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These are the user uploaded subtitles that are being translated: 1 00:00:40,125 --> 00:00:42,458 ♪ SIOUX CITY SUE ♪ 2 00:00:42,500 --> 00:00:45,125 ♪ SIOUX CITY SUE ♪ 3 00:00:45,166 --> 00:00:47,833 ♪ YOUR HAIR IS RED YOUR EYES ARE BLUE ♪ 4 00:00:47,875 --> 00:00:50,500 ♪ I'D SWAP MY HORSE AND DOG FOR YOU ♪ 5 00:00:50,541 --> 00:00:52,958 ♪ SIOUX CITY SUE ♪ 6 00:00:53,000 --> 00:00:55,250 ♪ SIOUX CITY SUE ♪ 7 00:00:55,291 --> 00:00:57,625 ♪ THERE AIN'T NO GAL AS TRUE ♪ 8 00:00:57,666 --> 00:01:00,750 ♪ AS MY SWEET SIOUX CITY SUE ♪ 9 00:01:00,791 --> 00:01:03,500 ♪ I DROVE A HERD OF CATTLE DOWN ♪ 10 00:01:03,541 --> 00:01:05,958 ♪ FROM OLD NEBRASKA WAY ♪ 11 00:01:06,000 --> 00:01:08,333 ♪ THAT'S HOW I COME TO BE IN ♪ 12 00:01:08,375 --> 00:01:11,000 ♪ THE STATE OF IOWA ♪ 13 00:01:11,041 --> 00:01:14,000 ♪ I MET A GIRL IN IOWA ♪ 14 00:01:14,041 --> 00:01:16,583 ♪ HER EYES WERE BIG AND BLUE ♪ 15 00:01:16,625 --> 00:01:19,000 ♪ I ASKED HER WHAT HER NAME WAS ♪ 16 00:01:19,041 --> 00:01:22,333 ♪ SHE SAID SIOUX CITY SUE ♪ 17 00:01:22,375 --> 00:01:24,333 ♪ SIOUX CITY SUE ♪ 18 00:01:24,375 --> 00:01:26,875 ♪ SIOUX CITY SUE ♪ 19 00:01:26,916 --> 00:01:29,833 ♪ HER HAIR IS RED AND HER EYES ARE BLUE ♪ 20 00:01:29,875 --> 00:01:32,333 ♪ I'D SWAP MY HORSE AND DOG FOR YOU ♪ 21 00:01:32,375 --> 00:01:34,916 ♪ SIOUX CITY SUE ♪ 22 00:01:34,958 --> 00:01:37,416 ♪ SIOUX CITY SUE ♪ 23 00:01:37,458 --> 00:01:39,541 ♪ THERE AIN'T NO GAL AS TRUE ♪ 24 00:01:39,583 --> 00:01:43,333 ♪ AS MY SWEET SIOUX CITY SUE ♪♪ 25 00:01:43,375 --> 00:01:48,083 [ Man ] ♪ DA, DA, DA, DA SIOUX CITY SUE ♪ 26 00:01:48,125 --> 00:01:50,333 YOU KNOW, I'M GONNA WRITE A SONG ABOUT YOU, SUE ? 27 00:01:50,375 --> 00:01:52,958 NEVER MIND THE SONGS. DO YOU KNOW WHERE WE ARE ? 28 00:01:53,000 --> 00:01:57,458 I SUSPECT WE'RE SOMEPLACE EAST OF JEFFERSON LANG AND HEADIN' FOR DEEP TROUBLE. 29 00:01:57,500 --> 00:02:01,458 AW, SUE. LET'S GO BACK TO HOLLYWOOD AND-AND TELL 'EM IT DIDN'T WORK OUT. 30 00:02:01,500 --> 00:02:03,458 WE'LL TELL HIM AND THEN GO BACK. 31 00:02:03,500 --> 00:02:05,458 I'LL PUT IN A CALL AT THE NEXT TOWN. 32 00:02:05,500 --> 00:02:08,791 YOU DIDN'T PUT A TWINKLE IN HIS EYE. IT'S A COMEDY. REMEMBER ? 33 00:02:08,833 --> 00:02:10,958 HOW ARE THESE PROPORTIONS, MR. LANG ? 34 00:02:11,000 --> 00:02:13,875 STEVE, THEY'RE OFF. WHY DON'T YOU STICK TO YOUR CUE SHEET ? 35 00:02:13,916 --> 00:02:15,875 LOOK. DING-DONG DONKEY IS A WESTERN CHARACTER. 36 00:02:15,916 --> 00:02:17,583 KEEP HIM BROAD AND RUGGED. ALL RIGHT, SIR. 37 00:02:19,541 --> 00:02:23,208 MM-HMM. THERE, NOW. THAT'S BETTER. BOY MEETS GIRL. 38 00:02:23,250 --> 00:02:26,208 MR. LANG ? MR. LANG ? 39 00:02:26,250 --> 00:02:29,125 WHAT IS IT, MISS PRICE ? LONG DISTANCE CALL FROM SUE WARNER. 40 00:02:29,166 --> 00:02:31,125 HERE. KEEP KNOCKIN' ON THAT, STEVE. 41 00:02:31,166 --> 00:02:33,458 WE'RE READY FOR MISS WARNER. GOOD OL' SUE. 42 00:02:33,500 --> 00:02:36,291 MY TROUBLES ARE OVER. DO YOU THINK SHE'S FOUND A SINGER ? 43 00:02:36,333 --> 00:02:38,791 SURE. AND I'VE GOT THE LAUGH ON THOSE BIG-NAME CROONERS WHO TURNED ME DOWN... 44 00:02:38,833 --> 00:02:41,041 BECAUSE THEY WOULDN'T SING WITH AN ANIMATED CARTOON. 45 00:02:41,083 --> 00:02:43,500 HAH ! 46 00:02:43,541 --> 00:02:46,500 SUSIE, PET, YOU'VE DONE IT ! WHO IS HE, WHERE'D YOU FIND HIM AND WHERE ARE YA ? 47 00:02:46,541 --> 00:02:50,333 IN WHISPERING ROCK. A TOWN ? [ Laughs ] 48 00:02:50,375 --> 00:02:52,333 IT'S A MUD PIE WITH PEOPLE. 49 00:02:52,375 --> 00:02:55,041 [ Laughs ] A MUD PIE WITH PEOPLE, SHE SAYS. 50 00:02:55,083 --> 00:02:57,458 OH. HURRY BACK. WE NEED YOU HERE FOR THE LAUGHS. 51 00:02:57,500 --> 00:03:00,416 [ Laughing ] 52 00:03:00,458 --> 00:03:03,166 UM, WHAT DO YOU MEAN, NO SOAP ? 53 00:03:03,208 --> 00:03:07,208 THE TRIP'S A BUST. WE'VE AUDITIONED EVERY COWHAND IN THE WEST. 54 00:03:07,250 --> 00:03:11,041 THESE ROOKIES JUST CAN'T CUT IT, JEFF. WE'RE BYPASSING THIS BURG. 55 00:03:11,083 --> 00:03:14,000 IF YOU TURN UP HERE WITHOUT THAT SINGING FIND... 56 00:03:14,041 --> 00:03:16,333 YOU WERE TO FIND, YOU'LL FIND YOURSELF OUT OF A JOB, 57 00:03:16,375 --> 00:03:18,583 INCLUDING NELSON BLY. 58 00:03:18,625 --> 00:03:22,166 NO ALIBIS ! I WANT ACTION. I'M ALL SET TO RECORD THESE NUMBERS, AND YOU LET ME DOWN. 59 00:03:22,208 --> 00:03:24,166 DO YOU EXPECT ME TO SING FOR THE DONKEY ? 60 00:03:24,208 --> 00:03:28,666 YOU'VE GOT A BIG ENOUGH MOUTH FOR IT. THAT'S TELLIN' HIM. 61 00:03:28,708 --> 00:03:30,916 NELLIE, GO OUT AND BRING THE BAGS IN, 62 00:03:30,958 --> 00:03:32,958 AND I'LL MAKE ARRANGEMENTS FOR THE USE OF THE LOBBY. 63 00:03:33,000 --> 00:03:36,083 YOU MEAN, WE'VE GOT TO AUDITION MORE OF THESE CACTUS CROONERS ? 64 00:03:36,125 --> 00:03:38,041 THE MAN SAID THAT. 65 00:03:39,916 --> 00:03:41,583 [ Rings ] 66 00:03:45,916 --> 00:03:49,958 UH, HOW COME YOU GOT ONE OF THEM JEEPS, MISTER ? GIFT FROM THE WAR DEPARTMENT. 67 00:03:50,000 --> 00:03:52,625 YOU MUST HAVE DONE SOMETHING REAL HEROIC. 68 00:03:52,666 --> 00:03:55,583 YES, I-I WROTE THE SONG THAT KEPT THE INFANTRY MARCHING. 69 00:03:55,625 --> 00:03:57,708 IN THE WAR, I WAS A DOGFACE. 70 00:03:57,750 --> 00:04:00,083 YES. 71 00:04:01,791 --> 00:04:05,375 OH. LET'S FORGET THE WHOLE THING. SHALL WE ? 72 00:04:05,416 --> 00:04:08,416 GOSH. I NEVER MET UP WITH A REAL SONGWRITER BEFORE. 73 00:04:08,458 --> 00:04:12,375 THAT'S FINE. YOUR EDUCATION IS MOVING AHEAD BY LEAPS AND BOUNDS. 74 00:04:12,416 --> 00:04:15,375 WHY, DO YOU KNOW THAT AT THIS VERY MOMENT IN THIS VERY HOTEL... 75 00:04:15,416 --> 00:04:17,625 THERE'S A TALENT SCOUT FROM HOLLYWOOD... 76 00:04:17,666 --> 00:04:21,583 WAITING TO TAKE SOME LUCKY COWBOY OUT OF THIS LO-- UH, THIS LOVELY LITTLE CITY ? 77 00:04:21,625 --> 00:04:23,916 FOR WHAT WOULD A COWBOY LEAVE WHISPERING ROCK ? 78 00:04:23,958 --> 00:04:27,916 WELL, TO GET A CONTRACT WITH PARAGON PICTURES, INC. 79 00:04:27,958 --> 00:04:30,125 DOIN' WHAT ? WHAT'S YOUR ANGLE, MISTER ? 80 00:04:30,166 --> 00:04:32,833 ARE YOU KIDDIN' ? I DON'T GO FOR KIDDIN', MISTER. 81 00:04:32,875 --> 00:04:34,833 MAYBE YOU BETTER STATE YOUR BUSINESS PLAINER. 82 00:04:34,875 --> 00:04:37,083 YES, I SEE WHAT YOU MEAN. 83 00:04:37,125 --> 00:04:39,208 [ Clears Throat ] WELL, IT'S LIKE THIS. 84 00:04:39,250 --> 00:04:42,083 MISS SUE WARNER IS HOLDING AUDITIONS, SEE, 85 00:04:42,125 --> 00:04:46,916 IN THE HOPES OF FINDING SOME SINGING VOICE FAIRLY DRIPPING WITH SAGEBRUSH. 86 00:04:46,958 --> 00:04:49,583 NOW, DO ANY OF YOU DR-- UH, ANY OF YOU KIDS... 87 00:04:49,625 --> 00:04:52,333 HAPPEN TO KNOW A COWBOY WHO CAN SING ? 88 00:04:52,375 --> 00:04:54,416 [ Man ] ♪ WAY DOWN YONDER IN THE INDIAN NATION ♪ 89 00:04:54,458 --> 00:04:56,416 ♪ I RODE MY PONY ON THE RESERVATION ♪ 90 00:04:56,458 --> 00:05:01,000 ♪ IN THE OKLAHOMA HILLS WHERE I WAS BORN ♪ 91 00:05:01,041 --> 00:05:03,000 ♪ WAY DOWN YONDER IN THE INDIAN NATION ♪ 92 00:05:03,041 --> 00:05:05,250 ♪ A COWBOY'S LIFE WAS MY OCCUPATION ♪ 93 00:05:05,291 --> 00:05:09,250 ♪ IN THE OKLAHOMA HILLS WHERE I WAS BORN ♪ 94 00:05:09,291 --> 00:05:11,291 ♪ MANY MONTHS HAVE COME AND GONE ♪ 95 00:05:11,333 --> 00:05:13,791 ♪ SINCE I WANDERED FROM MY HOME ♪ 96 00:05:13,833 --> 00:05:17,875 ♪ IN THOSE OKLAHOMA HILLS WHERE I WAS BORN ♪ 97 00:05:17,916 --> 00:05:19,958 ♪ THOUGH A PAGE OF LIFE HAS TURNED ♪ 98 00:05:20,000 --> 00:05:22,416 ♪ MANY A LESSON I HAVE LEARNED ♪ 99 00:05:22,458 --> 00:05:26,375 ♪ YET, I FEEL LIKE IN THOSE HILLS I STILL BELONG ♪ 100 00:05:26,416 --> 00:05:29,208 ♪ WAY DOWN YONDER IN THE INDIAN NATION ♪ 101 00:05:29,250 --> 00:05:31,583 ♪ I RODE MY PONY ON THE RESERVATION ♪ 102 00:05:31,625 --> 00:05:35,750 ♪ IN THE OKLAHOMA HILLS WHERE I WAS BORN ♪ 103 00:05:35,791 --> 00:05:38,125 ♪ WAY DOWN YONDER IN THE INDIAN NATION ♪ 104 00:05:38,166 --> 00:05:40,500 ♪ A COWBOY'S LIFE IS MY OCCUPATION ♪ 105 00:05:40,541 --> 00:05:43,750 ♪ IN THE OKLAHOMA HILLS WHERE I WAS BORN ♪♪ 106 00:06:16,708 --> 00:06:19,583 NOW, SETTLE DOWN THERE, FELLA. 107 00:06:19,625 --> 00:06:21,666 SOMEBODY LET YOU OUT OF THE CORRAL OR YOU GETTIN' SMART ? 108 00:06:29,791 --> 00:06:31,500 HEY, WHO'S ON THE JOB AROUND HERE ? 109 00:06:38,166 --> 00:06:40,750 [ Men ] ♪ GRANDDAD, GRANDDAD ♪ 110 00:06:40,791 --> 00:06:42,833 ♪ OH, WHAT A MAN WAS PAPPY ♪ 111 00:06:42,875 --> 00:06:45,875 ♪ GRANDDAD, GRANDDAD ♪ 112 00:06:45,916 --> 00:06:48,333 ♪ OH, WHAT A MAN WAS PAPPY ♪ 113 00:06:48,375 --> 00:06:50,833 ♪ HE WORKED HARD ALL DAY AND SLEPT ALL NIGHT ♪ 114 00:06:50,875 --> 00:06:53,333 GOSH, HOW AWFUL ! 115 00:06:53,375 --> 00:06:56,041 ♪♪ [ Singing, Yodeling Continues Indistinct ] 116 00:07:00,166 --> 00:07:03,916 LET'S TRY A CHORUS. ♪ GREAT GRANDDAD WHEN THE WEST WAS YOUNG ♪ 117 00:07:03,958 --> 00:07:06,416 ♪ BARRED HIS DOOR WITH A WAGON TONGUE ♪ 118 00:07:06,458 --> 00:07:08,625 ♪ TIMES WERE ROUGH AND THE REDSKINS MOCKED ♪ 119 00:07:08,666 --> 00:07:11,166 ♪ HE SAID HIS PRAYERS WITH HIS SHOTGUN COCKED ♪ 120 00:07:11,208 --> 00:07:14,583 ♪ I KNOW THAT SOMEDAY ♪ 121 00:07:14,625 --> 00:07:20,791 ♪ YOU'LL WANT ME TO WANT YOU ♪ 122 00:07:20,833 --> 00:07:24,916 ♪ WHEN I'M IN LO-- LOVE WITH SOME-- ♪♪ LOOK. 123 00:07:24,958 --> 00:07:28,916 THIS HERE AUDITION'S FOR COWPOKES, NOT HALF-BAKED SOPRANOS. 124 00:07:28,958 --> 00:07:31,625 IF YOU'VE GOT THE NERVE TO DO IT, ANYBODY CAN. 125 00:07:31,666 --> 00:07:34,041 I'VE GOT A MIND TO TEACH YOU NOT TO GET TOO BIG FOR YOUR BOOTS. 126 00:07:34,083 --> 00:07:37,041 HEY. WHAT'S GOIN' ON HERE ? 127 00:07:37,083 --> 00:07:40,041 THOSE ARE MY BOOTS. THAT'S WHY THEY'RE TOO BIG FOR HIM. 128 00:07:40,083 --> 00:07:42,916 AND THAT SHIRT'S MINE TOO, SO BE CAREFUL THAT YOU DON'T MUSS IT UP. 129 00:07:42,958 --> 00:07:47,833 SAY, GENE. MAYBE IF YOU RAN THROUGH IT FOR ME JUST ONCE, MAYBE I'D GET THE HANG OF IT. 130 00:07:47,875 --> 00:07:51,291 WELL, TAKE IT EASY-- SORT OF LAZY. LIKE THIS. 131 00:07:56,083 --> 00:07:59,375 ♪ I KNOW THAT SOMEDAY ♪ 132 00:07:59,416 --> 00:08:04,333 ♪ YOU'LL WANT ME TO WANT YOU ♪ 133 00:08:04,375 --> 00:08:07,750 ♪ WHEN I'M IN LOVE ♪ 134 00:08:07,791 --> 00:08:12,291 ♪ WITH SOMEBODY ELSE ♪ 135 00:08:13,416 --> 00:08:18,125 ♪ YOU EXPECT ME TO BE TRUE ♪ 136 00:08:18,166 --> 00:08:22,333 ♪ AND KEEP ON LOVING YOU ♪ 137 00:08:22,375 --> 00:08:26,625 ♪ THOUGH I AM FEELING BLUE ♪ 138 00:08:26,666 --> 00:08:30,166 ♪ YOU THINK I CAN'T FORGET YOU ♪ 139 00:08:30,208 --> 00:08:34,875 ♪ UNTIL SOMEDAY YOU'LL WANT ME ♪ 140 00:08:34,916 --> 00:08:37,458 ♪ TO WANT YOU ♪ 141 00:08:37,500 --> 00:08:40,875 ♪ WHEN I AM STRONG ♪ 142 00:08:40,916 --> 00:08:45,166 ♪ FOR SOMEBODY NEW ♪ 143 00:08:47,333 --> 00:08:52,083 ♪ AND THOUGH YOU DON'T WANT ME NOW ♪ 144 00:08:52,125 --> 00:08:56,791 ♪ I'LL GET ALONG SOMEHOW ♪ 145 00:08:56,833 --> 00:09:01,541 ♪ AND THEN I WON'T ♪ 146 00:09:01,583 --> 00:09:06,166 ♪ WANT YOU ♪♪ 147 00:09:07,750 --> 00:09:09,708 THAT'S ALL THERE IS TO IT. 148 00:09:09,750 --> 00:09:13,041 [ Man ] ♪ BUT REMEMBER ♪ 149 00:09:13,083 --> 00:09:19,500 ♪ THE RED RIVER VALLEY ♪ 150 00:09:19,541 --> 00:09:21,750 ♪ AND THE GIRL ♪ 151 00:09:21,791 --> 00:09:24,916 ♪ THAT HAS LOVED ♪ 152 00:09:24,958 --> 00:09:29,583 ♪ YOU SO TRUE ♪ 153 00:09:29,625 --> 00:09:33,208 ♪ FROM THIS-- ♪♪ STOP MAKIN'-- STOP THIS UNHOLY HOOTIN' ! 154 00:09:33,250 --> 00:09:35,458 I'M AFRAID YOU WON'T DO. 155 00:09:35,500 --> 00:09:38,750 YA MEAN I AIN'T GOOD ? OH, I-I DIDN'T SAY THAT. 156 00:09:38,791 --> 00:09:41,625 YOU ARE MURDER, JACKSON. OUT ! 157 00:09:43,791 --> 00:09:47,041 THE NAME'S GULLIVER. SO, IT'S GULLIVER. 158 00:09:47,083 --> 00:09:49,041 BIG GULLIVER. SO, IT'S BIG-- 159 00:09:49,083 --> 00:09:51,791 AND NOBODY THROWS ME OUTTA NO PLACE. 160 00:09:51,833 --> 00:09:54,583 NOW YOU STOP MANHANDLIN' MY CUSTOMERS, GULLIVER. YOU STOP IT ! 161 00:09:54,625 --> 00:09:58,291 I'LL WRECK THE PLACE WITH HIM. I'LL TEAR IT APART. 162 00:09:58,333 --> 00:10:01,500 YEAH. WELL, THAT'S JUST-- I'VE GOT A BAD TEMPER, I HAVE. 163 00:10:01,541 --> 00:10:03,500 GULLIVER ! MR. GULLIVER, PLEASE. NOW, TAKE IT EASY. 164 00:10:03,541 --> 00:10:05,250 JUST RELAX. RELAX. I THINK EVERYTHING'S GONNA BE ALL RIGHT. 165 00:10:05,291 --> 00:10:07,208 [ All Yelling, Indistinct ] 166 00:10:12,458 --> 00:10:15,125 HELP ! HELP ! 167 00:10:15,166 --> 00:10:18,291 BIG GULLIVER'S RAMPAGIN' AGAIN. COME ON. 168 00:10:18,333 --> 00:10:22,541 - SOUNDS LIKE HE MISSED THE BOAT TO HOLLYWOOD. - [ Laughs ] YEAH. 169 00:10:22,583 --> 00:10:25,125 GET HIM OUT OF HERE. COME ON, GULLIVER. 170 00:10:25,166 --> 00:10:29,416 YOU CAN'T DO THAT TO ME. GET HIM OUT AND KEEP HIM OUT. YOUR MOTHER'LL HEAR ABOUT THIS. 171 00:10:29,458 --> 00:10:32,541 AND I'LL MAKE OUT YOUR BILL, AND YOU CAN GET TOO. 172 00:10:32,583 --> 00:10:35,500 LISTEN. YOU CAN'T DO THIS TO ME. NOBODY TELLS ME I CAN'T SING ! 173 00:10:37,166 --> 00:10:40,208 GO ON IN, JODY. GOOD LUCK. OH. 174 00:10:40,250 --> 00:10:44,208 SAY, GENE. HOW 'BOUT RUNNIN' THROUGH PART OF THE CHORUS FOR ME AND-- AND GETTIN' ME GOIN' ? 175 00:10:44,250 --> 00:10:46,166 SEEMS LIKE YOU NEED AN AWFUL LOT OF BRIEFING. 176 00:10:46,208 --> 00:10:48,125 YEAH. 177 00:10:51,041 --> 00:10:53,791 ♪ I KNOW THAT SOMEDAY ♪ 178 00:10:53,833 --> 00:10:56,750 ♪ YOU'LL WANT ME ♪ 179 00:10:56,791 --> 00:10:59,416 ♪ TO WANT YOU ♪ 180 00:10:59,458 --> 00:11:02,541 ♪ WHEN I'M IN LOVE ♪ 181 00:11:02,583 --> 00:11:08,166 ♪ WITH SOMEBODY ELSE ♪ 182 00:11:08,208 --> 00:11:12,708 ♪ YOU EXPECT ME TO BE TRUE ♪ 183 00:11:12,750 --> 00:11:15,833 ♪ AND KEEP ON LOVING YOU ♪♪ WHERE'S THAT VOICE ? WHERE'S THAT VOICE ? 184 00:11:15,875 --> 00:11:17,875 I THINK IT CAME FROM OUT HERE. 185 00:11:17,916 --> 00:11:19,833 WELL, DO YOUR STUFF. YEAH. 186 00:11:22,375 --> 00:11:24,333 THERE HE IS ! YEAH. 187 00:11:24,375 --> 00:11:27,916 GOT HIM ! OH. YOU'RE AN ANSWER TO MY PRAYERS ! 188 00:11:27,958 --> 00:11:30,041 MMM. [ Gasps ] HEY. QUIT KISSIN' ME. 189 00:11:30,083 --> 00:11:32,583 LOOK. DON'T YOU TALK. JUST SING. 190 00:11:32,625 --> 00:11:34,791 YEAH. SING THAT CHORUS. COME ON. ALL RIGHT. [ Clears Throat ] 191 00:11:34,833 --> 00:11:38,708 [ Singing Badly ] ♪ I KNOW THAT SOMEDAY YOU'LL-- ♪♪ 192 00:11:40,541 --> 00:11:42,875 UH, START AGAIN. 193 00:11:42,916 --> 00:11:44,875 [ Clears Throat ] ALL RIGHT. 194 00:11:44,916 --> 00:11:48,541 ♪ I KNOW THAT SOMEDAY-- ♪♪ DON'T START AGAIN. OPEN YOUR MOUTH. 195 00:11:48,583 --> 00:11:50,791 WHAT HAVE YOU GOT IN YOUR THROAT. SPIT IT OUT. 196 00:11:50,833 --> 00:11:53,791 [ Mumbling ] UH-UH. I AIN'T GOT NOTHIN'. WHAT'S HAPPENED TO YOUR VOICE ? 197 00:11:53,833 --> 00:11:56,041 AW, SHUCKS ! IT'S CHANGIN'. 198 00:11:56,083 --> 00:11:58,041 YEAH. WELL, IT'S NOT CHANGING FOR THE BETTER. 199 00:11:58,083 --> 00:12:02,166 WELL, GOOD LUCK IN SOME OTHER BUSINESS. 200 00:12:02,208 --> 00:12:04,750 [ Pounding ] [ Sighs ] 201 00:12:11,375 --> 00:12:15,166 YOU FELLAS KEEP ON YOUR TOES NOW. I'M GETTIN' TOP PRICES FOR THIS SHIPMENT. 202 00:12:15,208 --> 00:12:17,583 JERRY, YOU BOYS RIDE ON UP AHEAD. OKAY, GENE. 203 00:12:17,625 --> 00:12:20,291 FRANKIE, TAKE THE SIDE. JODY AND I'LL BRING UP THE REAR. 204 00:12:23,166 --> 00:12:27,375 OH. WHY DID HIS VOICE HAVE TO START CHANGING... BETWEEN CHORUSES ? 205 00:12:27,416 --> 00:12:29,875 YOUTH IS AMBIGUOUS, MY DEAR. 206 00:12:29,916 --> 00:12:32,708 AND SO ARE OUR JOBS. 207 00:12:32,750 --> 00:12:34,791 CAN I TELL YOU A SECRET ? 208 00:12:34,833 --> 00:12:38,041 THEY ARE A CERTAINTY. WE HAVEN'T GOT ANY ! 209 00:12:38,083 --> 00:12:42,000 ♪♪ [ Whistling ] 210 00:12:46,500 --> 00:12:49,458 ♪ WHEN I'M IN LOVE ♪ 211 00:12:49,500 --> 00:12:53,666 ♪ WITH SOMEBODY ELSE ♪ 212 00:12:55,500 --> 00:12:59,833 ♪ YOU EXPECT ME TO BE TRUE ♪ I CAN STILL HEAR IT. 213 00:12:59,875 --> 00:13:03,833 ♪ AND KEEP ON LOVING YOU ♪ ME TOO. RINGING SOFTLY IN MY EARS. 214 00:13:03,875 --> 00:13:08,291 ♪ THOUGH I AM FEELING BLUE ♪ 215 00:13:08,333 --> 00:13:10,708 ♪ YOU THINK I CAN'T FORGET YOU ♪ IT'S THAT SONG ! 216 00:13:10,750 --> 00:13:14,333 IT'S THAT KID ! IT'S COMING FROM AROUND THAT CURVE ! 217 00:13:14,375 --> 00:13:18,375 ♪ UNTIL SOMEDAY YOU'LL WANT ME TO WANT YOU ♪ 218 00:13:18,416 --> 00:13:22,333 ♪ WHEN I AM STRONG ♪ IT'S OVER THERE, I'M SURE. 219 00:13:22,375 --> 00:13:28,458 ♪ FOR SOMEBODY NEW ♪ 220 00:13:28,500 --> 00:13:32,916 ♪ AND THOUGH YOU DON'T WANT ME NOW ♪ 221 00:13:32,958 --> 00:13:36,083 ♪ I'LL GET ALONG SOMEHOW ♪ 222 00:13:36,125 --> 00:13:38,375 ♪ AND THEN I WON'T ♪ 223 00:13:38,416 --> 00:13:40,375 HE'S OVER THAT WAY. NO. NO. HE'S UP AHEAD. 224 00:13:40,416 --> 00:13:42,375 ♪ WANT YOU ♪♪ NO. GO THAT WAY. 225 00:13:42,416 --> 00:13:44,625 WELL, I CAN'T. THERE ARE NOTHING BUT COWS AND THINGS. 226 00:13:44,666 --> 00:13:47,708 I'LL TURN AROUND AND GO BACK. OH. OH. LET ME. THERE. I'LL DO IT. MOVE OVER. 227 00:13:47,750 --> 00:13:49,750 GIVE ME THAT HORN AND I'LL MOW 'EM DOWN. YOU WATCH ME. YOU BE CAREFUL. 228 00:13:49,791 --> 00:13:53,041 OOH. OH, WAIT. THEY MIGHT BITE. BE CAREFUL OF THESE THINGS. 229 00:13:53,083 --> 00:13:56,833 - [ Horn Honking ] - TAKE IT EASY, SUE. 230 00:14:02,041 --> 00:14:03,958 [ Honking Continues ] 231 00:14:16,750 --> 00:14:19,541 TO THE LEFT, SUE. TO THE RIGHT, SUE. STRAIGHT-- OH ! 232 00:14:19,583 --> 00:14:21,541 - [ Tire Blows Out ] - [ Screams ] 233 00:14:24,416 --> 00:14:27,000 [ Nellie ] WHOO. STOP IT. 234 00:14:48,041 --> 00:14:50,000 WHAT'S THE IDEA OF SHOOTING AT ME ? 235 00:14:50,041 --> 00:14:51,708 WHAT'S THE IDEA OF YOU STAMPEDIN' THE HERD ? 236 00:14:53,750 --> 00:14:56,125 NELLIE ! NELLIE ! WHERE'S NELLIE ? 237 00:14:56,166 --> 00:14:58,291 NELLIE ! [ Horse Approaching ] 238 00:14:58,333 --> 00:15:01,458 OH. WELL, IF SHE'S A HE, I THINK THAT'S NELLIE. 239 00:15:06,500 --> 00:15:09,541 IT'S THAT MOVIE FELLA, GENE. I PICKED HIM UP A PIECE BACK. OUT COLD. 240 00:15:14,166 --> 00:15:16,125 CHANGE THE TIRE AND DRIVE 'EM BACK TO THE HOTEL. 241 00:15:16,166 --> 00:15:18,750 I'LL SEE WHAT'S LEFT OF THE HERD. OKAY. 242 00:15:18,791 --> 00:15:20,458 IS HE HURT ? NAW. HE'S ALL RIGHT. 243 00:15:24,500 --> 00:15:26,833 SO, IT WAS THIS GENE AUTRY I HEARD OUTSIDE THE HOTEL ? 244 00:15:26,875 --> 00:15:29,291 SURE. HE WAS HELPIN' ME. 245 00:15:29,333 --> 00:15:32,708 JODY, I WANT YOU TO TAKE ME TO MR. AUTRY'S RANCH. 246 00:15:32,750 --> 00:15:36,416 WELL, I DON'T KNOW, MA'AM. GENE AIN'T FEELIN' VERY KINDLY TOWARDS YOU FOLKS. 247 00:15:36,458 --> 00:15:38,500 MR. AUTRY CERTAINLY WOULDN'T DENY AN INJURED MAN HOUSE ROOM. 248 00:15:38,541 --> 00:15:41,875 WHY, OF COURSE HE-- [ Coughs ] YOU RECKON HE'S HURT BAD ? 249 00:15:41,916 --> 00:15:44,791 OF COURSE, I'M HURT BAD. [ Coughs ] 250 00:15:44,833 --> 00:15:47,541 DID YOU EVER TRY TO RIDE A COW SIDESADDLE ? 251 00:15:47,583 --> 00:15:49,791 DID YA ? WELL. 252 00:15:49,833 --> 00:15:52,375 ♪ AND THAT'S SIOUX CITY SUE ♪♪ 253 00:15:52,416 --> 00:15:54,833 OH. WHY DOESN'T THAT KID COME BACK WITH SOME WORD ? 254 00:15:54,875 --> 00:15:56,875 THIS IS REALLY DOING BUSINESS BY SCUTTLEBUTT. 255 00:15:56,916 --> 00:16:00,458 WHAT DID HE SAY THIS TIME ? WELL, IT'S WORSE, MA'AM. 256 00:16:00,500 --> 00:16:03,291 HE SAYS HE AIN'T AIMIN' TO MAKE A FOOL OF HIMSELF IN NO MOVIE. 257 00:16:03,333 --> 00:16:06,416 WERE THOSE HIS FINAL WORDS ? NO, UH-- 258 00:16:06,458 --> 00:16:08,625 HE SAID THAT AS SOON AS MR. NELLIE CAN NEGOTIATE... 259 00:16:08,666 --> 00:16:11,000 THE SEAT OF HIS PANTS TO THE SEAT OF HIS JEEP, 260 00:16:11,041 --> 00:16:13,375 HE'LL THANK YOU FOLKS TO VAMOOSE. 261 00:16:13,416 --> 00:16:15,083 I NEVER KNEW GENE TO BE SO ORNERY. 262 00:16:16,875 --> 00:16:19,541 [ Groans ] OH, WELL. WHAT DO YOU DO NOW ? 263 00:16:19,583 --> 00:16:22,333 OH. OH, NO. I KEEP PLUGGING. 264 00:16:22,375 --> 00:16:24,750 REMEMBER, DEAR, I'M IN BAD SHAPE, YOU KNOW. 265 00:16:24,791 --> 00:16:28,083 AND YOU'LL STAY IN BAD SHAPE UNTIL I SELL THIS PRAIRIE PRIMA DONNA A BILL OF GOODS. 266 00:16:28,125 --> 00:16:30,791 ALL YOU HAVE TO DO IS TELL HIM YOU WANT HIM TO SING FOR A DONKEY, 267 00:16:30,833 --> 00:16:34,208 AND YOU WILL REALLY SEE A STAMPEDE. [ Horses Approaching ] 268 00:16:34,250 --> 00:16:40,000 [ Groans ] EXCUSE ME. YOU JUST RELAX... OR RELAPSE. 269 00:16:40,041 --> 00:16:42,375 [ Gene ] HAVE ANY LUCK ? [ Man #1 ] WE GOT A FEW OF 'EM BACK. 270 00:16:42,416 --> 00:16:45,708 [ Man #2 ] HERE COME THE REST OF THE BOYS NOW. 271 00:16:45,750 --> 00:16:48,791 [ Gene ] HOW'D YOU BOYS DO ? THEY'RE TO HECK AND GONE. ALL OVER THE RANGE. 272 00:16:48,833 --> 00:16:51,333 BY MORNIN', THEY'LL HAVE RUN THEIR WEIGHT CLEAN OFF. 273 00:16:51,375 --> 00:16:54,166 BY THE TIME YOU CAN FATTIN' 'EM UP AND HANG A "FOR SALE" SIGN ON 'EM, 274 00:16:54,208 --> 00:16:56,291 THE SHERIFF WILL HAVE A FORECLOSURE SIGN ON THE RANCH. 275 00:16:56,333 --> 00:16:58,666 YEAH. AND I GUESS YOU FIGURE ON PICKIN' IT UP CHEAP. 276 00:16:58,708 --> 00:17:02,000 OH. I DIDN'T SAY THAT. BUT A FELLA'S GOT A RIGHT TO SOME PLANS. 277 00:17:02,041 --> 00:17:05,708 WELL, YOU BOYS BETTER START MAKIN' YOUR PLANS TOO. 278 00:17:05,750 --> 00:17:08,250 WE'RE STICKIN' BY YOU. [ Talking, Indistinct ] 279 00:17:08,291 --> 00:17:10,958 WELL, YOU'RE A FINE CREW, AND I HATE TO LOSE YOU. 280 00:17:11,000 --> 00:17:13,166 BUT ALL I CAN RAISE IS ONE MONTH'S PAY. 281 00:17:13,208 --> 00:17:15,166 THAT'S ALL RIGHT. THAT'S ENOUGH FOR US. 282 00:17:15,208 --> 00:17:18,083 - ALL RIGHT. TURN IN. - [ All ] GOOD NIGHT, GENE. 283 00:17:20,500 --> 00:17:22,958 OH, MR. AUTRY. OH. OH. DON'T DISTURB YOURSELF. 284 00:17:23,000 --> 00:17:26,333 I MERELY WANTED TO ASK IF YOU'D MIND PUTTING US UP FOR THE NIGHT. NELLIE'S QUITE DONE IN. 285 00:17:26,375 --> 00:17:28,333 WELL-- OH. OH. PLEASE, JUST STAY WHERE YOU ARE. 286 00:17:28,375 --> 00:17:31,208 NOW, LOOK, MISS, UH-- OH, WARNER. SUE WARNER. 287 00:17:31,250 --> 00:17:33,833 AS JODY TOLD YOU, I'M WITH PARAGON STUDIOS. 288 00:17:33,875 --> 00:17:37,291 AND IF YOU'D LISTEN, YOU MIGHT OVERCOME YOUR PRESENT DIFFICULTIES. 289 00:17:37,333 --> 00:17:41,041 MR. AUTRY, I'M IN A POSITION TO OFFER YOU A CONTRACT IN PICTURES. 290 00:17:41,083 --> 00:17:45,625 NO, THANKS. I'M A COWHAND. AND I'LL STAY BEING ONE. 291 00:17:45,666 --> 00:17:48,750 WHAT UTTER SELFISHNESS, PUTTING THOSE PERFECTLY DARLING BOYS OUT OF A JOB... 292 00:17:48,791 --> 00:17:51,000 AND-- AND LOSING THIS ADORABLE RANCH... 293 00:17:51,041 --> 00:17:53,291 WHEN YOU COULD MAKE ENOUGH IN ONE PICTURE TO SQUARE EVERYTHING. 294 00:17:53,333 --> 00:17:56,416 NOW, HOW WOULD I LOOK IN THE MOVIES ? WELL, JUST AS YOU DO NOW. 295 00:17:56,458 --> 00:17:59,083 IT'S A WESTERN PICTURE WITH MUSIC AND SONGS. 296 00:17:59,125 --> 00:18:01,833 WELL, YOU'LL BE RIGHT AT HOME. 297 00:18:01,875 --> 00:18:04,541 I WOULDN'T FEEL AT HOME ANYWHERE WITHOUT JODY AND CHAMPION. 298 00:18:04,583 --> 00:18:06,541 WELL, BRING THE TWO BOYS ALONG. 299 00:18:06,583 --> 00:18:08,541 WELL, CHAMPION IS MY HORSE. 300 00:18:08,583 --> 00:18:13,000 OH, WELL. NATURALLY YOU HAVE TO RIDE, SO I'LL HIRE HIM TOO. 301 00:18:13,041 --> 00:18:17,125 YOU MEAN YOU WANT TO MAKE AN ACTOR OUT OF HIM ? MM-HMM. 302 00:18:17,166 --> 00:18:19,958 AND YOUR HORSE HAS HORSE SENSE, SO HE'LL GRAB THE OFFER. 303 00:18:20,000 --> 00:18:21,958 YEAH, BUT HE WOULDN'T HAVE TO SING. 304 00:18:22,000 --> 00:18:24,250 OH. THAT SHOULDN'T WORRY YOU FROM WHAT I'VE HEARD. 305 00:18:24,291 --> 00:18:25,958 OH, NELLIE. PLAY MR. AUTRY ONE OF YOUR TUNES. 306 00:18:30,250 --> 00:18:32,166 [ Groans ] THANK YOU. 307 00:18:34,500 --> 00:18:36,875 FOLLOW ME. [ Groans ] 308 00:18:36,916 --> 00:18:39,500 LOOK OVER THESE LYRICS. THEY'RE REALLY AMAZING. 309 00:18:44,583 --> 00:18:47,458 NOW. 310 00:18:47,500 --> 00:18:50,250 AAAH ! 311 00:18:50,291 --> 00:18:53,500 ALL RIGHT. NO, I FEEL TERRIBLE. 312 00:18:53,541 --> 00:18:55,750 I MEAN THE LYRIC. OH, THAT. 313 00:18:55,791 --> 00:18:59,750 WELL, I WHIPPED THOSE OUT JUST LIKE THAT. 314 00:19:03,666 --> 00:19:06,416 [ Gene ] ♪ I DROVE A HERD OF CATTLE DOWN ♪ 315 00:19:06,458 --> 00:19:09,083 ♪ FROM OLD NEBRASKA WAY ♪ 316 00:19:09,125 --> 00:19:13,833 ♪ THAT'S HOW I COME TO BE IN THE STATE OF IOWA ♪ 317 00:19:13,875 --> 00:19:16,416 ♪ I MET A GAL IN IOWA ♪ 318 00:19:16,458 --> 00:19:18,666 ♪ HER EYES WERE BIG AND BLUE ♪ 319 00:19:18,708 --> 00:19:21,208 ♪ I ASKED HER WHAT HER NAME WAS ♪ 320 00:19:21,250 --> 00:19:23,833 ♪ SHE SAID SIOUX CITY SUE ♪ 321 00:19:23,875 --> 00:19:26,166 ♪ SIOUX CITY SUE ♪ 322 00:19:26,208 --> 00:19:28,791 ♪ SIOUX CITY SUE ♪ 323 00:19:28,833 --> 00:19:31,250 ♪ YOUR HAIR IS RED YOUR EYES ARE BLUE ♪ 324 00:19:31,291 --> 00:19:33,875 ♪ I'D SWAP MY HORSE AND DOG FOR YOU ♪ 325 00:19:33,916 --> 00:19:36,333 ♪ SIOUX CITY SUE ♪ 326 00:19:36,375 --> 00:19:38,791 ♪ SIOUX CITY SUE ♪ 327 00:19:38,833 --> 00:19:40,791 ♪ THERE AIN'T NO GAL AS TRUE ♪ 328 00:19:40,833 --> 00:19:43,583 ♪ AS MY SWEET SIOUX CITY SUE ♪ 329 00:19:43,625 --> 00:19:48,625 ♪ NOW, I'M ADMITTIN', IOWA I OWE A LOT TO YOU ♪ 330 00:19:48,666 --> 00:19:53,875 ♪ 'CAUSE I COME FROM NEBRASKA TO FIND SIOUX CITY SUE ♪ 331 00:19:53,916 --> 00:19:56,083 ♪ I'M GONNA ROPE AND TIE HER UP ♪ 332 00:19:56,125 --> 00:19:58,541 ♪ I'LL USE MY OLD LASSO ♪ 333 00:19:58,583 --> 00:20:01,166 ♪ I'M GONNA PUT MY BRAND ON ♪ 334 00:20:01,208 --> 00:20:03,708 ♪ MY SWEET SIOUX CITY SUE ♪ 335 00:20:03,750 --> 00:20:06,250 [ Gene, Men Together ] ♪ SIOUX CITY SUE ♪ 336 00:20:06,291 --> 00:20:08,916 ♪ SIOUX CITY SUE ♪ 337 00:20:08,958 --> 00:20:11,291 ♪ YOUR HAIR IS RED YOUR EYES ARE BLUE ♪ 338 00:20:11,333 --> 00:20:14,250 ♪ I'D SWAP MY HORSE AND DOG FOR YOU ♪ 339 00:20:14,291 --> 00:20:16,791 ♪ SIOUX CITY SUE ♪ 340 00:20:16,833 --> 00:20:19,333 ♪ SIOUX CITY SUE ♪ 341 00:20:19,375 --> 00:20:21,333 ♪ THERE AIN'T NO GAL AS TRUE ♪ 342 00:20:21,375 --> 00:20:25,750 ♪ AS MY SWEET SIOUX CITY SUE ♪♪ 343 00:20:25,791 --> 00:20:28,291 WE'VE GOT OUR MAN. [ Chuckles ] 344 00:20:31,000 --> 00:20:34,125 ♪ OH, COME ALONG, BOYS AND LISTEN TO MY TALE ♪ 345 00:20:34,166 --> 00:20:36,875 ♪ AND I'LL TELL YOU OF MY TROUBLES ON THE OL' CHISHOLM TRAIL ♪ 346 00:20:36,916 --> 00:20:39,583 ♪ COME A TIE YI YIPPEE, YIPPEE YAY YIPPEE YAY ♪ 347 00:20:39,625 --> 00:20:43,333 ♪ COME A TIE YI YIPPEE, YIPPEE YAY ♪♪ 348 00:20:43,375 --> 00:20:46,083 LOOK, GENE. YOU'RE BLASTING. THE MAN SAYS. 349 00:20:46,125 --> 00:20:48,083 NOW, WHEN YOU GET TO THE WORD "TRAIL," SEE, 350 00:20:48,125 --> 00:20:53,833 BACK AWAY AND SORTA SNE-EE-AK UP ON IT. RIGHT ? 351 00:20:53,875 --> 00:20:57,583 UH, NOW, WAIT. WE'LL START AGAIN. 352 00:20:57,625 --> 00:21:00,958 ♪ OH, COME ALONG, BOYS, AND LISTEN TO MY TALE ♪ 353 00:21:01,000 --> 00:21:03,416 ♪ AND I'LL TELL YOU OF MY TROUBLES ON THE OL' CHISHOLM TRAIL ♪ 354 00:21:03,458 --> 00:21:06,333 ♪ COME A TIE YI YIPPEE, YIPPEE YAY YIPPEE YAY ♪ 355 00:21:06,375 --> 00:21:10,958 ♪ COME A TIE YI YIPPEE, YIPPEE YAY ♪♪ 356 00:21:11,000 --> 00:21:13,208 OKAY, GENE. NOW, ONCE MORE WHILE YOU'RE HOT, HUH ? UH-- 357 00:21:14,708 --> 00:21:16,666 THAT WAS FINE, GENE. LIKE IT ? 358 00:21:16,708 --> 00:21:20,541 UH-HUH. OKAY. PLAY IT BACK. 359 00:21:22,333 --> 00:21:25,375 ♪ OH, COME ALONG, BOYS AND LISTEN TO MY TALE ♪ 360 00:21:25,416 --> 00:21:28,416 ♪ AND I'LL TELL YOU OF MY TROUBLES ON THE OL' CHISHOLM TRAIL ♪♪ 361 00:21:49,625 --> 00:21:52,541 HELLO, GENE. WELL, HELLO. 362 00:21:52,583 --> 00:21:55,125 HOW ARE THINGS GOING ? PRETTY GOOD. 363 00:21:55,166 --> 00:21:58,208 ONE MORE RECORDING AND THEN I'M AT THE END OF THE TRAIL. 364 00:21:58,250 --> 00:22:00,791 YOU MAKE EVERYTHING SOUND SO FINAL. 365 00:22:00,833 --> 00:22:04,458 WELL, WELL. WE'RE FINALLY IN MEXICO. YES. THIS IS ONE OF OUR SETS. 366 00:22:04,500 --> 00:22:06,625 I WOULDN'T MIND HAVIN' A RANCH LIKE THIS. 367 00:22:06,666 --> 00:22:09,166 YOUR RANCH IS OKAY, WHAT I SAW OF IT. 368 00:22:09,208 --> 00:22:12,291 MAYBE YOU'LL BE OUT OUR WAY AGAIN SOME TIME AND STOP IN FOR A BETTER LOOK. 369 00:22:12,333 --> 00:22:14,708 AH. IS THIS AN INVITATION ? SURE. 370 00:22:14,750 --> 00:22:17,166 I WASN'T VERY HOSPITABLE THE LAST TIME. 371 00:22:17,208 --> 00:22:20,000 WELL, IF I EVER GET OUT THERE AGAIN, I PROMISE NOT TO SELL YOU A BILL OF GOODS. 372 00:22:20,041 --> 00:22:24,291 YOU DIDN'T. I'M GETTIN' PAID FOR IT. I WONDER IF IT'S ENOUGH. 373 00:22:24,333 --> 00:22:26,250 IT'S ENOUGH TO GET ME OUT OF THE HOLE. 374 00:22:26,291 --> 00:22:28,291 I GUESS I NEVER WOULD HAVE GOTTEN YOU OUT HERE... 375 00:22:28,333 --> 00:22:32,083 IF IT HADN'T MEANT LOSING YOUR RANCH AND YOUR CREW. THEY'RE MORE THAN JUST A CREW. 376 00:22:32,125 --> 00:22:36,125 THEY'RE MY FRIENDS. [ Kicks, Knocks On Wood ] 377 00:22:36,166 --> 00:22:39,666 [ Scoffs ] I THOUGHT THIS THING WAS REAL. IT'S JUST MADE OUT OF WOOD. 378 00:22:39,708 --> 00:22:41,791 YOU'RE EASILY TAKEN IN, AREN'T YOU ? 379 00:22:41,833 --> 00:22:43,833 I'M BEGINNING TO WONDER. ABOUT WHAT ? 380 00:22:43,875 --> 00:22:45,833 ABOUT THIS WHOLE SETUP. 381 00:22:45,875 --> 00:22:47,833 IT'S THE WAY I PRESENTED IT TO YOU. 382 00:22:47,875 --> 00:22:51,458 NO, IT ISN'T. YOU SAID THERE'D BE A PART FOR CHAMP. 383 00:22:51,500 --> 00:22:53,833 I CAN'T RIDE A HORSE INTO A MICROPHONE. 384 00:22:53,875 --> 00:22:56,250 WELL, I DIDN'T KNOW THAT CHAMP'S APPEARANCE WAS SO IMPORTANT. 385 00:22:56,291 --> 00:22:58,958 WELL, IF YOU COULD'VE SEEN THE SEND-OFF THE FOLKS IN WHISPERING ROCK GAVE HIM, 386 00:22:59,000 --> 00:23:00,958 YOU'D THINK HE WAS BIG TIME. 387 00:23:01,000 --> 00:23:03,625 AND YOU ? I JUST CAME ALONG FOR THE RIDE. 388 00:23:03,666 --> 00:23:07,500 WELL, GENE, I'M AFRAID-- I'M AFRAID TOO. 389 00:23:07,541 --> 00:23:10,750 AFRAID OF WHAT THE FOLKS IN WHISPERING ROCK'LL SAY WHEN WE'RE NOT IN THE PICTURE. 390 00:23:10,791 --> 00:23:14,041 WELL, THERE'S BEEN A FEW LAST-MINUTE CHANGES IN THE SCRIPT. 391 00:23:14,083 --> 00:23:16,791 BUT NOT IN OUR DEAL. I TOOK YOU AT YOUR WORD. 392 00:23:16,833 --> 00:23:18,541 WELL, WHAT MAKES YOU THINK THINGS ARE GOING TO BE DIFFERENT ? 393 00:23:18,583 --> 00:23:21,000 WHAT YOU SAID ABOUT CHANGES IN THE SCRIPT. 394 00:23:21,041 --> 00:23:25,083 ALL I'VE DONE IS SING INTO A MICROPHONE. AND ONE MORE SONG TO GO. 395 00:23:25,125 --> 00:23:28,708 I'M NOT RECORDING IT. HEY. YOU'RE NOT GETTING TEMPERAMENTAL ? 396 00:23:28,750 --> 00:23:33,166 NO. BUT IF CHAMP'S PART OF THE DEAL IS OUT, I FEEL LIKE I'VE BEEN TAKEN IN. 397 00:23:33,208 --> 00:23:36,291 OH, OF COURSE YOU HAVEN'T. WE SHOOT THE SCENE TOMORROW. 398 00:23:36,333 --> 00:23:38,666 I'M GOING TO JEFF'S OFFICE AND GET THE SHOOTING SCHEDULE NOW. 399 00:23:38,708 --> 00:23:41,000 SAY, YOU WORK FAST, DON'T YOU ? I HAVE TO. 400 00:23:41,041 --> 00:23:43,291 YOU GONNA BE AROUND TOMORROW ? OH, YOU WON'T NEED ME. 401 00:23:43,333 --> 00:23:45,291 NOW, DON'T LET ME DOWN TILL THIS THING'S OVER. I WON'T. 402 00:23:45,333 --> 00:23:47,875 PROMISE ? PROMISE. 403 00:23:47,916 --> 00:23:50,125 [ Man ] ALL RIGHT. NOW, WHAT ABOUT AUTRY ? 404 00:23:50,166 --> 00:23:53,750 YES. WHAT ABOUT AUTRY ? 405 00:23:53,791 --> 00:23:58,083 I'LL CALL YOU LATER, MABEL. WE'RE BUSY, I THINK. 406 00:23:58,125 --> 00:24:00,791 ONE MORE SONG OUT OF AUTRY, AND WE'RE IN. 407 00:24:00,833 --> 00:24:04,166 WELL, BOYS. WE'RE IN TROUBLE. THAT HAS A FAMILIAR RING TO IT. 408 00:24:04,208 --> 00:24:07,125 WELL, WE ARE. YOU'RE ONE OF THE REASONS I TAKE VITAMINS. WHAT IS IT NOW ? 409 00:24:07,166 --> 00:24:10,125 OH, I GAVE GENE THAT WESTERN-PICTURE ROUTINE. 410 00:24:10,166 --> 00:24:12,750 YOU KNOW, MAKING WITH THE GALLOPING HORSE. 411 00:24:12,791 --> 00:24:16,666 WELL, NOW HE'S HOLDING ME TO IT. I DO THINK THIS DECEPTION IS ENTIRELY UNETHICAL. 412 00:24:16,708 --> 00:24:18,916 WELL, IT WAS THE ONLY WAY I COULD GET HIM HERE. 413 00:24:18,958 --> 00:24:21,750 YOU HAVE NO HESITANCY IN MAKING A FOOL OF A PERFECTLY NICE PERSON. 414 00:24:21,791 --> 00:24:25,875 I KNOW HE'S NICE. IN FACT, I-I THINK HE'S SWELL. 415 00:24:25,916 --> 00:24:28,083 AND SINCE WHEN DID YOU APPOINT YOURSELF HIS GUARDIAN ? 416 00:24:28,125 --> 00:24:30,500 YES. YOU KEEP OUT OF THIS. 417 00:24:30,541 --> 00:24:33,416 YOU KEEP YOUR FEET OFF OF MY DESK. AND YOU, STOP DROOLING ABOUT THAT COWBOY. 418 00:24:33,458 --> 00:24:35,791 OH, I'M NOT. I'M ONLY THINKING THAT-- DON'T THINK. 419 00:24:35,833 --> 00:24:38,250 YOU'RE PAID TO WORK. PRICE, HAVE PAYROLL GIVE AUTRY A CHECK, 420 00:24:38,291 --> 00:24:40,791 AND GET HIM OFF THE LOT. AW, JEFF. PLEASE GIVE ME A BREAK. 421 00:24:40,833 --> 00:24:43,875 LET GENE JUST DO ONE SCENE AND GO HOME WITHOUT FINDING OUT WHAT A HEEL I AM. 422 00:24:43,916 --> 00:24:46,833 I DON'T INTEND TO SPEND A WAD OF DOUGH BUILDING SETS AND HIRING ACTORS. 423 00:24:46,875 --> 00:24:48,958 AND GET YOUR FEET OFF OF MY DESK ! 424 00:24:49,000 --> 00:24:52,500 WE'D BETTER BE NICE TO HIM. WE'VE GOT ONE MORE SONG TO GET OUT OF HIM. 425 00:24:52,541 --> 00:24:56,250 - OH. - AND THE PREVIEW SCHEDULED IN TEN DAYS. 426 00:24:56,291 --> 00:25:02,125 IF I MAY MAKE SO BOLD AS TO ADVANCE THE IDEA OF USING THE STUDIO'S WESTERN LOCATION. 427 00:25:02,166 --> 00:25:07,125 AND TO FURTHER KEEPING THE COSTS AT A MINIMUM, THIS LITTLE GROUP COULD PARTICIPATE. 428 00:25:07,166 --> 00:25:10,375 - HAVE I SAID TOO MUCH ? - HAS SHE SAID TOO MUCH ? 429 00:25:10,416 --> 00:25:15,708 YES. YES. BUT IT ALL MAKES SENSE. YEAH. 430 00:25:15,750 --> 00:25:18,375 I COULD RIG UP A PHONY SCENE. 431 00:25:18,416 --> 00:25:20,791 AND SUDDENLY, YOU ARE THE TYPE. YOU COULD PLAY DING-DONG DONKEY'S LADY LOVE. 432 00:25:20,833 --> 00:25:23,041 HEY. I'M A TALENT SCOUT, NOT A-- DON'T WORRY. 433 00:25:23,083 --> 00:25:25,125 THERE WON'T BE ANY FILM IN THE CAMERA. ALL RIGHT. GET ME PRODUCTION ON THE PHONE. 434 00:25:25,166 --> 00:25:27,291 COULD I BE ON THE SET ? YOU CAN BE THE WARDROBE MISTRESS. 435 00:25:27,333 --> 00:25:29,583 NO. SOMEBODY'S GOTTA RUN THE OFFICE. NOW, LOOK. I'LL BE THE DIRECTOR. 436 00:25:29,625 --> 00:25:32,291 WHAT CAN I DO ? 437 00:25:32,333 --> 00:25:35,750 YOU CAN KEEP YOUR FEET OFF OF MY DESK ! 438 00:25:35,791 --> 00:25:38,291 PRODUCTION. 439 00:25:38,333 --> 00:25:42,416 RUDY ? JEFF LANG SPEAKING. ANY OF THE WESTERN COMPANY SHOOTING ON THE RANCH TOMORROW ? 440 00:25:42,458 --> 00:25:45,541 GOOD. I'M USING IT. WELL, GET OVER HERE, AND I'LL GIVE YOU THE LOWDOWN. 441 00:25:45,583 --> 00:25:50,083 AW, JEFF. I WON'T FORGET THIS. NOT IN A HURRY YOU WON'T. 442 00:25:50,125 --> 00:25:53,875 COME ON ! COME ON ! IT AIN'T RAINING. LET'S GET THIS SHOT. 443 00:25:53,916 --> 00:25:55,875 COME ON NOW. 444 00:25:55,916 --> 00:25:58,666 GET WITH IT NOW. UH, LOOK, SUE. 445 00:25:58,708 --> 00:26:01,375 UH, SUE. HEY LOOK, S-- 446 00:26:01,416 --> 00:26:04,500 DO YOU MIND IF I TALK TO THE LEADING LADY ? OH. 447 00:26:04,541 --> 00:26:07,083 NOW LOOK. YOU'RE IN THE BUCKBOARD, SEE, WHEN IN RIDES A COWBOY. 448 00:26:07,125 --> 00:26:09,833 A GOOD-LOOKING ONE. I'LL GET YOU FOR THIS. 449 00:26:09,875 --> 00:26:11,958 DISMOUNTING, HE WALKS OVER TO YOU AND HE SAYS, 450 00:26:12,000 --> 00:26:15,000 [ Together ] "HOWDY, MA'AM." 451 00:26:15,041 --> 00:26:17,500 ALL RIGHT. NOW, JIM, YOU FOLLOW THE ACTION IN THE CAMERA CAR. 452 00:26:17,541 --> 00:26:19,833 WHAT ANGLE DO YOU WANT IT SHOT FROM, CHIEF ? 453 00:26:19,875 --> 00:26:22,750 ANGLES, SPANGLES-- WHO CARES AS LONG AS YOU'RE HEALTHY ? 454 00:26:22,791 --> 00:26:27,125 NOW THERE'S A SHOT RINGS OUT. THE HORSES BOLT AND TAKE OFF WITH SUE IN THE BUCKBOARD. 455 00:26:27,166 --> 00:26:29,083 ON AND ON THEY RACE AT BREAKNECK SPEED. 456 00:26:29,125 --> 00:26:31,333 NOT SO FAST. 457 00:26:31,375 --> 00:26:33,375 IT'S MY NECK. AND YOU STUCK IT OUT, HONEY. 458 00:26:33,416 --> 00:26:36,375 I ONLY ASKED YOU TO LET GENE DO A LITTLE RIDING. 459 00:26:36,416 --> 00:26:38,625 WHAT IF I FALL OUT OF THAT THING ? 460 00:26:38,666 --> 00:26:42,000 IF YOU LIT ON YOUR HEAD, IT MIGHT KNOCK SOME SENSE BACK INTO IT. 461 00:26:42,041 --> 00:26:45,666 I GET IT. BUT CAN YOU TAKE IT ? SEE IF AUTRY'S READY ! 462 00:26:45,708 --> 00:26:47,916 WE'LL SHOW 'EM, WON'T WE, CHAMP ? 463 00:26:47,958 --> 00:26:49,916 NOW, A LITTLE BIT HERE, A LITTLE BIT HERE-- HEY. 464 00:26:49,958 --> 00:26:53,875 DON'T RUN AT ME WITH THAT THING. ESPECIALLY WHEN I'M ARMED. 465 00:26:53,916 --> 00:26:56,875 [ Laughs Nervously ] I'M A LITTLE NERVOUS. WOULD YOU PUT THAT THING AWAY ? 466 00:26:56,916 --> 00:26:59,250 [ Laughs ] AND DON'T YOU LAUGH EITHER. 467 00:26:59,291 --> 00:27:01,625 I WOULDN'T BE IN THIS MESS IF IT WASN'T FOR YOU. YOU ALL SET, AUTRY ? 468 00:27:01,666 --> 00:27:04,125 YES. THERE NOW, DON'T BE NERVOUS, MR. AUTRY. PLEASE. 469 00:27:04,166 --> 00:27:07,500 [ Whinnies ] DON'T BE NERVOUS, MR. CHAMP. 470 00:27:07,541 --> 00:27:09,500 HEY. WE'RE OVERDOING IT. BREAK IT UP. 471 00:27:09,541 --> 00:27:12,750 [ Coughs ] 472 00:27:12,791 --> 00:27:16,291 DON'T YOU WANT TO BE THE PRETTIEST HORSE IN MOVIES ? HMM ? 473 00:27:19,750 --> 00:27:22,000 YOU KNOW, I DON'T THINK I'LL EVER GET THE HANG OF THIS MOVIE BUSINESS. 474 00:27:22,041 --> 00:27:24,250 OH. WHAT'S BOTHERING YOU ? 475 00:27:24,291 --> 00:27:26,416 WELL, I CAN'T UNDERSTAND WHY YOU'RE HERE DRESSED IN THIS OUTFIT. 476 00:27:26,458 --> 00:27:28,416 I OFTEN PLAY BITS IN PICTURES. 477 00:27:28,458 --> 00:27:30,791 BITS ? OH. THAT'S A SMALL PART. 478 00:27:30,833 --> 00:27:33,250 I ASKED TO PLAY THIS BECAUSE I THOUGHT THAT YOU WOULD BE... 479 00:27:33,291 --> 00:27:35,208 A LITTLE MORE AT EASE IF I PLAYED THE SCENE WITH YOU. 480 00:27:35,250 --> 00:27:37,708 ALL RIGHT. NOW YOU REMEMBER WHAT I TOLD YOU ? YEAH. 481 00:27:37,750 --> 00:27:40,166 WELL, NOW YOU'VE GOT THE ACTION STRAIGHT IN YOUR MIND. NOW, HERE'S YOUR DIALOGUE. 482 00:27:40,208 --> 00:27:42,291 YOU DISMOUNT AND WALK OVER TO SUE AND SAY, 483 00:27:42,333 --> 00:27:44,791 [ All ] "HOWDY, MA'AM." HOWDY. 484 00:27:44,833 --> 00:27:47,875 AND THEN A SHOT RINGS OUT. YOU MEAN THEY'RE GONNA SHOOT HIM JUST FOR SAYIN' THAT ? 485 00:27:47,916 --> 00:27:50,166 NOBODY'S GOING TO SHOOT HIM. 486 00:27:50,208 --> 00:27:52,916 WELL, SOMEBODY OUGHT TO SHOOT ME FOR GETTIN' MIXED UP IN THIS. 487 00:27:52,958 --> 00:27:54,916 ALL RIGHT. THEN SUE YELLS, "INDIANS !" 488 00:27:54,958 --> 00:27:58,333 IN REAL LIFE, PEOPLE JUST DON'T YELL, "INDIANS." 489 00:27:58,375 --> 00:28:00,958 ALL RIGHT. NOW, LISTEN, YOU TWO. I'M ONLY DOING THIS-- 490 00:28:01,000 --> 00:28:03,208 TO AVOID A REHEARSAL. [ Chuckles ] 491 00:28:03,250 --> 00:28:05,916 JEFF LIKES EVERYTHING TO BE SORT OF SPONTANEOUS. 492 00:28:05,958 --> 00:28:08,541 THEN LET'S GET IT OVER WITH. I'M GETTIN' A LITTLE BIT CONFUSED. 493 00:28:08,583 --> 00:28:11,166 I HOPE I REMEMBER EVERYTHING. DON'T WORRY. YOU WILL. 494 00:28:11,208 --> 00:28:14,833 IF I LIVE. ALL RIGHT. NOW, UH, GET ON YOUR HORSE. 495 00:28:14,875 --> 00:28:16,833 ALL RIGHT. GET HER IN THE BUCKBOARD. 496 00:28:16,875 --> 00:28:19,125 COME ON. NOW SETTLE DOWN EVERYBODY. WE'RE GONNA GET ROLLIN' HERE. 497 00:28:19,166 --> 00:28:20,833 NOW, HIT THAT BUCKBOARD WITH THE DEFLECTORS OVER THERE. 498 00:28:23,541 --> 00:28:25,208 ALL RIGHT. THIS IS A TAKE. 499 00:28:28,916 --> 00:28:33,125 - ROLL 'EM ! - WHOA. WHOA. WHOA. 500 00:28:33,166 --> 00:28:35,875 - [ Whinnies ] - [ Yells ] WHOA. WHOA. 501 00:28:35,916 --> 00:28:37,875 YOU'RE CRAZY SCARIN' THOSE HORSES ! 502 00:28:37,916 --> 00:28:40,166 WHOA, BOY. WHOA. EASY. WHOA. 503 00:28:40,208 --> 00:28:42,208 AW. SETTLE DOWN. CUT IT OUT. 504 00:28:42,250 --> 00:28:44,208 CALM DOWN. QUIET ! [ Gunshot ] 505 00:28:44,250 --> 00:28:46,875 - INDIANS ! - [ Whinnying ] 506 00:28:52,208 --> 00:28:55,125 WHOA ! WELL, GET AFTER 'EM. OH. NO. NO. HOLD IT ! 507 00:28:55,166 --> 00:28:59,625 [ Yelling, Indistinct ] 508 00:29:03,500 --> 00:29:07,000 WHOA ! HEY ! HELP ! 509 00:29:12,000 --> 00:29:16,041 I'M IN TROUBLE ! HELP ! [ Screams ] 510 00:29:17,583 --> 00:29:22,833 HELP ! HELP ! HELP ! HELP ! 511 00:29:24,625 --> 00:29:26,583 HELP ! [ Screams ] 512 00:29:26,625 --> 00:29:29,583 WHOA, HORSEY ! 513 00:29:29,625 --> 00:29:32,208 WHOA ! HELP ! 514 00:29:37,375 --> 00:29:39,291 HELP ! 515 00:29:42,541 --> 00:29:44,458 [ Screaming ] 516 00:29:46,625 --> 00:29:48,541 STOP ! 517 00:29:50,541 --> 00:29:54,166 [ Screams ] 518 00:30:05,500 --> 00:30:09,541 [ Gasps ] DON'T SAY IT. DON'T SAY WHAT ? 519 00:30:09,583 --> 00:30:12,833 ARE YOU ALL RIGHT ? OH. THIS IS GETTING A MUD PACK THE HARD WAY. 520 00:30:17,416 --> 00:30:19,541 I GOT IT ALL, CHIEF. BEAUTIFUL STUFF. 521 00:30:19,583 --> 00:30:22,541 - WELL, CLEAN HER UP AND WE'LL, UH-- - NOW, LOOK HERE, MR. LANG. 522 00:30:22,583 --> 00:30:25,333 - SUE'S HAD ENOUGH. - HAVE YOU, SUE ? 523 00:30:25,375 --> 00:30:29,416 GENE HAS ONE MORE NUMBER TO RECORD. WHAT DO YOU THINK ? 524 00:30:29,458 --> 00:30:32,541 I THINK WE'LL PHOTOGRAPH THE NUMBER. 525 00:30:32,583 --> 00:30:35,000 WELL, GET ME CLEANED UP. GET ME A NEW DRESS-- 526 00:30:35,041 --> 00:30:37,333 OH, YEAH. MAKEUP ! WARDROBE ! HAIRDRESSER ! 527 00:30:37,375 --> 00:30:40,375 QUIET ! THEY'RE A MILE AWAY. ALL RIGHT, DRIVER. LET'S GO BACK. 528 00:30:40,416 --> 00:30:42,416 ALL RIGHT. LET'S GET IT ! 529 00:30:42,458 --> 00:30:46,708 ♪ ALWAYS SAID I'D NEVER MARRY ♪ 530 00:30:46,750 --> 00:30:51,000 ♪ FROM THE VERY THOUGHT I RAN ♪ 531 00:30:51,041 --> 00:30:55,125 ♪ ALWAYS HEARD THAT WHEN YOU MARRY ♪ 532 00:30:55,166 --> 00:30:59,541 ♪ ALL YOUR CARES AND TROUBLES BEGIN ♪ 533 00:30:59,583 --> 00:31:04,208 ♪ RIDIN' DOUBLE ♪ 534 00:31:04,250 --> 00:31:08,458 ♪ EASY NO TROUBLE ♪ 535 00:31:08,500 --> 00:31:12,541 ♪ WHEN YOU'RE RIDIN' ♪ 536 00:31:12,583 --> 00:31:17,083 ♪ WITH LOVE ♪ 537 00:31:17,125 --> 00:31:21,625 ♪ SITTIN' PRETTY ♪ 538 00:31:21,666 --> 00:31:25,958 ♪ CROONIN' A DITTY ♪ 539 00:31:26,000 --> 00:31:31,625 ♪ STARS PEEPIN' DOWN FROM ABOVE ♪ 540 00:31:33,458 --> 00:31:38,833 ♪ THE SADDLE'S COZY AS A ROCKIN' CHAIR ♪ 541 00:31:38,875 --> 00:31:43,791 ♪ FOR A MAN AND HIS LADY FAIR ♪ 542 00:31:43,833 --> 00:31:48,916 ♪ JOGGIN' ALONG SINGIN' A SONG ♪ 543 00:31:48,958 --> 00:31:52,291 ♪ FEEL LIKE A MILLIONAIRE ♪ 544 00:31:52,333 --> 00:31:57,333 ♪ RIDIN' DOUBLE ♪ 545 00:31:57,375 --> 00:32:01,791 ♪ EASY, NO TROUBLE ♪ 546 00:32:01,833 --> 00:32:06,125 ♪ WHEN YOU LEARN TO ♪ 547 00:32:06,166 --> 00:32:09,750 ♪ RIDE DOUBLE WITH THE ONE YOU LOVE ♪ 548 00:32:09,791 --> 00:32:14,208 ♪ RIDIN' DOUBLE ♪ 549 00:32:14,250 --> 00:32:17,250 ♪ WITH THE ONE ♪ 550 00:32:17,291 --> 00:32:22,958 ♪ YOU LOVE ♪♪ 551 00:32:41,208 --> 00:32:44,250 I GOT THE TICKETS, GENE, AND THEY'RE ALL RESERVATIONS. THAT'S SWELL. 552 00:32:44,291 --> 00:32:46,250 WELL, LET'S GET INSIDE WHERE IT'S DARK. 553 00:32:46,291 --> 00:32:49,041 DANGED IF YOU AIN'T BLUSHIN' LIKE A PRAIRIE PERIWINKLE. 554 00:32:49,083 --> 00:32:51,708 WELL, THERE'S NO REASON TO MAKE SUCH A BIG TO-DO OVER THIS THING. 555 00:32:51,750 --> 00:32:55,791 YEAH. BUT WE'RE PROUD OF YA, AND WE WANT THOSE STUDIO OFFICIALS TO KNOW IT. AAH. 556 00:32:55,833 --> 00:32:58,666 IT'S MY GUESS DING-DONG DONKEY WILL ROLL 'EM IN THE AISLES. 557 00:32:58,708 --> 00:33:02,625 UH-HUH. SAY. WHY DON'T YOU STOP CARRYING A TORCH FOR THAT COWBOY ? 558 00:33:02,666 --> 00:33:05,333 I HAVE. THE INCIDENT IS CLOSED. 559 00:33:05,375 --> 00:33:07,333 I'LL NEVER SEE HIM AGAIN. 560 00:33:07,375 --> 00:33:09,625 IF YOU EVER DO, DEAR, YOU BETTER DUCK. 561 00:33:09,666 --> 00:33:12,916 AND YOU TOO, JEFF, IN CASE HE HAPPENS TO HAVE HIS SHOOTIN' IRONS WITH HIM. 562 00:33:12,958 --> 00:33:16,541 HEAVENS ! I SHOULD HAVE TAKEN THAT INTO CONSIDERATION BEFORE WIRING. 563 00:33:16,583 --> 00:33:19,708 WIRING WHAT TO WHO ? HUH ? THE DATE OF THE PREVIEW. 564 00:33:19,750 --> 00:33:23,208 ONE SIMPLY DOESN'T DISREGARD AN OFFICIAL TELEGRAM FROM THE MAYOR OF WHISPERING ROCK. 565 00:33:23,250 --> 00:33:25,958 OH, LET ME AT HER. [ Groans ] THEY'LL SHOOT ME ! 566 00:33:26,000 --> 00:33:27,958 GUS, KEEP RIGHT ON DRIVING. DON'T-- 567 00:33:28,000 --> 00:33:30,166 QUIET. OH, JEFF. DON'T GET EXCITED. 568 00:33:30,208 --> 00:33:33,666 WELL, HERE WE ARE. PREPARE YOURSELF. [ Groans ] 569 00:33:33,708 --> 00:33:35,625 OH. HERE THEY COME NOW. 570 00:33:44,125 --> 00:33:47,083 LET ME SHAKE HANDS WITH THE LITTLE LADY THAT MADE GENE FAMOUS. 571 00:33:47,125 --> 00:33:50,416 WRONG LADY, MAYOR. OH, I'M SORRY. LET ME SHAKE HANDS WITH THE LI-- 572 00:33:50,458 --> 00:33:52,666 JEFF LANG. HE'S THE PRODUCER. OH. 573 00:33:52,708 --> 00:33:54,416 YEAH. MY NAME'S NELLIE BLY. HOW DO YOU DO ? 574 00:33:54,458 --> 00:33:57,000 I REMEMBER YOU QUITE WELL. YES. 575 00:33:57,041 --> 00:33:59,291 NOW REMEMBER. SUE WARNER'S THE ONE YOU WANT TO THANK. 576 00:33:59,333 --> 00:34:02,583 WELL, WE'RE ALL HERE, AND WE'RE LOADED FOR BEAR. 577 00:34:02,625 --> 00:34:04,583 [ Clears Throat ] I THINK-- I DON'T FEEL WELL. I SHOULD JU-- 578 00:34:04,625 --> 00:34:08,000 WELL, STICK AROUND FOR THE FIREWORKS. I AIM TO MAKE THIS A BANG-UP OCCASION. 579 00:34:08,041 --> 00:34:10,583 IT'S YOUR AIM THAT SEEMS TO BE WORRYING HIM. 580 00:34:10,625 --> 00:34:13,458 W-WELL, GENE. I DIDN'T EXPECT TO SEE YOU HERE. 581 00:34:13,500 --> 00:34:17,541 WELL, THE MAYOR FELT IT HIS CIVIC DUTY TO DRAG ME BACK TO HOLLYWOOD FOR THIS PREVIEW. 582 00:34:17,583 --> 00:34:20,333 FRANKLY, I FEEL JUST A LITTLE BIT SKITTISH. 583 00:34:20,375 --> 00:34:22,333 BUT IF I CAN SIT WITH YOU-- UH, PARDON ME. 584 00:34:22,375 --> 00:34:24,333 UH, SUE, THEY'RE WAITING FOR US. YOU'LL EXCUSE US, WON'T YOU ? YES, UH-- 585 00:34:24,375 --> 00:34:27,708 AW, COME ON, GENE. SIT WITH US. 586 00:34:27,750 --> 00:34:29,458 [ Man ] HERE THEY COME NOW. [ Talking, Indistinct ] 587 00:34:32,875 --> 00:34:34,500 [ Man ] HEY, FELLAS. WHERE HAVE YOU BEEN ? 588 00:34:34,541 --> 00:34:37,083 I THOUGHT YOU GOT LOST. 589 00:34:37,125 --> 00:34:39,875 GENE, GOOD LUCK TO YOU. THANK YOU, MAYOR. 590 00:34:39,916 --> 00:34:41,958 THIS BETTER BE GOOD. IT WILL BE. 591 00:34:42,000 --> 00:34:45,083 OHH. 592 00:35:05,166 --> 00:35:09,500 ♪ RIDIN' DOUBLE ♪ 593 00:35:09,541 --> 00:35:14,041 ♪ EASY, NO TROUBLE ♪ 594 00:35:14,083 --> 00:35:18,125 ♪ WHEN YOU'RE RIDIN' ♪ 595 00:35:18,166 --> 00:35:21,041 ♪ WITH LOVE ♪ 596 00:35:21,083 --> 00:35:23,041 [ Audience Laughs ] 597 00:35:23,083 --> 00:35:27,291 ♪ SITTIN' PRETTY ♪ 598 00:35:27,333 --> 00:35:32,833 ♪ CROONIN' A DITTY ♪ [ Laughter Continues ] 599 00:35:32,875 --> 00:35:38,833 ♪ STARS PEEPIN' DOWN FROM ABOVE ♪ 600 00:35:38,875 --> 00:35:44,791 ♪ THE SADDLE'S COZY AS A ROCKIN' CHAIR ♪ 601 00:35:44,833 --> 00:35:49,291 ♪ FOR A MAN AND HIS LADY FAIR ♪ 602 00:35:49,333 --> 00:35:52,541 ♪ JOGGIN' ALONG ♪ 603 00:35:52,583 --> 00:35:54,791 THAT'S GENE. ♪ SINGIN' A SONG ♪ 604 00:35:54,833 --> 00:35:58,041 - THAT'S GENE ? - ♪ FEEL LIKE A MILLIONAIRE ♪ 605 00:35:58,083 --> 00:36:03,041 ♪ RIDIN' DOUBLE ♪ 606 00:36:03,083 --> 00:36:06,916 ♪ EASY, NO TROUBLE ♪ 607 00:36:06,958 --> 00:36:09,833 ♪ WHEN YOU ♪ 608 00:36:09,875 --> 00:36:12,708 ♪ LEARN TO RIDE DOUBLE ♪ DOGGONED IF WE DIDN'T HAVE TO COME ALL THIS WAY... 609 00:36:12,750 --> 00:36:15,750 TO SEE AUTRY MAKE A JACKASS OUT OF HIMSELF. 610 00:36:15,791 --> 00:36:19,666 ♪ RIDIN' DOUBLE ♪ [ Laughing Continues ] 611 00:36:19,708 --> 00:36:23,916 ♪ WITH THE ONE ♪ 612 00:36:23,958 --> 00:36:28,166 ♪ YOU LOVE ♪♪ 613 00:36:34,958 --> 00:36:37,541 SUE. WHAT'S THE MATTER WITH YOU ? OH, LET ME GO. 614 00:36:37,583 --> 00:36:40,708 I'VE GOT TO FIND HIM. GET BACK IN THERE AND TEND TO YOUR JOB. 615 00:36:40,750 --> 00:36:43,958 I'M QUITTING THAT JOB HERE AND NOW. DO YOU UNDERSTAND ? I'M QUITTING. 616 00:36:44,000 --> 00:36:46,375 WELL, THAT'S GOOD ENOUGH FOR ME. NOW, LISTEN. 617 00:36:46,416 --> 00:36:49,833 I MADE A FOOL OF HIM AND NOW HE'S GONE AND I'LL NEVER SEE HIM AGAIN. 618 00:36:49,875 --> 00:36:52,333 OH, WHAT'LL I DO, PRICE ? YOU HAUL OFF AND HIGHTAIL IT... 619 00:36:52,375 --> 00:36:55,000 TO WHISPERING ROCK AFTER HIM. OH, NO. HE'LL HATE ME FOREVER. 620 00:36:55,041 --> 00:36:58,125 AND I'M-- I'M-- A VERY ATTRACTIVE YOUNG LADY WHEN YOU'RE NOT... 621 00:36:58,166 --> 00:37:00,791 BEING A TALENT SCOUT. WELL, I'M THROUGH BEING A TALENT SCOUT. 622 00:37:00,833 --> 00:37:02,791 WELL, THEN GO TO WORK AT BEING A LADY. 623 00:37:02,833 --> 00:37:04,500 [ Sniffles, Blows Nose ] HERE. WIPE YOUR FACE. 624 00:37:11,333 --> 00:37:13,875 HIYA, DING-DONG. 625 00:37:13,916 --> 00:37:16,416 BOYS, MEET THE TOWN'S LEADIN' DONKEY. 626 00:37:16,458 --> 00:37:20,125 ALL RIGHT, GULLIVER YOU'VE HAD YOUR LAUGH. NOW FORGET ABOUT IT. 627 00:37:20,166 --> 00:37:23,416 YOU SURE LET THAT GAL FAST-TALK YOU INTO MAKIN' A HOLY SHOW OUT OF YOURSELF. 628 00:37:23,458 --> 00:37:27,291 I SAID FORGET ABOUT IT, ESPECIALLY AS LONG AS YOU'RE WORKIN' FOR ME. 629 00:37:27,333 --> 00:37:31,375 SHOULD'VE SEEN HER, BOYS. PRETTY AS ALL GET OUT. AND SLIPPERY AS AN EEL. 630 00:37:31,416 --> 00:37:33,833 ALL RIGHT. GO BY THE RANCH AND PICK UP YOUR GEAR. YOU'RE THROUGH. 631 00:37:33,875 --> 00:37:35,916 I'M FIRED, HUH ? THAT'S RIGHT. 632 00:37:37,208 --> 00:37:38,958 [ Man ] HIT HIM, GENE. HIT HIM. 633 00:37:42,208 --> 00:37:44,541 [ Man ] LOOK OUT ! HE'S GOT A CHAIR ! 634 00:37:44,583 --> 00:37:47,583 GET HIM. HIT HIM, GENE. 635 00:38:08,666 --> 00:38:10,333 [ Man ] GET HIM, GENE. KNOCK HIS TEETH OUT ! 636 00:38:25,875 --> 00:38:27,833 HE REALLY GOT IT. GET UP, GULLIVER. 637 00:38:27,875 --> 00:38:29,833 COME ON. GET UP, YOU BIG OX. 638 00:38:29,875 --> 00:38:32,166 I AIN'T TAKIN' THIS. I'LL GET AUTRY. 639 00:38:32,208 --> 00:38:34,416 AND DON'T MAKE NO MISTAKE ABOUT IT. 640 00:38:34,458 --> 00:38:36,708 YOU HAD HIM, AND HE WHIPPED YOU FAIR AND SQUARE. 641 00:38:36,750 --> 00:38:39,166 HALF YOUR SIZE, AND HE TOOK YOU TO THE CLEANERS. 642 00:38:47,583 --> 00:38:49,541 OH, MR. GULLIVER. 643 00:38:49,583 --> 00:38:52,458 OH. CAN I HELP YOU ? 644 00:38:52,500 --> 00:38:55,500 MAYBE THIS WILL REVIVE YOU. HERE. 645 00:38:55,541 --> 00:38:58,500 AW, GET THAT STUFF AWAY FROM ME. 646 00:38:58,541 --> 00:39:01,166 WELL, YOUR EAR'S BLEEDING. AW, QUIT FUSSIN' AT ME. 647 00:39:01,208 --> 00:39:04,083 BAD ENOUGH I GOT FIRED ON ACCOUNT OF YOU AND THAT JACKASS MOVIE. 648 00:39:04,125 --> 00:39:07,291 I-I'M AWFULLY SORRY. WELL, SAVE YOUR SYMPATHY FOR AUTRY. 649 00:39:07,333 --> 00:39:09,916 HE'LL NEED IT BEFORE I GET THROUGH WITH HIM. 650 00:39:09,958 --> 00:39:12,250 YOU SIT HERE. THERE'S A DRUGSTORE. I'LL GET SOMETHING TO FIX YOU UP. 651 00:39:22,750 --> 00:39:24,666 WHOA. 652 00:39:32,333 --> 00:39:36,125 NEVER SAW HIM SO BURNED UP. NOT A WORD OUT OF HIM ALL THE WAY OUT HERE. 653 00:39:36,166 --> 00:39:39,083 I THINK GENE FIRED GULLIVER AS A WARNIN' TO ANYBODY WHO AIMS TO RIB HIM. 654 00:39:44,125 --> 00:39:48,291 HELLO, BOYS. SURPRISED TO SEE ME ? 655 00:39:48,333 --> 00:39:50,541 REAL SURPRISED, MISS SUE. 656 00:39:50,583 --> 00:39:53,916 WHAT MADE YOU COME HERE ? WELL, GENE INVITED ME. 657 00:39:53,958 --> 00:39:56,208 A LONG TIME AGO. IS HE AROUND ? 658 00:39:56,250 --> 00:39:58,500 YES, UH, BUT HE'S, UH-- 659 00:39:58,541 --> 00:40:02,125 - WOULD YOU TELL HIM I'M HERE ? - I-- I'M IN A HURRY. 660 00:40:02,166 --> 00:40:04,416 UH, WAIT FOR ME, FRED ! 661 00:40:04,458 --> 00:40:06,125 HE'S-- HE'S IN THERE. 662 00:40:21,625 --> 00:40:24,375 BANGED MY HAND UP A LITTLE. RAN INTO SOMETHING HARD. 663 00:40:24,416 --> 00:40:26,958 YES, I SAW IT-- BIG GULLIVER'S CHIN. 664 00:40:27,000 --> 00:40:29,083 WELL, I THOUGHT YOU WERE JODY. NO. HERE. LET ME HELP YOU. 665 00:40:29,125 --> 00:40:32,166 AW, I'LL TAKE CARE OF IT. BOY, YOU MUST HAVE REALLY HUNG ONE ON HIM. 666 00:40:33,958 --> 00:40:36,166 THERE. I'LL FIX YOU UP. 667 00:40:36,208 --> 00:40:38,500 YOU DID. PLENTY. 668 00:40:38,541 --> 00:40:41,083 GENE, I'M TERRIBLY SORRY. PLEASE BELIEVE ME. 669 00:40:41,125 --> 00:40:43,416 WHAT ARE YOU SCOUTING THIS TIME ? 670 00:40:43,458 --> 00:40:46,166 NOTHING. NOTHING ? 671 00:40:46,208 --> 00:40:48,666 YES, I AM-- A JOB. 672 00:40:48,708 --> 00:40:50,666 I'VE QUIT JEFF LANG. 673 00:40:50,708 --> 00:40:53,250 VERY INTERESTING. IT'S THE TRUTH. 674 00:40:53,291 --> 00:40:57,250 YOU KNOW, YOU HAVE A HABIT OF KICKIN' THE TRUTH AROUND A LITTLE ONCE IN A WHILE. 675 00:40:57,291 --> 00:40:59,875 I'VE COME ALL THE WAY OUT HERE JUST TO TRY TO SQUARE MYSELF WITH YOU. 676 00:40:59,916 --> 00:41:02,125 YOU MADE A GOOD TRY. 677 00:41:02,166 --> 00:41:06,083 WELL, I'D HOPED THAT YOU MIGHT LET ME STAY AROUND FOR A LITTLE WHILE. 678 00:41:06,125 --> 00:41:08,833 I DON'T THINK YOU'D LIKE RANCHING. IT'S HARD WORK. 679 00:41:08,875 --> 00:41:11,166 I CAN EARN MY KEEP. 680 00:41:11,208 --> 00:41:13,291 DO YOU KNOW ANYTHING ABOUT HORSES ? DO I ! 681 00:41:13,333 --> 00:41:16,458 I PARLAYED A TWO-DOLLAR BET INTO A BUNDLE THAT BIG. 682 00:41:16,500 --> 00:41:19,916 I DON'T MEAN THAT KIND OF HORSES. OH. 683 00:41:19,958 --> 00:41:22,625 WELL, I CAN COOK... A LITTLE. 684 00:41:22,666 --> 00:41:25,708 MAYBE YOU CAN PARLAY THAT INTO A LOT. OH, CAN I. 685 00:41:25,750 --> 00:41:29,750 WILL YOU HELP ME BRING IN MY BAGS ? NOT IN HERE. 686 00:41:29,791 --> 00:41:33,916 WE HAVE A NICE, COZY LITTLE ROOM... IN THE BARN. IN THE WHAT ? 687 00:41:33,958 --> 00:41:37,208 THE BARN. THE BARN ? OH. 688 00:41:37,250 --> 00:41:39,166 WELL, HOW DELIGHTFULLY RUSTIC. 689 00:41:43,958 --> 00:41:47,083 [ Thunderclap ] OH. OH. 690 00:41:51,791 --> 00:41:54,458 [ Continues ] OH. 691 00:41:57,750 --> 00:42:00,541 OH. 692 00:42:00,583 --> 00:42:03,125 OHH. OH, MY GOODNESS. 693 00:42:03,166 --> 00:42:05,083 OH. 694 00:42:12,708 --> 00:42:15,166 MISS SUE'S LIABLE TO GO CLEAN LOCO UP THERE. 695 00:42:15,208 --> 00:42:17,500 WE'LL BE DOWN HERE IN CASE SHE GETS TOO SCARED. 696 00:42:17,541 --> 00:42:19,791 ONE OF US SHOULD STAY AWAKE. ONE OF US WILL. 697 00:42:19,833 --> 00:42:22,166 WELL, NUDGE ME IF YOU NEED ME. 698 00:42:24,250 --> 00:42:26,916 SAY. DO YOU HAVE TO TREAT HER SO MANGY ? 699 00:42:26,958 --> 00:42:30,541 YEP. SHE'LL TAKE IT IF SHE'S ON THE SQUARE. 700 00:42:41,625 --> 00:42:43,833 [ Sniffs, Coughs ] 701 00:42:43,875 --> 00:42:47,791 [ Talking, Indistinct ] 702 00:42:47,833 --> 00:42:50,166 THERE WE GO. 703 00:42:50,208 --> 00:42:52,166 HERE YOU ARE, DEAR. 704 00:42:52,208 --> 00:42:53,875 [ Talking Continues, Indistinct ] 705 00:43:04,416 --> 00:43:08,250 BY GOLLY. WOW. OH, THANK YOU, GENTLEMEN. 706 00:43:30,541 --> 00:43:33,041 HE SAID 10:00 SHARP. IT'S 10:15 NOW. 707 00:43:33,083 --> 00:43:35,416 WELL, HE'S HEAD MAN. HE CAN AFFORD TO BE LATE. HE OWNS THE PLACE. 708 00:43:35,458 --> 00:43:37,416 YEAH. EXCEPT FOR-- WE WON'T GO INTO THAT. 709 00:43:37,458 --> 00:43:40,375 OH, HERE HE IS NOW. 710 00:43:40,416 --> 00:43:42,583 [ Together ] GOOD MORNING, MR. RHODES. WHAT IS IT ? WHAT IS IT ? 711 00:43:42,625 --> 00:43:44,291 [ Together ] GOOD MORNING. OH. GOOD MORNING. 712 00:43:47,208 --> 00:43:50,375 YOU HAVE AN APPOINTMENT AT 3:00 WITH MR. FLAT, WJTV. 713 00:43:50,416 --> 00:43:54,333 AT 3:30, WE'RE LOOKING AT A FIRST CUT OF PRODUCTION 1603-- THAT'S THE DWYER PICTURE. 714 00:43:54,375 --> 00:43:56,625 AND AT 5:00, THERE'S A CONFERENCE WITH YOU KNOW WHO. 715 00:43:56,666 --> 00:43:58,333 YES, YES. I KNOW, I KNOW. 716 00:44:02,416 --> 00:44:06,416 RHODES SPEAKING. I'M RUNNING IN PROJECTION ROOM ONE. 717 00:44:06,458 --> 00:44:08,541 HOLD THE CALLS. 718 00:44:08,583 --> 00:44:12,875 WE'RE LOOKING AT TESTS OF UNKNOWN PLAYERS FOR POSSIBLE CONSIDERATION. 719 00:44:12,916 --> 00:44:16,666 LANG, YOU MIGHT PICK UP A VOICE FOR YOUR CARTOONS. COULD BE. COULD BE. 720 00:44:16,708 --> 00:44:18,333 OKAY, TOMMY. START RUNNING. 721 00:44:26,708 --> 00:44:28,583 [ Screaming ] 722 00:44:34,583 --> 00:44:36,916 TEST OF WHOM ? 723 00:44:36,958 --> 00:44:39,666 [ Man On Intercom ] IT'S UNMARKED, SIR. 724 00:44:42,750 --> 00:44:44,916 OH, NO ! HELP ! 725 00:44:48,000 --> 00:44:51,000 HELP ! HELP ! 726 00:44:58,458 --> 00:45:03,375 ♪ RIDIN' DOUBLE ♪ 727 00:45:03,416 --> 00:45:07,583 ♪ EASY, NO TROUBLE ♪ 728 00:45:07,625 --> 00:45:11,958 - ♪ WHEN YOU'RE RIDIN' ♪ - WHO IS HE ? WHO SHOT THIS TEST ? 729 00:45:12,000 --> 00:45:16,333 ♪ IN LOVE ♪ ALL I'VE GOT IS WHAT YOU SEE, SIR. 730 00:45:16,375 --> 00:45:21,041 ♪ SITTIN' PRETTY-- ♪♪ 731 00:45:21,083 --> 00:45:23,041 ANY OF YOU BOYS KNOW ANYTHING ABOUT THIS TEST ? 732 00:45:23,083 --> 00:45:26,125 I NEVER SAW THE CHARACTER BEFORE IN MY LIFE. 733 00:45:26,166 --> 00:45:28,625 IT SEEMS TO ME I'VE SEEN THAT COWBOY AROUND THE LOT. 734 00:45:28,666 --> 00:45:31,833 Y-- YOU THINK HE HAS POSSIBILITIES ? 735 00:45:31,875 --> 00:45:36,083 HE'S A NATURAL. I'VE GOT TO GET A LINE ON HIM BEFORE SOMEBODY ELSE NABS HIM. 736 00:45:36,125 --> 00:45:39,000 W-W-WELL, AS A MATTER OF FACT, G.W., I'VE GOT HIM SEWED UP. 737 00:45:39,041 --> 00:45:42,583 SUE WARNER'S OUT AT HIS RANCH RIGHT NOW SIGNING HIM TO A PERSONAL CONTRACT. 738 00:45:42,625 --> 00:45:45,750 WELL, UH, WHAT DO YOU WANT FOR HIM, JEFF ? 739 00:45:45,791 --> 00:45:50,875 WELL, UH, I KINDA HAD AN IDEA I'D BRANCH OUT AND PRODUCE A MUSICAL WESTERN INDEPENDENTLY. 740 00:45:50,916 --> 00:45:54,666 WHY SINK YOUR OWN DOUGH ? LET ME IN ON THIS. 741 00:45:54,708 --> 00:45:59,125 I'LL FINANCE A SERIES OF TOP-BUDGET MUSICAL WESTERNS STARRING THIS, UH-- 742 00:45:59,166 --> 00:46:01,375 GENE AUTRY. UH, GENE AUTRY. YEAH. 743 00:46:01,416 --> 00:46:05,041 JEFF, YOU'RE A WASTE IN CARTOONS. IT'S TIME YOU MOVED UP TO FEATURES. 744 00:46:05,083 --> 00:46:07,916 OH. YES, SIR. HE'D BE FINE FOR FEATURES. 745 00:46:07,958 --> 00:46:11,708 NOW, UH, HOW WOULD A PERCENTAGE DEAL SOUND-- 746 00:46:11,750 --> 00:46:14,291 A PERCENTAGE OF ALL AUTRY WESTERNS YOU PRODUCE ? 747 00:46:14,333 --> 00:46:16,750 SWEET, G.W. MIGHTY SWEET. 748 00:46:16,791 --> 00:46:21,666 ALL RIGHT. GET MOVING. YOU DELIVER AUTRY. I'LL DRAW UP THE AGREEMENT. 749 00:46:21,708 --> 00:46:23,875 HE LOOKS VERY GOOD. HE HAS FINE POSSIBILITIES. 750 00:46:23,916 --> 00:46:26,708 [ Chuckles ] CONGRATULATIONS, MR. RHODES. 751 00:46:29,708 --> 00:46:31,583 STOP HOUNDING ME WITH THOSE PILLS ALREADY ! 752 00:46:31,625 --> 00:46:33,833 Y-YOUR VITAMIN. DO TAKE ONE. 753 00:46:33,875 --> 00:46:36,250 YEAH. GOTTA KEEP UP YOUR STRENGTH, YOU KNOW, YOUR OLD GO, YOUR OLD PEP. 754 00:46:36,291 --> 00:46:40,416 OH. THAT SHARPSHOOTER-- LOADING THE CAMERA, GREASING PALMS ALL ALONG THE LINE. 755 00:46:40,458 --> 00:46:44,541 IS THERE NO INTEGRITY, NO LOYALTY IN WOMEN ? YOU'RE VERY GOOD. 756 00:46:44,583 --> 00:46:49,291 - WELL, IS THERE NO LOYALTY IN WOMEN ? - NOT WHEN THEY GET ROMANTIC. 757 00:46:49,333 --> 00:46:52,416 OH, IT WAS A FRAME, A TACTICAL DOUBLE CROSS. 758 00:46:52,458 --> 00:46:56,791 SHE KNEW THE MINUTE THAT TEST WAS RUN RHODES WOULD BE AFTER AUTRY AND SHE'D COLLECT. 759 00:46:56,833 --> 00:46:59,916 SHE'S OUT THERE NOW LAUGHING. RUSTICATING, HER POSTCARD SAID. 760 00:46:59,958 --> 00:47:01,916 AND IF SHE'D KNOWN THERE WAS FILM IN THE CAMERA, 761 00:47:01,958 --> 00:47:04,583 SHE'D BE HERE CASHING IN ON HER DISCOVERY. 762 00:47:04,625 --> 00:47:07,125 WHAT DO YOU KNOW ABOUT IT ? NOTHING. I'M MERELY SURMISING. 763 00:47:07,166 --> 00:47:11,750 - AND I SAY SHE'S LAUGHING. LAUGHING WHILE-- - WHILE ROME BURNED ? 764 00:47:11,791 --> 00:47:15,916 WHILE OTHER STUDIOS BID AGAINST YOU, SUPPOSING, OF COURSE, THEY SEE THE TEST. 765 00:47:15,958 --> 00:47:17,916 I'VE GOT TO BEAT THEM TO IT. 766 00:47:17,958 --> 00:47:21,291 GET UP ! GET MY HAT. GET MY PILLS. 767 00:47:21,333 --> 00:47:24,916 WE'RE GRABBING THE FIRST PLANE OUT THERE. WE'RE-- OHH ! 768 00:47:24,958 --> 00:47:26,583 COME ON. 769 00:47:32,333 --> 00:47:34,250 SAMMY, COME IN. 770 00:47:42,000 --> 00:47:44,375 SORRY TO HAVE KEPT YOU WAITING. OH, THAT'S ALL RIGHT. 771 00:47:44,416 --> 00:47:48,541 SAMMY, I'M ENTRUSTING YOU TO FINISH A LITTLE SECRET BUSINESS I'VE BEEN INDULGING IN... 772 00:47:48,583 --> 00:47:52,250 UNBEKNOWN TO ANYONE, SAVE THE THREE I'M SENDING THESE TO. 773 00:47:52,291 --> 00:47:54,250 NOW, TAKE THIS TO JIM DONLAN. 774 00:47:54,291 --> 00:47:56,250 UH, THE CAMERAMAN ? YES. 775 00:47:56,291 --> 00:47:59,708 IT'S A HOT WATER BOTTLE. HE HAS SUCH BACKACHES, THE POOR DEAR. 776 00:47:59,750 --> 00:48:02,708 AND TAKE THIS HANDKERCHIEF TO MARY IN THE CUTTING ROOM. 777 00:48:02,750 --> 00:48:07,041 AND THESE SUSPENDERS-- I EMBROIDERED FORGET-ME-NOTS ON THEM FOR TOMMY. 778 00:48:07,083 --> 00:48:09,250 OH, UH, WHERE'S HE AT ? IN PROJECTION ROOM "A." 779 00:48:09,291 --> 00:48:11,750 OH, PROJECTION ROOM "A." RIGHT. 780 00:48:11,791 --> 00:48:14,458 BE SURE NO ONE IS AROUND WHEN YOU DELIVER THEIR PRESENTS. 781 00:48:14,500 --> 00:48:16,708 ARE YOU PASSING OUT BRIBES ? 782 00:48:16,750 --> 00:48:22,416 SHALL WE SAY REMEMBRANCES FOR HELP IN A BIG DEAL, WHICH I THINK I'VE PUT ACROSS. 783 00:48:22,458 --> 00:48:26,083 NOW I KNOW HOW THE FILM GOT IN THAT CAMERA. PRICE, YOU'RE AN OLD CUTIE. 784 00:48:47,500 --> 00:48:50,125 [ Clanging ] 785 00:48:50,166 --> 00:48:52,375 COME AND GET IT ! 786 00:48:52,416 --> 00:48:56,333 [ All Yelling ] 787 00:48:59,166 --> 00:49:00,833 [ Talking, Indistinct ] 788 00:49:06,666 --> 00:49:09,250 WHOO, BOY ! OH, BOY ! 789 00:49:09,291 --> 00:49:11,541 ONE AT A TIME ! ONE AT A TIME HERE ! 790 00:49:11,583 --> 00:49:16,250 ♪ THIS DAY HAS MUSIC ♪ 791 00:49:16,291 --> 00:49:18,958 ♪ THE SWEETEST MUSIC ♪ 792 00:49:19,000 --> 00:49:21,541 ♪ IT ECHOES SOMETHING ♪ 793 00:49:21,583 --> 00:49:25,666 ♪ WITHIN MY HEART ♪ 794 00:49:25,708 --> 00:49:29,333 ♪ I HOLD YOU NEAR ME ♪ 795 00:49:29,375 --> 00:49:32,291 ♪ OH, DARLING HEAR ME ♪ 796 00:49:32,333 --> 00:49:35,833 ♪ I HAVE A MESSAGE ♪ 797 00:49:35,875 --> 00:49:41,125 ♪ I MUST IMPART ♪ 798 00:49:41,166 --> 00:49:45,958 ♪ YOURS TILL THE STARS HAVE NO GLORY ♪ 799 00:49:48,000 --> 00:49:51,916 ♪ YOURS TILL THE BIRDS FAIL TO SING ♪ 800 00:49:54,750 --> 00:49:59,958 ♪ I'VE NEVER LOVED ANYONE THE WAY I LOVE YOU ♪ 801 00:50:00,000 --> 00:50:03,208 ♪ HOW COULD I ♪ 802 00:50:03,250 --> 00:50:08,375 ♪ WHEN I WAS BORN TO BE JUST YOURS ♪ 803 00:50:10,750 --> 00:50:14,416 ♪♪ [ Singing In Spanish ] 804 00:51:04,416 --> 00:51:06,375 ♪♪ [ Ends ] [ Clapping ] 805 00:51:06,416 --> 00:51:10,041 WELL, TAKE SUE BACK TO THE RANCH, JODY. SHE'S ALL TIRED OUT. 806 00:51:10,083 --> 00:51:13,208 I'M TOO SLEEPY. HOW ABOUT TOSSING HER IN THE LAKE ? 807 00:51:13,250 --> 00:51:14,958 GOOD IDEA. THE WHAT ? 808 00:51:15,000 --> 00:51:17,208 YOU HEARD ME-- THE LAKE. 809 00:51:17,250 --> 00:51:19,208 JUST THROW A LITTLE WATER ON ME, AND I'LL BE ALL RIGHT. 810 00:51:19,250 --> 00:51:20,958 ALL RIGHT. HEY, JODY. DON'T YOU DO THAT. 811 00:51:21,000 --> 00:51:24,000 [ All Laughing ] 812 00:51:24,041 --> 00:51:26,000 YOU BOYS START RUNNIN' THE CATTLE... 813 00:51:26,041 --> 00:51:28,208 INTO THAT CANYON BELOW THE LAKE FIRST THING IN THE MORNIN'. 814 00:51:28,250 --> 00:51:30,375 I'VE GOT AN EARLY DATE WITH THE PURCHASING AGENT. 815 00:51:30,416 --> 00:51:32,333 OKAY, GENE. WE'LL BE RIGHT THERE. 816 00:51:39,791 --> 00:51:41,625 [ Horse Whinnies ] 817 00:52:03,583 --> 00:52:07,000 WHAT IS IT, GENE ? THE COLT'S WORSE, MUCH WORSE. 818 00:52:07,041 --> 00:52:10,750 - WELL, CAN'T YOU DO SOMETHING ? - WE'VE DONE ALL WE CAN. 819 00:52:10,791 --> 00:52:12,791 THAT DOESN'T SEEM TO BE ENOUGH. 820 00:52:12,833 --> 00:52:15,375 HE'S SO LITTLE. 821 00:52:15,416 --> 00:52:17,500 IT'S NO USE, GENE. 822 00:52:20,375 --> 00:52:23,125 LOOKS LIKE WE LOST, DAISY. 823 00:52:25,708 --> 00:52:29,541 HE WAS AN ORNERY LITTLE CUSS, BUT WE'RE GONNA MISS HIM. 824 00:52:29,583 --> 00:52:33,625 THEY'RE BORN, LIVE AND DIE-- JUST LIKE PEOPLE. 825 00:52:33,666 --> 00:52:38,291 ONLY THEY GIVE MORE WHILE THEY'RE HERE THAN MOST FOLKS. 826 00:52:38,333 --> 00:52:41,583 POOR DAISY. 827 00:52:41,625 --> 00:52:45,166 SOUNDS LIKE YOU FOUND OUT THERE'S MORE TO A HORSE THAN JUST TO PARLAY BET. 828 00:52:45,208 --> 00:52:47,625 I FOUND OUT ABOUT A LOT OF THINGS. 829 00:52:47,666 --> 00:52:50,125 IMPORTANT THINGS LIKE-- 830 00:52:50,166 --> 00:52:53,166 WELL, LIKE GETTING TO KNOW PEOPLE, 831 00:52:53,208 --> 00:52:56,041 LEARNING HOW TO DO HARD WORK. 832 00:52:56,083 --> 00:53:00,625 YOU KNOW, WHEN YOU CAME HERE, SUE, I WASN'T CONVINCED YOU'D QUIT YOUR JOB. 833 00:53:00,666 --> 00:53:02,666 I THOUGHT YOU WERE JUST TRYIN' TO PULL A FAST ONE. 834 00:53:02,708 --> 00:53:04,708 IS THAT WHY YOU THREW THE BOOK AT ME ? 835 00:53:04,750 --> 00:53:07,416 YEAH, AND YOU OUTSMARTED ME BY TURNING OVER A NEW LEAF. 836 00:53:07,458 --> 00:53:09,666 I CROSSED YOU UP PRETTY THOROUGHLY ONCE. 837 00:53:09,708 --> 00:53:13,000 OH, NO. THAT WAS THE GIRL THAT WORKED FOR JEFF LANG. 838 00:53:13,041 --> 00:53:16,208 NOW, THE GIRL THAT'S BEEN EARNING HER KEEP IS A-- IS A PRETTY GOOD COOK ? 839 00:53:16,250 --> 00:53:19,750 AND A PRETTY GOOD CITIZEN. 840 00:53:19,791 --> 00:53:21,791 THANKS, GENE. GOOD NIGHT. 841 00:53:21,833 --> 00:53:23,500 GOOD NIGHT, SUSIE. 842 00:53:29,500 --> 00:53:32,541 CAN YOU STOP BEING A MOTHER'S HELPER LONG ENOUGH TO HELP ME ? 843 00:53:32,583 --> 00:53:34,541 NO DICE THIS TIME, JEFF. 844 00:53:34,583 --> 00:53:36,541 BUT, SUE, YOU'RE IN ON A PERCENTAGE OF THIS DEAL. 845 00:53:36,583 --> 00:53:38,500 YEAH, AND THAT'S SUGAR, SUGAR. 846 00:53:38,541 --> 00:53:40,750 I'D RATHER LET THINGS GO ON JUST AS THEY ARE. 847 00:53:40,791 --> 00:53:44,833 DO YOU INTEND TO KEEP UP THIS PRETENSE AT DOMESTICITY AT MY EXPENSE ? 848 00:53:44,875 --> 00:53:48,291 SEEMS TO ME LIKE YOUR TALENT SCOUT'S BEEN PRETENDING AT MY EXPENSE. 849 00:53:48,333 --> 00:53:50,291 GENE, I DIDN'T KNOW THEY WERE COMING HERE. 850 00:53:50,333 --> 00:53:52,958 WELL, WE DIDN'T INTEND TO. BUT YOU SEE, MR. RHODES, THE HEAD OF THE STUDIO-- 851 00:53:53,000 --> 00:53:56,875 I'M NOT INTERESTED IN ANYONE CONNECTED WITH THE STUDIO. 852 00:53:56,916 --> 00:53:59,333 AND I WON'T BE SEEING YOU BEFORE YOU LEAVE, SUE. 853 00:53:59,375 --> 00:54:01,458 I'M TAKIN' A BUYER OUT TO LOOK AT MY CATTLE. 854 00:54:01,500 --> 00:54:03,458 GENE, AREN'T YOU EVEN GOING TO LET ME EXPLAIN ? 855 00:54:03,500 --> 00:54:05,458 NOT THIS TIME. 856 00:54:05,500 --> 00:54:07,875 OH. 857 00:54:27,833 --> 00:54:30,333 WELL, THIS IS MY BIG CHANCE, SUE. I'VE GOT TO CLOSE THE DEAL. 858 00:54:30,375 --> 00:54:32,208 WELL, I HOPE SO, JEFF, FOR YOUR SAKE AND GENE'S. 859 00:54:32,250 --> 00:54:34,208 IF HE'D ONLY LISTEN TO REASON. 860 00:54:34,250 --> 00:54:36,833 I'LL MAKE HIM LISTEN. [ Claps, Yells ] 861 00:54:36,875 --> 00:54:39,458 COMIN' IN, JEFF ? OH, I'LL WALK A LITTLE. 862 00:54:39,500 --> 00:54:43,583 LATER ON WHEN AUTRY COOLS OFF, I'LL GO OUT AND TALK TURKEY TO HIM. 863 00:54:43,625 --> 00:54:49,291 SAVE YOUR BREATH, MISTER. LAST TIME, GENE NEEDED MONEY SO BAD HE JUST HAD TO LISTEN. 864 00:54:49,333 --> 00:54:51,125 WELL, YOU LISTENED WITHOUT PROVOCATION EVIDENTLY. 865 00:54:51,166 --> 00:54:53,416 IF FOLKS TALK IN MY HEARIN'. 866 00:54:53,458 --> 00:54:57,125 LIKE I SAID, BEFORE YOU HAD AUTRY OVER A BARREL. 867 00:54:57,166 --> 00:55:01,166 YOU'RE WELL INFORMED. WELL, I WAS WORKIN' WITH HIS OUTFIT THEN. 868 00:55:01,208 --> 00:55:03,416 YEAH. WHAT DO YOU KNOW ABOUT HIS FINANCIAL STATUS NOW ? 869 00:55:03,458 --> 00:55:05,416 HE'S LOADED. OH. 870 00:55:05,458 --> 00:55:08,375 LEASTWAYS, HE'S GOT 25 GRAND ON THE HOOF. 871 00:55:08,416 --> 00:55:12,500 LAST TIME HE HAD 'EM SOLD, HE COULDN'T DELIVER, OWIN' TO A CALAMITY. 872 00:55:12,541 --> 00:55:16,375 YEAH. WELL, I'D GIVE A LOT RIGHT NOW FOR A GOOD CALAMITY. 873 00:55:16,416 --> 00:55:19,291 WELL, I RECKON IF A MAN WAS WILLIN' TO INVEST SOME CAPITAL, 874 00:55:19,333 --> 00:55:23,208 ONE COULD MAYBE UH-- BE MANEUVERED ? 875 00:55:23,250 --> 00:55:25,458 THAT'S A FAMOUS SAYING WE HAVE IN THE MOVIES. 876 00:55:25,500 --> 00:55:28,458 WELL, OUT HERE WE DON'T SAY MUCH, BUT WE CAN SURE SAW WOOD. 877 00:55:28,500 --> 00:55:30,708 HMM. 878 00:55:30,750 --> 00:55:33,208 SUPPOSE YOU AND I HAVE A LITTLE DRINK AND A NICE CHAT. 879 00:55:33,250 --> 00:55:35,541 YOU MAKE 'EM BOTH SOUND TEMPTIN'. 880 00:55:35,583 --> 00:55:37,208 WELL. 881 00:55:38,708 --> 00:55:41,125 MR. GULLIVER, I-I THINK I'D BETTER GO HOME. 882 00:55:41,166 --> 00:55:43,291 NOT TILL I FIGURE OUT A WAY TO BUST HIM. BUST HIM ? 883 00:55:43,333 --> 00:55:45,625 I'VE HAD MY EYE ON THAT RANCH OF AUTRY'S. 884 00:55:45,666 --> 00:55:48,750 WITH WHAT YOU'RE WILLIN' TO PAY, I COULD GRAB IT OFF. 885 00:55:48,791 --> 00:55:50,750 WAIT A MINUTE. ALL I WANT TO DO IS EMBARRASS HIM FINANCIALLY. 886 00:55:50,791 --> 00:55:53,125 I WON'T BE A PARTY TO ANY ROUGH STUFF. 887 00:55:53,166 --> 00:55:56,208 SEE, KENO. JEFF, HERE, IS ALWAYS THINKIN' OF THE WELFARE OF MAN. 888 00:55:56,250 --> 00:55:59,291 THE WORKS OF MAN IS WHAT I GO FOR. 889 00:55:59,333 --> 00:56:03,666 WELL, LIKE, UH-- 890 00:56:03,708 --> 00:56:06,166 LIKE BUILDIN' A DAM TO HOLD THE LAKE. 891 00:56:07,833 --> 00:56:10,333 NOW, THAT'S SOMETHIN' TO THINK ABOUT. 892 00:56:10,375 --> 00:56:14,000 [ Jeff ] YEAH, LET'S THINK ABOUT THAT. 893 00:56:14,041 --> 00:56:16,291 TAKE A SQUINT AT IT. 894 00:56:23,125 --> 00:56:26,500 WHISPERIN' ROCK LAKE. I DON'T SAVVY. 895 00:56:26,541 --> 00:56:30,208 OH, LOOK. HERE, TAKE THIS ON ACCOUNT. 896 00:56:30,250 --> 00:56:32,500 I FEEL TERRIBLE I GOTTA GET TO BED. 897 00:56:32,541 --> 00:56:35,541 [ Exhales ] I'LL DIVVY THIS UP AND STILL COME OUT AHEAD. 898 00:56:35,583 --> 00:56:38,791 THERE'S MORE WHERE THAT CAME FROM. HOLD ON, JEFF. THAT'S IT. 899 00:56:38,833 --> 00:56:42,458 WHAT'S IT ? WHAT KENO'S BEEN DRIVIN' AT-- THE DAM. 900 00:56:42,500 --> 00:56:44,458 THE DAM ? 901 00:56:44,500 --> 00:56:47,791 THE DAM THAT HOLDS WHISPERIN' ROCK LAKE. 902 00:56:47,833 --> 00:56:53,041 OH, MY GOOD GULLIVER. WILL YOU PLEASE GO JUMP IN IT ? I'M DYIN'. OOH. 903 00:56:56,458 --> 00:56:58,708 RIG HER UP, BOYS. THEN DIG IN HERE. 904 00:56:58,750 --> 00:57:02,000 AND WHILE YOU'RE WAITIN', PICK YOURSELVES GOOD JOBS ON MY RANCH. 905 00:57:02,041 --> 00:57:04,708 SINCE WHEN HAVE YOU GOT A RANCH ? 906 00:57:04,750 --> 00:57:07,750 SINCE THAT HOLLYWOOD SUCKER AS GOOD AS HANDED ME AUTRY'S RANCH. 907 00:57:07,791 --> 00:57:11,125 I'LL BE BACK COME DARK. 908 00:57:11,166 --> 00:57:15,000 SO, HE'S GONNA GET AUTRY'S RANCH ? WELL, MAYBE HE WILL. 909 00:57:26,458 --> 00:57:28,541 [ Cattle Mooing ] 910 00:57:40,708 --> 00:57:43,541 NOW, LOOK. YOU LET ME IN. 911 00:57:43,583 --> 00:57:45,541 YOU BEEN KEEPIN' ME OUT ALL DAY. 912 00:57:45,583 --> 00:57:49,333 I HAVEN'T GOT MUCH TIME. WHY, HE'LL SEE ME. WE'RE PALS. 913 00:57:49,375 --> 00:57:53,708 NOT ANY MORE. AND THE WAY HE FEELS, I WOULDN'T BE SURPRISED IF HE DIDN'T SUE YOU. 914 00:57:53,750 --> 00:57:56,875 WHY ? I AIN'T LAYIN' DOWN ON THE JOB. 915 00:57:56,916 --> 00:58:01,416 LOOK. YOU TELL HIM EVERYTHING'S RUNNIN' AS SMOOTH AS MOLASSES OVER PANCAKES. 916 00:58:03,291 --> 00:58:07,500 "MOLASSES OVER PANCAKES." YEAH. THAT SHOULD BUCK HIM UP. YEAH. 917 00:58:07,541 --> 00:58:09,583 YOU TELL HIM EVERYTHING'S ALL SET. 918 00:58:09,625 --> 00:58:12,333 AND TONIGHT THE MEAT GOES IN THE SOUP. 919 00:58:12,375 --> 00:58:14,875 "TONIGHT THE MEAT GOES IN THE SOUP." YEAH. SURE. 920 00:58:14,916 --> 00:58:17,583 DON'T YOU THINK YOU'RE OVERDOING THIS WHOLE THING JUST A LITTLE BIT ? I-- 921 00:58:17,625 --> 00:58:20,291 YOU TELL HIM JUST WHAT I SAID. 922 00:58:20,333 --> 00:58:23,125 SURE. SURE. TH-- THE MEAT GOES IN THE SOUP. 923 00:58:23,166 --> 00:58:25,791 TONIGHT, THAT IS. HE'LL UNDERSTAND. 924 00:58:25,833 --> 00:58:28,041 YEAH. HE'LL UNDER-- HE'S BOUND TO. 925 00:58:28,083 --> 00:58:30,958 EVERYBODY-- I UNDERSTAND, EVEN. YES. 926 00:58:31,000 --> 00:58:34,500 UH, HEY. [ Whistles ] SHORTY. 927 00:58:34,541 --> 00:58:38,166 WHAT KIND OF MEAT ? 928 00:58:38,208 --> 00:58:40,125 BEEF. 929 00:58:43,041 --> 00:58:45,000 OH, HECK. 930 00:58:45,041 --> 00:58:48,916 OH, JEFF. THAT WAS BIG GULLIVER. 931 00:58:48,958 --> 00:58:52,833 HE SAID TO TELL YOU THAT-- THAT MOLASSES IS FLOWING ALL OVER THE PLACE. 932 00:58:52,875 --> 00:58:55,958 AND THAT THE BEEF WAS IN THE SOUP. 933 00:58:56,000 --> 00:58:58,416 THAT'S THE SILLIEST MESSAGE I'VE-- 934 00:58:58,458 --> 00:59:01,125 WHAT WERE YOU TWO GUYS DRINKIN' ? JEFF, WHAT DID HE MEAN ? 935 00:59:01,166 --> 00:59:05,375 DON'T BOTHER ME ! OOH. DOCTOR, WHY DID I DO IT ? 936 00:59:05,416 --> 00:59:07,375 WELL, IF YOU'RE NOT A DRINKING MAN, YOU WERE IN MIGHTY BAD COMPANY. 937 00:59:07,416 --> 00:59:11,041 JEFF, TRY TO REMEMBER WHY YOU GOT MIXED UP WITH GULLIVER. 938 00:59:11,083 --> 00:59:15,708 OH, HE WANTED TO HELP ME OR SOMETHING, SO I GAVE HIM MY BANKROLL. 939 00:59:15,750 --> 00:59:18,208 THERE'S SOMETHING FUNNY ABOUT THIS. 940 00:59:18,250 --> 00:59:20,541 JEFF, TRY TO REMEMBER. WHY DID YOU GIVE HIM MONEY ? 941 00:59:20,583 --> 00:59:23,458 TO GET RID OF HIM. HE KEPT PRATTLING ABOUT A LAKE... 942 00:59:23,500 --> 00:59:25,708 OR A DAM, OR-- OOH ! 943 00:59:25,750 --> 00:59:29,625 THERE'S NOTHING TO WORRY ABOUT, MISS. 944 00:59:29,666 --> 00:59:31,750 GULLIVER'S BEEN STRINGING HIM ALONG. 945 00:59:31,791 --> 00:59:35,291 GULLIVER'S CAGEY WHEN IT COMES TO MOOCHING DRINKS. 946 00:59:35,333 --> 00:59:37,666 HE'LL SURVIVE. I'LL LOOK IN ON HIM AGAIN IN THE MORNING. 947 00:59:37,708 --> 00:59:41,250 OH, THANK YOU, DOCTOR. 948 00:59:41,291 --> 00:59:43,750 NELLIE, WHAT DID HE SAY ABOUT THE BEEF ? 949 00:59:43,791 --> 00:59:45,750 HE SAYS THE BEEF'S IN THE SOUP. 950 00:59:45,791 --> 00:59:49,791 HOW ONE MAN COULD LOOK SO SOBER AND TALK SO DRUNK. 951 00:59:49,833 --> 00:59:52,750 JEFF, WHAT DID GULLIVER SAY LAST NIGHT ABOUT THE DAM AT THE LAKE ? 952 00:59:52,791 --> 00:59:55,333 OH, I DON'T KNOW, AND I DON'T CARE. 953 00:59:55,375 --> 00:59:57,916 I'LL NEVER LIVE TO MAKE A PICTURE WITH AUTRY ANYHOW. 954 00:59:57,958 --> 01:00:00,458 AUTRY ? 955 01:00:00,500 --> 01:00:02,916 THE BEEF. THE BEEF IN THE SOUP. 956 01:00:02,958 --> 01:00:05,000 THE DAM. I'VE GOT IT ! IT'S THE DAM ! 957 01:00:05,041 --> 01:00:07,083 OF COURSE IT'S THE DAM ! WHAT DAM ? 958 01:00:07,125 --> 01:00:09,083 THE ONE ABOVE BOX CANYON. AND THE BEEF. 959 01:00:09,125 --> 01:00:11,833 THAT'S GENE'S CATTLE. HE'S GOING TO BLOW UP THE DAM ! 960 01:00:11,875 --> 01:00:13,916 WE'VE GOT TO WARN GENE. COME ON, NELLIE. 961 01:00:13,958 --> 01:00:16,166 NOT ME. NOT ME. I WON'T GET IN THE MIDDLE OF THAT BEEF STEW ! 962 01:00:16,208 --> 01:00:18,666 OH, VERY WELL. I'LL GO ALONE ! 963 01:00:18,708 --> 01:00:22,041 JEFF LANG, IF YOU'VE PAID THAT GULLIVER TO RUIN GENE BY DROWNING HIS CATTLE, 964 01:00:22,083 --> 01:00:25,208 AND MAYBE HIM TOO, I'LL SEE TO IT THAT YOU GO TO JAIL FOR LIFE ! 965 01:00:25,250 --> 01:00:27,208 COME ON, NELLIE. WE'VE GOT TO DO SOMETHING. 966 01:00:27,250 --> 01:00:29,916 NO, I'M VERY HEALTHY HERE. OH, CALL THE SHERIFF. 967 01:00:29,958 --> 01:00:32,541 SHERIFF ! SH-- 968 01:00:32,583 --> 01:00:34,500 [ Car Backfires ] 969 01:00:39,583 --> 01:00:42,875 OH. GENE ! GENE ! [ Jody ] WHAT'S THE MATTER ? 970 01:00:42,916 --> 01:00:45,125 OH, JODY, WHERE'S GENE ? I MUST SEE HIM. 971 01:00:45,166 --> 01:00:48,125 HE'S RIDIN' NIGHT GUARD IN BOX CANYON. WHAT'S COOKIN', MISS SUE ? 972 01:00:48,166 --> 01:00:50,458 TAKE ME THERE, AND I'LL TELL YOU ON THE WAY. HOP IN YOUR CAR. I'LL DRIVE. 973 01:00:50,500 --> 01:00:52,916 I CAN'T ! I JUST BLEW A TIRE ! OH, THAT'S WHAT THAT WAS. 974 01:00:52,958 --> 01:00:54,916 WELL, I'LL SADDLE UP. 975 01:00:54,958 --> 01:00:57,166 WELL, I CAN'T RIDE IN THIS. 976 01:00:57,208 --> 01:00:59,166 HOW LONG WILL IT TAKE YOU TO GET INTO DUNGAREES ? 977 01:00:59,208 --> 01:01:01,125 LEND ME SOME, AND I'LL BE READY WHEN YOU ARE. COME ON ! 978 01:01:01,166 --> 01:01:03,458 YOU MEN SPREAD OUT AND COVER THE TRAIL. 979 01:01:03,500 --> 01:01:09,083 IF WE'RE LATE, YOU NAB THOSE HIGHBINDERS ON THE WAY DOWN. 980 01:01:09,125 --> 01:01:11,541 [ Nellie ] WHOA ! WHO ARE YOU ? 981 01:01:11,583 --> 01:01:13,958 THE GUY WHO GAVE YOU THE TIP. AND THIS IS MY FRIEND... 982 01:01:14,000 --> 01:01:16,250 WHO GAVE GULLIVER ALL THAT MONEY TO BLOW UP THE DAM. 983 01:01:16,291 --> 01:01:19,375 WE'RE GOIN' WITH YA. WE COULDN'T HAVE MADE IT IF HE HADN'T STOLEN THESE HORSES. 984 01:01:19,416 --> 01:01:21,625 OH, YOU COULDN'T, EH ? 985 01:01:21,666 --> 01:01:23,791 NO, WE COULDN'T. WHO ARE YOU ? I'M THE SHERIFF ! 986 01:01:23,833 --> 01:01:25,875 [ Gasps ] SHERIFF ? 987 01:01:25,916 --> 01:01:27,958 - TAKE 'EM IN, JOE. - ALL RIGHT, YOU TWO. 988 01:01:28,000 --> 01:01:29,958 [ Joe ] GET DOWN OFF THERE. GET DOWN ? 989 01:01:30,000 --> 01:01:33,583 IT TOOK ME 15 MINUTES TO GET ON THE DARN THING. 990 01:01:33,625 --> 01:01:36,208 NOW-- N-NOW LOOK, SHERIFF. CAN'T WE KIND OF TALK THIS OVER ? 991 01:01:36,250 --> 01:01:38,208 [ Sheriff ] TAKE 'EM IN ! TAKE 'EM IN, JOE. 992 01:01:38,250 --> 01:01:41,166 INSIDE. INSIDE. NOW, NO ROUGH STUFF. I HAVEN'T BEEN WELL. 993 01:01:41,208 --> 01:01:42,875 NOW, TAKE IT EASY. 994 01:01:57,000 --> 01:01:59,625 THEY'RE PUTTIN' OUT COFFEE. YOU BETTER RIDE BACK AND GET SOME. 995 01:01:59,666 --> 01:02:02,458 I'M RIDIN' ON UP AHEAD. YEAH, MAN ! THAT'S FOR ME. 996 01:02:07,583 --> 01:02:10,041 JODY, WHERE'LL HE BE ? UP AHEAD, LIKELY. 997 01:02:10,083 --> 01:02:12,041 WELL, YOU WARN THE OTHERS, AND I'LL TRY TO FIND HIM ! 998 01:02:12,083 --> 01:02:14,583 OKAY ! YAAH, BOY ! 999 01:02:24,666 --> 01:02:26,625 SO, YOU'RE SCOUTIN' ON HORSEBACK NOW, HUH ? 1000 01:02:26,666 --> 01:02:28,708 I'VE RIDDEN HERE TO WARN YOU. YOU'RE IN DANGER. 1001 01:02:28,750 --> 01:02:31,833 I USUALLY AM WHEN YOU SHOW UP. OH, GENE. PLEASE BELIEVE ME ! 1002 01:02:31,875 --> 01:02:33,583 YOU'VE GOT TO GET OUT OF THE CANYON ! THIS IS A NEW APPROACH, 1003 01:02:33,625 --> 01:02:35,833 BUT I THINK YOU'RE OVERDOIN' IT. 1004 01:02:35,875 --> 01:02:37,583 OH, YOU'VE GOT TO GET OUT OF HERE BEFORE IT'S TOO LATE ! 1005 01:02:37,625 --> 01:02:39,833 GULLIVER'S GONNA BLOW UP THE DAM ! 1006 01:02:39,875 --> 01:02:41,833 YOU WOULDN'T LIE TO ME ABOUT A THING LIKE THAT, WOULD YOU ? 1007 01:02:41,875 --> 01:02:44,875 OH, NO ! OF COURSE I WOULDN'T. IT'S THE TRUTH ! 1008 01:02:44,916 --> 01:02:48,750 ALL RIGHT. I'LL STAMPEDE THE HERD. MAYBE A FEW OF THEM WILL GET OUT. 1009 01:02:51,125 --> 01:02:53,375 HEY ! HEY ! 1010 01:02:56,375 --> 01:02:58,291 [ Gunfire ] 1011 01:03:00,583 --> 01:03:02,500 [ Cows Mooing ] 1012 01:03:06,041 --> 01:03:08,833 HEY ! 1013 01:03:08,875 --> 01:03:11,708 HEAD FOR HIGH GROUND ! 1014 01:03:14,458 --> 01:03:18,791 HEY ! HEY ! [ Gunfire Continues ] 1015 01:03:23,875 --> 01:03:26,458 [ Gene ] HEY ! 1016 01:03:29,416 --> 01:03:31,875 HEY, GET OUT OF HERE ! 1017 01:03:31,916 --> 01:03:33,791 [ Sue ] GENE ! GENE ! 1018 01:03:35,125 --> 01:03:37,708 I TOLD YA TO RIDE FOR HIGH GROUND ! 1019 01:03:37,750 --> 01:03:40,500 [ Explosion ] 1020 01:03:47,791 --> 01:03:49,875 [ Horse Whinnying ] 1021 01:03:57,458 --> 01:03:59,375 [ Gunfire ] 1022 01:05:38,375 --> 01:05:40,291 WHEN THEY ROLL THE WATER OUT OF GULLIVER AND HIS CREW, 1023 01:05:40,333 --> 01:05:42,291 THEY'LL ALL GO UP FOR A LONG STRETCH. 1024 01:05:42,333 --> 01:05:45,375 WELL, SHERIFF, MR. LANG HAD NOTHING TO DO WITH THIS SCHEME. 1025 01:05:45,416 --> 01:05:47,625 HE WAS TAKEN IN BY GULLIVER. WELL, MISS WARNER'S RIDING... 1026 01:05:47,666 --> 01:05:49,791 INTO THE COUNTY TO WARN YOU IS PROOF ENOUGH. 1027 01:05:49,833 --> 01:05:52,041 BUT YOU'LL HAVE TO TESTIFY AT THE TRIAL. 1028 01:05:52,083 --> 01:05:54,791 UH-- IT'S JUST A FORMALITY. I'M SATISFIED, AND YOU'RE IN THE CLEAR. 1029 01:05:54,833 --> 01:05:58,125 OH, SHERIFF. OH, PARDON ME. 1030 01:05:58,166 --> 01:06:01,166 YOU KNOW THOSE HORSES I STOL-- UH, BORROWED ? I PUT 'EM BACK. 1031 01:06:01,208 --> 01:06:03,750 WELL, THAT GIVES YOU A CLEAN BILL OF HEALTH, MR. BLY. 1032 01:06:03,791 --> 01:06:05,750 THANK YOU VERY MUCH, SHERIFF, 1033 01:06:05,791 --> 01:06:08,291 BUT I HAVE A MORAL RESPONSIBILITY TO GENE. 1034 01:06:08,333 --> 01:06:10,541 THERE'S MY CHECK TO COVER YOUR LOSS. OH, NO. THANKS, JEFF. 1035 01:06:10,583 --> 01:06:12,541 OH, BUT, GENE, WHAT ABOUT YOUR RANCH ? 1036 01:06:12,583 --> 01:06:16,791 WELL, UH, I GUESS THE SHERIFF WILL TAKE CARE OF MY RANCH. 1037 01:06:16,833 --> 01:06:22,250 GENE, SOMETIMES I GET AWFUL ABSENTMINDED AND MISLAY IMPORTANT PAPERS. 1038 01:06:22,291 --> 01:06:25,208 WELL, IF YOU COULD FORGET WHERE YOU PUT THAT FORECLOSURE SIGN... 1039 01:06:25,250 --> 01:06:28,291 LONG ENOUGH FOR ME TO ROUND UP A FEW OF MY CATTLE AND HUNT A JOB, WELL-- 1040 01:06:28,333 --> 01:06:30,291 COULD YOU FIND A JOB FOR ME TOO ? 1041 01:06:30,333 --> 01:06:32,166 I'VE GOT A JOB FOR YOU AS MY ASSISTANT. 1042 01:06:32,208 --> 01:06:34,375 AND SHE'LL MAKE A GOOD ONE TOO, JEFF. YOU BETCHA. 1043 01:06:34,416 --> 01:06:36,916 WELL, WHAT WILL YOU DO, GENE ? WELL, MOST ANYTHING. 1044 01:06:36,958 --> 01:06:40,666 I HAVEN'T MUCH CHOICE. WILL YOU SIGN A CONTRACT TO THAT EFFECT ? 1045 01:06:40,708 --> 01:06:43,250 YOU MEAN THAT I MIGHT FIT INTO SOMETHING ? MUSICAL WESTERNS ! 1046 01:06:43,291 --> 01:06:46,250 YOU FIT 'EM LIKE A GLOVE. OH, SURE. CONGRATULATIONS, GENE. 1047 01:06:46,291 --> 01:06:48,250 OH, THAT'S WONDERFUL ! CONGRATULATIONS ! 1048 01:06:48,291 --> 01:06:50,250 THAT'S WONDERFUL ! LOOK, I GOT A STORY THAT WILL KILL THE PEOPLE ! 1049 01:06:50,291 --> 01:06:52,000 YOU RIDE INTO THIS FIRST SCENE. THERE'S A BEAUTIFUL GIRL THERE. 1050 01:06:52,041 --> 01:06:53,958 [ Talking, Indistinct ] 1051 01:06:56,500 --> 01:06:58,416 AND HERE WE ARE. 1052 01:07:05,125 --> 01:07:07,458 ♪ SIOUX CITY SUE ♪ 1053 01:07:07,500 --> 01:07:10,125 ♪ SIOUX CITY SUE ♪ 1054 01:07:10,166 --> 01:07:12,291 ♪ THERE AIN'T NO GAL AS TRUE ♪ 1055 01:07:12,333 --> 01:07:15,166 ♪ AS MY SWEET SIOUX CITY SUE ♪ 1056 01:07:15,208 --> 01:07:17,500 ♪ I ASKED HER IF SHE HAD A BEAU ♪ 1057 01:07:17,541 --> 01:07:20,083 ♪ SHE SAID YES, QUITE A FEW ♪ 1058 01:07:20,125 --> 01:07:22,416 ♪ AND SO I STARTED COURTIN' ♪ 1059 01:07:22,458 --> 01:07:24,958 ♪ MY SWEET SIOUX CITY SUE ♪ 1060 01:07:25,000 --> 01:07:27,458 ♪ THE FIRST TIME THAT I STOLE A KISS ♪ 1061 01:07:27,500 --> 01:07:30,000 ♪ I CAUGHT HER STEALIN' TOO ♪ 1062 01:07:30,041 --> 01:07:32,166 ♪ I ASKED HER DID SHE LOVE ME ♪ 1063 01:07:32,208 --> 01:07:35,375 ♪ SHE SAID INDEED I DO ♪ 1064 01:07:35,416 --> 01:07:37,750 ♪ SIOUX CITY SUE ♪ 1065 01:07:37,791 --> 01:07:39,791 ♪ SIOUX CITY SUE ♪ 1066 01:07:39,833 --> 01:07:42,791 ♪ YOUR HAIR IS RED YOUR EYES ARE BLUE ♪ 1067 01:07:42,833 --> 01:07:45,333 ♪ I'D SWAP MY HORSE AND DOG FOR YOU ♪ 1068 01:07:45,375 --> 01:07:47,875 ♪ SIOUX CITY SUE ♪ 1069 01:07:47,916 --> 01:07:50,500 ♪ SIOUX CITY SUE ♪ 1070 01:07:50,541 --> 01:07:52,708 ♪ THERE AIN'T NO GAL AS TRUE AS ♪ 1071 01:07:52,750 --> 01:07:57,666 ♪ MY SWEET SIOUX CITY SUE ♪♪89759