subtitlecat.com

All language subtitles for The.Real.Housewives.Of.Beverly.Hills.S04E02.WEBRip.x264-ION10

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal) Download

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,266 --> 00:00:05,376 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,400 --> 00:00:06,576 - WHOA. 3 00:00:06,600 --> 00:00:09,042 - EASY... NOW! 4 00:00:09,066 --> 00:00:13,009 IT IS A LITTLE BIT STRANGE FOR ME, BEING SO, KIND OF, UM, 5 00:00:13,033 --> 00:00:16,609 PHYSICALLY ENTWINED WITH SOMEBODY OTHER THAN MY HUSBAND. 6 00:00:16,633 --> 00:00:19,676 - TA-DA. 7 00:00:19,700 --> 00:00:20,677 WELCOME HOME. 8 00:00:20,701 --> 00:00:23,009 - BASICALLY, I'M A WHITE VERSION 9 00:00:23,033 --> 00:00:24,609 OF THE JEFFERSONS, AND I'M MOVIN' ON UP. 10 00:00:24,633 --> 00:00:26,009 I THINK I NEED TO HAVE IT. 11 00:00:26,033 --> 00:00:27,380 - ALL RIGHT, LET'S GO GET YOU THIS HOUSE. 12 00:00:27,404 --> 00:00:29,042 - SIT DOWN. 13 00:00:29,066 --> 00:00:31,543 LET ME HAVE THAT TOY. 14 00:00:31,567 --> 00:00:33,576 I'VE HAD KINGSLEY ONE YEAR 15 00:00:33,600 --> 00:00:36,976 AND, WELL, KINGSLEY NEEDS SOME TRAINING. 16 00:00:37,000 --> 00:00:40,676 - JOYCE, MICHAEL, I WANTED YOU TO MEET CARLTON AND DAVID. 17 00:00:40,700 --> 00:00:42,309 - HELLO. - HI, I'M JOYCE. 18 00:00:42,333 --> 00:00:43,710 VERY NICE TO MEET YOU. - JOYCE AND MICHAEL. 19 00:00:43,734 --> 00:00:45,111 - DAVID. NICE TO MEET YOU. 20 00:00:45,135 --> 00:00:47,479 - I'M A TOTAL PAGEANT GIRL FROM PUERTO RICO, 21 00:00:47,503 --> 00:00:49,145 BUT I LIVE IN BEVERLY HILLS NOW. 22 00:00:49,169 --> 00:00:51,176 - I'M GONNA TAKE HER TO RUN MY ERRANDS WITH ME. 23 00:00:51,200 --> 00:00:52,646 - THIS IS WHERE THE RUMOR COMES, 24 00:00:52,670 --> 00:00:55,209 THAT HE'S BEING SEEN WITH A YOUNGER WOMAN. 25 00:00:55,233 --> 00:00:57,550 - THIS IS NOT FUNNY, AND I DON'T WANT YOU 26 00:00:57,574 --> 00:01:01,027 TALKING LIKE THAT IN FRONT OF MY CHILD. 27 00:01:02,767 --> 00:01:04,142 I'M FROM THIS TOWN. 28 00:01:04,166 --> 00:01:07,126 I KNOW WHAT'S REAL AND WHAT'S FAKE. 29 00:01:09,033 --> 00:01:12,710 - DON'T TELL ME YOU'RE MY FRIEND, ACT LIKE ONE. 30 00:01:12,734 --> 00:01:18,042 - IN BEVERLY HILLS, THE HIGHER YOU CLIMB, THE FARTHER YOU FALL. 31 00:01:18,066 --> 00:01:22,066 - EVERYBODY LOVES A COMEBACK STORY, ESPECIALLY STARRING ME. 32 00:01:23,367 --> 00:01:27,543 - IN MY WORLD, MONEY DOESN'T TALK, IT SWEARS. 33 00:01:27,567 --> 00:01:31,067 - YOU CAN NEVER BE TOO YOUNG, TOO THIN, OR TOO HONEST. 34 00:01:32,767 --> 00:01:36,767 - LIFE IS A SEXY LITTLE DANCE, AND I LIKE TO TAKE THE LEAD. 35 00:02:01,700 --> 00:02:04,009 - MORNING, BLANKIE. 36 00:02:04,033 --> 00:02:05,376 HOW ARE YOU? 37 00:02:05,400 --> 00:02:07,476 - I'M FINE, THANK YOU. HOW ARE YOU? 38 00:02:07,500 --> 00:02:09,276 - THE MASTER CLEANSE MASTER. 39 00:02:09,300 --> 00:02:10,646 I'M GOING ON A CLEANSE RIGHT NOW 40 00:02:10,670 --> 00:02:13,976 BECAUSE I'VE JUST BEEN TAKING SO MANY MEDICATIONS, 41 00:02:14,000 --> 00:02:17,076 AND I JUST FEEL SO TOXIC SINCE I'VE GOTTEN SICK 42 00:02:17,100 --> 00:02:18,447 AND BEEN DEALING WITH LYME DISEASE. 43 00:02:18,471 --> 00:02:20,109 REMEMBER WHEN YOU DID IT? 44 00:02:20,133 --> 00:02:22,109 - I DID 20 DAYS. 45 00:02:22,133 --> 00:02:24,080 - AND HOW MUCH WEIGHT DID YOU LOSE IN THE 20 DAYS? 46 00:02:24,104 --> 00:02:25,376 - 18 POUNDS. 47 00:02:25,400 --> 00:02:28,376 - LYME DISEASE IS A BACTERIA 48 00:02:28,400 --> 00:02:30,447 THAT GETS INTO YOUR BODY BY A TICK BITE, 49 00:02:30,471 --> 00:02:33,643 AND IT CAN AFFECT PEOPLE IN DIFFERENT WAYS. 50 00:02:33,667 --> 00:02:35,309 FOR ME, IT WENT INTO MY BRAIN 51 00:02:35,333 --> 00:02:38,479 AND I STARTED TO NOTICE THAT I WAS LOSING BRAIN FUNCTION. 52 00:02:38,503 --> 00:02:40,509 WELL, I CAN'T EAT ANYTHING ANYWAY THIS MORNING 53 00:02:40,533 --> 00:02:43,976 BECAUSE OF THE SURGERY, SO IT'S EASY FOR ME TODAY. 54 00:02:44,000 --> 00:02:46,547 THEY PLACED A PORT THAT GOES STRAIGHT TO THE HEART, 55 00:02:46,571 --> 00:02:49,976 AND FOUR TIMES A DAY IT WOULD GIVE ME ANTIBIOTICS. 56 00:02:50,000 --> 00:02:52,076 BUT TODAY I'M GETTING MY PORT TAKEN OUT, 57 00:02:52,100 --> 00:02:55,145 AND I DON'T MIND GETTING A NEEDLE POKED EVERY DAY. 58 00:02:55,169 --> 00:02:57,242 I THINK I'M TOUGH ENOUGH TO GET THAT DONE. 59 00:02:57,266 --> 00:02:58,743 THAT'S JUST PART OF THE RECOVERY. 60 00:02:58,767 --> 00:03:02,042 OKAY, I'M GONNA WAKE UP SENOR AND THEN I'M GONNA GET DRESSED 61 00:03:02,066 --> 00:03:03,409 AND GET READY FOR THE AIRPORT. - OKAY. 62 00:03:03,433 --> 00:03:05,680 - I'M MEAN FOR THE AIRPORT. - I KNOW. 63 00:03:05,704 --> 00:03:08,430 - I MEAN FOR... LYME BRAIN. [laughs] 64 00:03:16,200 --> 00:03:17,676 - I WISH YOU GOOD LUCK. 65 00:03:17,700 --> 00:03:21,276 - I'M NEED ALL THE LUCK I CAN GET, TRUST ME. 66 00:03:21,300 --> 00:03:23,509 I FEEL, LIKE, SCARED [bleep] TO BE HONEST. 67 00:03:23,533 --> 00:03:25,609 I MEAN IT'S TOTALLY OUT OF MY COMFORT ZONE. 68 00:03:25,633 --> 00:03:27,710 MIND YOU, I'M GETTING USED TO IT WITH GLEB. 69 00:03:27,734 --> 00:03:29,176 HE'S SO BLOODY GORGEOUS. 70 00:03:29,200 --> 00:03:30,177 - [giggles] 71 00:03:30,201 --> 00:03:31,309 - DANCING WITH THE STARS 72 00:03:31,333 --> 00:03:33,479 TAKES OVER YOUR LIFE, BUT, YOU KNOW, 73 00:03:33,503 --> 00:03:35,647 I'M GONNA GET THROUGH IT AND GIVE IT MY BEST SHOT. 74 00:03:35,671 --> 00:03:38,042 YOU KNOW WHAT IT IS? 75 00:03:38,066 --> 00:03:39,176 YOU'RE NOT GOING TO UNDERSTAND THIS. 76 00:03:39,200 --> 00:03:41,609 IT'S A LEGITIMATE WAY OF BEING UNFAITHFUL. 77 00:03:41,633 --> 00:03:43,347 I MEAN, I CAN MAKE OUT WITH ANOTHER MAN 78 00:03:43,371 --> 00:03:44,576 WITHOUT DOING ANYTHING WRONG. 79 00:03:44,600 --> 00:03:45,609 PERFECT. - YEAH. 80 00:03:45,633 --> 00:03:46,610 - WISH ME LUCK. - WISH YOU... 81 00:03:46,634 --> 00:03:47,710 - I DIDN'T SAY THAT. 82 00:03:47,734 --> 00:03:48,743 I LOVE YOU. 83 00:03:48,767 --> 00:03:50,009 I WOULD NEVER MAKE OUT 84 00:03:50,033 --> 00:03:54,309 WITH ANOTHER MAN, YOU LITTLE SEX MACHINE. 85 00:03:54,333 --> 00:03:55,710 - SO MR. KEN IS GONNA... - YEAH. 86 00:03:55,734 --> 00:03:57,979 HE'S GONNA COME AND GET HIM, AND HE CAN COME AND SEE ME. 87 00:03:58,003 --> 00:03:59,576 THEY LOVE HIM IN THE AUDIENCE THERE ANYWAY. 88 00:03:59,600 --> 00:04:01,346 - YEAH, YEAH. - OKAY, WISH ME LUCK, ROCIO. 89 00:04:01,370 --> 00:04:02,576 - OKAY, MISS LISA, GOOD LUCK. 90 00:04:02,600 --> 00:04:04,042 I WISH YOU GOOD LUCK. 91 00:04:04,066 --> 00:04:05,643 GIGGY SAY GOOD LUCK TO YOU TOO. 92 00:04:05,667 --> 00:04:07,509 YOU'RE THE BEST. - NO, I'M NOT. 93 00:04:07,533 --> 00:04:09,750 I'M USELESS, BUT I'M GONNA GIVE IT MY BEST SHOT. 94 00:04:09,774 --> 00:04:12,727 - OKAY, MISS LISA. BYE. 95 00:04:26,066 --> 00:04:29,409 - 8 GOES INTO 42... 96 00:04:29,433 --> 00:04:32,347 IS IT WRONG THAT I WANT TO GET A CALCULATOR? 97 00:04:32,371 --> 00:04:34,044 WHAT GRADE ARE YOU IN AGAIN? 98 00:04:34,068 --> 00:04:35,976 - THIRD. - YEAH. 99 00:04:36,000 --> 00:04:37,743 QUITE DIFFICULT. 100 00:04:37,767 --> 00:04:41,567 MY LIFE AND MY CHILDREN IS [bleep] AMAZING. 101 00:04:46,300 --> 00:04:48,976 I BELIEVE THAT YOUR HOME IS YOUR SANCTUARY 102 00:04:49,000 --> 00:04:52,743 AND IT'S VERY NECESSARY TO PUT YOUR IMPRINT IN THERE. 103 00:04:52,767 --> 00:04:56,643 IN MY HOME I HAVE A LOT OF RELIGIOUS SYMBOLS. 104 00:04:56,667 --> 00:04:58,109 I LOVE THE CROSS. 105 00:04:58,133 --> 00:05:00,247 I THINK IT'S A BEAUTIFUL SYMBOL. 106 00:05:00,271 --> 00:05:03,309 BUT THEN, I LOVE THE PENTAGRAM FOR OTHER REASONS, 107 00:05:03,333 --> 00:05:05,433 AND THAT'S MY FAITH. 108 00:05:08,200 --> 00:05:09,376 - HEY, BABE. 109 00:05:09,400 --> 00:05:10,609 HOW YOU DOING? - GOOD. 110 00:05:10,633 --> 00:05:11,578 HOW ARE YOU? - HEY BABE. 111 00:05:11,602 --> 00:05:12,577 - HI, DADDY. - HOW YOU DOING? 112 00:05:12,601 --> 00:05:14,109 - GOOD, HOW ARE YOU? - GOOD. 113 00:05:14,133 --> 00:05:15,350 ALL RIGHT, I'M GONNA GO UP AND CHANGE. 114 00:05:15,374 --> 00:05:17,976 - WHEN I WAS PROBABLY ABOUT SEVEN YEARS OLD, 115 00:05:18,000 --> 00:05:21,176 AND I WOULD IMAGINE THE CASTLE THAT I WOULD BUILD... 116 00:05:21,200 --> 00:05:23,330 AND WE DID IT. WE BLOODY DID IT. 117 00:05:26,200 --> 00:05:28,009 ARE YOU READY? [grunts] 118 00:05:28,033 --> 00:05:29,373 - YOU WORKING OUT FIRST? - YEAH. 119 00:05:34,700 --> 00:05:37,245 - WE'LL START WITH SOME SPRINTS, ALL RIGHT? 120 00:05:37,269 --> 00:05:38,643 GO. - [breathes heavily] 121 00:05:38,667 --> 00:05:40,743 - STRAIGHT AT ME. - WHAT? 122 00:05:40,767 --> 00:05:42,409 - GOOD JOB, BABE. - DAVID AND HIS FAMILY 123 00:05:42,433 --> 00:05:45,247 OWN A MULTIMILLION DOLLAR SPORTS MANAGEMENT COMPANY 124 00:05:45,271 --> 00:05:48,042 THAT MANAGES NBA PLAYERS AND NFL PLAYERS. 125 00:05:48,066 --> 00:05:50,309 HE REPRESENTS TOP ATHLETES IN THE INDUSTRY. 126 00:05:50,333 --> 00:05:53,509 SO FITNESS IS VERY IMPORTANT TO DAVID AND I. 127 00:05:53,533 --> 00:05:55,533 - COOL. THAT'S A SPRINT. 128 00:05:58,734 --> 00:06:00,142 GOOD. COME ON, MYS. 129 00:06:00,166 --> 00:06:02,166 - [giggles] - PICK IT UP. 130 00:06:05,700 --> 00:06:06,677 GOOD. 131 00:06:06,701 --> 00:06:08,343 - YOU'RE BLOODY FAST. 132 00:06:08,367 --> 00:06:10,543 - GOOD WORKOUT. - THANK YOU. 133 00:06:10,567 --> 00:06:12,476 - I AM CONSIDERED THE STRICT ONE, 134 00:06:12,500 --> 00:06:13,477 BETWEEN DAVID AND I. 135 00:06:13,501 --> 00:06:14,609 AND I THINK THAT'S A GOOD THING. 136 00:06:14,633 --> 00:06:16,509 I THINK WITH DAUGHTERS, FOR DAVID, 137 00:06:16,533 --> 00:06:18,179 HE SHOULD BE MORE LENIENT. 138 00:06:18,203 --> 00:06:19,710 - NO. - LET'S WASH YOUR HANDS. 139 00:06:19,734 --> 00:06:20,710 - MOM? - YES? 140 00:06:20,734 --> 00:06:21,711 - CAN I CUT UP THE CUCUMBERS? 141 00:06:21,735 --> 00:06:23,743 - YEAH, JUST KEEP YOUR FINGERS 142 00:06:23,767 --> 00:06:25,509 AND YOUR THUMB AWAY FROM THE EDGE. 143 00:06:25,533 --> 00:06:27,047 - THAT'S A REALLY SHARP KNIFE, BABE. 144 00:06:27,071 --> 00:06:31,042 - MOVE YOUR BLOODY FINGERS. I DO NOT WANT TO EAT AN INDEX... 145 00:06:31,066 --> 00:06:32,309 CAN I JUST SHOW YOU A QUICK WAY 146 00:06:32,333 --> 00:06:34,179 SO YOU DON'T HAVE TO CUT ONE PIECE AT A TIME? 147 00:06:34,203 --> 00:06:35,276 - I KNOW HOW TO DO IT. 148 00:06:35,300 --> 00:06:36,676 - AND THEN YOU HAVE TO DO IT ON THE ENDS, 149 00:06:36,700 --> 00:06:38,076 BUT YOU'RE GONNA HAVE TO DO IT INDIVIDUALLY. 150 00:06:38,100 --> 00:06:40,209 - YES, I KNOW. - STOP SAYING YOU KNOW. 151 00:06:40,233 --> 00:06:41,180 YOU DON'T KNOW. 152 00:06:41,204 --> 00:06:42,576 I DON'T EVER GROUND MY CHILDREN. 153 00:06:42,600 --> 00:06:44,176 I HAVEN'T REALLY NEEDED TO. 154 00:06:44,200 --> 00:06:46,209 BUT THEY UNDERSTAND ONCE I GET TO THAT POINT 155 00:06:46,233 --> 00:06:49,176 WHERE MY EYES CHANGE, THAT MOMMY'S SERIOUS. 156 00:06:49,200 --> 00:06:52,209 HEY, D, DO ME A FAVOR. - THAT'S A SHARP KNIFE. 157 00:06:52,233 --> 00:06:55,343 - DESTINY, DO NOT TAKE... NO, SERIOUSLY. 158 00:06:55,367 --> 00:06:57,209 PICK UP THAT [bleep] KNIFE AND SEE WHAT HAPPENS. 159 00:06:57,233 --> 00:06:59,347 I DON'T WATCH MY LANGUAGE AROUND MY CHILDREN. 160 00:06:59,371 --> 00:07:02,209 DON'T LOOK AT ME WITH THE KNIFE IN YOUR HAND. 161 00:07:02,233 --> 00:07:03,547 LOOK AT THE [bleep] CELERY. 162 00:07:03,571 --> 00:07:06,042 MY DAUGHTER SWORE ONE TIME WHEN SHE WAS THREE YEARS OLD. 163 00:07:06,066 --> 00:07:07,676 SHE WAS STANDING IN FRONT OF THE MIRROR AND SHE SAID, 164 00:07:07,700 --> 00:07:09,446 "MOMMY, DO I [bleep] ROCK, MOMMY?" 165 00:07:09,470 --> 00:07:11,609 AND I SAID, "NO, YOU LOOK [bleep] BEAUTIFUL." 166 00:07:11,633 --> 00:07:13,250 AND THAT WAS THE VERY FIRST TIME 167 00:07:13,274 --> 00:07:17,209 AND THE ONLY TIME SHE'S EVER SWORN. 168 00:07:17,233 --> 00:07:18,276 NO! 169 00:07:18,300 --> 00:07:19,476 YOU KNOW, I SWEAR TO, GOD, 170 00:07:19,500 --> 00:07:21,409 I'M HAVING [bleep] ANGINA RIGHT NOW. 171 00:07:21,433 --> 00:07:23,479 - ANGINA? - WHATEVER THE HELL IT'S CALLED. 172 00:07:23,503 --> 00:07:25,109 - IS THAT, LIKE, MANGINA? 173 00:07:25,133 --> 00:07:26,743 - MOMMY, WHAT'S ANGINA? 174 00:07:26,767 --> 00:07:28,567 - I DON'T [bleep] KNOW. 175 00:07:38,133 --> 00:07:40,142 - ARE YOU NERVOUS? 176 00:07:40,166 --> 00:07:42,142 - UM, A LITTLE BIT, YEAH. 177 00:07:42,166 --> 00:07:43,209 - YOU'RE WEARING YOUR CLOGS, 178 00:07:43,233 --> 00:07:44,280 WHICH USUALLY MEANS YOU'RE NERVOUS. 179 00:07:44,304 --> 00:07:45,746 - YES, MY DUTCH CLOGS. 180 00:07:45,770 --> 00:07:47,976 - HEY, BABE, SHOULD WE GO? - YEAH. 181 00:07:48,000 --> 00:07:49,609 - LET'S GO, BABE. - ARE YOU GOING WITH US? 182 00:07:49,633 --> 00:07:51,080 - I LOVE YOU. - NO, I'M GOING TO A HORSE SHOW. 183 00:07:51,104 --> 00:07:52,646 - HORSE SHOW. - GOOD LUCK. 184 00:07:52,670 --> 00:07:55,509 - LET'S GO GET THAT THING OUT. - BYE. SEE YOU. 185 00:07:55,533 --> 00:07:57,676 I KNOW, IT'S SUCH A BIG DAY. 186 00:07:57,700 --> 00:07:59,509 - WHEN YOU GET MARRIED, IT'S FOR BETTER OR FOR WORSE, 187 00:07:59,533 --> 00:08:00,550 IN SICKNESS AND IN HEALTH, 188 00:08:00,574 --> 00:08:04,509 AND LYME DISEASE IS AN ONGOING SITUATION 189 00:08:04,533 --> 00:08:07,176 THAT YOLANDA AND MYSELF 190 00:08:07,200 --> 00:08:09,109 ARE GOING TO HAVE TO DEAL WITH FOR LIFE. 191 00:08:09,133 --> 00:08:11,147 ARE YOU NERVOUS? BECAUSE YOU WERE REALLY NERVOUS 192 00:08:11,171 --> 00:08:12,343 WHEN THEY PUT THAT THING IN. 193 00:08:12,367 --> 00:08:14,076 - WELL, IT'S BECAUSE IT'S IN YOUR HEART. 194 00:08:14,100 --> 00:08:15,647 YOU KNOW, IT'S, LIKE, A STRANGE PLACE. 195 00:08:15,671 --> 00:08:17,476 - YEAH. IT'S NO JOKE. 196 00:08:17,500 --> 00:08:19,676 - LOVE YOU, BABY. 197 00:08:19,700 --> 00:08:21,309 - I THINK THAT LYME DISEASE SHOWED ME 198 00:08:21,333 --> 00:08:23,476 THAT I COULD BE A GOOD HUSBAND. 199 00:08:23,500 --> 00:08:25,609 BECAUSE I'VE, YOU KNOW, SORT OF FAILED AT THAT 200 00:08:25,633 --> 00:08:28,443 A COUPLE OF TIMES AT LEAST. 201 00:08:28,467 --> 00:08:30,209 - THANK YOU, LOVE. - HERE, BABY. 202 00:08:30,233 --> 00:08:31,710 - THANK YOU, LOVE. 203 00:08:31,734 --> 00:08:33,276 - WHERE DO WE GO? 204 00:08:33,300 --> 00:08:34,376 - MORNING. - MORNING. 205 00:08:34,400 --> 00:08:35,509 - HEY, DOC. - HEY, HOW ARE YOU? 206 00:08:35,533 --> 00:08:36,543 GOOD TO SEE YOU, MAN. 207 00:08:36,567 --> 00:08:37,609 HOW ARE YOU? - GOOD SEEING YOU. 208 00:08:37,633 --> 00:08:38,680 - HI, DOC. - THANKS FOR BEING HERE. 209 00:08:38,704 --> 00:08:40,676 - HOW ARE YOU, BABY? - HOW ARE YOU? 210 00:08:40,700 --> 00:08:42,176 - GREAT. GRADUATION DAY. 211 00:08:42,200 --> 00:08:44,242 THIS LADY IS GONNA TAKE US HERE BACK TO THE BACK. 212 00:08:44,266 --> 00:08:45,276 - OKAY. HI. GOOD MORNING. - GOOD MORNING. 213 00:08:45,300 --> 00:08:46,277 RIGHT THIS WAY. 214 00:08:46,301 --> 00:08:47,676 - THANK GOD FOR MY HUSBAND 215 00:08:47,700 --> 00:08:50,142 AND MY CHILDREN WHO ARE AMAZING. 216 00:08:50,166 --> 00:08:55,142 WHEN YOU STARE AT THE CEILING DAY IN, DAY OUT, YOU KNOW, 217 00:08:55,166 --> 00:09:00,309 JUST HAVING THEM COME AND SAY HELLO AT THE END OF THE DAY... 218 00:09:00,333 --> 00:09:04,543 YOU KNOW, THAT'S WHAT I WAS WAITING FOR. 219 00:09:04,567 --> 00:09:07,242 - WE'RE GETTING THE CATHETER OUT. 220 00:09:07,266 --> 00:09:09,509 THE DISEASE IS UNDER CONTROL, BUT IT'S GONNA TAKE A LONG TIME 221 00:09:09,533 --> 00:09:12,576 TO RECOVER FROM THAT PSYCHOLOGICAL DAMAGE 222 00:09:12,600 --> 00:09:14,676 THAT THIS DID, BECAUSE IT TAKES A PIECE OF YOU. 223 00:09:14,700 --> 00:09:17,047 - I JUST FEEL LIKE I LOST MY BALLS, YOU KNOW? 224 00:09:17,071 --> 00:09:19,343 - YEAH, WELL, THEY'RE BACK, BABY. 225 00:09:19,367 --> 00:09:22,443 - NO, THEY'RE NOT. 226 00:09:22,467 --> 00:09:25,409 THE VOWS ARE THROUGH SICKNESS AND THROUGH HEALTH, RIGHT? 227 00:09:25,433 --> 00:09:28,309 BUT IN BEVERLY HILLS, MOST MEN ARE HAPPY 228 00:09:28,333 --> 00:09:31,076 TO SHOW OFF THEIR BEAUTIFUL WIFE. 229 00:09:31,100 --> 00:09:36,376 I JUST DON'T KNOW IF THEY STICK AROUND THROUGH TIMES LIKE THIS. 230 00:09:36,400 --> 00:09:39,443 - THERE'S WHERE MY JOURNEY ENDS. [kiss] 231 00:09:39,467 --> 00:09:41,109 I LOVE YOU. IT'S GONNA BE FINE. 232 00:09:41,133 --> 00:09:42,450 IT'S GONNA BE PERFECT, OKAY? I'LL SEE YOU IN RECOVERY. 233 00:09:42,474 --> 00:09:45,076 - OH, MY LOVE. - LOVE YOU, BABE. 234 00:09:45,100 --> 00:09:49,743 - THOSE ARE THE TIMES THAT YOU REALLY TRULY SEE HOW MUCH 235 00:09:49,767 --> 00:09:52,044 YOU LOVE EACH OTHER, AND ARE YOU THERE SHOWING UP 236 00:09:52,068 --> 00:09:56,176 IN THESE TRUE TIMES OF NEED? 237 00:09:56,200 --> 00:09:57,376 - COMING UP... 238 00:09:57,400 --> 00:09:58,347 OH, MY, GOD, THERE'S A BEE. 239 00:09:58,371 --> 00:09:59,643 KILL IT FOR ME IF YOU LOVE ME. 240 00:09:59,667 --> 00:10:02,976 - NO! - [laughs] 241 00:10:03,000 --> 00:10:04,476 - THIS IS [bleep] UP. 242 00:10:04,500 --> 00:10:06,700 WHY WOULD YOU DO SUCH AN AWFUL THING? 243 00:10:22,367 --> 00:10:28,543 - WELCOME TO MY... NOT-SO-HUMBLE HOME. 244 00:10:28,567 --> 00:10:31,244 I FEEL LIKE IT'S A LITTLE MORE DIFFICULT TO HAVE HAD SOMETHING 245 00:10:31,268 --> 00:10:34,109 AT ONE TIME AND LOST IT THAN TO NEVER HAVE HAD IT AT ALL. 246 00:10:34,133 --> 00:10:35,348 IT'S LIKE I'M COMING BACK UP THE LADDER 247 00:10:35,372 --> 00:10:36,443 WHERE I WAS ALREADY AT THE TOP. 248 00:10:36,467 --> 00:10:39,176 I MEAN, BETTER TO BE GOING UP THAN DOWN? 249 00:10:39,200 --> 00:10:40,609 MAYBE. 250 00:10:40,633 --> 00:10:42,250 SOMETIMES GOING DOWN'S FUN. 251 00:10:42,274 --> 00:10:43,476 [thud] 252 00:10:43,500 --> 00:10:45,176 - I HOPE THERE'S NOTHING BREAKABLE IN THERE. 253 00:10:45,200 --> 00:10:46,676 - LIFT WITH YOUR LEGS. 254 00:10:46,700 --> 00:10:48,009 - ARE YOU GONNA TAKE ME ON THE TOUR? 255 00:10:48,033 --> 00:10:50,409 - YES. - TAKE ME ON THE TOUR. 256 00:10:50,433 --> 00:10:53,179 - YOU KNOW HOW EVERYONE SAYS, "OH, I CAN HELP YOU MOVE"? 257 00:10:53,203 --> 00:10:54,209 WELL, NO ONE CAN. 258 00:10:54,233 --> 00:10:55,409 SO I CALLED MOM. 259 00:10:55,433 --> 00:10:57,679 THANK YOU FOR COMING DOWN. - IT'S MY THING. 260 00:10:57,703 --> 00:11:00,676 I LIKE TO MOVE PEOPLE, AND I'M NOT MOVING EVER AGAIN, SO... 261 00:11:00,700 --> 00:11:03,209 - NO MATTER HOW OLD YOU ARE, YOU ALWAYS NEED YOUR MOMMY. 262 00:11:03,233 --> 00:11:05,280 AND, LIKE, AT THIS MOMENT, I NEED MY MOMMY. 263 00:11:05,304 --> 00:11:08,276 THIS IS WHERE MORE BABIES WILL BE MADE. 264 00:11:08,300 --> 00:11:09,643 [laughs] 265 00:11:09,667 --> 00:11:10,676 - NO, THANKS. 266 00:11:10,700 --> 00:11:12,576 A WALK-IN CLOSET? - YES. 267 00:11:12,600 --> 00:11:15,109 I WAS THINKING I COULD EVEN PUT MY STRIPPER POLE IN HERE. 268 00:11:15,133 --> 00:11:16,409 NO. 269 00:11:16,433 --> 00:11:20,276 THIS IS THE FORMAL DINING ROOM, WHICH... 270 00:11:20,300 --> 00:11:22,747 - IT WOULD BE NICE IF YOU GET A DINING ROOM TABLE. 271 00:11:22,771 --> 00:11:24,676 - SO THIS IS MY POOL. 272 00:11:24,700 --> 00:11:26,209 I FEEL LIKE I'M ALL GROWN UP. 273 00:11:26,233 --> 00:11:28,450 - OH, SOME DAY YOU WILL BE. - [laughs] 274 00:11:28,474 --> 00:11:30,443 THIS IS THE GROWN-UP ROOM. 275 00:11:30,467 --> 00:11:33,643 - YEAH, THAT'S VERY NICE. - YOU DON'T SEEM SUPER-EXCITED. 276 00:11:33,667 --> 00:11:36,743 UM, THIS IS THE KITCHEN. 277 00:11:36,767 --> 00:11:39,209 - LOOK AT THAT. THAT'S BAD. 278 00:11:39,233 --> 00:11:40,350 THAT'S A SMALL OVEN, TOO. 279 00:11:40,374 --> 00:11:42,476 - SHH. 280 00:11:42,500 --> 00:11:44,276 THIS IS THE FIRST TIME I'VE BEEN ABLE 281 00:11:44,300 --> 00:11:45,647 TO DO SOMETHING LIKE THIS ON MY OWN. 282 00:11:45,671 --> 00:11:47,343 I MEAN, I DIDN'T GROW UP LIKE THIS, 283 00:11:47,367 --> 00:11:49,376 SO IT'S REALLY EXCITING TO SHOW MY MOM. 284 00:11:49,400 --> 00:11:51,242 I NEED A DRINK. 285 00:11:51,266 --> 00:11:53,009 - SO WHAT ELSE IS NEW? - [laughs] 286 00:11:53,033 --> 00:11:54,303 OKEYDOKE. 287 00:11:55,667 --> 00:11:57,176 "CHAOS." 288 00:11:57,200 --> 00:11:59,147 KIND OF SOUNDS LIKE YOUR LIFE. 289 00:11:59,171 --> 00:12:00,976 - OPEN IT. - OKAY. 290 00:12:01,000 --> 00:12:03,109 - WE'RE GONNA BE GANGSTER AND DRINK OUT OF THE BOTTLE. 291 00:12:03,133 --> 00:12:04,576 - ALL RIGHT, THEN. 292 00:12:04,600 --> 00:12:05,976 - GO FOR IT, MOM. 293 00:12:06,000 --> 00:12:07,643 TAKE A SWIG. 294 00:12:07,667 --> 00:12:10,309 MY MOM IS EVERYONE'S ROCK, 295 00:12:10,333 --> 00:12:13,109 AND I DON'T KNOW WHAT OUR FAMILY WOULD DO IF WE DIDN'T HAVE HER. 296 00:12:13,133 --> 00:12:15,076 SHE IS EVERYTHING TO ME, 297 00:12:15,100 --> 00:12:17,710 AND I WANT TO BE RICH SO I CAN TAKE CARE OF HER. 298 00:12:17,734 --> 00:12:20,676 YOU KNOW, I'M IN A POSITION NOW 299 00:12:20,700 --> 00:12:22,047 WHERE I CAN HELP YOU GUYS FINANCIALLY. 300 00:12:22,071 --> 00:12:23,543 SO IT'S NOT A BIG DEAL THAT DAD'S... 301 00:12:23,567 --> 00:12:25,376 - BABY, I'M EMPLOYED FULL-TIME. - I KNOW. 302 00:12:25,400 --> 00:12:26,976 BUT I KNOW THAT HE'S NOT WORKING... 303 00:12:27,000 --> 00:12:29,376 - WE'RE FINE, WE MAKE OUR HOUSE PAYMENTS, WE PAY OUR BILLS. 304 00:12:29,400 --> 00:12:30,643 WE HAVE NO PROBLEMS. 305 00:12:30,667 --> 00:12:32,476 - WELL, I'M GONNA SEND YOU MONEY WHEN I WANT, 306 00:12:32,500 --> 00:12:34,347 AND I DON'T WANT YOU NOT TO CASH IN THE CHECKS. 307 00:12:34,371 --> 00:12:37,009 - YOU KNOW, YOU'RE A... - I CAN DO WHATEVER I WANT. 308 00:12:37,033 --> 00:12:37,980 - YOU CAN KIND OF BE A PAIN IN THE ASS... 309 00:12:38,004 --> 00:12:39,209 - I KNOW. - SOMETIMES. 310 00:12:39,233 --> 00:12:40,576 - BUT JUST DON'T TELL DAD, 311 00:12:40,600 --> 00:12:42,409 BECAUSE I KNOW THAT'S NOT GONNA GO OVER WELL WITH HIM. 312 00:12:42,433 --> 00:12:45,509 THINGS WITH MY DAD ARE NOT AMAZING RIGHT NOW. 313 00:12:45,533 --> 00:12:49,109 HE WAS VERY OFFENDED BY MY OSCAR DRESS. 314 00:12:49,133 --> 00:12:51,347 HE SAID, "I LIKED YOU BEFORE YOU HAD THOSE THINGS," 315 00:12:51,371 --> 00:12:52,376 TALKING ABOUT MY BOOBS. 316 00:12:52,400 --> 00:12:54,045 I MEAN, GO [bleep] YOURSELF. 317 00:12:54,069 --> 00:12:55,576 WHAT CAN YOU SAY TO THAT? 318 00:12:55,600 --> 00:12:57,710 LIKE, I'M NOT TAKING THEM OUT, DAD. 319 00:12:57,734 --> 00:12:59,743 BOOBS ARE STAYING. 320 00:12:59,767 --> 00:13:02,176 THE OTHER DAY I TEXTED HIM 321 00:13:02,200 --> 00:13:05,209 AND I SAID, "DAD," I GO, "IT WOULD REALLY SUCK 322 00:13:05,233 --> 00:13:06,580 IF YOU DIED WHEN WE'RE NOT TALKING." 323 00:13:06,604 --> 00:13:08,576 [giggles] NO... NOTHING BACK. 324 00:13:08,600 --> 00:13:10,476 - MM... 325 00:13:10,500 --> 00:13:12,509 - WELL, THE KIDS WANT TO SEE HIM. 326 00:13:12,533 --> 00:13:14,547 I GUESS I'LL STAY AT GRANDMA'S. 327 00:13:14,571 --> 00:13:15,676 - OF COURSE THEY DO, 328 00:13:15,700 --> 00:13:17,476 AND OF COURSE YOU CAN STAY AT THE HOUSE. 329 00:13:17,500 --> 00:13:19,746 - IT'S WEIRD, BECAUSE I HAVEN'T CHANGED. 330 00:13:19,770 --> 00:13:23,443 HE JUST, WITH HIS AGE, SEEMS TO BE GETTING MORE CONSERVATIVE. 331 00:13:23,467 --> 00:13:26,409 HE USED TO BE, LIKE, NAKED ALL THE TIME, 332 00:13:26,433 --> 00:13:29,109 AND, YOU KNOW, ANYTHING GOES. 333 00:13:29,133 --> 00:13:31,009 GIVE ME THAT LEATHER BOOK. 334 00:13:31,033 --> 00:13:32,209 - THIS ONE? - YEAH. 335 00:13:32,233 --> 00:13:33,643 - OKAY. - OH. 336 00:13:33,667 --> 00:13:35,576 THERE'S A LOT OF GOODIES IN HERE. 337 00:13:35,600 --> 00:13:37,646 I WAS REALLY INTO MY POETRY BACK THEN. 338 00:13:37,670 --> 00:13:40,343 WRITING HAS ALWAYS BEEN A WAY FOR ME TO EXPRESS MYSELF, 339 00:13:40,367 --> 00:13:42,576 BECAUSE I DON'T ALWAYS FIND THE EXACT WORDS 340 00:13:42,600 --> 00:13:44,409 I NEED AT THE MOMENT I NEED THEM. 341 00:13:44,433 --> 00:13:46,478 A LOT OF TIMES ITS, LIKE, "[bleep] YOU, [bleep] THIS, 342 00:13:46,502 --> 00:13:48,247 [bleep] THAT, [bleep] HIM, [bleep] YOU, [bleep] OFF." 343 00:13:48,271 --> 00:13:50,676 AND I DON'T ALWAYS NEED TO GO THAT ROUTE. 344 00:13:50,700 --> 00:13:53,209 WAIT, CUTE POEMS ABOUT GUY AND JUDY. 345 00:13:53,233 --> 00:13:55,009 I SWEAR TO GOD. - [laughs] 346 00:13:55,033 --> 00:13:56,450 - SOMETIMES IT'S BETTER TO PUT IT IN A POEM 347 00:13:56,474 --> 00:13:59,009 AND BE A LITTLE BIT LIKE "I'M A LITTLE MAD AT YOU, 348 00:13:59,033 --> 00:14:00,580 BUT THAT WILL DO." YOU KNOW, THAT KIND OF THING? 349 00:14:00,604 --> 00:14:03,576 "MY MOM IS PRETTY, BUT SHE'S KIND OF [bleep]." 350 00:14:03,600 --> 00:14:06,276 [laughs] - [coughs] 351 00:14:06,300 --> 00:14:09,743 - "SHE ACTS REAL NICE, BUT THEN YOU THINK TWICE. 352 00:14:09,767 --> 00:14:11,276 SHE DOESN'T... "[laughs] 353 00:14:11,300 --> 00:14:13,247 - HOW OLD WERE YOU WHEN YOU WROTE THIS? 354 00:14:13,271 --> 00:14:15,142 - "SHE DOESN'T REALLY CALL. 355 00:14:15,166 --> 00:14:16,543 "I MEAN, NEVER, AT ALL. 356 00:14:16,567 --> 00:14:19,176 "REACH OUT AND TOUCH SOMEONE, SHE DOESN'T KNOW HOW. 357 00:14:19,200 --> 00:14:22,347 SHE NEEDS TO GET IN TOUCH WITH ALEXANDER GRAHAM BELL." 358 00:14:22,371 --> 00:14:26,009 [both laugh] 359 00:14:26,033 --> 00:14:28,142 OH MY, GOD. 360 00:14:28,166 --> 00:14:30,409 - BYRON, KEATS, AND SHELLEY HAVE NOTHING TO WORRY ABOUT. 361 00:14:30,433 --> 00:14:33,276 - WHO ARE THEY? 362 00:14:33,300 --> 00:14:35,270 - NEVERMIND. [laughs] 363 00:14:48,433 --> 00:14:50,009 - IS THAT PAINFUL FOR YOU? - YEAH. 364 00:14:50,033 --> 00:14:51,747 - LET ME GIVE YOU SOME MORE NUMBING. 365 00:14:51,771 --> 00:14:53,576 - I'M GETTING MY PORT TAKEN OUT 366 00:14:53,600 --> 00:14:56,045 BECAUSE I WORRY THAT, YOU KNOW, I COULD GET AN INFECTION 367 00:14:56,069 --> 00:14:57,710 AND THAT I'M GONNA GET WORSE. 368 00:14:57,734 --> 00:15:01,734 I REALLY WANT TO JUST GET IT OUT AND GO HOME. 369 00:15:03,500 --> 00:15:05,443 - PORT IS OUT. 370 00:15:05,467 --> 00:15:09,309 THERE'S NO BLEEDING. LOOKS GREAT. 371 00:15:09,333 --> 00:15:12,447 - GETTING MY PORT OUT, KIND OF MAKING ME FEEL LIKE 372 00:15:12,471 --> 00:15:14,476 I'VE ACCOMPLISHED AT LEAST SOMETHING. 373 00:15:14,500 --> 00:15:18,309 I FEEL LIKE I'M GETTING INTO BETTER TIMES. 374 00:15:18,333 --> 00:15:19,676 - HI, BABY. 375 00:15:19,700 --> 00:15:22,409 HI BABE. - HI, BABY. 376 00:15:22,433 --> 00:15:23,410 - HOW'D IT ALL GO? 377 00:15:23,434 --> 00:15:25,443 - IT WENT. - IT WENT? 378 00:15:25,467 --> 00:15:26,643 IT'S OUT. - I'M SO TIRED. 379 00:15:26,667 --> 00:15:28,209 - THE ALIEN IS OUT. - I THINK YOU SHOULD THINK 380 00:15:28,233 --> 00:15:31,443 ABOUT, LIKE, THIS AS THE BEGINNING OF THE NEXT PHASE... 381 00:15:31,467 --> 00:15:33,076 - YEAH. - TO HELP RECOVER FROM ALL THAT. 382 00:15:33,100 --> 00:15:34,343 YOU KNOW? 383 00:15:34,367 --> 00:15:37,144 - YOU KNOW, IT'S REALLY CHANGED ME AS A HUMAN BEING, 384 00:15:37,168 --> 00:15:38,676 THE WAY I LIVE MY LIFE. - I'M SURE. 385 00:15:38,700 --> 00:15:42,076 - MY PROBLEM IS ALWAYS TRYING TO BE A TOUGH ASS 386 00:15:42,100 --> 00:15:45,576 AND JUST KEEP GOING, EVEN WHEN I'M NOT FEELING GOOD. 387 00:15:45,600 --> 00:15:47,409 AND, YOU KNOW, I THINK THIS IS A GOOD LESSON. 388 00:15:47,433 --> 00:15:50,609 - OH, GIGI CALLED... - IS SHE OKAY? 389 00:15:50,633 --> 00:15:53,447 - YES, SHE FELT A DIZZY BECAUSE SHE'S ON THAT FAST TOO. 390 00:15:53,471 --> 00:15:55,576 SO SHE THINKS IT MIGHT BE A LITTLE DANGEROUS 391 00:15:55,600 --> 00:15:57,109 RIDING HER HORSES. 392 00:15:57,133 --> 00:15:58,180 DO YOU WANT TO CALL HER RIGHT NOW OR... 393 00:15:58,204 --> 00:15:59,242 - YEAH. 394 00:15:59,266 --> 00:16:01,109 - I'LL JUST HOLD IT FOR YOU. 395 00:16:01,133 --> 00:16:03,109 [phone rings] - BUT SHE'S AT THE... 396 00:16:03,133 --> 00:16:05,309 [GiGi indistinct] - HEY, GIGI, HERE'S YOUR MOM. 397 00:16:05,333 --> 00:16:06,643 - HI, LOVEY. 398 00:16:06,667 --> 00:16:08,244 - HI, MOMMY. HOW ARE YOU? 399 00:16:08,268 --> 00:16:09,576 - I'M OKAY. I JUST WOKE UP. 400 00:16:09,600 --> 00:16:10,676 HOW ARE YOU? 401 00:16:10,700 --> 00:16:12,443 - I'M FEELING REALLY WEAK. 402 00:16:12,467 --> 00:16:14,409 I HAD, LIKE, 1/2 AN ALMOND. 403 00:16:14,433 --> 00:16:16,109 - HAVE A COUPLE OF ALMONDS. 404 00:16:16,133 --> 00:16:18,979 CHEW THEM REALLY WELL BECAUSE YOUR STOMACH IS NOT... 405 00:16:19,003 --> 00:16:20,976 - YEAH, YEAH. THAT'S WHY I WAS SCARED. 406 00:16:21,000 --> 00:16:23,247 OKAY, I LOVE YOU. - OKAY, I LOVE YOU TOO, BABY. 407 00:16:23,271 --> 00:16:24,443 BE SAFE. - BYE. 408 00:16:24,467 --> 00:16:25,767 - BYE, BABY. - FEEL BETTER, MOM. 409 00:16:33,734 --> 00:16:36,311 Male announcer: DANCING THE VIENNESE WALTZ, 410 00:16:36,335 --> 00:16:40,403 LISA VANDERPUMP AND HER PARTNER, GLEB SAVCHENKO. 411 00:16:42,033 --> 00:16:44,609 - SHOWING UP HERE TONIGHT IS REALLY MY WAY 412 00:16:44,633 --> 00:16:46,379 OF TELLING HER I WANT TO MOVE ON. 413 00:16:46,403 --> 00:16:48,509 MY FEELINGS ARE HURT. I'VE BEEN ANGRY. 414 00:16:48,533 --> 00:16:51,003 BUT I STILL WANT TO MOVE FORWARD. 415 00:17:01,567 --> 00:17:05,042 - I'M REALLY IMPRESSED WITH LISA DOING HER DANCE. 416 00:17:05,066 --> 00:17:08,009 THE WORK THEY PUT IN IS AMAZING. 417 00:17:08,033 --> 00:17:10,273 IT'S REALLY HARD WORK, RIGHT? 418 00:17:16,133 --> 00:17:17,747 - I SOMETIMES THINK THAT THE THINGS 419 00:17:17,771 --> 00:17:20,209 THAT ARE REALLY WORTH DOING ARE THE THINGS THAT SCARE YOU. 420 00:17:20,233 --> 00:17:22,309 IT IS SCARY, BUT I'M GONNA HAVE FUN WITH IT. 421 00:17:22,333 --> 00:17:24,650 AND IF THEY BEAT ME UP, THEN SO BE IT. I DID IT. 422 00:17:24,674 --> 00:17:28,667 PEOPLE CAN CRITICIZE ME, BUT I'M DOING IT. 423 00:17:41,166 --> 00:17:42,710 - OVER HERE, MISS BRANDI. 424 00:17:42,734 --> 00:17:44,209 - HELLO. 425 00:17:44,233 --> 00:17:45,210 - WE HAVE THE FOOD. 426 00:17:45,234 --> 00:17:48,133 - OH, GOOD, YUM, I'M STARVING. 427 00:17:51,033 --> 00:17:54,609 - AH, HELLO, GIRLS AND BOY. 428 00:17:54,633 --> 00:17:57,676 NOTHING, UM, HEALTHY TO EAT HERE? 429 00:17:57,700 --> 00:17:59,109 - NO, BUT IT'S REALLY GOOD. 430 00:17:59,133 --> 00:18:00,110 - IT'S SO WORTH IT. WHATEVER. 431 00:18:00,134 --> 00:18:01,380 - IT'S WORTH IT? - JUST DIG IN. 432 00:18:01,404 --> 00:18:03,145 - HI, TAYLOR. - HI, HONEY. 433 00:18:03,169 --> 00:18:05,109 - NICE TO SEE YOU. I CAN'T BELIEVE YOU GUYS 434 00:18:05,133 --> 00:18:07,409 STARTED EATING WITHOUT ME. - [laughs] 435 00:18:07,433 --> 00:18:09,250 - [laughing] WE'RE MAKING A HUGE MESS. 436 00:18:09,274 --> 00:18:13,209 - THE LAST TIME WE SAW YOU GUYS, 437 00:18:13,233 --> 00:18:14,509 HE WAS YOUR LAWYER. 438 00:18:14,533 --> 00:18:15,743 - [chuckle] YEP. 439 00:18:15,767 --> 00:18:18,376 - AND NOW HE'S YOUR MAN. - THAT'S RIGHT. 440 00:18:18,400 --> 00:18:20,609 - AND YOU GUYS ARE, LIKE, LIVING TOGETHER. 441 00:18:20,633 --> 00:18:22,579 THIS IS REALLY AWESOME. - THANK YOU. 442 00:18:22,603 --> 00:18:24,576 - IT'S REALLY NICE TO SEE YOU GUYS TOGETHER 443 00:18:24,600 --> 00:18:26,547 AND SO HAPPY AND LIKE A COUPLE. 444 00:18:26,571 --> 00:18:29,710 TAYLOR SPENDS MOST OF HER TIME IN COLORADO. 445 00:18:29,734 --> 00:18:32,081 BUT WHENEVER SHE IS HERE, WE TRY TO SPEND 446 00:18:32,105 --> 00:18:35,076 AS MUCH OF OUR TIME TOGETHER AS POSSIBLE. 447 00:18:35,100 --> 00:18:38,443 [applause] - OH, MY GOD! 448 00:18:38,467 --> 00:18:41,109 WERE YOU ALL THERE? [sighs] 449 00:18:41,133 --> 00:18:44,276 OH, SHUT UP. - AWESOME. 450 00:18:44,300 --> 00:18:46,409 I MEAN, YOU LOOK... OKAY, WAIT, IS MY BOOTY STILL THERE? 451 00:18:46,433 --> 00:18:48,976 ALL RIGHT. [overlapping chatter] 452 00:18:49,000 --> 00:18:50,309 IT'S AN AMAZING NIGHT. 453 00:18:50,333 --> 00:18:51,710 WE JUST DANCED THE VIENNESE WALTZ, 454 00:18:51,734 --> 00:18:53,509 WHICH WENT REALLY WELL. 455 00:18:53,533 --> 00:18:55,479 OR AS WELL AS COULD BE EXPECTED. 456 00:18:55,503 --> 00:18:58,609 AND IT'S NICE TO SEE EVERYBODY HERE AS A GROUP SUPPORTING ME. 457 00:18:58,633 --> 00:19:01,479 - I THINK YOU SHOULD WEAR YOUR HAIR LIKE THIS EVERY DAY. 458 00:19:01,503 --> 00:19:03,276 - I WOULD LIKE TO. - EVERY DAY IS PROM. 459 00:19:03,300 --> 00:19:05,142 - I THINK I SHOULD WEAR THAT DRESS EVERY DAY. 460 00:19:05,166 --> 00:19:06,443 I THINK... - YOU'RE THE PROM QUEEN. 461 00:19:06,467 --> 00:19:07,609 I ACTUALLY LIKE YOUR HAIR LIKE THAT. 462 00:19:07,633 --> 00:19:08,610 - YOU DO? - I THINK IT'S REALLY CUTE. 463 00:19:08,634 --> 00:19:10,009 - HELLO, EVERYBODY. 464 00:19:10,033 --> 00:19:11,280 - THERE'S OUR BOYFRIEND. 465 00:19:11,304 --> 00:19:12,643 YAY. 466 00:19:12,667 --> 00:19:14,042 - YOU DID AN AMAZING JOB. 467 00:19:14,066 --> 00:19:15,176 REALLY GOOD JOB. - SHE DID REALLY GOOD. 468 00:19:15,200 --> 00:19:16,176 - SO MUCH FUN. - YOU'RE BOTH AMAZING. 469 00:19:16,200 --> 00:19:17,145 - GLEB? - YEAH? 470 00:19:17,169 --> 00:19:18,143 - I HAVE A QUESTION FOR YOU. 471 00:19:18,167 --> 00:19:20,343 WHO CHOREOGRAPHS THE DANCES? - I DO. 472 00:19:20,367 --> 00:19:22,376 - YOU DO? - AND LISA DOES AS WELL. 473 00:19:22,400 --> 00:19:24,142 - OH, NO, I JUST... 474 00:19:24,166 --> 00:19:25,143 I CAN'T DO THAT. I CAN'T DO THAT. 475 00:19:25,167 --> 00:19:26,176 HE SAYS, "YES, YOU'RE DOING IT." 476 00:19:26,200 --> 00:19:27,443 AND THAT'S KIND OF... 477 00:19:27,467 --> 00:19:28,743 - WHAT'S YOUR FAVORITE MOVE? - OH, THAT... NOT THAT. 478 00:19:28,767 --> 00:19:30,676 NOT THAT. - [laughs] 479 00:19:30,700 --> 00:19:33,409 - THAT IS! THAT IS! - I'M LIKE, "NO." 480 00:19:33,433 --> 00:19:34,543 - YEAH, EXACTLY. 481 00:19:34,567 --> 00:19:36,676 - KEN, WHAT'S LISA'S FAVORITE MOVE? 482 00:19:36,700 --> 00:19:38,047 - WAIT, WAIT, WAIT. I HAVE A QUESTION. 483 00:19:38,071 --> 00:19:39,676 LET'S COMPARE, LET'S COMPARE. 484 00:19:39,700 --> 00:19:42,376 THAT'S LISA'S FAVORITE MOVE, ACCORDING TO KEN. 485 00:19:42,400 --> 00:19:44,045 WHAT DO YOU SAY HER FAVORITE MOVE IS? 486 00:19:44,069 --> 00:19:45,409 - KEN, ARE YOU JEALOUS? 487 00:19:45,433 --> 00:19:49,209 - KEN, ARE YOU JEALOUS WHEN HE GETS ALL UP AND FRIENDLY? 488 00:19:49,233 --> 00:19:51,180 - DO I LOOK JEALOUS? I'VE GOT BRANDI. 489 00:19:51,204 --> 00:19:53,142 LET'S SHOW THEM HOW IT GOES. 490 00:19:53,166 --> 00:19:54,576 - ALL RIGHT. - IT GOES LIKE THIS. 491 00:19:54,600 --> 00:19:56,409 JUMP UP. [grunts] 492 00:19:56,433 --> 00:19:59,710 - OH, YOU'LL PUT YOUR BACK OUT. YOU'LL PUT YOUR BACK OUT! 493 00:19:59,734 --> 00:20:01,609 - THAT'S HER FAVORITE MOVE. 494 00:20:01,633 --> 00:20:03,009 - COMING UP... 495 00:20:03,033 --> 00:20:04,409 - HOW ARE YOU WITH KYLE? 496 00:20:04,433 --> 00:20:06,180 - I MEAN, I'M NOT IN A BETTER PLACE WITH THE WOMAN 497 00:20:06,204 --> 00:20:07,710 THAT CALLED ME A LIAR. 498 00:20:07,734 --> 00:20:09,379 - YOU'VE JUST GOT TO PUT YOUR HOUSE ON THE MARKET, 499 00:20:09,403 --> 00:20:10,447 AND YOU'RE GONNA BOND REALLY QUICK. 500 00:20:10,471 --> 00:20:11,767 [laughter] 501 00:20:25,533 --> 00:20:27,676 - CAN I GIVE YOU SOME OF THESE? - YEAH. 502 00:20:27,700 --> 00:20:29,076 - WHERE'S THE LITTLE BOWL I GAVE YOU BEFORE? 503 00:20:29,100 --> 00:20:32,045 HERE, I'M GONNA GIVE THIS TO YOU IN A NAPKIN, 504 00:20:32,069 --> 00:20:34,710 BECAUSE I'M RUSHING AND I HAVE MY FRIENDS COMING OVER. 505 00:20:34,734 --> 00:20:37,142 WHAT DO YOU SAY? 506 00:20:37,166 --> 00:20:39,042 - THA-A-ANK YOU. 507 00:20:39,066 --> 00:20:40,696 - YO-O-OU'RE WELCOME. 508 00:20:44,300 --> 00:20:45,576 - [knocks on door] 509 00:20:45,600 --> 00:20:47,209 - COMING. 510 00:20:47,233 --> 00:20:48,376 Both: HI! 511 00:20:48,400 --> 00:20:49,710 - HOW ARE YOU? 512 00:20:49,734 --> 00:20:51,481 GOOD TO SEE YOU. - HOW ARE YOU? 513 00:20:51,505 --> 00:20:55,609 - IT'S NOT ALWAYS EASY MEETING PEOPLE IN BEVERLY HILLS. 514 00:20:55,633 --> 00:20:56,610 - HELLO. - HELLO. 515 00:20:56,634 --> 00:20:58,276 - HOW ARE YOU? - GOOD. 516 00:20:58,300 --> 00:20:59,609 HOW ARE YOU? - GOOD. 517 00:20:59,633 --> 00:21:01,976 SO WHEN I LIKED JOYCE AND CARLTON 518 00:21:02,000 --> 00:21:03,710 AT MY CHAMBER OF COMMERCE PARTY, 519 00:21:03,734 --> 00:21:05,710 I DECIDED TO INVITE THEM OVER FOR LUNCH. 520 00:21:05,734 --> 00:21:08,051 THANK YOU, THANK YOU. - BOTTLE OF SCOTCH. 521 00:21:08,075 --> 00:21:09,076 - OH, SCOTCH. 522 00:21:09,100 --> 00:21:10,147 MY HUSBAND IS GONNA BE SO EXCITED. 523 00:21:10,171 --> 00:21:11,443 - HI. - HOW ARE YOU? 524 00:21:11,467 --> 00:21:12,643 NICE TO SEE YOU. 525 00:21:12,667 --> 00:21:14,242 HOW ARE YOU? - GOSH, MY HANDS ARE COLD. 526 00:21:14,266 --> 00:21:16,142 - EVER SINCE WE BUILT THIS ROOM, MY HUSBAND'S, LIKE, 527 00:21:16,166 --> 00:21:18,042 "THIS ROOM MAKES ME FEEL LIKE WANTING TO HAVE, 528 00:21:18,066 --> 00:21:19,609 LIKE, A SCOTCH WHEN I GET HOME." 529 00:21:19,633 --> 00:21:22,209 - SO HE'S GONNA ENJOY THIS. - NOW... NOW, LIKE... THANK YOU. 530 00:21:22,233 --> 00:21:23,250 THAT'S VERY SWEET. - YOU'RE WELCOME. 531 00:21:23,274 --> 00:21:25,343 - HELLO. HI. 532 00:21:25,367 --> 00:21:27,476 - HI. - OH, I LOVE THAT COLOR ON YOU. 533 00:21:27,500 --> 00:21:28,976 - THANK YOU. HOW ARE YOU? 534 00:21:29,000 --> 00:21:30,347 - YOU SMELL PRETTY TOO. - THANK YOU. 535 00:21:30,371 --> 00:21:32,076 - COME IN. 536 00:21:32,100 --> 00:21:33,476 THIS IS MY FRIEND, SHARON. 537 00:21:33,500 --> 00:21:35,409 - OH, MY BLOODY GOD! - JOYCE. 538 00:21:35,433 --> 00:21:36,710 - THAT'S HYSTERICAL. 539 00:21:36,734 --> 00:21:38,379 OH, MY, GOD. HOW ARE YOU? 540 00:21:38,403 --> 00:21:40,076 - IT'S BEEN, LIKE, FIVE YEARS. - YEAH. 541 00:21:40,100 --> 00:21:41,645 - SO YOU GUYS WENT TO... YOU GUYS... YOUR KIDS 542 00:21:41,669 --> 00:21:42,676 WENT TO SCHOOL TOGETHER? - YEAH. 543 00:21:42,700 --> 00:21:44,446 - HI, I'M JOYCE. - NICE TO MEET YOU. 544 00:21:44,470 --> 00:21:45,710 - SHARON. - NICE TO MEET YOU. 545 00:21:45,734 --> 00:21:47,351 - SO HOW'S YOUR SON? - HE'S REALLY GOOD. 546 00:21:47,375 --> 00:21:48,710 - YEAH? - YOU HAD A BOY, RIGHT? 547 00:21:48,734 --> 00:21:49,976 - YEAH. 548 00:21:50,000 --> 00:21:51,076 HE WAS CRYING, SO IT WAS REALLY HARD 549 00:21:51,100 --> 00:21:52,147 TO GET OUT THE DOOR, 550 00:21:52,171 --> 00:21:55,209 BECAUSE THE BLACK CAT CAUGHT A BIRD. 551 00:21:55,233 --> 00:21:57,650 I WAS GETTING READY, AND I SAW THIS BIRD 552 00:21:57,674 --> 00:22:01,109 FLY INTO THE LIVING ROOM WHERE WE WERE SITTING, 553 00:22:01,133 --> 00:22:03,609 AND THE CAT WENT FOR IT, AND... 554 00:22:03,633 --> 00:22:06,179 - I'M GONNA OPEN THE WINE. I'LL BE RIGHT BACK. 555 00:22:06,203 --> 00:22:08,209 SHARON, YOU WANT WHITE WINE OR RED? 556 00:22:08,233 --> 00:22:10,109 - REALLY? 557 00:22:10,133 --> 00:22:11,543 I DIDN'T APPRECIATE THAT. 558 00:22:11,567 --> 00:22:13,144 I DON'T CARE IF SHE WAS BORED TO DEATH. 559 00:22:13,168 --> 00:22:16,166 IT WAS RUDE. 560 00:22:24,700 --> 00:22:26,676 - YOU'RE HERE, SKINNY MINNIE. 561 00:22:26,700 --> 00:22:28,109 - I'M NOT SKINNY. YOU'RE SKINNY. 562 00:22:28,133 --> 00:22:29,548 - YOU DON'T HAVE TO BRING DRINKS TO MY HOUSE. 563 00:22:29,572 --> 00:22:30,544 - OH. - LOOK AT YOU 564 00:22:30,568 --> 00:22:31,976 WITH THE BRIGHT PINK LIPSTICK. 565 00:22:32,000 --> 00:22:33,747 HOW ARE YOU, DARLING? - I WAS MATCHING MY SHIRT. 566 00:22:33,771 --> 00:22:35,409 THIS IS ACTUALLY FROM YOUR BOYFRIEND. 567 00:22:35,433 --> 00:22:38,676 - WHO'S MY BOYFRIEND? I'VE GOT SEVERAL. 568 00:22:38,700 --> 00:22:40,109 OH! - [laughs] 569 00:22:40,133 --> 00:22:41,576 - OH, REALLY? 570 00:22:41,600 --> 00:22:43,209 - YES, THIS IS THEIR NEW TEQUILA. 571 00:22:43,233 --> 00:22:44,379 SO THEY SENT ME SOME. 572 00:22:44,403 --> 00:22:46,242 SO I THOUGHT YOU SHOULD HAVE IT. - YES. 573 00:22:46,266 --> 00:22:47,609 - AND THEN I GOT THIS FOR YOLANDA, SO... 574 00:22:47,633 --> 00:22:49,543 SO EVERYONE GETS A PRESENT. 575 00:22:49,567 --> 00:22:51,443 - GEORGE CLOONEY HAS A TEQUILA? 576 00:22:51,467 --> 00:22:53,710 - YEAH. - I'LL... I'D SHARE IT WITH HIM. 577 00:22:53,734 --> 00:22:54,743 [both laugh] 578 00:22:54,767 --> 00:22:55,976 - I FIGURED YOU'D WANT THAT. 579 00:22:56,000 --> 00:22:56,747 - YEAH, RIGHT? 580 00:22:56,771 --> 00:22:58,710 BETWEEN RUNNING MY RESTAURANTS, 581 00:22:58,734 --> 00:23:00,476 RUNNING MY HOUSEHOLD, 582 00:23:00,500 --> 00:23:02,245 BEING ON DANCING WITH THE STARS, 583 00:23:02,269 --> 00:23:04,509 I REALLY HAVE MISSED SEEING MY FRIENDS. 584 00:23:04,533 --> 00:23:06,409 - HI, GIRLS. 585 00:23:06,433 --> 00:23:08,409 - I LOVE BRANDI, AND I LOVE YOLANDA, 586 00:23:08,433 --> 00:23:11,250 AND I LOOK FORWARD TO HAVING A NICE CUTE COZY LUNCH WITH THEM. 587 00:23:11,274 --> 00:23:13,476 - WOW, IT'S BEAUTIFUL HERE. 588 00:23:13,500 --> 00:23:15,376 WHAT A GORGEOUS DAY. - I KNOW, I... 589 00:23:15,400 --> 00:23:17,347 - MY GOD. - YEAH, ISN'T IT REALLY LOVELY? 590 00:23:17,371 --> 00:23:20,567 - GORGEOUS. - OH, I LOVE IT! 591 00:23:22,100 --> 00:23:23,309 - I LOVE YOU. BYE. - I LOVE YOU. 592 00:23:23,333 --> 00:23:26,009 BYE. - LOVE YOU. 593 00:23:26,033 --> 00:23:27,509 - BYE, KEN. 594 00:23:27,533 --> 00:23:29,710 - HOW ARE YOU FEELING? - I'M FEELING OKAY. 595 00:23:29,734 --> 00:23:31,309 - YOU LOOK GREAT. - YEAH. 596 00:23:31,333 --> 00:23:33,178 - WELL, THAT'S THE THING WITH THIS DISEASE, YOU KNOW? 597 00:23:33,202 --> 00:23:35,445 YOU LOOK GREAT FROM THE OUTSIDE AND YOU'RE DYING ON THE INSIDE. 598 00:23:35,469 --> 00:23:36,576 - NO, YOU'RE MUCH... [snapping] 599 00:23:36,600 --> 00:23:39,409 - I'M ABOUT 70%, BUT, YOU KNOW, 600 00:23:39,433 --> 00:23:41,647 MY RECOVERY IS, LIKE, AN EVERY DAY JOB. 601 00:23:41,671 --> 00:23:44,609 - IS THERE A POINT WHEN YOU'RE BACK AT 100% AND YOU'RE GOOD? 602 00:23:44,633 --> 00:23:45,650 - THAT'S MY GOAL. 603 00:23:45,674 --> 00:23:47,743 I DO THERAPY EVERY DAY. 604 00:23:47,767 --> 00:23:48,744 - DO YOU? - YEAH. 605 00:23:48,768 --> 00:23:50,009 - LIKE WHAT? 606 00:23:50,033 --> 00:23:51,476 - PUZZLES TO REPROGRAM THE BRAIN, 607 00:23:51,500 --> 00:23:52,477 TO ACTIVATE THE BRAIN. 608 00:23:52,501 --> 00:23:53,509 BECAUSE, YOU KNOW, BECAUSE OF... 609 00:23:53,533 --> 00:23:56,576 - YOU NEED TO DO THAT, BRANDI. 610 00:23:56,600 --> 00:24:00,409 [laughter] 611 00:24:00,433 --> 00:24:02,409 - OH, I COULDN'T RESIST. 612 00:24:02,433 --> 00:24:06,347 - MY DAVID SAID THE OTHER NIGHT, "OH MY, GOD, LISA LOOKS SO HOT." 613 00:24:06,371 --> 00:24:08,309 - OH, GOOD. WELL, I'M GLAD HE'S NOTICING. 614 00:24:08,333 --> 00:24:09,476 - HE NOTICED THE BODY. 615 00:24:09,500 --> 00:24:10,545 LIKE, THE... [clicks tongue] 616 00:24:10,569 --> 00:24:11,743 - THE TEENY-TINY WAIST, BOOBS... 617 00:24:11,767 --> 00:24:13,109 - AND THE BUTT. - BOOTY. 618 00:24:13,133 --> 00:24:15,142 SHE'S GOT THAT, LIKE, JESSICA RABBIT FIGURE. 619 00:24:15,166 --> 00:24:16,543 - WHAT'D YOU THINK OF THE OTHER NIGHT? 620 00:24:16,567 --> 00:24:18,242 I LIKE THAT ENGLISH GIRL. 621 00:24:18,266 --> 00:24:19,509 CARLTON. - YEAH, SHE WAS QUITE NICE. 622 00:24:19,533 --> 00:24:21,247 - MM-HMM. - CARLTON HAD A GOOD SENSE 623 00:24:21,271 --> 00:24:22,509 OF HUMOR. - CARLTON... YEAH. 624 00:24:22,533 --> 00:24:24,179 SHE'S GOT A SENSE OF HUMOR. - MM-HMM. 625 00:24:24,203 --> 00:24:26,247 - BUT SHE'S ALSO KIND OF VERY DIRECT, I THINK. 626 00:24:26,271 --> 00:24:28,109 HOW ARE YOU WITH KYLE? 627 00:24:28,133 --> 00:24:29,380 - I MEAN I'M NOT IN A BETTER PLACE 628 00:24:29,404 --> 00:24:31,409 WITH THE WOMAN THAT CALLED ME A LIAR. 629 00:24:31,433 --> 00:24:33,680 I JUST FEEL LIKE HER AND I HAVE TO HAVE A HEART-TO-HEART 630 00:24:33,704 --> 00:24:34,976 AND TALK ABOUT IT. 631 00:24:35,000 --> 00:24:36,309 AND I REALLY WANT TO UNDERSTAND... 632 00:24:36,333 --> 00:24:38,509 - THE PROBLEM IS, IS THAT SHE'S KIND OF STABBED 633 00:24:38,533 --> 00:24:40,179 EVERYONE IN THE BACK, SO YOU DON'T... 634 00:24:40,203 --> 00:24:42,209 ONCE THAT HAPPENS, IT ISN'T THE SAME. 635 00:24:42,233 --> 00:24:44,679 - BUT, YOU KNOW, SHE REALLY DOESN'T HAVE ANY GIRLFRIENDS 636 00:24:44,703 --> 00:24:46,446 OR, YOU KNOW, SOMEBODY NEXT TO HER. 637 00:24:46,470 --> 00:24:48,710 - LISTEN, SHE HAS BEEN A GOOD FRIEND TO... 638 00:24:48,734 --> 00:24:51,142 WELL MAYBE NOT ADRIENNE. I THINK THAT WAS A LITTLE... 639 00:24:51,166 --> 00:24:52,376 KIND OF SUPERFICIAL. - [laughs] 640 00:24:52,400 --> 00:24:54,476 - SUDDENLY, SHE WAS KIND OF COZYING UP TO ADRIENNE, 641 00:24:54,500 --> 00:24:56,276 DEFENDING HER, AND I KNOW A LOT OF IT 642 00:24:56,300 --> 00:24:58,276 WAS BASED AROUND THIS WHOLE BUSINESS DECISION 643 00:24:58,300 --> 00:25:00,147 BECAUSE THEY WANTED A LISTING ON ADRIENNE'S HOUSE. 644 00:25:00,171 --> 00:25:01,209 - THAT IS NOT WHO I AM, 645 00:25:01,233 --> 00:25:02,747 AND THAT IS ATTACKING MY CHARACTER. 646 00:25:02,771 --> 00:25:05,476 - I DO FEEL A BIT SORRY FOR KYLE RIGHT NOW, ACTUALLY, 647 00:25:05,500 --> 00:25:08,147 BECAUSE SHE'S LOST THIS KIND OF MAJOR SUPPORT GROUP 648 00:25:08,171 --> 00:25:12,109 SHE HAD WITH TAYLOR AND ADRIENNE AND FAYE "RANCID." 649 00:25:12,133 --> 00:25:13,680 THIS IS TOO BITCHY. I SHOULDN'T SAY IT. 650 00:25:13,704 --> 00:25:15,743 I'M AWFULLY GLAD I DID. 651 00:25:15,767 --> 00:25:19,009 - WE HAVE TO UNDERSTAND THAT IT IS INTIMIDATING FOR HER 652 00:25:19,033 --> 00:25:21,679 THAT NOW TAYLOR, YOU KNOW, HAS MOVED TO COLORADO. 653 00:25:21,703 --> 00:25:24,209 AND REALLY THE ONLY PERSON SHE... - ADRIENNE'S HOUSE HAS SOLD. 654 00:25:24,233 --> 00:25:25,543 - [laughs] 655 00:25:25,567 --> 00:25:27,343 - YOU'VE JUST GOT TO PUT YOUR HOUSE ON THE MARKET, 656 00:25:27,367 --> 00:25:28,344 AND YOU'RE GONNA BOND REALLY QUICK. 657 00:25:28,368 --> 00:25:30,576 [laughter] - I KNOW. 658 00:25:30,600 --> 00:25:33,547 - JUST STOP TALKING ABOUT... - I ONLY USE MALIBU BROKERS. 659 00:25:33,571 --> 00:25:36,309 - [laughs] 660 00:25:36,333 --> 00:25:38,333 - OH, GOD. 661 00:25:40,266 --> 00:25:42,743 - [laughs] 662 00:25:42,767 --> 00:25:45,209 OH, MY GOSH, I'M TELLING YOU. 663 00:25:45,233 --> 00:25:46,376 I'M NOT MARTHA STEWART. 664 00:25:46,400 --> 00:25:47,545 - WAIT TILL YOU COME TO MY HOUSE. 665 00:25:47,569 --> 00:25:49,144 - KYLE, SO YOU DON'T NEED TO BE SERVING. 666 00:25:49,168 --> 00:25:51,509 JUST PUT IT HERE AND WE... - OKAY. 667 00:25:51,533 --> 00:25:52,650 YOU WANT TO SERVE YOURSELVES? OKAY. 668 00:25:52,674 --> 00:25:53,976 - YES. - THAT'S FINE. 669 00:25:54,000 --> 00:25:56,245 OKAY. WELL, BON APPETIT, EVERYBODY. 670 00:25:56,269 --> 00:25:57,309 - THANK YOU. - THANK YOU. 671 00:25:57,333 --> 00:25:59,080 - SHARON, I THINK I WAS TELLING YOU... 672 00:25:59,104 --> 00:26:01,009 SO HER MOM AND LISA'S MOM 673 00:26:01,033 --> 00:26:02,710 WERE BEST FRIENDS SINCE KINDERGARTEN. 674 00:26:02,734 --> 00:26:03,711 - OH, WOW. - SO THEY WERE PREGNANT 675 00:26:03,735 --> 00:26:05,548 TOGETHER, SO SHE GREW UP, LIKE, 676 00:26:05,572 --> 00:26:07,443 WITH MY HUSBAND, LIKE A BROTHER AND SISTER. 677 00:26:07,467 --> 00:26:09,176 - NO, YOU DIDN'T TELL ME THAT. - YEAH, SO... 678 00:26:09,200 --> 00:26:10,609 - SO YOU KNOW... YOU KNOW HIM FOREVER? 679 00:26:10,633 --> 00:26:11,648 SO YOU'RE FRIENDS FOREVER? 680 00:26:11,672 --> 00:26:12,644 - SHARON WAS A GIFT WITH PURCHASE 681 00:26:12,668 --> 00:26:14,209 WHEN I MARRIED MAURICIO. 682 00:26:14,233 --> 00:26:16,047 - OH. - SO, UM, HOW'D YOU MEET DAVID? 683 00:26:16,071 --> 00:26:18,609 - I WENT TO A CLUB ONE NIGHT WITH ANOTHER GIRLFRIEND OF MINE, 684 00:26:18,633 --> 00:26:21,509 AND, UH, HE WAS STANDING ON THE DANCE FLOOR DANCING, 685 00:26:21,533 --> 00:26:24,376 AND TWO GIRLS CUT IN BETWEEN US. 686 00:26:24,400 --> 00:26:25,746 AND I'M, LIKE, YOU KNOW WHAT, 687 00:26:25,770 --> 00:26:28,343 "MOVE, SERIOUSLY, WHAT'S YOUR PROBLEM?" 688 00:26:28,367 --> 00:26:31,576 SO THE ONE GIRL TURNED AND PUNCHED MY GIRLFRIEND. 689 00:26:31,600 --> 00:26:33,209 WE GOT INTO A BIG FIGHT, 690 00:26:33,233 --> 00:26:35,347 AND THEN THE BOUNCERS SPLIT US UP 691 00:26:35,371 --> 00:26:38,244 AND THEN DAVID, HE CAME DOWNSTAIRS AND HE'S, LIKE, 692 00:26:38,268 --> 00:26:39,609 "OH MY GOD, THAT WAS SO FUN." 693 00:26:39,633 --> 00:26:40,680 - THAT'S WHAT TURNED HIM ON, 694 00:26:40,704 --> 00:26:42,409 WHEN HE SAW YOU BEATING SOMEONE UP? 695 00:26:42,433 --> 00:26:45,343 - WELL, HE PICTURED HIMSELF IN THE BEDROOM, SO, YES. 696 00:26:45,367 --> 00:26:47,276 - HE'S, LIKE, "OH, SHE'S GONNA BEAT ME. I LIKE IT." 697 00:26:47,300 --> 00:26:50,576 - YEAH, HE'S LIKE, "I LIKE THAT FEISTY WOMAN OVER THERE." 698 00:26:50,600 --> 00:26:51,976 JOYCE, HOW DID YOU MEET YOUR HUSBAND? 699 00:26:52,000 --> 00:26:54,609 - IT WAS ACTUALLY MY FIRST BLIND DATE EVER. 700 00:26:54,633 --> 00:26:56,676 ON THE PHONE HE SOUNDS LIKE HE'S 80 YEARS OLD, 701 00:26:56,700 --> 00:26:57,677 SHORT, BALD AND FAT. 702 00:26:57,701 --> 00:26:59,209 AND HE CALLS ME AND HE SAYS, 703 00:26:59,233 --> 00:27:00,380 "OKAY, SO I'LL PICK YOU UP AT 8:00." 704 00:27:00,404 --> 00:27:01,609 - AND YOU'RE, LIKE, "GRANDPA, 705 00:27:01,633 --> 00:27:03,679 SHOULDN'T YOU BE IN BED?" [laughter] 706 00:27:03,703 --> 00:27:06,376 - SO I TOLD HIM, "PERHAPS WE SHOULD DO A COFFEE," 707 00:27:06,400 --> 00:27:07,976 AND HE'S, LIKE, "COFFEE'S BULL[bleep]. 708 00:27:08,000 --> 00:27:09,076 I'LL PICK YOU UP AT 8:00." 709 00:27:09,100 --> 00:27:10,976 AND I SAID WOW, MY OLDIE HAS BALLS. 710 00:27:11,000 --> 00:27:13,746 LET ME GO REALLY UGLY AND HE'LL BE, LIKE, 711 00:27:13,770 --> 00:27:16,109 OKAY, I'VE BEEN PURSUING THIS FOR THREE MONTHS? 712 00:27:16,133 --> 00:27:18,309 - YOU COULD NOT BE UGLY. - I WAS. 713 00:27:18,333 --> 00:27:20,048 YOU KNOW WHEN YOUR PUT YOUR HAIR UP, NO MAKEUP... 714 00:27:20,072 --> 00:27:21,242 - I KNOW WHEN WE FEEL UGLY, BUT YOU WOULDN'T... 715 00:27:21,266 --> 00:27:24,309 - WHEN YOU FEEL UGLY... BIG JEANS, WIFE BEATER... 716 00:27:24,333 --> 00:27:26,379 AND WHEN I SEE HIM I GO, "OH, [bleep]. 717 00:27:26,403 --> 00:27:28,045 "I LOOK LIKE [bleep], AND I REALLY... 718 00:27:28,069 --> 00:27:29,409 THIS IS THE MAN OF MY DREAMS." 719 00:27:29,433 --> 00:27:31,647 SO WE GO TO ASIA DE CUBA BECAUSE IT'S SO LATIN. 720 00:27:31,671 --> 00:27:33,009 IT'S MY FAVORITE PLACE. 721 00:27:33,033 --> 00:27:34,979 - THIS STORY IS GOING ON FOR QUITE A WHILE, 722 00:27:35,003 --> 00:27:36,109 AND I'M WONDERING WHEN WE'RE 723 00:27:36,133 --> 00:27:37,480 ACTUALLY GOING TO GET TO THE END OF IT. 724 00:27:37,504 --> 00:27:39,109 - WHEN WE GET THERE, I'M THINKING, 725 00:27:39,133 --> 00:27:40,379 "I'M GONNA GO TO THE BATHROOM 726 00:27:40,403 --> 00:27:43,145 AND I'M GONNA BEG ANY GIRL FOR MERCY MAKEUP." 727 00:27:43,169 --> 00:27:45,343 - [laughs] - MERCY MAKEUP, I LIKE THAT. 728 00:27:45,367 --> 00:27:47,276 - I KNOW, I WAS LIKE, "IT'S JUST MERCY MAKEUP. 729 00:27:47,300 --> 00:27:50,245 "I LOOK LIKE [bleep], MY FUTURE HUSBAND'S OUT THERE, 730 00:27:50,269 --> 00:27:51,343 I NEED THE MAKEUP." 731 00:27:51,367 --> 00:27:52,409 - YOU KNEW YOU FELT LIKE THAT, INSTANTLY? 732 00:27:52,433 --> 00:27:54,209 - INSTANTLY. IT WAS INSTANTLY. 733 00:27:54,233 --> 00:27:55,347 IT WAS IMMEDIATELY. 734 00:27:55,371 --> 00:27:56,676 I FELT, LIKE, "OH MY, GOD. 735 00:27:56,700 --> 00:27:57,677 THIS IS MY SOUL MATE." 736 00:27:57,701 --> 00:27:58,976 YOU KNOW WHEN YOU'RE A LITTLE GIRL 737 00:27:59,000 --> 00:28:00,976 AND YOU ENVISION YOUR PERFECT MAN? 738 00:28:01,000 --> 00:28:02,145 - NO. - THAT WAS IT. 739 00:28:02,169 --> 00:28:03,409 - NOT WHEN I WAS A LITTLE GIRL. 740 00:28:03,433 --> 00:28:05,076 [laughter] - OH MY, GOD. 741 00:28:05,100 --> 00:28:06,343 - THAT'S SO FUNNY. 742 00:28:06,367 --> 00:28:08,009 OH MY, GOD, THERE'S A BEE. I'M SO SORRY. 743 00:28:08,033 --> 00:28:09,109 I'M SORRY. 744 00:28:09,133 --> 00:28:10,178 JOYCE, WE'RE BOTH ALLERGIC TO BEES. 745 00:28:10,202 --> 00:28:11,145 - WHERE IS IT? - SHARON, KILL IT FOR ME 746 00:28:11,169 --> 00:28:12,143 IF YOU LOVE ME. 747 00:28:12,167 --> 00:28:14,509 - [gasp] 748 00:28:14,533 --> 00:28:15,710 NO! 749 00:28:15,734 --> 00:28:16,981 - SORRY, I'M ALLERGIC. 750 00:28:17,005 --> 00:28:19,276 - BUT DON'T KILL IT. - OH, WELL. 751 00:28:19,300 --> 00:28:20,277 - I'M DISGUSTED. 752 00:28:20,301 --> 00:28:21,447 WE'RE SITTING OUTSIDE 753 00:28:21,471 --> 00:28:23,976 IN THIS BEE'S ENVIRONMENT. 754 00:28:24,000 --> 00:28:25,543 THIS IS [bleep] UP. 755 00:28:25,567 --> 00:28:27,976 WHY WOULD YOU DO SUCH AN AWFUL THING? 756 00:28:28,000 --> 00:28:29,445 I WOULD HAVE GOT IT AND PUT IT IN A BUSH. 757 00:28:29,469 --> 00:28:30,509 - NO, I WILL DIE. I WILL DIE. 758 00:28:30,533 --> 00:28:31,710 - I WILL SAVE YOU. 759 00:28:31,734 --> 00:28:33,449 - IF YOU START DYING, I'M GONNA START LAUGHING 760 00:28:33,473 --> 00:28:34,676 AND IT'S GONNA BE SO UNCOMFORTABLE. 761 00:28:34,700 --> 00:28:37,443 - [snorting laugh] 762 00:28:37,467 --> 00:28:39,743 I'M A BEE MURDER ACCOMPLICE. 763 00:28:39,767 --> 00:28:42,443 [laughing] 764 00:28:42,467 --> 00:28:44,309 [snorts] 765 00:28:44,333 --> 00:28:49,343 - WHAT KIND OF PERSON DOES THIS? [laughs] 766 00:28:49,367 --> 00:28:51,109 - COMING UP... 767 00:28:51,133 --> 00:28:53,176 [Kingsley growls] - HEY. OFF! 768 00:28:53,200 --> 00:28:56,670 - KINGSLEY, KINGSLEY, KINGSLEY! - OFF! OFF! OFF! OFF! 769 00:29:00,767 --> 00:29:02,109 - SHARON, YOU HAVE TO TELL THE STORY ABOUT 770 00:29:02,133 --> 00:29:03,609 OUR FIRST SINGLE NIGHT OUT AFTER I GAVE BIRTH. 771 00:29:03,633 --> 00:29:06,150 - SO WE'RE, LIKE, TALKING TO THESE TWO GUYS, SUDDENLY... 772 00:29:06,174 --> 00:29:07,176 [laughs] 773 00:29:07,200 --> 00:29:09,476 - THE GUY'S FACE GOES LIKE THIS. 774 00:29:09,500 --> 00:29:12,746 - AND I TURNED AROUND AND KYLE'S WEARING A SATIN SHIRT, 775 00:29:12,770 --> 00:29:15,476 TURQUOISE, EXACTLY LIKE MINE, BUT BUTTONED DOWN. 776 00:29:15,500 --> 00:29:18,476 AND THE MILK STARTED COMING... - NO! 777 00:29:18,500 --> 00:29:21,109 [laughter] OH, MY GOD. 778 00:29:21,133 --> 00:29:22,976 - MY BOOBS START LEAKING. 779 00:29:23,000 --> 00:29:24,376 - [snorts] - AND I'M, LIKE, LOOKING AT HIM 780 00:29:24,400 --> 00:29:26,576 AND I'M GOING... 781 00:29:26,600 --> 00:29:27,646 WHO DOES THAT? - ME. 782 00:29:27,670 --> 00:29:29,409 ALL OF US. WE'RE THE SNORTERS. 783 00:29:29,433 --> 00:29:30,450 I'M ALWAYS, LIKE... [snorts] 784 00:29:30,474 --> 00:29:32,609 - SO DOES SHE AND SO DO YOU. 785 00:29:32,633 --> 00:29:34,009 - OH MY, GOD. 786 00:29:34,033 --> 00:29:36,447 - MY BOOBS ARE LEAKING THROUGH THE BLOUSE, 787 00:29:36,471 --> 00:29:38,609 THIS ONE IS CRYING, DOUBLED OVER AND... 788 00:29:38,633 --> 00:29:41,743 - I'M LAUGHING SO HARD, I CAN'T EVEN TAKE IT. 789 00:29:41,767 --> 00:29:43,576 - DID I JUST MISS SOMETHING? 790 00:29:43,600 --> 00:29:46,570 - [laughs, snorts] 791 00:29:59,033 --> 00:30:02,250 - EVERYBODY'S GOT THEIR STUFF AND THEIR DIRECTIONS NOW 792 00:30:02,274 --> 00:30:05,543 AND IT JUST FEELS SO NEAT, YOU KNOW? 793 00:30:05,567 --> 00:30:06,509 - WHAT ARE YOU GONNA DO? 794 00:30:06,533 --> 00:30:08,147 IT'S A LITTLE IN TRANSITION. 795 00:30:08,171 --> 00:30:09,609 - I'M NOT IN... I DON'T THINK... 796 00:30:09,633 --> 00:30:10,580 I DON'T REALLY THINK ANY OF US 797 00:30:10,604 --> 00:30:11,746 ARE IN TRANSITION ANYMORE. 798 00:30:11,770 --> 00:30:13,643 I THINK THE TRANSITION PERIOD'S OVER. 799 00:30:13,667 --> 00:30:16,076 [doorbell rings] CHAD'S DECIDED... HOLD ON. 800 00:30:16,100 --> 00:30:18,076 UM, I THINK THAT CHAD'S PRETTY MUCH FIGURED OUT 801 00:30:18,100 --> 00:30:19,609 HE WANTS TO TRAVEL A BIT, 802 00:30:19,633 --> 00:30:21,447 AND YOUR GRADUATION'S JUST A FEW WEEKS AWAY. 803 00:30:21,471 --> 00:30:24,209 SO YOU'RE GOING OFF TO COLLEGE, AND I THINK THAT IT'S MY TURN 804 00:30:24,233 --> 00:30:27,409 TO FIGURE OUT WHERE I WANT TO BE AT THIS POINT. 805 00:30:27,433 --> 00:30:29,479 IT'S MY TURN TO FIND A PERSON THAT I... 806 00:30:29,503 --> 00:30:31,109 [doorbell rings] HOLD ON. 807 00:30:31,133 --> 00:30:32,650 FIND THE PERSON THAT ISN'T IN MY LIFE, 808 00:30:32,674 --> 00:30:35,076 THAT I HAD TO PUT ON HOLD AND MAYBE START 809 00:30:35,100 --> 00:30:36,409 DOING THE THINGS I PUT ASIDE FOR AWHILE. 810 00:30:36,433 --> 00:30:37,679 LISTEN, THE DOG TRAINER'S HERE. 811 00:30:37,703 --> 00:30:39,309 SO I'LL CALL YOU IN A FEW MINUTES 812 00:30:39,333 --> 00:30:40,609 AND THEN, UM, ARE YOU COMING HOME TONIGHT? 813 00:30:40,633 --> 00:30:43,443 HOLD ON, DAVID, I JUST WANT TO MAKE SURE 814 00:30:43,467 --> 00:30:45,509 THAT KINGSLEY'S READY FOR YOU. - NOT A PROBLEM. 815 00:30:45,533 --> 00:30:46,979 - ARE YOU COMING HOME TONIGHT? 816 00:30:47,003 --> 00:30:48,076 - I DON'T KNOW. CALL... 817 00:30:48,100 --> 00:30:49,109 - I'LL CALL YOU IN A FEW MINUTES. 818 00:30:49,133 --> 00:30:50,280 I LOVE YOU. - OKAY. GOOD LUCK. 819 00:30:50,304 --> 00:30:51,376 - LOVE YOU, HONEY. THANKS. 820 00:30:51,400 --> 00:30:53,570 LOVE YOU... YEAH, I'M GONNA NEED IT, RIGHT? 821 00:30:56,033 --> 00:30:58,133 [murmuring] OH, PLEASE DON'T. 822 00:31:00,033 --> 00:31:02,009 HI, HOW ARE YOU? - HI. GOOD. 823 00:31:02,033 --> 00:31:03,550 - I DIDN'T PUT KINGSLEY OUT... KINGSLEY, BACK. 824 00:31:03,574 --> 00:31:05,076 - IT'S ALL RIGHT. - SIT DOWN. 825 00:31:05,100 --> 00:31:06,176 SIT DOWN. - COME IN. 826 00:31:06,200 --> 00:31:07,545 - KINGSLEY, BACK UP. - THERE YOU GO. 827 00:31:07,569 --> 00:31:08,609 - THAT'S OKAY, RIGHT? - YEAH, YOU DIDN'T GET HIM 828 00:31:08,633 --> 00:31:09,680 ON A LEASH IN TIME, HUH? - I DIDN'T. 829 00:31:09,704 --> 00:31:11,142 - THAT'S ALL RIGHT. - I DIDN'T. 830 00:31:11,166 --> 00:31:12,409 KINGSLEY, SIT. - WE'LL GET A HOLD OF HIM. 831 00:31:12,433 --> 00:31:15,179 - MY DOG, HE'S EATEN THOUSANDS OF DOLLARS OF SHOES, 832 00:31:15,203 --> 00:31:17,047 SUNGLASSES AND PERSONAL ITEMS, 833 00:31:17,071 --> 00:31:20,309 AND I JUST THINK WE NEED A TRAINER. 834 00:31:20,333 --> 00:31:21,579 [Kingsley growls] - HEY, OFF. 835 00:31:21,603 --> 00:31:23,076 - HEY. KINGSLEY, KINGSLEY, KINGSLEY! 836 00:31:23,100 --> 00:31:25,547 - OFF! OFF! OFF! OFF! - KINGSLEY! KINGSLEY! 837 00:31:25,571 --> 00:31:27,309 - OFF. OFF. OFF. 838 00:31:27,333 --> 00:31:28,580 YOU HAVE TO GRAB HIM. - OKAY. SIT DOWN. 839 00:31:28,604 --> 00:31:30,042 I USUALLY... - OFF. BUMP HIM. 840 00:31:30,066 --> 00:31:31,042 BUMP HIM WITH YOUR KNEE. 841 00:31:31,066 --> 00:31:32,043 - SIT DOWN. - OFF. 842 00:31:32,067 --> 00:31:33,242 - HE'S, LIKE, SHAKING. 843 00:31:33,266 --> 00:31:34,209 WHY HE IS SHAKING WHEN YOU SHOULD BE THE ONE? 844 00:31:34,233 --> 00:31:35,348 - WELL, BECAUSE HE CAME AFTER ME 845 00:31:35,372 --> 00:31:36,443 AND HE'S NEVER HAD ONE PUNK HIM BACK. 846 00:31:36,467 --> 00:31:38,144 - OKAY. OKAY. - SO THAT'S WHY. 847 00:31:38,168 --> 00:31:41,042 YOU NEED TO GET USED TO NOT TREATING HIM LIKE 848 00:31:41,066 --> 00:31:42,309 HE'S MADE OF LEGOS AND HE'S GONNA FALL APART. 849 00:31:42,333 --> 00:31:44,242 - RIGHT. - OKAY? 850 00:31:44,266 --> 00:31:45,243 - IT KIND OF SCARED ME A LITTLE BIT. 851 00:31:45,267 --> 00:31:46,309 - NO, I KNOW, I KNOW. 852 00:31:46,333 --> 00:31:47,380 I'M USED TO IT, BUT YOU'RE NOT 853 00:31:47,404 --> 00:31:48,446 AND, YOU KNOW... - RIGHT. 854 00:31:48,470 --> 00:31:50,209 - SO YOU HAVE TO WALK INTO THE DOG 855 00:31:50,233 --> 00:31:53,476 LIKE HE'S A DOG, AND A PIT BULL DOG. 856 00:31:53,500 --> 00:31:54,643 OKAY? - MM-HMM. 857 00:31:54,667 --> 00:31:56,543 - SO WALK INTO HIM AND JUST TAKE HIS SPACE. 858 00:31:56,567 --> 00:31:57,609 THIS IS DOG LANGUAGE. 859 00:31:57,633 --> 00:31:58,747 WHEN YOU TAKE SPACE OF A DOG 860 00:31:58,771 --> 00:32:00,743 YOU'RE TELLING HIM, "I OWN THIS TERRITORY, 861 00:32:00,767 --> 00:32:03,476 AND WHO COMES THROUGH THAT DOOR IS MY INTRODUCTION, NOT YOURS." 862 00:32:03,500 --> 00:32:07,045 - IF I HAVE TO BUMP THE DOG AND KIND OF THUNK HIM TO THE LEFT, 863 00:32:07,069 --> 00:32:08,676 AFTER THAT, I'LL THUNK YOU. 864 00:32:08,700 --> 00:32:10,547 I'LL THUNK THE [bleep] OUT OF YOU. 865 00:32:10,571 --> 00:32:13,409 CHAD, YOU READY FOR ACTION? 866 00:32:13,433 --> 00:32:15,147 - YEAH. - YOU READY FOR ACTION? 867 00:32:15,171 --> 00:32:17,443 - HE'S A MAMA'S BOY AND WE'VE GOT TO CHANGE THAT. 868 00:32:17,467 --> 00:32:19,676 [both laugh] 869 00:32:19,700 --> 00:32:22,209 - HI. - ALL RIGHT. 870 00:32:22,233 --> 00:32:23,609 - I'M CHAD. - ALL RIGHT, CHAD. 871 00:32:23,633 --> 00:32:25,547 NICE TO MEET YOU. - NICE TO MEET YOU. 872 00:32:25,571 --> 00:32:27,576 - WHY IS HE DOING THIS? HE'S, LIKE... 873 00:32:27,600 --> 00:32:29,145 - THE DOG'S BODY LANGUAGE, NOW, 874 00:32:29,169 --> 00:32:31,509 OBVIOUSLY IS SHOWING HE DOESN'T SEE ME AS A THREAT. 875 00:32:31,533 --> 00:32:34,047 BECAUSE THE DOG'S SAYING, "I HAVE ATTENTION WITH MOMMY," 876 00:32:34,071 --> 00:32:35,109 AND THAT'S ALL IT WANTED. 877 00:32:35,133 --> 00:32:36,480 I'VE SEEN DOGS GET VERY AGGRESSIVE 878 00:32:36,504 --> 00:32:39,376 OVER THIS ISSUE OF MY MOMMY. - YEP. 879 00:32:39,400 --> 00:32:41,976 - ALL RIGHT, SO LET'S TAKE YOU GUYS OUT FRONT, 880 00:32:42,000 --> 00:32:43,976 AND I WANT YOU TO WATCH WHAT I DO WITH MY DOG. 881 00:32:44,000 --> 00:32:45,109 SO LET'S GO DO IT. 882 00:32:45,133 --> 00:32:47,380 - I KNOW PIT BULLS HAVE A REPUTATION. 883 00:32:47,404 --> 00:32:50,576 I DON'T WANT TO BE THAT PERSON 884 00:32:50,600 --> 00:32:55,009 THAT HAS A DOG THAT BITES AND HURTS SOMEBODY. 885 00:32:55,033 --> 00:32:58,543 I WANT TO GIVE PIT BULLS A GOOD NAME. 886 00:32:58,567 --> 00:33:00,176 - CHAD... OH, MY GOD, LOOK AT THAT PIT BULL, CHAD. 887 00:33:00,200 --> 00:33:01,443 [gasp] 888 00:33:01,467 --> 00:33:02,609 - OOH. - SO WHAT? 889 00:33:02,633 --> 00:33:04,609 - DOJO. 890 00:33:04,633 --> 00:33:05,643 [Kingsley growls] - OFF. 891 00:33:05,667 --> 00:33:06,644 NO. 892 00:33:06,668 --> 00:33:08,743 SIT KING. 893 00:33:08,767 --> 00:33:10,543 SIT. SIT. 894 00:33:10,567 --> 00:33:12,109 - SIT! - SIT. 895 00:33:12,133 --> 00:33:14,176 - KINGSLEY, SIT. 896 00:33:14,200 --> 00:33:15,177 - SIT. - SIT... 897 00:33:15,201 --> 00:33:16,676 [both laugh] 898 00:33:16,700 --> 00:33:18,142 - SIT DOWN, KINGSLEY. 899 00:33:18,166 --> 00:33:19,509 WHY ISN'T HE LISTENING? - SIT. 900 00:33:19,533 --> 00:33:21,647 - YOU JUST GOTTA GRAB HIM HARD AND BE FIRM WITH HIM. 901 00:33:21,671 --> 00:33:23,409 - I DON'T LIKE BEING ON THIS HILL, CHAD. 902 00:33:23,433 --> 00:33:24,580 CAN WE JUST GO DOWN FLAT? 903 00:33:24,604 --> 00:33:27,009 - THAT'S OKAY, COME TO FLAT. 904 00:33:27,033 --> 00:33:29,150 YOU GAVE THIS DOG TOO MUCH FREEDOM AND HE'S A BRAT NOW. 905 00:33:29,174 --> 00:33:30,543 THIS IS THE CHAPTER OF YOUR LIVES 906 00:33:30,567 --> 00:33:32,176 WHERE YOU HAVE TO GAIN CONTROL OF IT. 907 00:33:32,200 --> 00:33:34,409 WHAT YOU THOUGHT WAS 100% CONTROL, WASN'T. 908 00:33:34,433 --> 00:33:37,479 - THIS HAS BEEN A TRANSITION TIME FOR ME, IN MY SOBRIETY, 909 00:33:37,503 --> 00:33:40,045 AND THIS DOG HAS JUST BEEN THERE FOR ME. 910 00:33:40,069 --> 00:33:41,376 - YOU HAVE A LOT TO ABSORB. 911 00:33:41,400 --> 00:33:42,377 - WILL YOU HOLD THIS REAL QUICK? 912 00:33:42,401 --> 00:33:43,643 - YOU'RE GOING TO... - HOLD ON. 913 00:33:43,667 --> 00:33:45,176 - YOU OKAY? - YEAH, I JUST WANTED TO... 914 00:33:45,200 --> 00:33:46,309 - YOU'RE GONNA LEARN TO... - KINGSLEY. 915 00:33:46,333 --> 00:33:48,710 - MENTALLY ACCEPT THE DOG. 916 00:33:48,734 --> 00:33:52,676 - PEOPLE COME AND GO, BUT MY DOG IS, LIKE, ALWAYS THERE. 917 00:33:52,700 --> 00:33:55,109 SIT. SIT! 918 00:33:55,133 --> 00:33:56,109 SIT! SIT! 919 00:33:56,133 --> 00:33:57,110 - GRAB HIS NECK. 920 00:33:57,134 --> 00:33:58,247 KIM, GRAB HIS NECK. 921 00:33:58,271 --> 00:33:59,576 - KINGSLEY, SIT. - THERE YOU GO. 922 00:33:59,600 --> 00:34:01,209 - THE NECK SEEMS TO WORK A LITTLE MORE. 923 00:34:01,233 --> 00:34:02,209 - THE NECK WORKS EVERY TIME. 924 00:34:02,233 --> 00:34:03,210 YOU DON'T HAVE TO KEEP FIGHTING 925 00:34:03,234 --> 00:34:04,309 THE LEASH AND PULLING HIM. 926 00:34:04,333 --> 00:34:05,310 - THIS IS A LOT OF WORK. 927 00:34:05,334 --> 00:34:06,450 I DID NOT... I'M EXHAUSTED. 928 00:34:06,474 --> 00:34:08,609 AND I JUST DIDN'T REALIZE 929 00:34:08,633 --> 00:34:12,309 THAT REHABILITATING A DOG WOULD BE SO DIFFICULT. 930 00:34:12,333 --> 00:34:14,750 I MEAN... I KNOW I JUST WENT THROUGH IT LAST YEAR. 931 00:34:14,774 --> 00:34:20,176 I WAS IN A DIFFICULT, VERY DARK TIME, 932 00:34:20,200 --> 00:34:25,130 AND I DON'T KNOW IF I'VE EVER BEEN WHO I AM TODAY. 933 00:34:29,600 --> 00:34:32,643 I'M SORRY. [sniffles] 934 00:34:32,667 --> 00:34:35,443 I MEAN, I KNOW I'M BACK. 935 00:34:35,467 --> 00:34:37,543 I'M SORRY, THIS IS ABOUT THE DOG. 936 00:34:37,567 --> 00:34:39,242 - WELL, YOU CAN RELATE TO IT NOW. 937 00:34:39,266 --> 00:34:40,609 IF YOU WENT THROUGH IT YOURSELF... 938 00:34:40,633 --> 00:34:42,348 - OH, NO, NO, I CAN RELATE. - YOU CAN RELATE TO IT. 939 00:34:42,372 --> 00:34:43,476 - I JUST, NOW, LIKE, HE CAN RELATE TO ME. 940 00:34:43,500 --> 00:34:46,530 - RIGHT. - [laughs] 941 00:34:53,166 --> 00:34:55,609 - DAWN, I'LL CALL YOU BACK, OKAY? 942 00:34:55,633 --> 00:34:56,750 - HEY. - HI, BABY. 943 00:34:56,774 --> 00:34:58,676 1/2 AN HOUR. - [sighs] 944 00:34:58,700 --> 00:35:03,276 OKAY, I'M LOOKING FOR IDEAS FOR THE NEW BAR. 945 00:35:03,300 --> 00:35:05,443 I WANT TO CALL IT "PUMP." 946 00:35:05,467 --> 00:35:06,609 - "PUMP" IS GREAT. 947 00:35:06,633 --> 00:35:08,079 I LIKE THAT. - LOVE IT, RIGHT? 948 00:35:08,103 --> 00:35:09,476 I THINK IT'S SEXY, IT'S FRESH, 949 00:35:09,500 --> 00:35:11,446 IT'S VERY NOW, AND IT'S A PLAY ON MY NAME. 950 00:35:11,470 --> 00:35:14,144 SO, THERE MIGHT BE A LITTLE VANDER IN FRONT OF IT, 951 00:35:14,168 --> 00:35:15,376 BUT IT'S GONNA BE "PUMP." 952 00:35:15,400 --> 00:35:17,609 I CAN'T RUN AROUND, SO I'M LOOKING ONLINE. 953 00:35:17,633 --> 00:35:21,509 I WANT TO CREATE A GARDEN, A GAY GARDEN, 954 00:35:21,533 --> 00:35:23,247 AND PUT A BAR IN THE MIDDLE OF IT. 955 00:35:23,271 --> 00:35:26,443 SO I'M VERY EXCITED ABOUT IT. IT'S GONNA BE A UNIQUE PLACE. 956 00:35:26,467 --> 00:35:29,276 THIS IS A GREAT OPPORTUNITY, BUT I'M SO CRAZY BUSY, 957 00:35:29,300 --> 00:35:31,209 I FEEL LIKE IT'S DIFFICULT TO CATCH UP, YOU KNOW? 958 00:35:31,233 --> 00:35:33,409 WITH THE DANCING AND THEN VILLA BLANCA 959 00:35:33,433 --> 00:35:35,509 AND ALL OF THE OTHER MULTITUDE OF PROBLEMS HERE. 960 00:35:35,533 --> 00:35:38,176 - WELL, YOU KNOW, I'M EXPERIENCED. 961 00:35:38,200 --> 00:35:39,376 I'M THERE FOR YOU. 962 00:35:39,400 --> 00:35:40,509 - CAN YOU DANCE FOR ME? 963 00:35:40,533 --> 00:35:42,509 - WELL, THAT'S ONE THING I CAN'T... 964 00:35:42,533 --> 00:35:45,009 - CAN YOU DANCE WITH GLEB? - [laughs] 965 00:35:45,033 --> 00:35:47,247 - I THINK I'M GONNA BE KICKED OFF THERE PRETTY SOON 966 00:35:47,271 --> 00:35:49,276 THE WAY THINGS ARE GOING. - RIGHT. 967 00:35:49,300 --> 00:35:51,376 - WHAT DO YOU MEAN, RIGHT? 968 00:35:51,400 --> 00:35:57,009 - UM, THAT'S JUST, UM, YOU KNOW, THEY'VE SAID THAT, 969 00:35:57,033 --> 00:36:00,643 UM, IT'S... YOU KNOW, IT DOESN'T MATTER. 970 00:36:00,667 --> 00:36:03,109 IT'S... DANCING'S GOOD FOR YOU. 971 00:36:03,133 --> 00:36:05,242 LOOK... LOOK AT YOUR FIGURE NOW. 972 00:36:05,266 --> 00:36:07,543 IT'S, A, VERY... - YOU NEVER SEE IT. 973 00:36:07,567 --> 00:36:09,009 - YOU'RE VERY TIGHT. 974 00:36:09,033 --> 00:36:10,550 - I'M ASLEEP BY THE TIME YOU GET HOME. 975 00:36:10,574 --> 00:36:12,276 [laughs] - EXACTLY, BUT YOU KNOW... 976 00:36:12,300 --> 00:36:13,746 - SHOULD WE GO UP AND HAVE A LOOK? 977 00:36:13,770 --> 00:36:15,042 I'VE GOT 20 MINUTES, 978 00:36:15,066 --> 00:36:16,276 THEN I'VE GOT TO BE DOWN IN HOLLYWOOD. 979 00:36:16,300 --> 00:36:17,545 - IS TAKES 20 MINUTES TO WALK UP THERE. 980 00:36:17,569 --> 00:36:18,676 - NO, IT DOESN'T. IT TAKES TWO MINUTES. 981 00:36:18,700 --> 00:36:20,242 COME ON. [groans] 982 00:36:20,266 --> 00:36:22,710 - I'LL SHOW YOU THE... - EVERY PART OF ME ACHES. 983 00:36:22,734 --> 00:36:24,543 EVEN PARTS OF ME I DIDN'T KNOW I HAD. 984 00:36:24,567 --> 00:36:26,376 - I'LL SHOW YOU THE TREES WHEN WE GET UP THERE. 985 00:36:26,400 --> 00:36:27,643 - OKAY. 986 00:36:27,667 --> 00:36:29,576 WE'VE ALWAYS BEEN REALLY HUGE GAY SUPPORTERS. 987 00:36:29,600 --> 00:36:32,976 I'VE BEEN A SPOKESPERSON FOR GLAAD FOR THREE YEARS 988 00:36:33,000 --> 00:36:34,443 AND HAD MANY GAY BARS. 989 00:36:34,467 --> 00:36:36,376 AND I FEEL WE'VE LOST OUR FOOTING, REALLY. 990 00:36:36,400 --> 00:36:38,446 AND SO I'VE BEEN LOOKING FOR A SPOT 991 00:36:38,470 --> 00:36:40,409 THAT I COULD HAVE A GREAT GAY BAR AGAIN. 992 00:36:40,433 --> 00:36:43,309 - IT MIGHT NOT NECESSARILY BE ALL GAY THERE. 993 00:36:43,333 --> 00:36:46,276 - NO, IT'S GONNA BE PRIMARILY A GAY BAR, 994 00:36:46,300 --> 00:36:47,576 WHICH IS EXACTLY WHAT I WANT. 995 00:36:47,600 --> 00:36:49,047 WE'RE GONNA GET PERMISSIONS, KEN. 996 00:36:49,071 --> 00:36:50,609 THAT'S THE PROBLEM. 997 00:36:50,633 --> 00:36:52,648 - I DON'T THINK YOU SHOULD WORRY ABOUT PERMISSIONS. 998 00:36:52,672 --> 00:36:54,710 THE ONLY THING THEY HAVEN'T GIVEN US PERMISSION FOR 999 00:36:54,734 --> 00:36:59,976 IS THE BAR IN THE GARDEN, BUT I THINK WE'VE GOT, UM... 1000 00:37:00,000 --> 00:37:03,376 - I SAW YOU CHECKING OUT THE LINGERIE SHOP. 1001 00:37:03,400 --> 00:37:05,400 - HUH. 1002 00:37:10,400 --> 00:37:12,345 - I MEAN, THEY'VE GOT TO GIVE US OUR PERMISSIONS. 1003 00:37:12,369 --> 00:37:13,476 THEY WANT TO CLEAN UP THIS CORNER. 1004 00:37:13,500 --> 00:37:15,476 IT'S... - WITHOUT A DOUBT, OF COURSE. 1005 00:37:15,500 --> 00:37:17,710 IT'S THE MOST IMPORTANT CORNER IN WEST HOLLYWOOD. 1006 00:37:17,734 --> 00:37:20,511 - I ALWAYS LOOK AT THIS SPACE AND I SEE WHAT INSPIRES ME, 1007 00:37:20,535 --> 00:37:23,547 AND THEN I THINK... "OKAY, I SEE IT DONE LOOSELY." 1008 00:37:23,571 --> 00:37:25,476 AND THEN I KIND OF GO WITH THAT. 1009 00:37:25,500 --> 00:37:28,176 PLANS AND THINGS TO ME ARE A NIGHTMARE. 1010 00:37:28,200 --> 00:37:30,245 - THE PROBLEM WE HAVE IS THAT WE'VE GOT TO 1011 00:37:30,269 --> 00:37:31,276 PUT MORE TOILETS IN. 1012 00:37:31,300 --> 00:37:33,109 IN THAT CORNER, THERE, WE'RE GONNA 1013 00:37:33,133 --> 00:37:37,409 PUT TWO HANDICAP TOILETS AND SIX URINALS FOR MEN. 1014 00:37:37,433 --> 00:37:39,979 - WE'LL, WE'VE GOT TO PUT A WOMEN'S TOILET IN, 1015 00:37:40,003 --> 00:37:42,142 EVEN IF IT'S A GAY BAR. - YEAH, BUT IT'S... 1016 00:37:42,166 --> 00:37:43,609 YEAH, BUT... WELL, THERE'S TWO TOILETS INSIDE, 1017 00:37:43,633 --> 00:37:46,347 BUT THERE'LL BE TWO IN THAT CORNER, PLUS THE URINALS. 1018 00:37:46,371 --> 00:37:48,244 - OKAY, I DON'T WANT TO DEAL WITH URINALS. 1019 00:37:48,268 --> 00:37:49,343 YOU DEAL WITH URINALS. 1020 00:37:49,367 --> 00:37:50,643 I'M GONNA DEAL WITH THIS GARDEN. 1021 00:37:50,667 --> 00:37:52,076 I'M SCARED ENOUGH RIGHT NOW. 1022 00:37:52,100 --> 00:37:53,976 - HOW MANY BARS DID WE DO IN LONDON? 1023 00:37:54,000 --> 00:37:57,209 AND EVERY TIME WE DID THEM, YOU WERE SCARED. 1024 00:37:57,233 --> 00:37:59,609 AND THEN YOU ADDED YOUR MAGIC TOUCH 1025 00:37:59,633 --> 00:38:01,279 AND THEY WERE ALL SUCCESSFUL. 1026 00:38:01,303 --> 00:38:02,646 SO WHAT ARE YOU WORRIED ABOUT? 1027 00:38:02,670 --> 00:38:05,443 - I'M ALWAYS STRESSED WHEN WE'RE UNDER CONSTRUCTION 1028 00:38:05,467 --> 00:38:07,710 AND TRYING TO, KIND OF, JUGGLE THINGS. 1029 00:38:07,734 --> 00:38:09,281 THERE'S JUST SO MANY COMPONENTS 1030 00:38:09,305 --> 00:38:12,370 THAT GO INTO OPENING A VENUE LIKE THIS. 1031 00:38:13,533 --> 00:38:15,609 IT'S A BIT OF A NIGHTMARE. 1032 00:38:15,633 --> 00:38:17,409 - YOU HAVEN'T LOST YOUR TOUCH. 1033 00:38:17,433 --> 00:38:19,109 YOU'VE DONE SUR AND NOW YOU'RE GONNA DO PUMP. 1034 00:38:19,133 --> 00:38:20,650 I JUST WANT YOU TO FIGURE OUT WHAT WE'RE GONNA DO 1035 00:38:20,674 --> 00:38:22,567 WITH THE URINALS. 1036 00:38:36,400 --> 00:38:39,076 - HELLO, IT'S ME. 1037 00:38:39,100 --> 00:38:40,242 - HELLO? 1038 00:38:40,266 --> 00:38:43,476 - HI. - HI. 1039 00:38:43,500 --> 00:38:45,676 CAN I HAVE A KISS? - SHOW AUNT KIM YOUR TOOTH. 1040 00:38:45,700 --> 00:38:48,042 - LET ME SEE THE CHOPS. [gasps] 1041 00:38:48,066 --> 00:38:49,609 - AND THE TOOTH FAIRY CAME. 1042 00:38:49,633 --> 00:38:51,650 - DID SHE LEAVE FAIRY DUST? - MM-HMM. 1043 00:38:51,674 --> 00:38:53,509 - [gasp] FAIRY DUST? 1044 00:38:53,533 --> 00:38:54,647 I LOVE THE FAIRY DUST. 1045 00:38:54,671 --> 00:38:56,676 - IT WAS REALLY BEAUTIFUL FAIRY DUST. 1046 00:38:56,700 --> 00:38:59,076 YOU WANT TO GO IN THE MEDIA ROOM AND WATCH LISA 1047 00:38:59,100 --> 00:39:00,147 ON DANCING WITH THE STARS? 1048 00:39:00,171 --> 00:39:01,976 - OKAY. - LET'S GO. 1049 00:39:02,000 --> 00:39:05,276 I TAPED IT SO WE CAN WATCH. - OKAY. 1050 00:39:05,300 --> 00:39:08,276 - IT'S MORE FUN WHEN IT'S SOMEONE THAT YOU KNOW, RIGHT? 1051 00:39:08,300 --> 00:39:11,009 - I DON'T KNOW. WE'LL FIND OUT, RIGHT? 1052 00:39:11,033 --> 00:39:12,750 [dog barks] - CHLOE, YOU WANT TO WATCH TOO? 1053 00:39:12,774 --> 00:39:14,109 COME ON CHLO-CHLO. 1054 00:39:14,133 --> 00:39:15,480 - WELL, I'M GONNA GET SOME CANDY. 1055 00:39:15,504 --> 00:39:17,409 - COME ON. COME ON CHLOE. 1056 00:39:17,433 --> 00:39:19,142 WILL YOU BRING ME CANDY TOO? - OF COURSE. 1057 00:39:19,166 --> 00:39:20,143 - COME ON, CHLOE. 1058 00:39:20,167 --> 00:39:21,576 - WILL YOU GET ME SOME OF THOSE 1059 00:39:21,600 --> 00:39:24,443 SWEET TART THINGIES? - I GOT 'EM. 1060 00:39:24,467 --> 00:39:26,443 - WE NEED POPCORN. 1061 00:39:26,467 --> 00:39:28,409 THERE'S A POPCORN MAKER RIGHT THERE. 1062 00:39:28,433 --> 00:39:29,509 - I DON'T KNOW HOW TO MAKE THAT. 1063 00:39:29,533 --> 00:39:30,748 - I DON'T KNOW HOW TO MAKE IT EITHER. 1064 00:39:30,772 --> 00:39:32,609 I'VE HAD THAT MACHINE... IT JUST SITS THERE EMPTY. 1065 00:39:32,633 --> 00:39:35,643 IT'S SHOW TIME. 1066 00:39:35,667 --> 00:39:36,976 - ALL RIGHT, WE'RE BACK. 1067 00:39:37,000 --> 00:39:39,309 LAST UP, THE WOMAN WHO, THIS WEEK, 1068 00:39:39,333 --> 00:39:41,409 PUSHED HERSELF TO THE LIMIT AND PERHAPS BEYOND 1069 00:39:41,433 --> 00:39:43,747 AS SHE TRAINED TO CELEBRATE A HAPPY MILESTONE, 1070 00:39:43,771 --> 00:39:46,609 LISA HAS DECIDED TO DANCE, SO LET'S CHECK OUT... 1071 00:39:46,633 --> 00:39:48,309 - SHE LOOKS PRETTY. - YEAH, SHE LOOKS BEAUTIFUL. 1072 00:39:48,333 --> 00:39:50,609 - WERE WORKING ON THEIR DANCE THIS WEEK. 1073 00:39:50,633 --> 00:39:52,209 - TWO AND THREE. 1074 00:39:52,233 --> 00:39:53,576 RONDE. 1075 00:39:53,600 --> 00:39:57,570 CHA-CHA, ONE. ARM UP. 1076 00:40:02,066 --> 00:40:04,576 - I DON'T... I DON'T... - WAIT... 1077 00:40:04,600 --> 00:40:06,343 COMING UP... 1078 00:40:06,367 --> 00:40:07,376 WAIT A MINUTE. 1079 00:40:07,400 --> 00:40:08,976 I HAVE TO SEE THAT AGAIN. 1080 00:40:09,000 --> 00:40:10,445 - LOOK, SHE'S HOLDING... SHE'S HOLDING ON... 1081 00:40:10,469 --> 00:40:11,710 SHE'S HOLDING ONTO HIS HAND. [chuckles] 1082 00:40:11,734 --> 00:40:14,734 SOME PEOPLE JUST AREN'T CUT OUT FOR FAKE FAINTS. 1083 00:40:19,367 --> 00:40:21,042 - TWO AND THREE. 1084 00:40:21,066 --> 00:40:22,076 RONDE. 1085 00:40:22,100 --> 00:40:26,070 CHA-CHA, ONE. ARM UP. 1086 00:40:29,500 --> 00:40:31,770 - WHAT... 1087 00:40:33,400 --> 00:40:34,609 WAIT, WHAT HAPPENED? 1088 00:40:34,633 --> 00:40:37,476 - [gasp] - ARE YOU OKAY? 1089 00:40:37,500 --> 00:40:39,976 - I FELL DOWN. 1090 00:40:40,000 --> 00:40:43,309 - WHAT DID SHE SAY, "I FELL DOWN"? 1091 00:40:43,333 --> 00:40:45,009 - WHAT JUST HAPPENED? 1092 00:40:45,033 --> 00:40:46,643 - SHE FAINTED? 1093 00:40:46,667 --> 00:40:50,209 WAIT A MINUTE. I HAVE TO SEE THAT AGAIN. 1094 00:40:50,233 --> 00:40:54,142 I WANT TO SEE IT IN SLOW-MO. 1095 00:40:54,166 --> 00:40:55,476 - LOOK, SHE'S HOLDING... SHE'S HOLDING ON... 1096 00:40:55,500 --> 00:40:58,676 SHE'S HOLDING ONTO HIS HAND. [chuckles] 1097 00:40:58,700 --> 00:41:00,076 WAIT A MINUTE. 1098 00:41:00,100 --> 00:41:02,609 I DON'T THINK SHE WANTED TO DO IT ANYMORE. 1099 00:41:02,633 --> 00:41:06,476 I'VE FAINTED ON CAMERA BEFORE, AND I'VE FAINTED FOR REAL, 1100 00:41:06,500 --> 00:41:12,230 AND... SOME PEOPLE JUST AREN'T CUT OUT FOR FAKE FAINTS. 1101 00:41:13,266 --> 00:41:14,710 WHEN SHE WAKES UP... 1102 00:41:14,734 --> 00:41:16,481 I MEAN, SHE WAKES UP... DON'T PEOPLE WHEN THEY WAKE UP, 1103 00:41:16,505 --> 00:41:20,343 DON'T THEY WAKE UP, LIKE, STARTLED? 1104 00:41:20,367 --> 00:41:22,643 BUT INSTEAD SHE WOKE UP, LIKE, AND SHE WAS LOOKING AT HIM, 1105 00:41:22,667 --> 00:41:27,209 AND THEN SHE WAS LIKE, TO THE CAMERAS. 1106 00:41:27,233 --> 00:41:29,579 - LISA WANTED OUT FROM DANCING WITH THE STARS. 1107 00:41:29,603 --> 00:41:31,676 SHE WANTED OUT. I DON'T BLAME HER. 1108 00:41:31,700 --> 00:41:34,009 I'D BE TIRED TOO WHEN I GO HOME. 1109 00:41:34,033 --> 00:41:36,080 I MEAN, IT'S JUST THE WAY SHE KIND OF GOES, LIKE, 1110 00:41:36,104 --> 00:41:38,376 ONE, TWO, AND THEN IT'S, LIKE... 1111 00:41:38,400 --> 00:41:40,476 - OKAY. - I'M AFRAID I'M GONNA PEE 1112 00:41:40,500 --> 00:41:42,009 ON YOUR CARPET. 1113 00:41:42,033 --> 00:41:43,609 [laughs] - OKAY. OKAY, NOW... 1114 00:41:43,633 --> 00:41:45,580 I'M HOLDING YOU. - I'LL PEE ON YOUR CARPET. 1115 00:41:45,604 --> 00:41:47,676 - I'M... I'M... I'M... I'M GLEB. 1116 00:41:47,700 --> 00:41:49,109 - OKAY, YOU BE GLEB. - I'M GLEB WHATEVER. 1117 00:41:49,133 --> 00:41:50,509 - BUT SHE... NO, BUT SHE... OKAY, LET ME SEE THE FACE. 1118 00:41:50,533 --> 00:41:52,343 SO SHE'S SCARED. 1119 00:41:52,367 --> 00:41:53,676 SHE WANTS TO GO HOME. 1120 00:41:53,700 --> 00:41:55,347 I WANT TO GO HOME, GLEB. - SHE'S THINKING THIS. 1121 00:41:55,371 --> 00:41:57,409 - AND I DON'T WANNA TELL YOU. I WANT TO GO HOME, 1122 00:41:57,433 --> 00:41:58,550 BUT I DON'T WANT TO TELL YOU. 1123 00:41:58,574 --> 00:42:00,376 - OF COURSE I'M GONNA HAVE TO TEASE LISA 1124 00:42:00,400 --> 00:42:03,009 LIKE SHE WOULD TEASE ME IF THE SHOE WAS ON THE OTHER FOOT. 1125 00:42:03,033 --> 00:42:07,003 - I'M GETTING SO TIRED, LIKE, OH. 1126 00:42:09,667 --> 00:42:12,676 - [laughs] 1127 00:42:12,700 --> 00:42:15,676 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS. 1128 00:42:15,700 --> 00:42:18,409 - LET'S TALK ABOUT LISA ON DANCING WITH THE STARS. 1129 00:42:18,433 --> 00:42:20,047 - SHE FAINTED. - I'VE NEVER SEEN ANYONE 1130 00:42:20,071 --> 00:42:21,609 FAINT SO PRETTY AND PERFECT. 1131 00:42:21,633 --> 00:42:25,176 - OH... 1132 00:42:25,200 --> 00:42:27,176 [laughs] 1133 00:42:27,200 --> 00:42:30,042 - THERE ARE FEW CYNICS THAT SUGGESTED THAT IT WAS FAKE. 1134 00:42:30,066 --> 00:42:31,476 - YOU JUST HOPE YOUR FRIENDS SUPPORT YOU. 1135 00:42:31,500 --> 00:42:35,409 BUT THE REST OF THE WORLD CAN BUGGER OFF. 1136 00:42:35,433 --> 00:42:36,450 - BEAUTIFUL HOUSE. 1137 00:42:36,474 --> 00:42:37,543 IT'S VERY GOTH. 1138 00:42:37,567 --> 00:42:39,009 IT'S VERY ROCK 'N ROLL. I LOVE IT. 1139 00:42:39,033 --> 00:42:40,609 WHAT IS THIS? LIKE, A CRYSTAL BALL? 1140 00:42:40,633 --> 00:42:42,280 - WE'RE AT HARRY POTTER'S HOUSE. 1141 00:42:42,304 --> 00:42:43,376 [laughter] 1142 00:42:43,400 --> 00:42:44,645 - I FEEL LIKE WE'RE IN A MOVIE SET, 1143 00:42:44,669 --> 00:42:45,710 LIKE THE WITCHES OF EASTWICK, 1144 00:42:45,734 --> 00:42:48,276 AND I'M THE BLONDE ONE, MICHELLE. 1145 00:42:48,300 --> 00:42:49,746 KYLE, THERE IS THAT STORY 1146 00:42:49,770 --> 00:42:51,309 ABOUT MAURICIO CHEATING AND WHATNOT. 1147 00:42:51,333 --> 00:42:54,080 I'M JUST WONDERING HOW THAT WENT DOWN IN YOUR HOUSEHOLD? 1148 00:42:54,104 --> 00:42:57,409 - A LOT OF TIMES, THINGS... STORIES COME OUT... 1149 00:42:57,433 --> 00:42:58,978 - YOUR SAYING THERE'S NO SMOKE WITHOUT FIRE? 1150 00:42:59,002 --> 00:42:59,747 - EXACTLY. 1151 00:42:59,771 --> 00:43:01,643 - [bleep] ALL OF YOU. 1152 00:43:01,667 --> 00:43:05,697 - TO LEARN MORE ABOUT THE HOUSEWIVES, GO TO BRAVOTV.COM 85415