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(orchestral music)
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00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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(projector clicking)
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Official YIFY movies site:
YTS.MX
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(tapping)
6
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(pensive music)
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♪
8
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♪
9
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(phone ringing)
10
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♪
11
00:01:21,245 --> 00:01:23,208
Mom?
12
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I don't think I quite know
what I got myself into.
13
00:01:28,218 --> 00:01:31,600
Yeah, I know.
So that's what's difficult.
14
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It's like 22 dancers are gonna
get there on Wednesday
15
00:01:33,938 --> 00:01:36,359
and the first rehearsal day
is Thursday,
16
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so it's just whether or not
the dancers can get together.
17
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I don't know,
I think maybe I'm...
18
00:01:41,995 --> 00:01:43,498
trying to do too much.
19
00:01:43,582 --> 00:01:44,626
Yeah, I know.
20
00:01:44,751 --> 00:01:47,590
Dancing with people
that we've never danced with.
21
00:01:47,632 --> 00:01:49,468
Fifteen minute rehearsals
with the orchestra.
22
00:01:49,511 --> 00:01:51,264
I'm gonna have to meet
with the stage manager,
23
00:01:51,389 --> 00:01:53,268
I'm gonna have to meet
with the dressing rooms.
24
00:01:53,393 --> 00:01:55,147
I have to make sure
all the costumes are ready.
25
00:01:55,230 --> 00:01:57,276
Fifteen different ballets,
pretty pas de deux,
26
00:01:57,359 --> 00:01:59,531
two orchestra rehearsals,
physical therapists.
27
00:01:59,614 --> 00:02:01,409
A list of the dancers,
a set of rentals,
28
00:02:01,492 --> 00:02:02,369
getting them there.
29
00:02:02,411 --> 00:02:04,165
Are you excited?
30
00:02:04,290 --> 00:02:05,626
Yeah. A very big deal.
31
00:02:05,668 --> 00:02:07,505
First I was kind of scared
to say yes.
32
00:02:07,630 --> 00:02:09,091
New voices,
day of the show.
33
00:02:09,216 --> 00:02:10,427
That piece,
really tricky.
34
00:02:10,469 --> 00:02:11,597
(voice layering)
35
00:02:11,680 --> 00:02:13,183
Wardrobe...
But I'm hoping...
36
00:02:13,224 --> 00:02:14,226
Yeah, I know.
Supposed to be there...
37
00:02:14,351 --> 00:02:15,228
Possible...
Tonight.
38
00:02:15,353 --> 00:02:18,234
And then having to dance well
on top of that.
39
00:02:18,318 --> 00:02:19,487
(whining)
40
00:02:19,571 --> 00:02:22,702
No, the problem is is we don't
have, like, any time.
41
00:02:22,744 --> 00:02:25,332
(mellow orchestral music)
42
00:02:25,373 --> 00:02:31,010
♪
43
00:02:31,093 --> 00:02:32,262
(zipping)
44
00:02:32,387 --> 00:02:38,526
♪
45
00:02:38,651 --> 00:02:42,157
Growing up,
ballet was my least favorite.
46
00:02:42,241 --> 00:02:44,119
I was always trying to get out
of my ballet classes.
47
00:02:44,161 --> 00:02:47,710
I'd tell my mom, "Oh, I feel
sick and I can't do ballet."
48
00:02:47,752 --> 00:02:48,838
And she'd say, "Oh, okay,
49
00:02:48,879 --> 00:02:51,342
well, then you can't do
your jazz classes."
50
00:02:51,384 --> 00:02:52,846
Then I'd be like,
"Oh, I'm all of a sudden
51
00:02:52,887 --> 00:02:54,891
feeling much better."
52
00:02:55,016 --> 00:02:56,102
I mean, I'm glad she did that
53
00:02:56,143 --> 00:02:58,649
'cause I never would be
where I am today.
54
00:02:58,732 --> 00:03:16,434
♪
55
00:03:16,518 --> 00:03:17,896
When I was asked to curate
a show
56
00:03:17,937 --> 00:03:19,649
at the Los Angeles
Music Center,
57
00:03:19,691 --> 00:03:21,570
I jumped at the opportunity.
58
00:03:21,653 --> 00:03:23,197
♪
59
00:03:23,323 --> 00:03:26,037
They gave me the freedom
to choose the dancers,
60
00:03:26,078 --> 00:03:27,080
the pieces,
61
00:03:27,205 --> 00:03:29,502
the choreographers
that I wanted to highlight.
62
00:03:29,544 --> 00:03:32,007
♪
63
00:03:32,049 --> 00:03:34,303
I wanted to put together
a program that shows
64
00:03:34,386 --> 00:03:37,184
that ballet isn't just
pink tights and a tutu.
65
00:03:37,309 --> 00:03:38,394
♪
66
00:03:38,436 --> 00:03:39,438
Come on.
67
00:03:39,522 --> 00:03:41,818
But I've never done anything
like this before,
68
00:03:41,944 --> 00:03:44,448
so it's way out of
my comfort zone.
69
00:03:44,574 --> 00:03:46,327
♪
70
00:03:47,454 --> 00:03:49,960
(bright music)
71
00:03:50,043 --> 00:04:06,492
♪
72
00:04:15,427 --> 00:04:19,143
-My craft is all about
the stuff.
73
00:04:19,226 --> 00:04:21,105
Stuff.
74
00:04:21,147 --> 00:04:22,775
-I wanted to start
BalletNOW off
75
00:04:22,900 --> 00:04:24,111
from the beginning
76
00:04:24,153 --> 00:04:25,405
with a nontypical piece,
77
00:04:25,488 --> 00:04:27,744
and so I'm starting it
with a duet
78
00:04:27,785 --> 00:04:29,413
with Bill Irwin.
79
00:04:29,539 --> 00:04:32,377
He's this extraordinary clown
and actor,
80
00:04:32,419 --> 00:04:34,048
but he also is a dancer.
81
00:04:34,131 --> 00:04:36,302
-I am going to get
the password for the WiFi.
82
00:04:36,427 --> 00:04:37,304
Okay.
83
00:04:37,429 --> 00:04:39,934
-And I shall cause a stir
in the hallway.
84
00:04:40,060 --> 00:04:41,395
Okay.
85
00:04:41,437 --> 00:04:43,024
You would never go
to a ballet evening
86
00:04:43,066 --> 00:04:45,320
and see a piece with a clown
and a ballerina.
87
00:04:45,403 --> 00:04:46,823
That just doesn't happen.
88
00:04:46,948 --> 00:04:49,453
And that's what I thought
was so interesting
89
00:04:49,579 --> 00:04:50,413
about our piece
90
00:04:50,455 --> 00:04:51,583
and what I think is gonna
91
00:04:51,666 --> 00:04:54,046
really make BalletNOW
92
00:04:54,129 --> 00:04:56,383
something special.
93
00:04:56,425 --> 00:04:57,512
I don't want to do ballet yet.
94
00:04:57,553 --> 00:04:58,555
I'm doing it too early.
95
00:04:58,639 --> 00:05:00,058
(making comical sounds)
96
00:05:00,183 --> 00:05:03,147
This is a ballet show,
but it's not...
97
00:05:03,189 --> 00:05:05,151
just a ballet show.
98
00:05:05,193 --> 00:05:07,824
And this duet with Tiler,
99
00:05:07,907 --> 00:05:11,330
it's about the abstract...
100
00:05:11,413 --> 00:05:12,708
old baggy pants comedian
101
00:05:12,792 --> 00:05:13,836
and ballerina.
102
00:05:13,961 --> 00:05:16,298
It's about different kinds
of music
103
00:05:16,340 --> 00:05:18,554
and movement from our genres.
104
00:05:18,595 --> 00:05:20,724
-And then you always give
a little, like, thing
105
00:05:20,850 --> 00:05:22,979
to your hat.
106
00:05:23,062 --> 00:05:25,316
The very first day
I'd teach him phrases
107
00:05:25,358 --> 00:05:27,362
and then I would try
to imitate him, you know,
108
00:05:27,487 --> 00:05:29,617
to see if I could get
some of his clowning.
109
00:05:29,742 --> 00:05:30,493
-Now move.
110
00:05:30,619 --> 00:05:32,372
So it's kind of starting
from there
111
00:05:32,497 --> 00:05:33,750
and then it finishes there.
112
00:05:33,834 --> 00:05:34,711
-So...
113
00:05:34,794 --> 00:05:37,090
(making comical sounds)
114
00:05:37,174 --> 00:05:39,219
-Can you hold this
for one second?
115
00:05:39,344 --> 00:05:41,307
(exhales)
116
00:05:41,348 --> 00:05:43,729
Sometimes gags fit
117
00:05:43,812 --> 00:05:45,566
and sometimes they're--
118
00:05:45,608 --> 00:05:46,860
make you laugh
and they're good gags
119
00:05:46,943 --> 00:05:47,987
but they don't--
120
00:05:48,112 --> 00:05:50,241
it doesn't sit
within a story.
121
00:05:50,325 --> 00:05:52,204
Could you crank me up again?
122
00:05:52,245 --> 00:05:53,247
Yes.
123
00:05:53,331 --> 00:05:56,504
So I've been working
to really bring my shtick
124
00:05:56,588 --> 00:05:58,759
to a place where it really fits
with her shtick,
125
00:05:58,842 --> 00:06:00,386
and I hope it goes well.
126
00:06:00,512 --> 00:06:01,890
So I am a little nervous,
127
00:06:02,015 --> 00:06:04,144
but for me if I'm not nervous,
128
00:06:04,228 --> 00:06:05,355
it makes me very nervous.
129
00:06:05,396 --> 00:06:08,654
(Sylvan Esso, "Just Dancing")
130
00:06:08,779 --> 00:06:11,618
-Oh!
Oh my gosh, every time.
131
00:06:11,660 --> 00:06:14,164
Bill is all fun and games
until he's not.
132
00:06:14,248 --> 00:06:16,586
-Five...
-What are we doing?
133
00:06:16,628 --> 00:06:18,757
-And since we don't have
much time
134
00:06:18,882 --> 00:06:19,884
for these performances,
135
00:06:19,968 --> 00:06:23,099
there was a lot of stress
happening there.
136
00:06:23,140 --> 00:06:24,727
Fired.
137
00:06:24,769 --> 00:06:25,729
Me.
138
00:06:25,771 --> 00:06:28,610
I'm gonna get it right
this time.
139
00:06:28,652 --> 00:06:29,612
-I got you.
140
00:06:29,654 --> 00:06:32,158
-♪ Just dancing ♪
141
00:06:32,284 --> 00:06:36,000
♪ I'm fakin' it beforeI even touch the skin ♪♪
142
00:06:36,041 --> 00:06:36,876
♪
143
00:06:36,918 --> 00:06:39,381
-First of all,
I think that I can...
144
00:06:39,423 --> 00:06:41,928
on the second one,
145
00:06:42,053 --> 00:06:43,306
I think I come up too soon,
146
00:06:43,389 --> 00:06:44,684
and then we have too much music.
147
00:06:44,767 --> 00:06:46,437
-Okay.
-I don't think an evening
148
00:06:46,563 --> 00:06:47,815
of ballet would be complete
149
00:06:47,898 --> 00:06:49,694
without a romantic pas de deux
150
00:06:49,777 --> 00:06:52,157
between a ballerina
and her partner.
151
00:06:52,198 --> 00:06:53,200
So I do this,
152
00:06:53,284 --> 00:06:54,453
and then if there's a way
153
00:06:54,579 --> 00:06:56,833
where I can do a slower turn.
154
00:06:56,958 --> 00:06:57,960
-Do you want to push off?
-Yeah.
155
00:06:58,085 --> 00:06:59,630
-Or do you want me
to give you a little...
156
00:06:59,672 --> 00:07:00,758
-Well, let me see.
157
00:07:00,799 --> 00:07:03,513
For this reason,
I chose "Carousel,"
158
00:07:03,555 --> 00:07:06,310
and it's one of, I believe,
159
00:07:06,393 --> 00:07:08,565
the most romantic pas de deux
there is.
160
00:07:08,690 --> 00:07:10,569
-So, you want to just
walk through
161
00:07:10,694 --> 00:07:12,072
from the beginning?
162
00:07:12,155 --> 00:07:14,660
(orchestral music)
163
00:07:14,702 --> 00:07:18,292
♪
164
00:07:18,334 --> 00:07:20,839
-It's the first time
the young girl
165
00:07:20,964 --> 00:07:24,096
is with this very handsome man,
166
00:07:24,179 --> 00:07:25,933
and she's finding love,
167
00:07:25,974 --> 00:07:27,435
falling very fast,
168
00:07:27,477 --> 00:07:29,189
and it's kind of scary for her,
169
00:07:29,231 --> 00:07:32,988
and he's basically in control
of the whole thing.
170
00:07:33,072 --> 00:07:50,732
♪
171
00:07:50,816 --> 00:07:54,615
An amazing partner has to know
your steps and his steps.
172
00:07:54,699 --> 00:07:56,368
He has to know your choreography
173
00:07:56,452 --> 00:08:00,627
to be able to anticipate
what you're gonna do.
174
00:08:00,711 --> 00:08:03,215
And with Zach,
I can kind of do whatever,
175
00:08:03,257 --> 00:08:05,512
meaning, like,
I know I can trust him.
176
00:08:05,596 --> 00:08:10,647
♪
177
00:08:10,731 --> 00:08:13,528
I can really go out there
and be free and dance,
178
00:08:13,653 --> 00:08:15,114
and I know he'll get me
no matter what
179
00:08:15,156 --> 00:08:18,162
because he's really
in the moment with me.
180
00:08:18,287 --> 00:08:25,009
♪
181
00:08:25,092 --> 00:08:28,390
Plus, he's kind of cute.
182
00:08:28,474 --> 00:08:29,769
(laughing)
183
00:08:29,852 --> 00:08:40,874
♪
184
00:08:40,999 --> 00:08:43,505
I don't often get to dance
in California,
185
00:08:43,588 --> 00:08:45,091
but it's where I grew up
186
00:08:45,132 --> 00:08:47,011
and it's where my family is.
187
00:08:47,136 --> 00:08:48,013
♪
188
00:08:48,138 --> 00:08:49,767
So to have the performances
here
189
00:08:49,850 --> 00:08:51,896
is a really big deal for me.
190
00:08:52,021 --> 00:08:53,399
♪
191
00:08:53,525 --> 00:08:55,988
-Where's your ballet...
192
00:08:56,029 --> 00:08:57,156
-Attire?
-...shoes and...?
193
00:08:57,282 --> 00:08:58,618
-Well, I've been in them
all day.
194
00:08:58,660 --> 00:09:00,246
This is the first chance
I've gotten
195
00:09:00,288 --> 00:09:01,498
to be in normal clothes.
196
00:09:01,541 --> 00:09:02,626
-I gotcha.
197
00:09:02,668 --> 00:09:04,755
Tonight I have "Fancy Free."
198
00:09:04,839 --> 00:09:09,724
Then I have, uh,
"Stars and Stripes," I think.
199
00:09:09,765 --> 00:09:11,769
Hopefully that's all
I have left.
200
00:09:11,894 --> 00:09:15,611
I don't--or I might not
be walking out of here.
201
00:09:15,652 --> 00:09:16,403
-Okay.
-All right.
202
00:09:16,529 --> 00:09:17,405
We'll see you later, honey.
203
00:09:17,531 --> 00:09:18,742
-I love you.
204
00:09:21,664 --> 00:09:23,793
Here.
205
00:09:23,877 --> 00:09:24,754
(laughing)
206
00:09:24,795 --> 00:09:27,258
-When did I know
she was good?
207
00:09:27,300 --> 00:09:29,304
From the very beginning.
208
00:09:29,387 --> 00:09:31,934
(piano music)
209
00:09:32,060 --> 00:09:35,651
She would go to
her mother's dance studio
210
00:09:35,692 --> 00:09:37,696
and watch,
211
00:09:37,821 --> 00:09:41,328
and then before you knew it,
212
00:09:41,453 --> 00:09:43,290
she was up doing it.
213
00:09:43,332 --> 00:09:46,004
♪
214
00:09:46,046 --> 00:09:47,800
-She was like a three-year-old
215
00:09:47,925 --> 00:09:49,929
in an adult body.
216
00:09:50,054 --> 00:09:51,139
She just had movement
217
00:09:51,181 --> 00:09:52,685
from the very, very beginning.
218
00:09:52,768 --> 00:09:53,812
♪
219
00:09:53,895 --> 00:09:56,441
You just knew that
she was very different.
220
00:09:56,526 --> 00:09:58,195
♪
221
00:09:58,278 --> 00:10:00,282
And the hardest thing
was knowing
222
00:10:00,324 --> 00:10:02,161
that someone was that talented
223
00:10:02,203 --> 00:10:04,834
and there was nothing
where we lived in Bakersfield
224
00:10:04,917 --> 00:10:08,967
to let her train
and to get better.
225
00:10:09,050 --> 00:10:10,971
♪
226
00:10:11,096 --> 00:10:13,685
-My daughter saw right away
227
00:10:13,727 --> 00:10:15,856
that she couldn't give her
228
00:10:15,939 --> 00:10:18,193
the kind of training
229
00:10:18,235 --> 00:10:19,864
that she needed.
230
00:10:19,947 --> 00:10:23,370
I took her to classes
231
00:10:23,454 --> 00:10:26,586
in Los Angeles.
232
00:10:26,586 --> 00:10:28,798
-Honestly, I spent more time
with my grandmother
233
00:10:28,840 --> 00:10:30,342
than I did my mom
growing up
234
00:10:30,468 --> 00:10:33,182
because I was with her
in the car.
235
00:10:33,223 --> 00:10:36,229
My grandmother literally
drove me three hours
236
00:10:36,313 --> 00:10:38,610
to dance and three hours back.
237
00:10:38,735 --> 00:10:41,991
I'd be at dance from three
until ten at night,
238
00:10:42,116 --> 00:10:43,995
and then we would drive home
239
00:10:44,120 --> 00:10:45,874
four or five days a week
240
00:10:45,957 --> 00:10:47,503
for six years of my life.
241
00:10:47,586 --> 00:10:51,218
♪
242
00:10:51,259 --> 00:10:52,888
Now that I think about it,
243
00:10:52,971 --> 00:10:55,351
I don't know how she did it.
244
00:10:55,392 --> 00:11:01,531
♪
245
00:11:01,656 --> 00:11:04,160
(funky music)
246
00:11:04,244 --> 00:11:10,507
♪
247
00:11:10,590 --> 00:11:12,343
-Yeah, I have clothes
to put on.
248
00:11:12,385 --> 00:11:14,013
-Okay, great.
-Yeah.
249
00:11:14,138 --> 00:11:15,391
No, I'm gonna do it in this.
250
00:11:15,474 --> 00:11:16,393
♪
251
00:11:16,476 --> 00:11:20,025
When I think about showing
how cool dance is,
252
00:11:20,150 --> 00:11:21,863
one of the first names
that pops in my head
253
00:11:21,904 --> 00:11:23,908
is Michelle Dorrance.
254
00:11:23,992 --> 00:11:25,620
She's a tap genius
255
00:11:25,662 --> 00:11:27,791
and I think she's elevated tap
256
00:11:27,916 --> 00:11:30,505
to another, like, status
basically.
257
00:11:30,547 --> 00:11:33,051
(tapping)
258
00:11:34,429 --> 00:11:35,640
-Yeah.
259
00:11:39,773 --> 00:11:41,276
-There we go.
-Ah.
260
00:11:41,318 --> 00:11:43,781
-Michelle,
she has this amazing ability
261
00:11:43,823 --> 00:11:46,537
to put together sounds
that you've never heard
262
00:11:46,579 --> 00:11:47,956
with different forms
of dance,
263
00:11:48,040 --> 00:11:51,547
and that's exactly what
our piece "123456" is.
264
00:11:51,672 --> 00:11:53,175
-Hey.
-Hey!
265
00:11:53,300 --> 00:11:54,929
-How you doin'?
-It's nice to meet you.
266
00:11:55,054 --> 00:11:56,264
-Virgil, hi, I'm Michelle.
267
00:11:56,306 --> 00:11:58,018
-Hi Michelle,
nice to meet you.
268
00:11:58,060 --> 00:12:00,815
-Our piece,
it's with a hip hop dancer,
269
00:12:00,899 --> 00:12:03,070
two tap dancers,
and then a ballerina,
270
00:12:03,153 --> 00:12:05,575
and it's about how
we are gonna interact
271
00:12:05,700 --> 00:12:06,786
with each other.
272
00:12:06,827 --> 00:12:09,082
-Today I think we should just
run the structure.
273
00:12:09,207 --> 00:12:10,209
-Yeah.
-Except the things
274
00:12:10,334 --> 00:12:11,461
that you'll have to practice
full out
275
00:12:11,545 --> 00:12:13,298
are anything rhythmic
like clapping patterns
276
00:12:13,340 --> 00:12:14,217
and things like that.
277
00:12:14,300 --> 00:12:17,306
The piece is
largely collaborative.
278
00:12:17,348 --> 00:12:19,603
Inside of it, every dancer
has the opportunity
279
00:12:19,728 --> 00:12:23,235
to both improvise
and choreograph segments,
280
00:12:23,318 --> 00:12:24,362
and then there are a few things
281
00:12:24,445 --> 00:12:25,740
that I force everyone to do,
282
00:12:25,865 --> 00:12:26,867
which is kind of fun.
283
00:12:26,951 --> 00:12:29,873
(rhythmic clapping)
284
00:12:29,999 --> 00:12:32,044
Now, if you guys can hold that,
285
00:12:32,086 --> 00:12:33,463
you might be fine.
286
00:12:33,548 --> 00:12:34,967
For us, it just--
hold onto it.
287
00:12:35,050 --> 00:12:36,219
-Yeah, but then I have to go
the other way.
288
00:12:36,344 --> 00:12:38,223
-No, we're gonna try that first.
289
00:12:38,306 --> 00:12:40,060
But, yeah, that means
you're half done.
290
00:12:43,735 --> 00:12:45,112
-I'm lost too.
-Yeah, I know, I know.
291
00:12:45,237 --> 00:12:47,951
-I think the biggest challenge
with "123456"
292
00:12:47,993 --> 00:12:49,955
is that we are the score,
293
00:12:49,997 --> 00:12:52,001
we are making the music.
294
00:12:52,126 --> 00:12:53,880
And so, you know,
clapping to them
295
00:12:54,005 --> 00:12:55,007
is very natural,
296
00:12:55,090 --> 00:12:57,261
and to me and Virgil,
297
00:12:57,386 --> 00:13:01,102
I mean, we're, like,
so far lost with that.
298
00:13:01,144 --> 00:13:02,522
It's, like, frightening.
299
00:13:02,647 --> 00:13:04,358
-See, I, like, love clapping
300
00:13:04,400 --> 00:13:05,360
and I love counter rhythms
301
00:13:05,402 --> 00:13:06,781
and, like, I've never
had a problem.
302
00:13:06,864 --> 00:13:08,534
The first time I did it
with Byron earlier,
303
00:13:08,659 --> 00:13:10,037
it was a disaster.
304
00:13:10,162 --> 00:13:12,374
So, yeah, so what you guys
have to do
305
00:13:12,416 --> 00:13:13,376
is lock the hell in.
306
00:13:13,418 --> 00:13:14,378
-Okay.
-Yeah, okay.
307
00:13:14,505 --> 00:13:16,592
-When we were looking
for the hip hopper
308
00:13:16,634 --> 00:13:17,594
in this piece,
309
00:13:17,636 --> 00:13:20,140
we wanted somebody
who was very versatile,
310
00:13:20,265 --> 00:13:21,852
and Virgil's just amazing.
311
00:13:21,894 --> 00:13:24,023
He's excited to partner me
312
00:13:24,107 --> 00:13:26,361
and to teach me his vocabulary.
313
00:13:26,402 --> 00:13:27,488
Yeah, teach me some stuff.
314
00:13:27,531 --> 00:13:28,365
-Yeah, yeah.
315
00:13:28,406 --> 00:13:30,285
'Cause you're all ready
to do this.
316
00:13:30,369 --> 00:13:31,539
-Yeah, that's just--
I don't know...
317
00:13:31,622 --> 00:13:33,876
-I just kind of got...
-Yeah.
318
00:13:33,918 --> 00:13:36,549
-He'll do something crazy
and then I'll do it en pointe.
319
00:13:36,674 --> 00:13:39,178
(tapping)
320
00:13:39,262 --> 00:13:40,139
-Yeah!
321
00:13:40,180 --> 00:13:41,182
This type of event
322
00:13:41,266 --> 00:13:42,894
shows that they're being open
323
00:13:42,936 --> 00:13:45,525
to a lot of different styles
and genres of dance
324
00:13:45,567 --> 00:13:48,446
and not strictly ballet.
325
00:13:48,531 --> 00:13:51,579
And it's important
because it gives everyone
326
00:13:51,662 --> 00:13:53,583
an opportunity to showcase
their work
327
00:13:53,666 --> 00:13:55,920
and step outside their box.
328
00:13:56,045 --> 00:13:57,006
-Um, try it.
329
00:13:57,047 --> 00:13:59,010
One, two, three, four,
five, it's just two.
330
00:13:59,051 --> 00:14:00,889
One, two, three, four, five...
331
00:14:00,930 --> 00:14:03,059
The piece I helped design
332
00:14:03,185 --> 00:14:04,771
the skeleton of the work
333
00:14:04,813 --> 00:14:06,901
and then everyone gets
to insert
334
00:14:06,942 --> 00:14:08,069
a little bit of themselves,
335
00:14:08,153 --> 00:14:09,573
and then simultaneously
has to collaborate
336
00:14:09,656 --> 00:14:11,159
with something they're
less comfortable with.
337
00:14:11,201 --> 00:14:14,290
(rhythmic clapping)
338
00:14:14,332 --> 00:14:16,837
And I think that that brings out
339
00:14:16,962 --> 00:14:18,173
really interesting work.
340
00:14:18,215 --> 00:14:20,720
(rhythmic clapping)
341
00:14:25,229 --> 00:14:26,857
This is it right here.
342
00:14:26,941 --> 00:14:29,111
-One, two, three, four,
five, six.
343
00:14:29,195 --> 00:14:30,615
-Okay, uh, okay.
344
00:14:30,740 --> 00:14:31,951
Is everyone--inside your head,
345
00:14:31,992 --> 00:14:33,370
you feel good for tomorrow?
Okay.
346
00:14:33,453 --> 00:14:34,623
This is fun, yeah.
347
00:14:34,706 --> 00:14:37,211
Now that we kind of started,
I'm, like, really excited.
348
00:14:37,336 --> 00:14:39,090
-Oh, come on!
349
00:14:39,173 --> 00:14:41,679
(mellow music)
350
00:14:41,720 --> 00:14:48,693
♪
351
00:14:48,734 --> 00:14:52,491
(singing)
352
00:14:54,120 --> 00:14:56,249
-And then I get silence,
the thing...
353
00:14:56,374 --> 00:14:58,504
-Thing, and then--yeah,
I think that seems right.
354
00:14:58,629 --> 00:15:00,257
-Something like that, yeah.
-Mm-hm, okay.
355
00:15:00,382 --> 00:15:01,009
-Yeah.
-Yeah.
356
00:15:01,134 --> 00:15:02,136
The New York City Ballet,
357
00:15:02,219 --> 00:15:03,889
we actually aren't
really supposed
358
00:15:04,015 --> 00:15:06,269
to talk to the conductors.
359
00:15:06,394 --> 00:15:08,481
Balanchine
kind of just wanted them
360
00:15:08,524 --> 00:15:09,901
to do their thing,
361
00:15:10,027 --> 00:15:14,243
and then we would just
kind of deal with the tempo.
362
00:15:14,285 --> 00:15:16,164
So I've never really been
in contact
363
00:15:16,289 --> 00:15:17,792
with a conductor
where he's asking me,
364
00:15:17,917 --> 00:15:19,253
"Okay, what do you think
about this?"
365
00:15:19,378 --> 00:15:21,759
and singing me
some of the pieces,
366
00:15:21,842 --> 00:15:23,888
and letting me hear
the tempos.
367
00:15:24,013 --> 00:15:25,140
So this was a first.
368
00:15:25,223 --> 00:15:26,894
It's all kind of a first.
369
00:15:26,977 --> 00:15:29,357
And if we can do it
really fast at the end,
370
00:15:29,398 --> 00:15:30,400
-I'd really like that.
-Okay, yeah.
371
00:15:30,526 --> 00:15:32,237
When the piano comes...
372
00:15:32,279 --> 00:15:34,659
Um, the very, very end.
373
00:15:34,743 --> 00:15:36,037
Okay.
374
00:15:36,120 --> 00:15:37,414
(singing)
375
00:15:37,540 --> 00:15:38,416
-Here.
-Uh huh.
376
00:15:38,542 --> 00:15:41,422
(singing)
377
00:15:41,507 --> 00:15:43,301
And it can keep getting faster.
378
00:15:43,385 --> 00:15:44,513
(singing)
379
00:15:44,554 --> 00:15:45,305
-Cool.
380
00:15:45,430 --> 00:15:47,560
(singing)
381
00:15:47,644 --> 00:15:48,813
Yeah.
382
00:15:48,896 --> 00:15:59,793
♪
383
00:15:59,835 --> 00:16:00,920
(piano music)
384
00:16:01,922 --> 00:16:05,011
-So I've been cueing off
at nine and seventeen,
385
00:16:05,053 --> 00:16:07,307
and I'll play
the high register part right.
386
00:16:07,391 --> 00:16:09,145
♪
387
00:16:09,186 --> 00:16:12,025
(singing)
388
00:16:12,067 --> 00:16:13,194
Yes.
389
00:16:13,278 --> 00:16:14,155
♪
390
00:16:14,196 --> 00:16:16,200
-That's what we mean.
-Yeah.
391
00:16:16,284 --> 00:16:20,292
In the dance world,
it's so run by men.
392
00:16:20,333 --> 00:16:22,839
Most directors are male,
393
00:16:22,964 --> 00:16:25,553
most choreographers
are male.
394
00:16:25,595 --> 00:16:26,722
♪
395
00:16:26,805 --> 00:16:28,976
So it feels very important
396
00:16:29,059 --> 00:16:31,063
to be a woman
397
00:16:31,105 --> 00:16:34,361
and be in charge of this gig.
398
00:16:34,487 --> 00:16:35,615
-Okay, that's great.
399
00:16:35,698 --> 00:16:37,367
-Let's start from the beginning,
right,
400
00:16:37,451 --> 00:16:38,829
and just don't kill yourselves
401
00:16:38,871 --> 00:16:40,750
because you guys gotta do
"Allegro."
402
00:16:40,833 --> 00:16:45,718
So just--it's a mark,
it's to be clean,
403
00:16:45,843 --> 00:16:48,223
so clean arms and feet.
404
00:16:48,306 --> 00:16:51,980
♪
405
00:16:52,105 --> 00:16:54,235
I think "In Creases"
was one of the first pieces
406
00:16:54,318 --> 00:16:57,115
that I thought, "Okay,
this has to be on the program."
407
00:16:57,199 --> 00:16:59,370
Somewhat faster, Rachel,
on your turns.
408
00:16:59,453 --> 00:17:00,873
♪
409
00:17:00,998 --> 00:17:02,502
There we go.
410
00:17:02,627 --> 00:17:04,506
I wanted a group ensemble
411
00:17:04,631 --> 00:17:07,135
and I wanted to showcase
younger dancers
412
00:17:07,177 --> 00:17:09,306
who had never really danced
this piece before
413
00:17:09,431 --> 00:17:11,269
but I knew they had it
in them.
414
00:17:11,310 --> 00:17:12,939
Spot.
415
00:17:13,022 --> 00:17:14,441
That's right.
416
00:17:14,526 --> 00:17:15,528
♪
417
00:17:15,570 --> 00:17:17,574
-In our usual dancing season,
418
00:17:17,657 --> 00:17:19,076
you have the full cast
419
00:17:19,159 --> 00:17:21,330
for, like,
a solid chunk of time,
420
00:17:21,414 --> 00:17:24,504
like, you know, three weeks,
and then you perform it.
421
00:17:24,546 --> 00:17:25,422
This was kind of like
422
00:17:25,506 --> 00:17:26,883
everybody learned it
on their own
423
00:17:26,925 --> 00:17:29,514
and now we're coming together
for the first time full cast,
424
00:17:29,556 --> 00:17:32,185
and so there's, like,
added intensity,
425
00:17:32,269 --> 00:17:33,187
borderline anxiety,
426
00:17:33,313 --> 00:17:35,066
like, you just kind of feel it.
427
00:17:35,150 --> 00:17:36,570
♪
428
00:17:36,695 --> 00:17:38,448
Rachel, just in the solo,
429
00:17:38,574 --> 00:17:39,534
all the steps are good.
430
00:17:39,576 --> 00:17:40,578
Just more accent.
431
00:17:40,703 --> 00:17:42,790
So when you reach,
like, reach.
432
00:17:42,832 --> 00:17:45,462
I mean, développé, développé.
433
00:17:45,546 --> 00:17:46,715
(imitating music)
434
00:17:46,840 --> 00:17:47,842
Yeah, but, you know what I mean,
435
00:17:47,967 --> 00:17:50,096
like, more with the upper body,
yeah.
436
00:17:50,221 --> 00:17:51,349
I definitely think
437
00:17:51,474 --> 00:17:53,604
that they are feeling
a lot of pressure
438
00:17:53,729 --> 00:17:56,484
but also I think
nervous energy is exciting
439
00:17:56,568 --> 00:17:58,112
if it doesn't get in the way.
440
00:17:58,237 --> 00:18:01,327
You can be so nervous
that you just lose it onstage
441
00:18:01,369 --> 00:18:03,832
or it can bring this excitement
to the piece
442
00:18:03,874 --> 00:18:05,836
that you can't get
from something
443
00:18:05,878 --> 00:18:07,590
that's so well rehearsed.
444
00:18:07,674 --> 00:18:08,592
Seven, eight.
445
00:18:08,676 --> 00:18:09,969
One, two, three.
446
00:18:10,095 --> 00:18:11,180
Okay, again.
447
00:18:11,222 --> 00:18:12,224
Sorry.
448
00:18:12,307 --> 00:18:13,434
(imitating music)
449
00:18:13,476 --> 00:18:15,355
The first one's together,
the second one should--
450
00:18:15,438 --> 00:18:18,194
all of you groups
should be together.
451
00:18:18,236 --> 00:18:19,739
Okay, that's not happening.
452
00:18:19,823 --> 00:18:21,618
-It's like this?
-It was my fault.
453
00:18:21,743 --> 00:18:23,956
-I was keeping her square.
-Square.
454
00:18:23,997 --> 00:18:26,878
-These are roles
that I'm dancing
455
00:18:27,003 --> 00:18:30,260
that I wouldn't typically dance
with the company,
456
00:18:30,385 --> 00:18:32,389
and I'm in this atmosphere
457
00:18:32,515 --> 00:18:36,021
of such crazy talent that...
458
00:18:36,147 --> 00:18:39,153
I don't want to look like
the little kid in the back.
459
00:18:39,278 --> 00:18:40,405
(tense music)
460
00:18:40,488 --> 00:18:43,871
And I think everybody has
a very similar mentality.
461
00:18:43,912 --> 00:18:48,630
-And one, two, three,
four, five--
462
00:18:48,756 --> 00:18:51,636
See, there.
Maybe doing a little too much.
463
00:18:51,762 --> 00:18:53,724
Yeah, okay,
let's try it one more time.
464
00:18:53,766 --> 00:18:54,851
♪
465
00:18:54,893 --> 00:18:56,020
Ready?
466
00:18:56,103 --> 00:18:57,272
The sense in the room
467
00:18:57,397 --> 00:18:59,778
is that everybody needs
to step up their game.
468
00:18:59,903 --> 00:19:03,744
We go one, two,
three, four...
469
00:19:03,786 --> 00:19:06,875
But also, I think I'm
definitely taking a huge risk
470
00:19:06,917 --> 00:19:08,670
in putting "In Creases"
on the program
471
00:19:08,754 --> 00:19:11,050
just because they've
never done this piece before.
472
00:19:11,133 --> 00:19:13,387
Ready, five, six, seven,
473
00:19:13,429 --> 00:19:16,393
and one, two, three...
474
00:19:16,435 --> 00:19:19,066
♪
475
00:19:19,191 --> 00:19:20,569
I think we're gonna
pull this off.
476
00:19:20,653 --> 00:19:23,032
I mean...
477
00:19:23,074 --> 00:19:24,076
I hope so.
478
00:19:24,201 --> 00:19:25,579
-Good afternoon,ladies and gentlemen.
479
00:19:25,663 --> 00:19:26,832
Your call is half hour.
480
00:19:26,915 --> 00:19:27,834
Call is half hour.
481
00:19:27,959 --> 00:19:29,921
(woman continues
talking in background)
482
00:19:30,004 --> 00:19:42,905
♪
483
00:19:42,947 --> 00:19:45,326
(rhythmic clapping)
484
00:19:45,451 --> 00:19:47,455
-I feel like
I have never learned that.
485
00:19:47,582 --> 00:19:48,332
-Yeah, so...
486
00:19:48,416 --> 00:19:50,921
(rhythmic clapping)
487
00:19:52,550 --> 00:19:53,677
-So there's three at the end?
488
00:19:53,719 --> 00:19:56,348
-There's two pickups.
489
00:19:56,473 --> 00:19:58,979
-I always feel like
I'm a very musical ballerina,
490
00:19:59,104 --> 00:20:00,356
but when I get in a room
with Michelle,
491
00:20:00,440 --> 00:20:02,570
I all of a sudden feel like
I'm not musical at all...
492
00:20:02,612 --> 00:20:04,489
(rhythmic clapping)
493
00:20:04,574 --> 00:20:06,870
...because the way
she hears the beats
494
00:20:06,995 --> 00:20:11,337
are just unlike anything
that I've ever heard.
495
00:20:11,420 --> 00:20:13,926
(rhythmic clapping)
496
00:20:21,858 --> 00:20:22,985
-Woo!
497
00:20:28,245 --> 00:20:31,001
-We all have a set
of different skill sets.
498
00:20:31,126 --> 00:20:32,588
(rhythmic clapping)
499
00:20:32,630 --> 00:20:34,216
And I think just
getting us together
500
00:20:34,257 --> 00:20:35,886
and on the same page
is gonna be the--
501
00:20:35,970 --> 00:20:39,142
like, the trickiest part
of the whole piece.
502
00:20:39,226 --> 00:20:40,646
Oh!
503
00:20:40,729 --> 00:20:41,606
-Okay.
504
00:20:41,648 --> 00:20:44,529
(imitating rhythm)
505
00:20:44,654 --> 00:20:45,739
Yeah, you know it.
506
00:20:45,781 --> 00:20:47,158
You know better,
you know that.
507
00:20:47,283 --> 00:20:49,246
I'm not worried,
you know that.
508
00:20:49,287 --> 00:20:51,250
-What should we do?
509
00:20:51,291 --> 00:20:52,878
-We should go from the top.
-Okay.
510
00:20:52,920 --> 00:20:54,966
-Putting a piece together
in a short time for dancers,
511
00:20:55,008 --> 00:20:55,968
that's normal,
512
00:20:56,010 --> 00:20:58,139
but with different styles,
513
00:20:58,222 --> 00:21:01,896
trying to create something
extraordinary and different,
514
00:21:02,022 --> 00:21:04,777
that's something that's
unique and challenging.
515
00:21:04,902 --> 00:21:07,407
(rhythmic clapping)
516
00:21:18,054 --> 00:21:20,517
(tapping)
517
00:21:21,561 --> 00:21:23,774
-One, two, three, four,
five, six.
518
00:21:28,282 --> 00:21:30,579
-One, two, three, four,
five, six.
519
00:21:32,332 --> 00:21:33,167
-Oh!
-Oh!
520
00:21:33,209 --> 00:21:34,211
-I can't even do it.
521
00:21:34,252 --> 00:21:36,298
I can't even do it here.
522
00:21:36,423 --> 00:21:39,680
Let's do the beginning
one more time.
523
00:21:39,806 --> 00:21:41,768
Okay, this is gross, all right.
524
00:21:46,528 --> 00:21:48,030
-Yeah, I have
a half an hour right now,
525
00:21:48,072 --> 00:21:50,076
and then I start...
526
00:21:50,159 --> 00:21:51,453
I have three more ballets
527
00:21:51,579 --> 00:21:53,583
-and then the interview.
-Right.
528
00:21:53,667 --> 00:21:55,336
-I think I have an interview
at some point.
529
00:21:55,461 --> 00:21:57,550
I'm just gonna walk over now,
have a second,
530
00:21:57,591 --> 00:22:00,221
I'll put my stuff
in my dressing room,
531
00:22:00,304 --> 00:22:03,562
and then hopefully
eat something.
532
00:22:03,603 --> 00:22:04,856
Do you have anything, Mom?
533
00:22:04,981 --> 00:22:06,734
-They had bananas and apples
in there for you
534
00:22:06,818 --> 00:22:07,695
they brought to you.
535
00:22:07,736 --> 00:22:09,072
-I didn't get them.
536
00:22:09,114 --> 00:22:10,617
-Nice apples.
537
00:22:10,742 --> 00:22:11,828
-Do you need me to...
-No, no.
538
00:22:11,870 --> 00:22:12,746
We just go over now
539
00:22:12,872 --> 00:22:13,874
'cause I have to be there.
540
00:22:13,999 --> 00:22:15,752
You're gonna walk with me?
541
00:22:15,836 --> 00:22:17,965
-Do you want 'em?
-Mm-hm.
542
00:22:18,048 --> 00:22:19,467
-You really need food, right?
-Mm-hm.
543
00:22:25,104 --> 00:22:27,610
(soft orchestral music)
544
00:22:27,735 --> 00:22:34,247
♪
545
00:22:34,331 --> 00:22:35,959
Christopher Wheeldon's
known for making
546
00:22:36,001 --> 00:22:38,590
extremely hard pas de deux.
547
00:22:38,632 --> 00:22:41,721
His partnering
is really difficult.
548
00:22:41,763 --> 00:22:44,267
You just have to kind of
trust your partner
549
00:22:44,351 --> 00:22:46,271
with everything
550
00:22:46,355 --> 00:22:47,900
because if you're a little off,
551
00:22:48,025 --> 00:22:50,279
you can really end up
on the floor.
552
00:22:50,404 --> 00:22:56,291
♪
553
00:22:56,375 --> 00:22:58,003
(exclaiming)
554
00:22:58,045 --> 00:23:01,260
♪
555
00:23:04,642 --> 00:23:06,270
♪
556
00:23:06,353 --> 00:23:07,898
There's always things
in this pas de deux
557
00:23:08,023 --> 00:23:09,527
that can go wrong.
558
00:23:09,610 --> 00:23:11,656
So I guess that's what's
exciting and scary
559
00:23:11,781 --> 00:23:12,908
at the same time.
560
00:23:12,992 --> 00:23:14,620
♪
561
00:23:14,662 --> 00:23:17,041
Like, just a little bit
upstage of the center.
562
00:23:17,166 --> 00:23:20,423
(indistinct comments)
563
00:23:23,178 --> 00:23:24,682
All right, now I don't even know
if I have time.
564
00:23:24,765 --> 00:23:27,813
I might just have to go
straight to the rehearsal room.
565
00:23:27,896 --> 00:23:29,190
What time is it?
566
00:23:29,316 --> 00:23:30,694
Oh, I have 15 min--
is that right?
567
00:23:30,819 --> 00:23:31,696
-No, this is fast.
568
00:23:31,779 --> 00:23:32,698
-Tell me a little bit about
569
00:23:32,823 --> 00:23:34,200
what were the main ideas
570
00:23:34,284 --> 00:23:35,787
that were in your mind
571
00:23:35,829 --> 00:23:37,415
when this was broached
to you.
572
00:23:37,457 --> 00:23:39,795
-I kind of just really
made it a point
573
00:23:39,837 --> 00:23:41,632
to find something
for everybody
574
00:23:41,674 --> 00:23:44,930
and also kind of emphasize
the new voices of today
575
00:23:45,056 --> 00:23:46,934
that I think, like,
a younger generation
576
00:23:47,060 --> 00:23:50,316
is definitely
very kind of in tune with.
577
00:23:50,399 --> 00:23:51,944
-So is that something
you're putting together,
578
00:23:52,070 --> 00:23:53,698
you're responsible for
getting it rehearsed
579
00:23:53,823 --> 00:23:54,658
and in shape?
580
00:23:54,700 --> 00:23:56,579
I'm kind of responsible
for, like,
581
00:23:56,662 --> 00:23:59,084
it all being rehearsed,
I think, and together.
582
00:23:59,167 --> 00:24:01,046
-So also for you,
that's an example
583
00:24:01,088 --> 00:24:02,298
of contemporary ballerina
584
00:24:02,340 --> 00:24:04,595
going way out of her
usual comfort zone.
585
00:24:04,678 --> 00:24:05,806
-Yeah, definitely.
586
00:24:05,847 --> 00:24:07,810
You know,
I have a lot of ideas,
587
00:24:07,851 --> 00:24:09,980
and to be able to put
something together
588
00:24:10,064 --> 00:24:13,947
is really kind of just very
exciting and stressful.
589
00:24:13,988 --> 00:24:16,118
I mean, I'm definitely, like,
a little nervous,
590
00:24:16,243 --> 00:24:17,579
but I'm really excited.
591
00:24:17,621 --> 00:24:20,961
I think we've put together
some amazing programs
592
00:24:21,002 --> 00:24:23,215
that have something
for everybody.
593
00:24:23,298 --> 00:24:25,971
And, um, yeah,
so we just have to hope
594
00:24:26,096 --> 00:24:28,560
that everything goes well.
595
00:24:28,601 --> 00:24:30,939
And we'll be up
on the fourth floor.
596
00:24:30,981 --> 00:24:32,860
This is Nicole.
Have you met Bill?
597
00:24:32,943 --> 00:24:34,864
-The stage manager.
-Hi Nicole.
598
00:24:34,947 --> 00:24:37,995
-So she's--we're gonna give her
all the cues right now
599
00:24:38,078 --> 00:24:39,497
so she can start partying.
600
00:24:39,582 --> 00:24:40,499
Thanks for everything.
601
00:24:40,625 --> 00:24:42,880
Okay, Nicole,
so first what happens
602
00:24:42,963 --> 00:24:44,466
is the mu--wait.
603
00:24:44,508 --> 00:24:45,719
Curtain comes up, yes.
604
00:24:45,760 --> 00:24:46,762
-Curtain, yeah, curtain goes up.
605
00:24:46,846 --> 00:24:48,892
-Curtain goes up,
'cause this is opening.
606
00:24:48,975 --> 00:24:50,269
-Right.
-Curtain goes up
607
00:24:50,394 --> 00:24:52,023
and lights are already there,
608
00:24:52,148 --> 00:24:56,364
and the music starts
and we're offstage.
609
00:24:56,406 --> 00:24:58,995
"Time It Was,"
a lot of the comedic timing
610
00:24:59,037 --> 00:25:02,544
is very dependent
on the orchestra.
611
00:25:02,669 --> 00:25:05,257
Just the little, you know,
drum roll and the ratchet,
612
00:25:05,341 --> 00:25:08,640
it has to be
just so perfectly timed.
613
00:25:08,765 --> 00:25:12,021
And we have a stage manager
who doesn't know the pieces,
614
00:25:12,146 --> 00:25:13,983
so we're gonna
have to go through cues,
615
00:25:14,025 --> 00:25:15,402
especially the piece
with Bill and I,
616
00:25:15,486 --> 00:25:16,906
there's so many.
617
00:25:16,989 --> 00:25:19,244
And the metronome has to come
in, like, right on the--
618
00:25:19,285 --> 00:25:21,289
you know,
we jump and when we land.
619
00:25:21,373 --> 00:25:22,416
Bump.
620
00:25:22,500 --> 00:25:24,045
-Do you want it on the land
or on the step?
621
00:25:24,170 --> 00:25:25,549
-No, on the step.
622
00:25:25,632 --> 00:25:27,636
That's something that takes
a lot of rehearsal,
623
00:25:27,678 --> 00:25:30,642
and we just don't really
have that time.
624
00:25:30,684 --> 00:25:33,438
But hopefully
once we get onstage
625
00:25:33,565 --> 00:25:34,567
with the orchestra,
626
00:25:34,692 --> 00:25:36,571
then it will just kind of
all come together.
627
00:25:36,696 --> 00:25:37,573
Hopefully.
628
00:25:37,698 --> 00:25:40,160
(mellow music)
629
00:25:40,202 --> 00:25:41,413
♪
630
00:25:41,454 --> 00:25:43,166
We have, like,
15 minute rehearsals.
631
00:25:43,208 --> 00:25:44,460
-Right.
-And it's not enough time
632
00:25:44,545 --> 00:25:46,172
to do the amount of ballets
that we have to do.
633
00:25:46,256 --> 00:25:47,300
-Right, and if...
-And because there's
634
00:25:47,425 --> 00:25:48,928
different casts...
635
00:25:49,053 --> 00:25:50,055
it was like, okay,
636
00:25:50,139 --> 00:25:51,892
I guess each rehearsal
gets 15 minutes.
637
00:25:51,934 --> 00:25:52,936
And, you know,
the other thing is
638
00:25:53,020 --> 00:25:54,314
that he will be in the audience,
639
00:25:54,439 --> 00:25:55,274
he'll be at the table...
640
00:25:55,316 --> 00:25:56,443
-So we can just shout at you.
641
00:25:56,527 --> 00:25:57,821
-"Brandon!"
-Yeah, no, yeah.
642
00:25:57,904 --> 00:25:59,157
-If there's something wrong...
-You can call from the stage.
643
00:25:59,198 --> 00:26:00,326
-Yeah, no, it's no problem.
644
00:26:00,409 --> 00:26:01,829
So I don't actually know--
645
00:26:01,954 --> 00:26:03,583
I'm curious about the history
behind this piece,
646
00:26:03,708 --> 00:26:05,712
'cause I'm not very--
this is a new piece to me.
647
00:26:05,837 --> 00:26:07,214
Well...
648
00:26:07,298 --> 00:26:09,469
this is not the right piece.
649
00:26:09,553 --> 00:26:12,308
-Time out, what?
-Is that what you've had?
650
00:26:12,350 --> 00:26:13,477
-This is what Bill sent me.
651
00:26:13,561 --> 00:26:14,228
(laughing)
652
00:26:14,354 --> 00:26:16,316
-That's not our pas de deux.
653
00:26:16,358 --> 00:26:17,569
Wait, am I in that?
654
00:26:17,611 --> 00:26:18,613
-Are you playing bass?
655
00:26:18,696 --> 00:26:19,948
-This is...
-No.
656
00:26:19,990 --> 00:26:20,992
-I asked him for a video.
657
00:26:21,117 --> 00:26:22,621
When I told him
I was reaching out
658
00:26:22,746 --> 00:26:24,248
to the original designer,
he said,
659
00:26:24,332 --> 00:26:25,501
"Oh, here's a video
that will help you
660
00:26:25,585 --> 00:26:26,671
better understand the piece."
661
00:26:26,712 --> 00:26:28,090
-What was he thinking?
-Yeah, I don't know.
662
00:26:28,215 --> 00:26:29,217
-Maybe it was just for the look.
663
00:26:29,300 --> 00:26:30,427
-Can you send it to him?
-Yeah.
664
00:26:30,469 --> 00:26:31,555
I just have to find it.
665
00:26:31,597 --> 00:26:32,724
-Is there still the ukulele
666
00:26:32,849 --> 00:26:34,227
and that whole,
like, musician thing?
667
00:26:34,310 --> 00:26:35,980
-No.
-He gave me specific notes
668
00:26:36,106 --> 00:26:38,736
on the ukulele and, like,
some kind of instrumentation.
669
00:26:38,861 --> 00:26:40,573
So you should definitely talk.
670
00:26:40,615 --> 00:26:42,118
-Wait, for real?
-Yeah, yeah, yeah.
671
00:26:42,201 --> 00:26:43,120
(tense music)
672
00:26:43,203 --> 00:26:44,247
No, that's not it at all,
673
00:26:44,372 --> 00:26:45,709
it's just me and Bill.
674
00:26:45,750 --> 00:26:48,004
-Well, it's good we're
talking about it then.
675
00:26:48,088 --> 00:26:49,090
Yeah.
676
00:26:49,132 --> 00:27:03,661
♪
677
00:27:03,786 --> 00:27:04,913
-Mm...
678
00:27:05,038 --> 00:27:12,763
♪
679
00:27:12,888 --> 00:27:14,390
Was there anything that you saw
680
00:27:14,474 --> 00:27:15,518
that you think that--
681
00:27:15,602 --> 00:27:17,271
like "Man I Love,"
was it good?
682
00:27:17,396 --> 00:27:18,900
Uh huh, yeah.
683
00:27:19,025 --> 00:27:20,277
Looked really good.
684
00:27:20,402 --> 00:27:23,785
♪
685
00:27:23,910 --> 00:27:25,370
How do the
(mumbles) look?
686
00:27:25,412 --> 00:27:27,041
♪
687
00:27:27,166 --> 00:27:29,170
-Tell the boys to make sure
they tuck their shirts in,
688
00:27:29,253 --> 00:27:30,673
because they all came out.
689
00:27:30,757 --> 00:27:32,176
♪
690
00:27:32,301 --> 00:27:33,303
Yeah.
691
00:27:33,428 --> 00:27:34,263
♪
692
00:27:34,305 --> 00:27:35,182
-You must be hungry.
693
00:27:35,307 --> 00:27:37,144
You never eat
the whole sandwich.
694
00:27:37,186 --> 00:27:38,438
(laughing)
695
00:27:38,564 --> 00:27:41,027
-I just did literally
six ballets.
696
00:27:41,069 --> 00:27:42,029
-I know.
697
00:27:42,071 --> 00:27:45,202
♪
698
00:27:45,327 --> 00:27:47,331
Go with the flow.
Just dance.
699
00:27:47,456 --> 00:27:49,586
(laughing)
700
00:27:49,711 --> 00:27:59,188
♪
701
00:27:59,313 --> 00:28:02,194
I'm nervous that
I'm trying to do too much
702
00:28:02,319 --> 00:28:05,409
and I'm just hoping that
703
00:28:05,450 --> 00:28:08,164
it all doesn't
come crashing down.
704
00:28:08,206 --> 00:28:10,294
I'm feeling so tight
down here,
705
00:28:10,335 --> 00:28:11,922
like, it's kind of hurting
to walk.
706
00:28:11,964 --> 00:28:13,718
-Okay, all right.
707
00:28:13,801 --> 00:28:15,345
-I feel like
they kind of smell too.
708
00:28:15,429 --> 00:28:16,472
I'm sorry,
they've been in shoes...
709
00:28:16,557 --> 00:28:17,934
-Oh, I think I'm used to that.
710
00:28:17,976 --> 00:28:19,228
-Okay.
711
00:28:19,353 --> 00:28:20,607
♪
712
00:28:20,732 --> 00:28:21,817
-All right.
713
00:28:21,859 --> 00:28:30,877
♪
714
00:28:30,960 --> 00:28:32,004
-Everything hurts.
715
00:28:32,129 --> 00:28:34,091
♪
716
00:28:34,175 --> 00:28:36,095
My feet are hurting,
717
00:28:36,179 --> 00:28:38,183
my back is hurting.
718
00:28:38,224 --> 00:28:40,228
-Here. Hand under your head.
719
00:28:40,354 --> 00:28:42,441
-I think I have, like,
a pulled inner thigh.
720
00:28:42,483 --> 00:28:44,362
-Now let's stretch.
721
00:28:44,445 --> 00:28:45,865
♪
722
00:28:45,949 --> 00:28:47,201
-I don't know
if it's the stress...
723
00:28:47,242 --> 00:28:48,996
-Exhale and stretch.
724
00:28:49,121 --> 00:28:50,499
♪
725
00:28:50,625 --> 00:28:52,504
-...but I feel
sick to my stomach.
726
00:28:52,629 --> 00:29:11,416
♪
727
00:29:12,669 --> 00:29:14,338
-We should do that again.
728
00:29:14,380 --> 00:29:16,134
-The up was really good.
729
00:29:16,259 --> 00:29:18,263
-I just feel so low.
730
00:29:18,346 --> 00:29:20,475
Like at the--I'm, like,
all the way down here.
731
00:29:20,518 --> 00:29:22,271
-But you have to
to get my foot on the floor.
732
00:29:22,396 --> 00:29:25,152
-I know, but I should be--
No, no, when I catch you.
733
00:29:25,277 --> 00:29:26,780
-I think you should
be like that.
734
00:29:26,864 --> 00:29:28,617
-But I'm really low.
-Yeah.
735
00:29:28,659 --> 00:29:30,162
-What I'm saying is
I'm, like, down here.
736
00:29:30,245 --> 00:29:32,166
-No, I think that's right.
737
00:29:32,291 --> 00:29:33,376
-Can we try it again?
738
00:29:33,418 --> 00:29:35,172
-You're not Nilas's height.
739
00:29:35,255 --> 00:29:37,009
That's the photo you've seen.
740
00:29:37,051 --> 00:29:38,929
-Yeah.
-Yeah.
741
00:29:39,055 --> 00:29:41,059
-Can we just try it again?
-Okay.
742
00:29:41,184 --> 00:29:41,935
(laughing)
743
00:29:42,019 --> 00:29:42,937
I'm sorry.
744
00:29:43,021 --> 00:29:44,190
It's just because, like,
745
00:29:44,273 --> 00:29:46,528
you aren't like this at all,
746
00:29:46,570 --> 00:29:48,574
-I can't get--
-I'm still gonna do that.
747
00:29:51,454 --> 00:29:53,416
Oh no.
748
00:29:53,458 --> 00:29:54,586
Yeah!
749
00:29:54,669 --> 00:29:55,922
Did I not get high enough?
750
00:29:56,005 --> 00:29:57,382
-Mm-mm.
-Okay.
751
00:29:57,424 --> 00:30:00,180
-I don't think
you're jumping as much now.
752
00:30:00,263 --> 00:30:02,059
Sorry.
753
00:30:02,184 --> 00:30:03,436
-I need energy.
-But you're sick though,
754
00:30:03,521 --> 00:30:04,815
so you get a free pass.
755
00:30:04,940 --> 00:30:05,942
-Okay, let's skip that.
756
00:30:06,025 --> 00:30:07,444
We did that.
757
00:30:07,529 --> 00:30:08,781
♪
758
00:30:08,823 --> 00:30:09,950
(whining)
759
00:30:10,075 --> 00:30:15,460
♪
760
00:30:15,545 --> 00:30:17,214
I don't feel like
this is gonna be good.
761
00:30:17,339 --> 00:30:19,845
(rhythmic clapping)
762
00:30:23,602 --> 00:30:26,567
-One, two, three, four,
five, six.
763
00:30:26,608 --> 00:30:29,238
(tapping)
764
00:30:29,363 --> 00:30:30,365
-Corner!
765
00:30:30,490 --> 00:30:31,743
♪
766
00:30:34,749 --> 00:30:45,605
♪
767
00:30:45,730 --> 00:30:46,857
(shrieking, laughing)
768
00:30:46,982 --> 00:30:50,238
♪
769
00:30:50,322 --> 00:30:53,119
All the choreography
for "123456"
770
00:30:53,244 --> 00:30:56,125
is centered around
this piece of wood
771
00:30:56,250 --> 00:30:59,883
that we use to make the music
and rhythms of the dance.
772
00:30:59,966 --> 00:31:02,597
That floor thing is--
I am slipping like crazy.
773
00:31:02,639 --> 00:31:03,891
-Yeah.
-I don't know what I'm gonna...
774
00:31:03,974 --> 00:31:05,268
-It'll help, Slip NoMor
will change the game.
775
00:31:05,352 --> 00:31:07,523
-For us too, you have to know.
-You like--for that too?
776
00:31:07,607 --> 00:31:10,028
-No, for--this is like...
777
00:31:10,111 --> 00:31:11,990
-I was, like,
spinning on my butt.
778
00:31:12,032 --> 00:31:13,911
(rhythmic clapping)
779
00:31:13,994 --> 00:31:16,499
Without some sort of coating,
780
00:31:16,541 --> 00:31:18,796
this surface is like...
781
00:31:18,879 --> 00:31:21,008
any dancer's worst nightmare.
782
00:31:21,133 --> 00:31:22,595
(tapping)
783
00:31:22,637 --> 00:31:23,889
-Okay, let's remember
784
00:31:24,014 --> 00:31:25,893
to try Slip NoMor
for tomorrow.
785
00:31:25,977 --> 00:31:26,853
-Right.
786
00:31:26,895 --> 00:31:29,108
(tapping)
787
00:31:29,149 --> 00:31:30,903
-Then...
788
00:31:31,028 --> 00:31:32,364
-Wait, I must be two then.
789
00:31:32,406 --> 00:31:34,619
Am I before you guys?
790
00:31:34,661 --> 00:31:35,412
-Oh, she is.
791
00:31:35,538 --> 00:31:36,414
(counting noise)
792
00:31:36,540 --> 00:31:38,919
-Uh, uh, us?
793
00:31:39,044 --> 00:31:40,005
-No way.
-I don't know.
794
00:31:40,046 --> 00:31:41,424
-Uh, uh, you.
795
00:31:41,550 --> 00:31:44,054
-We had to work through
so many complicated things
796
00:31:44,179 --> 00:31:45,641
with "123456."
797
00:31:45,683 --> 00:31:47,562
Fusing together
the different styles,
798
00:31:47,687 --> 00:31:49,691
then getting together
the timing.
799
00:31:49,774 --> 00:31:51,528
And it's just ridiculous
that the thing
800
00:31:51,570 --> 00:31:53,699
that we're stuck on
is the ending,
801
00:31:53,782 --> 00:31:56,078
which really isn't
that complicated.
802
00:31:56,203 --> 00:31:59,460
It's literally four claps,
a turn, and a finish.
803
00:31:59,544 --> 00:32:01,798
But we're really struggling
with it.
804
00:32:01,882 --> 00:32:04,261
(tapping)
805
00:32:04,303 --> 00:32:05,931
-One, two, three...
-No, no, we can't do that.
806
00:32:06,057 --> 00:32:07,309
Let's go from my solo.
807
00:32:07,434 --> 00:32:08,269
Five, six...
808
00:32:08,311 --> 00:32:11,150
(vocalizing rhythm)
809
00:32:11,192 --> 00:32:11,777
(whimper)
810
00:32:11,818 --> 00:32:13,655
(laughing)
811
00:32:13,697 --> 00:32:14,908
Are you okay?
812
00:32:14,949 --> 00:32:16,703
You're gonna feel great.
You're gonna sleep tonight
813
00:32:16,828 --> 00:32:17,830
and your stomach's
gonna feel better
814
00:32:17,955 --> 00:32:19,709
and you're gonna be amazing
in everything.
815
00:32:19,834 --> 00:32:20,836
-Is it gonna be amazing?
-No, yeah, totally.
816
00:32:20,920 --> 00:32:21,838
-No, Tiler, you're gonna--
817
00:32:21,963 --> 00:32:23,091
you're a stage beast.
818
00:32:23,174 --> 00:32:25,345
-Woo!
-Don't stress.
819
00:32:25,470 --> 00:32:27,349
If you ... up,
... up gigantic
820
00:32:27,474 --> 00:32:29,436
and turn it into a solo, okay?
821
00:32:29,478 --> 00:32:31,357
We're gonna get it together.
822
00:32:31,440 --> 00:32:32,735
In a day.
823
00:32:32,819 --> 00:32:34,196
♪
824
00:32:34,238 --> 00:32:35,825
I go off of your other leg.
825
00:32:35,866 --> 00:32:38,371
(tapping)
826
00:32:38,454 --> 00:32:40,250
♪
827
00:32:40,375 --> 00:32:41,335
It's a mess.
828
00:32:41,377 --> 00:32:44,551
(indistinct chatter)
829
00:32:44,592 --> 00:32:46,345
It always comes together
at the end.
830
00:32:46,429 --> 00:32:48,474
♪
831
00:32:48,600 --> 00:32:50,563
Do you know that you sent
the wrong video
832
00:32:50,604 --> 00:32:51,731
to the lighting guy?
833
00:32:51,815 --> 00:32:52,733
-He was like--
-What'd I send?
834
00:32:52,859 --> 00:32:55,990
-You sent him you,
Michelle, and Kate.
835
00:32:56,073 --> 00:32:57,367
There's only just me and Bill.
836
00:32:57,492 --> 00:33:00,624
There's nobody else
in our piece.
837
00:33:00,708 --> 00:33:02,085
-How did I do that?
-Okay.
838
00:33:02,127 --> 00:33:04,006
So how would that go
if we do that?
839
00:33:04,089 --> 00:33:06,720
-Well, just like you were
talking about yesterday...
840
00:33:06,761 --> 00:33:08,222
-So I--oh, I have the hat.
841
00:33:08,264 --> 00:33:10,393
-Chaînés...
-Very in.
842
00:33:10,519 --> 00:33:12,982
(soft music)
843
00:33:13,024 --> 00:33:15,905
♪
844
00:33:15,988 --> 00:33:18,409
Hope I remember all of this
on the shows.
845
00:33:18,535 --> 00:33:20,288
I feel like I have
so much choreography
846
00:33:20,371 --> 00:33:22,167
in my head right now
that I'm like
847
00:33:22,292 --> 00:33:23,795
getting them
a little mixed up.
848
00:33:23,921 --> 00:33:25,340
♪
849
00:33:25,381 --> 00:33:27,219
Memory full.
850
00:33:27,260 --> 00:33:32,522
♪
851
00:33:32,647 --> 00:33:33,857
(knocking)
852
00:33:33,899 --> 00:33:35,653
-Look, I have someone
that wants to meet you.
853
00:33:35,736 --> 00:33:37,113
Oh, Cali, come here.
854
00:33:37,155 --> 00:33:38,992
-Her name is Alexa.
855
00:33:39,034 --> 00:33:40,663
This is Tiler Peck.
856
00:33:40,746 --> 00:33:41,748
-Hi.
857
00:33:41,790 --> 00:33:43,251
Is that a Barbie?
858
00:33:43,292 --> 00:33:44,546
-Yeah.
859
00:33:44,671 --> 00:33:45,798
-Can I see it?
860
00:33:45,881 --> 00:33:48,010
-Does the Barbie have a name?
861
00:33:48,052 --> 00:33:49,054
-The Barbie has a name?
862
00:33:49,137 --> 00:33:50,558
What's the Barbie's name?
863
00:33:50,641 --> 00:33:51,518
-Tiler.
864
00:33:51,560 --> 00:33:54,439
-You gave her my name?
865
00:33:54,524 --> 00:33:56,151
Aw...
866
00:33:56,193 --> 00:33:58,949
♪
867
00:33:59,032 --> 00:34:01,788
My arm really hurts
from that lift in "Fancy,"
868
00:34:01,830 --> 00:34:03,457
you know where I go over
backwards
869
00:34:03,542 --> 00:34:05,671
and I have to hold on
and then go like this?
870
00:34:05,713 --> 00:34:07,299
Oh my God, I feel like
it's, like,
871
00:34:07,382 --> 00:34:08,426
ripping my shoulder out.
872
00:34:08,510 --> 00:34:10,514
-Grandma really has a dress
she wants--
873
00:34:10,598 --> 00:34:11,766
something she wants you
to see.
874
00:34:11,850 --> 00:34:13,102
-Okay, I don't have time
right now.
875
00:34:13,144 --> 00:34:14,396
-Okay.
-I have to go to rehearsal.
876
00:34:14,522 --> 00:34:16,483
-Well, he said--you want
your turkey sandwich?
877
00:34:16,526 --> 00:34:17,528
-I ate it already.
878
00:34:17,612 --> 00:34:19,281
I ate it while I was
out there watching.
879
00:34:19,364 --> 00:34:21,160
Is there a pin somewhere?
880
00:34:21,243 --> 00:34:23,247
No.
881
00:34:23,289 --> 00:34:24,792
(elevator dings)
882
00:34:24,917 --> 00:34:27,422
Mom, did you have one or no?
883
00:34:27,548 --> 00:34:29,259
That's okay, I just need a pin.
884
00:34:29,301 --> 00:34:31,013
Will somebody find a pin?
885
00:34:31,055 --> 00:34:32,808
Hey, so you know before
the double turn
886
00:34:32,892 --> 00:34:33,769
of the arabesque?
887
00:34:33,810 --> 00:34:35,146
Can we go there
because you guys
888
00:34:35,188 --> 00:34:38,319
weren't spaced correctly.
889
00:34:38,402 --> 00:34:43,329
Also, the timing just seemed
a little bit off.
890
00:34:43,412 --> 00:34:46,836
It's hard because "In Creases"
I'm not dancing in,
891
00:34:46,920 --> 00:34:50,761
so in a way I feel like
it's out of my control.
892
00:34:50,803 --> 00:34:52,305
But it's my responsibility
893
00:34:52,389 --> 00:34:54,017
to show Justin Peck's
choreography
894
00:34:54,059 --> 00:34:55,395
in the best light.
895
00:34:55,436 --> 00:34:57,525
(piano music)
896
00:34:57,566 --> 00:34:58,652
I can rehearse them
897
00:34:58,694 --> 00:35:02,325
and I can try to give them notes
as best as I can,
898
00:35:02,450 --> 00:35:04,706
but once they get out there,
I kind of just hope
899
00:35:04,831 --> 00:35:06,333
and pray that it goes well.
900
00:35:06,458 --> 00:35:07,460
♪
901
00:35:07,545 --> 00:35:09,089
But really,
once they're out there,
902
00:35:09,214 --> 00:35:10,216
it's up to them.
903
00:35:10,341 --> 00:35:12,722
♪
904
00:35:12,805 --> 00:35:14,349
That's good.
905
00:35:14,433 --> 00:35:15,853
Okay, thank you.
906
00:35:15,936 --> 00:35:17,606
Then the other thing is,
front line,
907
00:35:17,690 --> 00:35:19,736
are you guys
supposed to be together?
908
00:35:19,861 --> 00:35:22,240
-Yes.
-Yeah, that wasn't together.
909
00:35:22,365 --> 00:35:24,077
Okay, let's do that.
910
00:35:24,119 --> 00:35:25,371
Okay, you make sure
they're together,
911
00:35:25,455 --> 00:35:26,498
and I'm gonna get
in my tutu.
912
00:35:26,624 --> 00:35:27,500
-Oh, you have five minutes.
913
00:35:27,585 --> 00:35:29,756
-Uh huh.
-Five minutes to tutu.
914
00:35:29,881 --> 00:35:32,177
(tense music)
915
00:35:32,218 --> 00:35:34,222
It's hard to describe
916
00:35:34,347 --> 00:35:36,059
what she brings
to the table.
917
00:35:36,101 --> 00:35:38,607
But for her to take on
918
00:35:38,690 --> 00:35:43,491
the magnitude
of being the dancer,
919
00:35:43,617 --> 00:35:45,077
being the curator,
920
00:35:45,119 --> 00:35:46,748
assembling the dancers,
921
00:35:46,873 --> 00:35:49,377
knowing who should be
doing what,
922
00:35:49,461 --> 00:35:51,381
and then she'll put down
the clipboard
923
00:35:51,508 --> 00:35:53,469
and run in and start dancing.
924
00:35:53,512 --> 00:35:55,724
(rhythmic clapping)
925
00:35:55,766 --> 00:35:57,645
It's overwhelming.
926
00:35:57,728 --> 00:36:00,358
♪
927
00:36:00,399 --> 00:36:01,736
-Ah!
928
00:36:01,778 --> 00:36:03,155
Bella?
929
00:36:03,280 --> 00:36:06,663
Hey girl, did you get
the "Red Angels" costumes?
930
00:36:06,746 --> 00:36:07,748
Do they not fit?
931
00:36:07,790 --> 00:36:09,544
-No, it's just, like,
for a child.
932
00:36:09,627 --> 00:36:11,463
-Did you try any on?
-It's not going to be cute. No.
933
00:36:11,506 --> 00:36:13,092
-You try that one on first.
934
00:36:13,133 --> 00:36:14,512
Then I'll help you
put the jacket on
935
00:36:14,637 --> 00:36:15,722
when you sit down.
936
00:36:15,764 --> 00:36:18,018
Now here, which I do that
as quick as possible.
937
00:36:18,143 --> 00:36:19,354
-Should we do that again?
-Yeah, let's do it.
938
00:36:19,396 --> 00:36:20,398
Yeah.
939
00:36:20,481 --> 00:36:21,901
♪
940
00:36:21,985 --> 00:36:23,905
Hi, I'm Tiler.
I don't think I met you.
941
00:36:23,989 --> 00:36:25,032
-Shana, hi.
942
00:36:25,157 --> 00:36:26,911
-Did you put these
in the right place?
943
00:36:26,995 --> 00:36:28,289
-You have that break there.
944
00:36:28,372 --> 00:36:30,544
-I think it was just to give me,
like, some lunch.
945
00:36:30,627 --> 00:36:31,546
-I know.
946
00:36:31,629 --> 00:36:32,548
♪
947
00:36:32,673 --> 00:36:34,635
It seemed like it was
two counts too early,
948
00:36:34,677 --> 00:36:35,929
so let's just try it again.
949
00:36:36,054 --> 00:36:37,683
♪
950
00:36:37,808 --> 00:36:39,562
-Tiler.
-We're ready.
951
00:36:39,687 --> 00:36:41,691
♪
952
00:36:41,774 --> 00:36:43,778
(tapping)
953
00:36:43,820 --> 00:36:45,908
-Oh!
-One, two, three, four,
954
00:36:45,949 --> 00:36:47,327
five, six.
955
00:36:47,452 --> 00:36:48,580
Oh, sorry, guys!
956
00:36:48,705 --> 00:36:51,460
(unintelligible conversation)
957
00:36:51,544 --> 00:36:52,922
♪
958
00:36:52,963 --> 00:36:54,675
-Have you seen the sailors?
959
00:36:54,759 --> 00:36:56,136
-Are they not here?
960
00:36:56,178 --> 00:36:57,890
Does that microphone work?
961
00:36:57,932 --> 00:37:00,061
Should we go over that
real fast?
962
00:37:00,186 --> 00:37:02,273
Do we have, like,
one second or no?
963
00:37:02,315 --> 00:37:04,946
(intense rhythmic music)
964
00:37:05,071 --> 00:37:10,039
♪
965
00:37:15,049 --> 00:37:17,972
(rhythmic clapping)
966
00:37:18,097 --> 00:37:19,600
♪
967
00:37:19,684 --> 00:37:20,811
Let me check the schedule.
968
00:37:20,852 --> 00:37:23,232
I have, like,
a million things.
969
00:37:23,357 --> 00:37:26,238
♪
970
00:37:26,321 --> 00:37:27,741
-That was better,
we'll just, like, play
971
00:37:27,866 --> 00:37:30,371
when you have
those two minutes between
972
00:37:30,454 --> 00:37:32,375
your 17 pas de deux.
973
00:37:32,500 --> 00:37:48,240
♪
974
00:37:48,323 --> 00:37:50,244
(groaning)
975
00:37:50,327 --> 00:37:57,258
♪
976
00:37:57,383 --> 00:37:59,722
(exhales deeply)
977
00:37:59,764 --> 00:38:00,974
♪
978
00:38:09,365 --> 00:38:13,875
Cali, what are we gonna do
with 139 emails, huh?
979
00:38:13,917 --> 00:38:17,131
For this thing.
What are we gonna do?
980
00:38:17,256 --> 00:38:19,762
(chuckles)
981
00:38:25,231 --> 00:38:27,611
(moody ambient music)
982
00:38:27,653 --> 00:38:30,116
♪
983
00:38:30,157 --> 00:38:33,288
Okay, I'm ready.
984
00:38:33,372 --> 00:38:36,169
Okay, I don't know
where I'm going, though.
985
00:38:36,294 --> 00:38:38,048
-She's on the party list
if she wants to come up.
986
00:38:38,132 --> 00:38:40,052
I have her on the list, so...
987
00:38:40,136 --> 00:38:43,058
-You got the F key?
988
00:38:43,183 --> 00:38:46,398
-We're walking to this.
989
00:38:46,439 --> 00:38:48,193
-Yeah, we're gonna go
across the way.
990
00:38:48,277 --> 00:38:50,447
♪
991
00:38:50,532 --> 00:38:52,661
-I'll hang out with you
while you do your press round.
992
00:38:52,703 --> 00:38:56,459
-Thank you.
-All right!
993
00:38:56,586 --> 00:38:57,963
-All right,
shall we get started?
994
00:38:58,088 --> 00:39:00,050
-You may.
-Okay.
995
00:39:00,134 --> 00:39:01,386
-Do you want wine?
996
00:39:01,428 --> 00:39:03,307
-Uh, water's good
to start with.
997
00:39:03,390 --> 00:39:04,434
All right.
998
00:39:04,518 --> 00:39:07,524
Smile for our camera.
999
00:39:07,566 --> 00:39:09,820
(thrum of conversation)
1000
00:39:09,904 --> 00:39:12,951
-Gorgeous, stunning,
you're just like unbelievable.
1001
00:39:13,035 --> 00:39:17,961
♪
1002
00:39:18,086 --> 00:39:20,466
-So continue on
with the reception,
1003
00:39:20,550 --> 00:39:22,930
and if you wanna talk
to Tiler personally,
1004
00:39:22,971 --> 00:39:24,975
she'll be wandering around.
1005
00:39:25,059 --> 00:39:28,315
(conversational hum)
1006
00:39:28,357 --> 00:39:33,242
♪
1007
00:39:33,367 --> 00:39:35,454
-Great seeing you.
-(giggling)
1008
00:39:35,496 --> 00:39:37,083
-Enjoy.
1009
00:39:37,124 --> 00:39:39,254
(flash popping)
1010
00:39:39,337 --> 00:39:41,466
-Thank you so much.
-Thank you!
1011
00:39:41,592 --> 00:40:05,139
♪
1012
00:40:05,222 --> 00:40:06,976
Ahh!
1013
00:40:07,018 --> 00:40:09,773
-Clasp your hands.
-Mm-hm.
1014
00:40:09,898 --> 00:40:12,028
-Okay, we'll get you over here.
1015
00:40:12,111 --> 00:40:14,032
Take a deep breath in
and roll toward me.
1016
00:40:14,115 --> 00:40:16,161
(Tiler breathes deeply)
1017
00:40:16,244 --> 00:40:18,498
That's it there.
1018
00:40:18,541 --> 00:40:22,048
And again, roll toward me.
1019
00:40:24,720 --> 00:40:27,475
Okay. Inhale.
1020
00:40:27,517 --> 00:40:30,356
Exhale.
1021
00:40:30,397 --> 00:40:33,111
Roll and rest.
1022
00:40:33,153 --> 00:40:36,409
(bright rhythmic music)
1023
00:40:36,535 --> 00:40:55,030
♪
1024
00:40:55,072 --> 00:40:57,828
(soft piano music)
1025
00:40:57,911 --> 00:41:06,512
♪
1026
00:41:06,554 --> 00:41:09,434
-Good, just again
from the rise.
1027
00:41:09,518 --> 00:41:12,148
♪
1028
00:41:12,189 --> 00:41:13,943
-Tensions are really
high this morning.
1029
00:41:14,026 --> 00:41:16,448
Everybody feels like
we don't have enough time
1030
00:41:16,532 --> 00:41:19,328
to get this done.
1031
00:41:19,412 --> 00:41:22,334
And in the middle
of all this craziness,
1032
00:41:22,460 --> 00:41:23,796
Virgil comes up
with the idea
1033
00:41:23,838 --> 00:41:25,717
that he's gonna
teach everybody
1034
00:41:25,800 --> 00:41:27,428
a hip hop dance.
1035
00:41:27,470 --> 00:41:28,973
-So the first thing goes
1036
00:41:29,056 --> 00:41:32,354
one, two, and three, four...
1037
00:41:32,480 --> 00:41:36,112
five and six, kick seven,
1038
00:41:36,196 --> 00:41:39,243
eight, one, two, three.
1039
00:41:39,327 --> 00:41:40,872
-Yeah--one, two, three.
1040
00:41:40,997 --> 00:41:44,086
One of the guys asked me
if I could show him some moves.
1041
00:41:44,128 --> 00:41:45,464
So the next thing you know,
1042
00:41:45,464 --> 00:41:48,303
all the other ballet dancers
are behind me,
1043
00:41:48,345 --> 00:41:50,349
startin' doin' the same
hip hop dance.
1044
00:41:50,432 --> 00:41:52,102
I'm like, okay, we got
a big hip hop class now
1045
00:41:52,228 --> 00:41:53,981
with a bunch of ballet dancers.
1046
00:41:54,065 --> 00:41:56,361
(thumping hip hop music)
1047
00:41:56,486 --> 00:42:02,498
♪
1048
00:42:02,624 --> 00:42:05,087
-At first I just thought
it was a huge distraction
1049
00:42:05,128 --> 00:42:07,007
and I thought
the dancers need to focus
1050
00:42:07,132 --> 00:42:10,640
on the choreography that
they're actually gonna dance.
1051
00:42:10,723 --> 00:42:13,019
(Future, "Wicked")
1052
00:42:13,144 --> 00:42:16,610
♪
1053
00:42:16,652 --> 00:42:18,280
-But it honestly
couldn't have come
1054
00:42:18,363 --> 00:42:20,660
at a better time.
1055
00:42:20,785 --> 00:42:22,747
It really relaxed the dancers
1056
00:42:22,789 --> 00:42:25,127
and put them in
a better mind space.
1057
00:42:25,168 --> 00:42:27,298
♪
1058
00:42:27,381 --> 00:42:29,511
Five, six, seven,
and one and two,
1059
00:42:29,636 --> 00:42:31,515
and three, four, five,
six, seven, eight.
1060
00:42:31,640 --> 00:42:34,646
One, two, three, four,
five, six, seven, eight.
1061
00:42:34,771 --> 00:42:43,789
♪
1062
00:42:43,914 --> 00:42:45,500
Tell me how long
it's gonna be,
1063
00:42:45,543 --> 00:42:48,799
'cause I just have to be in
costume in 20 minutes on stage.
1064
00:42:48,924 --> 00:43:01,700
♪
1065
00:43:01,825 --> 00:43:05,415
(indistinct PA announcement)
1066
00:43:05,457 --> 00:43:08,338
(overlapping conversations)
1067
00:43:14,392 --> 00:43:15,435
We're gonna make time.
1068
00:43:15,520 --> 00:43:16,814
We're gonna do
the percussion thing
1069
00:43:16,897 --> 00:43:18,191
one more time.
1070
00:43:18,274 --> 00:43:20,070
-Does he have a monitor?
-He does, yeah.
1071
00:43:20,195 --> 00:43:21,573
He was just saying
he'd love to do it
1072
00:43:21,699 --> 00:43:23,451
one more time
so it's perfect, yeah.
1073
00:43:23,577 --> 00:43:25,080
Good, so we're gonna do that
half-step again.
1074
00:43:25,205 --> 00:43:27,585
Okay.
1075
00:43:27,711 --> 00:43:31,342
(sticks rhythmically tap rim)
1076
00:43:31,426 --> 00:43:32,846
-I think it's...
1077
00:43:32,929 --> 00:43:34,599
real short.
1078
00:43:34,725 --> 00:43:36,227
Like tikka-tikka-tikka.
1079
00:43:36,310 --> 00:43:38,440
-Okay.
1080
00:43:38,481 --> 00:43:40,193
(drumsticks rapidly tap rim)
1081
00:43:40,235 --> 00:43:43,241
-Yeah. That there,
that's great.
1082
00:43:43,366 --> 00:43:44,493
(laughter)
1083
00:43:44,578 --> 00:43:47,374
-And after the second ratchet,
when he does the head thing,
1084
00:43:47,458 --> 00:43:49,211
could it just be
a little "bonk"?
1085
00:43:49,253 --> 00:43:52,844
-I couldn't even see it.
-You couldn't see it, okay.
1086
00:43:52,927 --> 00:43:54,723
(ratcheting noise)
1087
00:43:54,806 --> 00:43:57,227
-Right here.
1088
00:43:57,352 --> 00:44:00,610
-So he grabs his neck
and then...
1089
00:44:00,693 --> 00:44:03,198
-I could give it,
I could give it.
1090
00:44:03,239 --> 00:44:06,496
-Okay, so here's
the ratchet.
1091
00:44:06,580 --> 00:44:08,208
(ratcheting noise)
1092
00:44:08,249 --> 00:44:09,251
And...
1093
00:44:09,376 --> 00:44:10,462
(drum strike)
1094
00:44:10,505 --> 00:44:12,717
(laughter)
1095
00:44:12,759 --> 00:44:13,761
-Two minutes to the endof the ballet.
1096
00:44:13,886 --> 00:44:16,015
Oh, oh!
She locked you out.
1097
00:44:16,140 --> 00:44:18,979
-Excuse me, can you hand me my
"Who Cares?" costume, please?
1098
00:44:19,021 --> 00:44:21,902
Mom, "Who Cares?"
the peach one.
1099
00:44:21,985 --> 00:44:24,533
"Who Cares?" All right.
1100
00:44:26,410 --> 00:44:28,916
Here you go.
1101
00:44:29,041 --> 00:44:31,672
-Look at--
-She's asking me if I'll--
1102
00:44:31,755 --> 00:44:32,632
-What is that?
-I don't know,
1103
00:44:32,757 --> 00:44:34,385
I just took it.
1104
00:44:34,468 --> 00:44:36,640
-I can't. There's
chocolate now on it.
1105
00:44:36,723 --> 00:44:38,142
-No, it was up there.
-Yeah.
1106
00:44:38,268 --> 00:44:40,355
-I didn't put it up,
it was from up there.
1107
00:44:40,397 --> 00:44:41,274
Not I.
1108
00:44:41,399 --> 00:44:42,610
-Can I havethe actors on stage?
1109
00:44:42,652 --> 00:44:44,990
Tiler, if you're ready,can you come out?
1110
00:44:45,031 --> 00:44:47,745
-I knew when I was
putting the schedule together
1111
00:44:47,787 --> 00:44:51,419
that our time constraint
was so tight.
1112
00:44:51,545 --> 00:44:53,507
I just wanna make sure
I get out to the front
1113
00:44:53,549 --> 00:44:54,885
before this starts.
1114
00:44:54,926 --> 00:44:57,306
(intense music)
1115
00:44:57,431 --> 00:44:58,391
♪
1116
00:44:58,433 --> 00:44:59,686
Because I think we're
all a little, like,
1117
00:44:59,769 --> 00:45:03,151
"Oh my God, is this
actually gonna come together?"
1118
00:45:03,192 --> 00:45:04,821
Guys, the pushes
in the beginning
1119
00:45:04,946 --> 00:45:06,032
are still not together.
1120
00:45:06,073 --> 00:45:08,829
So we're gonna step six,
coupé seven, back eight,
1121
00:45:08,913 --> 00:45:10,290
so we're together.
1122
00:45:10,332 --> 00:45:12,837
Okay, whenever
you guys are ready.
1123
00:45:12,962 --> 00:45:15,133
(dramatic piano music)
1124
00:45:15,175 --> 00:45:17,805
Seven, eight...yes.
1125
00:45:17,931 --> 00:45:19,935
And the same time here.
1126
00:45:20,060 --> 00:45:21,563
♪
1127
00:45:21,647 --> 00:45:26,405
One, two, three, four,
five, si--yes, much better.
1128
00:45:26,447 --> 00:45:27,659
Okay.
1129
00:45:30,706 --> 00:45:33,211
(atmospheric rhythmic music)
1130
00:45:33,336 --> 00:45:36,050
♪
1131
00:45:36,092 --> 00:45:36,969
Just--yeah.
1132
00:45:37,052 --> 00:45:40,225
Just be aware
where your arms are.
1133
00:45:40,308 --> 00:45:42,479
Open, so you're not like this.
1134
00:45:42,563 --> 00:45:44,108
No, it's an actual lift.
1135
00:45:44,191 --> 00:45:45,611
-All right, ladies and
gentlemen, we're moving on,
1136
00:45:45,736 --> 00:45:47,322
I need you to clear
the stage, please.
1137
00:45:47,364 --> 00:45:49,744
-Just make sure your arm
and your body go together.
1138
00:45:49,828 --> 00:45:52,499
♪
1139
00:45:52,625 --> 00:45:55,130
(music intensifies)
1140
00:45:55,213 --> 00:46:03,939
♪
1141
00:46:03,981 --> 00:46:06,987
Could we call wardrobe
to the stage?
1142
00:46:07,112 --> 00:46:08,615
Wardrobe.
1143
00:46:08,741 --> 00:46:10,995
-Grab that part.
1144
00:46:11,078 --> 00:46:13,499
-Bella?
Hey, girl, I just--
1145
00:46:13,584 --> 00:46:16,464
I have your headpiece
to give you for tonight.
1146
00:46:16,506 --> 00:46:18,009
-For this run?
1147
00:46:18,092 --> 00:46:20,138
For--just as long
as it's in the show,
1148
00:46:20,221 --> 00:46:21,892
that's all I care about.
1149
00:46:22,017 --> 00:46:26,526
♪
1150
00:46:26,610 --> 00:46:28,906
Could we do the Slip NoMor
before this run?
1151
00:46:37,548 --> 00:46:38,842
-Why can't you do
Slip NoMor right now?
1152
00:46:38,884 --> 00:46:41,013
-Well, they're just talking
about the drying time...
1153
00:46:41,097 --> 00:46:42,517
-I didn't realize
they wouldn't have, like,
1154
00:46:42,600 --> 00:46:43,644
a call earlier today.
1155
00:46:43,769 --> 00:46:45,396
Because, like, when we
asked for it last night,
1156
00:46:45,523 --> 00:46:49,113
I thought it would be done
by the time rehearsal started.
1157
00:46:49,154 --> 00:46:52,160
-What time is it?
1158
00:46:52,285 --> 00:46:53,496
Wait, what time is it now?
1159
00:46:53,539 --> 00:46:58,256
Because if we put it on now,
we've got 20 minutes.
1160
00:46:58,297 --> 00:47:00,678
So, like, let's stop maybe
talking about it and do it?
1161
00:47:00,761 --> 00:47:03,057
-We can rehearse this,
like, over there,
1162
00:47:03,141 --> 00:47:04,894
while they're putting
Slip NoMor.
1163
00:47:04,936 --> 00:47:06,773
Hey, guys,
I'd love to do it now.
1164
00:47:06,815 --> 00:47:09,904
(music intensifies)
1165
00:47:09,946 --> 00:47:12,702
♪
1166
00:47:12,785 --> 00:47:13,787
(door closes)
1167
00:47:23,055 --> 00:47:26,897
(soft, urgent music)
1168
00:47:26,938 --> 00:47:29,026
Hey, do you have hairspray?
1169
00:47:29,067 --> 00:47:31,447
-Oh my God, I was just
coming to get eyelash glue.
1170
00:47:31,573 --> 00:47:32,825
-I've got that.
-You do?
1171
00:47:32,909 --> 00:47:35,915
-Yeah.
-I don't have hairspray, ugh!
1172
00:47:35,956 --> 00:47:37,710
-Lauren?
-Yeah?
1173
00:47:37,835 --> 00:47:40,089
-Hey, girl,
do you have hairspray?
1174
00:47:40,173 --> 00:47:42,302
What do you want me
to tell wardrobe when I call?
1175
00:47:42,344 --> 00:47:45,058
-I just want them to come
do my straps.
1176
00:47:45,099 --> 00:47:46,435
♪
1177
00:47:46,477 --> 00:47:48,105
-Can I steal
your hairspray too?
1178
00:47:48,189 --> 00:47:50,068
Uh, it's Lauren's
that I stole.
1179
00:47:50,109 --> 00:47:51,362
-Wait, really?
-Yeah.
1180
00:47:51,487 --> 00:47:52,447
No joke.
1181
00:47:52,489 --> 00:47:53,992
And Bella doesn't
have any either, so.
1182
00:47:54,076 --> 00:47:56,372
-Wait, what?
-Yeah.
1183
00:47:56,497 --> 00:47:59,378
-There.
-Are you serious?
1184
00:47:59,504 --> 00:48:00,631
Okay, I'll bring it back.
1185
00:48:00,714 --> 00:48:04,597
♪
1186
00:48:04,681 --> 00:48:05,724
Okay.
1187
00:48:05,849 --> 00:48:08,354
(music intensifies)
1188
00:48:08,479 --> 00:48:11,443
♪
1189
00:48:11,485 --> 00:48:13,865
(tapping)
1190
00:48:23,969 --> 00:48:30,774
(musicians rehearsing)
1191
00:48:30,858 --> 00:48:33,029
Got it.
1192
00:48:33,112 --> 00:48:36,661
-Half hour, half hour.
1193
00:48:36,745 --> 00:48:39,667
(murmur of conversation)
1194
00:48:39,751 --> 00:48:42,047
(soft, urgent music)
1195
00:48:42,172 --> 00:48:44,384
-Three, four, five, six,
seven, eight.
1196
00:48:44,468 --> 00:48:46,765
-One, two, three, four.
1197
00:48:46,848 --> 00:48:49,227
Three, two, three, four.
1198
00:48:49,269 --> 00:48:51,398
(humming to self)
1199
00:48:51,524 --> 00:48:56,534
♪
1200
00:48:56,659 --> 00:48:58,914
(sandpaper scratching)
1201
00:48:58,997 --> 00:49:01,544
♪
1202
00:49:01,628 --> 00:49:04,383
(indistinct conversations)
1203
00:49:04,424 --> 00:49:06,513
♪
1204
00:49:06,554 --> 00:49:10,521
-Three, two,
three, four, five, six.
1205
00:49:10,562 --> 00:49:13,317
One, two, three, four,
five, six,
1206
00:49:13,442 --> 00:49:14,821
seven, eight.
1207
00:49:14,946 --> 00:49:18,829
One, two, three, four,
five, six, seven, eight.
1208
00:49:18,912 --> 00:49:22,586
Two, two, three, four,
five, six, seven, eight.
1209
00:49:22,670 --> 00:49:27,053
Three, two, three, four,
five, six, seven, eight.
1210
00:49:27,178 --> 00:49:28,682
-Are you guys set for places?
-Yeah.
1211
00:49:28,807 --> 00:49:30,811
-All right. Places,
ladies and gentlemen.
1212
00:49:30,936 --> 00:49:34,527
♪
1213
00:49:34,569 --> 00:49:36,573
(music builds)
1214
00:49:36,656 --> 00:49:48,847
♪
1215
00:49:48,930 --> 00:49:51,351
(music fades)
1216
00:49:53,105 --> 00:49:55,611
(rhythmic tapping)
1217
00:50:11,433 --> 00:50:13,354
(laughter)
1218
00:50:14,356 --> 00:50:16,694
(tapping resumes)
1219
00:50:22,998 --> 00:50:25,504
(applause)
1220
00:50:27,633 --> 00:50:30,096
(laughter)
1221
00:50:31,223 --> 00:50:33,728
(rhythmic tapping)
1222
00:50:39,239 --> 00:50:41,661
(laughter)
1223
00:50:47,422 --> 00:50:49,885
(rhythmic tapping)
1224
00:50:51,973 --> 00:50:52,975
(laughter)
1225
00:50:53,017 --> 00:50:55,522
(rhythmic tapping)
1226
00:50:59,237 --> 00:51:03,120
(laughter)
1227
00:51:03,162 --> 00:51:05,667
(rhythmic tapping)
1228
00:51:22,576 --> 00:51:24,329
(laughter)
1229
00:51:24,412 --> 00:51:28,170
(rhythmic tapping)
1230
00:51:59,984 --> 00:52:02,990
(laughter)
1231
00:52:03,115 --> 00:52:06,873
(rhythmic tapping)
1232
00:52:15,724 --> 00:52:17,101
(applause)
1233
00:52:26,746 --> 00:52:29,209
(drum flourish)
1234
00:52:34,512 --> 00:52:37,099
(laughter)
1235
00:52:37,141 --> 00:52:38,645
(ratcheting noise)
1236
00:52:38,770 --> 00:52:40,022
(laughter)
1237
00:52:40,105 --> 00:52:41,149
(drum strike)
1238
00:52:41,274 --> 00:52:43,738
(laughter)
1239
00:52:46,536 --> 00:52:50,292
(extended drum flourish)
1240
00:52:56,639 --> 00:52:58,726
(applause)
1241
00:52:58,768 --> 00:53:02,526
(rhythmic tapping)
1242
00:53:10,416 --> 00:53:14,550
(tapping slows, strings plucked)
1243
00:53:14,633 --> 00:53:24,570
♪
1244
00:53:24,653 --> 00:53:28,035
(soft string music)
1245
00:53:28,076 --> 00:53:46,071
♪
1246
00:53:46,196 --> 00:53:48,576
(applause)
1247
00:53:48,701 --> 00:53:51,707
(rhythmic tapping)
1248
00:53:56,091 --> 00:53:59,848
(cheers, applause)
1249
00:54:02,311 --> 00:54:03,480
-I wasn't ready for you.
1250
00:54:03,606 --> 00:54:04,984
-I'm gonna need you
to leave, guys,
1251
00:54:05,067 --> 00:54:07,739
in like literally one second.
1252
00:54:07,864 --> 00:54:11,371
(tense music)
1253
00:54:11,496 --> 00:54:13,626
(door slams)
1254
00:54:13,751 --> 00:54:15,755
(sharp exhalation)
1255
00:54:15,839 --> 00:54:17,592
Oh my God.
1256
00:54:17,676 --> 00:54:19,930
I'm sweating profusely.
1257
00:54:19,972 --> 00:54:22,686
♪
1258
00:54:22,728 --> 00:54:26,484
My earrings, two gold ones
to get out.
1259
00:54:26,569 --> 00:54:29,992
♪
1260
00:54:30,075 --> 00:54:31,494
Is that crazy?
1261
00:54:31,579 --> 00:54:33,331
-I think you have another...
1262
00:54:33,373 --> 00:54:35,628
-I think I have another one next.
1263
00:54:35,712 --> 00:54:42,601
♪
1264
00:54:42,642 --> 00:54:45,105
(serene music)
1265
00:54:45,147 --> 00:56:08,606
♪
1266
00:56:08,689 --> 00:56:12,614
(music builds)
1267
00:56:12,697 --> 00:56:17,958
♪
1268
00:56:17,999 --> 00:56:20,880
(applause)
1269
00:56:20,964 --> 00:56:52,109
♪
1270
00:56:52,151 --> 00:56:55,658
(dark rhythmic music)
1271
00:56:55,742 --> 00:57:08,475
♪
1272
00:57:08,517 --> 00:57:12,107
(applause)
1273
00:57:12,149 --> 00:57:19,998
♪
1274
00:57:20,040 --> 00:57:23,506
-Okay, guys,
places, please, places.
1275
00:57:23,547 --> 00:57:26,052
(murmur of audience)
1276
00:57:31,814 --> 00:57:34,903
(strident piano music)
1277
00:57:34,945 --> 00:58:14,315
♪
1278
00:58:18,866 --> 00:59:33,389
♪
1279
00:59:33,431 --> 00:59:37,189
(applause)
1280
00:59:50,173 --> 00:59:52,637
(applause, cheers)
1281
00:59:53,931 --> 00:59:56,060
-We did it!
1282
00:59:56,143 --> 00:59:58,565
-Oh my God.
-We did it.
1283
01:00:01,780 --> 01:00:04,284
(applause echoing)
1284
01:00:16,225 --> 01:00:17,854
(exclaims)
1285
01:00:24,951 --> 01:00:26,955
(deep exhalation)
1286
01:00:31,213 --> 01:00:34,094
(bright rhythmic music)
1287
01:00:34,178 --> 01:00:46,620
♪
1288
01:00:46,745 --> 01:00:49,374
Can we make noise?
Can they hear it?
1289
01:00:49,458 --> 01:00:51,086
-They can hear it
a little bit, it'll be fine.
1290
01:00:51,128 --> 01:00:54,009
-That's the part I feel
doesn't make any sound.
1291
01:00:54,134 --> 01:00:56,222
-Here. Hm.
1292
01:00:56,263 --> 01:00:58,017
(clapping, thumping floor)
1293
01:00:58,100 --> 01:00:59,729
-You're right.
-Switch, yeah.
1294
01:00:59,771 --> 01:01:03,402
-It's hard to both put it down
and support yourself.
1295
01:01:03,529 --> 01:01:06,242
(clapping, thumping)
1296
01:01:06,283 --> 01:01:07,995
-Five, everyone say "five."
1297
01:01:08,037 --> 01:01:09,791
-Like, say it?
-Yep.
1298
01:01:09,916 --> 01:01:11,252
-Like, out loud?
1299
01:01:11,293 --> 01:01:12,295
-Say "five."
-I got it.
1300
01:01:12,420 --> 01:01:14,049
-Do this one more time.
1301
01:01:14,132 --> 01:01:15,009
It was the sloppiest part.
1302
01:01:15,093 --> 01:01:16,513
-Yes, and I have
to put a lip on.
1303
01:01:16,638 --> 01:01:18,224
-Okay.
-And take my hair down.
1304
01:01:18,266 --> 01:01:21,355
And you have to change.
We're fine.
1305
01:01:21,397 --> 01:01:25,280
(orchestra tuning up)
1306
01:01:25,363 --> 01:01:28,996
(soft urgent music)
1307
01:01:29,037 --> 01:01:30,039
♪
1308
01:01:30,164 --> 01:01:33,296
Where are my scissors?
1309
01:01:33,421 --> 01:01:36,678
(thumping, tapping)
1310
01:01:36,761 --> 01:01:42,940
♪
1311
01:01:43,065 --> 01:01:46,573
Go over that thing
in the show one more time, ugh.
1312
01:01:46,656 --> 01:01:47,950
♪
1313
01:01:48,034 --> 01:01:49,579
Oh, ...
1314
01:01:49,662 --> 01:01:53,837
♪
1315
01:01:53,921 --> 01:01:55,799
-Ladies and gentlemen,places, please.
1316
01:01:55,841 --> 01:01:58,429
Places for "123456."
1317
01:01:58,513 --> 01:02:00,391
Places, please, places.
1318
01:02:00,433 --> 01:02:13,794
♪
1319
01:02:13,835 --> 01:02:15,171
-Forgive us our trespasses
as we forgive those
1320
01:02:15,213 --> 01:02:16,591
who trespassed against us.
1321
01:02:16,716 --> 01:02:18,469
Lord, we ask You
to guide our ears,
1322
01:02:18,553 --> 01:02:22,728
guide our bodies
to prosperity. Amen.
1323
01:02:22,853 --> 01:02:24,106
-Amen.
-Love you, B.
1324
01:02:24,231 --> 01:02:25,483
Love you, Tiler.
Love you, Virgil.
1325
01:02:25,609 --> 01:02:26,611
-Thank you guys.
-This is gonna be fun.
1326
01:02:26,736 --> 01:02:27,738
-I'm getting
a little emotional.
1327
01:02:27,822 --> 01:02:30,619
I gotta keep it together
till after the show.
1328
01:02:30,744 --> 01:02:43,937
♪
1329
01:02:43,979 --> 01:02:46,108
-Stand by for the curtain.
1330
01:02:46,191 --> 01:02:51,452
♪
1331
01:02:55,084 --> 01:02:58,842
(rhythmic clapping)
1332
01:03:45,519 --> 01:03:49,317
(rhythmic tapping, thumping)
1333
01:04:26,350 --> 01:04:30,107
(rhythmic clapping)
1334
01:04:43,092 --> 01:04:46,808
(tapping)
1335
01:05:06,514 --> 01:05:08,017
(rhythmic clapping)
1336
01:05:08,142 --> 01:05:10,479
(in unison) One, two, three,
four, five, six.
1337
01:05:10,522 --> 01:05:14,279
(rhythmic tapping)
1338
01:05:27,765 --> 01:05:30,896
(applause)
1339
01:05:30,979 --> 01:05:34,737
(rhythmic clapping)
1340
01:05:59,077 --> 01:06:02,835
(rhythmic tapping)
1341
01:06:22,833 --> 01:06:24,335
(in unison)
Five!
1342
01:06:24,461 --> 01:06:28,218
(rhythmic clapping, tapping)
1343
01:06:51,056 --> 01:06:52,099
(in unison)
One, two, three,
1344
01:06:52,225 --> 01:06:53,978
four, five, six.
1345
01:06:54,103 --> 01:06:56,107
(rhythmic thumping)
1346
01:06:56,191 --> 01:06:59,949
(cheers, applause)
1347
01:07:02,746 --> 01:07:06,253
(bright, upbeat music)
1348
01:07:06,336 --> 01:07:51,761
♪
1349
01:07:51,802 --> 01:07:54,683
(cheers, applause)
1350
01:07:54,808 --> 01:08:03,785
♪
1351
01:08:03,826 --> 01:08:06,289
-Really, it was so good.
1352
01:08:06,331 --> 01:08:08,711
You guys!
1353
01:08:08,795 --> 01:08:10,715
-We did it, we did it,
we did it!
1354
01:08:10,799 --> 01:08:13,428
-Yeah!
1355
01:08:13,513 --> 01:08:18,188
You guys were dancing,
it was just amazing.
1356
01:08:18,271 --> 01:08:20,860
You guys should be so happy.
1357
01:08:20,944 --> 01:08:22,238
Yeah!
1358
01:08:22,321 --> 01:08:25,244
I'm just so proud
of all the dancers.
1359
01:08:25,327 --> 01:08:26,872
I feel like they danced better
1360
01:08:26,997 --> 01:08:30,212
than I've ever seen them
dance before.
1361
01:08:30,254 --> 01:08:33,009
Thank you for dancing with me.
1362
01:08:33,135 --> 01:08:36,474
(overlapping chatter)
1363
01:08:36,517 --> 01:08:39,480
-Amazing.
-So well curated.
1364
01:08:39,523 --> 01:08:41,151
Thank you! Thank you.
1365
01:08:41,276 --> 01:08:42,278
-Good job, good job.
1366
01:08:42,361 --> 01:08:45,033
-I thought it was so amazing.
1367
01:08:45,117 --> 01:08:48,039
(applause, cheers)
1368
01:08:48,123 --> 01:08:52,674
-BalletNOW was a gift to me
on so many levels.
1369
01:08:52,799 --> 01:08:55,847
♪
1370
01:08:55,889 --> 01:08:59,730
(celebratory chatter)
1371
01:08:59,772 --> 01:09:03,780
You don't get opportunities
like this every day,
1372
01:09:03,863 --> 01:09:06,159
especially as a woman.
1373
01:09:06,284 --> 01:09:09,415
Drinks, drinks!
1374
01:09:09,499 --> 01:09:13,423
(chatter, glasses clinking)
1375
01:09:13,549 --> 01:09:17,641
-To Tiler, congrats!
1376
01:09:17,682 --> 01:09:19,770
-Chug, chug, chug!
1377
01:09:19,812 --> 01:09:21,565
♪
1378
01:09:21,649 --> 01:09:24,822
-I hope this will inspire
younger audiences.
1379
01:09:24,905 --> 01:09:26,909
♪
1380
01:09:26,951 --> 01:09:28,286
And I hope
they left the theater
1381
01:09:28,328 --> 01:09:32,587
with more of an appreciation
for this incredible art form.
1382
01:09:32,671 --> 01:09:34,215
♪
1383
01:09:34,340 --> 01:09:38,014
I think that was a good show!
1384
01:09:38,056 --> 01:09:50,330
♪
1385
01:09:51,457 --> 01:09:54,046
(Charlotte OC, "Medicine Man")
1386
01:09:54,088 --> 01:09:56,844
♪
1387
01:09:56,969 --> 01:10:00,309
-♪ Hot in the night,cold in the morning ♪
1388
01:10:00,350 --> 01:10:03,356
♪
1389
01:10:03,481 --> 01:10:07,741
♪ The spirit of lifeis calling my name ♪
1390
01:10:07,824 --> 01:10:10,329
♪
1391
01:10:10,370 --> 01:10:14,755
♪ The healer insidewill pray for the lonely ♪
1392
01:10:14,880 --> 01:10:17,217
♪
1393
01:10:17,301 --> 01:10:20,934
♪ Remember the timeyou stole me away ♪
1394
01:10:20,975 --> 01:10:22,729
♪
1395
01:10:22,854 --> 01:10:26,110
♪ You didn't know mebut once in my veins ♪
1396
01:10:26,235 --> 01:10:29,492
♪ You had a holdbut nothing to say ♪
1397
01:10:29,576 --> 01:10:32,958
♪ You got it all now,the spirit alive
1398
01:10:32,999 --> 01:10:34,586
is calling my name ♪
1399
01:10:34,628 --> 01:10:37,759
♪
1400
01:10:37,884 --> 01:10:41,474
♪ I don't know what you dobut it's making me better ♪
1401
01:10:41,517 --> 01:10:43,646
♪
1402
01:10:43,729 --> 01:10:48,279
♪ Can we lay down,lay down together? ♪
1403
01:10:48,363 --> 01:10:50,994
♪
1404
01:10:51,035 --> 01:10:55,043
♪ I wanna take you like a drug,can you take me to heaven? ♪
1405
01:10:55,168 --> 01:10:57,131
♪
1406
01:10:57,172 --> 01:10:59,511
♪ Can you love, can we love,can we love,
1407
01:10:59,636 --> 01:11:02,391
can we love forever? ♪
1408
01:11:02,474 --> 01:11:04,771
♪
1409
01:11:04,896 --> 01:11:08,278
♪ 'Cause I want you,I want you,
1410
01:11:08,403 --> 01:11:12,036
I want you, medicine man ♪
1411
01:11:12,119 --> 01:11:15,668
♪ Send me a sign,send me no warning ♪
1412
01:11:15,752 --> 01:11:18,549
♪
1413
01:11:18,632 --> 01:11:22,515
♪ I never know whymy heart's on a chain ♪
1414
01:11:22,557 --> 01:11:24,686
♪
1415
01:11:24,770 --> 01:11:27,817
♪ You didn't know mebut once in my veins ♪
1416
01:11:27,942 --> 01:11:31,324
♪ You had a holdbut nothin' to say ♪
1417
01:11:31,407 --> 01:11:34,330
♪ You got it all now,the spirit alive
1418
01:11:34,455 --> 01:11:36,710
is calling my name ♪
1419
01:11:36,794 --> 01:11:39,465
♪
1420
01:11:39,591 --> 01:11:43,389
♪ I don't know what you dobut it's making me better ♪
1421
01:11:43,431 --> 01:11:45,185
♪
1422
01:11:45,310 --> 01:11:50,320
♪ Can we lay down,lay down together? ♪
1423
01:11:50,403 --> 01:11:52,700
♪
1424
01:11:52,784 --> 01:11:56,792
♪ I wanna take you like a drug,can you take me to heaven? ♪
1425
01:11:56,834 --> 01:11:58,712
♪
1426
01:11:58,838 --> 01:12:01,342
♪ Can you love, can we love,can we love,
1427
01:12:01,425 --> 01:12:04,098
can we love forever? ♪
1428
01:12:04,181 --> 01:12:06,687
♪
1429
01:12:06,728 --> 01:12:09,985
♪ Why don't you,why don't you ♪
1430
01:12:10,110 --> 01:12:13,324
♪ Why don't you,medicine man ♪
1431
01:12:13,366 --> 01:12:16,874
♪ 'Cause I want you,I want you ♪
1432
01:12:16,957 --> 01:12:20,088
♪ I want you, medicine man ♪
1433
01:12:20,130 --> 01:12:26,560
♪ Oh, you got mein your loving arms ♪
1434
01:12:26,602 --> 01:12:34,241
♪ Oh, you got me inyour loving arms ♪
1435
01:12:34,366 --> 01:12:38,333
♪ I don't know what you dobut it's making me better ♪
1436
01:12:38,374 --> 01:12:40,128
♪
1437
01:12:40,253 --> 01:12:47,602
♪ When we lay down,lay down together ♪
1438
01:12:47,644 --> 01:12:51,735
♪ I wanna take you like a drug,can you take me to heaven? ♪
1439
01:12:51,777 --> 01:12:53,656
♪
1440
01:12:53,739 --> 01:12:56,160
♪ Can you love, can we love,can we love,
1441
01:12:56,285 --> 01:12:58,540
can we love forever? ♪
1442
01:12:58,666 --> 01:13:01,755
♪
1443
01:13:01,797 --> 01:13:04,761
♪ Why don't you,why don't you ♪
1444
01:13:04,886 --> 01:13:08,142
♪ Why don't you,medicine man ♪
1445
01:13:08,268 --> 01:13:11,650
♪ 'Cause I want you,I want you ♪
1446
01:13:11,775 --> 01:13:14,864
♪ I want you, medicine man ♪♪
1447
01:13:14,906 --> 01:13:21,753
♪
1448
01:13:26,763 --> 01:13:29,310
(film projector clicking)
1449
01:13:30,437 --> 01:13:34,194
(mellow music)
1450
01:13:34,320 --> 01:13:36,783
(bright music)
90486
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