All language subtitles for 414 Fate Line

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I found ???

YOU GUYS HANDLE MURDERS, RIGHT?

SO, WHAT'S
THIS BIG CLUE?

IT'S ALL
ON THIS DISPOSABLE PHONE --

TEXT MESSAGES.

LET ME SEE.

WHAT IS IT WORTH TO YOU?

ARE YOU NUTS?

I SHOULD ARREST YOU RIGHT NOW
FOR WASTING OUR TIME.

WHAT'S YOUR NAME AGAIN?

SAM LINSKY.

UM, LOOK, OKAY.

I GOT LIKE 20 HOURS
COMMUNITY SERVICE LEFT.

YOU GUYS ARE COPS. YOU GUYS
CAN MAKE THAT GO AWAY, RIGHT?

WHAT WAS YOUR OFFENSE?

I THREW A BANANA PEEL
OUT OF MY CAR

RIGHT IN FRONT OF
THE CALIFORNIA HIGHWAY PATROL.

SO YOU LITTERED
IS WHAT YOU DID.

WELL, I --
A BANANA PEEL'S BIODEGRADABLE.

AND I WAS DRIVING --
I WAS DRIVING A HYBRID.

THIS IS A REAL CRIME.
THIS IS MURDER.

GIVE ME THE PHONE,
AND I'LL SEE WHAT WE CAN DO.

THAT'S GOOD.

CHECK OUT THOSE TEXT MESSAGES --
PRETTY SCARY STUFF.

SHUT UP.

THEY'RE TALKING ABOUT
OFFING SOME DUDE, RIGHT?

AM I RIGHT?

WHERE DID YOU FIND THIS?

UH, BY THE 110.

I'M SORRY.

SOMETHING OUT THERE IS
REALLY AFFECTING MY ALLERGIES.

OH, MY --

I CAN'T EVEN MAKE OUT
THE LETTERS.

LIEUTENANT,
MY FUTURE SISTER-IN-LAW

IS ON HER WAY
TO MY HOUSE RIGHT NOW,

AND I WAS SUPPOSED TO
COOK DINNER.

ARE YOU SURE
THIS IS IMPORTANT?

MY GUT SAYS YEAH.

OKAY.

WHY ARE THE WORDS
SO TINY?

WHO WERE THEY TEXTING TO --
MICE?

HEY, LOOK.

COME WITH ME,

AND WE'LL FIX IT SO THAT WE CAN
ALL READ IT AT THE SAME TIME.

GO ON. GET!

Gabriel:
"I LOVE YOU.

"YOU LOVE ME.

CAN'T WE JUST RUN AWAY
TOGETHER?"

"AFTER, WE CAN BE
TOGETHER FOREVER,

AND WE'LL HAVE ALL THE MONEY
FOR OURSELVES."

"I MISS YOUR VOICE."

"WE CAN'T USE
OUR OWN PHONES ANYMORE.

"BERGMAN'S/6.
VERMILLION/7.

"TAI PEI/MURRAY/930.

PLEASE DON'T LET HIM
COME HOME AND PAW ME."

"I H8 HIM."

"HE HAS 2 DIE.
DEAD. DEAD. DEAD."

Provenza:
OH, YEAH.

SOUNDS LIKE OUR KIND OF GIRL,
ALL RIGHT.

Flynn:
YEAH. OKAY, BUZZ.

SCROLL DOWN TO THE PLACE
THAT I SHOWED YOU, PLEASE.

"IT'S DONE."

"ARE YOU SURE?"

"HE'S DEAD."

"ARE YOU OKAY?"

"IT'S MY JOB.
I'M FINE.

LOOKS LIKE AN ACCIDENT.
NO ONE WILL KNOW."

"CALL U SOON."

IT'S HIS JOB?
WAS SHE DATING A HIT MAN?

AND TWO DAYS LATER.

"WE HAVE 2 MEET.
NEED TO C U."

Daniels: "MUST B MOURNING.
WE CAN'T TALK."

"PLEASE."

"STAY AWAY.

I'LL TEXT U
WHEN IT'S SAFE."

OKAY.
AND THEN TWO DAYS AFTER THAT?

"WHERE ARE U?

Y DIDN'T YOU SAY
IT WOULD BE LIKE THIS?"

SHE STOPS ANSWERING HIM.
THE REST ARE ALL INCOMING.

"U CAN'T DO THIS TO ME."
"DON'T IGNORE ME."

"YOU USED ME,"
AND -- AND...

SHE USED HER BOYFRIEND
TO KILL HER HUSBAND

AND THEN CUT OFF COMMUNICATION.

NOW WE KNOW
WHY SHE TOSSED THE PHONE.

ALL RIGHT,
LIEUTENANT TAO,

WHAT DO WE KNOW
ABOUT THESE PHONE NUMBERS?

BOTH ARE REGISTERED
AS PREPAID,

BUT I'M TRYING TO FIND OUT
WHERE THEY WERE SOLD.

BUT THERE WERE NO VOICE CALLS
ON EITHER ONE, JUST TEXTS.

WANT ME TO CALL
THE OTHER NUMBER, CHIEF?

NO.
WE CAN'T ALERT THE SUSPECTS.

WE DON'T EVEN HAVE
A VICTIM YET.

IT'S DYING.

WHAT?
THE CELLPHONE'S LOSING
ITS CHARGE.

OH, FOR HEAVEN'S SAKES.
LET ME TAKE A LOOK AT THAT.

IT'S ALL RIGHT, CHIEF.

THE TEXT IS STILL IN THE PHONE,
AND I TYPED IT UP.

IT'S PRINTING
RIGHT NOW.

HERE YOU GO.

THANK YOU.
AND I ALSO HAVE...

NO!
WHAT?

I LEFT MY BAG OF CHARGERS
AT HOME.

DID I?

THEY GOT TO BE HERE
SOMEWHERE.

SO, A WEEK AGO LAST WEDNESDAY,
SHE TEXTED THE WORDS

"BERGMAN'S," "VERMILLION,"
"TAI PEI"

WITH NUMBERS BY THEM, LIKE...

TIMES, MAYBE?
A SCHEDULE?

BERGMAN'S COULD BE
THE DEPARTMENT STORE --

PROBABLY FIVE OF THEM
IN LOS ANGELES.

VERMILLION IS A COLOR, CHIEF --
PART OF THE RED FAMILY.

IT'S A SHADE DARKER
THAN PERSIMMON.

THAT'S HELPFUL.

AND TAI PEI
IS THE CAPITAL OF TAIWAN.

THAT'S ALSO A GREAT
CHINESE JOINT ON VENTURA.

BUT I THINK YOU'RE
ON TO SOMETHING, CHIEF.

IT SOUNDS LIKE
THE VICTIM'S ITINERARY.

SO TAI PEI AND MURRAY
COULD BE A NAME ON A RESERVATION

OR AN EMPLOYEE.

ALL RIGHT --
DETECTIVE DANIELS,

PLEASE HAVE THE CORONER'S OFFICE
COMPILE A LIST

OF ALL THE MEN WHO DIED
IN THE COUNTY LAST WEEK.

LET'S INCLUDE VENTURA,
RIVERSIDE,

AND ORANGE COUNTIES AS WELL.

LIEUTENANT PROVENZA,
LET'S COMPARE

WEDNESDAY NIGHT'S RESERVATIONS
FROM THAT CHINESE RESTAURANT,

UH, TAI PEI, WITH THE NAMES
OF THE DEAD PEOPLE

ON DETECTIVE DANIELS' LIST.

SERGEANT GABRIEL,
LET'S DO THE SAME

WITH THE CUSTOMERS
FROM BERGMAN'S.

AND LET'S SEE
IF THERE'S ONE NAME

THAT COMES UP
ON ALL THREE LISTS.

AND, LIEUTENANT TAO,
I WANT TO KNOW EVERYTHING I CAN

ABOUT THOSE CELLPHONES, PLEASE.

AND, DETECTIVE SANCHEZ,

IF YOU COULD FIND OUT WHAT
"VERMILLION" MIGHT ACTUALLY BE.

OH, I'M SO BEHIND!

HEY, HONEY!

SISTER!

SISTER, SISTER, SISTER, SISTER,
SISTER, SISTER, SISTER!

CLAIRE.

CLAIRE!
CLAIRE, CLAIRE, CLAIRE.

MY SISTER CLAIRE.

YOU'RE GONNA BREAK HER.

RELAX, FRITZI.

YOU KNOW HOWARD WOMEN
DON'T BREAK SO EASILY.

I'M NOT A HOWARD WOMAN JUST YET.

JUST ONE MORE WEEK
TO GO.

AND WHAT A WEEK
IT'S GONNA BE,

BECAUSE I AM HERE
TO HELP YOU.

TAKE A GANDER.

OH.
I MADE A SPROUT SALAD.

I HAVE
A VEGETARIAN CHICKEN POTPIE,

MY SELF-AWARD-WINNING
TOFURKEY,

AND FOR DESSERT, WE HAVE
CAROB-AND-WALNUT SOUFFL?

I HOPE YOU LIKE VEGAN.

OH, CLAIRE.
YOU SHOULDN'T HAVE.

I-I WAS GONNA COOK.

OH, NO, NO, NO.

SHE INSISTED.

AND YOU WEREN'T HERE.

OH, I'M SORRY.
I-I-I WAS, UH, DELAYED.

AND, UH, UM,
ON -- ON THE WAY HOME,

I HAD TO PICK UP A CHARGER
FOR A DISPOSABLE PHONE.

UM, SORRY. LET ME JUST, UH,
PLUG IN THIS CELLPHONE.

I NEED IT FOR MY CASE.

MUST BE
PRETTY INTERESTING.

I SEE A LOT OF SHADOWS
AROUND THAT PHONE.

VERY SPOOKY. WOULD YOU LIKE
FOR ME TO HOLD IT A MOMENT?

WHY?
Fritz: OH, DIDN'T
I TELL YOU, HONEY?

CLAIRE'S DECIDED
SHE'S A PSYCHIC.

OH. REALLY?

OH, I-I DID NOT KNOW THAT.

ACTUALLY, IT'S NOT A DECISION,
IT'S A GIFT.

I'VE HAD IT
SINCE I WAS A CHILD.

REMEMBER THE TIME
I SAVED YOUR LIFE?

I WARNED YOU NOT TO STEP OUT
OF THE TREE HOUSE.

YEAH, BECAUSE YOU PULLED
THE LADDER AWAY.

LOOK, I DON'T
WANT TO FIGHT.

ANYWAY, I PREFER
THE WORD "INTUITIONIST."

PEOPLE HEAR THE WORD "PSYCHIC,"
AND THEY THINK "WACK JOB."

HEY, WHAT KIND OF DRESSING DO
YOU WANT ON YOUR SPROUT SALAD?

I HAVE RED CURRY PEPPERCORN,
AND I HAVE ORGANIC GODDESS.

DON'T TELL ME!
I KNOW EXACTLY WHAT YOU WANT!

I'M GONNA GRAB
A SCOTCH.

NO. HONEY.

Claire: SO YOU DON'T KNOW
THE NAME OF YOUR VICTIM YET?

Brenda:
NOT YET.

OKAY, WELL, NOWADAYS,
I MOSTLY JUST READ AURAS.

AS A MATTER OF FACT,
I EVEN STARTED MY OWN
CONSULTING COMPANY

CALLED CLAIRE-VOYANCE.

ISN'T THAT CUTE?
REMIND ME TO GIVE YOU A CARD.

BUT IN ADDITION TO ROMANTIC
AND FINANCIAL ADVICE,

I SOMETIMES HELP
LOCAL LAW ENFORCEMENT AGENCIES

BACK IN JERSEY WITH MURDERS
AND MISSING PERSONS.

OH, THANK YOU.

H-HOW MANY CASES
HAVE YOU SOLVED?

UM, WELL, MOSTLY
I JUST GIVE TIPS,

BUT I THINK I'VE CONTRIBUTED
TO ABOUT 100 INVESTIGATIONS.

I THOUGHT YOU HAD
AN EXERCISE STUDIO OF SOME KIND.

YEAH, BACK IN PRINCETON
CALLED BODILY MOVEMENTS.

BUT I HAD TO
SHUT IT DOWN.

I GOT CAUGHT IN THE MIDDLE
OF A POWER STRUGGLE

IN THE YOGA COMMUNITY.

IT'S STILL PENDING.

BUT I'M THINKING ABOUT
MOVING TO SANTA FE.

I'D BE CLOSER TO YOU GUYS.
FUN!

I EVEN OFFERED TO HELP FRITZI
HERE WITH THIS EL JEFE CASE,

BUT I THINK HE'S TOO EMBARRASSED
TO HAVE ME AROUND THE OFFICE.

THAT'S NOT TRUE.
MORE TOFURKEY, ANYONE?

NO? THAT'S OKAY.

IT KEEPS.

WELL, MAYBE YOU COULD HELP ME
WITH MY MURDER CASE.

REALLY?
OH, BRENDA, THAT'D BE GREAT.

AND YOU AND I CAN GET
TO KNOW EACH OTHER BETTER.

YES.
YEAH, THAT'S --
THAT'S TERRIFIC.

HONEY, YOU WANT TO
HELP ME CLEAR?

OH, SURE.
SIT.

YOU'RE OUR GUEST.

OKAY. THANKS.
OH, I'M SO EXCITED!

BE RIGHT BACK.
ME TOO.

TO THINK THAT I'VE BEEN SOLVING
CASES THE OLD-FASHIONED WAY

WHEN HELP WAS JUST
A TELEPATHIC MESSAGE AWAY.

LOOK, BEFORE YOGA...

...SHE TRIED GLASSBLOWING
AND MAKING HER OWN SOAP.

SO THE REASON
I DIDN'T SAY ANYTHING

ABOUT THIS PSYCHIC STUFF WAS
BECAUSE I HONESTLY THOUGHT --

OH, YOU'VE BEEN
WORKING SO HARD,

AND THINGS ARE SLOW
FOR US.

IT'S MY TURN TO ENTERTAIN
THE RELATIVES.

CLAIRE MAY BE
A BIT TOUCHED,

BUT SHE SEEMS
PERFECTLY HARMLESS.

SHE MIGHT ENJOY COMING
TO MY WORK AND SEEING WHAT I DO.

WHAT? NO!

NO, NO, NO, NO!

I WOULDN'T LET HER ANYWHERE NEAR
A MURDER CASE.

DO YOU REMEMBER
WHEN THE FBI SENT 30 AGENTS IN

TO DRAIN THAT LAKE IN VIRGINIA,
LOOKING FOR ANTHRAX?

THAT WAS HER!
OH.

WHAT?
WHAT IS THE MATTER?

HE'S NOT DONE KILLING!

WHAT, DO YOU HAVE
ANOTHER VISION?

NO, THE PHONE'S WORKING,
BUT HE LEFT A TEXT MESSAGE.

LOOK!

"U R DEAD."

OH, FOR HEAVEN'S SAKES.

OH, YOU SCARED ME TO DEATH.

WHY IS YOUR WHOLE SQUAD
HERE ON A SATURDAY?

BECAUSE KILLERS WORK WEEKENDS,
TOO, WILL,

AND, UH, WE GOT
A CELLPHONE YESTERDAY THAT --

YEAH, I READ
GABRIEL'S REPORT.

AN UNIDENTIFIED WOMAN

MAY OR MAY NOT HAVE TALKED
HER UNIDENTIFIED BOYFRIEND

INTO MURDERING HER -- YES --
UNIDENTIFIED HUSBAND.

WELL, THERE ARE
A FEW GAPS,

BUT WE'RE WORKING HARD
ON FINDING OUT

WHO THESE PEOPLE ARE --
OR WERE, ANYWAY.

AND EVEN IF THIS WAS A HOMICIDE,
WHAT'S THE BIG RUSH?

IT COULD HAVE HAPPENED
OVER A WEEK AGO.

THE KILLER SENT A TEXT MESSAGE
LAST NIGHT

THREATENING TO OFF
HIS GIRLFRIEND.
WHY?

IT LOOKS LIKE SHE DUMPED HIM
AFTER HE MURDERED HER HUSBAND,

SO WE'RE NOT JUST TRYING
TO SOLVE A MURDER, WILL,

WE'RE TRYING
TO PREVENT ONE.

WHAT ARE YOU DOING HERE
ON A SATURDAY, ANYWAY?

WELL, WE HAVE
PERSONNEL ISSUES.

I'VE LOST A LOT
OF EXPERIENCED PEOPLE IN C.I.,

AND I NEED TO FIND
REPLACEMENTS.

IT'S GONNA MEAN A PROMOTION
FOR SOMEBODY.

N-NOT FROM MY TEAM.

I HAVE LIMITED PLACES
FROM WHICH I CAN PULL,

SO YES, BRENDA,
MAYBE FROM MAJOR CRIMES.

but I'm not ???

ALL I WANT TO
MAKE VERY CLEAR NOW

IS THAT IF YOU DON'T FIND
A VICTIM TODAY,

NO MORE OVERTIME.

BUT WHO WOULD YOU TAKE
FROM M-MY DIVISION?

YOU KNOW WHAT?

LET'S DEAL WITH THE FUTURE
WHEN IT GETS HERE, OKAY?

JUST TRY NOT TO SPEND ALL DAY
ON THIS CASE, OKAY?

OH, SISTER!
OH, I HAVE GOOD NEWS!

LIEUTENANT PROVENZA HERE
SHOWED ME ALL THE TEXT MESSAGES,

AND I WAS ABLE TO GET AN IMAGE
OF THE KILLER'S FACE.

WHILE YOU WERE OUT,
I CALLED IN A SKETCH ARTIST.

NO. REALLY.

AND THEN LATER WE'RE
GONNA MAKE BALLOON ANIMALS.

WELL, THE VICTIM...

YES, I...

...I SEE -- I SEE A RIVER
AND A BRIDGE

AND A NEARBY TRAIN...

AND -- AND A BARKING DOG
IN THE BACKGROUND.

AND -- AND
AN ODD-LOOKING TREE.

A RIVER, A TRAIN,
AND A BARKING DOG.

THROW IN A PICKUP TRUCK,
AND WE'VE GOT A COUNTRY SONG.

EXCUSE ME FOR A MINUTE.
I'LL BE RIGHT BACK.

Brenda:
WELL, THANK YOU SO MUCH, CLAIRE.

YOU BE CAREFUL OUT THERE.

CHIEF?

YES.

I'VE NEVER HAD A USEFUL TIP
FROM A PSYCHIC EVER.

SHE'S NOT A PSYCHIC.

SHE'S AN INTUITIONIST
AND MY FUTURE SISTER-IN-LAW.

OH, COME ON.

DO YOU HAVE ANY IDEA

WHO'S IN DANGER OF BEING
MURDERED LATER ON TODAY?

NO? WELL, THEN LET'S KEEP
MOVING, SHALL WE?

WHERE ARE WE
ON THESE TEXT MESSAGES

THAT LOOK LIKE A SCHEDULE --

BERGMAN'S, VERMILLION,
TAI PEI?

AH, THERE ARE
NINE BERGMAN'S STORES

BETWEEN ORANGE COUNTY
AND VENTURA.

THE CORPORATE OFFICE
SENT OVER A COMPLETE LIST

OF EVERY CREDIT-CARD TRANSACTION
FROM LAST WEDNESDAY.

UH, UNFORTUNATELY,
NONE OF THEM MATCHES UP

WITH THE 23 MALE DEATHS
IN L.A.

OR THE SURROUNDING COUNTIES
ON THAT DAY.

LIEUTENANT PROVENZA!
YES, MA'AM?

WHAT DO YOU KNOW
ABOUT VERMILLION?

OH, UH, NO -- STILL --
STILL WORKING ON THAT.

BUT, UH,
YESTERDAY AFTER WORK,

I DID STOP BY TAI PEI
FOR DINNER.

AND, UH,
WEDNESDAY BEFORE LAST,

THERE WAS A RESERVATION
FOR A GUY, LAST NAME MURRAY --

TABLE FOR TWO AT 9:30.

MANAGER SAYS
MURRAY WAITED HALF AN HOUR,

DINED ALONE, PAID CASH.

LIEUTENANT TAO,

WHAT DO WE KNOW
ABOUT THOSE PREPAID CELLPHONES?

Tao:
THE PHONES WERE PURCHASED

FROM THE SAME CONVENIENCE STORE
10 DAYS AGO --

ALSO FOR CASH.

BUT THE SECURITY-CAMERA TAPE
IS ON A SEVEN-DAY LOOP,

SO THE FOOTAGE
IS ALREADY GONE.

AND THE GUY
BEHIND THE COUNTER

DOESN'T REMEMBER
WHO HE SOLD THE PHONES TO.

THE FIRST MARRIAGE
WAS DEVOURED BY JEALOUSY.

THE HUSBAND WANTED HIS WIFE
TO STOP WORKING.

HE THOUGHT SHE WAS HAVING
AN AFFAIR WITH A CO-WORKER.

SHE DID HAVE AN AFFAIR
WITH A COLLEAGUE,

BUT THAT WAS BEFORE --
NO! I SEE A SEQUOIA!

NO! A-A TREE!
NO, NO.

SHE HAD FEELINGS
FOR SOMEONE ELSE --

???

wait.
i should be like recording this.

LIEUTENANT FLYNN, WHY DON'T YOU
STOP BY THE CONVENIENCE STORE

WHERE THOSE
PHONES WERE BOUGHT

AND TALK TO THE GUY
WHO SOLD THEM,

SEE IF YOU CAN
JOG HIS MEMORY?

CHIEF,
YOU CAN'T BE SERIOUS.

I MEAN, THOSE PEOPLE
WOULDN'T REMEMBER A MAN

WHO CAME IN WITH AN ELEPHANT
TO BUY A QUART OF MILK.

THEN WHY DON'T YOU TAKE CLAIRE
WITH YOU?

WHAT?

Claire: IF I COULD JUST HOLD
THE CLERK'S HAND,

I MIGHT BE ABLE TO SEE THE
KILLER THROUGH HIS MIND'S EYE.

SOUND GOOD, LIEUTENANT?

SOUNDS GREAT, CHIEF.

COME ON, I'LL GIVE YOU
A RIDE-ALONG.

OH, TERRIFIC.
JUST A SECOND.

I just want to see this
for a second.

MY PHONE CHARGERS!

NO, UNH-UNH.
MAKE HIM BALD, COMPLETELY BALD.

YEAH. GOOD JOB, EVERYONE!
SEE YOU LATER!

THANK YOU!
BYE!

FLYNN.
WHAT?

OOH, I'VE GOT
A BAD FEELING ABOUT THIS.

YEAH. ME TOO.

Tao: CHIEF?

CLAIRE MIGHT BE
ON TO SOMETHING.

THERE'S THE LITERAL
AND THERE'S THE ABSTRACT.

OH, COME ON.

NOT EVERYTHING IN THIS UNIVERSE
IS VISIBLE TO THE NAKED EYE.

SHE MAY BE TALKING
IN IMAGES.

Sanchez: UH, YEAH.
CHIEF, "VERMILLION" IS A PLAY.

IT'S "A GOTHIC TALE
OF LOVE AND WITCHCRAFT

SET ON THE VERMILLION RIVER
IN LOUISIANA."

IT RUNS IN WESTWOOD
TILL THE END OF THE MONTH.

THEY'RE FAXING OVER A LIST
OF CREDIT-CARD ORDERS,

BUT IT'S A 99-SEAT
EQUITY-WAIVER HOUSE,

AND THE THEATER MANAGER
SAID EVERYONE SHOWED UP.

THEY TURNED AWAY PEOPLE
ON STANDBY.

Tao: CHIEF!
OH!

YES, LIEUTENANT.
WHAT IS IT?

VERMILLION'S A RIVER.

JUST LIKE CLAIRE SAID.
OH, FOR HEAVEN'S SAKES.

SO, ASSUMING OUR VICTIM
IS A REAL PERSON,

HE MADE IT
TO THE PLAY.

EVERYBODY SHOWED UP.
SO HE WAS IN WESTWOOD.

BUT NEVER MADE IT
TO TAI PEI.

LIEUTENANT PROVENZA,
WHAT IS THE FASTEST WAY

BETWEEN THE THEATER
AND THE RESTAURANT?

WELL, THE 405,

BUT ONLY SOME POOR TOURIST
WOULD TAKE THAT.

LOCALS WOULD DO BEVERLY GLEN
OR SEPULVEDA.

WHY?

DETECTIVE DANIELS,

PLEASE TAKE A LOOK AT THE LIST
WE GOT FROM THE MORGUE

AND FIND ME SOMEONE WHO DIED
WEDNESDAY BEFORE LAST BETWEEN...

THE THEATER AT 7:00
AND TAI PEI AT 9:30.

Taylor: THE VICTIM OF THE
CAR ACCIDENT, SHAWN THOMPSON,

WAS A MAJOR
HORROR FILM PRODUCER.

AND YES, CHIEF,
HE IS MARRIED.

HIS WIFE'S
CHRISTINE THOMPSON.

TRAFFIC DID
A DETAILED INVESTIGATION.

NOW, THE VEHICLE,
A 2008 LEXUS SEDAN,

DROVE RIGHT OFF THE CLIFF
FROM OVER THERE.

THE CAR WAS INSPECTED.

EVERYTHING WAS FULLY FUNCTIONAL
EXCEPT THE AIR BAGS.

THEY WERE TURNED OFF.

UH, WHAT'S THE INTEREST?

CHIEF!
UGH!

LOOK!

WHAT IS IT, LIEUTENANT?

A BRIDGE -- JUST LIKE CLAIRE
SAID WE WOULD FIND.

WHO'S CLAIRE?

SHE'S A PSYCHIC,
AND SHE'S --

YOU GUYS ARE CONSULTING
A PSYCHIC?

NO, WE'RE NOT.
EXCUSE ME, LIEUTENANT.

UH, WERE THERE ANY SKID MARKS
AROUND THIS ACCIDENT

OR SIGNS OF A COLLISION?

NO, NO. LOOKS LIKE
HE JUST LOST CONTROL OF THE CAR.

WAS THERE A 911 CALL?

PERSON REPORTING CALLED
FROM THAT PAY PHONE OVER THERE.

THEY DIDN'T STICK AROUND
TO CHAT, THOUGH.

NO OTHER WITNESSES
CAME FORWARD.

LIEUTENANT,
I WANT THE 10 CALLS

MADE BEFORE AND AFTER
THE 911 CALL, PLEASE.

LET'S, UH, SEE WHAT ELSE
WE HAVE HERE.

YEAH, THE SHORT-FORM AUTOPSY
SAYS MR. THOMPSON'S INJURIES

WERE CONSISTENT
WITH AN AUTO ACCIDENT.

HE WASN'T WEARING
A SEAT BELT.

HIS BLOOD ALCOHOL
CAME BACK .04.

WHERE WOULD HE
HAVE HAD A DRINK?

HOW ABOUT INTERMISSION
AT THE PLAY?

DO YOU HAVE TO USE
THAT TONE?

I MEAN, IT'S -- IT'S THE TONE.
IT'S -- IT'S --

UH, EXCUSE ME.

ANYTHING ELSE, COMMANDER?

NO, THE ONLY OTHER THING
I KNOW

IS THAT MR. THOMPSON'S WIFE,
CHRISTINE,

TOOK HER HUSBAND'S DEATH
PRETTY BADLY.

SHE MAY BE TAKING IT
WORSE THAN YOU KNOW.

EXCUSE ME.

looks like CHRISTINE THOMPSON
HAS IT PRETTY GOOD.

Tao:
IF SHE'S STILL ALIVE.

I DON'T KNOW.

IT LOOKS LIKE WE TOOK A WRONG
TURN IN TRANSYLVANIA TO ME.

BUZZ IT AGAIN, BUZZ.

I KNEW YOU WERE
GONNA SAY THAT.

DETECTIVE, DO YOU THINK
YOU CAN FORCE OPEN THIS GATE?

WELL, DON'T HAVE TO, CHIEF.

THE LOCK'S BUSTED.

THERE'S A DOG BARKING
IN THE BACKGROUND.

JUST LIKE CLAIRE SAID.
OH, FOR HEAVEN'S SAKE.

YES, LIEUTENANT.
IT'S UNCANNY.

ALL RIGHT, EVERYBODY.

Taylor:
LOOK, LOOK, CHIEF.

WHY DON'T YOU LET ME CALL IN
FOR A SEARCH WARRANT?

NO, I DON'T THINK
THERE'S TIME.

I'M NOW OFFICIALLY ACTING
ON A TIP.

FROM WHO -- A PSYCHIC?

WE HAVE
EXIGENT CIRCUMSTANCES.

CHRISTINE THOMPSON'S LIFE
WAS THREATENED.

ALL RIGHT, DETECTIVE.

CAR'S RUNNING
IN THE GARAGE!

DON'T MOVE!
DON'T MOVE!

RELAX, GENTLEMEN.
HE'S NOT ARMED.

thank you

YEAH, NO PULSE.
SHE'S LONG GONE, CHIEF.

SO HER BOYFRIEND
THREATENS TO KILL HER,

SO SHE COMMITS SUICIDE?

HOW DOES THAT MAKE SENSE?

WOULD SOMEONE PLEASE CALL
THE PARAMEDICS?

I WANT HER TAKEN OUT OF HERE
IN AN AMBULANCE.

BUT, CHIEF, SHE'S DEAD.

WELL, THEN
YOU BETTER HURRY.

YES, MA'AM.

OH...MY...GOD.

WHAT?
CHIEF, LOOK.

A TRAIN.

THE RIVER, THE BRIDGE,
THE BARKING DOGS, THE TRAIN --

EVERYTHING CLAIRE SAID.

IT'S ALL HAPPENING.

CHIEF?

YES, LIEUTENANT.
I'LL BE RIGHT THERE.

JUST -- JUST A WORD.
I'M -- I'M SORRY.

UM, I DON'T KNOW
IF YOU'VE NOTICED,

BUT, UH,
GABRIEL AND DANIELS

CAN HARDLY STAND TO BE IN
THE SAME ROOM TOGETHER ANYMORE.

I ALREADY ISSUED AN ORDER

FOR THEM TO SORT OUT
THEIR ROMANTIC PROBLEMS.

YOU -- YOU ARE
AN EXCELLENT LEADER, CHIEF,

BUT...YOU CAN'T JUST BOSS AROUND
THE HUMAN HEART.

LIEUTENANT,
I AM IN THE MIDDLE

OF A DOUBLE HOMICIDE
INVESTIGATION.

I DON'T WANT TO TALK ABOUT THIS
RIGHT NOW.

WELL, I DON'T WANT TO TALK ABOUT
IT, EITHER, BUT, LOOK.

SANCHEZ WAS GONE FOR FOUR MONTHS
ON A DISABILITY LEAVE,

AND THEN --

AND THEN GABRIEL TOOK A WEEK OFF
FOR SOME TRAINING,

AND DANIELS WAS OFF
AT SOME HOMELAND SECURITY LABS

FOR TWO WEEKS.

I MEAN, LOOK,
I MAY NOT BE A PSYCHIC,

BUT AS AN EXPERIENCED
CIVIL SERVANT,

I CAN TELL YOU THIS --

THE BRASS WILL NOT LET YOU DO
WITH SIX PEOPLE

WHAT YOU'VE PROVEN
YOU CAN DO WITH FIVE.

CHIEF POPE
TOLD ME THIS MORNING

THAT HE MAY HAVE TO PROMOTE
SOMEONE FROM MAJOR CRIMES

TO THE C.I. DIVISION.

WELL, THERE IT IS, THEN.
THERE IT IS.

AND I'M TELLING YOU,
CHIEF.

H-HE COULD TAKE SANCHEZ
OR TAO OR EVEN FLYNN.

AND OUR PROBLEM
WOULD STILL BE THE SAME,

AND IT'S SITTING
RIGHT OUT THERE.

LET'S TALK ABOUT THIS TOMORROW.

CHIEF.

THAT'S TWICE IN ONE DAY!

SPEAK OF THE DEVIL.

WHAT'S THAT ABOUT?

UH, NOTHING, NOTHING.
WHAT'S UP?

UH, I WAS
AT THE MORGUE

CHECKING ON A MURDER
FOR HARBOR DIVISION,

AND DR. MORALES COMPLAINED

THAT YOU HAD A "CREEPY LADY"
DOWN THERE WITH LIEUTENANT FLYNN

TALKING TO A CORPSE.

SHE'S NOT
A CREEPY LADY.

HER NAME IS CLAIRE, AND SHE'S
MY FUTURE SISTER-IN-LAW.

SHE HELPED US
FIND THE VICTIM.
REALLY? HOW?

UH, CLAIRE DID NOT
HELP US FIND THE VICTIM.

Sanchez:
BUT SHE GUIDED A SKETCH ARTIST

INTO A DRAWING
OF THE KILLER, SIR.

CHECK IT OUT.

THAT'S FUNNY.

SO, FRITZ'S SISTER
IS A PSYCHIC.

NO, SHE'S
AN INTUITIONIST.

OKAY.

WELL, TELL CLAIRE
THAT I HAVE A GOOD ALIBI

FOR THE SUICIDE
THAT YOU FOUND TODAY,

WHICH BRINGS ME TO THE QUESTION
I CAME HERE TO ASK.

OH, ONE SECOND.

UH, SERGEANT, DID, UM --
DID THE, UH...

SERGEANT GABRIEL,

DID CHRISTINE THOMPSON'S
ATTEMPTED SUICIDE

MAKE IT
TO THE EVENING NEWS?

UH, TOP STORY.

THEY'RE SAYING
SHE'S GONNA MAKE IT.

OKAY, SO EXACTLY HOW DEAD
DOES THIS WOMAN HAVE TO BE

BEFORE WE ANNOUNCE IT?

IF THE KILLER THINKS
THAT SHE'S STILL ALIVE,

WE CAN USE THAT TO OUR ADVANTAGE
WHEN WE CATCH HIM.

OH, MAY WE JUST DISCUSS
THE PROS AND CONS

OF WHETHER
THERE IS A MURDER HERE?

Gabriel:
UM, PRO.

CHRISTINE HAD A GASH
IN HER HEAD,

SUGGESTING THE KILLER
KNOCKED HER OUT

AND THREW HER TO THE GROUND
AND STARTED THE ENGINE.

Daniels: CON.

SHE HAD SECOND THOUGHTS
ABOUT SUICIDE,

TRIED TO GET OUT OF THE CAR,
WAS OVERCOME BY FUMES,

FELL, AND HIT HER HEAD.

THE LOCK ON THE FRONT GATE
WAS BROKEN,

SUGGESTING FORCED ENTRY.

BUT WE DON'T KNOW
WHEN THE LOCK WAS BROKEN.

AND NO PRINTS.

SO
WHY KILL YOURSELF

AFTER YOU'VE GONE THROUGH
ALL THE TROUBLE

TO HAVE YOUR HUSBAND
MURDERED?

CLEARLY, THERE ARE MANY
POSSIBLE EXPLANATIONS,

BUT WE DO HAVE
THAT CELLPHONE

THAT LED US RIGHT
TO SHAWN THOMPSON AND HIS WIFE.

AND WHEN WE WENT TO FIND OUT
WHAT WAS LEFT OF THE CAR,

WE FOUND A DRESS FROM BERGMAN'S
THAT HE PICKED UP FOR HIS WIFE

LAST WEDNESDAY
AT 6:00 P.M.

SO, MR. THOMPSON'S SCHEDULE
FOR THE DAY HE DIED

WAS EXACTLY WHAT THE
TEXT MESSAGE SAID IT WOULD BE.

Tao: WE DUMPED THE PAY PHONE
BY THE SCENE OF THE ACCIDENT,

AND WHEN MR. THOMPSON
DROVE HIS CAR OFF THE ROAD,

SOMEONE CALLED FOR A CAB --
AMERICAN USA TAXI.

YEAH, FLYNN STOPPED THERE
ON HIS WAY BACK FROM THE MORGUE

TO TALK TO THE CABDRIVER.

OH, MY GOD!
YOU MADE THE ARREST!

NO, CLAIRE.

THIS IS MY BOSS,
ASSISTANT CHIEF WILL POPE.

OH, I MUST HAVE SENSED YOU

HOVERING AROUND THE CASE
OR SOMETHING.

YEAH, I DO THAT SOMETIMES.
I-I HOVER.

EXCUSE ME.

WELL, MAJOR CRIMES
SEEMS TO HAVE HAD

SOME VERY GOOD HUNCHES
ON THIS.

BUT UNLESS YOU'RE PLANNING
TO HOLD A S�ANCE,

THE VICTIMS ARE NOT GOING TO
TELL YOU HOW THEY DIED.

SO LET'S FIND SOME PHYSICAL
EVIDENCE FROM, YOU KNOW,

OUR PLANE OF EXISTENCE
AND WRAP THIS UP, ALL RIGHT?

GOOD NIGHT, EVERYBODY.

PLEASANT DREAMS.

SKEPTICS.

SOME PEOPLE JUST WON'T BELIEVE
WHAT THEY CAN'T SEE.

LIKE JURIES.

LIEUTENANT FLYNN, ANYTHING?

OKAY, WELL,
I SPOKE TO THE CABDRIVER,

AND HE SAID WEDNESDAY NIGHT
BEFORE LAST,

HE PICKED UP A FARE
AT THE BUS STOP

WHERE SHAWN THOMPSON'S CAR
WENT OFF THE ROAD.

BUT ALL HE COULD REMEMBER
ABOUT THE PASSENGER

WAS THAT HE WAS A WHITE GUY
YOUNGER THAN ME.

SO WE'RE
BACK TO NOWHERE.
Tao: NOT EXACTLY.

LIKE CLAIRE,
I CAN ALSO SEE THE INVISIBLE.

GIVE ME A PERSON'S PHONES,

ND I CAN DRAW YOU A PICTURE
OF THEIR ENTIRE LIFE,

MAYBE EVEN TELL YOU
THEIR DESTINY.

AND WHEN I AM DONE

WE...

WILL HAVE FULFILLED
CLAIRE'S PROPHECY.

I DUMPED ALL THE PHONES

REGISTERED
TO CHRISTINE THOMPSON.

I THEN CREATED A LIST OF
THE MOST COMMONLY USED NUMBERS

IN THE PAST MONTHS LEADING UP
TO HER HUSBAND'S DEATH.

THIS WAS HER HUSBAND, SHAWN.

HEY SPOKE A LOT
DURING THE DAY.

OVER HERE --
MOTHER FROM SHERMAN OAKS.

SHE HAD A SISTER IN CONNECTICUT
SHE SPOKE TO ON A WEEKLY BASIS.

AND THEN THIS NUMBER.

A. RABER.

THE NUMBER FIRST APPEARS
FOUR MONTHS AGO.

WATCH HOW THE RELATIONSHIP
DEVELOPS.

IN THE BEGINNING, THEY SPEAK
ONCE EVERY TWO OR THREE DAYS.

THEN THINGS HEAT UP.

THEY TALK ALL THE TIME.

AND THEN THIS.

WHAT?

NOTHING.

THEY SUDDENLY STOP SPEAKING.

AND ON THAT EXACT SAME DAY,
TWO PREPAID CELLPHONES

ARE PURCHASED
FROM A CONVENIENCE STORE.

SO THEY BEGAN TEXTING
BEFORE HER HUSBAND'S MURDER.

WELL, HOW DOES THIS FULFILL
MY PROPHECY EXACTLY?

WE FOUND THE BRIDGE, THE RIVER,
THE TRAIN, THE BARKING DOG.

WHAT COULD BE
MORE ODD-LOOKING...

...THAN A PHONE TREE?

I DID IT!
I REALLY DID IT!

THIS IS EXCITING!
WHO'S A. RABER?

DON'T YOU ALREADY KNOW?

Sanchez:
HIS NAME IS ANDREW RABER.

HE'S A STUNT MAN
FOR TELEVISION AND FILM.

ANDREW RABER.

ALL RIGHT.

HIS FILM CREDITS INCLUDE
"HOUSE OF DEATH,"

"SORORITY DEATH HOUSE,"
"CAMP MURDER 1,"

"CAMP MURDER 2" --

YEAH, AND ALL
THOSE MASTERPIECES

WERE PRODUCED BY THE SAME GUY --
ONE SHAWN THOMPSON.

SO SHAWN KNEW ANDREW.

AND BASED
ON HER CELLPHONE RECORDS,

CHRISTINE KNEW HIM, TOO.

WE PULLED MR. RABER'S HIGHLIGHT
REEL OFF OF HIS WEBSITE.

GO AHEAD, BUZZ.

I THINK YOU'RE GONNA
FIND THIS INTERESTING, CHIEF.

BUZZ, UH, STOP IT THERE
AND ROLL IT BACK.

PLAY THAT
LAST PART AGAIN, PLEASE.

ALL RIGHTY.

OH, WOULD YOU
LOOK AT THAT?

"IT'S MY JOB,"
HE SAID.

CRASHING VEHICLES
AND FALLING OUT OF CARS.

AND HE DOES. MIGHT AS WELL
HAVE FILMED THE MURDER.

BUT WITH NO WITNESSES.

I JUST CAN'T BELIEVE
THIS IS OUR GUY.

HOW WAS I
SO THROWN OFF?

THAT'S NOT HOW I PICTURED HIM
AT ALL.

"NOT HOW I PICTURED HIM."

LIEUTENANT FLYNN,

I NEED YOU TO GET
THE CABDRIVER IN HERE

AND THE SKETCH ARTIST, TOO.

OKAY, BUT WHO'S
SHE GONNA DRAW?

THE KILLER.

Gabriel:
SO, YOU'RE A STUNT MAN, RIGHT?

YEAH.

THAT'S COOL.

WHAT'S THE CRAZIEST STUNT
YOU EVER DID?

COME ON IN.
OH, HELLO.

HI.

WHY DID YOU BRING
THIS RABER GUY IN ON A SUNDAY

WHEN YOU HAVE
NOTHING ON HIM?

BECAUSE HE'S ALREADY KILLED
TWO PEOPLE,

I DON'T LIKE THE IDEA OF HIM
RUNNING AROUND ON HIS OWN.

ALL RIGHT.

AND YOU CAN PROVE
HE'S A KILLER?

WELL, I HAVE A CABDRIVER
COMING IN WHO --

WHO SAW NOTHING.
AND?

AND I HAVE
A SKETCH ARTIST WHO --

RIGHT. WHO JUST DREW A PICTURE
OFF THE MONITOR. AND?

AND I HAVE
CHRISTINE THOMPSON.

WHO IS DEAD.
NOT COMPLETELY.

TECHNICALLY, THOUGH,

BY THE STANDARDS
OF THE JUSTICE SYSTEM

AND, YOU KNOW, REALITY --
DEAD.

I HAVE A PLAN, SIR,
AND THE SOONER I EXECUTE IT,

THE FASTER WE'LL ALL BE ABLE
TO GET OFF THE CLOCK.

SO, SHALL I?

THANK YOU.

OH, BUZZ.

UH, LET ME KNOW AS SOON
AS THE CABDRIVER COMES IN.

YES, MA'AM.

OH, NO. NO, NO.
YOU WAIT HERE.

YOU'RE A VIRGO,
AREN'T YOU?

STAY OUT OF MY HEAD,
LADY.

YEAH, WELL, HALF THE STUFF
YOU SEE IN MOVIES ISN'T REAL.

RIGHT.
AND WHAT ABOUT THE OTHER HALF?

Brenda:
ANDREW RABER?

I'M DEPUTY CHIEF
BRENDA LEIGH JOHNSON.

THANK YOU SO MUCH
FOR COMING IN.

HOW ARE YOU
THIS MORNING?

A LITTLE ANNOYED.

OH, REALLY?
WHY IS THAT?

YOU GUYS PULL ME
OUT OF MY HOUSE,

DRAG ME DOWNTOWN,
AND READ ME MY RIGHTS

WITHOUT AN EXPLANATION.

IT'S LIKE GUANTANAMO BAY
IN THIS PLACE.

OH, LOOK AT THOSE TERRIBLE
SCRAPES ON YOUR HAND!

HOW'D YOU GET THOSE?

I'M A STUNT MAN.
GET BANGED AROUND A LOT.

I'M THE GUY
YOU DON'T SEE IN MOVIES.

PART OF
THE SHOWBIZ MAGIC.

WELL, SPEAKING OF SHOWBIZ,

WE HAVE A COUPLE OF QUESTIONS
FOR YOU ABOUT A MOVIE PRODUCER.

A MR. SHAWN THOMPSON?

I BELIEVE THAT YOU'RE A REGULAR
PLAYER IN HIS HORROR FILMS.

Gabriel:
AS YOU MAY KNOW,

MR. THOMPSON TRAGICALLY DIED
IN A CAR ACCIDENT LAST WEEK.

YEAH.
IT'S PRETTY SHOCKING.

AND JUST YESTERDAY, IT SEEMED
THAT HIS WIFE, CHRISTINE,

LOCKED HERSELF IN HER GARAGE
WITH HER BENTLEY RUNNING --

ALMOST DIED.

YEAH, I SAW SOMETHING ABOUT
THAT ON THE NEWS. IS SHE OKAY?

THANKS TO HER BARKING DOGS.

A NEIGHBOR CALLED 911 --
SAVED HER LIFE.

WE'RE HERE.

WE'VE GOT HER
IN PROTECTIVE CUSTODY.

PROTECTIVE CUSTODY?
WHY?

CHIEF,
THE CABDRIVER'S ARRIVED,

AND THEY'RE
MOVING INTO POSITION.

Brenda: WELL, UH,
WE HAVE REASON TO BELIEVE

THAT WHAT HAPPENED
TO CHRISTINE

WAS LESS ATTEMPTED SUICIDE
AND MORE OF AN ATTEMPTED MURDER,

WHICH IS WHY WE WANTED
TO TALK TO YOU.

TO ME? WHY?

WELL, YOU WERE HAVING AN AFFAIR
WITH CHRISTINE, WEREN'T YOU?

ARE YOU KIDDING?

HAVING A -- NO.

WHO TOLD YOU THAT?
I NEVER --

UH, HOLD ON.
HOLD ON --

BEFORE YOU SAY SOMETHING YOU'RE
GONNA HAVE TO TAKE BACK LATER.

LET ME SHOW YOU
WHAT WE HAVE.

PHONE RECORDS.

THESE SHOW
THAT YOU AND CHRISTINE

SPOKE SEVERAL TIMES A DAY
FOR MONTHS.

WE, UH --

I MET CHRISTINE
ON ONE OF SHAWN'S FILMS.

SHE VISITED THE SET
DURING ONE OF THE STUNTS,

BUT, I SWEAR,
IT WAS JUST A FRIENDSHIP.

ASK HIM IF HE RIDES A MOTORCYCLE.
WHAT ARE YOU DOING?!

I'M SEEING A MOTORCYCLE.

GIVE THAT TO ME!
BUT -- NO! BUT --

LET GO!
I'M SEEING AN ANGRY WIND!

BRENDA, THIS IS IMPORTANT!
ASK ABOUT THE ANGRY WIND!

Provenza: I AM TIRED OF
FARTING AROUND WITH YOU, LADY!

BRENDA --
GIVE ME THIS MICROPHONE
RIGHT NOW!

Daniels: NO, CLAIRE...
NO, NO...

NO!

I'M TELLING YOU, IF YOU
TOUCH THIS MICROPHONE AGAIN,

WHEN THE CHIEF
COMES OUT OF THERE,

YOU MAY BE SPEAKING
TO DEAD PEOPLE IN PERSON.

NOW, YOU GET.

DO YOU RECOGNIZE
THIS DISPOSABLE CELLPHONE?

SHOULD I?

UH, CHRISTINE GAVE ME THAT
WHEN WE RESCUED HER.

SHE SAID
YOU BOUGHT IT FOR HER

AND ANOTHER ONE
JUST LIKE IT

AND THAT YOU USED THEM

TO HELP HER PLAN
THE MURDER OF HER HUSBAND.

THAT'S A LIE.

THIS PHONE TEXTS
SHAWN'S ENTIRE SCHEDULE

THE DAY OF THE ACCIDENT --

THE DEPARTMENT STORE, THE PLAY,
THE CHINESE RESTAURANT.

BUT HE NEVER MADE IT
TO THE RESTAURANT, DID HE?

BECAUSE YOU DROVE HIS CAR
OFF A CLIFF.

WHAT?! HEY!

SIT...DOWN.

SHE'S A LYING BITCH.

I'VE NEVER SEEN THAT PHONE
BEFORE IN MY LIFE.

I'VE ALWAYS BEEN FASCINATED
BY MOVIE STUNTS.

TELL ME --
DID YOU KNOCK SHAWN OUT

AND THEN POINT HIS CAR
TOWARD THE CLIFF,

AND THEN ROLL OUT
AT THE LAST SECOND, OR --

LISTEN TO ME.
I WASN'T THERE.

AFTER YOU STAGED
THE ACCIDENT,

YOU USED A PAY PHONE
TO CALL A TAXICAB

THAT PICKED YOU UP
AT A BUS STOP DOWN THE STREET.

DO YOU REMEMBER
THAT CABDRIVER?

'CAUSE HE REMEMBERS YOU.

HELLO, SIR.
GOOD TO SEE YOU AGAIN.

THANK YOU SO MUCH,
BILLY.

LET'S GO.

WAS THAT HIM?
I WAS JUST GUESSING.

WE'VE BEEN DOING
A LOT OF THAT LATELY.

WHO'S BILLY?

SHE MEANT YOU,
EINSTEIN.

IN ADDITION TO THE CABDRIVER,
WE HAVE OTHER WITNESSES

THAT SAW YOU LEAVING
THE CRIME SCENE.

THERE --
THERE WERE WITNESSES?

IT WAS DARK OUTSIDE.

YOU MIGHT NOT HAVE SEEN THEM,
BUT THEY SAW YOU.

AND THIS IS THE PICTURE

THAT THEY HELPED
OUR SKETCH ARTIST DRAW.

NOTICE THE SIMILARITY?

YOUR GIRLFRIEND'S
PRETTY UPSET

YOU TRIED TO KILL HER,
ANDREW.

AND AFRAID.

SHE SAID
SHE WAS JUST JOKING AROUND

WHEN SHE TALKED TO YOU
ABOUT KILLING HER HUSBAND.

SHE WAS STUNNED
THAT YOU ACTUALLY DID IT

AND EVEN MORE SURPRISED WHEN
YOU LOCKED HER IN THE GARAGE

WITH THE CAR RUNNING.

OH, MY GOD.

NOW, YOU LISTEN TO ME.

IF YOU DON'T TELL ME
WHAT HAPPENED,

I'M GONNA HAVE TO
GO WITH CHRISTINE'S
VERSION OF THE EVENTS.

SHE'LL WALK, AND YOU'LL END UP
FACING THE DEATH PENALTY.

BUT IF SHE SOLICITED
THIS MURDER

AND SUGGESTED THAT YOU AND SHE
WOULD LIVE ON SHAWN'S MONEY --

OH, I NEVER GAVE A DAMN
ABOUT SHAWN'S MONEY!

I ONLY LOVED CHRISTINE.

AND...I THOUGHT
SHE LOVED ME.

S-SHE MADE ALL THESE PROMISES
TO ME.

AND AFTER I DID IT...

...WHAT SHE
ASKED ME TO DO...

...SHE BLEW ME OFF.

SHE BLEW HIM OFF...

LIKE AN ANGRY WIND.

SHE USED ME
TO GET SHAWN'S MONEY.

BITCH!

I THOUGHT SHE LOVED ME.

I NEED SOME PROOF
IF I'M GONNA CHARGE CHRISTINE.

SHE BOUGHT HIM THE TICKETS
TO "VERMILLION."

AND SHE GAVE ME THE OTHER SET
OF KEYS TO HIS CAR.

I WAS, UH...

HIDING IN THE BACKSEAT
WHEN HE CAME OUT OF THE THEATER.

HE WAS ALIVE
WHEN I DID IT.

HE, UH...

SCREAMED AT ME --
"WHY?"

AND I TOLD HIM WHY.

"BECAUSE CHRISTINE
WANTS IT THIS WAY."

I SHOULD HAVE PUT
HARLEY AND DAVIDSON

IN THE GARAGE WITH HER.

IT'S YOUR CLASSIC
ROAD BIKE.

HARLEY AND DAVIDSON?

HER STUPID DOGS.

YOU, UH...

YOU BELIEVE ME,
DON'T YOU?

OH, YES.

I THINK I DO.

THEN DO ME A FAVOR,
WILL YOU?

WHAT'S THAT?

TELL CHRISTINE
I'LL SEE HER IN HELL.

GUESS WHAT.

SHE'S ALREADY THERE.

??? take ???

???

so ??? guy.

??? C MADE A PRETTY GOOD PAIR.

ACTUALLY, I DIDN'T HELP OUT ALL
THAT MUCH, BUT I HAVE TO SAY,

WATCHING YOUR FUTURE WIFE
AT WORK MADE ME THINK THAT MAYBE

I SHOULD GIVE UP
THE CONSULTING BUSINESS

AND GET INTO LAW ENFORCEMENT
FULL TIME.

WHAT'S GOING ON WITH THIS, UH,
EL JEFE CASE?

SETTING UP FOR THE BIG TAKEDOWN
AS WE SPEAK.

NOT MUCH LEFT TO DO.

OKAY, WELL, IF YOU NEED ME,
YOU KNOW, I'M READY --

NO, NO, NO, NO.
WE'RE ALL SET.

YOU GOT TO KEEP YOURSELF FREE
FOR BRENDA HERE.

BYE, SWEETIE. SEE YOU TONIGHT.

BYE.
BYE.

THAT -- HMM.

BYE!
BYE.

WATCH OUT
FOR LEFT TURNS!

WHAT?

NEVER MIND. JUST DON'T READ
ANYTHING OUT LOUD.

THANKS, CLAIRE.

SEE YA.

I CAN SEE HOW CRAZY YOU ARE
ABOUT MY BROTHER.

I AM.
I REALLY AM.

HEY, LISTEN.

I'M SORRY ABOUT THE MISTAKE
I MADE THE OTHER DAY.

WHAT'S THAT?

OH, REMEMBER THE VISION I HAD
ABOUT THE CASE?

I SAID THE VICTIM
WAS ON HER SECOND MARRIAGE

AND THAT HER FIRST MARRIAGE
ENDED BADLY?

WELL, YOU CAN'T BE RIGHT
ABOUT EVERYTHING.

YEAH, BUT I WAS
REALLY OFF.

AND I KEPT TRYING TO FIGURE OUT
WHAT IT WAS.

AND THEN I REALIZED
THAT I HAD MY SIGNALS CROSSED.

I WASN'T TALKING
ABOUT THE MURDER.

I WAS TALKING ABOUT YOU.

ABOUT ME?

YEAH.

YOU HAD AN AFFAIR
WITH AN OFFICE CO-WORKER --

A BALD OFFICE CO-WORKER --
WHICH ENDED BADLY.

SO THEN YOU MARRIED YOUR
FIRST HUSBAND ON THE REBOUND,

AND HE WAS
A-A JEALOUS MONSTER.

AND THAT ENDED POORLY.

SO THEN
YOU JUST GOT AFRAID

AND JUST TIRED OF FALLING
FOR THE WRONG GUY,

WHICH IS WHY YOU'VE BEEN
PUTTING OFF MARRYING MY BROTHER.

YOU'RE AFRAID.

I...I HAVE BEEN AFRAID.

WAIT A MINUTE.

DID FRITZ TELL YOU
ABOUT ALL THAT?

NO! ABSOLUTELY NOT.
NO WAY.

IT WAS LIEUTENANT FLYNN.
WHAT?!

YEAH. WE ALSO TALKED
ABOUT YOUR CANDY DRAWER.
YOU DIDN'T!

YEAH.
BUT I GOT ONE, TOO!

REALLY?
WE'RE EXACTLY THE SAME!

WE'RE GONNA GET ALONG
JUST FINE! HA! GOD!

OH, SISTER, SISTER, SISTER,
SISTER, SISTER, SISTER, SISTER!

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