All language subtitles for The.Dkkkk

- Fuck you.
- Fuck you.

- Dungeon boy fuckin'
bitch faggot.

- Fag.

- We call you
the fucking locker room

dungeon boy bitch.

Look at this fuckin' guy.

- Can we get this
stuttering dungeon boy faggot

over the toilet where he
belongs.

- Oh, yeah!
- What'd you say?

- Take a drink.

- Go ahead there, Dungeon
Boy.

- Come on you fucked up
little fag.

- Who would've
thought four students

could entirely destroy
the halls of Arcadia.

The mess you've made is
nothing short of amazing.

Now, whatever plans you've
had for the last week

of summer break, consider those
replaced.

You're here to stay as
punishment,

repairing the damage you've
done.

You'll find everything you
need to make this right

in the boiler room.

I'll be in my office,
waiting for it to be over.

I'd appreciate it if you
didn't cause any more trouble

than you already have.

Now get to work, because
none of us are leaving

until it's all finished.

- No.

- No?

- No.

- Where's Gus?

- Gus was murdered.

Someone snuck into his house,

tied him to a chair in his
basement

and stabbed him four times
with a kitchen knife.

In the belly.

- That's messed up and
everything but so what?

Get a new janitor.

- Don't act like you don't know

what I'm talking about, Louis,
it won't get you out of this.

- Well how long is this gonna
take?

- Stop asking questions and
start fixing this, Mouse,

unless you want Ammit to eat
your rotten little heart.

Get going, all of you.

- What a freak.

- Yeah, what was
that she said about Gus?

- Didn't you hear, he
got stabbed in the belly.

- Belly.

- That can't be true though, can
it?

- Of course not, she's fuckin'
with us.

- Yeah, and what was
that shit about Ammit,

why does he wanna eat my heart?

- Ammit's an Egyptian
monster, and she's a girl.

You know, in ancient Egypt when
you died

they would weigh your heart
to see how heavy it was

with wrongdoing, and then
you know, if it was too heavy

they would feed it to Ammit.

- Okay, all right, I call
bullshit.

- It's not a real thing, idiot.

- And then they would feed you
to her.

- Dude.

Really?

- Really.

The sooner we get done,
the sooner we get done.

And I don't know about you,

but I don't wanna be stuck here
forever.

- You're not doing this, are
you?

Emily.
- What?

- Are you gonna clean this?

- No.

- Well, I was gonna go class by
class

and I was thinking if you went
with me

we could get the same amount
done

because we'd be going twice as
fast.

Emily.

- What?

- Is there something wrong?

- Everything's fine.

- Okay.

- God, please stop.

- Louis?

Louis?

Louis!

Louis!

- Boo!

Bet she locked it.

That bitch probably thinks
we'll steal something.

Check it.

Scottie French don't get
on his knees for nobody.

- So I think Emily's off her
meds.

- Ya think?

- Louis would know for sure,
right?

- Told her she should.

- Scottie.

- Mouse, she's miserable on
those things.

She gets fat, face goes all
weird.

M-m-mouse!

She drools.

- Yeah, I guess she's kind of
a disaster when she's on them.

- Yeah, because they kind
of turn her into a retard.

She can't even do her art
projects.

- Yeah, that's true.

- Yo, did you call me?

Oh look, it fell.

- We were
just talkin' about Emily

goin' off her Haldol.

- Awesome, right, she's no
fun when she's on that shit.

- I don't know, she's staring at
something

outside the window.

- Oh yeah?

What?

- I have no idea, could be
anything.

She's acting really, ya know.

Well I hope one of you guys
brought bandages or something.

- She doesn't need any,

she brought all those
rags from the basement.

- Jesus, Louis.

- Go see to your girl, man.

- Yeah, well, hey,

I got this.

- That's
unbelievable.

- Yo.

- Think there's someone
outside.

- Oh yeah.

- Yeah.

- I've never been in the
girls bathroom before.

You guys are pigs.

- I keep seeing someone
outside sneaking around.

- Yeah?
- Mm-hm.

Come on.

Stop it.

Get off of me!

Don't.

- Scottie?

- Was I right about it being
locked?

- Oh, oh, you're like a ghost.

- I got ninja skills.

- Oh this school's noisy.

- What do you mean?

- So I was cleaning, I heard
this clicking and this banging,

and then just now--

- Banging, really?

- Yeah, but it was like
someone outside, like a thunk.

- Yeah, I heard it too.

Show me.

- I think it'd be cool one
time if you let me cut you.

- Ha!

- I could do your back.

- I can do my back on my
own, all I need's a mirror.

- You could show me where.

- Drop it.

- What's with you?

- You need to leave the
bathroom, Louie.

- What's wrong all the
sudden, what did I do?

- I don't know which is
worse, the boy I'm fucking

asks me what's with me
when he knows I'm bonkers,

or that I continue to fuck him.

You think it'd be cool
if I let you cut me,

are you kidding?

I'm the only one that
can see the patterns.

Fucking idiot!

- I'm gonna leave you
alone for a little bit.

- Yeah, you are.

- Open or closed?

- Closed.

- Fuckin' crazy bitch.

- At first I thought
it was to keep the vandals out.

- No, Arcadia would've
gotten the same size locks

on every window, but
each one is different.

- Yeah, maybe they were
just trying to save money.

- Because they didn't
have any money left over

after the new central air
system and the TV studio?

Yeah, no.

- What?

- Are you guys dressed?

- It's just me, go away.

- Okay, I'm gonna get
Persephone.

- Do you really want that
bitch up our ass all night?

Emily's fine, she's a cutter,
this is what she does.

When Persephone finds
her bleeding like that,

we're all comin' back tomorrow.

- I don't care about tomorrow.

We're stuck here tonight
if we can't find a way out.

Miss Persephone?

What is going on here?

Hey, Miss Persephone, do you
know if all the first floor

classroom windows are
suppose to be locked?

Miss Persephone, I think we're
locked in.

Miss Persephone, do you know
if we can turn down the heat?

Are you okay?

Miss Persephone?

- Oh shit.

Hey, hey fuckers!

- Miss Persephone, do
you think it would be possible

to turn down the heat?

- But it's already
so cold.

- Scottie, Louis!

Oh, no.

Oh, no!

- What the hell?

- Miss Persephone.

- Did they hurt you?
- Miss Persephone.

- They?

- In her office, she--

- Breathe.

- Half of her face is gone

and she's just sitting there,

she's just rocking back and
forth.

And I don't get why it's
so fucking hot in here.

- Who's they?

- Wait, what happened?

- I don't know, I don't know,
but Miss Persephone is hurt.

She's really fucked up

and we're fucking locked in here
with her.

- Locked in?

- Yes.

- Bullshit.

Somebody broke the
fuckin' key off in here.

I'll go get Emily.

- Meet us by the offices.

- Okay.

- In a couple
of hours, we go hot.

When that smoke bomb blows
you're gonna be happy

we ran our drill like this,

'cause shit's gonna get real
hectic.

- Emily.

Well I wasn't being serious.

Goddammit, Emily.

- Goddammit, what?

- Well did you cut the right
pattern?

Look, don't laugh at me okay,

I came back here for you.
- I didn't cut anything.

- Well then your cleaning
rags are bleeding.

Your clothes are bleeding,
whatever, we need to go.

- Somebody's pushing
us.

I was chasing four dudes

down the hall--
- They're wearing gas masks,

I saw them outside.

- Of course all the doors in the
hallway,

even Persephone's, are locked.

- Scottie doesn't even
think she's hurt, but I saw.

- Stop fucking doing
that.

- Funny, she thought
that I was seeing things.

- Mouse doesn't see things.

In juvenile hall, they used
to play head games like this,

all the time, called it
experimental rehabilitation
therapy.

But all it did was break you
down

so they could identify your
weaknesses.

Why do you think they're
blasting the heat?

We're locked in.

The guys in the gas masks ran
from me

when it would've been four
against one.

And now this, they're stress
testing us.

- Oh my gosh!

Emily, you said you didn't cut
yourself.

- There's a difference between
cutting and bleeding, Louie.

- I'm taking her
to the nurse's office.

Find something to sanitize it
with.

- Louis!

Oh, oh, oh, Louis.

- It's gonna burn.

- You're okay
with that, right Emily?

- I hope so.

- Hold her!

- Ow, please!

Ow!

It's gonna--

- It's all right, it's
okay.

It's okay, it's okay.
- You're gonna be fine.

- Emily, I'm here, I'm
here too.

- You're lucky you didn't
have time to get to your back

or you'd be wrapped up like a
mummy

and the ass hat'll come after
you.

- It's Ammit, and she didn't eat
blood,

Rakshasa eat blood.

- What happened?

- I told Louis, I didn't cut
anything.

I wanted to but, there just
weren't any transmissions.

- Did someone else cut you?

- I made the cuts.

- But you just said--

- I made the cuts a long time
ago.

They just started bleeding,
and now they won't stop.

What the fuck is so hard
for you to understand?

- Okay.

Louis and I are gonna do some
recon.

Find us a way out of here,

or someone who'll show us one.

- It's about to get fucked up!

- What happened to all this
just being about head games?

- Probably true.

But if someone gets--

- Hurt?

- Accidentally, because they
pushed one of us too far,

whose fault is that?

Find who's doing this, I'm
going to fuckin' kill them.

I don't care who they are.

- I hear ya.

- Do you?

- Dude, you went to juvie
for puttin' Bart Montandon

in the hospital, that means
you can do anything.

You're a fucking god, man.

- You know why I took
that ax handle to his face?

- Uh, because
he's an asshole zombie

like everyone else in this
fucking school.

- Him and Chad Pollard,
some of those guys,

did something to me after
gym class, freshman year.

You probably saw it online.

- What, like the locker room
dungeon,

hold ah, hold up.

Are you saying you were the
locker room dungeon boy?

But they said that that was a
hoax and

you didn't even really do--
- that's what they said.

And because they covered my
face, I couldn't prove anything.

My word against the football
team's.

Now who do you think the
maggots running the school

are going to believe?

I get an opening, I'm going
to cross the line tonight.

- God, I wish there were
some vipers around right now,

we would take care of 'em
for sure, right Scottie?

Check it out man,
somebody's listening to you.

- Mouse cleaned this
one.

- That means they're still at
it.

Let's go to the kitchen
for a weapons upgrade.

- Five, four, three,
two.

- Turner, I
don't have a stapler,

I can't do that right now.

- Hey!

Get away!

- What the fuck?

- Hey.

- Wait a minute!

- Pay attention, you
fuckers.

You wanna see what happens next?

Watch the wave.

- What's it like, having
hallucinations?

How do you know what's real?

- What's it like not
having hallucinations?

If I see it, it's real.

- Um, so I had a mouse one time.

It was like a little white one.

And I found her in my basement
when she was just a baby.

I named her Mouse.

I used to hide her in my
backpack,

and then I would take her
with me to junior high,

just 'cause I was afraid
of what my dad would do

if he found her.

- What, do to the mouse?

- Uh, to me.

But I was being selfish, you
know,

'cause I should've been worrying
about Vanessa Kebnickies.

- God, that bitch, she deserves
to die.

- Yeah, right, why,

so yeah, so I guess she
found out about the mouse

and I saw her at lunch one
day and she was whispering

to Sam Tisdale, and
then next thing I know,

Sam and Bobby and all those
guys, they take my backpack

and they start playing keep away
with it.

They knew Mouse was inside the
bag,

but one of them dropped it.

So they just started
kicking it back and forth.

And you know, like the harder
I screamed at them to stop,

the harder they kicked.

And then they just kinda
started stomping on it.

Yeah so, they're done, and
I couldn't open the bag,

so I just buried it in my
back yard.

But I knew my dad would
beat the shit out of me

when I told him I lost the
backpack,

but I didn't care you know,

'cause I kinda thought I
deserved it.

Because like, I let something

that never did anything
to anyone get hurt,

'cause I was afraid of
what might happen to me.

So that night, when I first saw
her,

I was horrified you know,
'cause,

like, her skull was crushed
and her spine was broken

and she had like blood in her
ears.

And I kept thinking about her
chewing through the backpack,

and then, you know, like
digging through the dirt,

and somehow finding her way
to my house and up the stairs,

and to my room, 'cause I mean,

she was on the pillow right next
to me.

And so, you know, I reached out
my hand

'cause I wanna hold her,
and I want to tell her

that nothing like this'll
ever happen again and,

and I can't.

You know, my fingers just
kinda slip right through her.

That's why I know a million
things about what people think

happen to you after you die
because,

if there's an afterlife,

I know I saw her spirit.

- Shit, if you'd told me that
earlier,

I wouldn't have flushed my
Haldol.

The first time I ever heard
anyone call you Mouse,

it was uh, it was old Gus.

You must be
crazy telling that story

to the pervie janitor.

- Emily, Gus is my
father.

You knew that.

- Yeah, come on, let's go!

Bring it!

Let's see you try to take this
from me, you motherfuckers.

- Come on, we're done here.

- Keep it movin'.

- Scores and birthdays, bud.

- Eat shit.

- Yes, this is what you need,
right thing.

- Great.

- All right sweetie, sweetie,
I already gave you these--

- They dropped on the floor.
- Now hold on to those,

and just color so mommy can get
work done.

- I can't see through the booth
with this ladder in the way.

Can I move it?

- Oh, what're you doing, you
silly goose?

- Come on, keep it
moving.

Vanessa, Vanessa, Kapnicki.

Like your photo.

- Take another shot!

- Vanessa!

- Be cool.

Being cool, means being quiet.

Oh that's awesome.

- Oh yeah, yes, you're hired,

you're hired, come on.

- Get up!

- Come on,
you're the one, Vanessa.

Come on, Vanessa.

- Bring the bitch with us.
- Where are you taking her?

Where are you taking her?

- Sammy Tisdale.

Death has come this day for you,

Sammy Tisdale.
- Tisdale, Tisdale.

- All right, I guess
whatever Gus is doing--

is just gonna have to--
- Mom, can I have some juice?

I'm hot.

All right, let's see what I
packed you.

- Get in there,
get in the fuckin' room.

Morning, students.

Get 'em over there, corral 'em.

- Against the wall!

- Get over there

you pansy ass.

- Get over there!
- Against the wall!

You too.

Get behind the news desk.

- Get in here,
pussies!

- Morning, Peter.
- Come on, hurry up.

- Go on the camera.
- Get over there, come on.

- For what?

- Shut up, fucker.
- Turn on camera two.

Get, both of you.

Start it rollin'.

- You
guys ready to be famous, hm?

- Hey, let me ask--
- Shut up.

- You wanna keep living?
- I'm sorry.

- Don't be sorry, be
scared.

- That's my daughter,
just please,

let me get her outta here.
- Get against the wall.

- Please.
- Just keep your eyes closed

and everything's gonna be okay.

- God, you're smothering them.

- I guess that's the point.

There, we're done.

- Students and
faculty of Arcadia High.

Every day in your classrooms,
your locker rooms,

your parking lots, your
hallways, somebody is attacked.

Students and faculty of Arcadia
High,

every day in your classrooms,
your locker rooms,

your parking lots, your
hallways.

Students and faculty of Arcadia
High,

every day in your classrooms,
your locker rooms,

your parking lots, your
hallways, somebody is attacked.

Students and faculty.

Students and faculty of Arcadia
High,

every day in your classrooms,
your locker rooms,

your parking lots, your
hallways.

Students and faculty of Arcadia
High,

every day in your classrooms,
in your locker rooms,

your parking lots, your
hallways, somebody is attacked.

- Okay, I'm officially fuckin'
trippin'.

- This ends now, come on.

- Every day in your classrooms
- It's right here.

- Your locker
rooms, your parking lots,

your hallways, somebody is
attacked.

Students and faculty of Arcadia
High,

every day in your classrooms,
your locker rooms,

your parking lots, your
hallways--

- It's one of them.
- Somebody is attacked.

Attacked and made to feel
useless,

humiliated, and miserable.

Why, because no one sees.

Well take a look, and learn.

We are the four horsemen
of the apocalypse,

and the great day of our wrath
has come.

- Why us?

- Hey, hey.

Look at me, look at me.

You're gonna make such a
pretty, pretty redhead.

- Give my gun a BJ,
come on.

Do it good, and I'll let
you know before it spits.

- That's Sammy Tisdale.

I fuckin' hated that guy.

- Hated?

- She's just a little girl,
- Please, please,

- Let her go back to her mom.
- Listen to me.

- This wasn't part of
the plan.

- Move out of the way.
- Stay here.

- Put the gun, put the
guns down--

- What the fuck?

Everyone in this building
is an enemy combatant.

- You can't take
her, she's my daughter,

she's a baby, please!
- No one leaves this building.

- Stay back!

- No one.

- Get back!
- Please, keep the guns

from by baby.
- All right, come on,

come on--

- Fuck it.

- Hm.

- It's cute, but Sam Tisdale
isn't dead.

- He would die before he blew a
gun.

- Just proves he's in on it.

- I don't think he would do
it if it was just a joke,

you know--
- It's a trick.

- I think it happened.

That's why I saw Miss
Persephone's, and the girl.

- Girl?
- Yeah, what girl?

- Well there was a girl there.

I think that's what they
were fighting about.

Rewind it, that's Miss
Persephone's daughter.

- These don't connect to
anything.

I saw some shit too when I
was in the kitchen, I saw Gus.

- Because the people with
the fucking gas masks

are pumping something in
here to make us hallucinate,

some sort of agent.

Why do you think they're
cranking the heat all of a
sudden?

The air's on, the water,

Miss Persephone handed it out in
the van,

we couldn't even drive
our own cars, remember?

Now we're locked in.

Probably don't want us to hurt
ourselves.

- Huh, you're not that
important, Scottie.

- Come on, don't do
that.

- I need to. Get the fuck--

- Look, we'll go into
the office--

- No.
- What're you?

I'll take you to the nurse--

- No.
- And I'll--

- No, no.
- Don't cut me.

Fine, fuck you!

Bleed to death, fuck.

- Let me see your
hand.

- Goodbye, Peter.

- Hold on, it's
Duncan.

- Where're you goin'?

It's on zombies!

- We were
just suppose to scare them.

- Oh come on,

what do you think you put in the
vents?

- A smoke
bomb.

- A smoke
bomb, ha, stop that.

Listen, this one's getting
squeamish,

I need you to babysit,
I'm late for gym class.

- It's not too
late.

We can shut off the
fans, we can stop this.

- Emily, Emily, Emily!

Emily!

Emily!
- You know,

you're breathing like you used
to

when I would come into your room
at night.

- You're, you're dead.

- That's how I knew that you
were as excited as I was.

- You're not here.

- Oh I am, Alice, I am.

Baby you smell just
like your mother used to

when she was in heat.

- Mouse.

Run!

- Please, I don't want you
- Come, come here.

- to hurt anybody.

- What do you want?

- Get off of me!

- Anybody gets in my way now,

I'm gonna fuckin' kill 'em,

I don't give a shit who they
are.

Shit.

They do this to you in juvie
too?

- Emily, Emily?

- Mouse.

Emily.

You're gonna have to go
and find the girls, man.

- What about you?

- Meet me in the auditorium,
we can leave from there.

- No, no, no, what if I
don't wanna leave, huh?

What if I wanna fuck someone up?

- Who are you gonna fuck
up in an empty school?

Four dudes?

This has gone beyond all that.

They have Emily hacking herself
to pieces.

Mouse, is losing her god damn
mind.

Fuck that, get the girls, I'll
have us out in 10 minutes.

Then next week, when classes
start,

we come back, loaded for bear,

and everyone in this bitch
pays for what happened tonight.

- I saw my dad out in the
hallway.

I saw him like I saw Persephone.

I saw him like I saw Mouse.

- Maybe you're seeing spirits.

- Yeah.

Oh god, oh god.

- Oh, no, oh.

- How did you get in here?

- How did you get here?

- I'm gonna take these off,
okay?

- Okay.

- Emily, Mouse.

Shit, shit, shit, shit, shit,
shit.

- Sam Tisdale isn't dead.

Just proves he's in on it.

He's helping them.

- If you've done anything to
Emily, I'll kill you for real.

- He would die before he blew a
gun.

- He's coming, run!

- Please, please don't do--

- Ah, fuck it.

- S-s-s-suck it.

S-s-s-suck it.

Come on, F-f-f-fag.

Watch, oh wait, watch this.

Are you fuckin' tinkling, you
tinkling?

- Come on, look Phil, look
at this.

Look at this.
- Look at that,

look at that, look at
that, it's beautiful.

- Fuck you.
- Fuck you.

- No, fuck you,
you motherfucking faggot.

- Fuck you.

- Hey, here's the dungeon
boy's--

- Mr. French,

take a seat.

Mr. French, take a seat.

Mr. French.

- Now be careful, be careful.

Are you feeling okay?

- Oh!

Oh, oh.

- They're eating it all away.

- Okay, look at, look at
me, look at me, look at me.

Don't look, just don't, just
don't, don't look at that.

Don't look at that at all.

Just look at me, okay?

Just keep looking at me, okay?

It's gonna be,

it's gonna be okay, okay?

- You bitch!

Where's my knife, Mouse?

- Emily.
- You took my knife.

- No.

- We're here because of you.

I don't need a knife to take
care of you.

You ruined everything.
- Uh!

Emily.
- You ruined everything,

and I will ruin you!

You're worried about your
father?

You should be worried about me.

Get out of here before I kill
you!

I will ruin you!

She's in the art,

she's in the art studio!

In the art studio.

Don't let them do it.

Get away from me!

- You do not give the
orders here, Mr. French.

- Look at this fuckin'
locker room

dungeon boy bitch, look
at this fuckin' guy.

- Fuck you!

- You are not in control, Mr.
French.

-Shut up, shut up you all!

Stop!

- You will never be in control
again.

- Take a drink, take a
drink.

- Ah, tastes delicious,
doesn't it?

- Scottie!

- Sh, sh, sh.

I couldn't, I couldn't,
I couldn't, I couldn't.

- Stop!

- Invisible, invisible,
invisible.

- Invisible.

- Shut up!

If you've done anything to
Emily, I'll kill you for real.

- I'll kill you for real.

I'll kill you for real.

- Scottie?

Where were you?

- Where we were the whole time.

Where you're goin'.

- I'm so
scared.

- Go ahead, go!

- Come on, come on.

- Why are you stop--
- Hey, hey,

there's a girl in the vents.

- Go on, what are you waitin'?

Get out, get to safety!

- There's a girl in
the vent I'm trying to save--

- Say thank you.

- Fuck you!

- Are you one of
us, or are you one of them?

- We had a deal Mouse.

I remember it, we help you, you
help us.

But that's not what happened, is
it?

Hm?

- There she is,
there's my little girl,

there's my star, come to daddy.

- Fuck you, Gus.

Mouse told us about those little
movies

you made her star in, you sick
fuck.

You deserve to die.

Ain't that right, Mouse?

Isn't that what you said, hm?

I'll help kill you all over
again.

I'll help kill everyone in
this school all over again.

I liked it.

- End of story.

Ow.

- You tried to save the girl.

- I'm still trying.

Go, I'll save them, you
don't need to do any more.

- Hi Mouse, Hi Mouse, hi.

Hi, oh I see ya, I see
ya all right.

I see ya now.
- Oh here, Mouse.

Louis, Louis, Louis.
- Who is that?

- You can't catch me.
- Who is that?

What, what the hell?
- Ali, ali,

- Mouse, who is that?
- oxen free.

- Mouse, Mouse, I'm okay.

I'm okay Mouse, pull me up.

Mouse, pull me up.

Uh, uh Mouse.

Mouse, what the, what the hell?

You're not real, you're not
real!

Mouse!

Mouse!

Mouse, pull me up, pull me up
now!

Pull me up now, pull me up now!

Pull me up now!

- Louis?

- He's dead.

Come on.

- There's no way out.

- Not here.

Don't ask me how I know,
but there is a way out

somewhere in the vent.

- There's a large
one in the science lab,

we can climb through that.

- She's still in the vents.

I heard her too.

I know what you're trying
to do, and I won't let you.

You can shut off the air
and save everyone else

in this place, but you can't
save her,

you're both trapped.

- You'll run out of
bullets.

- Not
before you run out of time.

- Let's go.

You need to get into the vent.

- Why?

- Because you
think you're better than us.

You think you're not a killer.

But you put that bomb there.

Now no matter what happens,
she's going to die.

- Come on.

Scottie.

Scottie.

Scottie.
- You thought

we wouldn't remember.

- Scottie!

Scottie.

- You thought you could
save that little bitch.

- No, don't do that
Scottie, Scottie, Scottie.

- You can't even save
yourself.

- Scottie.

- No.
- Yes.

You've been blooded since we
all took turns with your dad.

That was the deal, remember?

We take care of him for you,

you bring us the keys to
Arcadia and its alarm system.

Then together, we bring an end
to it, and everyone inside.

- Mouse, he's
wrong, you can save us both.

The four horsemen of the
apocalypse, draw no distinctions

You look me in the eyes
and tell me different.

- Fine.

No distinctions.

I am a killer.

- No!

- Come home Mouse.

- Come home Mouse, we're
family.

- Come along, Mouse.

Where were you, Mouse?

- Come on, Mouse, we love you so
much.

Come on!

It's too late, Mouse.

You belong with us.

- No, Scottie.

I belong with the dead ones.

- Sounds like you were having
a nightmare back there.

- I don't do nightmares.

- Sure you don't.

- This whole fucking thing is a
nightmare.

Tell me again how come
Mouse isn't with us?

- We got one alive, we got a
little girl!

- And cut.

Cutting.

- That worked so much
better than I'd hoped for.

- Thank you for the good
run

towards the end of that scene.

Thank you guys so much.

You were amazing, Clare, Sarah.