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All language subtitles for Agatha Raisin S02E02 - The Fairies of Fryfam 1080p x264 RB58-eng

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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:01,667 {\an8}[ Suspenseful music plays ] 2 00:00:01,668 --> 00:00:03,668 subtitle by peritta 3 00:00:05,000 --> 00:00:11,074 Advertise your product or brand here contact www.SubtitleDB.org today 4 00:00:26,334 --> 00:00:29,334 {\an8}[ Suspenseful music plays ] 5 00:00:44,767 --> 00:00:47,567 {\an8}[ Engine revs ] 6 00:00:47,567 --> 00:00:48,968 {\an8}AGATHA: Left! 7 00:00:48,968 --> 00:00:51,501 {\an8}I said left at the twirly lines 8 00:00:51,501 --> 00:00:53,901 {\an8}and then right at the twizzly doodah. 9 00:00:53,901 --> 00:00:55,167 {\an8}Where's your sat nav? 10 00:00:55,167 --> 00:00:56,200 {\an8}GEMMA: Well, I've not got one. 11 00:00:56,200 --> 00:00:57,801 {\an8}Well, I have, but it's on my moby. 12 00:00:57,801 --> 00:00:59,734 {\an8}Yeah, which hasn't had a signal since I don't know when. 13 00:00:59,734 --> 00:01:01,067 {\an8}Do you know what this is like? 14 00:01:01,067 --> 00:01:02,868 {\an8}It's like we're in the middle of the Amazon 15 00:01:02,868 --> 00:01:04,033 {\an8}instead of the Cotswolds. 16 00:01:04,033 --> 00:01:05,834 {\an8}Well, you said you wanted solitude. 17 00:01:05,834 --> 00:01:08,701 {\an8}I wanted a rural retreat 18 00:01:08,701 --> 00:01:12,000 {\an8}to begin writing my first novel and let the muse descend, 19 00:01:12,000 --> 00:01:16,968 {\an8}not leave civilization behind and live like Robinson Crusoe. 20 00:01:16,968 --> 00:01:18,234 {\an8}Well, we can turn back if you like. 21 00:01:18,234 --> 00:01:21,501 {\an8}[ Scoffs ] 22 00:01:21,501 --> 00:01:23,467 {\an8}Feh-feh-feh, puh-huh. 23 00:01:23,467 --> 00:01:25,067 {\an8}Feh. What's that? 24 00:01:25,067 --> 00:01:27,000 {\an8}-Right, "P.H." -Yeah. 25 00:01:27,000 --> 00:01:28,167 {\an8}-Public House. -Is it? 26 00:01:28,167 --> 00:01:29,300 {\an8}It's a pub, innit, Agatha? 27 00:01:29,300 --> 00:01:30,400 {\an8}It's... 28 00:01:30,400 --> 00:01:32,000 {\an8}-Oh, it's that way. -...that way. 29 00:01:32,000 --> 00:01:37,901 {\an8}[ Suspenseful music plays ] 30 00:01:37,901 --> 00:01:40,667 {\an8}[ Engine revs ] 31 00:01:40,667 --> 00:01:48,234 {\an8}[ Music continues ] 32 00:01:48,234 --> 00:01:51,767 {\an8}-GEMMA: Pub! -AGATHA: Pub! 33 00:01:51,767 --> 00:01:59,868 {\an8}[ Music continues ] 34 00:01:59,868 --> 00:02:01,467 Excuse me, I wonder if you could help us -- 35 00:02:01,467 --> 00:02:02,501 [ All talking at once ] 36 00:02:02,501 --> 00:02:04,501 MAN: Let me get that one for you. 37 00:02:04,501 --> 00:02:07,667 [ Man laughs ] 38 00:02:07,667 --> 00:02:09,534 Yes, we're looking for Oberon Cottage. 39 00:02:09,534 --> 00:02:10,968 -ROSIE: Old Mary Cutler's place? -Mm-hmm. 40 00:02:10,968 --> 00:02:12,033 Hang a right at Puck's Lane. 41 00:02:12,033 --> 00:02:13,968 At the end, you can't miss it. 42 00:02:13,968 --> 00:02:15,667 Now, can I get you ladies anything first? 43 00:02:15,667 --> 00:02:17,067 No, no, no. 44 00:02:17,067 --> 00:02:19,501 Uh, well don't let us keep you from your, eh -- 45 00:02:19,501 --> 00:02:20,767 you know, your work. 46 00:02:20,767 --> 00:02:21,968 -Ohh! -ROSIE: Whoa. 47 00:02:21,968 --> 00:02:23,434 Sorry. Sorry. 48 00:02:23,434 --> 00:02:26,634 I nearly tripped over your funny little housey thing. 49 00:02:26,634 --> 00:02:28,067 [ Knocks on house ] 50 00:02:28,067 --> 00:02:30,167 -What is it? -A Fairy House. 51 00:02:30,167 --> 00:02:31,734 AGATHA: A Fairy what? 52 00:02:31,734 --> 00:02:33,767 -Oh! -That's right. 53 00:02:33,767 --> 00:02:36,400 Local legend has it they live 'round here. 54 00:02:36,400 --> 00:02:41,400 [ Suspenseful music plays ] 55 00:02:41,400 --> 00:02:43,634 AGATHA: Fairies. What was she like? 56 00:02:43,634 --> 00:02:44,901 GEMMA: Stunning, I thought. 57 00:02:44,901 --> 00:02:46,634 Her perfume smelled amazing. 58 00:02:46,634 --> 00:02:48,334 Those blokes obviously thought so, too, didn't they? 59 00:02:48,334 --> 00:02:50,067 Completely ignored us. 60 00:02:50,067 --> 00:02:51,133 It's a shame 'cause I quiet liked 61 00:02:51,133 --> 00:02:52,801 the, uh, moody-looking one. 62 00:02:52,801 --> 00:02:58,033 [ Suspenseful music plays ] 63 00:02:58,033 --> 00:02:59,601 AMY: Mrs. Raisin. 64 00:02:59,601 --> 00:03:01,067 Amy Redfern. 65 00:03:01,067 --> 00:03:06,033 Welcome to Oberon Cottage. 66 00:03:06,033 --> 00:03:07,767 I lit the fire for you. 67 00:03:07,767 --> 00:03:10,200 The cottage dates back to the 17th century. 68 00:03:10,200 --> 00:03:11,534 Oh, really? 69 00:03:11,534 --> 00:03:12,968 Aww. 70 00:03:12,968 --> 00:03:14,634 [ Bags clatter ] 71 00:03:14,634 --> 00:03:15,734 [ Coughs ] 72 00:03:15,734 --> 00:03:18,067 Is that when it was last cleaned? 73 00:03:18,067 --> 00:03:19,200 [ Coughs ] 74 00:03:19,200 --> 00:03:20,934 This explains how everything works, 75 00:03:20,934 --> 00:03:22,567 inventory, et cetera. 76 00:03:22,567 --> 00:03:23,767 The cottage used to belong to 77 00:03:23,767 --> 00:03:26,234 an elderly lady who passed away, Mary Cutler. 78 00:03:26,234 --> 00:03:28,300 Oh, death by dust, was it? 79 00:03:28,300 --> 00:03:29,868 AGATHA: Oh, yes, we heard about her 80 00:03:29,868 --> 00:03:31,400 briefly in the pub. 81 00:03:31,400 --> 00:03:33,334 Landlady seemed popular. 82 00:03:33,334 --> 00:03:35,567 I suspect my husband was in there. 83 00:03:35,567 --> 00:03:37,467 Scraggy beard, gamekeeper clothes? 84 00:03:39,334 --> 00:03:41,567 That woman has the morals of a tomcat. 85 00:03:44,334 --> 00:03:46,367 And here's the garden. 86 00:03:46,367 --> 00:03:49,334 [ Cat yowls ] 87 00:03:49,334 --> 00:03:50,734 Right, I'll leave you to it. 88 00:03:50,734 --> 00:03:52,434 You've got my number. 89 00:03:55,501 --> 00:03:56,767 Hey, Gem. 90 00:03:56,767 --> 00:03:59,400 -Why don't you stay? -Oh no chance. No. 91 00:03:59,400 --> 00:04:00,601 Kyra's with her dad 92 00:04:00,601 --> 00:04:03,033 I'm on a promise with Brendan the Butcher, I am. 93 00:04:03,033 --> 00:04:04,467 Well, slaughterman to be precise. 94 00:04:04,467 --> 00:04:05,801 He works at the abattoir, anyway. 95 00:04:05,801 --> 00:04:07,400 Good with his hands, apparently. 96 00:04:07,400 --> 00:04:08,400 [ Bike bell rings ] 97 00:04:08,400 --> 00:04:10,734 Come on. It'll be fun. 98 00:04:10,734 --> 00:04:13,267 Nah. I got to go and tidy myself up. 99 00:04:14,167 --> 00:04:17,434 -All right, bye then. -All right, then, see you. 100 00:04:17,434 --> 00:04:20,434 [ Suspenseful music plays ] 101 00:04:35,334 --> 00:04:39,534 [ Wind howling ] 102 00:04:39,534 --> 00:04:42,501 [ Bird calling ] 103 00:04:42,501 --> 00:04:46,601 [ Mid-tempo music plays ] 104 00:04:46,601 --> 00:04:48,801 GEMMA: [ Clears throat ] 105 00:04:48,801 --> 00:04:51,067 CHARLES: Girls night in, is it? 106 00:04:51,067 --> 00:04:54,067 GEMMA: Oh, um, yeah, I'm just feeding the cats, I am, 107 00:04:54,067 --> 00:04:55,501 while Aggie's away. 108 00:04:55,501 --> 00:04:58,434 She's gone Fryfam to get away from the hustle and bustle. 109 00:04:58,434 --> 00:05:07,133 [ Music continues ] 110 00:05:07,133 --> 00:05:10,467 Popcorn and box sets for the cats? 111 00:05:10,467 --> 00:05:12,067 GEMMA: Yeah. Yeah they love it. 112 00:05:12,067 --> 00:05:14,267 Um, that's, it's Kitty Corn. 113 00:05:14,267 --> 00:05:15,767 And, uh, well, a bit of noise 114 00:05:15,767 --> 00:05:17,567 stops them from getting lonely 115 00:05:17,567 --> 00:05:19,434 "Breaking Bad"? 116 00:05:19,434 --> 00:05:20,901 Yeah, they're big fans. 117 00:05:22,601 --> 00:05:25,767 -Afternoon, Sarah. -Hello. 118 00:05:27,000 --> 00:05:29,367 CHARLES: What's wrong with Mrs. B? 119 00:05:29,367 --> 00:05:32,033 Oh yeah, um, it's 'cause of James. 120 00:05:32,033 --> 00:05:35,033 He sent her a postcard saying he was coming back soon. 121 00:05:36,467 --> 00:05:38,067 Right, well, I better be getting on, 122 00:05:38,067 --> 00:05:41,400 um, getting in, and getting on with it. 123 00:05:41,400 --> 00:05:43,701 All right then. 124 00:05:43,701 --> 00:05:45,601 See ya. 125 00:05:45,601 --> 00:05:46,767 All right, I'm here, lovelies, 126 00:05:46,767 --> 00:05:49,834 with the box set you asked for. 127 00:05:49,834 --> 00:05:53,701 [ Up-tempo music plays ] 128 00:05:53,701 --> 00:05:54,868 [ Groans ] 129 00:05:54,868 --> 00:05:57,868 [ Music continues ] 130 00:06:14,868 --> 00:06:24,801 [ Music continues ] 131 00:06:24,801 --> 00:06:27,067 Oh, stop winking. 132 00:06:27,067 --> 00:06:28,801 Flirt! 133 00:06:28,801 --> 00:06:31,000 [ Dinging ] 134 00:06:31,000 --> 00:06:37,367 [ Music continues ] 135 00:06:47,467 --> 00:06:49,534 [ Music stops ] 136 00:06:49,534 --> 00:06:52,534 [ Suspenseful music plays ] 137 00:07:00,834 --> 00:07:06,501 [ Fluttering ] 138 00:07:06,501 --> 00:07:10,801 [ Music continues ] 139 00:07:10,801 --> 00:07:14,634 [ Indistinct laughter ] 140 00:07:14,634 --> 00:07:17,634 [ Music continues ] 141 00:07:33,901 --> 00:07:36,634 [ Whooshing ] 142 00:07:36,634 --> 00:07:44,267 [ Indistinct laughter ] 143 00:07:44,267 --> 00:07:47,267 [ Suspenseful music plays ] 144 00:07:58,767 --> 00:08:00,234 -[ Crashes ] -Aah! 145 00:08:00,234 --> 00:08:03,167 [ Electricity crackling ] 146 00:08:03,167 --> 00:08:07,601 NIGEL: Oh, I suppose a brace of partridge and a pheasant 147 00:08:07,601 --> 00:08:09,767 isn't bad for an amateur. 148 00:08:09,767 --> 00:08:11,567 TOLLY: I'm just trying to make you feel good. 149 00:08:11,567 --> 00:08:13,234 Oh, Nige doesn't need any help feeling good about himself, 150 00:08:13,234 --> 00:08:15,200 -do you darling? -[ Laughs ] 151 00:08:15,200 --> 00:08:18,667 Well, how could I, darling, with you by my side? 152 00:08:18,667 --> 00:08:20,133 [ Indistinct conversations ] 153 00:08:20,133 --> 00:08:22,267 [ Door closes ] 154 00:08:22,267 --> 00:08:24,434 Eh... 155 00:08:27,534 --> 00:08:29,234 Good. 156 00:08:31,367 --> 00:08:33,734 NIGEL: Come and sit down here, darling, go on. 157 00:08:33,734 --> 00:08:35,167 There we are. 158 00:08:35,167 --> 00:08:37,701 [ Indistinct conversations ] 159 00:08:37,701 --> 00:08:38,968 Large gin and tonic, please, 160 00:08:38,968 --> 00:08:40,200 and don't hold back on the measures. 161 00:08:40,200 --> 00:08:41,434 ROSIE: Coming up. 162 00:08:42,167 --> 00:08:43,968 They not got homes to go to? 163 00:08:43,968 --> 00:08:47,033 Sometimes I wonder. 164 00:08:47,033 --> 00:08:49,200 Agatha, right? 165 00:08:49,200 --> 00:08:50,400 Rosie. 166 00:08:50,400 --> 00:08:51,601 You okay? 167 00:08:51,601 --> 00:08:55,300 [ Indistinct conversations ] 168 00:08:55,300 --> 00:08:56,367 Ahh. 169 00:08:56,367 --> 00:08:57,701 Getting better by the second. 170 00:09:00,901 --> 00:09:04,334 So you know all this Fairies faff. 171 00:09:04,334 --> 00:09:07,267 I saw some little dancing lights at the bottom of my garden. 172 00:09:07,267 --> 00:09:09,400 It's just fireflies, right? 173 00:09:09,400 --> 00:09:13,501 Because fairies don't exist, do they? 174 00:09:13,501 --> 00:09:15,200 There not real are they? 175 00:09:17,801 --> 00:09:21,133 Well, not that I'm bothered if you all think that they do 176 00:09:21,133 --> 00:09:22,901 'cause -- [Exhales sharply] 177 00:09:24,400 --> 00:09:26,100 You ever thought about publicizing it? 178 00:09:26,100 --> 00:09:28,234 It would be "The Fairies of Fryfam." 179 00:09:28,234 --> 00:09:29,968 It would -- I tell you, there would be bus loads, 180 00:09:29,968 --> 00:09:33,200 coach -- coach loads of people, 181 00:09:33,200 --> 00:09:35,100 just, trust me. 182 00:09:35,100 --> 00:09:37,133 I worked in PR, so... 183 00:09:37,133 --> 00:09:38,300 [ Exhales sharply ] 184 00:09:38,300 --> 00:09:39,934 In fact, if anybody -- 185 00:09:39,934 --> 00:09:41,133 contact details. 186 00:09:41,133 --> 00:09:43,133 Just, any-- anyone? 187 00:09:43,133 --> 00:09:45,868 ROSIE: Is that what you do now? 188 00:09:45,868 --> 00:09:47,567 No. No. 189 00:09:47,567 --> 00:09:48,868 Oh, no, no, no. 190 00:09:48,868 --> 00:09:54,000 I packed up and moved to Carsely. 191 00:09:54,000 --> 00:09:56,067 Writing my first novel, actually. 192 00:09:56,067 --> 00:10:01,000 It's a bit of a murder mystery. 193 00:10:01,000 --> 00:10:02,601 Yeah, in Carsely, 194 00:10:02,601 --> 00:10:05,567 I am something of a detective, you know. 195 00:10:05,567 --> 00:10:06,968 TOLLY: Sorry to interrupt. 196 00:10:06,968 --> 00:10:08,701 Rosie, darling, be a sweetheart 197 00:10:08,701 --> 00:10:12,400 and get me another large single malt, please. 198 00:10:12,400 --> 00:10:13,834 Anyone else? 199 00:10:13,834 --> 00:10:15,367 Nigel? 200 00:10:15,367 --> 00:10:17,234 Lizzie? 201 00:10:25,267 --> 00:10:27,000 LUCY: Psst. 202 00:10:27,000 --> 00:10:28,734 Psst, hello, you? 203 00:10:28,734 --> 00:10:30,300 Detective lady. 204 00:10:30,300 --> 00:10:31,467 I have to be quick. 205 00:10:31,467 --> 00:10:32,367 AGATHA: Yeah, well. 206 00:10:32,367 --> 00:10:33,734 Use the other cubicle then. 207 00:10:33,734 --> 00:10:35,133 You're a detective right? 208 00:10:35,133 --> 00:10:37,033 Yes, I have been known to solve the odd mystery. 209 00:10:37,033 --> 00:10:39,133 Although not usually at this point in time. 210 00:10:39,133 --> 00:10:40,767 It's Tolly. 211 00:10:40,767 --> 00:10:42,167 My husband. 212 00:10:42,167 --> 00:10:44,901 He's having an affair with that hoe behind the bar. 213 00:10:46,033 --> 00:10:47,901 -Rosie? -LUCY: Yes! 214 00:10:47,901 --> 00:10:49,534 Don't be fooled by that act. 215 00:10:49,534 --> 00:10:51,868 She's an evil harpy, and I'll pay you to prove it. 216 00:10:51,868 --> 00:10:52,901 Oh, you see, the point is, 217 00:10:52,901 --> 00:10:54,300 I'm actually supposed to be here -- 218 00:10:54,300 --> 00:10:55,868 LUCY: Tomorrow morning. Manor House. 219 00:10:55,868 --> 00:10:56,868 We can talk then. 220 00:10:56,868 --> 00:10:58,067 Mum's the word. 221 00:10:58,067 --> 00:10:59,133 AGATHA: Oh, No, no, no, no, no 222 00:10:59,133 --> 00:11:00,267 I can't. 223 00:11:01,934 --> 00:11:03,200 [ Door closes ] 224 00:11:03,200 --> 00:11:04,868 [ Groans ] 225 00:11:13,534 --> 00:11:15,501 [ Phone clicks ] 226 00:11:15,501 --> 00:11:20,501 [ Suspenseful music plays ] 227 00:11:23,701 --> 00:11:25,868 [ Sighs ] 228 00:11:25,868 --> 00:11:28,601 [ Suspenseful music plays ] 229 00:11:28,601 --> 00:11:31,167 [ Gun clicks ] 230 00:11:31,167 --> 00:11:34,167 [ Suspenseful music plays ] 231 00:11:42,300 --> 00:11:44,300 [ Exhales sharply ] 232 00:11:44,300 --> 00:11:46,133 [ Sighs ] 233 00:11:46,133 --> 00:11:49,200 [ Music continues ] 234 00:12:08,868 --> 00:12:12,734 [ Birds chirping ] 235 00:12:12,734 --> 00:12:14,467 [ Metal balls rattle ] 236 00:12:17,300 --> 00:12:20,501 [ Stretching ] 237 00:12:20,501 --> 00:12:22,701 [ Can clanks ] 238 00:12:22,701 --> 00:12:29,701 [ Suspenseful music plays ] 239 00:12:29,701 --> 00:12:32,133 [ Can clanks ] 240 00:12:32,133 --> 00:12:35,767 [ Music continues ] 241 00:12:35,767 --> 00:12:37,234 [ Phone rings ] 242 00:12:37,234 --> 00:12:38,501 Oh. 243 00:12:38,501 --> 00:12:41,167 Signal. Signal. 244 00:12:41,167 --> 00:12:42,400 Oh. 245 00:12:44,434 --> 00:12:45,667 AGATHA: Hi. Hello. 246 00:12:45,667 --> 00:12:47,734 Hello. Hello. 247 00:12:47,734 --> 00:12:48,901 He-- 248 00:12:48,901 --> 00:12:51,601 Oh, hey, how it going? 249 00:12:53,300 --> 00:12:54,868 Gem, can you hear m-- I can't. 250 00:12:54,868 --> 00:12:56,000 I can't hear a thing. Brilliant. 251 00:12:56,000 --> 00:12:57,501 -GEMMA: How what? -AGATHA: Gem? 252 00:12:57,501 --> 00:13:00,234 Ho-- oh, I've got loads to tell you. 253 00:13:00,234 --> 00:13:02,067 Um, yep, yep, yep. 254 00:13:02,067 --> 00:13:04,033 GEMMA: Someone's pooch fouled the pavement, 255 00:13:04,033 --> 00:13:05,100 bit of a to-do actually, 256 00:13:05,100 --> 00:13:06,400 'cause no one picked it up. 257 00:13:06,400 --> 00:13:07,601 -Gem. -GEMMA: Oh. 258 00:13:07,601 --> 00:13:09,000 And there was this sexual assault incident 259 00:13:09,000 --> 00:13:10,267 at the duck pond. 260 00:13:10,267 --> 00:13:11,501 Really? 261 00:13:11,501 --> 00:13:13,767 GEMMA: Some of those male ducks such tinkers, 262 00:13:13,767 --> 00:13:14,834 really rough, they were, 263 00:13:14,834 --> 00:13:16,133 like ganging up on one of the hens. 264 00:13:16,133 --> 00:13:18,067 Gem! Will you shut up and listen? 265 00:13:18,067 --> 00:13:20,000 Okay. You all right? 266 00:13:20,000 --> 00:13:21,634 No, I'm not all right. 267 00:13:21,634 --> 00:13:24,701 This -- this place is weird, the people are creepy, 268 00:13:24,701 --> 00:13:27,100 and somebody is making effigies of me 269 00:13:27,100 --> 00:13:29,501 and sticking nails into me. 270 00:13:29,501 --> 00:13:31,934 Oh, hey, that's nice. 271 00:13:31,934 --> 00:13:33,467 No! It is not nice. 272 00:13:33,467 --> 00:13:35,234 It is not nice at all 273 00:13:35,234 --> 00:13:36,934 Somebody wants rid of me! 274 00:13:36,934 --> 00:13:41,000 [ Indistinct noises ] 275 00:13:41,000 --> 00:13:44,567 Ohh, oh. 276 00:13:44,567 --> 00:13:46,133 Oh. 277 00:13:46,133 --> 00:13:48,501 [ Suspenseful music plays ] 278 00:13:48,501 --> 00:13:50,701 [ Exhales heavily ] 279 00:13:50,701 --> 00:13:57,667 [ Birds calling ] 280 00:14:00,167 --> 00:14:02,701 [ Buzzer sounds ] 281 00:14:04,100 --> 00:14:06,200 [ Door whirring ] 282 00:14:06,200 --> 00:14:10,934 [ Children laughing ] 283 00:14:14,667 --> 00:14:15,901 Aah! Ah! 284 00:14:15,901 --> 00:14:17,200 [ Children laughing ] 285 00:14:17,200 --> 00:14:20,801 Oi! Should you not be at school or something? 286 00:14:20,801 --> 00:14:22,100 LUCY: Thank you for coming. 287 00:14:22,100 --> 00:14:24,033 Tolly's here, not to worry. 288 00:14:24,033 --> 00:14:28,334 I think it will be good for you to see the whites of his eyes. 289 00:14:28,334 --> 00:14:30,300 Shall we? 290 00:14:33,634 --> 00:14:36,167 Tolly, love, meet Agatha Raisin. 291 00:14:36,167 --> 00:14:37,667 She's just popped 'round to say hello. 292 00:14:37,667 --> 00:14:38,701 Hello. 293 00:14:38,701 --> 00:14:39,801 [ Groans ] 294 00:14:42,501 --> 00:14:43,868 You were in the pub. 295 00:14:43,868 --> 00:14:46,767 -Yes, I was in the p-- -Yeah. Me too. 296 00:14:46,767 --> 00:14:48,067 Regrettably I stayed a bit late 297 00:14:48,067 --> 00:14:49,834 putting the world to rights. 298 00:14:51,501 --> 00:14:52,734 Shall we? 299 00:14:58,334 --> 00:15:02,601 Oh, and this is Mrs. J., our help and all 'round savior. 300 00:15:02,601 --> 00:15:04,100 -Agatha. -AGATHA: Hello. 301 00:15:04,100 --> 00:15:06,067 Hello, dear. 302 00:15:06,067 --> 00:15:08,567 -Stopping at Oberon, I gather. -Yes, well, I -- 303 00:15:08,567 --> 00:15:10,934 Heard all about your detective novels, I have. 304 00:15:10,934 --> 00:15:12,133 News travels. 305 00:15:12,133 --> 00:15:13,968 Faster than the speed of light 'round here. 306 00:15:13,968 --> 00:15:15,467 I love a good detective novel 307 00:15:15,467 --> 00:15:17,234 so you're more than welcome. 308 00:15:17,234 --> 00:15:18,234 Cuppa tea? Oh cup of tea 309 00:15:18,234 --> 00:15:20,434 -would be lovely, Mrs. J. -Builder's? 310 00:15:20,434 --> 00:15:22,667 You look like a Builder's kind of girl to me. 311 00:15:23,701 --> 00:15:28,734 TOLLY: [ Snoring ] 312 00:15:30,234 --> 00:15:33,300 The whites of his eyes? They're red. 313 00:15:33,300 --> 00:15:35,167 What time did you get back last night? 314 00:15:35,167 --> 00:15:36,667 About 11:00. 315 00:15:36,667 --> 00:15:39,067 Tolly stayed for a lock-in, says he was with Nigel. 316 00:15:39,067 --> 00:15:40,367 I think Rosie. 317 00:15:42,200 --> 00:15:45,200 AGATHA: What makes you so sure that it's Rosie? 318 00:15:45,200 --> 00:15:47,167 LUCY: A woman just knows. 319 00:15:47,167 --> 00:15:48,467 Coming home late, 320 00:15:48,467 --> 00:15:50,033 not being where he says he'll be. 321 00:15:50,033 --> 00:15:51,100 [ Sighs ] 322 00:15:51,100 --> 00:15:53,267 She has a hold over men. 323 00:15:53,267 --> 00:15:54,934 All sensual and enticing 324 00:15:54,934 --> 00:15:59,434 with her sultry ways and provocative perfume. 325 00:15:59,434 --> 00:16:00,634 Black Widow. 326 00:16:00,634 --> 00:16:03,400 I bet it's expensive. 327 00:16:03,400 --> 00:16:05,234 Where do you buy it? 328 00:16:05,234 --> 00:16:07,767 -Oh, no, she's a black widow. -Oh. 329 00:16:07,767 --> 00:16:11,367 She makes the perfume herself to ensnare men. 330 00:16:11,367 --> 00:16:13,334 I just need proof. 331 00:16:13,334 --> 00:16:17,634 And when you get it, then what? 332 00:16:17,634 --> 00:16:21,334 I fight for him, win him back. 333 00:16:21,334 --> 00:16:22,601 What else is there? 334 00:16:24,634 --> 00:16:26,300 Ahh, there you are. 335 00:16:26,300 --> 00:16:27,601 Wondered where you'd got to. 336 00:16:27,601 --> 00:16:29,000 Your brew is ready. 337 00:16:29,000 --> 00:16:30,300 LUCY: We'll be in in a moment. 338 00:16:32,200 --> 00:16:34,934 Lucy, how old are you? 339 00:16:34,934 --> 00:16:36,434 22. 340 00:16:36,434 --> 00:16:37,501 Do you not think 341 00:16:37,501 --> 00:16:40,067 you're a bit young for all of this? 342 00:16:40,067 --> 00:16:43,934 I mean, shouldn't you be out hashtagging or raving 343 00:16:43,934 --> 00:16:45,267 or something? 344 00:16:45,267 --> 00:16:47,234 It's not my kind of thing. 345 00:16:47,234 --> 00:16:48,834 You wouldn't understand. 346 00:16:48,834 --> 00:16:51,367 I came from nothing. I don't want to go back. 347 00:16:54,100 --> 00:16:55,534 Will you help me? 348 00:16:55,534 --> 00:16:57,467 TOLLY: Lucy! 349 00:16:57,467 --> 00:17:02,734 Please tell me that dreadful loudmouth woman has gone? 350 00:17:02,734 --> 00:17:04,434 AGATHA: Just about to. 351 00:17:06,701 --> 00:17:08,000 I'd love to. 352 00:17:12,501 --> 00:17:14,133 SARAH: Uh, James. Sarah. 353 00:17:14,133 --> 00:17:15,667 I Got your postcard. 354 00:17:15,667 --> 00:17:16,667 So you might be home soon? 355 00:17:16,667 --> 00:17:19,534 That's great. 356 00:17:19,534 --> 00:17:21,367 Of course, you might change your mind, 357 00:17:21,367 --> 00:17:24,367 you know, adventurer that you are. 358 00:17:24,367 --> 00:17:27,200 I mean, why even come home? 359 00:17:27,200 --> 00:17:28,801 Uh, anyway, let me know. 360 00:17:28,801 --> 00:17:30,634 Okay. Bye. 361 00:17:32,200 --> 00:17:34,033 [ Suspenseful music plays ] 362 00:17:34,033 --> 00:17:35,167 [ Sighs ] 363 00:17:35,167 --> 00:17:40,968 [ Music continues ] 364 00:17:40,968 --> 00:17:42,234 AGATHA: Hey! 365 00:17:42,234 --> 00:17:47,200 [ Music continues ] 366 00:17:47,200 --> 00:17:50,300 AGATHA: Are you responsible for this? 367 00:17:50,300 --> 00:17:52,367 No. 368 00:17:52,367 --> 00:17:54,267 Rabbit for you. 369 00:17:54,267 --> 00:17:55,400 I can skin it if you want. 370 00:17:55,400 --> 00:17:57,234 What? No. No. 371 00:17:57,234 --> 00:17:59,167 Why? Just go on. Leave. 372 00:17:59,167 --> 00:18:00,567 Go on, take that thing with you. 373 00:18:00,567 --> 00:18:01,834 Go on. 374 00:18:01,834 --> 00:18:04,834 [ Mid-tempo music plays ] 375 00:18:18,167 --> 00:18:24,901 [ Keyboard clacking ] 376 00:18:24,901 --> 00:18:27,901 [ Music continues ] 377 00:18:37,467 --> 00:18:39,200 [ Printer whirs ] 378 00:18:39,200 --> 00:18:44,400 [ Indistinct laughter ] 379 00:18:44,400 --> 00:18:47,033 [ Printer whirs ] 380 00:18:47,033 --> 00:18:53,367 [ Suspenseful music plays ] 381 00:18:53,367 --> 00:18:55,801 [ Twinkling ] 382 00:18:55,801 --> 00:19:00,334 [ Music continues ] 383 00:19:00,334 --> 00:19:02,534 [ Knock on door ] 384 00:19:03,901 --> 00:19:07,634 [ Rattling ] 385 00:19:07,634 --> 00:19:10,033 -[ Gasps ] -[ Banging on door ] 386 00:19:10,033 --> 00:19:13,033 [ Suspenseful music plays ] 387 00:19:19,434 --> 00:19:22,434 [ Clanks ] 388 00:19:22,434 --> 00:19:26,033 [ Music continues ] 389 00:19:28,868 --> 00:19:30,167 Aah! Aah! 390 00:19:30,167 --> 00:19:31,400 Ohh! 391 00:19:31,400 --> 00:19:32,868 -[ Grunts ] -It's me. 392 00:19:32,868 --> 00:19:34,067 It's Charles. 393 00:19:38,000 --> 00:19:40,067 What are you even doing here? 394 00:19:40,067 --> 00:19:41,601 I was bored. 395 00:19:41,601 --> 00:19:43,834 Oh, so, I'm a cure for boredom now, am I? 396 00:19:43,834 --> 00:19:45,801 Well, I thought I'd pop up for a ride. 397 00:19:45,801 --> 00:19:46,934 Beg your pardon? 398 00:19:46,934 --> 00:19:48,834 On my vintage 250. 399 00:19:48,834 --> 00:19:51,868 There's always excitement wherever you are, Agatha. 400 00:19:51,868 --> 00:19:54,334 And something has clearly got you rattled. 401 00:19:54,334 --> 00:19:55,767 Share. 402 00:19:55,767 --> 00:19:57,901 The village of the damned, that's what. 403 00:19:57,901 --> 00:19:59,567 Usually people get welcomed to the countryside 404 00:19:59,567 --> 00:20:01,467 with cakes and chutneys. 405 00:20:01,467 --> 00:20:03,534 I get this. 406 00:20:03,534 --> 00:20:07,734 Some weird lights and a dead rabbit. 407 00:20:07,734 --> 00:20:08,934 I must say, 408 00:20:08,934 --> 00:20:10,701 I am partial to a bit of rabbit. 409 00:20:10,701 --> 00:20:11,667 Don't. 410 00:20:11,667 --> 00:20:14,567 Do not even go there, Charles. 411 00:20:14,567 --> 00:20:16,534 [ Sighs ] 412 00:20:18,400 --> 00:20:21,701 So what news from Carsely? 413 00:20:21,701 --> 00:20:23,167 None, really. 414 00:20:23,167 --> 00:20:25,634 I just thought you might like a little bit of company, 415 00:20:25,634 --> 00:20:27,400 stuck out here all on your lonesome. 416 00:20:27,400 --> 00:20:29,033 No, no, no, no, no. 417 00:20:29,033 --> 00:20:32,334 No more swagger of the shagger, Charles. 418 00:20:32,334 --> 00:20:33,667 I know we did the jiggy-jiggy thing -- 419 00:20:33,667 --> 00:20:35,167 Made love, Agatha. 420 00:20:35,167 --> 00:20:37,634 And we agreed that it was not a good idea. 421 00:20:37,634 --> 00:20:40,100 Terrible idea. Nightmare. 422 00:20:40,100 --> 00:20:41,200 Nightmare? What do you mean nightmare? 423 00:20:41,200 --> 00:20:42,167 Why? Why was it a -- 424 00:20:42,167 --> 00:20:44,033 Actually, don't answer that. 425 00:20:44,033 --> 00:20:45,467 The point is we have moved on. 426 00:20:45,467 --> 00:20:48,767 Ships that do that shippy thing in the night. 427 00:20:48,767 --> 00:20:49,934 Absolutely. 428 00:20:49,934 --> 00:20:51,634 So you can go and stay at the pub. 429 00:20:51,634 --> 00:20:53,133 Actually, no, not the pub, 430 00:20:53,133 --> 00:20:54,801 because there's a stunning harpy, mermaid, 431 00:20:54,801 --> 00:20:55,901 Mata-Hari woman there 432 00:20:55,901 --> 00:20:57,701 who's luring men to their ruin. 433 00:20:57,701 --> 00:20:58,834 Sounds good to me. 434 00:20:58,834 --> 00:21:01,200 You can have the spare room here. 435 00:21:01,200 --> 00:21:02,634 Although I do need to talk to her 436 00:21:02,634 --> 00:21:04,300 as part of my investigation. 437 00:21:04,300 --> 00:21:05,601 Investigation? 438 00:21:05,601 --> 00:21:06,567 Excellent. 439 00:21:10,434 --> 00:21:12,567 Should we go on the bike? 440 00:21:15,868 --> 00:21:17,400 What's with all the little people? 441 00:21:17,400 --> 00:21:19,667 I really wish I knew. 442 00:21:19,667 --> 00:21:21,133 This whole place is a bit weirdy-woo. 443 00:21:21,133 --> 00:21:22,834 [ Engine revs ] 444 00:21:25,033 --> 00:21:26,467 Maniac! 445 00:21:28,200 --> 00:21:30,367 -You all right? -Yeah. 446 00:21:31,667 --> 00:21:34,868 GEMMA: Bit early for a snifter innit? 447 00:21:34,868 --> 00:21:37,167 BILL: Sarah's worried about James. 448 00:21:37,167 --> 00:21:38,734 Yeah, I'm worried he's gonna be vile to her 449 00:21:38,734 --> 00:21:39,934 like he was at the wedding. 450 00:21:39,934 --> 00:21:41,200 You know, I'll never forgive him for that. 451 00:21:41,200 --> 00:21:43,767 Well, now obviously, I have forgiven him, 452 00:21:43,767 --> 00:21:45,601 but it was really, really hard. 453 00:21:45,601 --> 00:21:48,868 Well, maybe we can talk to him before she comes back. 454 00:21:48,868 --> 00:21:50,501 Well, I'd hurry up if I were you. 455 00:21:50,501 --> 00:21:52,100 She's having a bit of a wobble. 456 00:21:52,100 --> 00:21:53,834 To be fair, they are sticking pins 457 00:21:53,834 --> 00:21:55,100 in effigies of her. 458 00:21:55,100 --> 00:21:56,701 BILL: Are they? 459 00:21:56,701 --> 00:21:59,067 I've got a couple of days off. Maybe I should go see her. 460 00:21:59,067 --> 00:22:00,234 Maybe you both should. 461 00:22:03,934 --> 00:22:05,634 GEMMA: My round, is it? 462 00:22:08,267 --> 00:22:09,501 I'm so sorry. 463 00:22:11,667 --> 00:22:17,734 [ Engine whirs ] 464 00:22:17,734 --> 00:22:27,300 [ Suspenseful music plays ] 465 00:22:27,300 --> 00:22:28,567 [ Door opens ] 466 00:22:28,567 --> 00:22:29,601 MRS, J: All right, love? 467 00:22:29,601 --> 00:22:32,400 Fancy some nice rabbit stew? 468 00:22:32,400 --> 00:22:34,100 BARRY: Yeah, in a minute, mum. 469 00:22:34,100 --> 00:22:37,767 [ Music continues ] 470 00:22:37,767 --> 00:22:40,100 [ Birds calling ] 471 00:22:40,100 --> 00:22:42,000 CHARLES: Oh, nothing. 472 00:22:43,167 --> 00:22:46,534 Oh, so that's where the local squirearchy live, is it? 473 00:22:46,534 --> 00:22:48,734 Nice pad. 474 00:22:48,734 --> 00:22:50,501 Why are the gates open? 475 00:22:52,868 --> 00:22:54,868 LUCY: [ Screams ] 476 00:22:54,868 --> 00:22:56,968 [ Suspenseful music plays ] 477 00:22:56,968 --> 00:23:00,934 [ Breathing shallowly ] 478 00:23:00,934 --> 00:23:03,534 Tolly. 479 00:23:03,534 --> 00:23:09,400 [ Suspenseful music plays ] 480 00:23:09,400 --> 00:23:11,534 [ Crying ] He's dead. 481 00:23:14,100 --> 00:23:18,167 [ Slow-tempo music plays ] 482 00:23:18,167 --> 00:23:22,234 [ Indistinct conversations ] 483 00:23:26,767 --> 00:23:28,234 [ Horse snorts ] 484 00:23:28,234 --> 00:23:32,667 [ Indistinct conversations ] 485 00:23:32,667 --> 00:23:35,734 -Mrs. Raisin. -AGATHA: Yes. 486 00:23:35,734 --> 00:23:37,801 DCI Percy Hand. 487 00:23:37,801 --> 00:23:39,100 DCI? 488 00:23:39,100 --> 00:23:40,567 Off duty in the pub, then, were we? 489 00:23:40,567 --> 00:23:42,100 Indeed. 490 00:23:42,100 --> 00:23:43,167 And you are? 491 00:23:43,167 --> 00:23:44,334 Charlie Fraith. 492 00:23:44,334 --> 00:23:46,501 Sir Charles Fraith, I think you'll find. 493 00:23:46,501 --> 00:23:48,567 Yes, we were heading towards your local, 494 00:23:48,567 --> 00:23:50,567 heard Lucy scream, and ran inside, 495 00:23:50,567 --> 00:23:52,334 and there she was. 496 00:23:52,334 --> 00:23:54,367 -Red-handed. -AGATHA: Lucy? 497 00:23:54,367 --> 00:23:55,734 Yes, well -- What? No, really. 498 00:23:55,734 --> 00:23:57,934 I mean, do you think so? 499 00:23:57,934 --> 00:24:00,534 Did you see anyone else? 500 00:24:00,534 --> 00:24:02,467 How was he, um...? 501 00:24:02,467 --> 00:24:04,267 [ Imitates knife slashing ] 502 00:24:05,334 --> 00:24:07,267 We'll need a full statement. 503 00:24:09,801 --> 00:24:11,534 [ Scoffs ] 504 00:24:11,534 --> 00:24:12,868 He's not going to solve a crossword puzzle, 505 00:24:12,868 --> 00:24:14,400 let alone a murder. 506 00:24:14,400 --> 00:24:16,634 CHARLES: Seems pretty clear the wife did it. 507 00:24:16,634 --> 00:24:18,133 She gets to inherit, I take it. 508 00:24:18,133 --> 00:24:19,434 No, no, no. 509 00:24:19,434 --> 00:24:22,267 Charles, she hired me to investigate. 510 00:24:22,267 --> 00:24:24,267 Why's she gonna kill him? 511 00:24:24,267 --> 00:24:25,567 Don't make any sense. 512 00:24:25,567 --> 00:24:29,400 Unless it was a crime passionelle. 513 00:24:29,400 --> 00:24:31,901 -A cream what? -CHARLES: They row. 514 00:24:31,901 --> 00:24:34,300 She's not thinking about the fact that she hired you. 515 00:24:34,300 --> 00:24:35,701 She can't wait for proof. 516 00:24:35,701 --> 00:24:37,667 She just wants to kill the bastard. 517 00:24:37,667 --> 00:24:40,467 Charles, it's not her. 518 00:24:40,467 --> 00:24:42,300 Cutting a throat is a male killing. 519 00:24:42,300 --> 00:24:43,534 -Is it? -AGATHA: Yes. 520 00:24:43,534 --> 00:24:45,434 CHARLES: How do you know? 521 00:24:45,434 --> 00:24:48,901 Because I read a book, a detective novel. 522 00:24:48,901 --> 00:24:50,834 "Dial M For Macho" -- 523 00:24:50,834 --> 00:24:52,734 it is classic of the genre. 524 00:24:52,734 --> 00:24:54,234 That's fiction. 525 00:24:54,234 --> 00:24:55,667 Well, I think you'll find that fiction and reality 526 00:24:55,667 --> 00:24:58,133 have a funny way of crossing over. 527 00:25:02,300 --> 00:25:05,400 Agatha? 528 00:25:05,400 --> 00:25:07,267 Agatha, you can't just swan on in there. 529 00:25:07,267 --> 00:25:08,601 It's a murder scene. 530 00:25:08,601 --> 00:25:11,167 That is exactly why I can swan on in there. 531 00:25:11,167 --> 00:25:13,067 Where was Mrs. J, the help? 532 00:25:13,067 --> 00:25:14,400 She might have seen something. 533 00:25:14,400 --> 00:25:16,667 And why were those kids all skulking around? 534 00:25:16,667 --> 00:25:18,000 Whoo-hoo. 535 00:25:18,000 --> 00:25:19,767 What have we here? 536 00:25:22,267 --> 00:25:23,534 A break-in? 537 00:25:23,534 --> 00:25:25,601 Or a broken flowerpot. 538 00:25:25,601 --> 00:25:27,300 Dozens of them at mine. 539 00:25:27,300 --> 00:25:35,501 [ Suspenseful music plays ] 540 00:25:35,501 --> 00:25:37,601 I'll keep dixie. 541 00:25:37,601 --> 00:25:39,300 You do that. 542 00:25:39,300 --> 00:25:41,400 [ Gasps ] Look! 543 00:25:41,400 --> 00:25:43,067 Above the fireplace. 544 00:25:44,968 --> 00:25:47,267 The painting has gone. 545 00:25:47,267 --> 00:25:50,267 Big thing of a horse... So, someone's moved it. 546 00:25:50,267 --> 00:25:52,300 Stolen more like. 547 00:25:52,300 --> 00:25:54,133 A burglary! 548 00:25:54,133 --> 00:25:56,734 Tolly disturbs them and... [Imitates slashing] 549 00:25:56,734 --> 00:25:57,801 Well, better tell the DCI then. 550 00:25:57,801 --> 00:26:00,400 I'm not giving Hand a hand. 551 00:26:00,400 --> 00:26:02,567 Not in any sense of the word. 552 00:26:04,234 --> 00:26:06,033 [ Mid-tempo music plays ] 553 00:26:06,033 --> 00:26:08,968 FRAMP: They said very nasty, very swollen they were. 554 00:26:08,968 --> 00:26:10,267 Said, "you know what? 555 00:26:10,267 --> 00:26:11,501 He's only 7 years old, 556 00:26:11,501 --> 00:26:13,534 shouldn't be that size, get him down the doctor." 557 00:26:13,534 --> 00:26:15,901 Right, you two, I need you to move that van out there. 558 00:26:15,901 --> 00:26:17,934 -What van? -What do you mean what van? 559 00:26:17,934 --> 00:26:20,667 FRAMP: That van, big white, looks like a van. 560 00:26:20,667 --> 00:26:22,334 That's right! Move! 561 00:26:22,334 --> 00:26:23,334 Move! 562 00:26:23,334 --> 00:26:25,033 What van? 563 00:26:25,033 --> 00:26:27,334 Oh, my God. 564 00:26:27,334 --> 00:26:30,534 I'll tell you what. That dog been here all day? 565 00:26:30,534 --> 00:26:31,901 That been here all day? 566 00:26:31,901 --> 00:26:33,968 If it's come in here and laid any of its mess 567 00:26:33,968 --> 00:26:35,234 around these carpets, 568 00:26:35,234 --> 00:26:37,534 we're absolutely plastered. 569 00:26:37,534 --> 00:26:39,434 Tell you what though, 570 00:26:39,434 --> 00:26:40,934 this whole crime scene... 571 00:26:40,934 --> 00:26:47,901 [ Music continues ] 572 00:26:47,901 --> 00:26:50,968 [ Suspenseful music plays ] 573 00:27:04,033 --> 00:27:05,868 [ Music stops ] 574 00:27:09,834 --> 00:27:16,634 [ Phone buzzes ] 575 00:27:16,634 --> 00:27:19,634 [ Suspenseful music plays ] 576 00:27:29,901 --> 00:27:32,501 HAND: Oi, once the SOCO boys have finished downstairs, 577 00:27:32,501 --> 00:27:33,667 get them up here. 578 00:27:33,667 --> 00:27:35,300 Start in the main bedroom. 579 00:27:35,300 --> 00:27:36,801 [ Suspenseful music plays ] 580 00:27:36,801 --> 00:27:38,000 Go on. 581 00:27:38,000 --> 00:27:39,267 Yes, sir. 582 00:27:39,267 --> 00:27:42,267 [ Suspenseful music plays ] 583 00:27:44,634 --> 00:27:46,567 [ Music stops ] 584 00:27:54,968 --> 00:27:56,567 [ Farts ] 585 00:28:03,567 --> 00:28:06,234 [ Exhales sharply ] 586 00:28:06,234 --> 00:28:07,968 [ Groans ] 587 00:28:10,400 --> 00:28:12,734 [ Exhales sharply ] 588 00:28:12,734 --> 00:28:14,667 [ Sighs ] 589 00:28:14,667 --> 00:28:19,300 [ Horse hooves clomping ] 590 00:28:19,300 --> 00:28:20,901 GEMMA: You go. 591 00:28:20,901 --> 00:28:23,501 Well, it's only an hour 592 00:28:23,501 --> 00:28:26,601 if Aggie's not navigating. 593 00:28:26,601 --> 00:28:29,200 Why don't we both go? 594 00:28:29,200 --> 00:28:31,334 As friends. 595 00:28:31,334 --> 00:28:33,734 Because we're not friends, are we? 596 00:28:33,734 --> 00:28:35,801 We're more than that. 597 00:28:35,801 --> 00:28:37,934 And I don't mean in a "more than just friends" 598 00:28:37,934 --> 00:28:40,033 kind of a way. 599 00:28:40,033 --> 00:28:43,234 In what way then? 600 00:28:43,234 --> 00:28:48,000 Well, in a "we went on a couple of dates," 601 00:28:48,000 --> 00:28:49,334 your mother hated me 602 00:28:49,334 --> 00:28:51,734 'cause she thought I wasn't good enough for you, 603 00:28:51,734 --> 00:28:53,767 and then when you and I got down and dirty, 604 00:28:53,767 --> 00:28:58,067 you couldn't light my fire" kind of a way. 605 00:28:59,801 --> 00:29:03,434 Oh, besides, you know, I've got things to do here. 606 00:29:03,434 --> 00:29:05,367 Haven't I, my lovely? 607 00:29:06,801 --> 00:29:07,968 Oh. 608 00:29:07,968 --> 00:29:10,601 See, animals, you can trust. 609 00:29:10,601 --> 00:29:13,701 Well, apart from Harvey over there, 610 00:29:13,701 --> 00:29:16,367 but in general. 611 00:29:16,367 --> 00:29:20,601 Oh, don't you worry, my little duvet. 612 00:29:20,601 --> 00:29:23,901 Time's a great healer. 613 00:29:23,901 --> 00:29:25,667 Apparently. 614 00:29:25,667 --> 00:29:32,934 [ Slow-tempo music plays ] 615 00:29:36,334 --> 00:29:37,834 CHARLES: So who's Fizz? 616 00:29:37,834 --> 00:29:38,901 AGATHA: Code for the woman 617 00:29:38,901 --> 00:29:40,000 that Tolly's having an affair with. 618 00:29:40,000 --> 00:29:41,234 Keep up, Charles. 619 00:29:41,234 --> 00:29:43,133 She's heard the rumor that he's dead, 620 00:29:43,133 --> 00:29:44,567 and she's madly ringing him, 621 00:29:44,567 --> 00:29:46,367 in the hope that he's gonna pick up. 622 00:29:46,367 --> 00:29:47,667 Well, that could be anyone -- 623 00:29:47,667 --> 00:29:49,534 a concerned friend, a family member. 624 00:29:49,534 --> 00:29:50,934 Nope. I checked the call history. 625 00:29:50,934 --> 00:29:52,133 No previous calls from Fizz. 626 00:29:52,133 --> 00:29:53,901 Only the 18 this morning. 627 00:29:53,901 --> 00:29:55,334 Yeah, so that's means that he was obviously 628 00:29:55,334 --> 00:29:57,100 deleting her calls on a regular basis. 629 00:29:57,100 --> 00:29:58,567 You don't do that unless you're -- 630 00:29:58,567 --> 00:30:00,167 -You know what I mean? -So why don't we ring it then? 631 00:30:00,167 --> 00:30:03,200 Charles, all in good time, all in good time. 632 00:30:03,200 --> 00:30:04,501 First of all, I want to find out 633 00:30:04,501 --> 00:30:07,567 exactly what everyone thinks that they know. 634 00:30:07,567 --> 00:30:08,901 And how do we do that? 635 00:30:08,901 --> 00:30:11,033 Well using a centuries-old technique 636 00:30:11,033 --> 00:30:14,667 for extracting information. 637 00:30:14,667 --> 00:30:16,534 Torture? 638 00:30:16,534 --> 00:30:18,434 Gossip. 639 00:30:18,434 --> 00:30:19,701 Oh, have you heard? 640 00:30:19,701 --> 00:30:21,167 It's terrible, isn't it? 641 00:30:21,167 --> 00:30:23,334 I mean, why would Lucy do such a thing? 642 00:30:23,334 --> 00:30:24,501 Lucy, really? 643 00:30:24,501 --> 00:30:26,734 Do you think? 644 00:30:26,734 --> 00:30:27,934 Totally. 645 00:30:27,934 --> 00:30:29,167 She was never one of us. 646 00:30:29,167 --> 00:30:31,634 -Such a...newcomer. -Mm. Really? 647 00:30:31,634 --> 00:30:32,801 How long do you think it would take 648 00:30:32,801 --> 00:30:35,267 for someone to be, you know, accepted here? 649 00:30:35,267 --> 00:30:37,701 Three, maybe four hundred years. 650 00:30:37,701 --> 00:30:39,300 She never belonged. 651 00:30:39,300 --> 00:30:41,167 And was ever so plain. 652 00:30:41,167 --> 00:30:42,667 Thought she used to be a model. 653 00:30:42,667 --> 00:30:44,133 Not top-flight or anything. 654 00:30:44,133 --> 00:30:45,767 Not even second landing, really. 655 00:30:45,767 --> 00:30:47,901 -Catalog stuff. -AGATHA: Oh. 656 00:30:47,901 --> 00:30:49,067 She did a shoot at the Manor House, though, 657 00:30:49,067 --> 00:30:51,701 -didn't she? -Sanitary towels, darling. 658 00:30:51,701 --> 00:30:53,734 [ Laughter ] 659 00:30:53,734 --> 00:30:55,267 Still you know, in my experience, 660 00:30:55,267 --> 00:30:56,567 you never know with murder. 661 00:30:56,567 --> 00:30:57,934 I mean, it could be anyone, anyone. 662 00:30:57,934 --> 00:30:59,334 I mean, it could be -- I don't know. 663 00:30:59,334 --> 00:31:00,801 It could be your husband, for example. 664 00:31:00,801 --> 00:31:03,033 -AGATHA: I mean, where was he? -Out. 665 00:31:03,033 --> 00:31:04,868 -Is he always 'out'? -Yes. 666 00:31:04,868 --> 00:31:06,334 He's a gamekeeper. 667 00:31:14,901 --> 00:31:16,200 What about Tolly then? 668 00:31:16,200 --> 00:31:17,467 I mean, who didn't like Tolly? 669 00:31:17,467 --> 00:31:18,801 Someone must have not liked him, 670 00:31:18,801 --> 00:31:22,400 'cause I mean he was called "Tolly," for God's sake. 671 00:31:22,400 --> 00:31:24,167 Barry. Mrs. J's son. 672 00:31:24,167 --> 00:31:25,801 He was the gardener at the Manor House, 673 00:31:25,801 --> 00:31:28,467 but he got soft on Lucy. 674 00:31:28,467 --> 00:31:30,868 Tolly sacked him on the spot. 675 00:31:30,868 --> 00:31:31,934 [ Gasps ] 676 00:31:31,934 --> 00:31:33,200 Really? 677 00:31:33,200 --> 00:31:34,901 Did he now? 678 00:31:34,901 --> 00:31:40,534 [ Suspenseful music plays ] 679 00:31:43,467 --> 00:31:46,634 [ Indistinct conversations ] 680 00:31:46,634 --> 00:31:49,067 Murder's clearly good for business. 681 00:31:49,067 --> 00:31:52,234 Or are you always this popular? 682 00:31:52,234 --> 00:31:54,367 Gorgeous perfume, by the way I can smell it from here. 683 00:31:54,367 --> 00:31:55,601 Charlie Fraith. 684 00:31:55,601 --> 00:31:57,234 You a friend of Agatha's? 685 00:31:57,234 --> 00:31:59,067 -Mm...no. 686 00:31:59,067 --> 00:32:01,701 I mean, not in the biblical sense. 687 00:32:04,267 --> 00:32:07,267 Stop flirting and start asking about that stolen painting. 688 00:32:07,267 --> 00:32:09,300 Whatever you do, don't knock into her fairy house, 689 00:32:09,300 --> 00:32:11,267 or there'll be a riot. 690 00:32:11,267 --> 00:32:12,567 Go on, then. Shoo. 691 00:32:12,567 --> 00:32:13,667 Will do. 692 00:32:13,667 --> 00:32:14,767 You might need to pay. 693 00:32:14,767 --> 00:32:15,767 [ Sighs ] 694 00:32:17,467 --> 00:32:20,934 Can I ask you a question about Tolly? 695 00:32:20,934 --> 00:32:23,634 Sorry. Bit busy at the mo. 696 00:32:23,634 --> 00:32:25,334 Unless you want to join me. 697 00:32:25,334 --> 00:32:32,834 [ Mid-tempo music plays ] 698 00:32:32,834 --> 00:32:35,167 Know how to pull a pint, do we? 699 00:32:35,167 --> 00:32:37,501 Listen, Twinkletoes, I grew up in Dumfries. 700 00:32:37,501 --> 00:32:40,067 Of course I know how to pull a pint. 701 00:32:40,067 --> 00:32:41,767 Two pints of Best then. 702 00:32:45,601 --> 00:32:46,667 Fizz? 703 00:32:46,667 --> 00:32:48,400 Top shelf. 704 00:32:48,400 --> 00:32:51,000 No, I mean, do you know anyone of that name? 705 00:32:51,000 --> 00:32:53,467 No. 706 00:32:53,467 --> 00:32:55,267 Where were you when Tolly was killed? 707 00:32:55,267 --> 00:32:57,534 -Here. -AGATHA: Anyone vouch for that? 708 00:32:57,534 --> 00:32:59,501 Because the Manor House is just up the road. 709 00:32:59,501 --> 00:33:01,567 You could have been up there and back again in two minutes. 710 00:33:01,567 --> 00:33:03,400 Is this you being a detective? 711 00:33:03,400 --> 00:33:05,100 Maybe. 712 00:33:07,167 --> 00:33:09,000 So was Tolly part of your little harem? 713 00:33:09,000 --> 00:33:12,234 'Cause I know he was here late last night for a lock-in. 714 00:33:12,234 --> 00:33:15,300 Wrong. He left seconds after Lucy. 715 00:33:15,300 --> 00:33:16,300 Who with? 716 00:33:16,300 --> 00:33:17,701 I serve 'em drinks. 717 00:33:17,701 --> 00:33:18,934 I don't sign them out. 718 00:33:18,934 --> 00:33:21,000 And I don't do gossip. 719 00:33:22,367 --> 00:33:24,734 AGATHA: Really? 720 00:33:24,734 --> 00:33:28,200 Well, Lucy thought that you two were having an affair. 721 00:33:28,200 --> 00:33:31,667 Any other questions or can I get on and serve? 722 00:33:31,667 --> 00:33:33,567 Do you really make your own perfume? 723 00:33:33,567 --> 00:33:38,767 [ Suspenseful music plays ] 724 00:33:38,767 --> 00:33:41,033 What you looking at? 725 00:33:41,033 --> 00:33:42,200 Baps. 726 00:33:42,200 --> 00:33:44,167 -I beg your pardon. -NIGEL: Two of them. 727 00:33:44,167 --> 00:33:45,868 Cheese and pickle. 728 00:33:45,868 --> 00:33:48,167 [ Suspenseful music plays ] 729 00:33:48,167 --> 00:33:52,234 [ Laughs ] 730 00:33:52,234 --> 00:33:55,300 Your friend's death clearly not affecting your appetite then? 731 00:33:55,300 --> 00:33:59,000 [ Suspenseful music plays ] 732 00:34:06,534 --> 00:34:07,934 AGATHA: Hey. 733 00:34:07,934 --> 00:34:09,067 You're supposed to be working. 734 00:34:09,067 --> 00:34:10,367 CHARLES: I am. 735 00:34:10,367 --> 00:34:11,734 Listen. 736 00:34:11,734 --> 00:34:13,534 Painting's a Stubbs. 737 00:34:13,534 --> 00:34:15,334 Famous for his portraits of animals, 738 00:34:15,334 --> 00:34:16,767 horses, especially. 739 00:34:16,767 --> 00:34:18,801 BILL: What's a man got to do to get a drink in this place? 740 00:34:18,801 --> 00:34:20,167 Bill! 741 00:34:20,167 --> 00:34:22,133 Oh, nice jacket. 742 00:34:22,133 --> 00:34:23,334 Thanks. 743 00:34:23,334 --> 00:34:24,868 Is this community service? 744 00:34:24,868 --> 00:34:25,868 Something like that. 745 00:34:25,868 --> 00:34:27,400 [ Bell rings ] 746 00:34:27,400 --> 00:34:30,667 Nigel wants to say a few words. 747 00:34:30,667 --> 00:34:32,334 NIGEL: Ladies and gentlemen, 748 00:34:32,334 --> 00:34:36,901 family and friends, one and all, of Tolly. 749 00:34:36,901 --> 00:34:40,634 Today we are united in shock 750 00:34:40,634 --> 00:34:44,968 at the tragic events at the Manor House. 751 00:34:44,968 --> 00:34:47,734 Tolly was a dear friend. 752 00:34:47,734 --> 00:34:50,000 He was a good man. 753 00:34:50,000 --> 00:34:52,400 and he will be sorely missed. 754 00:34:52,400 --> 00:34:57,100 So, let's raise a glass to one of our own. 755 00:34:57,100 --> 00:34:59,734 -NIGEL: To Tolly. -ALL: To Tolly! 756 00:34:59,734 --> 00:35:01,467 [ Phone ringing ] 757 00:35:01,467 --> 00:35:03,501 Oh, for -- 758 00:35:03,501 --> 00:35:06,334 [ Phone ringing ] 759 00:35:06,334 --> 00:35:15,267 [ Suspenseful music plays ] 760 00:35:15,267 --> 00:35:16,300 Hello? 761 00:35:16,300 --> 00:35:18,567 [ Dial tone ] 762 00:35:18,567 --> 00:35:20,267 Fizzy Lizzie. 763 00:35:20,267 --> 00:35:25,734 [ Music continues ] 764 00:35:29,000 --> 00:35:33,100 Okay, so. Fingers here is the Murderer. 765 00:35:33,100 --> 00:35:35,033 -But who is he? -Or she. 766 00:35:35,033 --> 00:35:36,634 CHARLES: No, Bill. 767 00:35:36,634 --> 00:35:38,300 The victim's throat was cut. 768 00:35:38,300 --> 00:35:39,701 That's a male thing. 769 00:35:39,701 --> 00:35:41,934 Fact. 770 00:35:41,934 --> 00:35:44,634 Barry the ex-gardener's got to be in with a shout. 771 00:35:44,634 --> 00:35:49,234 As has Major Speechmaker. 772 00:35:49,234 --> 00:35:53,367 We think his wife was having an affair with victim Anatol. 773 00:35:53,367 --> 00:35:56,167 -What? -Anatol. Tolly. 774 00:35:56,167 --> 00:35:57,734 Really? 775 00:35:57,734 --> 00:36:01,234 Well, could it not be the Major's wife? 776 00:36:01,234 --> 00:36:03,734 Tolly ends the affair, she's devastated. 777 00:36:03,734 --> 00:36:05,133 Bill, we've established 778 00:36:05,133 --> 00:36:08,167 that the murderer can't be a woman. 779 00:36:08,167 --> 00:36:09,400 Paul Redfern. 780 00:36:09,400 --> 00:36:11,701 He hangs about with rabbits and guns. 781 00:36:11,701 --> 00:36:16,601 Plus, I saw him lurking at the estate earlier so... 782 00:36:16,601 --> 00:36:20,300 And Rosie, aww, the pub landlady. 783 00:36:20,300 --> 00:36:21,667 I thought you'd ruled out women. 784 00:36:21,667 --> 00:36:22,801 Yes, we had. 785 00:36:22,801 --> 00:36:24,734 But Charles is really annoying me, 786 00:36:24,734 --> 00:36:25,868 so she's back in. 787 00:36:25,868 --> 00:36:27,300 CHARLES: Huh! 788 00:36:27,300 --> 00:36:30,801 In 2011, a Stubbs painting sold at auction 789 00:36:30,801 --> 00:36:33,334 for £22.4 million. 790 00:36:33,334 --> 00:36:34,868 -BILL: [Exhales sharply] -What? 791 00:36:34,868 --> 00:36:37,434 [ Horn honks ] 792 00:36:38,534 --> 00:36:41,167 [ Horn honks ] 793 00:36:43,767 --> 00:36:45,934 It's getting like Piccadilly Circus around here. 794 00:36:45,934 --> 00:36:46,968 AGATHA: The van. 795 00:36:46,968 --> 00:36:48,167 Someone stole the painting 796 00:36:48,167 --> 00:36:50,000 between me being there first thing 797 00:36:50,000 --> 00:36:52,033 and then us heading to the pub 798 00:36:52,033 --> 00:36:53,334 when the van drove past. 799 00:36:53,334 --> 00:36:57,067 So maybe the painting was inside the van. 800 00:36:57,067 --> 00:37:00,467 So, we need to find out who the van belongs to. 801 00:37:00,467 --> 00:37:02,534 What? 802 00:37:02,534 --> 00:37:06,167 [ Phone rings ] 803 00:37:06,167 --> 00:37:07,701 GEMMA: Ta-da! 804 00:37:07,701 --> 00:37:09,767 I changed my mind. 805 00:37:09,767 --> 00:37:11,567 Well, about bloody time. 806 00:37:11,567 --> 00:37:13,534 What's in the basket? 807 00:37:13,534 --> 00:37:15,567 Ida, everyone. 808 00:37:15,567 --> 00:37:18,267 Everyone, Ida. 809 00:37:18,267 --> 00:37:20,701 [ Duck quacking ] 810 00:37:20,701 --> 00:37:23,133 I couldn't leave you there to that Harvey, 811 00:37:23,133 --> 00:37:24,901 could I, my lovely? 812 00:37:24,901 --> 00:37:28,868 -Lunch? -Shut your face. 813 00:37:28,868 --> 00:37:30,067 Hi-ho. 814 00:37:30,067 --> 00:37:32,133 That's dwarves, Gem. 815 00:37:32,133 --> 00:37:34,767 Oh, there's been a murder? 816 00:37:34,767 --> 00:37:36,634 Are we expecting anybody else? 817 00:37:36,634 --> 00:37:38,267 Only there's somebody in the garden. 818 00:37:39,501 --> 00:37:41,901 Caught! 819 00:37:41,901 --> 00:37:43,934 So, it was you then, was it, 820 00:37:43,934 --> 00:37:46,367 that stuck that doll to my door and tried to scare me 821 00:37:46,367 --> 00:37:49,834 with those funny, flicky little lighty things? 822 00:37:49,834 --> 00:37:52,467 So what is it your cooking up now, hmm? 823 00:37:52,467 --> 00:37:53,567 Buddleia. 824 00:37:53,567 --> 00:37:54,701 Oh! Buddleia is it. 825 00:37:54,701 --> 00:37:55,734 Buddleia. 826 00:37:55,734 --> 00:37:57,167 What for? 827 00:37:57,167 --> 00:37:58,801 They attract butterflies. 828 00:37:58,801 --> 00:38:01,868 I think he's the gardener, Agatha. 829 00:38:01,868 --> 00:38:03,801 Barry. 830 00:38:03,801 --> 00:38:04,868 Lights? 831 00:38:04,868 --> 00:38:06,934 Seen the Fairies then. have we? 832 00:38:06,934 --> 00:38:09,634 The gnomes out front protect 'em and the cottage. 833 00:38:09,634 --> 00:38:11,100 Except the gnomes 834 00:38:11,100 --> 00:38:12,367 are not from the otherworld, are they? 835 00:38:12,367 --> 00:38:13,934 They're from the garden center. 836 00:38:13,934 --> 00:38:15,868 Each to their own, Mrs. Raisin. 837 00:38:15,868 --> 00:38:17,334 Hm, say that when Tolly 838 00:38:17,334 --> 00:38:18,634 sacked you from the Manor House, did you? 839 00:38:18,634 --> 00:38:21,667 [ Suspenseful music plays ] 840 00:38:21,667 --> 00:38:25,834 You don't happen to have a white van, do you? 841 00:38:25,834 --> 00:38:28,133 Well, what do you know? 842 00:38:33,200 --> 00:38:34,701 [ Sighs ] 843 00:38:34,701 --> 00:38:38,634 [ Suspenseful music plays ] 844 00:38:38,634 --> 00:38:41,834 BILL: Okay. Great. Thanks. 845 00:38:41,834 --> 00:38:44,334 Lucy Trumpington-James has been released on bail. 846 00:38:44,334 --> 00:38:45,267 I'll talk to her. 847 00:38:45,267 --> 00:38:46,601 Right, Bill, Charles, 848 00:38:46,601 --> 00:38:49,267 find and stakeout Major Findlay and his wife. 849 00:38:49,267 --> 00:38:51,067 -Gem? -I'll clean. 850 00:38:51,067 --> 00:38:52,434 If we're gonna solve this, 851 00:38:52,434 --> 00:38:54,434 the place needs to be spick and span. 852 00:38:54,434 --> 00:38:56,801 [ Mid-tempo music plays ] 853 00:38:56,801 --> 00:38:57,767 Roy. 854 00:38:57,767 --> 00:38:58,934 Lucy Trumpington-James. 855 00:38:58,934 --> 00:39:00,801 Maiden name not that. 856 00:39:00,801 --> 00:39:02,267 Catalog modeling in the Cotswolds 857 00:39:02,267 --> 00:39:05,167 for sanitary towels. 858 00:39:05,167 --> 00:39:07,734 [ Chickens clucking ] 859 00:39:13,300 --> 00:39:15,367 We could be here hours. 860 00:39:15,367 --> 00:39:17,234 Lunchtime drinking's a killer. 861 00:39:17,234 --> 00:39:18,934 They'll be asleep. 862 00:39:21,000 --> 00:39:23,434 Agatha okay? 863 00:39:23,434 --> 00:39:26,100 Sure. 864 00:39:26,100 --> 00:39:28,234 Why did you come? 865 00:39:28,234 --> 00:39:29,734 I fancied hiding under a tree 866 00:39:29,734 --> 00:39:32,267 in the middle of the countryside. 867 00:39:32,267 --> 00:39:33,968 Any other reason? 868 00:39:33,968 --> 00:39:35,567 No. 869 00:39:35,567 --> 00:39:37,968 [ Door opens, closes ] 870 00:39:41,267 --> 00:39:42,667 There. 871 00:39:43,734 --> 00:39:44,701 [ Car door closes ] 872 00:39:44,701 --> 00:39:46,667 [ Engine starts ] 873 00:39:46,667 --> 00:39:48,801 [ Chickens cluck ] 874 00:39:48,801 --> 00:39:50,234 [ Vacuum cleaner whirs ] 875 00:39:50,234 --> 00:39:54,367 [ Humming ] 876 00:39:54,367 --> 00:39:58,868 [ Whirring continues ] 877 00:39:58,868 --> 00:40:00,601 [ Whooshes ] 878 00:40:00,601 --> 00:40:03,601 [ Suspenseful music plays ] 879 00:40:18,534 --> 00:40:20,234 Hello? 880 00:40:34,334 --> 00:40:37,701 They think Tolly disturbed a burglary. 881 00:40:37,701 --> 00:40:40,400 That's why they bailed me. 882 00:40:40,400 --> 00:40:43,300 Have they found the murder weapon? 883 00:40:43,300 --> 00:40:44,801 Don't think so. 884 00:40:46,367 --> 00:40:47,968 When you went out riding, 885 00:40:47,968 --> 00:40:49,133 you didn't happen to see 886 00:40:49,133 --> 00:40:51,100 Paul Redfern, the gamekeeper, did you? 887 00:40:53,234 --> 00:40:55,901 Mrs. J's boy, Barry? 888 00:40:55,901 --> 00:40:58,767 I hear he's got a bit of a crush on you. 889 00:40:58,767 --> 00:41:01,701 Not reciprocated. 890 00:41:01,701 --> 00:41:04,701 Must have been a pretty big job for him, working here. 891 00:41:04,701 --> 00:41:07,400 Quite a blow to him financially, I would have thought. 892 00:41:10,901 --> 00:41:12,734 Do you know how much the painting was worth? 893 00:41:12,734 --> 00:41:14,534 No. 894 00:41:14,534 --> 00:41:17,734 I couldn't care less. 895 00:41:17,734 --> 00:41:20,601 Tolly was all I cared about. 896 00:41:20,601 --> 00:41:22,968 Even if there were three of us in the marriage. 897 00:41:26,868 --> 00:41:28,934 What? 898 00:41:28,934 --> 00:41:30,634 What did you find out? 899 00:41:32,801 --> 00:41:35,567 It wasn't Rosie. 900 00:41:35,567 --> 00:41:37,234 Then who? 901 00:41:37,234 --> 00:41:42,834 [ Mid-tempo music plays ] 902 00:41:48,367 --> 00:41:49,968 BILL: What is this place? 903 00:41:49,968 --> 00:41:52,901 CHARLES: That is a love nest. 904 00:41:52,901 --> 00:41:54,434 BILL: Do you think? 905 00:41:54,434 --> 00:41:55,767 Believe me, 906 00:41:55,767 --> 00:41:58,167 I know a love nest when I see one. 907 00:41:58,167 --> 00:42:02,400 [ Music continues ] 908 00:42:02,400 --> 00:42:07,234 [ Crying ] 909 00:42:07,234 --> 00:42:08,334 [ Exhales sharply ] 910 00:42:08,334 --> 00:42:10,133 Tolly. 911 00:42:10,133 --> 00:42:14,400 [ Mid-tempo music plays ] 912 00:42:14,400 --> 00:42:16,467 So Tolly and Lizzie Findlay 913 00:42:16,467 --> 00:42:18,501 had themselves a little love shack 914 00:42:18,501 --> 00:42:20,033 away from prying eyes. 915 00:42:20,033 --> 00:42:21,300 That reminds me. 916 00:42:21,300 --> 00:42:23,300 What are the sleeping arrangements tonight? 917 00:42:23,300 --> 00:42:24,934 [ Door opens ] 918 00:42:24,934 --> 00:42:26,000 HAND: Right, lads, 919 00:42:26,000 --> 00:42:27,901 search the place from top to bottom. 920 00:42:27,901 --> 00:42:28,868 Yes, sir. 921 00:42:28,868 --> 00:42:30,300 [ Police radio chatter ] 922 00:42:30,300 --> 00:42:33,033 Um...Top. 923 00:42:33,033 --> 00:42:34,434 Uh, excuse me? 924 00:42:34,434 --> 00:42:35,734 What are you doing? 925 00:42:37,200 --> 00:42:38,434 Have you got a warrant? 926 00:42:40,834 --> 00:42:43,434 I'm looking for stolen goods and a murder weapon. 927 00:42:43,434 --> 00:42:46,501 Your fingerprints were all over the Manor House. 928 00:42:46,501 --> 00:42:47,734 Mobile phone. 929 00:42:47,734 --> 00:42:49,467 Know anything about that? 930 00:42:49,467 --> 00:42:51,734 No. No. 931 00:42:51,734 --> 00:42:52,734 Odd. 932 00:42:52,734 --> 00:42:55,033 We pinged it to this location. 933 00:42:55,033 --> 00:42:56,567 Oh. 934 00:42:56,567 --> 00:42:59,267 Oh, look, fancy that. 935 00:43:03,968 --> 00:43:06,100 Hey, hey, hey. You can't read that. 936 00:43:08,501 --> 00:43:12,400 "The Posh Guy Had It Coming" by Agatha Raisin. 937 00:43:15,701 --> 00:43:18,901 "Unfeasibly unattractive aristocratic oik 938 00:43:18,901 --> 00:43:23,133 James Trumpington-Tolly... 939 00:43:23,133 --> 00:43:26,901 a burke whose death was a godsend to humanity." 940 00:43:26,901 --> 00:43:29,000 Obviously, it's just the first draft. 941 00:43:29,000 --> 00:43:30,834 HAND: Odd that you wrote this and then it happened, 942 00:43:30,834 --> 00:43:32,234 don't you think? 943 00:43:32,234 --> 00:43:34,100 No. 944 00:43:34,100 --> 00:43:35,400 The other way round. 945 00:43:35,400 --> 00:43:39,300 It happened, and then I wrote it. 946 00:43:39,300 --> 00:43:41,467 Not according to the time printed on the bottom. 947 00:43:41,467 --> 00:43:43,167 Sir. 948 00:43:43,167 --> 00:43:44,334 A knife. 949 00:43:44,334 --> 00:43:45,834 What? 950 00:43:45,834 --> 00:43:47,234 Where did you get -- 951 00:43:47,234 --> 00:43:48,901 NS OFFICER: Come upstairs, sir. 952 00:43:49,300 --> 00:43:51,868 [ Suspenseful music plays ] 953 00:43:51,868 --> 00:43:53,033 There, sir. 954 00:43:53,033 --> 00:43:55,300 What are you doing in here? 955 00:43:55,300 --> 00:43:57,267 This is what we're doing in here. 956 00:43:57,267 --> 00:44:03,234 [ Suspenseful music plays ] 957 00:44:03,234 --> 00:44:05,367 Agatha Raisin, I'm arresting you 958 00:44:05,367 --> 00:44:08,934 on suspicion of the murder of Tolly Trumpington-James. 959 00:44:08,934 --> 00:44:12,300 [ Dramatic music plays ] 960 00:44:15,367 --> 00:44:18,934 [ Birds chirping, horse hooves clomping ] 961 00:44:30,167 --> 00:44:31,968 Hi, guys. It's me. 962 00:44:31,968 --> 00:44:34,634 Uh, I hope everything's going well in Fryfam. 963 00:44:34,634 --> 00:44:36,133 Let me know. Bye. 964 00:44:36,133 --> 00:44:37,167 -[ Engine revs ] -[ Gasps ] 965 00:44:37,167 --> 00:44:38,367 [ Tires screech ] 966 00:44:38,801 --> 00:44:40,434 Oh! 967 00:44:40,434 --> 00:44:42,334 Hello, Sarah. 968 00:44:42,334 --> 00:44:44,567 Good to see you. 969 00:44:44,567 --> 00:44:45,968 God. 970 00:44:45,968 --> 00:44:49,734 [ Suspenseful music plays ] 971 00:44:49,734 --> 00:44:55,868 [ Cans clank ] 972 00:44:55,868 --> 00:44:58,868 [ Music continues ] 973 00:45:15,868 --> 00:45:18,868 [ Suspenseful music plays ] 974 00:45:41,300 --> 00:45:43,200 You smell nice, love. 975 00:45:43,200 --> 00:45:45,434 New perfume? 976 00:45:45,434 --> 00:45:47,133 Must be the shower gel. 977 00:45:47,133 --> 00:45:50,200 [ Suspenseful music plays ] 978 00:45:58,200 --> 00:46:04,734 [ Ducks quacking ] 979 00:46:04,734 --> 00:46:07,734 [ Suspenseful music plays ] 980 00:46:17,267 --> 00:46:18,968 Don't mind me. 981 00:46:22,000 --> 00:46:23,300 Sarah. 982 00:46:23,300 --> 00:46:24,367 Oh, yes. 983 00:46:24,367 --> 00:46:25,734 Sorry for not getting back sooner. 984 00:46:25,734 --> 00:46:27,834 Yeah, the reception's mad here. 985 00:46:27,834 --> 00:46:29,367 -What? -[ Line beeping ] 986 00:46:29,367 --> 00:46:30,968 -Is she's still in custod -- -GEMMA: Agatha? 987 00:46:30,968 --> 00:46:31,968 Was that -- oh, yea. 988 00:46:31,968 --> 00:46:33,434 No, she's -- she's fine, I think. 989 00:46:33,434 --> 00:46:35,667 I haven't actually seen her since last night... 990 00:46:35,667 --> 00:46:37,267 on account of she was arrested. 991 00:46:37,267 --> 00:46:39,434 Yeah, but has she been charged yet? 992 00:46:39,434 --> 00:46:42,000 Suspicion of murder. 993 00:46:42,000 --> 00:46:43,968 Yeah, we don't think she did it. 994 00:46:43,968 --> 00:46:45,400 It's hard to be 100 percent. 995 00:46:45,400 --> 00:46:47,100 Oh. 996 00:46:47,100 --> 00:46:48,400 -Sorry. -Sorry. 997 00:46:53,267 --> 00:46:55,801 Looking for fairies, are we, Charles? 998 00:46:55,801 --> 00:46:57,868 Au contraire. 999 00:46:57,868 --> 00:46:59,367 Looking for evidence of a hoax. 1000 00:46:59,367 --> 00:47:00,367 No, thank you. 1001 00:47:00,367 --> 00:47:02,167 Who said it's a hoax? 1002 00:47:02,167 --> 00:47:03,167 CHARLES: It has to be. 1003 00:47:03,167 --> 00:47:04,901 We have to be logical. 1004 00:47:04,901 --> 00:47:06,334 If it looks like a duck, 1005 00:47:06,334 --> 00:47:09,501 quacks like a duck and swims like a duck, 1006 00:47:09,501 --> 00:47:10,801 chances are it's a duck. 1007 00:47:10,801 --> 00:47:13,334 So, do we have a plan? 1008 00:47:13,334 --> 00:47:15,534 First stop, Major Findlay. 1009 00:47:15,534 --> 00:47:17,734 See what he knows about his wife's affair. 1010 00:47:17,734 --> 00:47:19,467 Any news on Agatha? 1011 00:47:19,467 --> 00:47:21,133 They kept her in for questioning. 1012 00:47:21,133 --> 00:47:23,400 But she didn't steal the painting 1013 00:47:23,400 --> 00:47:24,834 or kill Tolly, right? 1014 00:47:24,834 --> 00:47:27,133 So someone's trying to frame her. 1015 00:47:27,133 --> 00:47:28,934 Maybe the whole village is in on it, 1016 00:47:28,934 --> 00:47:30,567 you know, like in that movie. 1017 00:47:30,567 --> 00:47:34,167 But how, who, and why? 1018 00:47:34,167 --> 00:47:36,234 Well, that Amy one, she's got a key. 1019 00:47:36,234 --> 00:47:37,667 The moody gardener, 1020 00:47:37,667 --> 00:47:41,234 he clearly knows his way 'round a bush or two. 1021 00:47:41,234 --> 00:47:43,133 Although, I was here all day yesterday 1022 00:47:43,133 --> 00:47:44,767 hoovering with my headphones on. 1023 00:47:44,767 --> 00:47:47,434 I would have noticed if someone would have come in. 1024 00:47:47,434 --> 00:47:48,934 But I didn't. 1025 00:47:48,934 --> 00:47:53,267 Oh, except for that gust of air that I felt. 1026 00:47:53,267 --> 00:47:55,601 So... 1027 00:47:55,601 --> 00:47:58,400 in conclusion, it's either definitely 1028 00:47:58,400 --> 00:48:00,033 the police last night, 1029 00:48:00,033 --> 00:48:02,400 or someone who might have sneaked in 1030 00:48:02,400 --> 00:48:04,234 when I was hoovering. 1031 00:48:04,234 --> 00:48:05,734 Maybe. 1032 00:48:05,734 --> 00:48:10,133 [ Mid-tempo music plays ] 1033 00:48:10,133 --> 00:48:12,200 JAMES: Ah, it's great to be back. 1034 00:48:12,200 --> 00:48:13,701 How is everyone? 1035 00:48:15,701 --> 00:48:17,567 More to the point, where is everyone? 1036 00:48:17,567 --> 00:48:18,701 Oh, you know Carsely. 1037 00:48:18,701 --> 00:48:20,100 Same as ever, same old, same old. 1038 00:48:20,100 --> 00:48:23,567 it's actually a bit boring without [Clears throat] 1039 00:48:23,567 --> 00:48:24,901 -Agatha. -Agatha? 1040 00:48:24,901 --> 00:48:28,334 Yes. Agatha. Raisin. 1041 00:48:28,334 --> 00:48:31,267 Bundle of energy, impeccable sense of bad timing, 1042 00:48:31,267 --> 00:48:32,834 tends to forget former marriages. 1043 00:48:32,834 --> 00:48:34,501 You know the one. 1044 00:48:34,501 --> 00:48:36,000 You can talk about her, you know. 1045 00:48:36,000 --> 00:48:37,667 She's away, I think. 1046 00:48:37,667 --> 00:48:40,167 I can't quite remember where now. 1047 00:48:40,167 --> 00:48:42,133 You're a terrible liar. 1048 00:48:42,133 --> 00:48:43,400 Well, Agatha's fine. 1049 00:48:43,400 --> 00:48:44,634 Let's just leave it there, shall we? 1050 00:48:44,634 --> 00:48:46,267 She's in trouble then. 1051 00:48:46,267 --> 00:48:50,000 -Okay, what makes you say that? -Because it's Agatha, 1052 00:48:50,000 --> 00:48:51,834 and because you are displaying all the usual signs 1053 00:48:51,834 --> 00:48:52,968 of trying to cover for her -- 1054 00:48:52,968 --> 00:48:54,067 not very well, I might add. 1055 00:48:54,067 --> 00:48:55,100 Well, I'm sorry, James. 1056 00:48:55,100 --> 00:48:56,667 I'm just not gonna tell you any more. 1057 00:48:58,067 --> 00:49:00,267 You and Agatha are over, aren't you? 1058 00:49:01,367 --> 00:49:02,501 Yes. 1059 00:49:02,501 --> 00:49:03,801 So there we have it. 1060 00:49:03,801 --> 00:49:05,901 End of. {\i1}Fini.{\i} 1061 00:49:05,901 --> 00:49:08,200 You'll just have to take up golf or something. 1062 00:49:08,200 --> 00:49:16,467 [ Mid-tempo music plays ] 1063 00:49:16,467 --> 00:49:18,434 CHARLES: This is going to be awkward. 1064 00:49:18,434 --> 00:49:19,501 BILL: Think Agatha. 1065 00:49:19,501 --> 00:49:21,100 Front it head on. 1066 00:49:21,100 --> 00:49:23,567 Tactless, you mean. 1067 00:49:23,567 --> 00:49:24,601 Well... 1068 00:49:28,434 --> 00:49:29,901 NIGEL: How can we help? 1069 00:49:29,901 --> 00:49:32,634 DC Bill Wong, Evesham police. 1070 00:49:32,634 --> 00:49:34,100 We'd like to ask you a few questions 1071 00:49:34,100 --> 00:49:36,567 about the death of Tolly Trumpington-James. 1072 00:49:36,567 --> 00:49:37,567 Oh no. No. 1073 00:49:37,567 --> 00:49:38,701 Percy's dealing with that. 1074 00:49:38,701 --> 00:49:40,567 BILL: He is. 1075 00:49:40,567 --> 00:49:43,367 But some of the suspects come under the Evesham umbrella. 1076 00:49:45,968 --> 00:49:47,100 Fire away then. 1077 00:49:47,100 --> 00:49:48,367 CHARLES: Well, it's... 1078 00:49:48,367 --> 00:49:50,300 It's your wife that we need to speak to, really. 1079 00:49:50,300 --> 00:49:51,767 Nothing you can't ask in front of me. 1080 00:49:51,767 --> 00:49:54,501 Spit it out, man. 1081 00:49:54,501 --> 00:49:56,601 Is it about Lizzie and Tolly's affair? 1082 00:49:58,601 --> 00:50:01,234 Oh, what? I'm not stupid. 1083 00:50:01,234 --> 00:50:02,934 All those furtive looks out hunting, 1084 00:50:02,934 --> 00:50:06,801 the last-minute invitations to girls' nights out, 1085 00:50:06,801 --> 00:50:11,367 the ripped underwear in the trash. 1086 00:50:11,367 --> 00:50:12,601 BILL: Where were you yesterday morning 1087 00:50:12,601 --> 00:50:15,100 when Mr. Trumpington-James was killed? 1088 00:50:15,100 --> 00:50:17,934 There's a knocking shop in Stow. 1089 00:50:17,934 --> 00:50:21,033 Quid pro quo and all that. 1090 00:50:21,033 --> 00:50:22,834 Feel free to check. 1091 00:50:22,834 --> 00:50:25,834 [ Mid-tempo music plays ] 1092 00:50:34,234 --> 00:50:35,834 -GEMMA: Hi. -BILL: Hiya. 1093 00:50:35,834 --> 00:50:38,200 GEMMA: Hey. 1094 00:50:38,200 --> 00:50:41,901 That gnome looks an awful lot like Sarah, doesn't it? 1095 00:50:44,434 --> 00:50:49,334 BILL: Sarah, hi. 1096 00:50:49,334 --> 00:50:50,601 What are you doing here? 1097 00:50:50,601 --> 00:50:51,601 James is back. 1098 00:50:51,601 --> 00:50:53,534 Ah. 1099 00:50:53,534 --> 00:50:55,133 You didn't tell him where we were, did you? 1100 00:50:55,133 --> 00:50:57,000 No. No. 1101 00:50:57,000 --> 00:50:59,000 But I had to come. I couldn't trust myself not to. 1102 00:50:59,000 --> 00:51:00,200 What do we tell Agatha? 1103 00:51:00,200 --> 00:51:01,801 Nothing. We mustn't. 1104 00:51:01,801 --> 00:51:02,701 Agreed? 1105 00:51:02,701 --> 00:51:03,701 -Yeah, yeah. -Absolutely. 1106 00:51:03,701 --> 00:51:05,100 -I agree. -Yes. 1107 00:51:05,100 --> 00:51:07,033 Do we know his intentions towards Agatha? 1108 00:51:07,033 --> 00:51:08,434 His what? 1109 00:51:08,434 --> 00:51:10,767 Have you gone through a time tunnel or something? 1110 00:51:10,767 --> 00:51:12,467 I've no idea what he's thinking. 1111 00:51:12,467 --> 00:51:15,467 [ Up-tempo music plays ] 1112 00:51:40,300 --> 00:51:43,868 [ Blows ] 1113 00:51:43,868 --> 00:51:46,501 You know I used to believe in fairies when I was little. 1114 00:51:46,501 --> 00:51:48,334 I really, really wanted to be Tinkerbell 1115 00:51:48,334 --> 00:51:50,434 playing with Peter Pan and the Lost Boys. 1116 00:51:50,434 --> 00:51:52,667 Oh, I was Tinkerbell. 1117 00:51:52,667 --> 00:51:53,767 Except where I was, 1118 00:51:53,767 --> 00:51:56,868 it was Peter Lang and the Radlett boys. 1119 00:51:56,868 --> 00:51:58,567 [ Indistinct laughter ] 1120 00:51:58,567 --> 00:52:00,300 [ Gasps ] Shh. Shh! 1121 00:52:00,300 --> 00:52:03,267 Oh, they're here. 1122 00:52:03,267 --> 00:52:04,434 Hi-ho. 1123 00:52:04,434 --> 00:52:06,133 That's dwarves, Gem. 1124 00:52:06,133 --> 00:52:11,534 [ Mid-tempo music plays ] 1125 00:52:17,434 --> 00:52:18,367 Oh! 1126 00:52:18,367 --> 00:52:20,033 Oi! 1127 00:52:20,033 --> 00:52:22,367 [ Boys laughing ] 1128 00:52:22,367 --> 00:52:23,701 Oh... 1129 00:52:23,701 --> 00:52:26,901 [ Boys laughing ] 1130 00:52:26,901 --> 00:52:28,267 CHILD #1: Come on guys. 1131 00:52:28,267 --> 00:52:30,901 -Let's go. -CHILD #2: Yeah, let's go. 1132 00:52:30,901 --> 00:52:32,767 One crime solved. 1133 00:52:32,767 --> 00:52:34,701 Sadly. Yeah. 1134 00:52:34,701 --> 00:52:37,067 [ Children laughing ] 1135 00:52:37,067 --> 00:52:39,601 -CHILD #1: Come on! Don't stop! -CHILD #2: [ Grunts ] 1136 00:52:40,767 --> 00:52:43,033 [ Duck quacks ] 1137 00:52:43,033 --> 00:52:46,033 [ Mid-tempo music plays ] 1138 00:52:55,367 --> 00:52:57,667 [ Vehicle approaches ] 1139 00:53:00,734 --> 00:53:03,868 [ Suspenseful music plays ] 1140 00:53:03,868 --> 00:53:06,934 Does this mean I am no longer a suspect? 1141 00:53:06,934 --> 00:53:10,667 It means we can't charge you yet. 1142 00:53:10,667 --> 00:53:12,300 Our pathologist checked the knife wound 1143 00:53:12,300 --> 00:53:13,701 that killed Tolly 1144 00:53:13,701 --> 00:53:16,501 against the bread knife we took from your kitchen. 1145 00:53:16,501 --> 00:53:17,834 They're a perfect match. 1146 00:53:17,834 --> 00:53:19,400 But, for you to be letting me go, 1147 00:53:19,400 --> 00:53:20,901 presumably this is because 1148 00:53:20,901 --> 00:53:23,868 there's none of his blood or my DNA on it. 1149 00:53:23,868 --> 00:53:25,601 Meaning you cleaned it well. 1150 00:53:25,601 --> 00:53:27,334 Or your pathologist is wrong. 1151 00:53:30,701 --> 00:53:32,734 [ Exhales sharply ] 1152 00:53:32,734 --> 00:53:34,601 Do you know what I think? 1153 00:53:34,601 --> 00:53:37,033 I don't think it's you that killed Tolly. 1154 00:53:37,033 --> 00:53:38,734 Oh well, at least we agree on something then. 1155 00:53:38,734 --> 00:53:41,901 And I'm prepared to forget all about your activities. 1156 00:53:41,901 --> 00:53:45,033 If -- Oh, God I feel there's an "if" coming. 1157 00:53:45,033 --> 00:53:46,801 -If... -There it is. 1158 00:53:46,801 --> 00:53:52,634 If you just leave us be. 1159 00:53:52,634 --> 00:53:53,968 Funny. 1160 00:53:53,968 --> 00:53:55,834 Someone wrote that phrase on a note 1161 00:53:55,834 --> 00:53:58,167 that was pinned to my door. 1162 00:53:58,167 --> 00:53:59,534 Know anything about it? 1163 00:53:59,534 --> 00:54:01,300 Is that clear? 1164 00:54:01,300 --> 00:54:05,701 [ Sniffs ] 1165 00:54:05,701 --> 00:54:06,901 Ah. 1166 00:54:06,901 --> 00:54:07,901 You smell familiar. 1167 00:54:10,100 --> 00:54:11,734 HAND: Get out. 1168 00:54:18,501 --> 00:54:20,033 Nose out, right? 1169 00:54:20,033 --> 00:54:21,734 Heard you the first time. 1170 00:54:24,267 --> 00:54:27,000 [ Engine starts ] 1171 00:54:33,000 --> 00:54:35,100 [ Mid-tempo music plays ] 1172 00:54:44,434 --> 00:54:46,467 [ Sighs ] 1173 00:54:46,467 --> 00:54:48,234 I knew it. 1174 00:54:51,100 --> 00:54:53,367 DCI Hand. 1175 00:54:54,067 --> 00:54:56,501 [ Indistinct conversations ] 1176 00:54:56,501 --> 00:54:58,901 [ Mid-tempo music plays ] 1177 00:54:58,901 --> 00:55:02,834 [ Indistinct conversations ] 1178 00:55:02,834 --> 00:55:05,834 [ Mid-tempo music plays ] 1179 00:55:08,200 --> 00:55:09,934 [ Door closes ] 1180 00:55:09,934 --> 00:55:12,934 [ Music continues ] 1181 00:55:32,934 --> 00:55:35,801 BILL: I have no idea. 1182 00:55:35,801 --> 00:55:37,868 [ Cellphone beeps ] 1183 00:55:37,868 --> 00:55:39,400 Oh. 1184 00:55:39,400 --> 00:55:42,934 [ Cellphone dings ] 1185 00:55:42,934 --> 00:55:44,033 It's Agatha. 1186 00:55:44,033 --> 00:55:45,567 She's out. 1187 00:55:45,567 --> 00:55:47,000 Gone undercover. 1188 00:55:47,000 --> 00:55:48,501 Oh, dirty girl. 1189 00:55:48,501 --> 00:55:51,300 Wants to know the news our end? 1190 00:55:51,300 --> 00:55:53,100 HAND: I will sort that for you, Rose. 1191 00:55:53,100 --> 00:55:57,567 [ Suspenseful music plays ] 1192 00:55:57,567 --> 00:55:58,667 [ Bell rings ] 1193 00:55:58,667 --> 00:56:00,367 ROSIE: Time at the bar, ladies and gents. 1194 00:56:00,367 --> 00:56:02,334 Time at the bar. 1195 00:56:02,334 --> 00:56:04,701 -MAN #1: Cheers, Rosie. -MAN #2: Night, Rosie. 1196 00:56:04,701 --> 00:56:07,133 -WOMAN #1: Thank you, Rosie. -WOMAN #2: Night, Rosie. 1197 00:56:07,133 --> 00:56:08,467 MAN #3: Good night, Rosie. 1198 00:56:08,467 --> 00:56:12,167 [ Suspenseful music plays ] 1199 00:56:12,167 --> 00:56:14,133 [ Door opens ] 1200 00:56:14,133 --> 00:56:17,000 [ Door closes ] 1201 00:56:17,000 --> 00:56:20,000 [ Music continues ] 1202 00:56:37,000 --> 00:56:40,000 [ Music continues ] 1203 00:56:47,767 --> 00:56:50,300 [ Door creaks ] 1204 00:56:50,300 --> 00:56:52,467 [ Music continues ] 1205 00:57:01,467 --> 00:57:02,801 [ Door creaks ] 1206 00:57:02,801 --> 00:57:06,634 [ Music continues ] 1207 00:57:10,701 --> 00:57:12,067 PAUL: I should have said something. 1208 00:57:12,067 --> 00:57:14,701 ROSIE: It's okay, Paul. 1209 00:57:14,701 --> 00:57:17,200 PAUL: No, it's not. 1210 00:57:17,200 --> 00:57:19,968 Her life is ruined. 1211 00:57:19,968 --> 00:57:22,100 I should go to the police and take the knife. 1212 00:57:22,100 --> 00:57:23,267 Don't you dare. 1213 00:57:27,767 --> 00:57:31,100 [ Exhales sharply ] 1214 00:57:31,100 --> 00:57:32,100 [ Sniffles ] 1215 00:57:32,100 --> 00:57:35,634 Oh, I better go. 1216 00:57:35,634 --> 00:57:37,434 Before Amy suspects. 1217 00:57:37,434 --> 00:57:43,367 [ Suspenseful music plays ] 1218 00:57:43,367 --> 00:57:44,434 [ Door opens ] 1219 00:57:48,000 --> 00:57:50,167 [ Exhales sharply ] 1220 00:57:50,167 --> 00:57:51,167 -Oh, God. -CHARLES: Agatha? 1221 00:57:51,167 --> 00:57:52,234 Aah! 1222 00:57:52,234 --> 00:57:53,701 Shh! Oh, my God. 1223 00:57:53,701 --> 00:57:56,234 Oh, my God. Oh, my God. 1224 00:57:56,234 --> 00:57:59,567 Charles, why are you even here? 1225 00:57:59,567 --> 00:58:01,067 Well, I was sleeping. 1226 00:58:01,067 --> 00:58:02,267 Well you're supposed to be sleeping 1227 00:58:02,267 --> 00:58:03,834 in the spare room at the cottage. 1228 00:58:03,834 --> 00:58:07,734 Well, Gemma's in there, and I'm really not her type. 1229 00:58:07,734 --> 00:58:09,601 And what? Bill is in my bed? 1230 00:58:09,601 --> 00:58:11,434 No, Bill's on the sofa. Sarah's in your bed. 1231 00:58:11,434 --> 00:58:12,767 Sarah what? 1232 00:58:12,767 --> 00:58:14,634 Why is Sarah here? 1233 00:58:14,634 --> 00:58:16,601 I think she just missed us. 1234 00:58:16,601 --> 00:58:18,634 And I didn't fancy sharing with Bill on the sofa. 1235 00:58:18,634 --> 00:58:20,300 So I checked in. 1236 00:58:20,300 --> 00:58:21,367 [ Groans ] 1237 00:58:21,367 --> 00:58:23,701 -CHARLES: What's your excuse? -Me? 1238 00:58:23,701 --> 00:58:25,167 [ Sighs ] 1239 00:58:25,167 --> 00:58:26,901 Well, Hand dropped me off here, 1240 00:58:26,901 --> 00:58:28,634 and then I smelled his -- 1241 00:58:28,634 --> 00:58:30,534 perfume on him -- 1242 00:58:30,534 --> 00:58:33,701 Not his perfume, Rosie's perfume on him. 1243 00:58:33,701 --> 00:58:35,200 So I -- I followed him here. 1244 00:58:35,200 --> 00:58:36,701 And, uh, then he left, 1245 00:58:36,701 --> 00:58:38,801 and she came up here with Paul Redfern 1246 00:58:38,801 --> 00:58:43,133 who started talking about the knife. 1247 00:58:43,133 --> 00:58:44,667 You know what? 1248 00:58:44,667 --> 00:58:47,167 I think she's key. 1249 00:58:47,167 --> 00:58:48,901 She won't tell me anything, she refuses to gossip. 1250 00:58:48,901 --> 00:58:52,200 She gives nothing away. 1251 00:58:52,200 --> 00:58:53,801 [ Sighs ] 1252 00:58:53,801 --> 00:58:57,467 And I'm just so tired. 1253 00:58:57,467 --> 00:58:59,501 -Long day? -AGATHA: Horrendous. 1254 00:59:01,968 --> 00:59:04,234 Oh. 1255 00:59:04,234 --> 00:59:06,167 [ Sighs ] 1256 00:59:13,300 --> 00:59:16,133 [ Exhales sharply ] 1257 00:59:16,133 --> 00:59:19,300 You know what? 1258 00:59:19,300 --> 00:59:20,767 I don't think I'm cut out for this. 1259 00:59:20,767 --> 00:59:21,801 Oh, don't be ridiculous. 1260 00:59:21,801 --> 00:59:24,834 Oh, I'm being serious, Charles. 1261 00:59:24,834 --> 00:59:26,767 I'm not a bad person. 1262 00:59:26,767 --> 00:59:28,100 Well, maybe... 1263 00:59:28,100 --> 00:59:31,033 I don't know. I might -- maybe just a little bit. 1264 00:59:31,033 --> 00:59:32,934 You know what I mean. 1265 00:59:32,934 --> 00:59:34,701 I'm just trying to help. 1266 00:59:34,701 --> 00:59:36,234 I mean, that's not so bad, is it? 1267 00:59:36,234 --> 00:59:39,234 Just -- I'm just not... 1268 00:59:39,234 --> 00:59:40,334 [ Sighs ] 1269 00:59:40,334 --> 00:59:41,801 Hmm? 1270 00:59:41,801 --> 00:59:44,067 [ Exhales sharply ] 1271 00:59:44,067 --> 00:59:46,667 [ Slow tempo music plays ] 1272 00:59:46,667 --> 00:59:47,767 Oh, no. 1273 00:59:47,767 --> 00:59:49,000 No, no, no, no, no, no. 1274 00:59:49,000 --> 00:59:51,167 That's not the way this day is supposed to end. 1275 00:59:51,167 --> 00:59:53,067 CHARLES: You came into my hotel room, Agatha? 1276 00:59:53,067 --> 00:59:55,601 By accident, Charles. 1277 00:59:55,601 --> 00:59:56,901 [ Sighs ] 1278 00:59:56,901 --> 01:00:00,367 Well, let's call it fate. 1279 01:00:00,367 --> 01:00:03,367 [ Soft music plays ] 1280 01:00:17,901 --> 01:00:19,801 [ Rooster crows ] 1281 01:00:19,801 --> 01:00:20,934 Mm. 1282 01:00:20,934 --> 01:00:23,434 [ Birds chirping ] 1283 01:00:23,434 --> 01:00:25,601 [ Rooster crows ] 1284 01:00:25,601 --> 01:00:30,000 [ Birds chirping ] 1285 01:00:30,000 --> 01:00:31,901 [ Mid-tempo music plays ] 1286 01:00:31,901 --> 01:00:33,167 [ Sighs ] 1287 01:00:33,167 --> 01:00:38,834 [ Music continues ] 1288 01:00:38,834 --> 01:00:41,934 [ Exhales heavily ] 1289 01:00:41,934 --> 01:00:44,934 [ Mid-tempo music plays ] 1290 01:00:57,534 --> 01:01:00,367 [ Duck quacks ] 1291 01:01:00,367 --> 01:01:01,667 GEMMA: [ Sighs ] 1292 01:01:01,667 --> 01:01:02,901 [ Mumbling ] 1293 01:01:02,901 --> 01:01:05,501 [ Gasps ] 1294 01:01:05,501 --> 01:01:06,934 Ohh... 1295 01:01:06,934 --> 01:01:09,934 [ Mid-tempo music plays ] 1296 01:01:14,901 --> 01:01:16,567 Psst! 1297 01:01:16,567 --> 01:01:17,701 Hey. 1298 01:01:19,601 --> 01:01:21,267 -Morning. -Morning. 1299 01:01:24,467 --> 01:01:25,667 [ Sighs ] 1300 01:01:25,667 --> 01:01:27,501 AGATHA: Right, come on you lot. 1301 01:01:27,501 --> 01:01:30,767 Murders to investigate, bodyguard required. 1302 01:01:30,767 --> 01:01:32,534 Over to you then, Bill. 1303 01:01:32,534 --> 01:01:33,701 Where are we going? 1304 01:01:33,701 --> 01:01:36,234 To talk to a gamekeeper about a knife. 1305 01:01:36,234 --> 01:01:37,767 According to an eye-witness, 1306 01:01:37,767 --> 01:01:39,501 Paul Redfern was in the pub, late last night 1307 01:01:39,501 --> 01:01:42,000 and he knows something about the murder weapon. 1308 01:01:42,000 --> 01:01:46,300 Okay. I'll just get my jacket. 1309 01:01:46,300 --> 01:01:50,167 So where did you get to, then, last night? 1310 01:01:50,167 --> 01:01:52,834 According to an "eyewitness"? 1311 01:01:52,834 --> 01:01:54,734 I think that's you, innit? 1312 01:01:54,734 --> 01:01:56,734 -No. -GEMMA: Yeah, it is. 1313 01:01:56,734 --> 01:01:58,133 But then why would you say that 1314 01:01:58,133 --> 01:02:00,434 unless something did happen at the pub last night 1315 01:02:00,434 --> 01:02:02,234 that you didn't want to talk about. 1316 01:02:02,234 --> 01:02:03,701 Oh, I wonder what that could be. 1317 01:02:03,701 --> 01:02:05,334 Oh, I know. You slept with Charles. 1318 01:02:05,334 --> 01:02:06,701 It just happened. 1319 01:02:06,701 --> 01:02:09,133 Oh, it's all right, I lie about my love life. 1320 01:02:09,133 --> 01:02:10,801 I didn't go and see Butcher Boy in the end. 1321 01:02:10,801 --> 01:02:11,934 I chickened out. 1322 01:02:11,934 --> 01:02:13,467 I just went 'round yours and stuffed my face 1323 01:02:13,467 --> 01:02:16,100 full of popcorn and crystal meth. 1324 01:02:16,100 --> 01:02:17,367 It's a box set. 1325 01:02:17,367 --> 01:02:20,067 So, we're quits now, innit? 1326 01:02:20,067 --> 01:02:22,300 Charles all right? 1327 01:02:22,300 --> 01:02:23,801 He's a little bit selfish 1328 01:02:23,801 --> 01:02:25,000 and he does this funny thing with his -- 1329 01:02:25,000 --> 01:02:27,367 No, I didn't mean in bed. 1330 01:02:27,367 --> 01:02:28,367 Oh, right. 1331 01:02:28,367 --> 01:02:30,534 Uh, he's, having breakfast. 1332 01:02:30,534 --> 01:02:32,467 Okay, right. 1333 01:02:32,467 --> 01:02:34,000 Here we go, then. 1334 01:02:34,000 --> 01:02:37,601 Kitchen Items and Cutlery. 1335 01:02:37,601 --> 01:02:39,701 Fully Forged Bread Knife. 1336 01:02:39,701 --> 01:02:40,968 Quantity... 1337 01:02:40,968 --> 01:02:42,367 Two. 1338 01:02:42,367 --> 01:02:43,667 Right. 1339 01:02:43,667 --> 01:02:47,000 Bill, can you find out who this cottage belongs to? 1340 01:02:47,000 --> 01:02:48,801 Of course. 1341 01:02:48,801 --> 01:02:51,667 [ Footsteps on stairs ] 1342 01:02:51,667 --> 01:02:54,000 -Agatha! -AGATHA: Sarah. 1343 01:02:54,000 --> 01:02:55,901 SARAH: Uh... 1344 01:02:55,901 --> 01:02:58,400 They told me 1345 01:02:58,400 --> 01:03:01,467 that you had been arrested on suspicion of murder. 1346 01:03:01,467 --> 01:03:03,767 I just had to come and make sure you were okay. 1347 01:03:03,767 --> 01:03:06,968 Oh, right, I see. 1348 01:03:06,968 --> 01:03:08,400 So James is back then? 1349 01:03:11,033 --> 01:03:15,400 [ Soft music plays ] 1350 01:03:15,400 --> 01:03:16,801 [ Gasps ] 1351 01:03:16,801 --> 01:03:18,133 -[ Exhales sharply ] -GEMMA: Aggie! 1352 01:03:18,133 --> 01:03:19,801 Agatha! 1353 01:03:19,801 --> 01:03:22,033 Need some help with the war-paint? 1354 01:03:22,033 --> 01:03:24,100 Uh, nope. 1355 01:03:24,100 --> 01:03:26,000 It's fine. 1356 01:03:26,000 --> 01:03:27,434 I've got it. 1357 01:03:27,434 --> 01:03:28,801 Work to do. 1358 01:03:29,934 --> 01:03:31,100 How is she? 1359 01:03:31,100 --> 01:03:33,234 Yeah she'll be all right. Yeah. 1360 01:03:33,234 --> 01:03:35,234 Oh it turns out I know Major and Mrs. Findlay. 1361 01:03:35,234 --> 01:03:38,767 -Oh, saucy devil you. -No. 1362 01:03:38,767 --> 01:03:40,634 Jez runs marriage counseling courses. 1363 01:03:40,634 --> 01:03:41,767 They didn't want to attend in their parish... 1364 01:03:41,767 --> 01:03:42,868 so they came to ours. 1365 01:03:42,868 --> 01:03:44,534 So I've arranged to meet Lizzie. 1366 01:03:44,534 --> 01:03:46,934 Good for you Mrs. B. 1367 01:03:57,133 --> 01:03:58,601 [ Cellphone chimes ] 1368 01:04:01,467 --> 01:04:02,767 [ Chuckles ] 1369 01:04:02,767 --> 01:04:05,300 Owner of Oberon Cottage. 1370 01:04:06,767 --> 01:04:08,467 You're kidding me. 1371 01:04:15,334 --> 01:04:17,834 Agatha. 1372 01:04:17,834 --> 01:04:20,067 Mr. Redfern? 1373 01:04:20,067 --> 01:04:22,501 Paul? 1374 01:04:22,501 --> 01:04:27,501 [ Suspenseful music plays ] 1375 01:04:30,133 --> 01:04:31,133 [ Gasps ] 1376 01:04:31,133 --> 01:04:34,701 [ Music continues ] 1377 01:04:41,868 --> 01:04:48,667 [ Sirens wailing ] 1378 01:04:48,667 --> 01:04:51,868 Shotgun blast to the chest. 1379 01:04:51,868 --> 01:04:53,801 Another male murder. 1380 01:04:53,801 --> 01:04:55,400 Paul Redfern was up at the Manor House 1381 01:04:55,400 --> 01:04:58,701 around the time of Tolly wotsit's murder. 1382 01:04:58,701 --> 01:04:59,801 Maybe he witnessed something. 1383 01:04:59,801 --> 01:05:01,601 Or found something. 1384 01:05:01,601 --> 01:05:03,300 Maybe the knife? 1385 01:05:05,901 --> 01:05:07,868 Didn't stick to the deal, then? 1386 01:05:07,868 --> 01:05:10,801 Well, someone's got to solve these murders, don't they. 1387 01:05:10,801 --> 01:05:13,534 Or are you going to try and pin this one on me as well? 1388 01:05:13,534 --> 01:05:15,734 I'll do whatever I need to. 1389 01:05:15,734 --> 01:05:17,701 Riddle me this then, Percy boy. 1390 01:05:17,701 --> 01:05:20,234 According to the inventory at my cottage, 1391 01:05:20,234 --> 01:05:21,934 there are two bread knives. 1392 01:05:21,934 --> 01:05:23,634 You lot took one. 1393 01:05:23,634 --> 01:05:24,734 Where's the other one? 1394 01:05:24,734 --> 01:05:26,234 [ Gasps ] 1395 01:05:26,234 --> 01:05:28,534 Taken by the same person or persons 1396 01:05:28,534 --> 01:05:29,667 that planted the painting of a horse 1397 01:05:29,667 --> 01:05:31,033 under my bed. 1398 01:05:31,033 --> 01:05:33,701 All very fanciful, Mrs. Raisin, 1399 01:05:33,701 --> 01:05:35,501 all very "Godfather." 1400 01:05:35,501 --> 01:05:36,567 Is that right? 1401 01:05:36,567 --> 01:05:37,934 Well, we shall see. 1402 01:05:37,934 --> 01:05:40,567 And of course it's not Agatha's cottage anyway, is it? 1403 01:05:40,567 --> 01:05:41,634 It's yours. 1404 01:05:41,634 --> 01:05:45,234 Who is Old Mary Cutler, then? 1405 01:05:45,234 --> 01:05:46,734 My mother. 1406 01:05:46,734 --> 01:05:49,434 So as owner of the Cottage, 1407 01:05:49,434 --> 01:05:51,567 you would know how to get in and out 1408 01:05:51,567 --> 01:05:53,701 and exactly what was on the inventory, 1409 01:05:53,701 --> 01:05:55,400 wouldn't you? 1410 01:05:55,400 --> 01:05:58,968 Now, I don't know whether you killed Tolly wotsit 1411 01:05:58,968 --> 01:06:00,767 and now Paul Redfern. 1412 01:06:00,767 --> 01:06:04,267 But I'm gonna find out whether you like it or not. 1413 01:06:06,901 --> 01:06:08,667 Last warning, Raisin. 1414 01:06:08,667 --> 01:06:11,234 Don't interfere with police business. 1415 01:06:12,767 --> 01:06:13,968 Good luck with that. 1416 01:06:25,501 --> 01:06:28,767 I'm so, so sorry for your loss. 1417 01:06:28,767 --> 01:06:30,801 Thanks. 1418 01:06:30,801 --> 01:06:32,501 May I... 1419 01:06:40,100 --> 01:06:42,767 [ Sniffs ] 1420 01:06:47,300 --> 01:06:49,100 But if you want to find out who killed your husband, 1421 01:06:49,100 --> 01:06:50,334 you better start talking. 1422 01:06:50,334 --> 01:06:52,834 And I think I am a better bet than lover boy, 1423 01:06:52,834 --> 01:06:55,501 DCI Percy Hand. 1424 01:06:55,501 --> 01:06:57,033 What are you talking about? 1425 01:06:57,033 --> 01:06:59,934 You're wearing Rosie's perfume, which is odd 1426 01:06:59,934 --> 01:07:02,834 considering you think she's got the morals of a tomcat. 1427 01:07:05,133 --> 01:07:08,033 A gift from Percy, am I right? 1428 01:07:08,033 --> 01:07:09,901 I could smell it on him. 1429 01:07:09,901 --> 01:07:11,200 [ Sighs ] 1430 01:07:11,200 --> 01:07:13,300 And here was you accusing her. 1431 01:07:13,300 --> 01:07:15,367 You don't know her like we do, 1432 01:07:15,367 --> 01:07:18,501 sashaying around the village like Dita Von Teese. 1433 01:07:18,501 --> 01:07:20,400 So, two wrongs make a right, do they? 1434 01:07:22,968 --> 01:07:24,634 Talk to me. 1435 01:07:24,634 --> 01:07:26,100 DCI Percy Hand -- 1436 01:07:26,100 --> 01:07:29,400 How? Why? 1437 01:07:29,400 --> 01:07:31,601 He was there for me when Paul wasn't. 1438 01:07:31,601 --> 01:07:34,534 [ Slow-tempo music plays ] 1439 01:07:34,534 --> 01:07:35,834 I thought he was... with Rosie... 1440 01:07:35,834 --> 01:07:39,601 and I weakened. 1441 01:07:41,801 --> 01:07:44,868 So did Paul know about your affair? 1442 01:07:44,868 --> 01:07:48,934 I didn't think he did until this morning. 1443 01:07:48,934 --> 01:07:50,734 I think he smelled the perfume. 1444 01:07:50,734 --> 01:07:55,767 [ Music continues ] 1445 01:07:58,434 --> 01:08:01,567 SARAH: Sorry, the counseling didn't work out. 1446 01:08:01,567 --> 01:08:03,934 Wasn't your fault. 1447 01:08:03,934 --> 01:08:06,300 Or Jez's. 1448 01:08:06,300 --> 01:08:07,901 I -- 1449 01:08:07,901 --> 01:08:10,534 I loved it here. 1450 01:08:10,534 --> 01:08:13,400 Didn't have to be a Major's dowdy wife. 1451 01:08:13,400 --> 01:08:16,133 I could be a... 1452 01:08:16,133 --> 01:08:18,334 someone else. 1453 01:08:18,334 --> 01:08:19,868 What will you do now? 1454 01:08:19,868 --> 01:08:21,667 I gather Nigel's been understanding. 1455 01:08:21,667 --> 01:08:23,033 [ Chuckles, sniffs ] 1456 01:08:23,033 --> 01:08:24,868 If regular visits to the knocking shop 1457 01:08:24,868 --> 01:08:27,267 counts as understanding. 1458 01:08:27,267 --> 01:08:29,234 Uh, will you separate? 1459 01:08:29,234 --> 01:08:30,400 God, no. 1460 01:08:30,400 --> 01:08:33,000 That would be far too much like hard work. 1461 01:08:33,000 --> 01:08:38,200 We'll just muddle along in tepid hatred. 1462 01:08:38,200 --> 01:08:40,901 SARAH: You don't need to be doing this right now. 1463 01:08:40,901 --> 01:08:42,467 Yes, I do. 1464 01:08:42,467 --> 01:08:45,801 Lucy rang last night. 1465 01:08:45,801 --> 01:08:47,501 Figured out this is where we came, 1466 01:08:47,501 --> 01:08:50,834 told me to get everything out before she burned it. 1467 01:08:50,834 --> 01:08:53,801 -It must be hard for her, too. -Not really. 1468 01:08:53,801 --> 01:08:55,367 All she cares about is getting the painting back 1469 01:08:55,367 --> 01:08:56,601 so she can sell it. 1470 01:08:56,601 --> 01:08:58,667 I'm sorry. Which painting? 1471 01:08:58,667 --> 01:09:00,367 It was going to go there. 1472 01:09:04,133 --> 01:09:07,701 So, if Paul Redfern knew about his wife's affair, 1473 01:09:07,701 --> 01:09:10,133 then DCI Hand had a reason to silence him. 1474 01:09:10,133 --> 01:09:13,701 Exactly, so I need to find out precisely what Rosie knows. 1475 01:09:13,701 --> 01:09:15,067 You're sure you want to see her on your own? 1476 01:09:15,067 --> 01:09:16,901 Yes. Woman to woman. 1477 01:09:16,901 --> 01:09:17,734 You? 1478 01:09:17,734 --> 01:09:19,467 We're going to talk to Mrs. J. 1479 01:09:19,467 --> 01:09:20,667 -Are we? -Yeah. 1480 01:09:20,667 --> 01:09:21,767 Just asked at the Post Office. 1481 01:09:21,767 --> 01:09:23,467 She does the cleaning at the cottage. 1482 01:09:23,467 --> 01:09:26,033 Good, you can do some digging about Hand. 1483 01:09:26,033 --> 01:09:28,133 Will do, don't worry, she'll dish the dirt. 1484 01:09:28,133 --> 01:09:29,300 -She hates him. -Really? 1485 01:09:29,300 --> 01:09:31,200 -How do you know? -From her cleaning. 1486 01:09:31,200 --> 01:09:32,734 She sweeps dust under the carpet, 1487 01:09:32,734 --> 01:09:34,300 she does not dispose of rubbish, 1488 01:09:34,300 --> 01:09:35,934 she leaves rats to rot. 1489 01:09:35,934 --> 01:09:38,400 It's all the things I do when I don't like a client. 1490 01:09:38,400 --> 01:09:39,634 Is that what you do at mine? 1491 01:09:39,634 --> 01:09:41,000 No, of course not. 1492 01:09:41,000 --> 01:09:42,367 Not yet anyway. 1493 01:09:42,367 --> 01:09:44,400 Any other little dirty tricks I should know about? 1494 01:09:44,400 --> 01:09:45,400 Yeah. 1495 01:09:45,400 --> 01:09:46,901 Any cleaner worth their salt 1496 01:09:46,901 --> 01:09:48,033 should always carry 1497 01:09:48,033 --> 01:09:49,734 a three-in-one disinfectant spray 1498 01:09:49,734 --> 01:09:53,000 to ward off any unwanted male friskiness. 1499 01:10:01,767 --> 01:10:03,801 [ Door closes ] 1500 01:10:03,801 --> 01:10:09,067 [ Soft music plays ] 1501 01:10:09,067 --> 01:10:11,400 [ Bottles clink ] 1502 01:10:11,400 --> 01:10:12,801 Agatha? 1503 01:10:15,100 --> 01:10:17,567 Don't -- don't mind me. 1504 01:10:17,567 --> 01:10:19,267 Sorry for interrupting. 1505 01:10:19,267 --> 01:10:21,400 [ Door closes ] 1506 01:10:21,400 --> 01:10:23,067 [ Gasps ] 1507 01:10:23,067 --> 01:10:24,234 [ Exhales sharply ] 1508 01:10:24,234 --> 01:10:27,000 [ Breathes deeply ] 1509 01:10:27,000 --> 01:10:28,167 -Agatha. -Yeah. 1510 01:10:28,167 --> 01:10:29,400 -Hi. -Hi. 1511 01:10:29,400 --> 01:10:31,701 -Everything all right? -You know, interesting. 1512 01:10:31,701 --> 01:10:33,868 You? How was Lizzie Findlay? 1513 01:10:33,868 --> 01:10:35,334 Heartbroken. 1514 01:10:35,334 --> 01:10:36,801 She told me something about the painting. 1515 01:10:36,801 --> 01:10:39,367 Did you know Lucy had it valued two weeks ago? 1516 01:10:39,367 --> 01:10:42,968 No, I did not. 1517 01:10:42,968 --> 01:10:44,801 And that changes everything. 1518 01:10:53,400 --> 01:10:54,634 GEMMA: Oh, hi, yeah. 1519 01:10:54,634 --> 01:10:56,267 We're staying at Oberon Cottage. 1520 01:10:56,267 --> 01:10:57,667 Oh, yes. 1521 01:10:58,701 --> 01:11:01,467 Oh. Like a read then, do you? 1522 01:11:01,467 --> 01:11:03,367 Love a read. [ Laughs ] 1523 01:11:03,367 --> 01:11:04,601 Detectives mainly. 1524 01:11:04,601 --> 01:11:06,334 Hamish Macbeth's my favorite. 1525 01:11:06,334 --> 01:11:07,767 How can I help? 1526 01:11:07,767 --> 01:11:09,701 You do the cleaning at the cottage, don't you? 1527 01:11:09,701 --> 01:11:11,434 I do, indeed. 1528 01:11:11,434 --> 01:11:12,801 Well, it's just that -- 1529 01:11:12,801 --> 01:11:15,300 Well, thing is, 'cause I clean myself, 1530 01:11:15,300 --> 01:11:17,434 and you do all the things at Oberon that I do 1531 01:11:17,434 --> 01:11:19,434 when I can't stand the client, 1532 01:11:19,434 --> 01:11:21,801 which in this case is DCI Hand. 1533 01:11:21,801 --> 01:11:23,801 We just want to know what it is you don't like about him. 1534 01:11:25,033 --> 01:11:30,100 Well, it's the fairies, isn't it? 1535 01:11:30,100 --> 01:11:32,267 Drives me nuts, it does. 1536 01:11:32,267 --> 01:11:34,467 He gets it from his mother. 1537 01:11:34,467 --> 01:11:37,701 Old Mary was away with the fairies in every sense 1538 01:11:37,701 --> 01:11:39,868 but nice with it. 1539 01:11:39,868 --> 01:11:42,534 And Percy was, too, as a lad 1540 01:11:42,534 --> 01:11:45,133 until his Dad made him grow up and become a copper. 1541 01:11:45,133 --> 01:11:48,033 Can't believe in fairies if you're a copper. 1542 01:11:48,033 --> 01:11:49,901 So he does believe in them? 1543 01:11:49,901 --> 01:11:51,400 Like the rest of the village. 1544 01:11:51,400 --> 01:11:52,601 Fine by me, 1545 01:11:52,601 --> 01:11:55,000 but insists we keep quiet about it. 1546 01:11:55,000 --> 01:11:56,367 Who's he to tell me what to do? 1547 01:11:56,367 --> 01:11:57,400 [ Laughs ] 1548 01:11:57,400 --> 01:11:58,767 That's why he wasn't happy 1549 01:11:58,767 --> 01:12:01,033 when your Agatha started banging on 1550 01:12:01,033 --> 01:12:04,567 about coach parties, advertising it. 1551 01:12:04,567 --> 01:12:06,267 Of course. 1552 01:12:06,267 --> 01:12:08,834 The irony is that the fairies don't exist. 1553 01:12:08,834 --> 01:12:11,234 It's just three local boys with flashing Christmas lights. 1554 01:12:11,234 --> 01:12:13,234 Proper gutted when I found out. 1555 01:12:13,234 --> 01:12:15,000 No. 1556 01:12:15,000 --> 01:12:17,234 That's Hand's kids. 1557 01:12:17,234 --> 01:12:19,200 Sent in as decoys by their Dad 1558 01:12:19,200 --> 01:12:21,767 to send you away as skeptics. 1559 01:12:21,767 --> 01:12:22,934 Yes! 1560 01:12:23,901 --> 01:12:26,033 [ Buzzer sounds ] 1561 01:12:26,033 --> 01:12:28,901 LUCY: Go away or I'll call the police. 1562 01:12:28,901 --> 01:12:29,901 AGATHA: [ Scoffs ] 1563 01:12:29,901 --> 01:12:32,801 Now why do that, all of a sudden? 1564 01:12:32,801 --> 01:12:34,200 LUCY: They brought my painting back. 1565 01:12:34,200 --> 01:12:35,534 You stole it. 1566 01:12:35,534 --> 01:12:37,767 Well, I think we both know that that is not true. 1567 01:12:37,767 --> 01:12:41,033 So why don't you just open the gates and let me through... 1568 01:12:41,033 --> 01:12:42,734 like you did when you let Barry Jackson 1569 01:12:42,734 --> 01:12:44,434 drive through with the painting? 1570 01:12:46,767 --> 01:12:51,667 [ Gate opens ] 1571 01:12:56,801 --> 01:12:59,734 Ah. 1572 01:12:59,734 --> 01:13:01,467 Returned to its rightful place then. 1573 01:13:04,267 --> 01:13:06,100 That's all you cared about, right? 1574 01:13:06,100 --> 01:13:08,367 -Tolly's all I cared about. -AGATHA: Really. 1575 01:13:08,367 --> 01:13:12,434 Well, not according to Lizzie Findlay. 1576 01:13:12,434 --> 01:13:14,334 You said that you didn't know how much that was worth. 1577 01:13:14,334 --> 01:13:16,934 And yet, according to Lizzie Findlay, 1578 01:13:16,934 --> 01:13:19,300 you had it valued two weeks ago. 1579 01:13:19,300 --> 01:13:20,501 And you believe her? 1580 01:13:20,501 --> 01:13:23,667 Her...and a very good friend of mine, 1581 01:13:23,667 --> 01:13:24,934 who checked out the modeling career 1582 01:13:24,934 --> 01:13:27,367 of a certain Lucy Bagshot, 1583 01:13:27,367 --> 01:13:30,367 a wannabe from a council estate in Clacton 1584 01:13:30,367 --> 01:13:33,167 who would do absolutely anything to get out of there, 1585 01:13:33,167 --> 01:13:35,100 because leaving that world behind 1586 01:13:35,100 --> 01:13:38,133 matters more than any man. 1587 01:13:38,133 --> 01:13:41,067 Am I right? 1588 01:13:41,067 --> 01:13:43,234 I can relate to that. 1589 01:13:43,234 --> 01:13:44,367 I didn't kill him. 1590 01:13:44,367 --> 01:13:48,534 No. I don't think you did. 1591 01:13:48,534 --> 01:13:50,601 But why steal a painting 1592 01:13:50,601 --> 01:13:54,334 that you knew you were about to inherit? 1593 01:13:54,334 --> 01:13:56,834 This is about two separate crimes, 1594 01:13:56,834 --> 01:13:59,300 as you well know. 1595 01:13:59,300 --> 01:14:01,000 And you committed one of them. 1596 01:14:03,601 --> 01:14:06,534 You stole that, didn't you? 1597 01:14:08,234 --> 01:14:09,934 So what if I did? 1598 01:14:14,634 --> 01:14:16,267 Tolly was gonna give it away. 1599 01:14:16,267 --> 01:14:17,667 I wasn't having that. 1600 01:14:17,667 --> 01:14:19,834 So you got good old besotted Barry the gardener to help? 1601 01:14:19,834 --> 01:14:21,868 Which he did because he loved you. 1602 01:14:21,868 --> 01:14:23,734 Because he loved his job. 1603 01:14:23,734 --> 01:14:26,033 He tended his gardens here for years. 1604 01:14:26,033 --> 01:14:28,067 He wanted to get back at Tolly full stop. 1605 01:14:28,067 --> 01:14:29,801 So you go out riding, 1606 01:14:29,801 --> 01:14:32,167 Barry steals the painting as agreed. 1607 01:14:32,167 --> 01:14:33,167 But then what? 1608 01:14:33,167 --> 01:14:34,734 Tolly catches him in the act? 1609 01:14:34,734 --> 01:14:37,133 Barry kills him, and then as he's leaving, 1610 01:14:37,133 --> 01:14:38,934 Paul Redfern sees him all covered in blood 1611 01:14:38,934 --> 01:14:41,534 or -- or trying to hide the murder weapon or something, 1612 01:14:41,534 --> 01:14:42,901 which makes him a target. 1613 01:14:42,901 --> 01:14:45,033 Barry swears he didn't see Tolly. 1614 01:14:45,033 --> 01:14:46,801 He said he took the painting and left. 1615 01:14:46,801 --> 01:14:49,901 [ Scoffs ] And you believe him? 1616 01:14:49,901 --> 01:14:51,434 Where does Barry live? 1617 01:14:51,434 --> 01:14:53,734 Back with his Mum these days. 1618 01:14:53,734 --> 01:14:54,734 Right. 1619 01:14:54,734 --> 01:14:56,534 Well, I want a word with him. 1620 01:14:56,534 --> 01:14:59,534 And don't warn him, 1621 01:14:59,534 --> 01:15:01,934 unless you want Hand to know about the painting. 1622 01:15:03,167 --> 01:15:12,300 [ Mid-tempo music plays ] 1623 01:15:12,300 --> 01:15:13,667 [ Bike bell rings ] 1624 01:15:13,667 --> 01:15:16,167 -VICAR: Afternoon. -Yeah. 1625 01:15:16,167 --> 01:15:17,601 Afternoon, Vicar. 1626 01:15:17,601 --> 01:15:23,501 [ Music continues ] 1627 01:15:23,501 --> 01:15:24,934 [ Horn honks ] 1628 01:15:24,934 --> 01:15:29,868 [ Music continues ] 1629 01:15:29,868 --> 01:15:31,968 -You all right? -Yeah. 1630 01:15:31,968 --> 01:15:34,868 I'm just going to talk to Barry 1631 01:15:34,868 --> 01:15:37,501 who lives with his mother, apparently. 1632 01:15:37,501 --> 01:15:40,367 Oh, okay. 1633 01:15:40,367 --> 01:15:42,367 Only Mrs. J lives back that way. 1634 01:15:44,133 --> 01:15:45,834 What? 1635 01:15:47,100 --> 01:15:55,534 [ Both breathing heavily ] 1636 01:15:55,534 --> 01:15:58,334 How come you ended up in Fryfam? 1637 01:15:58,334 --> 01:16:01,167 I'm into all the pagan stuff -- 1638 01:16:01,167 --> 01:16:04,400 standing stones, herbs, scents. 1639 01:16:04,400 --> 01:16:07,300 I feel grounded here. 1640 01:16:07,300 --> 01:16:10,801 Don't tell me you believe in fairies too? 1641 01:16:10,801 --> 01:16:12,434 Why not? 1642 01:16:12,434 --> 01:16:15,667 Chaucer, Shakespeare, and Coleridge did. 1643 01:16:15,667 --> 01:16:19,934 Intoxicated and/or deluded, every one of them. 1644 01:16:19,934 --> 01:16:22,300 Something of a speciality of yours, 1645 01:16:22,300 --> 01:16:24,501 deluded men? 1646 01:16:24,501 --> 01:16:26,200 Men are simple. 1647 01:16:26,200 --> 01:16:28,067 They just want someone easy on the eye 1648 01:16:28,067 --> 01:16:30,200 they can tell their secrets to 1649 01:16:30,200 --> 01:16:33,067 knowing that they'll go no further. 1650 01:16:33,067 --> 01:16:35,000 What about Paul? 1651 01:16:35,000 --> 01:16:38,167 What was his secret? 1652 01:16:38,167 --> 01:16:39,601 I told you. 1653 01:16:39,601 --> 01:16:41,300 I don't do gossip. 1654 01:16:43,634 --> 01:16:45,901 [ Sighs ] 1655 01:16:45,901 --> 01:16:47,200 Maybe you should go. 1656 01:16:47,200 --> 01:16:50,100 Your friend Agatha'll be looking for you. 1657 01:16:50,100 --> 01:16:52,067 She'll be fine. 1658 01:16:52,067 --> 01:16:54,400 It'll be you that she wanted to speak to, anyway, not me. 1659 01:16:54,400 --> 01:16:56,434 Me? What for? 1660 01:16:56,434 --> 01:16:58,968 Probably to accuse you of murder. 1661 01:16:58,968 --> 01:17:03,167 Oh, well, in that case... 1662 01:17:04,567 --> 01:17:07,567 [ Mid-tempo music plays ] 1663 01:17:15,334 --> 01:17:16,300 AGATHA: Aah. 1664 01:17:16,300 --> 01:17:19,033 Oh, not here already, are we? 1665 01:17:19,033 --> 01:17:20,534 I was just getting comfy. 1666 01:17:20,534 --> 01:17:22,000 Doesn't look like anyone's in. 1667 01:17:22,000 --> 01:17:24,033 No car. No van. 1668 01:17:25,567 --> 01:17:27,801 [ Phone rings ] 1669 01:17:27,801 --> 01:17:30,534 AGATHA: [ Grunts ] 1670 01:17:30,534 --> 01:17:31,968 Hi, Gem. 1671 01:17:31,968 --> 01:17:33,601 -You back at the cottage? -GEMMA: Yeah. 1672 01:17:33,601 --> 01:17:35,701 I'm just with the gardener fella now. 1673 01:17:35,701 --> 01:17:37,000 Wait, what? 1674 01:17:37,000 --> 01:17:38,601 Which gardening fella, Barry Jackson? 1675 01:17:38,601 --> 01:17:39,901 Yeah, that's the one. 1676 01:17:39,901 --> 01:17:41,667 He's got his chopper out. 1677 01:17:41,667 --> 01:17:45,367 Gem, I think he is the murderer. 1678 01:17:45,367 --> 01:17:47,868 Hey. 1679 01:17:47,868 --> 01:17:50,200 [ Whispering ] Sarah, keep it quiet. 1680 01:17:50,200 --> 01:17:52,234 Aggie thinks he could be the murderer. 1681 01:17:52,234 --> 01:17:53,267 [ Tray clanks ] 1682 01:17:55,734 --> 01:17:57,367 You need to get back to the cottage. 1683 01:17:57,367 --> 01:17:58,834 -Barry Jackson's there. -Okay. 1684 01:17:58,834 --> 01:18:00,067 -What are you going to do? 1685 01:18:00,067 --> 01:18:01,367 Well, we need proof that it's him. 1686 01:18:01,367 --> 01:18:02,801 So I'm gonna have a poke around here. 1687 01:18:02,801 --> 01:18:06,801 [ Mid-tempo music plays ] 1688 01:18:06,801 --> 01:18:11,267 [ Bell ringing ] 1689 01:18:11,267 --> 01:18:15,200 Ohh! 1690 01:18:15,200 --> 01:18:17,801 [ Metal clanging ] 1691 01:18:20,334 --> 01:18:22,534 [ Knock on door ] 1692 01:18:22,534 --> 01:18:25,367 [ Mid-tempo music plays ] 1693 01:18:29,000 --> 01:18:33,767 [ Glass shatters ] 1694 01:18:33,767 --> 01:18:42,367 [ Music continues ] 1695 01:18:42,367 --> 01:18:44,367 -What do we do? -Keep him here. 1696 01:18:44,367 --> 01:18:45,601 How do we do that? 1697 01:18:45,601 --> 01:18:46,801 [ Sighs ] 1698 01:18:46,801 --> 01:18:48,634 Pretty sure I can think of a thing or two. 1699 01:18:48,634 --> 01:18:50,200 [ Clears throat ] 1700 01:18:50,200 --> 01:18:53,200 [ Music continues ] 1701 01:19:12,300 --> 01:19:14,934 -[ Phone rings ] -Ah! 1702 01:19:14,934 --> 01:19:16,267 [ Sighs ] 1703 01:19:16,267 --> 01:19:18,467 [ Phone rings ] 1704 01:19:18,467 --> 01:19:19,467 [ Scoffs ] 1705 01:19:19,467 --> 01:19:20,901 I don't think so, Sonny Jim. 1706 01:19:20,901 --> 01:19:22,734 [ Ringing stops ] 1707 01:19:22,734 --> 01:19:25,501 Your arms are so big. 1708 01:19:25,501 --> 01:19:28,734 They're just, like, as big as, like, a bush or something. 1709 01:19:28,734 --> 01:19:30,000 -A bush? -[ Laughs ] 1710 01:19:30,000 --> 01:19:32,367 BILL: You okay? 1711 01:19:32,367 --> 01:19:34,234 Yeah. Yeah, I think so. 1712 01:19:34,234 --> 01:19:36,667 -BILL: Gemma. -Hey. 1713 01:19:38,501 --> 01:19:40,634 -Uh, tea? -Yes, please. 1714 01:19:47,000 --> 01:19:49,434 [ Exhales sharply ] 1715 01:19:49,434 --> 01:19:50,901 [ Scoffs ] 1716 01:19:56,868 --> 01:19:58,300 Hmm. 1717 01:20:05,434 --> 01:20:08,434 [ Suspenseful music plays ] 1718 01:20:25,434 --> 01:20:28,000 [ Music continues ] 1719 01:20:28,000 --> 01:20:29,100 [ Phone dings ] 1720 01:20:29,100 --> 01:20:30,734 [ Scoffs ] 1721 01:20:31,634 --> 01:20:34,467 Not now, James. 1722 01:20:34,467 --> 01:20:36,033 [ Sighs ] 1723 01:20:38,901 --> 01:20:40,601 Rosie? 1724 01:20:40,601 --> 01:20:43,601 [ Suspenseful music plays ] 1725 01:20:52,534 --> 01:20:54,634 Brilliant. 1726 01:20:54,634 --> 01:20:57,701 Fairy cake? 1727 01:20:57,701 --> 01:21:00,300 GEMMA: Bloody rubbish at flirting, she is. 1728 01:21:00,300 --> 01:21:02,968 [ Phone rings ] 1729 01:21:02,968 --> 01:21:05,100 Oh. 1730 01:21:05,100 --> 01:21:07,000 Hi, Aggie. Where are you? 1731 01:21:07,000 --> 01:21:09,234 AGATHA: Never mind that. Just put Bill on. 1732 01:21:09,234 --> 01:21:11,167 -BILL: Hi, Agatha. -AGATHA: Bill. 1733 01:21:11,167 --> 01:21:13,567 You know your way 'round a gun, don't you? 1734 01:21:13,567 --> 01:21:16,334 Tell me what is a little squidgy silver 1735 01:21:16,334 --> 01:21:17,868 padded thing for? 1736 01:21:17,868 --> 01:21:18,968 -GEMMA: What. 1737 01:21:18,968 --> 01:21:20,434 -AGATHA: Hello. Hello Bill. 1738 01:21:20,434 --> 01:21:21,434 Bill, can you -- 1739 01:21:21,434 --> 01:21:22,667 [ Groans ] 1740 01:21:22,667 --> 01:21:24,567 -BILL: Hello. -AGATHA: Yes, hello. 1741 01:21:24,567 --> 01:21:25,567 Hello, Bill. 1742 01:21:25,567 --> 01:21:30,534 Think, please, please. 1743 01:21:30,534 --> 01:21:32,834 it's a little bit squidgy, cylindrical. 1744 01:21:32,834 --> 01:21:34,067 BILL: Agatha, I can't... 1745 01:21:34,067 --> 01:21:36,467 I found it at the scene of Paul Redfern's murder. 1746 01:21:36,467 --> 01:21:37,634 BILL: Agatha, I don't know what it is. 1747 01:21:37,634 --> 01:21:38,868 [ Groans ] Wait, just -- 1748 01:21:38,868 --> 01:21:40,067 Wait. 1749 01:21:40,067 --> 01:21:41,534 -BILL: Agatha. -[ Camera shutter clicks ] 1750 01:21:41,534 --> 01:21:42,767 BILL: Hello. 1751 01:21:44,033 --> 01:21:45,400 [ Phone chimes ] 1752 01:21:46,901 --> 01:21:48,300 GEMMA: Oh, that? 1753 01:21:48,300 --> 01:21:50,501 That's a convertible bail grip cover. 1754 01:21:50,501 --> 01:21:52,067 It's a classic hoover appendage. 1755 01:21:52,067 --> 01:21:53,267 It's vintage. 1756 01:21:53,267 --> 01:21:54,334 Nice bit of kit actually. 1757 01:21:54,334 --> 01:21:56,033 Every top cleaner has one. 1758 01:21:56,033 --> 01:21:57,901 But, Aggie. 1759 01:21:57,901 --> 01:21:59,434 Where are you? 1760 01:21:59,434 --> 01:22:01,167 What are those stone things? 1761 01:22:01,167 --> 01:22:02,634 Cleaner? 1762 01:22:02,634 --> 01:22:04,367 So, Gem-- 1763 01:22:04,367 --> 01:22:06,334 [ Suspenseful music plays ] 1764 01:22:06,334 --> 01:22:08,667 -[ Phone beeps ] -[ Grunts ] 1765 01:22:08,667 --> 01:22:10,267 -[ Stone cracks ] -Aah! Aah! 1766 01:22:11,767 --> 01:22:13,601 [Phone buzzes, line beeps ] 1767 01:22:13,601 --> 01:22:15,200 Think she's okay? 1768 01:22:15,200 --> 01:22:16,400 Yeah. 1769 01:22:16,400 --> 01:22:17,501 Why wouldn't she be? 1770 01:22:17,601 --> 01:22:20,367 [ Stone cracks ] 1771 01:22:20,367 --> 01:22:26,834 [ Suspenseful music plays ] 1772 01:22:26,834 --> 01:22:29,334 Get my number from the card in the pub then, yeah? 1773 01:22:29,334 --> 01:22:32,934 Pretend to be "Rosie" to lure me here. 1774 01:22:32,934 --> 01:22:37,467 Male murders and a catapult climax. 1775 01:22:37,467 --> 01:22:38,834 Very...literary. 1776 01:22:38,834 --> 01:22:40,534 I try my best. 1777 01:22:42,000 --> 01:22:43,834 [ Stone cracks ] 1778 01:22:43,834 --> 01:22:46,434 How did you realize that I thought it was Barry? 1779 01:22:46,434 --> 01:22:48,434 Heard the end of your conversation with Lucy 1780 01:22:48,434 --> 01:22:50,400 at the Manor House. 1781 01:22:50,400 --> 01:22:53,901 I came in the back way. 1782 01:22:53,901 --> 01:22:56,734 All this for him? 1783 01:22:58,767 --> 01:22:59,734 [ Stone cracks ] 1784 01:22:59,734 --> 01:23:04,767 [ Suspenseful music plays ] 1785 01:23:04,767 --> 01:23:06,634 [ Groans, exhales sharply ] 1786 01:23:06,634 --> 01:23:08,334 I'll take that as a yes. 1787 01:23:08,567 --> 01:23:12,767 [ Breathing heavily ] 1788 01:23:12,767 --> 01:23:14,467 Because Tolly sacked him? 1789 01:23:14,467 --> 01:23:18,100 Tolly did worse than that. 1790 01:23:18,100 --> 01:23:20,601 He always looked down on Barry 1791 01:23:20,601 --> 01:23:23,901 ever since he was a kid. 1792 01:23:23,901 --> 01:23:25,334 When he realized that the boy 1793 01:23:25,334 --> 01:23:26,501 from the wrong side of the tracks 1794 01:23:26,501 --> 01:23:27,834 was in love with his Lucy? 1795 01:23:27,834 --> 01:23:30,601 Couldn't have that could he? 1796 01:23:30,601 --> 01:23:32,567 Sacked him, ridiculed him. 1797 01:23:36,100 --> 01:23:37,634 Humiliated. 1798 01:23:42,267 --> 01:23:45,267 No one does that to my boy. 1799 01:23:45,267 --> 01:23:49,234 [ Suspenseful music plays ] 1800 01:23:49,234 --> 01:23:50,834 [ Clanging ] 1801 01:23:54,534 --> 01:23:56,601 [ Engine shuts off ] 1802 01:23:56,601 --> 01:23:58,801 GEMMA: Yeah, about time and all. 1803 01:23:58,801 --> 01:24:00,567 Where have you been? 1804 01:24:00,567 --> 01:24:03,334 Telling the police everything that Rosie told me, 1805 01:24:03,334 --> 01:24:05,634 mainly about Paul Redfern having seeing the killer 1806 01:24:05,634 --> 01:24:06,734 with the murder weapon. 1807 01:24:06,734 --> 01:24:07,901 Where's Agatha? 1808 01:24:07,901 --> 01:24:10,601 GEMMA: She's at one of them stoney things. 1809 01:24:10,601 --> 01:24:12,167 Could you be a little bit more explicit? 1810 01:24:12,167 --> 01:24:14,467 You know, where they do sacrifices and that. 1811 01:24:14,467 --> 01:24:16,367 [ Engine revs ] 1812 01:24:20,567 --> 01:24:21,734 [ Stone cracks ] 1813 01:24:33,133 --> 01:24:35,133 Does Barry know what you've done? 1814 01:24:35,133 --> 01:24:36,367 No. 1815 01:24:38,701 --> 01:24:40,400 He knows Paul was trying to find me. 1816 01:24:40,400 --> 01:24:41,834 That's all. 1817 01:24:41,834 --> 01:24:44,067 Bless him. 1818 01:24:44,067 --> 01:24:45,601 You ever known heartbreak? 1819 01:24:45,601 --> 01:24:49,067 Oh, I could write a book on it. 1820 01:24:49,067 --> 01:24:52,701 MRS J: I've known it twice. 1821 01:24:52,701 --> 01:24:56,267 Once when my husband died, 1822 01:24:56,267 --> 01:25:00,067 once when I saw how crushed Barry was. 1823 01:25:00,067 --> 01:25:02,100 I think that was worse. 1824 01:25:02,100 --> 01:25:04,534 Paul saw you chucking the murder weapon? 1825 01:25:04,534 --> 01:25:07,868 So what was he trying to blackmail you? 1826 01:25:07,868 --> 01:25:09,300 MRS J.: "Saint" Paul? 1827 01:25:09,300 --> 01:25:10,667 No. 1828 01:25:10,667 --> 01:25:12,701 Too nice for his own good, that one. 1829 01:25:15,434 --> 01:25:21,067 He figured what I'd done and... 1830 01:25:21,067 --> 01:25:22,501 understood why. 1831 01:25:22,501 --> 01:25:26,000 Well, if he was trying to protect you, 1832 01:25:26,000 --> 01:25:28,100 why kill him? 1833 01:25:28,100 --> 01:25:29,501 [ Voice breaking ] He said he'd already told someone 1834 01:25:29,501 --> 01:25:32,400 about the weapon. 1835 01:25:32,400 --> 01:25:33,934 Rosie. 1836 01:25:33,934 --> 01:25:35,634 But not who he'd seen with it. 1837 01:25:37,734 --> 01:25:39,701 He'd have told her in the end. 1838 01:25:41,400 --> 01:25:43,334 Everyone tells her everything. 1839 01:25:47,100 --> 01:25:49,634 I couldn't risk that. 1840 01:25:50,634 --> 01:25:51,901 Well, now your gonna have to kill me then, 1841 01:25:51,901 --> 01:25:53,133 aren't you? 1842 01:25:54,968 --> 01:25:56,801 There is that. 1843 01:26:00,234 --> 01:26:01,434 If you... 1844 01:26:02,434 --> 01:26:04,734 Aah! 1845 01:26:04,734 --> 01:26:05,801 Mum! 1846 01:26:07,901 --> 01:26:08,901 [ Gasps ] 1847 01:26:08,901 --> 01:26:10,601 -Mum, what have you done? -[ Groans ] 1848 01:26:12,100 --> 01:26:13,934 [ Mid-tempo music plays ] 1849 01:26:13,934 --> 01:26:18,067 MRS J: [ Crying ] 1850 01:26:18,067 --> 01:26:21,400 [ Radio chatter ] 1851 01:26:21,400 --> 01:26:24,934 [ Music continues ] 1852 01:26:24,934 --> 01:26:28,200 -Charming. -Charming indeed. 1853 01:26:28,200 --> 01:26:31,634 About earlier. 1854 01:26:31,634 --> 01:26:33,801 It wasn't what it seemed. 1855 01:26:33,801 --> 01:26:35,501 It was exactly what it seemed. 1856 01:26:35,501 --> 01:26:38,467 A tad disappointing, if I may say. 1857 01:26:38,467 --> 01:26:40,934 A little a bit like something else I could mention. 1858 01:26:40,934 --> 01:26:43,634 Excuse me? 1859 01:26:43,634 --> 01:26:47,167 I slept with Rosie for the benefit of the investigation. 1860 01:26:47,167 --> 01:26:48,467 Well, hark at you. 1861 01:26:48,467 --> 01:26:49,968 Humping her for information, were we? 1862 01:26:49,968 --> 01:26:51,801 You said you that she knew everyone's secrets 1863 01:26:51,801 --> 01:26:53,067 but wouldn't reveal them. 1864 01:26:53,067 --> 01:26:57,133 So, I set out to get underneath her skin. 1865 01:26:57,133 --> 01:26:58,834 Not all you got underneath. 1866 01:26:58,834 --> 01:27:01,167 I took one for the team. 1867 01:27:01,167 --> 01:27:03,734 This is becoming a little bit of a habit, isn't it. 1868 01:27:03,734 --> 01:27:06,234 I mean, we all have our areas of expertise, I guess, 1869 01:27:06,234 --> 01:27:07,601 although... 1870 01:27:07,601 --> 01:27:09,434 You know, a little bit of gratitude wouldn't go amiss. 1871 01:27:09,434 --> 01:27:12,167 Charles, you can sleep with whoever you want to sleep with. 1872 01:27:12,167 --> 01:27:13,834 I really don't give a stuff. 1873 01:27:13,834 --> 01:27:16,100 -Huh. -But so soon? 1874 01:27:16,100 --> 01:27:18,033 I mean, a matter of hours after you'd slept with me, 1875 01:27:18,033 --> 01:27:20,234 without so much as a good morning! 1876 01:27:20,234 --> 01:27:22,400 Thin ice, Agatha Raisin. 1877 01:27:22,400 --> 01:27:23,634 What do you mean by that? 1878 01:27:23,634 --> 01:27:26,200 I mean, I wasn't the one who cried out "Oh, James" 1879 01:27:26,200 --> 01:27:28,200 in the middle of making love. 1880 01:27:28,200 --> 01:27:29,267 Did I? 1881 01:27:29,267 --> 01:27:31,267 CHARLES: You did. 1882 01:27:31,267 --> 01:27:32,534 Oh. 1883 01:27:35,267 --> 01:27:36,501 You know, this sleeping together thing 1884 01:27:36,501 --> 01:27:38,901 that we keep doing, 1885 01:27:38,901 --> 01:27:40,501 I think it's a mistake. 1886 01:27:40,501 --> 01:27:41,567 I mean I like you, Charles, 1887 01:27:41,567 --> 01:27:43,100 and I know that you're fond of me. 1888 01:27:43,100 --> 01:27:45,234 But I don't want to be anyone's comfy cardigan 1889 01:27:45,234 --> 01:27:46,234 that they just throw on 1890 01:27:46,234 --> 01:27:47,734 whenever they need a bit of comfort. 1891 01:27:49,367 --> 01:27:50,934 -Cardigan's a bit harsh. -AGATHA: Stop it. 1892 01:27:52,501 --> 01:27:54,467 You knew James was coming back, didn't you? 1893 01:27:56,334 --> 01:27:57,934 Yes. 1894 01:27:57,934 --> 01:28:01,334 But I felt that after Cyprus, 1895 01:28:01,334 --> 01:28:04,634 we had unfinished business. 1896 01:28:04,634 --> 01:28:06,133 I wanted to figure that out before -- 1897 01:28:06,133 --> 01:28:07,434 No. 1898 01:28:07,434 --> 01:28:09,834 James and I do whatever it is that James and I do. 1899 01:28:12,400 --> 01:28:15,934 So, this unfinished business, 1900 01:28:15,934 --> 01:28:17,701 it is finished, right? 1901 01:28:21,234 --> 01:28:23,200 A line drawn? 1902 01:28:24,067 --> 01:28:25,767 Yes. 1903 01:28:25,767 --> 01:28:27,868 Good. 1904 01:28:27,868 --> 01:28:30,167 Well, I think that, for us, 1905 01:28:30,167 --> 01:28:33,701 this could be the start of a beautiful friendship. 1906 01:28:37,133 --> 01:28:40,133 [ Soft music plays ] 1907 01:28:46,634 --> 01:28:51,300 [ Motorcycle engine starts ] 1908 01:28:51,300 --> 01:28:52,901 [ Motorcycle engine revs ] 1909 01:28:52,901 --> 01:28:56,033 [ Car engine starts, revs ] 1910 01:28:56,033 --> 01:29:04,067 [ Slow-tempo music plays ] 1911 01:29:04,067 --> 01:29:06,801 Yours, I think. 1912 01:29:06,801 --> 01:29:09,634 [ Sighs ] 1913 01:29:09,634 --> 01:29:11,300 Oh, don't worry. 1914 01:29:11,300 --> 01:29:13,501 I don't care what you believe. 1915 01:29:13,501 --> 01:29:14,834 Each to their own, eh? 1916 01:29:14,834 --> 01:29:16,067 [ Chuckles ] 1917 01:29:16,067 --> 01:29:19,067 [ Music continues ] 1918 01:29:28,133 --> 01:29:30,133 [ Duck quacks ] 1919 01:29:30,133 --> 01:29:33,133 [ Music continues ] 1920 01:29:41,601 --> 01:29:48,367 [ Engine starts ] 1921 01:29:48,367 --> 01:29:51,734 [ Motorcycle engine revs ] 1922 01:29:51,734 --> 01:29:54,734 [ Music continues ] 1923 01:30:10,234 --> 01:30:12,801 [ Wings fluttering ] 1924 01:30:12,801 --> 01:30:14,367 [ Indistinct laughter ] 1925 01:30:14,367 --> 01:30:17,367 {\an8}[ Up-tempo music plays ] 1926 01:30:17,439 --> 01:30:18,706 subtitle by peritta 1927 01:30:38,267 --> 01:30:41,267 {\an8}[ Music continues ] 1928 01:30:42,305 --> 01:30:48,477 Support us and become VIP member to remove all ads from www.SubtitleDB.org 128345