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SHE SIGHS
Ah, me!
Weary pass these sombre days.
I am wasting my life!
KNOCKING
Who stands without? MUFFLED EXCLAMATION
I know not this sinister muffled voice!
There be evil spirits abroad.
Stands a naughty saucing demon without.
I must bar the door!
KNOCKING
On second thoughts, so bored am I that a frenzied encounter
with a naughty saucing demon might prove a welcome distraction.
SINISTER MUSIC PLAYS
Oh, it's only you, Mr Shakespeare, back from the shops
with our essential items. MUFFLED SPEECH
I was saying that I cannot believe how many people out there aren't
wearing bubonic plaguey beaks.
So irresponsible!
I know. I call such folk Bubon-idiots.
Brilliant, don't you think?
I'm hoping it'll catch on.
Mm. Not sure.
I think it might.
Smug, self-righteous fury is a powerful
linguistical poncing-toggler.
So irresponsible!
"I'm not wearing a plaguey beak", they say.
"I'm a freeborn Englishman.
"Why did we bother triumphing at Agincourt if we end up
"enslaved in plaguey beaks like snivelling Frenchies?"
"It's my problem if I get it!" Yes, but it's my problem
if you give it to me, you utter arsing-mungle!
And if you don't wear a beak, people will die!
That's what I should have said. Did you say it?
I very nearly said it. Well done.
That very nearly told them!
Well, I think they knew what I was thinking.
I tell you who I really hate.
The ones who wear a plaguey beak,
but around their necks, like that's enough.
It's not enough. It's not anything!
A plaguey beak isn't a scarf!
It's not there to keep your chin warm.
You can't just wear a plaguey beak.
You have to wear it over your nose and futtocking mouth!
Mind you, I can't stand the mask police either.With you there, Kate.
A pox on such virtue-prodding mealy-smugs.
We must practice goodwill and common sense.
A harassed mum allowing her screaming three-year-old
to go unbeaked in the queue
at the greengrocer's is of course reckless and irresponsible
but me momentarily removing mine to enjoy a modest and essential
six-course meal at Miss Lucy's is entirely reasonable.
Absolutely. And also entirely safe, if concluded before 10pm.
Exactly. After 10pm, that's when the plague gets really infectious.
As the Government's chief alchemist says,
"Follow the superstition."
Anyway, enough of the virtue-prodding mealy-smugs.
Likewise, the Bubon-idiots.
It's not going to catch on, Kate. I think it might.
We Brits love a collective bitch!
So, how was your shopping, Mr Shakespeare?
Did you get all our essential items? No, I didn't.
Still not a scrap of damp moss for the privy to be found
in all of the South Bank.
Still? People are just mad!Every tree stump and ancient gravestone
stripped of moistly compliant bum shank friendly vegetation
from Southwark to the bridge.
I hate hoarders.
Why? Just why? There be no shortage.
So, here's an idea. Let's create one.
It's actually hoarding that creates the shortages.
Although, of course, in such uncertain times, it does make sense
to shop prudently, even for socially responsible citizens such as us.
Which is why I thought it sensible to pick up another ham,
some more turnips, a few potatoes, more salted meat
and an extra bundle of sugar sticks,
which is definitely not hoarding.
Where's the booze? There isn't any booze.
You said you'd get booze.
Tell me you got more booze!
Yes, Kate, I got more booze.
The single most essential plaguey lock-in item of all.
KATE SQUEALS
But...
..we must not crack before 5pm.
No, definitely not. We have to stop the daytime drinking.
But beer's not booze.
I mean, not serious booze.
And absolutely essential,
confined as we are day after day,
firmly locked behind that which though it be sometimes ajar
contains no honey...Urgh. ..is always at an opening,
but be not a minor member of the royal family
and has a large knob, but be not the Earl of Southampton.
Not that I'd know, of course. We're just good friends.
Mr Shakespeare. If you mean door, why don't you just say door?
Because, as I think I may have mentioned, it's what I do.
And speaking of which, if you'll excuse me, I must get back
to work. With the theatres closed once more and all London
under brutal plaguey lock-in,
now is the time to write a really great play.
I'm just grateful we're not in Manchester.
Remember when they introduced the two tier system?
Absolutely. North and south.
We London elites think we have it bad,
but tis said the northern folk had to isolate in sealed barrels.
I know. I had hoped to return to my dear wife, Anne, and children
in Stratford, but all such nonessential movement be banned.
Besides the country folk have erected barricades
and stand at every turnpike with pitchfork ready,
shouting, "City toffs not welcome!
"Don't bring your plague here, you pestilent pamperloins."
Yes, me thinks we city toffs will remember that when
they want us back to stay in their horrid guest houses
and pay exorbitant prices
for their foul cream teas.
Anyway, with my servant Bottom pressed into service
collecting deadies, tis just you and me, Kate, locked in together.
And I must get on!
Yes, you must.
Can't make the same mistake I made the last time they closed
the theatres in the plaguey year of 1593.
I only produced The Comedy of Errors and Love's Labour's Lost,
both of which... Were absolute clunkers.
Well, perhaps very slightly short of mine sublime best.
Totally incomprehensible
and very, very dull.
Little does the fond child know that it's deliberate.
Being incomprehensible and very, very dull is one of my best tricks -
the very proof of my genius!
For I've discovered that a certain type of wanksome braining bonce
doth ever despise honest tears and laughter and will instead
seek out the wilfully obscure in theatre so that they can pretend to
understand it and thus look clever.
I mean, face it, Mr Shakespeare,
a Comedy of Errors wasn't a comedy.
Although it was certainly an error.
And Love's Labour's Lost was just convoluted bolingbrokes.
A king, a queen, three knights and three princesses
all hopelessly and impossibly entangled.
I mean, we all enjoy a love triangle, but a love octagon
is just desperate and try-hard, and also ever so slightly pervy.
You should raise your game. I know, Kate.
I have to use this plaguey lock-in time properly
and create a classic.
The new king doth love the theatre.
As you know, he has dubbed our old Lord Chamberlain's company
The King's Men.
A great honour, of course, but now it's personal,
which is quite scary.
James be England's first Caledonian king
and as we all know, there is no-one more touchy and minded to take
offence than an expat Scot.
I know. His one dream is to bind the separate
nations of England and Scotland together in one union.
Which is clearly never going to happen.
I think it might. The king be determined.
Well, if it does, I'll give it 400 years tops.
In the meantime, the King must be flattered and cosseted.
Thus, I'm working on a new play set in Scotland in which everyone
is Scottish and the leading character is both Scottish
and the King... of Scotland.
Oh, that should cover it, but are you qualified to write it?
Excuse me? Is the world's greatest playwright
qualified to write a play?
I really can't think. To write THIS play.
I'm worried about cultural appropriation.
Cultural appropriation!
Well, should an English person write a Scottish story?
After all, it's not your lived reality.
But art is by very definition a product of the imagination!
My plays portray kings, commoners, Moors, Jews, Papists, sorcerers,
women, sprites, human donkeys, Frenchmen, although of course never
in a positive light.
But by your argument, I would have none of them.
All of my plays would have to be about
a literary genius with a fine head of hair.
I just think it's an important conversation to have, that's all.
Well, we've had it. Can we never, ever have it again?
History is on my side.Stop it!
I'm writing a bloody Scottish play, and that's that.
With witches, despite outrageously not being a witch!
I'm using that old multiple murder plot I dreamt up
when we were staying in Stratters that time and I thought
I'd poisoned my neighbour with the milk.Mm.
Of course, the entire story is in Holinshed's Chronicles,
which I've been reading in the privy.
Maybe that helped a bit? Coincidence, Kate.
It's all my idea, as are all my plays,
whatever you may or may not have been reading in the privy.
Anyway, I've used these months of plaguey lock-in to work
and so far it's brilliant.
If also cultural theft. Stop it, Kate!
I have my action,
my heroic battles and brutal murders, my flawed and tragic hero.
King James will love all that, but his is also
a sensitive and poetic soul.
He will demand spiritual depth to the monarch I depict,
so I need one truly great speech, a forensically perceptive internal
monologue on the utter nothingness of existence
and the weary, plodding progress of time.
THEY BOTH SIGH
But where am I to find inspiration for such a speech?
Enveloped as we are in the utter nothingness of existence
and the weary, plodding progress of time.
Well, you must try, Mr Shakespeare. We must both try to use this time
constructively. See it as a gift, a unique opportunity.
I shall write a 12,000 line poem and you must write the one
great speech that will raise your Scottish play to genius.
Come, to our quills!
KATE SIGHS God, I'm bored!
Locked in. Locked in, month after month after month.
Do you know it's nearly Christmas? Goodness, is it really?
Yes, I was keeping an Advent calendar, but it was too depressing.
Today, a little window and tomorrow a little window.
And tomorrow and tomorrow.
Such a petty pace creeping from day to day.
I know. Well put.
When you think how many times the city authorities assured us
that everything would be back to normal by Christmas.
And before that, it was going to be back to normal by the summer.
Remember those balmy days last spring when we were assured
that the plague was no worse than the flu with
pustulant bum boils?
When each day the town crier brought assurances that we can quickly beat
this with English pluck and Armada spirit, and we'll all be free
and frolicking by June?Oh, and we were all free and frolicking
by June.For a week and a half. Oh, ten glorious days!
Mad frolicking! Potty frolicking!
Everybody went completely loopy doodah,
the entire country utterly arsing-mungled.
Mingling willy nilly.
God, I miss mingling my nilly with a willy.
I miss mingling my willy with a nilly.
And let's face it, Mr Shakespeare, on occasion
mingling your willy with a willy?
How many more times, Kate? The Earl of Southampton
and I are just good friends.
You write one sonnet.
Uh, 27!
But what a party it was! One glorious crazed week
and a half of drinks and debauching.
And then the town crier sent us all straight back into plaguey
lock-in.The dreaded second wave. Which killed the town crier.
How many waves has it been now?
I lost count about the time I lost the will to futtocking live.
15, I think.
15 waves. In, out, in, out.
Punctuated by brief periods
of reckless and irresponsible shaking it all about.
But enough of idle chatter. I must write my speech.Absolutely.
Otherwise, your great Scottish play will seem like a tale told
by an idiot...Well, I don't know about that.
..full of sound and fury.
Yes. Thank you...sig... I get it, Kate!
Now, can we please have a little peace?
Oh, well, pardon me for breathing.
We are sharing this space, you know.
We did make the decision to lock in together.
We are both working from home.
And I'm not stopping you.
Just no more futtocking baking.
I have produced some very fine fruit loaves.Some?
Kate, you've produced hundreds.
There's only so much raisin bread
two people can eat!We got through all my date and walnut baguettes!
Only because we used them as draught excluders.
I see you've already had two of my fluffy scones.As a wobbly table
wedge and a beer coaster.Oh!
And while we're on the subject of your locked-in culinary fetishes,
promise me that you won't make any more pickles.
You said you liked my pickles!
Yes, because who doesn't love an impenetrably fibrous root vegetable
suspended in vinegar. Particularly 57 jars of them!
I pretended to like your pickles to stop you constantly asking me
if I liked your pickles. Didn't you get that?
Just look out of the privy window.
You'll see a huge pile of turnips and mustard seed. That should give
you a clue.Well, your home-brewed mead be siphoned straight
from the devil's cod-dangle!
You drank it!Only because we'd drank every other drop
of alcohol in the house! I am trying to work!So am I!
Alas...
It's a balcony singer!
Oh, joy.Oh!
Discourteously
For I have loved you... Oh!
I remember when first his sweet song was heard. So important,
so empowering. We were all adjusting to our new unfamiliar locked-in
world, isolated and alone.
And then a beautiful, solitary voice rang out. People scurried
to their doors and windows to listen as the happy balcony singer
shared his talent selflessly and without thought of profit.
How we cheered, how we danced and waved to each other.
A community once more.
And then the bastable did it again the next day.
And again. And again.
Yes.
It did start to lose its novelty a bit.
Suddenly, he wasn't a selfless unifier at all. Just a boring,
loud-mouthed egotist showing off on a balcony.
A poor player strutting and fretting his hour upon the stage.
Greensleeves...
Shut the futtock up, you grimsome lovvie-kissie!
Nobody cares any more!
We are over it!
Oh!
SOBBING
And is heard no more.
That was a little harsh, Mr Shakespeare.
Art is still important.
In fact, I was thinking you should send a note
to your celebrity friends, Messrs Burbage, Condell and Kempe,
suggesting some sort of shared performance gesture,
because surely what the nation really needs right now
is a group of pampered folderols
making a public statement showing how special they are and how deeply
they feel about stuff.
You don't think that might be viewed as vainglorious signalling
of personal virtue and evidence of narcissism
so all-consuming it borders on mental illness?
No, people aren't that cynical! They see the good in things.
Speaking of which - Oh, my goodly godlingtons,
I nearly forgot!
SOLITARY CHEERING AND BANGING
I have decided to stop clapping.
No?!I think I must. It has been only me for over a month.
I had noticed. It all started so joyfully,
the whole town cheering
the grotsome corpse collectors, banging our pots,
tooting our horns, lord and groundling alike,
all appearing in their doorways once a week
in a shared moment of humble respect.
And then it got a bit boring. I'm afraid so.
Slowly but surely, the goodwill began to dissipate.
Whispers were raised that while it was all very well clapping
the grotsome corpse collectors, perhaps a greater mark of respect
would be to pay them a decent wage and provide them with slightly
more substantial protective clothing.
People began to stop clapping.
I only lasted a week.
Happy, enthusiastic faces in doorways
turned to angry, resentful ones behind curtains.
Until only you remained, Kate.
The last good soul in our parish, banging your little iron saucepan
with your little wooden spoon. Ping, ping, ping.
But it was important and it mattered.
We owe the grotsome corpse collectors so much.
Let us hope we remember our debt in better times.
I'm sure we will. For at heart,
we are a generous and caring people, sustained by love and common cause.
Exactly. Well said.
Oi, Jack Smidgens! I see you sneaking around to Molly Trout's
for a saucy frolic! That is not an essential journey!
It's futtocking essential to me, you bald bastable!
I am not bald! I have a low face.
Hey, you! Gertie Longirdle, that's the third time you've walked
your dog today! I shall report you to the neighbourhood watch.
Pervy, little snitching creep!
I am not a pervy, little snitching creep!
I'm a concerned citizen monitoring irresponsible dog walking.
Haven't you heard? If you walk your dog more than once a day,
people will die!
Incredible.
I haven't seen my family in months.
I missed my father's funeral. I never even got the chance
to say goodbye. And these utterly selfish bastables can't constrain
their dog walking,
even though if they walk their dogs too often, people will die.
Although, to be fair, you almost never see your family
because you live in London and they live in Stratford.
And also, to be frank, you wouldn't have said so much as goodbye
to old Mr Shakespeare as good riddance.
Tis true. Dad was the least mourned man in Stratford.
The party went on all night.
I felt sorry for my mum, though. Anne wrote that she had
to be helped away from the grave.
Was she too distraught?
No, she'd twisted an ankle dancing on it.
Well, Mr Shakespeare was an old man.
His time had come.
Yes, that's what makes bubonic plague so wicked.
It disproportionately affects the young.
Yes, tis a fact that those of 5 to 30 be most at risk
with all their lives ahead of them.
That is why the nation must act selflessly to protect the young.
If it were the other way round, it wouldn't matter.
A plague that only killed the stooped and ancient
and then but rarely would be fine.
Those who had lived long and happy
and supped full well already on the resources of the world
might easily shuffle off this mortal coil
a month or two early without any great harm done.
Tis hard to imagine any compelling argument for such an equitably
selective disease stopping the nation in its tracks.
Unless, of course, you were vulnerable and elderly.
Then you might think twice.
Or if your granny was.
Well, tis fortunate we are not faced with such a moral dilemma.
Yes, but if we ever were, I like to think that the nation
would still come together and make great sacrifices to protect
the weak, even though they be but old and frail.
Well, only time will tell, Kate.
Only time will tell.
And now I really must attempt to write this speech.
Yes, you must.
I shall be quiet, I promise!
I was thinking...Urgh...that a really good way to pass the time
might be, and this is going to sound weird, so bear with me, to create
a series of cutesomely wry and self-aware semi-comical
15-second dance routines.
Not sure I get the point.
Ah, but that is the point.
It's a generational thing.
I get it. And you don't.Get what?
It.What?15-second dance routines
so cutesomely wry, self-aware and semi-comical
that they baffle anyone who doesn't get it.Get what?
I can't explain. You're too old!
Don't you see? You have to get it to get it.
Get what? Show me an example.
All right. But it won't help.
Ha! Heh!
He! He! Hee! Woo!
Woo! Oh! Woo! Oh! Wah!
Oh! Ooh! Ah! Ooh!
Hee-hee! Hee-hee! Hee-hee!
Woo! Woo!
See?
Sorry, I still don't get it.
I have absolutely no idea why you are doing this silly dance
that is so specifically a quarter of a minute long.And you never will.
No matter how many times I show you or how often you make me
try to explain it, to you it will only ever be a tickle of a tune
and a toggle of a dance, which means nothing. But to me, young
and knowingly self aware, I could happily tickle-toggle all day.
Of course, it would be even more satisfying if there was some way
that millions and millions of people were able to watch me do it.
Let's hope that day never dawns.
It would be hard work indeed finding the energy
to write brilliant plays
in a world where young people's attention spans and intellectual
ambition had shrunk to the point where they ignored dense three-hour
verse dramas in favour of 15 seconds of tickle-toggling.
Yes, I do see that.But since that grim day be not yet here...
Yes, yes! You must write your big speech.
I think I'll cut my hair.Oh!
Nothing drastic. Just give myself a fringe.
Kate, you gave yourself new fringes during the sixth, seventh
and eighth waves.
At one point, your forehead was nearly as tall as mine.
It looked better after I bleached it with lemon juice.
No, it didn't. Nor after you'd shaved it into
the style of the newly discovered Mohawk tribe
of the North American Seaboard.
Now, seriously, Kate, I must concentrate. If when the theatres
finally reopen, my big new Scottish play be short one brilliantly
illuminating reflection on the nothingness of existence
and the pointless passage of time,
the King will think the whole drama shallow and sensationalist!
Yes, I know. It is crucial you get this speech right.But I can't
concentrate on it because I'm adrift in the nothingness of existence
and the pointless passage of time! Inspiration eludes me!
And if I incur the King's displeasure, he will give me
a haircut so severe it will include my entire head.
Oh, my goodly godlingtons! It's so obvious.
What?This! This is your inspiration!
What?Us! Now! The nation questioning the nothingness
of existence and the pointless passage of time.
Draw your speech from that.
Yes, Kate, of course!
Absolutely. I can see it now.
Macbeth, a once noble warrior, corrupted by greed and the foul
whispers of wraiths and witches, his vaulting ambition
come to naught, his wife dead by her own hand,
his kingdom assaulted, all hope gone,
decides to bake fruit bread, give himself a funny haircut
and create a wryly comic 15-second dance routine
that you have to get in order to get!
I was only trying to help. Well, please don't.
But it hasn't all been pointless, has it, Mr Shakespeare?
What?The dreadful plague years of 1593 and 1603,
when all the theatres shut, assemblies were prescribed
and the whole nation huddled in its homes in fear?
I like to think perhaps it will cause a spiritual reset,
a chance to step back and take stock of the things we really value,
that actually matter.
Well, it's a nice thought.And, also, perhaps it's given our
tired old world a break from restless human folly.
After all, while we be locked in our homes, there be no land
cleared, no rivers dammed, no forests felled.
Nature has its moment and all God's creatures a year without fear
that man will destroy its very habitat.
That has to be a good thing, doesn't it?
Yes, Kate, it does.
But it brings me no comfort, child.
Because even if humanity has by some miracle
used this time to take stock of the things that actually matter,
and if perhaps nature has been given momentary relief from its brutal
servitude to man, it won't make any difference
because the second this is all over and humanity is
free to roam once more,
we will be exactly as shallow and facile and selfish
and destructive as we ever were.
We will have learnt nothing, Kate.
Nothing.
Because frankly, we never do.
KATE SIGHS
Unhappy thought indeed.
Ah, me!
Weary pass these sombre days.
Tomorrow and tomorrow and tomorrow
creeps in this petty pace from day to day to the last
syllable of recorded time.
And all our yesterdays have lighted fools the way to dusty death.
Out, out, brief candle.
Life's but a walking shadow, a poor player
who struts and frets his hour upon the stage...
..and then is heard no more.
Tis a tale told by an idiot, full of sound and fury...
..signifying nothing.
SHE SIGHS
Hang on.
Hang the futtock on!
What?
Nothing. Just jotting something down. You know, being brilliant.
Well, you da bard!
Oh, I'm da bard, all right!
BELLS TOLL Listen, Mr Shakespeare!
I'd lost all track of days! It's Christmas!
By Saint Thomas's tiny testicles, so it is!
Merry Christmas, Kate!
Merry Christmas.
I'm afraid I have no present for you.
On the contrary, Kate.
On the contrary.
BELLS JINGLE
Carol singers! Oh!
CAROLLING You see, Mr Shakespeare,
community does count and people need it more than ever!
Coming together to share in both their joy
and their sorrow.
But, Kate, that's all very well but it's still irresponsible.
Don't they realise we're not supposed to mingle?
It's all right. They're mingling responsibly, look!
Maintaining a two yard social distance between each singer
and all wearing plaguey beaks!
A socially responsible Christmas.
How wonderful!
And just as much fun in its own way.
Let us join them, Mr Shakespeare.
Let us go outside and join our community and stand together,
two yards apart, suitably masked, and raise our voices as one.
Yes, Kate.For peace, love and goodwill to all
in the true spirit of Christmas!
MUFFLED CAROL SINGING
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