All language subtitles for Pulling_S1E2

I don't want you to think it's
about me being unhappy here,

I just wanted to talk to you
because I'm not sure if...

I'm just not sure if things
are working out for me here.

God, that sounds serious.

You're not leaving us, are you?

Well, maybe.
I don't know.

-Is it the new position?
-No, I'm really enjoying...

Because we see that
as a step forward.

Oh, yeah. I was really
pleased to get it, but...

Look, Ian, I don't know if
you know, but I--

I recently cancelled my wedding.

Yeah, I had heard.

Yeah, so, I mean,
I've been re-evaluating things

in all areas of my life,
Ian, and...

...just maybe I should be having
an honest look at my skills

...and my...

Well, just maybe
I should be aiming a bit higher.

Gawd.
It's a bit sudden, isn't it?

Well, look, Ian, I haven't made
any decisions as yet,

I just wanted to talk to
you about it.

Okay.

I just think
there might be more to life

than being a marketing manager.

What?

I'm just wondering if there's
more...

...than being a marketing
manager.

[CHUCKLES]

But you're not
a marketing manager.

[CHUCKLES]

-I am.
-No, you're not. Ha, ha.

I am, Ian.
I've been marketing manager

for the past six months,
since my last pay review.

That's--
that's what we're talking about.

No, you're not.

Look, I'm not saying, I'm not
grateful for the promotion,

because I am.

-Oh, that's a mistake.
-What?

You're not marketing manager.
That's a mistake.

That's supposed to be
marketing manager's PA.

-PA?
-Yes.

What, you thought you went from
reception to marketing manager?

Well, yeah.

Didn't you see Jenny doing the
marketing manager's job?

I just-- I thought
she was being helpful.

Well, what about your pay?
Your pay didn't go up.

-Yes, it did.
-What?

It did go up.
Of course it went up.

Oh, my God.

Well, look, Ian,
thanks for the chat,

because it has really helped.

That's-- That's twice
what you should have been on.

Sort of focus.

Yeah,
it's really helped, actually.

Right, I'd better get back to--

Well, didn't you think
that was a bit much?

Well, actually, I thought it
reflected my potential.

We're gonna need that back.

-Oh. Heh, he.
-Oh, hi.

[BIRDS CHIRPING]

Who the fuck are you?

-Get out my bed.
-It's Brian!

-It's Brian!
-What?

-Brian. It's Brian, Karen.
-Brian?

Yeah, Brian.
Brian from the Marquis.

-Brian?
-Yeah, do you remember?

Brian.

[PANTING]

Shit! What time is it?

-What day is it?
-Wednesday.

-Not Monday?
-No.

Shit!

That man. The man.
That--That man upstairs,

can you get rid of him?

Does that mean
you've finished with him then?

[DOOR CLOSES]

I'll take that as a yes.

Hello.

-Hello.
-Yes, hello.

Sorry about my legs.
I was just trying something out.

Yeah. Where's Karen?

She gone. She's gone.

Went to school. Over there.

Right. Well, I--
I'd better go too, actually.

Do you want a bath or anything?

A wash? Quick soapy.

I don't mean with me.

[BOTH LAUGH]

-Wh-- What's your name?
-Oh, it's a silly name.

Louise.
My mum thought I look...

Louise, was Karen okay
when she left,

because she seemed
a bit confused.

Oh, no, she's fine. She's just
in a dark place mentally.

-So do you live nearby?
-Yeah.

Look, have you got a piece of
paper and a pen,

I can leave my number for Karen?

Yeah. Yeah.

Hang on.
Wait there a minute.

Hold on.

Just coming.

Hold on, Brian.

[PANTS]

Okay, shoot.

And now look,
there's a little elephant

getting a hug
from its mother elephant.

And Bobo says?

ALL:
Hug.

KAREN:
Hug. Yes, hug.

Bobo just wants a hug,
doesn't he?

Some real physical contact

that's more than just
a fleeting...

And, look,

Bobo's crying now
because he's--

He's all alone in the world,

and everything he sees
just reminds him

of his terrible,
desperate aching...

Hug.

Bless you, sweetheart.

Bless your beautiful
innocent little heart,

but Bobo's all alone
with his terrible agony,

and he's finding it
increasingly difficult

to find a reason
why he should carry on at all.

So he fills it
with meaningless...

And there's Bobo's mummy.

-There's...
STUDENTS: Hug.

Yes, hug.

[SOBBING]

And now it's nap time.

Let's see who can go to sleep
the fastest.

[KAREN CONTINUES SOBBING]

Thank you, David.

It's just a bit of a comedown.
I think I...

-Karen, go home.
-What?

-You're under suspension.
-What for?

What for? I've just caught you
crying in front of reception.

So, they cry all the time.

Last week, we found you asleep
in the soft-play area.

I explained that.

We were playing sleepy time,
and I dozed off...

And we said then that one more
incident and you're out.

Yeah, but this is hardly
an incident.

Just go home, Karen.

Right. Fine.

Great, in fact,
because I don't wanna do

your stupid poxy job anyway.

Karen, I don't think taking
that attitude's gonna help.

Really?

Then what about this attitude:

You can take your kids, David,

and you can stick each and every
one of them up your arse.

-Is that attitude any better?
-Karen!

This is the best news
of my life!

DONNA: I mean, I don't know what
they were getting so panicky about,

I mean,
I'm gonna pay them back.

It's not like
I'm gonna rob them.

You can have that, if you want.

You just need to scrape Jenny
off. It's-- It's only Tipex.

Are you off
down the Job Centre then?

What? No, of course I'm not off
down the Job Center, Karl.

I don't know, I thought you were
looking for a job.

Yeah, but I want a better one!
I haven't stopped

being a marketing manager
to go down the Job Center.

You weren't
a marketing manager.

I was! Till they found out.

I just want something good,
you know.

Creative
with interesting work mates

and my own office and...

I think I might be having
a breakdown.

What?

You're not having
a breakdown, Karl.

I haven't left the room
in three days.

I've been shitting
into a cornflakes packet.

Yeah, right, well...

Yeah, that--
That sounds like a breakdown.

My mum thinks maybe seeing you's
making it worse.

Well, is--
Is that how you feel?

Karl?

Maybe it would be easier for me
to get on with things.

Oh, right.
Well, if that's how you feel.

Yeah.

Right, well, I'll get off then.

You can keep that.

It's-- It's A4.

It's quite--
It's quite a good one, actually.

I just want
the best for you, Karl.

-Guess what?
-Aah! You're pregnant!

-No!
-Your mum's dead?

Jesus, no!
What's the matter with you?

-I left my job.
-Me too.

What? Why?

Because, apparently,
I'm irresponsible.

What are you doing?
You can't drink that in here.

It's just under
the flipping table.

So are we going to the pub
or what?

I can't go to the pub,
I've got to find another job.

Make up your mind, Donna.
Do you want a job or not?

Yeah, but I want a better one.

I want the kind of job
that's fulfilling and creative

and that fully rewards
my skills.

-What skills?
-I've got skills.

Organizing leaving presents
isn't a skill.

The thing
you've got to understand

about the marketplace
these days, Karen,

is that skills
are all transferable.

It's all a question of units

and of transferring
the units upwards

from one firm to another.

Donna, you saw that
on The Apprentice last night,

you don't even know
what it means.

Yes, I do. You know, it's a--
It's-- You just--

You know, you transfer your
units upwards.

I think you're really brave,
Donna.

We must tear asunder the past

before we can truly deserve
the future.

Exactly that.
God, that's beautiful.

-Who said that?
-Hitler.

Right.

INTERVIEWER:
You want?

DONNA:
Something in media, uh,

human rights
or criminal pathology.

Or an agent
for a sports' personality.

I mean, look at your CV.

You've put under Skills,
organizing leaving presents.

Yeah. Which means
responsibility, budgets.

It means responding creatively
to challenges

on the spur of the moment.

People skills.

How did you get
to be marketing manager?

I mean, a marketing
manager's PA, yes.

Well, how about something
in human resources,

because they don't do anything,
apart from talk to people.

In my last job,

I was always being told to stop
talking to people.

I got a written warning,
for God's sake.

You have to train.

Well, I can pick it up
on the job.

That's one of my strengths.

I'm unfettered by a formal
training or education.

You've spelt education wrong.

Well, can't I work with asylum
seekers or something?

No.

Well, what about something
in here? I mean, your job.

I could do that.
I could sit behind a desk,

staring at a computer,
picking my nose.

Sorry.

Sorry about that.

Vodka and tonic,
and whatever you're having.

Can I have a Pepparami?

Go on, knock yourself out.

All right?

This is the life, ain't it, eh?
No work.

Tell 'em where to stick it, eh?

[UNKNOWN GADGET BEEPING]

First of many.

So, what time do things liven up
around here?

Christmas.

I can't believe she's not here.

I mean, it's--
It's mixed messages, isn't it?

I don't know, Louise, the night
before she's all over me,

and the next day, she can't be
bothered to turn up.

Oh, don't.

It's just that's Karen.

That's how she is with men,
you know.

Yeah, but I thought
we were getting on.

-We had a laugh, I thought.
-Aw, come here, you.

She's just such a...

-You know.
-I mean, is it me?

Maybe it's me. Maybe I'm...

No, no. Don't be silly.

You're lovely.

And kind.

And fragrant.

And your shoulders...

-...are so...
-Louise?

What?

You're really easy to talk to.

I feel really comfortable
with you.

You've got something there.

Just there on--
It's gone. Gone now.

I mean, if there aren't any
decent jobs around

then why has everyone on telly
got one?

[SOBS]

It's not like I'm asking
to be a brain surgeon.

I'm not even asking to be
a heart surgeon, for chrissake.

It's like no one wants me.

Well, I want you.

Yeah, but no one
that counts though.

Sorry, Karl,

I didn't mean...

No, I-- I-- I know
what you mean.

I just feel so useless.

I mean, I must be
worth more than this.

[SNIFFLES]

Come here.

What? Is that an erection?

No, it's my phone.

No, it's your cock.

Oh, yeah, it is my cock.

I'll just go
and put the kettle on, okay.

-Good idea.
-Yeah.

Yeah.
Yeah, that's definitely a...

Tea. Lovely.

[MUSIC BLARING OVER SPEAKER]

And all them beautiful little
eyes starring up at me,

and it fills me with joy,

and I think, "You little things,

with your tiny hands
and your little nails,

you are the future.

You are hope and that makes me
feel warm, you know."

Yeah. I've got
to take a shit, Karen.

I think it's the drugs.

[MUSIC CONTINUES BLARING
OVER SPEAKER]

[ENGINE ROARING]

I just feel like
I need a leg up, you know?

I just need someone to give me
the chance to prove myself,

and then I can just blag
the rest,

and it'll be too late
to fire me.

I could ask Brian
if he knows anyone

who could give you a good job.

-What's he do?
-Don't know.

We're just at that getting to
know each other stage.

-So are you seeing him again?
-Yep.

We're going to the Marquis.

Second date.

The Marquis.

You haven't told him Karen's
gonna be there, have you?

-No, not categorically.
-Louise!

Look, Donna, there's something
between me and Brian.

I can't put my finger on it,
but it's definitely there.

Yeah, it's called Karen.

Where is she anyway?

Did she not come home last
night?

No.

God, it's like half-term
all over again.

[PHONE RINGING]

I'm locking
my bedroom door tonight.

Seriously.

[KARL PANTING]

Karl?

-What's this?
-Gavin's number.

Who's Gavin?

He's the bloke
who got Darren his job.

Apparently, some big agency or
something.

Darren's given him a call,

told him you're a top
flight marketing thingy.

-Really?
-Yeah, you've got to call him up

and go in there.
He'll see you today.

Oh, God. Karl--

-This-- This is amazing.
-Yeah.

I can't believe
you did this for me.

Well, actually, Donna,
I did it for me.

Right.

Yeah, I woke up this morning,
I just thought...

it's time to get on with things.

Oh, well, that's good.

So I went to the shop
to get some milk.

Just like that,
just out of the blue.

And then I had
this sort of realization

that if I was gonna get on with
things, I'd have to get moving.

And so I decided
to do this for you.

'Cause I can move on now,
start living my life...

-...living like a normal--
-Oh, my God. Your feet!

KARL: What?
-Jesus Christ, Karl!

Have you been wandering around
like that?

-I mean, where does Darren live?
-Just down the road.

-Look, you'd better come in.
-No.

Donna, I'm-- I'm fine. Just--

Just let me--

Just let me get on with things
my own way.

Give me a vodka and tonic.

[UNKNOWN GADGET BEEPING]

Who's fucking
knickers are these?

Oh!

So, you're a mate of Darren's.

Lovely guy.

Complete wanker,
but lovely guy.

Now, you want something in media
or human rights.

Yeah, look.

Gavin, I'm-- I'm just--

I'm a little bit worried
because...

I don't have any actual
experience in, in those fields.

-Well, skills are transferable.
-Are they?

In today's market,
it's a question of units.

I mean, walking a tightrope
at 2 feet

is the same as walking it
at 200 feet, right?

-I think so.
-How about this?

Head of Marketing Exec for a
film distribution conglomerate.

Used to work there myself,
really laid back,

lovely guys, complete arseholes,
but lovely guys.

It's actually
only about 150,000 a year,

but with your bonuses, that's
really gonna bring that up.

Well, I mean, you know, if--

if the bonuses are a bonus,
then-- Then that's--

That's probably quite a--

Quite a bonus.

These guys are gonna love you.

Pop along this afternoon,

then why don't we go for a drink

-and discuss how it went.
-Yeah, cool, cool.

Cool, I mean. Cool.

-David, can I have a word?
-What are you doing here?

I just wanted to have a chat
with you about the suspension.

This really isn't appropriate.

Because I think that I--
I might be ready to come back.

Oh, you might be ready,
might you?

Yeah. So can I?

-Can I come back, please?
-Karen...

Please, David,
I'm saying please.

Look, I'm gonna change.

I mean, I've been thinking
about what I've been like,

and I can see now that I--

Look, I like being a teacher.

It's what I do.

I need it.

It keeps me together,
gives me balance.

Oh, I don't know.
Worst thing is...

I feel like I'm letting the
kids down.

-Karen, just--
-Please, David.

Please, don't take them
away from me.

Look, all right.

Come in tomorrow and we'll talk
about a way forward.

Are you serious?

I'm promising nothing, Karen.

No, no, of course.
I understand. Absolutely.

But if you come in,
we'll have a talk.

Okay. Great.
Thank you. Thanks.

Thanks.
Thank you. Jesus.

Thank you.

Oh, you won't regret this.
Honest.

And don't come in
with a hangover.

No, God.
Of course, of course no.

Thank you for this, David.
I mean, that.

Go home and get some sleep.

[KAREN LAUGHS]

And sorry about the kids
up the arse thing.

Why did you say
she was gonna be here?

Well, because...

Well, really the truth is,

is that I just wanted
to get to know you a bit better.

I don't meet men that I like
very often, at all actually.

Well, never.

And I just think,
you're really--

You're really--

You're just so--

No, I'm sorry, Louise,
I'm just-- I'm just confused.

Well, look, it's okay.
I understand.

We'll take things slowly.

Let's go back to mine
and get drunk.

Hi, Donna.

I'm Dan, your direct superior.

Though only in name, not in
talent, intellect or ability.

[DAN & BEATE LAUGH]

Beate, this is Donna.

We're hoping she's going to
completely revamp

how our distribution
is perceived in the marketplace.

BEATE: Hello.
-Hi there.

Beate is in charge
of one of the biggest film

and multi-media companies
in Germany,

and is currently umming
and arring

about whether
she's going to join ship.

So I'm having to suck her cock
a little longer than usual.

[DAN & BEATE LAUGHING]

[DONNA LAUGHS]

-Nice dinosaur.
-Oh, this?

Yeah, sorry,
it's just a mascot.

Maybe a pen holder.

[DAN LAUGHS]

Gavin said you were special.

Actually, what the hell,
why don't you sit in on this.

Yeah, it'll be great
to have a fresh perspective.

Well, I-- I just got here so...

Fantastic.

Well, look,
the worry Beate has here

is a matter of personnel
and training.

No, no, no, Dan, it's not a
matter of personnel,

it's a matter of understanding

the particular needs
of the German marketplace.

I mean, this isn't Hollywood.

We're talking about a very
sophisticated market of AB1s...

Beate, please,
we understand the market.

We've been shifting units
in Dusseldorf for years.

BEATE:
I appreciate that.

But without understanding
the particular needs

of what is happening
on the ground,

the whole thing
could blow up in our faces.

DAN: Donna?
-Huh?

-Any thoughts?
-Yeah. Some.

I'd love to hear them,
if you don't mind.

Yeah.

Okay.

May-- Maybe the dinosaur
has an idea.

[ROARS THEN CHUCKLES]

[LAUGHING]

[LOWER TONE]
Don't ask me, I'm extinct.

Well, it's-- It's--

It's all a matter of units, and
of shifting your units upwards.

I mean, walking a tightrope
at 2 feet's

the same as doing it
at 200 feet.

Isn't it?

She's got a point.

BEATE:
She's got a very good point.

That's a very, very good point.

Well, let's just say,
for argument's sake,

that I'm coming with you.

You're there, Beate, you're
there. Just take the jump.

Yes, I'm thinking seriously.

But there are small things
to consider,

like the application software
and--

Well, Jesus, that's hardly
a problem, is it? Donna?

-What?
-Tell her

how we'd handle
the application software.

Well, I think
we would handle it.

-Tell Beate how.
DONNA: Well...

Just the first thing
that comes in to your head.

Well, maybe not the first thing.

Come on, come on,
the first thing. Just--

Well, man killing a dog,
stray dog.

[CHUCKLES]

Application software...

Make sure the application
applies to the software,

and if it doesn't, then bring it
back to the manufacturers.

Always keep your receipts.

Right. Software--
Software-- Problem.

Software problem.

Is it a problem?

Is it really? Life is about
living and love and happiness.

And Christ, we're not on the
planet for very long, are we,

so what you should do, Beate,

is just chill out,
for fuck's sake.

Take a chance and jump.

Goddamn it, jump, you bitch.

I think what I'm really
trying to say here is,

that we must tear
asunder the past

before we can truly
deserve the future.

Is that Hitler?

No.

We're going to need
to think about this, Dan.

There are some
very interesting offers

coming from Fox Searchlight
and-- Dan?

Oh, sorry.
It just feels a bit weird.

I understand.

I mean, the other night I was
here with Karen having sex.

Brian, you don't have to worry,
there's no pressure.

I'm not Karen.

I really like you, but that is
just not on my mind.

Thanks, Louise. Sorry.

I'll be back in a minute.

[DOOR OPENS THEN CLOSES]

-Hello, Brian.
-Karen?

How are you,
where have you been?

Celebrating.

I got my job back.

-Oh, that's great.
-Yeah.

I'm cleaning up my act
for the kids.

Do you wanna have sex with me?

You don't have to wear a condom.

Yeah, great.

DONNA: I think Ian's just glad
to have me back.

I mean, sure, he had to go
through the motions of me

begging for my job back,

but, actually,
it's quite funny, really.

Everyone was laughing.

Are you sure
you're all right with all this?

-With what?
-All this, this new life stuff.

I mean,
you could always move in here.

Supposed to be our home.

Karl, I'm-- I'm really happy.

I've got-- I've got a new home,

I've got a new job that's almost
as good as the old one.

I'm-- I'm great.

-Are you crying?
-A little bit.

It's all right, I'll think of
something.

[KAREN SCREAMING AND MOANING]

[SCREAMING AND MOANING STOP]

[CREAKING]

[BRIAN & KAREN MOANING
AND GRUNTING]