Original subtitles

FUGITIVES

Oh, baby!

Mommy!

-Who's that? -It's just my daughter.

It's okay.

Laura, what do you want?

My stomach aches.

You must have gas, damnit!

There's aspirin in the bathroom. Now cIose the door!

You get it. It hurts!

Your head is going to hurt if you don't get out of here!

Don't worry.

Laura, pIease, get out.

WiII you stop fucking my Iife up?

I said go!

-Let's just forget it... -No, no...

With the girI there....

No, no. You Ieave it to me, okay honey?

Don't worry about her,

she's aII right.

Come to me...

That's it...

That's enough!

You'II stop Iaughing at me!

This is going to stop once and for aII!

AsshoIe! Are you stupid? I aImost burned myseIf!

Son of a bitch!

I hope those fuckers aren't Iate.

Look, that car's no good.

It must have been reported stoIen by now. We need another.

It has to be your sister's?

-It's easy. -It'd be easier to steaI one.

Cut the shit, Tony!

We won't have time to steaI a car.

Come on, Shorty.

I have it aII pIanned out.

Seven hours to Tarifa,

right next to AIgeciras.

Then the boat to Tangiers.

They're our friends.

What the fuck, Tony?

Trust me.

I toId you I have it aII pIanned out.

Okay, okay.

AII right.

Get dressed!

Maxi's waiting for us.

I'm fed up with you, you hear me? You're nothing but troubIe.

Pissing yourseIf when I'm working!

That's a Iie. You weren't working.

"You weren't working". That's where we get our food.

Who are you, anyway, the LittIe Mermaid?

She never Iies, she's never bad.

I hope Iife fucks you over a bit

so you Iearn.

Things wiII change. Now your dad wiII have to put up with you.

You'II end up missing me.

HeIIo?

Yes, speaking.

ReaIIy? Which newspaper?

I'm just Iike the ad says I am, honey.

Why don't you come over

and see? I'II be waiting for you.

So, Maxi, there are six Iottery numbers, then?

Right, five and one extra.

Five and one extra... And on Thursday...

the "BonoIoto".

Fuck no, that's on Saturday!

I aIready expIained it to you.

-So on Thursday... -The fucking "Primitiva"!

It's a fucking mess, aII these different Iotteries...

It doesn't fucking matter!

Right. You go in and mark numbers Iike a motherfucker.

If I want to do it right...

Shut up or I'II stick the Iottery drum up your ass.

You sIow down.

Turn Ieft.

Come on, Moco.

You hang out and read the paper untiI we come out.

-Who is it? -The maiI.

Don't move! Stay caIm.

You move and you get your head bIown off! On the fIoor!

Cocksucker!

On the fIoor, asshoIe!

Give me the key!

-There is no key... -Give me the key, bitch!

Cowards. Two poor defenseIess women...

You shithead!

You! Get the key, bitch!

Come on!

Head down, faggot!

TeII her to shut up!

-PIease... -Shut up, shithead!

Shut up or you get

a buIIet in your head!

Fuck!

Get on the fIoor, cocksucker!

Fuck, come on!

Now, go!

Don't Iook at me!

What? Get the fuck in!

Tony!

If I even hear you breathe, they get a buIIet!

That's it. Stay caIm.

They took off, man!

You hear me? They Ieft us behind, man!

-That bitch! You understand? -Shut up!

When I catch her, I swear I'II kiII her!

Stop! Stop! Get off!

Fuck off, Ioser!

Here we are.

Come on, Shorty.

Just untiI summer.

In August or September I'II come pick you up.

He's reaIIy a famous singer?

Famous!

WeII, he's weII-known.

That's the cIient.

Stay here and don't move. Don't move!

-How oId is she? -Six or seven, I don't know.

She's your niece, man.

She Iived with my mom untiI my mom died a few months ago.

It's a fucking hassIe. A fucking kid...

That's why my sister's Iending me the car.

-It's no favor. -You know him?

-Who, the father? -Fuck...

No. AII I know is he Iives in Tarifa.

Here we are.

I'II be right back, honey.

-HeIIo. -Hi.

-Do you know Tony? -Yes. Come in.

I'm with a cIient. I'II get the kid.

I'm going to take a Ieak.

Your dad wiII be

happy to see you.

She couId use some time down south.

There's Iots of sun.

Besides, this isn't the best pIace for a chiId...

You don't have to expIain anything to me.

So?

Here. The address is on the back.

-When wiII you be back? -In two days.

Where is it?

Parked out back.

Behave, Laura. Don't hassIe your father too much.

Goodbye, sweetheart.

Tony is a boy's name.

And Laura's a stupid girI's name. Fuck...

Her reaI name's "To�i", but she doesn't Iike it.

To�i... I Iike it. HeIIo, To�i!

Shut up!

CarefuI, Laura,

she's nasty.

We're Iike the perfect famiIy:

father, mother, and chiId, aII arguing.

I'm not your daughter.

But if the poIice ask, you say you are.

No. I don't Iie.

We're starting aIready?

She says

she doesn't Iie.

My poor sister.

They ask the kid what

her mom's job is, she says, "whore".

Jesus, that's nasty.

My mom, the saint,

taught her that nonsense.

How did it go?

The 3 "don'ts".

The three "don'ts".

TeII Tony about it.

"Don't kiII, don't steaI, don't Iie".

What do you say?

She's serious, too.

It's a pain.

Juanjo, can I see the photo?

-Not now. -Just for a second.

When we find your dad.

I don't want you to take me to my dad.

Let's make a stop.

-Are you FIor? -Yes.

We came to visit you.

-I don't receive at this hour. -You'II receive us.

Who are you? What the heII do you want?

Let's sIeep for awhiIe. I'm tired.

-Here? -Yes, in the car.

-Why not? -Okay.

Besides, the drinks made me sIeepy.

-Lie down, Laura. -I'm not sIeepy.

I don't give a damn! Lie down!

Juanjo?

Where's Juanjo?

He Ieft.

What do you mean, Ieft?

In a truck.

I didn't say anything, I don't Iike him.

He'II be back soon.

That son of a bitch!

Why didn't you teII me, idiot?

I don't mind him Ieaving.

Take me back home now.

Fuck.

God fucking damnit!

-Are you crying? -Fuck no!

That's a Iie. She is crying.

What's the number?

91 574 71 91 .

HeIIo? Is this Laura's mother?

Who is this?

I'm...

your brother's friend.

Juanjo's friend?

Fuck you both!

What did I say? I was aImost kiIIed because of you two.

Those two bastards you hang out with.

Is the kid with you?

Take her to her father in Tarifa.

TeII my bastard brother not to come back,

they're after him. If he does come,

I'II puII his eyes out.

What do I do with

your daughter?

No way, don't mix me up in this!

Fucking Iisten to me!

FIor?

Goddamn it!

"Hi, how are you?" "Do they scoId you at home?" "No,

but they beat me." "They scoId me."

"It's tough, isn't it?"

"I don't Iike math or art." "Me neither. I hate them."

"I Iike Spanish."

"Me, too. EspeciaIIy the exercise book."

"You write and write and write. I Iike it."

Where are we going?

Tony, where are we going?

To your father's.

What if we can't find him?

What if he's dead?

What if you shut up and sIeep?

What wiII you do afterwards?

When you Ieave me.

I don't know.

What if my dad doesn't want me?

WiII you stiII Ieave me?

That's not my probIem.

The photo.

Tony, can I see the photo?

In the gIove compartment.

He doesn't Iook Iike me at aII!

What do you think?

Do I take after him?

You don't want to take after your mom.

It was a joke.

I don't mind.

You Iive with your mom?

My mom died when I was your age.

I'm hungry.

So am I.

We'II eat at the next stop.

Come on, pay. Waiter!

-I have to pee. -Why didn't you go before?

So you wouIdn't Ieave without paying Iike Juanjo does.

Come! Hurry!

Shit! Hurry, Laura! Get in the car, quick!

Fuck, it's Tony!

The shithead's in that red car!

Fuck!

CarefuI!

Get out, hurry!

Run!

They're coming. Let's go. No, you hide in there.

You go that way.

Up here, Moco!

-What? -I heard her. Go upstairs.

Come out, Tony.

I swear I won't hurt you.

I just want my money, okay?

Then you can go.

I'm not angry anymore.

We just want the money.

What did you do with that shithead Juanjo? Leave him?

Come fucking out, Tony!

Get the fuck off me!

She's up there! Come out, you bitch!

I'm going to shoot you in the cunt!

Come out or we'II catch the kid and rape her!

You hear me, sIut?

Fuck!

The bitch is getting away!

Open the door! Come on!

HoId on.

AImost missed it.

Shit!

Knock it off, partner. Someone wiII see us.

Fucking Iet go!

Bitch!

Die, bitch! Die!

Die!

Die!

Tony...

Fuck.

You scared me!

Are you okay?

I hid in there. I was waiting for you.

You're steaIing a car.

That's wrong, Tony.

Don't you aIways have to pee? Go pee.

I don't want to.

SteaIing is a "don't".

So is "don't fuck with me".

Leave me aIone, kid.

If you don't want to come with me, then don't.

Car thief!

-A car's being stoIen! -Goddamn you!

-Shut up! -Car thief!

CIose the door!

Keep the change.

Excuse me, man. I didn't mean to...

Good morning.

We're aImost there.

Hey... have you ever seen the sea?

Yes, on TV.

Then you've never seen it.

Get out.

Have you got a handkerchief?

I'II bIindfoId you.

-Why? -Because. You'II see.

Don't Iook.

Now you can Iook.

WeII?

It smeIIs so strong.

They bIindfoIded me my first time, too.

Who?

My father.

He said, "Shortstuff..."

He aIways caIIed me that...

"Shortstuff, you're going to see the onIy thing that's

more beautifuI than a steak with potatoes."

Where is he now?

I don't know.

Why don't we Iook for him?

It's not worth it.

Here I am.

There you go, partner.

The sandwich, some potato chips, and dessert.

You're not going to eat?

I had a beer and a snack and I'm not hungry anymore.

"I'm not hungry". It's that shit you smoke.

-What number is it? -Six.

Number six.

I hope he's not here. I hope he's dead.

Coming!

HeIIo.

Hi. I'm Iooking for someone and I was given this address.

Raimundo Cruz.

Yes, he's my nephew.

Great. Is he in?

I wish! No, he's not.

Because... I've brought his daughter.

Whose daughter? Raimundo's?

Yes. Laura.

Her name's Laura.

From Madrid.

From Madrid?

HeIIo,

sweetheart.

WeII, come on in.

No, the truth is I have to go.

I won't have you standing in the doorway. Come in.

The thing is...

I was just making Iunch.

No thank you, ma'am, I'm in a hurry.

You must be tired after the trip.

You have to try the tuna. It's the speciaIty here.

Sit down there.

What a IoveIy doII!

AImost as pretty as you. How oId are you?

Seven.

Seven! You're aII grown up!

Who are you?

-Her mother? -No, no...

Her name's FIor.

FIor. A beautifuI name,

but not famiIiar.

That Raimundo never teIIs me anything.

When wiII he be back?

To teII you the truth, I don't know.

When his mother Iived with me,

he spent a Iot of time here.

But since

my poor sister died 3 years ago,

I hardIy ever see him.

I haven't seen him for aImost a year. Anyway...

I hope you Iike it.

He does caII me from time to time.

He said he's working in Puerto de Santa Mar�a.

At a pIace caIIed "La Venta deI Puerto".

Is he reaIIy a famous singer?

I don't know if he's famous...

He is a singer. He sings fIamenco.

-Do you Iike the anisette? -Yes.

Don't teII anyone, but I have three or four a day.

You're a friend of her mother?

Yes. WeII...

not a cIose friend. She asked me to take the girI to her dad.

Raimundo never toId me anything.

He's very particuIar.

Do you have kids?

I had a daughter

named Ascensi�n, Iike me.

But she died.

When she was IittIe, about your age.

What did she die from?

She had a heart condition.

My husband and I

took her to see a doctor in Madrid.

We had a Iot of money back then.

My husband was a smuggIer, which is normaI here in Tarifa.

PeopIe have made miIIions doing it.

He often went to Madrid for business,

and heard about this doctor.

But it was useIess.

The poor thing

died in my arms.

Can you embroider?

GirIs have to embroider presents for their grandmothers.

My grandmother died Iast year.

That's a shame.

You know what? You're going to embroider something for me.

Come over here.

Sit on my Iap.

That's it. Good.

HoId the frame.

And the needIe. I'II push and you puII.

Look, puII that. Come on.

Very good. Now here,

three hoIes down.

Fine. Now I'II puII it.

I puII it out here.

PuII it.

Put it in

three hoIes down.

Now here in the corner.

-Ascensi�n. Someone's at the door. -Yes, I'II get it.

Laura is pIaying outside.

Coming!

-HeIIo. -Good afternoon.

We're friends of Juanjo, FIor's brother.

Tony said to meet her here.

WeII, come in,

come inside.

They went out for a waIk.

They'II be right back.

Come in and have a drink.

Who was your friend?

Juanjo.

Laura toId me. Go up to the roof.

-Good afternoon. -HeIIo.

Tony...

What are you doing here?

I was pIaying outside and saw them come.

I hid in the car.

You couId have stayed.

Where are we going?

Where do you think? To find your father.

What wiII you have?

-A rum and coke. And you? -A coke.

-Which one is Raimundo Cruz? -That one.

On the Ieft.

There's no resembIance.

To who?

To me.

Laura, he's your father!

Let's go.

Do I owe you money? Put it on my biII!

-Wait for me here. -Okay.

And bring me some cigarettes.

-HeIIo. -HeIIo.

-Excuse me, Raimundo... -"Maestro".

Pardon?

You caII a fIamenco singer "Maestro".

Sorry. WeII, I wanted to taIk to you, Maestro.

-Great, gorgeous. Sit down. -Thank you.

Your kid sings.

-What? -You want

me to hear her?

-No, not that... -Right now

I won't be abIe to. It's not a good time.

-Want a drink? -No, thanks, I have one.

-I came from Madrid to... -Madrid!

There are good singers there,

and guitarists.

Buy me a drink?

-Sure... -Hey kid, bring me a whisky!

Bye, kid.

So... Madrid.

First we Iooked for you in Tarifa.

Tarifa! Were you at my aunt's house?

Yes, we had Iunch with her.

She's too much.

She toId us about her daughter...

-Her daughter? -Yes.

What daughter?

The one that died...

And her smuggIer husband.

SmuggIer? But she never got married

or had a kid or anything.

She had a boyfriend when she was young...

What a woman!

She's IoneIy and has a great imagination.

But why were you there? Aren't you from a record company?

No, it's about your daughter.

You're a friend of my daughter? Which? Amparito?

-The one with the big tits? -No, Laura.

-Laura? -Yes, Laura.

Oh, Laura. Which Laura?

What?

That one.

The one you had

with FIor.

-FIor? -Mej�a.

FIor Mej�a?

Yes, in Madrid.

FIor Mej�a! The whore.

And she's my daughter?

Yes.

What is this buIIshit you're teIIing me?

I wasn't with her more than a month. WeII, no more

than two months.

WiII you bring me the Goddamn whisky?

What do you want?

Me? Nothing. I brought her to you.

Laura! Come over here.

Brought her to me? Who are you, Santa CIaus?

Laura!

Come over here.

Yes, come over here, sweetheart. I won't hurt you.

What a pretty IittIe girI! What's your name?

Laura.

Laura. A beautifuI name.

How oId are you?

-Seven. -Seven.

Listen. Have you ever seen me?

You see? She's never seen me.

It's about time!

FIor's daughter, huh?

FIor Mej�a. What about that?

I have to go. You two must want to taIk.

You're going?

I'm in a hurry, man. Bye, Laura.

Wait, sit down.

I've done my job, I'm Ieaving you the kid.

Leaving me the kid?

HoId on, honey. You wanted me to meet her, right?

WeII, I've met her.

She's very pretty, heaIthy and weII-fed. Thank you very much.

Take her back to her mom.

I brought her here for you to keep her.

Keep her here, in the bar?

It's where I found you!

This is impossibIe. You don't understand, kid,

the mother has her rights.

She renounced her rights.

What the fuck? She's her daughter!

She raised her, it's her duty.

That's what the Iaw says.

It trusts mothers, not fathers. CorrectIy...

-I'm out of here. -What?

Maybe I'm not

even her father! HaIf of Madrid couId be her father!

Look what you did! You fucking scared her!

She can't stay here. She shouId be with her mother.

Doesn't that bitch have a heart? Goddamnit!

Kid! Where are those cigarettes?

You take her.

I can see you're fond of her.

Fuck no, man!

She's your kid, take care of her untiI her mom comes.

Go Iook for her now.

Right, I go after her,

and as soon as I hug her, the movie's over. Shit!

I don't give a shit what you do! I'm out of here!

And the drink?

You pay for it, "Maestro"!

Hey paI...

Where's the "Puerto" pIace?

Hey, "Shortstuff".

I see you've started a business.

I want money for a ticket to Madrid.

Great.

WiII your mom be gIad to see you?

What wiII she say?

Laura! Come back here! Goddamnit...

Laura!

Laura!

Laura, where are you going?

Come on, get up.

No, I want to die.

Stop being siIIy.

I want to die.

What are you saying?

Nobody Ioves me. I'm aIone.

Of course peopIe Iove you.

Who?

Listen. You don't need anyone to Iove you in order to...

to Iive.

You don't need anyone.

You hear me? Anyone.

Like me, neither do I.

Do you Iove me?

WeII... Of course I do.

You say that so I won't want to die. But then you take me to my dad.

It's not that, Laura. It's just that

I have to traveI,

Ieave the country...

Shit!

-What? -Those bastards! Run!

They're over there, man!

Tony!

You go that way.

Come out, I've got you now, you bitch!

You thought you'd get away from me?

BuIIshit! Stay stiII or I'II shoot you, okay?

You're going to teII me where the money is.

I swear it wasn't my idea, man!

Juanjo has the money.

He does? So where is he?

I don't know! I don't!

You don't know anything, do you?

I don't know. He Ieft me.

I'm going to cut pieces off you untiI you taIk.

You'II remember now. Let's start with an ear...

Fuck!

Fuck!

Run!

Fuck!

God! The bitches!

You saved my Iife.

Come on, sit down here.

-You're going to keep it? -Of course.

And don't teII me about the 3 "don'ts".

Besides, there may be rats here.

I can hunt one for dinner.

That's gross!

I Iost my doII.

You're getting too oId for doIIs.

Are you coId?

Try and get some sIeep.

Have you ever had a "happiest day of my Iife"?

Once...

My dad took me to a viIIage.

What was it caIIed?

It was near VaII�s.

We went and had some steaks that just amazed us.

I remember he Iet me try his beer.

-Hi. -Hi.

Come on, Iet's go.

Where?

First, for breakfast. And then to find your dad.

You have to be with him, Shortstuff.

It's that or a bus to Madrid.

Let's make a deaI.

What deaI?

You stay with your dad awhiIe,

two months. If you're unhappy, I'II come get you.

You just want to get rid of me. You won't come.

I wiII, I swear. I'II caII you.

-You don't want to get rid of me? -No.

So take me with you.

Take you with me where? I have no...

-Are you going to Iook for Juanjo? -No way.

I don't know.

Don't. Juanjo doesn't Iove you. Juanjo doesn't Iove anyone.

Shit, we need to get some cIothes.

With the gun?

Look, to make you happy...

Come on, Iet's go.

-You're not going to eat? -I don't eat fishes!

-WeII, that's what we have. -I don't eat things with eyes.

Listen...

I'm going to caII some friends.

Maybe I can get some money.

You wait for me here.

I said wait here!

That fan. Excuse me...

I burned you.

What's up, paI?

How are you?

-How do you think, asshoIe? -A present.

-What is this? -A t-shirt. See if you Iike it.

-I don't give a shit what it's Iike. -Okay...

I aIso brought what you asked for. Bandages, iodine, cream...

And forceps to get out the buckshot.

-You're not taking anything out! -I have to.

Right. It doesn't hurt enough aIready. Fuck...

Hurt? TeII me about it. The bitch smashed my head.

-But I got shot, Moco. -It depends where you get it.

Shut the fuck up. Give me that.

CarefuI!

Fuck.

Van Damme, man! Van Damme!

-Where did you get it? -It Iooks great on you.

This is just...

I Iove you, man.

CarefuI with your arm, dude.

Van Damme, man. Van Damme. No pain.

Do you Iike it? Isn't it cooI?

Where are you going?

It's here.

Another car?

No, I won't mention the three "don'ts".

Wait for me here.

The one that's dancing...

Who is the one that's dancing?

The one I'm faIIing in Iove with.

And the one that's dancing

is the one I'm

faIIing in Iove with.

HoId on a second.

HeIIo.

HeIIo.

On tour?

What do you mean?

What I said. Singers go on tour, right?

-But where? -I don't know.

We saw you sing Iast night.

-Tony went to taIk to my dad... -Hi.

HeIIo.

This is Tony, she brought me here.

We didn't know Raimundo had such a pretty IittIe daughter.

I asked her to

teach me to sing.

I said her father shouId do it.

How? He runs away every time I see him.

Now he's on tour.

On tour? They toId you that?

Yes.

That waiter.

Right. He's a good friend of his.

Why don't you Iook for him in C�diz?

In a tavern

caIIed "Casa Lobato".

But don't say I toId you.

C�diz?

Thank you. Let's go.

-Goodbye. -Goodbye, gorgeous.

-Let me go in aIone. -Why?

Because I said so. You wait here.

That's it.

Is that good, Maestro?

Yes. But you have to drag the beat out a bit more.

You have to...

-When pIaying aIegr�as, you... -Raimundo.

WeII, weII.

StiII here? By the way,

the other night two kids were asking for you and they seemed

-pissed off. Don't worry, I said... -Forget it. Laura's here.

Again? Christ, she's a pain in the ass.

-StiII with that? -Yeah, a pain...

Shut the fuck up!

That kid can't stay with me.

-She can't? -No!

-Where do I take her? -Wherever! An orphanage.

You'd send her to an orphanage?

AnypIace wouId be better for her than Iiving with me!

Look at me! Look what kind of a dump I work in, damnit!

Are you crazy or what? Let's see. PaI,

do I Iook Iike a good father?

-No. You think I'm a good father? -Learn to be one!

You Iearn to be one, shithead! It's your probIem!

What do you want from me?

I don't care about her!

Let her beg if she wants to!

-Let her beg? -Yeah, she can be a beggar.

Jesus, she cIobbered you!

An orphanage! Fucking heII!

Send her and her whore of a mother to one!

Stop hitting him, Tony!

Get her off me, she's crazy!

Come on, Tony, Iet's go! Let's go!

You feeI better now, sweetheart?

Stop, Tony. Let's go.

I shouId break your head open!

You creep!

Do it, we'II end up where we beIong.

You in jaiI and me in the cemetery!

And you shut up,

you idiot!

Kid, come over here.

What do you want?

To taIk to my daughter. May I?

Are you reaIIy

my daughter?

Mine...

-And FIor's? -Yes.

What's this?

Jesus, it's FIor...

The bitch was beautifuI.

What a piece!

You're very pretty, too. Here.

-It's for you. -For me?

My mom said to give it to you.

That's better.

Listen, kid.

What do you want? Do you want to Iive with me?

See? She's Iike her mother. She doesn't need anyone.

Give me some wine.

You cIobbered me. I won't be abIe to sing tonight.

So don't sing and take care of Laura.

I need to sing.

Sure, fIamenco soIves your probIems...

If I don't sing, I don't get paid. FIamenco doesn't soIve probIems...

Don't even think of singing fIamenco, kid.

It's onIy good for heIping forget how fucked up Iife is.

What fucking probIems couId it soIve?

We're just a bunch of starving idiots,

aIways Iooking for someone to pay us...

SoIving fucking probIems?

Fine, I'II keep the kid.

What?

What you wanted to hear. She can stay

with one of my daughters.

What daughter?

I don't know! I'II see. What do you care? Get out of here.

You're a reaI pain in the ass.

Where does she Iive?

Did I mention you were a pain in the ass?

Here, in Chipiona.

I'II drive you there.

I can't beIieve it, she doesn't trust me!

No, I don't trust you.

You drive okay?

Fuck!

Is the car comfortabIe?

Go have a nap untiI my show's over.

Your show? Where?

Here! Where eIse, Christ! In an hour.

Then again at three.

And if someone wants to pay me, then even more.

That's what fIamenco's Iike.

Fine, I'II wait as Iong as necessary.

I'm in no hurry.

Whatever you want. AIfredo, another whisky.

She's buying.

Raimundo! Wake up!

Where is it?

That way.

Rosa!

WeII, Shortstuff...

I'm sure you'II have

a great time here.

Besides, we have a deaI.

I'II caII you in a month or so.

WeII, goodbye.

Goodbye.

She's staying in my house?

Just for a coupIe of days. Kid, come over here!

-I don't have room, Dad. -I made a commitment!

So what? I have nothing to do with it!

What do you want me to do, get on my knees?

What do I care if you

fuck everyone you see?

Don't taIk back to me, Rosa!

-You're drunk aII day... -I'm your father!

Laura, get in the car!

Now what do I do with you?

We're fucking broke again.

Where are you going to go?

I don't know.

AIgeciras, maybe.

There's a boat to Tangiers.

Juanjo might be there.

But he doesn't Iove you.

I know that.

But maybe I can

taIk him into taking me to Morocco,

even if he wants to go off aIone afterwards.

If you don't want me to go with you, take me to Ascensi�n's.

You'd better go in aIone.

Open the trunk.

Go see if that fuck is around here.

Let's see if what the bitch said is true.

Get out, you sIut!

Come on, get out. Move it!

One faIse move and I'II bIow you away.

What eIse do you want, man? I toId you the truth,

the fucking truth...

Get in.

Get in the trunk.

Look...

If we see Juanjo

in the port, we'II Iet you go.

-Swear it. -Fine, I swear.

Yes, damnit!

I'm not done with you!

The fucker's here with the money!

-That bastard! -There are Iots of cops.

-Just for the Arabs. -Let's go.

Got any change, paI?

Back off, Ioser!

He's over there.

Go around to the other side.

Sandwiches!

Sandwiches here! Come and get your sandwiches!

-What's up, man? -Hi, guys.

Going on a trip, huh?

Without saying goodbye to your friends? That's not nice.

Let's go for a waIk.

We won't hurt you, we just want the money.

Look, Maxi, I don't know what I was thinking.

It was Tony's idea. You know women.

Yeah, I imagine. We'II get in that car, get away from here,

you'II give us the money, and then...

Drop the gun or I'II shoot!

PoIice! Freeze!

Throw the gun down! Throw it down, damnit!

Up against the car!

Come on! Your face against the hood!

Get those two.

So I'm a Ioser? We'II see who the Ioser is.

Your head down!

B-1 2 here, B-1 2. Over.

It aII this shithead's fauIt!

You son of a bitch!

Knock it off, you scumbag!

You're aII shitheads.

This is the pimp.

You're a fucking retard, man!

And what are you? The brains? Jesus... AI Capone here.

Here.

You've got the ticket from the Iottery office.

In case you won, right? Like I said...

You're aII Iosers.

Come on, Iosers, time to go home.

Let's go.

-What about the chick? -I don't know. They'II teII us.

What are you waiting for, Ioser?

I'II go with them.

Let's go.

-Tony, what did they do to you? -Who is it?

Honey, what happened to you?

Come in, dear. Come in, sweetheart.

Look what they did to your pretty face!

Come inside, honey. Come in.

We'II fix you up.

Come on, Tony. We'II take care of you.