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(eerie music)

- [Announcer] You have T minus

60 seconds. - All the ways clear.

- [Man] Yes sir, register 229.

- [Man] Bring in number three.

- [Man] Get her in here.

- [Man] Moving number three.

- [Man] Database is set.

- [Man] Keep it under 15.

- [Man] Holding under 15.

- [Woman] Clear.

- [Man] Insert database.

- [Woman] We're here, sir.

- [Man] Loading.

- [Woman] Speaker database is loaded.

- Activate. - Watch your signals.

- [Man] Get her in here.

- [Woman] Echoing levels are set.

- [Woman] Clear.

- [Man] Code.

Watch that signal.

- [Woman] We're here, sir..

- [Man] Signals are holding.

- [Man] Keep it there.

- [Man] Zone is holding.

- [Man] Register 1148.

- [Man] Okay let's go, let's go.

- [Man] Now.

- Zone is now active. - Initialize.

- [Man] Holding for more.

- [Man] All circuits clear.

Ready.

Activate.

- [Man] We have it.

- [Announcer] On T minus 15 seconds.

- [Man] More, now.

- [Announcer] Nine.

- [Man] Clear.

- [Man] More, now.

- [Announcer] Seven.

Six.

- Loading. - Five.

- [Man] Now.

- [Announcer] Four.

- [Man] Now.

- [Man] Three.

- [Announcer] All personnel, clear the zone.

- [Man] Clear the zone.

The zone is clear.

- [Announcer] Zone is now clear.

- [Man] We have it.

- [Man] Now.

(thunder roars)

(panting)

(horn beeps)

(tires screech)

(engine rumbling)

- You need a ride?

You sure you're okay?

(groans)

- [Announcer] In what seems to be yet another

medically documented birth of its kind,

Mrs. Bruford has become the latest mother

to undergo an 11th month pregnancy.

Doctors so far have had

no explanation-- - Can you believe this shit?

- Turn it down or turn it off.

A man needs his concentration.

(soft music)

(phone rings)

- [Winstrom] This is Winstrom.

I need to speak to Holden.

- Yes.

- Found the leader.

- Where is he now?

- I have an exact location.

- Well by all means, bring him in.

(muffled radio announcements)

(soft music)

- Yes, Roland.

And who is this, Roland?

Ah, from the future.

(soft music)

Must be very heavy.

- Yeah.

- [Aaron] I'm Aaron Winfield.

- [Paul] Should I know you?

- No, we've never met.

I work for a group of people who find

and protect people like yourself.

People with special abilities like yourself.

- Abilities.

- I'd like you to look at these sketches.

- Look buddy, I can't afford to buy

whatever life insurance it is you're selling, okay?

I barely make enough money to pay the rent.

- I'm not a salesman.

I've been sent here to warn you.

- Thanks for the warning.

- Mr. Harper, they've already found you.

And they know who you are.

(engine roars)

- Is this guy armed?

- No.

- Excuse me, sir.

May we have a word with you?

It'll only take a moment of your time.

- All right, all right.

- I told you.

He isn't armed.

Johnson.

In his right jacket pocket, you will find his wallet.

Paul Harper.

License number B23564.

If you look closely, you will discover that it's a fake.

- This obviously isn't about my license.

- [Winstrom] Do you recognize them?

- No.

(groans)

- Answer the man.

Do you know who they are?

- Now, I know you know these people.

I've seen you with them.

And believe you me, I can find them

the very same way that I found you.

- And I told you, I don't know them.

(groans)

- Bring him to the car.

(clattering)

(gunshots)

(horn beeps)

(tires screech)

(groans)

(soft music)

- Jesus Christ.

- Holden's gonna love this.

- Yes.

He certainly will.

Now call an ambulance.

(beeping)

- [Dr. Kang] Okay, what's the problem?

- Just this dark patch.

We did it three times.

- All right, let's see what shows up on the MRI.

(beeping)

- All the ways are clear. - 10 seconds.

- Bring in number three. - We have it.

- [Announcer] Seven.

Six.

- Number 15. - Unit 15.

- [Man] Insert database.

- [Woman] We can get a base on him.

- Man] Like the signal.

- [Woman] Everyone is set.

(yelps)

(beeping)

(thunder roars)

(soft music)

(trickling water)

(thunder roars)

(ghostly sigh)

- Huh?

- Something in the leg is still distorting the image.

And look at this.

(thunder roars)

- Your patient is gone.

He's already on the streets.

And I was told he couldn't even walk.

- Is there something I should know about this investigation?

- I would like every test that you performed

on this man, and I do mean everything.

- I'm sure none of it would interest you.

- Do you know what interests me?

Hmm?

A watch

with a picture in it.

A picture of a man in a red jacket.

With two children and a dog in a lovely garden setting.

They are beginning to interest me very much.

Now, in your office on your desk are

X-rays and MRI files.

Bring them to me.

(panting)

- You'll be killed if you leave.

- I'm not staying here.

- I have orders to protect you.

- Great.

- When were you born?

- What the hell does that matter?

- Our information places your birth sometime next year,

which makes you about 30 years old in the year 2025.

- 2025.

I don't know why I need to be protected.

I didn't do anything.

- It was your special ability that drew their attention.

- Whose attention?

- His name is Lyle J. Holden.

Three years ago, he became head of SSID.

It's a covert government agency that

investigates psychic activities in the United States.

It was Holden's men who were trying

to bring you in for their research department.

- Research.

Research for what?

- You may not know how to do it,

or how to use it, but you possess a

strong telekinetic ability.

Apparently you made quite an impression on their car.

The entire agency must be buzzing to find you.

- So how did they find me?

- The agency recently acquired a tracker

by the name of Winstrom.

He's a clairvoyant who uses the personal objects

of people to find them.

His mission is to hunt down others with psychic abilities.

- This guy has my wallet.

- That is very unfortunate.

God, the light.

(horn beeps)

- Why should I believe you?

I don't even know who you are.

- As I told you when we first met, I'm Aaron Winfield.

I was an obstetrician.

I took a special interest in children

who were the product of 11 month pregnancies.

Now these children were different.

They contacted me through their psychic abilities

and asked for my help.

Now you need it too.

Now a few years ago, I formed what is called the Foundation.

It's a group of psychics whose purpose

is to protect these children.

Now we've been asked to protect you and two others.

- Three of us.

- Yes.

Here, take a look at these.

We know where they are as well.

What's wrong?

- I've spent the last three years

not remembering who I am or where I'm from.

But I'm beginning to remember them.

I have to find them.

(horn beeps)

(muffled radio announcements)

- [Winstrom] It will take at least 140 pounds of pressure

per square inch to cause that kind of spherical depression.

- So, this mutant can push a car engine back two feet.

What else can he do?

- Well, we don't have any records on him,

but his talent appears to be telekinetic in nature.

- Well, nature had nothing to do with this.

This guy doesn't even have the same spine that we do.

What about the other two?

- It'll take a little more time, but I'll find him.

- Time.

It's always time with you, Winstrom.

- Clairvoyance is not an exact science, Mr. Holden.

- Hmm.

What about the one you found?

- What about him?

- See where he leads you.

If he comes into contact with the others, let him.

I want them all.

- Bringing them in alive may prove to be difficult.

- I want them alive.

I'll let you know if I want bodies.

(muffled radio announcement)

- No more bets please, no more bets.

- You ready, baby?

- We should just go.

This doesn't feel right.

- Well you just got to focus.

We're not going anywhere.

You're paranoid.

- I am not paranoid.

You know what this does to me.

- For the pain.

Let me look at you.

Nobody's gonna recognize you.

I place the bets and you give me the numbers.

- I'm telling you, it's just not right.

- You got no meal ticket without me.

Are we gonna do this?

Or do I go to the management of the Normandy Casino

and I tell them that our local psychic

is working the big tables?

- Fine.

- We're good?

Let's go.

Whenever you're ready, baby.

- Place your bets please, ladies and gentlemen.

Place your bets.

(intense music)

- 19 red.

- No more bets please, no more bets.

19 red, 19 red.

(squeaking)

Place your bets, please.

- 13 black.

- No more bets, no more bets, please.

13 black, 13 black.

- Ricky.

- I see him.

- Let's get out of here.

- Come on, we're cool.

- Security, let's go.

- Hey wait a second.

Can't anybody win around here?

- The management just wants to see her.

(groans)

Come here.

(groans)

(eerie music)

Nothing to worry about.

Just a few questions.

Open your purse.

- What did I do?

- Let's see your ID.

Nice ID.

How much you pay for it?

- Obviously not enough.

- Get in the car.

- Look, I didn't do anything. - Get in the car.

(groans)

(muffled radio announcement)

- So what are we waiting for?

- We're waiting for your boyfriend.

(laughs)

- My boyfriend, yeah, that's a laugh.

- Well, he followed you all the way to the casino.

He'll follow you back here.

- Mmhmm.

Sure he will.

- Don't shut off the engine.

- Didn't shut the engine off.

(rattling)

What!

(shattering glass)

(groans)

(shattering glass)

- Jessica!

Jessica, get out of the car.

Get out of the car!

Get in that car!

- I didn't do anything, okay?

- Put your arms down.

- Well, who the hell are you?

- Look, you can stay with me or you can go with them.

(gunshot) (yells)

- [Jessica] All right, I'll go with you, all right?

- Get in the car.

When I tell you to get in the car, get in the car.

- [Jessica] I said I'd get in the car.

(tires squeal)

(gunshots)

(phone rings)

- Bet it's Winstrom.

Go on.

- I'm not gonna answer it, you answer it.

(phone rings)

- [Jessica] Is there a pharmacy around here?

- Suppose maybe you could take those

sunglasses off for a minute?

- Better?

- No.

- Look.

I came with you because you look like a nice guy

and you helped me out.

But if this is gonna be a problem,

I can just walk.

- Well I guess it's a good thing you're not

just getting into any car with anybody these days, huh?

- I'm walking now.

- Get in the car.

(soft music)

You don't have to lie.

If you don't remember me, just say so.

- I told you, you looked familiar in the casino.

That's all.

(soft music)

(groans)

- [Winstrom] Will he cooperate?

- No problem.

- Do we tail him?

- Finding him doesn't seem to be the problem, does it?

(muffled radio announcement)

- You take an awful lot of those.

- For my allergies.

- Must be hard.

Knowing what's gonna happen all the time.

Seeing and hearing things just a few seconds

before they happen and not being able

to do anything about it.

Must hurt.

So you take the pills to kill the pain.

You don't have to do that.

You never had to do that.

(sighs)

I thought things were gonna be different when you saw me.

- You want one of these?

- No.

- Phone's going to ring.

(phone rings)

I have no idea who it is.

(phone rings)

- Paul, this is Aaron.

How is she?

- She's fine.

- Does she remember you?

- I don't know.

Maybe.

- [Aaron] We found the other man.

(soft music)

- [Paul] This look okay?

- [Jessica] No.

- Come on, let's get something to eat.

You want to move to another table?

- No, I'm fine.

(bell dings)

- You know what you want?

- No.

I was gonna ask you since you already seem

to know everything else about me.

- Ready?

- Sure.

The lady will have two eggs over easy,

hash browns well done and a slice of blueberry pie.

That used to be your favorite.

All right.

You don't know me.

I made the whole thing up.

I'm sorry.

Just enjoy your free meal.

I'll be right back.

Not that I don't trust you or anything.

I'll be right back.

(soft music)

Here.

- Do I know you?

- Maybe.

- So you here to complain about the eggs?

- No.

I came to talk.

- You know we--

- Don't have blueberry pie.

- But we have--

- Apple pie, pecan pie, cherry and cheesecake.

- Are you okay?

- Yeah I'm fine, okay?

Just forget it, okay?

I'm sorry.

(bell dings)

Look, it's--

Oh Christ.

- That's what I get for coming after you?

- What the hell are you doing here?

- I was worried about you.

They take you outside.

All of a sudden you're gone.

So I followed you.

- What happened to your face?

- Nothing.

- So why are you here?

- I thought maybe we could

patch things up.

(bell dings)

- You crazy.

Oh yeah, you crazy.

Especially the one about us losing our

memories as a side effect, to what was it, space travel?

- It's time travel.

- Oh yeah right, well, time travel.

Well, I hate to disappoint you but you see,

my memory's just fine.

I can remember my whole life.

Growing up, going to high school.

Everything.

And the only special ability I do have

gets me $280 a week.

Right here.

- You can set things on fire.

- Hey, I'm a cook.

It happens.

- How do you explain the bar code on your arm?

- It's a tattoo.

Got it in the Navy.

Get the hell out of my kitchen.

- Try to remember, Carter.

- I said, get the hell out of my kitchen.

Damn.

Damn!

(groans)

(clattering)

(yells)

- Let's go.

- [Man] Hey man, what's going on

back there? - Hey, hey.

(sprinkling water)

- Come on.

You can't stay here, there are people hunting us.

Come on, there's somebody you got to meet.

- [Waitress] She left.

- What do you mean, she left?

- With some guy.

Nice car too.

And you're fired, in case you didn't already know.

- Thanks for coming.

- I can't believe they fired me.

I can't believe they fired me, man.

They fired me from the job.

(soft music)

- [Ricky] Want some music?

- Yeah, sure.

- Fucking thing doesn't work.

- Never did.

- It did too work.

What is this guy you ran off?

- Ricky, it's just a guy, okay?

- Well you just run off with any guy?

- There they are.

(intense music)

- Christ.

- What?

- Is this the guy?

- Yes, this is the guy.

- Christ.

- Pull over.

Pull over.

- Would you move it?

- Well now it's over.

It's over, you're not gonna catch that car in this thing.

- Yes we are.

- Hey look here, you know, I don't think

your engine likes this shit.

I wouldn't, I wouldn't push it.

- I'm not pushing the engine, I'm pushing the car.

- Pushing the car.

Pushing the car.

(mumbles)

- Thought you said this car was fast.

- It is fast. - Well then do something.

(tires screech)

- I can't keep this up much longer.

Can you control it?

- What, fire?

No, I don't know if I can control it.

- Burn the engine.

- What if I hit up the gas tank or something?

You think about that?

- Just do it or we're gonna lose her.

- All right, all right, just be cool.

(tires screech)

(intense music)

Damn!

- Again, again.

- Okay, all right, just get me closer.

Get me closer.

(intense music)

- Would you do something?

(tires screech)

(groans)

- Come on.

- [Ricky] Get away from her, man.

- Get your hands off me. - Why did you leave?

- Look, I don't know who you are

and I'm not your wife. - You're right.

You're not my wife.

- My pills.

Son of a bitch, give me those pills.

- Shut up.

Shut up and get in the car.

- [Jessica] God damn you.

- [Ricky] You can't just leave me like this.

Are you listening to me?

I'm not coming after you.

- So I take it you're from the future too, huh?

- All I needed was a ride.

One stupid ride, and I get this.

You know, you didn't have to throw out those pills.

- You didn't need those pills.

- Don't you tell me what I need.

- Look Peter, get a girl her pills

if she wants-- - Hey, it's Paul, okay?

Paul.

- You know what, just put me out of this car.

I'd rather walk.

- You know what, you can let me out this car too.

I don't want to be in this.

- Shut up, all right?

Just shut up.

No one's going anywhere.

You can just forget about your pathetic

little lives you've been leading

because you're staying with me.

- Where the hell were you guys?

You were supposed to take her as soon as I

got her out on the road.

(gunshot)

- From now on, we're gonna do this thing my way.

- Lyle?

It happened.

It finally happened.

- Hormones worked?

- [Brenda] We're pregnant.

- Of course we are.

(phone rings)

Holden.

I'll be right there.

- Now?

- [Lyle] You know what they're like.

- Yeah.

- I'll have one of the guys run you home.

I'll call you later.

(muffled radio announcement)

(soft music)

- This is our deluxe cupid senior suite.

Comes complete with Valentine whirlpool,

exotic of select TV with cupid control,

and a fully heated king-sized contour bed

with three speeds.

I hope you all

will be very comfortable.

- Thanks for letting us park here.

Hold all our calls, will you?

- Look, I'd like to know what the hell are we doing here?

- We're here to get some answers.

- I'm gonna shower.

- Answers.

Answers, give me one and I don't even know

what I'm doing here, answers.

- [Man] Front desk.

- Yeah room service, please.

- [Man] What can I do for you?

- Send up two steaks, three salads,

and two bottles of scotch, please.

(soft music)

- So you stole this from the hospital

because there's something in your leg?

- Yep.

- And you're gonna pop it out in a hotel room, drunk?

- Had to get drunk first.

Doesn't work the other way around.

- Oh no, no. - Carter.

- Both y'all are crazy.

- Carter, you can burn things, right?

Be useful and sterilize this.

- Here.

- Thanks, now turn on the TV and watch something.

- Okay okay, all right.

- Paul.

Paul.

Now I'm gonna take this thing out.

(moaning)

Ready?

- Yeah.

(yells)

- Jeez, oh man.

- You okay?

Yeah?

You're doing fine, Paul.

(yells)

I'm finished.

- Is he out?

Is he out?

- Yeah.

- Thank God.

(moaning)

What is this thing?

- I have no idea.

- I'm surprised you're still here,

because I didn't think you were gonna make it.

- Yeah.

There's something about the way he said room service.

I don't know, I've heard him say those words before.

- I know what you mean.

But not exactly those precise words,

but other words in general.

- Yeah relax, Carter.

We both know we know him from somewhere,

or we wouldn't still be here.

- Yeah, but what surprises me is,

he said this guy, Winstrom,

can find us if we stay in one place too long,

and we're sitting up here, drinking scotch

and playing doctor. - Yeah, okay.

But he said this thing has the answers.

We got to give him a chance to figure that out.

- What if he can't figure it out, huh?

- Then we'll leave him.

(soft music)

(beeping)

- [Announcer] Please verify voice print.

- Paul Harper.

- [Announcer] Voice print verified.

(beeping)

- Objective.

(beeping)

- [Announcer] Roland Barrows.

Foundation address.

1168 Archwood Drive.

(snoring)

(beeping)

- What is that?

- Database of our objectives.

- Database of what?

- A historical record of our mission.

Every name, location, and action

we need to know to complete it.

Except we're three years behind.

- Holden.

(beeping)

I remember that face.

- He and the agency are the reason we were

sent back in the first place.

Only, something's changed.

There's something about--

- Paul, get away from the window.

(groans)

(gunshots)

- [Carter] Man, come on.

We got to get out of here, come on.

(gunshots)

Move, move.

Come on, let's get out of here, come on.

- Carter, the door.

(yelling)

(gunshots)

(glass shatters)

- [Carter] Come on, come on, come on.

(gunshots)

- [Jessica] Go!

Come on.

- [Carter] Damn, it won't start.

- Put it in neutral.

(groans)

(gunshots)

- They got to the car.

- Forget it, the car has been taken care of.

It's going nowhere.

- Yeah, well it's gotten nowhere pretty bloody fast.

(eerie music)

(phone rings)

(soft music)

(beeping)

(soft music)

- Yes, I'm fine.

All right, tell Aaron I'll be down in a minute.

Hey.

(groans)

- Paul.

Come in, please, have a seat.

I hope you have an appetite.

- Who are the people in the corridors?

- They're what we call masks.

They project a mental image of every part

of this house as being empty.

To everybody, especially to the eyes

of a clairvoyant like Winstrom.

- Thanks.

- This house is totally abandoned and unoccupied.

Oh, I'm sorry.

I haven't properly introduced you.

Roland, would you come here please?

This is Roland Barrows, one of the Foundation's

very, very special children.

- And he's an 11th month pregnancy.

- Yes.

How did you know?

- It was in the database.

- Oh.

He's been reading your mind without permission.

Now Roland, I told you that wasn't polite.

- He's telepathic.

- Oh yes, among other things, but it's

not often that he speaks out loud,

but he was the first child of this sort

that came to me.

- What, there are more?

- Oh yes, yes.

When Roland came in, I began to receive

telepathic communications from all sorts of children.

This foundation has children in safe houses

all over the world.

Oh, it was Roland who had me bring you in,

despite the risks.

- Smart boy.

- Very.

And now that you're here,

I'd like to know why I took those risks.

- We were sent back three years ago

to try to prevent Holden from creating the agency.

- But it still exists.

- We lost our memories.

- It pushed us back.

- Yes?

- There was a second objective.

- Go on.

- We were to see to it that you stepped down

as leader of the Foundation.

- To be replaced by whom?

- Roland.

- A child?

To head up this organization?

Who gave these orders?

- You did.

30 years from now.

11 month children become the next stage

of human evolution.

Their special abilities are feared

and persecuted by the agency.

In the year 2025, the situation becomes out of control.

Many of them are killed.

- Just as we feared.

- You were our mentor.

And my best friend.

You realized that Roland's special gifts

were our only hope.

The world around you was dying, Aaron.

So you sent us.

- Did I give you any other orders to correct the future?

(soft music)

Yes well, it is late.

We can go over this in the morning.

Go over a history of my mistakes to make sure

I don't commit them again.

Come along, Roland.

Oh.

Goodnight.

(door slams)

- [Carter] Well, doesn't look like we're gonna

get much cooperation from Aaron.

- [Paul] No.

- Maybe we ought to do is to kill Holden.

That way the agency will fall apart.

- The database specifically says to keep Holden alive.

Something about his wife and future repercussions.

- What aren't you telling us?

- We might have to kill Aaron.

- Aaron?

Why?

- Aaron told us to kill him if he doesn't step down.

It's the only way to ensure that Roland takes over.

Otherwise, the Foundation fails.

And we're history.

- This is too weird.

- Yeah, all right.

- Carter.

- Yeah.

- Thanks.

- Hey look, I'll be down by the liquor cabinet

if you need me, all right?

(clock chimes)

- Hey, you know what I've been thinking?

- That maybe what's happened so far

is bringing back my memories?

- Yeah.

- You need to get some sleep too.

Goodnight.

- Goodnight.

- Take this, get me the G7 filing.

(phone rings)

Hello?

- [Brenda] Lyle?

- I thought I told you never to use this line.

- [Brenda] Please, Lyle.

- Just wait a minute.

Yes, what is it?

- [Brenda] I had a miscarriage.

- What?

What are you talking about?

- [Brenda] The doctor said we might not

be able to have children.

- What?

- [Brenda] I'm sorry, Lyle.

I thought you should know.

I have to go.

- Brenda.

Brenda.

(soft music)

- Very sorry to hear the bad news about your wife.

- My family matters don't concern you, Winstrom.

Your clairvoyant voodoo is becoming tiresome.

- Really.

Well, perhaps this will change your mind.

- Perhaps.

- [Winstrom] Mmhmm.

(glass shatters)

- What happened?

- I stopped taking the pills.

- You still have it.

- Yeah.

I didn't know whose it was, so I never wore it.

But it's ours, isn't it?

- [Paul] Yes.

- I thought so.

- Listen Jess, I'm sorry.

- No, you don't need to apologize for anything.

I'm the one who needs to apologize.

- You didn't remember.

When they chose us to be sent, they said that--

- We might forget our memory.

And I said I wouldn't forget.

But I did.

And maybe it's from not taking the pills

or maybe it's just you, but I'm remembering us.

I'm sorry.

So sorry.

(soft music)

(sizzling)

- [Announcer] Roland Barrows.

Foundation address.

1168 Archwood-- - That's where they are.

- Yes.

Use nerve gas if you have to.

The entire area has to be contained.

- Sir-- - No, no one gets out alive.

Autopsies will have to do.

(beeping)

You better hope your information is correct.

Are we clear what happens to the boy?

- Yes, we're clear.

The boy dies.

(beeping)

- Hey.

Care for a drink, hmm?

Mind if I smoke?

(yelling)

- [Man] Let's go, move it.

- [Man] Train leader, wild leader, let's go.

(yelling)

Get me two more men over here.

- [Man] Let's go guys, move.

That ammo, let's go, come on.

Front line, now.

- Can you hear me?

- [Man] Yes sir.

- Good.

- [Man] All right, got it?

(soft music)

(gunshots)

(yells)

(gunshots)

- What, go with you?

(gunshots)

- I don't believe this is happening.

(groans)

(yelling)

(grunts)

Paul!

The agency.

The agency, they found us.

- [Jessica] What, how did they find us?

- [Paul] It doesn't matter now.

We have to fight Roland and fast.

- [Carter] You're right, come on.

(eerie music)

- [Paul] What do you see?

- There's three of them around the corner.

The mask.

They can't see the mask.

- [Paul] If they can't see the mask, then they can't see us.

- [Carter] We can walk right past them.

- All right then, let's do it.

(soft music)

- [Man] There's nobody here.

Hallway's clean, sir.

- No, they're here.

I know they're here.

(gunshots)

(glass shatters)

(groans)

There!

(intense music)

(yelling)

(gunshot)

(yells)

(door slams)

- [Paul] Can you move it?

- [Carter] We got to get the kid.

(eerie music)

- This way.

(groans)

- I'm sorry, it's the only way.

- [Paul] Come on.

(gunshot)

- Not exactly an empty house, is it?

(yelling)

(gunshot)

- [Man] Move, move.

(eerie music)

(gunshot)

(groans)

(gunshot)

(yells)

- Hide.

(eerie music)

You're making a mistake.

- I have my orders.

(intense music)

(gunshot)

- Are the gas charges in place?

- Yes sir.

- Clear the house.

(muffled chatting)

What the hell is happening here?

(eerie music)

- Don't try it, Paul.

Holden has seen the database.

He knows about the boy.

- You were one of us.

- No.

No, you came to hunt me down.

You were sent to kill me.

- Listen to me.

You did exactly what we did.

Forgot everything.

Tried to do what you could to live.

But you chose the wrong side.

- It's too late to change what I've done now.

- We can still win this.

Don't let Holden use you.

- Don't you see?

If I kill the boy, I can still save myself.

- He must live, Winstrom.

Or we'll all dead.

(eerie music)

- Oi, I can see something.

- Do you have a shot?

- It's the kid, sir, and Winstrom.

- I said, do you have a shot?

(eerie music)

Fire.

(gunshot)

(groans)

Release the gas.

- [Man] Yes sir.

- It's not affecting us.

- Our central nervous systems are different.

- Roland.

- [Man] There they are.

(gunshots)

(soft music)

Hold your fire.

- Sir, over there.

- [Jessica] Paul.

- [Paul] Roland!

(gunshots)

(groans)

- Shit.

(soft music)

- It's him, shoot him.

- What are you doing, Paul?

- He'll kill him.

- Stay calm.

He'll be fine.

- I said shoot him.

- No.

I ain't gonna shoot the kid, sir.

- All right then, I'll do it myself.

Cover me.

(soft music)

- [Jessica] Paul, what's going on?

(soft music)

- The boy is lying.

You sent him out to lie to me.

- He isn't lying.

- My wife cannot have a child.

- She hasn't been able to.

But she will next year.

Your son will be born on January 28th.

- That's a lie.

I've seen the database, there's no such date.

- There is.

That's the day that I was born.

It would be very difficult for me to kill you.

But I will if you force me to.

- My son.

- Will die,

along with thousands of other children,

if you don't let us go.

- [Paul Voiceover] We were trying to find out who we were

and who we'd be now.

Holden never spoke to me again.

He terminated the agency and retired from the service.

Roland was put up in another safe house

and became the leader of the Foundation.

As for us, Roland had a vision that we

would be in danger if we met the younger

versions of ourselves, so we left.

We were trying to find out who we were

and who we'd be now.

(soft music)

(MultiCom Jingle)