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[REPORTER]:HOLLYWOOD EXTRAIS COMING TO YOU LIVE
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FROM THE RED CARPET
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[RFOR THE WORLD PREMIERERAIS COMING TO YOU LIVE
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OF ALEX ALLEN'S"HEART FULL OF WIND."
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NOW LET'S HAND IT OFFTO JEREMY MITCHELL,
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WHO'S IN THE MIDDLEOF ALL THE STAR-STUDDED ACTION.
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[JEREMY]:THANKS, MICHELLE.
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WHAT AN EXCITING NIGHT!
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EVERY CELEBRITY IN HOLLYWOODMUST BE HERE.
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[FANS SCREAM]
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[JEREMY]: AND LOOK, HERE COMES AMERICA'S SWEETHEART,
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MISS ALEX ALLEN!
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ALEX, CONGRATULATIONS
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ON THE PREMIEREOF YOUR NEW FILM,
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"HEART FULL OF WIND."
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TELL US WHAT MADE YOUWANT TO MAKE THIS MOVIE.
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WELL, I LOVE ROMANCE.
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"HEART FULL OF WIND"TELLS THE STORY
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OF TWO LONELY PEOPLE
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WHO ARE AFRAID OFOPENING UP THEIR HEARTS,
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BUT THEY LEARNTO TRUST EACH OTHER
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AND LOVE ONE ANOTHERFOR WHO THEY REALLY ARE.
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AND YOUR CO-STARIN THIS FILM, OF COURSE,
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YOUR VERY HANDSOME BOYFRIEND, MR. COLIN HARTLING.
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NOW, WE HAVE HEARD RUMORS
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THAT THERE'S TROUBLEIN PARADISE.
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ANY COMMENT?
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OH, YOU KNOW HOW RUMORSTRAVEL IN HOLLYWOOD,
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SO LET ME SETTHE STORY STRAIGHT.
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COLIN AND I AREVERY MUCH IN LOVE.
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UH-HUH,
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SO WHERE ARE YOU HIDING HIMTONIGHT?
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WELL, HE'S RIGHT...
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WELL...
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HE WAS RIGHT HEREA MINUTE AGO.
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EXCUSE ME.
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SURE.
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AS YOU CAN SEE, EXCUSE ME.ALEX ALLEN...
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SU [MAN]: ALEX!
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AS YOALEX, ALEX, RIGHT HERE! ME.ALEX ALLEN...
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HI.
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SORRY TO INTERRUPT.GHT HERE! ME.ALEX ALLEN...
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ALEX, YOU KNOWREBECCA HAVERCROFT.
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OF COURSE.HOW ARE YOU, REBECCA?
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ALEX.
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WE WERE JUST DISCUSSINGHOW ARE YOU, REBECCA?
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THE POSSIBILITY OF ME BEINGIN REBECCA'S NEXT PICTURE.
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OH! REALLY?
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I THINK COLIN IS WONDERFULIN YOUR LITTLE MOVIES, ALEX,
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BUT I'M SURE HE'D LIKE TO TRY
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SOME SERIOUS ACTINGSOMETIME, TOO.
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EXCUSE ME A MINUTE.
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SHE'S ADORABLE.
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MAY I?
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[REBECCA]:SO, AS I WAS SAYING...
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[AUDIENCE GASPS]
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GO FIND YOUR OWN CO-STAR.
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WHAT DID YOUDO THAT FOR?
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OH, COME ON. LIKE SHE WASREALLY JUST INTERESTED IN YOU
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FOR YOUR ACTING?
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YOU DON'T THINKI'M A GOOD ACTOR?
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COLIN... LET'S NOT DO THIS HERE.
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NO, YOU KNOW,
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MAYBE IT'S TIMEI MOVED ON.
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TO WHAT?
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BEFORE YOU STARTED DATING ME, EI MOVED ON.
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YOU WERE MAKINGDOG FOOD COMMERCIALS.
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AND NOW I'M A STAR.
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YOU KNOW, I DON'T NEED YOUANYMORE, ALEX.
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WHAT? WAIT.
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ARE YOU BREAKING UP WITH MEON THE RED CARPET?
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GOODBYE, ALEX.
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COLIN, YOU SAID YOU LOVED ME! ON THE RED CARPET?
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GUESS WHAT...
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I WAS ACTING!
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[MAN]: WE STILL LOVE YOU, ALEX!
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ALEX, ALEX...
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[MAN]: WE STILL LOVE YOU, ALEX!
[TEACHER]:ALL THE WORLD'S A STAGE...
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AND ALL THE MEN AND WOMENARE MERELY PLAYERS.
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AT LEAST,
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THAT'S WHAT OUR FRIENDMR. SHAKESPEARE SAID.
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WHAT HE REALLY MEANSIS THAT WE ALL PLAY ROLES.
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WE HAVE OUR PUBLIC FACES,
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THE FACES WE SHAREWITH OUR FRIENDS AND FAMILY,
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AND THEN WE HAVETHE ONE TRUE PRIVATE FACE,
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THE FACE WE ONLY SHAREWITH OURSELVES IN THE MIRROR.
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YES, DAVID?
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WHAT IF YOU DON'T LIKEWHAT THE MIRROR SAYS?
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[STUDENTS LAUGH]
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SORRY, I CAN'T HELP YOUOUT THERE, DAVID.
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MY SPECIALTY IS ENGLISH.
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[BELL RINGS]
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MY SALL RIGHT, GUYS, ISH.
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REMEMBER YOUR HOMEWORKFOR TOMORROW.
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CHAPTER EIGHT.
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SEE YOU TOMORROW.
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Advertise your product or brand here
contact www.OpenSubtitles.org today
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[DAVID]:COURTNEY!
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OH!
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HI, DENNIS.
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ACTUALLY, IT'S DAVID.I WAS...
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OKAY.
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WHATEVER.
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DO YOU WANT SOMETHING?
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YEAH, UM...
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I WAS JUST WONDERING,
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SINCE THE PROM'S COMING UP,
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AND I WAS JUST WONDERINGIF YOU WANTED TO GO...
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WITH ME.
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ME?
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WITH YOU?
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YOU MEAN, TOGETHER?
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YEAH.
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I ALREADY HAVE A DATE.
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OH.
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YEAH, SO... RIGHT, YEAH.
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UM...
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WELL, MAYBE I'LL SEE YOU THERE, THEN, OKAY, RIGHT?
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YEAH. RIGHT.
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OR MAYBE NOT.
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THAT WENT WELL.
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SHUT UP, WATTS.
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LOOK, ROGERS, NO PRESSURE,
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BUT THERE'S ONLYA WEEK UNTIL PROM.
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SO WHO'S LEFTON YOUR LIST?
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BUT THERE'S ONLYNOBODY.A WEEK UNTIL PROM.
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COURTNEY WASTHE LAST ONE, AND...
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THIS HAS BEENA DISASTER, WATTS.
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I MEAN, I'VE ASKEDEVERY GIRL IN SCHOOL,
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THIS HAS BEENAND THEY'VE ALL SAID NO.
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WHAT AM I GOING TO DO?
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HEY, WHY DO YOU EVEN WANT TO
GOTO THE STUPID PROM, ANYWAYS?
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IT'S JUST AN ARCHAIC RITUAL
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DESIGNED TO FORCE US TO CONFORMTO SOCIETY'S EXPECTATIONS
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FOR THE REST OF OUR LIVES.
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DEIT'S ALSO THE LAST TO CONFORMCHANCE I HAVE EXPECTATIONS
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TO MAKE A MARKFAT THIS SCHOOL.OUR LIVES.
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DEIT'S ALSO THE LAND THAT
ISORMCHANCE I HAVE EIMPORTANT WHY?
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BECAUSEFOR THE LAST FOUR YEARS,
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NOBODY AT THIS SCHOOL
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HAS PAID ANY ATTENTIONFOR THTO ME AT ALL.EARS,
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NOBODY AT THAW, THANK YOU.
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I MEAN, YOU HAD TO.
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I MEAN, WE'VE BEEN FRIENDSSINCE FIRST GRADE.
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COME ON, I'M TALKINGABOUT EVERYBODY ELSE.
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TO THEM, I DON'T EVENEXIST AT THIS SCHOOL.
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I WANT TO BE REMEMBERED
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FOR SOMETHINGMORE THAN JUST...
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I WANBEING... ME.MBERED
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LOOK,
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I HATETO BREAK IT TO YOU, ROGERS,
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BUT I DON'T THINK HAVINGCOURTNEY CORNELL
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OR ANY OTHER MEMBEROF HER BUBBLE-HEAD BRIGADE
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BUT I DON'T THINK HAVINGCOUON YOUR ARMLL
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OR ANY OTHER MEMBEROIS GOING TO DO ANYTHING.E
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BUT I IN FACT, WE ARE SO FARCODOWN THE SOCIAL LADDER
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IN THIS SCHOOL,
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THAT TAKING A MOVIE STAR FARLIKE ALEX ALLEN TO THE PROMER
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WOULDN'T EVEN HELP.
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- HEIDI WATTS?-WHAT?
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YOU ARE BRILLIANT!
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I'M AFRAID TO ASK WHY.
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I'M GOING TO INVITEALEX ALLEN TO THE PROM!
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GREAT.
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AND LOOK, HERE COMESAMERICA'S SWEETHEART,
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MISS ALEX ALLEN!
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ALEX!
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CONGRATULATIONS...
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- GENTLEMEN.-HEY. MR. WALSH.
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...ON THE PREMIEREOF YOUR NEW FILM,
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"HEART FULL OF WIND..."
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REMEMBER TOMORROW'SHOMEWORK, DAVID.
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I DON'T WANT TO HEARTHAT YOUR DOG ATE IT AGAIN.
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HEY, MR. WALSH! WAIT UP!
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YOU'RE GOODWITH WORDS, RIGHT?
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I LIKE TO THINK SO.
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WELL, I'M HAVINGA LITTLE BIT OF TROUBLE
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WRITING SOMETHING.
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WHAT KIND OF WRITING?
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OH, A PROMPOSAL.
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A WHAT?
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YOU KNOW, LIKE A FORMALINVITATION TO THE PROM.
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AH... PROM.
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PROPOSAL.
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PROM-POSAL.
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THAT'S VERY CLEVER.
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RIGHT?
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EXCEPT I'M KIND OF HAVINGA HARD TIME WITH IT.
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I WANT IT TO SOUND ROMANTIC, BUT NOT TOO...
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EXCEPT I'M KIND OF HAVINGA HARD MUSHY.ITH IT.
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I WAWELL, THE FIRST THINGIC, BUI WOULD DO..
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IS MAKE AN OBSERVATIONABOUT YOUR OBJECT OF AFFECTION
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THAT NO ONE ELSE CAN.
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IS MAKE AN OBSERVATIONABOSOMETHING... INSIGHTFUL, ION
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BUT NOT TOO...
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CREEPY STALKER-ISH?
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YES, EXACTLY.
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CREEPYRIGHT.ER-ISH?
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YES, EXACTLY.CAN...
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CAN YOU KEEP A SECRET?
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YEAH?
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NO WAY, THIS IS YOU!
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IN MY PRIOR LIFE.
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I WASN'T ALWAYSAN ENGLISH TEACHER, YOU KNOW.
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I DIDN'T KNOWYOU WROTE POETRY!
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IT'S NOT EXACTLY SOMETHING
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I WANT TO SPREADAROUND THE SCHOOL,
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BUT...
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MAYBE IT WILL GIVE YOUSOME INSPIRATION.
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THANKS, MR. WALSH!
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GOOD LUCKWITH THAT PROMPOSAL.
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[WOMAN]:MR. WALSH!
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DID I HEAR YOU MENTIONTHE PROM?
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UH, YES.
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WAS JUST HELPING OUTONE OF THE KIDS.
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MM-HMM.
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WELL, AS YOUR FELLOWPROM COMMITTEE MEMBER,
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SAVE ME A DANCE.
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WELL, AS YOUR FELLOWPROM COMMITTEE [♪] MBER,
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[REPORTER]:HOLLYWOOD STARLETALEX ALLEN
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HAS A RED-CARPET MELTDOWN,
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AND IT'S ALL CAUGHT ON TAPE!
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[ALEX]:ARE YOU BREAKING UPWITH ME ON THE RED CARPET?
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GOODBYE, ALEX.
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COLIN, YOU SAID YOU LOVED ME!
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[DOOR OPENS]
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[REPORTER]: SO, MEGHAN, WHAT DO YOU THINK?
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IS THIS THE END...
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[WOMAN]: ALEX?
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[MEGHAN]:YOU NEVER KNOW, BRIAN.
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HOLLYWOOD IS ALWAYS...
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ALEX, HONEY, YOU CAN'T STAY IN HERE FOREVER.
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[ALEX]: WHY? NOBODY CARES ABOUT ME.
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I DO.
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YOU HAVE TO.
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YOU'RE MY PUBLICIST.
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I AM ALSOYOUR BEST FRIEND,
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YOU'AND YOU'RE ALEX ALLEN.
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YOU'RE A HUGE MOVIE STAR.
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YOU'VE GOT THE NUMBER ONEROMANTIC COMEDY IN THE COUNTRY
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RIGHT NOW.
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YEP, I CAN FALL IN LOVEON-SCREEN,
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BUT EVERY ROMANCE I'VE EVER HADENDS IN DISASTER.
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YEOKAY, SO YOU'VE HADVEA FEW BUMPS ALONG THE WAY
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WITH THE MENTHAT YOU'VE DATED.
246
00:09:16,975 --> 00:09:17,935
NO, PAIGE...
247
00:09:17,935 --> 00:09:20,353
I HAVEN'T DATED THEM, THEY'VE DATED ME,
248
00:09:20,396 --> 00:09:22,565
AND ONLY BECAUSEI'M FAMOUS.O, PAIGE...
249
00:09:22,565 --> 00:09:24,692
NOBODY WANTS MEFOR WHO I REALLY AM.
250
00:09:24,733 --> 00:09:25,734
THAT IS NOT TRUE.
251
00:09:25,734 --> 00:09:27,069
YOU HAVE MILLIONS OF FANSOUT THERE
252
00:09:27,069 --> 00:09:28,904
WHO LOVE YOUJUST THE WAY YOU ARE.
253
00:09:28,946 --> 00:09:29,780
OH, YEAH?
254
00:09:29,780 --> 00:09:32,116
HAVE YOU CHECKEDTHE INTERNET RECENTLY?
255
00:09:35,703 --> 00:09:38,664
"ALEX ALLEN, OA STAR HAS FALLEN."
256
00:09:38,664 --> 00:09:42,001
"ALEX ALLEN, IS IT REALLY OVER?"
257
00:09:42,043 --> 00:09:43,086
"ALEX ALLEN,"ALEX ALLEN... FALLEN."
258
00:09:43,086 --> 00:09:45,839
HAS AMERICA'S SWEETHEARTGONE SOUR?"
259
00:09:45,880 --> 00:09:47,256
WE CAN FIX THIS.
260
00:09:47,256 --> 00:09:49,258
WE JUST NEED TO GET A LITTLE BITOF GOOD PUBLICITY GOING,
261
00:09:49,300 --> 00:09:50,301
WE THAT'S ALL.S.
262
00:09:50,343 --> 00:09:52,011
MM.
263
00:09:52,053 --> 00:09:53,012
WAIT A MINUTE.
264
00:09:53,054 --> 00:09:54,097
HAVE YOU SEEN THIS?
265
00:09:54,097 --> 00:09:55,264
WHAT?
266
00:09:55,264 --> 00:09:57,183
IT'S A VIDEO MESSAGETO ALEX ALLEN.
267
00:09:57,183 --> 00:09:58,935
IT'S BEEN VIEWED800,000 TIMES.
268
00:10:00,269 --> 00:10:01,563
IT'S A VIDEO MESSAGETO ALEX LET ME SEE THAT.
269
00:10:02,481 --> 00:10:04,524
[ALARM CLOCK RINGS]
270
00:10:04,566 --> 00:10:05,984
HI, ALEX!
271
00:10:06,025 --> 00:10:07,611
MY NAME IS DAVID ROGERS.
272
00:10:07,652 --> 00:10:08,695
I'M 17,
273
00:10:08,737 --> 00:10:11,281
AND I'M A SENIORAT J.W. HUGHES HIGH SCHOOL
274
00:10:11,323 --> 00:10:13,116
IN ARLINGTON HEIGHTS, ILLINOIS.
275
00:10:13,158 --> 00:10:14,201
[♪]
276
00:10:18,538 --> 00:10:19,914
WOULD YOU GOTO THE SENIOR PROM WITH ME?
277
00:10:19,956 --> 00:10:21,375
YOU'RE PROBABLY WONDERING
278
00:10:21,416 --> 00:10:23,627
WHY YOU SHOULD EVENCONSIDER THIS.
279
00:10:23,627 --> 00:10:26,796
I MEAN, YOU DON'T KNOW ME, AND I DON'T KNOW YOU,
280
00:10:26,839 --> 00:10:28,340
RIGHT?
281
00:10:32,928 --> 00:10:34,847
BUT THERE ARE SOME THINGSABOUT YOU
282
00:10:34,889 --> 00:10:36,265
I THINK I DO KNOW.
283
00:10:36,306 --> 00:10:39,143
YOU WALK IN BEAUTYLIKE THE MORNING SUN,
284
00:10:39,184 --> 00:10:41,479
ARISING WITH THE HOPE OF LOVE.
285
00:10:41,521 --> 00:10:44,064
YOUR HEART BEATS WITHTHE PASSION OF YOUR COURAGE,
286
00:10:44,106 --> 00:10:45,650
THE STRENGTHOF YOUR DETERMINATION,
287
00:10:45,650 --> 00:10:48,611
AND THE GENTLE KINDNESSOF AN AGELESS SOUL.
288
00:10:48,653 --> 00:10:49,820
THE STRENGTHOF YOUAGELESS! INATION,
289
00:10:49,862 --> 00:10:52,282
YOU ARE TO MEA DREAM MADE REAL,
290
00:10:52,323 --> 00:10:55,243
ONE FROM WHICH I HOPETO NEVER AWAKE.
291
00:10:55,285 --> 00:10:57,077
SO WHAT DO YOU SAY, ALEX?
292
00:10:57,120 --> 00:10:59,955
WILL YOU TAKE A CHANCE ON MEAND BE MY DATE TO THE PROM?
293
00:11:04,794 --> 00:11:06,171
WELL, WHAT DO YOU THINK?
294
00:11:06,171 --> 00:11:07,047
I THINK IT'S CUTE.
295
00:11:07,047 --> 00:11:08,214
SEND HIM A SIGNED PHOTOOR SOMETHING.
296
00:11:08,214 --> 00:11:09,049
CUTE? I THINK IT'S CUTE.
297
00:11:09,049 --> 00:11:11,301
SENDALEX, THIS KIDPHOTOIS EXACTLY WHAT WE NEED!
298
00:11:11,342 --> 00:11:12,260
CUTE? I THINPAIGE! CUTE.
299
00:11:12,302 --> 00:11:13,762
I'M NOT GOINGTO THIS KID'S HIGH SCHOOL DANCE.
300
00:11:13,762 --> 00:11:15,764
I DIDN'T EVEN GO TO MY OWN PROM!
301
00:11:15,806 --> 00:11:18,058
I'M NOT GOINGTO THINK ABOUT THE PUBLICITY.CE.
302
00:11:19,685 --> 00:11:23,855
"HOLLYWOOD STAR ATTENDS PROMWITH BOY FROM THE INTERNET."
303
00:11:23,897 --> 00:11:25,190
IT'S HALFWAYACROSS THE COUNTRY!
304
00:11:25,190 --> 00:11:26,357
EXACTLY.
305
00:11:26,357 --> 00:11:28,151
IT'S THE PERFECT WAY FOR YOUTO RECONNECT WITH YOUR PUBLIC!
306
00:11:28,151 --> 00:11:29,736
VANESSA HUDGENS DID IT,
307
00:11:29,778 --> 00:11:30,779
IT'S THE PERFECT WAY FOR YOUTAYLOR SWIFT DID IT, OUR PUBLIC!
308
00:11:30,821 --> 00:11:32,072
AND THEY GOTSOME SERIOUS PRESS.
309
00:11:32,113 --> 00:11:33,907
IT'S GOINGTO MAKE ME LOOK DESPERATE.
310
00:11:33,949 --> 00:11:35,201
WELL, NO OFFENSE, ALEX,
311
00:11:35,201 --> 00:11:38,245
BUT EVER SINCE YOUR PERFORMANCEON THE RED CARPET,
312
00:11:38,245 --> 00:11:39,871
OFFERS HAVEN'T EXACTLYWELBEEN ROLLING IN.LEX,
313
00:11:40,872 --> 00:11:42,708
BUT EVER SINCE YOUR PERFORMANCEOTHE ANSWER IS NO.
314
00:11:42,708 --> 00:11:43,792
[PHONE RINGS]
315
00:11:45,461 --> 00:11:47,046
OH, HO! LOOK AT THAT.
316
00:11:47,046 --> 00:11:48,714
IT'S MY AGENT,
317
00:11:48,714 --> 00:11:51,175
PROBABLY CALLINGO! WITH AN OFFER FOR MY NEXT MOVIE.
318
00:11:52,093 --> 00:11:53,385
HEY, EDDIE.
319
00:11:53,385 --> 00:11:55,221
MM-HMM.
320
00:11:55,262 --> 00:11:57,181
MM-HMM?
321
00:11:57,181 --> 00:11:59,058
OKAY, WELL, THANK YOU.
322
00:11:59,058 --> 00:12:00,559
I'LL JUST HAVETO THINK ABOUT IT.MM-HMM?
323
00:12:00,559 --> 00:12:01,936
TALK TO YOU LATER!
324
00:12:04,438 --> 00:12:06,315
SO, WAS IT AN OFFER?
325
00:12:06,357 --> 00:12:08,109
YES, ACTUALLY...
326
00:12:09,068 --> 00:12:10,987
A COMMERCIAL...
327
00:12:13,114 --> 00:12:14,741
FOR DOG FOOD.
328
00:12:14,741 --> 00:12:15,992
OH...
329
00:12:18,077 --> 00:12:19,996
WHERE DOES THAT KID LIVE?
330
00:12:22,957 --> 00:12:25,960
MOM, I TOLD YOU,I'M GOING GLUTEN-FREE.
331
00:12:26,003 --> 00:12:28,130
IT HELPS ME FOCUSIN CLASS.
332
00:12:28,171 --> 00:12:30,007
I'LL REMEMBER THAT.
333
00:12:30,048 --> 00:12:32,509
SO? ANYTHING?
334
00:12:32,509 --> 00:12:33,969
I BROKE A MILLION HITSLAST NIGHT.
335
00:12:33,969 --> 00:12:35,137
BUT? SO? ANYTHING?
336
00:12:35,178 --> 00:12:37,848
I BROKE A MILLION HITSLASSTILL NO RESPONSE FROM HER.
337
00:12:37,848 --> 00:12:39,099
HONEY, HAS IT OCCURRED TO YOU
338
00:12:39,099 --> 00:12:41,601
ITHAT ALEX ALLEN IS A VERY
BUSYLASSTIHOLLYWOOD MOVIE STAR, ER.
339
00:12:41,601 --> 00:12:42,936
AND SHE DOESN'T HAVE TIMEHONEY, HAS TO LOOKRRED TO YOU
340
00:12:42,936 --> 00:12:45,105
AT EVERY SINGLE THINGTHAT SOMEONE POSTS ABOUT HER
341
00:12:45,105 --> 00:12:46,064
AND SHE DOESN'T HAVE TIMEHONEY, ON THE INTERNET? TO YOU
342
00:12:46,106 --> 00:12:47,232
MOM'S RIGHT, YOU KNOW.
343
00:12:47,274 --> 00:12:48,776
SHE'S A SOMEBODY,
344
00:12:48,817 --> 00:12:51,069
AND YOU, YOU'RE BASICALLY A NOBODY.
345
00:12:51,111 --> 00:12:52,112
THANKS.
346
00:12:52,112 --> 00:12:52,946
DEVYN...
347
00:12:52,988 --> 00:12:54,281
JUST TRYINGTO KEEP THINGS REAL.
348
00:12:54,281 --> 00:12:56,199
IF YOU ASK ME, THIS WHOLE THINGHAS BEEN A WASTE OF TIME.
349
00:12:56,199 --> 00:12:58,577
NOW, IF YOU HAD TRYINGMONETIZED THE SITE, S REAL.
350
00:12:58,619 --> 00:12:59,620
IF YOU ASK ME, THIS WHOLE THINGHMADE IT PAY PER VIEW....
351
00:12:59,662 --> 00:13:01,622
I'M NOT TRYING TO MAKE MONEYFROM THIS, DEVYN.
352
00:13:01,622 --> 00:13:03,332
I JUST WANTEDA DATE TO THE PROM.
353
00:13:04,292 --> 00:13:05,209
[DOORBELL RINGS]
354
00:13:05,251 --> 00:13:06,335
OH, I'LL GET IT!
355
00:13:08,296 --> 00:13:09,463
WHO'S HEIDIGOING WITH?
356
00:13:09,463 --> 00:13:10,381
OH, SHE'S NOT.
357
00:13:10,423 --> 00:13:12,466
SHE SAYS IT'S AN ARCHAIC RITUAL
358
00:13:12,466 --> 00:13:15,469
DESIGNED TO FORCE USTO CONFORM TO...
359
00:13:16,805 --> 00:13:17,972
SOMETHING.
360
00:13:17,972 --> 00:13:20,016
I WORRY ABOUT HEIDI.
361
00:13:21,642 --> 00:13:22,686
GOOD MORNING! METHING.
362
00:13:26,480 --> 00:13:27,649
[MOM]:WHO WAS IT, DEVYN?
363
00:13:27,649 --> 00:13:28,817
HELP ME CLEAN UP.MOM, FIX YOUR HAIR.
364
00:13:28,817 --> 00:13:30,569
DAVID, WIPE THE MILKOFF YOUR CHIN.
365
00:13:30,610 --> 00:13:32,987
ARE YOU REALLY WEARING THAT? YOU LOOK LIKE A CHILD!
366
00:13:33,905 --> 00:13:34,864
WHY? WHAT'S GOING ON?
367
00:13:34,906 --> 00:13:37,283
ALEX ALLENIS AT THE FRONT DOOR.
368
00:13:39,494 --> 00:13:41,663
ARE YOU SURE THISIS THE RIGHT PLACE?
369
00:13:41,663 --> 00:13:44,333
THIS IS THE ADDRESS.
370
00:13:44,333 --> 00:13:46,168
TOLD YOU WE SHOULDHAVE CALLED AHEAD.
371
00:13:46,168 --> 00:13:48,002
AND TAKE AWAYTHE ELEMENT OF SURPRISE?
372
00:13:48,002 --> 00:13:49,003
THAT'S WHAT WE WANT.
373
00:13:49,046 --> 00:13:50,964
THAT'S HOW THINGSON THE INTERNET GO VIRAL, ALEX.
374
00:13:51,006 --> 00:13:53,092
REAL REACTIONSFROM REAL PEOPLE.
375
00:13:56,386 --> 00:13:57,637
HI! UH, I'M...
376
00:13:57,637 --> 00:13:58,806
[DAVID]:ALEX ALLEN!
377
00:13:59,807 --> 00:14:00,850
[ALEX]:AND YOU MUST BE DAVID.'M...
378
00:14:00,850 --> 00:14:01,976
I'M DAVID.
379
00:14:03,769 --> 00:14:05,520
WELL, THIS ISANMY PUBLICIST AND MANAGER,
380
00:14:05,520 --> 00:14:06,814
PAIGE SUMNER.
381
00:14:06,856 --> 00:14:08,023
HI, DAVID.L, THIS ISIT'S NICE TO MEET YOU.D MANAGER,
382
00:14:08,023 --> 00:14:09,441
GOOD, AND YOU?
383
00:14:11,652 --> 00:14:13,988
I'M THE WITTY BUT ADORABLEYOUNGER SISTER, DEVYN,
384
00:14:14,029 --> 00:14:17,783
AND THIS IS OUR MOTHER, THE WARM AND CARING CATHERINE.
385
00:14:17,825 --> 00:14:19,660
I'M CATHERINE.HOW DO YOU DO?
386
00:14:19,702 --> 00:14:21,161
WELL, YOU'REALEX ALLEN.
387
00:14:21,203 --> 00:14:22,705
I GUESS YOU DO JUST FINE!
388
00:14:22,705 --> 00:14:24,540
OKAY!
389
00:14:24,540 --> 00:14:25,625
UH, WELL, ANYWAY,
390
00:14:25,666 --> 00:14:30,588
DAVID, I OBVIOUSLY SAWYOUR WONDERFUL VIDEO ONLINE.
391
00:14:30,630 --> 00:14:31,714
I WAS VERY TOUCHED.
392
00:14:31,756 --> 00:14:32,632
YOU WERE?
393
00:14:32,632 --> 00:14:34,759
SO, IF THE INVITESTILL STANDS,
394
00:14:34,800 --> 00:14:36,011
I WOULD LOVE TO GOTO PROM WITH YOU.
395
00:14:36,928 --> 00:14:38,388
WAIT! LET'S TRY THAT AGAIN.
396
00:14:38,429 --> 00:14:39,555
ALEX, YOU'RE KIND OFBLOCKING YOURSELF A LITTLE,
397
00:14:39,555 --> 00:14:40,556
SO LET'S TRY IT AGAIN,
398
00:14:40,598 --> 00:14:42,058
BUT THIS TIMEKIND OFWITH A BIT MORE EMOTION, LE,
399
00:14:42,058 --> 00:14:43,309
LIKE YOU'RE REALLYTHRILLED TO BE HERE.
400
00:14:43,351 --> 00:14:45,020
OKAY.
401
00:14:45,061 --> 00:14:46,312
UM, DAVID,
402
00:14:46,354 --> 00:14:48,231
IF THE INVITATIONIS STILL OPEN,
403
00:14:48,273 --> 00:14:52,193
I WOULD LOVE TO GOTO PROM WITH YOU.
404
00:14:53,403 --> 00:14:55,155
PERFECT.
405
00:14:55,196 --> 00:14:57,574
[CATHERINE]:OH, AND HERE HE IS
406
00:14:57,574 --> 00:15:00,035
AT HIS MIDDLE SCHOOLGRADUATION CEREMONY.
407
00:15:00,076 --> 00:15:01,578
HE STILL HADHIS BRACES THEN.
408
00:15:01,620 --> 00:15:02,579
I USED TO CUT HIS HAIR.
409
00:15:02,579 --> 00:15:04,873
NOT SURE WHAT HAPPENEDTO HIS BANGS THERE.
410
00:15:04,873 --> 00:15:05,916
I USSERIOUSLY, I DON'T THINK
411
00:15:05,957 --> 00:15:07,834
NOTALEX WANTS TO SEEEDTOALL THIS STUFF.E.
412
00:15:07,834 --> 00:15:09,836
ACTUALLY, I THINK IT'S VERY SWEET.
413
00:15:09,836 --> 00:15:11,463
NOTALEXYOU WEREO SEEEDAN ADORABLE LITTLE BOY.
414
00:15:11,463 --> 00:15:13,424
[DEVYN]: WELL, I THINKI SHOULD WARN YOU, ERY SWEET.
415
00:15:13,465 --> 00:15:15,634
THAT DIDN'T CARRYEREO SEEEDINTO HIGH SCHOOL.LITTLE BOY.
416
00:15:15,676 --> 00:15:18,429
MY BROTHER ISN'T EXACTLYMR. POPULARITY.
417
00:15:18,470 --> 00:15:19,430
DEVYN...
418
00:15:19,471 --> 00:15:21,015
JUST KEEPING THINGS REAL, MOM.
419
00:15:21,057 --> 00:15:22,058
[PAIGE]: NOW,
420
00:15:22,099 --> 00:15:23,309
I WOULD LIKE TO GETINTERVIEWS WITH EACH OF YOU
421
00:15:23,350 --> 00:15:26,145
FOR ALEX'S VARIOUSSOCIAL MEDIA ACCOUNTS.
422
00:15:26,145 --> 00:15:28,272
JUST SOMETHING SHORTABOUT WHAT IT MEANS
423
00:15:28,272 --> 00:15:29,606
FORTO HAVE ALEX INSOCYOUR HOUSE TODAY...
424
00:15:29,606 --> 00:15:31,317
IF THAT'S ALL RIGHTWITH YOU, MRS. ROGERS?
425
00:15:31,317 --> 00:15:33,152
[DAD]: HEY, HONEY, INI'M LATE FOR WORK.ODAY...
426
00:15:33,194 --> 00:15:34,153
IF THAT'S ALL RIGHTGRABBING THE PAPER.OGERS?
427
00:15:34,195 --> 00:15:35,863
I THINK WE SHOULD REVIEWTHE INTERVIEW QUESTIONS
428
00:15:35,905 --> 00:15:36,989
BEFOREHAND.
429
00:15:36,989 --> 00:15:40,117
WE SHOULD ALSO DISCUSSA CONTRACT FOR DAVID.
430
00:15:43,287 --> 00:15:44,163
BEFOREHAND.UH...
431
00:15:44,205 --> 00:15:45,457
[REPORTERS CLAMOR]
432
00:15:50,170 --> 00:15:51,921
CATHERINE?
433
00:15:53,340 --> 00:15:54,632
[DOOR SLAMS]
434
00:15:55,842 --> 00:15:58,220
CATHERINE? WHAT'S WITHALL THE PEOPLE OUT THERE?
435
00:15:58,220 --> 00:15:59,304
WHAT'S WITHALL THE NEWS CAMERAS
436
00:15:59,304 --> 00:16:00,305
CATHERINE? WHAT'S WITHALL THE PEOPLE OUTAND REPORTERS?
437
00:16:00,305 --> 00:16:01,764
WHAT'S WITHALL TDID SOMEBODY...
438
00:16:10,357 --> 00:16:13,151
CATHERINE? WHAT'S WITHALL THE PESHE SAID YES? EPORTERS?
439
00:16:18,073 --> 00:16:19,492
[REPORTERS SHOUTING]
440
00:16:21,952 --> 00:16:25,038
OKAY, WE'VE GOT A PROBLEM HERE.
441
00:16:25,080 --> 00:16:27,165
WHY? I THOUGHTWE WANTED THE PUBLICITY?
442
00:16:27,165 --> 00:16:29,668
WE DO, BUT NOT FROMTHAT PACK OF WOLVES OUT THERE.
443
00:16:29,710 --> 00:16:30,753
THEY DON'T WANTTHOUGHTA HUMAN INTEREST STORY, UBLICITY?
444
00:16:30,794 --> 00:16:32,045
THEY'RE JUST LOOKINGFOR A SCANDAL.
445
00:16:32,045 --> 00:16:33,714
HOW DID THEY FIND OUTYOU WERE HERE?
446
00:16:35,841 --> 00:16:37,135
THEY'RE JUST LOOKINGFOR A S [LAUGHS NERVOUSLY]
447
00:16:37,135 --> 00:16:39,095
I MIGHT'VE TWEETED IT...
448
00:16:39,137 --> 00:16:40,763
THEY'RE JUST LOOKINGFOR A S [LJUST A LITTLE.Y]
449
00:16:42,598 --> 00:16:43,557
OKAY,
450
00:16:43,599 --> 00:16:45,101
WE NEED TO GETYOU OUT OF HERE.
451
00:16:45,143 --> 00:16:46,060
[HEIDI]:GOOD LUCK.
452
00:16:46,102 --> 00:16:48,521
THEY'VE GOT THEPLACE SURROUNDED.
453
00:16:48,521 --> 00:16:50,106
- YOU...-HEIDI.
454
00:16:50,106 --> 00:16:51,858
YEAH, SURE.THEY'VE GOT THEWHAT SIZE DO YOU WEAR? URROUNDED.
455
00:16:58,322 --> 00:16:59,783
- YOU... OKAY, IT'S CLEAR.
456
00:17:05,079 --> 00:17:06,581
UM, ALEX?
457
00:17:06,623 --> 00:17:08,792
I JUST, UM...
458
00:17:08,833 --> 00:17:11,295
I REALLY WANTEDTO SAY THANK YOU.
459
00:17:12,546 --> 00:17:13,380
THE TRUTH IS,
460
00:17:13,422 --> 00:17:15,715
I NEVER REALLY THOUGHTYOU'D SAY YES.
461
00:17:15,757 --> 00:17:16,925
NO PROBLEM,
462
00:17:16,966 --> 00:17:17,884
AND YOU KNOW WHAT?
463
00:17:17,926 --> 00:17:19,761
I THINKIT'S GOING TO BE A GREAT PROM.
464
00:17:30,272 --> 00:17:31,899
YEAH...
465
00:17:31,899 --> 00:17:33,150
YEAH, IT IS.
466
00:17:38,405 --> 00:17:39,740
COME ON, COME ON...
467
00:17:39,740 --> 00:17:41,576
THERE'S GOT TO BEA SIGNAL SOMEWHERE.
468
00:17:42,868 --> 00:17:44,704
I KNEWI SHOULDN'T HAVE LEFT L.A.
469
00:17:44,704 --> 00:17:46,414
- [ALEX SCREAMS]- [GASPS]
470
00:17:46,414 --> 00:17:48,374
I KNEWI SHOULDN'OH, NO! LEFT L.A.
471
00:17:48,416 --> 00:17:50,501
OH, NO!
472
00:17:50,543 --> 00:17:52,462
DID I KILL HER? IS SHE DEAD?
473
00:17:53,879 --> 00:17:55,465
[MAN]: OH, MY GOSH...
474
00:17:58,759 --> 00:18:00,511
ARE YOU ALL RIGHT?
475
00:18:00,553 --> 00:18:02,263
I'M SO SORRY.
476
00:18:02,263 --> 00:18:04,015
UH...
477
00:18:04,057 --> 00:18:05,766
YEAH, I'M--I'M FINE.
478
00:18:05,766 --> 00:18:07,936
FORTUNATELY, I LANDED ON MY PRIDE.
479
00:18:07,978 --> 00:18:09,938
[ANDREA]:I'M SO SORRY!
480
00:18:09,980 --> 00:18:11,982
I'M SO SORRY.IT'S MY FIRST CLASS.
481
00:18:11,982 --> 00:18:13,775
UM, MAYBE WE SHOULDCALL YOU AN AMBULANCE?
482
00:18:13,775 --> 00:18:15,651
I'M SOH, NO, NO.IT'S MY FNO, NO AMBULANCE.
483
00:18:15,693 --> 00:18:16,652
I'M CPR-CERTIFIED!
484
00:18:16,695 --> 00:18:18,321
HONESTLY, I'M OKAY.
485
00:18:18,363 --> 00:18:19,364
OH...
486
00:18:22,117 --> 00:18:22,993
[STUDENT]: MR. WALSH,
487
00:18:22,993 --> 00:18:25,787
ARE YOU GOINGTO FLUNK ME OVER THIS?
488
00:18:25,829 --> 00:18:26,788
BECAUSE IF YOU FLUNK ME, LSH,
489
00:18:26,788 --> 00:18:28,289
MY DAD WILL NEVER LET MEGET MY LICENSE
490
00:18:28,289 --> 00:18:29,416
AS LONG AS I LIVE.
491
00:18:30,459 --> 00:18:31,460
WELL, ANDREA,
492
00:18:31,502 --> 00:18:34,212
MAYBE WE SHOULD ASKYOUR VICTIM HERE, MISS, UM...
493
00:18:35,672 --> 00:18:37,674
ALEX... ANDRA.
494
00:18:37,716 --> 00:18:40,219
UH, ALEXANDRA MOLINSKY.
495
00:18:40,261 --> 00:18:43,597
WELL, MISS MOLINSKY, WHAT DO YOU THINK I SHOULD DO?
496
00:18:43,597 --> 00:18:45,307
WELL, I THINK ANDREA HERE
497
00:18:45,307 --> 00:18:47,309
WJUST NEEDS TO LEARNWHAT DOFROM HER MISTAKEULD DO?
498
00:18:47,309 --> 00:18:48,477
AND TRY AGAIN,
499
00:18:48,477 --> 00:18:51,313
WITH A ZERO BODY COUNTFROM NOW ON.
500
00:18:53,565 --> 00:18:54,984
WELL, I CAN'T LET YOU GET AWAYWITH THIS
501
00:18:55,026 --> 00:18:57,069
WITHOUT SOME KIND OF PUNISHMENT.
502
00:18:58,404 --> 00:19:00,865
[STUDENT]: YOU KNOW WHAT,I'LL WALK HOME.
503
00:19:00,907 --> 00:19:02,784
BYE.
504
00:19:06,788 --> 00:19:08,330
THAT WAS A BIT HARSH.
505
00:19:08,330 --> 00:19:10,750
SHE LIVESAT THE END OF THE BLOCK.
506
00:19:12,168 --> 00:19:14,671
IS THEREANYTHING I CAN DO FOR YOU?
507
00:19:14,671 --> 00:19:16,381
CALL YOU A CAB OR...
508
00:19:19,342 --> 00:19:21,261
IS THEREWHY DON'T I GIVE YOU A LIFT?
509
00:19:23,012 --> 00:19:24,181
[CLEARS THROAT]
510
00:19:35,525 --> 00:19:37,861
HOW ABOUT SOME MUSIC?
511
00:19:37,903 --> 00:19:40,197
UH, SURE.
512
00:19:41,156 --> 00:19:42,574
[RADIO]:... SHOWERS THIS WEEKEND.
513
00:19:42,615 --> 00:19:44,534
IN ENTERTAINMENT NEWS, THE TOWN IS BUZZING
514
00:19:44,534 --> 00:19:46,954
WITH THE ARRIVALOF HOLLYWOOD STAR AL--
515
00:19:46,995 --> 00:19:48,246
MAYBE NOT.
516
00:19:53,919 --> 00:19:55,212
I KNOW.
517
00:19:55,253 --> 00:19:57,548
I LOOK VAGUELY FAMILIARTO YOU.
518
00:19:57,548 --> 00:19:59,717
YOU FEEL LIKE YOU'VE SEEN MESOMEPLACE BEFORE.
519
00:19:59,717 --> 00:20:02,220
IT'S FUNNY HOW I HAVETHAT EFFECT ON PEOPLE
520
00:20:02,220 --> 00:20:03,721
EVERYWHERE I GO.
521
00:20:03,762 --> 00:20:05,013
IIT'S JUST SOMETHINGETHAABOUT MY FACE.OPLE
522
00:20:05,055 --> 00:20:06,557
ACTUALLY...
523
00:20:06,557 --> 00:20:08,351
YOU HAVE LEAVESIN YOUR HAIR.
524
00:20:08,392 --> 00:20:09,560
I WAS WONDERING
525
00:20:09,560 --> 00:20:10,561
WHETHER OR NOTI SHOULD TELL YOU
526
00:20:10,561 --> 00:20:12,396
BEFORE YOU GET OUTOF THE CAR.
527
00:20:14,440 --> 00:20:15,524
IT'S A...
528
00:20:15,524 --> 00:20:17,568
IT'S A NICE FACE, THOUGH.
529
00:20:17,610 --> 00:20:19,112
THANK YOU.IT'S A...
530
00:20:22,699 --> 00:20:24,283
SO YOU'RE STAYINGAT THE HOTEL.
531
00:20:27,203 --> 00:20:29,080
WHAT BRINGS YOUTO TOWN?
532
00:20:29,080 --> 00:20:30,582
NOTHING SPECIAL.
533
00:20:30,582 --> 00:20:32,458
WHAT BRINGS YOUJUST VISITING.N?
534
00:20:32,501 --> 00:20:33,752
WHERE FROM?
535
00:20:33,793 --> 00:20:34,669
OUT OF TOWN.
536
00:20:34,669 --> 00:20:37,255
IT'S BEAUTIFUL COUNTRY THERE.
537
00:20:37,255 --> 00:20:38,923
OU [LAUGHS] N.
538
00:20:38,965 --> 00:20:41,551
I'M SORRY, I DON'T MEAN TO BE RUDE.
539
00:20:41,593 --> 00:20:43,470
IT'S JUST BEEN A WEIRD DAY.
540
00:20:44,554 --> 00:20:46,097
NEAR-DEATH EXPERIENCEAND ALL...
541
00:20:46,097 --> 00:20:47,098
[LAUGHS]
542
00:20:47,098 --> 00:20:49,268
NEAR-DEATH EXPERIENCEOH, THERE'S MY HOTEL.
543
00:20:58,527 --> 00:21:01,113
[LWELL, THANK YOU FOR THE RIDE.
544
00:21:01,113 --> 00:21:04,283
LOOK, I KNOW WE STARTEDOFF ON THE WRONG FOOT.
545
00:21:04,324 --> 00:21:06,035
[ACTUALLY, I WAS OFF BOTH FEET.
546
00:21:07,703 --> 00:21:10,455
MAYBE I COULD MAKE IT UPTO YOU,
547
00:21:10,497 --> 00:21:11,666
BUY YOU A CUP OF COFFEEOR SOMETHING?
548
00:21:13,417 --> 00:21:14,585
I KNOW THISQUIET LITTLE CAFE
549
00:21:14,585 --> 00:21:16,170
OVER ON THE NEXT BLOCK.
550
00:21:16,211 --> 00:21:18,338
YOU REALLY DON'T RECOGNIZE ME, DO YOU? LITTLE CAFE
551
00:21:21,050 --> 00:21:23,177
I DON'T THINKWE'VE MET BEFORE.
552
00:21:23,218 --> 00:21:25,596
YOU'RE DEFINITELY SOMEBODYI WOULD HAVE REMEMBERED.
553
00:21:25,638 --> 00:21:28,057
HAVE YOU EVER SEEN ANYOF THE STARLIGHT FALLS MOVIES?
554
00:21:28,057 --> 00:21:30,768
I DON'T GETTO THE MOVIES MUCH,
555
00:21:30,768 --> 00:21:32,812
HAVE YOU EVER SEEN ANYOF TI DON'T EVEN OWN A TV, IES?
556
00:21:32,853 --> 00:21:35,065
BUT IF YOU RECOMMEND THEM,I'LL CHECK THEM OUT.
557
00:21:35,106 --> 00:21:36,024
ARE THEY POPULAR?
558
00:21:36,066 --> 00:21:38,359
WOW, YOU MUST'VE BEEN HIDINGUNDER A ROCK
559
00:21:38,401 --> 00:21:39,777
FOR THE LAST TWO YEARS.
560
00:21:39,819 --> 00:21:42,113
ACTUALLY, I, UM...
561
00:21:42,155 --> 00:21:44,783
I WAS STATIONEDIN BAGHDAD.
562
00:21:44,825 --> 00:21:47,035
ARMY COMMUNICATIONSOFFICER.
563
00:21:47,077 --> 00:21:48,704
GOT BACKA YEAR AGO.
564
00:21:49,537 --> 00:21:53,625
I GUESS I'VE MISSED OUTON A COUPLE THINGS, HUH?
565
00:21:53,667 --> 00:21:55,544
NOTHING IMPORTANT.
566
00:21:59,005 --> 00:22:00,090
WHERE'S THAT CAFE?
567
00:22:02,593 --> 00:22:03,802
THANK YOU.
568
00:22:13,854 --> 00:22:15,272
HERE YOU GO.
569
00:22:15,272 --> 00:22:18,692
ONE DECAFSOY VANILLA LATTE.
570
00:22:18,692 --> 00:22:20,694
HTHANK YOU..
571
00:22:20,694 --> 00:22:22,321
ONE DECAFSOY VANILLA LATTE.AND...
572
00:22:23,780 --> 00:22:24,698
I BROUGHT YOU THIS.
573
00:22:24,698 --> 00:22:26,242
FIGUREDIT WAS THE LEAST I CAN DO
574
00:22:26,283 --> 00:22:27,869
AFTER I ALMOST RAN YOU OVER.
575
00:22:27,869 --> 00:22:30,747
WELL, TECHNICALLY, YOU DIDN'T DO THE RUNNING OVER.
576
00:22:30,788 --> 00:22:33,540
WELL, ANDREA IS MY STUDENT, SO I'M RESPONSIBLE.
577
00:22:35,501 --> 00:22:37,169
WE'LL CALL ITAN APOLOGY COOKIE.
578
00:22:37,211 --> 00:22:39,672
ACTUALLY, I DON'T, UM...
579
00:22:41,257 --> 00:22:43,050
COOKIE ACCEPTED.
580
00:22:44,802 --> 00:22:46,471
SO WHAT WERE YOU SAYING?
581
00:22:48,306 --> 00:22:49,223
UH...
582
00:22:49,266 --> 00:22:51,851
ANYWAY, WHEN MY DAD PASSED AWAYA YEAR AGO,
583
00:22:51,851 --> 00:22:53,728
MY MOM WAS ALL ALONE,
584
00:22:53,770 --> 00:22:54,729
ANYWAY, WHEN MY DAD PASSED AWAYAND I'D FINISHED MY SERVICE
585
00:22:54,729 --> 00:22:56,814
AND GOTAN HONORABLE DISCHARGE...
586
00:22:56,856 --> 00:22:59,067
CAME HOME AND STARTED TEACHING.
587
00:23:00,943 --> 00:23:02,404
THAT TAKES USUP TO THIS AFTERNOON
588
00:23:02,404 --> 00:23:03,613
AND THE PAVEMENT.
589
00:23:04,739 --> 00:23:06,074
THAT TAKES USUP TO THIS AHOW ABOUT YOU?
590
00:23:06,074 --> 00:23:07,367
UM...
591
00:23:07,409 --> 00:23:08,368
INDIANA.
592
00:23:08,368 --> 00:23:09,870
THAT'S WHERE I'M FROM...
593
00:23:09,912 --> 00:23:10,954
ORIGINALLY.
594
00:23:12,122 --> 00:23:13,415
AND NOW WHERE?
595
00:23:14,332 --> 00:23:16,251
DON'T YOU THINKIT'S JUST WAY MORE INTERESTING
596
00:23:16,251 --> 00:23:19,171
WHEN YOU DON'T KNOW EVERYTHINGABOUT A PERSON?
597
00:23:19,212 --> 00:23:21,089
DON'T YOU THINKIT'S JA WOMAN OF MYSTERY.STING
598
00:23:21,089 --> 00:23:22,424
NO, IT'S JUST...
599
00:23:22,424 --> 00:23:23,509
DON'T YOU THINKIT'S JA WOTHESE DAYS, ERY.STING
600
00:23:23,551 --> 00:23:25,553
EVERYBODY WANTS TO KNOWEVERYTHING ABOUT EVERYONE.
601
00:23:26,512 --> 00:23:29,097
I DON'T WANTTO KNOW ABOUT EVERYONE...
602
00:23:30,266 --> 00:23:32,810
BUT I WOULD LIKE TO KNOWA LITTLE BIT MORE ABOUT YOU.
603
00:23:32,851 --> 00:23:35,103
OH, THIS IS SO GOOD.
604
00:23:35,103 --> 00:23:36,772
I CAN'T REMEMBER THE LAST TIMEI HAD A COOKIE.
605
00:23:36,814 --> 00:23:38,316
AND THEN I PUT ITOH, THISON THE INTERNET
606
00:23:38,357 --> 00:23:39,567
AND WAITED.
607
00:23:39,608 --> 00:23:40,901
I NEVER REALLY THOUGHTSHE'D SAY YES...
608
00:23:40,943 --> 00:23:42,236
OH, NO...
609
00:23:44,572 --> 00:23:46,657
[REPORTER]:AND THERE WE HAVE IT, FOLKS...
610
00:23:46,657 --> 00:23:48,326
WOW.
611
00:23:48,367 --> 00:23:49,953
[REPORTER]:AND THERWHOA, WHA..., FOLKS...
612
00:23:49,994 --> 00:23:51,955
THAT'S ONE WAYOF GETTING TO KNOW YOU BETTER.
613
00:23:51,955 --> 00:23:55,124
I--I'M SO SORRY.I DON'T KNOW WHAT CAME OVER ME.
614
00:23:55,166 --> 00:23:56,793
NO, NO, NO APOLOGY NECESSARY.
615
00:23:56,793 --> 00:23:58,502
I'VE GOT TO GO.
616
00:24:00,171 --> 00:24:01,130
THANKS AGAIN!
617
00:24:01,130 --> 00:24:02,131
WAIT... ALEXANDRA!
618
00:24:02,131 --> 00:24:03,257
THANK YOU! GOODBYE!
619
00:24:06,970 --> 00:24:09,097
[DOOR BELLS JINGLE]
620
00:24:10,849 --> 00:24:12,434
[DOOR CLOSES]
621
00:24:15,812 --> 00:24:17,272
HEY, IT'S ME.
622
00:24:17,314 --> 00:24:19,816
[PAIGE]:WHERE HAVE YOU BEEN?
623
00:24:19,858 --> 00:24:21,485
I HAVE BEEN CALLING YOUFOR AN HOUR!
624
00:24:21,526 --> 00:24:22,819
PHONE DIED.
625
00:24:22,861 --> 00:24:23,820
ANOTHER ONE?
626
00:24:23,862 --> 00:24:25,864
MM-HMM.
627
00:24:25,905 --> 00:24:27,491
YOU MISSED THE KID ON TV.
628
00:24:27,491 --> 00:24:29,118
OH, I SAW HIM.
629
00:24:29,159 --> 00:24:31,245
HE WAS... GOOD.
630
00:24:31,286 --> 00:24:32,204
YEAH, HE WAS.
631
00:24:32,246 --> 00:24:33,622
WE SHOULD GETSOME POSITIVE BUMP FROM THAT.
632
00:24:33,663 --> 00:24:34,874
OH, AND WE HAVE A MEETINGWITH THE PRINCIPAL
633
00:24:34,915 --> 00:24:35,875
AT THE SCHOOL TOMORROW.
634
00:24:35,916 --> 00:24:37,417
I JUST KISSED SOME GUY.
635
00:24:37,459 --> 00:24:38,711
WHAT?
636
00:24:38,753 --> 00:24:39,920
WHO?
637
00:24:39,962 --> 00:24:41,005
MR. WALSH.
638
00:24:41,005 --> 00:24:43,007
WHO IS MR. WALSH?
639
00:24:43,048 --> 00:24:45,342
HE'S A DRIVER'S ED TEACHER.
640
00:24:45,384 --> 00:24:47,637
WHAT ARE YOU DOINGKISSING STRANGE MEN?
641
00:24:47,678 --> 00:24:49,138
HAVE YOU LOSTYOUR MIND?
642
00:24:49,179 --> 00:24:50,681
HE ISN'T STRANGE.
643
00:24:50,681 --> 00:24:52,266
HE'S NICE.
644
00:24:52,307 --> 00:24:53,518
HANDSOME TOO.
645
00:24:53,559 --> 00:24:55,227
I DON'T CAREWHO OR WHAT HE IS, ALEX.
646
00:24:55,270 --> 00:24:56,687
WHAT IF HE GOES TO THE MEDIA?
647
00:24:56,729 --> 00:24:58,273
HE WON'T.
648
00:24:58,314 --> 00:25:00,358
HE DOESN'T EVENKNOW WHO I AM.
649
00:25:00,400 --> 00:25:01,359
DOES ANYBODY ELSE KNOW
650
00:25:01,359 --> 00:25:02,860
ABOUT THIS LITTLEMAKE-OUT SESSION OF YOURS?
651
00:25:02,902 --> 00:25:05,071
CALM DOWN.DOEIT WAS ONE KISS.NOW
652
00:25:05,113 --> 00:25:06,697
I JUST DID IT TO DISTRACT HIM.
653
00:25:06,739 --> 00:25:07,698
FROM WHAT?
654
00:25:07,698 --> 00:25:08,783
DAVID'S INTERVIEW.
655
00:25:08,824 --> 00:25:10,368
IT CAME ON THE TV AT THE CAFE.
656
00:25:10,410 --> 00:25:12,578
YOU WERE AT A CAFEWITH THIS MAN?
657
00:25:12,620 --> 00:25:14,372
YES, AND YOU KNOW WHAT?
658
00:25:14,372 --> 00:25:16,207
IT WAS REALLY NICESPENDING TIME WITH SOMEONE
659
00:25:16,207 --> 00:25:17,793
WHO DIDN'T WANTANYTHING FROM ME.
660
00:25:17,834 --> 00:25:19,377
I WAS JUST MYSELF AGAIN.
661
00:25:19,419 --> 00:25:23,256
ALEX, I HOPE, FOR YOUR SAKE, NONE OF THIS SHOWS UP ONLINE.
662
00:25:23,298 --> 00:25:25,008
HE WOULDN'T DOTHAT SORT OF THING.
663
00:25:25,050 --> 00:25:27,052
HE WAS A REAL GENTLEMAN.
664
00:25:27,052 --> 00:25:28,637
HE'S NOT THE ONEI'M WORRIED ABOUT.
665
00:25:28,637 --> 00:25:30,221
EVERYBODY HASA CAMERA, ALEX.
666
00:25:30,263 --> 00:25:31,515
HE'S NOTYOU'VE GOT TO BEI'M WORRIMORE CAREFUL.
667
00:25:31,557 --> 00:25:32,891
BUT NOTHING HAPPENED...
668
00:25:32,891 --> 00:25:34,518
THIS TIME.
669
00:25:34,560 --> 00:25:37,771
ALEX, THIS WHOLE PROJECTIS ABOUT MAKING YOU LOOK GOOD.
670
00:25:37,813 --> 00:25:39,940
AMERICA'S SWEETHEART, REMEMBER?
671
00:25:41,107 --> 00:25:43,735
I NEED YOU TO FORGETABOUT THIS MR. WALSH, ALL RIGHT?
672
00:25:43,735 --> 00:25:44,736
ALL RIGHT.
673
00:25:44,736 --> 00:25:46,322
GOOD.
674
00:25:46,363 --> 00:25:47,573
NOW, GET SOME REST.
675
00:25:47,573 --> 00:25:48,615
YOU'VE GOTA BIG DAY TOMORROW.
676
00:25:48,657 --> 00:25:51,493
YOU ARE GOING BACKTO HIGH SCHOOL!
677
00:26:05,967 --> 00:26:09,470
I FORGOT HOW MUCHI HATED HIGH SCHOOL.
678
00:26:09,512 --> 00:26:10,805
DON'T THINK ABOUT ITAS HIGH SCHOOL.
679
00:26:10,847 --> 00:26:14,016
THINK ABOUT IT AS A HOLLYWOODPUBLIC APPEARANCE EVENT...
680
00:26:14,058 --> 00:26:15,184
WITH WORSE LIGHTING.
681
00:26:18,855 --> 00:26:22,108
ALL WE HAVE TO DOIS GET MR. LEE TO SAY YES.
682
00:26:24,110 --> 00:26:25,237
HOW HARD CAN THAT BE?
683
00:26:26,321 --> 00:26:27,364
[DOOR OPENS]
684
00:26:46,299 --> 00:26:48,093
[MR. LEE]:GOOD MORNING.
685
00:26:48,135 --> 00:26:50,303
DAVID HERE TELLS ME YOU WANTTO ATTEND OUR SENIOR PROM
686
00:26:50,303 --> 00:26:51,555
AS HIS DATE.
687
00:26:51,555 --> 00:26:52,890
[PAIGE]:HERE TELLS ME YOU WANTWITH YOUR PERMISSION, IOR PROM
688
00:26:52,931 --> 00:26:54,141
AS HIS DATEOF COURSE.
689
00:26:54,141 --> 00:26:55,476
[MR. LEE]:MM-HMM.
690
00:26:55,518 --> 00:26:57,978
WELL, I'VE THOUGHT IT OVER, AND...
691
00:26:58,020 --> 00:26:59,480
[SUDDENLY CHEERY] I'M ALL FOR IT!
692
00:26:59,480 --> 00:27:00,439
AS FAR AS I'M CONCERNED, MISS ALLEN,
693
00:27:00,481 --> 00:27:02,650
YOU ARE MORE THAN WELCOME HERE.
694
00:27:02,650 --> 00:27:06,111
I THINK YOU'D BEAN INSPIRATION TO OUR STUDENTS.
695
00:27:06,154 --> 00:27:07,155
YOU ARE M [DOOR OPENS] COME HERE.
696
00:27:07,155 --> 00:27:08,531
HELLO, EVERYONE.
697
00:27:08,572 --> 00:27:10,449
I'M SO SORRY I'M LATE.COME HERE.
698
00:27:13,411 --> 00:27:14,370
[MR. LEE]:ALEX AND PAIGE,
699
00:27:14,412 --> 00:27:15,663
THIS IS MISS HOPE.
700
00:27:15,663 --> 00:27:17,831
SHE'S OUR FACULTY CHAIRFOR THE PROM COMMITTEE.
701
00:27:17,831 --> 00:27:18,958
THIS IS MISSGOOD MORNING.
702
00:27:19,000 --> 00:27:20,668
SHE'S [MR. LEE]:Y CHAIRI'VE JUST GIVEN MY PERMISSION
703
00:27:20,709 --> 00:27:23,546
FOR DAVID AND ALEXTO ATTEND THE PROM TOGETHER.
704
00:27:23,587 --> 00:27:25,757
WELL, ISN'TTHAT EXCITING!
705
00:27:25,799 --> 00:27:27,050
WELL, OF COURSE,
706
00:27:27,091 --> 00:27:30,094
WE'LL HAVE TO WORK OUTSOME LOGISTICS.
707
00:27:30,136 --> 00:27:31,345
WHAT WITHALL THE ADDED ATTENTION
708
00:27:31,387 --> 00:27:33,306
THAT THIS IS GOING TO BEBRINGING TO THE SCHOOL,
709
00:27:33,306 --> 00:27:34,307
WE CERTAINLY DON'T WANT
710
00:27:34,348 --> 00:27:36,476
TO OVERSHADOW THE EXPERIENCEBEBROF THE EVENTE SCHOOL,
711
00:27:36,518 --> 00:27:37,644
FOR THE STUDENTS.
712
00:27:37,686 --> 00:27:40,814
WELL, LOGISTICSARE MY SPECIALTY, MISS HOPE.
713
00:27:40,855 --> 00:27:42,649
I'D BE MORE HAPPYTO HELP IN ANY WAY I CAN.
714
00:27:42,691 --> 00:27:44,859
HONESTLY, I DON'T WANTTO BE ANY TROUBLE.
715
00:27:44,859 --> 00:27:46,445
I'M HERE FOR DAVID,
716
00:27:46,445 --> 00:27:47,862
SO JUST TREAT ME LIKE YOU WOULD
717
00:27:47,862 --> 00:27:50,073
ANY REGULAR STUDENTI'AT THE SCHOOL.ID,
718
00:27:51,200 --> 00:27:52,659
THAT IS A BRILLIANT IDEA.
719
00:27:54,036 --> 00:27:55,037
WHAT IS..?
720
00:27:55,870 --> 00:27:57,622
BEING TREATEDLIKE A REGULAR STUDENT.
721
00:27:58,958 --> 00:28:00,167
MR. LEE,
722
00:28:00,209 --> 00:28:01,418
DO YOU THINKIT WOULD BE POSSIBLE
723
00:28:01,418 --> 00:28:03,670
FOR ALEX TO ATTEND CLASSESWITH DAVID?
724
00:28:03,712 --> 00:28:04,713
DO YOU THINKALEX IS VERY INTERESTEDIBLE
725
00:28:04,713 --> 00:28:07,717
IN GETTING INVOLVEDIN EDUCATIONAL CHARITIES,
726
00:28:07,717 --> 00:28:09,468
THAT SORT OF THING.
727
00:28:09,509 --> 00:28:10,886
IT WOULD BE VERY HELPFUL
728
00:28:10,928 --> 00:28:12,387
IF SHE COULD GETAN INSIDE PERSPECTIVE
729
00:28:12,387 --> 00:28:13,889
WHILE SHE'S HERE.
730
00:28:13,889 --> 00:28:15,558
[MR. LEE]: I'LL TELL YOU WHAT, AN INMISS ALLEN.CTIVE
731
00:28:15,600 --> 00:28:17,142
I WILL MAKE YOUAN HONORARY STUDENT
732
00:28:17,184 --> 00:28:18,352
FOR THE WEEK.
733
00:28:18,393 --> 00:28:19,687
HOW ABOUT THAT?
734
00:28:19,729 --> 00:28:21,271
[LAUGHS AWKWARDLY]
735
00:28:22,231 --> 00:28:24,317
HOW ABOUT THAT?
736
00:28:29,447 --> 00:28:32,783
WHAT'S THE IDEA OFMAKING ME ATTEND CLASSES?
737
00:28:32,825 --> 00:28:34,702
THAT WASN'T PARTOF THE DEAL.
738
00:28:34,744 --> 00:28:35,661
ALEX...
739
00:28:35,703 --> 00:28:36,912
YOU REMEMBERHOW YOU ALWAYS USED TO TELL ME
740
00:28:36,912 --> 00:28:39,207
HOW YOU NEVER FIT ININ HIGH SCHOOL?
741
00:28:39,207 --> 00:28:40,208
EVERYBODY PICKED ON YOU.
742
00:28:40,208 --> 00:28:41,167
HOW YOU NEVER FIT INTHIS IS YOUR SECOND CHANCE
743
00:28:41,167 --> 00:28:42,502
TO BE THE COOLEST KIDIN CLASS. PICKED ON YOU.
744
00:28:42,543 --> 00:28:43,419
HOW YOU NEVER FIT INTHIS IS YI DON'T KNOW... CE
745
00:28:43,419 --> 00:28:44,420
PLUS, THERE AREPROBABLY HUNDREDS
746
00:28:44,420 --> 00:28:45,713
OF UNTAPPEDSOCIAL MEDIA ACCOUNTS
747
00:28:45,755 --> 00:28:46,672
IN THIS BUILDING,
748
00:28:46,714 --> 00:28:48,258
WAITING TO SMILE ON YOU.
749
00:28:48,258 --> 00:28:50,927
DO YOU REALLY THINKTHIS IS GOING TO WORK?
750
00:28:50,927 --> 00:28:51,887
COURSE I DO.MILE ON YOU.
751
00:28:51,928 --> 00:28:53,596
I'M ALSO GOING TO SET UPA DATE FOR YOU AND DAVID
752
00:28:53,639 --> 00:28:55,056
TO BE SEENAT A LOCAL HANGOUT.
753
00:28:55,098 --> 00:28:56,016
YOU CAN HAVE MILKSHAKES.
754
00:28:56,057 --> 00:28:57,976
YOU KNOW I DON'T DO DAIRY.
755
00:28:58,018 --> 00:29:00,771
ALEX, YOU'RE AN ACTOR.
756
00:29:00,771 --> 00:29:02,398
FAKE IT.
757
00:29:02,439 --> 00:29:03,690
HAVE A GREAT DAY! CTOR.
758
00:29:08,820 --> 00:29:10,614
SO, WHERE TO FIRST?
759
00:29:10,656 --> 00:29:12,115
MY FAVORITE CLASSOF THE DAY.
760
00:29:12,115 --> 00:29:13,367
COME ON.
761
00:29:23,127 --> 00:29:24,503
EXCUSE ME, MR. WALSH?
762
00:29:24,545 --> 00:29:27,256
THERE'S SOMEONEI'D LIKE YOU TO MEET.
763
00:29:28,132 --> 00:29:29,300
[LOUDSPEAKER CRACKLES]
764
00:29:29,300 --> 00:29:30,760
[MR. LEE ON SPEAKER]:GOOD MORNING, STUDENTS.
765
00:29:30,760 --> 00:29:32,344
I'M GOING TO DISPENSEWITH THE USUAL ANNOUNCEMENTS
766
00:29:32,386 --> 00:29:33,470
[MR. LEE ON SPEAKER]:GOOD THIS MORNINGENTS.
767
00:29:33,470 --> 00:29:35,347
IN ORDER TO WELCOMEA VERY SPECIAL GUEST
768
00:29:35,389 --> 00:29:36,473
[MR. LEE ON SPEAKER]:GOODTO OUR SCHOOL, NTS.
769
00:29:36,473 --> 00:29:40,978
THE FAMOUS HOLLYWOOD ACTORMISS ALEX ALLEN.
770
00:29:41,020 --> 00:29:43,731
[MISS ALLEN IS HERE: GOTO ATTEND THE PROMS.
771
00:29:43,773 --> 00:29:45,775
WITH J.W. HUGHES' VERY OWNDAVID ROGERS,
772
00:29:45,817 --> 00:29:49,153
AND WE HOPE SHE HASA WONDERFUL TIME THIS WEEK.
773
00:29:49,195 --> 00:29:50,071
[APPLAUSE]
774
00:29:50,112 --> 00:29:51,781
OVER AND OUT!
775
00:29:51,823 --> 00:29:53,991
WELL, IT'S REALLY NICETO MEET YOU, MISS ALLEN.
776
00:29:54,033 --> 00:29:56,453
SAME TO YOU, MR. WALSH.
777
00:30:01,249 --> 00:30:03,043
YEAH, YOU CANSIT OVER THERE WITH ME.
778
00:30:03,043 --> 00:30:04,419
OKAY.
779
00:30:04,461 --> 00:30:05,837
YEAH, YOU CANSIT OVER THI.E WITH ME.
780
00:30:08,631 --> 00:30:10,175
OKAY, EVERYBODY.ALL RIGHT.
781
00:30:10,175 --> 00:30:13,220
IT'S VERY EXCITING WE HAVEA CELEBRITY IN OUR MIDST,
782
00:30:13,261 --> 00:30:15,138
OKAY, EVERYBODY.BUT WE HAVE WORK TO DO...
783
00:30:15,180 --> 00:30:17,265
SHE'S SO AWESOME.
784
00:30:17,307 --> 00:30:20,978
...SO LET'S GET BACKTO OUR FRIEND, BILL SHAKESPEARE.
785
00:30:21,019 --> 00:30:22,688
WHO CAN TELL ME WHAT HAPPENS
786
00:30:22,688 --> 00:30:24,898
IN "ROMEO AND JULIET,"ACT TWO, SCENE TWO?
787
00:30:28,444 --> 00:30:29,987
ANYBODY?
788
00:30:31,864 --> 00:30:33,115
COME ON, DOES ANYONE?
789
00:30:36,535 --> 00:30:37,870
HOW ABOUT YOU, MISS ALLEN?
790
00:30:38,787 --> 00:30:39,747
[MISS ALLEN]:UH...
791
00:30:39,788 --> 00:30:41,790
YOU'RE KIND OF PUTTING MEON THE SPOT RIGHT NOW.
792
00:30:41,832 --> 00:30:44,043
OF COURSE, I'M SORRY.
793
00:30:44,085 --> 00:30:45,794
I SHOULDN'T HAVE EXPECTED YOUTO KNOW THIS.
794
00:30:45,836 --> 00:30:48,422
I GUESS YOU'RE USEDTO A DIFFERENT KIND OF ACTING.
795
00:30:49,883 --> 00:30:51,550
THE BALCONY SCENE.
796
00:30:52,551 --> 00:30:53,386
VERY GOOD.
797
00:30:53,427 --> 00:30:54,553
THANK YOU, MISS ALLEN.
798
00:30:56,848 --> 00:30:57,766
"ROMEO AND JULIET"
799
00:30:57,807 --> 00:30:59,433
IS ONE OF THE MOST FAMOUS PLAYSIN HISTORY,
800
00:30:59,475 --> 00:31:01,352
BUT REALLY, AT ITS HEART,
801
00:31:01,394 --> 00:31:03,730
IT'S JUST A STORY
802
00:31:03,772 --> 00:31:05,899
ABOUT TWO PEOPLEWHO COULD BE TOGETHER,
803
00:31:05,940 --> 00:31:08,985
BUT ARE KEPT APART BY LIES.
804
00:31:09,027 --> 00:31:10,236
[CLEARS THROAT]
805
00:31:10,236 --> 00:31:11,446
YES, MISS ALLEN?
806
00:31:11,488 --> 00:31:14,240
WELL, I HATETO DISAGREE WITH YOU, MR. WALSH,
807
00:31:14,240 --> 00:31:16,493
BUT IT WASN'T EXACTLY LIESTHAT KEPT THEM APART.
808
00:31:16,535 --> 00:31:19,078
WELL, I IT WAS MORE LIKETO DA SMALL MISUNDERSTANDING.SH,
809
00:31:21,665 --> 00:31:22,874
WELL,
810
00:31:22,916 --> 00:31:25,419
IF JULIET WOULD'VE TOLD ROMEOTHE TRUTH IN THE FIRST PLACE,
811
00:31:25,419 --> 00:31:27,462
THEN THERE WOULDN'T HAVE BEENA MISUNDERSTANDING.
812
00:31:27,504 --> 00:31:30,174
WELL, MAYBE ROMEO NEEDEDD
ROMEOTO GIVE JULIET THE FIRST PLACE,
813
00:31:30,215 --> 00:31:31,258
A LITTLE MORE TIME TO EXPLAIN.
814
00:31:31,300 --> 00:31:33,928
JULIET JUST HAD TO SAY"I'M A CAPULET,"
815
00:31:33,928 --> 00:31:35,512
AND ROMEOWOULD'VE FIGURED IT OUT.
816
00:31:39,266 --> 00:31:40,309
YES, DAVID?
817
00:31:40,350 --> 00:31:42,603
I DON'T REMEMBER ANY OF THISFROM THE PLAY AT ALL.
818
00:31:42,603 --> 00:31:43,854
YEAH, IT'S JUST...
819
00:31:43,896 --> 00:31:46,774
MISS ALLEN DOESN'T KNOW THE PLAYAS
WELL AS SHE THINKS SHE DOES.
820
00:31:48,734 --> 00:31:49,985
[ALEX]:O, ROMEO, ROMEO.
821
00:31:50,027 --> 00:31:51,153
WHEREFORE ART THOU ROMEO?
822
00:31:52,321 --> 00:31:55,491
DENY THY FATHERAND REFUSE THY NAME,
823
00:31:55,533 --> 00:31:56,742
OR IF THOU WILT NOT,
824
00:31:56,742 --> 00:31:58,035
BE BUT SWORN MY LOVE,
825
00:31:58,035 --> 00:32:00,120
AND I'LL NO LONGER BEOR IFA CAPULET. NOT,
826
00:32:00,162 --> 00:32:03,833
'TIS BUT THY NAMEBETHAT IS MY ENEMY.E,
827
00:32:03,874 --> 00:32:06,211
THOU ART THYSELF, THOUGH NOT A MONTAGUE.
828
00:32:06,252 --> 00:32:07,503
WHAT'S MONTAGUE?
829
00:32:07,545 --> 00:32:12,050
IT IS NOR HAND NOR FOOTNOR ARM NOR FACE,
830
00:32:12,092 --> 00:32:15,261
NOR ANY OTHER PARTBELONGING TO A MAN.
831
00:32:15,261 --> 00:32:16,930
O, BE SOME OTHER NAME!
832
00:32:16,972 --> 00:32:18,807
NOR ANY OTHER PARTBWHAT'S IN A NAME?
833
00:32:18,849 --> 00:32:19,933
THAT WHICH WE CALL A ROSE, BY ANY OTHER NAME,
834
00:32:19,975 --> 00:32:22,310
WOULD SMELL AS SWEET.
835
00:32:28,817 --> 00:32:30,068
[APPLAUSE]
836
00:32:46,835 --> 00:32:48,379
[EXCITED CHATTER]
837
00:32:59,515 --> 00:33:01,267
MR. WALSH,
838
00:33:01,267 --> 00:33:02,977
JUST WANTEDTO RETURN YOUR BOOK.
839
00:33:03,019 --> 00:33:04,812
I TAKE IT ANY INSPIRATIONYOU GOT FROM IT
840
00:33:04,854 --> 00:33:05,938
MUST HAVE WORKED.
841
00:33:05,980 --> 00:33:07,148
OH, BIG TIME.
842
00:33:07,189 --> 00:33:08,065
I STILL CAN'T BELIEVE
843
00:33:08,065 --> 00:33:11,402
ALEX ALLENIS GOING TO BE MY PROM DATE.
844
00:33:23,415 --> 00:33:25,208
I STILL CAN'OH, EXCUSE ME.
845
00:33:25,208 --> 00:33:28,002
HEY! HI.
846
00:33:28,044 --> 00:33:29,045
HI!
847
00:33:29,045 --> 00:33:30,463
LISTEN, I HAVEN'THAD A CHANCE
848
00:33:30,505 --> 00:33:31,923
TO SAY THANK YOUFOR YESTERDAY,
849
00:33:31,964 --> 00:33:33,716
BUT I HAVE YOUR CLOTHESAT THE HOTEL.
850
00:33:33,758 --> 00:33:34,759
I'M HAVING THEM CLEANED,
851
00:33:34,759 --> 00:33:36,053
AND I'LL GET THEM BACKTO YOU TOMORROW.
852
00:33:36,094 --> 00:33:38,221
NOT REALLY YOUR STYLE, HUH?
853
00:33:38,221 --> 00:33:39,431
WELL, LET'S JUST SAY
854
00:33:39,431 --> 00:33:41,391
YOU MAKE A MUCH BETTER HEIDITHAN I DO.
855
00:33:41,433 --> 00:33:44,269
APPARENTLY, DAVID DOESN'T THINK SO.
856
00:33:47,439 --> 00:33:49,733
CAN I ASK YOUSOMETHING?
857
00:33:49,733 --> 00:33:51,484
YOU'RE THE MOVIE STAR.
858
00:33:51,526 --> 00:33:54,362
WHY AREN'T YOU AND DAVIDGOING TO PROM TOGETHER?
859
00:33:55,447 --> 00:33:56,574
UH, BECAUSE...
860
00:33:56,574 --> 00:33:59,618
THE PROM IS STUPID, AND I WOULDN'T HAVE GONE ANYWAY.
861
00:33:59,660 --> 00:34:01,995
HE DIDN'T ASK YOU, HUH?
862
00:34:05,749 --> 00:34:07,418
LOOK...
863
00:34:07,460 --> 00:34:09,420
DAVID AND IARE BEST FRIENDS, OKAY?
864
00:34:09,420 --> 00:34:10,463
OKAY.
865
00:34:10,504 --> 00:34:12,756
AND BEST FRIENDS AND ILOOK AFTER EACH OTHER. OKAY?
866
00:34:12,756 --> 00:34:14,050
RIGHT, SO..?
867
00:34:14,092 --> 00:34:15,718
AND BEST FRIENDS AND ILOOK AFTER EACSO... ER. OKAY?
868
00:34:15,759 --> 00:34:17,470
I KNOWWHAT'S GOING ON HERE.
869
00:34:17,511 --> 00:34:19,138
YOU DON'T ACTUALLY CAREABOUT DAVID,
870
00:34:19,180 --> 00:34:20,264
AND YOU DON'T CAREABOUT THE PROM.
871
00:34:20,264 --> 00:34:22,808
YOU'RE JUST DOING THISFOR SOME GOOD PUBLICITY.
872
00:34:22,851 --> 00:34:24,435
AWELL, THAT'S NOTEAEXACTLY TRUE..
873
00:34:24,435 --> 00:34:25,895
REALLY?
874
00:34:25,895 --> 00:34:28,106
AWELL, THAT'S NOTEWELL, HERE'S WHAT IT IS.
875
00:34:28,106 --> 00:34:30,066
THIS IS REALLY IMPORTANTREALLY? TO DAVID,
876
00:34:30,108 --> 00:34:31,943
AND IF YOU DO ANYTHINGTO HURT HIS FEELINGS,
877
00:34:31,943 --> 00:34:34,153
I HAVE A CELL PHONEAND A SOCIAL MEDIA ACCOUNT,
878
00:34:34,195 --> 00:34:36,114
AND I AM NOT AFRAID TO USE THEM.
879
00:34:37,991 --> 00:34:39,951
HAVE A NICE DAY.
880
00:34:41,745 --> 00:34:43,455
I THOUGHTHOLLYWOOD WAS TOUGH.
881
00:34:43,455 --> 00:34:45,457
OH, NICE PERFORMANCEIN THERE, MISS ALLEN.
882
00:34:45,457 --> 00:34:46,458
I WAS IMPRESSED.
883
00:34:46,458 --> 00:34:48,126
OH, NICE PERFORMANCETHANK YOU.MISS ALLEN.
884
00:34:48,126 --> 00:34:50,044
I WAS HOPINGWE COULD GO SOMEPLACESSED.
885
00:34:50,044 --> 00:34:51,505
AND TALK FOR A MINUTE, PRIVATELY?
886
00:34:51,546 --> 00:34:52,797
I DON'T KNOWIF THAT'S A GOOD IDEA.SSED.
887
00:34:52,839 --> 00:34:56,468
LAST TIME WE DID THAT, THINGS KIND OF GOT OUT OF HAND.
888
00:34:56,468 --> 00:34:58,470
WELL, THAT'S WHAT I WANTTO TALK TO YOU ABOUT.
889
00:34:58,470 --> 00:35:00,639
- YOU SEE...-OH, THERE YOU ARE!
890
00:35:00,639 --> 00:35:01,932
MR. WALSH,
891
00:35:01,974 --> 00:35:03,683
IT'S TIMEFOR OUR PROM COMMITTEE MEETING.
892
00:35:04,684 --> 00:35:05,477
OH! WELL...
893
00:35:05,519 --> 00:35:07,396
SO SORRY, BIG MEETING.GOT TO GO.
894
00:35:07,437 --> 00:35:09,273
CAN I COME TOO?
895
00:35:09,273 --> 00:35:10,983
I WOULD JUST LOVE TO SEE
896
00:35:11,025 --> 00:35:13,027
WHAT YOU GUYS HAVE PLANNEDCAN I CFOR THE BIG NIGHT!
897
00:35:13,027 --> 00:35:14,820
YES.
898
00:35:14,820 --> 00:35:17,823
WHAT YOU GUYS HAVE PLANNEDOF COURSE! THE BIG NIGHT!
899
00:35:17,865 --> 00:35:19,158
OH, WE'D BE JUST THRILLEDTO HAVE YOU.
900
00:35:19,158 --> 00:35:20,409
GREAT!
901
00:35:20,451 --> 00:35:21,536
OH, WE'D BE JUST THRILLEDLEAD THE WAY!
902
00:35:24,997 --> 00:35:26,832
THIS SHOULD BE INTERESTING.
903
00:35:26,874 --> 00:35:30,002
BREE, WOULD YOU LIKETO OPEN THE MEETING FOR US?
904
00:35:30,002 --> 00:35:31,421
ABSOLUTELY.
905
00:35:31,462 --> 00:35:32,505
BREE, WOULD YOU LIKETO OPEN OKAY, WELL, ALEX,S?
906
00:35:32,505 --> 00:35:35,508
ON BEHALF OF EVERYBODYON THIS YEAR'S PROM COMMITTEE,
907
00:35:35,550 --> 00:35:36,634
BREE, WOULD YOU LIKETO I JUST WANT TO WELCOME YOU
908
00:35:36,676 --> 00:35:38,803
AND TELL YOU HOW REALLY, REALLY EXCITED WE ARE
909
00:35:38,844 --> 00:35:39,845
TO HAVE YOU HERE.
910
00:35:39,845 --> 00:35:40,805
THANK YOU.
911
00:35:40,805 --> 00:35:42,390
IT IS AN HONORTO HAVE YOTO BE...
912
00:35:42,432 --> 00:35:43,516
[MISS HOPE]: SURE, THAT'S REALLY NICE.THANK YOU.
913
00:35:43,516 --> 00:35:45,101
SO WE ONLY HAVE
914
00:35:45,143 --> 00:35:46,853
A VERY SHORT TIMETOGETHER TODAY,
915
00:35:46,853 --> 00:35:49,189
SO LET'S JUST KEEP THISMEETING MOVING RIGHT ALONG,
916
00:35:49,230 --> 00:35:50,190
A VERY SHORT TIMESHALL WE? TODAY,
917
00:35:50,190 --> 00:35:52,150
ALL RIGHT.
918
00:35:52,192 --> 00:35:54,485
A NOW, SINCE THIS YEAR'S THEMESHALL WE? TFOR THE PROM
919
00:35:54,527 --> 00:35:55,696
IS THE WILD WEST,
920
00:35:55,696 --> 00:35:58,031
I THINK WE SHOULD GETSOME ACTUAL BALES OF HAY
921
00:35:58,073 --> 00:36:01,242
AND HAVE THEM SCATTEREDAROUND THE GYM, WILD WEST,
922
00:36:01,284 --> 00:36:02,285
AND...
923
00:36:04,245 --> 00:36:05,246
YES?
924
00:36:06,289 --> 00:36:07,916
DO YOU REALLY THINKTHAT'S SUCH A GOOD IDEA?
925
00:36:07,958 --> 00:36:09,250
I MEAN, A LOT OF PEOPLE HAVE HAY FEVER,
926
00:36:09,250 --> 00:36:11,628
AND I IMAGINETHERE'S NOTHING WORSE
927
00:36:11,670 --> 00:36:14,047
THAN SNEEZING ALL NIGHTA LOT OIN A PROM DRESS.Y FEVER,
928
00:36:14,089 --> 00:36:16,842
UM, WELL, WE DON'T HAVETO HAVE REAL HAY, I SUPPOSE.
929
00:36:16,842 --> 00:36:18,051
AND THE WILD WEST THING?
930
00:36:18,051 --> 00:36:20,846
UM, IT SEEMS A LITTLE CULTURALLYTO HINSENSITIVE TO ME.PPOSE.
931
00:36:20,887 --> 00:36:24,391
WELL, DO YOU HAVE ANYIDEAS FOR A THEME, ALEX?
932
00:36:24,433 --> 00:36:26,102
WELL, SINCE I'M GOING TO BE HERE,
933
00:36:26,143 --> 00:36:27,561
HOW ABOUT HOLLYWOOD DREAMS?
934
00:36:27,603 --> 00:36:29,355
WE CAN GET SOME SPOTLIGHTS
935
00:36:29,396 --> 00:36:31,023
AND HAVE A BIG HOLLYWOOD SIGNON THE STAGE.
936
00:36:31,065 --> 00:36:32,984
I LOVE THAT!
937
00:36:34,151 --> 00:36:36,153
DON'T YOU THINKIT'S A LITTLE LATE IN THE GAME
938
00:36:36,153 --> 00:36:37,446
TO BE MAKING CHANGESLIKE THAT?
939
00:36:37,488 --> 00:36:38,740
DON'T YOU THINK [ALEX]:IT'S A LITTLE LATE INNOT AT ALL!
940
00:36:38,740 --> 00:36:40,992
I JUST WORKED WITH THE MOSTAMAZING SET DECORATOR
941
00:36:41,033 --> 00:36:42,118
DON'T YOU THINK [ALEX]:IT'S A LON MY LAST FILM. AT ALL!
942
00:36:42,159 --> 00:36:43,244
I'M SURE I CAN GIVE HIM A CALL,
943
00:36:43,244 --> 00:36:44,370
AND HE'D BE HAPPY TO WHIP UPSOME DESIGNS FOR US
944
00:36:44,411 --> 00:36:45,455
I'M SURE IRIGHT AWAY.IM A CALL,
945
00:36:46,748 --> 00:36:47,749
[MR. WALSH]:IT'S, IT'S JUST...
946
00:36:47,749 --> 00:36:51,085
WE DON'T EXACTLY HAVEA HOLLYWOOD-SIZED BUDGET
947
00:36:51,085 --> 00:36:52,044
[MR. WALSH]:IT'S, IT'S JUST... TO WORK WITH.
948
00:36:52,086 --> 00:36:53,212
[ALEX]: OH, THAT'S OKAY.
949
00:36:53,255 --> 00:36:55,215
WE CAN JUST RUN IT THROUGHMY NON-PROFIT ORGANIZATION.
950
00:36:55,215 --> 00:36:57,259
IT WON'T COST A DIME.
951
00:36:58,801 --> 00:36:59,886
WE CAN JUST RUN IT THROUGHMY NOTHIS IS AWESOME! ATION.
952
00:36:59,927 --> 00:37:01,513
[MISS HOPE]:MISS ALLEN,
953
00:37:01,554 --> 00:37:04,099
THE IDEA BEHIND PROM
954
00:37:04,099 --> 00:37:05,933
IS TO HAVE THE STUDENTSPARTICIPATE
955
00:37:05,976 --> 00:37:07,936
IN EVERY ASPECTOF THE EVENT.
956
00:37:07,936 --> 00:37:09,521
PERFECT,
957
00:37:09,521 --> 00:37:10,605
AND I WILL BERIGHT THERE
958
00:37:10,605 --> 00:37:12,983
PARTICIPATINGALONGSIDE THEM.
959
00:37:13,025 --> 00:37:15,277
UM, I THINKWHAT MISS HOPE MEANS
960
00:37:15,318 --> 00:37:16,904
IS THAT WE NEEDTO BE SURE
961
00:37:16,945 --> 00:37:19,114
THAT THIS IS SOMETHINGTHE WHOLE COMMITTEE WANTS.
962
00:37:19,156 --> 00:37:22,367
BUT PROM MEANSSO MANY DIFFERENT THINGS
963
00:37:22,409 --> 00:37:23,451
FOR SO MANY DIFFERENT PEOPLE.
964
00:37:23,451 --> 00:37:27,915
ROMANCE, CELEBRATION, A RITE OF PASSAGE...
965
00:37:27,956 --> 00:37:30,250
I JUST WANT TO MAKE IT BETTERFOR SO MFOR EVERYONE. PEOPLE.
966
00:37:31,460 --> 00:37:32,670
[BREE]: WELL, I SAYWE PUT IT TO A VOTE.
967
00:37:34,129 --> 00:37:35,130
[LAUGHS THINLY]
968
00:37:36,257 --> 00:37:37,633
[MISS HOPE]: ALL RIGHT.
969
00:37:37,633 --> 00:37:39,427
ALL IN FAVOR OF...
970
00:37:48,811 --> 00:37:50,313
MOTION PASSED.
971
00:37:50,313 --> 00:37:51,730
[STUDENTS CHATTER]
972
00:37:53,316 --> 00:37:54,859
MR. WALSH!
973
00:37:54,901 --> 00:37:57,070
JUST... OKAY, SURE.
974
00:37:57,111 --> 00:38:00,990
I MUST ADMIT, I'M A LITTLESURPRISED BY YOU, MR. WALSH.
975
00:38:00,990 --> 00:38:02,366
HOW SO, MISS HOPE?
976
00:38:02,408 --> 00:38:03,492
WELL,
977
00:38:03,492 --> 00:38:06,037
YOU CERTAINLY DON'T STRIKE MEAS THE KIND OF PERSON
978
00:38:06,037 --> 00:38:08,665
WHO'D BEWEA FAN OF MISS ALLEN'S MOVIES.
979
00:38:08,707 --> 00:38:11,876
ACTUALLY, I DON'T KNOW THEM, EAS THE OR HER. PERSON
980
00:38:11,876 --> 00:38:13,712
OH.
981
00:38:13,753 --> 00:38:15,046
ACTUALLY, I DON'T KNOW THEM, ETHAT DIDN'T SEEM TO STOP YOU
982
00:38:15,088 --> 00:38:17,799
FROM ENCOURAGINGHER LITTLE COUP D'ETAT.
983
00:38:19,343 --> 00:38:21,135
I DIDN'T ENCOURAGE IT.
984
00:38:21,178 --> 00:38:22,179
IT'S WHAT THE KIDS WANT.
985
00:38:22,179 --> 00:38:23,638
IT'S THEIR PROM.
986
00:38:23,680 --> 00:38:25,099
EXACTLY.
987
00:38:25,140 --> 00:38:26,683
IT'S THEIR PROM,
988
00:38:26,725 --> 00:38:29,228
NOT THE ALEX ALLEN SHOW...
989
00:38:30,187 --> 00:38:31,021
ENOUGH ABOUT ME.
990
00:38:31,063 --> 00:38:33,773
...AND I INTENDTO KEEP IT THAT WAY.
991
00:39:03,053 --> 00:39:06,891
OKAY, FIRST THING WE DOIS TAKE OFF THE EMERGENCY BRAKE.
992
00:39:06,891 --> 00:39:08,726
WHICH ONE IS THAT?
993
00:39:08,726 --> 00:39:09,727
YOU'RE NOT ANDREA.
994
00:39:09,769 --> 00:39:11,937
NO. I ASKED HER TO RESCHEDULE.
995
00:39:11,980 --> 00:39:13,439
I FELT LIKE SHE OWED ME ONE.
996
00:39:14,565 --> 00:39:16,026
YOU LIED TO ME, MISS ALLEN.
997
00:39:16,067 --> 00:39:19,029
OKAY, FIRST OF ALL, PLEASE CALL ME ALEX.
998
00:39:19,070 --> 00:39:20,947
SECOND, I DIDN'T LIE.
999
00:39:20,989 --> 00:39:23,074
I JUST DIDN'T TELL YOUTHE WHOLE TRUTH.
1000
00:39:23,116 --> 00:39:25,952
WHICH AMOUNTSTO THE SAME THING.
1001
00:39:27,954 --> 00:39:28,872
OKAY, LOOK,
1002
00:39:28,914 --> 00:39:31,667
YOU'RE GOING TO PROMWITH ONE OF MY STUDENTS.
1003
00:39:31,708 --> 00:39:33,209
I FIND ITHIGHLY INAPPROPRIATE
1004
00:39:33,251 --> 00:39:34,920
FOR US TO BE SITTING TOGETHERIN THIS CAR.
1005
00:39:34,920 --> 00:39:36,755
WELL, YOU'VE BEENAVOIDING ME ALL DAY.
1006
00:39:36,755 --> 00:39:37,714
FELT LIKE
1007
00:39:37,756 --> 00:39:39,966
THIS WAS THE ONLY PLACEWE COULD TALK PRIVATELY.
1008
00:39:40,008 --> 00:39:41,259
LOOK, ABOUT THE KISS...
1009
00:39:41,259 --> 00:39:42,969
THE KISSWAS INAPPROPRIATE, TOO.
1010
00:39:43,011 --> 00:39:46,056
I KNOW, BUT IF YOU'D LET ME EXPLAIN...
1011
00:39:46,097 --> 00:39:47,057
OKAY, ALL RIGHT, LOOK,
1012
00:39:47,098 --> 00:39:49,226
WE'RE SITTINGIN A CAR IN THE PARKING LOT.
1013
00:39:51,562 --> 00:39:52,604
YOU SHOULD DRIVE.
1014
00:39:53,605 --> 00:39:54,606
DRIVE?
1015
00:39:56,608 --> 00:39:57,693
YOU DO KNOW HOW TO DRIVE?
1016
00:39:58,819 --> 00:40:01,530
I'VE ALWAYS HAD A CHAUFFEUR.NEVER HAD TO LEARN.
1017
00:40:01,572 --> 00:40:02,865
YOU'RE KIDDING?
1018
00:40:03,783 --> 00:40:07,244
ALL RIGHT, I GUESSTHIS WILL BE LESSON NUMBER ONE.
1019
00:40:07,286 --> 00:40:09,080
[LAUGHS] SERIOUSLY?
1020
00:40:09,121 --> 00:40:10,957
BETTER LATE THAN NEVER.
1021
00:40:10,957 --> 00:40:14,586
LET'S START BY RELEASINGTHE EMERGENCY BRAKE.
1022
00:40:20,341 --> 00:40:22,134
THAT'S THE EMERGENCY BRAKE.
1023
00:40:22,134 --> 00:40:23,595
OH, YEAH.
1024
00:40:24,846 --> 00:40:26,931
WHOO! HEY!
1025
00:40:26,931 --> 00:40:30,101
OKAY, THIS ISN'T SO BAD.
1026
00:40:30,143 --> 00:40:31,353
WHOGOOD.Y!
1027
00:40:31,353 --> 00:40:32,937
NOW LET'S SEEHOW YOU ACTUALLY FEEL
1028
00:40:32,937 --> 00:40:34,106
WHEN YOU START THE ENGINE.
1029
00:40:37,317 --> 00:40:38,485
NOW LET'S SEEHOW [ENGINE STARTS] EEL
1030
00:40:46,034 --> 00:40:48,954
AND WHEN THAT TV INTERVIEWSHOWED UP ON THE SCREEN
1031
00:40:48,954 --> 00:40:50,038
WITH MY FACE ALL OVER IT,
1032
00:40:50,080 --> 00:40:51,957
AND WHEI DIDN'T KNOWERVIEWSHOWHAT ELSE TO DO.REEN
1033
00:40:51,999 --> 00:40:53,792
SO YOU KISSED ME.
1034
00:40:53,834 --> 00:40:55,127
WELL, I COULDN'T THINK
1035
00:40:55,168 --> 00:40:56,837
OF ANY OTHER WAYTO DISTRACT YOU.
1036
00:40:56,837 --> 00:40:59,507
WELL, IT WORKED.
1037
00:40:59,548 --> 00:41:02,676
OF ANY OTHER WAYWHAT I DON'T UNDERSTAND IS...
1038
00:41:02,718 --> 00:41:05,679
WHY DIDN'T YOU JUST TELL MEWHO YOU WERE IN THE FIRST PLACE?
1039
00:41:05,679 --> 00:41:07,306
I DON'T KNOW.
1040
00:41:07,348 --> 00:41:09,267
WHY DIDN'T YOU JUST TELL MEWHO YOU WEI GUESS I WAS ENJOYING
1041
00:41:09,308 --> 00:41:12,060
NOT BEING ALEX ALLENFOR A CHANGE.
1042
00:41:13,312 --> 00:41:16,023
WHAT'S WRONGWITH BEING ALEX ALLEN?
1043
00:41:16,023 --> 00:41:17,525
NOTHING.
1044
00:41:17,525 --> 00:41:19,860
IT'S JUST... EVERY TIME I MEET SOMEONE NEW,
1045
00:41:19,860 --> 00:41:22,571
THE FIRST THING I WONDER IS,"WHAT DO THEY WANT FROM ME?"
1046
00:41:22,613 --> 00:41:24,740
OH, COME ON,'S JUST... IT CAN'T BE AS BAD AS THAT.NEW,
1047
00:41:24,782 --> 00:41:25,867
IT'S WORSE.
1048
00:41:25,867 --> 00:41:28,244
IF I ACTUALLY GO OUT ON A DATEWITH A GUY,
1049
00:41:28,286 --> 00:41:31,122
AND OUR PHOTO SHOWS UPIN A MAGAZINE
1050
00:41:31,164 --> 00:41:32,581
OR ONLINE SOMEPLACE,
1051
00:41:32,581 --> 00:41:34,042
SUDDENLY, HE'S GOT A THREE-PICTURE DEAL
1052
00:41:34,083 --> 00:41:35,710
AND NEVER CALLS ME BACK.
1053
00:41:35,710 --> 00:41:37,420
GUESS THAT'S WHYI'M STILL SINGLE.
1054
00:41:37,420 --> 00:41:40,965
WELL, YOU HAVEA BETTER EXCUSE THAN I DO.
1055
00:41:41,007 --> 00:41:42,676
GUESS THAT'S WHYI'M STILL SINGLOH, YEAH?
1056
00:41:42,676 --> 00:41:45,512
YEAH, NO ONE'S GOING OUT WITHA HIGH SCHOOL ENGLISH TEACHER
1057
00:41:45,554 --> 00:41:47,263
GUESS THAT'S WHYTO ADVANCE THEIR CAREER.EAH?
1058
00:41:48,515 --> 00:41:51,184
SO, HOW COMEYOU'RE STILL SINGLE?
1059
00:41:53,437 --> 00:41:55,063
BAD EXAMPLES.
1060
00:41:55,063 --> 00:41:56,648
PARENTS?
1061
00:41:56,690 --> 00:41:58,900
YEAH, THEY WERE HAPPILY MARRIEDFOR 30 YEARS.
1062
00:41:58,900 --> 00:41:59,818
[LAUGHS]
1063
00:41:59,859 --> 00:42:01,153
HOW IS THAT A BAD EXAMPLE?
1064
00:42:03,113 --> 00:42:05,574
IT'S JUST, IT'S A LOTTO LIVE UP TO, YOU KNOW?
1065
00:42:05,574 --> 00:42:07,201
THE WAY MY MOM STILL TALKSABOUT MY DAD...
1066
00:42:08,911 --> 00:42:09,744
I JUST HOPE THAT SOME DAY,
1067
00:42:09,787 --> 00:42:11,121
I CAN FINDA RELATIONSHIP LIKE THAT
1068
00:42:11,163 --> 00:42:12,289
FOR MYSELF.
1069
00:42:14,124 --> 00:42:15,417
- CAR!- [HORN BEEPS]
1070
00:42:15,417 --> 00:42:16,752
[TIRES SCREECH]
1071
00:42:21,173 --> 00:42:23,133
- CAR!- [HORN BEEPS] OKAY.
1072
00:42:23,175 --> 00:42:24,469
MAYBE WE NEED A LITTLE BREAK.
1073
00:42:26,512 --> 00:42:28,013
YOU KNOW, I KNOW THIS GREAT SPOT UP AHEAD
1074
00:42:28,013 --> 00:42:29,932
THAT HAS EXCELLENT MILKSHAKES.
1075
00:42:29,932 --> 00:42:31,225
YOU KNOW, I KNOW THIS GROH, I DON'T DO...
1076
00:42:31,225 --> 00:42:34,144
I WOULD LOVE A MILKSHAKE.
1077
00:42:37,815 --> 00:42:39,609
YOU KNOW, I KNOW THIS GROH, WHEN I WAS 18,
1078
00:42:39,609 --> 00:42:42,778
I WAS WORKINGAT A GAS STATION,
1079
00:42:42,778 --> 00:42:44,739
AND THEY ASKED ME TO BEIN THEIR COMMERCIAL.
1080
00:42:44,739 --> 00:42:47,283
I WAS A WINDSHIELD WIPER.
1081
00:42:47,325 --> 00:42:49,369
YOU MUST HAVE BEENE TO BEVERY CONVINCING.CIAL.
1082
00:42:49,410 --> 00:42:50,286
I MUST'VE BEEN.
1083
00:42:50,328 --> 00:42:52,163
SOMEBODY CALLED MY MOM
1084
00:42:52,163 --> 00:42:54,624
AND TOLD HERTHEY THOUGHT I WAS TALENTED,
1085
00:42:54,624 --> 00:42:55,666
SOMEBODY SO... D MY MOM
1086
00:42:55,709 --> 00:42:58,294
WE PACKED UP, MOVED TO HOLLYWOOD.
1087
00:42:59,796 --> 00:43:01,798
AND THE REST IS HISTORY.
1088
00:43:01,840 --> 00:43:02,841
NOT QUITE.
1089
00:43:02,883 --> 00:43:04,635
WE LIVED IN THE CARFOR ABOUT A MONTH,
1090
00:43:04,676 --> 00:43:06,928
BUT THEN I GOT A JOB,
1091
00:43:06,970 --> 00:43:08,972
AND THEN I GOT ANOTHER ONE,
1092
00:43:08,972 --> 00:43:10,932
AND THEN THE STARLIGHT FALLSMOVIES HAPPENED.
1093
00:43:10,974 --> 00:43:12,934
WAIT, WHAT ARETHE STARLIGHT FALLS MOVIES?
1094
00:43:12,976 --> 00:43:15,479
WELL, I PLAY AN ALIEN
1095
00:43:15,479 --> 00:43:18,064
WHO COMES TO EARTHAS A TEENAGE GIRL,
1096
00:43:18,064 --> 00:43:19,816
AND EVERY TIME THE STARS SHINE,
1097
00:43:19,858 --> 00:43:22,736
I HAVE MAGICAL POWERS, AND I SAVE THE WORLD.
1098
00:43:24,071 --> 00:43:25,114
OKAY.
1099
00:43:25,156 --> 00:43:26,157
GOT IT.
1100
00:43:26,157 --> 00:43:28,117
MM-HMM, YEP...
1101
00:43:28,159 --> 00:43:30,912
AND WHEN THE FIRST ONE OF THOSECAME OUT,
1102
00:43:30,953 --> 00:43:32,454
EVERYTHING CHANGED.
1103
00:43:32,454 --> 00:43:34,540
FOR THE BETTER, OBVIOUSLY.
1104
00:43:34,581 --> 00:43:37,209
SOMETIMES, I'M NOT SO SURE.
1105
00:43:38,544 --> 00:43:41,338
I LOVE ACTING,
1106
00:43:41,380 --> 00:43:43,507
BUT THE STUFFTHAT COMES WITH IT
1107
00:43:43,507 --> 00:43:46,093
CAN BE... CONFUSING.
1108
00:43:47,512 --> 00:43:49,305
BUT THE STUFFTHAT COMES WITH ITHOW SO?
1109
00:43:50,264 --> 00:43:53,393
SOMETIMES, PEOPLE WANT YOUTO BE SOMETHING THAT YOU'RE NOT.
1110
00:43:53,435 --> 00:43:57,188
WELL, THAT'S JUSTPART OF THE BUSINESS, ISN'T IT?
1111
00:43:59,023 --> 00:44:02,985
NOT WHEN YOU START TO FORGETWHO YOU WERE TO BEGIN WITH.
1112
00:44:06,198 --> 00:44:09,242
WE ALL LOSE TRACK OF OURSELVESONCE IN A WHILE.
1113
00:44:09,284 --> 00:44:11,661
SOMETIMES, IT TAKESA COMPLETE STRANGER
1114
00:44:11,703 --> 00:44:13,621
TO REMIND US OF WHO WE ARE.
1115
00:44:18,711 --> 00:44:20,212
AH, I'VE GOT TO GO.
1116
00:44:20,212 --> 00:44:22,172
BUT YOU HAVEN'T FINISHEDYOUR MILKSHAKE.
1117
00:44:22,214 --> 00:44:23,716
I KNOW, I'M SORRY.
1118
00:44:23,716 --> 00:44:25,217
I HAVE A DATE...
1119
00:44:25,258 --> 00:44:26,301
I KNWITH DAVID.RY.
1120
00:44:27,427 --> 00:44:28,386
AH.
1121
00:44:28,386 --> 00:44:29,429
MM-HMM.
1122
00:44:43,152 --> 00:44:45,028
PHONE'S STILL NOT WORKING.I DON'T GET IT.
1123
00:44:45,070 --> 00:44:46,780
SHE'S NEVER LIKE THIS.
1124
00:44:49,575 --> 00:44:51,285
THIS DIVA THINGMIGHT WORK IN HOLLYWOOD,
1125
00:44:51,285 --> 00:44:53,621
BUT AROUND HERE, BEING LATE IS JUST RUDE.
1126
00:44:56,082 --> 00:44:57,541
THIS DIVA THINGMIGHTI'LL BE ON THE BALCONY.
1127
00:45:05,091 --> 00:45:06,593
THANK YOU FOR THE MILKSHAKE.
1128
00:45:06,593 --> 00:45:08,928
IT'S BEEN A VERY LONG TIMESINCE I'VE HAD ONE OF THOSE.
1129
00:45:12,098 --> 00:45:13,266
CAN I ASK YOU A QUESTION?
1130
00:45:13,266 --> 00:45:14,893
IS THERE GOING TO BEA TEST LATER?
1131
00:45:16,936 --> 00:45:18,021
YOU SAID
1132
00:45:18,062 --> 00:45:20,189
THAT PEOPLE ALWAYS SEEMTO WANT SOMETHING FROM YOU...
1133
00:45:21,691 --> 00:45:23,568
...BUT WHAT WAS ITABOUT DAVID'S INVITATION
1134
00:45:23,568 --> 00:45:24,944
THAT MADE YOU SAY YES?
1135
00:45:26,321 --> 00:45:27,281
...BUT WHAT WAS ITABOUT DAVWELL... VITATION
1136
00:45:27,322 --> 00:45:29,866
I GUESS IT WAS THE WORDSHE USED TO DESCRIBE ME.
1137
00:45:29,908 --> 00:45:31,535
WHAT KIND OF WORDS?
1138
00:45:32,786 --> 00:45:35,080
HE SAIDTHAT I "WALKED IN BEAUTY"
1139
00:45:35,122 --> 00:45:37,374
AND WAS AN "AGELESS SOUL,"
1140
00:45:37,416 --> 00:45:39,709
AND HE SAID THAT I WAS"A DREAM MADE REAL".
1141
00:45:39,751 --> 00:45:42,087
I MEAN, HOW COULD I NOT SAY YES?
1142
00:45:42,129 --> 00:45:43,839
NOW, IF ONLY I COULD FINDSOMEONE MY OWN AGE
1143
00:45:43,881 --> 00:45:45,841
TO USE WORDS LIKE THAT.
1144
00:45:45,883 --> 00:45:49,720
ANYWAY, I GUESS I WILL SEE YOUAROUND SCHOOL, VINCENT.
1145
00:45:51,806 --> 00:45:53,933
HAVE A NICE EVENING, ALEX.
1146
00:45:59,605 --> 00:46:01,231
OH, HOLD ON!
1147
00:46:01,273 --> 00:46:02,983
I ALMOST FORGOT.
1148
00:46:03,984 --> 00:46:05,486
WHAT'S THIS?
1149
00:46:05,528 --> 00:46:06,654
[VINCENT]:YOUR REPORT CARD.
1150
00:46:08,406 --> 00:46:09,657
D MINUS!
1151
00:46:09,657 --> 00:46:10,658
OUCH.
1152
00:46:10,700 --> 00:46:12,993
WELL, LOOK, YOU'RE HERETO GO TO PROM WITH DAVID,
1153
00:46:13,036 --> 00:46:15,163
AND AS HIS TEACHER, IT'S MY DUTY
1154
00:46:15,205 --> 00:46:16,539
TO MAINTAIN A STRICT CODEOF PROFESSIONAL CONDUCT
1155
00:46:16,581 --> 00:46:18,333
ALL THE WAYTHROUGH PROM NIGHT.
1156
00:46:18,374 --> 00:46:19,667
UNDERSTOOD.
1157
00:46:20,668 --> 00:46:23,421
BUT MAYBE IF YOU'RE INTERESTEDIN ANOTHER LESSON...
1158
00:46:24,589 --> 00:46:26,299
MY NUMBER'S ON THE BACK.
1159
00:46:28,093 --> 00:46:30,345
WE'RE FROMTWO DIFFERENT WORLDS, YOU KNOW.
1160
00:46:30,386 --> 00:46:32,347
I'M A CAPULET, YOU'RE A MONTAGUE.
1161
00:46:32,388 --> 00:46:33,515
WE BOTH KNOW HOW THAT ENDS.
1162
00:46:33,515 --> 00:46:36,142
WELL, NOBODY SAIDYOU CAN'T REWRITE SHAKESPEARE.
1163
00:46:37,478 --> 00:46:39,771
WOULD A KISS GET ME AN "A"?
1164
00:46:41,815 --> 00:46:43,775
IT'S... IT'S WORTH A TRY.
1165
00:46:46,695 --> 00:46:47,779
GOOD NIGHT.
1166
00:46:51,325 --> 00:46:52,493
GOOD NIGHT.
1167
00:47:06,548 --> 00:47:08,259
HEY! HI! SORRY I'M LATE.
1168
00:47:08,300 --> 00:47:09,301
[PAIGE]:WHERE HAVE YOU BEEN?
1169
00:47:09,343 --> 00:47:10,552
I HAVE BEEN CALLING YOUFOR TWO HOURS.
1170
00:47:10,552 --> 00:47:11,721
PHONE'S STILL DEAD.
1171
00:47:11,763 --> 00:47:13,389
I HI WAS JUST DOING YOUA LITTLE SIGHTSEEING.
1172
00:47:13,430 --> 00:47:14,974
REALLY, AND WHAT SIGHTSDID YOU SEE?
1173
00:47:14,974 --> 00:47:17,560
UH, YOU KNOW.THE SIGHTS.
1174
00:47:17,560 --> 00:47:18,978
REALLY, AND WHAT SIGHTSDID YOU SEE? THESE ARE FOR YOU.
1175
00:47:19,020 --> 00:47:20,271
OH, THANK YOU, DAVID.
1176
00:47:20,312 --> 00:47:22,440
THEY ARE BEAUTIFUL, AND YOU LOOK NICE!
1177
00:47:22,482 --> 00:47:23,816
WHERE ARE WE GOINGFOR THE BIG DATE?
1178
00:47:23,858 --> 00:47:24,901
THE BURGER BARN.
1179
00:47:24,901 --> 00:47:26,361
WHAT'S WRONGWITH THE BURGER BARN?
1180
00:47:26,403 --> 00:47:28,112
THERE'S NOTHING WRONGWITH THE BURGER BARN.
1181
00:47:28,154 --> 00:47:29,197
IT'S THE MOST POPULAR PLACEIN TOWN
1182
00:47:29,239 --> 00:47:30,240
FOR HIGH SCHOOL KIDS.
1183
00:47:30,282 --> 00:47:31,658
YEAH...
1184
00:47:31,699 --> 00:47:32,992
THE COOL KIDS,
1185
00:47:33,034 --> 00:47:33,993
WHICH I'M NOT.
1186
00:47:34,035 --> 00:47:35,578
WELL, I THINK YOU'RE COOL.
1187
00:47:35,578 --> 00:47:37,497
STICK WITH ME, KID, AND WE'LL HAVE A GREAT NIGHT.
1188
00:47:37,539 --> 00:47:38,956
WELLI'LL BE RIGHT DOWN.OL.
1189
00:47:38,999 --> 00:47:40,583
I'LL GET THE CAR, MEET YOU OUT FRONT.
1190
00:47:40,625 --> 00:47:41,919
I'LL HELP YOU!
1191
00:47:50,844 --> 00:47:52,262
HAVE YOU SEENALEX'S LATEST MOVIE?
1192
00:47:52,262 --> 00:47:53,180
WHICH ONE?
1193
00:47:53,180 --> 00:47:54,640
HAVE YOTHE ONE SHEALEX'S MADE TONIGHT.
1194
00:47:56,099 --> 00:47:57,017
WHO IS THAT?
1195
00:47:57,017 --> 00:47:59,603
[DEVYN]: MR. WALSH, DAVID'S ENGLISH TEACHER.
1196
00:47:59,603 --> 00:48:00,771
WHO IT LOOKS LIKE ALEX
1197
00:48:00,771 --> 00:48:02,147
HAD A LITTLE EXTRAHOMEWORK TO DO.
1198
00:48:03,441 --> 00:48:04,442
DID ANYBODY ELSESEE THIS?
1199
00:48:04,442 --> 00:48:05,526
NOT YET,
1200
00:48:05,526 --> 00:48:07,361
BUT IF YOUR CLIENTDUMPS MY BROTHER
1201
00:48:07,403 --> 00:48:08,446
BEFORE THE PROM,
1202
00:48:08,446 --> 00:48:09,780
I'LL MAKE SURE THIS ENDS UPALL OVER THE INTERNET
1203
00:48:09,822 --> 00:48:12,866
FASTER THAN YOU CAN SAY"AMERICA'S SWEETHEART."
1204
00:48:12,908 --> 00:48:14,743
- GOT THAT?-UNDERSTOOD.
1205
00:48:14,785 --> 00:48:15,994
GOOD.
1206
00:48:17,163 --> 00:48:19,873
HAVE YOU EVER CONSIDEREDA CAREER IN HOLLYWOOD?
1207
00:48:29,092 --> 00:48:32,595
[♪]
1208
00:48:32,636 --> 00:48:34,347
HI. YEAH.
1209
00:48:35,932 --> 00:48:37,642
THERE'S A SEATRIGHT OVER THERE.
1210
00:48:37,684 --> 00:48:39,102
THANKS.
1211
00:48:42,856 --> 00:48:45,609
[LOUDLY] ALEX ALLEN, TABLE FOR FOUR.
1212
00:48:53,700 --> 00:48:55,076
OF COURSE.
1213
00:48:55,118 --> 00:48:57,121
COURSE, YES.
1214
00:48:57,162 --> 00:48:58,497
PLEASE...
1215
00:48:58,497 --> 00:48:59,831
RIGHT THIS WAY.
1216
00:49:04,003 --> 00:49:06,130
PLEASE... HEY, NICE TO SEE YOU.
1217
00:49:06,171 --> 00:49:07,381
HOW'S YOUR NIGHT GOING?
1218
00:49:08,590 --> 00:49:10,175
THIS IS CRAZY.I CAN'T BELIEVE SHE'S HERE.
1219
00:49:10,175 --> 00:49:11,176
[BOY]: HEY, DAVID.
1220
00:49:11,218 --> 00:49:12,511
I KNOW.
1221
00:49:12,511 --> 00:49:13,929
GOOD TO SEE YOU.
1222
00:49:13,971 --> 00:49:15,347
[BOY]: HEY, DAVID.W.
1223
00:49:15,347 --> 00:49:16,473
IT'S RESERVED.
1224
00:49:21,771 --> 00:49:22,897
ALEX.
1225
00:49:24,857 --> 00:49:26,066
CAN I GET YOU SOMETHING?
1226
00:49:26,108 --> 00:49:27,527
FOUR SODAS.
1227
00:49:27,527 --> 00:49:28,486
OKAY.
1228
00:49:28,528 --> 00:49:29,779
- DIET.-DIET.
1229
00:49:29,820 --> 00:49:32,407
- DIET.-DIET...
1230
00:49:32,448 --> 00:49:33,991
THE BEST YOU'VE GOT.
1231
00:49:33,991 --> 00:49:35,660
I'LL CHECKTHE WINE CELLAR.
1232
00:49:41,791 --> 00:49:43,126
THE BEST YOEXCUSE ME.
1233
00:49:47,880 --> 00:49:49,340
HEY.
1234
00:49:49,382 --> 00:49:51,051
WHAT'S THE MATTER?
1235
00:49:51,092 --> 00:49:52,718
WHY DID YOUHAVE TO BRING HER HERE?
1236
00:49:52,760 --> 00:49:54,805
WHAT, THIS? THIS WAS PAIGE'S IDEA.
1237
00:49:54,846 --> 00:49:56,222
WHAT'S UPSETTING YOU?
1238
00:49:56,222 --> 00:49:57,348
YOU, DAVID!
1239
00:49:58,558 --> 00:50:00,644
WHAT'S UPSYOU UPSET ME.
1240
00:50:02,729 --> 00:50:04,981
I'LL MAKE SURESHE LEAVES A BIG TIP,
1241
00:50:04,981 --> 00:50:06,316
IF THAT'S WHAT'S BOTHERING YOU.
1242
00:50:09,027 --> 00:50:10,571
I'LYOU KNOW, REYOU'RE REALLY AN IDIOT.
1243
00:50:10,571 --> 00:50:11,572
YOU KNOW THAT?
1244
00:50:11,572 --> 00:50:13,073
LOOK, I'M JUST HAVINGYA GREAT NIGHT, OKAY,T.
1245
00:50:13,073 --> 00:50:14,408
AND I...
1246
00:50:14,408 --> 00:50:16,117
WHY CAN'T YOU JUST BE HAPPYYA GREATFOR ME? OKAY,T.
1247
00:50:21,290 --> 00:50:22,791
EVERYTHING OKAY?
1248
00:50:22,833 --> 00:50:24,918
YEAH, THAT WAS JUST... WATTS.
1249
00:50:24,960 --> 00:50:28,047
SHE GETS KIND OF WEIRDSOMETIMES.
1250
00:50:31,926 --> 00:50:33,135
[PAIGE]:YOU ARE TRENDING
1251
00:50:33,177 --> 00:50:34,511
ACROSS ALLOF YOUR SOCIAL MEDIA ACCOUNTS
1252
00:50:34,553 --> 00:50:35,596
RIGHT NOW.
1253
00:50:35,596 --> 00:50:37,932
EVERYBODY IN HERE MUST BEPOSTING SOMETHING ABOUT YOU.
1254
00:50:37,932 --> 00:50:39,767
[ALEX]: DO YOU THINKTHERE'S ANYTHING ON THIS MENU
1255
00:50:39,767 --> 00:50:41,060
THAT ISN'T FRIED?
1256
00:50:41,102 --> 00:50:41,978
[ALEX]: DO YOU THINKTHERE'S ANYTHING ON THBE NICE.
1257
00:50:42,019 --> 00:50:43,104
PEOPLEARE WATCHING.
1258
00:50:44,105 --> 00:50:45,522
HI, DAVID.
1259
00:50:45,565 --> 00:50:46,566
[DAVID]:OH...
1260
00:50:46,608 --> 00:50:48,025
HI.
1261
00:50:49,694 --> 00:50:51,529
I SAWYOUR PROMPOSAL VIDEO.
1262
00:50:51,571 --> 00:50:52,614
I WAS VERY IMPRESSED.
1263
00:50:52,614 --> 00:50:54,281
THANKS.
1264
00:50:54,281 --> 00:50:56,784
I WISH A GUY WOULD DOSOMETHING LIKE THAT FOR ME.
1265
00:50:56,826 --> 00:50:58,202
GOOD LUCK.
1266
00:50:58,245 --> 00:51:00,705
[DAVID]: IT WASN'T THAT BIGOF A DEAL.
1267
00:51:00,705 --> 00:51:01,998
IT CERTAINLYWAS A BIG DEAL!
1268
00:51:02,039 --> 00:51:03,916
[DAVID]: ITDAVID'S VIDEO'SGOF ALL OVER THE NEWS.
1269
00:51:03,958 --> 00:51:05,042
HE'S FAMOUS.
1270
00:51:06,628 --> 00:51:07,629
I BET YOU'RE GLAD
1271
00:51:07,629 --> 00:51:08,796
I DIDN'T GO TO PROM WITH YOUAFTER ALL, HUH?
1272
00:51:08,838 --> 00:51:10,423
DAVID IS THE BEST DATE EVER.
1273
00:51:10,465 --> 00:51:11,799
WE'RE HAVING SO MUCH FUNTONIGHT, AREN'T WE?
1274
00:51:11,799 --> 00:51:13,343
YEAH!
1275
00:51:13,385 --> 00:51:15,678
ALEX ALLEN, COURTNEY CORDELL.
1276
00:51:15,720 --> 00:51:17,305
IT'S VERY NICE TO MEET YOU.
1277
00:51:17,305 --> 00:51:18,306
MM...
1278
00:51:18,348 --> 00:51:19,641
ARE YOU A FRIENDOF DAVID'S?
1279
00:51:19,641 --> 00:51:21,226
OH, YES,I'VE KNOWN DAVID FOR YEARS.
1280
00:51:21,268 --> 00:51:22,895
WE GO WAY BACK.
1281
00:51:24,647 --> 00:51:27,691
ALEX, COULD I GETA PICTURE WITH YOU?
1282
00:51:29,693 --> 00:51:31,361
ABSOLUTELY.
1283
00:51:33,489 --> 00:51:34,532
YOU WANT METO TAKE IT?
1284
00:51:34,532 --> 00:51:36,074
YES.
1285
00:51:36,116 --> 00:51:37,034
YOU WANT METHERE YOU GO. TAKE IT?
1286
00:51:37,075 --> 00:51:38,160
YOU KNOW, I HAVE AN IDEA.
1287
00:51:38,160 --> 00:51:39,370
DAVID, WHY DON'T YOUBE IN THE PICTURE, TOO?
1288
00:51:39,412 --> 00:51:40,413
WHOA, WHAT?
1289
00:51:40,454 --> 00:51:42,122
O... KAY....
1290
00:51:42,164 --> 00:51:43,165
READY?
1291
00:51:44,375 --> 00:51:45,793
ONE, TWO, THREE.
1292
00:51:45,834 --> 00:51:46,835
[CAMERA CLICKS]
1293
00:51:46,835 --> 00:51:48,129
PERFECT.
1294
00:51:51,507 --> 00:51:53,509
OH, IT'S PERFECT.THANKS SO MUCH, ALEX.
1295
00:51:53,509 --> 00:51:55,303
YOU'RE THE BEST.
1296
00:51:57,638 --> 00:51:59,015
YOU KNOW SHE'S JUST GOING
1297
00:51:59,015 --> 00:52:00,433
TO CROP DAVIDOUT OF THAT PICTURE.
1298
00:52:00,474 --> 00:52:01,350
SHE CAN'T.
1299
00:52:01,350 --> 00:52:02,894
THAT'S WHY I PUT HIMIN THE MIDDLE.
1300
00:52:06,690 --> 00:52:07,691
YEAH, SO, UH...
1301
00:52:07,691 --> 00:52:09,025
THAT WAS COURTNEY.
1302
00:52:09,025 --> 00:52:12,278
SHE WAS THE LAST GIRLTO TURN ME DOWN FOR PROM.
1303
00:52:12,320 --> 00:52:13,446
YOU KNOW, I STILL CAN'T BELIEVE
1304
00:52:13,488 --> 00:52:16,032
IT WAS THAT DIFFICULT FOR YOUTO GET A PROM DATE.
1305
00:52:16,032 --> 00:52:17,366
UH...
1306
00:52:17,366 --> 00:52:20,495
I DID GET REJECTEDABOUT... 15 TIMES.
1307
00:52:20,537 --> 00:52:21,538
WOW.
1308
00:52:21,538 --> 00:52:22,956
YEAH.
1309
00:52:22,997 --> 00:52:24,583
[HEIDI]:OKAY.WOW.
1310
00:52:24,624 --> 00:52:26,960
HERE WE GO.
1311
00:52:27,001 --> 00:52:30,130
FOUR DIET SODAS.
1312
00:52:30,172 --> 00:52:31,923
IT'S OUR FINEST VINTAGE.
1313
00:52:33,383 --> 00:52:34,384
THANK YOU.
1314
00:52:34,384 --> 00:52:35,469
THANKS.
1315
00:52:37,554 --> 00:52:38,805
WHY DIDN'T YOU ASK HEIDI?
1316
00:52:38,847 --> 00:52:41,391
THEY'RE JUST FRIENDS.
1317
00:52:41,433 --> 00:52:43,727
YEAH, AND ALSO, SHE THINKSPROM IS STUPID ANYWAY.
1318
00:52:43,769 --> 00:52:45,395
WELL, LET ME TELL YOUSOMETHING.
1319
00:52:45,395 --> 00:52:47,397
IF YOU WERE IN MY CLASSBACK WHEN I WAS IN SCHOOL,
1320
00:52:47,397 --> 00:52:49,734
I WOULD HAVE BEEN THRILLEDIF YOU ASKED ME TO THE PROM.
1321
00:52:49,734 --> 00:52:50,860
REALLY?
1322
00:52:50,901 --> 00:52:53,946
MM-HMM, AND I DEFINITELYWOULD HAVE SAID YES.
1323
00:52:59,034 --> 00:53:01,746
I HAD A LOT OF FUNTONIGHT, ALEX.
1324
00:53:01,746 --> 00:53:02,997
FOR THE FIRST TIME,
1325
00:53:03,038 --> 00:53:05,500
I KIND OF FELT LIKEI BELONGED AT THAT PLACE.
1326
00:53:05,500 --> 00:53:07,793
I'M GLAD! I HAD FUN, TOO.
1327
00:53:07,835 --> 00:53:09,295
I KIND OF FELT LIKEI WAS JUST WONDERING... ACE.
1328
00:53:09,337 --> 00:53:11,256
I KNOW I'M ONLY IN HIGH SCHOOL,
1329
00:53:11,297 --> 00:53:13,424
BUT MAYBE, SAY, A FEW YEARS FROM NOW...
1330
00:53:13,424 --> 00:53:14,759
DAVID...
1331
00:53:14,759 --> 00:53:16,094
YOU'RE A GREAT KID,
1332
00:53:16,136 --> 00:53:17,095
AND SOMEDAY,
1333
00:53:17,095 --> 00:53:18,638
YOU ARE GOING TO MAKESOME GIRL VERY HAPPY.
1334
00:53:18,679 --> 00:53:19,889
BUT NOT YOU.
1335
00:53:19,931 --> 00:53:20,806
NOT ME.
1336
00:53:20,806 --> 00:53:22,934
BESIDES, AS FAR ASHOLLYWOOD'S CONCERNED,
1337
00:53:22,934 --> 00:53:23,935
I'LL BE 29 FOREVER, OT ME.
1338
00:53:23,977 --> 00:53:25,686
SO EVENTUALLY, YOU'LL JUST BE TOO OLD FOR ME,
1339
00:53:25,728 --> 00:53:26,772
AND IT WOULDN'T WORK.
1340
00:53:26,813 --> 00:53:29,775
WELL, CAN'T REALLY BLAME A GUYFOR TRYING, RIGHT?
1341
00:53:29,775 --> 00:53:30,776
GOOD NIGHT, DAVID.
1342
00:53:30,776 --> 00:53:33,444
I WILL SEE YOUIN SCHOOL TOMORROW.
1343
00:54:51,191 --> 00:54:52,776
[♪]
1344
00:54:55,863 --> 00:54:58,031
YOU WALK IN BEAUTYLIKE THE MORNING SUN,
1345
00:54:58,031 --> 00:55:00,450
ARISING WITH THE HOPE OF LOVE.
1346
00:55:00,492 --> 00:55:02,953
YOUR HEART BEATS WITHTHE PASSION OF YOUR COURAGE,
1347
00:55:02,995 --> 00:55:04,705
THE STRENGTHOF YOUR DETERMINATION,
1348
00:55:04,705 --> 00:55:07,165
AND THE GENTLE KINDNESSOF AN AGELESS SOUL.
1349
00:55:07,207 --> 00:55:09,877
YOU ARE TO MEOA DREAM MADE REAL,N,
1350
00:55:09,918 --> 00:55:12,796
ONE FROM WHICHI HOPE TO NEVER AWAKE.
1351
00:55:12,838 --> 00:55:15,508
SO WHAT DO YOU SAY, ALEX?
1352
00:55:15,549 --> 00:55:17,885
WILL YOU TAKE A CHANCE ON MEAND BE MY DATE TO THE PROM?
1353
00:55:17,926 --> 00:55:20,012
[MUSIC ENDS]
1354
00:55:20,054 --> 00:55:21,097
[CELL PHONE RINGS]
1355
00:55:26,060 --> 00:55:26,936
HELLO?
1356
00:55:26,978 --> 00:55:28,604
ALEX, I NEED YOU TO...
1357
00:55:29,898 --> 00:55:31,149
UM...
1358
00:55:32,066 --> 00:55:33,567
WHO WERE YOU CALLING?
1359
00:55:33,609 --> 00:55:34,986
NOBODY.
1360
00:56:01,930 --> 00:56:03,973
YOU CAN'T JUST GO AROUNDTAKING OTHER PEOPLE'S WORDS
1361
00:56:04,016 --> 00:56:06,226
AND CALLING THEM YOUR OWN.
1362
00:56:06,226 --> 00:56:08,395
IT'S CALLED PLAGIARISM.
1363
00:56:08,437 --> 00:56:10,898
I'M REALLY SORRY, AND CALLING THEMR. WALSH..
1364
00:56:14,944 --> 00:56:16,904
LOOK...
1365
00:56:16,946 --> 00:56:18,572
NO HARM, NO FOUL.
1366
00:56:18,613 --> 00:56:20,658
JUST NEXT TIME...
1367
00:56:20,700 --> 00:56:22,618
WRITE SOMETHINGOF YOUR OWN, OKAY?
1368
00:56:23,786 --> 00:56:24,829
YES, SIR.
1369
00:56:35,923 --> 00:56:37,300
[PAIGE]:MR. WALSH?
1370
00:56:37,300 --> 00:56:38,801
DO YOU HAVE A MOMENT?
1371
00:56:38,801 --> 00:56:40,345
[PAIGE]:MR. WALSH? CERTAINLY.
1372
00:56:40,386 --> 00:56:42,555
MY NAME IS PAIGE, PAIGE SUMNER.
1373
00:56:42,597 --> 00:56:43,931
I'M ALEX ALLEN'SPUBLICIST.
1374
00:56:43,931 --> 00:56:44,932
WHAT CAN I DO FOR YOU?
1375
00:56:44,974 --> 00:56:46,309
I'M ALEX ALLEN'SPUBIT HAS COME TO MY ATTENTION
1376
00:56:46,309 --> 00:56:48,228
THAT YOU AND MY CLIENT, MISS ALLEN,
1377
00:56:48,269 --> 00:56:50,313
HAVE BECOME, FOR WANT OF A BETTER WORD,
1378
00:56:50,313 --> 00:56:51,772
AN ITEM.
1379
00:56:53,316 --> 00:56:54,818
I WOULDN'T EXACTLYCALL IT THAT.
1380
00:56:54,818 --> 00:56:56,402
WELL, WHATEVER IT ISYOU WANT TO CALL IT,
1381
00:56:56,402 --> 00:56:57,445
I NEED TO KEEP ITOUT OF THE PRESS,
1382
00:56:57,445 --> 00:56:58,446
WELL, WHATEVER IT ISYOU WAPRINT AND ELECTRONIC.
1383
00:56:58,488 --> 00:57:00,531
THAT MEANSNEED TO KEEP ITIT NEEDS TO STOP.E PRESS,
1384
00:57:00,531 --> 00:57:02,743
IS THIS COMING FROM YOU, OR FROM ALEX?
1385
00:57:02,784 --> 00:57:05,495
THAS HER PUBLICIST AND FRIEND, IT NEI SPEAK FOR BOTH OF US.
1386
00:57:05,495 --> 00:57:07,247
LOOK, SHE CAME HERE
1387
00:57:07,247 --> 00:57:09,207
TO GO TO THE PROMWITH DAVID ROGERS.
1388
00:57:09,207 --> 00:57:10,792
I UNDERSTAND THAT, LOOK, AND I'M NOT GETTING...
1389
00:57:10,834 --> 00:57:11,668
SO THIS IS NOTROMAN OPPORTUNITYERS.
1390
00:57:11,710 --> 00:57:13,504
FOR YOU TO MAKE MONEY, MR. WALSH.
1391
00:57:13,504 --> 00:57:14,671
WHAT?
1392
00:57:14,671 --> 00:57:16,882
I WILL NOT HAVE YOU SELLINGMY CLIENT TO THE MEDIA.
1393
00:57:16,923 --> 00:57:18,174
IS THAT WHAT YOU THINKTHIS IS ABOUT?
1394
00:57:18,216 --> 00:57:20,261
LET ME PUT IT LIKE THIS.
1395
00:57:20,302 --> 00:57:22,388
IF YOUR RELATIONSHIP WITH ALEXBECOMES PUBLIC,
1396
00:57:22,429 --> 00:57:24,473
SO WILL YOUR ENTIRE LIFE.
1397
00:57:24,515 --> 00:57:26,057
I HAVE NOTHING TO HIDE.
1398
00:57:26,100 --> 00:57:28,019
EVERYONE HAS SOMETHINGTO HIDE, MR. WALSH.
1399
00:57:29,020 --> 00:57:31,272
REMEMBER THAT.
1400
00:57:45,787 --> 00:57:46,579
IT'S ME.
1401
00:57:46,621 --> 00:57:47,580
I NEED YOU TO DOA BACKGROUND SEARCH
1402
00:57:47,622 --> 00:57:50,082
ON ONE OF THESCHOOL TEACHERS UP HERE.
1403
00:57:50,124 --> 00:57:52,585
J.W. HUGHES HIGH.
1404
00:57:52,627 --> 00:57:54,754
YEAH, HIS NAME IS VINCENT WALSH.
1405
00:57:55,630 --> 00:57:57,882
TREVOR... THAT'S MY SET DECORATOR,
1406
00:57:57,924 --> 00:58:01,093
SENT OVER THESE DESIGNSFOR THE PROM.
1407
00:58:03,513 --> 00:58:06,015
MISS ALLEN, THEY LOOK VERY AMBITIOUS.
1408
00:58:06,015 --> 00:58:06,974
AH, WELL, THAT'S TREVOR.
1409
00:58:07,016 --> 00:58:08,059
MISS AONCE HE GETS HIS MINDTHEY LOOSET ON SOMETHING,
1410
00:58:08,059 --> 00:58:09,227
THE SKY'S THE LIMIT.
1411
00:58:09,227 --> 00:58:11,271
MISSSO WE'RE GOING TO GO WITHTAN
OLD HOLLYWOOD GLAMOUR THEME.
1412
00:58:11,313 --> 00:58:14,357
CLASSIC MOVIES, CLASSIC MOVIE STARS.
1413
00:58:14,399 --> 00:58:15,442
ARE THOSEMIRROR BALLS?
1414
00:58:15,483 --> 00:58:17,235
OF COURSE, YOU CAN'T HAVE PROMWITHOUT MIRROR BALLS.
1415
00:58:17,235 --> 00:58:18,862
BUT 10 OF THEM?
1416
00:58:18,862 --> 00:58:19,905
OF COURSE,
YOU CAN'T HAVE PROMWITAND WHAT DOES THAT MEAN...
1417
00:58:19,947 --> 00:58:21,739
"BLACK AND WHITE, NO EXCEPTIONS"?
1418
00:58:21,782 --> 00:58:23,658
OH, THAT'STREVOR'S COLOR SCHEME
1419
00:58:23,701 --> 00:58:24,659
FOR THE EVENING.
1420
00:58:24,702 --> 00:58:25,786
IT'S BASEDON HURRELL.
1421
00:58:27,079 --> 00:58:29,206
THE PHOTOGRAPHER?
1422
00:58:29,247 --> 00:58:31,834
ANYWAY, EVERYONE HAS TO COMEDRESSED IN BLACK AND WHITE.
1423
00:58:31,875 --> 00:58:32,835
BUT MISS ALLEN,
1424
00:58:32,876 --> 00:58:34,920
MANY OF THE STUDENTSAND FACULTY
1425
00:58:34,920 --> 00:58:37,130
HAVE ALREADY PURCHASEDTHEIR PROM WEAR.
1426
00:58:38,716 --> 00:58:42,219
OKAY, WE CAN COMPROMISE, I GUESS.
1427
00:58:42,261 --> 00:58:44,054
LET'S SAY THE GIRLS CAN WEARWHATEVER THEY WANT,
1428
00:58:44,096 --> 00:58:45,806
AND THE BOYS HAVE TO COMEDRESSED IN BLACK AND WHITE.
1429
00:58:45,806 --> 00:58:47,933
OTHERWISE, TREVOR WILL HAVE A HEART ATTACK.
1430
00:58:47,975 --> 00:58:49,727
ANDUM, MAYBE WE COULDCOMEDRESSEDSIMPLIFY THIS WHITE.
1431
00:58:49,768 --> 00:58:50,978
JUST A LITTLE BIT.
1432
00:58:51,019 --> 00:58:53,397
I MEAN, IT'S A LOT TO TAKE IN.
1433
00:58:53,439 --> 00:58:56,400
BREE, DO YOU WANTTO HAVE A PROM TO REMEMBER?
1434
00:58:56,442 --> 00:58:57,443
YES, BUT...
1435
00:58:57,443 --> 00:58:59,487
SO DO I.
1436
00:59:04,408 --> 00:59:05,284
WHAT ELSE YOU GOT?
1437
00:59:05,284 --> 00:59:08,079
NOW, OVER HERE, WIND MACHINES...
1438
00:59:08,121 --> 00:59:09,413
WIND MACHINES?
1439
00:59:09,455 --> 00:59:10,456
YEAH...
1440
00:59:11,332 --> 00:59:12,876
AND THEN THIS WILL BETHE LOUNGE AREA,
1441
00:59:12,917 --> 00:59:14,961
SO THAT'S NOT DANCING, YOU CAN JUST CHILL OUT.
1442
00:59:14,961 --> 00:59:16,087
RIGHT.
1443
00:59:17,005 --> 00:59:18,507
SO THAT'S NOT DANCING, YOU CAN JUST OH, VINCENT...
1444
00:59:18,548 --> 00:59:20,967
SORRY, I WAS IN A MEETING.WHAT DID I MISS?
1445
00:59:20,967 --> 00:59:21,843
OH, NOTHING.
1446
00:59:21,843 --> 00:59:23,678
EXCEPT LITTLE MISSMOVIE STAR IN THERE
1447
00:59:23,720 --> 00:59:24,638
IS TURNING THE PROM
1448
00:59:24,679 --> 00:59:27,474
INTO HER VERY OWNPERSONAL ACADEMY AWARDS.
1449
00:59:27,516 --> 00:59:29,809
I'M SURE IT'S NOTAS BAD AS ALL THAT.
1450
00:59:29,809 --> 00:59:31,019
IT'S WORSE,
1451
00:59:31,019 --> 00:59:32,854
I'M SURE IT'SBUT I'M GOING TOAS BAD AS ALLPUT A STOP TO THIS,
1452
00:59:32,896 --> 00:59:34,481
ONCE AND FOR ALL.
1453
00:59:41,155 --> 00:59:43,073
I KNOW.
1454
00:59:43,115 --> 00:59:45,200
HI.
1455
00:59:48,453 --> 00:59:50,580
OH, MY GOSH, YOU REALLY--
1456
00:59:50,622 --> 00:59:51,581
WHERE'S ALEX?
1457
00:59:51,581 --> 00:59:54,627
SHE'S STILL WORKINGON THE PROM.
1458
00:59:54,669 --> 00:59:57,212
THIS SEAT'S TAKEN.ALEX?
1459
01:00:01,842 --> 01:00:03,260
OKAY, SORRY.
1460
01:00:05,388 --> 01:00:08,974
I SWEAR, I HAVE NO IDEAWHY HE'D COME AROUND.
1461
01:00:09,016 --> 01:00:10,976
- HEY.-HEY.
1462
01:00:17,692 --> 01:00:20,736
[♪]
1463
01:00:23,781 --> 01:00:24,950
HEY.
1464
01:00:26,492 --> 01:00:27,368
WHY AREN'T YOU SITTING
1465
01:00:27,410 --> 01:00:29,412
WITH YOUR NEW FRIENDSOVER THERE?
1466
01:00:29,454 --> 01:00:30,872
I DON'T NEEDA MERCY LUNCH.
1467
01:00:30,872 --> 01:00:32,165
SHUT UP, WATTS.
1468
01:00:34,334 --> 01:00:36,211
SO, WHERE'SEDYOUR PROM DATE?
1469
01:00:36,211 --> 01:00:37,420
STILL IN THE GYM.
1470
01:00:37,462 --> 01:00:41,341
SHE AND MISS HOPE HAVE BEENARGUING ABOUT BALLOON SHAPESE?
1471
01:00:41,382 --> 01:00:42,968
FOR AN HOUR.
1472
01:00:43,009 --> 01:00:44,386
OH.
1473
01:00:48,974 --> 01:00:50,892
LOOK, I'M SORRYABOUT THE OTHER NIGHT
1474
01:00:50,892 --> 01:00:52,394
AT THE BURGER BARN.
1475
01:00:52,394 --> 01:00:54,062
DON'T... DON'T WORRY.
1476
01:00:54,104 --> 01:00:56,357
NO, I WAS BEING AN IDIOT, AND I REALLY AM SORRY.
1477
01:00:57,733 --> 01:00:59,776
THIS WHOLE THING HAS JUSTGONE TO MY HEAD, I GUESS.
1478
01:01:02,738 --> 01:01:04,240
YOU KNOW,
1479
01:01:04,240 --> 01:01:05,908
YOU ASKED ME
1480
01:01:05,950 --> 01:01:08,535
WHY I COULDN'T JUST BE HAPPYFOR YOU?,
1481
01:01:10,662 --> 01:01:13,958
THE THING IS, I'VE ALWAYSBEEN HAPPY FOR YOU.
1482
01:01:13,958 --> 01:01:15,752
YOU'RE, LIKE, THE BEST PERSON I KNOW.
1483
01:01:15,752 --> 01:01:16,669
THE THING IS, I'VE ALWAYSWATTS... EEN HAPPY FOR YOU.
1484
01:01:16,711 --> 01:01:19,631
NO, IT'S TRUE,
1485
01:01:19,672 --> 01:01:23,009
AND JUST BETWEEN US,
1486
01:01:23,050 --> 01:01:26,471
THAT PROMPOSAL THAT YOU WROTEWAS PRETTY AMAZING.
1487
01:01:26,513 --> 01:01:29,140
I'M REALLY PROUDOF YOU, ROGERS.
1488
01:01:30,767 --> 01:01:32,269
YEAH, ABOUT THAT...
1489
01:01:32,269 --> 01:01:33,603
CAN, UH...
1490
01:01:33,645 --> 01:01:35,605
CAN YOU KEEP A SECRET?
1491
01:01:35,605 --> 01:01:37,774
HAVEN'T I ALWAYS?
1492
01:01:37,815 --> 01:01:41,111
I DIDN'T EXACTLY... WRITE IT.
1493
01:01:41,111 --> 01:01:42,279
WHAT?
1494
01:01:42,320 --> 01:01:46,074
MR. WALSH, HE, UM, HE GAVE ME HIS BOOK,
1495
01:01:46,116 --> 01:01:47,825
FOR INSPIRATION, HE SAID,
1496
01:01:47,868 --> 01:01:51,454
AND I DIDN'T GET THAT INSPIRED, SO...
1497
01:01:51,496 --> 01:01:53,165
YOU STOLE ITRIGHT OUT OF THE BOOK?
1498
01:01:53,206 --> 01:01:54,708
NO, NOT ALL OF IT.
1499
01:01:54,750 --> 01:01:57,294
JUST... JUST THE PARTWHERE I DESCRIBED ALEX.
1500
01:01:57,335 --> 01:01:59,797
IT WAS FROM THIS CHAPTERWHERE MR. WALSH IS TALKING
1501
01:01:59,797 --> 01:02:03,717
ABOUT THE WOMANHE WANTS TO MARRY SOMEDAY.
1502
01:02:03,759 --> 01:02:05,511
IT SEEMED TO FIT, SO...
1503
01:02:07,262 --> 01:02:08,431
YOU NEED TO TELL ALEX.
1504
01:02:08,472 --> 01:02:10,766
WHY?
1505
01:02:10,808 --> 01:02:12,685
BECAUSE IT'S DISHONEST,
1506
01:02:12,685 --> 01:02:14,227
USING SOMEBODY ELSE'S WORDSAS YOUR OWN.
1507
01:02:14,270 --> 01:02:16,980
COME ON, NOBODY CARESABOUT THAT ON THE INTERNET.
1508
01:02:16,980 --> 01:02:18,941
YEAH, BUT I DO!
1509
01:02:18,941 --> 01:02:21,819
COME ON, NOBODY CARESAOKAY, OKAY, SETTLE DOWN.T.
1510
01:02:21,819 --> 01:02:22,820
I'LL TELL HER!
1511
01:02:22,820 --> 01:02:23,779
GOOD.
1512
01:02:23,821 --> 01:02:25,698
- ALL RIGHT.-THANK YOU.
1513
01:02:26,824 --> 01:02:27,908
AFTER THE PROM.
1514
01:02:40,504 --> 01:02:41,589
OW! OW!
1515
01:02:42,966 --> 01:02:44,926
WHOA, WHOA, LET ME HELP YOU WITH THAT.
1516
01:02:44,968 --> 01:02:47,303
OH, THANKS.
1517
01:02:47,345 --> 01:02:48,847
UGH...
1518
01:02:48,888 --> 01:02:50,014
WHAT ARE YOU DOINGBACK HERE ANYWAY?
1519
01:02:50,056 --> 01:02:51,182
I THOUGHT I'D LOOK AND SEE
1520
01:02:51,182 --> 01:02:53,602
IF THERE WAS ANY DECORATIONSWE COULD USE,
1521
01:02:53,643 --> 01:02:55,604
AND THEN I GOT A SPLINTER.
1522
01:02:55,645 --> 01:02:56,813
LET ME SEE THAT.
1523
01:02:57,814 --> 01:02:59,316
OH, YEAH, IT'S IN THERE.
1524
01:02:59,358 --> 01:03:00,359
HERE, HAVE A SEAT.
1525
01:03:00,359 --> 01:03:01,818
THANK YOU.
1526
01:03:07,741 --> 01:03:09,534
YOU'RE REALLY INTOALL THIS PROM STUFF, HUH?
1527
01:03:11,495 --> 01:03:12,454
YOU MUST HAVE HADA REALLY GREAT ONE
1528
01:03:12,496 --> 01:03:13,622
WHEN YOU WEREIN HIGH SCHOOL.
1529
01:03:13,622 --> 01:03:15,875
ACTUALLY, I DIDN'T GO TO MINE.
1530
01:03:15,875 --> 01:03:16,917
WHEN YOU WEREIN HIGH SCHWHAT? WHY?
1531
01:03:18,043 --> 01:03:19,086
NO ONE ASKED ME.
1532
01:03:20,045 --> 01:03:21,839
I FIND THATHARD TO BELIEVE.
1533
01:03:21,881 --> 01:03:22,798
BELIEVE IT.
1534
01:03:22,840 --> 01:03:25,175
I WAS NOT ONEOF THE POPULAR KIDS IN SCHOOL.
1535
01:03:25,217 --> 01:03:28,220
ALEX ALLEN, HOLLYWOOD SUPERSTAR,
1536
01:03:28,220 --> 01:03:29,304
NOT POPULAR?
1537
01:03:29,346 --> 01:03:30,264
THAT'S IMPOSSIBLE.
1538
01:03:30,305 --> 01:03:32,057
I WAS BULLIED A LOT
1539
01:03:32,099 --> 01:03:34,143
BY SOME OF THE OTHER KIDSIN SCHOOL,
1540
01:03:34,184 --> 01:03:35,728
SO THAT DIDN'T HELP.
1541
01:03:35,770 --> 01:03:38,564
I JUST REMEMBER SITTINGAT THE LUNCH TABLE,
1542
01:03:38,606 --> 01:03:39,649
LISTENING TO THEM ALL TALK
1543
01:03:39,690 --> 01:03:41,817
ABOUT WHAT THEY WERE GOINGTO WEAR TO PROM
1544
01:03:41,859 --> 01:03:44,529
AND WHERE THEY WERE GOINGTO GO OUT FOR DINNER AFTER.
1545
01:03:44,570 --> 01:03:46,406
IS THIS GOINGTO BE A SAD STORY?
1546
01:03:46,447 --> 01:03:49,575
OH, IT GETS MUCH BETTER...
1547
01:03:49,575 --> 01:03:52,745
BECAUSE I DECIDEDI WAS NOT GOING TO SIT AT HOME
1548
01:03:52,787 --> 01:03:55,040
AND FEEL SORRY FOR MYSELF,
1549
01:03:55,040 --> 01:03:57,793
SO I DECORATED MY ROOM,
1550
01:03:57,834 --> 01:03:59,753
AND FETWINKLE LIGHTS AND ALL,
1551
01:03:59,753 --> 01:04:02,714
AND I DID MY HAIRAND MAKEUP,
1552
01:04:02,714 --> 01:04:05,008
AND PUT ON MY BEST DRESS,
1553
01:04:05,050 --> 01:04:07,552
AND I DID MY HAIRI PICKED JUST THE RIGHT SONG,
1554
01:04:07,594 --> 01:04:10,388
AND I DANCED BY MYSELF,
1555
01:04:10,388 --> 01:04:12,432
ALL ALONE, IN MY ROOM,
1556
01:04:12,432 --> 01:04:13,975
AND AND I PRETENDEDELF,
1557
01:04:14,017 --> 01:04:16,562
THAT I WAS HAVINGMY VERY OWN PRIVATE PROM.OM,
1558
01:04:16,603 --> 01:04:19,856
MY MOM SAYS THAT'S HOW SHE KNEWI WAS GOING TO BE AN ACTOR.
1559
01:04:19,898 --> 01:04:20,982
SILLY, RIGHT?
1560
01:04:22,150 --> 01:04:24,361
NO, NOT SILLY...
1561
01:04:24,403 --> 01:04:25,446
SWEET.
1562
01:04:28,324 --> 01:04:29,158
WELL, WHO KNOWS,
1563
01:04:29,158 --> 01:04:30,701
MAYBE THIS PROM WILL HELPMAKE UP FOR IT.
1564
01:04:34,455 --> 01:04:35,622
WELL, WHO KNOGOT IT.
1565
01:04:35,622 --> 01:04:36,958
THANKS.
1566
01:04:40,795 --> 01:04:41,796
BACK TO WORK!
1567
01:04:50,888 --> 01:04:52,473
[MISS HOPE]:MR. LEE!
1568
01:04:52,473 --> 01:04:53,891
MR. LEE.
1569
01:04:53,933 --> 01:04:55,435
AH, MISS HOPE.
1570
01:04:55,477 --> 01:04:58,062
HOW ARE THE PREPARATIONSCOMING ALONG FOR THE PROM?
1571
01:04:58,104 --> 01:05:01,649
WELL, THAT IS EXACTLYWHY I WANTED TO TALK TO YOU.
1572
01:05:01,649 --> 01:05:02,650
IT'S ABOUT MISS ALLEN.
1573
01:05:02,650 --> 01:05:05,862
SUCH A PLEASURE TOHAVE HER IN OUR SCHOOL.
1574
01:05:05,903 --> 01:05:07,739
A LOVELY LADY, ISN'T SHE?
1575
01:05:07,739 --> 01:05:09,449
SURE.WELL, THE THING IS...
1576
01:05:09,449 --> 01:05:10,658
A LOVELY LADY, ISNUM, THE THING IS, MR. LEE,
1577
01:05:10,658 --> 01:05:13,370
I'M AFRAID WE HAVE A PROBLEMWEWITH MISS ALLEN....
1578
01:05:17,790 --> 01:05:19,792
A LOVELY LADY, ISNUM, THE THING UGH, I AM BEAT.
1579
01:05:19,834 --> 01:05:21,044
HOW ANYONEDOES ANYTHING
1580
01:05:21,044 --> 01:05:22,670
WITHOUT AT LEASTFIVE PERSONAL ASSISTANTS
1581
01:05:22,670 --> 01:05:23,671
HOW ANYONEIS BEYOND ME. ANYTHING
1582
01:05:23,671 --> 01:05:25,758
I JUST WANT A HOT BATHAND A GLASS OF WINE.STANTS
1583
01:05:25,799 --> 01:05:27,592
MAKE THAT TWO.
1584
01:05:27,592 --> 01:05:29,011
YOU'RE GOINGTO HATE ME FOR THIS,
1585
01:05:29,011 --> 01:05:32,347
BUT I RAN A BACKGROUND CHECKON YOUR ENGLISH TEACHER.TWO.
1586
01:05:32,347 --> 01:05:33,515
YOU'RE GOINGWHAT? TO HATE ME FOR THIS,
1587
01:05:33,515 --> 01:05:34,558
YOU'RE RIGHT, PAIGE,
1588
01:05:34,600 --> 01:05:36,226
I AM GOING TO HATE YOUFOR THIS.
1589
01:05:36,268 --> 01:05:37,310
I KNOW, I'M SORRY,
1590
01:05:37,352 --> 01:05:38,521
I SHOULD'VE TOLDYOU BEFORE,
1591
01:05:38,521 --> 01:05:39,522
BUT I...
1592
01:05:39,522 --> 01:05:40,606
I SHOULD'VE TOLDBUT WHAT? YOU BEFORE,
1593
01:05:40,648 --> 01:05:42,483
YOU THOUGHT I WOULD TELL YOUIT'S NONE OF YOUR BUSINESS? I...
1594
01:05:42,483 --> 01:05:44,151
YOU ARE MY BUSINESS, ALEX,
1595
01:05:44,192 --> 01:05:45,736
YOU THOUGHT I WOULD TELL YOUIT'S NONE OAND YOU'RE MY FRIEND.
1596
01:05:45,778 --> 01:05:47,988
I JUST DON'T WANTTO SEE YOU GET HURT,
1597
01:05:48,030 --> 01:05:49,031
AND...
1598
01:05:50,783 --> 01:05:51,575
I'M AFRAID
1599
01:05:51,575 --> 01:05:53,702
YOU'RE NOT GOING TO LIKEWHAT I FOUND OUT
1600
01:05:53,702 --> 01:05:55,496
ABOUT VINCENT WALSH.
1601
01:05:56,789 --> 01:05:58,541
ARE YOU SURE HE DOESN'T WANTANYTHING FROM YOU?
1602
01:06:11,554 --> 01:06:12,430
LET'S GO, PEOPLE!
1603
01:06:12,471 --> 01:06:15,684
WE ARE LESS THANSIX HOURS TO PROM TIME!
1604
01:06:15,725 --> 01:06:17,060
HEY, GREAT JOB!
1605
01:06:18,061 --> 01:06:18,895
OH, HERE.
1606
01:06:18,895 --> 01:06:20,897
YOU, WITH THE SIGNAGE, COME ON, HUSTLE!
1607
01:06:20,897 --> 01:06:23,358
SWEETIE...
1608
01:06:23,400 --> 01:06:24,859
LOOKING GOOD, SIGNAGE, SERGEANT.HUSTLE!
1609
01:06:24,901 --> 01:06:25,860
GOOD IS NOT GOOD ENOUGH.
1610
01:06:25,902 --> 01:06:27,821
THESE GUYS WOULDN'T LASTA DAY ON A FILM SET.
1611
01:06:27,862 --> 01:06:30,449
WELL, LET'S REMEMBER, IT'S ONLY A HIGH SCHOOL PROM.
1612
01:06:30,490 --> 01:06:32,617
DO YOU NEEDSOMETHING, MR. WALSH?
1613
01:06:34,286 --> 01:06:35,204
UH, WELL...
1614
01:06:35,204 --> 01:06:36,371
ACTUALLY, I WAS WONDERING
1615
01:06:36,413 --> 01:06:39,749
WHEN YOU'D LIKE TO SCHEDULEYOUR NEXT DRIVING LESSON.
1616
01:06:39,791 --> 01:06:41,751
MY CALENDAR HAPPENSTO BE WIDE OPEN.
1617
01:06:41,751 --> 01:06:43,921
I WON'T BE TAKINGANY MORE OF YOUR LESSONS,
1618
01:06:43,921 --> 01:06:45,089
THANKS.
1619
01:06:45,089 --> 01:06:47,216
IS IT THE CAR?
1620
01:06:47,216 --> 01:06:49,468
BECAUSE I KNOW IT'S NOT EXACTLYTHE
SMOOTHEST RIDE IN THE WORLD.
1621
01:06:49,509 --> 01:06:52,096
NO, IT'S NOT THE CAR.IT'S THE TEACHER.
1622
01:06:52,096 --> 01:06:53,180
I DON'T TRUST HIM.
1623
01:06:53,222 --> 01:06:54,849
WHAT'S THAT SUPPOSED TO MEAN?
1624
01:06:54,890 --> 01:06:57,685
YOU TELL ME... V.K. WALSH.
1625
01:07:06,944 --> 01:07:08,613
SO YOU FOUND MY BOOK.
1626
01:07:08,613 --> 01:07:09,447
PAIGE DID,
1627
01:07:09,489 --> 01:07:10,656
WHEN SHE WASCHECKING UP ON YOU.
1628
01:07:10,698 --> 01:07:12,783
WHY DIDN'T YOU TELL MEYOU WERE A WRITER?
1629
01:07:12,783 --> 01:07:13,659
I DON'T KNOW.
1630
01:07:13,701 --> 01:07:14,827
IT DIDN'T COME UPIN THE CONVERSATION.
1631
01:07:14,869 --> 01:07:17,122
WELL, I'M SURE IT WOULD HAVE, SOONER OR LATER.
1632
01:07:17,163 --> 01:07:18,123
SO?
1633
01:07:18,123 --> 01:07:19,124
SO...
1634
01:07:19,124 --> 01:07:21,792
THIS WAS ALL A SET-UP, WASN'T IT?
1635
01:07:21,792 --> 01:07:22,710
WHAT?
1636
01:07:22,752 --> 01:07:23,962
THE "PROMPOSAL."
1637
01:07:23,962 --> 01:07:25,964
YOU AND DAVIDHAD IT ALL PLANNED.
1638
01:07:26,006 --> 01:07:28,299
YOU GAVE HIM THE WORDSRIGHT OUT OF YOUR BOOK,
1639
01:07:28,341 --> 01:07:31,011
TOLD HIM EXACTLY WHAT TO SAYAND HOW TO SAY IT.
1640
01:07:31,052 --> 01:07:32,595
NO, THAT'S NOT WHAT HAPPENED.
1641
01:07:32,637 --> 01:07:35,932
YOU USED THAT NICE KIDAS BAIT TO MEET ME...
1642
01:07:35,974 --> 01:07:37,267
OH, AND WHAT A COINCIDENCE,
1643
01:07:37,308 --> 01:07:38,351
YOU JUST HAPPENTO HAVE WRITTEN A BOOK,
1644
01:07:38,393 --> 01:07:40,646
AND WOULDN'T IT MAKEA GREAT MOVIE?
1645
01:07:40,646 --> 01:07:42,105
THAT NEVER EVEN CROSSEDMY MIND.
1646
01:07:42,105 --> 01:07:43,398
IT'S A BOOK OF POETRY!
1647
01:07:44,232 --> 01:07:46,485
THAT NEYOU KNOW, CROSSEDI THOUGHT YOU WERE DIFFERENT,
1648
01:07:46,527 --> 01:07:47,486
BUT YOU JUST WANTED TO USE ME,
1649
01:07:47,528 --> 01:07:50,071
LIKE EVERY GUYI HAVE EVER DATED.
1650
01:07:51,490 --> 01:07:53,700
ALEX, LET ME EXPLAINSOMETHING TO YOU.
1651
01:07:53,742 --> 01:07:54,826
YOU DIDN'TRECOGNIZE ME.
1652
01:07:54,826 --> 01:07:55,702
RIGHT.
1653
01:07:55,744 --> 01:07:58,372
I'LL BET YOU KNEW I WAS COMINGALL ALONG.
1654
01:07:58,414 --> 01:07:59,498
YOU'VE GOT TO BE KIDDING ME.
1655
01:07:59,498 --> 01:08:00,874
A WEEK AGO, I DIDN'T EVEN KNOW WHO YOU WERE!
1656
01:08:00,916 --> 01:08:02,376
YOU'VE GOT TO BE KIOH, PLEASE!
1657
01:08:02,418 --> 01:08:04,170
EVERYBODY KNOWS WHO I AM!
1658
01:08:04,211 --> 01:08:05,712
MAYBETHAT'S YOUR PROBLEM.
1659
01:08:05,754 --> 01:08:08,674
YOU'RE SO USED TO EVERYBODYKNOWING YOU,
1660
01:08:08,674 --> 01:08:09,550
THAT YOU'RE AFRAID
1661
01:08:09,550 --> 01:08:10,968
TO LET ANYBODYACTUALLY GET TO KNOW YOU.
1662
01:08:11,010 --> 01:08:12,678
WHAT DOES THAT EVEN MEAN?
1663
01:08:12,678 --> 01:08:14,013
IT MEANS
1664
01:08:14,013 --> 01:08:16,140
THAT DESPITE HOW HIGHLYYOU THINK OF YOURSELF,
1665
01:08:16,182 --> 01:08:19,393
NOT EVERYBODY'S INTERESTEDIN TAKING ADVANTAGE OF YOU...
1666
01:08:19,435 --> 01:08:20,978
ESPECIALLY ME.
1667
01:08:31,531 --> 01:08:32,574
AND ANOTHER THING...
1668
01:08:36,328 --> 01:08:37,454
[MR. LEE]:MS. ALLEN!
1669
01:08:37,495 --> 01:08:41,040
OH, MR. LEE. HI.
1670
01:08:41,040 --> 01:08:43,168
I... UM...
1671
01:08:43,210 --> 01:08:44,252
OH, MR. LEE. HI. [CLEARS THROAT]
1672
01:08:44,294 --> 01:08:45,712
FIRST OF ALL, I WANT TO THANK YOU
1673
01:08:45,753 --> 01:08:47,214
FOR ALL YOUR EFFORTSON OUR STUDENTS' BEHALF
1674
01:08:47,255 --> 01:08:48,548
THIS WEEK.
1675
01:08:48,548 --> 01:08:51,093
WHY DO I FEEL LIKETHERE'S A "BUT" COMING?
1676
01:08:53,720 --> 01:08:56,598
I REGRETTO HAVE TO INFORM YOU THAT...
1677
01:08:56,639 --> 01:08:58,558
YOU CANNOT ATTEND PROM TONIGHT.
1678
01:08:58,558 --> 01:09:00,518
WHAT?
1679
01:09:00,560 --> 01:09:01,645
YOU CANNBUT YOU SAID... TONIGHT.
1680
01:09:01,687 --> 01:09:02,688
THE STATE SCHOOL BOARD
1681
01:09:02,730 --> 01:09:07,234
RECENTLY ENACTEDAN OFFICIAL PROM AGE REQUIREMENT
1682
01:09:07,234 --> 01:09:10,404
THAT ALL STUDENT DATESMUST BE 22 YEARS OF AGE
1683
01:09:10,404 --> 01:09:12,865
OR YOUNGER.
1684
01:09:12,906 --> 01:09:14,700
THAT ALL STUDENT DATESMUSTI SEE. YEARS OF AGE
1685
01:09:14,742 --> 01:09:16,910
OUT OF CURIOSITY,
1686
01:09:16,910 --> 01:09:18,704
HOW DID THIS ISSUECOME TO YOUR ATTENTION?
1687
01:09:18,746 --> 01:09:21,915
WELL, IF IT WASN'TFOR MISS HOPE'S DUE DILIGENCE,
1688
01:09:21,957 --> 01:09:23,251
WE MIGHT HAVEGOTTEN OURSELVES
1689
01:09:23,251 --> 01:09:25,086
INTO QUITE A FIX.
1690
01:09:25,128 --> 01:09:26,962
WHY DON'T I JUST COMEAS A CHAPERONE?
1691
01:09:27,005 --> 01:09:29,340
ONLY PARENTS OF STUDENTSOR FACULTY MEMBERS
1692
01:09:29,340 --> 01:09:31,926
ARE PERMITTED TO ACTAS CHAPERONES.
1693
01:09:31,926 --> 01:09:33,802
ONLY PARENTS OF STUDENTSOR FI'M SORRY.BERS
1694
01:09:53,782 --> 01:09:57,118
YOU SHOULD PICK ME UPO ACTAROUND 6:00, I THINK?
1695
01:09:57,118 --> 01:09:58,787
CHAPERONES SHOULDGET THERE EARLY.
1696
01:09:58,787 --> 01:10:00,705
DON'T YOU AGREE?
1697
01:10:00,747 --> 01:10:02,666
I THINK THE GYMNES SHOULDLOOKS SPECTACULAR.EARLY.
1698
01:10:02,707 --> 01:10:04,626
EVERYONE'S GOING TO HAVEA REALLY GOOD TIME.
1699
01:10:04,668 --> 01:10:05,794
[ALEX]:NOT EVERYONE.
1700
01:10:06,961 --> 01:10:08,713
I REALLY DON'T KNOWWHY YOU HAVE IT OUT FOR ME,
1701
01:10:08,755 --> 01:10:09,839
MISS HOPE.
1702
01:10:09,881 --> 01:10:11,716
I JUST WANTEDTO MAKE THIS A GREAT PROM.
1703
01:10:11,758 --> 01:10:13,843
OH... WELL...
1704
01:10:13,843 --> 01:10:15,971
EVERYONE HAS RULESTHEY NEED TO LIVE BY,
1705
01:10:15,971 --> 01:10:17,389
OHMISS ALLEN,
1706
01:10:17,389 --> 01:10:18,682
EVERYOEVEN PEOPLESTHEY NFROM HOLLYWOOD.
1707
01:10:21,811 --> 01:10:23,645
YOU KNOW, I HAD FORGOTTEN.EN,
1708
01:10:23,688 --> 01:10:24,689
[MISS HOPE]:FORGOTTEN?
1709
01:10:24,730 --> 01:10:26,231
I'D FORGOTTENWHAT HIGH SCHOOL WAS LIKE.
1710
01:10:27,357 --> 01:10:29,652
FULL OF BULLIES.
1711
01:10:40,705 --> 01:10:42,540
[SNIFFLING]
1712
01:10:48,588 --> 01:10:49,672
GREAT.
1713
01:10:56,304 --> 01:10:57,347
HEY.
1714
01:10:59,182 --> 01:11:00,100
THANKS.
1715
01:11:00,141 --> 01:11:02,185
I OVERHEARD PRINCIPAL LEE.
1716
01:11:02,185 --> 01:11:03,519
YOU'RE LEAVINGJUST LIKE THAT?
1717
01:11:03,519 --> 01:11:06,940
WELL, IF THERE'S ONE THINGI HAVE LEARNED AS AN ACTOR,
1718
01:11:06,940 --> 01:11:09,317
IT'S TO ALWAYS MAKEVINGA CLEAN EXIT. LIKE THAT?
1719
01:11:09,359 --> 01:11:12,070
WELL, IF THERE'OKAY, BUTNGI HAVE LEARNED WHAT ABOUT DAVID?
1720
01:11:12,112 --> 01:11:13,489
HE'S BEEN LOOKINGFORWARD TO THIS PROM
1721
01:11:13,489 --> 01:11:14,698
FOR SUCH A LONG TIME.
1722
01:11:14,698 --> 01:11:15,699
HE'S BEEN LOOKINGI KNOW.WARD TO THIS PROM
1723
01:11:15,741 --> 01:11:17,075
SO WAS I,
1724
01:11:17,117 --> 01:11:18,660
BUT THERE'S NOTHINGI CAN DO ABOUT IT.
1725
01:11:21,037 --> 01:11:24,333
THERE IS, HOWEVER, SOMETHING YOU CAN DO ABOUT IT.
1726
01:11:25,542 --> 01:11:27,211
WHAT DO YOU MEAN?
1727
01:11:28,504 --> 01:11:31,882
YOU NEED TO GOTO THE PROM IN MY PLACE.
1728
01:11:31,882 --> 01:11:33,217
NO. NO WAY.
1729
01:11:33,259 --> 01:11:34,385
NO, PROM IS...
1730
01:11:34,385 --> 01:11:36,887
YEAH, PROM IS JUSTDUMB AND STUPID...
1731
01:11:36,887 --> 01:11:38,097
I HEARD YOU BEFORE,
1732
01:11:38,139 --> 01:11:39,598
AND I DIDN'T BELIEVEYOU THEN, EITHER.
1733
01:11:40,807 --> 01:11:42,143
LOOK...
1734
01:11:42,143 --> 01:11:43,185
IF I SHOW UPINSTEAD OF YOU,
1735
01:11:43,227 --> 01:11:44,896
DAVID WILL NEVERSPEAK TO ME AGAIN.
1736
01:11:44,896 --> 01:11:45,897
[LAUGHS]
1737
01:11:45,897 --> 01:11:47,189
WELL, THEN YOU OBVIOUSLYDON'T KNOW HIM
1738
01:11:47,231 --> 01:11:49,191
AS WELL AS YOU THINK YOU DO.
1739
01:11:49,233 --> 01:11:51,110
HEIDI, YOU AND DAVIDARE PERFECT TOGETHER.
1740
01:11:51,152 --> 01:11:52,779
ANYBODY COULD SEE THAT,
1741
01:11:52,779 --> 01:11:55,239
EXCEPT, APPARENTLY, THE TWO OF YOU.
1742
01:11:56,783 --> 01:11:58,159
LOOK, ANYBODY COULD SEE THAT,
1743
01:11:58,159 --> 01:12:00,453
YOUR SENIOR PROMONLY HAPPENS ONCE,
1744
01:12:00,495 --> 01:12:01,621
LOOK, ANAND IF YOU MISS IT,T,
1745
01:12:01,621 --> 01:12:03,039
YOU COULD SPENDTHE REST OF YOUR LIFE
1746
01:12:03,039 --> 01:12:05,082
LOOKTRYING TO MAKE UP FOR IT.
1747
01:12:05,124 --> 01:12:07,502
YOU COULD SPENDDON'T THROW THIS CHANCE AWAY.
1748
01:12:10,755 --> 01:12:14,426
WELL, THE THEMEIS HOLLYWOOD DREAMS, RIGHT?
1749
01:12:14,467 --> 01:12:16,053
MM-HMM.
1750
01:12:16,053 --> 01:12:17,304
WELL, I AM NOT EXACTLY
1751
01:12:17,345 --> 01:12:19,472
WHAT YOU WOULD CALLA GLAMOUR GIRL.
1752
01:12:19,514 --> 01:12:21,892
WELL, THAT'S... THAT'S MY DEPARTMENT.
1753
01:12:34,529 --> 01:12:35,781
ARGH!
1754
01:12:39,242 --> 01:12:42,204
I CAN'T GET THISSTUPID THING TO WORK.
1755
01:12:42,245 --> 01:12:43,664
I'VE GOT THIS.
1756
01:12:48,877 --> 01:12:50,504
READY FOR THE BIG NIGHT?
1757
01:12:50,546 --> 01:12:52,631
I THINK SO.
1758
01:12:52,631 --> 01:12:55,468
CORSAGE, LIMO, SWEATY PALMS...
1759
01:12:55,509 --> 01:12:56,552
YOU NAME IT.
1760
01:12:57,803 --> 01:12:59,722
I JUST CHECKED ALEX'SSOCIAL MEDIA ACCOUNTS.
1761
01:12:59,722 --> 01:13:01,724
SHE'S PEAKINGIN ALL PLATFORMS,
1762
01:13:01,765 --> 01:13:05,895
AND #ALEXANDDAVIDGOTOTHEPROMSIS TRENDING VERY HOT.
1763
01:13:05,937 --> 01:13:07,313
SOUNDS LIKE IT'S GOING TO BEA WIN-WIN FOR EVERYBODY.
1764
01:13:07,313 --> 01:13:08,314
[HORN HONKING]
1765
01:13:08,314 --> 01:13:09,816
OH, LIMO'S HERE!
1766
01:13:18,575 --> 01:13:20,159
YEAH.
1767
01:13:20,159 --> 01:13:21,661
WIN-WIN.
1768
01:13:29,544 --> 01:13:30,920
[PAIGE]:THIS IS AN OUTRAGE!
1769
01:13:30,962 --> 01:13:33,840
WE FLEW ALL THE WAY HERE, PAID OUR OWN EXPENSES,
1770
01:13:33,882 --> 01:13:35,300
COMPLETELY OUT OF THE GOODNESSOF OUR HEARTS,
1771
01:13:35,342 --> 01:13:37,927
TO MAKE THIS YOUNG MAN'S DREAMCOME TRUE,
1772
01:13:37,969 --> 01:13:40,930
AND NOW YOU'RE TELLING METHAT SOME PETTY BUREAUCRATIC...
1773
01:13:42,099 --> 01:13:43,142
HELLO?
1774
01:13:43,183 --> 01:13:44,434
HELLO!
1775
01:13:44,476 --> 01:13:46,686
COME ON! WE'VE GOT WORK TO DO.
1776
01:13:46,728 --> 01:13:51,150
[♪]
1777
01:14:03,913 --> 01:14:04,997
LOVE IT.
1778
01:14:05,039 --> 01:14:06,457
MM-MM.
1779
01:14:06,499 --> 01:14:07,500
NO?
1780
01:14:08,459 --> 01:14:10,169
♪ DAYLIGHT'S STILLA LONG TIME COMING
1781
01:14:10,210 --> 01:14:11,837
OKAY.
1782
01:14:11,837 --> 01:14:14,424
♪ BUT I KNOW IT WILL ♪
1783
01:14:14,465 --> 01:14:16,133
♪ BEEN UNDER THEIR SPELL ♪
1784
01:14:16,176 --> 01:14:17,635
♪ OH, BUT WE'RE COMING AWAKE ♪
1785
01:14:17,677 --> 01:14:19,095
NO.
1786
01:14:19,137 --> 01:14:20,012
NO?
1787
01:14:20,054 --> 01:14:21,139
MM-MM, NOPE.TOO MUCH...
1788
01:14:21,181 --> 01:14:22,182
[ALEX]: TOO MUCH?
1789
01:14:22,223 --> 01:14:23,599
[PAIGE]: YEAH, TOO MUCH.
1790
01:14:24,642 --> 01:14:26,436
♪ THIS IS WHY, THIS IS WHY ♪
1791
01:14:26,477 --> 01:14:29,564
♪ WE CRANK THE DIALTO THE RIGHT ♪
1792
01:14:29,605 --> 01:14:31,482
♪ OOH, THIS IS WHYWE'RE BITING THE BULLET ♪
1793
01:14:31,524 --> 01:14:33,484
♪ WE KNOW THE KIDS ARE RIGHT ♪
1794
01:14:33,484 --> 01:14:35,486
♪ SINGOOH-OOH-OOH-OOH-OOH ♪
1795
01:14:35,528 --> 01:14:37,238
♪ WE KNOW THE KTHIS IS THE ONE.
1796
01:14:37,280 --> 01:14:39,324
♪ DIFFERENT COLORS ♪
1797
01:14:39,365 --> 01:14:41,034
♪ OOH-OOH-OOH-OOH-OOH ♪
1798
01:14:41,034 --> 01:14:44,037
♪ WE CARRY EACH OTHER ♪
1799
01:14:44,037 --> 01:14:46,247
♪ OOH-OOH-OOH-OOH-OOH ♪
1800
01:14:46,247 --> 01:14:48,459
♪ WE'RE JUST DIFFERENT COLORS ♪
1801
01:14:48,500 --> 01:14:51,837
♪ THIS IS WHYWE'RE BITING THE BULLET ♪
1802
01:14:51,878 --> 01:14:53,755
♪ WE KNOW THE KIDS ARE RIGHT ♪
1803
01:14:53,797 --> 01:14:55,966
♪ WE KEEPCRANKING THE MUSIC UP ♪
1804
01:14:56,007 --> 01:14:58,385
♪ DRIVING THROUGH OUR TOWNS ♪
1805
01:14:58,427 --> 01:15:00,887
♪ BUT THEY DON'T WANNA HEAR ♪
1806
01:15:00,929 --> 01:15:02,848
♪ THEY WANT US TO TURN IT DOWN ♪
1807
01:15:02,889 --> 01:15:06,352
♪ SO COME ON, LOVERSCOME ON, HATERS ♪
1808
01:15:06,393 --> 01:15:08,270
♪ TONIGHT WE RAISE THE FIRE ♪
1809
01:15:08,270 --> 01:15:09,355
READY?
1810
01:15:09,396 --> 01:15:12,441
AH, IT'S A LITTLE MORECOMPLICATED THAN I'M USED TO,
1811
01:15:12,441 --> 01:15:13,692
BUT...
1812
01:15:17,029 --> 01:15:18,572
WOW.
1813
01:15:18,614 --> 01:15:19,949
DO I LOOK OKAY?
1814
01:15:19,949 --> 01:15:21,784
YOU LOOK AMAZING.
1815
01:15:21,826 --> 01:15:23,369
REALLY?
1816
01:15:26,122 --> 01:15:27,707
THANK YOU.
1817
01:15:27,749 --> 01:15:29,041
OH, UH, BY THE WAY,
1818
01:15:29,041 --> 01:15:30,668
I HOPE YOU DON'T MIND, BUT...
1819
01:15:31,711 --> 01:15:33,713
I COULDN'T GO ALL THE WAY.
1820
01:15:38,301 --> 01:15:39,302
LET'S SEE YOU.
1821
01:15:40,303 --> 01:15:41,304
[PHONE RINGS]
1822
01:15:42,264 --> 01:15:43,806
IT'S PROBABLYYOUR MR. WALSH.
1823
01:15:43,806 --> 01:15:45,808
HE'S BEEN CALLINGALL AFTERNOON.
1824
01:15:45,808 --> 01:15:46,809
WELL, DON'T ANSWER IT.
1825
01:15:46,851 --> 01:15:49,562
I'M NOT GOING TO LET HIMRUIN THIS PERFECT MOMENT.
1826
01:15:49,604 --> 01:15:51,982
AH, ALEX, THERE'S SOMETHINGI HAVE TO TELL YOU...
1827
01:15:51,982 --> 01:15:53,942
ABOUT MR. WALSH.
1828
01:15:53,984 --> 01:15:55,485
I THINK I KNOWEVERYTHING I NEED TO KNOW
1829
01:15:55,485 --> 01:15:56,820
ABOUT MR. WALSH.
1830
01:15:56,862 --> 01:15:59,364
IWELL, ACTUALLY... EVERYOU DON'T.EED TO KNOW
1831
01:16:00,282 --> 01:16:01,366
I DIDN'T MEAN TO SNOOP,
1832
01:16:01,366 --> 01:16:02,826
BUT I OVERHEARDYOU TWO ARGUING TODAY
1833
01:16:02,868 --> 01:16:04,494
I DABOUT DAVID'S PROMPOSAL.
1834
01:16:04,536 --> 01:16:06,580
YOU MEAN THE ONEMR. WALSH MADE HIM WRITE?
1835
01:16:06,622 --> 01:16:07,790
NO.
1836
01:16:07,831 --> 01:16:08,832
YOU SEE,
1837
01:16:08,832 --> 01:16:10,208
MR. WALSH REALLY DIDN'TKNOW ANYTHING ABOUT IT.
1838
01:16:10,250 --> 01:16:14,171
DAVID JUST RIPPED OFF THE WORDSFROM MR. WALSH'S BOOK,
1839
01:16:14,171 --> 01:16:16,674
AND PASSED THEM OFFAS HIS OWN...
1840
01:16:16,674 --> 01:16:17,675
TO YOU.
1841
01:16:17,675 --> 01:16:20,344
WHY WOULDN'T HE SAYSOMETHING?
1842
01:16:20,386 --> 01:16:24,348
HE DIDN'T WANT TO RUINTHE PROM FOR DAVID, I GUESS.
1843
01:16:24,348 --> 01:16:26,267
MR. WALSH IS PRETTYLOYAL TO PEOPLE.
1844
01:16:26,309 --> 01:16:27,351
MM.
1845
01:16:29,103 --> 01:16:29,937
SO...
1846
01:16:29,978 --> 01:16:32,690
HE WASN'T AFTER ANYTHINGAT ALL.
1847
01:16:32,731 --> 01:16:35,234
HE WAS JUST TRYINGTO HELP OUT ONE OF HIS KIDS.
1848
01:16:35,276 --> 01:16:37,611
[PAIGE]: AND WHEN HE SAID
1849
01:16:37,653 --> 01:16:38,571
HE DIDN'T KNOW WHO YOU WERE...
1850
01:16:38,571 --> 01:16:40,698
IT'S BECAUSEHE DIDN'T KNOW WHO I WAS.
1851
01:16:40,698 --> 01:16:44,285
HE JUST LIKED ME FOR ME, HE DIAND I THREW IT AWAY.RE...
1852
01:16:47,538 --> 01:16:48,957
WELL, WHAT ARE YOU GOINGHE DITO DO ABOUT IT? WAS.
1853
01:16:52,418 --> 01:16:53,712
RIGHT NOW?
1854
01:16:53,753 --> 01:16:57,215
I AM GOING TO MAKEA LITTLE PROMPOSAL OF MY OWN.
1855
01:17:20,072 --> 01:17:21,406
[CELL PHONE RINGS]
1856
01:17:25,619 --> 01:17:26,746
I'LL BE RIGHT BACK.
1857
01:17:31,250 --> 01:17:32,459
[ALEX ON PHONE]:HI, DAVID.
1858
01:17:32,501 --> 01:17:33,669
UNFORTUNATELY,
1859
01:17:33,711 --> 01:17:35,588
DUE TO CIRCUMSTANCESBEYOND MY CONTROL,
1860
01:17:35,588 --> 01:17:37,381
I CAN'T BE WITH YOU TONIGHT.
1861
01:17:37,423 --> 01:17:38,758
SO, DAVID ROGERS,
1862
01:17:38,799 --> 01:17:41,636
CONSIDER THISMY OFFICIAL UNPROMPOSAL.
1863
01:17:41,677 --> 01:17:44,138
INSTEAD, I AM SENDINGA REPLACEMENT.
1864
01:17:44,179 --> 01:17:46,599
ACTUALLY, SHE'S MUCH BETTERTHAN A REPLACEMENT.
1865
01:17:46,599 --> 01:17:50,019
SHE IS WHO YOU SHOULD HAVE BEENTAKING ALL ALONG.
1866
01:17:50,060 --> 01:17:51,229
SEE, I'VE GOTTEN A CHANCE
1867
01:17:51,271 --> 01:17:52,563
TO GET TO KNOW YOU BOTHTHIS PAST WEEK,
1868
01:17:52,605 --> 01:17:55,275
AND WHETHERYOU GUYS REALIZE IT OR NOT,
1869
01:17:55,316 --> 01:17:56,567
YOU'RE PERFECT FOR EACH OTHER.
1870
01:17:56,567 --> 01:17:58,778
YOU JUST NEEDED SOMEONE
1871
01:17:58,778 --> 01:18:00,738
TO PUSH YOUYOIN THE RIGHT DIRECTION.HER.
1872
01:18:00,780 --> 01:18:03,241
SO PLEASE, HAVE FUN AT PROM,
1873
01:18:03,283 --> 01:18:06,577
HAVE THE BEST NIGHTOF YOUR LIVES...
1874
01:18:06,619 --> 01:18:08,955
OH, AND DON'T FORGETTO TAKE PICTURES
1875
01:18:08,997 --> 01:18:10,624
AND POST THEM ONLINE.
1876
01:18:10,624 --> 01:18:12,542
[HEIDI]: HI.
1877
01:18:14,878 --> 01:18:16,505
AND POSTUM... ONLINE.
1878
01:18:18,048 --> 01:18:19,049
HEIDI...
1879
01:18:20,676 --> 01:18:22,260
YOU'RE, UM...
1880
01:18:29,310 --> 01:18:31,270
YOU'RE BEAUTIFUL.
1881
01:18:32,646 --> 01:18:34,731
SHUT UP, ROGERS.
1882
01:18:44,658 --> 01:18:46,243
[♪]
1883
01:18:49,621 --> 01:18:50,873
♪ YOU GET ME HIGHER ♪
1884
01:18:50,915 --> 01:18:52,834
♪ YOU LIGHT THE FIRE ♪
1885
01:18:52,834 --> 01:18:56,420
♪ SOMEHOWYOU GET THE BEST OF ME ♪
1886
01:18:56,462 --> 01:18:58,255
♪ YOU MAKE ME WANT IT ♪
1887
01:18:58,297 --> 01:19:00,341
♪ YOU KNOW YOU GOT IT ♪
1888
01:19:00,341 --> 01:19:02,719
♪ YOU GOT ME HOOKEDAND YOU'RE THE KEY ♪
1889
01:19:04,178 --> 01:19:07,056
♪ YEAH, I KNOW ♪
1890
01:19:07,098 --> 01:19:11,519
♪ THERE'S A MILLION OTHER GIRLSTO SEE ♪
1891
01:19:11,519 --> 01:19:14,063
♪ BUT RIGHT NOW ♪
1892
01:19:14,106 --> 01:19:18,526
♪ YOU'RE THE ONLY PLACEI WANT TO BE ♪
1893
01:19:18,526 --> 01:19:20,070
ISN'T THIS EXCITING?
1894
01:19:20,112 --> 01:19:21,488
♪TAKES YOU RIGHT BACK, EI DOESN'T IT?♪
1895
01:19:23,240 --> 01:19:24,282
DOESN'T IT?
1896
01:19:24,324 --> 01:19:26,534
I'D BETTER CHECKTHE PUNCH BOWL.
1897
01:19:26,534 --> 01:19:28,203
SAVE ME A DANCE!
1898
01:19:28,203 --> 01:19:29,496
I'D BETTER CHECKTHE PUNCH BOW [CHUCKLES]
1899
01:19:33,917 --> 01:19:36,211
I DON'T THINK WE SHOULDDANCE NEAR THE COOL KIDS.
1900
01:19:36,253 --> 01:19:37,212
AH, PLEASE.
1901
01:19:37,212 --> 01:19:38,881
WE ARE THE COOL KIDS.
1902
01:19:38,881 --> 01:19:41,091
AH, PLE [LAUGHS]
1903
01:19:41,133 --> 01:19:42,718
- DAVID!-OH, HI.
1904
01:19:42,718 --> 01:19:43,927
HEIDI?
1905
01:19:43,927 --> 01:19:45,804
YEAH!
1906
01:19:45,804 --> 01:19:48,015
IT'S REALLY MEUNDER HERE, MR. WALSH.
1907
01:19:48,015 --> 01:19:49,600
IT'S KIND OF WEIRD, RIGHT?
1908
01:19:49,642 --> 01:19:51,018
IT'S REALLY MEI THINK YOUUNDER HERE, MR. WLOOK WONDERFUL,
1909
01:19:51,059 --> 01:19:53,896
BUT I THOUGHT YOU WERE SUPPOSEDTO BRING ALEX TONIGHT?
1910
01:19:53,896 --> 01:19:56,232
OH, SHE WASN'T ALLOWEDTO COME
1911
01:19:56,274 --> 01:19:59,610
BECAUSE OF SOME SORT OF RULEOR SOMETHING, BUT...
1912
01:19:59,652 --> 01:20:01,154
I'VE GOT A BETTER DATE ANYWAY.
1913
01:20:04,949 --> 01:20:06,200
'SCUSE US.
1914
01:20:15,919 --> 01:20:16,961
HOWARD...
1915
01:20:17,003 --> 01:20:19,088
REALLY MAKES YOU WANTTO GROOVE, DOESN'T IT?
1916
01:20:20,423 --> 01:20:21,257
YEAH.
1917
01:20:21,299 --> 01:20:23,092
I JUST HEARD THAT ALEX ALLEN
1918
01:20:23,092 --> 01:20:24,636
WON'T BE ALLOWEDTO ATTEND TONIGHT.
1919
01:20:24,636 --> 01:20:28,056
OH, JUST SOME MIX-UPWITH THE RULES.
1920
01:20:28,097 --> 01:20:30,809
FUNNY THING IS, I DOUBLE-CHECKEDWITH THE SCHOOL BOARD.
1921
01:20:30,850 --> 01:20:32,311
MISS HOPE MUST HAVEMISUNDERSTOOD.
1922
01:20:33,562 --> 01:20:34,646
WAIT, IT'S BECAUSEOF MISS HOPE?
1923
01:20:34,646 --> 01:20:35,605
YES,
1924
01:20:35,647 --> 01:20:38,107
BUT IT SEEMS THAT BECAUSETHE RESTRICTIONS FOR ATTENDANCE
1925
01:20:38,150 --> 01:20:41,111
DO NOT APPLY TO ANYONEACCOMPANYING A CHAPERONE.
1926
01:20:41,111 --> 01:20:42,446
YEAH.
1927
01:20:46,408 --> 01:20:47,701
CARE TO DANCE, MR. LEE?
1928
01:20:47,742 --> 01:20:49,870
OH, UH... OKAY!
1929
01:20:51,205 --> 01:20:52,331
'SCUSE ME!
1930
01:20:57,377 --> 01:20:58,503
[PAIGE]: WE'RE TAKINGTHE NEXT FLIGHT OUT.
1931
01:20:58,545 --> 01:21:00,297
SHE'LL BE BACKIN LOS ANGELES TONIGHT,
1932
01:21:00,297 --> 01:21:03,300
AND SHE CAN BE ON SETFIRST THING MONDAY MORNING.
1933
01:21:03,300 --> 01:21:06,095
SHABSOLUTELY.KINTHANK YOU SO MUCH.HT,
1934
01:21:06,136 --> 01:21:07,137
I TOLD YOU THIS WOULD WORK!
1935
01:21:07,137 --> 01:21:08,138
YOU START A NEW MOVIENEXT WEEK,
1936
01:21:08,180 --> 01:21:09,306
AND I'VE HADFOUR MORE PHONE CALLS
1937
01:21:09,306 --> 01:21:11,100
ALREADY ASKINGWHEN YOU'RE AVAILABLE.
1938
01:21:11,141 --> 01:21:12,477
WE'RE BACK IN BUSINESS!
1939
01:21:12,518 --> 01:21:14,479
THAT'S GREAT.I...
1940
01:21:20,985 --> 01:21:22,320
WELL, I SUPPOSEWE COULD ALWAYS TAKE
1941
01:21:22,362 --> 01:21:24,197
THE FIRST FLIGHT OUTTOMORROW MORNING INSTEAD.
1942
01:21:26,949 --> 01:21:28,368
HI.
1943
01:21:28,368 --> 01:21:29,911
HI.
1944
01:21:29,953 --> 01:21:31,204
YOU'RE LEAVING.HI.
1945
01:21:31,246 --> 01:21:33,623
MY AGENT WANTS MEBACK RIGHT AWAY.
1946
01:21:33,664 --> 01:21:34,499
DUTY CALLS.
1947
01:21:34,540 --> 01:21:36,752
SO I GUESSYOU DIDN'T CHANGE YOUR MIND
1948
01:21:36,793 --> 01:21:37,836
ABOUT THAT DRIVING LESSON?
1949
01:21:37,878 --> 01:21:39,379
WELL...
1950
01:21:39,420 --> 01:21:41,798
I CHANGED MY MINDABOUT THE TEACHER.
1951
01:21:41,840 --> 01:21:43,508
DOES HE ACCEPT APOLOGIES?
1952
01:21:45,719 --> 01:21:47,471
WELL, THAT DEPENDS.
1953
01:21:47,513 --> 01:21:49,055
ON WHAT?
1954
01:21:50,348 --> 01:21:54,227
WHETHER OR NOT YOU'D ACCEPTA LATE INVITATION TO THE PROM?
1955
01:22:02,361 --> 01:22:03,695
["FOREVER YOUNG" PLAYS]
1956
01:22:12,663 --> 01:22:15,875
♪ LET'S DANCE IN STYLELET'S DANCE FOR A WHILE ♪
1957
01:22:15,917 --> 01:22:19,378
♪ HEAVEN CAN WAITWE'RE ONLY WATCHING THE SKIES ♪
1958
01:22:19,378 --> 01:22:22,423
♪ HOPING FOR THE BESTBUT EXPECTING THE WORST ♪
1959
01:22:22,423 --> 01:22:23,590
♪ ARE YOU GONNA DROPWE'RE OTHE BOMB OR NOT ♪SKIES ♪
1960
01:22:23,633 --> 01:22:26,052
♪ HOI WONDER WHAT HAPPENEDBUT EXTO MR. WALSH.ORST ♪
1961
01:22:26,052 --> 01:22:28,470
HE OWES ME A DANCE.
1962
01:22:28,513 --> 01:22:29,597
♪ HOI WONDER WHAT HAPPENED♪ ...OR LET US LIVE FOREVER ♪
1963
01:22:29,639 --> 01:22:32,934
♪ WE DON'T HAVE THE POWERBUT WE NEVER SAY NEVER ♪
1964
01:22:32,975 --> 01:22:36,729
♪ SITTING IN A SANDPITLIFE IS A SHORT TRIP ♪
1965
01:22:36,771 --> 01:22:39,274
♪ THE MUSIC'SFOR THE SAD MEN... ♪
1966
01:22:39,316 --> 01:22:40,775
LOOKS LIKE SOMEBODYFOUND A LOOPHOLE.
1967
01:22:40,817 --> 01:22:44,196
♪ CAN YOU IMAGINEWHEN THIS RACE IS WON ♪
1968
01:22:44,237 --> 01:22:47,199
♪ TURN OUR GOLDEN FACESINTO THE SUN ♪
1969
01:22:47,240 --> 01:22:50,077
♪ PRAISING OUR LEADERSWE'RE GETTING IN TUNE... ♪
1970
01:22:50,077 --> 01:22:52,704
SO, WHAT'S NEXT FORAMERICA'S SWEETHEART?
1971
01:22:52,745 --> 01:22:56,791
WELL, I HAVE BEEN THINKING ABOUTWE'RE GTHAT, AND... NE... ♪
1972
01:22:56,834 --> 01:22:59,502
MAYBE I COULD JUST BEA SWEETHEART HERE
1973
01:22:59,544 --> 01:23:01,129
FOR A LITTLE WHILE.
1974
01:23:01,171 --> 01:23:03,090
♪ DO YOU REALLY WANTTO LIVE FOREVER ♪
1975
01:23:04,549 --> 01:23:08,303
♪ FOREVER AND EVER ♪
1976
01:23:08,345 --> 01:23:10,180
♪ FOREVER YOUNG ♪
1977
01:23:10,222 --> 01:23:14,435
♪ I WANT TO BE FOREVER YOUNG ♪
1978
01:23:14,477 --> 01:23:18,105
♪ DO YOU REALLY WANTTO LIVE FOREVER ♪
1979
01:23:18,146 --> 01:23:21,609
♪ FOREVER AND EVER ♪
1980
01:23:21,609 --> 01:23:23,986
♪ FOREVER YOUNG ♪
1981
01:23:24,027 --> 01:23:28,449
♪ I WANT TO BE FOREVER YOUNG ♪
1982
01:23:28,449 --> 01:23:30,118
♪ DO YOU REALLY WANTTO LIVE FOREVER... ♪
1983
01:23:32,911 --> 01:23:34,163
♪ YOU GET ME HIGHER ♪♪ I WANT TO BE FOREVER YOUNG ♪
1984
01:23:34,205 --> 01:23:35,957
♪ YOU LIGHT THE FIRE ♪
1985
01:23:35,999 --> 01:23:39,543
♪ SOMEHOWYOU GET THE BEST OF ME ♪
1986
01:23:39,585 --> 01:23:41,379
♪ YOU MAKE ME WANT IT ♪
1987
01:23:41,420 --> 01:23:43,297
♪ YOU KNOW YOU GOT IT ♪
1988
01:23:43,297 --> 01:23:46,342
♪ YOU GOT ME HOOKEDAND YOU'RE THE KEY ♪
1989
01:23:47,636 --> 01:23:50,597
♪ Y♪ YEAH, I KNOW ♪IT ♪
1990
01:23:50,639 --> 01:23:54,308
♪ THERE'S A MILLION OTHER GIRLSTO SEE ♪
1991
01:23:54,308 --> 01:23:57,854
♪ BUT RIGHT NOW ♪
1992
01:23:57,854 --> 01:24:00,440
♪ YOU'RE THE ONLY PLACEI WANT TO BE ♪
1992
01:24:01,305 --> 01:25:01,848
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