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These are the user uploaded subtitles that are being translated: 1 00:00:22,583 --> 00:00:25,041 [MARCHING] 2 00:00:43,500 --> 00:00:46,792 Boy: THERE'S THIS TRIBE IN SOUTH AMERICA CALLED THE ISHKANANI. 3 00:00:46,792 --> 00:00:48,500 THAT MEANS "FIERCE PEOPLE." 4 00:00:50,500 --> 00:00:55,458 THEY'RE--THEY'RE LIKE LIKE THE MEANEST PEOPLE IN THE WORLD. 5 00:00:55,458 --> 00:00:56,917 THEY'LL CUT OFF YOUR THUMBS 6 00:00:56,917 --> 00:00:59,792 AND THEY'LL SHIT IN YOUR HAMMOCK JUST LIKE WE SAY HELLO. 7 00:01:04,291 --> 00:01:05,625 LOOK AT THAT JERK. 8 00:01:05,625 --> 00:01:07,792 THAT'S ME AT 15. 9 00:01:09,291 --> 00:01:11,583 THAT'S ME IN OUR LOFT IN NEW YORK CITY. 10 00:01:11,583 --> 00:01:13,583 THAT'S MY FATHER, FOX BLANCHARD, 11 00:01:13,583 --> 00:01:17,542 THE ANTHROPOLOGIST WHO MADE FIRST CONTACT WITH THE ISHKANANI. 12 00:01:17,542 --> 00:01:20,417 I WAS CONCEIVED A FEW HOURS AFTER MY MOTHER ATTENDED 13 00:01:20,417 --> 00:01:21,792 A LECTURE HE GAVE AT HER COLLEGE. 14 00:01:21,792 --> 00:01:23,625 NEVER MET HIM. 15 00:01:23,625 --> 00:01:26,250 BUT JUST SHY OF MY 16th BIRTHDAY, 16 00:01:26,250 --> 00:01:29,083 HE SURPRISED ME WITH A COPY OF HIS DOCUMENTARY 17 00:01:29,083 --> 00:01:32,417 AND AN INVITATION TO SPEND THE SUMMER WITH HIM AND THE FIERCE PEOPLE. 18 00:01:32,417 --> 00:01:33,834 [WOMAN MOANING] 19 00:01:35,542 --> 00:01:37,417 Woman: YES! 20 00:01:37,417 --> 00:01:39,333 THAT'S MY MOM. 21 00:01:39,333 --> 00:01:40,500 [MAN MOANING] 22 00:01:40,500 --> 00:01:42,417 I DON'T KNOW WHO THAT GUY IS. 23 00:01:42,417 --> 00:01:44,667 BACK THEN SHE WAS A PROFESSIONAL MASSEUSE. 24 00:01:44,667 --> 00:01:46,500 VERY PROFESSIONAL. 25 00:01:46,500 --> 00:01:48,375 SHE HELD A DEGREE IN SWEDISH MASSAGE 26 00:01:48,375 --> 00:01:50,875 AND WAS VERY STRICT ABOUT NOT SLEEPING WITH THE CLIENT. 27 00:01:50,875 --> 00:01:55,041 THIS MAN PROBABLY GOT MANY THINGS FROM MY MOTHER THAT NIGHT 28 00:01:55,041 --> 00:01:59,625 BUT A SWEDISH MASSAGE WAS DEFINITELY NOT ONE OF THEM. 29 00:01:59,625 --> 00:02:02,125 ♪ HERE HE COMES, HERE COMES SPEED RACER ♪ 30 00:02:02,125 --> 00:02:03,959 MOM LIKED TO BRAG THAT OGDEN C. OSBORNE, 31 00:02:03,959 --> 00:02:05,750 SEVENTH RICHEST MAN IN AMERICA, 32 00:02:05,750 --> 00:02:07,750 ONCE GAVE HER A $1,000 TIP 33 00:02:07,750 --> 00:02:10,208 AND ALL HE GOT WAS A ONE-HOUR BACK RUB. 34 00:02:10,208 --> 00:02:13,208 SHE SPENT IT ON A PAIR OF BINOCULARS FOR ME 35 00:02:13,208 --> 00:02:15,542 AND A FEW EIGHT BALLS OF BLOW FOR HERSELF. 36 00:02:15,542 --> 00:02:17,708 I KNOW IT'S SUPPOSED TO BE THIS BIG TRAGEDY 37 00:02:17,708 --> 00:02:20,250 IF THE KID'S PARENTS GET HIGH BUT THE TRUTH IS 38 00:02:20,250 --> 00:02:23,000 MY MOM WAS KIND OF FUN WHEN SHE WAS LOADED. 39 00:02:23,000 --> 00:02:26,458 I MEAN, COME ON, HOW MANY KIDS CAN HONESTLY SAY THEIR MOMS 40 00:02:26,458 --> 00:02:29,917 LIKE DEBATING WHETHER SPACE GHOST COULD BEAT UP SPEED RACER? 41 00:02:37,375 --> 00:02:38,667 [MOM YELLING] 42 00:02:38,667 --> 00:02:41,667 BUT MOST OF THE TIME SHE WASN'T FUN AT ALL. 43 00:02:42,875 --> 00:02:44,875 ESPECIALLY IN THE MORNING. 44 00:02:44,875 --> 00:02:46,375 ESPECIALLY THIS MORNING. 45 00:02:46,375 --> 00:02:47,542 [CRASH] 46 00:02:47,542 --> 00:02:48,417 FINN! 47 00:02:48,417 --> 00:02:51,750 FINN, GET IN HERE! GET THIS THING OFF ME! 48 00:02:51,750 --> 00:02:53,166 MOM! 49 00:02:53,166 --> 00:02:54,417 WHAT THE HELL ARE YOU DOING? 50 00:02:54,417 --> 00:02:55,917 WE HAVE TO GET MY PASSPORT! 51 00:02:55,917 --> 00:02:57,792 YOU GOTTA GET IT TOGETHER! 52 00:02:57,792 --> 00:02:59,083 I'M LOOKING FOR MY-- 53 00:02:59,083 --> 00:03:00,583 I KNOW WHAT YOU ARE LOOKING FOR. 54 00:03:00,583 --> 00:03:02,625 WELL, I'LL BE FINE AS SOON AS I GET A PICK-ME-UP, YOU KNOW? 55 00:03:02,625 --> 00:03:04,625 THE PASSPORT OFFICE CLOSES AT 4:00. 56 00:03:04,625 --> 00:03:06,000 YOU KNOW, I'M LEAVING TOMORROW. 57 00:03:06,000 --> 00:03:06,959 GOD DAMN! 58 00:03:06,959 --> 00:03:08,750 THE ISHKANANI BELIEVE 59 00:03:08,750 --> 00:03:11,542 THAT LIFE-ALTERING MOMENTS DON'T HAPPEN BY ACCIDENT. 60 00:03:11,542 --> 00:03:14,417 THEY WOULD SAY THAT THAT BOOKCASE DIDN'T FALL, 61 00:03:14,417 --> 00:03:17,041 IT WAS PUSHED BY EVIL SPIRITS WHO STEAL THE SOULS 62 00:03:17,041 --> 00:03:19,583 OF CHILDREN WHILE THEY SLEEP. 63 00:03:26,083 --> 00:03:30,834 I'VE ALWAYS BELIEVED INVISIBLE FORCES WERE AT WORK THAT DAY. 64 00:03:30,834 --> 00:03:33,625 FORCES I DIDN'T YET UNDERSTAND. 65 00:03:38,917 --> 00:03:41,041 [SIRENS] 66 00:03:41,041 --> 00:03:43,458 EVERYBODY ON THE GROUND! NOW! 67 00:03:43,458 --> 00:03:44,625 GET ON THE GROUND! 68 00:03:44,625 --> 00:03:46,291 [PEOPLE YELLING] 69 00:03:51,083 --> 00:03:54,125 YOU COULD'VE SAID IT WAS FOR ME. 70 00:03:54,125 --> 00:03:56,125 YOU DIDN'T HAVE TO TAKE THE BLAME. 71 00:03:56,125 --> 00:03:57,708 REALLY? 72 00:03:57,708 --> 00:04:00,792 WELL, DO YOU WANT ME TO GO BACK AND TELL THE TRUTH, MOM? 73 00:04:00,792 --> 00:04:02,792 I MEAN, SERIOUSLY, IT'S RIGHT THERE. 74 00:04:02,792 --> 00:04:05,250 I'M--I WOULD BE MORE THAN WILLING TO DO THAT. 75 00:04:18,041 --> 00:04:19,083 OH, MY GOD! 76 00:04:19,083 --> 00:04:20,500 I CAN'T BELIEVE YOU'RE-- 77 00:04:20,500 --> 00:04:21,667 GIVE ME THE PHONE, PLEASE. 78 00:04:21,667 --> 00:04:23,041 THE TELEPHONE, PLEASE? 79 00:04:23,041 --> 00:04:25,041 [TOILET FLUSHING] 80 00:04:27,625 --> 00:04:29,291 I NEED TO BE ALONE. 81 00:04:31,625 --> 00:04:34,834 A SERIES OF FOREVER-ALTERING EVENTS. 82 00:04:34,834 --> 00:04:36,750 A TUMBLED BOOKCASE. 83 00:04:36,750 --> 00:04:37,834 A DRUG BUST. 84 00:04:37,834 --> 00:04:39,500 AND A PHONE CALL. 85 00:04:39,500 --> 00:04:41,333 MOST OF ALL, THE PHONE CALL 86 00:04:41,333 --> 00:04:43,875 TO THE SEVENTH WEALTHIEST MAN IN AMERICA. 87 00:04:43,875 --> 00:04:48,458 A MAN SO RICH, HE PROMOTED HIS CHAUFFEUR 88 00:04:48,458 --> 00:04:51,291 TO BE CHIEF OF POLICE OF HIS OWN LITTLE KINGDOM. 89 00:04:56,708 --> 00:04:57,834 [BUZZER] [MOM RETCHING] 90 00:04:57,834 --> 00:04:58,708 MOM? 91 00:04:58,708 --> 00:05:00,708 YEAH. WHAT? 92 00:05:00,708 --> 00:05:02,125 THERE'S A COP DOWNSTAIRS. 93 00:05:02,125 --> 00:05:04,750 PACK YOUR STUFF. WE'RE LEAVING. 94 00:05:04,750 --> 00:05:06,667 [RETCHING] 95 00:05:06,667 --> 00:05:07,875 MOM! 96 00:05:07,875 --> 00:05:08,875 WHAT'S GOING ON? 97 00:05:08,875 --> 00:05:10,542 WHERE'S THIS GUY TAKING US? 98 00:05:10,542 --> 00:05:13,208 WE'RE GOING TO MR. OSBORNE'S PLACE IN THE COUNTRY. 99 00:05:13,208 --> 00:05:15,083 WHAT? THE GEEZER FROM THE HOSPITAL? 100 00:05:15,083 --> 00:05:16,417 WHAT'S SHE GONNA DO WITH HIM? 101 00:05:16,417 --> 00:05:18,375 THE COURTS HAVE PLACED YOU IN MY CUSTODY 102 00:05:18,375 --> 00:05:21,542 WHILE YOUR MOM GIVES MR. OSBORNE PHYSICAL THERAPY. 103 00:05:21,542 --> 00:05:22,583 COME ON. 104 00:05:22,583 --> 00:05:25,417 MY MOTHER IS A FUCKING MASSEUSE, ALL RIGHT? 105 00:05:25,417 --> 00:05:27,708 THIS SUMMER, YOU'RE GONNA HAVE TO START WATCHING YOUR LANGUAGE. 106 00:05:27,708 --> 00:05:29,041 SUMMER? 107 00:05:29,041 --> 00:05:30,041 WHAT THE HELL DO YOU MEAN, SUMMER? 108 00:05:30,041 --> 00:05:31,417 ARE YOU CRAZY? 109 00:05:31,417 --> 00:05:33,125 I GOTTA BE IN NEW YORK FOR COURT, MOM. 110 00:05:33,125 --> 00:05:34,583 NO, YOU DON'T. 111 00:05:34,583 --> 00:05:35,917 MR. OSBORNE TOOK CARE OF ALL THAT. 112 00:05:35,917 --> 00:05:37,500 ISN'T THAT GREAT, LAMBIE? 113 00:05:37,500 --> 00:05:38,917 WHAT THE HELL DO YOU MEAN, HE TOOK CARE OF IT? 114 00:05:38,917 --> 00:05:41,792 I MEAN I'M NOT SUCH A BAD MOTHER AFTER ALL. 115 00:05:46,917 --> 00:05:50,583 THIS IS THE STORY OF MY TIME AMONGST THE FIERCE PEOPLE, 116 00:05:50,583 --> 00:05:52,875 DURING THE SUMMER OF 1980, 117 00:05:52,875 --> 00:05:55,750 IN DEEPEST, DARKEST NEW JERSEY. 118 00:08:34,333 --> 00:08:39,542 MR. OSBORNE'S GOT 9,356 ACRES. 119 00:08:40,708 --> 00:08:43,708 OVER 10 SQUARE MILES. 120 00:08:43,708 --> 00:08:45,291 SEE THAT? 121 00:08:47,083 --> 00:08:50,917 MAKES HIS PEAR BRANDY JUST THE WAY THEY DO IN FRANCE. 122 00:09:18,041 --> 00:09:19,291 LET'S DO IT. 123 00:09:38,917 --> 00:09:40,291 AHH. 124 00:09:43,041 --> 00:09:48,000 OHH. IT'S A DREAM. 125 00:09:48,000 --> 00:09:49,125 THANK YOU. 126 00:09:49,125 --> 00:09:50,250 OKAY. BYE. 127 00:09:50,250 --> 00:09:51,166 THANKS. BYE. 128 00:09:51,166 --> 00:09:55,625 AHH. THANK GOD I WORE UNDERWEAR. 129 00:09:56,834 --> 00:09:58,166 OHH. 130 00:10:03,834 --> 00:10:04,834 [BOTTLES RATTLING] 131 00:10:12,083 --> 00:10:13,583 MAKING PUNCH? 132 00:10:13,583 --> 00:10:16,000 I GOT MY FIRST AA MEETING TODAY, FINN. 133 00:10:16,000 --> 00:10:17,500 [BOTTLES CLANGING] 134 00:10:17,500 --> 00:10:18,959 I'M GONNA DO THINGS RIGHT THIS TIME, FINN. 135 00:10:18,959 --> 00:10:20,166 YEAH, I'LL SAY. 136 00:10:20,166 --> 00:10:22,583 YOU'VE NEVER HAD A RICH BOYFRIEND BEFORE. 137 00:10:22,583 --> 00:10:27,125 I TOLD YOU, MR. OSBORNE IS NOT MY BOYFRIEND. 138 00:10:27,125 --> 00:10:31,000 HE'S A KIND MAN WHO'S WILLING TO HELP US OUT. 139 00:10:31,000 --> 00:10:34,250 OH. HEY, YOU FIND THIS BOOK HERE? 140 00:10:34,250 --> 00:10:35,834 FOR YOUR INFORMATION, 141 00:10:35,834 --> 00:10:37,375 I'VE HAD THAT BOOK FOR SEVERAL MONTHS NOW. 142 00:10:37,375 --> 00:10:38,917 REALLY? 143 00:10:38,917 --> 00:10:41,208 DOES IT HAVE A HAPPY ENDING? 144 00:10:41,208 --> 00:10:43,375 DOES BEING A SHIT ABOUT ALL THIS MAKE IT EASIER FOR YOU? 145 00:10:43,375 --> 00:10:45,667 IN A WORD, YES. 146 00:10:47,166 --> 00:10:48,667 YOU GONNA SNORT THAT? 147 00:10:50,375 --> 00:10:52,000 WHOSE CAR? 148 00:10:52,000 --> 00:10:53,083 MMM. 149 00:10:55,583 --> 00:10:58,333 MR. OSBORNE'S BUTLER BROUGHT IT BACK FOR US TO USE. 150 00:10:58,333 --> 00:10:59,375 HMH. 151 00:10:59,375 --> 00:11:01,083 CAN I DRIVE IT? 152 00:11:01,083 --> 00:11:02,750 OF COURSE NOT. YOU DON'T HAVE A LICENSE. 153 00:11:02,750 --> 00:11:05,375 YEAH, WELL, YOU'RE THE ONE WHO SAID IT WAS FOR "US" TO USE. 154 00:11:05,375 --> 00:11:06,875 I KNOW. I DID SAY THAT. 155 00:11:06,875 --> 00:11:08,458 LOOK, FINN, I KNOW YOU'RE MAD AT ME-- 156 00:11:08,458 --> 00:11:09,458 MAD? 157 00:11:09,458 --> 00:11:12,083 NO, MOM, I'M GRATEFUL. 158 00:11:12,083 --> 00:11:15,250 I ALMOST GOT STUCK HAVING TO SPEND THE ENTIRE SUMMER 159 00:11:15,250 --> 00:11:18,000 IN THE SOUTH AMERICAN RAIN FOREST WITH THE ISHKANANI. 160 00:11:18,000 --> 00:11:22,083 BUT LUCKY ME I GET TO BE HERE WITH YOU, WHICH IS WONDERFUL. 161 00:11:22,083 --> 00:11:23,083 GO AHEAD. 162 00:11:23,083 --> 00:11:24,166 IF YOU GET ARRESTED, 163 00:11:24,166 --> 00:11:26,083 I'LL JUST SAY YOU STOLE IT. 164 00:11:27,417 --> 00:11:29,542 YOU KNOW, IT'S ACTUALLY NOT AS MUCH FUN 165 00:11:29,542 --> 00:11:31,917 IF YOU'RE NOT DOWN FOR THE COUNT. 166 00:12:24,125 --> 00:12:26,583 OH, THANK YOU, SIR. 167 00:12:26,583 --> 00:12:28,667 THE SERVANT'S ENTRANCE IS IN THE REAR. 168 00:12:28,667 --> 00:12:30,291 YOU'LL FIND APPROPRIATE PARKING THERE. 169 00:12:30,291 --> 00:12:32,083 HERBERT! 170 00:12:32,083 --> 00:12:33,417 NO! 171 00:12:33,417 --> 00:12:34,500 HERE, LET ME GET THAT FOR YOU. 172 00:12:34,500 --> 00:12:35,500 THANK YOU. YOU GO RIGHT IN. 173 00:12:37,333 --> 00:12:42,333 HERBERT, IF YOU HAD ANY IDEA HOW LONG 174 00:12:42,333 --> 00:12:46,625 I'VE BEEN WAITING TO GET THIS WOMAN ACROSS MY THRESHOLD. 175 00:13:21,208 --> 00:13:22,291 WHITNEY! 176 00:13:22,291 --> 00:13:23,500 HI, WHITNEY! 177 00:13:23,500 --> 00:13:25,375 GENTLEMAN AND A SCHOLAR. 178 00:13:30,166 --> 00:13:31,166 [LAUGHTER] 179 00:13:38,458 --> 00:13:40,041 WHITNEY! 180 00:13:50,208 --> 00:13:52,250 GENTLEMAN AND A SCHOLAR. 181 00:13:53,375 --> 00:13:55,208 Finn: DEAR DAD... 182 00:13:55,208 --> 00:13:57,250 SINCE I CAN'T BE WITH YOU AND THE FIERCE PEOPLE, 183 00:13:57,250 --> 00:13:59,583 I'VE DECIDED TO MAKE AN ANTHROPOLOGICAL STUDY 184 00:13:59,583 --> 00:14:01,375 OF THE PEOPLE OF VLYVALLE. 185 00:14:01,375 --> 00:14:03,917 FROM THE SOCIETY MAGAZINES LEFT AROUND THE HOUSE 186 00:14:03,917 --> 00:14:06,708 WE'RE STAYING IN, I'M ABLE TO FIGURE OUT WHO IS WHO. 187 00:14:06,708 --> 00:14:09,917 IT'S REALLY WEIRD HOW MUCH THEY'RE LIKE A TRIBE. 188 00:14:09,917 --> 00:14:13,125 BY MY COUNT, MR. OSBORNE HAS HAD ABOUT 6 WIVES. 189 00:14:13,125 --> 00:14:15,708 HIS DAUGHTER LIVES HERE WITH HER TWO KIDS. 190 00:14:15,708 --> 00:14:20,375 THE CHIEF'S GRANDSON FLIES AROUND IN A HOT AIR BALLOON WITH A BABE IN A DASHIKI... 191 00:14:20,375 --> 00:14:23,208 AND HIS SISTER IS REALLY INTO HORSES. 192 00:14:23,208 --> 00:14:26,583 AND THERE'S THIS COP WHO RUNS ERRANDS FOR MR. OSBORNE 193 00:14:26,583 --> 00:14:29,291 WHO LOOKS JUST LIKE BARRY WHITE. 194 00:14:29,291 --> 00:14:32,625 NOW MOM, SHE ALSO WORKS FOR THE CHIEF. 195 00:14:32,625 --> 00:14:34,583 DADDY? 196 00:14:34,583 --> 00:14:35,917 HERBERT. 197 00:14:37,208 --> 00:14:39,542 DADDY! 198 00:14:39,542 --> 00:14:41,458 HI. HI. 199 00:14:41,458 --> 00:14:45,500 DADDY, YOU DIDN'T TELL ME THAT YOUR NEW FRIEND WAS A DOCTOR. 200 00:14:45,500 --> 00:14:47,500 I FELT SO FOOLISH YESTERDAY. 201 00:14:47,500 --> 00:14:50,208 THE MAID WAS JUST GOING ON AND ON AND ON 202 00:14:50,208 --> 00:14:54,500 ABOUT DR. EARL THIS AND DR. EARL THAT AND-- 203 00:14:54,500 --> 00:14:56,542 FELT FOOLISH. AMAZING. 204 00:14:56,542 --> 00:14:59,500 WELL, I THOUGHT THAT SHE WAS JUST A MASSEUSE. 205 00:14:59,500 --> 00:15:01,500 WELL, YOU WERE WRONG. 206 00:15:01,500 --> 00:15:04,083 DR. EARL, MEET MY DAUGHTER PILAR. 207 00:15:04,083 --> 00:15:05,417 HI. 208 00:15:08,041 --> 00:15:12,333 WELL, IT WAS NICE TO MEET YOU...DR. EARL. 209 00:15:17,041 --> 00:15:19,250 OH, CHRIST. 210 00:15:19,250 --> 00:15:21,667 NO WONDER I'M SICK. 211 00:15:29,000 --> 00:15:31,041 WHAT'S WRONG? 212 00:15:32,542 --> 00:15:35,500 I NEVER TOLD ANYONE I WAS A DOCTOR. 213 00:15:35,500 --> 00:15:39,417 LOOK, FOR 10 SQUARE MILES I'M KING. 214 00:15:39,417 --> 00:15:42,625 IF I SAY YOU'RE A DOCTOR, YOU'RE A DOCTOR... 215 00:15:42,625 --> 00:15:47,500 WHICH IS NOT TO SAY THERE'S ANYTHING WRONG WITH BEING A MASSEUSE. 216 00:15:47,500 --> 00:15:49,959 OK? 217 00:15:53,166 --> 00:15:57,333 OH, GOD. OH, GOD. 218 00:16:00,333 --> 00:16:02,708 Finn: THERE'S THIS REALLY NICE, BIG RETARD IN THE WOODS 219 00:16:02,708 --> 00:16:04,542 WHO DRAWS DIRTY PETROGLYPHS, 220 00:16:04,542 --> 00:16:07,166 WHO'S OBVIOUSLY GOTTA BE SOMEBODY BECAUSE HE'S A FIFTH. 221 00:16:07,166 --> 00:16:08,500 AND THERE'S THIS REALLY WEIRD-- 222 00:16:08,500 --> 00:16:09,500 FINN! 223 00:16:09,500 --> 00:16:10,375 OH, AND, DAD... 224 00:16:10,375 --> 00:16:11,542 HEY, FINN! 225 00:16:11,542 --> 00:16:12,875 WE'VE GOT A MAID. 226 00:16:12,875 --> 00:16:14,375 AND SHE'S MY AGE. 227 00:16:14,375 --> 00:16:15,708 YOU WANNA SHOTGUN? 228 00:16:15,708 --> 00:16:17,375 SURE! WHAT IS IT? 229 00:16:17,375 --> 00:16:19,166 AND VERY FRIENDLY. 230 00:16:30,583 --> 00:16:33,333 YOU WANNA FOOL AROUND? 231 00:16:33,333 --> 00:16:35,041 SURE. 232 00:16:38,750 --> 00:16:40,041 [CAR APPROACHING] 233 00:16:48,625 --> 00:16:50,041 [HORSE NEIGHING] 234 00:17:02,542 --> 00:17:03,583 HEY. 235 00:17:03,583 --> 00:17:05,041 Girl: YOU'RE WEIRD. 236 00:17:05,917 --> 00:17:07,166 JILLY. 237 00:17:07,166 --> 00:17:08,583 I STILL HAVE TO VACUUM. 238 00:17:08,583 --> 00:17:10,125 JILLY, I'M SORRY! 239 00:17:10,125 --> 00:17:11,792 JILLY, IT'S JUST THAT... 240 00:17:12,708 --> 00:17:15,750 JUST NEVER SEEN HIM BEFORE. 241 00:17:19,417 --> 00:17:22,792 Finn: THE ISHKANANI SAY THAT EVERYONE HAS AN ANIMAL SPIRIT. 242 00:17:22,792 --> 00:17:24,375 IT'S CALLED YOUR NURESHI. 243 00:17:24,375 --> 00:17:27,417 IT'S SORT OF LIKE A SPIRITUAL GUIDANCE COUNSELOR 244 00:17:27,417 --> 00:17:30,500 THAT KEEPS THE TRIBE FROM BREAKING YOUR BASIC TABOOS. 245 00:17:30,500 --> 00:17:31,792 HE'S REALLY TALENTED. 246 00:17:31,792 --> 00:17:33,792 I'M NOT SURE WHAT MINE IS YET. 247 00:17:34,708 --> 00:17:37,542 OH, MOM! 248 00:17:37,542 --> 00:17:39,166 LOOK AT THAT. 249 00:17:39,166 --> 00:17:41,458 HEY, I'LL STOP GIVING YOU SHIT ABOUT OSBORNE 250 00:17:41,458 --> 00:17:42,625 IF YOU PUT THAT ONE ON. 251 00:17:42,625 --> 00:17:44,041 COME ON, PLEASE! 252 00:17:44,041 --> 00:17:46,000 AND I'LL PUT THE TALLYHO OUTFIT ON 253 00:17:46,000 --> 00:17:48,875 AND WE CAN PARADE AROUND WITH THAT STUFFED DOG THING. 254 00:17:48,875 --> 00:17:50,708 WOW, THE COLOR MATCHES YOUR EYES. 255 00:17:50,708 --> 00:17:52,291 OH, HI. HEY. 256 00:17:52,291 --> 00:17:54,583 HER EYES ARE THE COLOR OF CELERY? 257 00:17:54,583 --> 00:17:56,500 HOW YOU DOIN', LIZ? 258 00:17:56,500 --> 00:17:58,917 WELL, YOU KNOW, ONE DAY AT A TIME. 259 00:17:58,917 --> 00:18:00,125 AHEM. THAT'S WHAT THEY SAY, RIGHT? 260 00:18:00,125 --> 00:18:01,542 MMM-HMM. MMM-HMM. 261 00:18:01,542 --> 00:18:03,750 THIS IS MY SON, FINN. 262 00:18:03,750 --> 00:18:05,875 AND THIS IS DR. LEFFLER. 263 00:18:05,875 --> 00:18:07,959 YOU CAN CALL ME DICK. 264 00:18:07,959 --> 00:18:08,917 HMM. 265 00:18:08,917 --> 00:18:12,000 NICE TO MEET YOU, DR. DICK. 266 00:18:12,000 --> 00:18:13,500 I LEFT A MESSAGE ON YOUR MACHINE, 267 00:18:13,500 --> 00:18:15,333 SEE IF YOU WANTED A LIFT TO TOMORROW'S NOONER. 268 00:18:15,333 --> 00:18:16,542 OH, I'D LIKE THAT. 269 00:18:16,542 --> 00:18:17,792 GREAT. OK. 270 00:18:17,792 --> 00:18:20,000 TILL THEN. 271 00:18:20,000 --> 00:18:21,208 SEE YA. 272 00:18:23,458 --> 00:18:25,250 MOM? 273 00:18:25,250 --> 00:18:27,208 YOU'RE ALLOWED TO DATE DR. DICK 274 00:18:27,208 --> 00:18:28,834 WHILE YOU'RE SLEEPING WITH OSBORNE? 275 00:18:28,834 --> 00:18:30,625 HIS NAME IS DR. LEFFLER, ALL RIGHT? 276 00:18:30,625 --> 00:18:32,625 I MET HIM AT AA, 277 00:18:32,625 --> 00:18:34,041 BUT YOU'RE NOT SUPPOSED TO KNOW THAT BECAUSE IT'S ANONYMOUS. 278 00:18:34,041 --> 00:18:35,000 ANYWAY, I'M NOT DATING HIM. 279 00:18:35,000 --> 00:18:37,041 AND CUT IT OUT ABOUT ME SCREWING OSBORNE! 280 00:18:37,041 --> 00:18:39,583 YOU THINK IT'S A GOOD IDEA, SLEEPING WITH OSBORNE'S DOCTOR? 281 00:18:39,583 --> 00:18:41,000 JESUS, FINN! 282 00:18:41,000 --> 00:18:42,959 Finn: I DIDN'T MIND MY MOTHER DOING OSBORNE. 283 00:18:42,959 --> 00:18:44,458 I MEAN, SHE'S DONE WORSE. 284 00:18:44,458 --> 00:18:46,000 I JUST DIDN'T LIKE HER 285 00:18:46,000 --> 00:18:48,375 THINKING THAT SHE WAS FOOLING ME. 286 00:19:10,542 --> 00:19:12,875 BRYCE! 287 00:19:12,875 --> 00:19:16,542 BRYCE, OPEN UP THIS DOOR. 288 00:19:16,542 --> 00:19:18,208 BRYCE! 289 00:19:18,208 --> 00:19:22,041 BRYCE, OPEN THIS DOOR IMMEDIATELY! 290 00:19:22,041 --> 00:19:25,583 BRYCE, I KNOW THAT YOU'RE IN THERE. 291 00:19:25,583 --> 00:19:28,250 AND, COCO, IF YOU WANNA HIDE FROM ME, 292 00:19:28,250 --> 00:19:32,208 YOU SHOULD MAKE LESS NOISE WHEN YOU'RE RUTTING! 293 00:19:34,625 --> 00:19:36,583 WHAT ARE YOU DOING? 294 00:19:36,583 --> 00:19:38,041 NOTHING. 295 00:19:38,041 --> 00:19:40,000 WELL, IF YOU WANNA KEEP YOUR JOB, 296 00:19:40,000 --> 00:19:42,750 YOU SHOULD SPEND LESS TIME EAVESDROPPING. 297 00:19:42,750 --> 00:19:45,250 ACTUALLY, I DON'T WORK FOR YOU. 298 00:19:47,750 --> 00:19:49,458 WHAT'S YOUR NAME? 299 00:19:50,583 --> 00:19:51,667 FINN EARL. 300 00:19:51,667 --> 00:19:54,333 OH, RIGHT. 301 00:19:54,333 --> 00:19:57,375 THE FAMOUS DOCTOR'S SON. 302 00:19:57,375 --> 00:19:59,667 BRYCE, THIS IS RUDE! 303 00:19:59,667 --> 00:20:02,000 YOU ALREADY STOOD ME UP FOR TENNIS! 304 00:20:02,000 --> 00:20:04,417 WE'RE GONNA BE LATE TO SEE YOUR FATHER! 305 00:20:08,500 --> 00:20:10,959 I DON'T KNOW WHAT HE SEES IN THAT GIRL. 306 00:20:10,959 --> 00:20:13,750 SHE CLAIMS TO BE A NIGERIAN PRINCESS. 307 00:20:13,750 --> 00:20:16,583 BUT PEOPLE CLAIM TO BE ALL SORTS OF THINGS 308 00:20:16,583 --> 00:20:19,583 THEY'RE NOT THESE DAYS, DON'T THEY? 309 00:20:19,583 --> 00:20:21,000 MMM. 310 00:20:22,875 --> 00:20:24,792 HONOR BRIGHT. 311 00:20:26,959 --> 00:20:29,333 ARE THEY MAKING FACES BEHIND MY BACK? 312 00:20:30,500 --> 00:20:33,125 NO. 313 00:20:33,125 --> 00:20:34,458 [LAUGHTER] 314 00:20:37,792 --> 00:20:40,291 NO BRYCE, NO COCO. 315 00:20:51,750 --> 00:20:53,542 MY THANKS, YOUNG SQUIRE. 316 00:20:53,542 --> 00:20:54,542 AND YOUR NAME IS, SIR? 317 00:20:54,542 --> 00:20:55,959 FINN! 318 00:20:55,959 --> 00:20:57,500 FINN! 319 00:20:57,500 --> 00:20:59,417 YOU'RE GENTLEMAN AND A SCHOLAR... 320 00:20:59,417 --> 00:21:01,041 AND A MOST GIFTED BULLSHITTER. 321 00:21:01,041 --> 00:21:02,708 THANK YOU. 322 00:21:02,708 --> 00:21:05,000 HEY, WHERE IS YOUR GRANDFATHER'S HOUSE? 323 00:21:05,000 --> 00:21:07,417 WALK THROUGH THOSE BIG FIRS, 324 00:21:07,417 --> 00:21:09,417 STAY ON THE PATH AND YOU CAN'T MISS IT. 325 00:21:09,417 --> 00:21:10,750 GOT IT. THANKS. 326 00:21:10,750 --> 00:21:11,834 GOOD DAY. 327 00:21:11,834 --> 00:21:13,625 BYE, FINN. 328 00:21:13,625 --> 00:21:14,834 BYE. 329 00:21:28,125 --> 00:21:30,500 HEY! 330 00:21:30,500 --> 00:21:32,000 PSST! 331 00:21:32,000 --> 00:21:35,917 YOU SMOKE POT WITH MY GIRLFRIEND AGAIN, YOU'RE DEAD. 332 00:21:35,917 --> 00:21:38,542 NOW GET THE FUCK OUT OF HERE. 333 00:21:44,708 --> 00:21:46,917 AHH! SHIT! 334 00:21:59,667 --> 00:22:00,750 [CRUNCH] 335 00:22:00,750 --> 00:22:03,917 AHH! FUCK! 336 00:22:03,917 --> 00:22:06,542 AHH, SHIT! 337 00:22:06,542 --> 00:22:08,834 OH, MAN! 338 00:22:08,834 --> 00:22:12,208 OHH! OH, GOD! 339 00:22:13,875 --> 00:22:17,083 I'M SO SICK OF YOU BASTARDS SHOOTING OUR DEER! 340 00:22:17,083 --> 00:22:19,708 I DIDN'T DO ANYTHING TO YOUR DEER! 341 00:22:19,708 --> 00:22:20,917 AAH! 342 00:22:20,917 --> 00:22:22,875 GET IT OFF ME NOW! 343 00:22:22,875 --> 00:22:23,959 SHIT. 344 00:22:23,959 --> 00:22:26,834 AH, SHIT! 345 00:22:26,834 --> 00:22:28,500 OHH! 346 00:22:28,500 --> 00:22:29,917 UHH. 347 00:22:35,667 --> 00:22:38,583 WELL, YOU'RE VERY LUCKY YOU DIDN'T HIT THE TENDON. 348 00:22:38,583 --> 00:22:40,000 HOW DID YOU CATCH YOUR FOOT, ANYWAY? 349 00:22:40,000 --> 00:22:41,667 I LANDED ON A TIN CAN. 350 00:22:41,667 --> 00:22:42,750 HEY! 351 00:22:42,750 --> 00:22:44,917 COME ON, I DON'T LIKE TO BE LIED TO. 352 00:22:44,917 --> 00:22:45,834 NO, IT'S THE TRUTH, I SWEAR. 353 00:22:45,834 --> 00:22:47,125 WHAT ARE YOU GUYS DOING HERE? 354 00:22:47,125 --> 00:22:48,875 WE WERE UPSTAIRS VISITING YOUR FATHER. 355 00:22:48,875 --> 00:22:50,875 WHAT HAS MY DAUGHTER DONE TO YOU? 356 00:22:50,875 --> 00:22:53,583 NOTHING. SHE HELPED ME. 357 00:22:53,583 --> 00:22:55,208 IF I WERE YOU, FINN, I'D SUE US. 358 00:22:55,208 --> 00:22:56,750 BRYCE, THIS IS NOT FUNNY. 359 00:22:56,750 --> 00:22:58,291 DICK! HI. 360 00:22:58,291 --> 00:23:00,041 OH, I GOT HERE AS QUICK AS I COULD! 361 00:23:00,041 --> 00:23:01,583 LAMBIE? 362 00:23:01,583 --> 00:23:03,375 MOM. MOM, I'M FINE. WHAT DID YOU DO? 363 00:23:03,375 --> 00:23:04,125 NOTHING. NOTHING. STOP. STOP. 364 00:23:04,125 --> 00:23:05,708 ARE YOU ALL RIGHT? 365 00:23:05,708 --> 00:23:06,834 DON'T FREAK OUT. YEAH, I'M FINE. 366 00:23:06,834 --> 00:23:08,458 PLEASE? PLEASE DON'T FREAK OUT. 367 00:23:08,458 --> 00:23:10,208 OH. I HAVE TO TELL YOU, 368 00:23:10,208 --> 00:23:11,875 I'M SORRY, I HAVE NO INSURANCE. 369 00:23:11,875 --> 00:23:13,625 LOOK, SHE DOESN'T HAVE TO WORRY ABOUT THE BILL. 370 00:23:13,625 --> 00:23:14,458 FINN AND I ARE OLD FRIENDS. 371 00:23:14,458 --> 00:23:16,625 YOU RAISED A GENTLEMAN AND A SCHOLAR. 372 00:23:16,625 --> 00:23:17,959 OH, THANK YOU! 373 00:23:20,875 --> 00:23:23,625 HA HA HA! WHERE WE GOING? 374 00:23:27,041 --> 00:23:31,458 DAD, I WOULD LIKE YOU TO MEET MR. FINN EARL. 375 00:23:38,834 --> 00:23:40,291 WHAT'S WRONG WITH HIM? 376 00:23:40,291 --> 00:23:43,291 HE'S IN A COMA. 377 00:23:43,291 --> 00:23:45,583 GATES SAYS IT WAS A STRAY BULLET. 378 00:23:45,583 --> 00:23:48,583 FUCKING POACHERS WILL SHOOT ANYTHING THAT MOVES. 379 00:23:48,583 --> 00:23:51,625 I KNOW YOU DON'T LIKE ME PUTTING UP THE TRAPS, 380 00:23:51,625 --> 00:23:54,500 DAD, BUT SOMEBODY'S GOTTA STOP THEM. 381 00:23:54,500 --> 00:23:57,500 LEFFLER SAYS HE CAN'T HEAR WHAT I'M SAYING. 382 00:23:59,083 --> 00:24:02,625 DO YOU THINK IT'S WEIRD THAT I TALK TO MY DAD 383 00:24:02,625 --> 00:24:05,458 IF I KNOW HE CAN'T HEAR ME? 384 00:24:07,000 --> 00:24:09,000 I'VE NEVER EVEN SEEN MY DAD 385 00:24:09,000 --> 00:24:11,458 AND I WRITE HIM LETTERS ALL THE TIME. 386 00:24:21,041 --> 00:24:23,542 HE ALWAYS LIKED MEETING MY FRIENDS. 387 00:24:29,708 --> 00:24:34,041 WE ARE FRIENDS, RIGHT? 388 00:24:34,041 --> 00:24:39,708 I MEAN, YOU DON'T HOLD THE WHOLE TRAP THING AGAINST ME, DO YOU? 389 00:24:39,708 --> 00:24:41,542 NO. UM... 390 00:24:41,542 --> 00:24:44,208 I'M ACTUALLY KINDA GLAD IT HAPPENED. 391 00:24:44,208 --> 00:24:52,375 I MEAN, YOU KNOW... 392 00:24:53,959 --> 00:24:55,500 ME, TOO. 393 00:25:07,250 --> 00:25:10,917 MAYA SEEMS LIKE A...A NICE GIRL. 394 00:25:12,083 --> 00:25:14,750 YEAH. SHE'S OK. 395 00:25:14,750 --> 00:25:15,875 MMM. 396 00:25:18,875 --> 00:25:19,875 HMM. 397 00:25:19,875 --> 00:25:22,708 SHE INVITE YOU TO HER BIRTHDAY PARTY? 398 00:25:22,708 --> 00:25:24,208 NO. 399 00:25:24,208 --> 00:25:25,875 ARE YOU INVITED? 400 00:25:25,875 --> 00:25:28,250 NOPE. 401 00:25:33,667 --> 00:25:36,959 Narrator: ADOLESCENCE IS A TIME OF INDULGENCE FOR THE GIRLS. 402 00:25:36,959 --> 00:25:39,291 Finn: WHAT'S THE CHIVALROUS THING TO DO 403 00:25:39,291 --> 00:25:40,583 WHEN YOU MAKE OUT WITH A GIRL 404 00:25:40,583 --> 00:25:42,250 WITH HER COMATOSE FATHER LAYING NEXT TO YOU 405 00:25:42,250 --> 00:25:44,083 LIKE A BIG ROOT VEGETABLE? 406 00:25:44,083 --> 00:25:46,083 I MEAN, I KNEW I SHOULD CALL HER, 407 00:25:46,083 --> 00:25:48,250 BUT WHAT DO I SAY? 408 00:25:48,250 --> 00:25:50,417 "HI. I LIKE KISSING YOU. 409 00:25:50,417 --> 00:25:51,834 "THANKS FOR LETTING ME TOUCH YOUR BOOB. 410 00:25:51,834 --> 00:25:53,417 CAN I DO IT AGAIN?" 411 00:25:53,417 --> 00:25:55,250 FINN! 412 00:25:55,250 --> 00:25:56,959 FINN! 413 00:25:58,125 --> 00:26:00,125 HEY, FINN. 414 00:26:00,125 --> 00:26:02,083 COULD I HAVE SOME PRIVACY, PLEASE? 415 00:26:02,083 --> 00:26:03,959 I'M TRYING TO MAKE A PHONE CALL. 416 00:26:03,959 --> 00:26:06,834 OK, WELL, I'LL TELL MAYA LANGLEY TO BEAT IT. 417 00:26:06,834 --> 00:26:08,291 WHAT? 418 00:26:10,041 --> 00:26:12,333 SHIT! DAMN IT! 419 00:26:13,375 --> 00:26:14,375 HA HA HA! 420 00:26:14,375 --> 00:26:15,792 SHUT UP! 421 00:26:15,792 --> 00:26:18,917 HA HA HA HA! 422 00:26:22,750 --> 00:26:24,750 I JUST WINDEXED THAT! 423 00:26:24,750 --> 00:26:26,208 YEAH, WELL, TOO BAD. 424 00:26:27,208 --> 00:26:28,166 HI. 425 00:26:28,166 --> 00:26:30,834 HI. 426 00:26:30,834 --> 00:26:34,625 I GOT TIRED OF WAITING FOR YOU TO CALL ME. 427 00:26:34,625 --> 00:26:37,375 NOW I DON'T KNOW IF I SHOULD LET MY SISTER SEE THAT, FINN. 428 00:26:37,375 --> 00:26:39,500 OH, THAT'S A FILM MY DAD MADE 429 00:26:39,500 --> 00:26:41,083 ON HIS FIRST TRIP TO SOUTH AMERICA. 430 00:26:41,083 --> 00:26:42,250 YOUR FATHER'S FOX BLANCHARD? 431 00:26:42,250 --> 00:26:44,125 I READ HIM IN MY ANTHRO CLASS AT HARVARD. 432 00:26:44,125 --> 00:26:47,834 MAYA, DO YOU REALIZE THIS MAN'S FATHER IS THE ELVIS OF ANTHROPOLOGY? 433 00:26:47,834 --> 00:26:50,333 WELL, I GUESS I DO NOW. 434 00:26:50,333 --> 00:26:52,083 IT'S MOVIE TIME. 435 00:26:52,083 --> 00:26:54,000 WHAT IS THAT? 436 00:26:54,000 --> 00:26:55,667 TAPIR. 437 00:26:55,667 --> 00:26:58,041 IT'S A SMALL HOOVED PIG-LIKE MAMMAL. 438 00:26:58,041 --> 00:27:00,125 Narrator: THE ISHKANANI'S CHIEF SOURCES OF PROTEIN... 439 00:27:00,125 --> 00:27:02,000 HOW ARE THEY GONNA EAT ALL OF THAT? 440 00:27:02,000 --> 00:27:06,166 AFTER A FEAST, THE WOMEN HIDE THE LEFTOVERS IN THEIR VAGINAS. 441 00:27:06,166 --> 00:27:07,166 THAT IS DISGUSTING. 442 00:27:07,166 --> 00:27:08,917 THAT IS FANTASTIC! 443 00:27:13,834 --> 00:27:16,375 GOD, YOUR DAD IS SO COOL. 444 00:27:16,375 --> 00:27:19,375 YOU LOOK LIKE HIM. 445 00:27:19,375 --> 00:27:22,041 I WAS GONNA SPEND THE SUMMER DOING FIELD WORK. 446 00:27:22,041 --> 00:27:24,375 OH. I WOULD KILL TO BE DOING THAT WITH YOUR FATHER. 447 00:27:24,375 --> 00:27:25,875 WHY DIDN'T YOU GO? 448 00:27:25,875 --> 00:27:27,125 I GOT BUSTED. 449 00:27:27,125 --> 00:27:28,333 WHAT FOR? 450 00:27:28,333 --> 00:27:29,458 COKE. 451 00:27:29,458 --> 00:27:32,166 VERY COOL. I'M IMPRESSED, FINN. 452 00:27:32,166 --> 00:27:35,125 YEAH. MY MOTHER THOUGHT LIVING IN VLYVALLE 453 00:27:35,125 --> 00:27:37,375 WOULD BE A WHOLESOME INFLUENCE FOR ME. 454 00:27:37,375 --> 00:27:39,041 [LAUGHTER] 455 00:27:39,041 --> 00:27:40,166 [YELLING] 456 00:27:43,417 --> 00:27:46,208 YOU KNOW, I THINK THE ISHKANANI HAVE IT ALL FIGURED OUT. 457 00:27:46,208 --> 00:27:48,125 WHAT DO YOU MEAN? 458 00:27:48,125 --> 00:27:50,583 IT'S FUCK, KILL. 459 00:27:50,583 --> 00:27:53,959 UNLIKE US DOMESTICATED CREATURES, 460 00:27:53,959 --> 00:27:56,500 THEY LIKE SOMETHING, THEY FUCK IT. 461 00:27:56,500 --> 00:27:58,875 IF THEY DON'T, THEY KILL IT. 462 00:27:58,875 --> 00:28:00,917 BRYCE, DO YOU ALWAYS HAVE TO SAY "FUCK"? 463 00:28:00,917 --> 00:28:02,166 YOU KNOW, VIRGINS FALL INTO TWO CATEGORIES. 464 00:28:02,166 --> 00:28:03,041 FINN, YOU PAYING ATTENTION? 465 00:28:03,041 --> 00:28:04,417 YES. 466 00:28:04,417 --> 00:28:05,583 THEY EITHER LOVE THE "F" WORD 467 00:28:05,583 --> 00:28:06,667 AND THEY DON'T WANNA DO IT, 468 00:28:06,667 --> 00:28:07,417 OR THEY HATE THE "F" WORD 469 00:28:07,417 --> 00:28:09,250 AND THEY'RE DYING TO DO IT. 470 00:28:09,250 --> 00:28:10,208 BRYCE, CUT IT OUT! 471 00:28:10,208 --> 00:28:12,000 HEY, LET'S WATCH IT BACKWARDS. 472 00:28:12,000 --> 00:28:13,417 I'M GONNA KILL YOU! 473 00:28:13,417 --> 00:28:15,125 STOP IT! 474 00:28:15,125 --> 00:28:16,959 [LAUGHTER] 475 00:28:21,375 --> 00:28:23,041 FUCK. 476 00:28:23,041 --> 00:28:24,125 KILL. 477 00:28:24,125 --> 00:28:25,917 FUCK. KILL. 478 00:28:25,917 --> 00:28:27,959 FUCK. KILL. 479 00:28:27,959 --> 00:28:29,250 FUCK. KILL. 480 00:28:29,250 --> 00:28:30,917 FUCK. KILL. 481 00:28:30,917 --> 00:28:32,166 FUCK. KILL. 482 00:28:32,166 --> 00:28:33,500 FUCK. KILL. 483 00:28:33,500 --> 00:28:37,000 FUCK. KILL. FUCK. KILL. 484 00:28:37,000 --> 00:28:39,500 FUCK. KILL. FUCK. KILL. 485 00:28:39,500 --> 00:28:42,125 FUCK. KILL. FUCK. KILL. 486 00:28:42,125 --> 00:28:44,208 FUCK. KILL. FUCK. KILL. 487 00:28:44,208 --> 00:28:46,250 FUCK. KILL. FUCK. KILL. 488 00:28:46,250 --> 00:28:47,500 FUCK... 489 00:28:47,500 --> 00:28:50,375 FUCK. KILL. FUCK. KILL. 490 00:28:50,375 --> 00:28:52,458 ♪ A REAL LIVE WIRE ♪ 491 00:28:52,458 --> 00:28:54,208 ♪ PSYCHOKILLER ♪ 492 00:28:54,208 --> 00:28:55,583 ♪ QU'EST QUE C'EST ♪ 493 00:28:55,583 --> 00:28:59,417 ♪ FA-FA-FA-FA-FA- FA-FA-FAR BETTER ♪ 494 00:28:59,417 --> 00:29:05,291 ♪ RUN, RUN, RUN, RUN, RUN, RUN, RUN AWAY ♪ 495 00:29:08,792 --> 00:29:11,291 WANT ME TO SEE IF I CAN GET YOU IN? 496 00:29:11,291 --> 00:29:13,458 MAYA INVITED YOU! 497 00:29:13,458 --> 00:29:15,333 YEAH. YOU WANT ME TO SPEAK TO HER? 498 00:29:15,333 --> 00:29:16,500 FOR ME? 499 00:29:16,500 --> 00:29:17,667 OH, NO. 500 00:29:17,667 --> 00:29:20,125 THAT'S NOT LIKELY. 501 00:29:20,125 --> 00:29:23,792 WELL, THEN I GUESS I SHOULD THROW THIS AWAY THEN. 502 00:29:25,333 --> 00:29:26,375 ARE YOU SERIOUS? 503 00:29:26,375 --> 00:29:27,333 SERIOUS. 504 00:29:27,333 --> 00:29:29,333 OH, REALLY! 505 00:29:29,333 --> 00:29:30,375 OH! HA HA HA HA! 506 00:29:30,375 --> 00:29:32,291 OW! MY FOOT! 507 00:29:32,291 --> 00:29:34,000 [MUSIC PLAYING] 508 00:29:55,166 --> 00:29:56,333 HELLO. 509 00:29:56,333 --> 00:29:59,166 OH, SO THAT'S OSBORNE'S NEW SUPER DRUG. 510 00:29:59,166 --> 00:30:00,375 WONDER IF SHE CHARGES 511 00:30:00,375 --> 00:30:03,083 THE OLD GOAT BY THE HOUR OR BY THE ORGASM. 512 00:30:03,083 --> 00:30:04,834 HA HA HA HA! 513 00:30:11,458 --> 00:30:12,500 YOU KNOW, MOM? 514 00:30:12,500 --> 00:30:13,625 WHAT? 515 00:30:13,625 --> 00:30:15,000 SINCE YOU'VE GOTTEN SOBER, 516 00:30:15,000 --> 00:30:17,041 YOU'VE GOTTEN MUCH BETTER LOOKING. 517 00:30:17,041 --> 00:30:19,375 FINN, NOW IS HARDLY THE TIME TO PUT ME DOWN. 518 00:30:19,375 --> 00:30:21,208 NO, I'M SERIOUS! 519 00:30:21,208 --> 00:30:23,083 REALLY! 520 00:30:23,083 --> 00:30:24,208 OK. THANK YOU. 521 00:30:24,208 --> 00:30:25,458 WELCOME. 522 00:30:25,458 --> 00:30:26,708 BUT TO DO THIS, I'VE GOTTA HAVE A DRINK. 523 00:30:26,708 --> 00:30:28,041 NO, YOU DON'T HAVE TO HAVE A DR-- 524 00:30:28,041 --> 00:30:29,375 JUST A LITTLE GET-THROUGH. RELAX. 525 00:30:29,375 --> 00:30:30,458 YOU DON'T HAVE-- 526 00:30:30,458 --> 00:30:31,458 JUST TO CALM MY NERVES. 527 00:30:31,458 --> 00:30:33,041 MOM, COME ON. LIZ! 528 00:30:33,041 --> 00:30:34,000 LIZ. 529 00:30:34,000 --> 00:30:35,125 HI. 530 00:30:35,125 --> 00:30:36,375 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 531 00:30:36,375 --> 00:30:37,250 I'M RIGHT HERE. 532 00:30:37,250 --> 00:30:38,375 YOU LOOK AMAZING. 533 00:30:38,375 --> 00:30:39,708 OH, THANK YOU. 534 00:30:39,708 --> 00:30:41,125 I, UM, WANT YOU TO MEET SOME FRIENDS OF MINE. 535 00:30:41,125 --> 00:30:43,750 OK. ALL RIGHT. 536 00:30:56,917 --> 00:30:58,750 I GO TO THE DOCTOR. 537 00:30:58,750 --> 00:31:00,583 I FEEL LIKE I GOT AN ELEPHANT STANDING ON MY CHEST. 538 00:31:00,583 --> 00:31:02,875 HE SAYS, "THERE'S NOTHING WRONG WITH YOU. GO HOME." 539 00:31:02,875 --> 00:31:05,083 SO I GO TO THIS OTHER DOCTOR, HE GIVES ME ANTIBIOTICS. 540 00:31:05,083 --> 00:31:08,417 HE'S JUST ABSOLUTELY FANTASTIC. I MEAN, I FEEL-- 541 00:31:08,417 --> 00:31:11,917 I JUST GOT-- WHAT? 542 00:31:11,917 --> 00:31:14,166 WHAT THE HELL IS THAT? 543 00:31:14,166 --> 00:31:15,583 WHO DID THAT? 544 00:31:15,583 --> 00:31:17,125 I LIKE THE WAY YOU EAT SHRIMP. 545 00:31:17,125 --> 00:31:20,125 MARCUS GATES, HERE AS A SON OF A TOKEN BLACK MAN. 546 00:31:20,125 --> 00:31:21,041 FINN EARL. 547 00:31:21,041 --> 00:31:23,291 AHH. OSBORNE INVITED ME HERE 548 00:31:23,291 --> 00:31:25,708 TO MEET A FAT CAT WHO BOUGHT A SCHOLARSHIP TO PRINCETON. 549 00:31:25,708 --> 00:31:26,625 HMM. 550 00:31:26,625 --> 00:31:27,667 WHAT'S YOUR EXCUSE? 551 00:31:27,667 --> 00:31:29,125 I'M AN ANTHROPOLOGIST 552 00:31:29,125 --> 00:31:30,708 DOING A STUDY OF PRIMITIVE PEOPLES. 553 00:31:30,708 --> 00:31:32,125 AH. 554 00:31:32,125 --> 00:31:34,417 WELL, YOU DEFINITELY PICKED ONE TWISTED TRIBE. 555 00:31:34,417 --> 00:31:36,291 I'M HERE. 556 00:31:36,291 --> 00:31:37,750 YOU GOT ANY QUESTIONS? 557 00:31:37,750 --> 00:31:39,792 YEAH. 558 00:31:39,792 --> 00:31:43,583 AH, WHO'S THE GUY WITH THE WOMAN IN THE CROWN? 559 00:31:43,583 --> 00:31:45,125 OH, YEAH. GERSHONS. 560 00:31:45,125 --> 00:31:47,166 HAWAIIAN ROYALTY. 561 00:31:47,166 --> 00:31:50,083 THE HUSBAND PULLED STRINGS FOR OSBORNE OVER ON WALL STREET. 562 00:31:50,083 --> 00:31:52,500 HAWAIIANS? OH, HEY. 563 00:31:52,500 --> 00:31:55,500 WHY DON'T ANY OF THE HAWAIIANS HERE LOOK HAWAIIAN? 564 00:31:55,500 --> 00:31:57,375 IT'S ASSHOLE CODE FOR PEOPLE 565 00:31:57,375 --> 00:31:59,583 OF THE JEWISH PERSUASION. 566 00:31:59,583 --> 00:32:01,625 THE NATIVES DON'T WANT ANYBODY ON THE OUTSIDE 567 00:32:01,625 --> 00:32:03,708 TO KNOW THAT THEY'RE ANTI-SEMITIC. 568 00:32:03,708 --> 00:32:05,333 [HAIL TO THE CHIEF PLAYING] 569 00:32:22,875 --> 00:32:28,708 MY AGE ENDED MY POSITION IN LIFE. 570 00:32:28,708 --> 00:32:33,500 IT WARMS MY HEART... 571 00:32:33,500 --> 00:32:36,959 TO SEE YOU ALL SO... 572 00:32:40,333 --> 00:32:41,458 GRANDPA? 573 00:32:41,458 --> 00:32:43,375 DADDY? DADDY? 574 00:32:43,375 --> 00:32:45,166 SHIT. 575 00:32:45,166 --> 00:32:48,750 HA HA HA HA HA! 576 00:32:48,750 --> 00:32:53,041 I JUST WANTED TO SEE IF YOU'D MISS ME. 577 00:32:53,041 --> 00:32:55,708 I REALLY HURT MY KNEES. 578 00:32:58,166 --> 00:33:00,000 HERBERT, MY HAT. 579 00:33:03,041 --> 00:33:06,333 MAESTRO, IF YOU PLEASE. 580 00:33:06,333 --> 00:33:13,375 ♪ A PRETTY GIRL IS LIKE A MELODY ♪ 581 00:33:13,375 --> 00:33:17,708 ♪ THAT HAUNTS YOU NIGHT AND DAY ♪ 582 00:33:19,542 --> 00:33:22,875 ♪ JUST LIKE THE STRAINS ♪ 583 00:33:22,875 --> 00:33:25,208 ♪ OF A HAUNTING REFRAIN ♪ 584 00:33:25,208 --> 00:33:28,750 ♪ SHE'LL START UPON A MARATHON ♪ 585 00:33:28,750 --> 00:33:30,834 ♪ AND RUN AROUND YOUR BRAIN ♪ 586 00:33:30,834 --> 00:33:33,250 ♪ YOU CAN'T ESCAPE ♪ 587 00:33:34,542 --> 00:33:36,417 ♪ SHE'S IN YOUR MEMORY ♪ 588 00:33:37,917 --> 00:33:42,125 ♪ BY MORNING, NIGHT AND NOON ♪ 589 00:33:43,500 --> 00:33:45,458 ♪ SHE WILL LEAVE YOU ♪ 590 00:33:45,458 --> 00:33:50,417 ♪ AND THEN COME BACK AGAIN ♪ 591 00:33:50,417 --> 00:33:52,291 ♪ A PRETTY GIRL ♪ 592 00:33:52,291 --> 00:33:55,250 ♪ JUST LIKE A PRETTY TUNE ♪ 593 00:33:55,250 --> 00:33:56,291 [APPLAUSE] 594 00:33:57,625 --> 00:33:59,583 HAPPY BIRTHDAY, MAYA. 595 00:33:59,583 --> 00:34:02,375 HEY, FINN! 596 00:34:02,375 --> 00:34:04,083 FINN! 597 00:34:06,291 --> 00:34:07,750 HI. 598 00:34:07,750 --> 00:34:09,250 THEY WERE HORRIBLE TO YOU, WEREN'T THEY? 599 00:34:09,250 --> 00:34:10,250 NO. 600 00:34:10,250 --> 00:34:11,333 SEXY LIAR. 601 00:34:15,458 --> 00:34:16,625 I DIDN'T KNOW THE ISHKANANI 602 00:34:16,625 --> 00:34:18,750 WENT FOR PUBLIC DISPLAYS OF AFFECTION. 603 00:34:18,750 --> 00:34:20,667 MAYA, WHEN DID YOU START DATING THE HELP? 604 00:34:20,667 --> 00:34:22,458 FOR YOUR INFORMATION, 605 00:34:22,458 --> 00:34:24,959 FINN'S MOTHER AND MY GRANDFATHER ARE OLD FRIENDS. 606 00:34:24,959 --> 00:34:26,208 PAIGE, CAN YOU HELP ME WITH THIS? 607 00:34:26,208 --> 00:34:28,708 I CAN'T SEEM TO GET IT RIGHT. 608 00:34:28,708 --> 00:34:31,291 CHRIST, BRYCE, YOU'RE NOT WEARING ANY UNDERWEAR! 609 00:34:31,291 --> 00:34:33,166 I KNOW. 610 00:34:33,166 --> 00:34:35,250 I MEAN, IT LOOKS LIKE A PENIS, ONLY LARGER, DOESN'T IT? 611 00:34:35,250 --> 00:34:36,333 Woman: PAIGE? 612 00:34:36,333 --> 00:34:37,750 OH, GOD, HERE COMES MY MOTHER. 613 00:34:37,750 --> 00:34:39,083 PAIGE? 614 00:34:41,583 --> 00:34:42,625 HOLD THIS. 615 00:34:42,625 --> 00:34:44,458 HI, MOMMY. 616 00:34:46,875 --> 00:34:49,041 PAY ATTENTION, FINN, 617 00:34:49,041 --> 00:34:51,708 'CAUSE THERE'S GONNA BE A QUIZ ON THIS AFTERWARDS, OK? 618 00:34:51,708 --> 00:34:54,000 MOM, SPARE US. 619 00:34:54,000 --> 00:34:57,208 THAT WOMAN YOUR MOTHER IS TEACHING YOGA TO IS HAPPY ROCKEFELLER. 620 00:34:57,208 --> 00:34:59,667 THE STEPSON WAS EATEN BY CANNIBALS. 621 00:34:59,667 --> 00:35:03,959 UH, McCALLUM, YOU KNOW, OVER THERE. 622 00:35:03,959 --> 00:35:05,834 IAN AND DWAYNE LOOK LIKE THEY COULD BE RELATED. 623 00:35:05,834 --> 00:35:07,792 THAT'S VERY OBSERVANT, FINN. 624 00:35:07,792 --> 00:35:09,375 YOU KNOW, THEY'RE NOT THE ONLY MEMBERS OF OUR TRIBE 625 00:35:09,375 --> 00:35:11,291 WITH HAIR THE COLOR OF CHEESE DOODLES. 626 00:35:11,291 --> 00:35:13,667 THERE'S, UH-- THERE'S PETE THE BARTENDER. 627 00:35:13,667 --> 00:35:15,500 BRYCE, BRYCE. 628 00:35:15,500 --> 00:35:16,917 THANK YOU, JENNY. 629 00:35:16,917 --> 00:35:18,542 HA HA HA HA! 630 00:35:18,542 --> 00:35:20,291 TAKE JENNY. 631 00:35:20,291 --> 00:35:21,792 ALL THEIR MOTHERS WERE MAIDENS. 632 00:35:21,792 --> 00:35:23,834 THEY USED TO CALL HIM "MAID TO ORDER McCALLUM". 633 00:35:23,834 --> 00:35:27,250 WHY WOULD ANY MAID WANT TO SLEEP WITH McCALLUM? 634 00:35:27,250 --> 00:35:29,000 NOT ALL OF THEM DID. 635 00:35:29,000 --> 00:35:30,959 McCALLUM DOPED UP DWAYNE'S MOTHER AND DEAD-HORSED HER. 636 00:35:30,959 --> 00:35:33,208 NOW THAT'S JUST VULGAR. 637 00:35:45,542 --> 00:35:47,208 I'M GETTING TIRED. 638 00:35:57,458 --> 00:35:59,458 NOT TOO MANY OF THOSE, PILAR. 639 00:35:59,458 --> 00:36:00,792 GOOD NIGHT. 640 00:36:00,792 --> 00:36:03,333 HERBERT. 641 00:36:04,875 --> 00:36:07,375 WE CAN SMOKE. 642 00:36:13,000 --> 00:36:15,708 SO WERE YOU ONE OF THE DOCTORS 643 00:36:15,708 --> 00:36:18,625 WHO WORKED ON MY FATHER AT SLOAN KETTERING? 644 00:36:18,625 --> 00:36:21,750 I THINK WE BOTH KNOW I'M NOT A DOCTOR. 645 00:36:22,917 --> 00:36:24,917 WELL, I THOUGHT AS MUCH. 646 00:36:26,708 --> 00:36:31,250 SO HOW LONG EXACTLY HAVE YOU BEEN FRIENDS WITH MY FATHER? 647 00:36:31,250 --> 00:36:34,000 I THINK YOU SHOULD ASK HIM THAT. 648 00:36:34,000 --> 00:36:36,792 WELL, IF MY FATHER ANSWERED MY QUESTIONS, 649 00:36:36,792 --> 00:36:38,875 THEN I WOULDN'T HAVE TO ASK YOU. 650 00:36:38,875 --> 00:36:40,583 LIZ. 651 00:36:40,583 --> 00:36:42,250 HI. 652 00:36:45,583 --> 00:36:47,458 WELL, I'LL LEAVE YOU TO IT. 653 00:36:50,583 --> 00:36:53,667 I WANTED TO WAIT FOR A SLOW SONG BEFORE I ASKED YOU TO DANCE. 654 00:36:53,667 --> 00:36:54,959 ALL RIGHT. 655 00:36:54,959 --> 00:36:55,834 YEAH, YOU DON'T WANNA DO THAT. 656 00:36:55,834 --> 00:36:56,959 NO, IT'S JUST A SIP-- 657 00:36:56,959 --> 00:36:57,959 NO, NO, NO, NO, NO, NO, NO, NO, NO. 658 00:36:57,959 --> 00:36:59,417 IT'S MORE VODKA THAN COLA. 659 00:36:59,417 --> 00:37:01,792 WE LET PILAR THINK WE DON'T KNOW. 660 00:37:04,458 --> 00:37:06,542 SO MUCH FOR THE SLOW DANCE. 661 00:37:06,542 --> 00:37:07,834 [UP-TEMPO MUSIC PLAYING] 662 00:37:07,834 --> 00:37:08,792 ALL RIGHT, LET'S CUT A RUG. 663 00:37:08,792 --> 00:37:09,917 ALL RIGHT. 664 00:37:09,917 --> 00:37:11,417 READY? 665 00:37:11,417 --> 00:37:12,792 ALL THE MONEY HERE. 666 00:37:12,792 --> 00:37:13,875 HERE WE GO. 667 00:37:13,875 --> 00:37:14,792 OH, MY GOD. 668 00:37:14,792 --> 00:37:16,250 [LAUGHTER] 669 00:37:28,834 --> 00:37:30,083 [GRUNGE MUSIC PLAYING] 670 00:37:33,000 --> 00:37:35,166 [CHEERING] 671 00:37:52,875 --> 00:37:54,667 [YELLING] 672 00:38:08,875 --> 00:38:10,542 OH! WHOA! 673 00:38:13,625 --> 00:38:15,542 EARL! 674 00:38:19,041 --> 00:38:20,917 DOWNSHIFT TO SECOND! 675 00:38:20,917 --> 00:38:23,959 WHAT THE HELL DO YOU MEAN "DOWNSHIFT"? 676 00:38:23,959 --> 00:38:25,333 [MUSIC PLAYING] 677 00:38:28,041 --> 00:38:31,583 OH, MY GOD, YOU GOTTA SPEND THE NIGHT! GO! 678 00:38:46,875 --> 00:38:48,875 [BEEPING] 679 00:39:04,083 --> 00:39:06,708 MR. OSBORNE WANTS YOU AT HIS HOUSE 680 00:39:06,708 --> 00:39:08,834 FOR LUNCH TOMORROW, 1:00 SHARP. 681 00:39:08,834 --> 00:39:10,583 DON'T BE LATE. 682 00:39:26,625 --> 00:39:28,375 FINN EARL, SIR. 683 00:39:32,750 --> 00:39:34,917 HI. 684 00:39:34,917 --> 00:39:36,375 HI. 685 00:39:39,917 --> 00:39:44,125 YOU'RE GONNA HEAR A LOT OF RUMORS 686 00:39:44,125 --> 00:39:47,959 AND INNUENDO ABOUT YOUR MOTHER AND ME. 687 00:39:47,959 --> 00:39:52,959 THE ONLY INNUENDO I KNOW IS THAT YOU'RE NAILING MY MOM. 688 00:39:52,959 --> 00:39:55,708 NAILING YOUR MOM? 689 00:39:55,708 --> 00:39:58,834 DON'T YOU EVER AGAIN USE THAT EXPRESSION 690 00:39:58,834 --> 00:40:01,834 WITH REFERENCE TO YOUR MOTHER, DO YOU UNDERSTAND ME? 691 00:40:01,834 --> 00:40:04,625 YES. 692 00:40:04,625 --> 00:40:07,625 YOUR MOTHER AND I... 693 00:40:09,542 --> 00:40:11,792 WE'RE JUST FRIENDS. 694 00:40:11,792 --> 00:40:13,667 WHAT? 695 00:40:13,667 --> 00:40:17,708 YOU BRING US OUT HERE, YOU GIVE US A HOUSE, 696 00:40:17,708 --> 00:40:20,000 BUT THERE'S NOTHING BETWEEN YOU AND MY MOTHER? 697 00:40:20,000 --> 00:40:21,834 WHY SHOULD I BELIEVE YOU? 698 00:40:21,834 --> 00:40:23,542 SIT DOWN. 699 00:40:24,834 --> 00:40:26,000 SIT DOWN. 700 00:40:35,166 --> 00:40:36,542 [REMOVING BELT] 701 00:40:36,542 --> 00:40:37,834 WHAT ARE YOU DOING? 702 00:40:45,125 --> 00:40:46,500 UM... 703 00:40:48,208 --> 00:40:50,000 TAKE A GOOD LOOK, SONNY. 704 00:40:50,000 --> 00:40:52,792 YOU'RE ONLY GONNA GET TO SEE IT ONCE. 705 00:40:57,959 --> 00:40:59,875 YOU DON'T HAVE ANY BALLS. 706 00:40:59,875 --> 00:41:01,792 PRECISELY. 707 00:41:01,792 --> 00:41:06,792 SURGICAL PROCEDURE IS CALLED AN ORCHIECTOMY. 708 00:41:06,792 --> 00:41:11,083 THE THEORY BEING THAT IF THEY CUT OFF YOUR BALLS, 709 00:41:11,083 --> 00:41:13,333 IT'LL SLOW DOWN YOUR CANCER. 710 00:41:13,333 --> 00:41:15,500 MY PROSTATE--YOU KNOW WHAT A PROSTATE IS, DON'T YOU? 711 00:41:15,500 --> 00:41:16,959 IT'S A LITTLE THING, IT'S UP YOUR ASS. 712 00:41:16,959 --> 00:41:21,333 MINE, UNFORTUNATELY, WAS THE SIZE OF A BASEBALL. 713 00:41:21,333 --> 00:41:24,333 I WAS IN A COMA. 714 00:41:24,333 --> 00:41:28,917 MY THEN WIFE GAVE THEM THE GREEN LIGHT. 715 00:41:28,917 --> 00:41:32,000 WHEN I MET YOUR MOTHER... 716 00:41:32,000 --> 00:41:34,250 I WAS A EUNUCH. 717 00:41:35,583 --> 00:41:37,875 YOU KNOW WHAT A EUNUCH IS, DON'T YOU? 718 00:41:37,875 --> 00:41:39,250 MMM-HMM. 719 00:41:42,250 --> 00:41:45,166 WELL, IF THAT DOESN'T SATISFY YOU, 720 00:41:45,166 --> 00:41:47,125 YOU CAN GET THE HELL OUT OF MY HOUSE. 721 00:41:47,125 --> 00:41:49,291 ON THE OTHER HAND, IF IT DOES, WE COULD HAVE LUNCH. 722 00:41:49,291 --> 00:41:51,667 YOUR CHOICE. 723 00:41:51,667 --> 00:41:52,959 LUNCH. 724 00:41:52,959 --> 00:41:54,750 GOOD CHOICE. 725 00:41:54,750 --> 00:41:56,250 HERBERT! 726 00:41:57,542 --> 00:41:59,667 YOU KNOW, WHEN THEY CUT YOUR BALLS OFF, 727 00:41:59,667 --> 00:42:04,000 YOU'D EXPECT YOUR VOICE TO GO UP AN OCTAVE. 728 00:42:04,000 --> 00:42:05,708 [FALSETTO] BUT MINE DIDN'T. 729 00:42:05,708 --> 00:42:07,208 [LAUGHTER] 730 00:42:07,208 --> 00:42:09,917 HMM. 731 00:42:12,041 --> 00:42:17,417 UM, I'M NOT TRYING TO BE A WISEASS, BUT... 732 00:42:17,417 --> 00:42:20,291 WHY ARE YOU AND MY MOTHER SUCH GOOD FRIENDS? 733 00:42:21,917 --> 00:42:22,959 WISEASS. 734 00:42:22,959 --> 00:42:25,417 [CHUCKLES] 735 00:42:25,417 --> 00:42:28,792 I DIDN'T MEET YOUR MOTHER UNTIL A YEAR AGO. 736 00:42:30,208 --> 00:42:34,166 THE SURGEONS HAD JUST PERFORMED THEIR... 737 00:42:34,166 --> 00:42:36,959 DASTARDLY DEED ON ME. 738 00:42:37,917 --> 00:42:39,959 I WAS PRETTY DOWN. 739 00:42:39,959 --> 00:42:40,959 [GROANS] 740 00:42:40,959 --> 00:42:42,834 HELLO. 741 00:42:42,834 --> 00:42:45,333 BUT YOUR MOTHER WALKED INTO MY HOSPITAL ROOM. 742 00:42:46,417 --> 00:42:47,792 HI. 743 00:42:47,792 --> 00:42:50,291 SHE WAS LIKE AN ANGEL. 744 00:42:51,708 --> 00:42:54,667 I DROPPED MY CARTRIDGE. 745 00:42:56,458 --> 00:42:58,125 I TELL YOU WHAT, 746 00:42:58,125 --> 00:43:00,875 IF YOU STILL WANNA PULL THE TRIGGER 747 00:43:00,875 --> 00:43:02,375 AFTER I GIVE YOU A FOOT RUB, 748 00:43:02,375 --> 00:43:04,750 I'LL GIVE YOU YOUR BULLET. 749 00:43:04,750 --> 00:43:06,708 OK? 750 00:43:08,000 --> 00:43:09,834 SHE SAVED MY LIFE. 751 00:43:12,875 --> 00:43:14,250 HERE. 752 00:43:14,250 --> 00:43:16,375 YOU'RE GONNA NEED THIS. 753 00:43:16,375 --> 00:43:18,959 IT'S A TOOTHPICK. 754 00:43:18,959 --> 00:43:20,291 GOLD. 755 00:43:22,083 --> 00:43:25,333 [CHUCKLES] GOLD TOOTHPICK? 756 00:43:30,083 --> 00:43:31,750 Finn: DEAR DAD... 757 00:43:31,750 --> 00:43:33,750 TODAY I MET THE CHIEF. 758 00:43:33,750 --> 00:43:38,333 IT'S WEIRD HOW WRONG YOU CAN GET THINGS IN YOUR HEAD. 759 00:43:44,166 --> 00:43:45,375 GOOD MORNING, SIR. 760 00:43:48,333 --> 00:43:50,708 OH, NO, NO. HOLD ON A SECOND. 761 00:43:51,875 --> 00:43:54,708 NO. NOT--NOT LIKE THAT. 762 00:43:55,875 --> 00:43:58,625 THAT--LOWER DOWN THE SHAFT. 763 00:43:58,625 --> 00:44:00,125 TAKE THIS-- COUPLE THEM TOGETHER. 764 00:44:00,125 --> 00:44:01,250 NO-- OVER? 765 00:44:01,250 --> 00:44:02,667 RAISE YOUR HANDS. 766 00:44:07,125 --> 00:44:08,875 STAND STILL. 767 00:44:11,041 --> 00:44:13,083 WHAT ARE YOU DOING? 768 00:44:13,083 --> 00:44:16,875 JUST IMAGINING WHAT IT WOULD'VE BEEN LIKE TO HAVE BEEN WITH YOU. 769 00:44:21,083 --> 00:44:22,875 HOW WAS IT? 770 00:44:22,875 --> 00:44:24,208 SHH. 771 00:44:24,208 --> 00:44:25,834 IT'S NOT OVER YET. 772 00:44:25,834 --> 00:44:27,208 [LAUGHTER] 773 00:44:30,959 --> 00:44:32,250 OH, I ALMOST FORGOT. 774 00:44:32,250 --> 00:44:34,708 I'VE GOTTA MOVE OUR 1:00 TO 4:00. 775 00:44:36,083 --> 00:44:38,083 THAT DOESN'T WORK FOR ME. 776 00:44:41,208 --> 00:44:44,333 WELL, DICK HAS INVITED ME TO THE GOLF LUNCHEON. 777 00:44:44,333 --> 00:44:47,083 OH, THE GOLF LUNCHEON. 778 00:44:47,083 --> 00:44:50,250 OH, AND THAT'S IMPORTANT, ISN'T IT? 779 00:44:51,417 --> 00:44:54,166 WELL, IT IS IMPORTANT TO ME. 780 00:44:54,166 --> 00:44:59,417 WELL, I DON'T PAY YOU TO GO TO GOLF LUNCHEONS WITH DR. DICK. 781 00:45:03,417 --> 00:45:05,875 I'M GOING WHETHER YOU LIKE IT OR NOT. 782 00:45:05,875 --> 00:45:07,583 OK, I'LL HAVE A SEVERANCE CHECK 783 00:45:07,583 --> 00:45:08,792 DROPPED OFF FOR YOU THIS AFTERNOON. 784 00:45:08,792 --> 00:45:11,917 AND THANK YOU FOR FUCKING UP MY GAME! 785 00:45:19,917 --> 00:45:21,959 DON'T DO THIS TO ME. 786 00:45:26,708 --> 00:45:32,375 HOW CAN SOMEONE SO EXQUISITELY BEAUTIFUL, 787 00:45:32,375 --> 00:45:34,083 SO INTELLIGENT, 788 00:45:34,083 --> 00:45:39,083 SO--SO COMPLICATED AS YOU ARE, 789 00:45:39,083 --> 00:45:45,291 GET SUCKED IN BY A SCARED, SUBURBAN PHONY LIKE DICK LEFFLER? 790 00:45:46,792 --> 00:45:50,458 LOOK, I'M--I'M... I'M REALLY TRYING-- 791 00:45:50,458 --> 00:45:53,834 I'M TRYING TO TAKE MY LIFE SERIOUSLY. 792 00:45:55,125 --> 00:45:56,792 OK. 793 00:45:58,125 --> 00:45:59,542 OK. 794 00:45:59,542 --> 00:46:01,125 OK. 795 00:46:01,125 --> 00:46:03,667 YOU TAKE THE NEXT TWO WEEKS OFF, 796 00:46:03,667 --> 00:46:08,792 AND YOU TWO LOVEBIRDS CAN HAVE MY PLACE IN EAST HAMPTON. 797 00:46:10,166 --> 00:46:11,500 REALLY? 798 00:46:11,500 --> 00:46:15,166 OH, THANK YOU! 799 00:46:15,166 --> 00:46:17,208 THANK YOU. 800 00:46:17,208 --> 00:46:21,834 JUST REMEMBER, THIS PLACE ISN'T AS GODDAMN FABULOUS AS IT LOOKS. 801 00:46:28,125 --> 00:46:29,166 YOU EVER NOTICE THE RESEMBLANCE 802 00:46:29,166 --> 00:46:31,208 BETWEEN YOUR GRANDFATHER AND FINN, BRYCE? 803 00:46:31,208 --> 00:46:32,458 [LAUGHTER] 804 00:46:32,458 --> 00:46:35,583 [SNORTS] OOH! 805 00:46:35,583 --> 00:46:37,500 IF I THOUGHT FINN WAS ONE OF GRANDPA'S BASTARDS, 806 00:46:37,500 --> 00:46:40,000 I WOULDN'T LET HIM SLEEP WITH MY SISTER, NOW WOULD I? 807 00:46:41,542 --> 00:46:43,375 FORTUNE TIME! 808 00:46:43,375 --> 00:46:44,667 HEY, WHAT ARE YOU DOING? IT'S MY DEAL. 809 00:46:44,667 --> 00:46:45,667 HEY. RELAX. 810 00:46:45,667 --> 00:46:47,166 ENJOY THE SHOW. 811 00:46:47,166 --> 00:46:48,417 NOW, YOU'RE NOT GOING TO DO SOMETHING 812 00:46:48,417 --> 00:46:50,542 THAT I'M GONNA REGRET, NOW ARE YOU? 813 00:46:50,542 --> 00:46:52,000 NO, THIS IS GOING TO BE FUN. 814 00:46:52,000 --> 00:46:53,458 IT'S GONNA BE FUN FOR EVERYONE. 815 00:46:53,458 --> 00:46:55,166 IT'S NEVER FUN. BRYCE. COME ON, BRYCE. 816 00:46:55,166 --> 00:46:57,542 THE LAST TIME HE DID THIS, A FEW PEOPLE ENDED UP IN TEARS. 817 00:46:57,542 --> 00:46:59,375 YOU ALREADY GOT ME FIRED ONCE THIS SUMMER. 818 00:46:59,375 --> 00:47:00,375 YOU'LL LIKE THIS. 819 00:47:00,375 --> 00:47:02,000 FOR MARCUS GATES, 820 00:47:02,000 --> 00:47:05,208 I PREDICT IN 20 YEARS TIME, 821 00:47:05,208 --> 00:47:10,083 YOU'LL BE SENATOR FROM THE GREAT STATE OF NEW JERSEY. 822 00:47:10,083 --> 00:47:12,375 BRAVO, MARCUS. BRAVO. SENATOR GATES. 823 00:47:12,375 --> 00:47:13,667 WELL DONE, MARCUS. 824 00:47:13,667 --> 00:47:15,708 WHAT, WE DON'T RATE A FORTUNE OF OUR OWN? 825 00:47:15,708 --> 00:47:19,000 NO, YOU BOTH INHERIT FROM THE SAME TRUST. 826 00:47:19,000 --> 00:47:20,417 SEE, THEY'RE COUSINS. 827 00:47:20,417 --> 00:47:22,208 COAL MINE. 828 00:47:23,417 --> 00:47:25,708 I SMELL EPISCOPALIAN VOODOO. 829 00:47:27,417 --> 00:47:30,250 YOU SEE, THE PAST AND THE FUTURE ARE CONNECTED HERE. 830 00:47:30,250 --> 00:47:33,291 AH, YES. 831 00:47:33,291 --> 00:47:35,250 YOUR GREAT-GRANDFATHER MADE HIS FORTUNE 832 00:47:35,250 --> 00:47:37,333 BY PUTTING CHILDREN TO WORK IN THE MINES. 833 00:47:37,333 --> 00:47:41,208 WHEN THEY GOT OLDER AND WENT ON STRIKE, HE SHOT THEM. 834 00:47:41,208 --> 00:47:43,250 BRYCE. 835 00:47:43,250 --> 00:47:44,750 HE POISONED HIS PARTNER, 836 00:47:44,750 --> 00:47:47,041 AND HE HAD SEX WITH HIS SON'S WIFE. 837 00:47:48,917 --> 00:47:51,083 HERE'S WHERE THE CURSE COMES IN. 838 00:47:51,083 --> 00:47:54,583 A ROBBER BARON BEGETS THREE GENERATIONS OF LOSERS, 839 00:47:54,583 --> 00:47:57,208 EACH LAMER THAN THE NEXT. 840 00:47:57,208 --> 00:48:00,250 BY THE TIME YOU'RE OLD AND GRAY, 841 00:48:00,250 --> 00:48:03,917 YOU WILL HAVE TO SUCK UP TO PEOPLE YOU WOULDN'T SHARE A TOILET SEAT WITH NOW. 842 00:48:04,959 --> 00:48:08,000 YOU ARE SUCH AN ASSHOLE, BRYCE! 843 00:48:10,291 --> 00:48:13,250 I DON'T MAKE THE FUTURE, I JUST PREDICT IT. 844 00:48:15,125 --> 00:48:16,083 FINN! 845 00:48:16,083 --> 00:48:17,834 BRYCE, PLEASE DON'T. SERIOUSLY. 846 00:48:17,834 --> 00:48:20,458 STAND UP, FINN. TRUST ME, YOU'LL LIKE IT. 847 00:48:20,458 --> 00:48:23,250 FOR FINN I PREDICT... 848 00:48:23,250 --> 00:48:25,417 GRADUATION FROM HARVARD WITH HONORS. 849 00:48:25,417 --> 00:48:31,291 FIRST CONTACT WITH A TRIBE OF CANNIBALS IN SOUTH AMERICA. 850 00:48:31,291 --> 00:48:35,583 AH. I SEE A BEAUTIFUL WEDDING TO MY LOVELY SISTER, MAYA. 851 00:48:35,583 --> 00:48:38,125 AND LAST, BUT NOT LEAST, 852 00:48:38,125 --> 00:48:41,708 I PREDICT LIFELONG FRIENDSHIP WITH MYSELF. 853 00:48:45,166 --> 00:48:47,208 WELCOME TO THE TRIBE, BROTHER. 854 00:48:47,208 --> 00:48:49,291 THANK YOU. 855 00:48:56,417 --> 00:48:58,542 HI. HEY. 856 00:48:59,708 --> 00:49:01,250 APPLE JUICE. 857 00:49:01,250 --> 00:49:02,333 OH! 858 00:49:14,500 --> 00:49:15,959 [INDISTINCT] 859 00:49:22,417 --> 00:49:23,542 [MOANING] 860 00:49:57,208 --> 00:49:59,375 WHAT IS THIS PLACE? 861 00:49:59,375 --> 00:50:01,500 THIS IS MY ISLAND. 862 00:50:01,500 --> 00:50:04,875 YOU'RE THE FIRST BOY I EVER BROUGHT HERE. 863 00:50:06,250 --> 00:50:08,041 TAKE OFF YOUR CLOTHES. 864 00:50:22,583 --> 00:50:24,417 CLOSE YOUR EYES. 865 00:50:24,417 --> 00:50:25,583 COME ON. 866 00:52:19,542 --> 00:52:20,750 [CRASH] 867 00:52:20,750 --> 00:52:22,208 FUCK! OH, JESUS! 868 00:52:23,959 --> 00:52:25,708 WHAT THE HELL WAS THAT? 869 00:52:25,708 --> 00:52:27,708 OUR CLOTHES ARE GONE! 870 00:52:28,750 --> 00:52:30,875 OH! OH, MY GOD! 871 00:52:30,875 --> 00:52:32,708 OH! CHRIST! 872 00:52:35,875 --> 00:52:39,542 LIKE, WHEN YOU AND OSBORNE TALK, DO I EVER COME UP? 873 00:52:40,792 --> 00:52:42,750 HOW DO YOU MEAN? 874 00:52:42,750 --> 00:52:46,417 WELL, SOMETIMES I THINK HE HASN'T MADE UP HIS MIND ABOUT ME. 875 00:52:46,417 --> 00:52:48,875 NO, HE THINKS YOU'RE GREAT. 876 00:52:48,875 --> 00:52:50,458 HE SAID THAT? 877 00:52:50,458 --> 00:52:52,500 WELL, HE MUST LIKE YOU A LITTLE 878 00:52:52,500 --> 00:52:54,417 OR HE WOULDN'T HAVE JUST GIVEN US HIS HOUSE 879 00:52:54,417 --> 00:52:56,583 IN EAST HAMPTON FOR TWO WEEKS. 880 00:52:56,583 --> 00:52:58,208 HOW ABOUT THAT? 881 00:52:59,917 --> 00:53:01,542 HE DID WHAT? 882 00:53:01,542 --> 00:53:03,375 WHAT DID YOU TELL HIM? 883 00:53:03,375 --> 00:53:05,083 WHAT DOES HE THINK THIS IS? 884 00:53:05,083 --> 00:53:10,542 WELL, I MIGHT HAVE SAID THAT YOU LIKED ME. 885 00:53:10,542 --> 00:53:11,667 GEE. 886 00:53:11,667 --> 00:53:12,834 JESUS CHRIST. 887 00:53:12,834 --> 00:53:14,917 WHAT ARE YOU TRYING TO DO TO ME HERE? 888 00:53:14,917 --> 00:53:17,708 WHY? WHAT JUST HAPPENED? 889 00:53:17,708 --> 00:53:20,583 LOOK, THE BASTARD LOST HIS BALLS BUT HE DIDN'T LOSE HIS PRIDE. 890 00:53:20,583 --> 00:53:23,417 THERE ARE RULES OUT HERE. 891 00:53:23,417 --> 00:53:26,041 THIS YOU DO NOT ADVERTISE. 892 00:53:26,041 --> 00:53:28,208 IS THAT SO, DR. DICK? 893 00:53:29,875 --> 00:53:31,875 YOU KNOW, IF I WERE YOU, 894 00:53:31,875 --> 00:53:34,625 I'D TELL YOUR SON TO GET READY FOR A FALL. 895 00:53:34,625 --> 00:53:35,625 MY SON? 896 00:53:35,625 --> 00:53:37,000 MMM-HMM. 897 00:53:37,000 --> 00:53:37,959 HE'S HANGING OUT WITH THE LANGLEY KIDS, 898 00:53:37,959 --> 00:53:39,000 GETTING BOMBED EVERY NIGHT. 899 00:53:39,000 --> 00:53:40,458 WHAT? 900 00:53:40,458 --> 00:53:42,458 FINN? 901 00:53:42,458 --> 00:53:44,792 YEAH, WELL, ALCOHOL IS THE LEAST OF IT. 902 00:53:44,792 --> 00:53:46,917 BRYCE AND MAYA ARE ALWAYS GETTING HIGH. 903 00:53:47,792 --> 00:53:49,542 LISTEN TO ME. 904 00:53:49,542 --> 00:53:51,375 MY SON WOULD NEVER DO DRUGS. 905 00:53:51,375 --> 00:53:53,834 YOU JUST DON'T GET IT, DO YOU? 906 00:53:53,834 --> 00:53:56,041 YOU AND FINN ARE TOYS TO THEM. 907 00:53:56,041 --> 00:53:58,834 AND WHY WOULD YOU SET YOUR SON UP FOR A LIFESTYLE 908 00:53:58,834 --> 00:54:01,125 THAT HE'S NEVER GONNA HAVE? 909 00:54:20,500 --> 00:54:22,917 WHERE HAVE YOU BEEN? 910 00:54:22,917 --> 00:54:24,834 I WAS SWIMMING UP AT THE LAKE. 911 00:54:24,834 --> 00:54:26,083 NAKED? WITH MAYA? 912 00:54:26,083 --> 00:54:27,333 UM, SOMEBODY STOLE MY CLOTHES. 913 00:54:27,333 --> 00:54:28,917 JESUS, FINN, WHAT'S ALL OVER YOU? 914 00:54:28,917 --> 00:54:30,625 MOM, COME ON! 915 00:54:30,625 --> 00:54:31,750 UM, CAN I GET DRESSED 916 00:54:31,750 --> 00:54:33,041 AND THEN WE'LL TALK ABOUT IT? 917 00:54:33,041 --> 00:54:34,917 LET'S TALK ABOUT THIS. 918 00:54:34,917 --> 00:54:36,834 YOU KNOW WHAT THIS IS? 919 00:54:36,834 --> 00:54:38,500 AND IT'S NOT MINE. 920 00:54:38,500 --> 00:54:39,667 REALLY? REALLY. 921 00:54:39,667 --> 00:54:40,834 OH, CUT THE CRAP! 922 00:54:40,834 --> 00:54:42,500 NO, REALLY. 923 00:54:42,500 --> 00:54:44,000 YOU WANNA GET FUCKED UP? 924 00:54:44,000 --> 00:54:46,000 MOM, THAT'S NOT-- WHAT ARE YOU DOING? 925 00:54:46,000 --> 00:54:47,959 I HAVE A GREAT IDEA, FINN. 926 00:54:47,959 --> 00:54:49,959 WHAT ARE YOU DOING, MOM? 927 00:54:49,959 --> 00:54:51,834 LET'S GET HIGH TOGETHER. 928 00:54:51,834 --> 00:54:53,917 STOP. DON'T DO IT. 929 00:54:53,917 --> 00:54:56,000 COME ON. MOTHER, SON. 930 00:54:56,000 --> 00:54:56,917 I KNOW ABOUT THIS, FINN. 931 00:54:56,917 --> 00:54:58,875 MOM, DON'T DO THIS. 932 00:54:58,875 --> 00:55:00,792 PLEASE STOP! 933 00:55:00,792 --> 00:55:02,041 DON'T DO IT! 934 00:55:02,041 --> 00:55:03,333 YOU READY? 935 00:55:03,333 --> 00:55:05,792 COME ON, PLEASE STOP IT! MOM, STOP! 936 00:55:05,792 --> 00:55:07,417 WHY? 937 00:55:07,417 --> 00:55:10,041 'CAUSE I'M TIRED OF BEING YOUR EXCUSE 938 00:55:10,041 --> 00:55:12,333 FOR SCREWING UP YOUR LIFE. 939 00:55:32,708 --> 00:55:33,834 GET UP. 940 00:55:33,834 --> 00:55:35,667 SUMMER'S OVER FOR YOU. 941 00:55:35,667 --> 00:55:37,792 MOM? 942 00:55:37,792 --> 00:55:39,083 I'VE DECIDED THERE'S GONNA BE SOME CHANGES AROUND HERE. 943 00:55:39,083 --> 00:55:41,458 LIKE GETTING A JOB. 944 00:55:41,458 --> 00:55:44,041 I'M CALLING MR. OSBORNE AND TELLING HIM WE DON'T NEED JILLY ANYMORE. 945 00:55:44,041 --> 00:55:45,583 YOU GET TO CLEAN THE HOUSE. 946 00:55:45,583 --> 00:55:47,708 I'LL PAY YOU WHATEVER JILLY GOT. 947 00:55:47,708 --> 00:55:48,875 WHAT? 948 00:55:48,875 --> 00:55:50,583 YOU BRING ME TO A PLACE WHERE EVERYONE'S RICH 949 00:55:50,583 --> 00:55:53,417 AND YOU WANT ME TO BE THE MAID? 950 00:56:01,667 --> 00:56:03,375 [OPERA MUSIC PLAYING] 951 00:56:10,792 --> 00:56:12,500 FINN! 952 00:56:12,500 --> 00:56:14,667 CHE COSA FAI, KIDDO? 953 00:56:14,667 --> 00:56:17,583 ACTUALLY, I'M LOOKING FOR YOU. 954 00:56:17,583 --> 00:56:19,959 GET IN THE CAR. 955 00:56:26,583 --> 00:56:29,125 [FRENCH ACCENT] WOULD MADAM PREFER HER COFFEE 956 00:56:29,125 --> 00:56:33,041 WITH ONE LUMP OR TWO THIS MORNING? 957 00:56:33,041 --> 00:56:34,875 I TOOK THE LIBERTY OF MAKING AN ASSORTMENT 958 00:56:34,875 --> 00:56:37,959 OF BREAKFAST MEATS FOR MADAM THIS MORNING. 959 00:56:39,458 --> 00:56:42,458 THIS ISN'T GONNA LET YOU OFF THE HOOK, FINN. 960 00:56:45,959 --> 00:56:47,792 CAN YOU NOT DO THAT RIGHT NOW? 961 00:56:47,792 --> 00:56:48,750 I'M EATING. 962 00:56:48,750 --> 00:56:51,959 OHH. OHH. SO SORRY, MADAM. OF COURSE. 963 00:56:51,959 --> 00:56:54,041 VERY, VERY SORRY. 964 00:56:54,041 --> 00:56:55,625 WHAT ARE YOU DOING, FINN? 965 00:56:55,625 --> 00:56:59,083 CORRALLING DUST BUNNIES, MADAM! 966 00:57:03,542 --> 00:57:07,291 YOU KNOW, I'M REALLY GONNA MISS WORKING FOR YOU. 967 00:57:07,291 --> 00:57:08,875 WHAT ARE YOU TALKING ABOUT? 968 00:57:08,875 --> 00:57:12,792 I'M AFRAID I'M GOING TO HAVE TO GIVE MADAM NOTICE. 969 00:57:14,208 --> 00:57:15,959 I'M STILL MAD AT YOU, FINN. 970 00:57:15,959 --> 00:57:18,458 OH, I KNOW IT'LL BE VERY DIFFICULT TO FIND SOMEONE 971 00:57:18,458 --> 00:57:21,750 TO REPLACE ME, BUT YOU'RE JUST GONNA HAVE TO. 972 00:57:21,750 --> 00:57:23,458 YOU DON'T GET IT. I'M SERIOUS. 973 00:57:23,458 --> 00:57:29,542 I'M WORKING FOR MR. OSBORNE NOW. FULL-TIME. 974 00:57:30,917 --> 00:57:32,667 REALLY? HMM. 975 00:57:32,667 --> 00:57:34,333 WELL, THEN YOU SHOULD JUST GO DOWNSTAIRS , GET ON THE PHONE, 976 00:57:34,333 --> 00:57:35,583 CALL MR. OSBORNE, TELL HIM YOU'RE VERY SORRY, 977 00:57:35,583 --> 00:57:37,291 BUT YOU DON'T WANNA WORK FOR HIM. 978 00:57:37,291 --> 00:57:38,708 WELL, I'M SORRY, MOM, I CAN'T LIE TO SOMEONE 979 00:57:38,708 --> 00:57:40,834 WHO'S DONE SO MUCH FOR US. 980 00:57:40,834 --> 00:57:43,583 YOU DON'T CALL THE SHOTS HERE, FINN. 981 00:57:43,583 --> 00:57:46,000 NO, MR. OSBORNE DOES. 982 00:57:49,125 --> 00:57:51,333 PRETTY SNAPPY, UH? 983 00:57:53,959 --> 00:57:55,083 [OPERA MUSIC PLAYING] 984 00:58:15,041 --> 00:58:18,041 WHAT IS THIS? 985 00:58:18,041 --> 00:58:19,875 LIKE A WAR CLUB? 986 00:58:19,875 --> 00:58:21,834 OH, JESUS CHRIST. BE CAREFUL, SON. 987 00:58:21,834 --> 00:58:22,875 WHY? 988 00:58:22,875 --> 00:58:24,125 MY TESTICLES ARE IN THERE. 989 00:58:24,125 --> 00:58:27,000 STOP. 990 00:58:27,000 --> 00:58:28,375 YOU'RE SO... 991 00:58:29,250 --> 00:58:31,375 NO, THAT'S FROM BORNEO. 992 00:58:31,375 --> 00:58:34,041 WITCH DOCTOR GAVE IT TO ME IN 1945. 993 00:58:34,041 --> 00:58:36,041 THERE'S A PICTURE AROUND HERE 994 00:58:36,041 --> 00:58:39,041 OF ME AND STILLWELL AND DOOLITTLE, SOMEWHERE. 995 00:58:39,041 --> 00:58:41,250 I'D LOVE YOU TO FIND THAT. 996 00:58:41,250 --> 00:58:43,834 ANY OF THE PICTURES FROM WORLD WAR II 997 00:58:43,834 --> 00:58:47,083 JUST PUT IT IN A STACK MARKED "WORLD WAR II." 998 00:58:47,083 --> 00:58:49,542 OH, CHRIST, WOULD YOU LOOK AT THAT. 999 00:58:51,250 --> 00:58:54,625 AND ANYTHING YOU DON'T KNOW OR DON'T RECOGNIZE SOMEBODY 1000 00:58:54,625 --> 00:58:57,417 JUST PUT IT IN A PILE CALLED "SEE OSBORNE." 1001 00:58:57,417 --> 00:59:00,333 THAT IS GONNA BE A PRETTY BIG PILE. 1002 00:59:00,333 --> 00:59:03,208 THAT'S WHY THEY CALL IT A JOB. 1003 00:59:12,041 --> 00:59:13,959 WHO IS THIS? 1004 00:59:19,000 --> 00:59:20,959 AH. UH-HUH. 1005 00:59:20,959 --> 00:59:24,166 THAT'S CREAMSICLE. 1006 00:59:24,166 --> 00:59:26,208 HER NAME WAS CREAMSICLE? 1007 00:59:26,208 --> 00:59:28,959 NO. 1008 00:59:28,959 --> 00:59:32,667 NO, SHE SMELLED LIKE A CREAMSICLE. 1009 00:59:32,667 --> 00:59:37,166 MR. OSBORNE, CREAMSICLES DON'T SMELL. 1010 00:59:44,250 --> 00:59:46,750 SMELLS GOOD, DOESN'T IT? 1011 00:59:48,083 --> 00:59:51,667 KING OF NORWAY INTRODUCED ME TO HER. 1012 00:59:51,667 --> 00:59:58,000 SHE HAD A MOLE SHAPED LIKE CUBA. 1013 00:59:58,000 --> 01:00:01,667 SHE AND BILLIE HOLIDAY GOT INTO A CATFIGHT OVER ME. 1014 01:00:06,792 --> 01:00:07,875 FEET. 1015 01:00:07,875 --> 01:00:09,959 FEET. 1016 01:00:13,792 --> 01:00:17,417 THE TWO OF THEM USED TO SING DUETS, ONE IN EACH EAR. 1017 01:00:17,417 --> 01:00:21,041 BILLIE HOLIDAY COULD SURE SING. 1018 01:00:21,041 --> 01:00:25,041 CREAMSICLE USED TO HIT THE HIGH NOTES. 1019 01:00:25,041 --> 01:00:26,959 BYE, FINN. 1020 01:00:26,959 --> 01:00:28,166 BYE. 1021 01:00:29,834 --> 01:00:31,375 FEET. 1022 01:00:40,041 --> 01:00:42,083 AH! JES-- 1023 01:00:42,083 --> 01:00:43,959 YOU HAVE NO RIGHT TO UNDERMINE 1024 01:00:43,959 --> 01:00:44,917 MY AUTHORITY WITH MY SON. 1025 01:00:44,917 --> 01:00:48,166 HE ASKED ME FOR A JOB. I GAVE HIM A JOB. 1026 01:00:48,166 --> 01:00:50,041 AND THANK YOU, TOO, FOR SABOTAGING ME WITH THE DOCTOR. 1027 01:00:50,041 --> 01:00:53,000 OH. THE HOUSE IN EAST HAMPTON. 1028 01:00:53,000 --> 01:00:55,208 YOU KNEW IT WOULD SCARE HIM OFF! 1029 01:00:55,208 --> 01:00:57,083 NO, IT WAS A GAMBLE. 1030 01:00:57,083 --> 01:01:00,041 I JUST THOUGHT THE ODDS WERE PRETTY MUCH IN MY FAVOR. 1031 01:01:03,083 --> 01:01:05,041 YOU DON'T WANT FINN LOLLYGAGGING 1032 01:01:05,041 --> 01:01:07,667 AROUND THE CLUBHOUSE ALL DAY LONG. 1033 01:01:09,083 --> 01:01:11,291 LET HIM WORK FOR ME. 1034 01:01:11,291 --> 01:01:13,166 I'LL TEACH HIM SOME THINGS. 1035 01:01:13,166 --> 01:01:14,959 THINGS HE CAN NEVER USE? 1036 01:01:14,959 --> 01:01:18,834 FOR GOD'S SAKES, WOMAN, WHAT IS YOUR PROBLEM? 1037 01:01:18,834 --> 01:01:21,250 I DON'T LIKE FEELING... 1038 01:01:23,583 --> 01:01:26,708 JEALOUS OF MY SON'S HAPPINESS. 1039 01:01:28,083 --> 01:01:31,083 YOU ARE SUCH A GOOD MOTHER. 1040 01:01:34,250 --> 01:01:35,917 NOT YET. 1041 01:01:35,917 --> 01:01:36,917 BUT I WILL BE. 1042 01:01:53,125 --> 01:01:54,458 [INDISTINCT] 1043 01:01:55,875 --> 01:01:57,125 ROBERT! 1044 01:01:57,125 --> 01:01:59,333 HE PRACTICALLY DID EVERY PERMUTATION OF THAT-- 1045 01:01:59,333 --> 01:02:01,166 OH, THAT'S VERY DASHING. 1046 01:02:01,166 --> 01:02:02,625 THAT'S ME. 1047 01:02:02,625 --> 01:02:04,333 THE ONE NEXT TO ME 1048 01:02:04,333 --> 01:02:06,125 IS WALTER CHRYSLER AND THAT'S... 1049 01:02:06,125 --> 01:02:08,041 OH, CHRIST. WHAT'S HIS NAME? 1050 01:02:08,041 --> 01:02:10,125 THE FELLA WHO WRECKED THE RAILROADS. 1051 01:02:10,125 --> 01:02:11,291 WHAT'S THIS? 1052 01:02:14,000 --> 01:02:15,333 THAT'S BRYCE AND ME. 1053 01:02:15,333 --> 01:02:16,458 HOT-AIR BALLOON RACE. 1054 01:02:16,458 --> 01:02:18,375 WE WON THE STATE CHAMPIONSHIP. 1055 01:02:18,375 --> 01:02:20,166 IS THAT MAYA'S FATHER? 1056 01:02:20,166 --> 01:02:21,458 HE WAS SHOT? 1057 01:02:21,458 --> 01:02:23,208 YEAH, STRAY BULLET. 1058 01:02:23,208 --> 01:02:24,375 WHO SHOT HIM? 1059 01:02:24,375 --> 01:02:26,792 PROBABLY A POACHER. 1060 01:02:28,208 --> 01:02:30,125 I THINK MAYBE IT WAS SOMEBODY 1061 01:02:30,125 --> 01:02:32,125 WHO DIDN'T LIKE RICH PEOPLE. 1062 01:02:50,083 --> 01:02:51,041 GRANDPA! 1063 01:02:51,041 --> 01:02:52,083 I'M SORRY I'M LATE. 1064 01:02:52,083 --> 01:02:53,125 I COULDN'T FIND MY UNIFORM. 1065 01:02:53,125 --> 01:02:54,625 BECAUSE I GAVE IT TO FINN! 1066 01:02:54,625 --> 01:02:56,333 DADDY, I DON'T THINK IT'S A GOOD IDEA. 1067 01:02:56,333 --> 01:02:59,417 FOR CHRIST SAKES, HE'S WON IT FOUR TIMES IN A ROW! 1068 01:02:59,417 --> 01:03:00,375 YOU DON'T CARE, DO YOU? 1069 01:03:00,375 --> 01:03:01,667 NO, THAT'S FINE. 1070 01:03:01,667 --> 01:03:02,667 I WAS GONNA SUGGEST IT MYSELF. 1071 01:03:02,667 --> 01:03:03,875 GOOD LUCK, FINN. 1072 01:03:03,875 --> 01:03:05,417 EVERYONE'S COUNTING ON YOU. 1073 01:03:05,417 --> 01:03:07,000 GOTTA KEEP THAT TROPHY IN THE FAMILY, RIGHT? 1074 01:03:07,000 --> 01:03:08,458 BRYCE, I'VE NEVER DONE THIS BEFORE. 1075 01:03:08,458 --> 01:03:09,500 I DON'T KNOW WHAT TO DO. 1076 01:03:09,500 --> 01:03:11,458 BALLOONERS! MAN YOUR BALLOONS! 1077 01:03:11,458 --> 01:03:13,708 LISTEN, IF HE HAS A HEART ATTACK WHILE YOU'RE UP THERE, 1078 01:03:13,708 --> 01:03:16,041 OR ANYTHING, YOU JUST PULL THAT CORD SLOWLY, OK? 1079 01:03:16,041 --> 01:03:17,834 I'M NOT DEAF, YOU KNOW? 1080 01:03:17,834 --> 01:03:20,834 COME ON, FINN, GET IN HERE. 1081 01:03:23,667 --> 01:03:25,875 A HEART ATTACK. 1082 01:03:28,417 --> 01:03:30,667 LOOKS LIKE YOU'VE BEEN REPLACED, BRYCE. 1083 01:03:30,667 --> 01:03:32,667 GOOD TO HAVE NEW BLOOD IN THE RACE. 1084 01:03:32,667 --> 01:03:35,041 GIVES THE COMPETITION A CHANCE. 1085 01:03:36,458 --> 01:03:38,708 IT'S OK, MOM. 1086 01:03:38,708 --> 01:03:41,041 STEADY! 1087 01:03:41,041 --> 01:03:44,375 GO! 1088 01:03:44,375 --> 01:03:45,667 [CROWD CHEERING] 1089 01:04:43,250 --> 01:04:44,792 HIGH. 1090 01:04:44,792 --> 01:04:46,625 SMILE. 1091 01:04:53,417 --> 01:04:55,667 EXCUSE ME. SORRY. JUST ONE SECOND, EVERYONE. 1092 01:04:55,667 --> 01:04:56,708 ONE SECOND. 1093 01:04:56,708 --> 01:04:58,458 I HAVE AN ANNOUNCEMENT TO MAKE. 1094 01:04:58,458 --> 01:05:00,291 THIS BETTER BE GOOD, BRYCE! 1095 01:05:00,291 --> 01:05:01,291 BRYCE FOR PRESIDENT! 1096 01:05:01,291 --> 01:05:02,333 TONIGHT'S YOUR LUCKY NIGHT. 1097 01:05:02,333 --> 01:05:03,875 THANK YOU. 1098 01:05:03,875 --> 01:05:05,583 AS A WAY OF ACKNOWLEDGING THE GOOD FORTUNE 1099 01:05:05,583 --> 01:05:07,667 THAT WE ENJOY HERE IN VLYVALLE, 1100 01:05:07,667 --> 01:05:10,500 NEXT YEAR, OVER ON THE SOUTH PASTURE, 1101 01:05:10,500 --> 01:05:11,667 WE'RE GONNA BE OPENING 1102 01:05:11,667 --> 01:05:15,166 THE OGDEN C. OSBORNE YOUTH CENTER. 1103 01:05:15,166 --> 01:05:17,041 IT'S GONNA BE A YEAR-ROUND HOME FOR INNER CITY KIDS... 1104 01:05:17,041 --> 01:05:18,291 DID YOU KNOW ABOUT THIS? NO. 1105 01:05:18,291 --> 01:05:19,834 DID YOU? 1106 01:05:19,834 --> 01:05:22,083 AND GOOD FORTUNE THAT WE TAKE FOR GRANTED. 1107 01:05:22,083 --> 01:05:24,708 OVER MY DEAD BODY. 1108 01:05:46,250 --> 01:05:47,375 UH! AAH! 1109 01:05:47,375 --> 01:05:48,959 [SCREAMING] 1110 01:05:52,166 --> 01:05:53,375 JESUS, STOP IT! 1111 01:05:53,375 --> 01:05:54,542 AHH! 1112 01:05:54,542 --> 01:05:55,667 WHAT ARE YOU DOING? 1113 01:05:55,667 --> 01:05:58,208 [SCREAMING] STOP! 1114 01:05:58,208 --> 01:06:00,333 [GROANING AND SCREAMING] 1115 01:06:27,583 --> 01:06:29,125 Narrator: THROUGHOUT HISTORY, 1116 01:06:29,125 --> 01:06:33,250 RAPE HAS BEEN USED AS A WEAPON IN TRIBAL WARFARE. 1117 01:06:37,708 --> 01:06:41,542 AN ISHKANANI WARRIOR BELIEVES IF HE IS HUMILIATED, 1118 01:06:41,542 --> 01:06:46,083 HIS NURESHI OR ANIMAL SPIRIT WILL BE SO ASHAMED 1119 01:06:46,083 --> 01:06:49,208 THAT IT WILL LITERALLY CLAW ITSELF FREE 1120 01:06:49,208 --> 01:06:51,083 FROM THE WARRIOR'S SOUL. 1121 01:06:59,959 --> 01:07:01,125 [UP-TEMPO MUSIC PLAYING IN BACKGROUND] 1122 01:07:05,417 --> 01:07:06,750 LAMBIE! 1123 01:07:09,458 --> 01:07:12,041 IT'S TIME TO GET UP! 1124 01:07:14,583 --> 01:07:16,333 MR. OSBORNE CALLED! 1125 01:07:16,333 --> 01:07:18,333 HE WANTS TO START EARLY TODAY! 1126 01:07:18,333 --> 01:07:20,250 WHOO! 1127 01:07:22,625 --> 01:07:24,375 FINN! 1128 01:07:24,375 --> 01:07:25,625 [KNOCK ON DOOR] 1129 01:07:25,625 --> 01:07:28,500 HEY. 1130 01:07:28,500 --> 01:07:30,291 HEY, SLEEPY. 1131 01:07:30,291 --> 01:07:33,083 WHAT TIME DID YOU GET IN LAST NIGHT ANYWAY, HUH? 1132 01:07:34,333 --> 01:07:36,250 HONEY? 1133 01:07:36,250 --> 01:07:37,875 WHAT IS THIS? WHAT HAPPENED TO YOU? 1134 01:07:37,875 --> 01:07:40,291 SOMEBODY JUMPED ME. 1135 01:07:40,291 --> 01:07:42,250 WHAT? 1136 01:07:42,250 --> 01:07:43,625 WHAT DOES THAT MEAN? WHO? 1137 01:07:43,625 --> 01:07:45,458 I DIDN'T SEE HIM. 1138 01:07:45,458 --> 01:07:47,959 WHAT DO YOU MEAN SOMEBODY JUMPED YOU? 1139 01:07:47,959 --> 01:07:49,291 SOMEBODY JUST HIT YOU AND RAN AWAY, HUH? 1140 01:07:49,291 --> 01:07:51,250 YEAH, SORT OF. 1141 01:07:52,583 --> 01:07:54,250 WHERE DID THIS HAPPEN, FINN? 1142 01:07:54,250 --> 01:07:55,542 IN THE FIELD, MOM. 1143 01:07:55,542 --> 01:07:56,625 IN THE FIELD? 1144 01:07:56,625 --> 01:07:57,625 I'M FINE! JUST LET ME SLEEP! 1145 01:07:59,792 --> 01:08:01,291 OK. 1146 01:08:04,375 --> 01:08:05,291 OK. 1147 01:08:08,708 --> 01:08:10,625 GATES, LISTEN TO ME! 1148 01:08:10,625 --> 01:08:12,542 I DID NOT BRING MY SON HERE TO GET BEAT UP IN A FIELD! 1149 01:08:12,542 --> 01:08:15,542 I WANNA KNOW WHO DID THIS! 1150 01:08:20,500 --> 01:08:23,125 I'M OK, I'M OK. 1151 01:08:24,959 --> 01:08:27,500 I WANT YOU TO LET ME PAMPER YOU. 1152 01:08:27,500 --> 01:08:30,458 I BROUGHT YOU SOME ICE FOR YOUR EYE. 1153 01:08:30,458 --> 01:08:32,166 MMM. 1154 01:08:37,500 --> 01:08:39,125 HONEY? 1155 01:08:40,667 --> 01:08:42,834 WHAT HAPPENED TO YOU? 1156 01:08:42,834 --> 01:08:45,500 MOM, JUST LEAVE IT ALONE. 1157 01:08:49,375 --> 01:08:51,333 MOM, PLEASE. 1158 01:08:52,750 --> 01:08:54,750 IT'S OK. LET ME SEE. 1159 01:08:54,750 --> 01:08:57,708 IT'S OK. LET ME SEE. 1160 01:09:02,542 --> 01:09:04,333 OH, MY GOD! 1161 01:09:04,333 --> 01:09:06,500 [CRYING] 1162 01:09:06,500 --> 01:09:07,875 BABY! 1163 01:09:09,583 --> 01:09:11,583 OH, BABY! 1164 01:09:11,583 --> 01:09:12,834 OH, MY GOD! 1165 01:09:12,834 --> 01:09:14,041 MOM? 1166 01:09:14,041 --> 01:09:16,792 MOM, PLEASE WAIT! PLEASE, PLEASE. 1167 01:09:16,792 --> 01:09:18,708 YOU CAN'T-- YOU CAN'T-- 1168 01:09:18,708 --> 01:09:19,917 WHO DID THIS TO YOU? 1169 01:09:19,917 --> 01:09:21,375 YOU CAN'T TELL ANYONE. 1170 01:09:21,375 --> 01:09:23,875 WHO DID THIS TO YOU? I DON'T KNOW. 1171 01:09:23,875 --> 01:09:25,875 BUT YOU CAN'T TELL ANYONE, OK, MOM? 1172 01:09:25,875 --> 01:09:28,375 SWEAR? 1173 01:09:29,875 --> 01:09:31,708 YOU KNOW WHAT? HE'S FINE. 1174 01:09:33,458 --> 01:09:35,417 HE JUST NEEDS SOME REST. 1175 01:09:36,917 --> 01:09:39,834 YOU DIDN'T SOUND LIKE HE WAS FINE ON THE PHONE. 1176 01:09:39,834 --> 01:09:41,875 I KNOW. I OVERREACTED. 1177 01:09:41,875 --> 01:09:42,917 LET ME GO UP AND TALK TO HIM. 1178 01:09:42,917 --> 01:09:44,458 MAYBE I CAN JOG HIS MEMORY. 1179 01:09:44,458 --> 01:09:45,750 HE DIDN'T SEE WHO DID IT. 1180 01:09:45,750 --> 01:09:46,792 WELL, JUST IN CASE, 1181 01:09:46,792 --> 01:09:47,959 I WANT DICK TO HAVE A LOOK AT HIM. 1182 01:09:47,959 --> 01:09:49,333 SURE. STAY WHERE YOU ARE. 1183 01:09:49,333 --> 01:09:50,917 IN ORDER TO MAKE AN OFFICIAL REPORT-- 1184 01:09:50,917 --> 01:09:52,959 I DON'T NEED AN OFFICIAL REPORT. 1185 01:09:55,041 --> 01:09:57,000 YEAH, WELL, IF YOU NEED HELP WITH ANYTHING, 1186 01:09:57,000 --> 01:09:58,000 JUST GIMME A CALL. 1187 01:09:58,000 --> 01:09:59,458 I NEED SOME PAINKILLERS. 1188 01:09:59,458 --> 01:10:00,917 I CAN'T PRESCRIBE PAINKILLERS UNLESS-- 1189 01:10:00,917 --> 01:10:02,458 GIVE HER THE GODDAMN PILLS. 1190 01:10:08,625 --> 01:10:09,917 THANK YOU. 1191 01:10:09,917 --> 01:10:12,166 I'M SORRY IF I WORRIED ANYBODY. 1192 01:10:12,166 --> 01:10:13,458 LIZ, TELL FINN NOT TO WORRY. 1193 01:10:13,458 --> 01:10:14,708 WE'RE GONNA FIND OUT WHO DID THIS. 1194 01:10:14,708 --> 01:10:16,625 OK. 1195 01:10:26,917 --> 01:10:29,792 FIND OUT WHAT REALLY HAPPENED. 1196 01:10:35,458 --> 01:10:37,917 I'M SO SORRY. 1197 01:10:39,291 --> 01:10:43,250 I THOUGHT WE'D BE SAFE HERE, YOU KNOW? 1198 01:10:45,125 --> 01:10:48,458 I JUST WANT EVERYTHING TO BE OK. 1199 01:10:49,708 --> 01:10:52,667 I'M SO SORRY. 1200 01:10:58,834 --> 01:11:00,708 Finn: I TRIED MAKING A LIST OF ALL THE PEOPLE 1201 01:11:00,708 --> 01:11:03,083 WHO MIGHT HAVE HAD REASON TO DO THIS TO ME. 1202 01:11:03,083 --> 01:11:05,542 ONCE YOU'VE LOST YOUR NURESHI, 1203 01:11:05,542 --> 01:11:08,208 THERE'S ONLY ONE WAY TO GET IT BACK-- 1204 01:11:08,208 --> 01:11:11,750 FIND THE GUY WHO DID IT, CUT HIS HEART OUT, 1205 01:11:11,750 --> 01:11:14,000 AND SHOW IT TO THE VILLAGE. 1206 01:11:29,375 --> 01:11:30,667 WHAT ARE YOU DOING? 1207 01:11:31,792 --> 01:11:33,625 PACKING US. 1208 01:11:33,625 --> 01:11:35,291 FOR NEW YORK. 1209 01:11:35,291 --> 01:11:37,083 I SHOULD NEVER HAVE BROUGHT YOU HERE. 1210 01:11:37,083 --> 01:11:38,583 I'M STAYING. 1211 01:11:38,583 --> 01:11:39,792 WHAT? 1212 01:11:39,792 --> 01:11:41,667 I'M STAYING. 1213 01:11:41,667 --> 01:11:43,792 WHY? 1214 01:11:43,792 --> 01:11:48,708 SO I CAN FIND OUT WHO DID THIS TO ME. 1215 01:11:53,291 --> 01:11:56,875 I THOUGHT YOU SAID YOU DIDN'T WANT ANYONE TO KNOW. 1216 01:11:56,875 --> 01:11:58,625 I DON'T. 1217 01:11:58,625 --> 01:12:01,417 JUST CAN'T LEAVE HERE 1218 01:12:01,417 --> 01:12:04,708 UNTIL I GET MY "NURESHI" TO COME BACK. 1219 01:12:08,041 --> 01:12:09,667 LAMBIE-- 1220 01:12:09,667 --> 01:12:12,542 DON'T CALL ME LAMBIE ANYMORE. 1221 01:12:24,750 --> 01:12:26,375 STOP. 1222 01:12:30,500 --> 01:12:33,417 YOUR GIRLFRIEND'S HERE. 1223 01:12:33,417 --> 01:12:35,417 DON'T CALL HER THAT. 1224 01:12:38,583 --> 01:12:41,750 I SWEAR TO GOD, I COULD KILL DWAYNE AND THOSE POACHERS. 1225 01:12:41,750 --> 01:12:43,250 COULDN'T HAVE BEEN DWAYNE. 1226 01:12:43,250 --> 01:12:45,417 DWAYNE WAS BUSTED DEALING DEER ANTLERS TO FISH 1227 01:12:45,417 --> 01:12:47,667 AND GAME AGENTS AN HOUR BEFORE HE GOT JUMPED. 1228 01:12:47,667 --> 01:12:50,500 YOU KNOW, GRANDPA HAD GATES QUESTION McCALLUM. 1229 01:12:50,500 --> 01:12:52,417 YOU WEARING MY JACKET, 1230 01:12:52,417 --> 01:12:55,125 HE DIDN'T EXACTLY LOVE MY YOUTH CENTER IDEA. 1231 01:12:55,125 --> 01:12:56,708 WHAT'VE YOU TWO BEEN UP TO? 1232 01:12:56,708 --> 01:12:59,625 WE HAD BEEN PLANNING A BIG PARTY. 1233 01:12:59,625 --> 01:13:00,917 WHAT'S THE OCCASION? 1234 01:13:00,917 --> 01:13:02,583 IT'S YOUR BIRTHDAY. 1235 01:13:02,583 --> 01:13:04,959 I'M NOT SURE THAT FINN IS READY FOR A PARTY. 1236 01:13:04,959 --> 01:13:06,959 NO! I WANT A PARTY! YEAH! 1237 01:13:06,959 --> 01:13:08,125 LET'S HAVE A PARTY! 1238 01:13:08,125 --> 01:13:10,250 LET'S INVITE THE GUY WHO BEAT ME UP! 1239 01:13:25,959 --> 01:13:27,291 I WANT YOU TO KNOW 1240 01:13:27,291 --> 01:13:28,542 THAT HE DIDN'T JUST DO THIS TO YOU, 1241 01:13:28,542 --> 01:13:31,417 FINN, THAT HE DID IT TO MY FAMILY. 1242 01:13:33,166 --> 01:13:35,959 FIRST MY FATHER GETS SHOT, NOW YOU GET BEATEN UP. 1243 01:13:38,792 --> 01:13:40,959 YOU KNOW, MAYA WILL UNDERSTAND 1244 01:13:40,959 --> 01:13:43,333 IF YOU WANT TO GO BACK TO NEW YORK TILL WE CATCH THIS GUY. 1245 01:13:43,333 --> 01:13:45,792 NO, I WANNA BE HERE WHEN THEY GET HIM. 1246 01:13:45,792 --> 01:13:48,166 FINN, HE COULD COME AFTER YOU AGAIN. 1247 01:13:48,166 --> 01:13:50,500 THEN I'LL KNOW WHO HE IS. 1248 01:13:55,291 --> 01:13:57,291 YOU'RE TOUGHER THAN YOU LOOK. 1249 01:13:58,291 --> 01:13:59,667 COME HERE. 1250 01:14:09,166 --> 01:14:11,583 THIS MAKES US MORE THAN FRIENDS. 1251 01:14:11,583 --> 01:14:15,000 NOW DON'T TELL ANYONE ABOUT THIS, OK? 1252 01:14:54,125 --> 01:14:59,208 I MISSED YOU SO MUCH. 1253 01:15:01,125 --> 01:15:04,166 WATCH IT. MY RIBS STILL HURT. 1254 01:15:04,166 --> 01:15:05,917 DOES IT HURT TO KISS ME? 1255 01:15:05,917 --> 01:15:07,667 NO, OF COURSE NOT. 1256 01:15:07,667 --> 01:15:09,458 THEN WHY DON'T YOU? 1257 01:15:09,458 --> 01:15:12,542 I DON'T KNOW. MY MOTHER MIGHT COME IN. 1258 01:15:18,125 --> 01:15:19,542 WHAT IS IT WITH YOU? 1259 01:15:21,250 --> 01:15:24,000 YOU NEVER WANNA KISS ME, WE'RE NEVER ALONE. 1260 01:15:24,000 --> 01:15:26,959 WHY DID YOU TELL EVERYBODY AT YOUR PARTY 1261 01:15:26,959 --> 01:15:31,125 THAT MY MOTHER AND YOUR GRANDFATHER WERE OLD, OLD FRIENDS? 1262 01:15:31,125 --> 01:15:33,417 THEY ARE OLD FRIENDS. 1263 01:15:33,417 --> 01:15:36,166 MY MOTHER IS YOUR GRANDFATHER'S MASSEUSE. 1264 01:15:36,166 --> 01:15:38,792 I MEAN, WHY COULDN'T YOU JUST TELL PEOPLE THE TRUTH ABOUT ME? 1265 01:15:38,792 --> 01:15:41,417 ARE YOU EMBARRASSED THAT I'M NOT RICH? 1266 01:15:41,417 --> 01:15:45,083 IS THE FACT THAT I AM RICH AND YOU'RE NOT GONNA BE A PROBLEM? 1267 01:15:45,083 --> 01:15:47,250 'CAUSE, FINN, IF IT IS-- 1268 01:15:47,250 --> 01:15:48,166 'CAUSE, FINN, IF IT IS--WHAT? 1269 01:15:48,166 --> 01:15:49,625 YOU'RE GONNA DUMP ME? 1270 01:15:49,625 --> 01:15:51,125 COME ON, YOU'RE GONNA DO THAT ANYWAY! 1271 01:15:51,125 --> 01:15:52,708 IT'S A JOKE BETWEEN US. 1272 01:15:52,708 --> 01:15:55,041 SOONER OR LATER, YOU'RE GONNA GET BORED 1273 01:15:55,041 --> 01:15:57,583 SCREWING THE POOR BOY AT THE PARTY. 1274 01:16:00,125 --> 01:16:02,333 WHY DO YOU HATE ME SO MUCH? 1275 01:16:23,083 --> 01:16:25,125 Finn: DEAR DAD... 1276 01:16:25,125 --> 01:16:26,834 YOU KNOW THE THING THE ISHKANANI SAY 1277 01:16:26,834 --> 01:16:29,834 ABOUT SHOWING THE GUY'S HEART TO THE VILLAGE? 1278 01:16:29,834 --> 01:16:34,000 WELL, THAT'S THE PART THAT'S GONNA BE A PROBLEM FOR ME. 1279 01:16:37,250 --> 01:16:40,291 I MEAN, IF EVERYBODY KNOWS WHAT HAPPENED, 1280 01:16:40,291 --> 01:16:42,166 FOR THE REST OF MY LIFE IT'D BE, 1281 01:16:42,166 --> 01:16:44,166 "HEY, YOU KNOW FINN EARL, THE GUY WHO GOT BEAT UP 1282 01:16:44,166 --> 01:16:46,417 AND DEAD-HORSED BY SOME GUY?" 1283 01:16:46,417 --> 01:16:51,333 AND NO MATTER HOW GREAT THINGS TURNED OUT, 1284 01:16:51,333 --> 01:16:53,041 EVEN IF I ENDED UP MARRYING MAYA, 1285 01:16:53,041 --> 01:16:55,291 AND I BECAME A FAMOUS ANTHROPOLOGIST, 1286 01:16:55,291 --> 01:16:56,750 PEOPLE WOULD ALWAYS SAY, 1287 01:16:56,750 --> 01:16:59,333 "NO QUESTION, AFTER FINN GOT IT IN THE ASS, 1288 01:16:59,333 --> 01:17:01,291 HE REALLY GOT HIS SHIT TOGETHER." 1289 01:17:01,291 --> 01:17:02,834 [GUNSHOTS AND SCREAMING] 1290 01:17:21,083 --> 01:17:22,375 [SCREAMING AND CRYING] 1291 01:18:06,375 --> 01:18:07,959 MR. OSBORNE THINKS IT'S TIME 1292 01:18:07,959 --> 01:18:09,708 FOR YOU TO GET BACK TO WORK. 1293 01:18:13,959 --> 01:18:16,708 I'LL WAIT FOR YOU DOWNSTAIRS. 1294 01:19:00,125 --> 01:19:02,125 HAVE A LOOK AT THAT. 1295 01:19:04,083 --> 01:19:05,792 WHOA. 1296 01:19:05,792 --> 01:19:08,750 SHE'S REALLY GOT A LOT OF PUBIC HAIR. 1297 01:19:09,959 --> 01:19:11,959 THAT WOMAN IS MY MOTHER. 1298 01:19:17,000 --> 01:19:19,166 I'M SERIOUS. SHE IS. 1299 01:19:21,333 --> 01:19:23,542 THAT FELLA THERE, 1300 01:19:23,542 --> 01:19:27,333 HE RAN THE TELEGRAPH COMPANY. 1301 01:19:27,333 --> 01:19:29,959 YOU KNOW WHO TOOK THIS KODAK MOMENT? 1302 01:19:31,125 --> 01:19:32,208 WHO? 1303 01:19:32,208 --> 01:19:35,333 MY FATHER. 1304 01:19:35,333 --> 01:19:38,917 THIS? BLACKMAIL. 1305 01:19:38,917 --> 01:19:40,834 PURE AND SIMPLE. 1306 01:19:40,834 --> 01:19:43,500 MY DAD LEVERAGED THIS GUY 1307 01:19:43,500 --> 01:19:45,458 TO GET HIS TELEGRAPH COMPANY 1308 01:19:45,458 --> 01:19:47,333 TO GET OUR LITTLE HARDWARE STORE 1309 01:19:47,333 --> 01:19:50,333 THE CONTRACT TO SUPPLY HIS COMPANY 1310 01:19:50,333 --> 01:19:52,625 WITH ALL THE COPPER WIRE THEY WERE GONNA STRING 1311 01:19:52,625 --> 01:19:55,500 ACROSS THESE GREAT UNITED STATES. 1312 01:19:55,500 --> 01:20:00,583 THIS DIRTY LITTLE PICTURE BROUGHT US 1313 01:20:00,583 --> 01:20:06,291 WEALTH AND CLASS AND RESPECTABILITY. 1314 01:20:06,291 --> 01:20:09,667 WHY ARE YOU SHOWING ME THIS? 1315 01:20:09,667 --> 01:20:12,458 EX MALO BONUM. 1316 01:20:12,458 --> 01:20:16,041 OUT OF BAD COMES GOOD. 1317 01:20:16,041 --> 01:20:18,125 THAT'S WHAT PEOPLE LIKE YOU AND ME 1318 01:20:18,125 --> 01:20:20,667 ARE PUT ON THIS EARTH TO PROVE. 1319 01:20:22,667 --> 01:20:24,834 WHAT REALLY HAPPENED TO YOU? 1320 01:20:25,959 --> 01:20:28,083 WHAT DID MY MOM TELL YOU? 1321 01:20:28,083 --> 01:20:30,417 WELL, SHE SAID YOU GOT BEAT UP. 1322 01:20:32,166 --> 01:20:35,333 SAID SHE DIDN'T WANT TO SAY ANYTHING MORE. 1323 01:20:35,333 --> 01:20:37,875 NEITHER DO I. 1324 01:20:57,250 --> 01:20:59,041 WHAT'S WRONG WITH YOU? 1325 01:20:59,041 --> 01:21:00,375 FUCK YOU! 1326 01:21:00,375 --> 01:21:02,875 FUCK YOU, TOO. 1327 01:21:06,500 --> 01:21:07,583 LOOK, JILLY, I'M SORRY. 1328 01:21:07,583 --> 01:21:09,583 I DIDN'T MEAN TO... 1329 01:21:09,583 --> 01:21:11,875 WHAT'S WRONG? 1330 01:21:13,083 --> 01:21:15,542 DWAYNE KNOCKED ME UP. 1331 01:21:17,250 --> 01:21:18,875 WHAT ARE YOU GONNA DO? 1332 01:21:20,000 --> 01:21:23,959 CHRIST. I'M 17. 1333 01:21:23,959 --> 01:21:28,333 I CAN'T EVEN AFFORD TO LOOK AFTER MYSELF. 1334 01:21:37,792 --> 01:21:41,125 I KNOW IT'S NOT MUCH, BUT WILL THIS HELP? 1335 01:22:06,500 --> 01:22:08,500 WHAT'S WRONG? 1336 01:22:10,000 --> 01:22:13,500 I'M THE ONE THAT'S PREGNANT. 1337 01:22:13,500 --> 01:22:16,708 THAT GUY THAT BEAT ME UP DIDN'T JUST-- 1338 01:22:16,708 --> 01:22:20,500 SHH, SHH, SHH, SHH. 1339 01:22:56,500 --> 01:22:58,667 HEY, FINN! 1340 01:23:04,417 --> 01:23:05,834 YOU ARE NEVER... 1341 01:23:05,834 --> 01:23:08,166 SHIT! 1342 01:23:09,333 --> 01:23:11,333 FINN! 1343 01:23:13,208 --> 01:23:15,000 HEY, FINN! 1344 01:23:32,291 --> 01:23:35,583 Narrator: IF A PROSPECTIVE BRIDEGROOM EXHIBITS COWARDICE IN BATTLE, 1345 01:23:35,583 --> 01:23:39,583 THE MAIDENS WILL UNDERGO A RITUAL BATH IN THE ORINOCO. 1346 01:23:39,583 --> 01:23:41,458 CLEANSED BY THE RIVER SPIRITS, 1347 01:23:41,458 --> 01:23:43,667 A NEW MARRIAGE WILL BE ARRANGED 1348 01:23:43,667 --> 01:23:46,708 WITH AN ACCEPTABLE YOUNG WARRIOR. 1349 01:24:03,583 --> 01:24:07,125 NOW THAT YOU'RE NOT DRAGGING US TO FINN'S BIRTHDAY PARTY... 1350 01:24:27,375 --> 01:24:28,458 HEY, WHITNEY. 1351 01:24:28,458 --> 01:24:30,583 DON'T RUN AWAY. 1352 01:24:30,583 --> 01:24:31,792 WHERE YOU GOING? 1353 01:24:49,417 --> 01:24:50,708 WHITNEY! 1354 01:24:54,667 --> 01:24:56,166 WHITNEY! 1355 01:24:57,834 --> 01:25:00,500 WHITNEY! 1356 01:25:15,250 --> 01:25:18,333 WHITNEY, CAN I COME IN? 1357 01:25:22,542 --> 01:25:27,500 YOU WERE THERE THE NIGHT FINN GOT HURT. 1358 01:25:27,500 --> 01:25:28,834 RIGHT? 1359 01:25:28,834 --> 01:25:30,750 AND... 1360 01:25:30,750 --> 01:25:34,208 YOU SAW WHAT HAPPENED, YOU SAW WHO DID IT, RIGHT? 1361 01:25:40,542 --> 01:25:42,375 WHO DID THIS? 1362 01:25:43,708 --> 01:25:44,834 CAN YOU TELL ME? 1363 01:25:44,834 --> 01:25:46,542 GENTLEMAN AND A SCHOLAR. 1364 01:25:49,417 --> 01:25:51,583 WHAT? 1365 01:25:51,583 --> 01:25:54,333 GENTLEMAN AND A SCHOLAR. 1366 01:25:54,333 --> 01:25:55,875 GENTLEMAN AND A SCHOLAR. 1367 01:25:55,875 --> 01:25:58,000 GENTLEMAN AND A SCHOLAR. 1368 01:25:59,000 --> 01:26:01,959 MISS EARL, SIR. 1369 01:26:01,959 --> 01:26:05,667 I HAVE SOMETHING TO SAY TO YOU. 1370 01:26:05,667 --> 01:26:08,417 YOU SAID YOU WANTED TO KNOW WHAT REALLY HAPPENED WITH FINN, 1371 01:26:08,417 --> 01:26:11,333 WHAT MESSED HIM UP WITH MAYA. 1372 01:26:11,333 --> 01:26:16,917 WHY DON'T YOU ASK THAT SICK, TWISTED GRANDSON OF YOURS? 1373 01:26:16,917 --> 01:26:20,333 ARE YOU TELLING ME BRYCE BEAT UP FINN? 1374 01:26:20,333 --> 01:26:22,917 HE DIDN'T JUST BEAT HIM UP. 1375 01:26:22,917 --> 01:26:25,917 WHAT ELSE DID HE DO? 1376 01:26:25,917 --> 01:26:29,250 I CAN'T. I PROMISED FINN I WOULDN'T. 1377 01:26:32,000 --> 01:26:34,250 THEN YOU TELL ME WHAT YOU KNOW. 1378 01:26:45,625 --> 01:26:47,583 OH, JESUS. 1379 01:26:49,542 --> 01:26:52,667 I DON'T THINK... 1380 01:26:52,667 --> 01:26:56,708 AND I DON'T BELIEVE... 1381 01:26:56,708 --> 01:27:02,625 THAT MY GRANDSON IS CAPABLE OF SUCH A... 1382 01:27:11,125 --> 01:27:15,625 IF YOU VALUE OUR FRIENDSHIP... 1383 01:27:17,750 --> 01:27:21,667 YOU WON'T EVER BRING UP THIS MATTER AGAIN. 1384 01:27:21,667 --> 01:27:25,667 WHAT DO I TELL MY SON ABOUT PEOPLE LIKE YOU? 1385 01:27:43,625 --> 01:27:45,291 MAYA! 1386 01:27:46,750 --> 01:27:48,583 MAYA, I NEED TO TALK TO YOU. 1387 01:27:48,583 --> 01:27:50,333 I CAN UNDERSTAND YOUR GRANDFATHER 1388 01:27:50,333 --> 01:27:52,125 TAKING THIS LITTLE PRICK UNDER HIS WING 1389 01:27:52,125 --> 01:27:54,834 FOR SCREWING YOU, BUT THE MAID? 1390 01:27:54,834 --> 01:27:56,625 MAYA. MAYA, PLEASE. 1391 01:27:56,625 --> 01:27:58,834 MAYA! 1392 01:28:48,125 --> 01:28:50,959 JESUS CHRIST, BRYCE, WHAT ARE YOU DOING HERE? 1393 01:28:50,959 --> 01:28:52,375 SHH. 1394 01:28:52,375 --> 01:28:53,917 WHAT THE HELL ARE YOU DOING HERE? 1395 01:28:53,917 --> 01:28:55,166 I HAVE A PRESENT FOR YOU. 1396 01:28:55,166 --> 01:28:56,625 CHECK THIS OUT. 1397 01:28:56,625 --> 01:29:00,500 THIS IS A REAL MONKEY SKULL. 1398 01:29:00,500 --> 01:29:02,750 THESE ARE REAL QUAIL FEATHERS. 1399 01:29:02,750 --> 01:29:06,417 THE ISHKANANI WEAR THIS WHEN THEY'RE FEELING FUCKED UP. 1400 01:29:07,583 --> 01:29:09,834 HELPS THEM SEE THE SPIRIT WORLD. 1401 01:29:09,834 --> 01:29:11,583 CHECK IT OUT. CHECK IT OUT. 1402 01:29:11,583 --> 01:29:13,542 OH, YEAH. 1403 01:29:13,542 --> 01:29:17,625 YES, FINN, FINN, THIS IS A HAPPENING LOOK. 1404 01:29:17,625 --> 01:29:20,125 YOU'VE GOT TO TALK TO HER FOR ME. 1405 01:29:20,125 --> 01:29:21,583 WHO? 1406 01:29:21,583 --> 01:29:22,708 MAYA. 1407 01:29:22,708 --> 01:29:24,041 OH, IT'LL BLOW OVER. 1408 01:29:24,041 --> 01:29:25,875 YOU SCREWED THE MAID, RIGHT? SO WHAT? 1409 01:29:25,875 --> 01:29:26,959 IT'S NOT LIKE THAT. 1410 01:29:26,959 --> 01:29:28,041 IT'S REALLY-- IT'S NOT-- 1411 01:29:28,041 --> 01:29:29,625 FINN, FINN, DON'T WORRY-- 1412 01:29:29,625 --> 01:29:31,250 BRYCE-- ABOUT MAYA. 1413 01:29:31,250 --> 01:29:36,041 I GOT SOMETHING THAT IS GONNA CHEER YOU UP. 1414 01:29:36,041 --> 01:29:37,417 CLOSE YOUR EYES. 1415 01:29:37,417 --> 01:29:38,875 I'M NOT IN THE MOOD. 1416 01:29:38,875 --> 01:29:41,208 TRUST ME. YOU WILL BE. 1417 01:29:41,208 --> 01:29:43,917 COME ON, CLOSE THEM, CLOSE THEM, CLOSE THEM. 1418 01:29:46,959 --> 01:29:48,792 WHAT THE HELL IS THAT? 1419 01:29:48,792 --> 01:29:50,583 IT'S LIQUID ACID. 1420 01:29:50,583 --> 01:29:51,792 OH, SHIT! 1421 01:29:51,792 --> 01:29:52,750 RELAX. 1422 01:29:52,750 --> 01:29:53,959 SHIT. 1423 01:29:53,959 --> 01:29:55,583 I DON'T THINK THAT'S GONNA HELP. 1424 01:29:55,583 --> 01:29:57,583 BRYCE! YOU DON'T WANNA FIGHT IT. 1425 01:29:57,583 --> 01:30:00,792 THIS STUFF WILL MAKE YOU SEE EVERYTHING. 1426 01:30:02,500 --> 01:30:04,417 I'LL CATCH YOU LATER, FINN. 1427 01:30:12,458 --> 01:30:14,708 Narrator: CHILDREN ARE SACRED TO THE TRIBE, 1428 01:30:14,708 --> 01:30:16,834 THEIR SOULS BEING MORE VULNERABLE 1429 01:30:16,834 --> 01:30:20,417 TO THE "YAMAHIROTERRI" AND THE OTHER SPIRITS OF THE UNDERWORLD. 1430 01:30:20,417 --> 01:30:24,583 CHILDREN ARE NURTURED, PROTECTED, AND LOVED. 1431 01:30:24,583 --> 01:30:27,792 THERE IS A SPECIAL BOND BETWEEN MOTHER AND FATHER 1432 01:30:27,792 --> 01:30:31,834 AND CHILD THAT EXTENDS FROM THIS LIFE INTO THE NEXT. 1433 01:30:31,834 --> 01:30:33,792 HOW MANY FOREST SPIRITS DO YOU HAVE? 1434 01:30:33,792 --> 01:30:35,834 HOW MANY FOREST SPIRITS DO YOU HAVE? 1435 01:30:35,834 --> 01:30:38,750 THE SHAMAN REMINDS OUR ANTHROPOLOGIST 1436 01:30:38,750 --> 01:30:40,792 THAT THERE ARE THREE FORESTS. 1437 01:30:40,792 --> 01:30:42,125 THE HERE AND NOW, 1438 01:30:42,125 --> 01:30:45,041 THE ONE WE GO TO WHEN WE DIE, 1439 01:30:45,041 --> 01:30:47,667 AND THE FOREST BENEATH US. 1440 01:30:47,667 --> 01:30:51,667 THE UNDERWORLD, WHERE EVIL SPIRITS WAIT FOR A CHANCE 1441 01:30:51,667 --> 01:30:55,000 RISE UP AND STEAL THE SOULS OF OUR CHILDREN. 1442 01:30:55,000 --> 01:30:56,667 THINK, FINN. 1443 01:30:56,667 --> 01:31:03,583 THINK OF SPEED RACER AND HIS STRUGGLE WITH RACER X. 1444 01:31:03,583 --> 01:31:06,667 FINN, LISTEN TO THE SHAMAN. 1445 01:31:06,667 --> 01:31:10,375 HE IS ASKING YOU TO REMEMBER THE MYTH OF RACER X, 1446 01:31:10,375 --> 01:31:15,125 SPEED RACER'S DARKER HALF-BROTHER. 1447 01:31:15,125 --> 01:31:20,291 THE SHAMAN REMINDS YOUR FATHER THAT THE SOUL IS ALWAYS IN JEOPARDY. 1448 01:31:20,291 --> 01:31:23,792 THE MYTH OF THE JAGUAR, HOW DOES THAT CONNECT TO MY SON'S SADNESS? 1449 01:31:23,792 --> 01:31:26,208 [SPEAKS NATIVE LANGUAGE] 1450 01:31:29,458 --> 01:31:31,834 CAN YOU SPEAK TO HIM FOR ME? 1451 01:31:31,834 --> 01:31:33,542 TELL HIM I LOVE HIM? 1452 01:31:35,834 --> 01:31:37,750 Narrator: MARRIAGE IS FOR LIFE. 1453 01:31:37,750 --> 01:31:41,375 OUR CONCEPTS OF SEPARATION, DIVORCE, REMARRIAGE, 1454 01:31:41,375 --> 01:31:44,708 AND A SECOND FAMILY ARE UNTHINKABLE TO THE ISHKANANI. 1455 01:31:44,708 --> 01:31:49,625 THE GOOD AND THE BAD ARE WITHIN YOU, FINN. 1456 01:31:49,625 --> 01:31:51,083 [SPEAKING NATIVE LANGUAGE] 1457 01:31:58,834 --> 01:32:01,959 FINN, LISTEN TO THE SHAMAN. 1458 01:32:01,959 --> 01:32:05,041 YOUR "NURESHI" IS WAITING 1459 01:32:05,041 --> 01:32:09,750 TO SEE HOW YOU FIGHT THIS BATTLE INSIDE YOURSELF. 1460 01:32:09,750 --> 01:32:11,375 [SPEAKING NATIVE LANGUAGE] 1461 01:32:11,375 --> 01:32:15,125 HE IS SAYING YOUR NURESHI HAS NOT DESERTED YOU. 1462 01:32:25,333 --> 01:32:26,583 GRANDPA? 1463 01:32:29,125 --> 01:32:31,125 WHAT DO YOU THINK? 1464 01:32:34,708 --> 01:32:36,917 YOU CARE ABOUT PEOPLE, BRYCE? 1465 01:32:36,917 --> 01:32:38,792 YES. 1466 01:32:38,792 --> 01:32:41,417 THAT'S WHAT THIS IS ABOUT. 1467 01:32:41,417 --> 01:32:44,417 I DON'T MEAN DO YOU CARE WHAT THEY THINK ABOUT YOU, 1468 01:32:44,417 --> 01:32:49,250 I MEAN DO YOU CARE ABOUT WHAT HAPPENS TO THEM? 1469 01:32:49,250 --> 01:32:52,708 I'M SORRY, GRANDPA, I'M A LITTLE CONFUSED. 1470 01:32:52,708 --> 01:32:54,875 DID YOU TAKE YOUR MEDICINE THIS MORNING? 1471 01:32:54,875 --> 01:32:56,208 DON'T FOOL WITH ME, BOY. 1472 01:32:56,208 --> 01:32:58,667 I CAN EAT YOU FOR BREAKFAST. 1473 01:33:01,125 --> 01:33:06,625 YOU AND I BOTH KNOW THAT YOUR FATHER WASN'T HIT 1474 01:33:06,625 --> 01:33:11,041 BY SOME STRAY BULLET, DON'T WE? 1475 01:33:20,500 --> 01:33:22,291 WHY FINN? 1476 01:33:23,750 --> 01:33:26,667 WHY DID YOU DO THAT TO FINN? 1477 01:33:36,000 --> 01:33:38,875 YOU GAVE HIM MY PLACE IN YOUR BALLOON. 1478 01:33:43,000 --> 01:33:48,166 THAT'S MY PLACE, GRANDPA. THAT'S MINE. IT'S NOT HIS. 1479 01:33:48,166 --> 01:33:50,500 I'M YOUR GRANDSON. 1480 01:33:51,875 --> 01:33:54,041 HE DOESN'T EVEN BELONG HERE. 1481 01:33:54,041 --> 01:33:55,583 2,000 YEARS AGO, 1482 01:33:55,583 --> 01:33:57,458 I WOULD'VE DONE THAT IN FRONT OF THE WHOLE VILLAGE. 1483 01:33:57,458 --> 01:33:59,708 THEY WOULD'VE CLAPPED. 1484 01:34:06,208 --> 01:34:08,834 YOU MADE A MESS OF EVERYTHING. 1485 01:34:13,917 --> 01:34:16,166 GET OUT OF MY SIGHT. 1486 01:34:20,333 --> 01:34:22,875 GET THAT THING OUT OF MY SIGHT. 1487 01:34:27,125 --> 01:34:28,875 GO ON, GET! 1488 01:34:32,708 --> 01:34:35,083 ALL TURNED TO SHIT. 1489 01:34:36,375 --> 01:34:38,708 YOU DISGUST ME. 1490 01:34:46,041 --> 01:34:47,250 I SAID-- 1491 01:34:47,250 --> 01:34:48,291 [MUFFLED SCREAMING] 1492 01:35:02,000 --> 01:35:04,333 NO! 1493 01:35:04,333 --> 01:35:06,000 GRANDPA WON'T WAKE UP! 1494 01:35:06,000 --> 01:35:07,166 SOMEBODY! 1495 01:35:07,166 --> 01:35:09,083 GRANDPA WON'T WAKE UP! 1496 01:35:14,500 --> 01:35:16,792 [MAN SPEAKING NATIVE LANGUAGE] 1497 01:35:33,041 --> 01:35:35,667 THE FAMILY IS HAVING PEOPLE OVER FOR A WAKE. 1498 01:35:35,667 --> 01:35:38,250 WELL, THEY DIDN'T INVITE US, DID THEY? 1499 01:35:38,250 --> 01:35:40,333 I'M INVITING YOU. 1500 01:35:42,208 --> 01:35:43,875 WE'RE LEAVING. 1501 01:35:43,875 --> 01:35:46,125 WHAT DO YOU MEAN, WE'RE LEAVING? 1502 01:35:46,125 --> 01:35:49,250 I'M NOT STAYING HERE A MOMENT LONGER THAN I HAVE TO, FINN. 1503 01:35:49,250 --> 01:35:51,083 HEY, WHAT HAPPENED BETWEEN YOU TWO? 1504 01:35:51,083 --> 01:35:52,959 HE LOVED YOU. 1505 01:35:56,000 --> 01:35:57,959 OK, YOU KNOW WHAT? 1506 01:35:57,959 --> 01:36:00,000 YOU DON'T WANNA GO, THAT'S UP TO YOU, 1507 01:36:00,000 --> 01:36:03,500 BUT I'M GOING, 'CAUSE HE WAS A GOOD FRIEND TO ME. 1508 01:36:11,500 --> 01:36:14,667 ♪ JUST MAKE ME ♪ 1509 01:36:14,667 --> 01:36:18,959 ♪ MAKE ME A PALLET ON THE FLOOR ♪ 1510 01:36:18,959 --> 01:36:20,959 ♪ I SAID JUST MAKE ME ♪ 1511 01:36:20,959 --> 01:36:23,417 ♪ MAKE ME A PALLET ON THE FLOOR ♪ 1512 01:36:23,417 --> 01:36:25,875 IT'S CREAMSICLE. 1513 01:36:25,875 --> 01:36:33,000 ♪ AND IF YOU MAKE ME A PALLET ON YOUR FLOOR ♪ 1514 01:36:33,000 --> 01:36:37,333 ♪ AND IT'S BECAUSE, I SWEAR ♪ 1515 01:36:37,333 --> 01:36:40,708 ♪ SHE'LL NEVER, NEVER, NEVER KNOW... ♪ 1516 01:36:40,708 --> 01:36:42,125 WHEN THIS IS ALL OVER, WE'LL GET HIM. 1517 01:36:42,125 --> 01:36:49,000 ♪ THAT YOU MADE ME A PALLET ON THE FLOOR ♪ 1518 01:36:49,000 --> 01:36:50,041 [HARD ROCK MUSIC PLAYING] 1519 01:37:03,166 --> 01:37:04,917 I DON'T KNOW. WHO IS THAT? 1520 01:37:04,917 --> 01:37:06,208 A PAIR OF TITS. 1521 01:37:06,208 --> 01:37:08,166 PUT THE PICTURES DOWN. 1522 01:37:08,166 --> 01:37:11,208 GET YOUR HANDS OFF THE PICTURES! 1523 01:37:11,208 --> 01:37:13,834 OK. 1524 01:37:27,208 --> 01:37:30,500 YOU KNOW, GRANDPA ALWAYS SAID YOU HAD WHAT IT TAKES 1525 01:37:30,500 --> 01:37:32,208 TO END UP WITH THE MOST TOYS. 1526 01:37:32,208 --> 01:37:34,458 WHAT IS THAT SUPPOSED TO MEAN? 1527 01:37:36,542 --> 01:37:39,583 HE ALSO SAID YOU COULDN'T TRUST HAPPINESS. 1528 01:37:40,625 --> 01:37:43,917 OR WAS IT MONEY? 1529 01:37:43,917 --> 01:37:46,083 I DON'T KNOW. I CAN'T REMEMBER. 1530 01:37:47,875 --> 01:37:51,583 MAYA, I'M REALLY--I'M SORRY ABOUT EVERYTHING. 1531 01:37:56,583 --> 01:37:58,250 YOU WANNA SEE MY TATTOO? 1532 01:37:58,250 --> 01:37:59,959 SURE. 1533 01:38:05,708 --> 01:38:09,792 I DID IT WITH A RAZOR BLADE AND CHARCOAL. 1534 01:38:09,792 --> 01:38:12,333 SORRY I LEFT OFF THE SECOND "NOW,." 1535 01:38:12,333 --> 01:38:15,917 I PASSED OUT BEFORE I COULD FINISH IT. 1536 01:38:17,583 --> 01:38:20,333 IT'S FIN. 1537 01:38:20,333 --> 01:38:22,083 IT MEANS "THE END." 1538 01:38:22,083 --> 01:38:24,125 I KNOW WHAT IT MEANS. 1539 01:38:24,125 --> 01:38:26,417 AH, YOUNG LOVE. 1540 01:38:26,417 --> 01:38:27,667 WHAT IS THAT SHIT? 1541 01:38:27,667 --> 01:38:29,417 IT'S GRANDPA'S ASHES. 1542 01:38:29,417 --> 01:38:31,500 GRANDPA HASN'T EVEN BEEN CREMATED YET. 1543 01:38:31,500 --> 01:38:33,000 I KNOW, I KNOW. 1544 01:38:33,000 --> 01:38:34,708 FINN KNOWS WHAT I MEAN, THOUGH, RIGHT? 1545 01:38:34,708 --> 01:38:37,625 ISN'T THAT CALLED ENDOKENBLU? 1546 01:38:39,583 --> 01:38:41,458 FREAK. 1547 01:38:46,500 --> 01:38:48,250 WHAT'S WITH HER? 1548 01:38:48,250 --> 01:38:50,333 TROUBLE IN PARADISE? 1549 01:38:54,542 --> 01:38:57,166 FIRE ME UP. 1550 01:39:15,625 --> 01:39:17,959 COOL LIGHTER, HUH? 1551 01:39:21,750 --> 01:39:23,625 KEEP IT. 1552 01:39:23,625 --> 01:39:25,375 YOU'VE EARNED IT. 1553 01:39:57,375 --> 01:39:58,417 [GUNSHOT] AH! 1554 01:40:02,208 --> 01:40:03,708 HEY, LAMBIE. 1555 01:40:03,708 --> 01:40:05,708 LOOKING FOR ME? 1556 01:40:05,708 --> 01:40:07,792 YOU WERE SUPPOSED TO USE THAT ON YOURSELF. 1557 01:40:08,750 --> 01:40:10,667 THAT NIGHT ON THE FIELD, 1558 01:40:10,667 --> 01:40:13,500 I JUST HAD TO KNOW WHAT IT WOULD FEEL LIKE. 1559 01:40:13,500 --> 01:40:14,834 STOP MOVING. 1560 01:40:14,834 --> 01:40:16,375 EVERYONE WONDERS WHAT IT WOULD FEEL LIKE 1561 01:40:16,375 --> 01:40:18,250 TO DO WHATEVER THEY WANT, 1562 01:40:18,250 --> 01:40:19,917 TO TAKE WHATEVER THEY WANT. 1563 01:40:19,917 --> 01:40:22,583 I FOLLOWED THAT URGE TO THE END OF THE ROAD. 1564 01:40:22,583 --> 01:40:25,375 I OWN MY OWN HUNGER. 1565 01:40:25,375 --> 01:40:27,208 CAN YOU SAY THE SAME? 1566 01:40:27,208 --> 01:40:29,417 YOU ARE SUCH A SICK FUCK. 1567 01:40:29,417 --> 01:40:30,750 COME ON. 1568 01:40:32,917 --> 01:40:34,417 COME ON. 1569 01:40:36,917 --> 01:40:38,250 DO IT! 1570 01:40:45,166 --> 01:40:47,417 DO IT. 1571 01:40:47,417 --> 01:40:49,083 [CLICK] 1572 01:40:54,792 --> 01:40:56,625 WHERE YOU GOING, LAMBIE? 1573 01:40:56,625 --> 01:40:59,083 WHERE YOU GOING? 1574 01:41:17,208 --> 01:41:18,458 MARCO? 1575 01:41:20,417 --> 01:41:22,083 MARCO? 1576 01:41:23,583 --> 01:41:26,125 YOU'RE SUPPOSED TO SAY POLO, FINN. 1577 01:41:28,458 --> 01:41:31,250 TELL YOU WHAT, AFTER YOUR FUNERAL, 1578 01:41:31,250 --> 01:41:33,333 I'LL FUCK YOUR MOTHER LIKE I FUCKED YOU. 1579 01:41:41,375 --> 01:41:43,125 [MAN SPEAKING IN NATIVE LANGUAGE] 1580 01:42:02,917 --> 01:42:04,458 AAH! 1581 01:42:04,458 --> 01:42:06,125 AAH! 1582 01:42:07,542 --> 01:42:09,166 [SCREAMING] 1583 01:42:19,500 --> 01:42:21,166 OW! 1584 01:42:25,875 --> 01:42:27,542 [SCREAMING] 1585 01:42:35,542 --> 01:42:36,792 OH, CHRIST! 1586 01:42:36,792 --> 01:42:40,250 OHH! OHH! AAH! 1587 01:42:41,542 --> 01:42:45,375 AHH! NO! 1588 01:42:46,792 --> 01:42:48,542 NO, FINN! 1589 01:42:48,542 --> 01:42:50,166 SHUT UP! 1590 01:42:51,375 --> 01:42:53,208 YOU FUCK! 1591 01:43:00,083 --> 01:43:02,208 WELCOME TO THE TRIBE, BROTHER. 1592 01:43:06,542 --> 01:43:08,417 AAH! 1593 01:43:53,625 --> 01:43:55,792 WHAT ARE YOU DOING? THAT'S NOT OUR CAR. 1594 01:43:55,792 --> 01:43:57,500 IT IS NOW. 1595 01:43:57,500 --> 01:43:59,625 I'M TAKING IT AS SEVERANCE PAY. 1596 01:44:00,959 --> 01:44:02,625 OH, GOD. NOW WHAT? 1597 01:44:12,625 --> 01:44:14,625 I'LL SEE IF WE LEFT ANYTHING. 1598 01:44:14,625 --> 01:44:15,959 HI. 1599 01:44:15,959 --> 01:44:18,667 I CAN'T STAY LONG. 1600 01:44:18,667 --> 01:44:22,166 THEY'RE SHIPPING ME OFF TO SOME BOARDING SCHOOL IN SWITZERLAND. 1601 01:44:23,166 --> 01:44:25,667 CAN I WRITE YOU? 1602 01:44:28,458 --> 01:44:30,792 GATES JUST TOLD US WHAT HAPPENED. 1603 01:44:31,959 --> 01:44:33,834 FINN, I... 1604 01:44:35,792 --> 01:44:39,458 I DIDN'T--I DIDN'T KNOW ABOUT MY BROTHER. 1605 01:44:39,458 --> 01:44:42,417 I MEAN, ABOUT ANYTHING, IT SEEMS LIKE... 1606 01:44:42,417 --> 01:44:45,000 MY WHOLE LIFE I'VE NEVER REALLY KNOWN A THING. 1607 01:44:45,000 --> 01:44:47,458 I'M REALLY SORRY BECAUSE-- 1608 01:44:47,458 --> 01:44:49,000 IT'S OK. 1609 01:44:52,500 --> 01:44:56,458 FINN, I'M SO SORRY. 1610 01:44:56,458 --> 01:44:58,834 I'M NOT. 1611 01:44:58,834 --> 01:45:01,041 I GOT TO MEET YOU. 1612 01:45:04,834 --> 01:45:07,542 YOU BETTER WRITE ME. 1613 01:45:07,542 --> 01:45:09,875 DEFINITELY. 1614 01:45:10,792 --> 01:45:13,208 DEFINITELY. 1615 01:45:13,208 --> 01:45:16,750 UM, THIS WAS ON MY GRANDPA'S DESK. 1616 01:45:16,750 --> 01:45:18,542 I WAS SUPPOSED TO GIVE IT TO YOU. 1617 01:45:22,792 --> 01:45:24,458 I'M GONNA MISS YOU. 1618 01:45:24,458 --> 01:45:25,708 YEAH. 1619 01:45:56,208 --> 01:45:58,959 Osborne: "EX MALO BONUM." 1620 01:45:58,959 --> 01:46:01,917 OUT OF BAD COMES GOOD. 1621 01:46:01,917 --> 01:46:04,208 THAT'S WHAT PEOPLE LIKE YOU AND ME 1622 01:46:04,208 --> 01:46:06,750 ARE PUT ON THIS EARTH TO PROVE. 1623 01:46:18,542 --> 01:46:20,708 Finn: BY THE TIME I FINALLY MET MY FATHER, 1624 01:46:20,708 --> 01:46:23,959 HE'D MOVED ON TO A DIFFERENT TRIBE. 1625 01:46:23,959 --> 01:46:26,542 I, TOO, HAD MOVED ON, I GUESS, 1626 01:46:26,542 --> 01:46:29,959 AS ANTHROPOLOGY CEASED TO HAVE THE HOLD ON ME IT ONCE DID. 1627 01:46:34,125 --> 01:46:37,667 BUT I DID LEARN THIS MUCH. 1628 01:46:37,667 --> 01:46:41,667 WE ARE THE SUM OF ALL OF THE PEOPLE THAT WE HAVE EVER MET. 1629 01:46:42,834 --> 01:46:45,125 YOU CHANGE THE TRIBE... 1630 01:46:45,125 --> 01:46:47,959 AND THE TRIBE CHANGES YOU. 103256