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These are the user uploaded subtitles that are being translated: 1 00:00:05,139 --> 00:00:07,141 * WONDER WOMAN 2 00:00:07,208 --> 00:00:10,178 * WONDER WOMAN 3 00:00:10,244 --> 00:00:14,248 * ALL THE WORLD IS WAITING FOR YOU * 4 00:00:14,315 --> 00:00:16,750 * AND THE POWER YOU POSSESS 5 00:00:18,419 --> 00:00:20,354 * IN YOUR SATIN TIGHTS 6 00:00:20,421 --> 00:00:22,390 * FIGHTING FOR YOUR RIGHTS 7 00:00:22,456 --> 00:00:26,094 * AND THE OLD RED, WHITE AND BLUE * 8 00:00:29,830 --> 00:00:32,032 * WONDER WOMAN 9 00:00:33,934 --> 00:00:36,704 * WONDER WOMAN 10 00:00:36,770 --> 00:00:39,573 * NOW THE WORLD IS READY FOR YOU * 11 00:00:40,908 --> 00:00:44,078 * AND THE WONDERS YOU CAN DO 12 00:00:44,945 --> 00:00:46,880 * MAKE A HAWK A DOVE 13 00:00:46,947 --> 00:00:48,949 * STOP A WAR WITH LOVE 14 00:00:49,016 --> 00:00:52,320 * MAKE A LIAR TELL THE TRUTH 15 00:00:56,224 --> 00:00:58,459 * WONDER WOMAN 16 00:01:00,594 --> 00:01:05,333 * GET US OUT FROM UNDER, WONDER WOMAN * 17 00:01:05,399 --> 00:01:08,369 * ALL OUR HOPES ARE PINNED UPON YOU * 18 00:01:09,470 --> 00:01:11,772 * AND THE MAGIC THAT YOU DO 19 00:01:13,707 --> 00:01:15,709 * STOP A BULLET COLD 20 00:01:15,776 --> 00:01:17,778 * MAKE THE AXIS FOLD 21 00:01:17,845 --> 00:01:19,413 * CHANGE THEIR MINDS 22 00:01:19,480 --> 00:01:21,749 * AND CHANGE THE WORLD 23 00:01:25,853 --> 00:01:28,356 * WONDER WOMAN 24 00:01:29,957 --> 00:01:32,726 * WONDER WOMAN 25 00:01:32,793 --> 00:01:36,264 * YOU'RE A WONDER WONDER WOMAN * 26 00:01:40,067 --> 00:01:41,402 [explosions] 27 00:01:51,845 --> 00:01:53,614 [bullets ricocheting] 28 00:02:02,790 --> 00:02:04,392 *[music playing] 29 00:02:06,894 --> 00:02:08,662 [Etta clapping] 30 00:02:10,231 --> 00:02:12,766 GOOD, HUH? EXCITING, REALISTIC. 31 00:02:12,833 --> 00:02:14,502 EXTREMELY. 32 00:02:14,568 --> 00:02:17,471 WELL, THAT'S EXACTLY HOW WE'RE GONNA TREAT THIS NEW MOVIE: 33 00:02:17,538 --> 00:02:21,074 MAXIMUM REALISM, TOP-DRAWER PRODUCTION VALUE. 34 00:02:21,141 --> 00:02:23,244 OH, IT'LL BE A SMASH, MR. BREMER. 35 00:02:23,311 --> 00:02:24,912 THANK YOU. 36 00:02:24,978 --> 00:02:28,516 AND ALL THE BOX-OFFICE RECEIPTS GO TO BUY WAR BONDS. 37 00:02:28,582 --> 00:02:30,518 (Bremer) SO, GENERAL? MAJOR? 38 00:02:31,752 --> 00:02:32,720 WHAT DO YOU SAY? 39 00:02:32,786 --> 00:02:34,722 WELL, I HAVE TO ADMIT, I HAD MY DOUBTS 40 00:02:34,788 --> 00:02:37,425 WHEN YOU FIRST SUGGESTED THIS PROJECT, MR. BREMER, 41 00:02:38,526 --> 00:02:40,228 BUT YOU'VE WON ME OVER COMPLETELY. 42 00:02:40,294 --> 00:02:41,329 AND ME. 43 00:02:41,395 --> 00:02:44,832 ME, TOO. JUST THINK, HOLLYWOOD. 44 00:02:44,898 --> 00:02:46,867 THEN IT'S A GO. 45 00:02:46,934 --> 00:02:50,571 AS FAR AS THE WAR DEPARTMENT IS CONCERNED, MR. BREMER, YES, IT'S A GO. 46 00:02:50,638 --> 00:02:52,039 ALL RIGHT. 47 00:02:52,105 --> 00:02:53,474 A MOVIE LIKE YOU'RE GOING TO MAKE 48 00:02:53,541 --> 00:02:55,709 WILL BE AN ENORMOUS MORALE BOOSTER. 49 00:02:55,776 --> 00:02:57,378 4 TOP AMERICAN HEROES 50 00:02:57,445 --> 00:03:00,080 RECREATING THEIR ACTS OF BRAVERY ON THE SCREEN. 51 00:03:00,147 --> 00:03:04,151 YEAH, YOU KNOW, UH, WE'RE STILL HOPING, MAJOR, THAT YOUR PERSONAL STORY 52 00:03:04,218 --> 00:03:05,919 IS GONNA BE, UH, PART OF THE MOVIE. 53 00:03:05,986 --> 00:03:07,288 THAT'S UP TO THE GENERAL. 54 00:03:07,355 --> 00:03:09,290 OH, BUT HE'S GOT TO BE IN THE MOVIE, GENERAL. 55 00:03:09,357 --> 00:03:13,361 STEVE BRINGING THAT FLAMING PLANE IN AND SAVING HIS CREW. 56 00:03:13,427 --> 00:03:14,795 THAT'LL REALLY BE SOMETHING TO SEE. 57 00:03:14,862 --> 00:03:16,830 YOU'RE ABSOLUTELY RIGHT, YEOMAN PRINCE. 58 00:03:16,897 --> 00:03:19,333 HOW SOON DO YOU NEED THE MAJOR IN HOLLYWOOD, MR. BREMER? 59 00:03:19,400 --> 00:03:21,435 WELL, AS SOON AS POSSIBLE. CAN YOU LEAVE TOMORROW? 60 00:03:21,502 --> 00:03:23,704 UH, WELL-- HE SURE CAN. 61 00:03:23,771 --> 00:03:24,672 [chuckles] 62 00:03:24,738 --> 00:03:26,073 CAN YOU BE READY TO GO, DIANA? 63 00:03:26,139 --> 00:03:27,140 [gasps] 64 00:03:27,207 --> 00:03:28,976 BUT DO YOU NEED ME IN HOLLYWOOD? 65 00:03:29,042 --> 00:03:30,344 WELL, I LIKE THAT. 66 00:03:30,411 --> 00:03:32,713 EVERY BEAUTIFUL YOUNG WOMAN IN THESE UNITED STATES 67 00:03:32,780 --> 00:03:34,515 WOULD GIVE HER RIGHT ARM TO GO TO HOLLYWOOD. 68 00:03:34,582 --> 00:03:36,650 AND YOU ASK IF YOU'RE NEEDED THERE. 69 00:03:36,717 --> 00:03:39,987 WELL, I GUESS I JUST DON'T UNDERSTAND WHAT'S SO SPECIAL ABOUT HOLLYWOOD. 70 00:03:40,053 --> 00:03:42,890 IT'S JUST A SMALL SUBURB IN LOS ANGELES, ISN'T IT? 71 00:03:42,956 --> 00:03:45,025 OH, DIANA, SOMETIMES I DON'T UNDERSTAND YOU. 72 00:03:45,092 --> 00:03:46,294 WHY? 73 00:03:46,360 --> 00:03:50,063 HOLLYWOOD, CLARK GABLE, CARY GRANT, 74 00:03:50,130 --> 00:03:54,201 TYRONE POWER. PARADISE, U.S.A. 75 00:03:54,268 --> 00:03:55,336 PARADISE? 76 00:03:55,403 --> 00:03:57,838 ABSOLUTELY. 77 00:03:57,905 --> 00:04:00,608 WELL, IN THAT CASE, HOW CAN I REFUSE? I MEAN, 78 00:04:00,674 --> 00:04:03,944 I FEEL IN NEED OF A TRIP TO PARADISE ABOUT NOW. 79 00:04:09,950 --> 00:04:13,654 AND THE FESTIVAL WILL RUN A FULL 3 DAYS. 80 00:04:13,721 --> 00:04:17,157 NOW WE'LL NEED A QUEEN OF THE FESTIVAL, 81 00:04:17,224 --> 00:04:19,693 BEARING IN MIND, OF COURSE, THAT I CANNOT FULFILL 82 00:04:19,760 --> 00:04:22,296 THAT FUNCTION UNDER OUR CONSTITUTION. 83 00:04:22,363 --> 00:04:24,598 WELL, IT SHOULD BE DIANA, OF COURSE. 84 00:04:24,665 --> 00:04:26,834 OH, DAUGHTER, I ONLY WISH IT COULD BE SO. 85 00:04:26,900 --> 00:04:28,035 IT WOULD BE FITTING. 86 00:04:28,101 --> 00:04:30,938 BUT, MOTHER, THIS IS THE 2,000th ANNIVERSARY 87 00:04:31,004 --> 00:04:32,673 OF OUR ARRIVAL ON PARADISE ISLAND. 88 00:04:32,740 --> 00:04:34,375 IT'S THE BIMILLENIAL CELEBRATION 89 00:04:34,442 --> 00:04:36,510 OF THE MOST IMPORTANT DAY IN OUR HISTORY. 90 00:04:36,577 --> 00:04:38,211 DIANA IS HEIR TO THE THRONE. 91 00:04:38,278 --> 00:04:39,813 DIANA HAS TO BE HERE. 92 00:04:39,880 --> 00:04:43,684 I AGREE WITH YOU. SHE SHOULD BE HERE. 93 00:04:43,751 --> 00:04:46,554 WELL, THEN I GUESS SOMEONE WILL JUST HAVE TO GO TO AMERICA 94 00:04:46,620 --> 00:04:48,389 AND BRING HER HOME FOR THE FESTIVAL. 95 00:04:48,456 --> 00:04:51,725 DID YOU HAVE ANYONE SPECIAL IN MIND FOR THAT ASSIGNMENT? 96 00:04:51,792 --> 00:04:52,960 UM, NO, NO, 97 00:04:53,026 --> 00:04:55,396 NOT REALLY, EXCEPT THAT IT SHOULD BE SOMEONE 98 00:04:55,463 --> 00:04:57,331 WHO HAS BEEN TO AMERICA ALREADY, 99 00:04:57,398 --> 00:04:59,667 AND SOMEONE WHO IS VERY CLOSE TO DIANA. 100 00:04:59,733 --> 00:05:01,301 NOW WHERE COULD I FIND SUCH A PERSON? 101 00:05:01,369 --> 00:05:02,870 MOTHER. 102 00:05:02,936 --> 00:05:05,105 [chuckling] VERY WELL, DRUSILLA. YOU GO FETCH YOUR SISTER. 103 00:05:05,172 --> 00:05:06,874 THANK YOU, MOTHER. 104 00:05:06,940 --> 00:05:10,511 DRUSILLA, REMEMBER SHE SAID SHE WAS STAYING IN A PLACE CALLED HOLLYWOOD. 105 00:05:10,578 --> 00:05:11,579 OK. 106 00:05:11,645 --> 00:05:13,681 DRUSILLA, JUST GIVE HER THE MESSAGE 107 00:05:13,747 --> 00:05:15,483 AND THEN COME RIGHT BACK HOME. 108 00:05:15,549 --> 00:05:16,884 I DON'T WANT BOTH MY DAUGHTERS 109 00:05:16,950 --> 00:05:18,919 IN AMERICA IN SUCH PERILOUS TIMES. 110 00:05:20,788 --> 00:05:23,391 [gasping] DRUSILLA, 111 00:05:23,457 --> 00:05:26,560 IT JUST OCCURRED TO ME, THE LAST TIME YOU WERE IN AMERICA-- 112 00:05:26,627 --> 00:05:28,729 I'LL TELL DIANA, AND THANKS, MOM. 113 00:05:30,898 --> 00:05:33,967 OH, DEAR, I DO HOPE I'M NOT MAKING A MISTAKE. 114 00:05:35,268 --> 00:05:36,069 MOM? 115 00:05:49,883 --> 00:05:50,918 [clanging] 116 00:06:27,688 --> 00:06:30,090 [people chattering] 117 00:06:30,157 --> 00:06:32,025 (man) NOW TAKE THE CAMERA AND BRING IT BACK. 118 00:06:32,092 --> 00:06:32,993 GOOD MORNING. 119 00:06:33,060 --> 00:06:34,227 OH, GOOD MORNING, MR. BREMER. 120 00:06:34,294 --> 00:06:35,195 THIS IS REALLY FANTASTIC. 121 00:06:35,262 --> 00:06:37,030 YEAH, TERRIFIC, ISN'T IT? 122 00:06:37,097 --> 00:06:40,100 IT'S THE FIRST DAY OF PRODUCTION, WE'RE AN HOUR BEHIND SCHEDULE. 123 00:06:40,167 --> 00:06:41,935 EXCUSE ME. EXCUSE ME. 124 00:06:42,002 --> 00:06:44,271 ALL RIGHT, COME ON. LET'S GET MOVING. 125 00:06:44,337 --> 00:06:45,973 LET'S GET THIS SHOW ON THE ROAD. 126 00:06:46,039 --> 00:06:48,609 ALL RIGHT, WHAT ARE WE WAITING FOR? LET'S GET GOING. 127 00:06:48,676 --> 00:06:50,644 OK, THEN, UH, ROLL IT. 128 00:06:50,711 --> 00:06:52,746 ALL RIGHT. NOW GIVE ME THE SPECIAL EFFECTS. 129 00:06:52,813 --> 00:06:55,148 ALL RIGHT, NOW. START THE WIND. COME ON, 130 00:06:55,215 --> 00:06:57,585 MORE WIND. GIVE ME A BIGGER WIND. 131 00:06:57,651 --> 00:06:59,553 ALL RIGHT. THAT'S GOOD. 132 00:06:59,620 --> 00:07:01,021 [wind whooshing] 133 00:07:01,088 --> 00:07:02,523 NOW, THEN. READY? 134 00:07:03,356 --> 00:07:04,692 ACTION. 135 00:07:05,559 --> 00:07:08,228 HIT THE SILK, BILL. 136 00:07:08,295 --> 00:07:10,464 THAT'S AN ORDER, LIEUTENANT. 137 00:07:10,531 --> 00:07:12,332 I'M TAKING HER IN ALONE. 138 00:07:12,399 --> 00:07:13,867 [creaking] 139 00:07:40,160 --> 00:07:43,731 CUT IT! CUT IT! WHAT'S GOING ON WITH THE KEY LIGHT? 140 00:07:54,207 --> 00:07:55,643 COME ON, FELLAS. 141 00:07:55,709 --> 00:07:56,910 (Mark) YEOMAN PRINCE, 142 00:07:56,977 --> 00:07:59,212 WOULD YOU KINDLY NOT LEAN AGAINST THE LIGHT? 143 00:07:59,279 --> 00:08:01,214 ALL RIGHT, ONCE MORE. 144 00:08:03,316 --> 00:08:06,887 JUST STAY WHERE YOU ARE, STEVE, WE GOT TO DO IT AGAIN. 145 00:08:06,954 --> 00:08:08,321 UH, 146 00:08:08,388 --> 00:08:11,058 SWEAT HIM UP, WILL YOU, PLEASE? YEAH. 147 00:08:30,310 --> 00:08:32,145 [girls screaming] 148 00:08:32,212 --> 00:08:33,681 [all clamoring] 149 00:08:49,462 --> 00:08:51,565 THANK YOU, MISS MONTEZ. 150 00:08:51,632 --> 00:08:53,500 MAN, OH, MAN. I GOT IT. 151 00:08:53,567 --> 00:08:54,902 YOU GOT WHAT? 152 00:08:54,968 --> 00:08:55,936 HER AUTOGRAPH. 153 00:08:56,003 --> 00:08:56,937 WHO'S SHE? 154 00:08:57,004 --> 00:08:59,372 WHO'S SHE? SHE'S A STAR! 155 00:08:59,439 --> 00:09:02,275 OH, GO ON, I KNOW WHERE THE STARS EXIST. 156 00:09:02,342 --> 00:09:04,244 THEY'RE IN THE HEAVENS. 157 00:09:04,311 --> 00:09:06,213 YOU'RE WEIRD. 158 00:09:06,279 --> 00:09:07,314 I'M WEIRD? 159 00:09:07,380 --> 00:09:08,448 SURE YOU ARE. 160 00:09:08,515 --> 00:09:10,317 LIKE, WHAT KIND OF A GETUP IS THAT? 161 00:09:10,383 --> 00:09:11,518 GETUP? 162 00:09:11,585 --> 00:09:14,187 THE CLOTHES, DUMMY, THE CLOTHES. 163 00:09:14,254 --> 00:09:15,923 OH. UNLESS... 164 00:09:15,989 --> 00:09:18,025 HEY, YOU'RE IN PICTURES, HUH? 165 00:09:18,091 --> 00:09:21,328 OH, YEAH, LOTS OF THEM. MY MOTHER HAS A BOOK, AND THERE'S-- 166 00:09:21,394 --> 00:09:22,996 I KNEW IT! I KNEW IT. 167 00:09:23,063 --> 00:09:24,632 YOU WERE TRYING TO PUT ME ON. 168 00:09:24,698 --> 00:09:26,099 CAN I HAVE YOUR AUTOGRAPH? 169 00:09:26,166 --> 00:09:28,068 YOU THERE, MISS. THEY'LL BE WAITING FOR YOU. 170 00:09:28,135 --> 00:09:29,970 THEY WILL? 171 00:09:30,037 --> 00:09:32,606 CERTAINLY. YOU'RE IN THE FALL OF THE GREEK EMPIRE, RIGHT? RIGHT. 172 00:09:32,673 --> 00:09:33,841 THE FALL OF THE GREEK EMPIRE? 173 00:09:33,907 --> 00:09:34,942 NOW, COME ALONG THROUGH THIS DOOR. 174 00:09:35,008 --> 00:09:36,744 GO THROUGH WESTERN STREET... 175 00:09:36,810 --> 00:09:39,346 WELL, I'M CERTAINLY LOOKING FORWARD TO WORKING WITH YOU. 176 00:09:39,412 --> 00:09:40,413 THANK YOU, SIR. 177 00:09:40,480 --> 00:09:42,616 YES. WELCOME ABOARD. 178 00:09:44,051 --> 00:09:45,218 (Mark) DIANA. 179 00:09:45,285 --> 00:09:47,054 THIS IS CPL. JIM AMES. 180 00:09:47,120 --> 00:09:48,722 JIM, THIS IS, UH, YEOMAN DIANA PRINCE. 181 00:09:48,789 --> 00:09:50,958 NICE TO MEET YOU. OH, I'VE HEARD ABOUT YOU. 182 00:09:51,024 --> 00:09:54,494 YOU'RE ONE OF THE WAR HEROES THAT'S GONNA BE IN MR. BREMER'S FILM, RIGHT? 183 00:09:54,561 --> 00:09:55,729 YES, MA'AM. 184 00:09:55,796 --> 00:09:58,398 JIM IS ANOTHER FUTURE STAR OF MINE. 185 00:09:58,465 --> 00:10:00,167 MAURY, COME HERE. 186 00:10:01,434 --> 00:10:04,271 HERE YOU ARE. YOUR VERY OWN CHAIR. 187 00:10:04,337 --> 00:10:06,106 THAT'S TERRIFIC. 188 00:10:06,173 --> 00:10:08,709 GO ON, SIT DOWN. ENJOY YOURSELF. 189 00:10:08,776 --> 00:10:09,376 UH, MR. BREMER, 190 00:10:09,442 --> 00:10:11,011 YES? 191 00:10:11,078 --> 00:10:13,413 I--I STILL DON'T KNOW IF I'M GONNA BE ABLE TO ACT 192 00:10:13,480 --> 00:10:14,982 IN FRONT OF THE CAMERA. 193 00:10:15,048 --> 00:10:18,686 SURE YOU WILL. JUST BE YOURSELF. 194 00:10:19,987 --> 00:10:22,122 SEE YOU LATER. HEY, MICHAEL! 195 00:10:22,189 --> 00:10:25,058 UH, JIM, COME ON AND SIT DOWN, RELAX. 196 00:10:28,128 --> 00:10:29,296 [sighs] 197 00:10:29,362 --> 00:10:32,332 BOY, I SURE HOPE HE KNOWS WHAT HE'S TALKING ABOUT. 198 00:10:32,399 --> 00:10:33,801 I'M SURE HE DOES. 199 00:10:33,867 --> 00:10:35,769 I'VE NEVER BEEN SO SCARED IN ALL MY LIFE. 200 00:10:35,836 --> 00:10:37,204 YOU'LL BE FINE. 201 00:10:37,270 --> 00:10:40,207 OH, DIANA. CAN YOU COME HERE A MINUTE, PLEASE? 202 00:10:40,273 --> 00:10:41,174 SURE. EXCUSE ME. 203 00:10:41,241 --> 00:10:43,410 YOU'LL BE GREAT. I PROMISE. 204 00:10:47,247 --> 00:10:48,415 YES, SIR. 205 00:10:48,481 --> 00:10:52,519 LOOK, I'M, UH, KIND OF STUCK UP HERE IN THE SKY. 206 00:10:52,585 --> 00:10:55,222 CAN YOU GET US A COUPLE OF CUPS OF COFFEE, BLACK, PLEASE? 207 00:10:55,288 --> 00:10:57,624 SURE. I THINK THERE'S SOME JUST OUT BACK OF THE STAGE. 208 00:10:57,691 --> 00:10:58,726 IT'LL TAKE A FEW MINUTES. 209 00:10:58,792 --> 00:11:00,360 THANK YOU. OK. 210 00:11:17,077 --> 00:11:18,378 (Diana) CPL. AMES! 211 00:11:19,612 --> 00:11:21,281 HELLO AGAIN, DIANA. 212 00:11:26,954 --> 00:11:28,756 DIANA! OH! 213 00:11:28,822 --> 00:11:30,323 [both giggling] 214 00:11:30,791 --> 00:11:32,760 DRU! AH! 215 00:11:34,261 --> 00:11:35,896 [tires screeching] 216 00:11:39,199 --> 00:11:40,700 [grunting] 217 00:11:41,601 --> 00:11:43,003 [gasping] 218 00:11:43,070 --> 00:11:45,705 YOU STAY HERE. I'LL HANDLE THIS. 219 00:12:08,996 --> 00:12:10,597 DRUSILLA, LOOK OUT! 220 00:12:10,663 --> 00:12:11,965 [tires screeching] 221 00:12:14,701 --> 00:12:16,069 [gasps] 222 00:12:17,771 --> 00:12:19,739 YOU'RE ALL RIGHT. 223 00:12:20,373 --> 00:12:21,775 [groans] 224 00:12:23,476 --> 00:12:24,611 [sighs] 225 00:12:24,677 --> 00:12:25,478 UH, 226 00:12:26,579 --> 00:12:28,248 I'LL BE RIGHT BACK. 227 00:12:29,549 --> 00:12:31,484 (Diana) ARE YOU ALL RIGHT? 228 00:12:32,485 --> 00:12:33,720 WHAT HAPPENED? 229 00:12:33,787 --> 00:12:37,357 I THINK THAT SOMEONE WAS TRYING TO KIDNAP YOU. 230 00:12:37,424 --> 00:12:38,591 I THOUGHT THAT... 231 00:12:38,658 --> 00:12:40,260 WONDER WOMAN. 232 00:12:42,729 --> 00:12:44,097 BOY, DO I FEEL WOOZY. 233 00:12:44,164 --> 00:12:45,598 HERE, LET ME HELP YOU UP. 234 00:12:45,665 --> 00:12:47,034 [sighs] 235 00:12:47,935 --> 00:12:49,236 OH, EXCUSE ME. 236 00:12:49,302 --> 00:12:52,272 UH, CPL. AMES, THIS IS MY LITTLE SISTER, DRUSILLA. 237 00:12:52,339 --> 00:12:54,107 DRUSILLA, JIM AMES. 238 00:12:54,174 --> 00:12:55,308 HELLO. 239 00:12:57,144 --> 00:12:58,979 TOO MANY THINGS ARE ALL HAPPENING AT ONCE. 240 00:12:59,046 --> 00:13:03,450 YEAH. DO YOU HAVE ANY IDEA WHO THOSE MEN WERE OR-- OR WHAT THEY WANTED? 241 00:13:03,516 --> 00:13:05,285 NOT THE FOGGIEST. 242 00:13:05,352 --> 00:13:06,286 [sighs] 243 00:13:09,689 --> 00:13:12,659 I THINK I'D BETTER GO SIT DOWN. 244 00:13:12,725 --> 00:13:13,827 I'M NOT FEELING TOO WELL. 245 00:13:13,894 --> 00:13:15,495 I CAN UNDERSTAND. ARE YOU ALL RIGHT? 246 00:13:15,562 --> 00:13:16,930 OH, YEAH. 247 00:13:18,899 --> 00:13:21,301 DRUSILLA, WHAT ARE YOU DOING HERE? 248 00:13:21,368 --> 00:13:23,636 YOU KNOW, THE BIMILLENIAL CELEBRATION. 249 00:13:23,703 --> 00:13:25,372 MOTHER SENT ME TO MAKE SURE THAT YOU'LL COME. 250 00:13:25,438 --> 00:13:27,474 YES, OF COURSE. I HAVEN'T FORGOTTEN. 251 00:13:27,540 --> 00:13:30,878 YOU CAN TELL MOTHER THAT I'M GONNA MAKE EVERY EFFORT POSSIBLE TO BE THERE. 252 00:13:30,944 --> 00:13:33,246 THAT WON'T SATISFY HER. YOU KNOW MOTHER. 253 00:13:33,313 --> 00:13:35,115 DIANA, YOU HAVE TO BE THERE. 254 00:13:35,182 --> 00:13:37,284 I'LL TRY, DRUSILLA, I'LL REALLY TRY. 255 00:13:37,350 --> 00:13:39,352 IT'S JUST THAT I'M VERY CONCERNED. 256 00:13:39,419 --> 00:13:41,354 THERE ARE STRANGE THINGS GOING ON HERE. 257 00:13:41,421 --> 00:13:43,656 OH, YOU MEAN THE ATTACK ON THAT NICE JIM AMES? 258 00:13:43,723 --> 00:13:46,259 YES. YOU LIKE HIM? 259 00:13:46,326 --> 00:13:48,361 YEAH, HE'S, UH, HE'S CUTE. 260 00:13:48,428 --> 00:13:51,031 CUTE? YOU'RE BACK HERE IN AMERICA FOR A FEW HOURS 261 00:13:51,098 --> 00:13:52,632 AND YOU'RE ALREADY USING THEIR SLANG. 262 00:13:52,699 --> 00:13:54,334 WELL, HE IS CUTE. 263 00:13:54,401 --> 00:13:56,269 YES, HE IS. 264 00:13:56,336 --> 00:13:58,338 ANYWAY, IS THAT WHAT YOU'RE WORRIED ABOUT? 265 00:13:58,405 --> 00:14:00,807 OH, NO, I'M CONCERNED THAT SOMEONE MIGHT BE 266 00:14:00,874 --> 00:14:03,243 TRYING TO SABOTAGE THIS FILM PROJECT. 267 00:14:03,310 --> 00:14:04,311 WHO? 268 00:14:04,377 --> 00:14:05,412 I HAVE NO IDEA. 269 00:14:05,478 --> 00:14:06,947 A RIVAL STUDIO, MAYBE. 270 00:14:07,014 --> 00:14:09,682 I'VE HEARD A LOT OF THINGS ABOUT HOLLYWOOD. 271 00:14:09,749 --> 00:14:11,384 PEOPLE CALL IT A JUNGLE. 272 00:14:11,451 --> 00:14:14,521 OH, ALL I SAW WAS HALF A DOZEN SAD-LOOKING PALM TREES, 273 00:14:14,587 --> 00:14:15,822 HARDLY A JUNGLE. 274 00:14:15,889 --> 00:14:17,557 DRU, IT'S NOT THAT KIND OF JUNGLE. 275 00:14:17,624 --> 00:14:21,028 IT'S A JUNGLE WHERE BUSINESSMEN PREY ON EACH OTHER. 276 00:14:21,094 --> 00:14:22,963 TSK, NEVER WILL UNDERSTAND MEN. 277 00:14:23,030 --> 00:14:27,100 WELL, ME, NEITHER. BUT I'M CERTAINLY LEARNING MORE EACH DAY. 278 00:14:27,634 --> 00:14:28,668 ME, TOO. 279 00:14:28,735 --> 00:14:30,270 BUT THE LESSON'S OVER FOR NOW. 280 00:14:30,337 --> 00:14:32,672 YOU HAVE TO RETURN HOME TO PARADISE ISLAND. 281 00:14:32,739 --> 00:14:33,273 I JUST GOT HERE. 282 00:14:33,340 --> 00:14:34,641 I KNOW. 283 00:14:34,707 --> 00:14:37,044 I'M SURE MOTHER TOLD YOU TO DELIVER ME THE MESSAGE 284 00:14:37,110 --> 00:14:39,179 AND RETURN HOME IMMEDIATELY, DIDN'T SHE? 285 00:14:39,246 --> 00:14:40,880 CAN'T I JUST STAY FOR THE NIGHT? 286 00:14:40,948 --> 00:14:43,216 MOM WON'T MIND, REALLY. 287 00:14:43,283 --> 00:14:43,951 WELL... 288 00:14:44,017 --> 00:14:45,452 [chuckles] 289 00:14:45,518 --> 00:14:48,221 I'VE REALLY MISSED YOU, AND THERE IS A PARTY TONIGHT. 290 00:14:48,288 --> 00:14:51,158 IT'D BE FUN GOING TOGETHER, DON'T YOU THINK? 291 00:14:51,224 --> 00:14:53,460 IT'S WHAT THEY CALL A HOLLYWOOD PARTY. 292 00:14:53,526 --> 00:14:55,862 BUT TOMORROW YOU LEAVE. UNDERSTOOD? 293 00:14:55,929 --> 00:14:57,564 YEAH. 294 00:14:57,630 --> 00:15:01,201 WHAT DO AMERICAN WOMEN WEAR TO THESE HOLLYWOOD PARTIES? 295 00:15:01,268 --> 00:15:04,504 STEVE TOLD ME TO WEAR SOMETHING SLINKY. 296 00:15:04,571 --> 00:15:05,939 SLINKY. WHAT'S "SLINKY"? 297 00:15:06,006 --> 00:15:07,774 [chuckles] 298 00:15:07,840 --> 00:15:11,444 I DIDN'T TELL HIM, BUT I HAVEN'T THE SLIGHTEST IDEA. 299 00:15:12,412 --> 00:15:13,913 EXCUSE ME. 300 00:15:14,747 --> 00:15:16,316 *[music playing] 301 00:15:18,751 --> 00:15:20,087 THAT'S SLINKY? 302 00:15:20,153 --> 00:15:22,489 UH, I THINK SO. 303 00:15:22,555 --> 00:15:24,591 I DON'T THINK THAT WOULD SUIT YOU. 304 00:15:24,657 --> 00:15:25,959 YOU DON'T? I DON'T KNOW ABOUT THAT. 305 00:15:26,026 --> 00:15:27,961 I THINK IT'S CUTE. 306 00:15:28,028 --> 00:15:33,333 OH, BESIDES, LOOK, DIANA, EVERYONE'S STARING AT HER, EVEN THE MEN. 307 00:15:33,400 --> 00:15:35,335 OH, I'M GLAD YOU BOYS FINALLY GOT HERE. 308 00:15:35,402 --> 00:15:37,504 WHAT HAVE YOU BEEN DOING? LOOKING FOR MOVIE STARS? 309 00:15:37,570 --> 00:15:38,371 [all laughing] 310 00:15:38,438 --> 00:15:40,073 YOU CAME TO THE RIGHT PLACE. 311 00:15:40,140 --> 00:15:43,743 WELL, HERE WE ARE. MY 4 HERO STARS TOGETHER. 312 00:15:43,810 --> 00:15:44,911 YOU ALL KNOW EACH OTHER, I SUPPOSE. 313 00:15:44,978 --> 00:15:46,479 HELLO, MAJOR. HELLO, SERGEANT. 314 00:15:46,546 --> 00:15:48,948 I DON'T THINK YOU KNOW MY LITTLE SISTER, DRUSILLA. 315 00:15:49,016 --> 00:15:50,617 THIS IS, UH, SGT. HARRY WILLARD. 316 00:15:50,683 --> 00:15:52,152 THIS IS MARK BREMER, THE PRODUCER. 317 00:15:52,219 --> 00:15:53,987 AND LT. BILL RAND. HOW DO YOU DO? 318 00:15:54,054 --> 00:15:55,455 THEY'RE ALL DOING THE MOVIE TOGETHER. 319 00:15:55,522 --> 00:15:57,524 (Mark) HOW ARE YOU, DRUSILLA? WELCOME. 320 00:15:57,590 --> 00:15:59,959 LOOK, I GOT TO, UH, LEAVE YOU NICE PEOPLE. 321 00:16:00,027 --> 00:16:01,494 THERE ARE MORE GREATS ARRIVING. 322 00:16:01,561 --> 00:16:04,531 WE'RE EXPECTING LOUIS B. AND J.L. 323 00:16:04,597 --> 00:16:06,099 A LITTLE LATER. 324 00:16:07,700 --> 00:16:10,603 EXPLAIN THEM TO HER, WILL YOU? HAVE FUN. 325 00:16:12,239 --> 00:16:14,774 IT'S ALL RIGHT. I DON'T KNOW WHO THEY ARE, EITHER. 326 00:16:14,841 --> 00:16:15,708 THIS IS REALLY SOMETHING. 327 00:16:15,775 --> 00:16:17,210 [sighing] SURE IS. 328 00:16:17,277 --> 00:16:19,812 JUST LIKE ONE OF THOSE FAN MAGS, RIGHT, MAJOR? 329 00:16:19,879 --> 00:16:21,081 [chuckling] RIGHT, SERGEANT. 330 00:16:21,148 --> 00:16:22,482 WHAT DO YOU THINK OF ALL THIS, JIM? 331 00:16:22,549 --> 00:16:25,585 OH, I, UH, SORT OF FEEL OUT OF PLACE. 332 00:16:25,652 --> 00:16:28,755 OH, NO. YOU SHOULDN'T. YOU'RE A WAR HERO. 333 00:16:30,323 --> 00:16:31,724 HECK, I DIDN'T DO ANYTHING. 334 00:16:31,791 --> 00:16:34,261 YOU CERTAINLY DID, SOLDIER. BE PROUD OF IT. 335 00:16:34,327 --> 00:16:37,197 HELLO, EVERYONE. SUPER PARTY. 336 00:16:37,264 --> 00:16:39,832 HAS ANYONE TAKEN CARE OF THE NAVY? 337 00:16:39,899 --> 00:16:41,068 NOT UNTIL NOW. 338 00:16:41,134 --> 00:16:42,735 OH, GOOD. COME ON THEN. 339 00:16:42,802 --> 00:16:44,637 YOU CAN BUY ME A DRINK. 340 00:16:45,572 --> 00:16:46,673 [laughs] 341 00:16:46,739 --> 00:16:48,208 HEY, SERGEANT, HMM? 342 00:16:48,275 --> 00:16:50,610 YOU'RE GOING TO LET THE NAVY GET ONE UP ON YOU? 343 00:16:50,677 --> 00:16:52,045 NO, SIR. 344 00:16:52,779 --> 00:16:53,780 [laughs] 345 00:16:53,846 --> 00:16:55,215 MAY I GET YOU A DRINK? 346 00:16:55,282 --> 00:16:58,418 OH, UH, SURE, BUT NOTHING ALCOHOLIC. 347 00:16:58,485 --> 00:17:00,787 OH, JUST A LITTLE GLASS OF CHAMPAGNE. IT'LL RELAX YOU. 348 00:17:00,853 --> 00:17:02,222 NO, THANK YOU. I'LL TAKE ONE. 349 00:17:02,289 --> 00:17:03,923 NO, YOU WON'T. YOU'RE TOO YOUNG. 350 00:17:03,990 --> 00:17:06,559 WE'LL FIND SOMETHING SUITABLE. COME ON. 351 00:17:06,626 --> 00:17:09,896 YOU TOO, JIM. I WANT YOU WHERE I CAN KEEP AN EYE ON YOU. 352 00:17:09,962 --> 00:17:12,765 AT LEAST UNTIL WE DISCOVER WHAT THAT ATTACK WAS ABOUT TODAY. 353 00:17:12,832 --> 00:17:14,134 OH, YES, SIR. 354 00:17:15,102 --> 00:17:17,470 OH, NO, THANKS. 355 00:17:17,537 --> 00:17:20,740 I THINK IT'S ABSOLUTELY MARVELOUS WHAT YOU DID. 356 00:17:21,608 --> 00:17:22,075 I MEAN, SO BRAVE. 357 00:17:22,142 --> 00:17:23,710 NOT REALLY. 358 00:17:23,776 --> 00:17:26,979 TO TELL THE TRUTH, I--I JUST ACTED OUT OF INSTINCT. 359 00:17:27,046 --> 00:17:30,417 BUT WITH ALL YOUR MEN INJURED LIKE THAT YOU KEPT FIRING, 360 00:17:30,483 --> 00:17:32,119 AND YOU SUNK A NAZI BATTLESHIP. 361 00:17:32,185 --> 00:17:33,686 JUST A DESTROYER. 362 00:17:33,753 --> 00:17:36,723 DESTROYER, BATTLESHIP, IT'S ALL THE SAME. YOU SUNK IT. 363 00:17:36,789 --> 00:17:39,759 DID THE PRESIDENT, UH, GIVE YOU THAT MEDAL PERSONALLY? 364 00:17:39,826 --> 00:17:40,460 [laughs] 365 00:17:40,527 --> 00:17:41,094 IN THE FLESH. 366 00:17:41,161 --> 00:17:42,729 TELL ME ABOUT IT. 367 00:17:42,795 --> 00:17:45,498 WELL, I WAS CALLED UP TO THE WHITE HOUSE, AND THE PRESIDENT-- 368 00:17:45,565 --> 00:17:48,301 NO, UH, NOT HERE, THERE ARE TOO MANY PEOPLE. 369 00:17:48,368 --> 00:17:51,504 LET'S GO SOMEWHERE ELSE WHERE WE CAN BE ALONE. 370 00:17:53,706 --> 00:17:54,807 [chuckles] 371 00:18:10,590 --> 00:18:12,592 SO, WHAT DID HE SAY TO YOU? 372 00:18:12,659 --> 00:18:15,162 UH, FIRST THEY READ THE CITATION. 373 00:18:15,228 --> 00:18:16,463 ALL VERY OFFICIAL. 374 00:18:16,529 --> 00:18:18,698 A LOT OF WHEREASES AND WHEREFORES. 375 00:18:18,765 --> 00:18:21,168 THEN THEY, UH, HANDED THE MEDAL TO THE PRESIDENT, 376 00:18:21,234 --> 00:18:22,835 AND THE PRESIDENT PRESENTED IT TO ME. 377 00:18:22,902 --> 00:18:24,404 HE SHOOK MY HAND. 378 00:18:24,471 --> 00:18:27,106 SAID THAT AMERICA WAS PROUD TO HAVE OFFICERS LIKE ME-- 379 00:18:27,174 --> 00:18:30,310 SAILOR. DON'T MAKE A SOUND. 380 00:18:30,377 --> 00:18:31,878 YOU'RE COMING WITH US. 381 00:18:52,131 --> 00:18:53,333 WHERE ARE YOU TAKING ME? 382 00:18:53,400 --> 00:18:56,002 GET IN THE TRUCK. 383 00:18:56,068 --> 00:18:57,904 ALL RIGHT, LET'S GET OUT OF HERE. 384 00:19:09,616 --> 00:19:10,417 BYE-BYE. 385 00:19:10,483 --> 00:19:11,684 (Steve) MR. BREMER. 386 00:19:11,751 --> 00:19:12,752 YEAH? 387 00:19:12,819 --> 00:19:13,953 HAVE YOU SEEN LT. RAND? 388 00:19:14,020 --> 00:19:15,522 NO, NOT RECENTLY. WHY? 389 00:19:15,588 --> 00:19:17,690 WE'RE GETTING READY TO LEAVE. I WANTED TO SAY GOOD NIGHT. 390 00:19:17,757 --> 00:19:20,059 OH, LISTEN, MAJOR, LAST TIME I SAW HIM, 391 00:19:20,126 --> 00:19:23,396 HE WAS GETTING PRETTY THICK WITH SOME LITTLE STARLET. 392 00:19:23,463 --> 00:19:25,532 MAYBE THEY SLIPPED OFF EARLY, YOU KNOW? 393 00:19:25,598 --> 00:19:27,667 YEAH. AND WHAT WAS HER NAME? 394 00:19:27,734 --> 00:19:30,570 WELL, I DON'T KNOW. YOU KNOW, THEY ALL LOOK THE SAME TO ME. 395 00:19:30,637 --> 00:19:32,772 WHY, YOU'RE NOT WORRIED, ARE YOU? 396 00:19:32,839 --> 00:19:33,673 UNEASY MAYBE. 397 00:19:33,740 --> 00:19:34,841 WELL, DON'T WORRY. 398 00:19:34,907 --> 00:19:36,476 HE'LL TURN UP AT THE STUDIO TOMORROW. 399 00:19:36,543 --> 00:19:39,011 HE'D BETTER, HE'S ON EARLY CALL. 400 00:19:39,078 --> 00:19:40,146 MAYBE YOU'RE RIGHT. 401 00:19:40,213 --> 00:19:41,514 EXCUSE ME. 402 00:19:44,251 --> 00:19:45,385 WELL, DID YOU FIND LT. RAND? 403 00:19:45,452 --> 00:19:47,220 NO, HE LEFT EARLY. 404 00:19:47,287 --> 00:19:51,023 WELL, THAT'S STRANGE. WHY WOULD HE LEAVE A NICE PARTY LIKE THIS EARLY? 405 00:19:51,090 --> 00:19:54,060 WELL, MAYBE HE HAD SOMETHING IMPORTANT ON HIS MIND. 406 00:19:54,126 --> 00:19:56,729 I THINK HE DID. SHALL WE? 407 00:19:56,796 --> 00:19:59,232 I HOPE HE'S ALL RIGHT. 408 00:19:59,299 --> 00:20:01,901 MR. BREMER, THANK YOU VERY MUCH. IT WAS A LOVELY PARTY. 409 00:20:01,968 --> 00:20:04,136 OH, YOU'RE WELCOME. GLAD YOU COULD ALL COME. 410 00:20:04,203 --> 00:20:05,472 NICE TO MEET YOU. YOU, TOO. 411 00:20:05,538 --> 00:20:06,373 SEE YOU TOMORROW. ALL RIGHT, KID. 412 00:20:06,439 --> 00:20:08,441 THANKS FOR THE PARTY. 413 00:20:08,508 --> 00:20:11,278 YEAH, YOU'RE WELCOME. LISTEN, I'M SORRY YOU DIDN'T GET TO MEET 414 00:20:11,344 --> 00:20:13,079 LOUIS B. OR J.L. 415 00:20:13,145 --> 00:20:14,013 I DIDN'T KNOW THEY CAME. 416 00:20:14,080 --> 00:20:15,147 THEY DIDN'T. 417 00:20:15,214 --> 00:20:16,249 GOOD NIGHT. 418 00:20:16,316 --> 00:20:17,850 GOOD NIGHT. 419 00:20:27,927 --> 00:20:29,429 GLORIA! 420 00:20:29,496 --> 00:20:31,097 (Gloria) IS EVERYONE GONE? 421 00:20:31,163 --> 00:20:33,933 YES, EVERYONE'S GONE. YOU CAN COME OUT. 422 00:20:37,937 --> 00:20:41,073 I ASSUME THAT EVERYTHING WENT ALL RIGHT. 423 00:20:41,140 --> 00:20:42,409 PERFECTLY. 424 00:20:43,643 --> 00:20:45,845 THAT'S VERY GOOD, MY DEAR, WELL DONE. 425 00:20:45,912 --> 00:20:47,380 TO YOUR HEALTH. 426 00:20:48,180 --> 00:20:49,716 GOOD NIGHT. 427 00:21:01,728 --> 00:21:05,131 UH, THANKS, PAULA. THAT'S ALL FOR NOW. 428 00:21:05,197 --> 00:21:07,300 YOU CAN FINISH IT UP IN THE MORNING. 429 00:21:18,210 --> 00:21:20,079 MARK, 430 00:21:20,146 --> 00:21:21,814 WHERE'S THE BLONDE? 431 00:21:23,149 --> 00:21:24,283 SHE'S GONE. 432 00:21:24,351 --> 00:21:26,719 WHAT DID YOU TELL HER? 433 00:21:26,786 --> 00:21:28,955 I DID NOT HAVE TO TELL HER ANYTHING, KURT. 434 00:21:29,021 --> 00:21:31,290 I PROMISED HER A PART IN A PICTURE. 435 00:21:34,894 --> 00:21:35,962 IS EVERYTHING ALL RIGHT AT YOUR END? 436 00:21:36,028 --> 00:21:37,997 PERFECT. 437 00:21:38,064 --> 00:21:41,834 WELL, THAT WILL BE A CHANGE FROM THIS MORNING'S FIASCO WITH CPL. AMES. 438 00:21:41,901 --> 00:21:44,471 HOW WERE WE SUPPOSED TO KNOW WONDER WOMAN WAS IN HOLLYWOOD? 439 00:21:44,537 --> 00:21:46,406 WE'RE GONNA HAVE TO BE A LOT MORE CAREFUL NEXT TIME. 440 00:21:46,473 --> 00:21:49,642 DON'T WORRY, I HAVE OTHER PLANS FOR YOUNG MR. AMES. 441 00:21:49,709 --> 00:21:51,511 NOW WHAT ABOUT THE OTHER TWO? 442 00:21:51,578 --> 00:21:53,580 MAJ. TREVOR, AND, UH, SGT. WILLARD? 443 00:21:53,646 --> 00:21:57,750 IN 3 DAYS, THE 4 OF THEM WILL BE ON THEIR WAY TO GERMANY. 444 00:21:57,817 --> 00:22:01,421 4 AMERICAN WAR HEROES TO STAND TRIAL IN BERLIN 445 00:22:01,488 --> 00:22:04,857 FOR WAR CRIMES AGAINST THE GERMAN PEOPLE. 446 00:22:04,924 --> 00:22:09,862 THAT, KURT, IS A GREAT PROPAGANDA VICTORY. 447 00:22:09,929 --> 00:22:12,298 THE PARTY SHOULD BE PROUD OF YOU. 448 00:22:12,365 --> 00:22:15,535 WELL, THEY SHOULD. GETTING THEM ALL TOGETHER, THE 4 OF THEM. 449 00:22:15,602 --> 00:22:17,770 WITH ALL OF THIS PUBLICITY, AND KIDNAPPING THEM 450 00:22:17,837 --> 00:22:20,006 IN FRONT OF EVERYBODY'S NOSES. 451 00:22:20,072 --> 00:22:20,640 AND THEN-- 452 00:22:20,707 --> 00:22:22,041 AND THEN? 453 00:22:22,108 --> 00:22:24,711 AND THEN, KURT, WHEN THE WAR IS OVER, AND WE'VE WON, 454 00:22:24,777 --> 00:22:28,347 THEN I WILL CONTROL THE ENTIRE AMERICAN FILM INDUSTRY. 455 00:22:46,666 --> 00:22:48,435 WELL, WE'VE CHECKED EVERYWHERE. 456 00:22:48,501 --> 00:22:49,969 BILL RAND HAS DISAPPEARED. 457 00:22:50,036 --> 00:22:51,904 WHAT ABOUT THE GIRL HE LEFT THE PARTY WITH? 458 00:22:51,971 --> 00:22:54,306 WELL, WE DON'T KNOW HE DID THAT FOR SURE. 459 00:22:54,373 --> 00:22:55,942 SHE'S OUR ONLY LEAD. 460 00:22:56,008 --> 00:22:58,044 I'D LIKE TO SEE A LIST OF YOUR PARTY GUESTS. 461 00:22:58,110 --> 00:23:01,648 I'LL TELL MY SECRETARY. EXCUSE ME. 462 00:23:01,714 --> 00:23:04,817 LISTEN, HOW LONG IS IT GONNA TAKE US TO WRAP UP HERE 463 00:23:04,884 --> 00:23:06,553 AND SET UP FOR THE SGT. WILLARD SEQUENCE? 464 00:23:06,619 --> 00:23:08,187 ABOUT A HALF AN HOUR. 465 00:23:08,254 --> 00:23:11,023 ALL RIGHT, DO IT. WE'VE WASTED ENOUGH TIME HERE ALREADY. 466 00:23:11,090 --> 00:23:14,026 OK, WE'RE MOVING OUTSIDE. 467 00:23:14,093 --> 00:23:18,130 ALL YOU SAILOR EXTRAS, YOU HAVE TO BECOME NAZI SOLDIERS. 468 00:23:18,197 --> 00:23:19,466 WELL, WHAT DO YOU THINK? 469 00:23:19,532 --> 00:23:21,233 OH, I DON'T KNOW WHAT TO THINK. 470 00:23:21,300 --> 00:23:25,004 FIRST THAT ATTACK ON JIM AMES, THEN BILL RAND DISAPPEARING. 471 00:23:25,071 --> 00:23:27,540 ONE THING I DO KNOW, I'M GONNA KEEP A PRETTY CLOSE EYE 472 00:23:27,607 --> 00:23:29,408 ON HARRY WILLARD AND YOUNG JIM FROM NOW ON. 473 00:23:29,476 --> 00:23:32,979 JIM'S WITH DRU. THEY WENT SOMEWHERE TO HAVE A FAREWELL SODA. 474 00:23:33,045 --> 00:23:34,046 SHE'S LEAVING? 475 00:23:34,113 --> 00:23:34,947 I'M AFRAID SO. 476 00:23:35,014 --> 00:23:37,183 SHE HAS TO, UH, GO HOME TO MOTHER. 477 00:23:38,951 --> 00:23:41,320 YOU KNOW, AT LEAST SHE DID HAVE TO GO HOME. 478 00:23:41,387 --> 00:23:43,923 MAYBE IT'S BETTER IF SHE STICKS AROUND FOR A WHILE. 479 00:23:43,990 --> 00:23:45,992 SHE CAN HELP US WATCH OUT FOR JIM. 480 00:23:46,058 --> 00:23:49,061 WHAT GOOD WOULD A 15-YEAR-OLD GIRL BE IF THERE WAS ANY TROUBLE? 481 00:23:49,128 --> 00:23:51,397 MAYBE NONE. BUT ONE THING'S FOR SURE. 482 00:23:51,464 --> 00:23:54,233 SHE'LL KNOW WHERE HE IS ALL THE TIME. 483 00:23:54,300 --> 00:23:55,568 [slurps] 484 00:23:55,635 --> 00:23:57,403 I REALLY LIKE ICE-CREAM SODAS. 485 00:23:57,470 --> 00:23:59,171 COULD I HAVE ANOTHER ONE? 486 00:23:59,238 --> 00:24:01,273 YOU'VE HAD 3 ALREADY. 487 00:24:01,340 --> 00:24:04,944 I WANT THE, UH-- I WANT THE VICTORY SPECIAL. 488 00:24:05,011 --> 00:24:06,212 HI, SWEETIE. 489 00:24:06,278 --> 00:24:08,047 [making kissing noises] 490 00:24:08,114 --> 00:24:10,683 JIM, JIM, THE VICTORY SPECIAL? 491 00:24:11,518 --> 00:24:12,985 BUT THAT'S DOUBLE SIZE. 492 00:24:13,052 --> 00:24:14,186 I KNOW. 493 00:24:14,253 --> 00:24:17,256 OH, BOY, YOU HAVE SOME APPETITE FOR A GIRL. 494 00:24:17,323 --> 00:24:18,658 PLEASE? 495 00:24:20,159 --> 00:24:21,961 OK, I'LL GET IT. 496 00:24:22,028 --> 00:24:24,430 THANKS. OH, AND I'LL BE BACK IN A MINUTE, OK? 497 00:24:24,497 --> 00:24:25,665 OK. 498 00:24:27,333 --> 00:24:28,267 WHAT'S YOUR NAME? 499 00:24:28,334 --> 00:24:29,869 [chuckling] 500 00:24:34,040 --> 00:24:35,307 [sighs] 501 00:24:35,374 --> 00:24:37,076 YES. YEOMAN DIANA PRINCE. 502 00:24:37,143 --> 00:24:39,812 SHE'S WITH MAJ. TREVOR ON THE MARK BREMER MOVIE. 503 00:24:39,879 --> 00:24:42,214 I THINK THEY'RE STILL ON STAGE 25. 504 00:24:44,584 --> 00:24:45,752 [clears throat] 505 00:24:45,818 --> 00:24:47,754 LOOK AT THE SOLDIER BOY, WILL YOU? 506 00:24:47,820 --> 00:24:50,723 A VICTORY SPECIAL. WELL, AIN'T HE CUTE? 507 00:24:50,790 --> 00:24:53,860 HEY, WHERE DID YOU GET THE PRETTY SUIT, SOLDIER BOY? 508 00:24:53,926 --> 00:24:56,262 OH, FREDDY, YOU'RE DUMB. DON'T YOU KNOW? 509 00:24:56,328 --> 00:24:58,030 UNCLE SAM GAVE HIM THAT SUIT. 510 00:24:58,097 --> 00:25:00,933 HE GIVES THEM TO ALL HIS LITTLE SOLDIER BOYS. 511 00:25:01,000 --> 00:25:02,501 IS THAT RIGHT? 512 00:25:02,569 --> 00:25:04,136 NO WONDER WE AIN'T IN THE ARMY. 513 00:25:04,203 --> 00:25:07,173 WOULDN'T BE SEEN DEAD IN A SUIT LIKE THAT. 514 00:25:07,239 --> 00:25:08,207 HI, DIANA. 515 00:25:08,274 --> 00:25:09,809 DRUSILLA. WHERE ARE YOU? 516 00:25:09,876 --> 00:25:11,878 OH, I'M AT THIS REAL NEAT COFFEE SHOP. 517 00:25:11,944 --> 00:25:13,980 I'M JUST GOING TO HAVE ONE MORE VICTORY SPECIAL. 518 00:25:14,046 --> 00:25:16,248 I PROMISE I'LL LEAVE AS SOON AS I'M FINISHED. 519 00:25:16,315 --> 00:25:17,316 YOU DON'T HAVE TO LEAVE. 520 00:25:17,383 --> 00:25:18,585 I DON'T? 521 00:25:18,651 --> 00:25:21,087 NO, I'LL EXPLAIN LATER. BUT, UH, 522 00:25:21,921 --> 00:25:24,123 JUST KEEP AN EYE ON JIM. 523 00:25:24,190 --> 00:25:26,926 OH, YOU'RE AFRAID SOMETHING MIGHT HAPPEN TO HIM. 524 00:25:26,993 --> 00:25:30,597 DRU, SOMETIMES YOU'RE SO PERCEPTIVE, YOU REMIND ME OF MOM. 525 00:25:30,663 --> 00:25:32,231 I'LL SEE YOU AT THE STUDIO LATER. 526 00:25:32,298 --> 00:25:34,934 (Diana) BYE-BYE. 527 00:25:35,001 --> 00:25:38,504 THAT'S A CUTE LITTLE NUMBER YOU'RE WITH THERE, SOLDIER BOY. 528 00:25:38,571 --> 00:25:41,207 YOU WANT TO INTRODUCE US, HUH? 529 00:25:41,273 --> 00:25:44,811 SOLDIER BOY, MY FRIEND JUST ASKED YOU A QUESTION. 530 00:25:44,877 --> 00:25:46,045 (Jim) I'M SORRY, WE'RE BUSY. 531 00:25:46,112 --> 00:25:48,080 HEY, GEORGIE, THE SOLDIER BOY'S BUSY. 532 00:25:48,147 --> 00:25:50,016 YOU DON'T WANT TO TELL US HER NAME? TELL FREDDY HER NAME. 533 00:25:50,082 --> 00:25:52,051 (Freddy) COME ON, TELL FREDDY. 534 00:25:52,118 --> 00:25:54,854 YOU CAN TELL FREDDY. YOU DON'T LIKE IT, JUST TELL HER NAME. 535 00:26:00,727 --> 00:26:02,194 AT EASE, SOLDIER. 536 00:26:02,261 --> 00:26:03,562 EXCUSE ME. 537 00:26:05,231 --> 00:26:07,333 HEY, LOOK AT THE CHICK IN THE FUNNY SUIT. 538 00:26:07,399 --> 00:26:09,001 WHERE'S THE COSTUME PARTY, CUTIE? 539 00:26:09,068 --> 00:26:10,102 I THINK YOU SHOULD LEAVE HIM ALONE. 540 00:26:10,169 --> 00:26:11,704 HE'S A WAR HERO. 541 00:26:11,771 --> 00:26:16,375 HANG AROUND. AFTER WE TAKE CARE OF HIM, WE'LL, UH, TAKE CARE OF YOU. 542 00:26:16,442 --> 00:26:17,576 I'M WARNING YOU. 543 00:26:17,644 --> 00:26:19,746 I'M QUAKING IN MY BOOTS. 544 00:26:42,234 --> 00:26:43,369 EXCUSE ME. 545 00:26:56,949 --> 00:26:57,917 HI. 546 00:26:57,984 --> 00:27:01,120 OH, WHAT-- WHAT HAPPENED IN THERE? 547 00:27:01,187 --> 00:27:04,290 THERE WAS A FIGHT. DIDN'T YOU SEE? 548 00:27:04,356 --> 00:27:06,693 NO, I WAS IN THE POWDER ROOM. 549 00:27:06,759 --> 00:27:08,227 YOU DIDN'T SEE ANYTHING? 550 00:27:08,294 --> 00:27:11,130 WELL, YES, I SAW 2 MEN LAYING ON THE FLOOR. 551 00:27:12,598 --> 00:27:14,400 WELL, THEY STARTED PICKING ON ME. 552 00:27:14,466 --> 00:27:15,668 I TOOK CARE OF THEM. 553 00:27:15,735 --> 00:27:16,602 YOU-- 554 00:27:16,669 --> 00:27:18,070 OH. 555 00:27:18,137 --> 00:27:20,940 COME ON, WE'D BETTER GET BACK TO THE STUDIO. 556 00:27:25,344 --> 00:27:28,014 (director) ALL RIGHT, COME ON, A LOT MORE DIRT. A LOT MORE. 557 00:27:28,080 --> 00:27:29,716 THIS IS A WAR FILM, FOR CRYING OUT LOUD. 558 00:27:29,782 --> 00:27:31,450 COME ON, REALLY GET HIM DIRTY. 559 00:27:31,517 --> 00:27:33,385 ALL RIGHT. THAT'S ENOUGH DIRT. 560 00:27:33,452 --> 00:27:35,087 NOW-- NOW SWEAT HIM UP GOOD. 561 00:27:35,154 --> 00:27:37,156 LOTS OF SWEAT. 562 00:27:37,223 --> 00:27:38,725 ALL RIGHT. FINE, FINE. 563 00:27:38,791 --> 00:27:40,626 ALL RIGHT, NOW, WHERE ARE MY DEAD BODIES? 564 00:27:40,693 --> 00:27:43,329 FELLOWS, WILL YOU PLEASE STAY CLOSE WHEN WE'RE TRYING TO DO THIS? 565 00:27:43,395 --> 00:27:45,631 IT'S VERY DIFFICULT. TAKE YOUR PLACES, PLEASE. 566 00:27:45,698 --> 00:27:47,066 TAKE YOUR GUNS. TAKE YOUR PLACES. 567 00:27:47,133 --> 00:27:48,868 COME ON, LET'S GO. LET'S GO. 568 00:27:48,935 --> 00:27:50,737 LET'S HAVE IT VERY QUIET NOW, FELLOWS. 569 00:27:50,803 --> 00:27:53,105 OH, NAZIS, GET READY. 570 00:27:53,172 --> 00:27:56,275 ALL RIGHT, ALL RIGHT. ARE YOU READY? 571 00:27:56,342 --> 00:27:59,712 FINE. NOW READY ON THE SMOKE AND THE FLAMES. 572 00:27:59,779 --> 00:28:01,347 DIANA, I NEED TO TALK TO YOU. 573 00:28:01,413 --> 00:28:03,182 IS IT IMPORTANT? 574 00:28:03,249 --> 00:28:04,283 I THINK IT MAY BE. 575 00:28:04,350 --> 00:28:07,453 OK. JUST AS SOON AS HE FINISHES WITH THIS SHOT. 576 00:28:07,519 --> 00:28:08,855 ACTION! 577 00:28:10,456 --> 00:28:12,191 [birds chirping] 578 00:28:15,261 --> 00:28:17,029 [bullets ricocheting] 579 00:28:18,264 --> 00:28:19,465 [guns firing] 580 00:28:26,773 --> 00:28:28,107 [machine gun firing] 581 00:28:35,647 --> 00:28:37,683 OH, CUT! CUT! 582 00:28:37,750 --> 00:28:39,518 LOOK WHAT HAPPENED TO THE GRENADE. 583 00:28:39,585 --> 00:28:40,753 IT DIDN'T GO OFF. 584 00:28:40,820 --> 00:28:42,554 ALL RIGHT. WE'LL HAVE TO DO IT AGAIN. 585 00:28:42,621 --> 00:28:44,390 SGT. WILLARD. 586 00:28:45,758 --> 00:28:47,593 SGT. WILLARD, COME ON BACK. 587 00:28:47,659 --> 00:28:49,461 WE HAVE TO DO IT AGAIN. 588 00:28:52,664 --> 00:28:54,300 SGT. WILLARD? 589 00:28:56,635 --> 00:28:59,438 SGT. WILLARD, CAN YOU HEAR ME? 590 00:28:59,505 --> 00:29:00,973 SGT. WILLARD? 591 00:29:03,843 --> 00:29:05,244 WILLARD? 592 00:29:06,178 --> 00:29:07,113 WILLARD? 593 00:29:07,179 --> 00:29:08,514 WHERE IS HE? WHERE'S WILLARD? 594 00:29:08,580 --> 00:29:09,816 I DON'T KNOW. 595 00:29:09,882 --> 00:29:11,483 WHAT DO YOU MEAN, YOU DON'T KNOW? 596 00:29:11,550 --> 00:29:12,852 HE'S DISAPPEARED. 597 00:29:17,723 --> 00:29:19,391 WELL, KEEP LOOKING. 598 00:29:21,928 --> 00:29:23,996 WILLARD IS STILL AMONG THE MISSING. 599 00:29:24,063 --> 00:29:27,800 HOW AM I SUPPOSED TO MAKE A MOVIE WHEN ALL MY STARS ARE DISAPPEARING ONE BY ONE? 600 00:29:27,867 --> 00:29:29,836 DID YOU HAVE ALL THE STUDIO GATES CHECKED? 601 00:29:29,902 --> 00:29:31,971 (Mark) YEAH, SURE, BUT THERE'S TOO MUCH TRAFFIC 602 00:29:32,038 --> 00:29:34,473 PASSING IN AND OUT. CAN'T PIN ANYTHING DOWN. 603 00:29:34,540 --> 00:29:37,844 I MEAN, HE COULD HAVE BEEN TAKEN OUT IN A PROP VAN, 604 00:29:37,910 --> 00:29:39,745 OR A LAUNDRY TRUCK, ANYTHING. 605 00:29:39,812 --> 00:29:42,949 WHOEVER DID IT WAS OBVIOUSLY WAITING BEHIND THAT HEADQUARTER SET 606 00:29:43,015 --> 00:29:45,952 AND HAD TO BE ACQUAINTED WITH THE WORKINGS OF A MOVIE STUDIO. 607 00:29:46,018 --> 00:29:50,256 MAJOR, THERE ARE 5,000 PEOPLE ON THE PAYROLL HERE. 608 00:29:50,322 --> 00:29:53,659 AND THEY ARE ALL ACQUAINTED WITH THE WORKINGS OF A MOVIE SET. 609 00:29:53,725 --> 00:29:54,760 [phone ringing] 610 00:29:54,827 --> 00:29:56,528 I GET THE PHONE. 611 00:29:57,930 --> 00:30:00,066 BREMER. 612 00:30:00,132 --> 00:30:02,501 NO, THERE'S NO MORE SHOOTING TODAY. 613 00:30:02,568 --> 00:30:04,103 IT'S A WRAP. 614 00:30:04,170 --> 00:30:05,737 DIANA. 615 00:30:05,804 --> 00:30:08,240 EXCUSE ME FOR ONE SECOND, STEVE. 616 00:30:09,775 --> 00:30:11,077 YES, DRU. 617 00:30:11,143 --> 00:30:13,079 I WANTED TO TALK TO YOU ABOUT JIM. 618 00:30:13,145 --> 00:30:14,413 OK. 619 00:30:14,480 --> 00:30:17,449 I DON'T THINK HE'S VERY MUCH OF A WAR HERO AT ALL. 620 00:30:17,516 --> 00:30:18,951 WHAT DO YOU MEAN? 621 00:30:19,018 --> 00:30:20,953 HE'S NOT VERY HEROIC. 622 00:30:21,653 --> 00:30:23,322 HE LIED TO ME. 623 00:30:27,059 --> 00:30:31,030 WELL, SOMETIMES THAT HAS SOMETHING TO DO WITH A THING CALLED EGO. 624 00:30:31,097 --> 00:30:32,999 WHAT DID HE LIE ABOUT? 625 00:30:33,065 --> 00:30:34,333 (Steve) EXCUSE ME, DIANA. 626 00:30:34,400 --> 00:30:35,434 YES, SIR. 627 00:30:35,501 --> 00:30:37,103 I'M SORRY TO INTERRUPT, DRUSILLA, 628 00:30:37,169 --> 00:30:38,437 BUT DIANA AND I HAVE WORK TO DO. 629 00:30:38,504 --> 00:30:40,139 YES, SIR, RIGHT AWAY. 630 00:30:40,206 --> 00:30:43,542 UH, DRU, FIND OUT EVERYTHING YOU CAN ABOUT WHAT WE WERE DISCUSSING. 631 00:30:43,609 --> 00:30:44,710 WE'LL TALK LATER, OK? 632 00:30:44,776 --> 00:30:46,612 SURE. YEAH. RIGHT, RIGHT. 633 00:30:47,346 --> 00:30:48,380 [sighs] 634 00:30:48,447 --> 00:30:51,417 MAJ. TREVOR WANTS ME TO STICK CLOSE BY. 635 00:30:51,483 --> 00:30:53,519 HE THINKS MAYBE I COULD BE THE NEXT ONE. 636 00:30:53,585 --> 00:30:56,855 OH. WELL, I'LL STAY WITH YOU IF YOU LIKE. 637 00:30:56,923 --> 00:30:58,724 YEAH, I'D LIKE THAT. 638 00:30:58,790 --> 00:31:02,328 DO YOU THINK HE'D MIND IF WE WENT FOR A WALK OR SOMETHING? 639 00:31:02,394 --> 00:31:05,497 I DON'T THINK HE'D MIND, IF WE STAY INSIDE THE STUDIO. 640 00:31:05,564 --> 00:31:06,365 SO, COME ON. 641 00:31:06,865 --> 00:31:08,935 DIANA, 642 00:31:09,001 --> 00:31:12,404 GET A HOLD OF THE LOCAL MILITARY-INTELLIGENCE OFFICER AND HAVE THEM RUN A CHECK 643 00:31:12,471 --> 00:31:14,206 ON THAT LIST OF PARTY GUESTS. WE MUST FIND THAT GIRL. 644 00:31:14,273 --> 00:31:15,741 YES, SIR. 645 00:31:15,807 --> 00:31:18,144 TRY AND FIND A LIST OF ALL THE PEOPLE WHO KNEW ANYTHING 646 00:31:18,210 --> 00:31:19,778 ABOUT TODAY'S SHOOTING SCHEDULE 647 00:31:19,845 --> 00:31:21,447 AS FAR AS IT AFFECTED SGT. WILLARD. 648 00:31:21,513 --> 00:31:23,249 AND MAKE SURE NONE OF THIS LEAKS OUT TO THE PRESS. 649 00:31:23,315 --> 00:31:25,251 (Diana) ABSOLUTELY NOT, SIR. 650 00:31:25,317 --> 00:31:29,488 IN ONE WAY OR THE OTHER, WE'VE GOT TO FIND OUT WHERE THOSE 2 MEN ARE BEING HELD. 651 00:31:40,933 --> 00:31:42,969 AH, THERE YOU ARE, GENTLEMEN. 652 00:31:43,035 --> 00:31:44,670 YOU ARE COMFORTABLE, I TRUST. 653 00:31:44,736 --> 00:31:46,205 WHERE ARE WE? 654 00:31:46,272 --> 00:31:49,241 YOU ARE ON THE D-704 SOMEWHERE IN PACIFIC. 655 00:31:50,276 --> 00:31:51,777 WE'LL REMAIN ON STATION HERE 656 00:31:51,843 --> 00:31:54,880 UNTIL YOUR 2 COMPANIONS ARE PREVAILED UPON TO JOIN US. 657 00:31:54,947 --> 00:31:59,118 THEN WE'LL PROCEED AROUND CAPE HORN AND SET COURSE FOR BREMEN. 658 00:31:59,185 --> 00:32:01,587 IF YOU THINK YOU'LL GET YOUR HANDS ON STEVE TREVOR, 659 00:32:01,653 --> 00:32:02,788 YOU'RE MISTAKEN. 660 00:32:02,854 --> 00:32:04,590 I GUARANTEE YOU 24 HOURS FROM NOW, 661 00:32:04,656 --> 00:32:08,494 CPL. AMES AND MAJ. TREVOR WILL BE ABOARD. 662 00:32:09,595 --> 00:32:10,997 TAKE THEM AWAY. 663 00:32:24,110 --> 00:32:25,477 ANY PROBLEMS, KURT? 664 00:32:25,544 --> 00:32:26,678 WORKED LIKE A DREAM. 665 00:32:26,745 --> 00:32:29,081 HE CAME THROUGH THAT DOOR EXPECTING TO FIND 666 00:32:29,148 --> 00:32:31,683 2 ACTORS DRESSED AS NAZI OFFICERS, 667 00:32:31,750 --> 00:32:34,186 INSTEAD HE FOUND US. 668 00:32:34,853 --> 00:32:36,555 VERY GOOD. 669 00:32:36,622 --> 00:32:37,823 ALL RIGHT. NOW, 670 00:32:37,889 --> 00:32:40,559 MAJ. TREVOR IS CREATING PRESSURES FOR US. 671 00:32:40,626 --> 00:32:43,162 HE HAS CALLED THE LOCAL OFFICE OF MILITARY INTELLIGENCE, 672 00:32:43,229 --> 00:32:45,031 AND NEXT WILL BE THE F.B.I. 673 00:32:45,097 --> 00:32:48,200 SO WE'RE GOING TO HAVE TO MOVE QUICKER THAN WE'D PLANNED. 674 00:32:48,267 --> 00:32:49,568 WHAT DO YOU WANT TO DO? 675 00:32:49,635 --> 00:32:51,870 I WANT TO TAKE THEM BOTH AT THE SAME TIME, 676 00:32:51,937 --> 00:32:53,839 MAJ. TREVOR AND CPL. AMES. 677 00:32:53,905 --> 00:32:56,242 YOU'LL WAIT FOR INSTRUCTIONS. 678 00:32:57,743 --> 00:32:59,245 THAT'S ALL. 679 00:33:08,687 --> 00:33:09,621 [door closes] 680 00:33:10,856 --> 00:33:12,724 [sighs] 681 00:33:12,791 --> 00:33:14,260 I REALLY LIKE HOT DOGS. 682 00:33:14,326 --> 00:33:16,095 THEY'RE EVEN BETTER THAN ICE CREAM. 683 00:33:16,162 --> 00:33:18,530 COULD I HAVE SOME MORE MUSTARD? 684 00:33:19,831 --> 00:33:21,567 [people chattering] 685 00:33:25,037 --> 00:33:28,774 I LIKE YOU, DRU. I LIKE YOU A LOT. 686 00:33:28,840 --> 00:33:31,677 THAT'S WHY I'M GONNA TELL YOU WHAT I AM. 687 00:33:34,012 --> 00:33:37,749 WHAT I DID. WHAT I GOT MY MEDAL FOR. 688 00:33:38,784 --> 00:33:39,785 THERE WAS A MISTAKE. 689 00:33:39,851 --> 00:33:40,919 [chuckles] 690 00:33:40,986 --> 00:33:42,688 HOW CAN THAT BE? 691 00:33:42,754 --> 00:33:44,723 WELL, I'LL TELL YOU HOW. 692 00:33:44,790 --> 00:33:49,661 THE CITATION READS THAT I CAPTURED A DOZEN NAZIS SINGLE-HANDED. 693 00:33:49,728 --> 00:33:52,198 THE TRUTH IS I GOT CUT OFF FROM MY UNIT. 694 00:33:52,264 --> 00:33:53,865 I WAS ALL ALONE. 695 00:33:53,932 --> 00:33:57,403 AND I SAW A GROUP OF NAZIS AND I THOUGHT I'D GIVE MYSELF UP. 696 00:33:57,469 --> 00:34:00,639 SPEND THE REST OF THE WAR IN A NICE, SAFE PRISON CAMP. 697 00:34:00,706 --> 00:34:04,710 WHAT I DIDN'T KNOW WAS THAT THEY WERE AS AFRAID AS I WAS. 698 00:34:04,776 --> 00:34:07,413 AS SOON AS I APPEARED THEY ALL THREW THEIR GUNS DOWN. 699 00:34:07,479 --> 00:34:10,082 SEEMED LIKE THEY HAD THE SAME--SAME IDEA. 700 00:34:10,149 --> 00:34:11,517 [sighs] 701 00:34:12,351 --> 00:34:14,886 I HAD TO TAKE THEM IN. 702 00:34:14,953 --> 00:34:16,788 I COULDN'T DO NOTHING ELSE. 703 00:34:18,090 --> 00:34:19,625 OH. 704 00:34:19,691 --> 00:34:21,793 ANOTHER THING. 705 00:34:21,860 --> 00:34:24,230 THAT FIGHT HERE THIS MORNING. 706 00:34:25,497 --> 00:34:28,367 IT WASN'T ME WHO TOOK ON THOSE 2 FELLOWS. 707 00:34:29,135 --> 00:34:30,602 [sighs] 708 00:34:30,669 --> 00:34:34,373 I THINK I WAS AS SCARED THEN AS I WAS WITH THE NAZIS. 709 00:34:37,676 --> 00:34:40,011 I GUESS I'M JUST SCARED ALL THE TIME. 710 00:34:40,078 --> 00:34:44,250 OH, NO. I THINK YOU'RE REALLY BRAVE FOR TELLING ME ALL OF THAT. 711 00:34:48,987 --> 00:34:51,757 (man over P.A. system) TELEPHONE FOR CPL. AMES. 712 00:34:51,823 --> 00:34:53,125 EXCUSE ME. 713 00:34:55,194 --> 00:34:56,662 THANK YOU. 714 00:34:56,728 --> 00:34:57,796 CPL. AMES. 715 00:35:03,669 --> 00:35:04,703 YES. 716 00:35:11,109 --> 00:35:12,411 JIM, ANYTHING WRONG? 717 00:35:12,478 --> 00:35:14,180 NO. LOOK, I GOT TO GO BACK TO MY HOTEL. 718 00:35:14,246 --> 00:35:15,781 I'LL SEE YOU LATER. 719 00:35:23,289 --> 00:35:26,192 OK. IT DOESN'T USUALLY GO THIS SLOW. 720 00:35:26,258 --> 00:35:28,460 WE SHOULD HAVE BEEN SHOOTING A HALF AN HOUR AGO. 721 00:35:28,527 --> 00:35:30,396 I DON'T KNOW WHAT'S THE MATTER. 722 00:35:40,239 --> 00:35:41,673 WHAT'S HOLDING US UP? 723 00:35:41,740 --> 00:35:43,875 OUR STAR, CPL. AMES, HASN'T ARRIVED YET. 724 00:35:43,942 --> 00:35:45,711 WHERE IS HE? 725 00:35:45,777 --> 00:35:48,947 I DON'T KNOW, MR. BREMER. HE SAID HE WAS GOING TO PICK UP MAJ. TREVOR. 726 00:35:49,014 --> 00:35:50,849 THEY SHOULD BE HERE BY NOW. 727 00:35:50,916 --> 00:35:51,850 TERRIFIC. 728 00:35:53,485 --> 00:35:55,321 (Steve) SURE YOU HAVE THE RIGHT DIRECTIONS? 729 00:35:55,387 --> 00:35:56,855 (Jim) THIS IS WHERE THEY TOLD ME, MAJOR. 730 00:35:56,922 --> 00:35:59,925 WAIT A MINUTE, I'LL ASK THESE GUYS UP HERE. 731 00:36:04,129 --> 00:36:05,597 HEY, YOU GUYS. 732 00:36:05,664 --> 00:36:07,899 YOU SEEN A MOVIE COMPANY AROUND HERE? 733 00:36:07,966 --> 00:36:09,601 MOVIE COMPANY? 734 00:36:09,668 --> 00:36:11,537 UH, WELL, UH, LET'S SEE NOW. 735 00:36:11,603 --> 00:36:13,272 I THINK THAT THERE MIGHT BE... 736 00:36:13,339 --> 00:36:15,307 ALL RIGHT. BOTH OF YOU. GET OUT OF THE CAR. 737 00:36:15,374 --> 00:36:17,276 INTO THE OTHER CAR. 738 00:36:21,780 --> 00:36:23,315 PUT IT DOWN, MAJOR. 739 00:36:25,016 --> 00:36:26,752 [birds chirping] 740 00:36:29,655 --> 00:36:30,922 I'M SORRY. 741 00:36:33,124 --> 00:36:34,860 WELL, WE CAN'T DO ANYTHING WITHOUT THEM. 742 00:36:34,926 --> 00:36:36,027 MOVE THEM BACK. 743 00:36:36,094 --> 00:36:38,163 ALL RIGHT. IT'S A WRAP FOR TODAY. 744 00:36:38,230 --> 00:36:39,865 EVERYBODY BACK TO THE STUDIO. 745 00:36:39,931 --> 00:36:42,968 THEY, UH, FOUND THE CAR. IT'S BEEN ABANDONED. 746 00:36:43,034 --> 00:36:43,735 STEVE? 747 00:36:43,802 --> 00:36:44,370 AND JIM? 748 00:36:44,436 --> 00:36:45,337 BOTH DISAPPEARED. 749 00:36:45,404 --> 00:36:47,005 NO SIGN OF EITHER OF THEM. 750 00:36:47,072 --> 00:36:49,841 DISAPPEARED? WELL, WHAT ARE YOU GOING TO DO ABOUT IT? 751 00:36:49,908 --> 00:36:51,176 NOW, DON'T WORRY. 752 00:36:51,243 --> 00:36:52,844 WE'RE ALERTING THE AUTHORITIES NOW. 753 00:36:52,911 --> 00:36:55,547 THANK YOU VERY MUCH, MR. BREMER. 754 00:36:56,214 --> 00:36:57,316 COME ON, DRU. 755 00:36:57,383 --> 00:36:58,750 [whispering] I HAVE AN IDEA. 756 00:37:09,728 --> 00:37:12,598 WELL, SOLDIER. HOW DID THEY GET TO YOU? 757 00:37:13,965 --> 00:37:15,401 I'M SORRY, MAJOR. 758 00:37:15,467 --> 00:37:18,304 WE'LL SEE ABOUT THAT ONCE WE GET OUT OF HERE. 759 00:37:19,004 --> 00:37:20,472 [door opens] 760 00:37:22,173 --> 00:37:23,942 THERE THEY ARE, MR. BREMER. 761 00:37:24,009 --> 00:37:25,677 THANK YOU, CAPTAIN. 762 00:37:27,446 --> 00:37:30,949 GENTLEMEN, WELCOME ABOARD. MAJOR. 763 00:37:31,016 --> 00:37:32,083 [snickers] 764 00:37:32,150 --> 00:37:33,585 NOT A BAD PRODUCTION, BREMER. 765 00:37:33,652 --> 00:37:35,321 YOU SET IT ALL UP VERY SMOOTHLY. 766 00:37:35,387 --> 00:37:39,090 GOT THE WHOLE PROJECT GOING, GATHERED YOUR 4 VICTIMS TOGETHER, 767 00:37:39,157 --> 00:37:40,859 YOU KNEW OUR EVERY MOVEMENT. 768 00:37:40,926 --> 00:37:43,395 JA. UNFORTUNATELY, NOW THAT YOU KNOW, 769 00:37:43,462 --> 00:37:45,431 THERE'S VERY LITTLE YOU CAN DO ABOUT IT. 770 00:37:45,497 --> 00:37:48,434 TOMORROW YOU'LL BE ON YOUR WAY TO GERMANY. 771 00:37:50,302 --> 00:37:53,872 IN THE MEANTIME, MAJOR, PLEASE DO NOT TRY TO ESCAPE. 772 00:37:53,939 --> 00:37:56,942 ALL YOU WILL ACHIEVE IS AN EARLY DEATH. 773 00:37:58,977 --> 00:38:01,613 GENTLEMEN, HAVE A PLEASANT JOURNEY. 774 00:38:03,114 --> 00:38:04,716 MR. BREMER. 775 00:38:05,216 --> 00:38:06,151 YEAH? 776 00:38:06,217 --> 00:38:07,753 ARE MY PARENTS ALL RIGHT? 777 00:38:07,819 --> 00:38:08,987 YOU PROMISED ME. 778 00:38:09,054 --> 00:38:09,988 THEY'RE ALL RIGHT. 779 00:38:10,055 --> 00:38:11,323 WHEN WILL I GET TO SEE THEM? 780 00:38:11,390 --> 00:38:14,259 THEY ARE ON BOARD. YOU MAY SEE THEM TONIGHT 781 00:38:14,326 --> 00:38:16,395 BEFORE YOU LEAVE FOR GERMANY. 782 00:38:16,462 --> 00:38:18,797 AND THEN YOU'LL TURN THEM LOOSE? 783 00:38:18,864 --> 00:38:22,067 IF EVERYTHING GOES ACCORDING TO PLAN. 784 00:38:22,133 --> 00:38:23,402 I'M GOING TO SEE THEM NOW. 785 00:38:23,469 --> 00:38:25,537 I WILL TELL THEM OF YOUR CONCERN. 786 00:38:54,265 --> 00:38:55,867 PREPARE TO GET UNDERWAY. 787 00:38:55,934 --> 00:38:59,270 (captain) ALL ENGINES AHEAD ONE QUARTER. 788 00:38:59,337 --> 00:39:02,040 YOUR COURSE: 163 DEGREES. 789 00:39:16,187 --> 00:39:17,355 HELLO. 790 00:39:17,423 --> 00:39:19,791 NOTHING TODAY. COME BACK TOMORROW. 791 00:39:19,858 --> 00:39:21,427 OH, NO, YOU DON'T UNDERSTAND. 792 00:39:21,493 --> 00:39:22,794 YOU SEE, UM, I'M LOOKING FOR AN ACTRESS. 793 00:39:22,861 --> 00:39:24,963 WELL, YOU CAME TO THE RIGHT PLACE. 794 00:39:25,030 --> 00:39:28,734 OK. SHE'S 5'2". SHE'S GOT BLONDE HAIR, BLUE EYES, AND, UH, 795 00:39:30,268 --> 00:39:31,603 SLINKY. 796 00:39:32,170 --> 00:39:33,204 SLINKY? 797 00:39:33,271 --> 00:39:34,806 YEAH, YOU KNOW. 798 00:39:37,275 --> 00:39:38,544 UH, SHE'S SLINKY. 799 00:39:38,610 --> 00:39:40,045 WHAT'S HER NAME? 800 00:39:40,111 --> 00:39:41,480 THAT'S THE PROBLEM. I DON'T KNOW HER NAME. 801 00:39:41,547 --> 00:39:42,914 THAT'S WHY I'M HERE. 802 00:39:42,981 --> 00:39:45,817 HUNDREDS OF GIRLS COME THROUGH HERE EVERY DAY. 803 00:39:45,884 --> 00:39:48,554 WELL, ALL THOSE GIRLS, THEY DO HAVE PICTURES, RIGHT? 804 00:39:48,620 --> 00:39:52,491 SURE, BUT AS I JUST SAID, THERE ARE HUNDREDS OF THEM. 805 00:39:52,558 --> 00:39:54,660 WELL, YOU SEE, THIS IS VERY IMPORTANT. 806 00:39:54,726 --> 00:39:57,095 I REALLY HAVE TO FIND THAT GIRL. 807 00:39:57,162 --> 00:39:58,229 ALL RIGHT, COME ON IN. 808 00:39:58,296 --> 00:40:00,432 THANK YOU VERY MUCH. 809 00:40:09,140 --> 00:40:10,108 [both laughing] 810 00:40:10,175 --> 00:40:12,043 WELL, THAT'S NOT THE END. 811 00:40:12,110 --> 00:40:13,512 HERE YOU ARE. 812 00:40:39,337 --> 00:40:40,706 ANY PROBLEMS? 813 00:40:40,772 --> 00:40:41,840 NONE. 814 00:40:45,777 --> 00:40:48,146 YOUR SON SENDS HIS BEST WISHES. 815 00:40:53,151 --> 00:40:54,219 KURT, 816 00:40:59,057 --> 00:41:00,892 THE PRISONERS WILL BE TRANSFERRED TO A TRUCK 817 00:41:00,959 --> 00:41:02,594 AND THEN TAKEN TO A POINT ON THE COAST 818 00:41:02,661 --> 00:41:04,596 WHERE A U-BOAT CAN PICK THEM UP. 819 00:41:04,663 --> 00:41:06,832 WELL, WHAT ABOUT THE KID'S PARENTS? 820 00:41:06,898 --> 00:41:09,067 YOU'RE NOT REALLY GONNA LET THEM GO, ARE YOU? 821 00:41:09,134 --> 00:41:11,169 WHAT DO YOU THINK? 822 00:41:11,236 --> 00:41:13,739 AND THAT, UH, BLONDE, GLORIA? 823 00:41:13,805 --> 00:41:16,074 WE'LL TAKE CARE OF HER, TOO. 824 00:41:19,945 --> 00:41:21,246 THAT'S HER. 825 00:41:22,648 --> 00:41:24,816 HERE SHE IS. 826 00:41:24,883 --> 00:41:28,086 GLORIA BEVERLY. YOU'RE RIGHT, SHE IS SLINKY. 827 00:41:28,153 --> 00:41:29,454 WHERE CAN I GET IN TOUCH WITH HER? 828 00:41:29,521 --> 00:41:30,989 RIGHT HERE ON THE LOT. 829 00:41:31,056 --> 00:41:33,525 SHE'S JUST BEEN RECOMMENDED FOR A TERM CONTRACT 830 00:41:33,592 --> 00:41:36,027 BY MR. MARK BREMER PERSONALLY. 831 00:41:36,962 --> 00:41:38,530 HE SAID HE DIDN'T KNOW HER. 832 00:41:38,597 --> 00:41:40,566 THEY ALL SAY THAT, DEAR. 833 00:41:42,734 --> 00:41:44,235 [birds chirping] 834 00:41:53,411 --> 00:41:54,580 [knocking at door] 835 00:41:54,646 --> 00:41:56,047 COME IN. 836 00:41:58,283 --> 00:41:59,017 GLORIA BEVERLY? 837 00:41:59,084 --> 00:42:00,018 THAT'S ME. 838 00:42:00,085 --> 00:42:01,620 WHAT MOVIE ARE YOU DOING, HONEY? 839 00:42:03,021 --> 00:42:05,957 [chuckling] OH, YOU MEAN OH, I'MYOU WEAR THAT FOR REAL? IN ANY MOVIE. 840 00:42:06,024 --> 00:42:07,125 YES, I DO. 841 00:42:07,192 --> 00:42:09,961 AND IN A MOMENT YOU'RE GOING TO FIND OUT WHY. 842 00:42:10,028 --> 00:42:12,463 I'M GOING TO ASK YOU SOME QUESTIONS. 843 00:42:12,530 --> 00:42:13,932 AND YOU'RE GOING TO ANSWER ME. 844 00:42:13,999 --> 00:42:16,067 WHAT ARE YOU DOING? ARE YOU SOME KIND OF NUT? 845 00:42:16,134 --> 00:42:18,837 YOU'RE GOING TO ANSWER ME WITH THE TRUTH. 846 00:42:18,904 --> 00:42:21,039 IT WAS MR. BREMER WHO ARRANGED 847 00:42:21,106 --> 00:42:22,073 SGT. WILLARD'S KIDNAPPING, WASN'T IT? 848 00:42:22,140 --> 00:42:23,742 YES. 849 00:42:23,809 --> 00:42:28,013 NOW MAJ. TREVOR AND JIM AMES ARE MISSING, TOO. HAS HE TAKEN THEM? 850 00:42:28,079 --> 00:42:29,214 YES. 851 00:42:29,280 --> 00:42:30,248 WHERE? 852 00:42:30,315 --> 00:42:31,449 I--I DON'T KNOW. 853 00:42:31,516 --> 00:42:33,484 DOES MR. BREMER HAVE A PRIVATE YACHT, 854 00:42:33,551 --> 00:42:35,186 AN AIRPLANE, ANYTHING LIKE THAT? 855 00:42:35,253 --> 00:42:36,321 NO. 856 00:42:36,387 --> 00:42:38,957 A PRIVATE PLACE WHERE NO ONE ELSE GOES. 857 00:42:39,024 --> 00:42:42,393 THE ONLY PRIVATE PLACE HE WANTED TO SHOW ME WAS HIS BEDROOM. 858 00:42:42,460 --> 00:42:45,964 WHATEVER HE'S INVOLVED IN, IT'S AT THE STUDIO, 859 00:42:46,031 --> 00:42:47,165 OR HIS ESTATE. 860 00:42:47,232 --> 00:42:49,100 THERE'S GOT TO BE SOMEPLACE ELSE. 861 00:42:49,167 --> 00:42:50,802 NOW, THINK. 862 00:42:50,869 --> 00:42:51,937 THERE IS THIS ONE PLACE. 863 00:42:52,003 --> 00:42:53,204 WHERE? 864 00:42:53,271 --> 00:42:56,241 HE HAS A HOLD ON STAGE 12 RIGHT HERE ON THE LOT. 865 00:43:47,525 --> 00:43:49,360 OH, IT'S SO REALISTIC. 866 00:43:50,395 --> 00:43:52,831 IT CERTAINLY IS. 867 00:43:52,898 --> 00:43:55,366 BUT IT LOOKS LIKE WE'RE TOO LATE. 868 00:44:01,973 --> 00:44:03,675 THEY PROBABLY FAKED THIS 869 00:44:03,742 --> 00:44:06,044 TO MAKE SURE THAT NONE OF THEM TRIED TO ESCAPE 870 00:44:06,111 --> 00:44:08,513 UNTIL ALL 4 WERE CAPTURED. 871 00:44:08,579 --> 00:44:10,515 WELL, WHERE HAVE THEY TAKEN THEM TO? 872 00:44:10,581 --> 00:44:12,650 AN AIRFIELD, A DOCK, WHO KNOWS? 873 00:44:12,718 --> 00:44:15,420 HOW ARE WE GOING TO FIND THEM? 874 00:44:15,486 --> 00:44:16,587 WAIT A MINUTE. 875 00:44:16,654 --> 00:44:18,589 GLORIA BEVERLY SAID THAT IT WAS 876 00:44:18,656 --> 00:44:21,159 EITHER THE STUDIO OR HIS ESTATE. 877 00:44:21,226 --> 00:44:23,028 AND THEY'RE NOT HERE. 878 00:44:26,364 --> 00:44:28,433 * WONDER WOMAN * 879 00:44:50,488 --> 00:44:53,524 AS SOON AS THE OTHER TRUCK ARRIVES, PUT THEM ABOARD. 880 00:44:53,591 --> 00:44:56,561 WELL, WHY NOT TAKE THIS ONE, SAVE, UH, MAKING THE TRANSFER? 881 00:44:56,627 --> 00:45:00,565 THIS IS A STUDIO TRUCK. IF IT'S NOT RETURNED, IT WILL BE MISSED. SEE? 882 00:45:00,631 --> 00:45:02,768 ALL RIGHT, MAJOR. INSIDE. 883 00:45:03,601 --> 00:45:05,170 [birds chirping] 884 00:45:15,847 --> 00:45:17,715 MOM, DAD. 885 00:45:20,185 --> 00:45:21,386 [grunts] 886 00:45:33,832 --> 00:45:35,500 OK, HERE THEY COME. 887 00:45:35,566 --> 00:45:37,235 LET'S GET THEM OUT OF HERE. 888 00:45:49,214 --> 00:45:50,148 [yells] 889 00:46:04,529 --> 00:46:05,831 WONDER WOMAN! 890 00:46:08,199 --> 00:46:10,969 NOW, STAY RIGHT THERE. DO NOT MOVE. 891 00:46:16,607 --> 00:46:17,542 [groans] 892 00:46:18,910 --> 00:46:20,778 SHE'S BEEN HIT. 893 00:46:21,847 --> 00:46:23,181 BREMER, 894 00:46:23,248 --> 00:46:27,452 NOW STAY WHERE YOU ARE, YOU UNDERSTAND ME? 895 00:46:27,518 --> 00:46:31,656 I UNDERSTAND YOU, BREMER, AND I DON'T CARE ANY MORE. 896 00:46:31,722 --> 00:46:32,623 JIM, DON'T! 897 00:46:32,690 --> 00:46:34,792 [bullet ricocheting] 898 00:46:38,596 --> 00:46:39,865 [grunts] 899 00:46:40,966 --> 00:46:43,001 ALL RIGHT, HOLD IT, BREMER. 900 00:46:43,068 --> 00:46:44,802 ON YOUR FEET. 901 00:46:48,073 --> 00:46:49,640 NICE WORK, SOLDIER. 902 00:46:49,707 --> 00:46:53,311 THAT'S EXACTLY WHAT ONE WOULD EXPECT FROM A BRAVE MAN. 903 00:46:54,880 --> 00:46:56,481 THANKS, MAJOR. 904 00:46:57,715 --> 00:46:59,885 AND THANK THOSE 2 WOMEN. 905 00:47:00,751 --> 00:47:02,087 COME ON. 906 00:47:08,960 --> 00:47:11,229 WELL, YOU'RE NOT HURT. 907 00:47:11,296 --> 00:47:12,497 NO. 908 00:47:12,563 --> 00:47:13,698 SO WHY DID YOU-- 909 00:47:13,764 --> 00:47:15,233 AFTER WHAT YOU TOLD ME ABOUT JIM, 910 00:47:15,300 --> 00:47:17,668 I WANTED TO GIVE HIM A CHANCE TO PROVE HIMSELF. 911 00:47:17,735 --> 00:47:19,537 AND HE DID, DIDN'T HE? 912 00:47:19,604 --> 00:47:21,439 YES, HE CERTAINLY DID. 913 00:47:25,443 --> 00:47:28,146 LIEUTENANT, SERGEANT, PUT THEM IN THE TRUCK. 914 00:47:29,014 --> 00:47:30,315 COME ON. 915 00:47:36,587 --> 00:47:38,789 BOY, MAJOR, I WISH I COULD MEET WONDER GIRL AGAIN, 916 00:47:38,856 --> 00:47:41,059 UNDER DIFFERENT CIRCUMSTANCES. 917 00:47:41,126 --> 00:47:42,894 AND WONDER WOMAN. 918 00:47:51,736 --> 00:47:53,404 [Diana cheering] 919 00:47:53,471 --> 00:47:55,440 STEVE, YOU WERE WONDERFUL. THANK YOU. 920 00:47:55,506 --> 00:47:57,842 VERY MOVING. YOU KNOW, ETTA, 921 00:47:57,909 --> 00:47:59,410 THIS PICTURE WILL GIVE A BIG BOOST 922 00:47:59,477 --> 00:48:01,312 TO THE MORALE OF ALL OUR ARMED FORCES. 923 00:48:01,379 --> 00:48:03,814 IT WILL BOOST THE MORALE OF OUR ALLIES, TOO, SIR. 924 00:48:03,881 --> 00:48:05,383 IT REALLY IS A GREAT MOVIE. 925 00:48:05,450 --> 00:48:07,885 I'M GLAD I WAS ABLE TO SEE IT BEFORE GOING HOME ON LEAVE. 926 00:48:07,953 --> 00:48:09,955 SO AM I. HOW LONG WILL YOU BE GONE? 927 00:48:10,021 --> 00:48:11,789 OH, 3 OR 4 DAYS. 928 00:48:11,856 --> 00:48:14,359 UM, A CELEBRATION AT HOME. 929 00:48:14,425 --> 00:48:15,560 A BIRTHDAY? 930 00:48:15,626 --> 00:48:17,462 NO. AN ANNIVERSARY. 931 00:48:17,528 --> 00:48:19,830 WELL, AT LEAST WE CAN ALL HAVE DINNER TOGETHER 932 00:48:19,897 --> 00:48:21,499 BEFORE WE GO OUR SEPARATE WAYS. 933 00:48:21,566 --> 00:48:23,001 HOT DOGS AND ICE CREAM? 934 00:48:23,068 --> 00:48:24,535 WHATEVER YOU WANT. 935 00:48:24,602 --> 00:48:26,471 YOU KNOW, GENERAL, THERE'S ONE THING I REGRET. 936 00:48:26,537 --> 00:48:29,607 THAT WONDER WOMAN AND WONDER GIRL WEREN'T IN THE PICTURE. 937 00:48:29,674 --> 00:48:31,342 THEY'RE THE REAL STARS. 938 00:48:31,409 --> 00:48:32,443 SUPERSTARS. 939 00:48:32,510 --> 00:48:34,712 DID I EVER TELL YOU OF THE TIME WONDER WOMAN-- 940 00:48:34,779 --> 00:48:35,780 4 TIMES, MAJOR. 941 00:48:35,846 --> 00:48:37,482 ALL RIGHT. COME ON, YOU TWO. 942 00:48:37,548 --> 00:48:40,051 YOU WANT TO HEAR ABOUT THE EXPLOITS OF WONDER WOMAN, DON'T YOU? 943 00:48:40,118 --> 00:48:40,718 I CERTAINLY DON'T. 944 00:48:40,785 --> 00:48:42,487 WHY NOT? 945 00:48:42,553 --> 00:48:46,291 YOU MIGHT GROW UP TO BE JUST LIKE HER SOMEDAY. WHO KNOWS? 946 00:48:55,766 --> 00:48:57,868 * WONDER WOMAN 947 00:48:57,935 --> 00:49:00,605 * WONDER WOMAN 948 00:49:00,671 --> 00:49:03,941 * ALL THE WORLD IS WAITING FOR YOU * 949 00:49:04,942 --> 00:49:07,945 * AND THE POWER YOU POSSESS 950 00:49:09,014 --> 00:49:10,982 * IN YOUR SATIN TIGHTS 951 00:49:11,049 --> 00:49:13,084 * FIGHTING FOR YOUR RIGHTS 952 00:49:13,151 --> 00:49:16,121 * AND THE OLD RED, WHITE AND BLUE * 953 00:49:20,225 --> 00:49:22,627 * WONDER WOMAN 954 00:49:24,329 --> 00:49:27,332 * ALL OUR HOPES ARE PINNED UPON YOU * 955 00:49:28,399 --> 00:49:31,002 * AND THE MAGIC THAT YOU DO 956 00:49:32,737 --> 00:49:34,572 * STOP A BULLET COLD 957 00:49:34,639 --> 00:49:36,674 * MAKE THE AXIS FOLD 958 00:49:36,741 --> 00:49:38,376 * CHANGE THEIR MINDS 959 00:49:38,443 --> 00:49:40,678 * AND CHANGE THE WORLD 960 00:49:43,214 --> 00:49:46,484 * YOU'RE A WONDER WONDER WOMAN * 67502

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