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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,885 --> 00:00:17,104 [JAZZ MUSIC PLAYING] 2 00:01:05,630 --> 00:01:07,241 WOMAN - NEW YORK ACCENT: ONCE UPON A TIME, 3 00:01:07,371 --> 00:01:09,634 ABOUT 3 MONTHS AGO ON A TUESDAY, 4 00:01:09,765 --> 00:01:11,462 THIS THING HAPPENED 5 00:01:11,593 --> 00:01:13,638 IN A PEACEFUL, TUCKED-AWAY PART OF THE BRONX 6 00:01:13,769 --> 00:01:14,857 CALLED CITY ISLAND, 7 00:01:14,987 --> 00:01:16,685 A PLACE THAT'S MANY THINGS. 8 00:01:16,815 --> 00:01:18,643 TO THE SAILOR, IT'S SAILING. 9 00:01:18,774 --> 00:01:20,993 TO THE FISHERMAN, IT'S FISHING. 10 00:01:21,124 --> 00:01:23,909 TO THE SOUL SEARCHER, IT'S SOUL SEARCHING. 11 00:01:24,040 --> 00:01:27,478 THAT'S ME! MONA BARCAVELLA, PSYCHIC HERBALIST. 12 00:01:27,609 --> 00:01:32,135 I'M DOING MY DANCE TO CONJURE UP A GOOD SUMMER TOURIST TRADE, 13 00:01:32,266 --> 00:01:35,747 BUT BECAUSE CITY ISLAND IS HOME TO ITALIAN AMERICANS, 14 00:01:35,878 --> 00:01:37,619 TO THEM, IT'S EATING. 15 00:01:37,749 --> 00:01:38,837 [SATISFIED GROAN] 16 00:01:38,968 --> 00:01:42,754 HERE FOOD IS KING, AND NO PLACE WAS MORE BELOVED 17 00:01:42,885 --> 00:01:45,888 THAN THE PRINCE ROSARIO HOUSE OF CAPPAMEZZA 18 00:01:46,018 --> 00:01:48,891 GOURMET CATERING AND ORIGINAL WEDDING DESIGNS, 19 00:01:49,021 --> 00:01:51,763 RULED BY SADIE AND MIKE CAPPAMEZZA... 20 00:01:51,894 --> 00:01:53,765 MORE HOT PEPPER! 21 00:01:53,896 --> 00:01:56,725 WHOSE SICILIAN COOKING WAS KNOWN FOR HOT COLORS, 22 00:01:56,855 --> 00:01:58,205 SPICY SAUCES, 23 00:01:58,335 --> 00:02:01,599 AND JUMBO PORTIONS. 24 00:02:01,730 --> 00:02:04,602 THEN ONE DAY, THERE OPENED ACROSS THE BAY 25 00:02:04,733 --> 00:02:07,605 THE ROYAL HOUSE OF MALACICI OF FLORENCE, 26 00:02:07,736 --> 00:02:10,869 CONTINENTAL CATERERS AND WEDDING COUTURIERS, 27 00:02:11,000 --> 00:02:13,829 OWNED BY REAL BLUE BLOODS FROM ITALY, 28 00:02:13,959 --> 00:02:16,701 COUNT AND CONTESSA MALACICI, 29 00:02:16,832 --> 00:02:21,489 AND THEY BROUGHT CITY ISLANDERS THEIR NORTHERN ITALIAN CUISINE. 30 00:02:21,619 --> 00:02:23,926 DAINTY, LOW-FAT PORTIONS, 31 00:02:24,056 --> 00:02:25,928 PASTEL COLORS, 32 00:02:26,058 --> 00:02:27,973 SUBTLE FLAVORS. 33 00:02:28,104 --> 00:02:29,888 AH, QUESTO PERFETTO! 34 00:02:30,019 --> 00:02:31,542 IT WAS INEVITABLE 35 00:02:31,673 --> 00:02:35,546 BETWEEN THE 2 FAMILIES THERE WOULD BE BAD BLOOD. 36 00:02:35,677 --> 00:02:39,420 SHAKESPEARE ONCE SAID, "HEY! WHAT'S IN A NAME?" 37 00:02:39,550 --> 00:02:41,509 BUT HE WAS WRONG 38 00:02:41,639 --> 00:02:44,033 BECAUSE CAPPAMEZZA MEANS "HALF A HEAD" 39 00:02:44,164 --> 00:02:48,255 AND MALACICI MEANS "BAD BEANS." 40 00:02:48,385 --> 00:02:50,213 THE STORY BEGINS FOURTH OF JULY 41 00:02:50,344 --> 00:02:51,693 WHEN OUR LOCAL CHURCH 42 00:02:51,823 --> 00:02:53,782 WAS ABOUT TO PUT ON 43 00:02:53,912 --> 00:02:55,000 ITS ANNUAL AMATEUR BENEFIT... 44 00:02:55,131 --> 00:02:58,221 BOY: WHAT IF HER EYES WERE THERE, 45 00:02:58,352 --> 00:02:59,918 THEY IN HER HEAD? 46 00:03:00,049 --> 00:03:03,139 THE BRIGHTNESS OF HER CHEEK WOULD SHAME THOSE STARS. 47 00:03:03,270 --> 00:03:05,359 O, THAT I WERE A GLOVE UPON THAT HAND, 48 00:03:05,489 --> 00:03:07,578 THAT I MIGHT TOUCH THAT CHEEK. 49 00:03:07,709 --> 00:03:10,364 MONA BARCAVELLA: WHICH BRINGS US TO OUR HEROINE, 50 00:03:10,494 --> 00:03:12,235 MY BEST CUSTOMER, SADIE CAPPAMEZZA... 51 00:03:12,366 --> 00:03:13,845 AH, ME. 52 00:03:13,976 --> 00:03:15,891 YOU GIVE ME SO MUCH MORE THAN ISABEL FASULI. 53 00:03:16,021 --> 00:03:17,980 I MEAN, SHE WEIGHS 50 POUNDS MORE THAN ME. 54 00:03:18,110 --> 00:03:19,895 HOW CAN I BELIEVE THAT'S JULIET? 55 00:03:20,025 --> 00:03:22,898 WELL, YOU GOT TO MAKE BELIEVE YOU LOVE HER, TOO. 56 00:03:23,028 --> 00:03:27,555 MONA: AND THE JOY OF HER LIFE, ROSARIO CAPPAMEZZA, 57 00:03:27,685 --> 00:03:30,558 THE PRINCE OF THE PRINCE ROSARIO HOUSE OF CAPPAMEZZA 58 00:03:30,688 --> 00:03:33,343 GOURMET CATERING AND ORIGINAL WEDDING DESIGNS. 59 00:03:33,474 --> 00:03:34,692 SADIE CAPPAMEZZA: RUDY, GIVE ME A BREAK! 60 00:03:34,823 --> 00:03:35,998 RUDY: I'M GIVING YOU 2/3 OFF, SADIE. 61 00:03:36,128 --> 00:03:37,434 YEAH? WELL, IT'S STILL NOT ENOUGH. 62 00:03:37,565 --> 00:03:38,870 OH, GIVE IT TO HER FOR COST. 63 00:03:39,001 --> 00:03:40,611 SADIE: MARY, THE FOOD IS FOR THE CHURCH BENEFIT. 64 00:03:40,742 --> 00:03:42,047 I WANT A BETTER PRICE THAN COST. 65 00:03:42,178 --> 00:03:44,398 RUDY: BETTER THAN COST? WE SHOULD TAKE A LOSS? 66 00:03:44,528 --> 00:03:45,877 COME ON, RUDY. 67 00:03:46,008 --> 00:03:47,792 WHEN YOU GIVE TO GOD, 68 00:03:47,923 --> 00:03:49,011 YOU GET A HUGE TAX DEDUCTION. 69 00:03:49,141 --> 00:03:50,839 ALL RIGHT, HALF COST. 70 00:03:50,969 --> 00:03:51,796 NOW YOU'RE ONLY HALFWAY TO HEAVEN. 71 00:03:51,927 --> 00:03:52,884 GO TO HELL. 72 00:03:54,973 --> 00:03:56,932 ALL RIGHT, YOU GET IT FOR NOTHING. 73 00:03:57,062 --> 00:03:58,760 HERE'S $10 FOR THE CHURCH. 74 00:04:00,152 --> 00:04:01,632 ROSARIO: GOOD MORNING, DR. RONDINO. 75 00:04:01,763 --> 00:04:02,851 GOOD MORNING, MRS. RONDINO. 76 00:04:02,981 --> 00:04:03,895 GOOD MORNING. 77 00:04:04,026 --> 00:04:05,680 I BREAK BOTH ARMS. 78 00:04:05,810 --> 00:04:08,030 MY SON, THE DOTTORE, HE FIX THEM. 79 00:04:08,160 --> 00:04:10,424 I NEVER SAW ANYONE SO ACCIDENTAL-PRONE 80 00:04:10,554 --> 00:04:12,426 LIKE MRS. RONDINO. 81 00:04:12,556 --> 00:04:13,688 HER SON IS THE MOST ELIGIBLE DOCTOR 82 00:04:13,818 --> 00:04:14,993 IN THE NEIGHBORHOOD, 83 00:04:15,124 --> 00:04:17,213 BUT HER BROKEN BONES KEEPS HIM HOME. 84 00:04:17,344 --> 00:04:19,781 EVEN MOTHER TERESA WOULD CALL A MOTHER LIKE THAT 85 00:04:19,911 --> 00:04:21,522 A BOSSY SCUCCAMEND. 86 00:04:21,652 --> 00:04:24,568 YOU KNOW, MRS. RONDINO IS NOT AS DUMB AS SHE LOOKS. 87 00:04:24,699 --> 00:04:27,223 MARRIED SONS, THEY TURN ON THEIR MOTHERS NOW BECAUSE 88 00:04:27,354 --> 00:04:29,791 DAUGHTER-IN-LAWS, NOTHING IS SACRED TO THEM ANYMORE. 89 00:04:29,921 --> 00:04:31,009 JOHNNY, MY SON JOHNNY, 90 00:04:31,140 --> 00:04:33,360 HE MARRIED THIS MAMAREL LOUISE. 91 00:04:33,490 --> 00:04:34,448 SWEET GIRL. 92 00:04:34,578 --> 00:04:36,450 SWEET? I SAID TO HER ONE DAY, 93 00:04:36,580 --> 00:04:39,017 "WOULD YOU MIND CARRYING MY GROCERIES, PLEASE?" 94 00:04:39,148 --> 00:04:41,542 YOU KNOW WHAT SHE SAID TO ME? 95 00:04:41,672 --> 00:04:43,718 "CARRY YOUR OWN FRIGGIN' BAGS, BITCH." 96 00:04:43,848 --> 00:04:45,546 SADIE: OH, MY GOD. 97 00:04:45,676 --> 00:04:47,722 AH, AND I LOOK OVER AT MY SON JOHNNY, 98 00:04:47,852 --> 00:04:49,811 AND HE'S LOOKING AT HER LIKE THIS. 99 00:04:49,941 --> 00:04:52,509 MY ROSARIO, HE WOULD NEVER EVER TREAT ME LIKE THAT 100 00:04:52,640 --> 00:04:54,946 WHEN HE'S OLD ENOUGH TO GET MARRIED. 101 00:04:58,167 --> 00:05:00,822 [MUSIC PLAYING SOFTLY ON RADIO] 102 00:05:00,952 --> 00:05:02,040 SO YOU TAKING ANYBODY 103 00:05:02,171 --> 00:05:03,607 TO THE CHARITY BALL 104 00:05:03,738 --> 00:05:05,043 AFTER THE SHOW? 105 00:05:05,174 --> 00:05:07,089 I'M HELPING POP WITH THE PASTA. 106 00:05:07,219 --> 00:05:10,092 HOW ABOUT I CALL ANGELA MERCANDANTE FOR YOU? 107 00:05:10,222 --> 00:05:12,094 MA, DON'T START WITH ME. 108 00:05:12,224 --> 00:05:13,400 WHAT ABOUT I MENTION YOU TO CATHY AUGUSTINO'S MOTHER, 109 00:05:13,530 --> 00:05:14,575 AND SHE COULD-- 110 00:05:14,705 --> 00:05:15,663 WATCH OUT! MA! 111 00:05:15,793 --> 00:05:17,752 IDIOT! YOU CUT ME OFF! 112 00:05:17,882 --> 00:05:18,883 WE'RE GOING TO PUT YOU OUT OF BUSINESS, 113 00:05:19,014 --> 00:05:20,015 YOU SICILIAN SWAMP GUINEA! 114 00:05:20,145 --> 00:05:21,973 HEY, I GOT THE RIGHT OF WAY! 115 00:05:22,104 --> 00:05:23,801 AND YOU'RE GOING TO PUT YOUR SISTER'S ASS 116 00:05:23,932 --> 00:05:25,455 OUT OF BUSINESS, YOU FLORENTINE MOUNTAIN WOP! 117 00:05:25,586 --> 00:05:26,804 ROSARIO! 118 00:05:29,503 --> 00:05:31,461 I'M SORRY I CURSED, MA, 119 00:05:31,592 --> 00:05:33,942 BUT IF THESE MALACICIS THINK THEY'RE SO GOOD, 120 00:05:34,072 --> 00:05:36,161 HOW COME THEY DIDN'T STAY IN ITALY? 121 00:05:36,292 --> 00:05:38,468 ROSARIO, FORGET ABOUT THE MALACICIS. 122 00:05:38,599 --> 00:05:41,515 YOU JUST THINK ABOUT PLAYING ROMEO TONIGHT, 123 00:05:41,645 --> 00:05:44,474 THAT YOU'RE GOING TO BE EVEN BETTER THIS YEAR 124 00:05:44,605 --> 00:05:46,781 THAN YOU WAS LAST YEAR AS PINOCCHIO. 125 00:05:46,911 --> 00:05:48,348 HMM? 126 00:05:51,263 --> 00:05:52,830 [SIGHS] 127 00:05:56,225 --> 00:05:57,357 MONA! 128 00:05:58,619 --> 00:05:59,968 HI! 129 00:06:00,098 --> 00:06:03,145 [LAUGHS] 130 00:06:03,275 --> 00:06:05,277 THIS MALACICI CRISIS IS MAKING ME CRAZY. 131 00:06:05,408 --> 00:06:07,932 WE'RE IN DEBT UP TO HERE FROM EXPANDING, 132 00:06:08,063 --> 00:06:09,978 AND WE MAY LOSE THE FREDERICOS, 133 00:06:10,108 --> 00:06:11,893 THE BIGGEST WEDDING OF THE SEASON, 134 00:06:12,023 --> 00:06:13,198 TO THESE INTRUDERS! 135 00:06:13,329 --> 00:06:15,157 I BROUGHT SFOGLIATELLE. 136 00:06:15,287 --> 00:06:16,854 OOH! MY FAVORITE! 137 00:06:18,769 --> 00:06:20,641 I DON'T KNOW IF MY BUSINESS CAN HANDLE 138 00:06:20,771 --> 00:06:21,772 THIS KIND OF COMPETITION, YOU KNOW? 139 00:06:21,903 --> 00:06:22,947 MM-HMM. 140 00:06:23,078 --> 00:06:24,775 I HAVEN'T LOST ONE POUND ON MY NEW DIET. 141 00:06:24,906 --> 00:06:26,037 UH-HUH. 142 00:06:26,168 --> 00:06:27,125 AND MY HUSBAND, 143 00:06:27,256 --> 00:06:28,083 HE HASN'T MADE LOVE TO ME IN WEEKS. 144 00:06:28,213 --> 00:06:29,127 UH-HUH. 145 00:06:29,258 --> 00:06:31,216 WELL, WHAT AM I GOING TO DO, MONA? 146 00:06:31,347 --> 00:06:33,088 IS THERE ANOTHER WOMAN? 147 00:06:33,218 --> 00:06:37,005 BLESSED ROSCOE SAYS... 148 00:06:37,135 --> 00:06:40,225 HE SEES YOUR BUSINESS PROSPERING. 149 00:06:40,356 --> 00:06:43,228 THE BLESSED ROSCOE SAYS... 150 00:06:43,359 --> 00:06:45,883 KEEP LOOKING AT THE SUNNY SIDE. 151 00:06:46,014 --> 00:06:48,146 OH, GOOD. GOOD. 152 00:06:48,277 --> 00:06:50,148 WHO'S THE BLESSED ROSCOE? 153 00:06:50,279 --> 00:06:52,629 MY NEW GUIDE. 154 00:06:52,760 --> 00:06:54,675 WHAT HAPPENED TO THE ANGEL VITO? 155 00:06:54,805 --> 00:06:57,373 HIS WORK WAS DONE ON CITY ISLAND. 156 00:06:57,504 --> 00:07:00,071 HE MOVED ON TO ANOTHER PSYCHIC NAMED SHIRLEY BALLUCAS 157 00:07:00,202 --> 00:07:02,117 IN BAYONNE, NEW JERSEY. 158 00:07:04,119 --> 00:07:08,123 BUT THE BLESSED ROSCOE IS A POWERFUL PRESENCE! 159 00:07:08,253 --> 00:07:10,299 IN THE 17th CENTURY, 160 00:07:10,430 --> 00:07:14,216 WHEN HIS EYES WERE GOUGED AND HIS FINGERS CHOPPED OFF 161 00:07:14,346 --> 00:07:17,262 AND HE WAS BURNT AT THE STAKE, 162 00:07:17,393 --> 00:07:22,267 HE SMILED AND SAID, "DON'T FEEL GUILTY." 163 00:07:22,398 --> 00:07:26,054 THAT'S WHY HE'S KNOWN AS THE MERRY MARTYR. 164 00:07:26,184 --> 00:07:28,317 YOU TELL HIM I'M REALLY PLEASED TO MEET HIM. 165 00:07:28,448 --> 00:07:31,059 THE BLESSED ROSCOE KNOWS YOUSE ARE. 166 00:07:31,189 --> 00:07:32,974 HERE. 167 00:07:33,104 --> 00:07:35,890 WEAR THIS ROSE OIL WHEN YOU'RE MEETING CUSTOMERS. 168 00:07:36,020 --> 00:07:38,632 THE MONEY WILL COME FLOATING IN. 169 00:07:38,762 --> 00:07:40,895 ABOUT YOUR DIET, 170 00:07:41,025 --> 00:07:43,288 MAYBE YOU'RE HAVING TROUBLE BECAUSE YOU'RE AFRAID, 171 00:07:43,419 --> 00:07:46,988 LIKE I AM, THAT EVERY MAN WANTS ME SEXUALLY. 172 00:07:48,903 --> 00:07:51,079 ABOUT YOUR HUSBAND... 173 00:07:51,209 --> 00:07:52,123 YEAH? 174 00:07:52,254 --> 00:07:53,908 THE BLESSED ROSCOE SAYS 175 00:07:54,038 --> 00:07:56,824 THERE'S NO OTHER WOMAN IN HIS LIFE. 176 00:07:56,954 --> 00:07:58,129 AND WHO'S FIDELLA? 177 00:07:58,260 --> 00:07:59,870 OH, THAT'S OUR CAT. 178 00:08:00,001 --> 00:08:01,872 HE PLAYS WITH HER A LOT. 179 00:08:02,003 --> 00:08:04,048 OH, THAT WILL TAPER OFF. 180 00:08:04,179 --> 00:08:06,181 HERE. 181 00:08:06,311 --> 00:08:08,749 BURN THESE IN YOUR BEDROOM, 182 00:08:08,879 --> 00:08:12,274 AND HE'LL WANT LUST FROM YOU. 183 00:08:12,404 --> 00:08:15,625 THE BLESSED ROSCOE SAYS IT WILL BE HEARTFELT BUT QUICK. 184 00:08:15,756 --> 00:08:18,106 LOOK, IT'S A START. 185 00:08:18,236 --> 00:08:20,848 ABOUT ROSARIO... 186 00:08:20,978 --> 00:08:22,371 MMM... [SNIFFS] 187 00:08:22,502 --> 00:08:24,852 I'M SMELLING A LITTLE PROBLEM... 188 00:08:24,982 --> 00:08:26,810 BUT A DEEP ONE. 189 00:08:26,941 --> 00:08:29,160 OH, NO. 190 00:08:29,291 --> 00:08:31,293 YES. I'M SMELLING HIM FALLING IN LOVE WITH A GIRL 191 00:08:31,423 --> 00:08:35,253 HE'S SAYING POETRY TO. UH-HUH. THAT'S HER. 192 00:08:35,384 --> 00:08:37,342 [SNIFFS] 193 00:08:37,473 --> 00:08:38,909 HE'S PLAYING ROMEO TONIGHT, 194 00:08:39,040 --> 00:08:40,215 BUT IT COULDN'T BE WITH THIS JULIET. 195 00:08:40,345 --> 00:08:42,652 HERE. SMELL FOR YOURSELF. 196 00:08:42,783 --> 00:08:44,262 [SNIFFS] 197 00:08:44,393 --> 00:08:47,918 I'M SMELLING HIM LOVING SO PASSIONATELY, 198 00:08:48,049 --> 00:08:50,312 NOTHING STANDS IN HIS WAY. 199 00:08:50,442 --> 00:08:53,358 THIS GIRL PLAYING JULIET--ISABEL FASULI-- 200 00:08:53,489 --> 00:08:55,926 SHE'S... SHE'S A SCUCCAMEND! 201 00:08:56,057 --> 00:08:57,928 AND WE'RE CATERING HER WEDDING. 202 00:08:58,059 --> 00:09:00,191 SHE'S MARRYING VINNY BALDILAMENTE. 203 00:09:00,322 --> 00:09:01,802 BLESSED ROSCOE? 204 00:09:03,455 --> 00:09:05,980 BLESSED ROSCOE AGREES. 205 00:09:07,590 --> 00:09:10,985 I--I NEVER THOUGHT I'D LOSE HIM THIS SOON. 206 00:09:14,075 --> 00:09:15,206 OH, BOY. 207 00:09:15,337 --> 00:09:16,599 [CRUNCH] 208 00:09:16,730 --> 00:09:18,645 OH, BOY. 209 00:09:20,603 --> 00:09:22,344 MIKE: THE MEATS DON'T GO IN THE SAUCE YET! 210 00:09:22,474 --> 00:09:23,780 WOMAN: THAT'S STUPID! 211 00:09:23,911 --> 00:09:26,174 ANY DUMMY WILL TELL YOU THEY'RE READY FOR THE SAUCE! 212 00:09:26,304 --> 00:09:27,131 I CATCH YOU MESSING WITH MY SAUCE AGAIN 213 00:09:27,262 --> 00:09:28,480 BEHIND MY BACK, 214 00:09:28,611 --> 00:09:29,307 I'M GOING TO KICK YOU OUT OF THE KITCHEN! 215 00:09:29,438 --> 00:09:30,265 YOU'RE GOING TO KICK YOUR SAUCE 216 00:09:30,395 --> 00:09:31,658 OUT OF THE KITCHEN! 217 00:09:31,788 --> 00:09:34,356 HEY! WHAT'S GOING ON HERE? 218 00:09:34,486 --> 00:09:35,357 LOOK AT MY MEAT. 219 00:09:35,487 --> 00:09:36,401 IS IT READY FOR THE SAUCE YET? 220 00:09:36,532 --> 00:09:38,926 NO. YOU GOT TO GET OUT MORE FAT. 221 00:09:39,056 --> 00:09:40,928 YOU'RE CRAZY! AS CRAZY AS HIM. 222 00:09:41,058 --> 00:09:43,104 MA, PUT YOUR TOOTH BACK IN. 223 00:09:43,234 --> 00:09:44,932 I CAN'T REMEMBER WHERE I PUT IT. 224 00:09:45,062 --> 00:09:46,411 AND DON'T CALL US CRAZY NO MORE. 225 00:09:46,542 --> 00:09:48,979 I ALWAYS CALL YOU CRAZY. IT NEVER BOTHERED YOU BEFORE. 226 00:09:49,110 --> 00:09:50,938 IT ALWAYS BOTHERED ME. 227 00:09:51,068 --> 00:09:52,200 IT BOTHERS YOU, TOO? 228 00:09:52,330 --> 00:09:53,331 OF COURSE! 229 00:09:53,462 --> 00:09:55,290 WELL, YOU SHOULD HAVE TOLD ME SOONER. 230 00:09:55,420 --> 00:09:57,597 I'M TOO OLD TO CHANGE NOW. 231 00:09:57,727 --> 00:09:59,337 MIKEY... 232 00:09:59,468 --> 00:10:01,992 I GOT TO TALK TO YOU IN PRIVATE. 233 00:10:02,123 --> 00:10:03,864 CAN WE GO UP TO THE HOUSE? 234 00:10:03,994 --> 00:10:05,082 SURE. 235 00:10:06,606 --> 00:10:08,477 ROCCO, STAY WITH THE SAUCE. 236 00:10:08,608 --> 00:10:10,392 SHE TRIES ANYTHING FUNNY, 237 00:10:10,522 --> 00:10:13,264 YOU THROW YOURSELF IN FRONT OF THE POT. 238 00:10:15,615 --> 00:10:18,835 MIKE, WILL YOU PROMISE ME THAT IF I TELL YOU THIS PROBLEM, 239 00:10:18,966 --> 00:10:21,229 YOU AIN'T GONNA MAKE FUN OF ME? 240 00:10:21,359 --> 00:10:22,360 I PROMISE. 241 00:10:22,491 --> 00:10:24,754 YOU KNOW THAT I'M PSYCHIC. 242 00:10:24,885 --> 00:10:26,321 YEAH? 243 00:10:26,451 --> 00:10:28,366 AND SO IS MY FRIEND MONA. 244 00:10:28,497 --> 00:10:30,455 MONA THE NUT? 245 00:10:30,586 --> 00:10:32,893 MONA IS NOT A NUT. 246 00:10:33,023 --> 00:10:35,896 SHE'S A CLAIRVOYANT FOR A LIVING, 247 00:10:36,026 --> 00:10:38,942 AND THE BLESSED ROSCOE TOLD MONA... 248 00:10:40,552 --> 00:10:43,381 THAT ROSARIO IS GOING TO FALL IN LOVE 249 00:10:43,512 --> 00:10:46,515 AND GIVE UP EVERYTHING FOR HIS JULIET. 250 00:10:46,646 --> 00:10:49,431 EVERY WEEK, MONA'S GOT A DIFFERENT 251 00:10:49,561 --> 00:10:51,302 SAINT OR ANGEL THAT NOBODY EVER HEARD OF 252 00:10:51,433 --> 00:10:53,391 WHO SPEAKS ONLY TO HER. 253 00:10:53,522 --> 00:10:55,959 HOW CAN YOU BELIEVE THIS STUFF? 254 00:10:56,090 --> 00:10:59,441 BECAUSE MONA HELPS ME FIND THE INVISIBLE FORCES HERE. 255 00:10:59,571 --> 00:11:03,445 IT HELPS ME DISCOVER WHAT I'M DOING HERE ON EARTH. 256 00:11:03,575 --> 00:11:06,404 I DISCUSSED IT IN MY PRAYERS WITH THE HOLY MOTHER, 257 00:11:06,535 --> 00:11:08,363 AND SHE SAID IT WAS OK WITH HER. 258 00:11:08,493 --> 00:11:09,494 YOU WANT ME TO ASK HER AGAIN? 259 00:11:09,625 --> 00:11:10,844 I'M GOING TO ASK HER AGAIN. 260 00:11:10,974 --> 00:11:12,889 DEAR HOLY MOTHER-- NO, NO, NO. 261 00:11:13,020 --> 00:11:14,848 LOOK, DON'T BOTHER THE HOLY MOTHER 262 00:11:14,978 --> 00:11:15,892 WITH SOMETHING LIKE THIS. 263 00:11:16,023 --> 00:11:17,807 LOOK, UH... I'M A LITTLE TIRED. 264 00:11:17,938 --> 00:11:19,374 I WANT TO TAKE A NAP. 265 00:11:19,504 --> 00:11:20,244 YOU WANT TO TAKE A NAP WITH ME? 266 00:11:20,375 --> 00:11:21,376 NAP? 267 00:11:21,506 --> 00:11:23,726 YEAH. 268 00:11:23,857 --> 00:11:25,336 YEAH. 269 00:11:25,467 --> 00:11:27,991 OK. I'LL BE RIGHT BACK. 270 00:11:28,122 --> 00:11:30,733 [ORCHESTRA ACCOMPANYING OPERATIC SINGING] 271 00:11:48,446 --> 00:11:50,710 [HUMMING] 272 00:12:29,487 --> 00:12:30,750 [BLOWS] 273 00:12:35,580 --> 00:12:37,582 I GOT FIDELLA IN THE MIDDLE 274 00:12:37,713 --> 00:12:39,802 SO YOU CAN HOLD HER, TOO. 275 00:12:43,240 --> 00:12:45,068 [MEOW] 276 00:12:45,199 --> 00:12:46,374 [SIGHS] 277 00:12:49,551 --> 00:12:51,683 ROSARIO: AS IS A WINGED MESSENGER OF HEAVEN 278 00:12:51,814 --> 00:12:54,643 INTO THE WHITE-UPTURNED WANDERING EYES, 279 00:12:54,774 --> 00:12:57,341 THE LAZY-PACING CLOUDS AND SAILS 280 00:12:57,472 --> 00:12:59,517 UPON THE BOSOM OF THE AIR... 281 00:12:59,648 --> 00:13:00,562 [MOUTHING WORDS] 282 00:13:00,692 --> 00:13:02,433 OF MORTALS THAT FALL BACK TO GAZE ON HIM 283 00:13:02,564 --> 00:13:05,523 WHEN HE BESTRIDES THE LAZY, PUFFING CLOUDS. 284 00:13:05,654 --> 00:13:08,048 ISABEL: O ROMEO! 285 00:13:08,178 --> 00:13:09,571 ROMEO! 286 00:13:09,701 --> 00:13:11,965 WHEREFORTH ART THOU ROMEO? 287 00:13:12,095 --> 00:13:14,315 [STOMPS FOOT] DENY THY FATHER! 288 00:13:14,445 --> 00:13:16,578 AND REFUSE THY NA-A-A... 289 00:13:16,708 --> 00:13:19,624 [GIRL YELLING] 290 00:13:19,755 --> 00:13:22,236 [OPERATIC SINGING AND ORCHESTRA RESUMES] 291 00:13:25,587 --> 00:13:27,807 OHH! OH! 292 00:13:27,937 --> 00:13:30,984 I HOPE I DIDN'T DO THAT WITH MY NEGATIVE THOUGHTS. 293 00:13:31,114 --> 00:13:32,942 ARE YOU ALL RIGHT, ISABEL? 294 00:13:33,073 --> 00:13:34,814 ISABEL: I CAN'T MOVE MY LEG! 295 00:13:34,944 --> 00:13:36,424 [ISABEL CRYING] 296 00:13:36,554 --> 00:13:38,426 ROSARIO, GO GET DR. RONDINO. 297 00:13:38,556 --> 00:13:40,428 TELL HIM TO COME RIGHT OVER. 298 00:13:40,558 --> 00:13:42,473 HOW DID THIS HAPPEN, MISS DeLUCA? 299 00:13:42,604 --> 00:13:44,475 BOY: I SEEN THE WHOLE EPISODE, MONSIGNOR. 300 00:13:44,606 --> 00:13:46,173 SHE OVERACTED WITH THE FOOT 301 00:13:46,303 --> 00:13:47,827 AND TUMBLED DOWN LIKE A WOUNDED RHINO. 302 00:13:47,957 --> 00:13:49,176 FORSOOTH. 303 00:13:49,306 --> 00:13:51,613 DON'T CALL ME NO RHINO, ZITS BREATH. 304 00:13:51,743 --> 00:13:54,529 HOW AM I SUPPOSED TO GET MARRIED TOMORROW? 305 00:13:54,659 --> 00:13:57,314 I HATE THIS STUPID PLAY! 306 00:13:57,445 --> 00:14:00,317 I TOLD YOU THE BALCONY WAS MADE OF PLYWOOD. 307 00:14:00,448 --> 00:14:02,580 WHY DID YOU STAMP YOUR FOOT? 308 00:14:02,711 --> 00:14:04,539 I SHOULD HAVE HARNESSED HER 309 00:14:04,669 --> 00:14:06,715 TO THE WALL, DR. RONDINO. 310 00:14:06,846 --> 00:14:09,196 OH, NO, NO. IT WOULDN'T HAVE HELPED, MISS DeLUCA. 311 00:14:09,326 --> 00:14:10,632 IT'S NOT BROKEN. 312 00:14:10,762 --> 00:14:13,330 NO. YOU JUST STAY OFF IT FOR 24 HOURS, 313 00:14:13,461 --> 00:14:15,332 AND YOU'LL BE MARCHING DOWN THE AISLE. 314 00:14:15,463 --> 00:14:17,682 ALL RIGHT, BOYS, HELP HER OUT TO MY CAR. 315 00:14:17,813 --> 00:14:20,207 WE'VE GOT TO GET YOU HOME AND GET THAT LEG ICED. 316 00:14:20,337 --> 00:14:21,208 [BOYS GRUNTING] 317 00:14:21,338 --> 00:14:22,513 WHAT A BUFFALO! 318 00:14:22,644 --> 00:14:24,254 SHUT UP, YOU SHITHEAD! 319 00:14:24,385 --> 00:14:25,560 MISS DELUCA: 24 HOURS! 320 00:14:25,690 --> 00:14:27,301 I GUESS WE'LL HAVE TO 321 00:14:27,431 --> 00:14:28,519 HAVE THE UNDERSTUDY PLAY JULIET. 322 00:14:28,650 --> 00:14:30,086 UNDERSTUDY? 323 00:14:30,217 --> 00:14:33,568 OH, NICCO--WHERE IS NICCOLINA SOUSTO? 324 00:14:33,698 --> 00:14:37,398 NICCOLINA, WHERE ARE YOU GOING? 325 00:14:37,528 --> 00:14:39,704 I DON'T KNOW THE WHOLE PART. 326 00:14:39,835 --> 00:14:42,577 I'LL WHISPER THE WORDS TO YOU OFF THE STAGE. 327 00:14:42,707 --> 00:14:44,666 PLEASE, FATHER, DON'T MAKE ME DO THIS. 328 00:14:44,796 --> 00:14:46,102 NICCOLINA, 329 00:14:46,233 --> 00:14:48,409 YOU ONLY HAVE TO DO YOUR BEST. 330 00:14:48,539 --> 00:14:49,453 AAH! 331 00:14:49,584 --> 00:14:53,675 [URINATING] 332 00:14:53,805 --> 00:14:55,633 OK, NICCOLINA, 333 00:14:55,764 --> 00:14:57,505 WE'LL TRY TO FIND SOMEBODY ELSE 334 00:14:57,635 --> 00:15:00,421 TO PLAY THE PART. 335 00:15:00,551 --> 00:15:03,641 I KNOW THE PART, MISS DeLUCA. I ALWAYS WANTED TO PLAY IT. 336 00:15:03,772 --> 00:15:05,513 NO, NO, NO, FRANCIS! 337 00:15:05,643 --> 00:15:07,341 YOU'RE TOO GOOD AS THE NURSE, 338 00:15:07,471 --> 00:15:09,473 AND IT WOULD BE TOO HARD TO REPLACE YOU. 339 00:15:09,604 --> 00:15:11,040 ISN'T THAT RIGHT, MONSIGNOR? 340 00:15:11,171 --> 00:15:12,999 WHAT ELSE CAN WE DO, SADIE? 341 00:15:13,129 --> 00:15:14,739 WE'RE SOLD OUT. 342 00:15:14,870 --> 00:15:16,741 WE'LL HAVE TO GIVE REFUNDS. 343 00:15:16,872 --> 00:15:19,309 WHY DON'T WE CALL ALL THE DRAMATIC SCHOOLS, 344 00:15:19,440 --> 00:15:21,833 AND WE'LL FIND SOME REALLY NICE GIRL 345 00:15:21,964 --> 00:15:24,140 WHO CAN READ THE PART FROM THE SCRIPT? 346 00:15:24,271 --> 00:15:26,447 THIS IS A VERY GOOD IDEA, SADIE. 347 00:15:26,577 --> 00:15:30,755 BUT LET'S MAKE SURE THAT ALL THE GIRLS SEND OVER 348 00:15:30,886 --> 00:15:32,844 THEIR MOST RECENT PHOTOGRAPHS 349 00:15:32,975 --> 00:15:35,282 WITH THEIR HOBBIES, THEIR FUTURE AMBITIONS, 350 00:15:35,412 --> 00:15:37,153 AND THEIR RELIGIOUS ATTITUDES. 351 00:15:37,284 --> 00:15:39,199 WHY DO I HAVE TO BE HERE? 352 00:15:39,329 --> 00:15:40,765 THIS MAY BE THE GIRL 353 00:15:40,896 --> 00:15:42,419 WE HAVE TO SPEND THE REST OF OUR LIVES WITH. 354 00:15:42,550 --> 00:15:44,247 YOU CAN STOP CALLING. 355 00:15:44,378 --> 00:15:46,206 THIS COUPLE JUST CAME IN 356 00:15:46,336 --> 00:15:48,295 AND MADE A DONATION, 357 00:15:48,425 --> 00:15:50,558 AND THEN THEY TOLD ME 358 00:15:50,688 --> 00:15:53,300 THEIR DAUGHTER PLAYED THAT PART. 359 00:15:53,430 --> 00:15:57,043 SHE'LL PLAY JULIET TO YOUR SON'S ROMEO. 360 00:15:57,173 --> 00:15:58,566 YOU LOOK FAMILIAR. 361 00:15:58,696 --> 00:15:59,871 IS POSSIBLE. 362 00:16:00,002 --> 00:16:02,178 MONSIGNOR: MR. AND MRS. CAPPAMEZZA, 363 00:16:02,309 --> 00:16:05,616 MEET COUNT AND CONTESSA MALACICI. 364 00:16:05,747 --> 00:16:08,010 PLEASURE. 365 00:16:08,141 --> 00:16:09,533 CIAO. 366 00:16:09,664 --> 00:16:11,057 CIAO. 367 00:16:11,187 --> 00:16:12,232 MONSIGNORE. 368 00:16:12,362 --> 00:16:13,363 MONSIGNORE. 369 00:16:13,494 --> 00:16:15,887 LOOK, SADIE, IT'S... IT'S JUST FOR ONE NIGHT, 370 00:16:16,018 --> 00:16:18,238 SO LET'S NOT MAKE A BIG THING OUT OF IT, OK? 371 00:16:18,368 --> 00:16:20,153 OK, SADIE? SADIE? 372 00:16:20,283 --> 00:16:22,155 MIKE: FEEL BETTER? 373 00:16:22,285 --> 00:16:23,634 A LITTLE. 374 00:16:23,765 --> 00:16:25,288 THERE MUST BE A WAY 375 00:16:25,419 --> 00:16:27,421 I CAN TURN AROUND WHAT MONA SAID IS GOING TO HAPPEN. 376 00:16:27,551 --> 00:16:29,640 LOOK... 377 00:16:29,771 --> 00:16:31,599 YOU THINK I WANT ROSARIO TO EJACULATE HIMSELF 378 00:16:31,729 --> 00:16:34,036 OUT OF THIS FAMILY PREMATURELY? 379 00:16:35,777 --> 00:16:36,952 BUT, SADIE, DID ANYTHING 380 00:16:37,083 --> 00:16:40,347 MONA EVER TELL YOU WOULD HAPPEN HAPPEN? 381 00:16:40,477 --> 00:16:41,783 PRACTICALLY EVERYTHING. 382 00:16:41,913 --> 00:16:44,786 HOW COME SHE TOLD YOU THAT WE'RE 383 00:16:44,916 --> 00:16:46,266 GOING TO BE RICH, AND WE'RE IN DEBT... 384 00:16:46,396 --> 00:16:48,790 THAT YOUR MOTHER WAS GOING TO MOVE OUT, 385 00:16:48,920 --> 00:16:51,793 AND SHE JUST ASKED US FOR A NEW MATTRESS... 386 00:16:51,923 --> 00:16:53,229 THAT YOUR FRIEND SALLY WAS GOING TO HAVE 387 00:16:53,360 --> 00:16:56,232 THE BEST YEAR OF HER LIFE, 388 00:16:56,363 --> 00:16:58,365 AND SHE DIED? HOW COME? 389 00:16:58,495 --> 00:17:00,845 OH, YE OF LITTLE FAITH. 390 00:17:00,976 --> 00:17:04,849 ONCE WE RAISE ENOUGH MONEY TO FRANCHISE OUR SAUCES 391 00:17:04,980 --> 00:17:07,635 AND OUR WEDDING CREATIONS, WE ARE GOING TO BE RICH. 392 00:17:07,765 --> 00:17:09,463 AND MY MOTHER STILL MAY MOVE OUT, 393 00:17:09,593 --> 00:17:11,813 AND SHE'LL TAKE HER NEW MATTRESS WITH HER. 394 00:17:11,943 --> 00:17:13,293 MY GIRLFRIEND SALLY, SHE COULD BE HAVING 395 00:17:13,423 --> 00:17:17,645 HER BEST YEAR EVER RIGHT NOW IN HEAVEN. 396 00:17:17,775 --> 00:17:20,865 MA! POP! I JUST HEARD ABOUT THE MALACICI GIRL. 397 00:17:20,996 --> 00:17:23,303 POP, COULD YOU IMAGINE THEM ASKING ME TO PLAY ROMEO 398 00:17:23,433 --> 00:17:26,741 OPPOSITE THE DAUGHTER OF THAT FLORENTINE? 399 00:17:26,871 --> 00:17:29,570 EVERY BONE IN MY BODY TELLS ME I SHOULD QUIT RIGHT NOW 400 00:17:29,700 --> 00:17:30,919 AND FORGET ABOUT IT. 401 00:17:31,050 --> 00:17:33,748 OH, HONEY, IF YOU FEEL LIKE THAT-- 402 00:17:33,878 --> 00:17:35,228 BUT THE SHOW MUST GO ON. 403 00:17:35,358 --> 00:17:36,751 MISS DeLUCA WANTS ME TO GO 404 00:17:36,881 --> 00:17:38,535 INTRODUCE MYSELF BEFORE REHEARSAL. 405 00:17:38,666 --> 00:17:40,668 I'M GOING TO GO WITH YOU! 406 00:17:40,798 --> 00:17:42,365 WHAT FOR? 407 00:17:42,496 --> 00:17:43,627 IT WILL GIVE ME 408 00:17:43,758 --> 00:17:45,368 A CHANCE TO SEE THEIR OPERATION. 409 00:17:45,499 --> 00:17:46,369 BUT I GOT TO GO HOME FIRST AND CHANGE INTO SOMETHING 410 00:17:46,500 --> 00:17:47,805 A LITTLE MORE APROPOS. 411 00:17:52,506 --> 00:17:54,247 MAN: MMM! MOZZARELLA. 412 00:17:54,377 --> 00:17:56,336 SECOND MAN: DELIZIOSO. 413 00:17:56,466 --> 00:17:58,903 ROSARIO: GOD ALMIGHTY! GET A LOAD OF THIS PLACE! 414 00:17:59,034 --> 00:18:00,557 I MEAN, THESE PEOPLE WOULDN'T KNOW A HOT SAUSAGE 415 00:18:00,688 --> 00:18:01,645 IF THEY FELL OVER ONE. 416 00:18:04,083 --> 00:18:06,128 ROSARIO: MAKES ME SICK TO GO IN THERE. 417 00:18:06,259 --> 00:18:07,216 MAYBE--OW! 418 00:18:07,347 --> 00:18:08,783 ARE YOU ALL RIGHT, MA? 419 00:18:08,913 --> 00:18:10,785 OH, DO I HAVE A BUMP? 420 00:18:10,915 --> 00:18:12,308 HERE. LET ME SEE. 421 00:18:12,439 --> 00:18:14,310 NAH. IT'S ALL RIGHT, MA. 422 00:18:14,441 --> 00:18:16,704 HA! THIS ROMEO IS A MAMA'S BOY. 423 00:18:16,834 --> 00:18:18,836 WHAT MASCULINE BOY KISSES A MOTHER 424 00:18:18,967 --> 00:18:20,447 ON THE EYE AFTER 3 YEARS OLD? 425 00:18:20,577 --> 00:18:23,276 [BOTH LAUGHING] 426 00:18:23,406 --> 00:18:26,714 [SPEAKING ITALIAN] 427 00:18:26,844 --> 00:18:28,107 HI. I'M ROSARIO CAPPAMEZZA. 428 00:18:28,237 --> 00:18:29,282 COUNT: SI. 429 00:18:29,412 --> 00:18:30,892 THIS IS MY-- 430 00:18:31,022 --> 00:18:32,807 YES. WE HAVE MET AT THE CHURCH. 431 00:18:32,937 --> 00:18:35,723 UH...UM, I THOUGHT I WOULD 432 00:18:35,853 --> 00:18:38,769 CHAPERONE THE CHILDREN TO REHEARSAL 433 00:18:38,900 --> 00:18:43,992 BECAUSE I WANTED TO BE SOCIALLY AU COURANT, 434 00:18:44,123 --> 00:18:47,735 AND, UH, BECAUSE I'M THE MOTHER. 435 00:18:47,865 --> 00:18:48,953 UH, AHEM. 436 00:18:49,084 --> 00:18:50,607 PLEASE COME IN. 437 00:18:54,829 --> 00:18:57,266 [WHISPERING] Oh...beautiful. 438 00:19:00,574 --> 00:19:03,011 UH, GINA JUST RETURNED FROM HER BOARDING SCHOOL, 439 00:19:03,142 --> 00:19:05,666 AND SHE'S TAKING HER BEAUTY BATH. 440 00:19:05,796 --> 00:19:07,668 PLEASE TO SIT DOWN, EH? 441 00:19:07,798 --> 00:19:09,626 [SADIE POPPING HER GUM SOFTLY] 442 00:19:09,757 --> 00:19:11,585 [CLOCK TICKING] 443 00:19:16,546 --> 00:19:17,895 [SIGHS] 444 00:19:18,026 --> 00:19:20,289 [POPPING GUM SOFTLY] 445 00:19:42,659 --> 00:19:43,921 AHEM. 446 00:19:44,052 --> 00:19:45,749 [SIGHS LOUDLY] 447 00:19:45,880 --> 00:19:48,578 UH, MAY WE OFFER YOU SOME REFRESHMENT? 448 00:19:48,709 --> 00:19:51,015 WE HAVE PROFITEROLE, TIRAMISU, 449 00:19:51,146 --> 00:19:53,714 BANANA TORTE, 8 KINDS OF GELATI, 450 00:19:53,844 --> 00:19:55,585 AND 6 KINDS OF SORBETTO. 451 00:19:55,716 --> 00:19:57,152 ALL FRESH... 452 00:19:57,283 --> 00:20:00,634 HOMEMADE, HOME-GROWN, AND HAND-DECORATED. 453 00:20:00,764 --> 00:20:02,026 NO, THANK YOU. 454 00:20:02,157 --> 00:20:03,898 WE MAKE ALL THE SAME DESSERTS, 455 00:20:04,028 --> 00:20:05,856 PLUS ZUPPA INGLESE, 456 00:20:05,987 --> 00:20:07,641 ZABAIONE, COPPA DI MARRONE. 457 00:20:07,771 --> 00:20:10,905 DON'T TELL ME YOU MAKE YOUR OWN CHOCOLATE. 458 00:20:11,035 --> 00:20:13,734 MILK, BITTERSWEET, NOUGAT, 459 00:20:13,864 --> 00:20:15,866 AND WHITE WITH NUTS. 460 00:20:15,997 --> 00:20:19,696 FROM A RECIPE THAT IS 400 YEARS OLD? 461 00:20:19,827 --> 00:20:22,003 FROM A RECIPE THAT FRANK SINATRA HIMSELF 462 00:20:22,133 --> 00:20:24,397 SAID WAS THE BEST HE EVER TASTED 463 00:20:24,527 --> 00:20:25,615 ON CITY ISLAND. 464 00:20:25,746 --> 00:20:27,051 THE PRESIDENT OF ITALY 465 00:20:27,182 --> 00:20:30,881 ONCE ATE 2 PORTIONS OF OUR RISOTTO CON FUNGHI. 466 00:20:31,012 --> 00:20:33,493 [SPEAKING ITALIAN] 467 00:20:33,623 --> 00:20:35,973 DURING THE POPE'S VISIT IN 1982, 468 00:20:36,104 --> 00:20:38,672 THE HOLY FATHER HAD 3 PORTIONS 469 00:20:38,802 --> 00:20:41,631 OF OUR CLAMS POSILLIPO, TO GO. 470 00:20:41,762 --> 00:20:43,720 IN 4 CENTURIES OF OPERATION, 471 00:20:43,851 --> 00:20:45,722 OUR RESTAURANT IN FIRENZE WAS VISITED 472 00:20:45,853 --> 00:20:48,899 BY 2 NUNS WHO LATER WERE CANONIZED-- 473 00:20:49,030 --> 00:20:50,640 SANTA TERESA DeMONTANIA 474 00:20:50,771 --> 00:20:52,599 AND SANTA RUDOLPHA LEGATTI, 475 00:20:52,729 --> 00:20:54,035 FOR WHOM OUR BRONZINO 476 00:20:54,165 --> 00:20:57,778 IN BRODETTO DI RUDOLPHA WAS NAMED. EH. 477 00:21:00,781 --> 00:21:03,000 OUR DISHWASHER SPEAKS CHINESE. 478 00:21:03,131 --> 00:21:05,002 OH. 479 00:21:05,133 --> 00:21:06,830 OH. 480 00:21:06,961 --> 00:21:10,660 CHORUS: ♪ AHH AHH AHH AHH 481 00:21:10,791 --> 00:21:13,968 MAN: ♪ I COULDN'T BREATHE 482 00:21:14,098 --> 00:21:21,584 ♪ I COULDN'T RUN AWAY 483 00:21:21,715 --> 00:21:24,631 ♪ OR MOVE OR SPEAK 484 00:21:24,761 --> 00:21:26,894 ♪ PLAY HIDE-AND-SEEK 485 00:21:27,024 --> 00:21:32,639 ♪ WITH LOVE 486 00:21:32,769 --> 00:21:35,076 ♪ I SAW YOUR FACE 487 00:21:35,206 --> 00:21:38,862 ♪ THE FACE OF LOVE 488 00:21:38,993 --> 00:21:40,951 ♪ AN ANGEL 489 00:21:41,082 --> 00:21:43,127 ♪ YOU I LOVE 490 00:21:43,258 --> 00:21:46,174 ♪ AND LOVE, IT'S REAL 491 00:21:46,305 --> 00:21:49,046 ♪ IT'S REALLY ALL THERE IS ♪ 492 00:21:49,177 --> 00:21:51,005 AH, CARINA. 493 00:21:51,135 --> 00:21:53,921 THIS IS OUR DAUGHTER REGINA. 494 00:21:54,051 --> 00:21:55,575 [HIGH-PITCHED] UH, HI. 495 00:21:55,705 --> 00:21:56,576 AHEM. UH, THIS-- 496 00:21:56,706 --> 00:21:59,056 THIS IS MY MOTHER SADIE CAPPAMEZZA, 497 00:21:59,187 --> 00:22:01,624 AND I'M R-R-R... 498 00:22:01,755 --> 00:22:04,497 OH, ROSARIO CAPPAMEZZA. 499 00:22:04,627 --> 00:22:06,760 HOW DO YOU DO? 500 00:22:06,890 --> 00:22:07,804 GINA HAS CONSENTED 501 00:22:07,935 --> 00:22:10,024 TO PLAY THE PART OF JULIET, 502 00:22:10,154 --> 00:22:12,026 EVEN THOUGH SHE MUST LEAVE TOMORROW. 503 00:22:12,156 --> 00:22:13,723 OH, WHERE ARE YOU GOING? 504 00:22:13,854 --> 00:22:15,116 PARIS. 505 00:22:15,246 --> 00:22:16,770 CONTESSA: FOR THE SUMMER, 506 00:22:16,900 --> 00:22:19,120 TO STUDY WITH THE BALLET RUSSE. 507 00:22:19,250 --> 00:22:20,556 PARIS, FRANCE? 508 00:22:20,687 --> 00:22:21,992 OH, THERE'S SO MUCH MORE TO DO THERE 509 00:22:22,123 --> 00:22:23,167 THAN THERE IS HERE. 510 00:22:23,298 --> 00:22:25,126 YOU CAN CLIMB THE EIFFEL TOWER, 511 00:22:25,256 --> 00:22:27,215 AND YOU CAN GO TO THE CANCAN. 512 00:22:27,346 --> 00:22:29,086 WELL, UH, WE SHOULD GO. WE'RE GOING TO BE LATE. 513 00:22:29,217 --> 00:22:31,088 IT WAS NICE MEETING YOUSE. 514 00:22:31,219 --> 00:22:35,354 [COUNT SHOUTING IN ITALIAN] 515 00:22:35,484 --> 00:22:37,051 STUPIDO! 516 00:22:37,181 --> 00:22:39,053 [SHOUTING IN ITALIAN] 517 00:22:39,183 --> 00:22:41,098 I'M SORRY. I'M SORRY. 518 00:22:41,229 --> 00:22:44,188 DON'T YOU YELL AT MY SON! 519 00:22:44,319 --> 00:22:47,191 HE--HE BUMPS HIMSELF A LOT WHEN HE'S HAPPY, 520 00:22:47,322 --> 00:22:49,977 AND HE'S VERY HAPPY THAT HE HAS A... 521 00:22:50,107 --> 00:22:51,500 A THIN JULIET. 522 00:22:51,631 --> 00:22:53,023 [SIGHS] 523 00:22:59,726 --> 00:23:02,032 YOU HAVE A VERY NICE BATHROOM. 524 00:23:06,776 --> 00:23:09,518 SO, UH, CAN I DROP YOU ANYWHERE, MA? 525 00:23:11,651 --> 00:23:13,000 DROP ME? 526 00:23:13,130 --> 00:23:14,654 WELL, YEAH. 527 00:23:14,784 --> 00:23:16,656 WHEN MISS DeLUCA FIRST WORKS WITH AN ACTOR, 528 00:23:16,786 --> 00:23:19,615 SHE DOESN'T LIKE TO HAVE ANY EYEWITNESSES-- 529 00:23:19,746 --> 00:23:22,531 I MEAN, UH, AMATEUR NONACTORS. 530 00:23:26,274 --> 00:23:29,190 SO, MA, CAN I DROP YOU OR WHAT? 531 00:23:29,320 --> 00:23:31,975 NO, NO, NO. IT'S NOT FAR. I'LL WALK. 532 00:23:32,106 --> 00:23:33,542 OK. 533 00:23:44,161 --> 00:23:46,468 YOU DRESS FUNNY. 534 00:23:49,253 --> 00:23:51,125 I LIKE IT. 535 00:23:51,255 --> 00:23:52,692 AAH! 536 00:24:00,047 --> 00:24:03,050 OH, I'M SMELLING HER. 537 00:24:03,180 --> 00:24:04,791 I'M SMELLING HER. 538 00:24:04,921 --> 00:24:06,662 SADIE: IS THIS NEW JULIET 539 00:24:06,793 --> 00:24:08,185 THE ONE THAT MY ROSARIO 540 00:24:08,316 --> 00:24:11,014 IS GOING TO GIVE UP HIS LIFE FOR? 541 00:24:11,145 --> 00:24:12,059 BIG BOSOM... 542 00:24:12,189 --> 00:24:14,583 STRONG THIGHS... 543 00:24:14,714 --> 00:24:16,063 SMALL CULO? 544 00:24:16,193 --> 00:24:17,456 YEAH. 545 00:24:17,586 --> 00:24:19,022 THAT'S HER. 546 00:24:21,111 --> 00:24:23,723 THE BLESSED ROSCOE CORROBORATES. 547 00:24:23,853 --> 00:24:25,638 WELL, AT LEAST SHE'S LEAVING TOMORROW. 548 00:24:25,768 --> 00:24:28,162 SO...MAYBE NO DAMAGE CAN BE DONE 549 00:24:28,292 --> 00:24:30,556 BETWEEN NOW AND THEN. AM I RIGHT? 550 00:24:32,819 --> 00:24:33,602 WHAT DOES THE BLESSED ROSCOE SAY 551 00:24:33,733 --> 00:24:35,125 I SHOULD DO? 552 00:24:35,256 --> 00:24:36,997 NOTHING. 553 00:24:37,127 --> 00:24:38,955 LOVE... 554 00:24:39,086 --> 00:24:42,263 IS ALL THERE IS. 555 00:24:42,393 --> 00:24:44,744 LOVE IS ALL THERE IS? 556 00:24:46,310 --> 00:24:48,269 HOW DID THE CANDLES WORK? 557 00:24:48,399 --> 00:24:51,011 MY HUSBAND TOLD ME TO HOLD THE CAT, TOO. 558 00:24:51,141 --> 00:24:55,015 OH! I MADE A MISTAKE. 559 00:24:55,145 --> 00:24:58,192 THOSE CANDLES ARE FOR YOUNG HONEYMOONERS IN TROUBLE. 560 00:24:58,322 --> 00:25:01,282 YOU NEED SOMETHING FOR OLDER EROTICISM THAT'S CAPSIZING. 561 00:25:01,412 --> 00:25:03,110 HERE. 562 00:25:03,240 --> 00:25:05,765 WHEN THESE BURN DOWN TO THE GENITAL AREA, 563 00:25:05,895 --> 00:25:08,637 HE'LL BE SURE TO GRAB YOU, NOT THE CAT. 564 00:25:08,768 --> 00:25:10,117 OH, THANKS. 565 00:25:10,247 --> 00:25:13,337 OK. THAT'S, UM... $9 FOR THE CANDLES, 566 00:25:13,468 --> 00:25:15,035 $30 FOR THE READING-- 567 00:25:15,165 --> 00:25:16,079 LOOK, ABOUT ROSARIO, 568 00:25:16,210 --> 00:25:19,082 I--I JUST CAN'T DO NOTHING? 569 00:25:19,213 --> 00:25:21,998 HE'S TOO YOUNG TO RUIN HIS LIFE. 570 00:25:23,478 --> 00:25:25,001 HOLD THE PHONE. 571 00:25:31,834 --> 00:25:34,010 [DOVES COOING] 572 00:25:36,839 --> 00:25:39,189 TAKE THESE 2 BIRDS. 573 00:25:39,320 --> 00:25:43,106 THE ONE WITH THE YELLOW RING IS THE MALE. 574 00:25:43,237 --> 00:25:45,195 HE REPRESENTS YOUR SON. 575 00:25:45,326 --> 00:25:48,111 KEEP SPRINKLING OREGANO ON HIS TAIL-- 576 00:25:48,242 --> 00:25:51,375 THE DESIRE FOR HIGHER EDUCATION. 577 00:25:51,506 --> 00:25:55,031 THE OTHER ONE IS THE FEMALE. 578 00:25:55,162 --> 00:25:57,033 SQUINT YOUR EYES. 579 00:25:57,164 --> 00:25:59,035 YOU SEE HER AURA? 580 00:25:59,166 --> 00:26:00,994 RIGHT NOW IT'S WHITE 581 00:26:01,124 --> 00:26:03,344 BECAUSE THE BLESSED ROSCOE IS PRESENT. 582 00:26:03,474 --> 00:26:06,347 THIS IS AN AURA DUSTER. 583 00:26:06,477 --> 00:26:09,306 KEEP DUSTING HER AURA 584 00:26:09,437 --> 00:26:12,266 TO KEEP HER LOVE FOR ROSARIO PURE. 585 00:26:13,397 --> 00:26:15,486 DON'T LET IT TURN ORANGE, 586 00:26:15,617 --> 00:26:18,446 OR YOU'RE IN THE DANGER, LOWER-CROTCH AREA. 587 00:26:18,577 --> 00:26:20,274 AND HERE. KEEP RECITING THIS CHANT 588 00:26:20,404 --> 00:26:23,277 TO THE 2 BIRDS. 589 00:26:23,407 --> 00:26:26,280 "HE IS LOVE DEEP. 590 00:26:26,410 --> 00:26:30,066 "HE IS SACRIFICE ALL. 591 00:26:30,197 --> 00:26:33,417 "HE IS EDUCATION'S FIRST. 592 00:26:33,548 --> 00:26:36,333 HE IS IN IT FOR THE LONG HAUL." 593 00:26:36,464 --> 00:26:38,031 OK. 594 00:26:38,161 --> 00:26:40,294 THAT'S, UM, $3.00 FOR THE OREGANO, 595 00:26:40,424 --> 00:26:42,252 $24.50 FOR THE AURA DUSTER, 596 00:26:42,383 --> 00:26:44,341 $42.50 FOR THE BIRDS, 597 00:26:44,472 --> 00:26:46,953 A BUCK AND A HALF FOR THE CHANT. 598 00:26:47,083 --> 00:26:50,260 HE IS LOVE DEEP. 599 00:26:50,391 --> 00:26:53,307 HE IS SACRIFICE ALL. 600 00:26:53,437 --> 00:26:56,440 BUT HIS EDUCATION'S FIRST. 601 00:26:56,571 --> 00:26:59,052 ALL RIGHT, AS SOON AS SHE'S IN THE COSTUME, 602 00:26:59,182 --> 00:27:01,010 WE'RE GOING TO START THE REHEARSAL. 603 00:27:01,141 --> 00:27:03,056 YES, MISS DeLUCA. WE KNOW. 604 00:27:03,186 --> 00:27:05,319 I HEAR... 605 00:27:05,449 --> 00:27:08,235 THAT THE NEW JULIET'S DRESS 606 00:27:08,365 --> 00:27:10,716 HAD TO BE OPENED UP THIS MUCH ON TOP. 607 00:27:10,846 --> 00:27:12,892 THAT'S HOW BIG HER TITTIES ARE. 608 00:27:13,022 --> 00:27:14,807 I WISH I HAD THAT PROBLEM. 609 00:27:14,937 --> 00:27:15,721 EVERY NIGHT, 610 00:27:15,851 --> 00:27:17,592 I PRAY THAT MINE WILL GROW BIGGER. 611 00:27:17,723 --> 00:27:20,029 MY MOTHER SAYS IT AIN'T THE SIZE THAT COUNTS. 612 00:27:20,160 --> 00:27:21,465 IT'S THE QUALITY. 613 00:27:21,596 --> 00:27:23,206 THAT'S BECAUSE YOUR MOTHER GOT SMALL TITTIES. 614 00:27:25,208 --> 00:27:26,340 I HOPE SHE'S BUILT BETTER THAN ISABEL. 615 00:27:26,470 --> 00:27:28,429 I MEAN, WITH HER BELLY, 616 00:27:28,559 --> 00:27:30,083 THE AUDIENCE WOULDN'T EVEN HAVE SEEN ME. 617 00:27:30,213 --> 00:27:31,214 YEAH, WELL, I HEAR SHE'S FROM ITALY, 618 00:27:31,345 --> 00:27:32,302 SO SHE DON'T TALK ENGLISH 619 00:27:32,433 --> 00:27:33,434 TOO GOOD LIKE US. 620 00:27:33,564 --> 00:27:35,436 WHERE DO YOU THINK ROMEO AND JULIET LIVED? 621 00:27:35,566 --> 00:27:36,393 IN ENGLAND. 622 00:27:36,524 --> 00:27:38,482 AIN'T THAT WHERE SHAKESPEARE LIVES? 623 00:27:38,613 --> 00:27:40,876 SHAKESPEARE'S DEAD, YOU DOPE. 624 00:27:41,007 --> 00:27:43,313 HOW DO I KNOW? I DON'T WATCH PMS. 625 00:27:43,444 --> 00:27:45,272 I GOT HAM AND PROVOLONE. 626 00:27:45,402 --> 00:27:47,230 I GOT ANCHOVIES. 627 00:27:47,361 --> 00:27:49,406 I GOT EGGS. 628 00:27:49,537 --> 00:27:51,974 BOY: HEY, RONNY, YOUR PIZZA'S HERE! 629 00:27:52,105 --> 00:27:53,976 SECOND BOY: HEY! WHERE'S THE PEPPERONI? 630 00:27:57,458 --> 00:27:58,285 MARRONE! 631 00:27:58,415 --> 00:27:59,895 [ALL GASP] 632 00:28:02,158 --> 00:28:03,464 SNACK TIME IS OVER! 633 00:28:03,594 --> 00:28:05,205 ALL RIGHT, COME ON. LET'S GET TO WORK. 634 00:28:06,902 --> 00:28:08,251 ALL RIGHT. 635 00:28:08,382 --> 00:28:10,514 GINA, YOU HAVE JUST MET ROSARIO, 636 00:28:10,645 --> 00:28:12,647 SO I WANT TO ASSURE YOU 637 00:28:12,778 --> 00:28:15,084 THAT THE KISSES WILL BE DONE DISCREETLY, HUH? 638 00:28:15,215 --> 00:28:17,173 ALL RIGHT. WITH YOUR BODIES APART, 639 00:28:17,304 --> 00:28:21,177 YOU'RE GOING TO JUST LET YOUR LIPS JUST BRUSH LIGHTLY, 640 00:28:21,308 --> 00:28:24,572 LIGHTLY, LIKE A BUTTERFLY'S WINGS ON A ROSE PETAL, 641 00:28:24,703 --> 00:28:26,879 'CAUSE YOU GOT TO LEAVE THE PASSION 642 00:28:27,009 --> 00:28:28,489 TO THE AUDIENCE'S IMAGINATION. 643 00:28:28,619 --> 00:28:30,665 ALL RIGHT? GO AHEAD. 644 00:28:30,796 --> 00:28:33,494 WAIT! KEEP THIS MUCH SPACE BETWEEN YOUR TORSOS. 645 00:28:33,624 --> 00:28:37,106 NOW. OK, LET YOUR LIPS JUST TOUCH 646 00:28:37,237 --> 00:28:39,892 FOR ONE BRIEF INSTANT. 647 00:28:40,022 --> 00:28:41,110 PERFECT! 648 00:28:41,241 --> 00:28:42,503 OK, EVERYBODY, COME ON! 649 00:28:42,633 --> 00:28:45,071 PLACES FOR THE TOP OF THE SHOW! 650 00:28:47,247 --> 00:28:50,163 MAN: MY GRANDDAUGHTER RITA'S PLAYING THE PART OF TYBAULT. 651 00:28:50,293 --> 00:28:53,427 SADIE: MIKEY, IF YOU COULD HAVE SEEN THE WAY HE DROOLED 652 00:28:53,557 --> 00:28:55,081 WHEN HE LOOKED AT HER. 653 00:28:55,211 --> 00:28:56,430 BOYS HIS AGE ARE SUPPOSED TO DROOL. 654 00:28:56,560 --> 00:28:58,084 BUT, MIKE, MONA SAYS 655 00:28:58,214 --> 00:28:59,041 HE'S GOING TO GIVE UP EVERYTHING-- 656 00:28:59,172 --> 00:29:00,521 SHE REALLY SEES YOU COMING. 657 00:29:00,651 --> 00:29:01,435 NOW WE GOT 2 FRIGGIN' BIRDS 658 00:29:01,565 --> 00:29:02,871 WHO CAN'T STOP CRAPPING 659 00:29:03,002 --> 00:29:04,264 STINKING UP OUR HOUSE. 660 00:29:04,394 --> 00:29:05,395 WHAT ARE YOU TWO TALKING ABOUT? 661 00:29:05,526 --> 00:29:06,396 NOTHING. 662 00:29:06,527 --> 00:29:07,789 I SAW YOUR LIPS MOVING. 663 00:29:07,920 --> 00:29:08,964 DON'T TELL ME NOTHING. 664 00:29:09,095 --> 00:29:10,400 WHERE'S YOUR TOOTH? 665 00:29:10,531 --> 00:29:12,968 OH! I FORGOT. 666 00:29:13,099 --> 00:29:15,144 THERE THEY ARE. 667 00:29:15,275 --> 00:29:16,406 LOOK AT THEM 668 00:29:16,537 --> 00:29:17,581 WITH THEIR FLORENTINE NOSES IN THE AIR. 669 00:29:17,712 --> 00:29:19,583 IT LOOKS LIKE THEY'RE SMELLING SOMETHING. 670 00:29:19,714 --> 00:29:22,543 THEY'RE LOOKING THIS WAY. 671 00:29:22,673 --> 00:29:24,980 I AM SURE THAT REGINA HAVING TO ACT 672 00:29:25,111 --> 00:29:26,982 WITH THE SON OF THESE SICILIANS 673 00:29:27,113 --> 00:29:28,810 MAKE HER AS SICK AS I AM. 674 00:29:28,941 --> 00:29:31,465 COUNT: WE HAVE NO CHOICE 675 00:29:31,595 --> 00:29:34,598 BECAUSE WE HAVE TO WIN OVER THEIR LOW-CLASS CLIENTELE. 676 00:29:34,729 --> 00:29:36,557 [MUSIC PLAYING] 677 00:29:36,687 --> 00:29:38,777 [APPLAUSE] 678 00:29:40,343 --> 00:29:41,954 GOOD MORROW. 679 00:29:42,084 --> 00:29:43,956 IS THE DAY SO YOUNG? 680 00:29:44,086 --> 00:29:45,784 BUT NEW STRUCK 9:00. 681 00:29:50,571 --> 00:29:52,965 AY ME, SAD HOURS LONG. 682 00:29:53,095 --> 00:29:54,357 WAS THAT MY FATHER 683 00:29:54,488 --> 00:29:56,055 THAT WENT HENCE SO FAST? 684 00:29:56,185 --> 00:29:58,318 IT WAS. 685 00:29:58,448 --> 00:30:01,060 HE IS SO HANDSOME... 686 00:30:01,190 --> 00:30:03,671 JUST LIKE ERROL FLYNN IN THE OLD MOVIES. 687 00:30:03,802 --> 00:30:06,021 YEAH. HE FENCES GOOD. YOU'D NEVER KNOW HE WAS CLUMSY. 688 00:30:06,152 --> 00:30:07,762 OH, SHIT! 689 00:30:07,893 --> 00:30:09,198 ROSARIO: 'TIS NOT TO ME SHE SPEAKS. 690 00:30:09,329 --> 00:30:10,286 WHY DO THEY MAKE HIM WEAR 691 00:30:10,417 --> 00:30:12,593 THE BLUE PANTYHOSE? 692 00:30:12,723 --> 00:30:14,377 IT MAKES HIS DINGLE LOOK TOO BIG. 693 00:30:14,508 --> 00:30:15,552 SHH, MA. 694 00:30:15,683 --> 00:30:18,860 GOD FORBID! WHERE IS THIS GIRL? 695 00:30:18,991 --> 00:30:20,862 JULIET! 696 00:30:20,993 --> 00:30:22,951 JULIET! 697 00:30:23,082 --> 00:30:24,387 HOW NOW, WHO CALLS? 698 00:30:24,518 --> 00:30:25,911 YOUR MOTHER. 699 00:30:26,041 --> 00:30:27,913 MADAM, I AM HERE. 700 00:30:28,043 --> 00:30:29,436 WHAT IS YOUR WILL? 701 00:30:29,566 --> 00:30:31,960 HOW ELOQUENT SHE IS. 702 00:30:32,091 --> 00:30:34,615 YES, BUT IS A MISMATCH 703 00:30:34,745 --> 00:30:37,052 BECAUSE SHE MAKE THE SICILIAN MAMA'S BOY 704 00:30:37,183 --> 00:30:39,489 LOOK LIKE A BUFFOON FROM THE CIRCUS. 705 00:30:39,620 --> 00:30:40,882 HA HA HA! 706 00:30:56,593 --> 00:30:58,552 OOH. 707 00:31:01,294 --> 00:31:03,383 [SNORING] 708 00:31:06,342 --> 00:31:07,430 [SNORTS] 709 00:31:07,561 --> 00:31:09,084 [SPEAKING ITALIAN] 710 00:31:14,220 --> 00:31:15,438 OHH... 711 00:31:16,657 --> 00:31:19,486 SAINTS DO NOT MOVE, 712 00:31:19,616 --> 00:31:22,315 THOUGH GRANT FOR MY PRAYERS' SAKE. 713 00:31:22,445 --> 00:31:23,751 THEN MOVE NOT, 714 00:31:23,882 --> 00:31:25,448 WHILE MY PRAYER'S EFFECT I TAKE. 715 00:31:28,495 --> 00:31:30,540 SADIE: OH, BOY. 716 00:31:39,549 --> 00:31:41,421 THY DRUGS ARE QUICK. 717 00:31:41,551 --> 00:31:45,686 THUS WITH A KISS I DIE. 718 00:31:45,816 --> 00:31:48,210 MMM... 719 00:31:51,170 --> 00:31:52,475 MMM... 720 00:31:52,606 --> 00:31:54,347 OHH... 721 00:31:54,477 --> 00:31:56,653 GIRL: THEY'RE DOING IT FOR REAL. 722 00:31:56,784 --> 00:31:58,307 GIRL: YES! 723 00:31:58,438 --> 00:31:59,482 MISS DELUCA, WHISPERING: Rosario! 724 00:31:59,613 --> 00:32:01,354 Rosario! 725 00:32:01,484 --> 00:32:02,659 No more. 726 00:32:02,790 --> 00:32:04,487 Stop! 727 00:32:04,618 --> 00:32:06,185 [GASPS] 728 00:32:07,664 --> 00:32:12,191 WOMAN, WHISPERING: MY GOD. I NEVER SAW THIS BEFORE. 729 00:32:12,321 --> 00:32:14,367 MMM... 730 00:32:14,497 --> 00:32:16,108 HOW DARE HE DO THAT TO MY LITTLE GIRL! 731 00:32:16,238 --> 00:32:17,718 HE PRETEND TO BE MAMA'S BOY. 732 00:32:17,848 --> 00:32:18,719 OLDEST SICILIAN TRICK 733 00:32:18,849 --> 00:32:20,155 IN THE BACK OF THE BOOK. 734 00:32:20,286 --> 00:32:22,853 WHY SHE DON'T STOP HIM? TELL ME--WHY? 735 00:32:22,984 --> 00:32:25,639 BECAUSE SHE HAS TO ACT AS IF SHE'S DEAD, 736 00:32:25,769 --> 00:32:27,554 AND HE'S TAKEN ADVANTAGE. 737 00:32:27,684 --> 00:32:29,425 MONA KNEW. 738 00:32:29,556 --> 00:32:31,471 THE BLESSED ROSCOE KNEW. 739 00:32:31,601 --> 00:32:33,473 THAT'S WHAT MASCULINE ACTING IS. 740 00:32:33,603 --> 00:32:35,692 YOU KISS THE GIRL LIKE YOU GO FOR HER. 741 00:32:35,823 --> 00:32:37,390 SADIE: HER AURA IS CHANGING. 742 00:32:37,520 --> 00:32:38,434 WHAT? 743 00:32:38,565 --> 00:32:39,522 NOTHING. 744 00:32:39,653 --> 00:32:41,089 [WHISPERING] Rosario! 745 00:32:46,051 --> 00:32:48,749 SHE IS KISSING HIM WITH HER MOUTH OPEN. 746 00:32:48,879 --> 00:32:50,185 OHH... 747 00:32:50,316 --> 00:32:51,795 Stop! 748 00:32:51,926 --> 00:32:53,710 I DON'T CARE IF I LOSE THE BUSINESS. 749 00:32:53,841 --> 00:32:55,538 I DON'T RAISE MY DAUGHTER FOR THIS. 750 00:32:55,669 --> 00:32:57,540 I AM GOING TO PULL THE CURTAIN. 751 00:32:57,671 --> 00:32:59,281 LET ME GO! YOU DON'T UNDERSTAND. 752 00:32:59,412 --> 00:33:00,848 MAN: GET OUT OF THE WAY! 753 00:33:00,979 --> 00:33:02,415 ...VIOLATE MY DAUGHTER. LET ME OUT OF HERE! 754 00:33:02,545 --> 00:33:04,199 MMM... 755 00:33:04,330 --> 00:33:06,897 [GASPS] 756 00:33:07,028 --> 00:33:08,551 PIERO, COME BACK! THEY'VE STOPPED KISSING! 757 00:33:08,682 --> 00:33:10,249 COME BACK. 758 00:33:10,379 --> 00:33:11,511 COME ON. 759 00:33:11,641 --> 00:33:13,426 PLEASE, LET ME GO. 760 00:33:13,556 --> 00:33:16,342 WOMAN: YOU GOT SOME NERVE, FATSO. 761 00:33:17,604 --> 00:33:20,650 ROSARIO: I...DIE. 762 00:33:22,826 --> 00:33:24,611 OH, I HATE THOSE PANTYHOSE. 763 00:33:24,741 --> 00:33:28,354 HIS DINGLE LOOKS EVEN BIGGER NOW. 764 00:33:28,484 --> 00:33:30,269 OH! 765 00:33:30,399 --> 00:33:31,618 DEAR GOD! 766 00:33:31,748 --> 00:33:33,750 IS HE STIFF? 767 00:33:33,881 --> 00:33:35,752 I THINK HE'S STIFF FROM HER. 768 00:33:35,883 --> 00:33:38,451 THAT'S JUST A TOWEL IN THERE 769 00:33:38,581 --> 00:33:40,366 SO THEY DON'T HURT IT WHEN THEY DUEL. 770 00:33:40,496 --> 00:33:42,368 OH, IT'S A TOWEL. 771 00:33:42,498 --> 00:33:43,760 I'M SO RELIEVED. 772 00:33:43,891 --> 00:33:45,545 LET ME SEE! 773 00:33:45,675 --> 00:33:46,633 GET OUT OF MY WAY! 774 00:33:46,763 --> 00:33:47,634 STOP PUSHING! 775 00:33:47,764 --> 00:33:49,027 STOP LOOKING. 776 00:33:50,332 --> 00:33:51,812 ROSARIO: UGH... 777 00:33:51,942 --> 00:33:54,815 SICILIAN SON OF A BITCH! 778 00:33:54,945 --> 00:33:56,686 THIS IS SO EMBARRASSING. 779 00:33:56,817 --> 00:33:58,601 IT'S GROWING. 780 00:34:05,434 --> 00:34:06,827 GINA: I WILL KISS THY LIPS. 781 00:34:06,957 --> 00:34:10,918 HAPLY SOME POISON YET DOTH HANG ON THEM 782 00:34:11,049 --> 00:34:13,486 TO MAKE ME DIE WITH A RESTORATIVE. 783 00:34:13,616 --> 00:34:17,011 MY POOR BABY HAS TO KISS THE SICILIAN ANIMAL NOW! 784 00:34:17,142 --> 00:34:18,665 I HOPE SHE BITE OFF HIS LIPS AND SPIT THEM 785 00:34:18,795 --> 00:34:20,319 RIGHT INTO HIS FACE! 786 00:34:23,496 --> 00:34:27,804 [BOTH MOANING SOFTLY] 787 00:34:27,935 --> 00:34:29,763 OH, MY GOD. 788 00:34:29,893 --> 00:34:31,678 WOMAN: THIS MUST BE METHOD ACTING. 789 00:34:31,808 --> 00:34:33,419 GINA... 790 00:34:33,549 --> 00:34:35,247 A BUTTERFLY'S WINGS. 791 00:34:35,377 --> 00:34:37,118 A BUTTERFLY'S WINGS. 792 00:34:37,249 --> 00:34:38,902 [MOANING] 793 00:34:39,033 --> 00:34:40,817 HER AURA, IT'S TURNING ORANGE. 794 00:34:40,948 --> 00:34:42,906 GO FOR IT, GINA! 795 00:34:43,037 --> 00:34:45,866 HE IS LOVE DEEP. 796 00:34:45,996 --> 00:34:48,521 HE IS SACRIFICE ALL. 797 00:34:48,651 --> 00:34:50,914 IF SHE WERE MY DAUGHTER, I'D BREAK HER HEAD. 798 00:34:51,045 --> 00:34:54,353 THEY MUST HAVE USED 2 TOWELS. 799 00:34:54,483 --> 00:34:55,615 AH! AH! 800 00:34:55,745 --> 00:34:56,790 WOMAN: HERE HE GOES AGAIN! 801 00:34:56,920 --> 00:34:58,835 DIFFERENT WOMAN: SIT DOWN, FATSO! 802 00:34:58,966 --> 00:35:00,663 MAN: YOU WANT A RAP IN THE MOUTH? 803 00:35:00,794 --> 00:35:01,882 DIFFERENT MAN: YEAH? STEP IN THE TOILET! 804 00:35:02,012 --> 00:35:02,839 PIERO: YOU BE QUIET, YOU! 805 00:35:02,970 --> 00:35:04,232 PIERO, COME BACK! 806 00:35:04,363 --> 00:35:05,668 THE KISS IS FINISHED. 807 00:35:05,799 --> 00:35:07,235 YOU'RE GOING TO RUIN HER DEATH SCENE. 808 00:35:07,366 --> 00:35:11,326 GINA: O HAPPY DAGGER, 809 00:35:11,457 --> 00:35:14,721 THIS IS MY SHEATH. 810 00:35:14,851 --> 00:35:17,376 THERE REST... 811 00:35:17,506 --> 00:35:18,768 OH! 812 00:35:18,899 --> 00:35:21,293 AND LET ME DIE! 813 00:35:21,423 --> 00:35:26,124 [BOTH MOANING] 814 00:35:26,254 --> 00:35:27,690 AHH... 815 00:35:27,821 --> 00:35:29,823 PIERO: MOVE! YOU HAVE TO MOVE. 816 00:35:29,953 --> 00:35:31,346 WOMAN: THAT'S SO RUDE! 817 00:35:31,477 --> 00:35:33,000 THE SCENE IS OVER. 818 00:35:33,131 --> 00:35:34,871 I WANT TO GO AS SOON AS THE CURTAIN COMES DOWN. 819 00:35:35,002 --> 00:35:36,873 PIERO: GET OUT OF MY WAY! 820 00:35:37,004 --> 00:35:38,962 MAN: BANANA. A REAL BANANA. 821 00:35:39,093 --> 00:35:40,573 PIERO: I WILL CHALLENGE YOU TO A DUEL! 822 00:35:40,703 --> 00:35:42,009 MIKEY, LET'S GET HIM TO THE BANQUET HALL 823 00:35:42,140 --> 00:35:43,315 THE MINUTE THIS SHOW IS OVER. 824 00:35:43,445 --> 00:35:44,490 RIGHT. 825 00:35:44,620 --> 00:35:45,752 MA, WAIT IN THE CAR. 826 00:35:45,882 --> 00:35:46,927 WE WANT TO EXTRICATE HIM UNBEKNOWNST. 827 00:35:47,057 --> 00:35:48,711 I KNEW IT. 828 00:35:48,842 --> 00:35:49,582 HE WAS STIFF FROM HER! 829 00:35:49,712 --> 00:35:50,757 SHH! SHH! 830 00:35:50,887 --> 00:35:52,367 COME ON. 831 00:35:53,803 --> 00:35:55,370 SOME SHALL BE PARDONED. 832 00:35:55,501 --> 00:35:57,764 OTHERS SHALL BE PUNISHED. 833 00:35:57,894 --> 00:36:02,464 FOR NEVER WAS A STORY OF MORE WOE... 834 00:36:02,595 --> 00:36:06,903 TOGETHER: THAN THIS OF JULIET AND HER ROMEO. 835 00:36:07,034 --> 00:36:09,515 [APPLAUSE] 836 00:36:09,645 --> 00:36:12,822 MAN: BRAVO! BRAVO! 837 00:36:12,953 --> 00:36:15,390 MIKE: COME ON, ROSARIO. YOU GOT TO COME WITH US. 838 00:36:15,521 --> 00:36:17,305 ROSARIO: GET OUT OF HERE! 839 00:36:17,436 --> 00:36:18,306 JESUS, MA! 840 00:36:18,437 --> 00:36:19,873 MIKE: SADIE, SADIE! 841 00:36:20,003 --> 00:36:21,657 MA, MA, GET OFF THE STAGE! 842 00:36:24,312 --> 00:36:26,358 CONTESSA: I WAS SO DISGUSTED OVER HOW YOU KISSED THAT BOY. 843 00:36:26,488 --> 00:36:27,794 IT WAS PORNOGRAFIA! 844 00:36:27,924 --> 00:36:28,925 ALL RIGHT. 845 00:36:29,056 --> 00:36:31,406 TONIGHT WE GO HOME, SLEEP THE NIGHT GOOD. 846 00:36:31,537 --> 00:36:32,886 TOMORROW YOU ARE IN PARIS, 847 00:36:33,016 --> 00:36:34,453 WE FORGET ABOUT EVERYTHING. 848 00:36:34,583 --> 00:36:35,889 OH, NO. NO, PAPA. THE BANQUET, EH? 849 00:36:36,019 --> 00:36:37,412 THE WHOLE CAST IS GOING! 850 00:36:37,543 --> 00:36:39,022 OH, NO! I WILL NOT SET FOOT 851 00:36:39,153 --> 00:36:40,372 IN THAT CAPPAMEZZA CATERING HALL FOR ONE MOMENT! 852 00:36:40,502 --> 00:36:41,851 AND NEITHER SHOULD YOU! 853 00:36:41,982 --> 00:36:44,027 AND THAT IS FINAL! 854 00:36:44,158 --> 00:36:45,899 MONSIGNOR: MAGNIFICENT PERFORMANCE, GINA. 855 00:36:46,029 --> 00:36:47,857 SEE YOU AT THE BANQUET? 856 00:36:47,988 --> 00:36:48,989 NO, MONSIGNORE, 857 00:36:49,119 --> 00:36:50,469 SHE CANNOT COME BECAUSE TOMORROW 858 00:36:50,599 --> 00:36:52,775 SHE HAVE TO GET UP EARLY, GO TO AIRPORT. 859 00:36:52,906 --> 00:36:54,473 OH, I UNDERSTAND, 860 00:36:54,603 --> 00:36:57,389 BUT I WANT TO THANK HER AND YOU TWO PUBLICLY. 861 00:36:57,519 --> 00:37:00,740 YOU JUST COME FOR THAT, HMM? 862 00:37:00,870 --> 00:37:02,263 WE-- 863 00:37:02,394 --> 00:37:03,743 OH-- 864 00:37:06,398 --> 00:37:08,922 [GIGGLES] 865 00:37:09,052 --> 00:37:11,794 [PLAYING DANCE MUSIC] 866 00:37:22,762 --> 00:37:26,374 [WOMAN SINGING IN ITALIAN] 867 00:37:46,264 --> 00:37:48,048 BOY, I DIDN'T FALL ASLEEP ONCE, 868 00:37:48,178 --> 00:37:49,441 EXCEPT DURING THE PARTS 869 00:37:49,571 --> 00:37:50,964 WHERE PEOPLE WERE JUST TALKING. 870 00:37:51,094 --> 00:37:53,662 BUT IN THE SWORDPLAY... 871 00:37:53,793 --> 00:37:56,099 AND THE SMOOCHING-- TERRIFIC. 872 00:37:56,230 --> 00:37:57,623 WHAT ABOUT MY FRANCIS? 873 00:37:57,753 --> 00:37:58,667 OH, HE WAS GREAT. 874 00:37:58,798 --> 00:37:59,755 I BELIEVED HE WAS HER NURSE, 875 00:37:59,886 --> 00:38:01,931 AND HE WAS VERY MANLY IN THE GIRL'S CLOTHES. 876 00:38:02,062 --> 00:38:03,977 YOU'RE READY FOR BROADWAY! 877 00:38:04,107 --> 00:38:05,631 AND, TONY, YOU WAS GREAT 878 00:38:05,761 --> 00:38:07,067 AS ROSARIO'S UNCLE. 879 00:38:07,197 --> 00:38:08,764 I WASN'T HIS UNCLE. 880 00:38:08,895 --> 00:38:09,983 I WAS HIS COUSIN. 881 00:38:10,113 --> 00:38:11,637 WELL, WHOEVER YOU WERE, 882 00:38:11,767 --> 00:38:13,943 YOU ALL MADE THE EVENING VERY BEARABLE. 883 00:38:18,818 --> 00:38:22,952 MAN: ♪ I COULDN'T BREATHE 884 00:38:23,083 --> 00:38:24,867 OH, PAPA, I'D LIKE TO SAY HELLO TO THE CAST, EH? 885 00:38:24,998 --> 00:38:26,913 YOU SAY HELLO TO THE GIRLS. 886 00:38:27,043 --> 00:38:28,871 ONLY TO THE GIRLS, YOU UNDERSTAND, EH? 887 00:38:29,002 --> 00:38:30,917 HELLO AND GOOD-BYE, EH? 888 00:38:33,006 --> 00:38:34,616 ♪ ...OR SPEAK 889 00:38:34,747 --> 00:38:39,752 ♪ PLAY HIDE-AND-SEEK WITH MY... ♪ 890 00:38:39,882 --> 00:38:43,712 TONY: YOU KNOW, NEXT YEAR, WE'RE DOING JULIUS AND CAESAR. 891 00:38:43,843 --> 00:38:45,540 I'M PLAYING MRS. CAESAR. 892 00:38:45,671 --> 00:38:47,629 YOU EVER SEE THE SMOKE IN THIS WAY? 893 00:38:47,760 --> 00:38:48,064 SO RIDICULOUS, EH? 894 00:38:48,195 --> 00:38:50,153 IT'S OBSCENE. 895 00:38:50,284 --> 00:38:52,895 WHAT THEY ARE TRYING TO DO, RE-CREATE FOREST FIRE? 896 00:38:53,026 --> 00:38:53,940 STUPIDO. 897 00:38:54,070 --> 00:38:55,898 LOOK AT THEM. 898 00:38:56,029 --> 00:38:58,118 THEY ARE GREEN WITH ENVY FROM OUR DECOR. 899 00:38:58,248 --> 00:39:00,120 WHEN THEY TASTE OUR FOOD, 900 00:39:00,250 --> 00:39:01,730 THEY'RE GOING TO WISH 901 00:39:01,861 --> 00:39:04,080 THEY WERE IN ANOTHER BUSINESS ALTOGETHER. 902 00:39:04,211 --> 00:39:06,126 I DON'T SEE THE DAUGHTER. 903 00:39:06,256 --> 00:39:09,172 SHE'S OVER THERE WITH THE GIRLS. 904 00:39:09,303 --> 00:39:12,654 YOU TWO WERE SO SEXY UP THERE. 905 00:39:12,785 --> 00:39:14,526 I THOUGHT I WAS WATCHING 906 00:39:14,656 --> 00:39:15,875 MEL GIBSON AND MICHELLE PFEIFFER. 907 00:39:16,005 --> 00:39:17,920 WHERE DID YOU LEARN TO KISS LIKE THAT, 908 00:39:18,051 --> 00:39:19,095 BOARDING SCHOOL? 909 00:39:19,226 --> 00:39:21,881 I ASKED MY PARENTS TO SEND ME. 910 00:39:22,011 --> 00:39:23,056 THEY WERE AFRAID I'D LOSE MY CHERRY. 911 00:39:23,186 --> 00:39:24,710 THEY DON'T KNOW THIS, 912 00:39:24,840 --> 00:39:28,104 BUT I LOST IT TO A GUIDO WHEN I WAS 14. 913 00:39:28,235 --> 00:39:30,498 I BEEN TO THE CAPRI MOTEL. 914 00:39:30,629 --> 00:39:33,109 WHAT IS A CAPRI MOTEL? 915 00:39:33,240 --> 00:39:35,982 THE HORNIEST PLACE ON CITY ISLAND. 916 00:39:36,112 --> 00:39:39,115 IT'S GOT WATERBEDS SHAPED LIKE THE BACK SEAT OF A CAR 917 00:39:39,246 --> 00:39:42,597 AND PORNO MOVIES IN EVERY ROOM. 918 00:39:42,728 --> 00:39:44,643 I LOST MINE THERE, TOO. 919 00:39:44,773 --> 00:39:47,123 I AIN'T BEEN A VIRGIN ALMOST A MONTH. 920 00:39:47,254 --> 00:39:50,039 AND WE KNOW WHO MR. LUCKY IS. 921 00:40:00,136 --> 00:40:01,311 WHAT? 922 00:40:01,442 --> 00:40:03,749 WE'RE ALL VICTIMS OF PEER PRESSURE. 923 00:40:03,879 --> 00:40:05,098 WHAT ABOUT YOU? 924 00:40:05,228 --> 00:40:07,883 OH, UM, MY PARENTS ARE VERY STRICT. 925 00:40:13,672 --> 00:40:15,064 WAIT HERE. 926 00:40:17,415 --> 00:40:22,158 MONSIGNOR: I'D LIKE TO CALL UP MIKE AND SADIE CAPPAMEZZA 927 00:40:22,289 --> 00:40:26,772 AND COUNT AND CONTESSA MALACICI. 928 00:40:26,902 --> 00:40:30,079 [CROWD APPLAUDS] 929 00:40:30,210 --> 00:40:33,648 WHICH JUST SHOWS... 930 00:40:33,779 --> 00:40:35,171 YOU WANT TO DANCE, ROSARIO? 931 00:40:35,302 --> 00:40:37,043 HEY! 932 00:40:37,173 --> 00:40:38,523 MONSIGNOR: ...CAN TURN BUSINESS RIVALS 933 00:40:38,653 --> 00:40:39,741 INTO GOOD FRIENDS. 934 00:40:39,872 --> 00:40:41,134 ROSARIO: YEAH, YEAH. 935 00:40:41,264 --> 00:40:44,224 [CHEERING AND APPLAUSE] 936 00:40:44,354 --> 00:40:47,749 1 AND 2 AND 3. 937 00:40:47,880 --> 00:40:49,185 [MUSIC PLAYING] 938 00:40:49,316 --> 00:40:51,013 MIKE: WHAT IS THAT? 939 00:40:51,144 --> 00:40:52,580 WHAT IS THIS? HEY. WHAT GOES HERE? 940 00:40:55,931 --> 00:40:57,237 [SPEAKING ITALIAN] 941 00:40:57,367 --> 00:40:58,804 BRING REGINA. 942 00:40:58,934 --> 00:41:00,762 HELLO, MR. FREDERICO, MRS. F. 943 00:41:00,893 --> 00:41:02,851 PIERO...WAIT. 944 00:41:02,982 --> 00:41:04,113 LOOK. 945 00:41:06,942 --> 00:41:08,204 THE FREDERICOS. 946 00:41:08,335 --> 00:41:09,684 YES. 947 00:41:09,815 --> 00:41:11,033 WE MUST NOT GO WITHOUT TO TALK TO THEM. 948 00:41:11,164 --> 00:41:13,166 WE MUST CATER THEIR DAUGHTER'S WEDDING. 949 00:41:13,296 --> 00:41:15,560 AHH... 950 00:41:15,690 --> 00:41:16,691 [CONTESSA SPEAKING ITALIAN] 951 00:41:16,822 --> 00:41:17,779 MR. FREDERICO: HOW ARE YOU? 952 00:41:17,910 --> 00:41:18,998 NICE TO SEE YOU. 953 00:41:19,128 --> 00:41:20,216 PIERO: YOUR DAUGHTER CARMELLA RECITE 954 00:41:20,347 --> 00:41:22,828 THE LINE OF LADY CAPULET WITH SUCH ARTISTRY. 955 00:41:22,958 --> 00:41:25,221 AND SHE REEKS OF INTELLIGENCE. 956 00:41:25,352 --> 00:41:26,266 MRS. FREDERICO: YES. 957 00:41:26,396 --> 00:41:28,747 AND THAT IS WHY SHE DESERVE 958 00:41:28,877 --> 00:41:29,791 THE GRAND WEDDING 959 00:41:29,922 --> 00:41:30,749 WE HAVE PREPARED FOR HER. 960 00:41:30,879 --> 00:41:33,099 EVERY GUEST WILL HAVE 961 00:41:33,229 --> 00:41:35,057 ROAST GOOSE OR BISTECCA CHATEAUBRIAND. 962 00:41:35,188 --> 00:41:36,842 AND VANILLA TARTUFI. 963 00:41:36,972 --> 00:41:39,322 AND AMARETTO CREME BRULEE WITH THE WEDDING CAKE. 964 00:41:39,453 --> 00:41:41,107 MR. FREDERICO: WHAT ABOUT THE SMOKE? 965 00:41:41,237 --> 00:41:42,195 PIERO: OH, YES. 966 00:41:42,325 --> 00:41:43,239 EVERY MAN SMOKE BIG CIGAR. 967 00:41:43,370 --> 00:41:44,719 MRS. FREDERICO: NO, NO, NO. 968 00:41:44,850 --> 00:41:45,720 WE LIKE THE SMOKE EFFECT. 969 00:41:45,851 --> 00:41:49,376 OH, SMOKE EFFECT. 970 00:41:49,507 --> 00:41:53,249 AHH...WE LOVE SMOKE EFFECT, 971 00:41:53,380 --> 00:41:55,687 BUT OUR SMOKE WILL BE FINER... 972 00:41:55,817 --> 00:41:57,253 NOT ONLY TO THE ANKLE, 973 00:41:57,384 --> 00:41:59,342 BUT ALL THE WAY TO THE CALF. 974 00:41:59,473 --> 00:42:02,345 YES, AND SOFTER, LIKE IN A FELLINI MOVIE. 975 00:42:02,476 --> 00:42:05,131 THE SNEAKS ARE TRYING TO STEAL THE FREDERICOS! 976 00:42:05,261 --> 00:42:06,306 OOH... 977 00:42:06,436 --> 00:42:08,221 WHAT DO YOU SAY, RALPH? 978 00:42:08,351 --> 00:42:09,744 HOW ARE YOU DOING, ANGIE? 979 00:42:09,875 --> 00:42:11,137 HI. HOW ARE YOUSE? 980 00:42:11,267 --> 00:42:12,573 ANGIE: HELLO. 981 00:42:12,704 --> 00:42:15,707 THEY'RE NOT LOOKING. NOW! 982 00:42:17,622 --> 00:42:18,884 OH! 983 00:42:26,108 --> 00:42:27,849 FOR CARMELLA'S WEDDING, AS SOUVENIRS, 984 00:42:27,980 --> 00:42:29,242 WE TAKE A PICTURE OF YOU TWO 985 00:42:29,372 --> 00:42:30,809 FROM YOUR WEDDING AND WE PRINT IT 986 00:42:30,939 --> 00:42:33,942 ON THE FRONT OF EACH COFFEE CUP. 987 00:42:34,073 --> 00:42:36,162 SADIE: AND ENGRAVED ON THE INSIDE, 988 00:42:36,292 --> 00:42:39,165 A PINK ROSE ENTWINED WITH A SILVER RIBBON 989 00:42:39,295 --> 00:42:40,166 THAT SAYS, 990 00:42:40,296 --> 00:42:43,169 "CARMELLA LOVES TONY AND VICE VERSA, 991 00:42:43,299 --> 00:42:44,300 "COMPLIMENTS, 992 00:42:44,431 --> 00:42:47,173 ANGIE AND RALPH FREDERICO." 993 00:42:47,303 --> 00:42:50,437 I'VE NEVER SEEN THAT BEFORE AT A WEDDING. 994 00:42:50,568 --> 00:42:54,484 I AM SURE THEY DO IT IN CONEY ISLAND. 995 00:42:54,615 --> 00:42:56,225 RALPH: HEY, THEY MAKE A GOOD-LOOKING COUPLE 996 00:42:56,356 --> 00:42:57,792 EVEN OFF THE STAGE. 997 00:42:57,923 --> 00:42:58,880 ALL: WHO? 998 00:42:59,011 --> 00:43:01,143 YOUR DAUGHTER AND YOUR SON. 999 00:43:03,015 --> 00:43:05,321 MRS. FREDERICO: NOW I KNOW WHY THE MALACICIS 1000 00:43:05,452 --> 00:43:08,760 AND THE CAPPAMEZZAS GET ALONG SO WELL. 1001 00:43:08,890 --> 00:43:10,326 THEY'RE MAKING A MATCH. 1002 00:43:10,457 --> 00:43:12,285 NO! SHE'S ONLY 16! 1003 00:43:12,415 --> 00:43:13,634 NO, NO. 1004 00:43:13,765 --> 00:43:15,027 YOU SEE, HE'S JUST GOT HIS DRIVER'S LICENSE. 1005 00:43:15,157 --> 00:43:15,984 THEY HAVE ONLY THE SHAKESPEARE IN COMMON. 1006 00:43:16,115 --> 00:43:17,159 THAT'S ALL. 1007 00:43:17,290 --> 00:43:18,247 SHE'S RUSHING OFF FOR CULTURE 1008 00:43:18,378 --> 00:43:19,814 TO PARIS FOR THE BALLET, 1009 00:43:19,945 --> 00:43:22,425 AND HE'S TRYING TO PURSUE HIS INTELLECT 1010 00:43:22,556 --> 00:43:23,252 TAKING GEOMETRY II THIS SUMMER 1011 00:43:23,383 --> 00:43:24,906 IN SUMMER SCHOOL. 1012 00:43:25,037 --> 00:43:29,824 THE OTHER ROMEO DID NOT COME CLOSE TO YOU. 1013 00:43:29,955 --> 00:43:33,262 DID YOU KISS HIM LIKE YOU KISSED ME? 1014 00:43:33,393 --> 00:43:36,135 I NEVER KISS ANYONE LIKE I KISS YOU. 1015 00:43:44,230 --> 00:43:45,318 I TAKE IT, UH, 1016 00:43:45,448 --> 00:43:48,713 THEY DON'T LIKE ME FOR YOU. 1017 00:43:48,843 --> 00:43:51,237 THEY DON'T LIKE ANYONE FOR ME, 1018 00:43:51,367 --> 00:43:52,804 BUT YOU IN PARTICULAR. 1019 00:43:52,934 --> 00:43:55,676 WHY? BECAUSE THE FOLKS ARE RIVALS? 1020 00:43:55,807 --> 00:43:57,373 NO. 1021 00:43:57,504 --> 00:44:01,203 BECAUSE YOU ARE DANGEROUS AND SEXY. 1022 00:44:01,334 --> 00:44:03,379 AH, EASY, EASY. 1023 00:44:03,510 --> 00:44:04,424 SADIE WILL DESIGN 1024 00:44:04,554 --> 00:44:06,644 CANDY-COVERED ALMONDS WRAPPED IN LACE... 1025 00:44:06,774 --> 00:44:08,341 WITH A BOW, 1026 00:44:08,471 --> 00:44:14,260 A PLASTIC BIRD, A FEATHER, AND A SIMULATED ZIRCON RING. 1027 00:44:14,390 --> 00:44:15,522 MRS. FREDERICO: WELL, THE MALACICIS SAY 1028 00:44:15,653 --> 00:44:17,306 THEY CAN DO A SOFT FELLINI SMOKE 1029 00:44:17,437 --> 00:44:18,960 UP TO THE KNEES. 1030 00:44:19,091 --> 00:44:20,440 MIKE: WELL, WE CAN DO BRIGHT 1031 00:44:20,570 --> 00:44:22,442 TERMINATOR 2 SMOKE UP TO THE CHIN! 1032 00:44:22,572 --> 00:44:24,313 WATCH THIS! 1033 00:44:24,444 --> 00:44:27,142 WITH A DOUBLE TECHNICOLOR WALT DISNEY RAINBOW. 1034 00:44:38,284 --> 00:44:40,025 OH, MY. 1035 00:44:41,591 --> 00:44:44,464 TURN IT DOWN! IT'S WAY TOO HIGH, MIKEY! 1036 00:44:44,594 --> 00:44:46,118 I CAN'T. IT'S STUCK! 1037 00:44:46,248 --> 00:44:47,510 DO SOMETHING! 1038 00:44:47,641 --> 00:44:49,425 I GOT TO GET A WRENCH. 1039 00:44:49,556 --> 00:44:51,427 [COUGHING] 1040 00:44:51,558 --> 00:44:53,342 CONTESSA: WHERE ARE THEY? 1041 00:44:53,473 --> 00:44:55,997 WHERE ARE THE CHILDREN? WHERE ARE THE CHILDREN? 1042 00:44:56,128 --> 00:44:57,216 THE CHILDREN. 1043 00:44:57,346 --> 00:44:59,174 OH, BOY. 1044 00:44:59,305 --> 00:45:00,610 DID I DO THIS? 1045 00:45:00,741 --> 00:45:02,569 DID I MAKE THE RAINBOW TOO ROMANTIC? 1046 00:45:02,700 --> 00:45:04,484 YOU BOTH DO! YOU MAKE A CAMOUFLAGE! 1047 00:45:04,614 --> 00:45:06,181 IT'S YOUR FAULT! 1048 00:45:06,312 --> 00:45:07,617 STEALING THE FREDERICOS, FORCING US TO SHOW OFF! 1049 00:45:07,748 --> 00:45:08,923 SADIE: WAIT A MINUTE! WAIT A MINUTE! 1050 00:45:09,054 --> 00:45:12,927 WHERE ARE THE FREDERICOS? 1051 00:45:13,058 --> 00:45:15,190 [COUGHING] 1052 00:45:15,321 --> 00:45:17,410 THIS IS EXACTLY WHAT I WANT, 1053 00:45:17,540 --> 00:45:20,065 ONLY MORE PURPLE. 1054 00:45:20,195 --> 00:45:22,937 [COUGHING] 1055 00:45:28,726 --> 00:45:31,337 GINA: IS THIS WHERE ALL THE BOYS TAKE THE GIRLS? 1056 00:45:31,467 --> 00:45:34,470 YEAH. 1057 00:45:34,601 --> 00:45:37,082 HAVE YOU EVER TAKEN ANYONE ELSE HERE? 1058 00:45:37,212 --> 00:45:39,388 YEAH. 1059 00:45:41,739 --> 00:45:43,479 MY MOTHER, WHEN WE NEEDED TO TALK, 1060 00:45:43,610 --> 00:45:45,351 AND ONCE MY GRANDMA. 1061 00:45:48,702 --> 00:45:51,270 YOU DON'T HAVE A GIRLFRIEND? 1062 00:45:51,400 --> 00:45:52,488 NO. 1063 00:45:54,577 --> 00:45:56,362 HOW COME? 1064 00:45:59,365 --> 00:46:00,670 WELL, AFTER SAYING 1065 00:46:00,801 --> 00:46:02,585 ALL THOSE SHAKESPEAREAN LINES TO YOU, 1066 00:46:02,716 --> 00:46:05,458 IT'S KIND OF HARD TO COME UP WITH 1067 00:46:05,588 --> 00:46:09,331 THE RIGHT WORDS, BUT, UH... 1068 00:46:09,462 --> 00:46:14,336 I'VE BEEN WAITING FOR THE MOON... 1069 00:46:14,467 --> 00:46:18,514 TO SEND DOWN A GODDESS FROM THE HEAVENS. 1070 00:46:18,645 --> 00:46:21,387 AND THEN IT MUST HAVE DONE IT 1071 00:46:21,517 --> 00:46:25,391 BECAUSE, UH... SHE'S COME. 1072 00:46:25,521 --> 00:46:27,785 OHH... 1073 00:46:49,676 --> 00:46:52,548 I'VE WAITED MY WHOLE LIFE FOR YOU. 1074 00:46:52,679 --> 00:46:54,376 OH, NO! 1075 00:46:54,507 --> 00:46:56,161 WAIT, WAIT, WAIT, WAIT! 1076 00:46:56,291 --> 00:46:57,597 DON'T BE SCARED. 1077 00:46:57,727 --> 00:46:59,381 WE'LL ONLY DO WHAT YOU WANT TO DO. 1078 00:46:59,512 --> 00:47:00,948 OH! 1079 00:47:06,084 --> 00:47:07,085 GINA! 1080 00:47:07,215 --> 00:47:08,434 GINA! 1081 00:47:08,564 --> 00:47:10,566 WHERE ARE YOU GOING? 1082 00:47:10,697 --> 00:47:13,526 WHAT? WHAT? WHAT DID I DO? 1083 00:47:13,656 --> 00:47:17,225 I'M CRAZY IN LOVE WITH YOU! 1084 00:47:17,356 --> 00:47:19,749 I NEVER WANTED TO BE A BALLERINA. 1085 00:47:19,880 --> 00:47:22,274 MOTHER AND FATHER BOTH GAVE UP STUDYING 1086 00:47:22,404 --> 00:47:24,319 FOR THE OPERA WHEN THEY GOT MARRIED, 1087 00:47:24,450 --> 00:47:28,367 AND I THOUGHT THAT THEIR DREAM FOR ME WAS MINE, TOO. 1088 00:47:28,497 --> 00:47:31,674 AND MOTHER WANTS TO 1089 00:47:31,805 --> 00:47:35,635 KEEP ME AWAY FROM MEN UNTIL I AM FAMOUS... 1090 00:47:35,765 --> 00:47:40,640 AND FATHER WANTS ME TO MARRY ONLY ROYALTY 1091 00:47:40,770 --> 00:47:42,598 THAT HAS NOT GONE BROKE, LIKE WE DID IN FIRENZE. 1092 00:47:42,729 --> 00:47:44,731 AND MY PARENTS-- 1093 00:47:44,862 --> 00:47:48,474 THEY NAMED THE BUSINESS "PRINCE ROSARIO" AFTER ME. 1094 00:47:50,389 --> 00:47:53,044 YOUR PARENTS WERE RIGHT. 1095 00:47:53,174 --> 00:47:54,872 YOU ARE A PRINCE. 1096 00:48:00,834 --> 00:48:03,445 I'M NOT GOING AWAY. 1097 00:48:03,576 --> 00:48:06,405 YEAH. YOU GOT A RIGHT TO THINK FOR YOURSELF. 1098 00:48:08,189 --> 00:48:09,538 YES. 1099 00:48:12,106 --> 00:48:13,238 LET'S GO TELL THEM. 1100 00:48:13,368 --> 00:48:15,805 WHO? YOU AND ME? 1101 00:48:15,936 --> 00:48:17,938 YES. YOU WON'T LET THEM INTIMIDATE ME, 1102 00:48:18,069 --> 00:48:19,157 WILL YOU? 1103 00:48:19,287 --> 00:48:20,767 ABSOLUTELY NOT. 1104 00:48:20,898 --> 00:48:23,813 I'M USED TO DEALING WITH CRAZY PEOPLE. 1105 00:48:23,944 --> 00:48:25,859 MY GRANDMOTHER IS A COMPLETE FRUITCAKE. 1106 00:48:25,990 --> 00:48:28,166 SO, YOU LET ME DO THE TALKING TO YOUR PARENTS, OK? 1107 00:48:28,296 --> 00:48:30,124 OK. 1108 00:48:30,255 --> 00:48:32,648 IF WE KNEW WHERE THEY WAS, WOULDN'T WE TELL YOU? 1109 00:48:32,779 --> 00:48:34,607 IF YOUR SON DISHONOR OUR DAUGHTER, 1110 00:48:34,737 --> 00:48:36,174 I WILL HOLD YOU RESPONSIBLE! 1111 00:48:36,304 --> 00:48:38,350 OUR DAUGHTER IS AN ANGEL OF REGAL BEARING, 1112 00:48:38,480 --> 00:48:40,308 A TREASURE, A PRINCESS FROM A FAIRY TALE 1113 00:48:40,439 --> 00:48:41,831 WHO WALK IN PURITY! 1114 00:48:41,962 --> 00:48:44,225 AND WHAT'S OUR SON-- A BIG BAG OF SHIT? 1115 00:48:44,356 --> 00:48:47,185 MIKE! PLEASE DON'T USE THE "S" WORD. 1116 00:48:47,315 --> 00:48:49,143 OUR SON, HE'S A GENTLEMAN, 1117 00:48:49,274 --> 00:48:51,189 AND HE'S AN ALTAR BOY. 1118 00:48:51,319 --> 00:48:53,887 HE'S A LOVER OF ALL MOTHERS. 1119 00:48:54,018 --> 00:48:56,629 I WILL CALL THE POLICE. I WILL CALL THE F.B.I. 1120 00:48:56,759 --> 00:48:59,240 [SHOUTING IN ITALIAN] 1121 00:49:01,634 --> 00:49:03,288 THEY HAVE JUST DRIVE UP IN THE CAR! 1122 00:49:04,898 --> 00:49:08,597 SEE? NOTHING FROM NOTHING. 1123 00:49:08,728 --> 00:49:10,556 LET'S GO TO BED. 1124 00:49:19,869 --> 00:49:22,916 WHAT WILL YOU SAY TO HIM? 1125 00:49:23,047 --> 00:49:25,353 I'LL TELL HIM, "HEY, FORGET ABOUT PARIS. 1126 00:49:25,484 --> 00:49:27,573 SHE'S WITH ME. GET IT?" 1127 00:49:27,703 --> 00:49:29,270 HOW'S THAT? 1128 00:49:29,401 --> 00:49:32,665 LET'S GET OUT OF HERE! MY FATHER WILL KILL YOU! 1129 00:49:34,754 --> 00:49:35,885 SHE'S JUST A BABY, 1130 00:49:36,016 --> 00:49:39,759 LITTLE PUSSY WUSSY BUSHY THE PUSSYCAT! 1131 00:49:39,889 --> 00:49:42,805 SHE'S A LITTLE BABY CALICO CAT. 1132 00:49:42,936 --> 00:49:44,982 SHE'S A LITTLE KISSABLE CAT. 1133 00:49:45,112 --> 00:49:47,245 SHE'S A LITTLE-- 1134 00:49:48,681 --> 00:49:50,422 HEY, MIKEY. 1135 00:49:50,552 --> 00:49:52,206 [MEOWS] 1136 00:49:52,337 --> 00:49:54,556 GET THE HELL OUT OF HERE. 1137 00:49:58,865 --> 00:50:01,563 OH! OH, YES! THANK YOU, BLESSED ROSCOE. 1138 00:50:01,694 --> 00:50:03,261 WHAT'S THAT? 1139 00:50:03,391 --> 00:50:04,305 NOTHING. JUST KEEP DOING WHAT YOU'RE DOING. 1140 00:50:04,436 --> 00:50:05,654 YOU GOT IT. 1141 00:50:05,785 --> 00:50:08,092 [TELEPHONE RINGS] 1142 00:50:08,222 --> 00:50:09,571 HELLO. 1143 00:50:09,702 --> 00:50:11,095 YES. UH-HUH. 1144 00:50:11,225 --> 00:50:12,574 [PIERO SHOUTING] 1145 00:50:12,705 --> 00:50:14,098 UH-HUH. OH! 1146 00:50:14,228 --> 00:50:15,708 THE KIDS, THEY LEFT. 1147 00:50:15,838 --> 00:50:17,753 WE GOT TO FIND OUT WHERE THEY ARE. 1148 00:50:17,884 --> 00:50:19,755 YOU KNOW, MIKEY. I'M NOT FEELING SO GOOD. 1149 00:50:19,886 --> 00:50:21,496 I'M A LITTLE NAUSEOUS. GET ME A CUP OF MINT TEA. 1150 00:50:21,627 --> 00:50:22,715 [TELEPHONE RINGS] 1151 00:50:22,845 --> 00:50:24,064 HELLO. 1152 00:50:24,195 --> 00:50:25,196 SADIE: OH, MONA, COULD YOU PLEASE DO ME A FAVOR 1153 00:50:25,326 --> 00:50:26,806 AND ASK THE BLESSED ROSCOE 1154 00:50:26,936 --> 00:50:28,112 IF HE KNOWS WHERE THE KIDS ARE? 1155 00:50:28,242 --> 00:50:29,330 HOLD ON A SECOND. 1156 00:50:29,461 --> 00:50:30,766 UH-HUH. 1157 00:50:30,897 --> 00:50:31,767 THE BLESSED ROSCOE 1158 00:50:31,898 --> 00:50:34,074 SEES THEIR EXPECTATION TO CONSUMMATE. 1159 00:50:34,205 --> 00:50:36,076 OH, BOY! 1160 00:50:36,207 --> 00:50:37,773 DOES HE KNOW WHERE? 1161 00:50:37,904 --> 00:50:43,779 HE SEES WATER, A BED, THE LETTER "C." 1162 00:50:43,910 --> 00:50:44,867 UH-HUH. 1163 00:50:44,998 --> 00:50:47,218 THAT'S IT. I GOT TO GO. 1164 00:50:47,348 --> 00:50:50,047 3 PEOPLE HAVE ASKED ME TO TRY AND MAKE RAIN. 1165 00:50:54,094 --> 00:50:56,531 WATER, A BED, THE LETTER "C." 1166 00:50:56,662 --> 00:50:58,316 THE LETTER "C." 1167 00:50:58,446 --> 00:51:01,971 MIKE, WE GOT TO GET TO THE CAPRI MOTEL 1168 00:51:02,102 --> 00:51:05,845 BEFORE THEY CONSUMMATE IN A WATERBED! 1169 00:51:05,975 --> 00:51:07,934 HOW DO YOU KNOW THEY'RE THERE? 1170 00:51:08,065 --> 00:51:10,067 BECAUSE IT ALL ADDS UP. 1171 00:51:27,171 --> 00:51:30,391 ROSARIO: MY PARENTS ARE GREAT IN A CRISIS. 1172 00:51:32,915 --> 00:51:35,222 WAIT RIGHT HERE. I'LL BE RIGHT BACK. 1173 00:51:35,353 --> 00:51:36,876 MA! POP! 1174 00:51:37,006 --> 00:51:39,661 I NEED YOUSE FOR SOME ADVICE, HUH? 1175 00:51:39,792 --> 00:51:41,228 MA! 1176 00:51:46,103 --> 00:51:48,453 THE ONLY ONE HOME IS MY GRANDMA, 1177 00:51:48,583 --> 00:51:50,019 AND SHE'S SLEEPING. 1178 00:51:50,150 --> 00:51:52,805 YOU WILL NOT EVER LEAVE ME, WILL YOU? 1179 00:51:52,935 --> 00:51:54,589 NO. 1180 00:51:54,720 --> 00:51:56,722 NO, NO. I LOVE YOU. 1181 00:51:56,852 --> 00:52:01,205 FROM THE TIP OF MY HEART TO THE DEPTH OF MY SOUL, 1182 00:52:01,335 --> 00:52:03,642 I LOVE YOU. 1183 00:52:03,772 --> 00:52:05,905 I'D LIKE TO SEE YOUR ROOM. 1184 00:52:06,035 --> 00:52:08,212 WELL, IT'S REAL MESSY. 1185 00:52:10,779 --> 00:52:15,871 FARE L'AMORE CON TE. 1186 00:52:18,004 --> 00:52:19,223 AMORE? 1187 00:52:22,617 --> 00:52:25,794 OH! BE TENDER WITH ME. I'M A VIRGIN. 1188 00:52:25,925 --> 00:52:27,535 DITTO. 1189 00:52:37,023 --> 00:52:38,416 I DON'T SEE HIS CAR. 1190 00:52:38,546 --> 00:52:39,591 GOOD, GOOD. 1191 00:52:39,721 --> 00:52:40,853 WE'RE GOING TO SAVE THEM 1192 00:52:40,983 --> 00:52:41,767 FROM RUINING THEIR LIVES. 1193 00:52:41,897 --> 00:52:43,595 OH, ROMEO! 1194 00:52:43,725 --> 00:52:47,555 ROMEO, WHEREFORE ART THOU, ROMEO? 1195 00:52:47,686 --> 00:52:49,514 THE MOON, JULIET. 1196 00:52:49,644 --> 00:52:50,776 I'M ON THE MOON! 1197 00:52:50,906 --> 00:52:52,691 OHH... 1198 00:53:01,656 --> 00:53:04,572 [CAR APPROACHING] 1199 00:53:08,054 --> 00:53:10,535 OH, MY GOD! I DON'T BELIEVE IT. 1200 00:53:10,665 --> 00:53:11,753 IS IT THEM? 1201 00:53:11,884 --> 00:53:13,929 NO. 1202 00:53:14,060 --> 00:53:17,716 IT'S DR. RONDINO AND MISS DeLUCA. 1203 00:53:32,557 --> 00:53:33,862 OOH! 1204 00:53:36,082 --> 00:53:38,954 WHAT DOES THIS MEAN? 1205 00:53:39,085 --> 00:53:41,566 IT MEANS UP, DOWN, UP, DOWN. 1206 00:53:44,177 --> 00:53:46,701 THEY AIN'T COMIN' HERE. LET'S GO HOME. 1207 00:53:46,832 --> 00:53:48,964 SADIE: WATER... 1208 00:53:49,095 --> 00:53:51,532 BED, AND THE LETTER "C." 1209 00:53:54,970 --> 00:53:57,538 OHH... 1210 00:54:04,937 --> 00:54:06,504 OH! 1211 00:54:06,634 --> 00:54:10,638 SADIE: WATER, BED, THE LETTER "C"! 1212 00:54:10,769 --> 00:54:13,685 "C" FOR CAPPAMEZZA ON THE WATER! 1213 00:54:13,815 --> 00:54:17,515 MIKEY, THEY'RE IN OUR HOUSE ON OUR WATER! 1214 00:54:17,645 --> 00:54:19,517 YOU GO LOOK. I CAN'T LOOK. GO LOOK! 1215 00:54:19,647 --> 00:54:20,648 ALL RIGHT. 1216 00:54:20,779 --> 00:54:21,867 YOU WANT ME TO LOOK, I'LL GO LOOK. 1217 00:54:21,997 --> 00:54:23,999 I'M GOING TO GO LOOK. 1218 00:54:24,130 --> 00:54:25,914 I LEFT THE CANDLES BURNING. 1219 00:54:26,045 --> 00:54:26,915 [GINA MOANING] 1220 00:54:27,046 --> 00:54:28,047 [KNOCK ON DOOR] 1221 00:54:28,177 --> 00:54:30,005 SADIE: ROSARIO! 1222 00:54:30,136 --> 00:54:31,616 ROSARIO! 1223 00:54:31,746 --> 00:54:33,748 [YAWNING] WHO IS IT? 1224 00:54:33,879 --> 00:54:35,881 IT'S YOUR MOTHER AND DAD. 1225 00:54:36,011 --> 00:54:37,056 I'M SLEEPING. 1226 00:54:37,186 --> 00:54:40,146 I'LL TALK TO YOU IN THE MORNING. 1227 00:54:40,277 --> 00:54:41,452 GET DRESSED AND GET IN THE CLOSET. 1228 00:54:41,582 --> 00:54:42,540 WHERE'S MY UNDERPANTS? 1229 00:54:42,670 --> 00:54:44,455 HERE, HERE. WHERE'S MY BRA? 1230 00:54:44,585 --> 00:54:45,499 HERE'S YOUR BRA, 1231 00:54:45,630 --> 00:54:46,892 AND HERE'S YOUR PANTIES. 1232 00:54:47,022 --> 00:54:49,982 I KNOW YOU'RE IN THERE WITH THE GIRL. 1233 00:54:50,112 --> 00:54:52,071 WHAT MAKES YOU THINK THAT? 1234 00:54:52,201 --> 00:54:57,468 I CAN SENSE IT WITH MY MOTHER'S INTUITION. 1235 00:55:02,037 --> 00:55:05,998 [ROSARIO YAWNS] 1236 00:55:07,913 --> 00:55:10,568 THERE. HE TOOK HER HOME, AND HE WAS SLEEPING. 1237 00:55:10,698 --> 00:55:12,787 GO BACK TO BED, ROSARIO. COME ON. 1238 00:55:17,270 --> 00:55:20,578 YOU KNOW, I FEEL BAD I DIDN'T TRUST HIM. 1239 00:55:20,708 --> 00:55:23,015 I'M GOING TO GO BACK AND APOLOGIZE. 1240 00:55:23,145 --> 00:55:24,973 ROSARIO, PLEASE FORGIVE-- 1241 00:55:25,104 --> 00:55:26,932 OH! OH! 1242 00:55:30,065 --> 00:55:31,893 UH-OH. 1243 00:55:33,591 --> 00:55:35,984 OH. OH. 1244 00:55:39,597 --> 00:55:41,076 OH. 1245 00:55:41,207 --> 00:55:43,601 WE LOVE EACH OTHER VERY DEEPLY. 1246 00:55:43,731 --> 00:55:44,906 I MEAN, SHE'S THROUGH LIVING A LIE 1247 00:55:45,037 --> 00:55:46,604 TO MAKE HER PARENTS HAPPY. 1248 00:55:46,734 --> 00:55:49,520 AND THAT IS WHY WE SLEPT TOGETHER. 1249 00:55:49,650 --> 00:55:52,044 YOU SLEPT TOGETHER? 1250 00:55:53,045 --> 00:55:56,135 BUT YOU DIDN'T HAVE SEX, DID YOU? 1251 00:55:56,265 --> 00:55:58,833 NO. THEY WERE BOBBING FOR APPLES. 1252 00:55:58,964 --> 00:56:01,183 SADIE: OH, NOT ROSARIO. 1253 00:56:01,314 --> 00:56:03,708 THIS GIRL, SHE'S JULIET. 1254 00:56:03,838 --> 00:56:05,057 OH, I DID THIS. 1255 00:56:05,187 --> 00:56:07,233 I LEFT THE CANDLES BURNING. 1256 00:56:07,364 --> 00:56:09,235 I MISREAD THE BLESSED ROSCOE'S-- 1257 00:56:09,366 --> 00:56:11,193 ALL RIGHT. ALL RIGHT. ALL RIGHT. 1258 00:56:11,324 --> 00:56:13,979 LOOK, GIRLIE... 1259 00:56:14,109 --> 00:56:16,634 WE'RE ADULTS, MY WIFE AND ME. 1260 00:56:16,764 --> 00:56:19,506 YOU HAD A BISENSUAL RENDEZVOUS FOR 2 1261 00:56:19,637 --> 00:56:20,725 WITH MY SON, 1262 00:56:20,855 --> 00:56:21,682 AND YOU SHOULD WALLOW IN IT 1263 00:56:21,813 --> 00:56:22,727 TOMORROW ON THE PLANE. 1264 00:56:22,857 --> 00:56:24,206 YOU KNOW WHAT I'M TALKING ABOUT? 1265 00:56:24,337 --> 00:56:26,295 SADIE: WHAT MY HUSBAND IS TRYING TO SAY IS 1266 00:56:26,426 --> 00:56:28,820 JUST CHERISH THE BLISS YOU HAD WITH ROSARIO 1267 00:56:28,950 --> 00:56:30,735 IN BALLET SCHOOL, 1268 00:56:30,865 --> 00:56:34,129 AND THEN MAYBE IN 6 OR 7 YEARS... 1269 00:56:34,260 --> 00:56:36,958 NO. I DO NOT WANT TO GO TO PARIS. 1270 00:56:37,089 --> 00:56:39,134 YEAH! AND IF SHE GOES, I GO, TOO. 1271 00:56:39,265 --> 00:56:40,658 MIKE: WHAT?! 1272 00:56:40,788 --> 00:56:41,876 YOU GOT TO GRADUATE HIGH SCHOOL 1273 00:56:42,007 --> 00:56:42,964 TO GO TO COLLEGE, 1274 00:56:43,095 --> 00:56:44,226 AND WHAT ABOUT THIS SUMMER? 1275 00:56:44,357 --> 00:56:45,184 YOU AND ME WERE GOING TO BE 1276 00:56:45,314 --> 00:56:46,228 FATHER AND SON 1277 00:56:46,359 --> 00:56:48,056 AND CURE PEPPERONI TOGETHER. 1278 00:56:48,187 --> 00:56:49,710 ARE YOU TRYING TO TELL US 1279 00:56:49,841 --> 00:56:52,278 THAT YOU WOULD GIVE UP EVERYTHING FOR THIS GIRL? 1280 00:56:52,409 --> 00:56:55,194 MA, DO YOU WANT ME TO BE HAPPY AND LIVE 1281 00:56:55,324 --> 00:56:56,978 OR MISERABLE AND DIE? 1282 00:56:57,109 --> 00:56:59,459 THESE ARE MY ONLY CHOICES? 1283 00:56:59,590 --> 00:57:01,679 YEAH. 1284 00:57:01,809 --> 00:57:05,117 EXCUSE ME A MINUTE, PLEASE. 1285 00:57:05,247 --> 00:57:06,771 SADIE, I CAN'T TALK NOW. 1286 00:57:06,901 --> 00:57:08,120 I GOT ANOTHER CLIENT HERE. 1287 00:57:08,250 --> 00:57:10,122 THIS IS AN EMERGENCY! 1288 00:57:10,252 --> 00:57:12,080 SO IS THIS. TALK QUICK. 1289 00:57:12,211 --> 00:57:13,952 ME AND THE BLESSED ROSCOE 1290 00:57:14,082 --> 00:57:15,823 HAVE GOT OUR HANDS FULL. 1291 00:57:15,954 --> 00:57:17,869 [SOBBING] 1292 00:57:17,999 --> 00:57:20,306 FOR 7 YEARS... 1293 00:57:20,437 --> 00:57:23,222 SNEAKING AROUND IN CHEAP MOTELS 1294 00:57:23,352 --> 00:57:27,618 IN FORBIDDEN BLISS ON DAMP MATTRESSES. 1295 00:57:27,748 --> 00:57:29,271 ROSARIO SAYS 1296 00:57:29,402 --> 00:57:32,013 HE DOESN'T WANT TO LIVE WITHOUT THIS GIRL. 1297 00:57:32,144 --> 00:57:34,059 WHY ME? 1298 00:57:34,189 --> 00:57:35,974 WHY ME?! 1299 00:57:36,104 --> 00:57:37,541 WHAT AM I GOING TO DO? 1300 00:57:37,671 --> 00:57:38,672 OOH! 1301 00:57:38,803 --> 00:57:41,066 THE BLESSED ROSCOE IS POKING ME. 1302 00:57:41,196 --> 00:57:43,111 HE SAYS WE'LL MARRY WHEN HIS MOTHER DIES. 1303 00:57:43,242 --> 00:57:45,070 COULD YOU HOLD IT DOWN 1304 00:57:45,200 --> 00:57:46,201 FOR A SECOND, SWEETHEART? 1305 00:57:46,332 --> 00:57:47,812 I'M TRYING TO COMMUNE HERE. 1306 00:57:47,942 --> 00:57:49,857 THE WOMAN IS 94! 1307 00:57:49,988 --> 00:57:52,817 I MAY DIE BEFORE HER. 1308 00:57:52,947 --> 00:57:55,297 UH-HUH. UH-HUH. 1309 00:57:55,428 --> 00:57:59,301 THE BLESSED ROSCOE SAYS LOVE IS NOT ENOUGH. 1310 00:57:59,432 --> 00:58:02,130 I THOUGHT YOU SAID HE SAID LOVE IS ALL THERE IS. 1311 00:58:02,261 --> 00:58:05,177 LOVE IS ALL THERE IS, 1312 00:58:05,307 --> 00:58:08,528 BUT IT'S ALSO NOT ENOUGH. 1313 00:58:08,659 --> 00:58:10,182 WHAT DOES THAT MEAN? 1314 00:58:10,312 --> 00:58:13,011 I DON'T KNOW, SADIE. FIGURE IT OUT. 1315 00:58:13,141 --> 00:58:15,448 HIS OLD MOTHER SUFFERS SO. 1316 00:58:15,579 --> 00:58:20,148 DO YOU THINK YOU MIGHT HAVE SOME...HUMANE HERBS 1317 00:58:20,279 --> 00:58:23,195 TO HELP HER TO HEAVEN? 1318 00:58:23,325 --> 00:58:24,892 HEY, THE BLESSED ROSCOE AND ME 1319 00:58:25,023 --> 00:58:27,678 ARE HEALERS, NOT HIT MEN. 1320 00:58:27,808 --> 00:58:30,855 LOVE IS ALL THERE IS. 1321 00:58:30,985 --> 00:58:32,987 LOVE IS NOT ENOUGH. 1322 00:58:33,118 --> 00:58:34,293 [POUNDING ON DOOR] 1323 00:58:34,423 --> 00:58:38,166 PIERO: OPEN THIS DOOR. I WANT TO SPEAK TO YOUR SON. 1324 00:58:38,297 --> 00:58:41,822 CONTESSA: WE DEMAND TO KNOW WHERE OUR DAUGHTER IS. 1325 00:58:41,953 --> 00:58:44,042 WAIT HERE. 1326 00:58:44,172 --> 00:58:46,131 PIERO: OPEN THIS DOOR. 1327 00:58:46,261 --> 00:58:48,350 MY SON AIN'T HERE. 1328 00:58:48,481 --> 00:58:50,135 PIERO: THE CAR IS IN FRONT. WE KNOW HE IS IN THERE. 1329 00:58:50,265 --> 00:58:51,832 QUICK, HIDE HER. 1330 00:58:51,963 --> 00:58:53,268 NO. IT IS TIME 1331 00:58:53,399 --> 00:58:54,922 THEY FOUND OUT WHO I REALLY AM 1332 00:58:55,053 --> 00:58:57,969 AND WHO MADE ME TRUE TO MYSELF. 1333 00:58:58,099 --> 00:59:00,841 WE WILL TELL THEM, RIGHT, ROSARIO? 1334 00:59:03,148 --> 00:59:05,890 ALACK, THERE LIES MORE PERIL IN THINE EYES, JULIET, 1335 00:59:06,020 --> 00:59:07,587 THAN 20 OF THEIR SWORDS. 1336 00:59:07,718 --> 00:59:08,980 UH-OH. 1337 00:59:09,110 --> 00:59:13,114 DON'T BE A SUCKER, ROSARIO. PLAY DUMB. 1338 00:59:20,469 --> 00:59:25,344 CONTESSA: REGINA, WHAT ARE YOU DOING HERE? 1339 00:59:25,474 --> 00:59:27,912 WE HAVE SOMETHING WE WANT YOU TO KNOW, 1340 00:59:28,042 --> 00:59:29,304 SOMETHING VERY IMPORTANT. 1341 00:59:29,435 --> 00:59:30,828 TELL THEM. 1342 00:59:32,438 --> 00:59:33,961 WHO, ME? 1343 00:59:36,224 --> 00:59:38,357 UM...PLEASE, COME IN. 1344 00:59:38,487 --> 00:59:40,489 JOIN US IN OUR PARLOR, 1345 00:59:40,620 --> 00:59:43,275 AND WE'LL HAVE A LITTLE TETE-A-TETE TALK. 1346 01:00:01,467 --> 01:00:02,947 [SADIE SIGHS] 1347 01:00:03,077 --> 01:00:05,906 OH, MAY I OFFER YOU A BANANA? 1348 01:00:06,037 --> 01:00:07,952 HOW ABOUT A GUMMY BEAR? 1349 01:00:08,082 --> 01:00:09,997 WE DON'T WANT BANANA, GUMMY BEAR. 1350 01:00:10,128 --> 01:00:12,739 WE WANT TO KNOW THE A, B, C, AND THE D. 1351 01:00:12,870 --> 01:00:14,436 UM... 1352 01:00:14,567 --> 01:00:18,397 DID YOU EVER SEE THE EPISODE OF AS THE WORLD TURNS 1353 01:00:18,527 --> 01:00:21,400 WHERE, UM, UH, EMILY TELLS BARBARA 1354 01:00:21,530 --> 01:00:24,446 THAT SHE AND GAVIN HAD A, UM, 1355 01:00:24,577 --> 01:00:26,535 A MYSTICAL ODYSSEY ON THE BEACH? 1356 01:00:26,666 --> 01:00:28,886 OR MAYBE YOU READ IN THE NATIONAL ENQUIRER 1357 01:00:29,016 --> 01:00:30,888 ABOUT CHER AND HER LATEST GUITARIST 1358 01:00:31,018 --> 01:00:32,933 BEING CAUGHT ON A MOTORCYCLE. 1359 01:00:34,935 --> 01:00:40,071 WELL... ROSARIO AND GINA... 1360 01:00:40,201 --> 01:00:41,420 UNTHINKINGLY, WHILE WE WERE OUT, 1361 01:00:41,550 --> 01:00:43,552 THEY WERE, UH... 1362 01:00:43,683 --> 01:00:48,079 THEY WERE SWEPT AWAY IN OUR HOUSE. 1363 01:00:50,385 --> 01:00:52,039 WHAT? 1364 01:00:53,998 --> 01:00:56,304 WHAT IS SHE TALKING ABOUT? 1365 01:00:58,393 --> 01:01:00,787 THEY, UM... 1366 01:01:02,528 --> 01:01:06,314 THEY HAD COITUS THAT, UM... 1367 01:01:06,445 --> 01:01:09,230 WASN'T INTERRUPTUS. 1368 01:01:09,361 --> 01:01:12,233 AND NOW SHE DON'T WANT TO GO TO PARIS NO MORE 1369 01:01:12,364 --> 01:01:13,800 OR BE A BALLET DANCER ANYMORE. 1370 01:01:15,672 --> 01:01:18,370 SANTA RUDOLPHO, MADRE DI DIO! 1371 01:01:18,500 --> 01:01:20,459 HAVE YOU LOST YOUR MIND?! 1372 01:01:20,589 --> 01:01:22,461 YOU THROW AWAY YOUR LIFE FOR THIS?! 1373 01:01:22,591 --> 01:01:24,289 YOU'RE GETTING ON THAT PLANE 1374 01:01:24,419 --> 01:01:27,074 IF I HAVE TO DRAG YOU BY THE HAIR! 1375 01:01:27,205 --> 01:01:28,510 YOU'RE MAKING GINA CRY. 1376 01:01:28,641 --> 01:01:31,383 SHE WANTS TO BE WITH ME. 1377 01:01:31,513 --> 01:01:33,428 IS THAT SUCH A BAD THING? 1378 01:01:35,474 --> 01:01:37,345 I'M GOING TO KILL YOU! 1379 01:01:37,476 --> 01:01:39,391 [EVERYONE SHOUTING] 1380 01:01:39,521 --> 01:01:41,828 LET GO OF HIM! HEY! HEY! 1381 01:01:41,959 --> 01:01:43,830 GET BACK IN THAT CHAIR! 1382 01:01:43,961 --> 01:01:44,875 YOU WANT TO SCREAM AND YELL 1383 01:01:45,005 --> 01:01:45,876 LIKE YOUR WIFE, 1384 01:01:46,006 --> 01:01:46,964 YOU GOT EVERY RIGHT, 1385 01:01:47,094 --> 01:01:48,226 BUT YOU TRY TO CHOKE MY SON AGAIN, 1386 01:01:48,356 --> 01:01:49,575 I'LL THROW YOU IN THE BAY! 1387 01:01:49,706 --> 01:01:50,968 I CAN TAKE CARE OF MYSELF, POP. 1388 01:01:51,098 --> 01:01:52,447 SHUT UP AND SIT DOWN 1389 01:01:52,578 --> 01:01:54,232 BEFORE I CHOKE YOU MYSELF! 1390 01:01:54,362 --> 01:01:55,973 [CONTESSA SOBBING] 1391 01:01:56,103 --> 01:01:58,236 HE RUIN HER. HE RUIN MY DAUGHTER. 1392 01:01:58,366 --> 01:01:59,498 HE RUIN EVERYBODY. 1393 01:01:59,628 --> 01:02:01,892 [SOBBING] 1394 01:02:02,022 --> 01:02:05,765 GINA: HE DID NOT RUIN ANYBODY. 1395 01:02:05,896 --> 01:02:07,114 HE MADE ME HAPPY! 1396 01:02:07,245 --> 01:02:09,377 SHE'S MY DREAM COME TRUE. 1397 01:02:09,508 --> 01:02:10,465 YOU SHUT UP. 1398 01:02:10,596 --> 01:02:11,945 I GET MY GUN. I SHOOT YOU! 1399 01:02:12,076 --> 01:02:13,904 YOU AIN'T SHOOTIN' ANYBODY, COUNT DRACULA! 1400 01:02:14,034 --> 01:02:15,993 I AM COUNT DRACULA? 1401 01:02:16,123 --> 01:02:18,604 THIS WHOLE FAMILY IS FRANKENSTEIN! 1402 01:02:18,735 --> 01:02:21,520 PLEASE, LET'S NOT TURN THIS INTO A TRAGEDY! 1403 01:02:21,650 --> 01:02:25,132 IT'S A COMEDY BECAUSE THEY LOVE EACH OTHER. 1404 01:02:25,263 --> 01:02:27,831 AND...AND...LOOK, I'M LAUGHING. 1405 01:02:27,961 --> 01:02:31,225 HA HA HA HA! 1406 01:02:31,356 --> 01:02:33,924 COME ON. YOU LAUGH, TOO. 1407 01:02:34,054 --> 01:02:35,795 EVERYBODY LAUGH. 1408 01:02:35,926 --> 01:02:38,145 HA HA HA! 1409 01:02:38,276 --> 01:02:39,451 HA HA HA! HA HA! 1410 01:02:39,581 --> 01:02:41,496 PUTANA! PUTANA! 1411 01:02:41,627 --> 01:02:44,978 DON'T YOU EVER SET FOOT IN MY HOUSE AGAIN! 1412 01:02:45,109 --> 01:02:47,328 SHH. SHE DON'T MEAN YOU'RE A PUTANA. 1413 01:02:47,459 --> 01:02:48,895 I DO! I DO! 1414 01:02:49,026 --> 01:02:50,375 AND YOU'LL GET NOTHING! 1415 01:02:50,505 --> 01:02:52,159 NOTHING! 1416 01:02:52,290 --> 01:02:54,335 YOU'LL GO FROM THIS WORLD THE WAY YOU CAME-- 1417 01:02:54,466 --> 01:02:55,815 WITH NOTHING! 1418 01:02:55,946 --> 01:02:56,947 [SOBBING] 1419 01:02:58,687 --> 01:03:01,255 PLEASE. OH, DON'T REJECT HER. 1420 01:03:01,386 --> 01:03:03,257 I LEFT THE CANDLES BURNING, 1421 01:03:03,388 --> 01:03:05,477 AND NOW THEY LOVE EACH OTHER, 1422 01:03:05,607 --> 01:03:07,174 AND LOVE IS ALL THERE IS. 1423 01:03:07,305 --> 01:03:08,959 YOU SHUT UP! 1424 01:03:09,089 --> 01:03:10,961 I KNEW THIS WAS ALL YOUR FAULT! 1425 01:03:11,091 --> 01:03:13,006 CANDLES! VOODOO! 1426 01:03:13,137 --> 01:03:14,834 GOD IS GOING TO PUNISH YOU! 1427 01:03:14,965 --> 01:03:16,314 IT IS NOT VOODOO! 1428 01:03:16,444 --> 01:03:17,837 IT'S LOVE CHARMS! 1429 01:03:17,968 --> 01:03:19,926 YOU'RE A WITCH! A WITCH! 1430 01:03:20,057 --> 01:03:23,103 UNA STREGA! UNA STREGA DEL DIAVOLO! 1431 01:03:23,234 --> 01:03:24,888 YOU CALL ME A WITCH?! 1432 01:03:25,018 --> 01:03:26,846 I HAVE LOST MY PATIENCE WITH YOU! 1433 01:03:26,977 --> 01:03:28,587 JUST GET OUT OF MY HOUSE! 1434 01:03:28,717 --> 01:03:31,459 I WILL NEVER FORGIVE YOU FOR THIS! 1435 01:03:31,590 --> 01:03:32,504 YOU'LL HATE YOURSELF 1436 01:03:32,634 --> 01:03:34,549 FOR GIVING UP THE BALLET! 1437 01:03:34,680 --> 01:03:37,465 I WAS ONLY DOING IT FOR YOU. 1438 01:03:37,596 --> 01:03:39,119 I DON'T WANT YOU 1439 01:03:39,250 --> 01:03:42,949 TO GIVE UP YOUR TALENT FOR LOVE, LIKE WE DID. 1440 01:03:43,080 --> 01:03:47,127 THAT WAS YOUR CHOICE. THIS IS MINE. 1441 01:03:47,258 --> 01:03:48,563 OH! OH! 1442 01:03:48,694 --> 01:03:49,782 WHAT ABOUT ROSARIO? 1443 01:03:49,913 --> 01:03:52,263 HE'S GOING TO GIVE UP EVERYTHING FOR HER. 1444 01:03:52,393 --> 01:03:53,917 THAT'S RIGHT. 1445 01:03:54,047 --> 01:03:55,657 EVERYTHING? ROSARIO HAVE NOTHING. 1446 01:03:55,788 --> 01:03:57,355 HE DON'T HAVE A JOB. 1447 01:03:57,485 --> 01:03:58,617 HE DON'T EVEN HAVE 1448 01:03:58,747 --> 01:04:00,662 A CERTIFICATE OF HIGH SCHOOL! 1449 01:04:00,793 --> 01:04:02,403 HE'S GIVING UP HIS FUTURE, 1450 01:04:02,534 --> 01:04:03,709 WHERE HE HAS EVERYTHING-- 1451 01:04:03,840 --> 01:04:04,623 HIS HIGH-SCHOOL CERTIFICATE, 1452 01:04:04,753 --> 01:04:06,016 FAME, WEALTH! 1453 01:04:06,146 --> 01:04:08,148 OUR BUSINESS WILL BE HIS SOMEDAY! 1454 01:04:08,279 --> 01:04:09,454 YOU ARE BROKE. 1455 01:04:09,584 --> 01:04:11,456 WE CHECK IN THE BANK. 1456 01:04:11,586 --> 01:04:13,197 YOU OWE $122,000, 1457 01:04:13,327 --> 01:04:14,546 AND NOW EVERYBODY 1458 01:04:14,676 --> 01:04:16,461 IN THE WHOLE NEIGHBORHOOD KNOW 1459 01:04:16,591 --> 01:04:18,245 THAT YOU ARE NOTHING 1460 01:04:18,376 --> 01:04:20,769 BUT A LOW-CLASS JOE BLOW! 1461 01:04:20,900 --> 01:04:23,816 HOW DARE YOU CALL US A LOW-CLASS JOE BLOW?! 1462 01:04:23,947 --> 01:04:26,775 WE ARE JUST AS PRETENTIOUS AS YOU WILL EVER BE! 1463 01:04:26,906 --> 01:04:28,125 AND MAYBE THE WHOLE NEIGHBORHOOD 1464 01:04:28,255 --> 01:04:29,213 SHOULD KNOW THAT YOU TRIED TO SELL 1465 01:04:29,343 --> 01:04:30,692 YOUR TITLE IN ITALY, 1466 01:04:30,823 --> 01:04:32,520 AND NOBODY WOULD BUY IT! 1467 01:04:32,651 --> 01:04:33,565 WE LOOKED IT UP! 1468 01:04:33,695 --> 01:04:35,828 SON OF A BITCH! SON OF A BITCH! 1469 01:04:35,959 --> 01:04:38,265 I WILL THROW YOU AND YOUR WIFE IN THE BAY! 1470 01:04:38,396 --> 01:04:39,614 OH, YEAH? COME ON! TRY IT! 1471 01:04:39,745 --> 01:04:41,399 DON'T STOOP TO THEIR LEVEL. 1472 01:04:41,529 --> 01:04:43,053 I WANT TO GIVE HIM BEATING. 1473 01:04:43,183 --> 01:04:44,532 THEY HAVE NO BREEDING! 1474 01:04:44,663 --> 01:04:45,969 WE BREED PLENTY! 1475 01:04:46,099 --> 01:04:47,144 YEAH! 1476 01:04:47,274 --> 01:04:49,102 BUT HE DESERVES A BEATING. 1477 01:04:49,233 --> 01:04:50,712 I WAS CHAMPION OF BOXING 1478 01:04:50,843 --> 01:04:52,758 IN THE UNIVERSITY OF BOLOGNA. 1479 01:04:52,889 --> 01:04:55,108 I GIVE HIM A BEATING HE NEVER FORGET. 1480 01:04:55,239 --> 01:04:57,023 YOU WANT A PIECE OF ME?! 1481 01:04:57,154 --> 01:04:57,545 COME UP HERE! 1482 01:04:57,676 --> 01:04:59,634 OH, NOW YOU'VE-- 1483 01:04:59,765 --> 01:05:01,158 COME IN THE HOUSE! 1484 01:05:01,288 --> 01:05:02,507 NO! I WANT HIM! 1485 01:05:02,637 --> 01:05:04,639 PIERO! 1486 01:05:04,770 --> 01:05:06,685 I'M GONNA KILL HIM! LET ME AT HIM! 1487 01:05:06,815 --> 01:05:08,469 I'M GONNA KILL HIM! 1488 01:05:08,600 --> 01:05:10,645 NO, NO. LEAVE THEM. LEAVE THEM. 1489 01:05:10,776 --> 01:05:13,257 LET ME GET MY HANDS ON YOU! 1490 01:05:13,387 --> 01:05:14,736 PIERO: I AM EXHAUSTED. 1491 01:05:14,867 --> 01:05:16,173 I'M GONNA PUNCH HIM RIGHT IN THE MOUTH! 1492 01:05:16,303 --> 01:05:17,304 YOU ARE STUPID! 1493 01:05:17,435 --> 01:05:18,697 LET ME AT HIM! 1494 01:05:18,827 --> 01:05:20,699 YOU CHICKENSHIT PECKERHEAD! 1495 01:05:20,829 --> 01:05:22,701 YOU MAKE ME CUP OF COFFEE, NO? 1496 01:05:22,831 --> 01:05:24,181 [DOOR CLOSES] 1497 01:05:24,311 --> 01:05:25,791 GINA: I HATE THEM! 1498 01:05:25,922 --> 01:05:27,793 I WISH THEY WERE NOT MY PARENTS! 1499 01:05:27,924 --> 01:05:30,752 LOOK, THAT'S LIKE WISHING YOUR FOOT WASN'T YOUR FOOT 1500 01:05:30,883 --> 01:05:33,407 JUST BECAUSE IT'S GOT A BAD FUNGUS. 1501 01:05:33,538 --> 01:05:36,497 I CAN NEVER GO BACK TO THEM! 1502 01:05:36,628 --> 01:05:38,586 MAYBE THEY'RE JUST OBNOXIOUS TEMPORARILY, HUH? 1503 01:05:38,717 --> 01:05:40,632 IN THE MEANTIME, 1504 01:05:40,762 --> 01:05:42,503 YOU'RE GOING TO BE THE DAUGHTER 1505 01:05:42,634 --> 01:05:45,245 WE ALWAYS WANTED. 1506 01:05:45,376 --> 01:05:47,160 I TOLD YOU MY PARENTS WERE GREAT. 1507 01:05:47,291 --> 01:05:48,683 MIKE: LOOK, ROSARIO, 1508 01:05:48,814 --> 01:05:51,382 NOW THAT SHE'S UNDER OUR SEXUAL AUSPICES, 1509 01:05:51,512 --> 01:05:54,428 YOUR BEHAVIOR HAS GOT TO BE, UM... 1510 01:05:54,559 --> 01:05:56,604 ACCORDING TO THE RULES OF QUEEN VICTORIA. 1511 01:05:56,735 --> 01:05:58,345 YOU KNOW WHAT I MEAN? 1512 01:05:59,868 --> 01:06:01,479 KOSHER. 1513 01:06:03,568 --> 01:06:05,744 HERE. HERE'S ONE OF GRANDMA'S BATHROBES. 1514 01:06:05,874 --> 01:06:08,399 AND YOU'RE GOING TO SLEEP INSIDE THERE 1515 01:06:08,529 --> 01:06:10,662 WITH GRANDMA IN HER BED. 1516 01:06:10,792 --> 01:06:14,231 YOU SEE, SEX IS A GIFT FROM GOD, 1517 01:06:14,361 --> 01:06:17,234 AND YOU TWO HAVE CHOSEN TO SHARE THAT GIFT, 1518 01:06:17,364 --> 01:06:19,410 BUT NOW WE'RE GOING TO TAKE THAT GIFT, 1519 01:06:19,540 --> 01:06:21,368 WE'RE GOING TO PUT IT BACK IN THE BOX 1520 01:06:21,499 --> 01:06:23,370 AND UNDER THE TREE, OK? 1521 01:06:23,501 --> 01:06:25,329 BECAUSE, YOU SEE, MIKEY AND I, 1522 01:06:25,459 --> 01:06:28,201 WE'RE RESPONSIBLE NOW. 1523 01:06:28,332 --> 01:06:31,335 I WISH YOU WERE REALLY MY MOTHER, MRS. CAPPAMEZZA. 1524 01:06:35,469 --> 01:06:36,601 GOOD NIGHT, GINA. 1525 01:06:36,731 --> 01:06:38,342 GOOD NIGHT. 1526 01:06:38,472 --> 01:06:40,344 GOOD NIGHT, HONEY. 1527 01:06:40,474 --> 01:06:41,606 GOOD NIGHT, MA. 1528 01:06:41,736 --> 01:06:43,347 GOOD NIGHT. 1529 01:06:43,477 --> 01:06:45,392 GOOD NIGHT, POP. 1530 01:06:45,523 --> 01:06:47,264 SHE'S SUCH A SWEET GIRL. 1531 01:06:47,394 --> 01:06:48,352 YEAH. 1532 01:06:48,482 --> 01:06:49,701 I THINK I HANDLED IT 1533 01:06:49,831 --> 01:06:51,746 AS IF LOVE IS NOT ENOUGH. 1534 01:06:51,877 --> 01:06:53,574 LET'S GET BACK TO WHAT WE WAS DOING. 1535 01:06:53,705 --> 01:06:54,619 WHAT? 1536 01:06:54,749 --> 01:06:56,403 YOU KNOW...WHOOPEE. 1537 01:06:56,534 --> 01:06:58,318 MIKE, WE GOT TO STAND GUARD. 1538 01:06:58,449 --> 01:06:59,711 WHAT FOR? 1539 01:06:59,841 --> 01:07:01,234 WE CAN'T TAKE A CHANCE. 1540 01:07:01,365 --> 01:07:02,627 THEY'RE TOO OVERSTIMULATED. 1541 01:07:02,757 --> 01:07:04,020 AND WHAT AM I? 1542 01:07:06,761 --> 01:07:08,676 [SNORING] 1543 01:07:11,766 --> 01:07:13,594 [GINA CRYING] 1544 01:07:13,725 --> 01:07:15,335 GINA. 1545 01:07:16,728 --> 01:07:18,121 GINA! 1546 01:07:18,251 --> 01:07:19,948 ROSARIO? 1547 01:07:20,079 --> 01:07:22,821 WHAT'S THE MATTER? I HEARD YOU CRYING. 1548 01:07:22,951 --> 01:07:25,911 I NEVER TALKED BACK TO MY PARENTS BEFORE. 1549 01:07:26,042 --> 01:07:27,695 WE BRING OUT THE BEST IN EACH OTHER. 1550 01:07:27,826 --> 01:07:29,871 [SNIFFLES] 1551 01:07:30,002 --> 01:07:31,917 WILL YOU ALWAYS LOVE ME 1552 01:07:32,048 --> 01:07:35,616 AND CHOOSE ME OVER THE OTHER WOMAN? 1553 01:07:35,747 --> 01:07:36,617 WHAT OTHER WOMAN? 1554 01:07:36,748 --> 01:07:38,358 YOUR MOTHER. 1555 01:07:38,489 --> 01:07:40,969 I'LL NEVER HAVE TO CHOOSE. I LOVE YOU BOTH. 1556 01:07:41,100 --> 01:07:43,233 AND SHE LOVES YOU, TOO. YOU HEARD HER. 1557 01:07:43,363 --> 01:07:44,625 WHY DID SHE SAY 1558 01:07:44,756 --> 01:07:47,411 WE SHOULD NOT SLEEP TOGETHER? 1559 01:07:47,541 --> 01:07:50,240 I AM NOT A PUTANA. 1560 01:07:50,370 --> 01:07:52,633 HEY, YOUR MOTHER SAID THAT, NOT MINE! 1561 01:07:52,764 --> 01:07:53,852 YOU RAISE YOUR VOICE TO ME? 1562 01:07:53,982 --> 01:07:55,419 YES. I DID? 1563 01:07:55,549 --> 01:07:56,855 I'M SORRY. 1564 01:07:56,985 --> 01:07:58,900 I'M SORRY I INSULT YOUR MOTHER. 1565 01:07:59,031 --> 01:08:01,642 OUR FIRST FIGHT. 1566 01:08:01,773 --> 01:08:03,862 YES. 1567 01:08:03,992 --> 01:08:06,734 IT MAKES ME HOT. 1568 01:08:06,865 --> 01:08:08,562 ME, TOO. 1569 01:08:21,662 --> 01:08:23,403 MIKE: I STILL GOT THE POTATO GNOCCHI 1570 01:08:23,534 --> 01:08:25,013 AND THE GARBAZEL TO COOK. 1571 01:08:25,144 --> 01:08:26,885 THE FASULI-BALDILAMENTE WEDDING IS A KILLER. 1572 01:08:27,015 --> 01:08:28,408 WHERE THE HELL'S ROSARIO? 1573 01:08:28,539 --> 01:08:30,584 5:00. HE AIN'T UP YET. 1574 01:08:30,715 --> 01:08:31,977 HE'S PROBABLY TIRED 1575 01:08:32,108 --> 01:08:33,283 FROM TALKING TO HER THROUGH THE WINDOW ALL NIGHT. 1576 01:08:33,413 --> 01:08:34,806 HE'S TIRED? 1577 01:08:34,936 --> 01:08:36,503 I GOT PRACTICALLY NO SLEEP, 1578 01:08:36,634 --> 01:08:37,896 AND WHEN I DID SLEEP, 1579 01:08:38,026 --> 01:08:39,724 I DREAMED ABOUT YOU AND YOU KNOW WHAT. 1580 01:08:39,854 --> 01:08:41,900 OH, MIKE, COME ON. 1581 01:08:42,030 --> 01:08:44,642 WE WERE ON TOP OF THE SMALL BANQUET TABLE. 1582 01:08:44,772 --> 01:08:45,773 YEAH? 1583 01:08:45,904 --> 01:08:47,862 I HAD ONE FOOT ON THE GROUND, 1584 01:08:47,993 --> 01:08:49,821 THE OTHER FOOT UP IN THE AIR, 1585 01:08:49,951 --> 01:08:51,257 AND WITH MY OTHER FOOT... 1586 01:08:51,388 --> 01:08:52,345 OH! 1587 01:08:52,476 --> 01:08:53,738 [ROSARIO CLEARS THROAT] 1588 01:08:53,868 --> 01:08:54,739 GOOD MORNING. 1589 01:08:54,869 --> 01:08:56,436 GOOD EVENING. 1590 01:08:56,567 --> 01:08:59,918 GO PUT THE CLAMS IN THE FRA DIAVOLO SAUCE. 1591 01:09:00,048 --> 01:09:00,962 IT'S TOO HARD 1592 01:09:01,093 --> 01:09:02,312 STAYING AWAY FROM GINA, 1593 01:09:02,442 --> 01:09:03,878 AND IT'S STUPID. 1594 01:09:04,009 --> 01:09:05,053 WE ALREADY HAD SEX TOGETHER. 1595 01:09:05,184 --> 01:09:06,577 WHY SHOULD SHE SLEEP IN GRANDMA'S BED 1596 01:09:06,707 --> 01:09:08,144 AND NOT MINE? 1597 01:09:08,274 --> 01:09:09,928 BOTH: BECAUSE GRANDMA CAN'T GET HER PREGNANT. 1598 01:09:10,058 --> 01:09:11,625 YOUSE CAN'T KEEP ME FROM HER. 1599 01:09:11,756 --> 01:09:12,583 ROSARIO. 1600 01:09:12,713 --> 01:09:14,150 GRANDMA: HEY! 1601 01:09:14,280 --> 01:09:16,674 ISABEL FASULI IS HERE WITH HER MOTHER IN A PANIC. 1602 01:09:16,804 --> 01:09:18,937 OW! I'M CAUGHT IN THE ZIPPER, SADIE! 1603 01:09:19,067 --> 01:09:20,504 HER GOWN SPLIT OPEN AT THE CHURCH 1604 01:09:20,634 --> 01:09:21,896 DURING THE "I DOs." 1605 01:09:22,027 --> 01:09:24,899 SHE'S BEEN EATING CHOCOLATES FOR 2 WEEKS AROUND THE CLOCK. 1606 01:09:25,030 --> 01:09:27,467 I'M NERVOUS, MA, OK? I'M NERVOUS! 1607 01:09:27,598 --> 01:09:30,514 GIVE ME THAT CHOCOLATE BAR. SPIT IT IN MY HAND. 1608 01:09:30,644 --> 01:09:31,689 ALL RIGHT. THIS IS WHAT 1609 01:09:31,819 --> 01:09:32,951 WE'RE GOING TO DO, ADELE. 1610 01:09:33,081 --> 01:09:33,995 I'M GOING TO TAKE THIS CABBAGE ROSE 1611 01:09:34,126 --> 01:09:35,432 THAT'S IN THE BACK, 1612 01:09:35,562 --> 01:09:37,564 AND I'M GOING TO PUT IT IN THE FRONT, 1613 01:09:37,695 --> 01:09:38,696 AND THEN WE'RE GOING TO TAKE 1614 01:09:38,826 --> 01:09:40,437 THIS BIG CABBAGE ROSE, 1615 01:09:40,567 --> 01:09:42,787 AND I'M GOING TO PUT IT IN THE BACK. 1616 01:09:42,917 --> 01:09:44,354 OH. 1617 01:09:44,484 --> 01:09:45,746 AND NOBODY WILL KNOW 1618 01:09:45,877 --> 01:09:46,834 THAT SHE GAINED A FEW POUNDS. 1619 01:09:46,965 --> 01:09:48,967 HOW ABOUT 20 IN 2 WEEKS? 1620 01:09:49,097 --> 01:09:50,621 SOME OF US GAIN WEIGHT 1621 01:09:50,751 --> 01:09:53,363 BECAUSE WE FEEL THAT IF WE HAVE EVERYTHING, 1622 01:09:53,493 --> 01:09:55,016 PEOPLE WILL ENVY US. 1623 01:09:55,147 --> 01:09:56,975 YEAH, MA. PEOPLE ENVY ME. 1624 01:09:57,105 --> 01:09:58,846 THAT'S WHY I EAT! 1625 01:10:00,544 --> 01:10:02,894 NOW GO OUT AND STUN YOUR GUESTS 1626 01:10:03,024 --> 01:10:04,417 AND SURPRISE YOUR ENEMIES. 1627 01:10:04,548 --> 01:10:07,028 WAIT, MA. I GOT TO GET MY SHOES. 1628 01:10:07,159 --> 01:10:08,987 FIDELLA, LOOK OUT! 1629 01:10:09,117 --> 01:10:10,554 WATCH WHAT YOU'RE DOING! 1630 01:10:10,684 --> 01:10:12,033 YOU ALMOST KILLED ANOTHER CAT. 1631 01:10:12,164 --> 01:10:13,948 DON'T YOU DARE EAT ANOTHER THING 1632 01:10:14,079 --> 01:10:15,863 UNTIL YOU LEAVE FOR YOUR HONEYMOON. 1633 01:10:15,994 --> 01:10:17,604 THIS IS THE LAST FITTING 1634 01:10:17,735 --> 01:10:19,040 THAT I AM PUTTING SADIE THROUGH. 1635 01:10:19,171 --> 01:10:21,478 GINA: MR. AND MRS. CAPPAMEZZA, I WANT YOU TO KNOW 1636 01:10:21,608 --> 01:10:25,003 THAT ROSARIO JUST BURNED HIS FINGER IN THE KITCHEN. 1637 01:10:25,133 --> 01:10:29,964 NOW, I DON'T KNOW WHAT YOU SAID TO HIM ABOUT ME, 1638 01:10:30,095 --> 01:10:34,317 BUT YOU HURT HIM VERY, VERY DEEPLY. 1639 01:10:40,975 --> 01:10:42,803 [CHEWING GUM LOUDLY] 1640 01:10:42,934 --> 01:10:44,849 [DRUMROLL] 1641 01:10:46,416 --> 01:10:48,026 [RIM SHOT] 1642 01:10:48,156 --> 01:10:51,769 AND NOW, FOR THE FIRST TIME AS MR. AND MRS. BALDILAMENTE, 1643 01:10:51,899 --> 01:10:54,946 PLEASE WELCOME ISABEL AND VINNY! 1644 01:10:55,076 --> 01:10:57,818 MAN SINGING: ♪ BECAUSE OF YOU 1645 01:10:57,949 --> 01:11:03,433 ♪ THERE'S A SONG IN THIS HEART ♪ 1646 01:11:03,563 --> 01:11:07,915 ♪ BECAUSE OF YOU 1647 01:11:08,046 --> 01:11:13,660 ♪ THIS HEART HAD A START 1648 01:11:13,791 --> 01:11:18,186 ♪ WELL, BECAUSE OF YOU... 1649 01:11:18,317 --> 01:11:19,623 MAN: HEY, VINNY, THAT LOOKS BEAUTIFUL. 1650 01:11:19,753 --> 01:11:21,625 THAT CAKE LOOKS ABSOLUTELY BEAUTIFUL. 1651 01:11:21,755 --> 01:11:23,888 [SINGING CONTINUES INDISTINCTLY] 1652 01:11:24,018 --> 01:11:26,107 YO, MA, POP! EVERYBODY, LISTEN UP. 1653 01:11:26,238 --> 01:11:28,893 I JUST MADE A BIG DECISION. 1654 01:11:29,023 --> 01:11:30,503 I WANT THE WHOLE WORLD TO KNOW. 1655 01:11:30,634 --> 01:11:33,027 GINA, THERE'S SOMETHING I SHOULD HAVE ASKED YOU 1656 01:11:33,158 --> 01:11:34,420 FROM THE MOMENT I FIRST SAW YOU. 1657 01:11:34,551 --> 01:11:35,943 WHAT? 1658 01:11:36,074 --> 01:11:37,293 WILL YOU MARRY ME? 1659 01:11:39,556 --> 01:11:40,557 AH... 1660 01:11:40,687 --> 01:11:41,645 HA HA. 1661 01:11:45,997 --> 01:11:48,608 NOW WILL YOU BE MY WIFE? 1662 01:11:48,739 --> 01:11:50,523 OH, ROSARIO, YES, I WILL. 1663 01:11:50,654 --> 01:11:53,091 MAN: CONGRATULATIONS! 1664 01:11:53,221 --> 01:11:56,660 [PEOPLE CHEERING] 1665 01:11:56,790 --> 01:11:58,749 MIKE: GET BACK TO WORK! EVERYBODY, GET BACK TO WORK! 1666 01:11:58,879 --> 01:11:59,750 ARE YOU CRAZY? 1667 01:11:59,880 --> 01:12:00,881 ARE YOU CRAZY? 1668 01:12:01,012 --> 01:12:02,100 I THOUGHT YOU'D BE HAPPY. 1669 01:12:02,230 --> 01:12:03,493 HAPPY?! 1670 01:12:03,623 --> 01:12:04,624 WE'D BE HAPPIER 1671 01:12:04,755 --> 01:12:05,669 IF YOU WERE BOTH OUT OF HIGH SCHOOL. 1672 01:12:05,799 --> 01:12:06,800 YOU'RE STILL BABIES! 1673 01:12:06,931 --> 01:12:09,063 TELEPHONE, GINA MALACICI. 1674 01:12:09,194 --> 01:12:10,848 MY BODY'S ADDICTED TO HER. 1675 01:12:10,978 --> 01:12:12,284 I GOT TO GET MARRIED. 1676 01:12:12,415 --> 01:12:13,894 YOU GET MARRIED WHEN YOUR BRAIN IS MATURE, 1677 01:12:14,025 --> 01:12:15,200 NOT JUST YOUR PUBIC PARTS! 1678 01:12:15,331 --> 01:12:16,897 WAITER: MORE PIGS KNUCKLES. 1679 01:12:17,028 --> 01:12:18,769 COMING UP. NO, YOU'RE TOO YOUNG. 1680 01:12:18,899 --> 01:12:19,813 MA, PLEASE. 1681 01:12:19,944 --> 01:12:21,249 IT'S NOT LEGAL. 1682 01:12:21,380 --> 01:12:23,164 IT IS LEGAL WITH PARENTS' APPROVAL. 1683 01:12:23,295 --> 01:12:25,210 DIDN'T WE JUST SAY NO? 1684 01:12:25,341 --> 01:12:27,517 MY PARENTS JUST GAVE THEIR APPROVAL. 1685 01:12:27,647 --> 01:12:28,605 WHAT?! 1686 01:12:28,735 --> 01:12:30,258 LAST NIGHT THEY HATED ROSARIO'S GUTS, 1687 01:12:30,389 --> 01:12:32,522 AND THEY THREW YOU OUT INTO THE SNOW. 1688 01:12:32,652 --> 01:12:33,610 THEY MISS ME, 1689 01:12:33,740 --> 01:12:36,613 AND THEY WANT ME TO BE HAPPY. 1690 01:12:36,743 --> 01:12:38,005 MORE FRIED OCTOPUS AND ZUCCHINI STICKS! 1691 01:12:38,136 --> 01:12:39,920 ON THE FIRE! 1692 01:12:40,051 --> 01:12:42,227 IT'S VERY NICE YOUR PARENTS MISS YOU, 1693 01:12:42,358 --> 01:12:44,229 BUT IF THEY GAVE THEIR APPROVAL, 1694 01:12:44,360 --> 01:12:46,884 THEY GOT A COUPLE SCREWS LOOSE. 1695 01:12:47,014 --> 01:12:48,581 MY PARENTS HAPPEN TO BE 1696 01:12:48,712 --> 01:12:51,976 HIGHLY CULTURED ARISTOCRATS! 1697 01:12:52,106 --> 01:12:55,283 THEY WOULD NEVER MAKE A CAKE LIKE THAT! 1698 01:12:55,414 --> 01:12:58,330 THIS CAKE HAPPENS TO BE OUR DELUXE GLAMORAMA, 1699 01:12:58,461 --> 01:13:02,160 AND NOBODY BUT US MATCHES THE LITTLE PLASTIC DOLLS 1700 01:13:02,290 --> 01:13:05,119 TO THE LIVE WEDDING PARTY. 1701 01:13:05,250 --> 01:13:06,599 IN ITALIA, 1702 01:13:06,730 --> 01:13:09,907 THESE STRAWBERRIES WITH GOLD ROSES, 1703 01:13:10,037 --> 01:13:13,171 THEY WOULD BE A LAUGHINGSTOCK! 1704 01:13:13,301 --> 01:13:16,174 WELL, IN THESE PARTS, THEY'RE THE CAT'S ASS. 1705 01:13:16,304 --> 01:13:17,218 MORE SCUNGILLI MARINARA! 1706 01:13:17,349 --> 01:13:19,046 READY TO TRAVEL! 1707 01:13:19,177 --> 01:13:21,962 I THINK WHAT IT IS IS THAT YOU MISS YOUR PARENTS, 1708 01:13:22,093 --> 01:13:24,095 AND THAT'S WHY YOU'RE ACTING SO NUTSY. 1709 01:13:24,225 --> 01:13:25,966 I AM JUST TRYING TO TEACH YOU 1710 01:13:26,097 --> 01:13:28,186 WHAT'S IN BAD TASTE, MRS. CAPPAMEZZA. 1711 01:13:28,316 --> 01:13:30,014 MORE RICE AND PEPPERONI FRITTERS! 1712 01:13:30,144 --> 01:13:31,929 COMING UP! 1713 01:13:32,059 --> 01:13:33,234 IF THERE'S ANY ONE PERSON 1714 01:13:33,365 --> 01:13:35,062 WHO SHOULD BE TEACHING SOMEBODY SOMETHING, 1715 01:13:35,193 --> 01:13:36,847 IT SHOULD BE ME! 1716 01:13:36,977 --> 01:13:38,762 I'LL HAVE YOU KNOW 1717 01:13:38,892 --> 01:13:41,242 THAT I STARRED ON WEDDING DOs AND DON'Ts 1718 01:13:41,373 --> 01:13:43,941 ON THE LOCAL CITY ISLAND CABLE CHANNEL, 1719 01:13:44,071 --> 01:13:46,204 WHERE I POINTED OUT THAT BAD TASTE 1720 01:13:46,334 --> 01:13:50,034 WAS BETTER THAN NO TASTE AT ALL. 1721 01:13:50,164 --> 01:13:51,862 AM I RIGHT, ROSARIO? 1722 01:13:51,992 --> 01:13:54,255 APOLOGIZE TO GINA FOR CALLING HER NUTSY. 1723 01:13:54,386 --> 01:13:56,954 WHAT? SHE JUST INSULTED ME AND YOUR FATHER. 1724 01:13:57,084 --> 01:13:58,869 IT'S TRUE. HER PARENTS' DECORATIONS 1725 01:13:58,999 --> 01:14:00,697 ARE LESS GABON. 1726 01:14:00,827 --> 01:14:02,220 WHO'S A GABON? I'M A GABON? 1727 01:14:02,350 --> 01:14:04,135 MORE PIGS KNUCKLES! 1728 01:14:04,265 --> 01:14:05,745 WHAT THE HELL ARE THESE PEOPLE 1729 01:14:05,876 --> 01:14:07,747 EATING THE HORS D'OEUVRES WITH, A SHOVEL?! 1730 01:14:07,878 --> 01:14:09,227 MIKE, WE GOT A PROBLEM. 1731 01:14:09,357 --> 01:14:11,229 I KNOW. WE'RE OUT OF PIGS KNUCKLES. 1732 01:14:11,359 --> 01:14:13,187 HOW COME I HEAR THAT THE MALACICIS 1733 01:14:13,318 --> 01:14:14,667 OFFER MY WIFE'S BROTHER JACKIE, 1734 01:14:14,798 --> 01:14:16,277 THAT FRIGGIN' UMPA LUMPA, 1735 01:14:16,408 --> 01:14:19,019 THE EXACT SAME DELUXE WEDDING AS ISABEL FOR 50% LESS?! 1736 01:14:19,150 --> 01:14:20,064 THEY'RE UNDERCUTTING, JOE. 1737 01:14:20,194 --> 01:14:22,196 THEY LOSE MONEY AT THAT PRICE. 1738 01:14:22,327 --> 01:14:24,111 THE MALACICIS MAY USE OUR MENU, 1739 01:14:24,242 --> 01:14:25,939 BUT THEIR PORTIONS, THEY'RE SO REFINED 1740 01:14:26,070 --> 01:14:27,898 FOR PEOPLE LIKE YOU AND YOUR FAMILIES 1741 01:14:28,028 --> 01:14:29,508 WITH LARGE, GOURMET FRAMES... 1742 01:14:29,639 --> 01:14:31,292 I WANT A REFUND NOW, 1743 01:14:31,423 --> 01:14:32,076 OR I WILL NEVER DO ANOTHER AFFAIR HERE! 1744 01:14:32,206 --> 01:14:34,208 AND THAT GOES FOR ALL THE FASULIS: 1745 01:14:34,339 --> 01:14:36,210 MY WIFE'S SIDE, THE LACIANNOS, 1746 01:14:36,341 --> 01:14:38,125 HER MOTHER'S SIDE, THE BRUNOS, 1747 01:14:38,256 --> 01:14:39,170 THE BALDIMENTES, 1748 01:14:39,300 --> 01:14:40,084 AND THE MACROGIOVANNIS! 1749 01:14:40,214 --> 01:14:41,955 [BURP] 1750 01:14:42,086 --> 01:14:44,262 WE CAN'T. WE'RE PAYING OFF OUR LOAN. 1751 01:14:44,392 --> 01:14:45,872 COME HELP ME! 1752 01:14:46,003 --> 01:14:48,222 ISABEL THREW UP DOING THE ALLEY CAT. 1753 01:14:48,353 --> 01:14:50,747 I TOLD HER NOT TO STUFF HERSELF 1754 01:14:50,877 --> 01:14:51,835 WITH THE PORK AND THE PLUM SAUCE! 1755 01:14:51,965 --> 01:14:52,879 ALL RIGHT. ACT CASUAL. 1756 01:14:53,010 --> 01:14:53,837 MAYBE NOBODY WILL NOTICE. 1757 01:14:53,967 --> 01:14:54,881 NOBODY WILL NOTICE 1758 01:14:55,012 --> 01:14:57,841 THAT SHE HAS VOMIT ON HER WEDDING GOWN?! 1759 01:14:57,971 --> 01:15:01,061 SADIE, DO SOMETHING! 1760 01:15:01,192 --> 01:15:04,238 RIGHT. HERE. WIPE HER OFF WITH THIS RAG, 1761 01:15:04,369 --> 01:15:07,111 AND HANG THIS CAR FRESHENER ON HER. 1762 01:15:07,241 --> 01:15:09,156 SADIE: THEY SAY IT'S THE LATEST THING. 1763 01:15:09,287 --> 01:15:10,288 ROSARIO, COULDN'T WE 1764 01:15:10,418 --> 01:15:11,942 TALK ABOUT THIS LATER, PLEASE? 1765 01:15:12,072 --> 01:15:14,248 DON'T MAKE HIM CHOOSE BETWEEN ME AND YOU! 1766 01:15:14,379 --> 01:15:16,337 THAT'S NOT A VERY NICE THING TO SAY. 1767 01:15:16,468 --> 01:15:18,252 IF WE'RE OLD ENOUGH TO WANT TO MAKE LOVE ALL DAY, 1768 01:15:18,383 --> 01:15:19,906 WE'RE OLD ENOUGH TO GET MARRIED. 1769 01:15:20,037 --> 01:15:20,907 IT'S EASY TO MAKE LOVE ALL DAY 1770 01:15:21,038 --> 01:15:21,778 WHEN YOU'RE NOT MARRIED. 1771 01:15:21,908 --> 01:15:23,257 IT'S MUCH HARDER WHEN YOU HAVE TO! 1772 01:15:23,388 --> 01:15:25,869 THAT'S RIGHT. WHERE ARE YOU GOING? 1773 01:15:25,999 --> 01:15:26,783 HER PARENTS' HOUSE. 1774 01:15:26,913 --> 01:15:28,132 AT LEAST THEY WANT US TO BE HAPPY! 1775 01:15:28,262 --> 01:15:29,220 YOU'D GO LIVE 1776 01:15:29,350 --> 01:15:30,264 WITH THOSE SNEAKY SLEAZE BAGS? 1777 01:15:30,395 --> 01:15:32,266 HOW DARE YOU SAY THAT ABOUT MY PARENTS! 1778 01:15:32,397 --> 01:15:33,877 KEEP QUIET! I'M TALKING TO HIM! 1779 01:15:34,007 --> 01:15:35,269 WE SPEAK THE TRUTH 1780 01:15:35,400 --> 01:15:36,270 BECAUSE WE LOVE EACH OTHER! 1781 01:15:36,401 --> 01:15:38,925 YEAH? HERE'S TRUTH. YOU'RE JEALOUS OF US. 1782 01:15:39,056 --> 01:15:40,274 AND HERE'S ANOTHER TRUTH: 1783 01:15:40,405 --> 01:15:42,929 I DON'T EVEN KNOW IF I WANT TO BE 1784 01:15:43,060 --> 01:15:44,148 IN THE CATERING BUSINESS. 1785 01:15:46,542 --> 01:15:48,369 WAITER: HOT STUFF COMING THROUGH. 1786 01:15:48,500 --> 01:15:50,328 I CAN'T BELIEVE HE LEFT. 1787 01:15:50,458 --> 01:15:51,329 I CAN'T BELIEVE 1788 01:15:51,459 --> 01:15:52,896 HE DOESN'T WANT TO BE 1789 01:15:53,026 --> 01:15:54,506 IN THE CATERING BUSINESS. 1790 01:15:54,637 --> 01:15:57,683 THEY'RE READY FOR THE POLYNESIAN PUPU PLATTERS! 1791 01:15:57,814 --> 01:15:59,990 HEY, WHAT HAPPENED? 1792 01:16:00,120 --> 01:16:03,733 OUR HEIR APPARENT JUST WALKED OUT ON US. 1793 01:16:03,863 --> 01:16:05,386 AND WHAT HAPPENED TO THE BIRD? 1794 01:16:05,517 --> 01:16:07,388 ONE OF THEM JUST KEELED OVER. 1795 01:16:07,519 --> 01:16:09,477 OH, MY GOD. IT'S THE FEMALE. 1796 01:16:09,608 --> 01:16:11,392 MARY, MOTHER OF GOD, PLEASE SAVE HER. 1797 01:16:11,523 --> 01:16:13,438 WHY ARE YOU SO HYSTERICAL? 1798 01:16:13,569 --> 01:16:15,875 MIKE, DON'T YOU GET THE SYMBOLISM? 1799 01:16:16,006 --> 01:16:18,008 I JINXED THE BIRD. 1800 01:16:18,138 --> 01:16:19,139 IF SHE DIES, 1801 01:16:19,270 --> 01:16:22,403 I WILL HAVE KILLED HER WITH MY THOUGHTS! 1802 01:16:22,534 --> 01:16:23,796 SADIE, THOUGHTS DON'T KILL. 1803 01:16:23,927 --> 01:16:25,406 PLEASE, MIKE, RUSH HER TO THE VET, 1804 01:16:25,537 --> 01:16:28,322 AND DON'T LET HER DIE, PLEASE! 1805 01:16:28,453 --> 01:16:29,715 OK, OK, OK, OK. 1806 01:16:29,846 --> 01:16:32,239 I'LL TAKE HER TO THE VET. 1807 01:16:32,370 --> 01:16:34,024 [TELEPHONE RINGS] 1808 01:16:34,154 --> 01:16:35,939 MONA: I CAN'T COME TO THE PHONE. 1809 01:16:36,069 --> 01:16:37,984 HAVING AN OUT-OF-BODY EXPERIENCE. 1810 01:16:38,115 --> 01:16:40,552 LEAVE YOUR NAME AND NUMBER AFTER THE BEEP, 1811 01:16:40,683 --> 01:16:43,294 AND I'LL CALL YOU BACK BEFORE SATURN IS IN RETROGRADE. 1812 01:16:43,424 --> 01:16:44,817 [BEEP] 1813 01:16:44,948 --> 01:16:46,123 OH, BOY. 1814 01:16:48,125 --> 01:16:49,996 LET ME TELL YOU A COUPLE THINGS 1815 01:16:50,127 --> 01:16:51,998 ABOUT YOUR MOTHER-IN-LAW THAT YOU DON'T KNOW. 1816 01:16:52,129 --> 01:16:53,870 SHE AUDITIONED FOR THE ORIGINAL MOVIE JAWS. 1817 01:16:54,000 --> 01:16:55,828 YOU KNOW WHY SHE DIDN'T GET IT? 1818 01:16:55,959 --> 01:16:57,221 HER MOUTH WAS TOO BIG. 1819 01:16:57,351 --> 01:16:59,049 [LAUGHTER] 1820 01:16:59,179 --> 01:17:00,267 COMIC: SHE WALKED OVER TO HER GIRLFRIEND, 1821 01:17:00,398 --> 01:17:01,965 AND SHE SAID, 1822 01:17:02,095 --> 01:17:03,880 "I WAS STUCK IN THE ESCALATOR FOR 3 1/2 HOURS." 1823 01:17:04,010 --> 01:17:05,011 "WHY DIDN'T YOU WALK DOWN?" 1824 01:17:05,142 --> 01:17:06,099 "I WAS GOING UP." 1825 01:17:06,230 --> 01:17:07,405 MONSIGNOR, MONSIGNOR, 1826 01:17:07,535 --> 01:17:10,277 CAN I TALK TO YOU FOR A MINUTE, PLEASE? 1827 01:17:10,408 --> 01:17:12,236 THANK YOU. 1828 01:17:12,366 --> 01:17:14,064 [RIM SHOT] 1829 01:17:14,194 --> 01:17:17,894 YOU SEE, AN ANONYMOUS UNDERAGE COUPLE 1830 01:17:18,024 --> 01:17:19,983 PARTOOK OF GRATIFICATION COITALLY, 1831 01:17:20,113 --> 01:17:23,464 AND I'D LIKE TO DROP SOMETHING ON THEIR HEADS, 1832 01:17:23,595 --> 01:17:25,989 BUT I DON'T WANT TO BE INTERFERING, 1833 01:17:26,119 --> 01:17:29,296 AND A BIRD, SYMBOLIZING THE FEMALE IN THIS COUPLE, 1834 01:17:29,427 --> 01:17:31,472 IS AT DEATH'S DOOR. 1835 01:17:31,603 --> 01:17:33,692 ARE YOU FAMILIAR WITH THE BLESSED ROSCOE, 1836 01:17:33,823 --> 01:17:36,913 THE MERRY MARTYR? 1837 01:17:37,043 --> 01:17:38,436 NO... 1838 01:17:38,566 --> 01:17:43,441 BUT I HAVE A FEELING MONA BARCAVELLA IS. 1839 01:17:43,571 --> 01:17:44,834 YOU DON'T THINK SHE'S A NUT, TOO, 1840 01:17:44,964 --> 01:17:46,139 DO YOU, FATHER? 1841 01:17:46,270 --> 01:17:50,361 SADIE, THERE ARE PEOPLE WHO THINK I'M A NUT. 1842 01:17:50,491 --> 01:17:54,931 FIRST THE BLESSED ROSCOE SAID, "LOVE IS ALL THERE IS," 1843 01:17:55,061 --> 01:17:58,935 AND THEN HE SAID, "LOVE IS NOT ENOUGH." 1844 01:17:59,065 --> 01:18:01,894 THAT'S THE RIDDLE OF THE SPHINX. 1845 01:18:02,025 --> 01:18:04,897 LOVE IS ALL THERE IS... 1846 01:18:05,028 --> 01:18:08,466 BUT WHEN IS LOVE NOT ENOUGH? 1847 01:18:08,596 --> 01:18:13,645 I'VE BEEN WORKING ON THAT ONE MYSELF. 1848 01:18:13,776 --> 01:18:17,344 OH, THAT'S SO COMFORTING TO KNOW, FATHER. 1849 01:18:17,475 --> 01:18:19,912 I'LL DO THIS FOR YOU. 1850 01:18:20,043 --> 01:18:23,220 I'LL GIVE YOU ANOTHER RIDDLE. 1851 01:18:23,350 --> 01:18:28,355 WHO ARE YOU WHEN YOU'RE NOT A MOTHER? 1852 01:18:28,486 --> 01:18:31,358 WHEN I'M NOT A MOTHER? 1853 01:18:32,969 --> 01:18:34,318 WHO AM I? 1854 01:18:34,448 --> 01:18:38,278 AW... 1855 01:18:38,409 --> 01:18:39,802 MONSIGNOR, I DON'T KNOW. 1856 01:18:39,932 --> 01:18:41,368 [CRYING] 1857 01:18:41,499 --> 01:18:44,241 [LAUGHTER IN BACKGROUND] 1858 01:18:44,371 --> 01:18:46,330 NOW LET ME TELL YOU ABOUT MY MOTHER-IN-LAW. 1859 01:18:46,460 --> 01:18:48,114 THIS WOMAN IS SO FAT 1860 01:18:48,245 --> 01:18:49,507 THAT SHE WAS CROSSING KING'S HIGHWAY, 1861 01:18:49,637 --> 01:18:52,379 A TRUCK WENT AROUND HER AND RAN OUT OF GAS. 1862 01:18:52,510 --> 01:18:55,556 I'LL TELL YOU HOW STUPID MY MOTHER-IN-LAW IS. 1863 01:18:55,687 --> 01:18:59,647 SHE THINKS MUTUAL ORGASM IS AN INSURANCE COMPANY. 1864 01:18:59,778 --> 01:19:01,519 ENOUGH WITH THE MOTHER-IN-LAW JOKES. 1865 01:19:01,649 --> 01:19:03,521 HOW ABOUT THE GAGA THAT MOTHER-IN-LAWS 1866 01:19:03,651 --> 01:19:05,436 HAVE TO PUT UP WITH FROM DAUGHTER-IN-LAWS? 1867 01:19:05,566 --> 01:19:07,133 NOBODY EVER TALKS ABOUT THAT. 1868 01:19:07,264 --> 01:19:10,484 YOU STINK. KEEP YOUR MOUTH SHUT. 1869 01:19:10,615 --> 01:19:12,269 WHO NEEDS TO LISTEN TO THAT? 1870 01:19:12,399 --> 01:19:15,141 MY DAUGHTER-IN-LAW, THAT STRUSH. 1871 01:19:15,272 --> 01:19:16,577 SADIE: COMEDIANS-- THEY HAVE NO RESPECT. 1872 01:19:16,708 --> 01:19:18,101 YOU'RE NOT EVEN FUNNY! 1873 01:19:18,231 --> 01:19:19,842 WAIT. WAIT. I'M JUST-- 1874 01:19:19,972 --> 01:19:21,800 GET OFF THE STAGE! 1875 01:19:21,931 --> 01:19:23,323 YOU STINK! 1876 01:19:23,454 --> 01:19:25,238 GET THE HELL OFF! 1877 01:19:25,369 --> 01:19:27,980 IT WAS JUST A JOKE. 1878 01:19:28,111 --> 01:19:29,373 YOU DON'T KNOW DICK! YOU'RE NOT FUNNY. 1879 01:19:29,503 --> 01:19:31,331 I GOT A SON-IN-LAW. 1880 01:19:31,462 --> 01:19:33,507 GET OFF! YOU STINK! 1881 01:19:33,638 --> 01:19:34,552 GINA: MAMA, PAPA, 1882 01:19:34,682 --> 01:19:37,555 THEY DID NOT WANT US TO GET MARRIED. 1883 01:19:37,685 --> 01:19:39,905 ROSARIO: I REALLY APPRECIATE YOUR ACCEPTING US, DAD. 1884 01:19:40,036 --> 01:19:42,342 YOU DON'T MIND ME CALLING YOU DAD, DO YOU? 1885 01:19:42,473 --> 01:19:44,388 GINA: WHAT ARE YOU DOING? 1886 01:19:44,518 --> 01:19:46,390 SOMEDAY YOU WILL THANK US. 1887 01:19:46,520 --> 01:19:48,566 DON'T YOU COME BACK HERE AGAIN! 1888 01:19:48,696 --> 01:19:50,350 WE'RE LOCKING HER IN HER ROOM 1889 01:19:50,481 --> 01:19:51,525 AND SENDING HER TO PARIS 1890 01:19:51,656 --> 01:19:52,875 TOMORROW MORNING UNDER GUARD! 1891 01:19:53,005 --> 01:19:54,920 ROSARIO: I'LL KICK YOU IN THE ASS! 1892 01:19:55,051 --> 01:19:58,445 AND BURN THIS VULGAR CAPPAMEZZA RAG. 1893 01:19:58,576 --> 01:20:00,056 [MAN SINGING MAMA IN ITALIAN] 1894 01:20:23,819 --> 01:20:26,256 OH, ROSARIO, YOU'RE BACK. 1895 01:20:26,386 --> 01:20:27,692 OH, THANK GOD. 1896 01:20:27,823 --> 01:20:29,737 HER PARENTS LOCKED HER UP. 1897 01:20:29,868 --> 01:20:31,652 THEY'RE GIVING HER A POLICE ESCORT 1898 01:20:31,783 --> 01:20:33,306 TO THE PLANE TOMORROW. 1899 01:20:33,437 --> 01:20:34,699 IT'S FOR THE BEST. 1900 01:20:34,830 --> 01:20:36,614 THOSE PEOPLE, THEY'RE POISON. 1901 01:20:36,744 --> 01:20:37,745 IF SHE LEAVES, 1902 01:20:37,876 --> 01:20:40,139 I NEVER WANT TO SEE YOU AGAIN. 1903 01:20:41,749 --> 01:20:43,316 ROSARIO... 1904 01:20:44,404 --> 01:20:45,405 ROSARIO... 1905 01:20:45,536 --> 01:20:48,408 YOU KNOW HOW MUCH I ADORE YOU. 1906 01:20:48,539 --> 01:20:50,367 YOU DON'T GET IT, DO YOU, MA? 1907 01:20:50,497 --> 01:20:52,412 IT'S OVER BETWEEN US. 1908 01:20:52,543 --> 01:20:55,415 IT'S HER TURN TO ADORE ME NOW. 1909 01:20:55,546 --> 01:20:57,417 SO, UH... YOU CAME BACK. 1910 01:20:57,548 --> 01:20:59,855 THAT'S, UH... THAT'S GOOD. 1911 01:21:01,421 --> 01:21:02,683 WHAT HAPPENED? 1912 01:21:02,814 --> 01:21:04,685 HER PARENTS, THEY LIED TO THEM 1913 01:21:04,816 --> 01:21:05,686 ABOUT GETTING MARRIED, 1914 01:21:05,817 --> 01:21:07,688 AND NOW THEY'RE SENDING HER 1915 01:21:07,819 --> 01:21:10,343 OFF TO PARIS TOMORROW BY FORCE. 1916 01:21:10,474 --> 01:21:12,345 OOH, ARE WE LUCKY. 1917 01:21:14,086 --> 01:21:16,828 MIKE, IS THE BIRD GOING TO BE OK? 1918 01:21:16,959 --> 01:21:19,483 IT'S GOT A BROKEN WING. IT'S IN SHOCK. 1919 01:21:19,613 --> 01:21:21,746 WITH THE X-RAYS, WE'RE UP TO 200 BUCKS. 1920 01:21:21,877 --> 01:21:24,096 THE VET WANTS TO KNOW HOW MUCH MORE 1921 01:21:24,227 --> 01:21:25,532 WE'RE WILLING TO SPEND. 1922 01:21:25,663 --> 01:21:27,317 EVERYTHING WE GOT! 1923 01:21:27,447 --> 01:21:29,449 BROKEN WING... 1924 01:21:29,580 --> 01:21:32,278 AND...AND SHOCK. 1925 01:21:32,409 --> 01:21:34,019 WHAT DOES THIS ALL MEAN? 1926 01:21:34,150 --> 01:21:35,151 WHY DOES EVERYTHING 1927 01:21:35,281 --> 01:21:37,283 ALWAYS HAVE TO MEAN SOMETHING WITH YOU, SADIE? 1928 01:21:37,414 --> 01:21:39,764 EVERYTHING ISN'T ALWAYS WHAT IT SEEMS TO BE. 1929 01:21:39,895 --> 01:21:43,507 I'M LOOKING FOR WHAT REALLY IS. 1930 01:21:43,637 --> 01:21:46,814 I WANT TO BE A GOOD PERSON. 1931 01:21:46,945 --> 01:21:48,381 I DON'T WANT TO CHANGE PEOPLE 1932 01:21:48,512 --> 01:21:50,470 BY PUSHING THEM. 1933 01:21:50,601 --> 01:21:53,430 I WANT TO CHANGE THEM WITH MY LOVE. 1934 01:22:09,881 --> 01:22:12,666 CARMELLA: IF WE GET ARRESTED FOR THIS, 1935 01:22:12,797 --> 01:22:14,494 I'LL NEVER TELL, 1936 01:22:14,625 --> 01:22:16,322 BECAUSE ANYTHING IN THE NAME OF LOVE 1937 01:22:16,453 --> 01:22:17,715 IS GOD'S WORK. 1938 01:22:17,845 --> 01:22:20,196 WE'RE LIKE HOLY WARRIORS AND SHIT. 1939 01:22:20,326 --> 01:22:21,849 [CLOSES DOOR] 1940 01:22:21,980 --> 01:22:23,634 HEAVEN IS HERE, WHERE JULIET LIVES. 1941 01:22:23,764 --> 01:22:25,766 EVERY DOG AND EVERY CAT 1942 01:22:25,897 --> 01:22:27,594 AND EVERY LITTLE MOUSE MAY LOOK UPON HER, 1943 01:22:27,725 --> 01:22:29,422 BUT ROMEO MAY NOT. 1944 01:22:43,175 --> 01:22:44,655 BOY: WHEN CARMELLA DISTRACTS THEM 1945 01:22:44,785 --> 01:22:45,612 WITH THE LOUD MUSIC, 1946 01:22:45,743 --> 01:22:47,440 I SPIKE THE SAUCE. 1947 01:22:47,571 --> 01:22:49,790 IN THE CONFUSION, WE SNATCH GINA AWAY. 1948 01:22:49,921 --> 01:22:51,749 THIS IS A GREAT PLAN. I LOVE THIS PLAN. 1949 01:22:51,879 --> 01:22:55,579 I'M CALLING MY POTION ROSARIO'S REVENGE. 1950 01:22:55,709 --> 01:22:57,755 DUCK! 1951 01:22:57,885 --> 01:23:02,760 CARMELLA: OH! THIS IS SO EXCITING. 1952 01:23:02,890 --> 01:23:05,763 I HUMBLY ACCEPT THIS AWARD 1953 01:23:05,893 --> 01:23:09,462 FROM THE CITY ISLAND CULTURAL SOCIETY. 1954 01:23:14,511 --> 01:23:16,382 ROSARIO: IT'S NOT GOING TO WORK. 1955 01:23:16,513 --> 01:23:18,341 THIS STUFF WOULD KILL THE HAIRS 1956 01:23:18,471 --> 01:23:19,646 ON A CALABRESA'S ASS. 1957 01:23:25,304 --> 01:23:28,046 AS ITALIANS, BE PROUD TO BE FROM THE COUNTRY 1958 01:23:28,177 --> 01:23:31,223 THAT GAVE US DANTE, 1959 01:23:31,354 --> 01:23:34,313 THAT GAVE US DA VINCI, THAT GAVE US PUCCINI, 1960 01:23:34,444 --> 01:23:36,141 THAT GAVE US-- 1961 01:23:36,272 --> 01:23:38,143 [ROCK MUSIC PLAYING LOUDLY] 1962 01:23:39,449 --> 01:23:41,494 MICHELANGELO. 1963 01:23:41,625 --> 01:23:43,627 HOW CRUDE. 1964 01:23:43,757 --> 01:23:45,281 PIERO DELLA FRANCESCA, 1965 01:23:45,411 --> 01:23:47,283 TINTORETTO. 1966 01:23:47,413 --> 01:23:50,329 CAPPAMEZZA SABOTAGE. 1967 01:24:03,081 --> 01:24:06,345 CHASE THAT CALAMARI AWAY FROM HERE. 1968 01:24:06,476 --> 01:24:08,217 CHASE THEM! 1969 01:24:08,347 --> 01:24:12,047 [MALACICIS SHOUTING IN ITALIAN] 1970 01:24:15,267 --> 01:24:16,747 I HOPE THIS WORKS. 1971 01:24:16,877 --> 01:24:18,401 THERE'S HOT PEPPERS IN THERE 1972 01:24:18,531 --> 01:24:19,706 MY FAMILY'S BEEN MARINATING 1973 01:24:19,837 --> 01:24:20,881 SINCE BEFORE MUSSOLINI. 1974 01:24:21,012 --> 01:24:25,277 ROSARIO: OH, BOY, THEY'RE COMING THIS WAY. 1975 01:24:25,408 --> 01:24:26,583 AAH! 1976 01:24:26,713 --> 01:24:29,238 WE'RE ON OUR WAY. 1977 01:24:29,368 --> 01:24:30,761 AS SHAKESPEARE WOULD SAY, 1978 01:24:30,891 --> 01:24:33,633 "MAY THE MERRY FARTS BEGIN." 1979 01:24:33,764 --> 01:24:36,071 BABY! BABY! OH, BABY! 1980 01:24:36,201 --> 01:24:37,376 [GASPING] 1981 01:24:37,507 --> 01:24:39,335 [SPEAKING ITALIAN] 1982 01:24:42,642 --> 01:24:45,819 THIS IS THE LAST STRAW! THE SICILIAN CAPPAMEZZA! 1983 01:24:45,950 --> 01:24:47,038 DESTROY THEM! 1984 01:24:47,169 --> 01:24:49,432 I WANT YOU TO BRING THEM TO THEIR KNEES! 1985 01:24:49,562 --> 01:24:51,825 I WILL BRING THEM TO THEIR FEET! 1986 01:24:51,956 --> 01:24:53,349 LET ME AT THEM! 1987 01:24:53,479 --> 01:24:55,873 [SHOUTING CONTINUES] 1988 01:24:56,003 --> 01:24:57,657 WHAT DID I TELL YOU? 1989 01:24:57,788 --> 01:24:58,963 IT'S WORKING LIKE A DREAM. 1990 01:24:59,094 --> 01:25:01,313 HOIST YOURSELF UP. I GOT YOU. 1991 01:25:01,444 --> 01:25:03,663 UH! UH! 1992 01:25:03,794 --> 01:25:07,406 YOU CAME FOR ME! YOU CAME FOR ME! 1993 01:25:07,537 --> 01:25:08,799 QUICK. LEAVE THEM THIS NOTE. 1994 01:25:08,929 --> 01:25:10,279 I WANT THEM TO THINK 1995 01:25:10,409 --> 01:25:10,931 WE'RE COMMITTING SUICIDE. 1996 01:25:11,062 --> 01:25:12,933 THAT WAY, WHEN THEY FIND OUT 1997 01:25:13,064 --> 01:25:14,761 WE'RE JUST ELOPING, THEY'LL BE GRATEFUL. 1998 01:25:14,892 --> 01:25:16,502 YOU ARE SO SMART. 1999 01:25:16,633 --> 01:25:17,677 CLIMB ON MY BACK. 2000 01:25:17,808 --> 01:25:18,765 OH... 2001 01:25:18,896 --> 01:25:21,725 ALL RIGHT. MOVE IT OVER. 2002 01:25:21,855 --> 01:25:23,422 OW! MY EAR. 2003 01:25:23,553 --> 01:25:25,207 THAT'S MY EAR. 2004 01:25:25,337 --> 01:25:26,730 OH, GOD. 2005 01:25:26,860 --> 01:25:28,862 [MUSIC PLAYING LOUDLY] 2006 01:25:28,993 --> 01:25:30,821 WOMAN: GO, VINNY! GO, VINNY! 2007 01:25:30,951 --> 01:25:32,779 VINNY! VINNY! GO, VINNY! 2008 01:25:44,487 --> 01:25:47,707 COME ON. COME ON! 2009 01:25:49,405 --> 01:25:50,710 RUN! RUN! 2010 01:25:50,841 --> 01:25:52,277 HEY! 2011 01:25:54,801 --> 01:25:56,673 ROSARIO: WE GOT TO HIDE. 2012 01:25:56,803 --> 01:25:58,805 IN HERE, IN THE SMOKEHOUSE. 2013 01:26:00,981 --> 01:26:02,766 I WAS LOOKING FOR MY PUSSYCAT. 2014 01:26:02,896 --> 01:26:04,333 YOU SEEN HIM? 2015 01:26:04,463 --> 01:26:06,813 BIG ORANGE GUY, 3 LEGS. 2016 01:26:06,944 --> 01:26:09,425 HERE, TRIPOD. TRIPOD. 2017 01:26:09,555 --> 01:26:12,993 HERE, TRIPOD. WHERE ARE YOU, TRIPOD? 2018 01:26:13,124 --> 01:26:14,995 ♪ TONIGHT'S THE NIGHT FOR ISABEL AND VINNY ♪ 2019 01:26:15,126 --> 01:26:17,433 ♪ TONIGHT'S THE NIGHT FOR ISABEL AND VINNY ♪ 2020 01:26:17,563 --> 01:26:19,652 ♪ WHOO, ISABEL, WHOO, VINNY ♪ 2021 01:26:19,783 --> 01:26:21,741 ♪ TONIGHT'S THE NIGHT FOR ISABEL AND VINNY ♪ 2022 01:26:23,656 --> 01:26:25,005 THE COAST IS CLEAR. 2023 01:26:25,136 --> 01:26:27,834 I THINK WE CAN GET AWAY NOW. 2024 01:26:27,965 --> 01:26:29,445 BY THIS TIME TOMORROW, 2025 01:26:29,575 --> 01:26:31,925 WE'LL BE IN TENNESSEE AND MARRIED. 2026 01:26:32,056 --> 01:26:34,537 WE GOT TO GET BACK TO MY CAR 2027 01:26:34,667 --> 01:26:35,799 BEFORE THEY GET BACK. 2028 01:26:35,929 --> 01:26:37,409 LET'S GO. 2029 01:26:37,540 --> 01:26:39,455 I LOVE WHAT YOU'VE DONE. 2030 01:26:39,585 --> 01:26:41,979 I LOVE THAT WE'RE TRICKING OUR PARENTS. 2031 01:26:42,109 --> 01:26:43,981 THEY THINK THEY KNOW EVERYTHING. 2032 01:26:44,111 --> 01:26:47,419 YEAH. WHO NEEDS THEM? WE GOT EACH OTHER. 2033 01:26:47,550 --> 01:26:49,334 SHOULD WE NOT BE GOING? 2034 01:26:49,465 --> 01:26:52,119 WE GOT TIME. 2035 01:26:52,250 --> 01:26:54,034 ♪ ISABEL AND VINNY GONNA DO THE WILD THING ♪ 2036 01:26:54,165 --> 01:26:55,993 ♪ ISABEL AND VINNY GONNA DO THE WILD THING ♪ 2037 01:26:56,123 --> 01:26:58,430 ♪ WHOO, ISABEL, WHOA, VINNY ♪ 2038 01:26:58,561 --> 01:27:00,650 ♪ WHOO, ISABEL, WHOA, VINNY ♪ 2039 01:27:00,780 --> 01:27:01,999 AH... 2040 01:27:02,129 --> 01:27:05,350 ISABEL: NOT MARILYN! OH, MY CAKE! 2041 01:27:05,481 --> 01:27:07,091 WHAT ARE YOU DOING? 2042 01:27:07,222 --> 01:27:09,876 I'M GONNA KILL YOU! I SWEAR! 2043 01:27:10,007 --> 01:27:11,791 WHAT ARE YOU DOING? 2044 01:27:11,922 --> 01:27:13,228 UH! 2045 01:27:15,186 --> 01:27:17,884 IT'S OK. HERE. I'M GOING TO HELP YOU. 2046 01:27:18,015 --> 01:27:18,972 OOH...OH! OH! 2047 01:27:19,103 --> 01:27:20,104 AAH! 2048 01:27:20,235 --> 01:27:22,062 ADELE: THE WEDDING IS RUINED. 2049 01:27:22,193 --> 01:27:23,803 MY LIFE IS OVER. 2050 01:27:23,934 --> 01:27:25,196 THE MALACICIS DID THIS! 2051 01:27:25,327 --> 01:27:27,807 LET'S GO TEACH THOSE ASS WIPES A LESSON! 2052 01:27:27,938 --> 01:27:30,941 NOBODY MAKES A JERK OUT OF MY BABY ISABEL! 2053 01:27:31,071 --> 01:27:32,812 I'LL KILL THEM! I'LL KILL THEM! 2054 01:27:32,943 --> 01:27:35,641 OOH...CANNOLI CREME. 2055 01:27:35,772 --> 01:27:37,948 MR. FASULI: IF I GET MY HANDS ON THEM, 2056 01:27:38,078 --> 01:27:38,949 I'LL MASH THEM, I'LL BASH THEM, 2057 01:27:39,079 --> 01:27:40,429 I'LL PULVERIZE THEM! 2058 01:27:40,559 --> 01:27:43,388 DO YOU KNOW WHAT THIS WEDDING COST ME? 2059 01:27:43,519 --> 01:27:45,303 22,500! WITHOUT THE BAND! 2060 01:27:45,434 --> 01:27:47,087 GET THEM! 2061 01:27:47,218 --> 01:27:49,002 GET EVERY FRIGGIN' ONE OF THEM! 2062 01:27:49,133 --> 01:27:50,917 GET THOSE BASTARDS! 2063 01:27:51,048 --> 01:27:53,833 I SAVED 15 YEARS FOR THAT BEAUTIFUL WEDDING, 2064 01:27:53,964 --> 01:27:56,401 SINCE HER FIRST HOLY COMMUNION! 2065 01:27:56,532 --> 01:27:58,055 GIVE ME A HAND. 2066 01:27:58,185 --> 01:28:00,623 LET'S KNOCK THEIR NEW SMOKEHOUSE OVER ON ITS ASS! 2067 01:28:00,753 --> 01:28:01,624 READY, HEAVE! 2068 01:28:04,453 --> 01:28:05,758 WHAT'S HAPPENING? 2069 01:28:05,889 --> 01:28:06,890 I DON'T KNOW. 2070 01:28:07,020 --> 01:28:08,413 WE GOT TO GET OUT OF HERE. 2071 01:28:08,544 --> 01:28:10,981 HEAVE! 2072 01:28:11,111 --> 01:28:12,983 WE GOT THEM! WE GOT THEM! 2073 01:28:13,113 --> 01:28:16,073 I THINK I PULLED SOMETHING. 2074 01:28:16,203 --> 01:28:17,814 [COUGHING] 2075 01:28:17,944 --> 01:28:19,294 WHERE'S THE DOOR? 2076 01:28:19,424 --> 01:28:20,382 I DON'T KNOW. 2077 01:28:20,512 --> 01:28:21,731 I THINK WE'RE SITTING ON IT. 2078 01:28:21,861 --> 01:28:22,993 OW! 2079 01:28:25,474 --> 01:28:27,389 OK, LET'S NOT PANIC. 2080 01:28:27,519 --> 01:28:30,435 I'LL FIGURE SOMETHING OUT. 2081 01:28:32,132 --> 01:28:33,438 WHAT IS THAT SMELL? 2082 01:28:33,569 --> 01:28:35,135 [SNIFFING] 2083 01:28:35,266 --> 01:28:39,096 GAS. A LINE MUST BE BROKEN. 2084 01:28:39,226 --> 01:28:41,098 HELP! HELP! 2085 01:28:41,228 --> 01:28:42,099 HELP! 2086 01:28:42,229 --> 01:28:44,884 ROSARIO: SOMEBODY HELP US, PLEASE! 2087 01:28:45,015 --> 01:28:46,886 PLEASE! MAMA! PAPA! 2088 01:28:47,017 --> 01:28:48,758 MOMMY! DADDY! HELP, PLEASE! 2089 01:28:48,888 --> 01:28:49,759 MAMA! 2090 01:28:49,889 --> 01:28:52,544 [SIRENS] 2091 01:28:52,675 --> 01:28:53,763 AAH! 2092 01:28:53,893 --> 01:28:56,983 GINA IS GONE! SHE LEFT THIS NOTE! 2093 01:28:57,114 --> 01:28:58,594 "DEAR PARENTS, 2094 01:28:58,724 --> 01:29:00,204 "WE DON'T WANT TO LIVE WITHOUT EACH OTHER. 2095 01:29:00,335 --> 01:29:02,162 "FORGIVE US FOR WHAT WE ARE DOING. 2096 01:29:02,293 --> 01:29:03,294 "ROSARIO AND GINA. 2097 01:29:03,425 --> 01:29:05,427 LOVE IS FOREVER IN LIFE AND DEATH." 2098 01:29:05,557 --> 01:29:09,169 [EVERYONE TALKING AT ONCE] 2099 01:29:09,300 --> 01:29:10,910 IT'S ROSARIO'S HANDWRITING! 2100 01:29:11,041 --> 01:29:12,912 OH, HE CAN'T MEAN SUICIDE! 2101 01:29:13,043 --> 01:29:14,871 YOU HAVE TO FIND OUR CHILDREN! 2102 01:29:15,001 --> 01:29:16,220 YOU MUST FIND THEM! 2103 01:29:16,351 --> 01:29:18,178 JIMMY, PUT OUT AN APB ON THEM. 2104 01:29:18,309 --> 01:29:20,137 THEY CAN'T HAVE GONE FAR. 2105 01:29:20,267 --> 01:29:21,181 COULD THE BIRD-- 2106 01:29:21,312 --> 01:29:22,182 COULD THE BROKEN WING MEAN-- 2107 01:29:22,313 --> 01:29:25,098 LOOK, WE GOT TO GO FIND THEM. 2108 01:29:25,229 --> 01:29:27,144 COME ON! 2109 01:29:27,274 --> 01:29:29,799 HELP! HELP! 2110 01:29:29,929 --> 01:29:31,148 HELP! 2111 01:29:31,278 --> 01:29:32,497 CONTESSA: IF THEY DIE, 2112 01:29:32,628 --> 01:29:35,674 I WILL NEVER FORGIVE MYSELF. 2113 01:29:35,805 --> 01:29:39,983 BLESSED MOTHER, MIKEY AND I AND OUR NEW ACQUAINTANCES, 2114 01:29:40,113 --> 01:29:42,333 THE COUNT AND CONTESSA MALACICI, 2115 01:29:42,464 --> 01:29:45,902 ASK YOU TO PLEASE BRING OUR CHILDREN HOME SAFELY. 2116 01:29:46,032 --> 01:29:48,818 I'LL GO TO CHURCH EVERY WEEK. 2117 01:29:48,948 --> 01:29:50,080 I GO WITH YOU! 2118 01:29:50,210 --> 01:29:51,647 OH, GINA! 2119 01:29:54,258 --> 01:29:55,172 IT'S NO USE. 2120 01:29:55,302 --> 01:29:59,306 I CAN'T FIND THE LEAK. 2121 01:29:59,437 --> 01:30:02,179 I REGRET ANY MOMENT I'VE LIVED WITHOUT YOU. 2122 01:30:02,309 --> 01:30:03,833 WE'LL BE TOGETHER FOREVER 2123 01:30:03,963 --> 01:30:05,095 IN THE AFTERLIFE. 2124 01:30:05,225 --> 01:30:07,010 ALWAYS. 2125 01:30:08,664 --> 01:30:10,100 I DON'T WANT TO DIE! 2126 01:30:10,230 --> 01:30:11,144 HELP! 2127 01:30:11,275 --> 01:30:13,146 I DON'T WANT TO DIE! 2128 01:30:13,277 --> 01:30:15,845 HELP! HELP! 2129 01:30:15,975 --> 01:30:17,194 MICHAEL. 2130 01:30:17,324 --> 01:30:18,500 WHAT? 2131 01:30:18,630 --> 01:30:19,631 I PROMISE, 2132 01:30:19,762 --> 01:30:20,937 IF THE CHILDREN ARE ALL RIGHT, 2133 01:30:21,067 --> 01:30:21,981 WE WILL DIVIDE THE NEIGHBORHOOD 2134 01:30:22,112 --> 01:30:23,635 IN EQUAL PART. 2135 01:30:23,766 --> 01:30:24,984 I WILL GO AFTER 2136 01:30:25,115 --> 01:30:26,899 ONLY THE UPPER ECHELON, 2137 01:30:27,030 --> 01:30:28,901 AND YOU WILL GO AFTER 2138 01:30:29,032 --> 01:30:30,250 THE PEOPLE OF YOUR LEVEL. 2139 01:30:30,381 --> 01:30:32,905 YOU'RE A REAL FAIR GUY FOR A BIG SNOB. 2140 01:30:33,036 --> 01:30:34,603 I THANK YOU VERY MUCH. 2141 01:30:34,733 --> 01:30:37,214 SADIE: PLEASE, DEAR GOD, 2142 01:30:37,344 --> 01:30:39,129 SEND SOMEBODY TO GUIDE US. 2143 01:30:41,044 --> 01:30:43,133 LOOK! QUICK, STOP THE CAR! 2144 01:30:49,182 --> 01:30:51,097 MONA? 2145 01:30:51,228 --> 01:30:53,186 I'VE BEEN PRAYING FOR YOU. 2146 01:30:53,317 --> 01:30:56,189 IT'S A MIRACLE THAT YOU HEARD ME. 2147 01:30:56,320 --> 01:30:58,670 BOTH OF YOUSE KIDS IS IN DANGER. 2148 01:30:58,801 --> 01:31:00,106 BUT DOESN'T THE BLESSED ROSCOE 2149 01:31:00,237 --> 01:31:01,673 KNOW WHERE THEY ARE? 2150 01:31:01,804 --> 01:31:03,936 THE BLESSED ROSCOE CAN'T HELP YOU. 2151 01:31:04,067 --> 01:31:05,068 YOU ARE CREATING 2152 01:31:05,198 --> 01:31:07,026 THE MEANING TO YOUR LIFE. 2153 01:31:07,157 --> 01:31:09,028 YOU GOT THE POWER HERE. 2154 01:31:09,159 --> 01:31:11,161 YOU WILL FIND THEM, WITH THIS. 2155 01:31:11,291 --> 01:31:12,554 THIS? 2156 01:31:12,684 --> 01:31:13,772 YES! 2157 01:31:13,903 --> 01:31:16,949 THIS AND THIS AND THIS AIN'T ENOUGH ANYMORE. 2158 01:31:17,080 --> 01:31:20,736 NOW GO! YOUSE AIN'T GOT A SECOND TO LOSE. 2159 01:31:20,866 --> 01:31:22,259 GO! 2160 01:31:22,389 --> 01:31:24,087 PIERO: WHERE ARE WE TO GO? 2161 01:31:24,217 --> 01:31:25,088 I DON'T KNOW, 2162 01:31:25,218 --> 01:31:26,219 BUT WE AIN'T GOT A SECOND TO WASTE. 2163 01:31:26,350 --> 01:31:28,787 [MONA CHANTING] 2164 01:31:30,963 --> 01:31:32,835 HELP... 2165 01:31:32,965 --> 01:31:33,966 [FAINTLY] HELP. 2166 01:31:35,794 --> 01:31:37,100 PIERO: WE HAVE BEEN 2167 01:31:37,230 --> 01:31:38,754 AROUND THIS NEIGHBORHOOD 3 TIMES. 2168 01:31:38,884 --> 01:31:40,843 NOW WE MUST GO BACK, CHECK WITH THE POLICE! 2169 01:31:40,973 --> 01:31:42,279 A LITTLE LONGER, PLEASE. 2170 01:31:42,409 --> 01:31:44,716 I'M TRYING TO FIND THEM WITH THIS. 2171 01:31:44,847 --> 01:31:46,805 OW! 2172 01:31:46,936 --> 01:31:48,241 YOU ALL RIGHT? 2173 01:31:48,372 --> 01:31:49,939 YEAH. I FELL DOWN. I HURT MY ARM. 2174 01:31:50,069 --> 01:31:52,768 I THINK YOUR ARM IS BROKEN. 2175 01:31:52,898 --> 01:31:53,769 MIKE. 2176 01:31:53,899 --> 01:31:54,813 WHAT? 2177 01:31:54,944 --> 01:31:56,075 MIKE, IT'S ME! 2178 01:31:56,206 --> 01:31:57,947 IT'S ME! 2179 01:31:58,077 --> 01:32:01,254 I'M THE BIRD WITH THE BROKEN WING. 2180 01:32:01,385 --> 01:32:04,301 I'M THE ONE WHO HAS TO BE HEALED. 2181 01:32:04,431 --> 01:32:06,085 WHAT IS SHE TALKING ABOUT? 2182 01:32:06,216 --> 01:32:07,347 I DON'T KNOW 2183 01:32:07,478 --> 01:32:08,784 WHAT SHE IS TALKING ABOUT. 2184 01:32:08,914 --> 01:32:10,960 THEY'RE NOT COMMITTING SUICIDE. 2185 01:32:11,090 --> 01:32:15,181 IT'S ME THAT WANTED TO DIE FROM LOSING HIM. 2186 01:32:15,312 --> 01:32:17,227 THEY... THEY'RE ELOPING. 2187 01:32:17,357 --> 01:32:19,142 PIERO, TURN THE CAR AROUND. 2188 01:32:19,272 --> 01:32:21,013 THEY'RE IN DANGER! 2189 01:32:21,144 --> 01:32:22,972 I THOUGHT YOU JUST SAID THEY'RE JUST ELOPING. 2190 01:32:23,102 --> 01:32:25,931 MAYBE THEY WERE, BUT NOW THEY'RE IN DANGER. 2191 01:32:26,062 --> 01:32:28,804 LOOK. LOOK AT THE CLOUD. 2192 01:32:28,934 --> 01:32:30,283 DON'T YOU SEE THE SNORTING DRAGONS? 2193 01:32:30,414 --> 01:32:32,111 PIERO: I DON'T SEE THE CLOUDS. 2194 01:32:32,242 --> 01:32:34,026 WHAT IS A SNORTY DRAGON? 2195 01:32:34,157 --> 01:32:36,202 PIERO, TURN THE CAR AROUND. 2196 01:32:39,162 --> 01:32:40,903 [CRICKETS CHIRPING] 2197 01:32:41,033 --> 01:32:46,125 THUS WITH A KISS, I DIE. 2198 01:32:59,095 --> 01:33:00,966 SADIE: THEY'RE HERE. 2199 01:33:01,097 --> 01:33:02,925 THEY'RE HERE. THEY'RE HERE. AAH! 2200 01:33:03,055 --> 01:33:04,535 MIKE: WHERE? WHERE ARE THEY? 2201 01:33:04,666 --> 01:33:06,929 THEY'RE HERE SOMEWHERE. I'M BEGINNING TO FEEL IT, 2202 01:33:07,059 --> 01:33:10,585 NOT JUST HERE... OR HERE...OR HERE, 2203 01:33:10,715 --> 01:33:13,370 BUT--BUT HERE! 2204 01:33:13,500 --> 01:33:15,894 OVER HERE! THIS WAY! THIS WAY! 2205 01:33:16,025 --> 01:33:17,896 WHICH WAY? THIS WAY? 2206 01:33:18,027 --> 01:33:19,463 THIS WAY! THIS WAY! 2207 01:33:19,594 --> 01:33:21,334 PIERO: WHICH WAY ARE YOU TALKING ABOUT? 2208 01:33:21,465 --> 01:33:23,293 NO! OVER HERE! 2209 01:33:23,423 --> 01:33:24,250 [SHOUTING] 2210 01:33:24,381 --> 01:33:26,296 SHH. SHH. 2211 01:33:26,426 --> 01:33:27,384 LISTEN. 2212 01:33:27,514 --> 01:33:29,691 I HEAR SOMETHING. 2213 01:33:29,821 --> 01:33:31,214 I SMELL GAS. 2214 01:33:31,344 --> 01:33:32,955 THE SMOKEHOUSE! 2215 01:33:33,085 --> 01:33:36,088 [PARENTS SHOUTING] 2216 01:33:36,219 --> 01:33:40,005 [SHOUTING IN ITALIAN] 2217 01:33:40,136 --> 01:33:43,052 MIKE: THEY GOT TO BE IN THERE. 2218 01:33:43,182 --> 01:33:46,795 WE GOT IT! WE GOT IT! PUSH IT DOWN! 2219 01:33:46,925 --> 01:33:48,231 MIKE: PULL IT OPEN! 2220 01:33:48,361 --> 01:33:49,275 OUCH. 2221 01:33:49,406 --> 01:33:51,321 [FAINTLY] Help. 2222 01:33:51,451 --> 01:33:53,105 LET ME OUT OF HERE. 2223 01:33:53,236 --> 01:33:55,325 PIERO: PUSH AGAIN. 2224 01:33:55,455 --> 01:33:57,240 NO, NO, NO, NO. PULL. 2225 01:33:57,370 --> 01:33:59,329 PUSH. 2226 01:33:59,459 --> 01:34:01,157 OPEN THE DOOR. WHERE'S THE DOOR? 2227 01:34:01,287 --> 01:34:02,288 PULL. 2228 01:34:02,419 --> 01:34:04,247 [CLANG] 2229 01:34:04,377 --> 01:34:05,901 OH, GOD. 2230 01:34:06,031 --> 01:34:08,381 [CONTESSA SPEAKING ITALIAN] 2231 01:34:08,512 --> 01:34:09,992 ROSARIO: THANK YOU SO MUCH. 2232 01:34:10,122 --> 01:34:13,082 JESUS. I'M SO SORRY. 2233 01:34:13,212 --> 01:34:15,301 [GINA CRYING] 2234 01:34:20,916 --> 01:34:22,526 WHERE AM I? 2235 01:34:22,657 --> 01:34:25,311 YOU'RE IN THE HOSPITAL. 2236 01:34:25,442 --> 01:34:28,445 THIS, I THINK, YOU'LL GET A BIG KICK OUT OF. 2237 01:34:28,575 --> 01:34:31,753 YOU'RE ON SEDATIVES, JUST LIKE THE BIRD. 2238 01:34:31,883 --> 01:34:33,406 HA HA HA. 2239 01:34:33,537 --> 01:34:35,582 I'M GLAD YOU'RE OK, SADIE. 2240 01:34:35,713 --> 01:34:39,108 I WOULD HAVE BEEN INDISPOSABLE WITHOUT YOU, YOU KNOW. 2241 01:34:39,238 --> 01:34:41,327 I KNOW, MIKEY. 2242 01:34:42,938 --> 01:34:44,287 I AM SO HAPPY 2243 01:34:44,417 --> 01:34:47,464 YOU'RE LOOKING SO WELL, SADIE. 2244 01:34:47,594 --> 01:34:49,596 PIERO: FROM THE BOTTOM OF MY SOUL, 2245 01:34:49,727 --> 01:34:53,470 I WANT TO THANK YOU THAT YOU FIND THE CHILDREN. 2246 01:34:53,600 --> 01:34:55,951 YOU ARE VERY SPIRITUAL. 2247 01:34:56,081 --> 01:34:59,171 THANK YOU, PIERO. 2248 01:34:59,302 --> 01:35:04,350 I'M SORRY FOR ACTING SO...NUTSY WITH YOU. 2249 01:35:04,481 --> 01:35:06,396 YOU FORGIVE US? 2250 01:35:06,526 --> 01:35:09,138 THAT'S WHAT MOTHERS ARE FOR, HUH? 2251 01:35:09,268 --> 01:35:11,923 WE WERE TOO YOUNG TO GET MARRIED, 2252 01:35:12,054 --> 01:35:13,316 BUT WE BELIEVE THE EXPERIENCE 2253 01:35:13,446 --> 01:35:14,883 HAS GROWN US UP. 2254 01:35:15,013 --> 01:35:16,841 WE WANT TO GET MARRIED 2255 01:35:16,972 --> 01:35:17,886 BECAUSE WE BELIEVE 2256 01:35:18,016 --> 01:35:19,931 THE MEANING FOR YOU SAVING US 2257 01:35:20,062 --> 01:35:22,107 IS SO THAT WE COULD BE TOGETHER. 2258 01:35:22,238 --> 01:35:25,850 WHAT DO YOU THINK, MONSIGNOR? 2259 01:35:25,981 --> 01:35:33,902 AT 16...SEXUALITY OVERWHELMS OTHER FEELINGS. 2260 01:35:34,032 --> 01:35:38,123 CAN THEY LOVE THEMSELVES ENOUGH 2261 01:35:38,254 --> 01:35:40,996 SO THEY CAN LOVE EACH OTHER MORE? 2262 01:35:41,126 --> 01:35:43,781 ANOTHER MYSTERY, MONSIGNOR, HUH? 2263 01:35:46,436 --> 01:35:47,524 MIKE? 2264 01:35:47,654 --> 01:35:50,483 I VOTE YES BECAUSE THEY GOT US OVER A BARREL. 2265 01:35:50,614 --> 01:35:53,530 MARIA? PIERO? 2266 01:35:53,660 --> 01:35:55,880 ONE MOMENTS, PLEASE, EH? 2267 01:35:56,011 --> 01:35:58,753 [SPEAKING SOFTLY IN ITALIAN] 2268 01:36:00,537 --> 01:36:02,321 [VOICES GROWING LOUDER] 2269 01:36:04,106 --> 01:36:05,020 PIERO! 2270 01:36:06,630 --> 01:36:08,806 [SPEAKING SOFTLY IN ITALIAN] 2271 01:36:11,504 --> 01:36:13,463 [MARIA SIGHS] 2272 01:36:13,593 --> 01:36:16,422 THEY ARE IN LOVE. THAT IS A FACT. 2273 01:36:16,553 --> 01:36:18,381 WE AGREE TO THE MARRIAGE. 2274 01:36:18,511 --> 01:36:20,339 EEE! HA HA HA! 2275 01:36:20,470 --> 01:36:22,428 UNDER THIS CONDITION... 2276 01:36:22,559 --> 01:36:24,866 THE APPETIZER AND THE PASTA 2277 01:36:24,996 --> 01:36:27,477 WILL BE AT YOUR CATERING HALL. 2278 01:36:27,607 --> 01:36:29,914 THE ENTREE AND THE DESSERT 2279 01:36:30,045 --> 01:36:31,873 WILL BE AT OUR CATERING HALL, 2280 01:36:32,003 --> 01:36:34,179 AND THERE WILL BE NO SMOKE EFFECT, 2281 01:36:34,310 --> 01:36:35,354 OR THE DEAL IS OFF! 2282 01:37:04,862 --> 01:37:07,822 BEFORE WE BEGIN OUR CEREMONY, 2283 01:37:07,952 --> 01:37:11,826 ROSARIO AND GINA HAVE WRITTEN THEIR OWN VOWS, 2284 01:37:11,956 --> 01:37:15,960 AND THEY'D LIKE TO MAKE THEM AT THIS TIME. 2285 01:37:16,091 --> 01:37:17,353 I'M SURE THE MARRIAGE 2286 01:37:17,483 --> 01:37:19,442 IS GOING TO MATURE THEM REAL FAST, 2287 01:37:19,572 --> 01:37:22,401 AND EVERYTHING'S GOING TO BE ALL RIGHT. 2288 01:37:22,532 --> 01:37:24,751 I PROMISE THAT I WILL NEVER WEAR CLOTHES 2289 01:37:24,882 --> 01:37:26,753 THAT YOU DON'T THINK I LOOK GOOD IN. 2290 01:37:26,884 --> 01:37:29,408 AND I PROMISE TO GIVE YOU THE SPACE 2291 01:37:29,539 --> 01:37:31,280 TO PLAY YOUR KIND OF MUSIC. 2292 01:37:31,410 --> 01:37:33,499 SADIE: AT LEAST THEY'RE NOT ON DRUGS, 2293 01:37:33,630 --> 01:37:35,850 EXCEPT FOR EACH OTHER. 2294 01:37:35,980 --> 01:37:38,504 I'D LIKE TO THANK MY PARENTS FOR MAKING IT POSSIBLE 2295 01:37:38,635 --> 01:37:40,332 FOR ME TO GO TO PARIS WITH GINA FOR 4 YEARS 2296 01:37:40,463 --> 01:37:41,638 TO STUDY ACTING 2297 01:37:41,768 --> 01:37:42,769 AT THE COMEDIE-FRANCAISE DURING THE DAY 2298 01:37:42,900 --> 01:37:45,381 AND CORDON BLEU FOR COOKING AT NIGHT. 2299 01:37:45,511 --> 01:37:47,296 GINA: AND MY PARENTS, 2300 01:37:47,426 --> 01:37:48,601 FOR ALLOWING ME 2301 01:37:48,732 --> 01:37:50,734 TO STUDY BALLET AND ARCHAEOLOGY 2302 01:37:50,865 --> 01:37:53,432 AND FOR SUPPORTING ME AND ROSARIO 2303 01:37:53,563 --> 01:37:56,653 WHILE WE FIND OURSELVES. 2304 01:37:56,783 --> 01:37:59,351 [SINGING OPERA IN ITALIAN] 2305 01:38:06,402 --> 01:38:08,360 I HOPE THEY'RE GOING TO BE HAPPY, MIKEY. 2306 01:38:08,491 --> 01:38:12,451 IF THEY'RE NOT... 2307 01:38:12,582 --> 01:38:14,453 IT'S REALLY NONE OF OUR BUSINESS. 2308 01:38:14,584 --> 01:38:16,412 [SOBBING] 2309 01:38:16,542 --> 01:38:18,936 SADIE: I FIGURED IT OUT. 2310 01:38:19,067 --> 01:38:20,590 "LOVE IS ALL THERE IS" 2311 01:38:20,720 --> 01:38:22,418 MEANS THAT LOVE IS REAL, 2312 01:38:22,548 --> 01:38:24,681 LOVE IS THE IMMORTAL SOUL. 2313 01:38:24,811 --> 01:38:26,813 SO IF YOU'RE A PARENT, 2314 01:38:26,944 --> 01:38:30,426 YOU LET YOUR CHILDREN FOLLOW THEIR HEARTS. 2315 01:38:30,556 --> 01:38:32,645 [SINGING CONTINUES] 2316 01:38:32,776 --> 01:38:34,691 AND "LOVE IS NOT ENOUGH" MEANS 2317 01:38:34,821 --> 01:38:36,606 THAT EVEN IF YOUR KIDS 2318 01:38:36,736 --> 01:38:39,435 DON'T KNOW WHAT THEY'RE DOING, 2319 01:38:39,565 --> 01:38:42,394 IF YOU'RE A GOOD PARENT, YOU SAY, 2320 01:38:42,525 --> 01:38:45,310 "IT'S OK. IT'S YOUR LIFE." 2321 01:38:55,886 --> 01:38:57,409 WE RELEASE THESE DOVES, 2322 01:38:57,540 --> 01:39:00,325 AND OUR LOVE SOARS WITH THEM. 2323 01:39:00,456 --> 01:39:01,370 SADIE: I THINK 2324 01:39:01,500 --> 01:39:04,851 THE BIRDS BEING SO HEALTHY AND HAPPY 2325 01:39:04,982 --> 01:39:08,072 MEANS THAT THE KIDS ARE GOING TO BE, TOO. 2326 01:39:16,776 --> 01:39:18,735 I WONDER WHAT THAT MEANS. 2327 01:39:18,865 --> 01:39:24,349 I NOW PRONOUNCE YOU MAN AND WIFE. 2328 01:39:24,480 --> 01:39:27,309 YOU MAY KISS THE BRIDE. 2329 01:39:37,710 --> 01:39:39,625 LOVELY. 2330 01:39:42,889 --> 01:39:45,762 MONA: AND THEY ALL LIVED HAPPILY EVER AFTER 2331 01:39:45,892 --> 01:39:48,678 TILL LAST THURSDAY AROUND 3:00, 2332 01:39:48,808 --> 01:39:51,637 BUT THAT'S ANOTHER STORY. 2333 01:40:36,856 --> 01:40:39,598 MAN: ♪ I SAW YOUR FACE 2334 01:40:39,729 --> 01:40:42,732 ♪ THE FACE OF LOVE 2335 01:40:42,862 --> 01:40:48,433 ♪ AND, ANGEL, YOU ARE LOVE 2336 01:40:48,564 --> 01:40:51,393 ♪ AND LOVE, IT'S REAL 2337 01:40:51,523 --> 01:40:59,836 ♪ IT'S REALLY ALL THERE IS 2338 01:40:59,966 --> 01:41:05,363 ♪ I COULDN'T LOOK 2339 01:41:05,494 --> 01:41:11,369 ♪ I COULDN'T THINK 2340 01:41:11,500 --> 01:41:14,590 ♪ WITH YOU, I KNEW 2341 01:41:14,720 --> 01:41:23,251 ♪ I COULDN'T WINK AT LOVE 2342 01:41:23,381 --> 01:41:25,731 ♪ I SAW YOUR FACE 2343 01:41:25,862 --> 01:41:28,821 ♪ THE FACE OF LOVE 2344 01:41:28,952 --> 01:41:34,566 ♪ AND, ANGEL, YOU ARE LOVE 2345 01:41:34,697 --> 01:41:37,700 ♪ AND LOVE, IT'S REAL 2346 01:41:37,830 --> 01:41:46,448 ♪ IT'S REALLY ALL THERE IS 2347 01:41:46,578 --> 01:41:49,407 WOMAN: ♪ I COULDN'T MOVE 2348 01:41:49,538 --> 01:41:57,633 ♪ I COULDN'T RUN AWAY 2349 01:41:57,763 --> 01:42:00,897 ♪ NOR MOVE OR SPEAK 2350 01:42:01,027 --> 01:42:09,471 ♪ PLAY HIDE-AND-SEEK WITH LOVE 2351 01:42:09,601 --> 01:42:12,517 ♪ I SAW YOUR FACE 2352 01:42:12,648 --> 01:42:15,520 ♪ THE FACE OF LOVE 2353 01:42:15,651 --> 01:42:18,480 ♪ AND, ANGEL... 2354 01:42:18,610 --> 01:42:20,960 MAN: ♪ YOU ARE LOVE 2355 01:42:21,091 --> 01:42:23,876 TOGETHER: ♪ AND LOVE, IT'S REAL 2356 01:42:24,007 --> 01:42:32,668 ♪ IT'S REALLY ALL THERE IS 2357 01:42:32,798 --> 01:42:37,934 ♪ I COULDN'T LOOK 2358 01:42:38,064 --> 01:42:43,809 ♪ I COULDN'T THINK 2359 01:42:43,940 --> 01:42:46,899 ♪ WITH YOU, I KNEW 2360 01:42:47,030 --> 01:42:55,821 ♪ I COULDN'T WINK AT LOVE 2361 01:42:55,952 --> 01:42:58,911 ♪ I SAW YOUR FACE 2362 01:42:59,042 --> 01:43:01,436 WOMAN: ♪ THE FACE OF LOVE 2363 01:43:01,566 --> 01:43:06,876 TOGETHER: ♪ AND, ANGEL, YOU ARE LOVE 2364 01:43:07,006 --> 01:43:10,401 ♪ AND LOVE, IT'S REAL 2365 01:43:10,532 --> 01:43:19,062 ♪ IT'S REALLY ALL THERE IS 2366 01:43:19,193 --> 01:43:22,108 CAPTIONING MADE POSSIBLE BY MGM/UA HOME ENTERTAINMENT INC. 2367 01:43:22,239 --> 01:43:24,850 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 2368 01:43:32,118 --> 01:43:35,905 WOMAN: ♪ THE EARTH QUAKED BENEATH ME ♪ 2369 01:43:36,035 --> 01:43:39,430 ♪ AND I CAME TO LIFE 2370 01:43:39,561 --> 01:43:46,350 ♪ THE MOMENT I SAW YOUR FACE 2371 01:43:46,481 --> 01:43:49,571 ♪ I WANTED TO YELL 2372 01:43:49,701 --> 01:43:52,530 ♪ I'M UNDER YOUR SPELL 2373 01:43:52,661 --> 01:43:59,015 ♪ I'M DREAMING OF SWEET EMBRACE ♪ 2374 01:43:59,145 --> 01:44:01,931 ♪ YOU SURE CAUSED A FUROR 2375 01:44:02,061 --> 01:44:05,630 ♪ YOUR AURAS ALLURE 2376 01:44:05,761 --> 01:44:11,767 ♪ YOUR SPARKLE, YOUR CHARM AND GRACE ♪ 2377 01:44:11,897 --> 01:44:15,510 ♪ I FELL IN LOVE 2378 01:44:15,640 --> 01:44:18,600 ♪ CRAZY IN LOVE 2379 01:44:18,730 --> 01:44:26,956 ♪ THE MOMENT I SAW YOUR FACE 150512