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1
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- CYNTHIA MONTANA HERE,
GOSSIP NEWS NETWORK.
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00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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00:00:04,750 --> 00:00:08,500
WELL, THESE L.A. FANS ARE
ANXIOUSLY AWAITING A GLIMPSE
4
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
5
00:00:08,500 --> 00:00:10,959
OF MADISON PARK,
WHO AFTER A SIX-YEAR HIATUS
6
00:00:10,959 --> 00:00:13,291
IS ABOUT TO COMMENCE
HER FIRST BIG TOUR
7
00:00:13,291 --> 00:00:16,709
SINCE HER MULTI-PLATINUM
COMEBACK ALBUM STILL HERE.
8
00:00:16,709 --> 00:00:20,792
A TEEN STAR AT 16,
MADISON TOOK THE WORLD BY STORM
9
00:00:20,792 --> 00:00:23,458
AS A PART OF "TOUCH,"
A GROUP OF FIVE SINGERS
10
00:00:23,458 --> 00:00:26,041
THAT SPAWNED NOT ONLY HER
CAREER, BUT THE CAREER
11
00:00:26,041 --> 00:00:28,458
OF JORDAN VANDERPOOL,
WHO SHE WAS ROMANTICALLY
12
00:00:28,458 --> 00:00:29,959
LINKED WITH FOR YEARS.
13
00:00:29,959 --> 00:00:33,083
BUT LIKE EVERYTHING ELSE,
THAT FADED LIKE HER CAREER,
14
00:00:33,083 --> 00:00:36,333
UNTIL POWERHOUSE MANAGER
RAD LEFFLER RESUSCITATED
15
00:00:36,333 --> 00:00:40,375
HER CAREER TAKING MADISON FROM
FAILED POP STAR TO DIVA
16
00:00:40,375 --> 00:00:42,792
WITH ONE SPECTACULAR ALBUM.
17
00:00:42,792 --> 00:00:46,458
AND NOW AT 28, SHE'S SET TO FILL
ARENAS AND STADIUMS.
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00:00:46,458 --> 00:00:50,500
ONCE AGAIN, I'M CYNTHIA MONTANA,
GOSSIP NEWS NETWORK.
19
00:00:55,792 --> 00:00:57,959
WELCOME TO LOS ANGELES.
20
00:00:57,959 --> 00:01:01,375
FOLLOW THE ILLUMINATED OVERHEAD
SIGNS TO BAGGAGE CLAIM,
21
00:01:01,375 --> 00:01:04,583
GROUND TRANSPORTATION,
AND ALL CURRENT
22
00:01:04,583 --> 00:01:06,959
AND HOTEL SHUTTLE PICKUP
LOCATIONS.
23
00:01:11,667 --> 00:01:13,041
- RAD'S HAVING COWS.
24
00:01:13,041 --> 00:01:14,792
YOU WERE SUPPOSED TO GO
TO THE BAGGAGE CLAIM.
25
00:01:14,792 --> 00:01:16,375
- HE CAN HAVE A COW.
26
00:01:16,375 --> 00:01:18,166
- I TOLD HER
SHE HAD TO DO IT, JESS.
27
00:01:18,166 --> 00:01:19,458
IT'S EXPECTED OF A SUPERSTAR.
28
00:01:19,458 --> 00:01:20,917
SHE SAID,
"NO, THAT'S ENOUGH FOR ME."
29
00:01:20,917 --> 00:01:23,500
- CAN WE STOP WITH THE
SUPERSTAR REFERENCES, PLEASE?
30
00:01:23,500 --> 00:01:24,834
I'VE HEARD THAT ENOUGH TIMES
FROM MY MOTHER
31
00:01:24,834 --> 00:01:26,333
TO LAST ME A LIFETIME.
32
00:01:26,333 --> 00:01:28,166
AND WORSE,
I BELIEVED IT.
33
00:01:28,166 --> 00:01:29,208
- YOU WEREN'T THAT BAD.
34
00:01:29,208 --> 00:01:30,667
- WHAT ARE YOU TALKING ABOUT,
JESS?
35
00:01:30,667 --> 00:01:32,750
I FIRED YOU ONE TIME BECAUSE YOU
LET THEM PUT ORANGE SODA
36
00:01:32,750 --> 00:01:33,750
IN MY DRESSING ROOM.
37
00:01:33,750 --> 00:01:35,542
I WAS HORRIBLE.
- NEVER.
38
00:01:35,542 --> 00:01:37,333
YOU'VE NEVER BEEN ANYTHING
BUT MY BEST FRIEND.
39
00:01:37,333 --> 00:01:39,000
YOU'RE SUCH A LIAR.
40
00:01:39,000 --> 00:01:40,667
- YOU'VE NEVER BEEN HORRIBLE
TO ME.
41
00:01:40,667 --> 00:01:43,375
- MADISON, WHAT HAPPENED?
SWEETHEART, COME ON.
42
00:01:43,375 --> 00:01:46,000
I HAD MEDIA AND SCREAMING FANS
WAITING FOR YOU.
43
00:01:46,000 --> 00:01:47,875
- AND I TOLD YOU NOT TO DO THAT.
44
00:01:47,875 --> 00:01:49,542
I JUST WANT TO GO
STRAIGHT TO THE HOTEL.
45
00:01:49,542 --> 00:01:51,041
- FINE.
DONE.
46
00:01:51,041 --> 00:01:53,750
OH, AND JESS, YOU NEED TO PICK
UP YOUR GAME A LITTLE BIT, GIRL.
47
00:01:53,750 --> 00:01:55,667
COME ON,
GET WITH THE PROGRAM.
48
00:02:01,166 --> 00:02:03,000
- MMM.
I NEED A NIGHT OFF.
49
00:02:03,000 --> 00:02:06,667
- YOU JUST HAD SIX YEARS OFF,
DON'T YOU THINK THAT'S ENOUGH?
50
00:02:06,667 --> 00:02:08,333
- I JUST WANT TO SING.
51
00:02:08,333 --> 00:02:10,667
- YOU WILL IN FRONT
OF A PACKED HOUSE.
52
00:02:10,667 --> 00:02:12,542
- AND THEN ON A SMALLER VENUE
THAT I LIKE?
53
00:02:12,542 --> 00:02:15,041
- IT'S ALL PART OF THE STRATEGY.
54
00:02:15,041 --> 00:02:17,375
THEY CAN PAY TO SEE YOU SING
OUTDOORS IN FRONT OF THOUSANDS
55
00:02:17,375 --> 00:02:20,333
OF PEOPLE OR THEY CAN PAY THREE
TIMES AS MUCH TONIGHT
56
00:02:20,333 --> 00:02:22,000
WATCHING YOU CUT A LIVE ALBUM.
57
00:02:22,000 --> 00:02:24,375
- YEAH, I STILL THINK
IT'S TOO SOON FOR A LIVE ALBUM.
58
00:02:24,375 --> 00:02:25,625
I MEAN, I JUST STARTED
MY COMEBACK.
59
00:02:25,625 --> 00:02:27,250
I WISH YOU'D LISTEN TO ME.
60
00:02:27,250 --> 00:02:30,834
- AND THAT'S WHY YOU'RE
THE SINGER AND I'M THE MANAGER.
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00:02:30,834 --> 00:02:32,542
CHA-CHING.
62
00:02:32,542 --> 00:02:35,000
- BACK.
63
00:02:35,000 --> 00:02:36,458
BACK.
64
00:02:36,458 --> 00:02:37,458
THAT'S GOOD.
65
00:02:38,917 --> 00:02:42,667
- HEY, JOHNNY BOY.
YOU GOT A VISITOR.
66
00:02:42,667 --> 00:02:44,500
REAL CUTE TOO.
67
00:02:44,500 --> 00:02:46,375
- I'M NOT FALLING FOR THAT ONE
AGAIN, BILLY.
68
00:02:46,375 --> 00:02:48,458
- IF YOU DON'T TALK TO HER,
I WILL.
69
00:02:48,458 --> 00:02:51,125
SERIOUSLY, NO PROBLEM.
70
00:02:51,125 --> 00:02:52,125
SHOULD REALLY CHECK IT OUT.
71
00:02:52,125 --> 00:02:53,583
- HEY, JOHN.
- HEY, CAP.
72
00:02:53,583 --> 00:02:55,875
- DIDN'T BILLY TELL YOU
YOUR SISTER'S HERE?
73
00:02:55,875 --> 00:02:57,583
- OH, I TOLD HIM, CAP.
74
00:02:57,583 --> 00:02:59,583
HE JUST DECIDED TO IGNORE ME
ON THIS ONE.
75
00:03:00,917 --> 00:03:02,125
- COME HERE FOR A SECOND,
I WANT TO SHOW YOU SOME--
76
00:03:02,125 --> 00:03:03,500
- I DON'T WANNA TALK ABOUT IT.
77
00:03:05,000 --> 00:03:07,250
HEY, SIS.
- HEY.
78
00:03:10,500 --> 00:03:11,500
- YOU OKAY?
79
00:03:11,500 --> 00:03:13,625
- I MISSED YOU.
I WANTED TO SEE YOU.
80
00:03:13,625 --> 00:03:14,959
- I JUST HAD DINNER
WITH YOU LAST NIGHT.
81
00:03:14,959 --> 00:03:18,583
- WELL, IT'S JUST I--
82
00:03:18,583 --> 00:03:20,792
- WHAT IS IT?
- $1,800.
83
00:03:20,792 --> 00:03:21,959
- ARE YOU IN TROUBLE?
84
00:03:21,959 --> 00:03:24,125
- KINDA.
IT'S LIFE OR DEATH.
85
00:03:24,125 --> 00:03:25,291
- WELL, WHAT IS IT?
TALK TO ME.
86
00:03:25,291 --> 00:03:28,041
- MADISON PARK TICKETS,
FOR HER CONCERT TONIGHT.
87
00:03:28,041 --> 00:03:30,458
- I'M NOT GIVING YOU 1,800 BUCKS
TO GO SEE SOME SINGER.
88
00:03:30,458 --> 00:03:32,375
- THEN GIVE ME $600 SO I CAN GO
BY MYSELF.
89
00:03:32,375 --> 00:03:33,458
- FOR ONE TICKET?
90
00:03:33,458 --> 00:03:35,875
- I TOLD YOU,
IT'S MADISON PARK.
91
00:03:35,875 --> 00:03:39,625
- I HAVE NO IDEA WHO SHE IS.
I CAN'T HELP YOU, I'M SORRY.
92
00:03:39,625 --> 00:03:42,125
GO HOME, DO YOUR HOMEWORK.
93
00:03:42,125 --> 00:03:44,458
- LIKE YOU DID YOUR HOMEWORK?
94
00:03:44,458 --> 00:03:47,375
- AND RIDE CAREFULLY.
- UH-HUH.
95
00:03:47,375 --> 00:03:49,291
- I LOVE YOU, TOO.
96
00:03:53,333 --> 00:03:58,000
- ♪ ONLY TO FALL,
WHY DID I EVER THINK ♪
97
00:03:58,000 --> 00:03:59,750
♪ WE COULD HAVE IT ALL ♪
98
00:03:59,750 --> 00:04:02,500
- SHE'S SO GOOD.
- YUP.
99
00:04:02,500 --> 00:04:04,333
I'M GLAD HER HEAD'S ON STRAIGHT
THIS TIME.
100
00:04:04,333 --> 00:04:07,000
- ♪ WHY DID I EVER THINK ♪
101
00:04:07,000 --> 00:04:08,458
- MADISON,
I NEED A COUPLE APPROVALS.
102
00:04:08,458 --> 00:04:11,000
- OKAY.
OH.
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00:04:11,000 --> 00:04:12,000
ALL RIGHT.
LET ME SEE.
104
00:04:12,000 --> 00:04:13,834
- DOES SHE TALK
TO HER MOTHER AT ALL?
105
00:04:13,834 --> 00:04:16,166
- THEY TALK.
NOT VERY OFTEN.
106
00:04:16,166 --> 00:04:18,959
- I HAVE ONLY ONE RULE
IN THIS LIFE.
107
00:04:18,959 --> 00:04:20,500
NEVER GO INTO BUSINESS
WITH FAMILY.
108
00:04:20,500 --> 00:04:22,166
- THAT'S A GOOD RULE.
- HMM.
109
00:04:22,166 --> 00:04:23,291
AND RAD?
HE'S BETTER?
110
00:04:23,291 --> 00:04:25,959
- DIFFERENT.
HE DID REVIVE HER CAREER,
111
00:04:25,959 --> 00:04:28,208
GAVE HER AN AMAZING
SECOND CHANCE.
112
00:04:28,208 --> 00:04:29,667
IT DOESN'T MEAN
I HAVE TO LIKE HIM.
113
00:04:29,667 --> 00:04:32,166
- YEAH, JUST TELL THEM THAT THIS
SONG DOESN'T FOLLOW THIS.
114
00:04:32,166 --> 00:04:33,166
- ABSOLUTELY.
115
00:04:33,166 --> 00:04:34,375
- UH, SO, YEAH.
116
00:04:34,375 --> 00:04:36,166
IF WE CAN JUST CHANGE THAT,
THAT'D BE GOOD.
117
00:04:36,166 --> 00:04:37,542
- RAD LEFFLER, GO.
118
00:04:37,542 --> 00:04:39,000
- HEY, RAD.
STEPHEN STAN,
119
00:04:39,000 --> 00:04:40,333
JORDAN VANDERPOOL'S MANAGER.
120
00:04:40,333 --> 00:04:42,875
- OH, STEPHEN.
LOOK, WHATEVER IT IS YOU WANT,
121
00:04:42,875 --> 00:04:44,875
I DON'T HAVE TIME RIGHT NOW.
- WAIT A MINUTE.
122
00:04:44,875 --> 00:04:46,208
YOU DON'T EVEN WANT TO HEAR
WHAT I HAVE TO SAY?
123
00:04:46,208 --> 00:04:47,458
- OKAY, YOU HAVE 30 SECONDS.
124
00:04:47,458 --> 00:04:48,709
I HAVE TO GET BACK TO MADISON.
125
00:04:48,709 --> 00:04:49,875
- WITH MADISON
SO HOT RIGHT NOW,
126
00:04:49,875 --> 00:04:52,208
I THOUGHT WE COULD GENERATE
SOME MEGA P.R.
127
00:04:52,208 --> 00:04:54,000
BY PLACING JORDAN
IN ONE OF MADISON'S SHOWS.
128
00:04:54,000 --> 00:04:57,333
- I DON'T MEAN TO BE RUDE, OKAY?
BUT WE DON'T NEED A HAS-BEEN
129
00:04:57,333 --> 00:05:00,208
WHOSE LAST HIT WAS OVER
TWO YEARS AGO WEIGHING US DOWN.
130
00:05:00,208 --> 00:05:02,667
- RAD.
- I'M SORRY.
131
00:05:02,667 --> 00:05:04,041
- YEAH, BUT--
132
00:05:04,041 --> 00:05:05,625
REALLY?
133
00:05:05,625 --> 00:05:10,542
SOLD OUT, BABY!
134
00:05:10,542 --> 00:05:11,709
SO ARE WE GOOD
OR WE GOOD?
135
00:05:11,709 --> 00:05:12,792
- I'M GOOD.
136
00:05:12,792 --> 00:05:14,041
THIS PLACE REMINDS ME
OF THE VENUES
137
00:05:14,041 --> 00:05:15,417
THAT I USED TO PLAY
WHEN I FIRST STARTED.
138
00:05:15,417 --> 00:05:16,417
- OH, I KNOW, I KNOW.
139
00:05:16,417 --> 00:05:17,667
WE'RE ONLY HERE
FOR THE ACOUSTICS.
140
00:05:17,667 --> 00:05:20,208
WE WILL NEVER SING
IN A JOINT LIKE THIS AGAIN.
141
00:05:20,208 --> 00:05:22,917
- I DIDN'T KNOW YOU SANG.
142
00:05:22,917 --> 00:05:24,583
- OKAY, NOBODY COMES IN AND OUT
OF HERE, ALL RIGHT?
143
00:05:24,583 --> 00:05:25,834
I WANT HER TO GET SOME REST.
144
00:05:25,834 --> 00:05:27,417
- OH, I'M RIGHT HERE.
YOU CAN TALK TO ME.
145
00:05:27,417 --> 00:05:28,959
- AH, THAT REMINDS ME.
146
00:05:28,959 --> 00:05:31,709
BEFORE YOU HEAR IT SOMEWHERE
ELSE, JORDAN VANDERPOOL'S
147
00:05:31,709 --> 00:05:34,083
MANAGER CALLED ME TRYING
TO FORCE JORDAN INTO OUR LITTLE
148
00:05:34,083 --> 00:05:37,583
SHOW HERE, SOMETHING ABOUT
A SURPRISE DUET.
149
00:05:37,583 --> 00:05:39,291
- I DON'T MIND THAT.
SOUNDS LIKE FUN.
150
00:05:39,291 --> 00:05:40,750
WE USED TO HAVE GOOD CHEMISTRY
ON STAGE.
151
00:05:40,750 --> 00:05:43,875
- UH, IF HE WAS SIGNIFICANT IN
THE BUSINESS STILL, THEN MAYBE.
152
00:05:43,875 --> 00:05:45,917
- WELL, A YEAR AGO, I WASN'T
SIGNIFICANT IN THE BUSINESS.
153
00:05:45,917 --> 00:05:47,875
- AND ENTER RAD LEFFLER.
154
00:05:47,875 --> 00:05:48,959
LOOK, DON'T EVEN WORRY
ABOUT IT.
155
00:05:48,959 --> 00:05:50,291
I TOLD HIM
WE WEREN'T INTERESTED.
156
00:05:50,291 --> 00:05:51,291
WHAT--WHAT ARE YOU DOING?
- WHAT?
157
00:05:51,291 --> 00:05:53,041
- PLEASE DON'T CALL HIM.
NO.
158
00:05:53,041 --> 00:05:54,166
- GIVE ME MY PHONE.
159
00:05:54,166 --> 00:05:56,000
- JUST FOCUS ON THE SHOW,
PLEASE, OKAY?
160
00:05:56,000 --> 00:05:57,458
I DON'T WANT DISTRACTIONS.
161
00:05:57,458 --> 00:05:59,125
- RAD, I'M NOT 16 ANYMORE.
162
00:05:59,125 --> 00:06:01,875
- AND YOUR MOMMY ISN'T YOUR
MANAGER, OKAY? I AM.
163
00:06:01,875 --> 00:06:04,041
AND I'M DOING A PRETTY GOOD JOB
IF YOU LET ME.
164
00:06:04,041 --> 00:06:06,333
- YES, YOU'RE RIGHT.
THANK YOU.
165
00:06:06,333 --> 00:06:09,500
- COME HERE.
166
00:06:09,500 --> 00:06:10,625
I WANT YOU TO TAKE A NAP, OKAY?
167
00:06:10,625 --> 00:06:12,208
GET SOME REST.
- OKAY.
168
00:06:12,208 --> 00:06:14,041
- WE HAVE A BIG SHOW TONIGHT.
169
00:06:14,041 --> 00:06:16,875
AND YOU, A LITTLE LESS THIS,
OKAY?
170
00:06:16,875 --> 00:06:18,500
THANK YOU.
171
00:06:18,500 --> 00:06:19,667
- HE'S RIGHT.
172
00:06:19,667 --> 00:06:22,125
WHAT JORDAN DID,
WHY WOULD YOU WANNA HELP HIM?
173
00:06:22,125 --> 00:06:23,542
- BECAUSE WE'RE FRIENDS, JESS.
174
00:06:23,542 --> 00:06:25,542
I MEAN, WE STILL TALK EVERY ONCE
IN A WHILE.
175
00:06:25,542 --> 00:06:27,709
IT'S NOT LIKE I'M INTO HIM
OR ANYTHING LIKE THAT.
176
00:06:27,709 --> 00:06:29,000
WE'RE JUST FRIENDS.
177
00:06:29,000 --> 00:06:31,959
- REALLY?
IS THAT WHY YOU HAVEN'T DATED
178
00:06:31,959 --> 00:06:33,500
ANYBODY SINCE YOU AND JORDAN
BROKE IT OFF?
179
00:06:33,500 --> 00:06:35,417
- THAT IS NOT TRUE.
I WENT ON A COUPLE DATES.
180
00:06:35,417 --> 00:06:37,792
IT'S JUST THAT BOTH OF THOSE
GUYS WANTED "THEIR" VERSION
181
00:06:37,792 --> 00:06:40,458
OF WHAT THEY THOUGHT WHAT
MADISON PARK WAS AND NOT ME.
182
00:06:40,458 --> 00:06:41,500
- SO, YOU'RE SAYING YOU WANT
183
00:06:41,500 --> 00:06:43,875
SOMEONE WHO DOESN'T KNOW
WHO YOU ARE?
184
00:06:43,875 --> 00:06:45,875
- YEAH.
KINDA.
185
00:06:49,250 --> 00:06:51,250
WHAT ARE THEY DOING?
186
00:06:59,500 --> 00:07:01,250
- SHE'S GONNA TRY
TO GET SOME SLEEP.
187
00:07:01,250 --> 00:07:03,458
YOU WANT TO GET SOME FRESH AIR?
- I THINK I SHOULD STAY.
188
00:07:03,458 --> 00:07:06,458
- COME ON, SHE'S GOOD.
YOU'LL HAVE ENOUGH TO DO LATER.
189
00:07:09,166 --> 00:07:11,166
- OKAY.
190
00:07:17,333 --> 00:07:18,458
LET'S GO.
191
00:07:18,458 --> 00:07:20,709
- WHAT'S GOING ON
WITH THE LIGHTS?
192
00:07:20,709 --> 00:07:22,375
- HMM, 'SUP WITH THOSE LIGHTS?
193
00:07:22,375 --> 00:07:24,667
- HMM.
194
00:07:24,667 --> 00:07:26,166
- SO WHAT ARE YOU DOING
TOMORROW NIGHT?
195
00:07:26,166 --> 00:07:28,709
I NEED A WINGMAN.
YOU UP FOR IT?
196
00:07:28,709 --> 00:07:30,917
- SORRY, SUPPOSED TO HAVE DINNER
WITH THE PARENTS.
197
00:07:30,917 --> 00:07:33,291
- DINNER?
PARENTS?
198
00:07:33,291 --> 00:07:34,750
PATHETIC.
199
00:07:34,750 --> 00:07:36,542
SAY HI FOR ME.
200
00:07:39,583 --> 00:07:42,959
- GOT THE SET LIST?
- YEAH.
201
00:07:50,250 --> 00:07:53,041
- COMPANY 3,
FIRE ALARM AT CIVIC AUDITORIUM.
202
00:07:53,041 --> 00:07:54,041
PLEASE RESPOND.
- 10-4.
203
00:07:54,041 --> 00:07:55,041
- LOAD UP.
204
00:08:12,750 --> 00:08:15,041
- COME ON. COME ON.
THIS WAY.
205
00:08:15,041 --> 00:08:16,333
GET GOING.
206
00:08:28,750 --> 00:08:29,875
- WHAT'S GOING ON?
207
00:08:29,875 --> 00:08:31,083
- THERE'S A FIRE
IN THE BUILDING, SIR.
208
00:08:31,083 --> 00:08:32,500
JUST PLEASE BACK UP.
- WHAT DO YOU MEAN A FIRE?
209
00:08:32,500 --> 00:08:34,250
MADISON PARK IS IN THERE.
- SIR, LET--SIR.
210
00:08:34,250 --> 00:08:35,542
LET US DO OUR JOB.
211
00:08:35,542 --> 00:08:36,959
- MADISON PARK IS IN THERE AND
YOU GOT TO HER OUT, NOW!
212
00:08:36,959 --> 00:08:38,083
- KEEP YOUR DISTANCE.
213
00:08:38,083 --> 00:08:39,834
WE'LL TAKE CARE OF IT,
ALL RIGHT?
214
00:08:39,834 --> 00:08:41,625
- I THOUGHT I TOLD YOU
TO WAIT WITH HER!
215
00:08:41,625 --> 00:08:42,959
JUST GO GET HER!
216
00:08:42,959 --> 00:08:46,458
- AM I THE LUCKIEST WOMAN
IN THE WORLD OR WHAT?
217
00:08:52,458 --> 00:08:54,500
- THIS WAY, THIS WAY.
- OH, MY GOSH.
218
00:08:54,500 --> 00:08:55,834
- QUICKLY.
219
00:08:55,834 --> 00:08:57,959
SHE'S GOT TO BE DOWN HERE
IN ONE OF THESE ROOMS.
220
00:09:20,917 --> 00:09:22,458
- GET THIS, JAKE.
221
00:09:22,458 --> 00:09:23,959
- THAT'S MADISON PARK.
- OH, I SEE HER.
222
00:09:23,959 --> 00:09:25,667
THAT IS MADISON PARK.
223
00:09:25,667 --> 00:09:27,000
- JAKE, WE'RE LIVE.
224
00:09:27,000 --> 00:09:30,083
THIS IS CYNTHIA MONTANA HERE,
LIVE FROM THE SCENE.
225
00:09:30,083 --> 00:09:32,834
THEY'VE JUST PULLED MADISON PARK
OUT OF A BURNING BUILDING.
226
00:09:32,834 --> 00:09:36,125
IT APPEARS THAT SHE'S BREATHING
AND WILL BE OKAY.
227
00:09:36,125 --> 00:09:38,792
WE'LL BRING YOU MORE DETAILS
AS THIS STORY DEVELOPS.
228
00:09:38,792 --> 00:09:41,500
- OH, BABY.
229
00:09:41,500 --> 00:09:42,750
- WE'RE HERE, ALL RIGHT?
230
00:09:42,750 --> 00:09:45,250
WE'RE GONNA MEET YOU
AT THE HOSPITAL, OKAY?
231
00:09:45,250 --> 00:09:47,750
- I'M HERE, GIRL.
- IT'S OKAY, BABY.
232
00:09:47,750 --> 00:09:48,875
- BACK UP, BACK UP.
233
00:09:48,875 --> 00:09:50,709
- MOVE OUT OF THE WAY.
LET US GET A SHOT.
234
00:09:50,709 --> 00:09:55,500
THANK YOU.
235
00:09:55,500 --> 00:09:58,166
THANK YOU FOR SAVING ME.
236
00:09:58,166 --> 00:10:00,542
- GET IN THERE.
237
00:10:08,083 --> 00:10:09,208
- WE'LL MEET YOU THERE,
SWEETHEART.
238
00:10:09,208 --> 00:10:10,208
WE'RE GONNA MEET YOU THERE.
239
00:10:10,208 --> 00:10:13,208
IT'S GONNA BE ALL RIGHT.
240
00:10:13,208 --> 00:10:14,667
WE'LL BE RIGHT BEHIND YOU,
SWEETHEART, OKAY?
241
00:10:14,667 --> 00:10:15,792
VERNON, GO GET THE CAR.
242
00:10:15,792 --> 00:10:17,792
ALL RIGHT, ALL OF YOU,
BACK UP, BACK UP.
243
00:10:19,125 --> 00:10:21,208
- YEAH, ALL RIGHT, BACK IT UP.
BACK UP.
244
00:10:28,792 --> 00:10:31,709
- HERE'S HOW THE DRAMATIC RESCUE
UNFOLDED.
245
00:10:31,709 --> 00:10:34,542
A BRAVE FIREFIGHTER PULLS
A PANICKED AND TERRIFIED
246
00:10:34,542 --> 00:10:36,959
MADISON PARK
FROM A FIRE BACKSTAGE
247
00:10:36,959 --> 00:10:38,750
AT THE CIVIC CENTER
CONCERT HALL.
248
00:10:38,750 --> 00:10:40,208
AND THAT'S NOT WHERE
IT ENDED.
249
00:10:40,208 --> 00:10:43,333
GRATEFUL FOR PUTTING HIS OWN
LIFE AT RISK TO SAVE HERS,
250
00:10:43,333 --> 00:10:46,375
SHE THANKS HIM
WITH A TENDER EMBRACE.
251
00:10:46,375 --> 00:10:49,041
WE'LL KEEP YOU UPDATED ON THIS
STORY AS IT PROGRESSES.
252
00:10:49,041 --> 00:10:51,667
I'M CYNTHIA MONTANA, GNN.
253
00:10:51,667 --> 00:10:53,333
- TENDER?
I THINK YOU COULD'VE COLLAPSED
254
00:10:53,333 --> 00:10:54,333
A LUNG WITH THAT HUG.
255
00:10:54,333 --> 00:10:56,709
- THAT IS GREAT.
256
00:10:56,709 --> 00:11:00,583
MADISON YOU WERE SO GREAT.
THERE WAS 500 PEOPLE THERE.
257
00:11:00,583 --> 00:11:02,583
- HOW IS ALMOST DYING IN A FIRE
GREAT, RAD?
258
00:11:03,583 --> 00:11:05,250
THIS IS AWESOME.
- HELLO?
259
00:11:05,250 --> 00:11:06,792
- HEY, JESS,
IT'S JORDAN.
260
00:11:06,792 --> 00:11:09,041
IS MADISON OKAY?
- YEAH, SHE'S FINE.
261
00:11:09,041 --> 00:11:10,834
- CAN SHE TALK?
- WHO IS THAT?
262
00:11:10,834 --> 00:11:13,208
- IT'S JORDAN.
- NO, NO, NO, NO. HANG UP.
263
00:11:13,208 --> 00:11:16,792
- RAD.
264
00:11:16,792 --> 00:11:18,458
- HEY, JORDAN.
- HEY, ARE YOU ALL RIGHT?
265
00:11:18,458 --> 00:11:19,750
WHAT HAPPENED?
266
00:11:19,750 --> 00:11:21,709
- IT'S FINE, I'LL LIVE.
267
00:11:21,709 --> 00:11:23,667
- JOHN.
JOHN, OUR FIREMAN HERO.
268
00:11:23,667 --> 00:11:27,000
JOHN, HOW DOES IT FEEL TO HAVE
SAVED MADISON PARK'S LIFE?
269
00:11:27,000 --> 00:11:29,291
- I'M JUST GLAD SHE'S OKAY.
270
00:11:29,291 --> 00:11:30,375
- WHERE ARE YOU?
271
00:11:30,375 --> 00:11:32,709
- WELL, I'M IN A HOSPITAL.
272
00:11:32,709 --> 00:11:34,166
IT'S JUST FOR PRECAUTION.
273
00:11:34,166 --> 00:11:35,542
I'LL BE OUT SOON.
274
00:11:35,542 --> 00:11:37,792
- HEY, MAN, THANK YOU
FOR SAVING OUR GIRL.
275
00:11:37,792 --> 00:11:41,625
ALL RIGHT?
ONE SECOND.
276
00:11:41,625 --> 00:11:44,125
HEY, YOU GUYS, THAT FIREMAN GUY
IS HERE TO SEE MADISON.
277
00:11:44,125 --> 00:11:45,375
- SEND HIM IN.
278
00:11:45,375 --> 00:11:46,875
- LISTEN, I SHOULD GO.
279
00:11:46,875 --> 00:11:48,792
THE FIREFIGHTER THAT RESCUED ME
IS HERE.
280
00:11:48,792 --> 00:11:51,125
- OKAY, WELL, I'LL BE BY
TO SEE YOU TOMORROW.
281
00:11:51,125 --> 00:11:53,458
HELLO?
282
00:11:53,458 --> 00:11:55,542
- RAD LEFFLER,
I'M MADISON'S MANAGER.
283
00:11:55,542 --> 00:11:58,125
IF YOU NEED ANYTHING,
YOU COME TO ME, OKAY?
284
00:11:58,125 --> 00:12:01,125
- I WAS JUST DOING MY JOB.
- THANK YOU FOR THAT.
285
00:12:03,625 --> 00:12:05,458
- HI.
- HI.
286
00:12:05,458 --> 00:12:07,500
- I'M JOHN KELLY.
REMEMBER ME?
287
00:12:07,500 --> 00:12:09,709
- HOW COULD SHE FORGET?
288
00:12:09,709 --> 00:12:11,917
- IT'S VERY NICE
TO OFFICIALLY MEET YOU.
289
00:12:12,959 --> 00:12:14,792
- I CAME TO SEE
HOW YOU'RE DOING.
290
00:12:14,792 --> 00:12:17,834
- OH, I'VE BEEN BETTER.
291
00:12:17,834 --> 00:12:21,500
THE DOCTORS SAY THAT I CAN'T
SING FOR A COUPLE WEEKS
292
00:12:21,500 --> 00:12:23,417
AT LEAST BECAUSE OF THE SMOKE.
293
00:12:23,417 --> 00:12:24,500
- YOU CANCELLED YOUR SHOW?
294
00:12:24,500 --> 00:12:26,667
- NO, NO, NO.
WE JUST POSTPONED IT.
295
00:12:26,667 --> 00:12:29,333
SHE'S GONNA BE FINE.
296
00:12:29,333 --> 00:12:31,667
- WELL, YOU SHOULD REST.
297
00:12:31,667 --> 00:12:35,083
- LISTEN, IF THERE'S ANYTHING
THAT I COULD DO
298
00:12:35,083 --> 00:12:36,583
TO SAY THANK YOU--
299
00:12:36,583 --> 00:12:39,250
- I'M JUST GLAD YOU'RE OKAY.
300
00:12:39,250 --> 00:12:41,125
- THANK YOU, FIREMAN JOHN.
301
00:12:41,125 --> 00:12:42,125
- ABSOLUTELY.
- OKAY?
302
00:12:42,125 --> 00:12:43,125
- OKAY.
- I APPRECIATE IT.
303
00:12:43,125 --> 00:12:46,709
- WHAT ABOUT DINNER?
304
00:12:46,709 --> 00:12:48,458
I MEAN, YOU DO EAT, RIGHT?
305
00:12:48,458 --> 00:12:49,500
SURE.
306
00:12:49,500 --> 00:12:50,750
I DO, I EAT.
307
00:12:52,208 --> 00:12:57,875
WELL, THEN IT COULD JUST BE
THE TWO OF US?
308
00:12:57,875 --> 00:12:59,667
- SURE.
- GREAT.
309
00:12:59,667 --> 00:13:01,709
- YOU CAN REACH ME
AT THE FIREHOUSE.
310
00:13:01,709 --> 00:13:03,333
- MM-HMM.
311
00:13:03,333 --> 00:13:04,834
- PERFECT.
312
00:13:04,834 --> 00:13:08,041
- WE WILL BE IN TOUCH.
313
00:13:08,041 --> 00:13:10,709
IF YOU NEED ANYTHING, JUST CALL.
- THANKS.
314
00:13:10,709 --> 00:13:12,375
- THANK YOU.
- ALL RIGHT.
315
00:13:14,625 --> 00:13:17,041
- THAT COULD NOT
HAVE GONE BETTER.
316
00:13:24,083 --> 00:13:27,417
- SO, DID YOU GET YOURSELF
A GIRLFRIEND YET?
317
00:13:27,417 --> 00:13:29,208
- OH, STOP IT.
- WHAT?
318
00:13:29,208 --> 00:13:30,709
- NO, DAD.
NO NEW GIRLFRIEND.
319
00:13:30,709 --> 00:13:31,875
- THAT'S NOT TRUE.
320
00:13:31,875 --> 00:13:34,083
HE HAS A NEW ONE.
I SAW IT ON TV.
321
00:13:34,083 --> 00:13:36,417
HE DIDN'T EVEN GET ME
AN AUTOGRAPH EITHER.
322
00:13:36,417 --> 00:13:38,583
- IT WASN'T THE TIME
AND SHE'S NOT MY GIRLFRIEND.
323
00:13:38,583 --> 00:13:39,709
- WAIT, WHO IS THIS?
324
00:13:39,709 --> 00:13:41,917
IS THIS THE GIRL FROM TV?
FROM THE FIRE?
325
00:13:41,917 --> 00:13:44,208
- MADISON PARK.
- WHO?
326
00:13:44,208 --> 00:13:46,250
- OH, MAN.
YOU GUYS DON'T KNOW ANYTHING.
327
00:13:46,250 --> 00:13:49,166
SHE'S, LIKE, THE BEST ALL-TIME
SINGER EVER.
328
00:13:49,166 --> 00:13:50,166
- EVER.
329
00:13:50,166 --> 00:13:51,917
- EVER?
- I WAS JUST DOING MY JOB.
330
00:13:51,917 --> 00:13:54,333
I DON'T ASK IF THEY'RE FAMOUS
BEFORE I RESCUE THEM.
331
00:13:54,333 --> 00:13:55,750
- HEY, DID I EVER TELL YOU
ABOUT THE TIME
332
00:13:55,750 --> 00:13:59,250
I PULLED TWO WOMEN OUT OF
A THIRD-STORY APARTMENT BUILDING
333
00:13:59,250 --> 00:14:00,625
THAT WAS FULLY ENGULFED?
334
00:14:00,625 --> 00:14:03,083
all: YES.
- REALLY?
335
00:14:03,083 --> 00:14:04,500
I DON'T THINK I DID.
336
00:14:09,458 --> 00:14:11,250
- AH, JORDAN.
337
00:14:11,250 --> 00:14:12,583
HOW'S MY FAVORITE CLIENT?
338
00:14:12,583 --> 00:14:14,750
- SINCE WHEN?
339
00:14:14,750 --> 00:14:16,792
IT'S AN EXPRESSION.
SIT DOWN.
340
00:14:24,250 --> 00:14:25,959
THEY SAID NO.
- NO?
341
00:14:25,959 --> 00:14:28,792
- RAD SAID--AND DON'T
TAKE THIS PERSONALLY--
342
00:14:28,792 --> 00:14:31,417
MADISON DOESN'T NEED A HAS-BEEN
ON THE BILL WITH HER.
343
00:14:31,417 --> 00:14:32,750
- HAS-BEEN?
344
00:14:32,750 --> 00:14:34,125
"DON'T TAKE IT PERSONALLY."
345
00:14:34,125 --> 00:14:36,083
HOW DO I NOT TAKE THAT
PERSONALLY?
346
00:14:36,083 --> 00:14:38,250
- TICKET SALES FOR YOUR TOUR
ARE REALLY SLOW.
347
00:14:38,250 --> 00:14:39,875
WE NEED MADISON.
348
00:14:39,875 --> 00:14:43,583
YOU NEED TO CALL HER YOURSELF.
CIRCUMVENT RAD IF YOU HAVE TO.
349
00:14:43,583 --> 00:14:45,792
REKINDLE YOUR ROMANCE, MAN.
350
00:14:45,792 --> 00:14:47,917
PULL THAT PLAYER OUT
AND WOO HER.
351
00:14:47,917 --> 00:14:50,125
- I DUMPED HER PUBLICLY.
I MEAN, I--
352
00:14:50,125 --> 00:14:52,792
- BUT--
- LOOK, WE ARE FRIENDS AGAIN.
353
00:14:52,792 --> 00:14:56,375
AND TRUST ME, IT TOOK A LOT
JUST TO GET THAT.
354
00:14:56,375 --> 00:14:58,458
- THAT LEAVES US ONE OPTION.
355
00:14:58,458 --> 00:15:00,458
WE CAN CANCEL THE TOUR.
356
00:15:03,417 --> 00:15:08,041
- YOU KNOW, I'M STARTING TO LIKE
THIS WHOLE MADISON IDEA
357
00:15:08,041 --> 00:15:09,583
YOU GOT GOING.
I LIKE IT.
358
00:15:09,583 --> 00:15:11,625
- YOU LIKE IT?
- I SAY WE DO IT.
359
00:15:11,625 --> 00:15:13,083
- COME ON, MAN.
COME ON.
360
00:15:13,083 --> 00:15:14,959
- ALL RIGHT.
- COME ON.
361
00:15:14,959 --> 00:15:16,875
ALL RIGHT.
GO GET THAT WOMAN.
362
00:15:16,875 --> 00:15:17,917
- ALL RIGHT.
- YEAH.
363
00:15:17,917 --> 00:15:19,500
- HEY, THANK YOU.
364
00:15:19,500 --> 00:15:22,750
- THANK YOU.
365
00:15:22,750 --> 00:15:24,250
WRITE A SONG ABOUT HER.
366
00:15:47,417 --> 00:15:50,000
- RAD, WHAT ARE WE DOING HERE?
367
00:15:50,000 --> 00:15:52,709
- YOU ARE GONNA CHILL.
368
00:15:52,709 --> 00:15:54,542
THERE'S WAY TOO MANY
DISTRACTIONS AT THE HOTEL,
369
00:15:54,542 --> 00:15:55,709
CONSIDERING
WHAT JUST HAPPENED.
370
00:15:55,709 --> 00:15:59,291
SO, THIS IS A PRIVATE RESIDENCE
THAT I RENTED.
371
00:15:59,291 --> 00:16:00,959
- NICE.
- YEAH.
372
00:16:00,959 --> 00:16:03,166
IT'S A CONTROLLED ENVIRONMENT.
IT'S QUIET.
373
00:16:03,166 --> 00:16:05,458
YOU'RE GONNA BE ABLE TO REST,
RECUPERATE,
374
00:16:05,458 --> 00:16:07,875
AND MOST IMPORTANTLY, NOBODY'S
GONNA BE ABLE TO FIND YOU,
375
00:16:07,875 --> 00:16:09,333
UNLESS WE WANT THEM TO.
376
00:16:09,333 --> 00:16:11,000
- WHICH EVENTUALLY,
YOU'LL WANT.
377
00:16:11,000 --> 00:16:12,875
- YOU'RE NOT HELPING ME.
NOT EVEN A LITTLE BIT.
378
00:16:12,875 --> 00:16:15,750
- I LIKE IT.
379
00:16:15,750 --> 00:16:16,875
LET'S GIVE IT A QUICK LOOK,
380
00:16:16,875 --> 00:16:18,875
BUT I HAVE THAT DATE
WITH THE FIREMAN.
381
00:16:20,709 --> 00:16:22,750
- LISTEN, THIS IS VERY IMPORTANT
TO ME.
382
00:16:22,750 --> 00:16:26,000
I WANT YOUR WORD THAT YOU WON'T
ALERT THE PRESS.
383
00:16:26,000 --> 00:16:28,917
HE DESERVES A QUIET DINNER.
I DESERVE A QUIET DINNER.
384
00:16:28,917 --> 00:16:30,500
- WHAT GOOD DOES IT TO ANYBODY
IF YOU'RE TOGETHER
385
00:16:30,500 --> 00:16:31,917
AND I CAN'T EXPLOIT IT.
386
00:16:31,917 --> 00:16:34,000
- I'M HAVING DINNER WITH HIM
BECAUSE I WANT TO,
387
00:16:34,000 --> 00:16:36,834
NOT FOR PUBLICITY.
HE SAVED MY LIFE.
388
00:16:36,834 --> 00:16:38,667
- THIS MAKES NO SENSE.
389
00:16:38,667 --> 00:16:40,917
- I'M SERIOUS.
NO PRESS.
390
00:16:40,917 --> 00:16:42,917
CHILD.
391
00:16:49,083 --> 00:16:51,834
- NO PRESS.
392
00:17:00,542 --> 00:17:03,250
- YOU ALWAYS TRAVEL IN LIMOS?
393
00:17:03,250 --> 00:17:06,458
- WELL, NOT ALWAYS.
394
00:17:06,458 --> 00:17:08,166
I'M FROM NEW YORK.
395
00:17:08,166 --> 00:17:13,375
AND SO I, UM, I TOOK TRAINS AND
SUBWAYS AND CABS FOR GIGS
396
00:17:13,375 --> 00:17:14,750
FOR A FEW YEARS.
397
00:17:14,750 --> 00:17:19,083
THEN I MET RAD AND HE SIGNED ME
AND GAVE ME A NEW CAREER.
398
00:17:19,083 --> 00:17:24,000
AND WE RECORDED AN ALBUM
AND IT'S QUITE SUCCESSFUL.
399
00:17:24,000 --> 00:17:27,458
I GUESS YOU CAN SAY
THAT THIS IS MY COMEBACK.
400
00:17:27,458 --> 00:17:29,458
- THAT'S GOOD.
401
00:17:29,458 --> 00:17:31,458
EVERYONE DESERVES
A SECOND CHANCE.
402
00:17:37,166 --> 00:17:38,917
- HOW'S THE TOUR GOING?
403
00:17:38,917 --> 00:17:41,917
- RAD DID THIS EVEN THOUGH I
SPECIFICALLY TOLD HIM NOT TO.
404
00:17:43,750 --> 00:17:45,875
- ALL RIGHT, STEP ASIDE.
STEP ASIDE, PLEASE.
405
00:17:45,875 --> 00:17:48,208
- MADISON, MADISON, RIGHT HERE.
- OH, HEY!
406
00:17:48,208 --> 00:17:52,000
YOU DON'T WANT TO PAY
FOR THAT LENS, MAN.
407
00:17:52,000 --> 00:17:53,750
- JOHN!
JOHN, RIGHT HERE.
408
00:17:53,750 --> 00:17:55,667
- MADISON.
MADISON, OVER HERE.
409
00:17:55,667 --> 00:17:58,542
IS THIS REWARD OR ROMANCE?
410
00:17:58,542 --> 00:18:00,291
- OKAY.
IS THIS US?
411
00:18:00,291 --> 00:18:01,834
- YEAH.
- GOOD.
412
00:18:01,834 --> 00:18:04,166
- HERE WE GO.
- THANK YOU.
413
00:18:04,166 --> 00:18:07,166
- WAIT.
- WHAT?
414
00:18:07,166 --> 00:18:08,667
- MISS PARK.
- OH, THANKS.
415
00:18:08,667 --> 00:18:10,709
- I KNOW OF A QUIETER PLACE.
416
00:18:10,709 --> 00:18:13,834
- WELL, I DON'T THINK
WE CAN DO THAT.
417
00:18:13,834 --> 00:18:15,500
I THINK THEY'LL JUST
FOLLOW US.
418
00:18:15,500 --> 00:18:17,834
- DO YOU HAVE A BACKDOOR?
- MM-HMM.
419
00:18:21,750 --> 00:18:24,917
- HE'S ON A DATE WITH MADISON
PARK AND HE'S ON THE PHONE?
420
00:18:24,917 --> 00:18:26,667
- YEAH.
I DON'T KNOW.
421
00:18:26,667 --> 00:18:29,417
- THAT'S REALLY WEIRD.
I WONDER WHO HE'S TALKING TO.
422
00:18:29,417 --> 00:18:31,041
- GREAT.
- EVERYTHING GOOD?
423
00:18:31,041 --> 00:18:32,166
- TERRIFIC.
- OKAY, I'M ALMOST THERE.
424
00:18:32,166 --> 00:18:34,166
- THANK YOU.
425
00:18:35,834 --> 00:18:37,041
- HEY, LET'S GO OVER HERE.
- LET'S GO.
426
00:18:37,041 --> 00:18:39,458
CAN YOU SEE THROUGH?
427
00:18:39,458 --> 00:18:40,917
- I NEED TO USE
THE LADIES' ROOM.
428
00:18:40,917 --> 00:18:42,125
EXCUSE ME.
429
00:18:44,875 --> 00:18:46,125
- WHERE'S SHE--WHERE SHE GOING?
430
00:18:46,125 --> 00:18:48,125
- I DON'T KNOW.
BATHROOM?
431
00:18:53,375 --> 00:18:56,375
- UGH, NOW THAT GUY'S NOT HERE.
COME OVER HERE.
432
00:18:57,792 --> 00:19:00,959
- MADISON PARK?
- BILLY.
433
00:19:00,959 --> 00:19:03,041
- YOU ARE BEAUTIFUL.
434
00:19:03,041 --> 00:19:05,041
THANK YOU.
435
00:19:11,583 --> 00:19:13,375
- WHERE'D THEY GO?
436
00:19:13,375 --> 00:19:14,500
- WHERE IS SHE?
437
00:19:14,500 --> 00:19:15,750
- HE'S GONE.
438
00:19:15,750 --> 00:19:17,917
THEY'RE GONE.
439
00:19:17,917 --> 00:19:19,583
- THERE HE IS.
- HEY.
440
00:19:19,583 --> 00:19:20,917
- WHAT'S GOING ON?
- THANK YOU SO MUCH FOR COMING.
441
00:19:20,917 --> 00:19:25,750
- AH, ANYTHING FOR YOU, BUDDY.
MADISON PARK IN MY CAR.
442
00:19:25,750 --> 00:19:27,208
ALL RIGHT. ALL RIGHT.
HERE WE GO.
443
00:19:27,208 --> 00:19:28,625
- GO AROUND! GO AROUND!
LET'S GO! LET'S GO!
444
00:19:28,625 --> 00:19:32,208
- PERFECT.
I'M SICK OF THIS.
445
00:19:32,208 --> 00:19:34,208
- COME ON, LET'S GO.
446
00:19:39,291 --> 00:19:41,417
- I STILL DON'T KNOW ANYTHING
ABOUT YOU.
447
00:19:41,417 --> 00:19:43,875
NOT THE SINGER YOU,
BUT MADISON.
448
00:19:43,875 --> 00:19:47,959
- WELL...
449
00:19:47,959 --> 00:19:49,542
OKAY.
450
00:19:49,542 --> 00:19:55,083
WELL, I STARTED DOING BEAUTY
PAGEANTS WHEN I WAS FIVE.
451
00:19:55,083 --> 00:19:58,750
AND MY MOM AND I WOULD TRAVEL
ACROSS THE COUNTRY TO COMPETE.
452
00:19:58,750 --> 00:20:01,917
AND EVENTUALLY,
WE FOCUSED ON SINGING.
453
00:20:01,917 --> 00:20:06,792
WHEN I WAS 16, I AUDITIONED
AND WAS CHOSEN FOR "TOUCH."
454
00:20:06,792 --> 00:20:10,542
AFTER THAT...
HOW SHOULD I PUT IT?
455
00:20:10,542 --> 00:20:14,458
I...HIT THE HIGHEST OF HIGHS
456
00:20:14,458 --> 00:20:16,083
AND THE LOWEST OF LOWS.
457
00:20:19,792 --> 00:20:21,041
- TELL ME ABOUT YOUR FAMILY.
458
00:20:21,041 --> 00:20:25,125
- WOW.
WHERE TO START?
459
00:20:25,125 --> 00:20:29,750
I'M AN ONLY CHILD.
I DON'T REALLY TALK TO MY MOM.
460
00:20:29,750 --> 00:20:34,834
SEE, MY MOM, SHE WAS LIKE
THE TYPICAL STAGE MOM
461
00:20:34,834 --> 00:20:37,041
THAT EVERYBODY FEARED.
462
00:20:37,041 --> 00:20:40,542
AND THEN, SHE TURNED INTO THE
MANAGER THAT EVERYBODY LOATHED,
463
00:20:40,542 --> 00:20:43,250
INCLUDING MYSELF SOMETIMES.
464
00:20:43,250 --> 00:20:44,667
I MEAN, SHE JUST MADE
ALL THE DECISIONS
465
00:20:44,667 --> 00:20:46,625
AND I KINDA JUST WENT ALONG
LIKE A GOOD LITTLE GIRL.
466
00:20:46,625 --> 00:20:48,667
- SHE MUST HAVE MADE
SOME GOOD ONES.
467
00:20:48,667 --> 00:20:53,083
- SHE ACTUALLY
MADE SOME GREAT ONES.
468
00:20:53,083 --> 00:20:54,667
SHE DID,
SHE MADE SOME GREAT ONES.
469
00:20:54,667 --> 00:20:57,333
MY CAREER TOOK OFF AND SOARED.
470
00:20:57,333 --> 00:21:01,083
AND I ALSO BELIEVED A LOT
OF THE STUFF THAT SHE TOLD ME,
471
00:21:01,083 --> 00:21:06,000
LIKE THAT I WAS A STAR
AND THAT I DESERVED
472
00:21:06,000 --> 00:21:08,542
AND NEEDED TO BE TREATED
SPECIAL.
473
00:21:08,542 --> 00:21:10,875
- I CAN'T PICTURE THAT.
- OH, YEAH.
474
00:21:10,875 --> 00:21:12,667
I WAS A TERROR.
475
00:21:12,667 --> 00:21:14,125
- WHERE WAS YOUR FATHER
IN ALL OF THIS?
476
00:21:14,125 --> 00:21:17,375
- MY FATHER
WAS A POLICE OFFICER.
477
00:21:17,375 --> 00:21:20,375
AND HE RISKED HIS LIFE EVERY DAY
JUST LIKE YOU.
478
00:21:20,375 --> 00:21:22,875
THEN ONE DAY...
479
00:21:22,875 --> 00:21:26,583
A ROBBERY SUSPECT
SHOT AND KILLED HIM.
480
00:21:26,583 --> 00:21:30,625
- OH...I'M SORRY.
481
00:21:30,625 --> 00:21:34,041
- I KNEW THAT IT COULD HAPPEN.
482
00:21:34,041 --> 00:21:37,917
I MEAN, HE TOLD ME
THAT IT COULD HAPPEN.
483
00:21:37,917 --> 00:21:42,583
BUT WHEN IT--WHEN IT FINALLY--
484
00:21:42,583 --> 00:21:44,542
WELL, I MEAN,
485
00:21:44,542 --> 00:21:49,792
WHEN IT ACTUALLY DID HAPPEN,
I DIDN'T FEEL PREPARED.
486
00:21:49,792 --> 00:21:53,500
I WASN'T READY FOR IT.
487
00:21:53,500 --> 00:21:56,709
I MISS HIM EVERY DAY.
488
00:21:56,709 --> 00:22:00,083
- MY FATHER WAS A FIREFIGHTER.
489
00:22:00,083 --> 00:22:01,917
WE KNEW THE RISK TOO.
490
00:22:01,917 --> 00:22:03,000
- IS HE OKAY?
491
00:22:03,000 --> 00:22:07,375
- MM-HMM, RETIRED AND HAPPY.
492
00:22:07,375 --> 00:22:09,583
- THAT'S GOOD.
493
00:22:12,834 --> 00:22:14,166
UH-OH.
494
00:22:14,166 --> 00:22:15,917
I THINK SOMEBODY FROM HERE
MUST HAVE CALLED THEM.
495
00:22:15,917 --> 00:22:16,959
- OH, YEAH.
THERE SHE IS.
496
00:22:16,959 --> 00:22:21,750
- LET'S GET OUT OF HERE.
- OKAY.
497
00:22:21,750 --> 00:22:23,208
- HURRY UP, HURRY UP.
498
00:22:23,208 --> 00:22:24,375
- SHOOT AND RUN, SHOOT AND RUN!
499
00:22:28,959 --> 00:22:32,542
- OKAY. WE'LL GO RIGHT HERE.
- OKAY. OKAY.
500
00:22:32,542 --> 00:22:35,417
- WE LOST THEM.
- YEAH?
501
00:22:35,417 --> 00:22:36,625
- THEY REALLY ARE RELENTLESS.
502
00:22:36,625 --> 00:22:37,875
- WHEW.
503
00:22:37,875 --> 00:22:40,417
YEAH, TELL ME ABOUT IT.
504
00:22:40,417 --> 00:22:42,375
- I DON'T KNOW HOW YOU STAND IT.
505
00:22:42,375 --> 00:22:46,583
- I GET TO DO WHAT I LOVE BEST
WHILE MAKING PEOPLE HAPPY.
506
00:22:46,583 --> 00:22:48,333
- SING?
- YEAH.
507
00:22:48,333 --> 00:22:50,208
I CAN HANDLE ALL THE REST.
508
00:22:51,667 --> 00:22:54,875
- YOU KNOW WHAT?
JUST CALL HER AGAIN, PLEASE.
509
00:22:54,875 --> 00:22:58,458
UGH, I KNEW THIS GUY
WAS TROUBLE.
510
00:22:58,458 --> 00:23:00,125
- STRAIGHT TO VOICE MAIL.
511
00:23:00,125 --> 00:23:02,250
- YOU KNOW WHAT?
I'M CALLING THE COPS.
512
00:23:02,250 --> 00:23:04,208
- YOU KNOW THIS COULD
JUST BE A NICE DATE
513
00:23:04,208 --> 00:23:05,625
WHERE SHE DOESN'T WANT TO
BE DISTURBED.
514
00:23:05,625 --> 00:23:07,625
- WE CANNOT LET THIS
GET THAT SERIOUS.
515
00:23:07,625 --> 00:23:10,333
THIS WORKS AS A PUBLICITY STUNT,
BUT IT DOES NOT WORK
516
00:23:10,333 --> 00:23:13,792
IN REAL LIFE,
AND YOUR JOB IS ON THE LINE.
517
00:23:13,792 --> 00:23:16,125
- OVER ONE DINNER?
- NO, NO, NO.
518
00:23:16,125 --> 00:23:17,834
THIS STARTS OVER ONE DINNER.
519
00:23:17,834 --> 00:23:20,333
IT ALWAYS STARTS
OVER ONE DINNER.
520
00:23:20,333 --> 00:23:22,208
THIS IS SERIOUS, OKAY?
521
00:23:22,208 --> 00:23:24,667
I MEAN, SHE HID FROM THE MEDIA.
522
00:23:24,667 --> 00:23:27,250
SHE'S OFF WITH HIM
AND SHE TURNED HER PHONE OFF.
523
00:23:27,250 --> 00:23:29,041
- THE HORROR.
524
00:23:29,041 --> 00:23:30,625
- LOOK, I AM RIGHT ABOUT THIS.
525
00:23:30,625 --> 00:23:32,375
I AM ALWAYS RIGHT
ABOUT THESE THINGS.
526
00:23:32,375 --> 00:23:34,500
I HAVE A SEVENTH SENSE, OKAY?
527
00:23:34,500 --> 00:23:36,750
THAT'S WHY I AM SO SUCCESSFUL.
528
00:23:36,750 --> 00:23:40,166
- RELAX.
SHE IS THANKING A VERY NICE,
529
00:23:40,166 --> 00:23:43,000
HANDSOME FIREMAN
FOR SAVING HER LIFE.
530
00:23:43,000 --> 00:23:45,375
IT'S NOT GONNA GO ANY FURTHER
THAN THAT, I PROMISE.
531
00:23:45,375 --> 00:23:47,417
I WON'T LET ANYTHING DERAIL
HER COMEBACK.
532
00:23:47,417 --> 00:23:50,166
- I HAVE A STOMACHACHE.
533
00:23:50,166 --> 00:23:51,834
- TICKETS?
534
00:23:51,834 --> 00:23:53,083
AUTOGRAPH FOR YOUR SISTER?
535
00:23:53,083 --> 00:23:57,291
AND YOU WAITED THIS LONG
TO ASK ME FOR THAT?
536
00:23:57,291 --> 00:23:58,834
- YEAH.
537
00:23:58,834 --> 00:24:02,125
I MEAN, IF I'M ASKING TOO MUCH
OR IF I STEPPED OVER A LINE--
538
00:24:02,125 --> 00:24:04,458
- ARE YOU KIDDING ME?
YOU SAVED MY LIFE.
539
00:24:04,458 --> 00:24:05,458
- IT'S MY JOB.
540
00:24:05,458 --> 00:24:07,000
- AND YOU HAD NO IDEA
WHO I WAS
541
00:24:07,000 --> 00:24:08,917
UNTIL YOUR SISTER ASKED YOU
FOR TICKETS?
542
00:24:08,917 --> 00:24:11,834
- YOU KNOW THEY CHARGE 600 BUCKS
FOR TICKETS TO SEE YOU?
543
00:24:11,834 --> 00:24:13,417
- YEAH, YEAH, I DO.
544
00:24:13,417 --> 00:24:15,917
IT'S JUST FOR A FEW SEATS
UPFRONT.
545
00:24:15,917 --> 00:24:17,458
- YOU MUST BE A GOOD SINGER.
546
00:24:17,458 --> 00:24:19,458
- WAIT, YOU'VE NEVER
HEARD ME SING?
547
00:24:19,458 --> 00:24:22,250
- UH...
548
00:24:22,250 --> 00:24:24,291
OKAY, I'LL TAKE YOU HOME NOW.
549
00:24:24,291 --> 00:24:25,542
- WAIT, NO, NO, NO.
FIRST OF ALL,
550
00:24:25,542 --> 00:24:28,542
YOU DON'T HAVE A CAR RIGHT NOW,
BUT SECOND,
551
00:24:28,542 --> 00:24:30,166
I ACTUALLY KIND OF LIKE THAT.
552
00:24:37,875 --> 00:24:39,875
VERNON'S HERE.
553
00:24:54,250 --> 00:24:58,291
- WELL, I HAD A GREAT TIME
TONIGHT.
554
00:24:58,291 --> 00:25:00,583
- ME TOO.
555
00:25:05,083 --> 00:25:06,542
SO...
556
00:25:06,542 --> 00:25:09,625
- DAY AFTER TOMORROW?
557
00:25:09,625 --> 00:25:12,792
I WORK TOMORROW.
558
00:25:12,792 --> 00:25:16,583
- YEAH, I WOULD LOVE THAT.
559
00:25:16,583 --> 00:25:18,166
- GOOD NIGHT.
560
00:25:18,166 --> 00:25:21,625
- GOOD NIGHT.
561
00:25:21,625 --> 00:25:23,166
- NEXT TIME, I'LL DRIVE?
562
00:25:23,166 --> 00:25:25,208
- OKAY, WHATEVER YOU WANT.
563
00:25:51,041 --> 00:25:53,917
- YO, YO.
JUST GOT OUT OF THE STUDIO.
564
00:25:53,917 --> 00:25:55,208
I GOT SOME GREAT STUFF.
565
00:25:55,208 --> 00:25:57,917
- TELL ME YOU HAVE A LOVE SONG
TO MADISON ON THERE.
566
00:25:57,917 --> 00:26:01,834
- NO, NOT, LIKE, SPECIFICALLY,
BUT I GOT SOME LOVE STUFF.
567
00:26:01,834 --> 00:26:03,000
I MEAN, SOME GOOD STUFF TOO.
568
00:26:03,000 --> 00:26:04,959
- NICE.
THAT SOUNDS ROMANTIC.
569
00:26:04,959 --> 00:26:06,500
- IT'S DANCE MUSIC.
570
00:26:06,500 --> 00:26:07,583
COME ON,
YOU DON'T WANNA HEAR IT?
571
00:26:07,583 --> 00:26:10,375
- NO, NOT REALLY.
- WHY NOT?
572
00:26:10,375 --> 00:26:12,291
- BECAUSE IF YOU DON'T HAVE
A TOUR TO SUPPORT IT,
573
00:26:12,291 --> 00:26:14,333
IT WON'T SELL.
574
00:26:14,333 --> 00:26:18,500
LOOK, I MAY HAVE GOTTEN
THE RECORD COMPANY TO HOLD OFF
575
00:26:18,500 --> 00:26:22,625
ON CANCELLATION, SO WE'RE STILL
ALIVE, BUT MADISON IS THE KEY.
576
00:26:22,625 --> 00:26:24,250
YOU NEED TO GET HER BACK
IN YOUR LIFE,
577
00:26:24,250 --> 00:26:26,458
AND RAD WON'T EVEN ANSWER
MY PHONE CALLS.
578
00:26:26,458 --> 00:26:29,291
- DON'T LOOK AT ME.
MADISON WON'T ANSWER THE PHONE.
579
00:26:29,291 --> 00:26:30,792
OKAY, I DON'T KNOW
WHERE SHE IS.
580
00:26:30,792 --> 00:26:32,792
- YOU NEED TO FIND HER.
581
00:26:37,208 --> 00:26:39,500
- HOW WAS YOUR NIGHT?
- WE HAD A GOOD TIME.
582
00:26:39,500 --> 00:26:40,625
SHE'S A NICE GIRL.
583
00:26:40,625 --> 00:26:43,166
- CATHY DOWN AT THE DINER
IS A NICE GIRL.
584
00:26:43,166 --> 00:26:45,875
MADISON IS LIKE HER OWN SPECIES.
585
00:26:45,875 --> 00:26:47,667
- WHY?
BECAUSE SHE CAN SING ON KEY?
586
00:26:47,667 --> 00:26:49,166
- YOU JUST DON'T GET IT.
587
00:26:49,166 --> 00:26:52,375
- SHE'S A DOWN-TO-EARTH, LOVELY
WOMAN, WHO I THINK KNOWS
588
00:26:52,375 --> 00:26:54,375
ALL THE CELEBRITY BALONEY
IS SHALLOW.
589
00:26:54,375 --> 00:26:56,125
- YEAH, I COULD BELIEVE THAT.
590
00:26:56,125 --> 00:26:58,542
- SHE LOVES TO SING.
- THAT'S ALL SHE WRITES ABOUT.
591
00:26:58,542 --> 00:27:00,458
- I SHOULD PROBABLY LISTEN TO
SOME OF THEM THEN, HUH?
592
00:27:00,458 --> 00:27:02,458
- YOU THINK?
593
00:27:07,875 --> 00:27:10,709
- SO?
DISH.
594
00:27:10,709 --> 00:27:14,583
- I HAD A LOVELY EVENING
WITH A NICE MAN
595
00:27:14,583 --> 00:27:16,834
JUST LIKE ANY OTHER
REGULAR WOMAN.
596
00:27:16,834 --> 00:27:20,125
- IN A CHAUFFEURED LIMOUSINE
IN A $2,000 DRESS.
597
00:27:20,125 --> 00:27:21,917
STOP HOLDING OUT ON ME.
598
00:27:21,917 --> 00:27:24,333
- IT WAS AMAZING.
599
00:27:24,333 --> 00:27:25,625
WE SNUCK OUT
600
00:27:25,625 --> 00:27:29,750
AND WE TALKED ABOUT FAMILY
601
00:27:29,750 --> 00:27:33,500
AND FEELINGS AND...
602
00:27:33,500 --> 00:27:35,083
I DON'T THINK I'VE EVER HAD
A DATE LIKE THAT.
603
00:27:35,083 --> 00:27:36,709
- HE DOESN'T CARE
ABOUT YOUR CAREER?
604
00:27:36,709 --> 00:27:38,417
- NOPE, HE'S NEVER EVEN
HEARD ME SING.
605
00:27:38,417 --> 00:27:39,917
- HAS HE BEEN LIVING IN A CAVE?
606
00:27:39,917 --> 00:27:42,166
- I ACTUALLY FIND IT
KIND OF REFRESHING.
607
00:27:42,166 --> 00:27:44,250
- SO SEEING THE FIREFIGHTER
AGAIN, YES OR NO?
608
00:27:44,250 --> 00:27:45,709
- YES.
609
00:27:45,709 --> 00:27:48,000
- OKAY, PLEASE--AND I SAY THIS
ONLY BECAUSE I HAVE YOUR BEST
610
00:27:48,000 --> 00:27:51,667
INTERESTS AT HEART--DON'T LET
THIS GET YOU OFF TRACK.
611
00:27:51,667 --> 00:27:53,709
PLUS, RAD'S HEAD WILL EXPLODE
IF IT DOES.
612
00:27:53,709 --> 00:27:55,083
- WELL, YOU KNOW WHAT,
IF IT DOESN'T GET ON ME,
613
00:27:55,083 --> 00:27:57,458
I'M ABSOLUTELY OKAY WITH THAT.
614
00:28:05,583 --> 00:28:09,417
- VERNON, CAN YOU GIVE ME
A RIDE SOMEPLACE?
615
00:28:09,417 --> 00:28:12,125
- ANYTHING FOR YOU.
616
00:28:12,125 --> 00:28:14,000
WHERE ARE YOU GOING?
617
00:28:14,000 --> 00:28:16,000
- FOOD DELIVERY.
618
00:28:18,333 --> 00:28:21,125
♪ OH, OH,
DON'T WAKE ME UP ♪
619
00:28:21,125 --> 00:28:22,875
♪ IF I'M DREAMING ♪
620
00:28:22,875 --> 00:28:25,208
- WOW, SHE'S AMAZING.
621
00:28:25,208 --> 00:28:27,041
- THAT'S WHAT I'VE BEEN
TELLING YOU.
622
00:28:27,041 --> 00:28:29,458
I MEAN, SHE'S LIKE A WHOLE
NOTHER LEVEL.
623
00:28:43,959 --> 00:28:45,959
- HI.
624
00:28:49,250 --> 00:28:50,250
HI, BILLY.
625
00:28:50,250 --> 00:28:51,834
- HI, MADISON.
626
00:28:51,834 --> 00:28:55,834
- JOHN, I BROUGHT YOU A SNACK.
627
00:28:55,834 --> 00:29:00,709
- BYE, MADISON.
- BYE.
628
00:29:00,709 --> 00:29:02,250
I'M SORRY.
WAS THIS TOO FORWARD?
629
00:29:02,250 --> 00:29:03,500
- NO.
- GOOD.
630
00:29:03,500 --> 00:29:06,583
I MADE YOU A TURKEY SANDWICH
AND A FRUIT SALAD.
631
00:29:06,583 --> 00:29:09,792
- YOU MADE IT?
- YEAH.
632
00:29:09,792 --> 00:29:12,500
DON'T ACT SO SURPRISED.
- SORRY.
633
00:29:12,500 --> 00:29:14,709
- AND I JUST WANTED TO MAKE SURE
THAT YOU DIDN'T FORGET
634
00:29:14,709 --> 00:29:15,834
ABOUT TOMORROW.
635
00:29:15,834 --> 00:29:20,667
- NOT A CHANCE I'D FORGET.
636
00:29:20,667 --> 00:29:23,291
- OKAY, SO I KNOW THAT YOU'RE
ON DUTY AND I KNOW HOW THAT IS.
637
00:29:23,291 --> 00:29:24,834
SO, I'LL JUST GO.
638
00:29:24,834 --> 00:29:27,000
- WELL, THIS WAS SWEET
639
00:29:27,000 --> 00:29:28,667
AND I'LL SEE YOU TOMORROW
MORNING AT 9:00.
640
00:29:28,667 --> 00:29:30,834
- 9:00?
WOW, THAT EARLY?
641
00:29:30,834 --> 00:29:33,166
- IT'S NOT THAT EARLY.
- IT'S A LITTLE EARLY.
642
00:29:33,166 --> 00:29:35,542
- OKAY, WE'LL DO 11:00.
- THANK YOU.
643
00:29:35,542 --> 00:29:37,875
- DRESS COMFORTABLY,
WE'RE GOING HIKING.
644
00:29:37,875 --> 00:29:40,458
- HIKING?
OKAY.
645
00:29:40,458 --> 00:29:42,583
THAT'S--I'M EXCITED ABOUT THAT.
646
00:29:42,583 --> 00:29:44,583
SO, I'LL SEE YOU TOMORROW.
647
00:29:48,625 --> 00:29:50,625
- BYE, MADISON.
648
00:30:10,000 --> 00:30:12,375
- DID YOU CALL HER YET?
- I TRIED.
649
00:30:12,375 --> 00:30:15,750
EVERY TIME I CALL,
IT GOES STRAIGHT TO VOICE MAIL.
650
00:30:15,750 --> 00:30:19,166
THE ONE TIME I GOT HER,
SHE HUNG UP ON ME.
651
00:30:19,166 --> 00:30:20,291
- OH, THAT'S NOT GOOD.
652
00:30:20,291 --> 00:30:22,500
WHY DIDN'T YOU JUST GO SEE HER?
- I DID.
653
00:30:22,500 --> 00:30:25,417
I WENT TO THE HOSPITAL
WITH FLOWERS.
654
00:30:25,417 --> 00:30:26,709
SHE WAS ALREADY GONE.
655
00:30:26,709 --> 00:30:28,041
- THIS IS NOT GOOD.
YOU NEED TO--
656
00:30:28,041 --> 00:30:29,250
- TO WHAT?
657
00:30:29,250 --> 00:30:30,709
HAVE HER FALL BACK IN LOVE
WITH ME?
658
00:30:30,709 --> 00:30:33,834
HER ALBUM JUST SOLD,
LIKE, A GAZILLION COPIES.
659
00:30:33,834 --> 00:30:35,917
SHE HAS A SOLD-OUT TOUR.
660
00:30:35,917 --> 00:30:37,709
SHE DOESN'T NEED ME.
661
00:30:37,709 --> 00:30:41,125
- YEAH, AND AFTER YESTERDAY, SHE
COULDN'T BE RIDING ANY HIGHER.
662
00:30:41,125 --> 00:30:43,917
OLD RAD MUST BE BEYOND HAPPY.
663
00:30:55,625 --> 00:30:58,417
- HEY.
664
00:30:58,417 --> 00:31:00,083
- HEY, YOU READY?
665
00:31:00,083 --> 00:31:01,083
- YEAH.
666
00:31:19,583 --> 00:31:21,667
- TELL ME A FUNNY
CHILDHOOD STORY.
667
00:31:21,667 --> 00:31:25,041
I'M NOT SURE YOU WANT TO HEAR
668
00:31:25,041 --> 00:31:27,458
MY FUNNY CHILDHOOD STORY.
- WHY NOT?
669
00:31:27,458 --> 00:31:28,875
- NOT YET, AT LEAST.
670
00:31:32,208 --> 00:31:34,041
- HELLO, MY PEOPLE.
671
00:31:34,041 --> 00:31:35,875
WHERE IS THE AMAZING MADISON?
672
00:31:35,875 --> 00:31:37,291
DO NOT TELL ME
SHE'S RUNNING LATE.
673
00:31:37,291 --> 00:31:39,583
WE HAVE A FULL DAY TODAY.
674
00:31:39,583 --> 00:31:43,542
I HAVE TWO INTERVIEWS REGARDING
THE FIRE AND A LOVELY PHOTO OP
675
00:31:43,542 --> 00:31:45,333
OF HER REVISITING THE SCENE.
676
00:31:45,333 --> 00:31:47,041
- SHE'S NOT HERE.
677
00:31:47,041 --> 00:31:49,041
- WHAT DID HE SAY?
678
00:31:49,041 --> 00:31:50,750
I THOUGHT YOU SAID,
"SHE'S NOT HERE."
679
00:31:50,750 --> 00:31:53,000
WHAT'S GOING ON?
680
00:32:02,250 --> 00:32:03,917
- THIS LOOKS LIKE A GOOD SPOT.
681
00:32:03,917 --> 00:32:06,000
- YEAH.
682
00:32:06,000 --> 00:32:10,208
GOOD SPOT FOR WHAT?
- PICNIC.
683
00:32:10,208 --> 00:32:11,375
- A PICNIC WITH--
684
00:32:11,375 --> 00:32:15,375
- OH, YE OF LITTLE FAITH.
685
00:32:22,291 --> 00:32:26,750
- I BROUGHT THIS UP HERE
EARLIER TO SURPRISE YOU.
686
00:32:26,750 --> 00:32:30,041
- GUESS WHAT, I DON'T CARE.
I REALLY DON'T.
687
00:32:30,041 --> 00:32:32,166
FIND HER.
GET HER BACK HERE NOW.
688
00:32:32,166 --> 00:32:34,542
THIS IS UNACCEPTABLE.
- OKAY, RAD.
689
00:32:34,542 --> 00:32:36,709
LET ME REPEAT MYSELF SINCE YOU
DON'T LISTEN TO ANYONE
690
00:32:36,709 --> 00:32:38,458
WHO HOLDS DIFFERING OPINIONS.
- VERNON, DON'T.
691
00:32:38,458 --> 00:32:40,041
- HER MOM NEVER LET HER
HAVE A LIFE.
692
00:32:40,041 --> 00:32:42,709
SHE NEEDS TO HAVE ONE.
AND SHE CAN'T SING RIGHT NOW
693
00:32:42,709 --> 00:32:44,875
ANYWAY AND SHE DOESN'T NEED
ANY PRESSURE COMING FROM YOU,
694
00:32:44,875 --> 00:32:46,834
SO BACK OFF.
- REALLY?
695
00:32:46,834 --> 00:32:49,208
GUESS WHAT.
YOU'RE FIRED.
696
00:32:49,208 --> 00:32:50,542
HOW ABOUT THAT?
- YOU CAN'T FIRE ME.
697
00:32:50,542 --> 00:32:53,208
- I JUST DID. NOW, GO.
- PLEASE, GUYS.
698
00:32:53,208 --> 00:32:55,875
- AND YOU, SWEETHEART,
YOU'RE GONNA BE NEXT
699
00:32:55,875 --> 00:32:57,500
IF YOU DON'T FIGURE OUT
THIS LITTLE FIREMAN THING.
700
00:32:57,500 --> 00:32:59,875
WE DON'T NEED ANY DISTRACTIONS
RIGHT NOW, DO YOU UNDERSTAND?
701
00:32:59,875 --> 00:33:01,375
- OH, RAD,
I WAS JUST TRYING TO--
702
00:33:01,375 --> 00:33:03,417
- JUST STOP TALKING AND ACT.
703
00:33:09,583 --> 00:33:12,250
- MMM.
WHAT IS THIS?
704
00:33:12,250 --> 00:33:13,417
THIS IS REALLY GREAT.
705
00:33:13,417 --> 00:33:15,166
- CHICKEN BRUSCHETTA.
- HMM.
706
00:33:15,166 --> 00:33:17,709
- I MARINATED THE CHICKEN
OVERNIGHT.
707
00:33:17,709 --> 00:33:20,208
- AND YOU MADE THIS?
- MM-HMM.
708
00:33:20,208 --> 00:33:21,959
PART OF A FIREFIGHTER'S
JOB DESCRIPTION
709
00:33:21,959 --> 00:33:23,625
IS TO COOK FOR ALL THE CREW.
710
00:33:23,625 --> 00:33:26,041
WE ALL HAVE TO DO IT.
711
00:33:26,041 --> 00:33:27,375
YOU MADE ME A SANDWICH.
THE LEAST I COULD DO
712
00:33:27,375 --> 00:33:29,375
IS RETURN THE FAVOR.
713
00:33:32,417 --> 00:33:35,083
- WHAT ARE YOU GOING TO DO?
- NOTHING.
714
00:33:35,083 --> 00:33:36,709
RAD'S ALL HOT AIR.
715
00:33:36,709 --> 00:33:38,792
HE KNOWS HE CAN'T
REALLY FIRE ME.
716
00:33:38,792 --> 00:33:41,041
I'M NOT GOING ANYWHERE.
- HE SEEMED PRETTY MAD.
717
00:33:41,041 --> 00:33:42,417
- I DON'T WORK FOR HIM.
718
00:33:42,417 --> 00:33:44,208
IF MADISON WANTS ME TO GO,
I'M GONE.
719
00:33:44,208 --> 00:33:45,500
- I KNOW WHAT YOU MEAN.
720
00:33:45,500 --> 00:33:47,583
I WANT WHAT'S BEST FOR HER TOO,
FOR HER CAREER.
721
00:33:47,583 --> 00:33:49,166
IT'S JUST THAT RAD KNOWS
WHAT HE'S DOING.
722
00:33:49,166 --> 00:33:50,667
HE'S CONCENTRATING ON HER
MORE THAN ANY
723
00:33:50,667 --> 00:33:52,333
OF HIS OTHER CLIENTS
RIGHT NOW, SO--
724
00:33:52,333 --> 00:33:56,458
- DOESN'T MEAN YOU CAN'T STAND
UP FOR YOURSELF WHEN HE'S WRONG.
725
00:33:56,458 --> 00:33:58,792
- I WISH I WAS AS TOUGH AS YOU.
726
00:33:58,792 --> 00:34:00,917
TOUGH'S GOT NOTHING
TO DO WITH IT.
727
00:34:00,917 --> 00:34:03,291
I LOVE THAT GIRL.
728
00:34:03,291 --> 00:34:06,291
I'LL DO ANYTHING FOR HER.
- YEAH.
729
00:34:13,417 --> 00:34:16,000
- WHAT A GREAT DAY.
730
00:34:16,000 --> 00:34:18,417
IT'S NOT REAL, BUT WONDERFUL.
731
00:34:21,333 --> 00:34:24,291
- IS THAT MADISON PARK?
- YEAH. YEAH, I THINK IT IS.
732
00:34:24,291 --> 00:34:26,709
- OH, MY GOD.
733
00:34:26,709 --> 00:34:30,250
- THIS IS REALLY MY REAL LIFE.
734
00:34:30,250 --> 00:34:31,375
- HI, MADISON.
735
00:34:31,375 --> 00:34:32,625
- CAN WE TAKE A PICTURE
WITH YOU?
736
00:34:32,625 --> 00:34:34,500
- OF COURSE YOU CAN.
LET ME JUST PUT THAT DOWN.
737
00:34:34,500 --> 00:34:36,166
- THANK YOU SO MUCH.
- OF COURSE.
738
00:34:36,166 --> 00:34:37,709
ALL RIGHT.
OKAY, YOU FIRST?
739
00:34:37,709 --> 00:34:39,875
READY?
- ONE, TWO, THREE.
740
00:34:39,875 --> 00:34:41,625
- DO YOU WANT ANOTHER ONE?
- THANK YOU SO MUCH. SURE.
741
00:34:41,625 --> 00:34:42,917
- YOU'RE WELCOME,
YOU'RE WELCOME. PERFECT.
742
00:34:42,917 --> 00:34:44,917
- I LISTEN TO YOUR ALBUM,
LIKE, EVERY SINGLE DAY.
743
00:34:44,917 --> 00:34:46,417
- AW.
THANK YOU.
744
00:34:46,417 --> 00:34:48,041
- YOU ARE SO PRETTY IN PERSON.
745
00:34:48,041 --> 00:34:49,667
- THANK YOU, SWEETIE.
SO ARE YOU.
746
00:34:49,667 --> 00:34:50,959
YOU'RE ALL SO PRETTY.
LOOK AT YOU.
747
00:34:50,959 --> 00:34:52,000
- THANK YOU.
748
00:34:52,000 --> 00:34:53,375
DO YOU HAVE ANY NEW SHOWS
COMING UP?
749
00:34:53,375 --> 00:34:54,417
- YEAH, DO YOU HAVE A NEW SHOW
COMING UP?
750
00:34:54,417 --> 00:34:55,917
- YEAH, DO YOU?
751
00:34:55,917 --> 00:34:57,875
- I DO HAVE A SHOW COMING UP.
WE'RE GONNA RESCHEDULE IT SOON,
752
00:34:57,875 --> 00:34:59,291
BUT I'D LOVE FOR YOU GUYS
TO COME.
753
00:34:59,291 --> 00:35:01,083
IT'S A LIVE TAPING.
- MM-HMM, WE'LL BE THERE.
754
00:35:01,083 --> 00:35:02,166
- AW, THAT'S EXCITING.
755
00:35:02,166 --> 00:35:03,417
THAT MAKES ME VERY HAPPY
TO HEAR THAT.
756
00:35:03,417 --> 00:35:05,125
- THANK YOU FOR TAKING A PICTURE
WITH US, MADISON.
757
00:35:05,125 --> 00:35:07,458
- OF COURSE, OF COURSE.
IT WAS LOVELY TO MEET YOU GUYS.
758
00:35:08,625 --> 00:35:09,709
- BYE.
-- YOU, TOO. BYE..
759
00:35:09,709 --> 00:35:10,709
- THANK YOU SO MUCH.
YOU ARE SO SWEET.
760
00:35:10,709 --> 00:35:12,709
- THANK YOU SO MUCH.
761
00:35:28,291 --> 00:35:30,041
- YOU'RE REALLY GOOD
TO YOUR FANS.
762
00:35:30,041 --> 00:35:32,291
- THANK YOU.
- THAT WAS FUN TO WATCH.
763
00:35:32,291 --> 00:35:35,417
- WELL, THEY MADE ME
WHO I AM.
764
00:35:35,417 --> 00:35:38,917
I'M NOTHING WITHOUT--WELL,
I'M NOTHING PROFESSIONALLY
765
00:35:38,917 --> 00:35:40,750
WITHOUT THEM.
766
00:35:45,834 --> 00:35:48,500
SUCH A GOOD TIME.
- YEAH.
767
00:35:48,500 --> 00:35:50,959
EVEN WHEN I WAS SIGNING
AUTOGRAPHS.
768
00:35:50,959 --> 00:35:53,917
- NOW, I TOLD YOU, I GOT
A GLIMPSE INTO WHAT YOU DO.
769
00:35:53,917 --> 00:35:55,667
I SAW HOW GRACIOUS YOU ARE.
770
00:35:55,667 --> 00:35:57,250
- OH, AND THANK YOU
FOR THE HOME-COOKED MEAL.
771
00:35:57,250 --> 00:35:59,166
I DON'T REALLY GET
MANY OF THOSE.
772
00:35:59,166 --> 00:36:00,625
- THAT WASN'T
A HOME-COOKED MEAL.
773
00:36:00,625 --> 00:36:02,375
IT WAS A SANDWICH
AND A COOKIE.
774
00:36:02,375 --> 00:36:06,667
NOW, MY MOTHER
IS A GREAT COOK.
775
00:36:06,667 --> 00:36:09,250
- ARE YOU INVITING ME
TO MEET YOUR PARENTS?
776
00:36:09,250 --> 00:36:10,667
- I DIDN'T MEAN FOR IT TO SOUND
LIKE THAT.
777
00:36:10,667 --> 00:36:12,125
- WHY?
778
00:36:12,125 --> 00:36:15,417
WHY? I-I MEAN, I KINDA LIKE
THE WAY THAT SOUNDS.
779
00:36:15,417 --> 00:36:18,000
I WOULD LOVE TO MEET
YOUR FAMILY.
780
00:36:18,000 --> 00:36:19,667
AND I COULD TAKE CARE
OF THAT THING FOR YOUR SISTER
781
00:36:19,667 --> 00:36:20,750
AT THE SAME TIME.
782
00:36:20,750 --> 00:36:23,875
- OH, THAT.
YOU DON'T NEED TO--
783
00:36:23,875 --> 00:36:25,583
- IT'S REALLY NOT A PROBLEM.
784
00:36:25,583 --> 00:36:27,375
AND I'M PRETTY SURE IT'LL
GET YOU SOME EXTRA CREDIT
785
00:36:27,375 --> 00:36:28,750
IF I DELIVER IT MYSELF.
786
00:36:28,750 --> 00:36:30,792
- YOU GOT THAT RIGHT.
787
00:36:33,667 --> 00:36:35,834
WELL, I SHOULD--
788
00:36:35,834 --> 00:36:38,458
- OH, YEAH.
YEAH, I SHOULD--I SHOULD--
789
00:36:38,458 --> 00:36:40,458
I SHOULD GO INSIDE.
790
00:36:44,083 --> 00:36:46,375
- THANK YOU.
- MM-HMM.
791
00:36:59,834 --> 00:37:02,625
- ALL DAY?
- YEAH.
792
00:37:02,625 --> 00:37:04,792
- RAD BLEW A GASKET.
- UGH, GOD.
793
00:37:04,792 --> 00:37:06,667
I'M ALLOWED TO HAVE
A PERSONAL LIFE.
794
00:37:06,667 --> 00:37:08,208
- YEAH, YOUR FIREMAN
TELL YOU THAT?
795
00:37:08,208 --> 00:37:09,959
- WHAT IS YOUR PROBLEM?
796
00:37:09,959 --> 00:37:12,041
- RAD FIRED VERNON
BECAUSE HE LET YOU GO TODAY.
797
00:37:12,041 --> 00:37:13,959
- NOT AGAIN.
HE KNOWS HE CAN'T DO THAT.
798
00:37:13,959 --> 00:37:15,333
- VERNON DIDN'T GO ANYWHERE
BUT, YOU KNOW,
799
00:37:15,333 --> 00:37:17,583
I JUST FEEL LIKE
THIS IS GETTING OUT OF HAND.
800
00:37:17,583 --> 00:37:19,166
I THOUGHT YOUR CAREER
WAS YOUR LIFE.
801
00:37:19,166 --> 00:37:22,083
- NO, MY CAREER IS RAD'S LIFE
AT THE MOMENT.
802
00:37:22,083 --> 00:37:24,000
IT'S ONLY PART OF MINE,
FINALLY.
803
00:37:24,000 --> 00:37:25,834
- ONE TIME YOU TOLD ME
WHEN YOU WANT IT ALL
804
00:37:25,834 --> 00:37:27,291
YOU USUALLY END UP WITH NOTHING.
805
00:37:27,291 --> 00:37:30,750
- YOU KNOW THAT I WANT A CAREER,
BUT I ALSO WANT A PERSONAL LIFE.
806
00:37:30,750 --> 00:37:33,667
JOHN IS A SUPER SWEET,
807
00:37:33,667 --> 00:37:38,041
SUPER CLASSY, NICE GUY.
808
00:37:38,041 --> 00:37:41,041
WE'RE JUST GOOD FRIENDS, OKAY?
809
00:37:41,041 --> 00:37:42,333
ALTHOUGH,
I AM MEETING HIS PARENTS
810
00:37:42,333 --> 00:37:44,166
FOR DINNER TOMORROW NIGHT.
811
00:37:44,166 --> 00:37:46,166
THAT'S IT.
812
00:37:49,250 --> 00:37:51,917
- OH.
813
00:38:15,291 --> 00:38:17,208
- THANKS FOR MEETING ME, MAN.
- NOT A PROBLEM.
814
00:38:17,208 --> 00:38:18,917
TELL ME SOMETHING,
QUICK QUESTION.
815
00:38:18,917 --> 00:38:22,375
WHY THE SUDDEN CHANGE OF HEART
ON THE JORDAN-MADISON IDEA?
816
00:38:22,375 --> 00:38:24,667
- "A," IT'LL HELP ME REIGN IN
MADISON A LITTLE BIT,
817
00:38:24,667 --> 00:38:27,083
BUT "B," I THINK IT'LL SELL
SOME TICKETS FOR YOUR BOY,
818
00:38:27,083 --> 00:38:28,166
SO YOU DON'T HAVE TO CANCEL
HIS SHOW.
819
00:38:28,166 --> 00:38:29,875
- WELL, I DON'T KNOW
ABOUT ALL THAT.
820
00:38:29,875 --> 00:38:31,208
I JUST THOUGHT IT'D BE FUN
FOR THE KIDS.
821
00:38:31,208 --> 00:38:32,625
- COME ON, MAN, PLEASE.
822
00:38:32,625 --> 00:38:34,667
JORDAN'S ENTIRE PERSONA SMELLS
LIKE FAILURE RIGHT NOW,
823
00:38:34,667 --> 00:38:37,166
BUT I HAVE A PLAN THAT CAN
CHANGE ALL THAT.
824
00:38:42,709 --> 00:38:44,250
- YOU HAVE TO TELL ME
EVERYTHING.
825
00:38:44,250 --> 00:38:46,083
ISN'T SHE A WONDERFUL SINGER?
826
00:38:46,083 --> 00:38:48,417
- KRISSY, SHE'S A NICE PERSON
827
00:38:48,417 --> 00:38:49,750
AND YES,
SHE'S A VERY GOOD SINGER.
828
00:38:49,750 --> 00:38:53,542
- SHE SANG TO YOU?
OH, I CAN'T BELIEVE IT.
829
00:38:53,542 --> 00:38:54,792
- NO, SHE DIDN'T SING TO ME.
830
00:38:54,792 --> 00:38:56,083
- YOU GONNA SEE HER AGAIN?
831
00:38:56,083 --> 00:38:57,500
- I HAVE TO GO.
832
00:38:57,500 --> 00:39:00,500
I'LL SEE YOU SOON, OKAY?
I LOVE YOU.
833
00:39:00,500 --> 00:39:02,500
- NOT FAIR.
834
00:39:25,250 --> 00:39:27,458
- OH, WOW.
835
00:39:27,458 --> 00:39:28,959
- SURPRISE.
836
00:39:28,959 --> 00:39:30,709
- JORDAN?
837
00:39:30,709 --> 00:39:31,875
- YOU LIKE THEM?
838
00:39:31,875 --> 00:39:32,875
THEY'RE YOUR FAVORITE.
839
00:39:32,875 --> 00:39:34,291
- OH, THESE ARE FROM YOU?
840
00:39:34,291 --> 00:39:39,792
- DON'T TELL ME YOU HAVE SOMEONE
ELSE SENDING YOU ROSES.
841
00:39:39,792 --> 00:39:41,333
- WHAT IS THIS ABOUT?
842
00:39:41,333 --> 00:39:46,208
- LOOK, I ALMOST LOST YOU
IN THAT FIRE.
843
00:39:46,208 --> 00:39:47,917
IT WAS A WAKEUP CALL FOR ME.
844
00:39:47,917 --> 00:39:51,083
- YOU DON'T HAVE ME TO LOSE ME.
845
00:39:51,083 --> 00:39:53,709
AND HOW DID YOU KNOW
WHERE I WAS?
846
00:39:53,709 --> 00:39:57,667
- BEEN TRYING TO CONTACT YOU.
I FINALLY GOT THROUGH TO RAD.
847
00:39:57,667 --> 00:40:00,208
I ASKED HIM, HE TOLD ME.
848
00:40:00,208 --> 00:40:03,750
COME ON.
HE KNOWS WE HAVE A HISTORY.
849
00:40:03,750 --> 00:40:05,625
- YEAH, ANCIENT HISTORY.
850
00:40:05,625 --> 00:40:08,500
- YES, IT IS,
BUT THAT DOESN'T MEAN
851
00:40:08,500 --> 00:40:10,166
WE CAN'T MAKE HISTORY AGAIN.
852
00:40:10,166 --> 00:40:11,917
- WHAT DO YOU WANT?
853
00:40:11,917 --> 00:40:13,792
- I JUST WANT TO BE
TOGETHER AGAIN.
854
00:40:13,792 --> 00:40:15,375
COME ON.
LIKE OLD TIMES.
855
00:40:15,375 --> 00:40:17,500
DON'T YOU REMEMBER?
- WELL, THAT'S NOT HAPPENING.
856
00:40:17,500 --> 00:40:22,250
- LOOK, IF I MEANT ANYTHING
TO YOU, LET'S GO OUT TONIGHT.
857
00:40:22,250 --> 00:40:24,000
JUST SEE WHAT HAPPENS,
COME ON.
858
00:40:24,000 --> 00:40:26,375
- I ALREADY HAVE A DATE TONIGHT.
859
00:40:26,375 --> 00:40:28,458
- WITH JOHN, A FIREFIGHTER?
860
00:40:28,458 --> 00:40:31,667
- JORDAN, WHAT'S GOING ON HERE?
WHAT IS THIS?
861
00:40:31,667 --> 00:40:33,792
- RAD AND STEPHEN THINK
THIS IS FOR THE BEST.
862
00:40:33,792 --> 00:40:34,792
YOU NEED TO LEAVE.
863
00:40:34,792 --> 00:40:36,000
- COME--
- YOU DO.
864
00:40:36,000 --> 00:40:38,291
- YOU DON'T UNDERSTAND.
- YES, I DO UNDERSTAND.
865
00:40:38,291 --> 00:40:40,792
RAD IS SCARED THAT I'M NO LONGER
SOME MALLEABLE
866
00:40:40,792 --> 00:40:43,208
YOUNG SINGER WITH STARS
IN HER EYES.
867
00:40:43,208 --> 00:40:44,291
- THAT'S NOT IT.
- THAT'S WHAT'S HAPPENING.
868
00:40:44,291 --> 00:40:47,083
- THAT'S NOT IT, OKAY?
869
00:40:47,083 --> 00:40:48,667
- YOU KNOW WHAT, CAN YOU GIVE
RAD A MESSAGE FOR ME?
870
00:40:48,667 --> 00:40:49,959
- YEAH, I GUESS.
871
00:40:49,959 --> 00:40:52,875
- OKAY, TELL HIM THAT WE
ARE NO LONGER HIS PAWNS.
872
00:40:52,875 --> 00:40:55,625
- SO THIS MEANS WE'RE NOT
GETTING BACK TOGETHER AGAIN?
873
00:41:03,083 --> 00:41:05,458
- THANK YOU FOR THE FLOWERS.
- MM-HMM.
874
00:41:13,333 --> 00:41:14,875
- DID YOU HAVE A PART IN THIS?
875
00:41:14,875 --> 00:41:17,208
- THE ROSES ARE BEAUTIFUL.
876
00:41:17,208 --> 00:41:20,166
- YEAH, RAD'S GONNA HAVE TO PAY
A FORTUNE FOR THEM.
877
00:41:20,166 --> 00:41:23,500
- RAD? I THOUGHT THEY
WERE FROM JORDAN...
878
00:41:23,500 --> 00:41:26,667
OR MAYBE FROM YOUR FIREMAN?
879
00:41:26,667 --> 00:41:29,917
- STOP.
880
00:41:29,917 --> 00:41:32,542
WHY, JESS?
881
00:41:32,542 --> 00:41:34,917
WHY ARE YOU A PART OF THIS?
I THOUGHT WE WERE FRIENDS.
882
00:41:34,917 --> 00:41:36,083
- WE ARE FRIENDS.
883
00:41:36,083 --> 00:41:38,458
RAD ISN'T THE ENEMY HERE.
884
00:41:38,458 --> 00:41:39,875
HE SAVED YOUR CAREER.
885
00:41:39,875 --> 00:41:41,500
- YEAH, I KNOW THAT.
886
00:41:41,500 --> 00:41:43,792
BUT I MET A NICE MAN
WHO MAKES ME HAPPY
887
00:41:43,792 --> 00:41:46,291
EVERY SINGLE TIME
I THINK ABOUT HIM.
888
00:41:46,291 --> 00:41:47,583
WHAT'S WRONG WITH THAT?
889
00:41:47,583 --> 00:41:50,417
- DOES JOHN KNOW THAT HIS EVERY
MOVE WILL BE SCRUTINIZED
890
00:41:50,417 --> 00:41:54,458
BY A RABID MEDIA WAITING
FOR YOUR RELATIONSHIP TO FAIL?
891
00:41:54,458 --> 00:41:55,625
- NO.
892
00:41:55,625 --> 00:41:57,125
- THEY'RE GOING TO EXAMINE
EVERY INCH
893
00:41:57,125 --> 00:41:59,583
OF HIS LIFE, EVERY INCH
OF HIS FAMILY'S LIFE.
894
00:41:59,583 --> 00:42:02,000
THEY'RE GONNA CAMP OUTSIDE
HIS WORK.
895
00:42:02,000 --> 00:42:05,875
DO YOU REALLY WANT THAT
FOR HIM?
896
00:42:05,875 --> 00:42:07,125
- NO.
897
00:42:07,125 --> 00:42:11,208
- I FEEL LIKE YOU SHOULD LET HIM
KNOW AND HE CAN MOVE ON.
898
00:42:11,208 --> 00:42:14,792
HE'S A NICE GUY.
899
00:42:14,792 --> 00:42:18,375
HE DOESN'T DESERVE THAT.
900
00:42:18,375 --> 00:42:19,458
BREAK UP WITH HIM NOW
901
00:42:19,458 --> 00:42:21,417
AND IT WAS A GREAT ADVENTURE
FOR HIM.
902
00:42:21,417 --> 00:42:23,000
BREAK UP WITH HIM IN A YEAR,
IT'S GONNA BE ON
903
00:42:23,000 --> 00:42:26,000
THE COVER OF EVERY MAGAZINE AT
THE GROCERY CHECKOUT COUNTER.
904
00:42:36,041 --> 00:42:37,208
- ALL RIGHT, JESS.
THANK YOU, SWEETHEART.
905
00:42:37,208 --> 00:42:38,417
- YOU'RE WELCOME.
906
00:42:38,417 --> 00:42:40,458
- LOOK, YOU'RE NOT GONNA
REGRET THIS, OKAY?
907
00:42:40,458 --> 00:42:43,834
AND REMEMBER, IT'S ALWAYS BETTER
TO STICK TO THE BUTTERED SIDE
908
00:42:43,834 --> 00:42:46,250
OF THE BREAD, ALL RIGHT?
- I'LL REMEMBER THAT.
909
00:42:46,250 --> 00:42:47,959
BYE.
- I'LL TALK TO YOU LATER.
910
00:42:58,792 --> 00:43:01,041
- HEY, THERE.
- HEY.
911
00:43:01,041 --> 00:43:03,667
- I'LL BE OVER IN ABOUT
45 MINUTES TO GET YOU.
912
00:43:03,667 --> 00:43:08,333
- YEAH, LISTEN,
I CAN'T MAKE IT.
913
00:43:08,333 --> 00:43:10,041
I'M REALLY SORRY.
914
00:43:10,041 --> 00:43:11,125
- REALLY?
YOU CAN'T MAKE IT?
915
00:43:11,125 --> 00:43:12,625
- WHAT HAPPENED?
WHAT'S GOING ON?
916
00:43:12,625 --> 00:43:14,959
- YEAH, I JUST--
I'M DOUBLE-BOOKED.
917
00:43:14,959 --> 00:43:16,875
I HAVE THIS INTERVIEW.
918
00:43:16,875 --> 00:43:19,959
RAD SET IT UP AND I TOTALLY
FORGOT THAT I SAID YES.
919
00:43:19,959 --> 00:43:22,000
IT'S TO LET THE FANS KNOW
THAT I'M OKAY.
920
00:43:22,000 --> 00:43:23,834
- OH, YOU'RE MORE THAN OKAY.
921
00:43:23,834 --> 00:43:26,458
I'M GLAD I DIDN'T TELL KRISSY
YOU WERE COMING.
922
00:43:26,458 --> 00:43:28,542
IT WAS GONNA BE A SURPRISE,
BUT I COMPLETELY UNDERSTAND.
923
00:43:28,542 --> 00:43:30,709
- WELL, I HAD YOUR SISTER'S
TICKETS AND PICTURE
924
00:43:30,709 --> 00:43:33,583
ALL SET UP TO GO,
SO I COULD JUST HAVE VERNON DROP
925
00:43:33,583 --> 00:43:35,792
THEM OFF BY THE FIRE STATION
TOMORROW, OKAY?
926
00:43:35,792 --> 00:43:37,041
- RATHER YOU BROUGHT THEM
YOURSELF.
927
00:43:37,041 --> 00:43:41,125
- VERNON WILL JUST BRING THEM.
928
00:43:41,125 --> 00:43:43,041
I JUST DON'T KNOW WHEN
I'LL HAVE FREE TIME SOON
929
00:43:43,041 --> 00:43:45,917
'CAUSE THE TOUR'S GETTING READY
TO REV BACK UP.
930
00:43:45,917 --> 00:43:49,208
SO...
- OH, OKAY.
931
00:43:49,208 --> 00:43:52,041
WELL, GIVE ME A CALL
WHEN YOU GET A BREAK.
932
00:43:52,041 --> 00:43:53,333
I'D LOVE TO SEE YOU AGAIN.
933
00:43:53,333 --> 00:43:57,750
- I WILL.
I PROMISE.
934
00:43:57,750 --> 00:43:58,875
BYE, JOHN.
935
00:43:58,875 --> 00:43:59,875
- BYE.
936
00:44:05,000 --> 00:44:06,709
- WHAT HAPPENED?
937
00:44:06,709 --> 00:44:08,709
- I THINK SHE JUST
BLEW ME OFF.
938
00:44:47,458 --> 00:44:49,917
HEY, I'M HERE.
WHAT'S UP?
939
00:44:49,917 --> 00:44:52,125
- I THOUGHT YOU'D LIKE TO GO
FOR A RIDE.
940
00:44:52,125 --> 00:44:53,542
- OH, YEAH.
I DON'T KNOW.
941
00:44:53,542 --> 00:44:55,083
- THEN GO BACK TO YOUR ROOM
AND SIT ALONE,
942
00:44:55,083 --> 00:44:56,166
FEELING SORRY FOR YOURSELF.
943
00:44:56,166 --> 00:44:57,333
- HEY.
944
00:44:57,333 --> 00:44:59,667
- YOU NEED TO GET OUT.
945
00:44:59,667 --> 00:45:02,750
I KNOW YOU.
YOU NEED THIS.
946
00:45:02,750 --> 00:45:04,792
- YOU KNOW, YOU REMIND ME
OF MY DAD SOMETIMES.
947
00:45:04,792 --> 00:45:06,500
- NICEST THING
YOU EVER SAID TO ME.
948
00:45:16,041 --> 00:45:17,667
I'M NOT USED TO YOU
BEING UP HERE.
949
00:45:17,667 --> 00:45:20,500
- I PREFER THE VIEW
FROM HERE BETTER.
950
00:45:20,500 --> 00:45:21,917
AND I DID NEED TO GET OUT.
951
00:45:21,917 --> 00:45:24,500
- YOU NEED MORE THAN THAT.
- WHAT?
952
00:45:24,500 --> 00:45:28,458
- YOU NEED TO LISTEN TO YOUR
HEART AND NOT YOUR MANAGER.
953
00:45:28,458 --> 00:45:30,917
- WERE YOU EAVESDROPPING?
- EVERY WORD.
954
00:45:44,041 --> 00:45:45,417
SO WHAT'S THE REAL PROBLEM?
955
00:45:45,417 --> 00:45:47,667
- HE DOESN'T KNOW
WHAT'S INVOLVED IN THIS.
956
00:45:47,667 --> 00:45:49,000
HE JUST WON'T GET IT.
957
00:45:49,000 --> 00:45:51,375
- JOHN'S A MAN.
958
00:45:51,375 --> 00:45:53,583
HE'S NOT ONE OF THOSE PAMPERED
POP STARS FROM YOUR PAST.
959
00:45:53,583 --> 00:45:55,667
HE CAN DECIDE FOR HIMSELF
IF IT'S TOO MUCH FOR HIM.
960
00:45:55,667 --> 00:45:58,000
YOU DON'T NEED TO BE DECIDING
FOR HIM.
961
00:45:58,000 --> 00:45:59,500
- OKAY, BUT--
- AND YOU NEED TO DECIDE
962
00:45:59,500 --> 00:46:01,917
FOR YOURSELF WHETHER YOU WANT
THE RADS OF THIS WORLD
963
00:46:01,917 --> 00:46:04,208
DICTATING WHAT'S GOOD FOR YOU
FOR THE REST OF YOUR LIFE.
964
00:46:04,208 --> 00:46:07,834
- BUT JESS SAID--
- JESS LOVES YOU,
965
00:46:07,834 --> 00:46:09,750
AND SHE'S CONCERNED ABOUT YOU.
966
00:46:09,750 --> 00:46:11,750
NOW, DON'T YOU EVER
DOUBT THAT.
967
00:46:17,166 --> 00:46:20,875
YOU WANT TO GET TO KNOW
THIS JOHN?
968
00:46:20,875 --> 00:46:22,333
IS THAT WHAT YOUR
HEART SAYS?
969
00:46:22,333 --> 00:46:25,834
IF NOT, LET'S GO HOME.
IF SO...
970
00:46:27,458 --> 00:46:29,041
- I WAS SUPPOSED TO GO TO HIS
PARENT'S HOUSE FOR DINNER,
971
00:46:29,041 --> 00:46:33,208
BUT I HAVE NO IDEA
WHERE IT IS.
972
00:46:33,208 --> 00:46:35,208
- IT'S RIGHT THERE.
973
00:46:38,375 --> 00:46:41,667
AND YOU'RE GONNA NEED THESE.
974
00:46:41,667 --> 00:46:44,667
TICKETS AND
AN AUTOGRAPHED PICTURE.
975
00:46:49,542 --> 00:46:51,208
- WHAT WOULD I DO
WITHOUT YOU?
976
00:46:51,208 --> 00:46:52,959
IT'S A TWO-WAY STREET.
977
00:46:52,959 --> 00:46:55,417
NOW, GO.
978
00:46:55,417 --> 00:46:57,750
- I LOVE YOU.
979
00:46:57,750 --> 00:47:00,917
- GO AWAY.
980
00:47:00,917 --> 00:47:03,709
AND I'LL LET THE FIREMAN GIVE
YOU A RIDE BACK TO THE HOUSE.
981
00:47:03,709 --> 00:47:05,709
- OKAY.
- OKAY.
982
00:47:20,375 --> 00:47:21,792
- I'LL GET IT.
983
00:47:21,792 --> 00:47:24,041
- WHAT WAS IT?
WHAT DID IT TURN OUT TO BE?
984
00:47:24,041 --> 00:47:26,750
- SOME WOMAN LEFT
THE TOASTER ON AND--
985
00:47:26,750 --> 00:47:28,834
- NO, GET OUT OF HERE.
- YEAH.
986
00:47:32,500 --> 00:47:33,750
- HI.
987
00:47:33,750 --> 00:47:35,917
YOU MUST BE KRISSY.
I'M MADISON.
988
00:47:35,917 --> 00:47:37,625
IT'S REALLY NICE TO MEET YOU.
989
00:47:42,291 --> 00:47:43,291
OKAY.
990
00:47:43,291 --> 00:47:45,291
UM, JOHN?
991
00:47:54,959 --> 00:47:56,792
- YOU CAME.
- YEAH.
992
00:47:56,792 --> 00:47:59,458
I HAD SOME HELP REASSESSING
MY PRIORITIES.
993
00:47:59,458 --> 00:48:03,333
BUT RIGHT NOW, I THINK
THAT THE PRIORITY IS KRISSY.
994
00:48:03,333 --> 00:48:06,166
- KRISSY, SNAP OUT OF IT.
995
00:48:06,166 --> 00:48:07,834
- WHAT'S GOING ON?
- HI.
996
00:48:07,834 --> 00:48:10,458
- DAD, THIS IS MADISON.
997
00:48:10,458 --> 00:48:11,792
- HI.
- HOW ARE YOU?
998
00:48:11,792 --> 00:48:13,792
- NICE TO MEET YOU.
999
00:48:15,500 --> 00:48:18,417
- WHAT'S WRONG WITH HER?
1000
00:48:18,417 --> 00:48:21,000
- MADISON PARK.
- YES.
1001
00:48:21,000 --> 00:48:24,917
- YOU ARE, LIKE,
THE GREATEST SINGER EVER.
1002
00:48:24,917 --> 00:48:28,208
- I THINK THAT MAY BE A SLIGHT
EXAGGERATION, BUT THANK YOU.
1003
00:48:28,208 --> 00:48:31,208
- NO, REALLY.
YOU--YOU'RE KRISSY'S IDOL.
1004
00:48:31,208 --> 00:48:33,208
- YOU'RE REALLY HERE.
1005
00:48:36,667 --> 00:48:40,667
- SO, WHY IS SHE HERE?
1006
00:48:40,667 --> 00:48:43,709
- HONEY, THIS IS THE WOMAN
THAT JOHN SAVED IN THE FIRE.
1007
00:48:43,709 --> 00:48:45,625
- OH, OKAY.
1008
00:48:45,625 --> 00:48:49,250
- SHE CAME HERE TO
SEE ME--TO MEET YOU.
1009
00:48:52,333 --> 00:48:55,166
- HAVE YOU HAD DINNER YET?
1010
00:48:57,333 --> 00:48:59,667
- MMM.
1011
00:48:59,667 --> 00:49:01,375
THESE STUFFED MUSHROOMS
ARE REALLY, REALLY GOOD.
1012
00:49:01,375 --> 00:49:04,083
MAY I HAVE ANOTHER?
- HEY, TRY THE GREEN BEANS.
1013
00:49:04,083 --> 00:49:05,458
THERE'S JUST A LITTLE BACON
IN THERE.
1014
00:49:05,458 --> 00:49:06,875
- OH, ALL RIGHT.
- YEAH.
1015
00:49:06,875 --> 00:49:07,875
LET HER EAT
WHAT SHE WANTS, DAD.
1016
00:49:07,875 --> 00:49:08,917
YOU DON'T NEED TO
ORCHESTRATE HER.
1017
00:49:08,917 --> 00:49:10,208
- IT'S OKAY.
IT'S OKAY.
1018
00:49:10,208 --> 00:49:11,709
THESE ARE--EVERYTHING IS JUST
REALLY, REALLY GOOD.
1019
00:49:11,709 --> 00:49:14,208
- THANK YOU.
- THIS IS LIKE A DREAM,
1020
00:49:14,208 --> 00:49:15,667
A WONDERFUL DREAM.
1021
00:49:15,667 --> 00:49:17,083
- I'M REALLY, REALLY HAPPY
TO MEET YOU.
1022
00:49:17,083 --> 00:49:18,458
- WE'RE GONNA BE
BEST FRIENDS TOO.
1023
00:49:18,458 --> 00:49:20,291
I KNOW IT.
1024
00:49:20,291 --> 00:49:22,792
- I WAS REALLY HOPING
THAT YOU WOULD SAY THAT.
1025
00:49:28,917 --> 00:49:30,375
- OKAY, WAIT.
I'M CONFUSED.
1026
00:49:30,375 --> 00:49:33,041
I THOUGHT YOU TOLD ME
SHE WASN'T SEEING HIM ANYMORE.
1027
00:49:33,041 --> 00:49:34,250
- VERNON TOOK HER.
1028
00:49:34,250 --> 00:49:36,083
- AND HOW DO YOU KNOW THAT?
1029
00:49:36,083 --> 00:49:37,208
- HE TOLD ME AND THEN HE TOLD ME
1030
00:49:37,208 --> 00:49:38,875
TO STAY OUT OF HER
PERSONAL LIFE,
1031
00:49:38,875 --> 00:49:40,083
AND THEN HE WENT UP
TO HIS ROOM.
1032
00:49:40,083 --> 00:49:42,083
- WHY CAN'T HE STAY FIRED?
1033
00:49:48,208 --> 00:49:50,166
- WHY CAN'T I CALL MY FRIENDS?
1034
00:49:50,166 --> 00:49:51,500
- BECAUSE THEN IT BECOMES
AN EVENT
1035
00:49:51,500 --> 00:49:53,458
INSTEAD OF DINNER WITH A FRIEND.
1036
00:49:53,458 --> 00:49:55,750
- BUT THEY WON'T BELIEVE
SHE WAS HERE.
1037
00:49:55,750 --> 00:49:58,125
- WELL, KRISSY, WE'LL TAKE
PICTURES TOGETHER AND--
1038
00:49:58,125 --> 00:49:59,458
ACTUALLY,
I BROUGHT YOU SOMETHING
1039
00:49:59,458 --> 00:50:01,250
THAT MIGHT HELP CONVINCE THEM.
1040
00:50:01,250 --> 00:50:03,375
I'LL BE RIGHT BACK.
EXCUSE ME.
1041
00:50:03,375 --> 00:50:05,375
- OH, THAT'S SO SWEET OF YOU.
1042
00:50:08,375 --> 00:50:09,417
- YOU NEED TO MARRY HER.
1043
00:50:09,417 --> 00:50:10,792
- WHAT?
1044
00:50:10,792 --> 00:50:12,959
- KRISSY, YOU'RE ACTING LIKE
A 10-YEAR-OLD, SWEETIE.
1045
00:50:12,959 --> 00:50:16,208
- SOUNDS GOOD TO ME.
- SHE'S VERY SWEET, SWEETIE.
1046
00:50:16,208 --> 00:50:17,625
- LOOK, YOU'RE A CATCH.
1047
00:50:17,625 --> 00:50:19,583
YOU HAVE A GOOD JOB
WITH GREAT BENEFITS.
1048
00:50:19,583 --> 00:50:22,333
AND I WILL BET YOU
THAT THAT SINGING THING
1049
00:50:22,333 --> 00:50:23,917
DOESN'T HAVE
YOUR KIND OF BENEFITS.
1050
00:50:23,917 --> 00:50:26,375
- DAD, SHE MAKES MILLIONS
OF DOLLARS SINGING.
1051
00:50:26,375 --> 00:50:29,417
YEAH, MILLIONS OF DOLLARS.
1052
00:50:29,417 --> 00:50:31,333
HEY, MADISON.
- YEAH?
1053
00:50:31,333 --> 00:50:33,125
- DO YOU REALLY MAKE MILLIONS
OF DOLLARS SINGING?
1054
00:50:33,125 --> 00:50:34,125
- DAD!
- DOUGLAS!
1055
00:50:34,125 --> 00:50:35,208
- HE SAID IT.
1056
00:50:35,208 --> 00:50:36,291
- WHAT HAS YOUR SON
BEEN TELLING YOU?
1057
00:50:36,291 --> 00:50:38,083
- A BUNCH OF BALONEY, I THINK.
1058
00:50:38,083 --> 00:50:39,250
- I AGREE.
IT'S A BUNCH OF BALONEY.
1059
00:50:39,250 --> 00:50:42,333
- I GIVE UP.
- HERE.
1060
00:50:42,333 --> 00:50:43,625
- WHAT DID YOU BRING ME?
1061
00:50:43,625 --> 00:50:47,750
- YOU'LL SEE.
1062
00:50:47,750 --> 00:50:51,333
- "TO MY NEW BEST FRIEND,
KRISSY. LOVE, MADISON."
1063
00:50:51,333 --> 00:50:53,166
OH, MAN.
THIS IS GREAT.
1064
00:50:53,166 --> 00:50:56,083
I'M GOING TO FRAME IT
AND TAKE IT TO SCHOOL,
1065
00:50:56,083 --> 00:50:58,000
AND I'M GONNA SHOW HELEN.
- CALM DOWN.
1066
00:50:58,000 --> 00:50:59,458
- SHE THINKS SHE'S YOUR
BIGGEST FAN.
1067
00:50:59,458 --> 00:51:00,583
NO WAY.
IT'S ME.
1068
00:51:00,583 --> 00:51:05,291
- SO FOR MY BIGGEST FAN...
1069
00:51:05,291 --> 00:51:08,917
FOUR TICKETS?
1070
00:51:08,917 --> 00:51:10,875
THANK YOU! THANK YOU!
THANK YOU!
1071
00:51:10,875 --> 00:51:12,333
THANK YOU! THANK YOU!
THANK YOU! THANK YOU!
1072
00:51:12,333 --> 00:51:14,458
- THANK YOU, REALLY.
- THANK YOU SO MUCH.
1073
00:51:14,458 --> 00:51:15,834
- YOU'RE VERY WELCOME.
1074
00:51:15,834 --> 00:51:17,250
AND YOU DON'T HAVE
TO THANK ME.
1075
00:51:17,250 --> 00:51:19,917
THANK YOUR BROTHER.
HE CAME UP WITH THE WHOLE THING.
1076
00:51:19,917 --> 00:51:23,000
- YOU'RE THE BEST, JOHN.
THE BEST. THANK YOU.
1077
00:51:23,000 --> 00:51:24,083
- YOU'RE WELCOME.
1078
00:51:24,083 --> 00:51:26,000
- I HAVE TO CALL HELEN
AND TELL HER.
1079
00:51:26,000 --> 00:51:29,000
- YEAH, SET HER STRAIGHT.
1080
00:51:29,000 --> 00:51:30,125
THAT WAS VERY SWEET.
1081
00:51:30,125 --> 00:51:32,583
- MY PLEASURE.
1082
00:51:32,583 --> 00:51:34,166
- THANK YOU.
- YOU'RE WELCOME.
1083
00:51:36,875 --> 00:51:38,333
- THAT'S RIGHT, CYNTHIA,
1084
00:51:38,333 --> 00:51:41,000
AND THEY WILL BE HERE
SOMETIME TONIGHT.
1085
00:51:41,000 --> 00:51:43,458
- SO THAT MEANS...
- EXACTLY.
1086
00:51:43,458 --> 00:51:45,667
SO IT'S A PERFECT OPPORTUNITY
FOR YOU TO GET SOME EXCLUSIVE
1087
00:51:45,667 --> 00:51:50,000
FOOTAGE OF MADISON
AND HER FIREMAN, JOHN KELLY.
1088
00:51:50,000 --> 00:51:52,333
- SPELLING?
- K-E-L-L-Y.
1089
00:51:52,333 --> 00:51:55,750
- OH, RAD, THAT'S FANTASTIC.
OH, MADISON AND HER HERO.
1090
00:51:55,750 --> 00:51:57,041
LET'S GO.
WE'RE ON THE WAY.
1091
00:51:57,041 --> 00:51:59,208
WE'RE ON THE WAY.
THIS IS AN EXCLUSIVE, RIGHT?
1092
00:51:59,208 --> 00:52:00,667
- THAT'S WHAT I SAID.
1093
00:52:00,667 --> 00:52:03,041
- ABOUT TIME YOU REALIZE
WHAT I CAN DO.
1094
00:52:03,041 --> 00:52:05,041
BYE.
COME ON, LET'S GO.
1095
00:52:05,041 --> 00:52:07,959
HE'S GONNA TEXT ME
THE ADDRESS.
1096
00:52:07,959 --> 00:52:09,333
- EXCLUSIVE?
1097
00:52:09,333 --> 00:52:11,041
SHE'S, LIKE, THE TENTH PERSON
YOU'VE CALLED.
1098
00:52:11,041 --> 00:52:13,500
- AH.
12th.
1099
00:52:13,500 --> 00:52:15,375
- ARE YOU SURE
THIS IS THE RIGHT THING TO DO?
1100
00:52:15,375 --> 00:52:17,166
- LOOK, I TOLD MADISON WHAT
WOULD HAPPEN TO HIM
1101
00:52:17,166 --> 00:52:18,750
IF THEY WENT OUT TOGETHER.
1102
00:52:18,750 --> 00:52:21,166
- YEAH, I TOLD HER TOO, BUT I
CAN'T HELP IT IF IT DIDN'T WORK.
1103
00:52:21,166 --> 00:52:22,291
I DON'T WANNA DO ANYTHING
THAT HURTS--
1104
00:52:22,291 --> 00:52:23,625
- SHH.
1105
00:52:23,625 --> 00:52:27,166
JOHNNY, RAD LEFFLER.
1106
00:52:27,166 --> 00:52:29,250
I HAVE SOME INFORMATION
THAT YOU MIGHT FIND INTERESTING.
1107
00:52:32,750 --> 00:52:35,583
- I GOT MADISON PARK TICKETS.
1108
00:52:35,583 --> 00:52:37,250
- WE KNOW, HONEY.
1109
00:52:37,250 --> 00:52:38,959
- YOU DON'T KNOW HOW COOL
THIS IS.
1110
00:52:38,959 --> 00:52:44,083
- LET ME SEE THESE.
600 BUCKS?
1111
00:52:44,083 --> 00:52:46,625
- WOW, LIKE FATHER, LIKE SON.
1112
00:52:46,625 --> 00:52:49,250
THOSE ARE THE BEST SEATS
IN THE HOUSE.
1113
00:52:49,250 --> 00:52:53,083
- SO, YOU REALLY DO MAKE
MILLIONS OF DOLLARS
1114
00:52:53,083 --> 00:52:55,583
JUST SINGING?
1115
00:52:55,583 --> 00:52:58,500
I MEAN, YOU DON'T, LIKE, PLAY
THE PIANO OR LEAD AN ORCHESTRA.
1116
00:52:58,500 --> 00:53:00,083
- NOPE. JUST...
1117
00:53:00,083 --> 00:53:03,250
both: SINGING.
1118
00:53:03,250 --> 00:53:07,667
- AND YOU'RE HERE AGAIN, WHY?
1119
00:53:07,667 --> 00:53:11,625
- UM...
1120
00:53:11,625 --> 00:53:15,125
- REALLY?
1121
00:53:21,917 --> 00:53:24,625
- BOYFRIEND, JOHN KELLY SHOULD
BE RETURNING TOO, AT ANY MOMENT.
1122
00:53:24,625 --> 00:53:26,792
- RAD?
RAD.
1123
00:53:26,792 --> 00:53:27,792
- WHATEVER YOU NEED.
YOU FIND THEM.
1124
00:53:27,792 --> 00:53:29,458
- YOU SAID THIS
WAS AN EXCLUSIVE.
1125
00:53:29,458 --> 00:53:31,667
- SWEETHEART, SWEETHEART,
CAN I HELP IT IF WORD GETS OUT?
1126
00:53:31,667 --> 00:53:32,875
- OKAY, FINE.
1127
00:53:32,875 --> 00:53:34,875
I WANT AN INTERVIEW
WITH BOTH OF THEM.
1128
00:53:34,875 --> 00:53:37,000
- YOU GOT IT.
WHATEVER I CAN DO TO HELP YOU.
1129
00:53:37,000 --> 00:53:38,709
- RIGHT.
HEARD THAT BEFORE.
1130
00:53:38,709 --> 00:53:40,417
- JUST RELAX AND SPARKLE.
1131
00:53:40,417 --> 00:53:46,250
- SO, YOU WERE
A FIREMAN TOO, RIGHT?
1132
00:53:46,250 --> 00:53:48,291
- YEAH, I WAS.
1133
00:53:48,291 --> 00:53:50,250
- LIKE FATHER, LIKE SON, AGAIN.
1134
00:53:50,250 --> 00:53:54,000
- YEAH.
1135
00:53:54,000 --> 00:53:55,959
- CAN I ASK YOU
A PERSONAL QUESTION?
1136
00:53:55,959 --> 00:53:57,333
- ABSOLUTELY.
1137
00:53:57,333 --> 00:54:01,667
- HOW DID YOU HANDLE THE FACT
THAT AT ANY MOMENT
1138
00:54:01,667 --> 00:54:06,875
HE MIGHT NOT EVER COME HOME?
1139
00:54:06,875 --> 00:54:08,583
- I DIDN'T HANDLE IT.
1140
00:54:08,583 --> 00:54:12,000
IT CAME WITH THE MAN
I FELL IN LOVE WITH, YOU KNOW.
1141
00:54:12,000 --> 00:54:14,000
BUT ACTUALLY, I WAS SCARED.
1142
00:54:14,000 --> 00:54:17,166
I WAS SCARED EVERY DAY HE WENT
TO WORK UNTIL HE RETIRED.
1143
00:54:17,166 --> 00:54:21,166
- YOU KNOW, MADISON,
EVERY TIME I WENT OUT THAT DOOR
1144
00:54:21,166 --> 00:54:24,291
AND WENT TO WORK, I FEARED
I WOULDN'T SEE HER AGAIN,
1145
00:54:24,291 --> 00:54:25,667
OR MY KIDS.
1146
00:54:25,667 --> 00:54:27,375
IT GOES BOTH WAYS.
1147
00:54:27,375 --> 00:54:29,375
BUT I WILL TELL YOU,
1148
00:54:29,375 --> 00:54:31,667
IT MAKES YOU A WHOLE LOT
MORE CAREFUL ON THE JOB.
1149
00:54:31,667 --> 00:54:35,709
- RIGHT, BUT YOU STILL FOUND
YOURSELF IN SITUATIONS
1150
00:54:35,709 --> 00:54:37,542
WHERE YOU THOUGHT
YOU WERE GOING TO DIE.
1151
00:54:37,542 --> 00:54:39,208
- YES.
1152
00:54:39,208 --> 00:54:43,041
- MADISON, WHAT--WHAT IS THIS
REALLY ABOUT?
1153
00:54:43,041 --> 00:54:47,333
- MY FATHER
WAS A POLICE OFFICER.
1154
00:54:47,333 --> 00:54:50,083
- AND DID HE NOT COME HOME?
1155
00:54:50,083 --> 00:54:53,291
- NO, HE DIDN'T COME HOME.
1156
00:54:53,291 --> 00:54:56,000
- I'M SO SORRY, SWEETIE.
THAT'S--
1157
00:54:56,000 --> 00:54:57,875
- IT'S OKAY.
1158
00:54:57,875 --> 00:55:02,291
- WELL, I'M SURE HE'D BE
VERY PROUD OF YOU.
1159
00:55:02,291 --> 00:55:04,291
- THANK YOU.
1160
00:55:11,750 --> 00:55:13,875
I CAN'T TELL YOU
HOW GREAT THIS WAS.
1161
00:55:13,875 --> 00:55:15,125
THANK YOU.
1162
00:55:15,125 --> 00:55:16,583
- YOU WERE SO COOL
FOR CALLING HELEN WITH ME.
1163
00:55:16,583 --> 00:55:18,792
I KNOW SHE DIDN'T BELIEVE US,
1164
00:55:18,792 --> 00:55:20,750
BUT SHE WILL WHEN SHE SEES
THE PICTURES.
1165
00:55:20,750 --> 00:55:22,208
- THAT WAS A LOT OF FUN.
1166
00:55:22,208 --> 00:55:24,333
- IF YOU EVER WANT TO TALK,
PLEASE CALL.
1167
00:55:24,333 --> 00:55:25,583
- OH, THANK YOU.
1168
00:55:25,583 --> 00:55:27,250
I NEVER REALLY GOT TO DO
THAT WITH MY MOM.
1169
00:55:27,250 --> 00:55:29,041
- OH, GIVE YOUR MOM A CALL.
1170
00:55:29,041 --> 00:55:31,333
I MEAN, I'M SURE SHE'D LOVE
TO HEAR FROM YOU.
1171
00:55:31,333 --> 00:55:32,417
- ENOUGH.
1172
00:55:32,417 --> 00:55:33,792
- OKAY, SORRY.
1173
00:55:33,792 --> 00:55:35,792
- IT'S OKAY.
I'LL THINK ABOUT IT.
1174
00:55:35,792 --> 00:55:37,291
AND I OWE YOU.
- ME?
1175
00:55:37,291 --> 00:55:38,417
FOR WHAT?
1176
00:55:38,417 --> 00:55:41,709
- WELL, FOR YOUR FAMILY
AND FOR THIS ONE.
1177
00:55:41,709 --> 00:55:43,917
- YOU KNOW, HIS JOB REALLY DOES
HAVE GOOD BENEFITS.
1178
00:55:43,917 --> 00:55:44,917
- I HAVE TO GET HER BACK.
1179
00:55:44,917 --> 00:55:46,250
- MY GOD.
SEE, THAT'S--
1180
00:55:46,250 --> 00:55:47,417
- NO, I'M SERIOUS.
THEY'RE GREAT BENEFITS.
1181
00:55:47,417 --> 00:55:48,667
- YES.
1182
00:55:48,667 --> 00:55:49,792
THANK YOU.
1183
00:55:49,792 --> 00:55:51,083
- THANK YOU.
THIS WAS WONDERFUL.
1184
00:55:51,083 --> 00:55:52,250
- ALL RIGHT.
IT WAS GREAT.
1185
00:55:52,250 --> 00:55:53,375
- JOHN, DRIVE SAFE, YEAH?
1186
00:55:53,375 --> 00:55:54,750
- BYE.
1187
00:55:54,750 --> 00:55:59,291
- I GOT IT.
- OH, THANK YOU.
1188
00:55:59,291 --> 00:56:01,000
- I LIKE HER.
1189
00:56:05,959 --> 00:56:07,333
ALL RIGHT.
- HOMEWORK.
1190
00:56:07,333 --> 00:56:08,667
HOMEWORK.
1191
00:56:08,667 --> 00:56:10,083
- BYE.
- BYE.
1192
00:56:10,083 --> 00:56:11,083
- BYE.
1193
00:56:19,458 --> 00:56:21,041
- HERE THEY COME.
1194
00:56:21,041 --> 00:56:23,458
- OH, YEAH, YEAH.
1195
00:56:23,458 --> 00:56:27,250
- NICE, PLEASE GET THAT SHOT.
FOCUS ON HER.
1196
00:56:27,250 --> 00:56:28,333
- ALL RIGHT, HERE WE GO.
1197
00:56:28,333 --> 00:56:30,041
- HEY, MADISON.
1198
00:56:32,000 --> 00:56:33,291
- WOW.
1199
00:56:33,291 --> 00:56:34,417
- YOU LOOK BEAUTIFUL, MADISON.
1200
00:56:34,417 --> 00:56:36,125
MADISON, OVER HERE, OVER HERE.
1201
00:56:36,125 --> 00:56:37,583
- FOR ME?
1202
00:56:37,583 --> 00:56:39,458
- YOU THINK YOU'RE BEING FUNNY
BUT THEY ACTUALLY
1203
00:56:39,458 --> 00:56:42,375
ARE HERE FOR YOU.
1204
00:56:42,375 --> 00:56:43,500
I'M SORRY.
1205
00:56:43,500 --> 00:56:44,709
- DON'T BE SORRY.
1206
00:56:44,709 --> 00:56:47,333
- YOU KNOW, RAD SET THIS UP.
1207
00:56:47,333 --> 00:56:49,208
YOU KNOW, YOU CAN ACTUALLY
JUST DROP ME OFF RIGHT HERE
1208
00:56:49,208 --> 00:56:50,625
AND YOU CAN LEAVE.
1209
00:56:50,625 --> 00:56:53,458
- I DON'T DROP OFF DATES.
I WALK THEM TO THE DOOR.
1210
00:56:53,458 --> 00:56:55,792
- OKAY.
1211
00:56:58,000 --> 00:56:59,917
- RIGHT HERE AT THIS CAMERA,
RIGHT HERE.
1212
00:56:59,917 --> 00:57:01,166
HEY, JOHN.
1213
00:57:01,166 --> 00:57:03,125
JOHN, ARE YOU TWO OFFICIALLY
TOGETHER NOW?
1214
00:57:03,125 --> 00:57:04,792
- WE'RE JUST FRIENDS.
- YEAH.
1215
00:57:04,792 --> 00:57:05,875
- OH, HE'S LETTING HER OUT.
1216
00:57:05,875 --> 00:57:09,333
WHAT A GENTLEMAN.
MADISON, MADISON.
1217
00:57:09,333 --> 00:57:11,500
OVER HERE, OVER HERE.
1218
00:57:11,500 --> 00:57:13,959
INQUIRING MINDS WANT TO KNOW.
1219
00:57:13,959 --> 00:57:15,542
JOHN, HOW WAS YOUR DATE
WITH MADISON?
1220
00:57:15,542 --> 00:57:16,875
- OH, SHE SANG THE WHOLE TIME.
1221
00:57:16,875 --> 00:57:18,458
I DON'T BELIEVE SHE SPOKE
A SINGLE WORD.
1222
00:57:18,458 --> 00:57:20,291
IT WAS LIKE BEING IN A BROADWAY
MUSICAL THE WHOLE TIME.
1223
00:57:20,291 --> 00:57:22,083
MADISON, IS THAT TRUE?
1224
00:57:22,083 --> 00:57:24,000
- UH...
1225
00:57:24,000 --> 00:57:25,458
YES.
CYNTHIA, RIGHT?
1226
00:57:25,458 --> 00:57:26,709
- YES.
1227
00:57:26,709 --> 00:57:30,041
- YES, I SANG TO HIM
AND HE DANCED FOR ME.
1228
00:57:30,041 --> 00:57:32,291
IT WAS--IT WAS AMAZING,
REALLY BEAUTIFUL.
1229
00:57:32,291 --> 00:57:33,333
YOU SHOULD'VE BEEN THERE.
1230
00:57:33,333 --> 00:57:35,083
- I WISH I WOULD'VE.
1231
00:57:35,083 --> 00:57:36,500
- THIS GUY IS GOOD.
1232
00:57:36,500 --> 00:57:37,875
- I THINK IT'S CUTE.
1233
00:57:37,875 --> 00:57:38,959
- I SMELL TROUBLE.
1234
00:57:38,959 --> 00:57:40,333
- MAYBE THEY'RE GOOD TOGETHER.
1235
00:57:40,333 --> 00:57:43,166
- NO, THEY'RE NOT GOOD TOGETHER.
THIS IS DANGEROUS.
1236
00:57:43,166 --> 00:57:46,041
IT'S TIME FOR
THE NUCLEAR OPTION.
1237
00:57:54,500 --> 00:57:55,583
- YUP.
THIS IS STEPHEN.
1238
00:57:55,583 --> 00:57:56,750
- HEY.
1239
00:57:56,750 --> 00:57:58,375
OPERATION MADISON'S
IN FULL EFFECT.
1240
00:57:58,375 --> 00:57:59,667
- WHEN?
TOMORROW?
1241
00:57:59,667 --> 00:58:01,542
- NO.
NOW.
1242
00:58:09,750 --> 00:58:12,250
- GET OUT.
ARE YOU SERIOUS?
1243
00:58:19,834 --> 00:58:20,959
- ANY FURTHER COMMENT?
1244
00:58:20,959 --> 00:58:23,125
- THANK YOU SO MUCH
FOR COMING TONIGHT.
1245
00:58:23,125 --> 00:58:24,500
I'VE GOT TO GET GOING.
1246
00:58:24,500 --> 00:58:26,083
I'VE GOT A 24-HOUR WATCH
TOMORROW.
1247
00:58:26,083 --> 00:58:28,166
- YEAH, SO HE NEEDS HIS
BEAUTY SLEEP, PEOPLE.
1248
00:58:30,417 --> 00:58:33,166
- NOW, I'M ASKING YOU ALL
TO BACK OFF FOR A SECOND
1249
00:58:33,166 --> 00:58:35,875
SO I CAN TELL
THIS WOMAN GOOD NIGHT.
1250
00:58:35,875 --> 00:58:37,166
NIGHT.
1251
00:58:37,166 --> 00:58:39,208
- WHO IS THIS GUY?
1252
00:58:39,208 --> 00:58:40,917
NO, HE TELLS THEM TO BACK OFF
AND THEY LISTEN?
1253
00:58:40,917 --> 00:58:43,917
HOW DOES HE DO THAT?
I CAN'T DO THAT.
1254
00:58:43,917 --> 00:58:45,375
- HEY.
- HEY.
1255
00:58:45,375 --> 00:58:47,166
- NICE TRY.
1256
00:58:47,166 --> 00:58:49,458
- YUP.
WE DONE?
1257
00:58:49,458 --> 00:58:52,458
- MAYBE ONE MORE RIGHT HERE.
- IT IS A GOOD ANGLE.
1258
00:58:52,458 --> 00:58:53,959
- THAT WASN'T SO BAD.
1259
00:58:53,959 --> 00:58:59,041
- YEAH, WELL, THEY HAVEN'T
TURNED ON YOU YET.
1260
00:58:59,041 --> 00:59:00,625
OKAY.
1261
00:59:00,625 --> 00:59:03,208
SO, THANK YOU FOR TONIGHT
1262
00:59:03,208 --> 00:59:06,333
AND JUST BE CAREFUL AT WORK.
1263
00:59:06,333 --> 00:59:07,959
- I WILL.
1264
00:59:07,959 --> 00:59:09,792
- GOOD.
1265
00:59:14,750 --> 00:59:16,417
- HERE WE GO.
GET IT, GET IT.
1266
00:59:16,417 --> 00:59:18,458
OH, THAT'S GREAT.
1267
00:59:28,041 --> 00:59:29,250
- DO YOU WANT A REAL EXCLUSIVE?
1268
00:59:29,250 --> 00:59:30,625
- I THINK YOU OWE ME ONE.
1269
00:59:30,625 --> 00:59:33,041
- STAY HERE, OKAY?
1270
00:59:33,041 --> 00:59:35,875
DON'T GO ANYWHERE.
1271
00:59:46,834 --> 00:59:49,000
- I'M SO TIRED OF RAD
DOING THIS TO ME,
1272
00:59:49,000 --> 00:59:52,291
MAKING ME LOOK LIKE AN IDIOT.
1273
00:59:52,291 --> 00:59:55,166
- MAYBE NOT.
1274
00:59:55,166 --> 01:00:00,125
WE HAVE MOVEMENT.
1275
01:00:00,125 --> 01:00:02,333
OKAY.
1276
01:00:05,458 --> 01:00:07,000
- WHAT DO WE HAVE HERE?
1277
01:00:10,542 --> 01:00:12,875
- SEE IF I CAN ZOOM IN.
1278
01:00:12,875 --> 01:00:17,375
- GET IT NICE AND CLOSE.
1279
01:00:25,250 --> 01:00:26,333
YOU BELIEVE THIS?
1280
01:00:29,500 --> 01:00:31,208
JORDAN VANDERPOOL.
1281
01:00:31,208 --> 01:00:33,208
- YEAH.
1282
01:00:35,959 --> 01:00:38,417
YOUR NEXT EXCLUSIVE.
1283
01:00:38,417 --> 01:00:40,542
- JACKPOT.
- OH, YEAH.
1284
01:00:47,041 --> 01:00:48,709
- HE DANCED--
- WHOA, TURN IT BACK.
1285
01:00:48,709 --> 01:00:50,166
- IT WAS AMAZING,
REALLY BEAUTIFUL.
1286
01:00:50,166 --> 01:00:51,208
- NO.
- YOU SHOULD'VE BEEN THERE.
1287
01:00:51,208 --> 01:00:52,208
- WHOA.
- NO.
1288
01:00:52,208 --> 01:00:53,834
- THANK YOU ALL SO MUCH
FOR COMING--
1289
01:00:53,834 --> 01:00:56,125
- LOOK AT THIS JOHNNY BOY
OVER HERE,
1290
01:00:56,125 --> 01:00:58,834
A LITTLE STAR HANGING OUT
WITH MADISON PARK LIKE THAT.
1291
01:00:58,834 --> 01:01:01,208
LOOK AT YOU, MAN.
OH.
1292
01:01:01,208 --> 01:01:04,250
HEY, CAN I ASK YOU?
IS THIS TRUE LOVE?
1293
01:01:04,250 --> 01:01:06,000
WILL YOU ALL BE HONEYMOONING
IN BELIZE?
1294
01:01:06,000 --> 01:01:07,250
- CUT IT OUT.
1295
01:01:07,250 --> 01:01:09,000
- TURN IT UP!
ARE YOU KIDDING ME?
1296
01:01:09,000 --> 01:01:10,667
NIGHT.
1297
01:01:10,667 --> 01:01:13,083
- YES, THEY LOOK LIKE
A FAIRY-TALE COUPLE FOR SURE.
1298
01:01:13,083 --> 01:01:15,959
BUT IS SHE JUST USING HER
FIREMAN HERO AS PUBLICITY
1299
01:01:15,959 --> 01:01:19,041
WHILE SHE REIGNITES
WITH THE TRUE LOVE OF HER LIFE?
1300
01:01:19,041 --> 01:01:21,166
THIS IS THE HOUSE WHERE
MADISON PARK IS RECUPERATING
1301
01:01:21,166 --> 01:01:22,959
FROM HER BRUSH WITH DEATH
LAST WEEK,
1302
01:01:22,959 --> 01:01:26,792
WHERE SHE ALMOST PERISHED
IN A FIRE AT THE CONCERT HALL.
1303
01:01:26,792 --> 01:01:29,750
IT'S LATE.
HER FIREMAN HERO, JOHN KELLY,
1304
01:01:29,750 --> 01:01:31,834
WHOM SHE SPENT THE LAST SEVERAL
DAYS WITH,
1305
01:01:31,834 --> 01:01:34,458
HAS LONG GONE BACK TO HIS WORLD.
1306
01:01:34,458 --> 01:01:37,000
THEN A LONE MAN APPEARS
AND SNEAKS INTO THE BUILDING
1307
01:01:37,000 --> 01:01:39,458
WHERE MADISON IS THE SOLE GUEST.
1308
01:01:39,458 --> 01:01:43,542
COULD HE BE UP TO NO GOOD?
1309
01:01:43,542 --> 01:01:46,250
YES, GIRLS,
IT'S JORDAN VANDERPOOL,
1310
01:01:46,250 --> 01:01:48,458
MADISON'S FORMER FLAME.
1311
01:01:48,458 --> 01:01:51,625
A MAN WHO DOESN'T HAVE TO SNEAK
ANYWHERE TO GET WHAT HE WANTS.
1312
01:01:51,625 --> 01:01:53,792
HE LOOKS LIKE A MAN
ON A MISSION.
1313
01:01:53,792 --> 01:01:56,834
ARE WE SEEING THE START OF A NEW
MADISON-JORDAN PARTNERSHIP?
1314
01:01:56,834 --> 01:01:59,417
LET'S ASK MADISON'S MANAGER,
RAD LEFFLER.
1315
01:01:59,417 --> 01:02:02,083
RAD, ARE MADISON PARK
AND JORDAN VANDERPOOL
1316
01:02:02,083 --> 01:02:05,166
A DUET ONCE AGAIN?
1317
01:02:05,166 --> 01:02:06,583
- NO COMMENT.
1318
01:02:06,583 --> 01:02:08,083
- OH, COME ON, RAD.
REALLY?
1319
01:02:08,083 --> 01:02:10,959
YOU CAN'T FOOL ME
OR MADISON'S FANS.
1320
01:02:10,959 --> 01:02:13,250
THIS FIREMAN ROMANCE WAS
JUST A BIG PUBLICITY STUNT,
1321
01:02:13,250 --> 01:02:15,083
WASN'T IT?
1322
01:02:15,083 --> 01:02:16,333
- NO COMMENT.
1323
01:02:16,333 --> 01:02:18,083
- OH, COME ON, RAD.
REALLY?
1324
01:02:23,625 --> 01:02:26,792
- MADISON PARK IS A LIAR.
1325
01:02:26,792 --> 01:02:28,792
- HONEY.
HONEY, W--
1326
01:02:28,792 --> 01:02:32,250
- I'M CYNTHIA MONTANA AND
THIS IS GOSSIP NEWS NETWORK.
1327
01:02:36,291 --> 01:02:38,709
- SORRY, DUDE.
- THAT'S JUST NOT RIGHT.
1328
01:02:38,709 --> 01:02:40,125
- I JUST CAN'T BELIEVE THAT.
1329
01:02:40,125 --> 01:02:42,667
- I'M SORRY, MAN.
1330
01:02:42,667 --> 01:02:44,834
DON'T FEEL STUPID, MAN.
1331
01:02:44,834 --> 01:02:48,458
I BOUGHT THE ACT TOO.
1332
01:02:48,458 --> 01:02:52,417
- IT JUST DIDN'T FEEL
LIKE AN ACT.
1333
01:02:52,417 --> 01:02:53,750
- RAD.
- CYNTHIA.
1334
01:02:53,750 --> 01:02:55,041
- RAD, YOU GOT TO BE REAL
WITH ME.
1335
01:02:55,041 --> 01:02:56,125
- NO, I TOLD YOU,
I COULDN'T TALK ABOUT IT
1336
01:02:56,125 --> 01:02:57,709
RIGHT NOW, OKAY?
THANK YOU.
1337
01:02:57,709 --> 01:02:59,208
I'LL GET BACK TO YOU WHEN I CAN.
THANK YOU, MAC.
1338
01:02:59,208 --> 01:03:00,333
- YOU CAN'T KEEP
DOING THIS TO ME.
1339
01:03:00,333 --> 01:03:03,208
- OKAY.
NO, I'LL TALK TO YOU LATER.
1340
01:03:03,208 --> 01:03:05,458
- FINE.
DID YOU GET THAT?
1341
01:03:05,458 --> 01:03:07,083
- I GOT AUDIO.
1342
01:03:07,083 --> 01:03:08,875
- GOOD.
1343
01:03:08,875 --> 01:03:10,875
- THAT WAS ABOUT THE LOWEST,
MOST UNDERHANDED,
1344
01:03:10,875 --> 01:03:14,041
DISGUSTING THING
I HAVE EVER SEEN.
1345
01:03:14,041 --> 01:03:17,834
- WAIT TILL YOU SEE WHAT COMES
ON LIVE AT LUNCH
1346
01:03:17,834 --> 01:03:20,709
ON THE GOSSIP NEWS NETWORK.
1347
01:03:20,709 --> 01:03:22,709
- MADISON'S GONNA HAVE YOU
FOR LUNCH.
1348
01:03:22,709 --> 01:03:25,041
- MADISON IS GONNA THANK ME.
1349
01:03:25,041 --> 01:03:26,542
- I CAN'T DO THIS ANYMORE.
1350
01:03:26,542 --> 01:03:28,208
I CAN'T DO THIS TO MY FRIEND.
1351
01:03:28,208 --> 01:03:30,875
I QUIT.
- NO, STOP.
1352
01:03:30,875 --> 01:03:34,166
JESS, PLEASE, WHAT WILL I EVER
DO WITHOUT YOUR HELP?
1353
01:03:34,166 --> 01:03:35,834
- YOU KNOW WHAT, RAD?
1354
01:03:35,834 --> 01:03:38,041
SOMEDAY KARMA'S GONNA CATCH UP
TO YOU.
1355
01:03:44,166 --> 01:03:47,083
TRY TO HELP.
1356
01:03:59,083 --> 01:04:01,458
- HEY, WE NEED TO TALK.
1357
01:04:10,625 --> 01:04:11,709
- TRUST ME.
1358
01:04:11,709 --> 01:04:13,834
- TRUST YOU?
- YEAH.
1359
01:04:13,834 --> 01:04:15,250
- IT'S NEVER WORKED IN THE PAST.
1360
01:04:15,250 --> 01:04:16,750
- OKAY.
I'LL TALK TO YOU LATER.
1361
01:04:16,750 --> 01:04:19,625
- ALL RIGHT, BYE.
1362
01:04:19,625 --> 01:04:22,667
- AND THERE SHE IS.
1363
01:04:22,667 --> 01:04:24,959
- HOW ARE YOU, RAD?
WHAT'S UP?
1364
01:04:24,959 --> 01:04:27,834
- I WAS HOPING MAYBE WE COULD GO
GET SOMETHING TO EAT,
1365
01:04:27,834 --> 01:04:30,542
YOU KNOW, JUST YOU AND ME,
NO VERNON, NO JESS.
1366
01:04:30,542 --> 01:04:32,250
- BITE TO EAT?
1367
01:04:32,250 --> 01:04:35,375
YEAH, I AM HUNGRY AND I KNOW
OF A PLACE THAT'S PERFECT.
1368
01:04:35,375 --> 01:04:36,875
- WOW.
1369
01:04:36,875 --> 01:04:38,208
I THOUGHT I WAS GONNA HAVE
TO TALK YOU INTO IT.
1370
01:04:38,208 --> 01:04:39,250
- NO.
1371
01:04:39,250 --> 01:04:40,792
- OKAY, GREAT.
WHEREVER YOU WANT.
1372
01:04:40,792 --> 01:04:42,208
AND MAYBE WE COULD TALK
A LITTLE SHOP.
1373
01:04:42,208 --> 01:04:45,625
AFTER ALL, WE HAVE A TOUR TO GET
BACK UP ON ITS FEET.
1374
01:04:45,625 --> 01:04:47,208
- SOUNDS GOOD.
1375
01:04:50,083 --> 01:04:51,709
- NO, EVERYTHING'S ALL SET UP.
- YOU'RE SURE?
1376
01:04:51,709 --> 01:04:52,792
- OKAY?
JUST GIVE ME TWO MINUTES.
1377
01:04:52,792 --> 01:04:53,917
- TWO MINUTES?
1378
01:04:53,917 --> 01:04:54,917
- TWO MINUTES,
YOU MAKE YOUR ENTRANCE.
1379
01:04:54,917 --> 01:04:57,250
- MY ENTRANCE.
- OKAY.
1380
01:04:57,250 --> 01:04:58,458
- HELLO.
- HELLO.
1381
01:04:58,458 --> 01:05:00,083
- HOW ARE YOU TODAY?
- GOOD, THANK YOU.
1382
01:05:00,083 --> 01:05:03,083
- OKAY, NO MORE PHONE CALLS,
NO MORE DISTRACTIONS.
1383
01:05:03,083 --> 01:05:05,250
I AM ALL YOURS.
1384
01:05:05,250 --> 01:05:07,250
- THAT WOULD BE NICE.
1385
01:05:07,250 --> 01:05:10,166
LISTEN.
1386
01:05:10,166 --> 01:05:11,500
I STILL THINK
THAT A LIVE CONCERT--
1387
01:05:11,500 --> 01:05:12,667
IT'S TOO SOON FOR THAT.
1388
01:05:12,667 --> 01:05:14,333
MY VOICE IS FEELING RASPY.
1389
01:05:14,333 --> 01:05:16,625
- ARE YOU KIDDING ME?
YOU ARE PERFECT.
1390
01:05:16,625 --> 01:05:18,125
I MEAN, AS LONG AS YOU'RE OKAY
WITH THE NEW VENUES AND DATES,
1391
01:05:18,125 --> 01:05:19,583
WE ARE FINE.
1392
01:05:19,583 --> 01:05:21,792
- I'M OKAY WITH THEM,
BUT CAN WE SELL THEM OUT?
1393
01:05:21,792 --> 01:05:23,333
- QUICKER THAN YOU THINK.
1394
01:05:23,333 --> 01:05:25,166
- WELL, I CAN THINK
PRETTY QUICK.
1395
01:05:25,166 --> 01:05:28,250
- WELL, THEN YOU BETTER START.
1396
01:05:30,375 --> 01:05:31,750
- WHAT'S GOING ON?
1397
01:05:31,750 --> 01:05:33,875
- YOU CAN THANK ME LATER.
1398
01:05:33,875 --> 01:05:35,166
- HEY, LOOK, IT'S JORDAN.
1399
01:05:35,166 --> 01:05:36,750
- JORDAN?
- HERE SHE COMES.
1400
01:05:36,750 --> 01:05:39,750
- NO QUESTIONS.
JUST--JUST STAND FOR ME.
1401
01:05:39,750 --> 01:05:42,208
PLEASE JUST--JUST TRUST ME.
1402
01:05:42,208 --> 01:05:43,834
- GREAT STUFF.
1403
01:05:47,458 --> 01:05:49,834
- MADISON PARK AND I...
1404
01:05:49,834 --> 01:05:52,291
WERE CLOSE AT ONE TIME.
1405
01:05:52,291 --> 01:05:57,208
AS YOU ALL KNOW, OVER THE PAST
FEW YEARS, WE'VE BEEN APART.
1406
01:05:57,208 --> 01:06:00,625
BUT RECENTLY,
AFTER ALMOST LOSING HER,
1407
01:06:00,625 --> 01:06:04,959
I REALIZED I JUST COULDN'T BEAR
BEING WITHOUT HER.
1408
01:06:04,959 --> 01:06:06,917
SO I'M BACK...
1409
01:06:06,917 --> 01:06:10,917
TO SPEND THE REST OF MY LIFE
WITH HER,
1410
01:06:10,917 --> 01:06:13,250
IF SHE'LL HAVE ME.
1411
01:06:16,166 --> 01:06:18,625
- OH, YEAH.
- OH.
1412
01:06:18,625 --> 01:06:21,000
- MADISON...
- JORDAN...
1413
01:06:21,000 --> 01:06:25,083
- I LOVE YOU SO MUCH.
1414
01:06:25,083 --> 01:06:27,458
WILL YOU MARRY ME?
- GET A CLOSE-UP.
1415
01:06:27,458 --> 01:06:30,417
- OH.
1416
01:06:30,417 --> 01:06:32,291
- WHAT DO YOU GUYS SAY?
1417
01:06:32,291 --> 01:06:33,625
- JORDAN, WHAT MADE YOU DO THIS?
1418
01:06:33,625 --> 01:06:37,166
- SAY YES, MADISON.
1419
01:06:37,166 --> 01:06:38,625
- HOW COULD I SAY NO?
1420
01:06:38,625 --> 01:06:40,166
- OH, THAT'S WONDERFUL.
- AWW.
1421
01:06:40,166 --> 01:06:42,583
- JORDAN, KISS HER.
1422
01:06:57,375 --> 01:06:59,166
- HE'S GOING.
- WOW.
1423
01:06:59,166 --> 01:07:01,083
- RIGHT HERE.
- HOW CAN SHE SAY NO?
1424
01:07:01,083 --> 01:07:03,291
- HOW CAN I SAY NO?
1425
01:07:03,291 --> 01:07:05,709
LIKE THIS.
1426
01:07:05,709 --> 01:07:07,792
JORDAN, YOU AND I
HAVE BEEN FRIENDS
1427
01:07:07,792 --> 01:07:12,333
FOR A VERY LONG TIME AND
WE WILL CONTINUE BEING FRIENDS.
1428
01:07:12,333 --> 01:07:16,500
BUT WE'RE NOT GOING
TO GET MARRIED.
1429
01:07:16,500 --> 01:07:18,417
EVER.
1430
01:07:18,417 --> 01:07:22,333
I'M SORRY.
AND I'M SORRY THAT YOU ALL HAD
1431
01:07:22,333 --> 01:07:27,959
TO COME HERE TO SEE THIS,
BUT YOU'VE BEEN FOOLED BY RAD.
1432
01:07:27,959 --> 01:07:30,250
WE'VE ALL BEEN FOOLED BY RAD.
1433
01:07:30,250 --> 01:07:34,166
- THAT IS NOT ACTUALLY CORRECT.
1434
01:07:34,166 --> 01:07:35,625
- YOU'RE FIRED.
1435
01:07:35,625 --> 01:07:36,667
- WHAT?
YOU CAN'T FIRE ME.
1436
01:07:36,667 --> 01:07:37,959
WE HAVE A CONTRACT.
1437
01:07:37,959 --> 01:07:40,291
- YEAH, WE DID, AND IT CLEARLY
STATES THAT IF YOU BREAK
1438
01:07:40,291 --> 01:07:43,125
THE MORALS CLAUSE,
THE CONTRACT IS INVALID.
1439
01:07:43,125 --> 01:07:45,458
SO BETWEEN WHAT JESS, VERNON,
AND I HAVE WITNESSED,
1440
01:07:45,458 --> 01:07:46,959
I'D SAY I HAVE
A PRETTY GOOD CASE.
1441
01:07:46,959 --> 01:07:48,250
- MADISON, CAN WE JUST TALK
ABOUT THIS
1442
01:07:48,250 --> 01:07:49,291
FOR ONE MOMENT, PLEASE?
1443
01:07:49,291 --> 01:07:50,333
- BYE, RAD.
1444
01:07:50,333 --> 01:07:51,750
- DO NOT MAKE A SCENE LIKE THIS.
1445
01:07:51,750 --> 01:07:53,917
PLEASE, LET'S TALK--
VERNON, PULL OVER.
1446
01:07:53,917 --> 01:07:55,000
EXCUSE ME.
1447
01:07:55,000 --> 01:07:56,750
VERNON!
- RAD.
1448
01:07:56,750 --> 01:07:59,333
HOW DOES IT FEEL TO BETRAY
YOUR STAR CLIENT?
1449
01:07:59,333 --> 01:08:01,750
- LISTEN.
I APOLOGIZE FOR HER.
1450
01:08:01,750 --> 01:08:03,834
SHE IS CLEARLY UNDER
A LOT OF STRESS
1451
01:08:03,834 --> 01:08:05,083
AND PRESSURE RIGHT NOW, OKAY?
1452
01:08:05,083 --> 01:08:06,709
- SO, IS THIS THE END
OF THE TWO OF YOU?
1453
01:08:06,709 --> 01:08:08,250
- NO, IT'S NOT THE END OF US.
WE WILL WORK THAT OUT.
1454
01:08:08,250 --> 01:08:10,000
- SHE JUST FIRED YOU.
1455
01:08:10,000 --> 01:08:11,500
- SO I'M LIKE--I'M SHOCKED.
1456
01:08:11,500 --> 01:08:14,375
I'M, LIKE, FREAKING OUT,
BUT IT GETS WORSE.
1457
01:08:14,375 --> 01:08:17,667
BUT THEN SHE SAYS,
"WE'RE NOT GETTING MARRIED,"
1458
01:08:17,667 --> 01:08:19,834
RIGHT ON TV.
1459
01:08:19,834 --> 01:08:21,917
- YEAH, IT--I JUST FIND
THE WHOLE THING CONFUSING.
1460
01:08:21,917 --> 01:08:23,041
- YEAH, NO KIDDING.
1461
01:08:23,041 --> 01:08:25,125
IS SHE DATING THIS JORDAN GUY
OR NOT?
1462
01:08:25,125 --> 01:08:26,709
- NO.
NO, SHE ISN'T.
1463
01:08:26,709 --> 01:08:30,875
NOT AT ALL.
1464
01:08:30,875 --> 01:08:32,375
OH, NO.
1465
01:08:32,375 --> 01:08:33,875
- WHAT?
1466
01:08:33,875 --> 01:08:36,583
- I TORE UP
MY AUTOGRAPHED PICTURE.
1467
01:09:09,208 --> 01:09:11,542
- ONCE THEY CLEAR IT,
WE'LL CHECK THE EXPLOSIONS.
1468
01:09:19,166 --> 01:09:20,375
- HERE WE GO, MEN.
1469
01:09:20,375 --> 01:09:22,875
GET THAT EQUIPMENT OFF-LOADED.
ALL RIGHT.
1470
01:09:22,875 --> 01:09:25,083
JOHN, GIVE ME THE LINE
ON THE FRONT DOOR.
1471
01:09:25,083 --> 01:09:26,667
- OKAY, CHIEF.
1472
01:09:26,667 --> 01:09:28,208
- GET UP THERE AND LET'S SEE IF
WE HAVE ANYBODY STILL INSIDE.
1473
01:09:28,208 --> 01:09:29,959
BILLY, TAKE OUT THAT FRONT
WINDOW BEFORE WE GET UP THERE.
1474
01:09:29,959 --> 01:09:31,041
- WILL DO.
1475
01:09:31,041 --> 01:09:32,250
- HEY, JOE.
1476
01:09:32,250 --> 01:09:34,250
GIVE ME THAT UTILITY BOX.
- GETTING IT DONE.
1477
01:09:34,250 --> 01:09:36,750
- UNIT 17,
TWO OF YOU GUYS GET A HOSE.
1478
01:09:36,750 --> 01:09:38,583
THE REST OF YOU,
LOCKUP THAT TRAFFIC.
1479
01:09:38,583 --> 01:09:40,250
LET'S GO.
MOVE.
1480
01:09:40,250 --> 01:09:42,875
DISPATCH, DISPATCH,
WE HAVE A WORKING HOUSE FIRE.
1481
01:09:42,875 --> 01:09:45,041
SEND ME TWO MORE ENGINES.
I REPEAT.
1482
01:09:45,041 --> 01:09:46,250
TWO MORE ENGINES.
1483
01:09:46,250 --> 01:09:50,625
LET'S GO, GUYS.
LOCKUP THAT TRAFFIC.
1484
01:09:59,458 --> 01:10:01,458
- MUST BE OUT ON A CALL.
1485
01:10:01,458 --> 01:10:05,125
- SHOULD WE WAIT?
1486
01:10:05,125 --> 01:10:06,458
- UTILITY BOX CLEAR.
1487
01:10:06,458 --> 01:10:08,166
- UTILITY'S CLEAR, LET'S GO.
1488
01:10:08,166 --> 01:10:10,375
- USING ALL HANDS
FOR A CONFIRMED FIRE
1489
01:10:10,375 --> 01:10:12,083
AT A RESIDENTIAL STRUCTURE.
1490
01:10:12,083 --> 01:10:16,458
SECOND ALARM CALLED.
COMPANY THREE ON SCENE.
1491
01:10:16,458 --> 01:10:18,166
MOVE IN.
1492
01:10:38,542 --> 01:10:39,959
- JOHN.
1493
01:10:39,959 --> 01:10:42,667
JOHN, WHERE ARE YOU?
JOHN, WHERE'S YOUR LOCATION?
1494
01:10:42,667 --> 01:10:43,834
FIREFIGHTER DOWN.
1495
01:10:43,834 --> 01:10:45,917
IT'S JOHN KELLY,
TRAPPED IN THE BEDROOM.
1496
01:10:45,917 --> 01:10:47,667
THE ROOM IS COMPROMISED.
I'M GONNA TRY
1497
01:10:47,667 --> 01:10:49,208
TO GET HIM OUT NOW.
1498
01:10:49,208 --> 01:10:51,250
- CONFIRMING FIREFIGHTER
TRAPPED.
1499
01:10:51,250 --> 01:10:53,709
BE ADVISED THAT JOHN KELLY
HAS BEEN FOUND
1500
01:10:53,709 --> 01:10:55,375
AND IS BEING EXTRACTED
FROM THE BUILDING.
1501
01:10:55,375 --> 01:10:58,792
- IT'S OKAY.
1502
01:10:58,792 --> 01:11:00,834
- IT'S OKAY.
1503
01:11:07,083 --> 01:11:09,333
- GET E.M.S. UP HERE.
1504
01:11:09,333 --> 01:11:10,667
- I GOT YOU.
1505
01:11:10,667 --> 01:11:12,542
- JOHNNY BOY, YOU HANG IN THERE.
1506
01:11:12,542 --> 01:11:13,959
HANG IN THERE.
HELP'S ON THE WAY.
1507
01:11:18,208 --> 01:11:19,834
- COME ON ALREADY.
1508
01:11:19,834 --> 01:11:21,375
- JOHN?
1509
01:11:21,375 --> 01:11:23,500
- YEAH.
1510
01:11:23,500 --> 01:11:24,667
- LITTLE SHOCKY.
1511
01:11:24,667 --> 01:11:26,125
- YEAH.
1512
01:11:26,125 --> 01:11:27,166
- COME ON, COME ON, COME ON.
1513
01:11:27,166 --> 01:11:29,041
- ATTENTION,
ALL UNITS ON STANDBY.
1514
01:11:29,041 --> 01:11:32,291
JOHN KELLY HAS BEEN EXTRACTED
AND REMOVED FROM THE BUILDING.
1515
01:11:32,291 --> 01:11:36,709
HE'S BEING READIED FOR TRANSPORT
TO MEMORIAL HOSPITAL NOW.
1516
01:11:36,709 --> 01:11:38,709
- COME ON, BUDDY.
1517
01:11:38,709 --> 01:11:41,500
- JOHN, CAN YOU HEAR ME?
1518
01:11:41,500 --> 01:11:43,709
JOHN, DON'T BREATHE DEEP.
1519
01:11:43,709 --> 01:11:45,709
THERE YOU GO.
1520
01:11:49,750 --> 01:11:51,709
- THERE YOU GO.
THAT'S IT, THAT'S IT.
1521
01:11:58,750 --> 01:12:01,083
ALL RIGHT, JOHN.
YOU'RE GONNA BE ALL RIGHT.
1522
01:12:01,083 --> 01:12:04,125
- JOHN KELLY IS NOW BREATHING
AND APPEARS RESPONSIVE.
1523
01:12:04,125 --> 01:12:06,583
I REPEAT.
JOHN KELLY IS NOW BREATHING
1524
01:12:06,583 --> 01:12:08,792
AND APPEARS RESPONSIVE.
1525
01:12:08,792 --> 01:12:11,250
- I CAN'T DO THIS.
1526
01:12:11,250 --> 01:12:12,792
I CAN'T DO THIS AGAIN.
I CAN'T.
1527
01:12:12,792 --> 01:12:16,750
I GOT--I NEED TO GO.
1528
01:12:24,208 --> 01:12:26,917
- SO, SWEETHEART,
ARE YOU SURE YOU'RE OKAY?
1529
01:12:26,917 --> 01:12:29,458
- I'M FINE, MOM.
A COUPLE CRACKED RIBS.
1530
01:12:29,458 --> 01:12:31,291
DAD'S HAD WORSE.
1531
01:12:31,291 --> 01:12:33,333
- WELL, I DON'T KNOW ABOUT THAT,
1532
01:12:33,333 --> 01:12:37,291
BUT I DO KNOW
THAT CRACKED RIBS HURT.
1533
01:12:37,291 --> 01:12:38,417
WHAT HAPPENED?
1534
01:12:38,417 --> 01:12:40,208
- I FORCED THE DOOR.
1535
01:12:40,208 --> 01:12:41,959
I WAS DOING A SEARCH
AND A SECTION
1536
01:12:41,959 --> 01:12:43,667
OF THE CEILING COLLAPSED.
1537
01:12:43,667 --> 01:12:45,000
- OH.
1538
01:12:45,000 --> 01:12:47,291
I'M JUST HAPPY YOU'RE OKAY.
1539
01:12:47,291 --> 01:12:49,333
- IS MADISON COMING
TO VISIT YOU?
1540
01:12:49,333 --> 01:12:51,542
- I DON'T THINK SO,
UNLESS SHE CAN USE IT
1541
01:12:51,542 --> 01:12:53,291
TO MAKE HERSELF LOOK BETTER.
1542
01:12:53,291 --> 01:12:54,500
- WHAT?
1543
01:12:54,500 --> 01:12:56,125
- EVERYBODY AT THE FIREHOUSE SAW
THE JORDAN GUY
1544
01:12:56,125 --> 01:12:58,000
SNEAKING IN AND HIM
ASKING HER TO MARRY HIM.
1545
01:12:58,000 --> 01:12:59,583
I DON'T THINK SHE'S GONNA
BREAK HERSELF AWAY
1546
01:12:59,583 --> 01:13:01,125
FROM WEDDING PLANS TO SEE ME.
1547
01:13:01,125 --> 01:13:03,166
- SHE DIDN'T SAY YES TO JORDAN.
1548
01:13:03,166 --> 01:13:04,959
SHE SAID NO RIGHT ON TV.
1549
01:13:04,959 --> 01:13:07,834
IT WAS ALL A PUBLICITY STUNT
SHE HAD NO IDEA ABOUT.
1550
01:13:07,834 --> 01:13:09,458
SHE FIRED HER MANAGER ON TV,
TOO.
1551
01:13:09,458 --> 01:13:11,250
- REALLY?
- REALLY.
1552
01:13:11,250 --> 01:13:13,166
- YEAH.
NONE OF IT WAS TRUE.
1553
01:13:13,166 --> 01:13:15,458
- DID SHE CALL
AND CHECK UP ON YOU?
1554
01:13:15,458 --> 01:13:16,875
- NO.
1555
01:13:16,875 --> 01:13:18,792
- THEN SHE PROBABLY
DOESN'T KNOW.
1556
01:13:18,792 --> 01:13:20,709
- HONEY, WHY DON'T YOU CALL HER?
1557
01:13:20,709 --> 01:13:22,166
- HE CAN CALL HER TOMORROW.
1558
01:13:22,166 --> 01:13:23,250
ALL RIGHT?
RIGHT NOW,
1559
01:13:23,250 --> 01:13:25,542
HE JUST NEEDS TO REST.
1560
01:13:25,542 --> 01:13:29,500
- COME HERE.
CAREFUL.
1561
01:13:29,500 --> 01:13:31,291
I LOVE YOU.
- I LOVE YOU TOO.
1562
01:13:31,291 --> 01:13:32,291
- BYE.
- BYE, SIS.
1563
01:13:32,291 --> 01:13:33,917
- BYE.
FEEL BETTER.
1564
01:13:33,917 --> 01:13:36,291
- THANK YOU.
1565
01:13:36,291 --> 01:13:38,583
- HEY, YOU'RE LUCKY.
1566
01:13:44,291 --> 01:13:46,750
NURSE MANUEL TO RADIOLOGY.
1567
01:13:46,750 --> 01:13:49,125
NURSE MANUEL
TO RADIOLOGY.
1568
01:13:57,500 --> 01:14:00,417
- I WAS NEVER LATE
WHEN I HAD YOU HELPING ME.
1569
01:14:00,417 --> 01:14:04,375
- WELL, I HAVEN'T BEEN MUCH
OF A FRIEND LATELY EITHER.
1570
01:14:04,375 --> 01:14:07,000
- LET'S GO TALK ABOUT IT.
1571
01:14:12,583 --> 01:14:14,291
- WHY DID YOU CALL ME?
1572
01:14:14,291 --> 01:14:16,959
I QUIT FOR A REASON.
I LET YOU DOWN.
1573
01:14:16,959 --> 01:14:19,750
- WE'VE BEEN THROUGH A LOT
TOGETHER.
1574
01:14:19,750 --> 01:14:22,917
I'VE MADE MISTAKES TOO,
YOU KNOW.
1575
01:14:22,917 --> 01:14:25,834
I LET RAD HAVE FREE REIGN
OVER ALL OF US.
1576
01:14:25,834 --> 01:14:28,542
- NOT VERNON.
HE STOOD UP FOR HIMSELF.
1577
01:14:28,542 --> 01:14:32,250
ME?
I CAVED LIKE A WET NOODLE.
1578
01:14:35,834 --> 01:14:38,291
- SO, UH...
1579
01:14:38,291 --> 01:14:41,458
VERNON TOLD ME THAT YOU QUIT
OVER WHAT RAD DID?
1580
01:14:41,458 --> 01:14:45,625
- YEAH, BUT ONLY AFTER IT HAD
ALL BEEN SET IN MOTION.
1581
01:14:45,625 --> 01:14:48,166
I KNOW HOW MUCH THIS COMEBACK
MEANT TO YOU
1582
01:14:48,166 --> 01:14:50,834
AND I WAS TRYING
TO PROTECT THAT.
1583
01:14:50,834 --> 01:14:53,458
- I KNOW.
1584
01:14:53,458 --> 01:14:56,208
YEAH.
AND I APPRECIATE IT.
1585
01:14:56,208 --> 01:14:58,750
- LOOK, I'M NOT ASKING
FOR MY JOB BACK,
1586
01:14:58,750 --> 01:15:01,625
BUT I WOULD REALLY LIKE
MY FRIEND BACK.
1587
01:15:08,208 --> 01:15:12,208
- I'LL TELL YOU WHAT.
1588
01:15:12,208 --> 01:15:16,083
HOW ABOUT YOU HAVE BOTH BACK?
1589
01:15:19,083 --> 01:15:21,125
YOU KNOW I CAN'T DO
ANY OF THIS WITHOUT YOU, RIGHT?
1590
01:15:25,500 --> 01:15:27,458
WHAT ABOUT JOHN?
1591
01:15:27,458 --> 01:15:30,583
- HE CALLED A FEW TIMES
AND I LET IT GO TO VOICE MAIL.
1592
01:15:30,583 --> 01:15:32,583
- WHY?
1593
01:15:36,125 --> 01:15:39,041
- YOU KNOW, HE'S WONDERFUL.
1594
01:15:39,041 --> 01:15:40,125
IT'S REALLY ME.
1595
01:15:40,125 --> 01:15:42,458
IT'S MY PROBLEM.
1596
01:15:42,458 --> 01:15:45,166
HIS JOB.
1597
01:15:46,458 --> 01:15:48,917
HE ALMOST DIED IN A FIRE
THE OTHER NIGHT.
1598
01:15:48,917 --> 01:15:51,041
DID YOU KNOW THAT?
1599
01:15:51,041 --> 01:15:55,667
I HEARD THE WHOLE THING
AND IT JUST--IT MADE ME FEEL
1600
01:15:55,667 --> 01:15:58,875
SO MUCH LIKE WHAT I FELT
WHEN MY DAD WAS KILLED
1601
01:15:58,875 --> 01:16:02,458
AND I PROMISED THAT I WOULD
NEVER FEEL THAT WAY AGAIN.
1602
01:16:02,458 --> 01:16:03,792
- IS HE OKAY?
1603
01:16:03,792 --> 01:16:07,208
- YEAH, HE'S GOING TO BE OKAY,
THANKFULLY.
1604
01:16:07,208 --> 01:16:09,875
BUT AS FOR US, I--I--
1605
01:16:09,875 --> 01:16:15,000
I DON'T THINK I CAN DO IT.
I-I JUST--I CAN'T.
1606
01:16:15,000 --> 01:16:19,000
- I UNDERSTAND.
1607
01:16:19,000 --> 01:16:22,834
AND I'M HERE FOR YOU.
1608
01:16:36,208 --> 01:16:37,834
- HEY.
1609
01:16:37,834 --> 01:16:40,291
YOU KNOW, IT'S GOOD YOU'RE
HERE UNTIL YOU FEEL BETTER.
1610
01:16:40,291 --> 01:16:42,000
- I'D RATHER BE WORKING.
1611
01:16:42,000 --> 01:16:44,500
- I KNOW.
HOW ARE YOUR RIBS?
1612
01:16:44,500 --> 01:16:48,542
- THEY FEEL BETTER
BUT I'M STILL SORE.
1613
01:16:48,542 --> 01:16:52,375
- LOOK, YOU'RE ALIVE, YOU'RE
HOME, YOU'RE FEELING BETTER,
1614
01:16:52,375 --> 01:16:56,125
AND YET YOU STILL LOOK LIKE
1615
01:16:56,125 --> 01:17:00,875
THE MOST UNHAPPY GUY
IN THE WORLD.
1616
01:17:00,875 --> 01:17:03,875
IT'S HER, ISN'T IT?
1617
01:17:03,875 --> 01:17:07,959
- I THOUGHT...
1618
01:17:07,959 --> 01:17:11,542
- YOU HAD FOUND...
1619
01:17:11,542 --> 01:17:15,875
- A WONDERFUL WOMAN.
1620
01:17:15,875 --> 01:17:20,333
I REALLY FELT LIKE I'D NEVER
HAVE TO LOOK FOR ANOTHER ONE.
1621
01:17:20,333 --> 01:17:22,959
- I STILL FEEL
THAT WAY ABOUT YOUR MOM.
1622
01:17:26,375 --> 01:17:29,583
- I CAN'T IMAGINE THAT COMES
ALONG MORE THAN ONCE IN LIFE.
1623
01:17:29,583 --> 01:17:31,750
- WELL, THEN WHY DON'T YOU
DO SOMETHING ABOUT IT?
1624
01:17:31,750 --> 01:17:34,542
- I CALLED HER.
1625
01:17:34,542 --> 01:17:37,709
I GET VOICE MAIL OR AN ASSISTANT
THAT SAYS SHE'S BUSY.
1626
01:17:37,709 --> 01:17:40,917
I EVEN TEXTED HER.
NO ANSWER.
1627
01:17:40,917 --> 01:17:44,458
- DOESN'T YOUR GENERATION EVER
DO ANYTHING FACE-TO-FACE?
1628
01:17:44,458 --> 01:17:47,333
- I'D LOVE TO TALK TO HER
FACE-TO-FACE.
1629
01:17:47,333 --> 01:17:49,208
I THINK SHE'S MADE IT PRETTY
CLEAR SHE'S NOT INTERESTED.
1630
01:17:49,208 --> 01:17:52,583
- YOU RUN INTO BURNING BUILDINGS
FOR A LIVING,
1631
01:17:52,583 --> 01:17:58,166
AND YET YOU'RE AFRAID
OF THIS BEAUTIFUL WOMAN?
1632
01:17:58,166 --> 01:18:00,166
- AFRAID?
1633
01:18:00,166 --> 01:18:02,083
- YEAH.
AFRAID TO GO TO HER
1634
01:18:02,083 --> 01:18:05,834
AND HAVE HER TELL YOU TO YOUR
FACE THAT SHE DOESN'T LOVE YOU.
1635
01:18:08,250 --> 01:18:12,792
- NOBODY SAID ANYTHING
ABOUT LOVE.
1636
01:18:12,792 --> 01:18:16,792
- NOBODY HAD TO.
1637
01:18:33,959 --> 01:18:37,542
- HEY.
YOU HAVE A VISITOR.
1638
01:18:37,542 --> 01:18:40,792
- I DON'T WANT TO SEE ANYBODY
RIGHT NOW.
1639
01:18:40,792 --> 01:18:43,583
- I THINK YOU NEED TO HEAR
WHAT HE HAS TO SAY.
1640
01:18:50,333 --> 01:18:54,542
- BEFORE YOU SAY ANYTHING,
LET ME EXPLAIN.
1641
01:18:54,542 --> 01:18:59,291
I WAS DESPERATE
AND I WAS WRONG.
1642
01:18:59,291 --> 01:19:01,917
I LISTENED
TO A COUPLE OF NUT-JOBS
1643
01:19:01,917 --> 01:19:03,834
AND NOT MY OWN HEAD.
1644
01:19:03,834 --> 01:19:07,083
MADISON, IS THERE ANY WAY
YOU COULD FORGIVE ME?
1645
01:19:12,041 --> 01:19:14,542
OF COURSE I CAN.
1646
01:19:18,333 --> 01:19:21,542
BUT DON'T YOU EVER PULL
A STUNT LIKE THAT EVER AGAIN.
1647
01:19:21,542 --> 01:19:22,875
- I WON'T.
I SWEAR.
1648
01:19:22,875 --> 01:19:25,333
I--COME HERE.
1649
01:19:25,333 --> 01:19:28,625
IT'S OKAY.
1650
01:19:28,625 --> 01:19:30,959
- YOU KNOW IT PROBABLY WOULD'VE
BEEN A BEAUTIFUL WEDDING.
1651
01:19:30,959 --> 01:19:32,834
- OH, YEAH.
REAL STORYBOOK.
1652
01:19:34,000 --> 01:19:35,667
LET'S DECIDE ON
THIS RIGHT NOW THOUGH.
1653
01:19:35,667 --> 01:19:36,917
- WHAT?
1654
01:19:36,917 --> 01:19:41,375
- ALWAYS FRIENDS?
1655
01:19:41,375 --> 01:19:43,125
- THAT WORKS FOR ME.
1656
01:19:43,125 --> 01:19:44,834
- OKAY.
GOOD.
1657
01:19:44,834 --> 01:19:46,709
I LIED, ACTUALLY.
THERE'S ONE MORE THING
1658
01:19:46,709 --> 01:19:48,333
I HAVE TO ASK OF YOU.
IT'S COMING FROM ME.
1659
01:19:48,333 --> 01:19:50,291
NO ONE ELSE, I SWEAR.
1660
01:19:50,291 --> 01:19:51,792
- SURE.
ASK.
1661
01:19:51,792 --> 01:19:54,208
- COULD I SING WITH YOU
ON YOUR LIVE RECORDING GIG?
1662
01:19:54,208 --> 01:19:56,542
IT WOULD REALLY HELP MY TOUR.
1663
01:20:02,542 --> 01:20:03,875
- SO WHAT SONG
DO YOU WANT TO SING?
1664
01:20:03,875 --> 01:20:05,208
- AH, YES.
1665
01:20:05,208 --> 01:20:07,333
- OKAY.
I'VE BEEN THINKING ABOUT A FEW.
1666
01:20:07,333 --> 01:20:08,542
- WHY DON'T YOU SIT AND TELL ME
WHAT SONG YOU WANNA SING?
1667
01:20:08,542 --> 01:20:10,709
- OKAY, ALL RIGHT.
SOUNDS GOOD.
1668
01:20:19,917 --> 01:20:24,917
- TAKING IT OUT
TO GET IT WASHED?
1669
01:20:24,917 --> 01:20:26,917
- YUP.
1670
01:20:26,917 --> 01:20:28,750
THAT'S THE OFFICIAL VERSION.
1671
01:20:28,750 --> 01:20:30,000
- AND IF WE GET A CALL?
1672
01:20:30,000 --> 01:20:32,291
- I'LL BE THERE.
IT'S CALLED A RADIO.
1673
01:20:32,291 --> 01:20:35,041
- NEED SOME BACKUP?
1674
01:20:35,041 --> 01:20:36,625
- WHY NOT?
1675
01:20:36,625 --> 01:20:38,250
- HOW DO YOU KNOW
SHE'S GONNA BE THERE?
1676
01:20:38,250 --> 01:20:40,125
- A BIRD NAMED VERNON TOLD ME.
1677
01:20:42,917 --> 01:20:44,875
- LET'S ROLL.
- BIG BIRD.
1678
01:20:44,875 --> 01:20:47,083
- HOW'S REHEARSAL?
1679
01:20:47,083 --> 01:20:49,000
- LIFELESS SOUND GOOD TO YOU?
1680
01:20:49,000 --> 01:20:51,041
- NO.
1681
01:20:51,041 --> 01:20:53,291
- WELL, HER PASSION
FOR THE LOVE SONGS ARE GONE.
1682
01:20:53,291 --> 01:20:55,125
SHE USED TO MELT HEARTS
WHEN SHE SANG.
1683
01:20:55,125 --> 01:20:57,375
NOW, SHE'S JUST GONNA
ICE 'EM UP.
1684
01:20:57,375 --> 01:20:59,667
- SHE KEEPS DENYING HER FEELINGS
BECAUSE OF HER FEARS.
1685
01:20:59,667 --> 01:21:02,542
- THOSE FEARS ARE GROUNDED
IN SOMETHING REAL.
1686
01:21:02,542 --> 01:21:04,458
- YEAH, WELL, WHEN YOU BUILD
BRICK WALLS AROUND YOU,
1687
01:21:04,458 --> 01:21:05,875
THE BRICKS ONLY END UP
FALLING ON YOU.
1688
01:21:05,875 --> 01:21:07,333
- TELL HER THAT.
1689
01:21:07,333 --> 01:21:09,583
- SHE'S NOT GONNA LISTEN TO ME.
1690
01:21:09,583 --> 01:21:11,500
I HAD A BETTER IDEA.
1691
01:21:11,500 --> 01:21:13,875
- HAD?
1692
01:21:13,875 --> 01:21:15,875
- MM-HMM.
1693
01:21:17,959 --> 01:21:19,959
- HEY.
1694
01:21:22,375 --> 01:21:24,583
- REMEMBER, YOU CAN'T FIRE ME.
1695
01:21:24,583 --> 01:21:27,875
WHAT?
1696
01:21:27,875 --> 01:21:29,250
MOM?
1697
01:21:51,291 --> 01:21:52,375
- WHAT'S GOING ON?
1698
01:21:52,375 --> 01:21:55,500
- ANGELA'S IN THERE.
1699
01:21:55,500 --> 01:21:57,291
- VERNON.
1700
01:21:57,291 --> 01:22:00,625
NICE GOING, BUDDY.
1701
01:22:00,625 --> 01:22:06,542
- WELL, YOU LOOK GREAT,
REALLY GREAT.
1702
01:22:06,542 --> 01:22:08,542
- I FEEL REALLY GREAT,
SWEETHEART.
1703
01:22:08,542 --> 01:22:09,917
I'VE KEPT BUSY.
1704
01:22:09,917 --> 01:22:12,834
I'M GOING BACK TO COLLEGE
AND GETTING MY DEGREE.
1705
01:22:12,834 --> 01:22:13,917
- IN WHAT?
1706
01:22:13,917 --> 01:22:15,875
- BELIEVE IT OR NOT, ENGLISH.
1707
01:22:15,875 --> 01:22:17,834
- WOW.
THAT'S--
1708
01:22:17,834 --> 01:22:20,542
THAT'S AMAZING.
1709
01:22:20,542 --> 01:22:22,458
- YOU'VE LOOKED BETTER.
1710
01:22:22,458 --> 01:22:24,542
- THANK YOU FOR THAT.
1711
01:22:24,542 --> 01:22:27,333
- YOU KNOW WHEN YOLOOKED
THE BEST I'VE EVER SEEN YOU?
1712
01:22:27,333 --> 01:22:30,083
ON TV, THE NIGHT
WITH THE FIREMAN WHEN YOU WERE
1713
01:22:30,083 --> 01:22:33,375
AT THE RENTAL HOUSE DEALING
WITH ALL THE MEDIA.
1714
01:22:33,375 --> 01:22:35,458
I SAW THE WAY YOU LOOKED AT HIM.
1715
01:22:35,458 --> 01:22:38,959
- MOM, PLEASE JUST
DON'T GO THERE.
1716
01:22:38,959 --> 01:22:42,291
- I'M YOUR MOTHER.
1717
01:22:42,291 --> 01:22:45,792
SO, ARE YOU IN LOVE
WITH THE FIREMAN?
1718
01:22:52,417 --> 01:22:56,250
MOM, I CAN'T STOP
THINKING ABOUT HIM.
1719
01:22:56,250 --> 01:23:00,417
- THAT'S A STRANGE WAY
OF TELLING ME YOU LOVE HIM.
1720
01:23:00,417 --> 01:23:02,709
- IT'S TOO LATE ANYWAY.
1721
01:23:02,709 --> 01:23:04,458
I'VE DRIVEN HIM SO FAR AWAY
THAT HE'S PROBABLY
1722
01:23:04,458 --> 01:23:05,917
FALLEN OFF THE EARTH BY NOW.
1723
01:23:11,250 --> 01:23:13,583
WHAT?
WHAT'S HAPPENING?
1724
01:23:26,917 --> 01:23:31,750
- I HAVE SOMETHING
TO SAY TO YOU.
1725
01:23:31,750 --> 01:23:33,959
LET ME SAY IT
AND THEN I'LL GO.
1726
01:23:37,166 --> 01:23:39,208
FIRST OF ALL,
1727
01:23:39,208 --> 01:23:40,959
I WANT TO SAY--
- I LOVE YOU.
1728
01:23:45,917 --> 01:23:51,333
AND I'M SORRY THAT I HAVEN'T
TOLD YOU BEFORE.
1729
01:23:51,333 --> 01:23:54,083
BUT I WAS JUST--
1730
01:23:54,083 --> 01:23:56,875
I WAS SCARED...
1731
01:23:56,875 --> 01:23:59,709
TO LOVE YOU.
1732
01:24:02,458 --> 01:24:05,959
- I LOVE YOU TOO.
1733
01:24:14,583 --> 01:24:18,208
- OOH.
WOO-WEE!
1734
01:24:21,500 --> 01:24:23,458
- YOU KNOW WHAT SHE'S DOING?
1735
01:24:25,000 --> 01:24:27,375
- JOHN'S IN LOVE.
116880
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