All language subtitles for El Ministerio Del Tiempo - S04E04 ENG

I bring a message from Don Salvador
and it is very urgent.

- He doesn't remember anything?
- Only one person.

He has woken up
screaming for her.

Elizabeth I of England

She has been killed
before being queen.

Oh là là!

Damn, they did know each other.

You can't see your lover again
and shake hands, he would suspect.

Are you pregnant?

Hello Julian.
No, my name is not Julian.

Who is that guy
who is with my family?

The authentic Eulogio Romero.

You must go right away
to save Isabel.

Why does the queen want to kill her?

Maria wants to get rid
of her sister

to protect
the life of her future son who,

by the way, according to history,
never had it.

Do you know who it is?

What am I doing dreaming
with a dead man?

I smell a brawl.
And me.

To me Tercios, protect the king!

Son of a bitch.

I see a woman running.

It's Maite, your wife.

Maite...

She would never have forgiven me
if the king was killed in my presence.

And you have avoided it.

What about these corridors
with so many doors?

(JOKE)

- You really don't want to go back
to the Ministry?

- Don't ask me, please,
You know I can't

- Irene was looking for
something she didn't find

and now you must find:
the receipt of the "Guernica".

The painting was commissioned by
the republican government of Picasso

in the middle of the Civil War.

If we find the receipt, it remains
clear who owns the painting.

- What do you like most about the Prado?
- Velázquez is the best.

Have you seen "Las Meninas"?

- Yes, of course, sometime,
who has not seen "Las Meninas".

Why did you do it?
I couldn't go back to jail.

So I won, they didn't.

That's it, Federico.

♪ Mommy, I am beautiful.
♪ Mommy, I am beautiful.

♪ Mommy, I am beautiful.
♪ Mommy, I am beautiful.

♪ My blond hair,
♪ my pretty face.

♪ Ugly girl, my pretty face.

♪ I want to go out
♪ in a Velázquez painting.

♪ Mommy, why don't you paint me
♪ to me Velázquez?

♪ Why always
♪ you and dad go out?

♪ Mommy, is it that I
♪ am I not very pretty?

(Siren)

♪ Miss Margarita,
♪ I only carry out orders,

♪ but hear a secret:

♪ I am painting you.

♪ Did you see that in the box
♪ is painting a picture?

♪ Well actually, madam,
♪ I am painting you.

♪ I'm doing
♪ something revolutionary.

♪ Call me Velázquez,
♪ which is extraordinary.

♪ The boy from Seville
♪ came to level up,

♪ to teach the fool
♪ how it has to be done.

♪ So am I pretty? ♪

(Music)

Truth is
I'm still the motherfucking best.

My Meninas!

How are you?

Well.

What have you been doing these days?

Personal issues.

And what are you doing now?

Well I'm checking
if when we save Julián,

we leave some loose ends
that could change history.

But it would have jumped
some alarm, right?

It doesn't always jump.

(Mobile)

Salvador, wants to see us.

Hi.

Good.

Ladies and Gentlemen,
I have good news and bad news.

The good news is that Don Julián Martínez
come back to work with us.

Thanks thanks.
And the bad...

- The bad news is that "Las Meninas"
has disappeared.

How?
Has "Las Meninas" disappeared?

It was gone
in front of my own eyes.

- We have received a call from 1937,
from the Prado Museum.

"Las Meninas" and other paintings
of great value have disappeared

when they were transferred to Valencia

because of the bombings
of the Civil War.

-There is a message for you.

-Sorry, wait a minute.

What's happening?

It's Renau.

He has been writing to
me from Paris in 1937.

Picasso is not painting
the "Guernica".

Well look what it cost us to
bring it to Spain.

Sorry, who is Renau?
He is a great artist

and general director of Fine Arts
during the war.

Apart from an excellent agent
of this Ministry.

- Two alarms
and both on the same date.

May 3, 1937.

- Too much of a coincidence, right?
- Uh huh.

And more when Picasso was director
from the Prado Museum of the time.

You must go to Paris
to see what happens.

Is there a door there?

Since 1914,
in the Church of the rue de la Pompe.

Alfonso XIII ordered a mission of the
Claretian Fathers

to attend to the more than
90,000 Spanish emigrants

that were then in Paris.

And a moving door was placed
in a confessional.

Well Irene
Pacino and Velázquez will go to Paris.

Lola and Julián, to Madrid in 1937
to find "Las Meninas"

and all the works of art
they have disappeared.

- No, I'm going to the Prado.
- Velázquez...

- I'm going to the Prado! What have I ...?
- Velázquez!

Only a genius
can convince another genius

and you've already done it once, huh?

Leave immediately.

-To the mess.

Sir...

You've been
very good with Velázquez.

-When you're on edge,

I don't want to be around him
because it drives me crazy.

Sorry.

Nothing, we're already here again.

It's going to shit.

Bismarck already said it, Spain
is the strongest country in the world.

Spaniards take centuries
trying to destroy it

and they have not succeeded.

Bismarck, yes,
I don't know who he was, but he nailed it.

(Music)

Wow, how wonderful.

Stunning.

-Where will my "Meninas" be?

What was the guy's name
that we have to look for?

Sergeant Torres.

How are you doing being you again?
Made a mess.

And more returning to a
mission in this year.

Already.

Well you know you can count
on me if you need it.

Are you sure?

I already met another Lola Mendieta
and she was not very reliable.

Well you said it
it was another Lola Mendieta.

I hope so, I also am
another Julián Martínez

and I have less patience
than the previous one.

Hey, sorry, sorry, if you wear it
like this, it will be destroyed.

Hey!
You can pick up dust.

What's going on here?
We are looking for Sergeant Torres.

Died a couple of nights ago
in a bombardment,

he was a good soldier, a shame.
Wow.

Sorry.
Wow.

Well, how can I help you?

We come to help with transfers,
we are art conservers.

And what is that?

We restore and care for paintings.
That's what it is.

Yeah, well, they'll have time for that
when the war is over.

Now what we need
They are people to watch the rooms.

Let's see, we are also good for that.

Well follow me.

Very good.

Let's see what the hell we do now.

No wonder he doesn't paint
with so much revelry, my goodness.

(Screams)

Good afternoon, Don Pablo,

we came to make a report
from the magazine "Arte y salud".

Spaniards.
Yes.

And a lot of Spaniards.

-Well, let's have a drink.

Now come. You're going? Be careful.
Calm, don't worry. "Merci".

What great hair you have, sir.

It looks more like a warehouse
than a museum, right?

A virgin...

A saint and a martyr...

A king.

Of balls.

I'm a republican and an atheist
and here I am,

protecting pictures of kings,
saints, christs and martyrs.

And you,
Why aren't you at the front?

You're young.

Asthma.

Hey what do you know about trucks
that are taking the paintings to Valencia?

I have loaded many, back here,
next to the Buen Retiro house.

(Siren)

(SIGHS)

They are already here.

Today we also have bombs.

God save you, Mary,
full of grace.

The Lord is with you, blessed are you
among all women...

Didn't you just say you're an atheist?

Yes, but my mother asked me that,
being in danger,

I will pray to the Virgin de las Angustias.

And a mother is a mother.

(Planes)

(Music)

You like it cleanly,
break, of course, break.

But break there,
fine with the stroke, right?

- Like a crystal.
- Like a crystal.

Well, that face is familiar to me.

So Velazquez, so...

- Let's see, we are changing
the subject, eh, don Pablo?

- I remember,
Els Quatre Gats, Barcelona.

But it can't be him,
a long time has passed.

-Impossible.

We were talking about the painting
that you should be painting.

If I tell you the truth,
I don't even know what to paint.

I am blocked.

What is the use of art today
In a world that is falling apart

-But, Pablo, please...

To show the barbarism of war.

Goya and "The executions".

Or "The slaughter of Chios",
from Delacroix.

- Was it something? We do not carry
not half of the 20th century

and we already have a world war,
a civil war in Spain...

A human being invented
the plane to fly

and uses it to kill.

As in Guernica.
- Good subject for a painting.

Yes, the truth is yes.

Who is that woman?

Joséphine Baker,
the queen of paris.

Don't get your hopes up,

likes figs more than turnips.

(Piano)

(SING IN FRENCH)

-Tomorrow you will have your own.

-And mine?

-You will find it where I told you.

It's over, another day alive.

Well, I'm going with my wife.

So if they kill me tomorrow,
"take away from me what I've danced!".

Do you let your guard down?

Today it was not my turn to be here,
I've done a friend a favor.

He should be arriving.

That is if he is not dead
in the bombardment.

No kidding, he's like a cat,
he has seven lives that one.

-Excuse me.

-This is my friend Carlos.

-Hello.

- You see?
Hi.

My friend Carlos has seven lives,
like a cat.

No one has that many.

(SING IN FRENCH)

(SPEAKS IN FRENCH)

What did she say?

That it does not occur to
me to leave without her.

So, first?

Damn, here the people
don't waste time, huh?

"Merci".

They will forgive me,
but I'm tired.

I'm going to sleep.

Leave the absinthe, man.

Please, what France, Italy!

- What a binge your friend is carrying.
Already.

Where are you staying?
Hey?

In... The rue de la Pompe,
next to the Spanish church.

But that's
where Christ lost the espadrille.

Yes.

Come to my workshop, I have everything
for when friends stay.

Yes, it will be better,
thank you.

Damn!
Darn it!

Watch your head.

Come in
- Look what... Oh, how nice.

-There you have mattresses and blankets.

Very well thanks.
Thank you.

Carefully.
Mine Mine...

Be careful, take it. Already done.

Quiet, still.

Oh, the head!
Nothing, nothing happened.

Oh, here.

Pass me the blanket.
Yes, I'll go.

Let's see.

There you have the mattress.

Coexistence kills love,
completely.

You are going to tell me,
that I liked Velázquez.

And look now.

I say this for Dora Maar.

She was ahead of her time,

a pioneer in defence
of human rights,

defender of free love.

Well now she seems
the old woman with the net curtain, eh?

Picasso is an expert
in crushing great women.

Oops...

Great...

(Woman gasps)

Fuck...

What art, huh?

How he has turned things around.

And what energy.

(VELÁZQUEZ snores)

Damn, the missing one.

(snores)

Touch them.

Okay,

one day we can say
that we couldn't sleep

because of Velázquez
and of Picasso.

(Gasps)

Pacino...
Hey?

I think I'm going back to the party.
(LAUGHS)

What?

Nothing, you're leaving
with the brunette, right?

Yes, little white boy.
(LAUGHS)

(Gasps)

It takes just enough.
It takes what it takes.

(VELÁZQUEZ snores)

Hey, if Picasso moves,
let me know.

He won't move.

(VELÁZQUEZ snores)

(CLICK THE LANGUAGE)

Whore will be your fucking mother!

Take it.

Are you Spanish?

Yes, what a coincidence, right?

Thank you very much.

Clara Campoamor?

We know each other?

No, not personally, but...

I know your work.

In Spain,
We owe you the female vote.

And I owe you now
My purse was not stolen.

Pleased to meet you.

Pleased to meet you.

Fuck...

Time is a tissue.

You said it.

Hey, that guy and you ...?

We loved each other, yes.

And a lot.

You have noticed so much?
And it shows, it shows.

Do I take a picture
so you can see how you look at him?

It is not what you think.

That bastard almost got
us killed with Franco.

When did you meet him?

In 1940.

And I assure you that,
at the time, he was not a traitor.

Helped me save many lives
risking his

and defended and will defend Madrid
until the end of the war.

How well you know his life, right?

You can't imagine it.

You really don't know what it was like.
But I know how it will be.

Traitors are born, not made.

Where are you going, Lola?

To talk to him,

Has always had
the best contacts,

maybe he can help us.
You have nothing to talk to him about.

What if it has to do
with the theft of the paintings?

He assured you that he would not
have crossed Madrid under the bombs

to watch over the museum.

You can put the mission in danger
through mixing the personal,

you understand that?

Wow, I thought it was you who were
the expert on these topics.

It seems that you have informed
yourself well about me.

Yes.

Do you know how many times I've thought
in taking a door to 1943

and shoot Carlos?

Too late, I already have.

Now you know
why I was looking at him like that.

Does the Ministry know about this?

They suspect, but have no proof.

Nor will they.

Why are you telling me?

Because I need you to trust me.

(VELÁZQUEZ snores)

Have you read my book

My mortal sin,
"The female vote and me".

I love it.

That day was a historic day.

And my end as a deputy.

After getting all the women
we could to vote,

everyone turned their backs on me.

Right and left.

The saddest thing was that Victoria Kent
will fight against the female vote.

A woman should never do that.

I did not imagine you in Paris.

I'm writing

and Spain is now
a bad place for writing.

But I will be back in a few weeks.

I want to be in Madrid
when we win the war.

What?

That I have to go.

We will see each other again?

Hopefully.

Why do you ask me so many questions
about the transfer of the paintings?

It will be better
to tell me who you are.

I have a better idea,
I will tell you who you are.

Your name is Carlos Munuera Mateu,
you were born in Burgos,

but you came to Madrid
when you were a kid

because the insurance agency where
your father worked promoted him.

Your mother died
a week after the uprising,

breast cancer.

And you are now in Madrid
in the Information Service

because they hurt you
on the Aragon front.

Go on?
How do you know all that?

Because I am part
of a secret government unit.

I think the best thing is that you come
with me to find out if that's true.

If it is not,
don't make future plans.

It's you who has
to worry about his future

if you are involved
in the robberies we are investigating.

What robberies are you talking about?

Paintings have disappeared
in transfers.

Velázquez's "Las Meninas",
among them.

If that were true,
everyone would know.

Well, I propose you a deal:

pull your strings,
if you have them.

And if "Las Meninas"
has not disappeared, I am here,

I will not move from the museum.

It's okay,

I will do it.

And a tip: don't trust anyone,
everyone is suspicious, everyone.

And why am I not?

Why do you think
that I know your life?

Because we have investigated all of you

and you are the only one
who deserves trust.

(Snoring)

(Snoring)

Hello!

Hello!

What a son of a bitch.

Hey!

Already woke up
the young man, huh?

Picasso painted the "Guernica",
tricked us.

What I don't understand is why.

- I do not know why,
but I think I know by whom.

Last night, Picasso met a man

and changed his face.

-Who was?

- No idea,
but in the haze of the hangover,

a face is appearing to me...

Bring me a chamomile
if not, instead of a Velázquez,

I'm going to get a Bacon.

"Por favor".

-Because you are Velázquez, if not...

I will throw it boiling at you from behind.

-What is it, Ernesto?

- I've discovered something that doesn't add up.
- Tell me.

- Let's see, according to the
alarm from the Prado Museum,

transfers because
of the bombings were carried out

in early May 1937.
- So is.

- Well, "Las Meninas"
was evacuated a year later,

so one of two,

or the fucking butterfly is back,
as you say,

or the thief of "Las Meninas"...

-He's a time traveler.

Not this way?

Be careful

- Have you had some mishap
Or is everything going as planned?

-Everything correct, nothing remarkable.

- You don't know how much I thank you for
your collaboration, official.

- You don't have to thank me for anything,
It has been a pleasure.

- If I need you again,
I will call you.

-You know where to find me.

(PICTURES)

But...

It will be a bastard...

Where is Picasso?
I do not know i do not know.

When I got up,
neither he nor Dona Maar were there.

They will have gone to have a
strong breakfast, because come on

that night they burned more calories
than the one who invented the marathon.

- The case is that I would swear I
have portrayed him before.

- Draw the guy
who was talking last night with Picasso.

At the party.
At the party, yes.

What, already?

-No, I'm missing some relief.

-But what relief?

- I do not like to show
an incomplete work,

I need to shade.
- Please shade!

Taking.

Again...

Yes, you don't know how happy I am.

Ah, I hope to see you soon
around here, huh?

In the meantime,
enjoy the family.

Goodbye.

-How is he?

-It seems that Alonso is recovering well.

-I'm glad, we don't have too many staff.

(Nods)

- How I admire that man,
always ready to give everything,

even his life.

And he has more merit
with a small baby.

Yes...
- so what?

- You should see more
of your son, Ernesto.

Isn't that what you're thinking?
- No no no.

Thank God you still don't have
the power to read minds.

-Already.

(MESSAGE) "I have sent you
some photos by mail,

you won't believe who's here."

It's Diaz Bueno.

- Wasn't he locked up
in the madhouse?

-Yes, that's what I thought.

What I do not understand
is how he was able to run away.

(ANGUSTIAS NODS)

-Irene just sent me this.

-The mother that bore him!

-Look, now I pass it to you, it's her.

Velázquez saw him last night
talking to Picasso.

Yes, keep an eye on Picasso
in case Díaz Bueno reappears.

-Wait,

How is it possible
that he was in Paris last night

and the next day
in the morning in Madrid?

In 1937, there were no possibilities
to be on time.

- Unless you have
a book of doors

-We took away the one he had.

- You may have a new copy.
- No, no, we recovered them all.

Just a moment...

That means...
- That means

there can be
an infiltrator of Díaz Bueno

in this current Ministry.

-Aren't you thinking about Lola?

-Well, Diaz Bueno was her accomplice

when they stole art
through time.

-But it was the other Lola.

-Does a better explanation occur to you?

Trust me, Carlos will come.

You shouldn't have said anything to him,
we already know who is a thief.

But I remind you that our mission

it's not just
know who the thief is.

We have to find "Las Meninas"
and the rest of the stolen pictures.

And for that,
we have to know where they are.

Salvador.

What does it say?

They have confirmed
which is this Diaz Bueno.

And what do we know about him?

That we stopped him
on a mission in 1520,

He was trafficking in art
at different times.

How could he have
the book of doors

I don't know, he said he got it

in an antique shop, I think,
or something like that.

Hey, take it easy!

Quiet...

That you were right
with the theft of the paintings.

Count on me.

I believe
that with the bed microphone

and this one here, it is enough.

Hurry up please
they can arrive at any time.

I'm going I'm going.

(Door)

For, they come...

They come, they come...
- It is done.

-Wow, are you still here?

-A question, Don Pablo,

How can you say you are locked
if you are painting this wonder?

-Outside.

-Good night.

Bonne nuit.

(Music)

Something new?

Dora is talking.

She says maybe she should have
told the truth to Renau.

These hide something fixed, come on.

Picasso answers
that he doesn't want to talk about it

and take off your clothes.
Fuck...

I've watched porn with script twists
more elaborate than this.

- What happens now?
Hey?

What happens?

Nothing, take it, put it on yourself,
see if you find out.

I do not speak French. If you are
going to find out the same. Take it.

There.

For the Hope Macarena,
they are fornicating.

-Yes... Stay tuned there, come on.

If something happens,
tell us, put them on.

Good that?

How about Josefina?

I didn't go back to the party.

And where were you then?

I met Clara Campoamor
and we had breakfast together.

Who?

The woman I admire the most
in the world, Pacino.

She got

that all women had the right to vote.

Very good.

Well, that, that's called maturity.
The what?

Good that...

Well, sex, in the end,
It is not the most important thing in life.

Don't say bullshit.

The nights of love that are lost
they never recover.

I don't understand why women
you talk about love

When really
you are talking about sex.

Maybe because our brain is

a bit more complex
and more sensitive than yours?

(LAUGHS)

Fuck...

What I have been with.

How much lust, by God.

Hey these are the reinforcements
that I had asked you for?

Braulio and his wife?

Sure, they are the only ones
that I could trust.

Calm,
I know how to use a weapon.

- Because I taught you, if not...
- That's right, Agustina.

-In that and in everything.

Agustina,
good name to go to war.

(Music)

They are insatiable.

- Lower your voice, man.
We are wasting time here.

We're going over there,

I'll get the truth out of Picasso
civilly or criminally.

Five minutes, patience.
There is a knock on the door.

The door opens.

Silence.

Dora says something.

In French.

Oh, what a bad character
this man has.

You see.

He says that finally...

Picasso says:
"This is worth more than 'Guernica'."

Pick up.
Let's go now.

Who pays?
Come on, Velázquez,

loosen up the 'maravedíes'.
Come on, come on, run, Pacino.

I have no allowance left.
- For absinthe yes, huh?

We get out here.

The rest of the way
we do walking.

I ask for a gun, the rifle
weighs a hundredweight.

Take.

Let's go?

What you and I don't solve,
no one here solves.

Hands up,
so that I can see them!

Damn, what aim, right?
Man of little faith.

Didn't you hear him?
Hands up!

And everyone there!

Come on.

Get some ropes.

Down.

- Apparently,
they have something to celebrate.

-Definitely.

Nothing.

There are a lot of pictures
in the other room.

But they are not "Las Meninas"
nor any work by Velázquez.

Let's see, you
Where is "Las Meninas"?

Speaks!

Hears...

"Las Meninas"
isn't it a very big picture?

How big?
Well...

I don't know, huge, Come, look.

Look.

But it is "Guernica".

What the hell is it doing here?

It is as ugly as balls.

And is that art?

Julian...

(TV) "Say hello
to the Ministry of Time."

- I know it's hard to believe,
but it's true.

And I don't regret it.

I have sacrificed my work

for the greatest work of art
of all time, "Las Meninas".

- One thing, Don Pablo,
for me to find out.

This man stole "Las Meninas"

and sent you a photograph
to show you that he had it.

-Yes.

- And then he offered to
change it for "Guernica".

And he said that if you did not accept
the deal would destroy it.

- Exact.
- Hideputa.

And you delivered the "Guernica"
in exchange for nothing.

How in exchange for nothing? I painted it.

I collected the rent for this studio
and a small amount of money

and a man, Araquistáin,

he offered me 150,000 francs
from the government that I did not accept.

Well, you should have done.

If they do it again,
take it and ask for a receipt.

Are you calling me a money-grubber?

It would not be the first time.

It is said that I like money,
It is true,

but you can't say
that I do not feel Spain.

(Vibration)

(Throaty)

Excuse me, I must go...

I must go "au toilet".
I accompany her.

"Merci".

Do you know how many times I said "no"
to the government of France

when it has offered me
its nationality?

That I'm not Spanish, they say.

Is it not seen?

Goya, bullfighting
inside my paintings.

I plan to do
versions of "Las Meninas".

- It is not for less,
"Las Meninas" gives a lot of itself.

-I thought in case it was destroyed,

but I'm going to paint them
anyway.

When I die
and someone sees my painting,

If they don't realize that I'm Spanish,
they are either blind or ignorant.

We have recovered
the "Guernica" in Madrid.

- Salvador, I have spoken
with the Ministry of 1937,

send reinforcements
to protect the "Guernica".

The embassy in France
will be in charge of "Las Meninas",

will surely carry
the picture to Switzerland.

It's okay?
- Hey?

No, no, not yet.

When I think
of what would have happened

if we hadn't been successful...

My grey hairs tremble.

- There is something that
I do not understand,

Why Díaz Bueno
wants the "Guernica"

instead of "Las Meninas"?
They are both worth a lot of money.

- Who will buy "Las Meninas"
He couldn't show them to anyone.

If he did, he would face
a worldwide demand.

- But there are always madmen
who buy stolen paintings

to see them alone.
- Bah...

The vanity to possess
a work of art overcomes everything;

In the end,
you end up showing it to someone.

And when two know it,
the secret is over.

Instead, in May 1937, no one,

except us and Picasso himself,

knows of the existence
of "Guernica".

Diaz Bueno would wait
to sell it this year.

And, today, the appearance
of an unpublished Picasso of that year

and those proportions

would break all records
of the art market.

-Today luck has accompanied us.

-As Luis Aragonés once said:

"Luck does not exist,

there is only bad luck."

Too bad you leave Paris,

it is not easy to
find friends here.

I have to tell you something

and you have to believe me

Don't go back to Spain, Clara,
Franco will win the war.

The news that reaches me
from Spain says the opposite.

He will win it, I know.

How I know the book
that you write now is called

"The Spanish revolution
seen by a republican."

How do you know?

I have not told anyone.

I also know that you will write
a biography of Concepción Arenal

and another
by Sister Juana Inés de la Cruz.

Do you read minds?

It's possible.

And a tip,

don't stay here either.

The Germans will invade Paris.

I think the ideal place for you
may be Buenos Aires.

Thanks for fighting
for all women.

What did you tell her?

Don't stop fighting,

never.

Good advice.

- There is one thing
that still haunts my head.

Why did you tell Picasso

to accept
the money of the Republic?

Because Araquistáin will give him
a receipt and he will sign it.

And it is or it will be key for Spain
to demonstrate to the Guggenheim

that the painting belongs to it.

And so the "Guernica"
may return to Spain in 1981.

I attest to this.

- Well, you're in everything, huh?
My goodness, how effective.

If the truth.
One thing,

I will not go again
with this mission.

Why?
Why not.

What have you done Who is this?

This is you.
You are very heavy.

Okay, delighted to have met you.

Hopefully we'll see you soon.
Yes, hopefully.

Let's go?

Now I'm going.

I'll wait for you in the car.

I think your partner
he's a little jealous of me.

It's possible.

Good and...

Did you want to tell me something?

Yes.

I wanted to tell you that...

Goodbye.

Goodbye.

(Noise)

Charles! Charles!

(Shots)

Lola!

Lola!

Tall!

Let her go.

This time,
you will not ruin my plans.

(Shooting)

Hold on, hold on.

No man no, you can't die yet.

Have a good trip, friend.

Ok now how the fuck do
we rescue Lola?

Take it,

drink this.

What is it?
Is the fluid Garcia:

allows you to travel through time
without aging or rejuvenating.

You've always been
very suspicious, Lola.

How do you know my name?

We met a long time ago.

Or we will meet in the future.

-Do you know anything about Lola?

- I think that you should take
a few days off.

- Well, I think I should
keep looking for her.

-Hello.

-Hello.

I am solely responsible
for what is going to happen.

I will change the past.

Lola is in no condition
to go on a mission.

What a shit.
Spaniards killing Spaniards.

Everything will be fine.

I want to order you
your first mission.

Already?
But if I am not ready.

- With this machine,
I will be able to travel through time.

- I've screwed up again.
- You don't know how.

- It's if you didn't try to change
the time all the time...

Everything ok in the Ministry?

There will be no place in the world
nor in past centuries

where the murderer can hide,
we will find you.

To that mission,
I should have gone.

I was the one who needs to be dead, me.

To a prisoner
he is never denied a drink.

It is still early.

Was "El Anacronópete" not

a novel by Enrique Gaspar and Rimbau?

So I believed,
it was just a novel.

Don't try to change the past,
it is totally sketchy.