOW YOU GUYS LIKE FISH. 679 00:24:40,633 --> 00:24:42,133 [both laughing] 680 00:24:43,667 --> 00:24:44,667 HI, GIRLS. 681 00:24:44,667 --> 00:24:45,667 - HELLO. - WAIT, HONEY. 682 00:24:45,667 --> 00:24:46,997 - YEAH. - SHOULD WE HAVE THEM THERE 683 00:24:47,000 --> 00:24:48,630 RIGHT NOW? OR ON THE PLATFORM OVER THERE? 684 00:24:48,633 --> 00:24:50,133 - UNTIL YOU HAVE MUSIC OVER THERE, 685 00:24:50,133 --> 00:24:51,533 UNTIL YOU TURN IT UP, YOU NEED TO HAVE THEM HERE. 686 00:24:51,533 --> 00:24:52,573 - RIGHT. - YOU CAN'T HAVE THEM 687 00:24:52,567 --> 00:24:54,197 WITHOUT MUSIC. 688 00:24:54,200 --> 00:24:55,530 - THERE'S TONS OF FOOD BEING PASSED, 689 00:24:55,533 --> 00:24:58,533 THERE'S A SUSHI BAR, WE HAVE A FATBURGER TRUCK COMING. 690 00:25:05,166 --> 00:25:07,066 MOHAMED. 691 00:25:07,066 --> 00:25:08,066 - KYLE. 692 00:25:08,066 --> 00:25:09,166 - HOW ARE YOU? - I WAS JUST SAYING, 693 00:25:09,166 --> 00:25:10,226 "WHO IS THAT WOMAN IN THAT BEAUTIFUL--" 694 00:25:10,233 --> 00:25:11,233 - MM. HOW ARE YOU? 695 00:25:11,233 --> 00:25:12,403 - "MOST GORGEOUS DRESS?" - HOW ARE YOU? 696 00:25:18,333 --> 00:25:20,173 - WOW, PRETTY. 697 00:25:20,166 --> 00:25:21,566 HI, GUYS. 698 00:25:21,567 --> 00:25:24,067 - HI, HOW ARE YOU? MWAH. 699 00:25:24,066 --> 00:25:25,296 - THANK YOU, GOOD. - NICE TO MEET YOU, AS WELL. 700 00:25:25,300 --> 00:25:26,600 - HI, HOW ARE YOU? - YOLANDA, HOW ARE YOU? 701 00:25:26,600 --> 00:25:27,600 - MMM. - HOW ARE YOU? 702 00:25:27,600 --> 00:25:28,630 both: NICE TO SEE YOU. 703 00:25:28,633 --> 00:25:30,233 - GLAD YOU MADE IT. - OF COURSE. 704 00:25:30,233 --> 00:25:31,633 - HI, GORGEOUS GIRLS. 705 00:25:31,633 --> 00:25:33,173 - HEY! 706 00:25:33,166 --> 00:25:36,026 - WOW. FANTASTIC. 707 00:25:36,033 --> 00:25:37,703 - YAY, LOOK HOW GREAT THIS IS. 708 00:25:37,700 --> 00:25:39,030 - HI. - HI. 709 00:25:39,033 --> 00:25:40,073 - HOW ARE YOU? - HEY. 710 00:25:40,066 --> 00:25:41,326 - HOW ARE YOU? NICE TO SEE YOU. 711 00:25:41,333 --> 00:25:42,433 - IT'S SO GOOD TO SEE YOU. - YOU LOOK GREAT. 712 00:25:42,433 --> 00:25:43,473 IT'S SO GOOD TO SEE YOU. 713 00:25:43,467 --> 00:25:44,467 - HI. - HELLO! 714 00:25:44,467 --> 00:25:45,527 - ELIZABETH. - NICE TO SEE YOU. 715 00:25:45,533 --> 00:25:46,733 - MMM. - I'M SO GLAD YOU'RE HERE. 716 00:25:46,734 --> 00:25:48,334 - ME TOO. - SO GOOD TO SEE YOU. 717 00:25:48,333 --> 00:25:49,433 - WE ARE READY TO HAVE FUN TONIGHT. 718 00:25:49,433 --> 00:25:51,233 - COME ON IN. - I GOT YOU A FUN BOOK. 719 00:25:51,233 --> 00:25:53,303 - OH, NO, NOT AGAIN. 720 00:25:53,300 --> 00:25:54,770 WHAT IS THIS? 721 00:25:54,767 --> 00:25:56,467 A PICTURE OF US? 722 00:25:56,467 --> 00:25:57,727 HUGGING? - I WISH. 723 00:25:57,734 --> 00:25:59,104 - A BOOK. 724 00:25:59,100 --> 00:26:01,170 "HOW TO BEHAVE AND WHY." 725 00:26:01,166 --> 00:26:02,326 - [laughs] 726 00:26:02,333 --> 00:26:03,703 - SO NOW-- - I'M GLAD WE MOVED 727 00:26:03,700 --> 00:26:05,500 THROUGH THAT, AND MOVED PAST-- - "I SEE YOU MADE AN EFFORT." 728 00:26:05,500 --> 00:26:07,270 - [laughs] - "COMPLIMENTS, INDIGNITIES, 729 00:26:07,266 --> 00:26:09,566 AND SURVIVAL STORIES FROM THE EDGE OF 50." 730 00:26:09,567 --> 00:26:10,727 [all laughing] - CUTE. 731 00:26:10,734 --> 00:26:12,734 WHAT A COOL COVER. - THAT IS SO CUTE. 732 00:26:12,734 --> 00:26:14,204 THANK YOU. - THAT IS REALLY CUTE. 733 00:26:14,200 --> 00:26:16,000 - MWAH. - YOU KNOW IT'S A JOKE, RIGHT? 734 00:26:16,000 --> 00:26:17,070 - I KNOW IT'S A JOKE. - IT'S FUN, IT'S-- 735 00:26:17,066 --> 00:26:19,526 - CAMILLE AND I STARTED OFF 736 00:26:19,533 --> 00:26:21,233 PROBABLY WANTING TO KILL EACH OTHER. 737 00:26:21,233 --> 00:26:22,633 - YOU SAID IT TO ME. YOU SAID IT. 738 00:26:22,633 --> 00:26:24,533 - I NEVER TALKED LIKE THAT. - I WOULDN'T MAKE THAT UP. 739 00:26:24,533 --> 00:26:27,473 - YOU'RE SUCH A [bleep]ING LIAR, CAMILLE. 740 00:26:31,066 --> 00:26:33,126 AND NOW, TO BE SUCH GOOD FRIENDS, 741 00:26:33,133 --> 00:26:35,033 YOU JUST LOOK BACK AND THINK, 742 00:26:35,033 --> 00:26:37,333 "WHAT A WASTE OF TIME THAT ARGUING WAS." 743 00:26:37,333 --> 00:26:39,533 - I LIKE THE PINK PANTIES. - I LOVE THE PINK PANTIES TOO. 744 00:26:39,533 --> 00:26:40,603 I'M GONNA HAVE TO GET SOME OF THOSE. 745 00:26:40,600 --> 00:26:42,300 - AND I ACTUALLY WANT TO READ IT. 746 00:26:42,300 --> 00:26:44,170 - OH, LOOK, IT'S WHITE CARPET. I LIKE THAT. 747 00:26:44,166 --> 00:26:45,696 - OH, YEAH, NICE. - THIS IS A GOOD START. 748 00:26:45,700 --> 00:26:47,200 LOOK HOW PRETTY IT LOOKS. 749 00:26:59,367 --> 00:27:01,097 - OH, YEAH, NICE. - THIS IS A GOOD START. - YOU DON'T EVEN-- 750 00:27:01,100 --> 00:27:02,370 WHAT? - YES! 751 00:27:02,367 --> 00:27:03,567 - DID YOU JUST SAY THE "P" WORD? - IT'S BRIGHT PINK. 752 00:27:03,567 --> 00:27:05,527 - YES, YOU'RE ALLOWED TO SAY THAT IN ENGLAND. 753 00:27:05,533 --> 00:27:06,733 DO YOU WANT TO SEE IT? - YEAH, I DO. 754 00:27:06,734 --> 00:27:08,334 - THEN GO ON. GO PUT YOUR HEAD UNDER THERE. 755 00:27:08,333 --> 00:27:10,273 - OKAY, LET ME SEE IT TOO. - I'M JOKING. 756 00:27:10,266 --> 00:27:12,266 OH, FOR GOD'S SAKE. - [laughs] 757 00:27:12,266 --> 00:27:16,566 - MY DOG'S PINK, SO WHY SHOULDN'T MY PUSSY BE? 758 00:27:16,567 --> 00:27:19,467 [dance music] 759 00:27:19,467 --> 00:27:21,767 - HI, TINY DANCER. 760 00:27:21,767 --> 00:27:24,027 ♪♪ ♪♪ 761 00:27:24,033 --> 00:27:25,433 - YOU LOOK SO BEAUTIFUL. 762 00:27:25,433 --> 00:27:27,033 HOW IS EVERYTHING NOW? HOW IS THE RESTAURANT? 763 00:27:27,033 --> 00:27:29,073 - EVERYTHING-- - I THINK PUMP LOOKS GREAT. 764 00:27:29,066 --> 00:27:31,126 I THOUGHT IT LOOKED SO PRETTY. - IT WAS SO MUCH WORK. 765 00:27:31,133 --> 00:27:33,003 - LOOK AT THIS. - WHAT? 766 00:27:33,000 --> 00:27:35,130 - OH, MY GOD. - OKAY, THAT'S FUN. 767 00:27:35,133 --> 00:27:37,403 - OKAY, GET IN THERE. THE OLD CAMILLE I KNEW 768 00:27:37,400 --> 00:27:39,000 WOULD BE IN THERE. - [laughs] 769 00:27:39,000 --> 00:27:40,730 - SHAKING YOUR BOOBIES. - THAT WAS ME THREE YEARS-- 770 00:27:40,734 --> 00:27:41,774 THREE YEARS AGO. 771 00:27:47,600 --> 00:27:48,600 - HI. OR WERE YOU WERE GONNA 772 00:27:48,600 --> 00:27:50,130 SHAKE MY HAND? - [laughs] 773 00:27:50,133 --> 00:27:51,173 - LOVE SHAKING HANDS. - [laughs] 774 00:27:51,166 --> 00:27:52,426 - HELLO. 775 00:27:52,433 --> 00:27:55,233 - I WAS THINKING THAT WE SHOULD JUMP IN THE POOL TONIGHT. 776 00:27:55,233 --> 00:27:56,433 WHAT DO YOU THINK? - WELL THEN YOU GO FIRST. 777 00:27:56,433 --> 00:27:57,633 I'LL BE RIGHT BEHIND YOU. - [all laughing] 778 00:27:57,633 --> 00:27:59,433 - NO, I'M HOLDING YOUR HAND WHEN I JUMP. 779 00:27:59,433 --> 00:28:02,273 WELL, LISA HAS A HARD TIME TO SAY "I'M SORRY." 780 00:28:02,266 --> 00:28:04,466 I ACCEPT HER FOR WHO SHE IS AND WHAT SHE IS. 781 00:28:04,467 --> 00:28:06,197 YOU KNOW, LIFE GOES ON. ONCE YOU ACCEPT SOMEBODY 782 00:28:06,200 --> 00:28:09,570 FOR WHO THEY ARE, YOU KNOW, YOU CAN MOVE ON. 783 00:28:09,567 --> 00:28:12,427 AND I MOVED ON A LONG, LONG TIME AGO. 784 00:28:12,433 --> 00:28:13,703 - TAYLOR. - YOU KNOW... 785 00:28:13,700 --> 00:28:16,130 - LOOK AT YOU. - WHOA, TAYLOR'S HERE? 786 00:28:16,133 --> 00:28:17,133 - LOOK AT YOU. - OH, MY GOD. 787 00:28:17,133 --> 00:28:19,373 - LOOK AT YOU. - I AM! 788 00:28:19,367 --> 00:28:21,427 - UNDO WITH THAT, WE'RE MARRIED. - HI! 789 00:28:21,433 --> 00:28:24,333 AW. all: AWW. 790 00:28:24,333 --> 00:28:26,733 - ARE YOU WORKING IT. - WELL, LOOK AT YOU, BABY. 791 00:28:26,734 --> 00:28:28,604 WORKING IT OUT LIKE ALWAYS. - YEAH. 792 00:28:28,600 --> 00:28:29,600 - HELLO. - HOW ARE YOU? 793 00:28:29,600 --> 00:28:30,730 - HEY. HOW ARE YOU? 794 00:28:30,734 --> 00:28:32,604 - HOW ARE YOU? - I'M GOOD, THANK YOU. 795 00:28:32,600 --> 00:28:34,330 - HI, JOHN. 796 00:28:34,333 --> 00:28:36,333 - HI. - [laughs] 797 00:28:36,333 --> 00:28:37,533 both: MM. 798 00:28:37,533 --> 00:28:39,203 - YAY. - YOU LOOK SO PRETTY. 799 00:28:39,200 --> 00:28:41,770 - TAYLOR'S ALWAYS BEEN A GREAT FRIEND TO ME. 800 00:28:41,767 --> 00:28:43,597 SHE'S NEVER STABBED ME IN THE BACK 801 00:28:43,600 --> 00:28:46,070 AND SHE'S JUST A GOOD PERSON 802 00:28:46,066 --> 00:28:49,026 AND SOMEONE WHO'S GONE THROUGH VERY DIFFICULT TIMES. 803 00:28:49,033 --> 00:28:50,503 - I'M SCARED. 804 00:28:50,500 --> 00:28:52,470 AND I LOVE HIM. 805 00:28:52,467 --> 00:28:53,597 I DO. 806 00:28:53,600 --> 00:28:55,070 - I'M GONNA BE FIGHTING FOR SOMETHING 807 00:28:55,066 --> 00:28:58,996 THAT REALLY IS NOT WORTH FIGHTING FOR, TO BE HONEST. 808 00:28:59,000 --> 00:29:01,330 AND NOW TO SEE HER HAPPY AND MARRIED, 809 00:29:01,333 --> 00:29:06,173 AND KENNEDY HAVING A GREAT STEPDAD WHO'S ADOPTED HER, 810 00:29:06,166 --> 00:29:09,226 IT JUST, YOU KNOW, IT'S AMAZING. I LOVE IT. 811 00:29:09,233 --> 00:29:12,603 - IT'S NICE TO BE AROUND WITH OUR GROUP OF FRIENDS AGAIN. 812 00:29:12,600 --> 00:29:16,370 I MEAN, 'CAUSE I WAS AWAY IN TEXAS GETTING MY CANCER SURGERY 813 00:29:16,367 --> 00:29:19,767 AND TREATMENTS, AND YOU WERE GONE IN COLORADO. 814 00:29:19,767 --> 00:29:21,027 IT'S NICE TO SEE EVERYBODY. - NOW WE'RE BACK, 815 00:29:21,033 --> 00:29:22,303 AND YOU WON'T BE ABLE TO SHAKE US. 816 00:29:22,300 --> 00:29:23,630 [all laughing] 817 00:29:23,633 --> 00:29:26,473 - OH, I'VE GOTTA GO BACK TO ENGLAND TO GET RID OF YOU. 818 00:29:28,633 --> 00:29:30,103 - YOU HAVE TO REALLY HOLD ME 819 00:29:30,100 --> 00:29:35,500 BECAUSE THIS STUFF IS HARD TO WALK ON WITH HEELS. 820 00:29:35,500 --> 00:29:37,170 HI, HOW ARE YOU? - GREAT. 821 00:29:37,166 --> 00:29:38,426 - HI, NICE TO SEE YOU. - WELCOME. 822 00:29:38,433 --> 00:29:39,473 - THANK YOU. 823 00:29:42,000 --> 00:29:43,230 - HI, GUYS. - OH, MY GOSH. 824 00:29:43,233 --> 00:29:45,503 - HOW ARE YOU? - HOW ARE YOU, HONEY? 825 00:29:45,500 --> 00:29:46,670 - ARE YOU COMING? - YEAH. 826 00:29:46,667 --> 00:29:47,767 - OH, MY GOD, WHAT, LIKE, WE DIDN'T BR-- 827 00:29:47,767 --> 00:29:49,697 THEY HAVE THREE GIFTS. 828 00:29:49,700 --> 00:29:51,030 - THAT'S WHAT I SAID. - NO, WE NEVER BRING GIFTS. 829 00:29:51,033 --> 00:29:53,033 - THAT'S WHY I WAS LIKE-- 830 00:29:55,133 --> 00:29:56,273 - HI, GUYS! 831 00:29:56,266 --> 00:29:57,396 - HI! 832 00:29:57,400 --> 00:29:59,770 - HOW CUTE DO YOU LOOK. - OH, HOW ARE YOU? 833 00:29:59,767 --> 00:30:01,367 HOW ARE YOU? - I'M GOOD. 834 00:30:01,367 --> 00:30:02,627 - YOU'RE GOOD? - AH. 835 00:30:02,633 --> 00:30:04,633 I'VE BEEN HAVING THE WORST ANXIETY TODAY. 836 00:30:04,633 --> 00:30:06,273 THIS IS WHY WE WERE A LITTLE LATE. 837 00:30:06,266 --> 00:30:07,726 - YOU HAD ANXIETY? WHY, HONEY? 838 00:30:07,734 --> 00:30:10,104 - JUST WITH ALL OF THESE LOVELY PEOPLE 839 00:30:10,100 --> 00:30:12,000 THAT I HAVEN'T SEEN FOR SO LONG. 840 00:30:12,000 --> 00:30:14,700 - NO. 841 00:30:14,700 --> 00:30:16,270 ADRIENNE AND I HAD A FALLING OUT. 842 00:30:16,266 --> 00:30:17,266 - WHY DO YOU LIE? - NO. 843 00:30:17,266 --> 00:30:18,326 - THIS HAS NOTHING TO DO WITH YOU. 844 00:30:18,333 --> 00:30:20,133 - GET YOUR FINGER OUT OF MY FACE. 845 00:30:20,133 --> 00:30:21,403 - NO, NO, NO. MY FINGER'S NOT IN YOUR FACE. 846 00:30:21,400 --> 00:30:22,430 - REALLY? HOW--OH, ARE YOU KIDDING? 847 00:30:22,433 --> 00:30:23,573 - NO, ARE YOU KIDDING ME? - ARE-- 848 00:30:23,567 --> 00:30:24,667 - SHE HAS. - MORE COMMENTS WHEN YOU HAVE 849 00:30:24,667 --> 00:30:26,367 A SMILE ON YOUR FACE? - ON MY CHILDREN. 850 00:30:26,367 --> 00:30:27,397 - YOU ARE LYING. - I GUESS YOU WEREN'T DOING 851 00:30:27,400 --> 00:30:28,400 ANYTHING. - REALLY, I'M LYING? 852 00:30:28,400 --> 00:30:29,430 - DON'T DO THAT ON YOUR CHILDREN. 853 00:30:29,433 --> 00:30:30,433 - BUT WHY DID YOUR-- REALLY? 854 00:30:30,433 --> 00:30:31,503 I'M AM NOT LYING, BITCH. 855 00:30:31,500 --> 00:30:33,270 - YOU LIE. - [bleep] YOU. 856 00:30:33,266 --> 00:30:36,296 - YOU'RE A PIECE OF [bleep]. 857 00:30:36,300 --> 00:30:38,570 - I REVEALED SOMETHING I SHOULDN'T HAVE SAID, 858 00:30:38,567 --> 00:30:42,367 AND SHE TALKED ABOUT MY FAMILY IN WAYS SHE SHOULDN'T HAVE. 859 00:30:42,367 --> 00:30:46,767 IT WAS JUST A REALLY DISASTROUS, NEGATIVE SITUATION TO BE IN 860 00:30:46,767 --> 00:30:48,267 FOR BOTH OF US. 861 00:30:48,266 --> 00:30:49,626 - THERE'S ADRIENNE. 862 00:30:49,633 --> 00:30:51,273 - WHERE IS ADRIENNE? 863 00:30:51,266 --> 00:30:52,466 - MY GOD. 864 00:30:52,467 --> 00:30:54,427 COME ON, WE'VE GOT TO SAY HI. - OKAY. 865 00:30:54,433 --> 00:30:55,633 - OH. 866 00:30:55,633 --> 00:30:59,333 OH! - OH. 867 00:30:59,333 --> 00:31:00,473 - [bleep] IT. LET'S JUST DO IT. 868 00:31:00,467 --> 00:31:04,197 - THERE'S NO EASY WAY TO DO IT. 869 00:31:04,200 --> 00:31:05,330 - COMING UP... 870 00:31:05,333 --> 00:31:07,303 - I SEE YOU SOCIALLY. I SAW YOU AT POLO. 871 00:31:07,300 --> 00:31:09,230 I SEE YOU HERE AND THERE. I'M LIKE, "AH." 872 00:31:09,233 --> 00:31:11,733 AND I DON'T WANT IT TO BE WEIRD WITH US. 873 00:31:16,734 --> 00:31:18,474 - DO YOU--WILL YOU ORDER YOUR SISTER A FATBURGER? 874 00:31:18,467 --> 00:31:20,427 SHE LIKES KETCHUP ONLY AND PICKLES. 875 00:31:20,433 --> 00:31:23,003 - NO. THAT'S NOT MY TASTE. 876 00:31:23,000 --> 00:31:24,030 - THAT'S NOT YOUR TASTE? - OKAY. 877 00:31:24,033 --> 00:31:25,603 [laughs] - TELL ME YOUR TASTE. 878 00:31:25,600 --> 00:31:27,770 - CAN I HAVE ONLY FRENCH FRIES? 879 00:31:27,767 --> 00:31:29,367 - ONLY FRENCH FRIES. 880 00:31:29,367 --> 00:31:32,297 - PORTIA HAS FOUND HER VOICE. 881 00:31:32,300 --> 00:31:35,070 SHE IS SIX YEARS OLD, GOING ON 35, 882 00:31:35,066 --> 00:31:37,526 AND SHE WAS NO PROBLEM SAYING WHAT SHE WANTS, 883 00:31:37,533 --> 00:31:39,333 WHEN SHE WANTS IT, AND HOW SHE'S GONNA GET IT. 884 00:31:39,333 --> 00:31:40,473 - SHE SAID YES. - OH, WOW. 885 00:31:40,467 --> 00:31:42,097 PORTIA, LICKETY-SPLIT, 886 00:31:42,100 --> 00:31:43,630 YOUR SISTER HAS TWO FATBURGERS FOR YOU GUYS. 887 00:31:43,633 --> 00:31:45,303 - WAIT. - YOU AND ELLIE... 888 00:31:45,300 --> 00:31:47,600 - THIS IS NOT HOW WE LIKE IT, MOM. 889 00:31:47,600 --> 00:31:49,300 - NO, WAIT. - THIS IS NOT HOW YOU LIKE IT? 890 00:31:49,300 --> 00:31:50,530 - BUT THIS HAS NO PICKLES ON IT. 891 00:31:50,533 --> 00:31:51,673 - I'LL BE TAKING THAT. THANK YOU. 892 00:31:51,667 --> 00:31:53,197 - I KNOW, I'M STARVING. - YOU KNOW WHAT? 893 00:31:53,200 --> 00:31:54,330 YOU BETTER LET YOUR MOM HANDLE THIS. 894 00:31:54,333 --> 00:31:55,373 - ALL RIGHT, OKAY, COME ON, LET'S GO. 895 00:31:55,367 --> 00:31:58,627 YOU READY? - YEAH. 896 00:31:58,633 --> 00:31:59,703 EW. 897 00:31:59,700 --> 00:32:00,700 I DON'T LIKE TOMATOES AND LETTUCE. 898 00:32:06,633 --> 00:32:07,773 - [bleep] IT. LET'S JUST DO IT. 899 00:32:07,767 --> 00:32:09,167 - THERE'S NO EASY WAY TO DO IT. 900 00:32:09,166 --> 00:32:10,696 - HELLO. - OH, LOOK WHO'S HERE. 901 00:32:10,700 --> 00:32:12,030 - OH, MY GOD. - [laughs] 902 00:32:12,033 --> 00:32:13,503 - HI, HELLO. 903 00:32:13,500 --> 00:32:15,430 - I JUST SAW YOU OVER THERE. 904 00:32:15,433 --> 00:32:17,133 - HOW ARE YOU? OH, MY GOSH. 905 00:32:17,133 --> 00:32:18,433 - HI. - SO WEIRD. 906 00:32:18,433 --> 00:32:19,733 - HI, HOW ARE YOU? - HOW ARE YOU? 907 00:32:19,734 --> 00:32:21,074 - GOOD. - HI. 908 00:32:21,066 --> 00:32:22,766 - HI, HOW ARE YOU? - OH, MY GOD. 909 00:32:22,767 --> 00:32:25,227 YOU LOOK FABULOUS. - HELLO. 910 00:32:25,233 --> 00:32:28,073 - IT'S REALLY UNCOMFORTABLE WITH LISA AND ADRIENNE 911 00:32:28,066 --> 00:32:30,396 BEING IN THE SAME SPOT WHEN I GO TO SAY HELLO. 912 00:32:30,400 --> 00:32:31,670 - IT'S SO GOOD TO SEE YOU. 913 00:32:31,667 --> 00:32:33,727 - BUT THIS IS SO WEIRD. - SO GOOD TO SEE YOU. 914 00:32:33,734 --> 00:32:35,174 - HI, HOW ARE YOU? - WOW, THAT'S HOT. 915 00:32:35,166 --> 00:32:37,226 - YEAH. - LOOKING BEAUTIFUL. 916 00:32:37,233 --> 00:32:38,673 - YOU KNOW, YOU JUST FEEL LIKE AN OUTSIDER, 917 00:32:38,667 --> 00:32:41,097 LIKE A--LIKE YOU'RE IN HIGH SCHOOL AND THEY'RE IN A CLIQUE 918 00:32:41,100 --> 00:32:43,400 AND YOU'RE NOT INVITED IN. AND IT'S LIKE, 919 00:32:43,400 --> 00:32:44,400 NOT COOL. 920 00:32:44,400 --> 00:32:45,530 - WHAT? - I KNOW. 921 00:32:45,533 --> 00:32:47,173 - THIS IS SO FUNNY. - I KNOW, IT'S SO WEIRD. 922 00:32:47,166 --> 00:32:48,426 - [laughs] - LIKE OLD TIMES. 923 00:32:48,433 --> 00:32:49,433 - I KNOW. - RIGHT? 924 00:32:49,433 --> 00:32:51,173 - YEAH. - THIS IS UNCOMFORTABLE. 925 00:32:51,166 --> 00:32:53,296 - [laughs] - I KNOW. 926 00:32:53,300 --> 00:32:55,270 I'M REALLY BLESSED. 927 00:32:55,266 --> 00:32:57,266 - I MEAN, HOW ARE YOU 75 AND ROLLING YOUR EYES? 928 00:33:07,433 --> 00:33:08,673 - WHAT'S GOING ON? 929 00:33:08,667 --> 00:33:10,097 - NOTHING. - NOTHING? 930 00:33:10,100 --> 00:33:11,270 - JUST HANGING OUT WITH KATHERINE. 931 00:33:11,266 --> 00:33:12,496 - YOU'RE JUST HANGING OUT AT THE BAR? 932 00:33:13,533 --> 00:33:15,303 - MARTIN. - [laughs] 933 00:33:15,300 --> 00:33:17,000 - HOW ARE YOU? - I'M GOOD, HOW ARE YOU? 934 00:33:17,000 --> 00:33:18,000 - GOOD. - MM. 935 00:33:20,300 --> 00:33:21,530 - I AM NOT COMFORTABLE. 936 00:33:21,533 --> 00:33:23,073 I'M NOT PART OF THE CLUB ANYMORE. 937 00:33:23,066 --> 00:33:27,596 I FEEL LIKE I'VE BEEN EXCOMMUNICATED FROM THE GIRLS 938 00:33:27,600 --> 00:33:32,630 BECAUSE LISA THE GODDESS SAID I HAVE TO G.O. 939 00:33:32,633 --> 00:33:34,433 IT'S LIKE MEAN GIRLS WITH LINDSAY LOHAN, 940 00:33:34,433 --> 00:33:36,003 BUT THEY'RE ALL 78. 941 00:33:36,000 --> 00:33:40,470 - HI, HOW ARE YOU? - HI, GOOD. 942 00:33:40,467 --> 00:33:44,427 - THIS IS DEFINITELY REMINISCENT FROM WHEN I WAS ON CRUTCHES 943 00:33:44,433 --> 00:33:46,203 AND I FIRST MET THIS GROUP OF WOMEN. 944 00:33:46,200 --> 00:33:48,530 - WHY WOULD YOU WEAR A STILETTO WHEN YOU HAVE A BROKEN LEG? 945 00:33:48,533 --> 00:33:50,003 - EXCUSE ME. IT'S A WEDGE! 946 00:33:50,000 --> 00:33:51,270 - NO, WAIT, WHEN YOU-- - SO YOU CAN LOSE YOUR BALANCE 947 00:33:51,266 --> 00:33:52,526 AND GET ANOTHER BROKEN LEG. 948 00:33:52,533 --> 00:33:54,233 - [laughs] - THAT IS SO BITCHY. 949 00:33:54,233 --> 00:33:55,533 I LOVE IT. - [laughs] 950 00:33:55,533 --> 00:33:57,303 - AND SHE FELL OFF HER SHOE. 951 00:33:57,300 --> 00:33:58,330 - I'M TRYING TO BE THE GROWN-UP HERE, 952 00:33:58,333 --> 00:34:00,403 AND THAT'S LIKE A FIRST FOR ME. 953 00:34:00,400 --> 00:34:03,370 - YOU ARE, BUT YOU SHOULD BE A LITTLE MORE, LIKE, ASSERTIVE. 954 00:34:03,367 --> 00:34:04,627 - I DON'T WANT TO. 955 00:34:04,633 --> 00:34:06,403 - DUDE, I, LIKE, I'VE HAD... - WELL, YOU SHOULD. 956 00:34:06,400 --> 00:34:08,270 - I'M--I'M IN, LIKE, A PEACEFUL PLACE. 957 00:34:08,266 --> 00:34:11,566 I GOT ENOUGH [bleep]ING STRESS IN MY LIFE. 958 00:34:11,567 --> 00:34:12,567 [sighs] 959 00:34:14,333 --> 00:34:15,573 - DR. THOMAS MARINARO? 960 00:34:15,567 --> 00:34:16,727 - YEAH, HE'S ON THE LIST. - OKAY. 961 00:34:16,734 --> 00:34:18,204 - THAT'S MY CHIROPRACTOR. 962 00:34:20,333 --> 00:34:21,533 - WAIT, ADRIENNE, HOW OLD'S YOUR BOYFRIEND? 963 00:34:21,533 --> 00:34:22,533 HE'S SO CUTE. - [laughs] 964 00:34:22,533 --> 00:34:25,203 - HE'S OLD ENOUGH. - HE'S OLD ENOUGH TO DRINK. 965 00:34:25,200 --> 00:34:26,270 THAT'S ALL THAT MATTERS. - OLD ENOUGH TO KNOW 966 00:34:26,266 --> 00:34:27,396 HOW TO HAVE A GREAT RELATIONSHIP. 967 00:34:27,400 --> 00:34:29,300 - HE CAN DRIVE. - IT'S NOT ABOUT A NUMBER. 968 00:34:29,300 --> 00:34:31,000 IT'S ABOUT WHETHER YOU JUST-- - NO, WE KNOW YOU'RE SO HAPPY. 969 00:34:31,000 --> 00:34:34,100 - I KNOW 50-YEAR-OLD MEN THAT ACT LIKE THEY'RE... 970 00:34:34,100 --> 00:34:35,300 - HELLO. - 18. 971 00:34:35,300 --> 00:34:36,700 OH, YEAH, I'M SORRY-- - MY EX-HUSBAND! 972 00:34:36,700 --> 00:34:38,100 [both laughing] 973 00:34:38,100 --> 00:34:39,600 - I'M HAPPY TO SEE ADRIENNE. 974 00:34:39,600 --> 00:34:42,530 SHE'S RUNNING AROUND WITH A LITTLE BUSH BETWEEN HER LEGS. 975 00:34:42,533 --> 00:34:45,103 THAT LITTLE BUSH BEING JACOB BUSCH, HER NEW BOYFRIEND. 976 00:34:45,100 --> 00:34:48,500 IF SHE'S HAPPY AND SHE'S GOT THAT SMILE ON HER FACE, 977 00:34:48,500 --> 00:34:50,070 THEN I'M HAPPY FOR HER 978 00:34:50,066 --> 00:34:55,226 BECAUSE SHE WAS A BIT OF A MOODY OLD COW WHEN SHE WAS WITH PAUL. 979 00:34:55,233 --> 00:34:57,673 - WOW, THOSE SHOES MAKE A LOT OF NOISE. 980 00:34:57,667 --> 00:34:58,697 - THIS IS SO FUNNY. - I KNOW. 981 00:34:58,700 --> 00:35:00,470 - LOOK AT ALL THE PEOPLE IN FRONT OF-- 982 00:35:00,467 --> 00:35:02,067 - I KNOW. - IS THIS LIKE, WOW. 983 00:35:02,066 --> 00:35:03,496 - I KNOW, RIGHT? - WHO ARE WE MISSING HERE? 984 00:35:03,500 --> 00:35:04,770 - WHO IS ALWAYS MISSING? 985 00:35:04,767 --> 00:35:05,767 - KIM! - WHERE'S KIM? 986 00:35:05,767 --> 00:35:07,527 - WAIT, ONE, TWO, THREE... 987 00:35:07,533 --> 00:35:08,533 WHERE'S KIM? 988 00:35:08,533 --> 00:35:09,573 - WHERE'S KIM? 989 00:35:09,567 --> 00:35:10,727 - WHERE IS KIM? 990 00:35:10,734 --> 00:35:13,034 - WAIT, WHERE'S KIM? - WHERE'S KIM? 991 00:35:13,033 --> 00:35:16,103 - KIM IS M.I.A., AS USUAL. 992 00:35:16,100 --> 00:35:18,630 - THERE'S SOMETHING MISSING. 993 00:35:18,633 --> 00:35:20,073 I THINK I FOUND IT. - [laughs] 994 00:35:20,066 --> 00:35:21,396 - WOW! - HI! 995 00:35:21,400 --> 00:35:23,000 - WOW. - OH, MY GOSH. 996 00:35:23,000 --> 00:35:24,000 - WELL, THE HAIR DOES GOOD. I HAVE TO ADMIT, THOUGH. 997 00:35:24,000 --> 00:35:25,130 - HI. - HOW ARE YOU? 998 00:35:25,133 --> 00:35:26,373 - GOOD, HOW ARE YOU? - WE WERE JUST SAYING 999 00:35:26,367 --> 00:35:27,397 SOMETHING WAS MISSING. - HI. 1000 00:35:27,400 --> 00:35:29,330 - HI, HOW ARE YOU? MWAH. 1001 00:35:29,333 --> 00:35:32,033 - I DON'T DO CONFLICT, REALLY. 1002 00:35:32,033 --> 00:35:34,333 USUALLY. [laughs] 1003 00:35:34,333 --> 00:35:38,703 I LOOK FORWARD TO PUTTING ALL THAT BEHIND US. 1004 00:35:38,700 --> 00:35:41,600 IF WE HAVEN'T ALREADY. OR DID WE? 1005 00:35:41,600 --> 00:35:43,100 THIS IS REMINDING ME OF SOMETHING. 1006 00:35:43,100 --> 00:35:44,170 - [laughs] - OH, ISN'T IT? 1007 00:35:44,166 --> 00:35:46,126 - RIGHT? - NOW SAYING SOMEBODY'S INSECURE 1008 00:35:46,133 --> 00:35:47,373 DOESN'T SEEM SO DRAMATIC. - BING. 1009 00:35:47,367 --> 00:35:48,727 [all laugh] 1010 00:35:48,734 --> 00:35:50,604 - THAT WAS SUCH A [bleep]ING-- - I CAN SAY NOW ON IT'S SECURE. 1011 00:35:50,600 --> 00:35:52,230 [all laugh] 1012 00:35:56,100 --> 00:35:57,400 - WE'RE HERE. THANK GOD. 1013 00:35:57,400 --> 00:35:59,500 LISA RINNA AND HARRY HAMLIN. 1014 00:36:01,533 --> 00:36:02,533 HEY! - HELLO. 1015 00:36:02,533 --> 00:36:03,633 - HELLO! 1016 00:36:03,633 --> 00:36:05,333 HI. AW. 1017 00:36:05,333 --> 00:36:07,403 HI, HONEY. HI, MY FAVORITES. 1018 00:36:07,400 --> 00:36:09,300 OH, MY GOSH, HI. 1019 00:36:09,300 --> 00:36:14,030 I REMEMBER YOLANDA GOING ON AUDITIONS AND CASTINGS AND 1020 00:36:14,033 --> 00:36:16,303 SHE WOULD WALK IN THE ROOM, AND THE WHOLE-- 1021 00:36:16,300 --> 00:36:19,100 EVERYBODY WOULD BE LIKE, "OH, MY GOD, THERE'S YOLANDA." 1022 00:36:19,100 --> 00:36:20,630 [gasps] AND THE WHOLE ROOM WOULD STOP 1023 00:36:20,633 --> 00:36:23,573 BECAUSE SHE WAS THE IT GIRL, LIKE SUPERMODEL. 1024 00:36:23,567 --> 00:36:26,467 THROUGHOUT THE '90s, AND I WOULD SEE HER AROUND, YOU KNOW, 1025 00:36:26,467 --> 00:36:29,097 WHEN SHE WAS MARRIED TO MOHAMED. 1026 00:36:29,100 --> 00:36:30,300 - HELLO. - HELLO! 1027 00:36:30,300 --> 00:36:32,230 - HI! - CAMILLE! 1028 00:36:32,233 --> 00:36:34,133 - HOW ARE YOU? - LISA! 1029 00:36:34,133 --> 00:36:36,433 SO GOOD TO SEE YOU. - IT'S SO GOOD TO SEE YOU. 1030 00:36:36,433 --> 00:36:38,473 HOW ARE YOU? - GREAT, GREAT. 1031 00:36:38,467 --> 00:36:40,427 - IF YOU SPEND ENOUGH TIME IN THIS TOWN... 1032 00:36:40,433 --> 00:36:42,433 DARLING! 1033 00:36:42,433 --> 00:36:45,033 THANK YOU, GIRL. MY LITTLE TURTLE MAMA. 1034 00:36:45,033 --> 00:36:46,203 YOU KNOW EVERYBODY. 1035 00:36:46,200 --> 00:36:48,370 AND HOW ARE YOU? EVERYTHING GOOD? 1036 00:36:48,367 --> 00:36:50,527 - YEAH, IT'S BEEN BUSY, CRAZY, DOING PUMP. 1037 00:36:50,533 --> 00:36:52,303 WE'RE GETTING IT ALL TOGETHER. - THREE RESTAURANTS? 1038 00:36:52,300 --> 00:36:54,300 - YEAH, WHATEVER, YEAH, EXACTLY. - WHY? 1039 00:36:54,300 --> 00:36:55,570 YOU KNOW, WHEN I FIRST MET LISA, 1040 00:36:55,567 --> 00:36:59,727 I HAD NO IDEA THAT LISA VANDERPUMP WAS AS RICH AS SHE IS 1041 00:36:59,734 --> 00:37:03,074 UNTIL WE STARTED TO GO TO SUR 1042 00:37:03,066 --> 00:37:06,266 AND SHE WOULD COME OUT IN THIS DIAMOND NECKLACE 1043 00:37:06,266 --> 00:37:07,426 THAT I'LL NEVER FORGET, 1044 00:37:07,433 --> 00:37:09,473 AND I REMEMBER LOOKING AT HARRY AND SAYING, 1045 00:37:09,467 --> 00:37:10,597 "THEY'RE FILTHY RICH." 1046 00:37:10,600 --> 00:37:12,000 [laughs] 1047 00:37:12,000 --> 00:37:13,730 HELLO, GORGEOUS. - HOW ARE YOU? 1048 00:37:13,734 --> 00:37:15,474 - MWAH. HI, BABY. 1049 00:37:15,467 --> 00:37:19,027 - I'M SO SWEATY, I'M SORRY. - YOU ARE, BUT IT FEELS SO GOOD. 1050 00:37:19,033 --> 00:37:20,533 - I'M GOING TO WIPE DOWN. 1051 00:37:20,533 --> 00:37:22,503 - LOOK AT YOUR BOOBS. 1052 00:37:22,500 --> 00:37:25,230 - WHAT CAN I SAY? - GOD, YOU HAVE SUCH GOOD BOOBS. 1053 00:37:25,233 --> 00:37:26,733 CAN I JUST TOUCH THEM? THEY'RE SO GOOD. 1054 00:37:26,734 --> 00:37:28,304 - AH! 1055 00:37:28,300 --> 00:37:29,500 - YOU CAN TOUCH MINE. - IS THAT RIGHT? 1056 00:37:29,500 --> 00:37:32,230 - I NEED TO GO DRY OFF. I'M SO SWEATY. 1057 00:37:32,233 --> 00:37:33,273 I'LL BE BACK. - [laughs] 1058 00:37:33,266 --> 00:37:35,366 - HEY! - WHAT KIND OF HUSBANDS ARE YOU? 1059 00:37:35,367 --> 00:37:37,497 YOU'RE SUPPOSED TO BE GETTING US A DRINK. 1060 00:37:37,500 --> 00:37:38,770 - HELLO, DARLING. 1061 00:37:38,767 --> 00:37:40,267 - THEY'RE GOING. 1062 00:37:40,266 --> 00:37:41,496 - WHO'S GOING? - YEAH, WE'RE GONNA HAVE TO GO 1063 00:37:41,500 --> 00:37:42,500 IN A MINUTE 'CAUSE-- - NO, YOU'RE NOT GOING. 1064 00:37:42,500 --> 00:37:43,700 - BUT IT'S THE WRAP PARTY. 1065 00:37:43,700 --> 00:37:46,170 - WE HAVE TO GO TO THE MAD MEN WRAP PARTY. 1066 00:37:46,166 --> 00:37:47,466 - OH. - FOR THE WHOLE SERIES. 1067 00:37:47,467 --> 00:37:49,067 IT'S THE SERIES WRAP PARTY. - OH, REALLY? 1068 00:37:49,066 --> 00:37:51,226 - YEAH, THE WHOLE SERIES IS OVER TONIGHT. 1069 00:37:51,233 --> 00:37:54,203 - HARRY, HE'S JUST A NICE MAN. 1070 00:37:54,200 --> 00:37:56,430 HE'S A GOOD HUSBAND AND A GOOD FATHER, 1071 00:37:56,433 --> 00:38:01,703 AND I HAVE A LOT OF RESPECT FOR THEM AND THEIR RELATIONSHIP. 1072 00:38:01,700 --> 00:38:04,300 IT SOUNDS LIKE I LOVE HIM SO MUCH I WANT TO SWING WITH THEM. 1073 00:38:04,300 --> 00:38:05,700 I DON'T. I JUST THINK THEY'RE GREAT. 1074 00:38:05,700 --> 00:38:07,100 [laughs] 1075 00:38:11,266 --> 00:38:14,166 - I'M NOT GOING UP TO ADRIENNE IF SHE'S WITH LISA. 1076 00:38:14,166 --> 00:38:15,726 - WHERE IS SHE? I DON'T SEE. 1077 00:38:15,734 --> 00:38:18,674 - WHERE IS SHE AT? 1078 00:38:18,667 --> 00:38:19,727 SHE'S OVER THERE. 1079 00:38:19,734 --> 00:38:21,534 - WHERE? I'M NOT GOING OVER THERE. 1080 00:38:21,533 --> 00:38:22,733 - TALKING TO KIM. - WHERE? 1081 00:38:22,734 --> 00:38:24,034 - SHE'S NOT WITH LISA. LISA'S OVER HERE. 1082 00:38:24,033 --> 00:38:25,273 - BUT WHERE? 1083 00:38:25,266 --> 00:38:26,596 - OVER THERE WHERE THAT LIGHT IS. 1084 00:38:26,600 --> 00:38:28,400 - I HONESTLY DON'T HAVE TIME FOR PETTY BULL[bleep]. 1085 00:38:28,400 --> 00:38:30,000 I WAS POSITIVE PEOPLE AROUND ME, 1086 00:38:30,000 --> 00:38:32,670 AND IF YOU'RE GONNA GO BACK AND BE LIKE, "WOE IS ME, 1087 00:38:32,667 --> 00:38:34,997 YOU SAID THIS OR THIS, AND IT HURT MY FEELINGS," 1088 00:38:35,000 --> 00:38:38,670 I CAN'T--LISTEN, LET'S SIT DOWN WITH ADRIENNE, SQUASH IT, 1089 00:38:38,667 --> 00:38:39,997 AND MOVE ON. 1090 00:38:40,000 --> 00:38:41,000 - WHAT IS YOUR NAME AGAIN? I'M SORRY. 1091 00:38:41,000 --> 00:38:42,000 - JACOB. - JAKE. 1092 00:38:42,000 --> 00:38:43,000 - JACOB? - YES. 1093 00:38:43,000 --> 00:38:44,230 - YEAH. I CALL HIM MR. JAKE. 1094 00:38:44,233 --> 00:38:47,303 - YEAH. [laughs] 1095 00:38:47,300 --> 00:38:49,430 - HOLD MY HAND BECAUSE I DON'T WANT TO FALL. 1096 00:38:49,433 --> 00:38:51,033 I'M AFRAID THAT I'M NOT GONNA STAY IN CONTROL 1097 00:38:51,033 --> 00:38:53,433 AND I'M AFRAID THAT I'M GONNA SNAP. 1098 00:38:53,433 --> 00:38:54,703 AND BE LIKE, "WELL, YOU DID THIS, TOO." 1099 00:38:54,700 --> 00:38:56,370 BLA BLA, LIKE, BLA BLA BLA. 1100 00:38:56,367 --> 00:38:58,297 I KNOW ME, AND I CAN GO THERE. 1101 00:38:58,300 --> 00:39:01,170 LIKE THE LITTLE ANOREXIC, BARKING CHIHUAHUA. 1102 00:39:01,166 --> 00:39:02,166 [barks like a Chihuahua] 1103 00:39:02,166 --> 00:39:04,226 - YEAH, SO... 1104 00:39:04,233 --> 00:39:06,233 AND...RIGHT? - THAT'S GOOD. 1105 00:39:06,233 --> 00:39:08,333 - BEAUTIFUL NIGHT. 1106 00:39:08,333 --> 00:39:10,533 - SO... 1107 00:39:10,533 --> 00:39:11,503 - WHERE YOU GOING? YOU'RE NOT LEAVING. 1108 00:39:11,500 --> 00:39:12,530 - NO, WE'RE NOT LEAVING. 1109 00:39:12,533 --> 00:39:13,773 BUT... - YOU'RE NOT. 1110 00:39:13,767 --> 00:39:15,367 - I WOULD LOVE TO HAVE A CONVERSATION WITH YOU. 1111 00:39:15,367 --> 00:39:16,667 DO YOU MIND? 1112 00:39:16,667 --> 00:39:18,567 I'M SORRY, I'M, LIKE, I'M SWEATING. 1113 00:39:18,567 --> 00:39:20,267 I'M NERVOUS. IS IT OKAY? 1114 00:39:20,266 --> 00:39:21,596 - YEAH, NO WORRIES. - OKAY. 1115 00:39:21,600 --> 00:39:24,200 WHAT I WANT FROM ADRIENNE IS NOT TO BE BEST FRIENDS 1116 00:39:24,200 --> 00:39:26,030 AND JUST TO MOVE FORWARD, AND IT WON'T BE AWKWARD 1117 00:39:26,033 --> 00:39:28,003 FOR EVERYONE AROUND US. 1118 00:39:28,000 --> 00:39:30,170 THANK YOU FOR SITTING WITH ME. 1119 00:39:30,166 --> 00:39:32,396 I FEEL LIKE MAYBE WE DON'T DO THIS CHAIR BECAUSE 1120 00:39:32,400 --> 00:39:35,070 LAST TIME WE DID THIS CHAIR-- - OH, I REMEMBER THIS CHAIR. 1121 00:39:35,066 --> 00:39:36,496 - LET'S JUST DO THIS SIDE. 1122 00:39:36,500 --> 00:39:38,770 - YOU'RE A LOOSE CANNON BECAUSE YOU JUST SAY WHATEVER YOU HEAR. 1123 00:39:38,767 --> 00:39:40,197 - YOU JUST SAY WHATEVER'S ON YOUR MIND. 1124 00:39:40,200 --> 00:39:42,270 - WELCOME TO THE UNITED [bleep]ING STATES OF AMERICA. 1125 00:39:42,266 --> 00:39:43,466 - EVERY SINGLE--LET'S STOP. 1126 00:39:43,467 --> 00:39:44,727 - LET'S--LET'S-- - STOP. 1127 00:39:44,734 --> 00:39:45,734 - IT'S GOING IN A CIRCLE - STOP, STOP, STOP, STOP, 1128 00:39:45,734 --> 00:39:47,204 STOP, STOP, STOP. 1129 00:39:47,200 --> 00:39:49,230 - I JUST WANT TO SAY TO YOU, I DON'T WANT TO DO-- 1130 00:39:49,233 --> 00:39:51,533 I DON'T WANT TO HAVE A MAJOR CONVERSATION HERE. 1131 00:39:51,533 --> 00:39:53,533 I THINK IT-- I THINK IT GOES BOTH WAYS 1132 00:39:53,533 --> 00:39:56,573 MAKING EACH OTHER ANGRY AND IT'S NEVER GOOD TO BE ANGRY. 1133 00:40:00,200 --> 00:40:01,730 - COMING UP... 1134 00:40:03,200 --> 00:40:06,000 - I DON'T REALLY WANT TO GO DANCE. 1135 00:40:06,000 --> 00:40:08,470 - I DON'T HAVE ANY ANGER TOWARDS BRANDI. 1136 00:40:08,467 --> 00:40:10,097 I KIND OF FEEL SORRY FOR HER 1137 00:40:10,100 --> 00:40:12,670 BECAUSE I KNOW I'M A [bleep]ING GOOD FRIEND. 1138 00:40:19,033 --> 00:40:22,103 - IT'S NEVER GOOD TO BE ANGRY. 1139 00:40:22,100 --> 00:40:23,200 I KNEW YOU WERE COMING TONIGHT, 1140 00:40:23,200 --> 00:40:25,230 AND I'VE JUST BEEN ANXIOUS ALL DAY, 1141 00:40:25,233 --> 00:40:28,273 AND I WOULD LOVE TO EXPLAIN CERTAIN THINGS TO YOU, 1142 00:40:28,266 --> 00:40:30,626 I DON'T WANT TO DO IT HERE. UM-- 1143 00:40:30,633 --> 00:40:32,203 - WELL, IT'S NOT APPROPRIATE TO DO IT HERE. 1144 00:40:32,200 --> 00:40:34,100 - RIGHT. 1145 00:40:35,367 --> 00:40:37,427 CAN--CAN I TAKE YOU TO COFFEE? 1146 00:40:40,533 --> 00:40:41,703 - LET'S DO THAT. 1147 00:40:41,700 --> 00:40:44,070 - I WAS SHOCKED THAT SHE WAS REALLY RECEPTIVE, 1148 00:40:44,066 --> 00:40:46,996 'CAUSE SHE KNOWS KARATE, AND SHE COULD'VE HURT ME. 1149 00:40:47,000 --> 00:40:48,130 HOPEFULLY. 1150 00:40:48,133 --> 00:40:49,103 THIS IS SINCERE. - YEAH, WE'LL HAVE COFFEE. 1151 00:40:49,100 --> 00:40:50,200 LET'S DO THAT. - OKAY. 1152 00:40:50,200 --> 00:40:54,430 OKAY, THAT'S A GOOD--GOOD THING. - YES. 1153 00:40:54,433 --> 00:40:57,303 [dance music] 1154 00:40:57,300 --> 00:40:59,700 - ADRIENNE! BRANDI? 1155 00:40:59,700 --> 00:41:02,130 KIM! 1156 00:41:02,133 --> 00:41:05,203 CAMILLE, TAYLOR. WHERE'D LISA GO? 1157 00:41:05,200 --> 00:41:10,770 IT WAS REALLY FUN TO SEE CAMILLE, ADRIENNE, TAYLOR, 1158 00:41:10,767 --> 00:41:14,397 YOLANDA, LISA, KIM, ALL OF US TOGETHER. 1159 00:41:14,400 --> 00:41:17,200 NOW, OBVIOUSLY, THERE'S TIMES WE HAVEN'T GOTTEN ALONG, 1160 00:41:17,200 --> 00:41:19,330 BUT WHEN YOU HAVE THAT HISTORY TOGETHER, 1161 00:41:19,333 --> 00:41:22,273 THERE'S ALWAYS GONNA BE THAT BOND. 1162 00:41:22,266 --> 00:41:23,526 ♪♪ ♪♪ 1163 00:41:23,533 --> 00:41:26,303 - I DON'T REALLY WANT TO GO DANCE. 1164 00:41:26,300 --> 00:41:28,530 THERE'S DEFINITELY A LITTLE BIT OF NEGATIVE ENERGY 1165 00:41:28,533 --> 00:41:31,503 AT THIS PARTY BECAUSE LISA HAS A HARD TIME 1166 00:41:31,500 --> 00:41:34,130 FORGIVING AND FORGETTING. 1167 00:41:34,133 --> 00:41:38,573 I DON'T WANT THAT TO BE, BECAUSE I'M GENUINELY SORRY, 1168 00:41:38,567 --> 00:41:42,227 AND...YOU KNOW, IT GOES BOTH WAYS. 1169 00:41:42,233 --> 00:41:44,473 - THANK YOU SO MUCH. - YOU'RE WELCOME. 1170 00:41:44,467 --> 00:41:46,167 - HEY, OMAR, HOW WAS THE GAME? - YOU GUYS HAVE A GOOD TIME? 1171 00:41:46,166 --> 00:41:47,196 - YEAH, GOOD, THANKS. - THANK YOU. 1172 00:41:47,200 --> 00:41:49,600 I DON'T HAVE ANY ANGER TOWARDS BRANDI. 1173 00:41:49,600 --> 00:41:51,530 I KIND OF FEEL SORRY FOR HER, 1174 00:41:51,533 --> 00:41:54,003 BECAUSE I KNOW I'M A [bleep]ING GOOD FRIEND, 1175 00:41:54,000 --> 00:41:57,000 AND I AM THERE WHEN YOU NEED ME. 1176 00:41:57,000 --> 00:42:00,270 NO, NO, NO, SHE BURNED THAT BRIDGE. 1177 00:42:06,734 --> 00:42:10,274 - NEXT TIME, ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1178 00:42:10,266 --> 00:42:12,026 - THE SAME TIME. - UGH! 1179 00:42:12,033 --> 00:42:13,173 - THAT IS-- - SWEET. 1180 00:42:13,166 --> 00:42:15,466 - I LIKE THE ENERGY THE YOUNG GUNS HAVE. 1181 00:42:15,467 --> 00:42:17,367 - HI, MY LOVE. - WOW. 1182 00:42:17,367 --> 00:42:18,627 - [laughs] 1183 00:42:18,633 --> 00:42:21,333 - I'M SPEECHLESS. I DON'T WANT WHAT TO SAY. 1184 00:42:21,333 --> 00:42:23,203 - HOW WOULD HE EVER KNOW THIS IS US? 1185 00:42:23,200 --> 00:42:24,670 THEY WON'T EVEN KNOW WHO WE ARE. 1186 00:42:24,667 --> 00:42:26,197 WE'RE GONNA LOOK VERY, VERY DIFFERENT. 1187 00:42:26,200 --> 00:42:27,200 [chuckles] 1188 00:42:27,200 --> 00:42:28,470 - I SWEAR, I THINK HE'S COMING. 1189 00:42:28,467 --> 00:42:30,697 - OH, MY GOD. - I SWEAR TO GOD. 1190 00:42:30,700 --> 00:42:32,070 - OH, THIS IS A GOOD PART FOR ME. 1191 00:42:32,066 --> 00:42:34,166 "SHE'S TRYING TO STAY YOUTHFUL AND RELATABLE, 1192 00:42:34,166 --> 00:42:35,326 WITH HIGHLIGHTS." - OOH, WITH HIGHLIGHTS. 1193 00:42:35,333 --> 00:42:37,073 [both laughing] 1194 00:42:37,066 --> 00:42:39,326 - I'LL DO ANYTHING TO MAKE A BUCK. 1195 00:42:39,333 --> 00:42:41,573 I DON'T SAY NO VERY MUCH. I SAY YES. 1196 00:42:41,567 --> 00:42:43,667 - THERE WAS SO MUCH NASTINESS. 1197 00:42:43,667 --> 00:42:45,727 JUST REMEMBER WHO CERTAIN PEOPLE ARE 1198 00:42:45,734 --> 00:42:47,104 AND WHAT THEY'RE CAPABLE OF. 1199 00:42:47,100 --> 00:42:48,600 WHEN THAT LOYALTY IS GONE 1200 00:42:48,600 --> 00:42:51,270 IS IT AIR KISSING? BULL[bleep]. 1201 00:42:51,266 --> 00:42:55,366 - I'M ACTUALLY GOING TO MEET ADRIENNE MALOOF. 1202 00:42:55,367 --> 00:42:56,767 - OH, MY GOD. 1203 00:42:56,767 --> 00:42:58,127 - I WANT TO BE ON MY BEST BEHAVIOR, 1204 00:42:58,133 --> 00:42:59,503 AND I DON'T TRUST MYSELF. 1205 00:42:59,500 --> 00:43:02,400 - HI, WELCOME TO RIVE GAUCHE. - HI, HOW ARE YOU? 1206 00:43:02,400 --> 00:43:04,100 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1207 00:43:04,100 --> 00:43:05,770 GO TO BRAVOTV.COM. 83633