Original subtitles

[KNOCK ON DOOR]

COME ON IN, SAM.

WANT SOME MILK?

NO, THANKS.

HOW'S THE WIFE?

I'M DIVORCED THREE YEARS, CAPTAIN.

OH, SHIT. THAT'S RIGHT. I FORGOT.

WHILE YOU WERE UP NORTH, RIGHT?

RIGHT.

SO WHAT HAPPENED UP THERE,

PACE DIDN'T SUIT YOU?

CHECKING DOORKNOBS WASN'T MY IDEA OF POLICE WORK.

MADE ME DIFFICULT TO LIVE WITH.

YOU WENT UP THERE

BECAUSE YOU WERE DIFFICULT TO LIVE WITH.

THAT'S TRUE.

WELL, WHAT THE HELL. I'M THE SAME WAY.

I GUESS YOU HEARD ABOUT THE REPEATER WE GOT.

YEAH, I HEARD.

TWO VICTIMS SO FAR,

AND THIS GUY IS BRUTAL.

THEY USUALLY ARE.

HOW WOULD YOU FEEL

ABOUT COMING BACK TO MAJOR CRIME SECTION?

THERE WAS A REASON

WHY I LEFT MAJOR CRIME, CAPTAIN.

YOU WOULDN'T EVEN HAVE TO WORK THE CASE.

YOU'D JUST SNIFF AROUND A LITTLE,

POINT THESE GUYS IN THE RIGHT DIRECTION.

NOT MY KIND OF CASE ANYMORE.

THEY'RE STUCK, SAM.

I GOT 13 MEN STANDING AROUND PLAYING WITH THEMSELVES.

THIS GUY'S GOING TO KEEP DOING IT

UNTIL WE STOP HIM.

THINK ABOUT THE VICTIMS.

IF YOU WON'T HELP,

HOW YOU GOING TO FEEL

WHEN THE NEXT BODY TURNS UP?

THAT'S PRETTY SHITTY.

SO I'M DESPERATE.

ALL RIGHT. JUST TAKE A LOOK.

JUST A LOOK.

I TELL THEM WHAT I KNOW. THAT'S THAT.

THAT'S ALL I ASK.

I'LL CALL AND TELL MULDOWNEY

YOU'LL BE THERE FIRST THING TOMORROW.

YOU NEED ANYTHING, YOU CALL ME.

THE WHOLE DAMN DEPARTMENT APPRECIATES THIS, SAM.

WHEN IT COMES TO THESE MANIACS,

YOU'RE THE BEST WE GOT.

STOP BLOWING IN MY EAR,

'CAUSE I AIN'T WORKING THE CASE.

OF COURSE NOT.

WE GOT THE FIRST BODY 10 DAYS AGO.

WE FOUND THIS ONE YESTERDAY.

HE STRANGLES THEM WITH SOMETHING...

WE'RE NOT SURE WHAT...

MUTILATES THE BODY,

DUMPS IT, SPRINKLES QUICKLIME ON IT.

WHAT ABOUT SEX?

WE THINK IT TAKES PLACE POSTMORTEM.

WE FOUND SEMEN... AB NEGATIVE.

ANYTHING ELSE?

WE GOT DIDDLY SHIT.

HIGGINS, CAROL ANN.

SHE WAS THE FIRST VICTIM.

DEAD ABOUT A MONTH.

WHAT DO WE KNOW ABOUT HER?

SHE WAS 23, LIVED WITH HER MOTHER,

WORKED IN A LOCAL DEPARTMENT STORE.

SHE DIDN'T COME HOME ON THE 16th OF LAST MONTH,

WHICH WAS A TUESDAY.

HOW ABOUT THE LIGATURE MARKS ON THE WRISTS?

POSTMORTEM.

WE THINK SHE WAS HANGING

FOR A COUPLE OF DAYS.

HE'S A BITER.

WE HAVEN'T BEEN ABLE

TO GET A CASTING OFF EITHER VICTIM.

HE USES THE QUICKLIME TO ERADICATE THE BITE MARKS.

NO HAIR SAMPLES, RIGHT?

NO.

NO FIBERS, EITHER?

WE GOT NOTHING FROM FORENSIC.

SHE'S NOT NUMBER ONE.

WHAT ARE YOU TALKING ABOUT?

THERE'S MORE.

NOBODY'S THIS GOOD FIRST TIME OUT.

TWO IS ALL WE GOT.

THEN HE'S WORKING ANOTHER STATE.

PUT IT THROUGH THE DATABANK?

OF COURSE. NOBODY'S GOT ANYTHING LIKE IT.

THEN HE'S CHANGING HIS M.O.

THIS GUY'S NOT CHANGING HIS M.O.

HE'S OUT OF HIS FUCKING MIND.

AND I'M TELLING YOU, SHE'S NOT THE FIRST.

WELL, MAYBE THERE'S ANOTHER BODY

WE HAVEN'T FOUND YET.

BE A LOT MORE THAN ONE.

I WANT LAB REPORTS,

PHOTOGRAPHS FROM THE DROP SITES,

NEWS ACCOUNTS, CORONER'S REPORTS,

ALL BACKGROUND INFORMATION ON BOTH GIRLS.

A KILLER WHO DUMPS A BODY

AFTER HE'S KILLED HER SOME OTHER PLACE,

THAT'S THE TOUGHEST GUY TO TRACK DOWN,

EVEN IF HE'S AN AMATEUR.

AND THIS GUY IS NO AMATEUR.

HE HAS PERFECTED KILLING.

A SERIAL KILLER HAS BEHAVIORAL PATTERNS

MARKED BY EVOLUTION.

THIS GUY'S ALREADY THERE.

LIKES TO TAKE HIS VICTIMS

TO A PLACE WHERE HE'S COMFORTABLE.

THEN AFTER HE KILLS,

HE HANGS THEM UP.

OVER A PERIOD OF A FEW DAYS,

HE HAS SEX WITH THE CORPSE.

THEN HE KEEPS A PART OF THE VICTIM

TO RELIVE THE SEXUAL EXPERIENCE.

THAT'S YOUR GUY.

YOU CAN'T ASSUME HE HAS A CRIMINAL RECORD,

BUT YOU SHOULD CHECK ALL ASSAULT CASES INVOLVING BITING.

EMERGENCY ROOM RECORDS.

FOLLOW UP ON THE QUICKLIME...

BUILDING MATERIAL OUTLETS, CHEMICAL LABS, LIKE THAT.

AND HOW WERE THE VICTIMS SNATCHED?

I MEAN, SOMEBODY SOMEWHERE HAD TO SEE SOMETHING.

ALL RIGHT, THAT'S IT...

EXCEPT YOU KNOW HE'S GOING TO DO IT AGAIN,

AND HE'S GOING TO KEEP ON DOING IT

UNTIL YOU STOP HIM.

WALTER? IS THAT YOU?

IT IS YOU.

I'M MAKING SOME TEA, MARIANNE.

I'LL BE IN IN A LITTLE WHILE.

WHAT IS IT, MARIANNE?

IS IT ABOUT THIS AFTERNOON?

I JUST DON'T FEEL VERY GOOD.

YOU MISS ME WHEN I GO OUT, DON'T YOU?

YOU WANT ME TO STAY?

YOU WANT ME TO STAY CLOSE?

I KNOW YOU LIKE THAT.

YOU WANT ME TO STAY, DON'T YOU?

LET ME GIVE YOU WHAT YOU WANT.

YOU DON'T WANT ME TO? HUH?

WE ALL HAVE OUR CHOICES TO MAKE,

NOW, DON'T WE, MARIANNE?

HELLO.

HI.

HI.

HOW ARE YOU?

GREAT. I'M SORRY I'M LATE.

MY RECEIPTS DIDN'T ADD UP.

DON'T WORRY ABOUT IT. YOU'RE HERE NOW.

YOU LOOK HAPPY.

FEELING GOOD.

HUNGRY?

DON'T EVEN WANT TO LOOK AT FOOD.

YOU LIKE IT OUT HERE?

YEAH.

IT'S RELAXING, YOU KNOW?

THAT'S WHY I LIKE IT...

BECAUSE IT'S QUIET AND PEACEFUL.

YEAH.

YOU KNOW WHAT?

WHAT?

I REALLY THINK I LIKE YOU.

OH, YEAH?

YEAH.

I DO. YOU HAVE A LOT OF SPIRIT.

YOU... YOU'RE FUN.

YOU'RE, UH... I THINK YOU'RE ADVENTUROUS.

HOW CAN YOU TELL ALL THAT?

IT'S WRITTEN ALL OVER YOU.

IT'S EVERYTHING YOU DO,

LIKE THE WAY YOU KICKED OFF YOUR SHOES

AND YOU GOT COMFORTABLE, HMM?

THE WAY THAT YOU LOOKED AT ME

WHEN I KISSED YOU.

YOU'RE NOT SHY, EITHER.

SOMETIMES I AM.

I DON'T THINK SO, LADY. MM-MMM.

NO WAY, JOSE. NOT YOU.

WHY DID YOU ASK ME OUT?

BECAUSE I'M CRAZY ABOUT YOU.

WHY DID YOU SAY YES?

I DON'T KNOW.

OH, THERE'S SOMETHING ABOUT YOU.

I... LIKE TALKING TO YOU.

YEAH, SURE.

YOU WENT OUT WITH ME BECAUSE I'M A STUD.

STUDLY!

MAYBE.

YOU LIKE SURPRISES?

WHY? DO YOU HAVE A SURPRISE FOR ME?

MM-HMM.

WHOA!

WHAT IS IT?

IT'S A BLINDFOLD.

OH...

YOU ARE A BAD BOY, AREN'T YOU?

GO ON. PUT IT ON.

OH... I DON'T KNOW.

COME ON.

COME ON.

NO CHEATING, YOU.

NOPE. WOULDN'T DO THAT.

YOU SURE YOU CAN'T SEE?

WAIT.

NOPE. O.K.

YOU SURE?

YEP.

UH-HUH.

CAN'T... OH, WAIT!

NO! WAIT! I PROMISE!

HUH? SURE?

YES!

HUH? SURE YOU CAN'T SEE?

WHOA. WAIT A MINUTE.

LEFT TURN.

LEFT?

HA HA HA HA!

EXIT STAGE LEFT.

OH!

HA HA HA!

HERE WE ARE.

CAN I TAKE IT OFF NOW?

NO. NOT YET.

HEY. HEY.

WHAT ARE...

HEY, HEY.

YOU DOING?

HAY IS FOR HORSES.

UH-UH, UH-UH. NO.

YES, YES, YES, YES.

OH...

YES.

YES.

YOU'RE A BAD BOY.

I'M NOT SO BAD.

YEAH.

YOU FEEL GOOD.

YOU FEEL... NO, NO, NO, NO, NO, NO.

NOT YET.

NOT YET.

OH...

LOVELY.

WOO!

OH, YOU'RE STRONG.

BABY...

YOU CAN LOOK NOW.

[GAG]

OOH!

[STRUGGLING]

OOH! UHH!

[BREATHING HEAVILY]

[SLAPPING AND STRUGGLING]

[PANTING]

AH... AH... AH... AH...

AH... AH... AH... AH...

AH...

WE'RE NOT GETTING TO THE PROBLEM.

I'LL TELL YOU THE PROBLEM...

HE CAN'T KEEP HIS DICK IN HIS PANTS!

YOU CAN'T GO AFTER HIM WITH A BAYONET.

I WAS GOING TO CUT HIS BALLS OFF!

YOU WANT TO PRESS CHARGES?

HELL, YEAH!

THIS IS YOUR WIFE.

THAT'S WHY I WANT TO PRESS CHARGES, MAN!

YOU'RE A POOR EXCUSE OF A MAN,

AND SO ARE YOU!

I COULD KICK BOTH YOUR ASSES!

HE... HE ATE HER PUSSY.

HE ACTUALLY ATE SOMEONE ELSE'S PUSSY.

[TELEPHONE RINGS]

HE'S NEVER ATE MY PUSSY.

DO YOU HEAR WHAT I'M SAYING?

[RING]

DIETZ.

WE JUST FOUND ANOTHER ONE, SAM.

I TOLD HIM ALL I KNOW. WHAT DO YOU WANT?

COME ON. YOU KNOW WHY I'M TELLING YOU.

LOOK, YOU GOT MY ANSWER.

SAM, I GOT BODIES POPPING UP LIKE CORKS.

I'M ON MY WAY OUT.

AND I WANT TO TALK TO YOUR SUPERIOR!

WANT TO GO TO THE HOLDING PEN? SHUT YOUR MOUTH!

HEY. YOU CAN'T TALK TO MY WIFE LIKE THAT.

YOU WANT TO GO WITH HER? SIT DOWN!

AHH!

HA HA HA HA HA HA!

HA HA HA HA HA HA!

HA HA HA HA HA!

NO. IT'S NOTHING TO DO WITH ME.

WHY DON'T YOU ASK MAC?

MAYBE HE CAN I.D. IT.

YEAH. GET BACK TO ME WHEN YOU KNOW SOMETHING.

ZISKE.

YEAH.

WHERE DID YOU GET THIS?

IT WAS IN THE BOX.

[TELEPHONE RINGS]

[RING]

I GOT TO.

SAM. NO.

I'M SORRY.

[RING]

OH!

DIETZ.

YOU SOUND OUT OF BREATH.

WHAT, DO YOU GOT ONE OF THOSE EXERCISE BIKES?

YEAH. SOMETHING LIKE THAT.

LOOK, GET DOWN HERE.

THEY GOT A NOTE FROM OUR BOY.

SO RUN IT THROUGH FORENSICS.

IT'S ADDRESSED TO YOU, SAM.

LIEUTENANT, PICK UP ON 1.

MULDOWNEY.

THIS IS DIETZ. READ ME THE NOTE.

JUST A MINUTE.

BAKER, THE TRANSCRIPTS.

"MY DEAR DETECTIVE DIETZ,

"I'VE FOLLOWED THE INEPT EXPLORATIONS

"OF THE INVESTIGATION TO DATE.

"THEY ARE BLINDED BY MY BRILLIANCE.

"I DESERVE A STAR

"THAT GLOWS IN THE FIRMAMENT

"AS BRIGHTLY AS I.

I DESERVE YOU."

REPEAT THAT END PART AGAIN... ABOUT THE STAR.

"I DESERVE A STAR

"THAT GLOWS IN THE FIRMAMENT

"AS BRIGHTLY AS I.

I DESERVE YOU."

SOMETHING YOU CAN TELL FROM THAT?

NO, NO, NOTHING.

HOW DO YOU KNOW IT'S FROM HIM?

HE INCLUDED A TATTOO

THAT BELONGED ON THE LAST VICTIM.

YEAH.

WHAT ABOUT THE NOTE?

IT'S IN THE LAB.

WE SHOULD HAVE SOMETHING IN A COUPLE OF HOURS.

ALL RIGHT. ALL RIGHT.

LOOK, I'M SORRY. UH...

PAULA.

YEAH. PAULA.

WHAT? SO I FORGOT YOUR NAME?

COME ON.

I HATE TO DO THIS,

BUT I GOT TO GO.

RIGHT.

THIS IS VERY IMPORTANT. OTHERWISE...

I DON'T USUALLY DO THIS.

OF COURSE.

NO, NO. I MEAN IT.

COME ON. YOU'RE A TERRIFIC PERSON.

I WOULDN'T DO THAT.

WE HAD FUN TOGETHER, RIGHT?

OH, YEAH. A LOT OF FUN.

I'LL MAKE THIS UP TO YOU.

YOU KNOW WHAT I'D LIKE TO DO?

I'LL GIVE YOU A KEY.

A KEY?

THERE.

THAT WAY, IF EVER, YOU GOT A KEY.

I GOT A KEY. HEY.

YOU DON'T NEED IT TO LOCK THE DOOR.

JUST CLOSE IT BEHIND YOU.

I'D ASK YOU TO WAIT, BUT YOU KNOW?

I DON'T KNOW WHEN I'LL BE BACK.

HMM. VERY CONSIDERATE.

I'LL CALL YOU.

THAT'S THE FIRST DATE I EVER HAD.

WELL, THEN THAT'S IT.

WE GOT NOTHING FROM THE NOTE.

I'M NOT SURPRISED.

THE GUY'S REAL THOROUGH.

EVERY MOVE IS CALCULATED.

I DON'T BUY THAT.

HE'S TALKING TO HIS DEAD MOTHER OR SOMETHING.

HE'S GOT TO DO WHAT HE DOES.

SAM.

YOU KNOW WHY THE KILLER

ADDRESSED THAT NOTE TO YOU?

BECAUSE HE'S AN ARROGANT SON OF A BITCH.

YOU GET ON THIS CASE,

HE'LL KEEP COMMUNICATING WITH US,

AND THAT'S WHEN HE'LL GET OVERCONFIDENT

AND FUCK UP.

IF I COME IN, I WANT SOMETHING.

NO PROBLEM.

I WANT MY OLD PARTNER KALEWSKY.

YEAH. WHAT'S HE DOING?

THEY GOT HIM WORKING VICE.

WE DONE FOUR OF THESE TOGETHER.

HE KNOWS WHAT HE'S DOING,

AND I TRUST HIM.

[HONK HONK]

WHAT ARE YOU DOING HERE?

LAST CALL AT BENNY'S?

YOU BUYING?

LET'S GO!

EXCUSE ME, SWEETHEART, IT'S GOT FRUIT IN IT.

WHISKEY SOUR.

GETS A SLICE OF ORANGE AND A CHERRY.

BUT I SAID NO FRUIT.

O.K.

NO FRUIT.

FRUIT TAKES UP TOO MUCH ROOM.

ONLY YOU COULD THINK OF THAT.

WHAT ARE YOU DOING?

WHAT?

WHY DON'T YOU INJECT THE CHOLESTEROL?

DON'T START IN WITH ME.

LET ME ENJOY MYSELF.

MAJOR CRIME'S GOT A REPEATER.

YEAH, I HEARD. SO WHAT?

YOU'RE NOT WORKING THAT, ARE YOU?

AS OF TONIGHT, YEAH.

YOU SAID YOU WERE DONE WITH THAT.

WHAT HAPPENED?

THE WACKO'S WRITING ME NOTES.

HE SAW YOUR NAME IN THE PAPER.

IT'S MORE THAN THAT.

I'M TELLING YOU, THERE'S SOMETHING ABOUT THIS GUY.

YOU SAID YOU'D WALK AWAY FROM THIS SHIT.

YOU FORGOT YOU WERE A BASKET CASE?

YOU COULDN'T EAT, SLEEP.

I JUST NEEDED SOME TIME OFF, THAT'S ALL.

KAL, THIS GUY'S A WINNER.

HE SAID HE TOOK THREE. HE TOOK MORE.

THEY DON'T NEED YOU.

THEY GOT THEIR HEADS UP THEIR ASS.

HE'LL TAKE 10 MORE BEFORE THEY CATCH UP.

HOW MANY REPEATERS YOU WORK ON?

NINE.

HOW MANY VICTIMS?

51.

WANT TO THINK THIS ONE OVER?

I DID. I'M BORED.

HOW YOU LIKE VICE?

IT'S LIKE GETTING POKED IN THE EYE WITH A STICK.

THEN COME BACK WITH ME.

SAM...

I'LL DO IT WITH YOU OR WITHOUT YOU.

I MISS IT, KAL.

DIETZ AND KALEWSKY.

HEY, FRANCINE.

WHAT ARE YOU DOING HERE?

WAITING FOR MY PRINCE TO COME.

WANT A DRINK? GOT ONE.

THAT'S WHY I OFFERED.

WHO ARE YOU WITH?

NOBODY. WELL, I'M HERE WITH SOMEBODY,

BUT I'M WITH NOBODY.

I KNOW WHAT YOU MEAN.

YOU STILL WORKING FOR RIVERS?

I GOT TIRED OF CHASING HIM AROUND.

I TRANSFERRED TO THE D.A.'s SQUAD.

HOW'S YOUR KID?

GREAT.

WHEN DO YOU SEE HIM?

LITTLE HARD TO GET AWAY.

SO TAKE A VACATION. BRING HIM DOWN HERE.

CAN WE TALK ABOUT SOMETHING ELSE?

YOU WANT TO TALK ABOUT THE CASE, RIGHT?

I DON'T. I HATE TALKING ABOUT THE CASE.

I'M GOING BACK.

WAIT A MINUTE.

NO. SPEND SOME TIME WITH YOUR KID.

AND YOU...

TAKE CARE OF HIM.

HUH?

DRINK YOUR DRINK.

WHAT'S THE MATTER?

THOUGHT I SAW SOMEBODY I KNEW.

YOU'RE ROCKING THE BED, ROY.

YOU'RE UP?

NOW, YEAH.

SORRY, BABE.

I SAW SAM TONIGHT.

HOW IS HE?

FEELS GUILTY ABOUT HIS KID.

SO WHY DOESN'T HE SPEND MORE TIME WITH HIM?

THEN HE'LL FEEL EVEN MORE GUILTY...

ABOUT LEAVING IN THE FIRST PLACE.

WANTS ME TO WORK WITH HIM IN MAJOR CRIME.

YOU WANT TO GO BACK THERE?

I LIKE IT BETTER THAN WHAT I'M DOING NOW.

THAT'S FOR SURE.

OH...

OH, WHAT'S THIS?

HA HA! ROY!

OH, AND ANOTHER ONE JUST LIKE IT.

TWIN BURGERS.

HA HA HA HA!

[CLASS HUMS HAIL TO THE CHIEF]

ALL RIGHT, ALL RIGHT. FUCK YOU.

FUCK YOU.

AND ESPECIALLY FUCK YOU.

OUR PROBLEMS HAVE ONLY JUST BEGUN.

SIT DOWN. SIT DOWN. LET'S GO. COME ON.

O.K...

THE SECOND VICTIM WAS KILLED

ABOUT 30 DAYS AFTER THE FIRST.

HE WAITED ONLY TWO WEEKS

BEFORE HE GRABBED NUMBER THREE,

SO WE DON'T HAVE A LOT OF TIME.

WE DON'T HAVE MUCH INFORMATION.

WE'RE NOT SURE WHEN THE VICTIMS WERE ABDUCTED.

THE KEELY GIRL WAS LAST SEEN AT WORK

AT 3 P.M. ON THE 8th.

HER CAR WAS STILL IN THE LOT,

WHICH MEANS SHE MIGHT'VE BEEN GRABBED THERE.

OR MAYBE SHE WASN'T.

WHAT ABOUT HER COWORKERS? DO WE QUESTION THEM?

WE'RE ALREADY ON THAT.

WHO'S GOT THE ASSAULT CASE?

OVER HERE.

STAY WITH IT. THE CHEMICAL COMPANIES?

HERE.

WHO'S GOT BUILDING SUPPLY COMPANIES?

WE DO.

WHO'S GOT EMERGENCY ROOM RECORDS?

ME AND CIRILLO.

I'VE NEVER SEEN A REPEATER

KNOW SO MUCH ABOUT POLICE WORK.

YOU THINK IT'S A COP?

I'VE GOT SOME SUSPECTS FOR YOU.

BET HE'S BEEN INVOLVED WITH US BEFORE... MAYBE EVEN MURDER.

HE GOT OFF?

OR SERVED HIS TIME.

LET'S PUT IT IN THE COMPUTER.

SINGLE COMMISSION OF MURDER...

MALE WHO'S SEXUALLY DYSFUNCTIONAL.

MAYBE WE'LL FIND A DATE FOR MY SISTER-IN-LAW.

SHE'S LIVING WITH US.

THE OLDER OR YOUNGER ONE?

THE YOUNGER ONE I WOULDN'T MIND.

DIETZ, THEY JUST TOLD ME THE KEELY GIRL

HAD A DATE THE DAY SHE DISAPPEARED.

A WAITRESS SAW HER GET INTO THE CAR.

COULDN'T I.D. THE DRIVER,

BUT SHE SAID IT WAS A BLACK CHEVY.

LITTLE BY LITTLE.

YAY!

SO HOW DID YOU KNOW IT WAS MY BIRTHDAY, MARIANNE?

WELL, YOU TOLD ME...

OR I READ IT IN THE NEWSPAPER.

THANKS.

MMM.

IT'S GOOD.

FATTENING, THOUGH.

YOU LOOK BETTER TODAY.

I FEEL A LOT BETTER.

AREN'T YOU GOING TO GET DRESSED UP FOR ME?

NO.

I DON'T WANT TO DO THAT ANYMORE, WALTER.

DO WHAT?

YOU KNOW WHAT WE DO.

I'M SORRY, WALTER.

I HAVE A LOT TO DO.

[CHOIR MUSIC PLAYS]

HOW YOU DOIN'?

FINE.

YOU ALWAYS SHOW UP AT PEOPLE'S HOMES

WITHOUT CALLING FIRST?

I WAS IN THE NEIGHBORHOOD,

AND I WANTED TO APOLOGIZE AGAIN ABOUT LAST NIGHT

'CAUSE I BEEN THINKING ABOUT THAT AND...

IS IT O.K. IF I COME IN?

WHY NOT?

HOW LONG YOU BEEN WORKING FOR THE D.A.?

WE TALKED ABOUT THAT AT DINNER, REMEMBER?

OH, RIGHT. RIGHT.

RIGHT.

WHAT MADE YOU CHANGE SIDES?

I DIDN'T LIKE PUTTING PEOPLE IN JAIL.

DOESN'T BOTHER ME.

I KNOW.

YOU WANTED TO TALK ABOUT LAST NIGHT?

YEAH, YEAH. I WAS SAYING

THAT I HOPE I DIDN'T BLOW THE WHOLE THING.

NO.

CLOSE, BUT NO.

GOOD...

'CAUSE I THINK WE SHOULD LET THIS THING

SEE WHERE IT'S GOING TO TAKE ITSELF.

HMM. WHAT DID YOU HAVE IN MIND?

WELL...

YOU DON'T KNOW.

NO, I'M TRYING TO DEVELOP SOME INTERESTS OUTSIDE OF WORK...

CREATE A HEALTHY BALANCE.

KIND OF LIKE A HOBBY OR SOMETHING?

YOU'RE TOUGH.

YOU'RE MAKING ME SOUND REAL BAD HERE.

SORRY.

I KNOW WHAT YOU'RE TALKING ABOUT,

AND I THINK WE COULD POSSIBLY DO THAT,

ALTHOUGH I DO THINK THERE'S ONE SMALL THING MISSING.

WHAT?

IN A RELATIONSHIP, I'VE ALWAYS FELT

IT'S IMPORTANT TO ACT LIKE YOU CARE ABOUT THE OTHER PERSON.

YOU'RE RIGHT.

I'LL REMEMBER THAT.

GOOD.

WHAT ARE YOU DOING SITTING WAY OVER THERE?

BETTER?

I KNEW THERE WAS SOMETHING I LIKED ABOUT YOU.

YEAH?

I JUST COULDN'T PUT MY FINGER ON IT.

WHAT DO YOU LIKE ABOUT ME?

A LOT.

NO, COME ON. I'M SERIOUS.

THAT YOU ASK ME QUESTIONS LIKE THAT.

COME ON.

YOU'RE NOT AFRAID TO SHOW ME

WHO YOU REALLY ARE,

AND I LIKE THAT.

OH... OH... OH, LIKE I'M AN OPEN BOOK, HUH?

LIKE, NO MYSTERY TO ME.

SOMETHING LIKE THAT, YEAH.

YEAH.

IS THAT GOOD?

OH, THAT'S VERY GOOD.

YEAH?

YEAH.

WHY?

WILL YOU STOP?

I'M NOT GOING TO ANSWER THESE QUESTIONS.

I WANT TO KNOW. I'M A DETECTIVE. I'M CURIOUS.

BECAUSE I FEEL LIKE I KNOW YOU.

I MEAN REALLY KNOW YOU... YOU KNOW?

MARIANNE.

MARIANNE.

I WANT YOU TO COME INSIDE WITH ME FOR A LITTLE WHILE.

I'M NOT GOING OUT THERE, WALTER.

SHE'S NOT HERE NOW.

I'M ALONE.

I'M NOT GOING ANYWHERE.

WHY ARE YOU RUINING EVERYTHING? WHY?

I WANT YOU TO COME INSIDE WITH ME RIGHT NOW!

GET AWAY FROM ME, WALTER!

YOU DON'T TELL ME WHAT TO DO!

I TELL YOU WHAT TO DO!

I AM THE STAR! I AM THE STAR!

I AM THE FUCKING STAR!

[CAMERA CLICKS]

PUT YOUR ARMS UP, MARIANNE.

GO ON. PUT YOUR ARMS UP.

YEAH.

JUST LIKE OLD TIMES, HUH?

O.K., GIVE ME A LITTLE SMILE.

GIVE ME A SMILE.

GIVE ME A FUCKING SMILE!

HERE.

PUT THIS ONE ON.

WALTER, PLEASE.

GO ON. PUT IT ON.

THAT IS, IF IT CAN FIT.

YOU KNOW, YOU'VE BEEN GAINING A LITTLE WEIGHT LATELY,

AND THAT WILL NEVER DO.

DON'T MAKE ME DO THIS.

WE DON'T WANT TO GET FRUMPY NOW, DO WE, MARIANNE?

HUH? DO WE?

TOO MUCH LAYING AROUND IN BED, I THINK.

DEFINITELY TOO MUCH LAYING AROUND IN BED.

CALORIES IN, CALORIES OUT...

WE HAVE TO TAKE CARE OF OURSELVES, MARIANNE.

YOU KNOW?

OUR BODIES ARE A TEMPLE.

WALTER.

THAT'S IT.

YEAH, THAT'S IT.

BOO!

YOU'RE REALLY DISAPPOINTING ME, MARIANNE.

YOU REALLY DO.

I MEAN, I REALLY DON'T THINK

THAT IT'S TOO MUCH TO ASK

FOR YOU TO INDULGE ME A LITTLE BIT.

I MEAN, LOOK AT EVERYTHING I DO FOR YOU.

LOOK AT THE WAY I TAKE CARE OF YOU.

LOOK AT THE WAY I LOVE YOU.

WHO ELSE WOULD DO THAT FOR YOU? WHO?

NO ONE, MARIANNE. NO ONE. NO ONE.

THAT'S WHO.

AND WHAT DO YOU THINK OF THESE?

THEY LOOK PRETTY, DON'T THEY? HMM?

PUT THEM ON.

PUT THEM ON FOR WALTER.

SHE'S FRESH.

SHE'S NOT DEAD MORE THAN 48 HOURS.

MAYBE WE CAN GET PRINTS OFF THIS ONE.

FAT CHANCE.

LET'S GET AN I.D. AS SOON AS WE CAN.

MANNY, GET ME A HEAD AND SHOULDERS.

NO PRINTS. THEY GOT CASTINGS ON THE BITE MARKS

BUT NOTHING UNUSUAL.

THAT WON'T HELP UNLESS WE CAN FIND HIM.

THANK YOU.

THIS'LL BE NO SLAM-DUNK.

I HATE SPORTS METAPHORS.

WE'RE ON CHEMICAL PLANTS... NIGHT SHIFTS,

AND WE'RE OUT OF HERE.

THE PRINTS AREN'T ON FILE.

GREAT. SO WHO THE HELL IS SHE?

CYNTHIA RUTH SINGER, REPORTED MISSING ON THE 12th...

FOUR DAYS AGO.

22 YEARS OLD, A STUDENT UP AT MOUNT BRIAR.

MOUNT BRIAR?

NEVER CAME HOME ON MONDAY NIGHT.

LOOK AT THIS. HE'S ALL OVER THE GOD DAMN PLACE.

THERE'S GOT TO BE SOMETHING HE'S HONING IN ON.

WHERE ARE YOU?

HMM?

WHAT WERE YOU THINKING ABOUT?

NOTHING. WORK.

TELL ME ABOUT IT.

I DON'T BRING MY WORK HOME WITH ME.

YOU JUST DID.

WELL, I TRY LIKE HELL NOT TO.

WHY?

'CAUSE IT SCREWS THINGS UP.

HOW?

PAULA, I DON'T BRING MY WORK HOME WITH ME,

AND THAT'S THAT.

NO, IT'S NOT.

YOU DON'T JUST COME INTO MY HOME,

MAKE CASUAL CONVERSATION,

HAVE SEX, AND LEAVE.

THAT'S NOT GOING TO WORK.

O.K., ALL RIGHT. WHAT DO YOU WANT?

I THOUGHT WHAT WE BOTH WANTED

WAS TO GET TO KNOW WHO THE OTHER PERSON WAS.

I'M SAM DIETZ. I'M A DETECTIVE.

DON'T DO THAT TO ME.

I DON'T DISCUSS IT

BECAUSE I DON'T WANT TO DEAL WITH IT.

IT'S JUST PIECES OF A PUZZLE.

BUT IT AFFECTS YOU,

AND YOU CAN'T EVEN TALK ABOUT IT.

IF I TALK ABOUT IT, IT GETS WORSE.

HOW DOES IT GET WORSE?

I GET TOO CAUGHT UP IN IT.

I GET...

I DON'T KNOW HOW I GET, BUT I DON'T LIKE IT.

IT'S LIKE I DON'T GIVE A SHIT.

ABOUT WHAT?

ABOUT ANYTHING.

WHAT ABOUT YOUR SON?

IF I NEED MY BALLS BUSTED,

I'LL GO BACK TO MY EX-WIFE.

WHAT THE HELL MAKES YOU THINK

THE CHOICE WOULD BE YOURS?

BOY, AM I GETTING BLEARY-EYED.

NOT TO MENTION WHAT READING ABOUT SEXUALLY DYSFUNCTIONAL MURDERERS

IS DOING TO MY LIBIDO.

MR. PERSONALITY.

ALL RIGHT, WHAT'S THIS ONE'S NAME?

PAULA.

BRIGHT-EYED AND CHEERY.

THE LOOK OF A MAN IN LOVE.

LET'S HOPE I DON'T BLOW THIS ONE, TOO.

OH, HEY, THIS IS ONE OF MINE.

I REMEMBER THE WHOLE THING.

I HAD IT WHEN I WAS WORKING THE VALLEY.

THIS COUPLE WOULD PAY HOOKERS

TO COME TO THEIR HOUSE AND DO KINKY STUFF.

AND WHAT A TERRIFIC HOUSE... BEAUTIFUL VIEW, BIG POOL.

THE GIRL WOULD TAKE NOTES ON EVERYTHING THAT HAPPENED...

LIKE A DIARY ABOUT EVERYTHING THEY DID.

WITH PICTURES. SHE DID DRAWINGS.

ONE NIGHT, THE GIRL GOT IN A FIGHT

WITH ONE OF THE HOOKERS,

ENDED UP KILLING HER.

HIT HER IN THE HEAD WITH A LAMP ABOUT 20 TIMES.

I MISS THE VALLEY.

WHAT?

I HAD A REPEATER THAT KEPT A DIARY.

WE NAILED HIM WITH IT.

IT WAS ALL THERE... PHOTOGRAPHS, EVERYTHING.

SICKEST THING I EVER READ.

A COUPLE OF THESE WOULD COME IN A CLOSE SECOND.

WHO'RE YOU CALLING?

FRANCINE'S WORKING FOR THE D.A., RIGHT?

REMEMBER I TOLD YOU THERE WAS SOMETHING ABOUT THAT NOTE

THAT SOUNDED FAMILIAR?

YEAH.

I WANT TO LOOK AT THAT DIARY AGAIN.

PERSONNEL, PLEASE.

WHAT THE HELL GOOD IS THAT GOING TO DO US?

WHO'S THE REPEATER?

ARTHUR PORTER. HE'S UP AT DANIMORE.

JEEZ, I WAS THERE ONCE.

I NEVER WANT TO GO BACK TO THAT HELLHOLE AGAIN.

I HATE THE WAY THIS ROOM SMELLS.

WHAT DO YOU EXPECT? THEY NEVER OPEN A WINDOW.

HERE'S THE 200s.

212.

215.

219. HERE WE GO.

HOW LONG WILL THIS TAKE?

I DON'T KNOW.

IF SOMEONE FINDS YOU HERE,

DON'T MENTION MY NAME, AND, DIETZ...

PUT IT BACK WHERE WE FOUND IT?

YEAH.

YOU FOUND IT?

YOU SCARED THE SHIT OUT OF ME.

I'M SORRY.

HOW'D YOU GET IN?

THE DOOR WAS OPEN.

OH.

ANYTHING?

IN THE NOTE, OUR GUY REFERRED TO HIMSELF

AS A STAR IN THE SKY, REMEMBER?

YEAH, RIGHT. SO?

LISTEN TO THIS.

"THEY TRY TO SHUT THEIR SADDENING EYES

"AND IN THE VAIN ENDEAVOR,

"WE SEE THEM TWINKLING IN THE SKIES,

AND SO THEY WINK FOREVER."

WHERE YOU GOING WITH THIS?

STARS. MAYBE WE SHOULD GO TALK TO PORTER.

ASK HIM ABOUT THE STAR THING.

YOU WANT TO GO TO DANIMORE?

WHY NOT?

BECAUSE I PROBABLY WON'T SLEEP FOR THREE NIGHTS AFTER.

YOU LOOKING FOR A REASON THIS GUY DID THIS?

YOU THINK A REASON WILL TIE THEM TOGETHER?

HOW ABOUT THEY'RE BOTH FUCKING NUTS?

HOW'S THAT FOR A REASON?

I WANT TO TALK TO PORTER. HUMOR ME.

[PAGER BEEPS]

GIVE ME A MINUTE.

[DIALING TELEPHONE]

HI, PAULA. IT'S ME.

IS THIS SUPPOSED TO BE SOME SICK JOKE, SAM?

WHAT?

THE FLOWERS YOU SENT?

I DIDN'T SEND YOU ANY FLOWERS.

YOU'RE THE ONLY SAM I KNOW.

WHO ELSE COULD IT BE?

WHAT DO YOU MEAN?

SOMEONE SENT ME A BOX OF DEAD FLOWERS

WITH A CARD SIGNED "LOVE, SAM."

YOU'RE TELLING ME THAT WASN'T YOU?

PAULA, LOCK YOUR DOOR. DON'T LET ANYBODY IN. NOBODY.

I'LL BE RIGHT THERE.

[CLICK]

IT INVOLVES THIS CASE I'M WORKING ON.

WHAT DOES THAT HAVE TO DO WITH ME?

IT'S GOT NOTHING TO DO WITH YOU.

SOME KID DELIVERED THE FLOWERS.

THE DOORMAN NEVER SAW HIM BEFORE.

I'LL BE RIGHT BACK.

SAM.

I'LL MEET YOU DOWNTOWN.

I WANT SOMEONE ON THIS GIRL 24 HOURS

STARTING RIGHT NOW.

I'LL CALL PHELAN.

O.K.

BOO.

WHAT ARE YOU DOING HERE?

WAITING FOR YOU.

I THOUGHT WE WERE MEETING AT BENNY'S.

COULDN'T WAIT THAT LONG.

OH, BROTHER.

LET'S TAKE MY CAR.

I GOT A LITTLE SURPRISE FOR YOU.

GREAT.

WE QUESTIONED 182 CHEMICAL PLANT WORKERS.

I GOT STATEMENTS OUT MY ASS.

NOT ONE PERSON WAS WORTH BRINGING IN HERE.

[TELEPHONE RINGS]

GO BACK AND DO IT AGAIN.

THAT'S GOING TO TAKE ANOTHER WEEK!

DIETZ.

NO SENSE GETTING OVER THERE. IT'S ALREADY COVERED.

WHAT HAPPENED?

IT WAS OUR GUY.

HOW DO YOU KNOW?

HOW DO YOU KNOW?

TAKE MY WORD FOR IT!

FUCK!

TAKE IT EASY.

IF HE WANTS ME, WHY WON'T HE COME AFTER ME?

HE'S NOT GOING TO MAKE IT THAT EASY.

WHAT DID THIS GUY PORTER DO?

HE KILLED EIGHT WOMEN THAT WE KNOW OF.

HE'S ANOTHER ONE THAT COLLECTS BODY PARTS.

WE FOUND THEM ALL OVER HIS HOUSE.

WE NEVER KNEW HOW MANY VICTIMS.

ALL THE PARTS DIDN'T ADD UP.

DETECTIVE DIETZ?

I'M DETECTIVE DIETZ.

THIS IS MY PARTNER DETECTIVE KALEWSKY.

I'LL NEED TO SEE SOME CREDENTIALS.

RIGHT. YOU'RE DR. WEXLER?

THAT'S RIGHT.

ARTHUR PORTER'S IN BUILDING "C,"

BUT AS I TOLD YOU ON THE PHONE,

HE IS DEEPLY PSYCHOTIC.

HE IS BEYOND COMMUNICATION.

WHY DON'T WE GIVE IT A SHOT, DOCTOR?

IT'S BEST THAT I TAKE YOU THERE MYSELF.

THERE ARE RARELY VISITORS TO BUILDING "C."

IT'S WHERE WE HOUSE OUR MOST DISTURBED PATIENTS...

THE MOST DANGEROUS.

ALMOST ALL HAVE BEEN SENT HERE BY THE COURTS.

PORTER WASN'T ORIGINALLY SENT HERE.

HE WASN'T ORIGINALLY IN BUILDING "C."

HE WAS HERE A FEW MONTHS WHEN WE TRANSFERRED HIM.

[MAN CRYING]

[BUZZER]

ARTHUR PORTER.

[SOBBING AND MOANING]

ROOM 7.

LET ME WARN YOU. START SLOWLY.

DO NOTHING THAT MIGHT APPEAR THREATENING TO HIM.

IF YOU'RE ASKED TO LEAVE THE CELL,

DO SO AS QUICKLY AS POSSIBLE.

MR. PORTER?

THAT'S NOT PORTER.

OF COURSE IT IS.

I ARRESTED THE GUY. I OUGHT TO KNOW.

THAT'S NOT PORTER!

ARTHUR WILLIAM PORTER.

WHAT'S YOUR NAME?

WHAT'S YOUR NAME?

I DON'T UNDERSTAND THIS. WHERE IS IT?

THE LIST OF ROOM ASSIGNMENTS?

WHERE THE HELL'S PORTER?

I DON'T KNOW WHERE HE IS.

WHAT DO YOU MEAN YOU DON'T KNOW?

DOES THIS PHONE GO OUT? I NEED ONE.

I DON'T KNOW WHERE HE IS!

GET THEM BACK IN THEIR ROOMS.

COME ON.

COME ON.

GET AWAY FROM THE DOOR.

GET AWAY. GET AWAY. GET AWAY.

SO, WHICH ONE IS THIS?

WALTER HILDERMAN.

CALLED IN SICK TODAY.

TAKE THE FRONT. I'LL GO AROUND BACK.

THAT'S TRADITIONAL.

[DOORBELL BUZZES]

[BUZZ BUZZ]

AAH!

AAH!

RRR...

ARTHUR WILLIAM PORTER.

THAT'S OUR GUY. PUT IT ON THE TELETYPE.

WE GET NO HELP OUTSIDE THE STATE...

I'M TELLING YOU, THAT'S OUR GUY.

MAKE IT WANTED FOR ESCAPE

FROM A STATE CORRECTIONAL FACILITY,

ALL RIGHT?

PORTER TRANSFERRED TO BUILDING "C."

WHEN WAS THAT?

ABOUT A YEAR AGO.

YES... A YEAR AGO IN MARCH.

HE EVER LEAVE BUILDING "C"?

YES, ONCE.

HE WAS TRANSFERRED TO THE INFIRMARY

FOR THREE DAYS FOR ASTHMA.

DURING THE TRANSFER, HE MADE THE SWITCH AND TOOK OFF.

DIDN'T ANYBODY NOTICE?

PORTER'S OVER 6 FEET.

THAT GUY'S NOT CLOSE.

IT DEPENDS ON WHO ESCORTED HIM.

A LOT OF PATIENTS ARE NONCOMMUNICATIVE.

WE USE THE BRACELETS TO IDENTIFY THEM.

OUR ORDERLIES CAN'T KNOW ALL THE PATIENTS ON SIGHT.

IT IS POSSIBLE THAT PORTER IS STILL SOMEWHERE IN THE HOSPITAL.

ARE YOU KIDDING?

CAN WE NOT LOSE THAT OTHER GUY

TILL WE FIGURE OUT WHO HE IS?

WE DO NOT LOSE OUR PATIENTS, DETECTIVE.

WE HELP OUR PEOPLE.

THANK YOU VERY MUCH, DOCTOR.

HAVE A NICE DAY.

THIS ISN'T A PRISON.

OUR PEOPLE AREN'T PRISONERS.

WE ARE NOT JAILERS.

SHE'S AS NUTS AS THE INMATES.

THEY ALL GET FAN MAIL. PORTER'S NO EXCEPTION.

GOT A LIST OF HIS HOSPITAL VISITORS.

MAYBE HE ESTABLISHED A RELATIONSHIP WHEN HE WAS THERE.

SHE COULD'VE EVEN HELPED HIM ESCAPE.

SANTOS AND SCHULTE CALLED IN FOUR HOURS AGO.

HAVEN'T HEARD FROM THEM SINCE.

WHAT HAVE WE BEEN DOING?

CALLING AROUND,

GETTING A LIST OF EVERYBODY THEY MISSED AT THE PLANT.

LET ME SEE.

I THOUGHT THEY DECIDED TO QUESTION THEM AT HOME,

SO I CALLED THE HOUSES.

GOT NOTHING.

THEY WOULD HAVE CALLED IT IN.

SO WHERE ARE THEY?

TWO OF THESE ADDRESSES ARE THE SAME...

THE WORKERS THAT ARE OUT AND PORTER'S VISITORS.

WHAT ARE YOU DOING?

CALLING AN ASSAULT TEAM.

LET KALEWSKY AND I GO IN.

YOU OUT OF YOUR MIND?

COME ON. GIVE US THREE MINUTES.

NO.

MULDOWNEY, I WANT THIS GUY.

HE MIGHT HAVE TWO COPS.

YOU START LOBBING TEAR GAS,

YOU'LL GIVE HIM JUST ENOUGH TIME TO SLIT SOME THROATS.

HE WON'T HAVE TIME TO DO ANYTHING BUT SHIT IN HIS PANTS.

Go.

Go.

Go.

[FOOTSTEPS]

TALK ABOUT GETTING CAUGHT IN THE ACT...

IT'S SCHULTE'S.

THEY'RE MOVING CAROL AND MY KID.

I'LL HAVE TO MOVE PAULA, TOO.

WE GOT TWO MEN ON HER, SAM.

YEAH. LIKE SANTOS AND SCHULTE?

[ENGINE STARTS]

I'LL DROP YOU OFF.

I'LL HAVE TO TALK HER INTO LEAVING.

TELL HER WHAT WE FOUND TONIGHT.

THAT OUGHT TO DO IT.

[FOOTSTEPS]

[DING]

[DING]

[CAR STARTS]

HOW YOU DOING?

WHAT A NIGHT, HUH?

THEY WERE SCALPED.

GOING INSIDE THAT HOUSE WAS REAL SMART.

YOU FUCKING COWBOY, YOU'RE LUCKY YOU'RE NOT DEAD.

EXCUSE ME, LIEUTENANT, BUT I WOULDN'T PUSH IT.

[TIRE S SQUEAL]

THIS HAS TURNED INTO SOME FUCKING MESS.

DOESN'T ANYBODY HAVE ANYTHING TO SAY?

ALL RIGHT. WHERE DO WE GO FROM HERE?

IT'S ON A FIVE-STATE TELETYPE.

WHAT GOOD'S THAT GOING TO DO US?

NONE.

HE'S NOT GOING ANYWHERE.

HE'S GOING TO KEEP COMING AT ME

ONE WAY OR ANOTHER TILL WE GET HIM.

WHAT ABOUT THE WOMAN THAT LIVES HERE?

YOU THINK HE'LL GO AFTER HER?

IT'S POSSIBLE.

WHAT'S COVERING HER NOW?

TWO MEN, 24 HOURS.

WE WERE JUST ABOUT TO MOVE HER.

LET'S GIVE HIM THE OPPORTUNITY.

I MEAN, HE'D LOVE TO TORTURE ME SOME MORE.

SAM...

LOOK, I'M SORRY.

YOU SAY THAT MORE THAN ANY PERSON I KNOW.

YOU'RE RIGHT.

YOU SAY THAT A LOT, TOO.

THE HOTEL'S NO GOOD. YOU'LL BE SAFER HERE.

YOU'LL HAVE MORE COPS ON YOU THAN THE PRESIDENT.

WHAT THE HELL ARE YOU TALKING ABOUT, SAM?

I ONLY SAW TWO COPS IN THE HALLWAY.

THEY'RE ON THE ROOF, IN THE STAIRWELL,

IN THE GARAGE, EVERYWHERE.

OH, WAIT A MINUTE.

YOU BASTARD.

WHAT?

I'M BAIT FOR HIM, AREN'T I?

PAULA, COME ON...

JUST ANSWER MY QUESTION!

IF HE COMES HERE,

WE'LL GRAB HIM BEFORE HE GETS ANYWHERE NEAR YOU.

YOU CALLOUS SON OF A BITCH.

NO WONDER YOU CAN'T TALK.

YOU'RE YOUR OWN WORST NIGHTMARE.

NOW, GET OUT.

I SAID GET OUT!

[DOOR CLOSES]

WHAT ARE YOU DOING HERE?

I'M DOING WHAT'S NECESSARY.

[FOOTSTEPS]

WHAT?

WHY NOT GO HOME FOR A COUPLE HOURS?

I'M FINE.

YEAH? YOU DON'T LOOK FINE.

COME BACK ABOUT 8:00. RELIEVE ME THEN.

YEAH?

YEAH.

ALL RIGHT.

[CAR STARTS]

I'LL SEE YOU AT 8:00.

YEAH.

[CREAK]

[BUMP]

[HORN HONKS]

ALL RIGHT, ALL RIGHT.

SHIT.

I THINK I'M SEEING THIS GUY IN MY DREAMS.

AAH...

YAA!

[COUGHING]

LET HIM GO!

LET GO!

LET GO!

EXCUSE ME, DETECTIVE.

I NEED A SIGNATURE.

YOU COULD HAVE TOLD ME, SAM.

I WASN'T SURE.

YOU SET ME UP. YOU SHOULD'VE TOLD ME.

I DIDN'T WANT TO RISK BLOWING EVERYTHING.

I THOUGHT THIS WAY WAS SAFER.

FOR WHO?

FOR YOU.

I WAS ALWAYS RIGHT BEHIND YOU,

THEN I SPOTTED HIM, AND I STUCK WITH HIM.

NEVER A DULL MOMENT WITH YOU, HUH, SAM?

HE JUST DIED.

I'M GOING HOME.

ME, TOO.

HEY, DIETZ...

WHY DIDN'T YOU JUST SHOOT HIM?

I DON'T KNOW.

[TELEPHONE RINGS]

[RING]

[RING]

[RING]

I GOT IT!