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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,846 --> 00:00:17,901 ♪♪♪♪ [ Disco ] 2 00:00:17,901 --> 00:00:20,403 ♪♪♪♪ [ Continues ] 3 00:00:20,403 --> 00:00:22,405 ♪♪ I'M TRAVELIN' THROUGH ♪♪ 4 00:00:22,405 --> 00:00:23,907 ♪♪ THIS GAME CALLED LIFE ♪♪ 5 00:00:23,907 --> 00:00:26,910 ♪♪ IT'S A TOUGH GAME TO PLAY ♪♪ 6 00:00:26,910 --> 00:00:30,530 [ Man ] JACK MORELL TO THE COUNTER. JACK MORELL TO THE COUNTER ! 7 00:00:30,530 --> 00:00:33,533 ♪♪♪♪ 8 00:00:33,533 --> 00:00:35,535 JACK MORELL ! 9 00:00:38,288 --> 00:00:41,791 COME BE MY GUEST AT THE FRONT OF THE LINE. 10 00:00:41,791 --> 00:00:44,794 THANKS, BUT I GOTTA GO. THIS IS CRAZY ! 11 00:00:44,794 --> 00:00:47,297 WAIT YOUR TURN. WAIT YOUR-- MR. SCHULTZ. 12 00:00:47,297 --> 00:00:49,799 EXCUSE ME. CAN I TALK TO YOU FOR A SECOND ? 13 00:00:49,799 --> 00:00:52,802 LOOK, IF I EVER NEEDED TO GET OFF ON TIME, TONIGHT IS THE NIGHT. 14 00:00:52,802 --> 00:00:54,804 IT'S PRACTICALLY LIFE OR DEATH. 15 00:00:54,804 --> 00:00:56,806 WHAT DO YOU MEAN ? 16 00:00:56,806 --> 00:00:59,309 AS SOON AS WE GET THESE... LOONIES OUT OF HERE, 17 00:00:59,309 --> 00:01:01,311 WE ARE TAKING INVENTORY. 18 00:01:01,311 --> 00:01:03,313 INVENT-- MR. SCHULTZ, I CAN'T TONIGHT. 19 00:01:03,813 --> 00:01:07,317 ASK ME EVERY SUNDAY FOR SIX MONTHS. ASK ME CHRISTMAS. 20 00:01:07,317 --> 00:01:09,319 BUT PLEASE, MR. SCHULTZ, NOT TONIGHT. 21 00:01:09,319 --> 00:01:12,822 IF YOU'RE NOT HERE TONIGHT, YOU ARE OUT OF A JOB. 22 00:01:12,822 --> 00:01:17,327 BUT, SIR, I HAVE GOT AN OPPORTUNITY-- NO INVENTORY, NO JOB. 23 00:01:22,332 --> 00:01:24,834 OKAY, SCHULTZY, HAVE IT YOUR WAY. 24 00:01:24,834 --> 00:01:26,836 BUT THE NEXT TIME YOU TAKE INVENTORY IN HERE, 25 00:01:26,836 --> 00:01:29,339 YOU'LL BE COUNTING THE ALBUMS OF JACK MORELL... 26 00:01:29,339 --> 00:01:34,344 BECAUSE I AM A COMPOSER, NOT A SCHLEPPER SALESMAN ! 27 00:01:36,846 --> 00:01:38,848 MY TIME IS NOW ! 28 00:01:39,232 --> 00:01:42,235 ♪♪♪♪ 29 00:01:53,113 --> 00:01:57,117 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 30 00:01:57,117 --> 00:02:00,620 ♪♪ LISTEN TO THE SOUND OF MY TOWN ♪♪ 31 00:02:00,620 --> 00:02:03,590 ♪♪ NEW YORK IS THE CITY OF CITIES ♪♪ 32 00:02:03,590 --> 00:02:07,594 ♪♪ NEW YORK IS STILL WEARING THE CROWN ♪♪ 33 00:02:07,594 --> 00:02:11,097 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 34 00:02:11,097 --> 00:02:14,851 ♪ ♪♪ LISTEN TO THE PEOPLE I LOVE ♪ 35 00:02:14,851 --> 00:02:17,854 ♪♪ EVERYONE IS SPEAKING YOUR LANGUAGE ♪♪ 36 00:02:17,854 --> 00:02:21,858 ♪♪ NEW YORK SPEAKS IN YOUR NATIVE TONGUE ♪♪ 37 00:02:21,858 --> 00:02:24,360 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 38 00:02:24,360 --> 00:02:27,864 ♪♪ WE'RE SKATING DOWN BROADWAY ♪♪ 39 00:02:27,864 --> 00:02:31,367 ♪♪ AT MIDNIGHT OR MIDDAY ♪♪ 40 00:02:31,868 --> 00:02:33,870 ♪♪ WE DO OUR OWN THING ♪♪ 41 00:02:35,872 --> 00:02:38,374 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 42 00:02:38,875 --> 00:02:41,377 ♪♪ A CITY WITH GUSTO ♪♪ 43 00:02:42,745 --> 00:02:45,748 ♪♪ NEW YORK IS A BIG SHOW ♪♪ 44 00:02:45,748 --> 00:02:48,751 ♪♪ IT'S WHAT'S HAPPENING ♪♪ 45 00:02:50,253 --> 00:02:53,756 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 46 00:02:54,140 --> 00:02:57,143 ♪♪ LISTEN TO THE CABS ON THE STREET ♪♪ 47 00:02:57,644 --> 00:03:00,647 ♪♪ NEW YORK IS THE FANS OF THE YANKEES ♪♪ 48 00:03:00,647 --> 00:03:04,150 ♪♪ NEW YORK IS A COP ON A BEAT ♪♪ 49 00:03:04,651 --> 00:03:08,154 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 50 00:03:08,154 --> 00:03:11,658 ♪♪ LISTEN TO THE STEEPLE BELLS CHIME ♪♪ 51 00:03:11,658 --> 00:03:15,161 ♪♪ NEW YORK IS A CITY OF MAGIC ♪♪ 52 00:03:15,161 --> 00:03:18,665 ♪♪ NEW YORK IS A HIP STATE OF MIND ♪♪ 53 00:03:18,665 --> 00:03:21,167 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 54 00:03:21,167 --> 00:03:23,670 ♪♪ THE CITY OF NIGHTLIFE ♪♪ 55 00:03:24,671 --> 00:03:27,674 ♪♪ THE CITY OF BRIGHT LIGHTS ♪♪ 56 00:03:28,675 --> 00:03:30,677 ♪♪ WE'RE DOING OUR PART ♪♪ 57 00:03:33,179 --> 00:03:35,682 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 58 00:03:35,682 --> 00:03:37,800 ♪♪ THE CITY OF FASHION ♪♪ 59 00:03:38,184 --> 00:03:42,438 ♪♪ THE CITY OF PASSION ♪♪ 60 00:03:42,438 --> 00:03:45,942 ♪♪ THIS TOWN HAS A HEART ♪♪ 61 00:03:47,560 --> 00:03:50,063 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 62 00:03:50,563 --> 00:03:54,067 ♪♪ NEW YORK IS THE PULSE OF THE WORLD ♪♪ 63 00:03:54,067 --> 00:03:57,070 ♪♪ NEW YORK IS THE MECCA THAT'S BROADWAY ♪♪ 64 00:03:57,570 --> 00:04:01,074 ♪♪ NEW YORK IS THE SMILE ON YOUR GIRL ♪♪ 65 00:04:01,074 --> 00:04:04,577 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 66 00:04:05,078 --> 00:04:08,581 ♪♪ LISTEN TO THE SOUND OF MY TOWN ♪♪ 67 00:04:08,581 --> 00:04:11,584 ♪♪ YOU CAN TAKE A RIDE ON THE TRAMWAY ♪♪ 68 00:04:11,584 --> 00:04:15,471 ♪♪ HOLD YOUR BREATH WHILE YOU'RE COMING DOWN ♪♪ 69 00:04:15,471 --> 00:04:17,473 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 70 00:04:17,590 --> 00:04:21,094 ♪♪ PERPETUAL MOTION ♪♪ 71 00:04:21,094 --> 00:04:24,597 ♪♪ FROM OCEAN TO OCEAN ♪♪ 72 00:04:24,597 --> 00:04:28,601 ♪♪ THERE'S NONE TO COMPARE ♪♪ 73 00:04:29,602 --> 00:04:32,605 ♪♪ NEW YORK ♪♪ ♪♪ NEW YORK ♪♪ 74 00:04:32,605 --> 00:04:34,607 ♪♪ THE PARKS AND THE PLAYGROUNDS ♪♪ 75 00:04:34,607 --> 00:04:39,112 ♪♪ NEW YORK IS THE SWEET SOUND ♪♪ 76 00:04:39,112 --> 00:04:42,365 ♪♪ OF CHILDREN AT PLAY ♪♪ 77 00:04:43,866 --> 00:04:47,620 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 78 00:04:47,620 --> 00:04:51,124 ♪♪ NEW YORK AFTER DARK IS ALIVE ♪♪ 79 00:04:51,124 --> 00:04:54,127 ♪♪ UPTOWN, IN THE BRONX OR IN HARLEM ♪♪ 80 00:04:54,127 --> 00:04:58,131 ♪♪ NEW YORK IS A CITY WITH PRIDE ♪♪ 81 00:04:58,131 --> 00:05:01,634 ♪♪ LISTEN TO THE SOUND OF THE CITY ♪♪ 82 00:05:01,768 --> 00:05:05,271 ♪♪ NEW YORK IS BOTH FUTURE AND PAST ♪♪ 83 00:05:05,271 --> 00:05:07,774 ♪♪ NEW YORK IS THE CITY OF MUSIC ♪♪ 84 00:05:07,774 --> 00:05:13,279 ♪♪ NEW YORK IS A CITY WITH CLASS ♪♪♪♪ 85 00:05:36,169 --> 00:05:39,172 WHOA ! AH ! [ Screams ] 86 00:05:39,672 --> 00:05:42,675 FATTENING UP FOR THE MISS PIGGY LOOK-ALIKE CONTEST, HUH ? 87 00:05:42,675 --> 00:05:45,678 GET OUT OF HERE. FOR THE FIRST TIME IN MY LIFE, 88 00:05:45,678 --> 00:05:48,181 I CAN EAT AS MUCH AS I WANT TO, AND I INTEND TO. 89 00:05:48,181 --> 00:05:50,683 OH, YEAH ? OKAY. YEAH. 90 00:05:50,683 --> 00:05:54,070 YOU MAY HAVE GIVEN UP YOUR GLAMOROUS CAREER, BUT MINE IS JUST BEGINNING. 91 00:05:54,570 --> 00:05:56,322 - WHAT DO YOU MEAN ? - WHAT DO I MEAN ? 92 00:05:56,322 --> 00:06:00,326 YOU ARE LOOKING AT TONIGHT'S GUEST DEEJAY AT SADDLE TRAMPS DISCO. 93 00:06:00,827 --> 00:06:03,329 BENNY MURRAY CALLED ME AT THE STORE. THEIR REGULAR GUY IS SICK. 94 00:06:03,329 --> 00:06:06,833 THE RELIEF IS LOST SOMEWHERE ON FIRE ISLAND, SO I'LL BE WORKING TONIGHT. 95 00:06:06,833 --> 00:06:09,836 AND IT DOESN'T MAKE A DIFFERENCE-- COMING THROUGH ! 96 00:06:09,836 --> 00:06:12,338 - WHAT DOESN'T MAKE ANY DIFFERENCE ? - NOTHING. NOTHING. 97 00:06:12,338 --> 00:06:15,341 DON'T WORRY ABOUT IT. NOTHING MAJOR. EITHER QUIT OR WAS FIRED. 98 00:06:15,842 --> 00:06:18,344 TAKE YOUR PICK. SAM, TONIGHT I'M IN SHOW BUSINESS. JACK-- 99 00:06:18,845 --> 00:06:21,848 WHERE I BELONG. AHHHH ! 100 00:06:21,848 --> 00:06:23,850 WHAT ARE YOU DOING ? I HAVE A HEAVY NIGHT. TAKE ME HOME. 101 00:06:23,850 --> 00:06:26,853 LEAVE ME ALONE. I SAID LEAVE ME ALONE. 102 00:06:26,853 --> 00:06:28,855 [ Both Laughing ] 103 00:06:29,222 --> 00:06:32,225 [ Man ] A FIERY HORSE WITH SPEED OF LIGHT, A CLOUD OF DUST... 104 00:06:32,225 --> 00:06:34,227 AND A HEARTY "HI HO, SILVER." 105 00:06:34,227 --> 00:06:38,231 THE LONE RANGER. ♪♪♪♪ [ Begins ] 106 00:06:38,231 --> 00:06:40,233 HEY, FELIPE. WHAT ARE YOU DOING UP THERE ? 107 00:06:40,733 --> 00:06:44,737 MY TV BROKE. I CRAWLED IN THE WINDOW. IT'S ALL RIGHT, ISN'T IT ? 108 00:06:44,737 --> 00:06:46,739 SURE. WHY NOT ? THIS IS NEIGHBORLY NEW YORK. 109 00:06:48,491 --> 00:06:50,493 HEY, FELIPE. WE'RE WORKING TOGETHER. 110 00:06:50,493 --> 00:06:52,495 BENNY MADE ME GUEST DEEJAY AT THE CLUB TONIGHT. 111 00:06:52,495 --> 00:06:54,497 IT'S ABOUT TIME SOMEBODY'S HIP TO YOUR TALENT. 112 00:06:54,997 --> 00:06:57,500 YEAH, IT'S A GOOD THING HE DID. THIS ONE JUST GOT FIRED. 113 00:06:57,500 --> 00:06:59,001 QUIT. 114 00:06:59,001 --> 00:07:02,004 FIRED, QUIT. IT STILL MEANS THE SAME THING. NO INCOME. 115 00:07:02,505 --> 00:07:06,008 SAM ! THAT'S VERY MATERIALISTIC. 116 00:07:06,008 --> 00:07:09,011 WELL, LIFE IS MATERIALISTIC. I CAN'T HELP IT. 117 00:07:09,512 --> 00:07:11,514 I DIDN'T INVENT IT. I'M JUST IN IT. 118 00:07:12,014 --> 00:07:14,517 I DIDN'T INVENT IT. I'M JUST IN IT. 119 00:07:14,517 --> 00:07:17,019 I DIDN'T INVENT IT. ♪♪ I'M JUST IN IT ♪♪ 120 00:07:17,019 --> 00:07:19,021 ♪♪ I DIDN'T INVENT IT I'M JUST IN IT ♪♪ 121 00:07:19,021 --> 00:07:21,023 HEY, SAM ! THAT'S PRETTY GOOD. 122 00:07:21,023 --> 00:07:23,526 MAYBE I'LL USE IT. YOU SCRATCH THAT COUNTER, I'M CHARGING YOU FOR IT. 123 00:07:23,526 --> 00:07:28,030 SAM, WHEN THE MUSIC MONEY STARTS ROLLING IN, I'LL BUY YOU TEN COUNTERS. 124 00:07:28,030 --> 00:07:31,033 I'LL BUY YOU A KITCHEN. I'LL BUY YOU A WHOLE RESTAURANT. 125 00:07:31,033 --> 00:07:33,169 OKAY, SO REMEMBER ME AT ROYALTY TIME. 126 00:07:33,169 --> 00:07:36,172 HEY-- JUST WHAT I NEED, A SUMMER SHOWER. OH ! 127 00:07:36,172 --> 00:07:41,177 SO ? DO A RAIN DANCE. ♪♪ HI, YA, YA, YA, YA YA, YA, YA ♪♪♪♪ 128 00:07:50,686 --> 00:07:52,688 OKAY. 129 00:07:52,939 --> 00:07:54,440 IT'S TALK TIME. NO TALK TIME. 130 00:07:54,941 --> 00:07:57,944 OH, YES, YES, YES. TALK TIME. I NEED ACTION, NOT WORDS. 131 00:07:57,944 --> 00:08:00,947 LOOK, YOU MAY HAVE STARTED OUT HERE AS MY HOUSESITTER, 132 00:08:00,947 --> 00:08:04,951 BUT YOU'VE BEEN HERE SO LONG, YOU HAVE ACHIEVED LITTLE BROTHER STATUS. 133 00:08:04,951 --> 00:08:07,954 AND I LOVE YOU VERY MUCH. I CARE WHAT HAPPENS TO YOUR LIFE. 134 00:08:07,954 --> 00:08:11,457 MM-HMM. LOOK, IF YOU WANNA GET MUSHY, 135 00:08:11,958 --> 00:08:13,459 LET'S PRETEND YOU DON'T THINK OF ME AS YOUR LITTLE BROTHER. 136 00:08:13,960 --> 00:08:15,461 COME ON. I'M TRYING TO BE SERIOUS. I KNOW. 137 00:08:15,962 --> 00:08:17,463 LOOK, I DON'T WANNA SOUND LIKE YOUR MOTHER. YOU DON'T. 138 00:08:17,964 --> 00:08:19,465 SHE THINKS I'M A MUSICAL GENIUS. 139 00:08:19,966 --> 00:08:21,968 JACK-- STOP AND LISTEN. 140 00:08:21,968 --> 00:08:23,970 TO WHAT ? TO ME. 141 00:08:23,970 --> 00:08:27,473 LOOK, TONIGHT BENNY MURRAY IS GONNA SEE THAT I AM MERELY FABULOUS. 142 00:08:27,473 --> 00:08:29,475 HE'S GONNA MAKE ME THE FULL-TIME DEEJAY. 143 00:08:29,475 --> 00:08:31,978 SAM, DON'T YOU KNOW WHAT THAT MEANS TO ME ? IT'S EVERYTHING. 144 00:08:31,978 --> 00:08:34,480 I GET TO PLAY MY MUSIC, THE PEOPLE ARE GONNA START COLLAPSING, 145 00:08:34,981 --> 00:08:36,983 AND THE BIG RECORD COMPANIES ARE GONNA COME CRAWLING ! 146 00:08:36,983 --> 00:08:39,986 LOOK, I'VE BEEN TELLING YOU EVER SINCE I'VE KNOWN YOU THAT I'M FANTASTIC, 147 00:08:40,486 --> 00:08:42,989 THAT MY MUSIC IS GOOD, AND TONIGHT I'M GONNA PROVE IT. 148 00:08:42,989 --> 00:08:46,492 LOOK, IF YOU DON'T LIKE WHAT I DO, 149 00:08:46,492 --> 00:08:48,494 IF YOU DON'T LIKE EVERYTHING, 150 00:08:48,494 --> 00:08:52,999 I'LL GO BACK TO DENTAL SCHOOL LIKE MY FATHER WANTS. 151 00:08:52,999 --> 00:08:57,003 BUT YOU GOTTA GIVE ME A CHANCE. THAT'S ALL I'M ASKING FOR. 152 00:08:59,755 --> 00:09:01,757 YOU WANT THIS A LOT, DON'T YOU ? YEAH. 153 00:09:02,258 --> 00:09:05,761 I'LL TELL YOU WHAT I'LL DO. I WILL COME AND LISTEN TO YOUR MUSIC, 154 00:09:05,761 --> 00:09:08,764 IF YOU'RE TELLING ME THE TRUTH ABOUT GOING BACK TO SCHOOL. 155 00:09:08,764 --> 00:09:10,766 DEAL. 156 00:09:11,133 --> 00:09:13,636 READY FOR ANOTHER MOMENT OF TRUTH ? 157 00:09:13,636 --> 00:09:15,388 SURE. HIT ME. 158 00:09:15,388 --> 00:09:17,773 THE HOSE JUST LEAKED ALL OVER THE RUG. 159 00:09:17,773 --> 00:09:21,644 OH, NO ! IT COST ME A MINT ! OH ! 160 00:09:22,028 --> 00:09:23,896 - FELIPE, SHE'S COMING ! - GREAT ! 161 00:09:24,397 --> 00:09:26,399 GET THE BIKE. I GOTTA GET DRESSED. OKAY. 162 00:09:28,901 --> 00:09:32,154 OH, BOY. ONE HOT NIGHT COMING UP. 163 00:09:39,662 --> 00:09:42,164 HEY, I'LL SEE YOU LATER. GOTTA GO CHANGE. I'LL MEET YOU AT THE CLUB. 164 00:09:42,164 --> 00:09:45,167 OKAY. SAM ? I'LL SEE YOU LATER. 165 00:09:45,668 --> 00:09:48,671 DON'T BE LATE. DRY, DARLING. DRY ! 166 00:09:49,171 --> 00:09:51,173 STAND UP, FIBERS. 167 00:09:51,173 --> 00:09:55,177 OH, PLEASE. COME ON. NICE LITTLE RUG. 168 00:09:55,494 --> 00:09:57,096 ♪♪♪♪ [ Disco ] 169 00:09:57,096 --> 00:09:59,599 [ Clattering ] 170 00:10:03,603 --> 00:10:07,106 I JUST DON'T BELIEVE HOW THEY LINE UP OUTSIDE OF SADDLE TRAMPS. 171 00:10:07,106 --> 00:10:10,109 PLEASE. THEY LINE UP TO GET INTO MY DRY CLEANERS. 172 00:10:10,109 --> 00:10:13,613 I GUESS IT'S BIG APPLE PSYCHOLOGY. OH, YEAH ? OH, I'M SURE. 173 00:10:18,501 --> 00:10:23,005 GIVE ME TWO BRANDYS. SEE YOU LATER, BABE. HEY, HONEY ! 174 00:10:26,509 --> 00:10:29,512 HI, FELIPE ! HEY, SAM, HOW YOU DOING ? HEY, ALICIA, YOU LOOK GREAT. 175 00:10:29,512 --> 00:10:31,514 THANKS. JACK'S IN THE BOOTH. 176 00:10:31,514 --> 00:10:35,017 HOW'S IT GOING ? I GUESS IT'S GOING OKAY. HE HASN'T PLAYED HIS STUFF YET. 177 00:10:35,518 --> 00:10:37,019 OH, MR. MURRAY. THAT'S TOO BAD. 178 00:10:37,520 --> 00:10:40,022 BENNY MURRAY, I'D LIKE YOU TO MEET SAMANTHA SIMPSON AND ALICIA EDWARDS. 179 00:10:40,022 --> 00:10:42,024 YEAH. HI. HEY, I'LL SEE YOU LATER. 180 00:10:42,024 --> 00:10:44,026 SHE'S A TOP MODEL. ALL RIGHT. CIAO. 181 00:10:45,528 --> 00:10:48,030 HOW DO YOU DO, MISS EDWARDS ? SIMPSON. 182 00:10:48,030 --> 00:10:53,035 RIGHT. I'VE SEEN YOU PLASTERED ALL OVER NEW YORK. WELL, DON'T SPREAD IT AROUND. 183 00:10:53,035 --> 00:10:56,038 THIS PLACE IS GETTING TO BE A REGULAR STUDIO 54. 184 00:10:56,038 --> 00:10:59,542 YOU KNOW HALSTON, THE BIG DESIGNER ? MM-HMM. 185 00:10:59,542 --> 00:11:03,045 HIS SEAMSTRESS WAS HERE THE OTHER NIGHT WITH CALVIN KLEIN'S CHAUFFEUR. 186 00:11:03,045 --> 00:11:05,798 LOTS OF BIGGIES, YOU KNOW ? 187 00:11:05,798 --> 00:11:08,801 HOW CHIC. 188 00:11:08,918 --> 00:11:13,923 RELAX. BOOGIE. HAVE YOURSELF A GOOD TIME. 189 00:11:13,923 --> 00:11:17,426 ANYTHING YOU NEED, JUST ASK FOR BENNY. THAT'S WHAT I'M HERE FOR. 190 00:11:21,430 --> 00:11:24,934 HEY, FELIPE ! SAM ! 191 00:11:24,934 --> 00:11:28,437 HEY, TAKE MY PURSE AND PUT IT BEHIND THE BAR. I WANNA DANCE. 192 00:11:28,437 --> 00:11:30,439 YOU WANT SOMEBODY WHO'S TALL AND BLONDE OR SHORT AND DARK ? 193 00:11:30,940 --> 00:11:32,441 HOW ABOUT BLONDE ? RIGHT HERE. 194 00:11:32,942 --> 00:11:35,444 OH, JEEZ ! BLANE ! HI ! 195 00:11:35,444 --> 00:11:38,948 ♪♪ AH, WHAT YOU THINK YOU SEE UH-OH ♪♪ 196 00:11:54,463 --> 00:11:56,465 ♪♪ TELL ME ♪♪ 197 00:11:56,465 --> 00:11:58,467 ♪♪ WHO'S LIVING IN THE PAST ♪♪ 198 00:11:58,467 --> 00:11:59,969 ♪♪ I WANNA KNOW ♪♪ 199 00:11:59,969 --> 00:12:02,471 ♪♪ WHO, WHO'S MOVING MUCH TOO FAST ♪♪ 200 00:12:02,471 --> 00:12:04,473 ♪♪ WHOO ♪♪ 201 00:12:04,607 --> 00:12:06,609 ♪♪ WHO NEEDS TO FIND SOME CLASS ♪♪ 202 00:12:06,609 --> 00:12:10,112 ♪♪ WHO NEEDS SOME SOPHISTICATION ♪♪ 203 00:12:10,112 --> 00:12:12,615 ♪♪ I'M NOT HARD TO PLEASE BUT YOUR ACT'S SO UNREAL ♪♪ 204 00:12:12,615 --> 00:12:15,618 RANDY ! HEY ! 205 00:12:18,120 --> 00:12:20,623 ♪♪ TAKE A LOOK IN THE MIRROR 'CAUSE THE MIRROR WON'T CONCEAL ♪♪ 206 00:12:20,623 --> 00:12:22,625 THIS WILL KEEP YOU IN SHAPE. JACK ! 207 00:12:23,125 --> 00:12:24,627 HEY, JACK ! HEY, JACK ! 208 00:12:24,744 --> 00:12:28,748 OH, WOW ! SUPER ! 209 00:12:29,248 --> 00:12:31,250 HEY ! YEAH ! 210 00:12:31,250 --> 00:12:33,252 GO ON. GO ON. 211 00:12:33,753 --> 00:12:36,255 AND FOCUS. GET A FOCUS. 212 00:12:36,255 --> 00:12:37,757 FOCUS ! 213 00:12:37,757 --> 00:12:41,761 CAN'T LET A FAMOUS FACE GO UNPHOTOGRAPHED, YOU KNOW. AH ! 214 00:12:51,403 --> 00:12:54,406 HI. THIS SURE IS MORE FUN THAN DENTAL SCHOOL. 215 00:12:54,406 --> 00:12:56,909 YOU ARE LOOKING AT A KING IN HIS CASTLE. 216 00:12:57,409 --> 00:13:00,412 SEE, THESE SWITCHES CAN LIFT, DROP... 217 00:13:00,412 --> 00:13:03,415 AND CHANGE THE DISPOSITION OF EVERYBODY IN HERE. 218 00:13:03,916 --> 00:13:06,919 I SHOULD HAVE KNOWN WHEN THE MUSIC WENT MAD, IT WOULD BE YOU AT THE CONTROLS. 219 00:13:07,419 --> 00:13:09,922 SAM. LOOK AT 'EM. 220 00:13:09,922 --> 00:13:11,924 THEY'RE HAPPY THEY'RE SO HAPPY. 221 00:13:12,041 --> 00:13:14,543 THEY'VE FORGOTTEN EVERYTHING THAT GETS 'EM DOWN. 222 00:13:17,296 --> 00:13:19,298 THAT'S WHAT IT'S ALL ABOUT, ISN'T IT ? 223 00:13:19,298 --> 00:13:21,801 MUSIC IS MAGIC. 224 00:13:21,801 --> 00:13:24,804 I WANNA MAKE THAT MAGIC. 225 00:13:24,804 --> 00:13:26,806 LIKE THIS, FOR INSTANCE. 226 00:13:27,807 --> 00:13:29,809 OH, JACK. OH ! 227 00:13:29,809 --> 00:13:32,812 PLEASE DON'T SLOBBER ON THE STAR. I MAY GET ELECTROCUTED. 228 00:13:32,812 --> 00:13:36,816 LOOK. THIS IS YOUR NUMBER. GO DANCE. 229 00:13:36,816 --> 00:13:40,319 YOU'RE GOING TO BE TERRIFIC. DON'T LET IT GO TO YOUR HEAD. 230 00:13:40,319 --> 00:13:43,322 DON'T WORRY. I CAN HANDLE SUCCESS A HELL OF A LOT BETTER... 231 00:13:43,322 --> 00:13:46,325 THAN I CAN HANDLE A ROOT CANAL. 232 00:13:46,826 --> 00:13:48,327 ♪♪♪♪ [ Tempo Picks Up ] 233 00:13:48,794 --> 00:13:51,413 ♪♪ BABY ♪♪ 234 00:13:51,914 --> 00:13:54,416 AHH ! ♪♪ MY WILL IS WEARING THIN ♪♪ 235 00:13:54,416 --> 00:13:57,920 ♪♪ THE WALLS ARE CLOSING IN I NEED YOU, BABY ♪♪ 236 00:13:59,421 --> 00:14:02,424 ♪♪ MY HEART'S ABOUT TO BREAK IT'S CRUEL TO MAKE ME WAIT ♪♪ 237 00:14:02,424 --> 00:14:04,927 ♪♪ COME TO ME, BABY ♪♪ 238 00:14:06,428 --> 00:14:09,565 ♪♪ WE'RE MOVING TO THE NIGHT A SYMPHONY OF FLIGHT ♪♪ 239 00:14:09,565 --> 00:14:14,069 ♪♪ FLY WITH ME, BABY ♪♪ [ No Audio ] 240 00:14:14,186 --> 00:14:16,188 ♪♪ YOU WANNA SEE ME CRY BUT CAN'T YOU SEE THAT I ♪♪ ALL RIGHT ! 241 00:14:16,188 --> 00:14:19,575 ♪♪ I NEED YOU NOW ♪♪ 242 00:14:19,692 --> 00:14:23,078 ♪♪ I NEED YOU NOW ♪♪ 243 00:14:23,445 --> 00:14:25,948 ♪♪ SA-SA-SA-SA SAMANTHA ♪♪ 244 00:14:25,948 --> 00:14:29,451 ♪♪ YOUR GOLDEN TRESSES FEEL LIKE SILK ON MY FACE ♪♪ 245 00:14:29,451 --> 00:14:32,454 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 246 00:14:32,838 --> 00:14:36,342 ♪♪ WE'RE GONNA BE JUST GREAT ♪♪ 247 00:14:36,342 --> 00:14:39,845 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 248 00:14:39,845 --> 00:14:43,349 ♪♪ I LIKE THAT WIGGLE THAT YOU GOT IN YOUR JEANS ♪♪ 249 00:14:43,349 --> 00:14:47,353 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 250 00:14:47,353 --> 00:14:48,854 ♪♪ YOU CAST YOUR SPELL ON ME ♪♪ 251 00:14:51,607 --> 00:14:55,978 ♪♪ EVERYBODY, EVERYBODY KNOWS I TREMBLE WHEN I HEAR YOUR NAME ♪♪ 252 00:14:55,978 --> 00:14:57,980 ♪♪ SAMANTHA ♪♪ 253 00:14:57,980 --> 00:15:03,118 ♪♪ EVERYBODY, EVERYBODY KNOWS THAT YOU WERE DRIVING ME INSANE ♪♪ 254 00:15:03,118 --> 00:15:07,623 ♪♪ SAMANTHA ♪♪ ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 255 00:15:07,623 --> 00:15:10,626 ♪♪ I LOVE YOUR LIPS YOU KNOW THEY'RE TURNING ME ON ♪♪ 256 00:15:10,743 --> 00:15:14,496 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 257 00:15:14,496 --> 00:15:18,000 ♪♪ STAY WITH ME ALL NIGHT LONG ♪♪ 258 00:15:19,501 --> 00:15:21,387 ♪♪ BABY ♪♪ 259 00:15:22,888 --> 00:15:25,891 ♪♪ IT'S PASSION BY DESIGN WITH CANDLELIGHT AND WINE ♪♪ 260 00:15:25,891 --> 00:15:29,395 ♪♪ I WANT YOU, BABY ♪♪ 261 00:15:29,895 --> 00:15:32,898 ♪♪ YOU OWE IT TO YOURSELF WITH ME AND NO ONE ELSE ♪♪ 262 00:15:32,898 --> 00:15:34,900 ♪♪ I LOVE YOU, BABY ♪♪ 263 00:15:36,902 --> 00:15:39,905 ♪♪ STOP TEASING ME THIS WAY DON'T KISS AND RUN AWAY ♪♪ YEAH ! 264 00:15:39,905 --> 00:15:41,907 ♪♪ ENJOY IT, BABY ♪♪ 265 00:15:43,909 --> 00:15:46,412 ♪♪ IT'S VERY CLEAR TO ME MY LOVE IS WHAT YOU NEED ♪♪ 266 00:15:46,412 --> 00:15:48,414 ♪♪ OH, YES, YOU DO ♪♪ 267 00:15:49,415 --> 00:15:52,668 ♪♪ YOU KNOW YOU DO ♪♪ 268 00:15:53,035 --> 00:15:56,038 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 269 00:15:56,538 --> 00:15:59,541 ♪♪ COME LAY BESIDE ME BY THE FIRESIDE ♪♪ 270 00:16:00,042 --> 00:16:03,045 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 271 00:16:03,045 --> 00:16:06,048 ♪♪ MY LOVE WON'T BE DENIED ♪♪ 272 00:16:06,048 --> 00:16:10,052 ♪♪ SA-SA-SA-SA-SA-SA SAMANTHA ♪♪ 273 00:16:10,052 --> 00:16:14,056 ♪♪ SAY YES AND FOLLOW ME TO PARADISE ♪♪ 274 00:16:14,306 --> 00:16:16,809 ♪♪ SA-SA-SA SAMANTHA ♪♪ 275 00:16:16,809 --> 00:16:19,812 ♪♪ IT'S GONNA BE ALL RIGHT ♪♪♪♪ 276 00:16:23,315 --> 00:16:25,818 TAKE OVER THE NEXT SET FOR ME, HUH ? SURE. 277 00:16:25,818 --> 00:16:28,320 HEY, YOUR STUFF IS TERRIFIC. 278 00:16:29,822 --> 00:16:31,824 THANK YOU, SON. 279 00:16:34,326 --> 00:16:36,829 JACK ! JACK ! 280 00:16:36,829 --> 00:16:38,831 JACK, YOU WERE WONDERFUL. DO YOU REALLY MEAN IT ? 281 00:16:38,831 --> 00:16:40,833 YES ! ABSOLUTELY. YOU SHOULD BE RECORDED. 282 00:16:41,333 --> 00:16:42,835 NOW, HOW MANY SONGS DO YOU HAVE ? I MEAN TO SHOW. 283 00:16:43,335 --> 00:16:45,337 OH, A LOT. THEY'RE IN VARIOUS STAGES OF COMPLETION, 284 00:16:45,337 --> 00:16:47,339 BUT IT WOULDN'T TAKE LONG. HOW LONG ? 285 00:16:47,840 --> 00:16:49,341 I-I DON'T KNOW. 286 00:16:49,842 --> 00:16:53,345 MAKE ME A REALLY GOOD DEMO TAPE AND WE'LL TAKE IT TO A RECORD COMPANY. 287 00:16:53,345 --> 00:16:55,848 SAM, THERE'S MORE TO IT THAN THAT. LIKE WHAT ? 288 00:16:55,848 --> 00:16:58,350 LIKE-- LIKE IT'S IMPOSSIBLE. 289 00:16:58,350 --> 00:17:01,353 LOOK, NOBODY HAS TIME FOR ANYBODY, AND NOBODY GIVES NEW PEOPLE A BREAK. 290 00:17:01,353 --> 00:17:03,355 THIS MAY COME AS A SURPRISE TO YOU, 291 00:17:03,355 --> 00:17:05,357 BUT WHILE YOU WERE FLUNKING OUT OF COLLEGE, 292 00:17:05,357 --> 00:17:09,361 I WAS DATING AND ROMANCING SOME OF THE REAL BIGGIES OF THE RECORD INDUSTRY. 293 00:17:09,361 --> 00:17:12,364 MAMA HAS CONNECTIONS. ALL RIGHT ! 294 00:17:15,367 --> 00:17:18,120 ♪♪♪♪ [ Humming ] 295 00:17:23,625 --> 00:17:27,129 [ Phone Rings ] 296 00:17:27,629 --> 00:17:29,131 SAM, WILL YOU GET THAT, PLEASE ? 297 00:17:30,632 --> 00:17:32,134 HELLO. 298 00:17:32,267 --> 00:17:33,769 SAM, UH, I'M SORRY TO BOTHER YOU, 299 00:17:34,269 --> 00:17:36,772 BUT I AM MAKING THIS CALL UNDER EXTREME DURESS. 300 00:17:37,272 --> 00:17:39,274 I LAUGH, I CRY, I GO ON WELFARE. 301 00:17:39,274 --> 00:17:41,777 I AM AN UNMARRIED, UNEMPLOYED WOMAN. 302 00:17:42,144 --> 00:17:43,645 LULU, WHAT'S THE MATTER ? 303 00:17:43,779 --> 00:17:46,281 SYDNE THREATENED TO GIVE ME THE SACK UNLESS I MADE THIS CALL. 304 00:17:46,281 --> 00:17:49,284 CAN YOU IMAGINE THAT ? ME WHO HAS GIVEN THAT SACK THE BEST YEARS OF MY LIFE ? 305 00:17:49,284 --> 00:17:52,287 LULU, SHUT UP AND GIVE ME THAT PHONE ! 306 00:17:52,287 --> 00:17:55,290 AAH ! AAH ! STOP ME ! 307 00:18:01,296 --> 00:18:05,667 - HOW FAT ARE YOU ? - ENORMOUS. I'VE BLOWN UP LIKE THEHINDENBURG. 308 00:18:06,051 --> 00:18:10,556 THIS IS SYDNE CHANNING, WHO ONLY HELPED MAKE YOU THE BIGGEST MODEL OF THE '70s. 309 00:18:10,672 --> 00:18:13,675 COME CLEAN. SYDNE, DARLING, THE '70s ARE DEAD AND GONE. 310 00:18:14,176 --> 00:18:18,180 THE '80s ARE GOING TO BE SOMETHING WONDERFULLY NEW AND DIFFERENT, AND SO AM I. 311 00:18:18,180 --> 00:18:20,682 FREE, HAPPY AND CONTENT. 312 00:18:20,682 --> 00:18:24,937 CONTENTED. BUT THAT'S PERFECT FOR THE AD CAMPAIGN FOR THE AMERICAN DAIRY ASSOCIATION. 313 00:18:25,437 --> 00:18:26,939 COWS ? 314 00:18:27,189 --> 00:18:29,691 MILK, DEAREST. IT COMES FROM COWS. 315 00:18:29,691 --> 00:18:31,827 SYDNE, DON'T GET UPSET. 316 00:18:31,827 --> 00:18:35,330 I'VE TRIED TO EXPLAIN TO YOU. I HAVE RETIRED, ONCE AND FOR ALL. 317 00:18:35,330 --> 00:18:37,449 THIS IS GOING TO BE THE BIGGEST CAMPAIGN FOR THE ENTIRE FALL. 318 00:18:37,449 --> 00:18:39,952 MUCHO LUCRATIVO. MONEY, HONEY. 319 00:18:40,335 --> 00:18:42,337 SYDNE, IT WAS REALLY SWEET OF YOU TO ASK ME, 320 00:18:42,337 --> 00:18:45,340 BUT HOW MANY TIMES DO I HAVE TO TELL YOU NO, NO, NO ? 321 00:18:45,457 --> 00:18:47,459 YOU ARE PASSING UP THE CHANCE OF A LIFETIME ! 322 00:18:47,709 --> 00:18:50,846 - MAY I PLEASE SPEAK TO LULU ? - THERE'S REALLY NO ACCOUNTING FOR TASTE. 323 00:18:50,963 --> 00:18:52,464 HERE. SHE WANTS TO TALK TO YOU. 324 00:18:54,466 --> 00:18:56,468 YEAH ? 325 00:18:56,468 --> 00:19:00,973 WELL, I DON'T KNOW. WHY DON'T I CALL YOU, OKAY ? BYE. 326 00:19:00,973 --> 00:19:03,475 WHAT DID SHE SAY ? TELL ME EVERYTHING. 327 00:19:03,475 --> 00:19:06,111 UH, SHE JUST INVITED ME OVER TO SEE HER NEW APARTMENT. 328 00:19:06,111 --> 00:19:08,730 - BUT I DON'T KNOW IF I CAN MAKE IT. - OH, YES, YOU CAN. 329 00:19:09,231 --> 00:19:11,233 SHE'S DONE A VERY CLEVER THING. SHE'S RETIRED. 330 00:19:11,233 --> 00:19:14,736 SHE'S THE GARBO OF MODELS, AND EVERYONE IS CLAMORING FOR HER, 331 00:19:14,736 --> 00:19:17,239 AND I'M GOING TO DELIVER HER IF IT'S THE LAST THING I DO. 332 00:19:17,239 --> 00:19:19,241 TO THE DAIRY ASSOCIATION ? 333 00:19:19,241 --> 00:19:22,744 WE ARE GOING TO MAKE MILK MORE GLAMOROUS THAN CHAMPAGNE. 334 00:19:24,246 --> 00:19:29,251 MAKE A NOTE. ONE: I'M GOING TO SUGGEST THEY REDESIGN THE BOTTLE. 335 00:19:29,251 --> 00:19:31,753 TWO: I'M GOING TO INSIST THEY CORK IT. 336 00:19:31,753 --> 00:19:36,892 THREE: MISS SAMANTHA SIMPSON IS GOING BACK TO WORK. 337 00:19:38,310 --> 00:19:41,430 ♪♪ LOVE WITH FREEDOM YOU HAVE NO CHOICE ♪♪ 338 00:19:41,930 --> 00:19:44,433 SAM, YOU GOTTA HEAR THIS ! 339 00:19:44,433 --> 00:19:46,935 ♪♪♪♪ [ Continues ] 340 00:19:49,438 --> 00:19:52,441 ] ♪♪♪♪ [ Humming Along 341 00:19:59,448 --> 00:20:01,950 ♪♪♪♪ [ Stops ] WHAT DO YOU THINK ? 342 00:20:02,451 --> 00:20:03,952 SWEET. SWEET ? 343 00:20:04,453 --> 00:20:05,454 YEAH. SWEET ? 344 00:20:05,454 --> 00:20:08,457 JOHANN STRAUSS WRITES SWEET. SWEET IS FOR WALTZES. 345 00:20:08,957 --> 00:20:11,460 I CAN'T HEAR THE MUSIC FOR YOUR VOICE. 346 00:20:11,960 --> 00:20:13,962 WHAT ABOUT THE LYRICS ? 347 00:20:13,962 --> 00:20:16,465 JACK, DARLING, THE SONG MAY BE WONDERFUL, 348 00:20:16,465 --> 00:20:18,467 BUT YOUR VOICE SOUNDS LIKE A CRY FOR HELP. 349 00:20:20,102 --> 00:20:22,104 OH. OH, HO, HO, HO. 350 00:20:22,104 --> 00:20:26,108 WELL, I'M SORRY I DON'T HAVE A MILLION PEOPLE SITTING OUT THERE SINGING IN THE COURTYARD. 351 00:20:26,108 --> 00:20:28,610 MY MUSICAL EMPIRE IS NOT FINISHED YET. 352 00:20:28,610 --> 00:20:30,612 WELL, SHOULDN'T A DEMO SOUND LIKE A REAL RECORD ? 353 00:20:32,114 --> 00:20:35,617 YES, BUT DO YOU KNOW HOW MUCH THAT'S GOING TO COST ? 354 00:20:35,617 --> 00:20:38,620 WHY IS IT THAT YOU'RE THE MOST EXPENSIVE PERSON I'VE EVER BEEN INVOLVED WITH ? 355 00:20:38,620 --> 00:20:41,123 AND WE'RE NOT EVEN LOVERS. DO YOU KNOW ANY SINGERS ? 356 00:20:42,374 --> 00:20:44,876 YEAH. WHAT ABOUT THE SUPREMES ? THEY'RE NOT WORKING. 357 00:20:44,876 --> 00:20:48,880 SAM, TODAY NOBODY SINGS. EVERYBODY DANCES. 358 00:20:49,381 --> 00:20:52,884 THIS CALLS FOR SOME VERY SERIOUS PLOTTING AND SCHEMING. 359 00:20:53,385 --> 00:20:55,887 YOU GO BACK TO WORK. I NEED SOME ENERGY. 360 00:20:55,887 --> 00:20:57,889 I'M GOING FOR A BASKIN-ROBBINS RUSH. 361 00:20:57,889 --> 00:21:01,393 AH, HAVE A GOOD TIME. GET A DOUBLE-DIP ON ME. 362 00:21:14,906 --> 00:21:16,908 [ Felipe ] THANKS A LOT. 363 00:21:16,908 --> 00:21:18,910 HEY, FELIPE. HOW ARE YOU DOING ? 364 00:21:18,910 --> 00:21:21,413 C, C-MINUS. WHAT'S THE MATTER ? 365 00:21:21,913 --> 00:21:23,415 I HAD TO LEAVE MY FEATHERS TO BE OILED, 366 00:21:23,915 --> 00:21:25,917 AND THEY GAVE ME THIS ONE TO WEAR, AND IT DOESN'T EVEN FIT RIGHT. 367 00:21:25,917 --> 00:21:28,420 YOU THINK YOU'VE GOT PROBLEMS ? 368 00:21:28,420 --> 00:21:30,422 JACK NEEDS SOME VOICES ON A TAPE TONIGHT, 369 00:21:30,422 --> 00:21:33,925 AND I NEED SOME PROFESSIONAL SINGERS WHO WILL WORK FOR WHAT I CAN AFFORD TO PAY. 370 00:21:34,426 --> 00:21:37,929 PROFESSIONAL AND FOR FREE ? THAT YOU AIN'T GONNA FIND. 371 00:21:37,929 --> 00:21:40,432 AH, MY GREATEST FEAR. [ Laughs ] 372 00:21:40,932 --> 00:21:43,435 WELL, LISTEN. TELL ME SOMETHING. DO YOU SING ? 373 00:21:43,435 --> 00:21:46,938 DO I SING ? DO I SING ? 374 00:21:46,938 --> 00:21:51,943 ♪♪ WHEN I'M CALLING YOU ♪♪♪♪ 375 00:21:51,943 --> 00:21:53,945 [ Both Laughing ] 376 00:21:53,945 --> 00:21:55,947 ZAP ! YOU'RE A STAR, AT LEAST FOR TONIGHT. 377 00:21:56,448 --> 00:21:58,950 MY HOUSE, 8:00. GOTCHA ! 378 00:21:58,950 --> 00:22:01,453 GOD ! I SHOULD'VE KNOWN YOU COULD SING, 379 00:22:01,453 --> 00:22:04,456 BUT I GUESS WHEN YOU SEE SOMEBODY EVERY DAY, YOU JUST SORT OF TAKE 'EM FOR GRANTED. 380 00:22:04,956 --> 00:22:07,459 I MEAN, COUNTING OUT EXERCISES IS SORT OF LIKE SINGING, ISN'T IT ? 381 00:22:07,959 --> 00:22:10,329 YEAH, I THINK IT IS, YOU KNOW. IT'S SORT OF LIKE-- 382 00:22:10,329 --> 00:22:13,332 ♪♪ GOT THE BACKBONE CONNECTED TO THE HIPBONE ♪♪ 383 00:22:13,332 --> 00:22:15,834 ♪♪ AND THE HIPBONE CONNECTED TO THE THIGH BONE ♪♪ 384 00:22:15,834 --> 00:22:18,837 ♪♪ AND THE THIGH BONE CONNECTED TO THE LEG BONE ♪♪ 385 00:22:18,837 --> 00:22:22,341 HEY, HOW'S THAT ? IS THAT A STAR OR IS THAT A STAR ? 386 00:22:22,341 --> 00:22:25,844 PING ! TONIGHT, IT IS. BE AT MY HOUSE AT 8:00. 387 00:22:25,844 --> 00:22:29,848 I'LL FURNISH THE FOOD. YOU FURNISH THE VOICE... AND THE WINE. 388 00:22:29,848 --> 00:22:31,850 YOU ALWAYS WERE A GREAT HOSTESS, SAM. 389 00:22:31,850 --> 00:22:34,353 DON'T BE FRESH. DO YOU HAVE A HANDKERCHIEF ? YEAH. HERE YOU GO. 390 00:22:34,353 --> 00:22:36,355 THANKS. 391 00:22:42,361 --> 00:22:43,862 THANKS. SURE. 392 00:22:44,363 --> 00:22:46,365 NOW, WE'RE RECORDING A SONG MY ROOMMATE WROTE. 393 00:22:46,865 --> 00:22:50,869 IT'S TONIGHT IN OUR BACKYARD, A SORT OF PARTY, DEMO-SESSION. 394 00:22:50,869 --> 00:22:53,372 WAIT. DON'T THANK ME. 395 00:22:53,872 --> 00:22:56,375 THAT'S WHAT FRIENDS ARE FOR. I'M JUST GLAD I CAN INCLUDE YOU. 396 00:22:56,875 --> 00:22:58,377 WELL, YOU CAN INCLUDE ME OUT. 397 00:22:58,877 --> 00:23:00,879 THAT IS THE WORST IDEA I EVER HEARD. 398 00:23:00,879 --> 00:23:04,383 WHAT, A BUNCH OF YO-YO'S PUTTIN' ON A HOMEMADE GROUP IN YOUR BACKYARD ? 399 00:23:04,883 --> 00:23:08,387 THAT WENT OUT WITH JUDY GARLAND AND MICKEY ROONEY ONTHE LATE SHOW. 400 00:23:10,389 --> 00:23:12,391 JUDY GARLAND AND MICKEY ROONEY. 401 00:23:12,641 --> 00:23:16,144 NEVER MISS THOSE MGM MUSICALS ONTHE LATE SHOW, 402 00:23:16,144 --> 00:23:19,147 MAINLY BECAUSE THAT'S WHERE THEY RUN MY COMMERCIALS. 403 00:23:19,648 --> 00:23:21,650 IS THAT YOUR REAL SINGING VOICE ON THOSE COMMERCIALS ? 404 00:23:21,650 --> 00:23:25,153 YEAH, BUT I'M SURPRISED YOU CAN HEAR IT AT ALL. THERE'S SO MUCH PRODUCT-PITCHING. 405 00:23:25,153 --> 00:23:27,155 [ Man ] ARE YOU READY, DAVID ? YEAH, I'M READY. 406 00:23:27,155 --> 00:23:29,157 ARE YOU SERIOUS ABOUT SINGING ? 407 00:23:29,658 --> 00:23:31,660 FANATICAL. 408 00:23:31,660 --> 00:23:36,164 FAME, FORTUNE, PLATINUM RECORDS. 409 00:23:36,164 --> 00:23:38,166 IT'S EVERY BOY'S DREAM. 410 00:23:38,166 --> 00:23:41,169 ♪♪♪♪ 411 00:23:44,756 --> 00:23:47,642 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 412 00:23:47,642 --> 00:23:51,396 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 413 00:23:51,396 --> 00:23:52,898 ♪♪ TILL THERE'S NOTHING LEFT ♪♪ 414 00:23:52,898 --> 00:23:55,400 ♪ ♪♪ I LOVE YOU TO DEATH ♪ 415 00:23:55,400 --> 00:23:58,403 ♪♪ I LOVE YOU ♪♪ 416 00:23:58,403 --> 00:24:01,907 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 417 00:24:01,907 --> 00:24:05,410 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 418 00:24:05,777 --> 00:24:07,279 ♪♪ TILL YOU'RE OUT OF BREATH ♪♪ 419 00:24:07,279 --> 00:24:09,531 ♪♪ I LOVE YOU TO DEATH ♪♪ 420 00:24:09,531 --> 00:24:13,034 ♪♪ I NEED YOU ♪♪ 421 00:24:13,168 --> 00:24:16,671 ♪♪ WHEN YOUR LIPS GET CLOSE TO MINE ♪♪ 422 00:24:16,671 --> 00:24:20,675 ♪ ♪♪ I KNOW THE HEAT WILL DRIVE YOU CRAZY ♪ 423 00:24:20,675 --> 00:24:23,678 ♪♪ I'M GONNA MAKE THAT BODY MINE ♪♪ 424 00:24:23,678 --> 00:24:27,182 ♪♪ THE WAY YOU MOVE IS SO AMAZING ♪♪ 425 00:24:27,182 --> 00:24:31,553 ♪♪ AY-YI-YI I'M LOVING YOU ♪♪ 426 00:24:31,553 --> 00:24:35,056 ♪♪ AY-YI-YI I'M WANTING YOU ♪♪ 427 00:24:35,056 --> 00:24:40,195 ♪♪ AY-YI-YI I'LL MOVE ALL OVER YOU ♪♪ 428 00:24:40,695 --> 00:24:42,697 AHH ! 429 00:24:42,814 --> 00:24:45,700 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 430 00:24:45,700 --> 00:24:48,954 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 431 00:24:49,204 --> 00:24:51,206 ♪♪ I WILL NEVER STOP ♪♪ 432 00:24:51,206 --> 00:24:53,208 ♪♪ TILL YOU REACH THE TOP ♪♪ 433 00:24:53,208 --> 00:24:56,211 ♪♪ I LOVE YOU ♪♪ 434 00:24:56,711 --> 00:25:00,215 ♪ ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪ 435 00:25:00,215 --> 00:25:03,718 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 436 00:25:03,718 --> 00:25:07,722 ♪♪ LOVE YOU TILL THE END THEN WE'LL LOVE AGAIN ♪♪ 437 00:25:07,722 --> 00:25:10,725 ♪♪ I NEED YOU ♪♪ 438 00:25:10,725 --> 00:25:15,096 ♪♪ I FEEL THE FEVER GETTING HOT ♪♪ 439 00:25:15,096 --> 00:25:18,099 ♪♪ I LIKE THE MOTION OF YOUR BODY ♪♪ 440 00:25:18,099 --> 00:25:21,603 ♪♪ 'CAUSE WHAT YOU NEED IS WHAT I'VE GOT ♪♪ 441 00:25:22,103 --> 00:25:25,607 ♪♪ COME ON WITH ME WE'LL HAVE A PARTY ♪♪ 442 00:25:25,607 --> 00:25:29,110 ♪♪ AY-YI-YI KNOW WHAT TO DO ♪♪ 443 00:25:29,110 --> 00:25:32,614 ♪ ♪♪ AY-YI-YI GOT LOVE FOR YOU ♪ 444 00:25:32,614 --> 00:25:39,621 ♪ ♪♪ AY-YI-YI I'LL GIVE MY BEST TO YOU ♪ 445 00:25:40,121 --> 00:25:43,124 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 446 00:25:43,625 --> 00:25:46,628 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 447 00:25:47,128 --> 00:25:50,632 ♪♪ TILL THERE'S NOTHING LEFT I LOVE YOU TO DEATH ♪♪ 448 00:25:50,765 --> 00:25:53,768 ♪♪ I LOVE YOU ♪♪ 449 00:25:53,768 --> 00:25:57,272 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 450 00:25:57,772 --> 00:26:00,775 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 451 00:26:01,026 --> 00:26:03,028 ♪♪ TILL YOU'RE OUT OF BREATH ♪♪ 452 00:26:03,395 --> 00:26:04,896 ♪♪ I LOVE YOU TO DEATH ♪♪ 453 00:26:05,397 --> 00:26:09,284 ♪♪ I NEED YOU ♪♪ 454 00:26:11,286 --> 00:26:13,288 ♪♪ BABY ♪♪ 455 00:26:13,288 --> 00:26:14,789 ♪♪ I'M GONNA LOVE YOU TO DEATH ♪♪ 456 00:26:22,297 --> 00:26:25,800 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 457 00:26:25,800 --> 00:26:29,304 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 458 00:26:29,804 --> 00:26:33,308 ♪♪ I WILL NEVER STOP TILL YOU REACH THE TOP ♪♪ 459 00:26:33,308 --> 00:26:37,312 ♪♪ I LOVE YOU ♪♪ 460 00:26:37,312 --> 00:26:40,432 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 461 00:26:40,432 --> 00:26:43,935 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 462 00:26:44,436 --> 00:26:48,440 ♪♪ I LOVE YOU TILL THE END THEN WE'LL LOVE AGAIN ♪♪ 463 00:26:48,440 --> 00:26:51,443 ♪♪ I NEED YOU ♪♪ 464 00:26:51,443 --> 00:26:54,946 ♪♪ I LOVE YOU TO DEATH I LOVE YOU TO DEATH ♪♪ 465 00:26:54,946 --> 00:26:58,450 ♪♪ I LOVE YOU TO DEATH OH, BABY ♪♪ 466 00:26:58,450 --> 00:27:02,454 ♪♪ TILL THERE'S NOTHING LEFT I LOVE YOU TO DEATH ♪♪ 467 00:27:02,954 --> 00:27:05,457 ♪♪ I LOVE YOU ♪♪♪♪ 468 00:27:05,457 --> 00:27:07,459 [ Man ] ALL RIGHT. KILL THE LIGHTS. 469 00:27:07,459 --> 00:27:11,963 HEY. HEY, HAVE YOU BEEN LISTENING TO ANYTHING I'VE BEEN SAYING ? 470 00:27:11,963 --> 00:27:13,965 YEAH. WELL, IF YOU'RE INTERESTED, 471 00:27:13,965 --> 00:27:15,967 BE AT MY HOUSE TONIGHT AT 8:00. 472 00:27:15,967 --> 00:27:17,969 I'LL TRY TO MAKE IT. HODO, ARE YOU READY ? 473 00:27:17,969 --> 00:27:20,972 YEAH, READY. ALL RIGHT, ROLL IT. 474 00:28:08,403 --> 00:28:12,907 NICE BOX. [ Laughs ] 475 00:28:14,409 --> 00:28:16,411 [ Whistles ] 476 00:28:20,415 --> 00:28:21,416 LOOK OUT ! 477 00:28:22,917 --> 00:28:24,919 OW ! 478 00:28:24,919 --> 00:28:28,423 OH, NO ! SHE GOT HIT. SOMEBODY GET AN AMBULANCE. 479 00:28:28,423 --> 00:28:30,425 ARE YOU ALL RIGHT, MA'AM ? 480 00:28:30,425 --> 00:28:35,680 HUH ? YOU ALL RIGHT ? MA'AM, YOU ALL RIGHT ? [ Groaning ] 481 00:28:35,680 --> 00:28:38,183 HANDS UP, SHITHEAD. 482 00:28:38,183 --> 00:28:41,186 OH, MY GOD. OH, WHAT A SCORE. 483 00:28:41,186 --> 00:28:43,688 OH, BEAUTIFUL. 484 00:28:43,805 --> 00:28:46,307 OH, LOVELY. 485 00:28:52,697 --> 00:28:55,700 WHAT'S IN THE BOX ? IT'S A CAKE. 486 00:28:55,700 --> 00:28:58,820 ENJOY IT. [ Whistles ] 487 00:29:02,574 --> 00:29:06,327 I'VE GOT YOU COVERED. DON'T MOVE UNTIL WE TURN AROUND THE CORNER. 488 00:29:06,327 --> 00:29:07,829 HIT IT, BUTCH. 489 00:29:08,213 --> 00:29:10,715 [ Cackling ] 490 00:29:17,222 --> 00:29:20,225 HEY, GIRLS, YOU WANT AN APPLE ? NO, THANKS. 491 00:29:44,749 --> 00:29:48,253 OPERATOR. OPERATOR, MY-MY FINGER IS CAUGHT-- 492 00:29:48,253 --> 00:29:52,757 MY FINGER-- OPERATOR, MY FINGER IS STUCK IN THE DIAL. 493 00:29:52,757 --> 00:29:54,759 [ Sighs ] OPERATOR ! 494 00:30:05,770 --> 00:30:08,273 HELP ! 495 00:30:08,273 --> 00:30:10,275 HELP ! 496 00:30:10,775 --> 00:30:13,278 HEY ! HELP ! HELP ! 497 00:30:15,029 --> 00:30:17,031 HEY, FELIPE. WOULD YOU PLEASE LOOK IN YOUR APARTMENT... 498 00:30:17,031 --> 00:30:19,033 FOR THE CHRISTMAS DECORATIONS I STORED THERE ? 499 00:30:19,033 --> 00:30:21,035 I NEED THE COLOR WHEEL. OKAY. 500 00:30:21,035 --> 00:30:24,539 SAM, WE'RE JUST TRYING TO GET SOME VOICES DOWN ON TAPE, NOT OPENING UP A BIG SHOW. 501 00:30:24,539 --> 00:30:27,158 WELL, AS LONG AS WENT TO ALL THIS TROUBLE, WE MAY AS WELL TRY TO MAKE A LITTLE MAGIC. 502 00:30:27,158 --> 00:30:29,661 MAYBE SOME OF IT'LL COME ACROSS IN THE TAPE. 503 00:30:29,911 --> 00:30:32,914 [ Jack ] HEY, YOU NEED ANY HELP ? 504 00:30:33,414 --> 00:30:35,917 OHH ! THE INDIAN IS HOT. 505 00:30:35,917 --> 00:30:40,421 I GO FOR EXOTIC TYPES, PARTICULARLY WHEN THEY'RE HALF NAKED. LULU ! 506 00:30:40,805 --> 00:30:42,307 YOU TELL HIM... 507 00:30:42,807 --> 00:30:47,312 I'LL MAKE UP FOR ALL THE INDIGNITIES THEY SUFFERED INROOTS. 508 00:30:47,312 --> 00:30:51,316 OH !MERDE ! 509 00:30:51,316 --> 00:30:54,319 I JUST DROPPED MY CONTACT LENS IN THE LASAGNA. 510 00:30:54,819 --> 00:30:57,322 IS IT MUSTARD OR RELISH ? IT WAS MUSTARD. 511 00:30:57,322 --> 00:30:59,324 LULU, BE A DARLING AND STICK YOUR FINGER IN THERE AND SEE IF YOU CAN FIND IT. 512 00:30:59,824 --> 00:31:03,945 BE ORIGINAL. LEAVE IT IN. CALL IT LASAGNE CRUNCH. 513 00:31:03,945 --> 00:31:07,949 WELL, I GUESS I'LL GO CRACK THE WHIP ON THE BOYS, HUH ? 514 00:31:07,949 --> 00:31:11,452 MMM. INTO S&M, EH ? [ Chuckles ] 515 00:31:11,452 --> 00:31:14,088 HEY, I'M PREPARING THIS MAJOR MEAL... 516 00:31:14,088 --> 00:31:16,090 AND YOU GUYS HAVEN'T EVEN STARTED REHEARSING YET ? 517 00:31:16,090 --> 00:31:20,094 - WE WERE PROMISED DINNER. - UH-UH. NO FOOD UNTIL I HEAR SOME MUSIC. 518 00:31:22,847 --> 00:31:25,350 LISTEN. WHY DON'T YOU HAND OUT THE MUSIC WHILE THEY'RE IN THE MOOD ? 519 00:31:25,850 --> 00:31:28,853 WELL, WE RAN OUT OF STATIONERY AND I DIDN'T HAVE ENOUGH TIME TO MAKE COPIES. 520 00:31:28,853 --> 00:31:30,855 SO USE PAPER NAPKINS. OKAY. 521 00:31:30,855 --> 00:31:35,860 FELIPE, COME UP AND GET SOME PENCILS. OKAY, JUST A SECOND. 522 00:31:35,860 --> 00:31:40,365 UM, WHY DON'T YOU PLAY THEM THE SONG ? RIGHT. ALL RIGHT. 523 00:31:40,365 --> 00:31:42,867 OKAY, GUYS, LET'S START LEARNING THIS SONG, ALL RIGHT ? 524 00:31:42,867 --> 00:31:45,870 I'M GONNA RECORD THE REHEARSAL AND WE'LL OVERDUB WHEN WE SING IT AGAIN. 525 00:31:45,870 --> 00:31:48,873 DAVE, FELIPES. HEY, RANDY, LET'S GO. ALL RIGHT. 526 00:31:50,625 --> 00:31:52,126 YOU FINISHED ? ARE YOU THROUGH ALL READY ? 527 00:31:52,627 --> 00:31:56,130 IT'S GONNA BE IN FOUR-FOUR, OKAY ? CAN YOU SING HIGH-LOW ? 528 00:31:56,130 --> 00:31:58,132 ♪ SO IT'S A-- ♪♪ MAGIC NIGHT ♪ 529 00:31:58,132 --> 00:32:00,134 ♪♪ BA BA BA BA B A BA BA BA ♪♪ 530 00:32:00,134 --> 00:32:02,136 THAT FAST ? WAIT. SLOW IT DOWN A LITTLE BIT. 531 00:32:02,136 --> 00:32:04,138 I WANT DEEP. I WANT-- ♪♪ BA BA BA ♪♪ 532 00:32:04,639 --> 00:32:07,642 SAM, THIS PLACE IS STARTING TO LOOK LIKE A TERRARIUM. 533 00:32:08,142 --> 00:32:10,645 YOU KNOW SOMETHING, LULU ? I HAVE REACHED A POINT IN MY LIFE... 534 00:32:10,645 --> 00:32:13,648 WHERE I FIND PEOPLE AND ANIMALS TOO DEMANDING. 535 00:32:13,648 --> 00:32:16,651 ABOUT THE ONLY RELATIONSHIP I COULD SUSTAIN IS WITH A PLANT. 536 00:32:16,651 --> 00:32:18,653 MM. HOW BIZARRE. 537 00:32:18,653 --> 00:32:22,657 YOU KNOW WHAT ELSE ? I'VE ALSO DISCOVERED THE JOYS OF COOKING AND CLEANING. 538 00:32:22,657 --> 00:32:25,159 HOUSEWORK IS LIKE BAD SEX. EVERY TIME I DO IT, 539 00:32:25,159 --> 00:32:29,664 I SWEAR I WILL NEVER DO IT AGAIN, UNTIL THE NEXT TIME COMPANY COMES. 540 00:32:29,664 --> 00:32:31,165 TACKY. 541 00:32:31,165 --> 00:32:34,669 OH, AND HOW IS THE PLATINUM PRINCE CHARMING OF THE RECORD WORLD ? 542 00:32:34,669 --> 00:32:37,171 WOULD YOU BELIEVE I HAD TO MAKE AN APPOINTMENT WITH HIM TO BREAK UP ? 543 00:32:37,171 --> 00:32:39,173 NO. AND HE DIDN'T EVEN BAT AN EYE. MM-MMM. 544 00:32:39,173 --> 00:32:44,178 KEPT TALKING ON TWO PHONES, LOOKING AT THEBILLBOARDCHARTS AND TRYING TO SIGN ROD STEWART. 545 00:32:44,178 --> 00:32:47,682 AND THEPOSTSAID HE HAD A NERVOUS BREAKDOWN WHEN YOU LEFT HIM. 546 00:32:47,682 --> 00:32:49,183 HMM. YEAH. 547 00:32:49,684 --> 00:32:52,186 JUST AN EXCUSE TO WRITE OFF A VACATION IN THE BAHAMAS. 548 00:32:55,189 --> 00:32:59,060 SAM, UH, MAY I ASK WHAT YOU ARE DOING ? 549 00:32:59,060 --> 00:33:03,564 DO YOU THINK I AM GOING TO SERVE AND EXPENSIVE CONTACT LENS TO THAT CROWD ? 550 00:33:04,065 --> 00:33:05,566 NO. NO. 551 00:33:05,566 --> 00:33:08,069 LET'S GO CHECK ON THE VIENNA BOYS CHOIR. 552 00:33:11,456 --> 00:33:13,458 OH, SAM, I'LL TAKE CARE OF THIS. 553 00:33:13,458 --> 00:33:16,961 ♪♪♪♪ [ Humming ] 554 00:33:19,464 --> 00:33:23,968 OH, GINNY, COULD YOU HELP ME WITH THIS, PLEASE ? THANK YOU. 555 00:33:23,968 --> 00:33:25,970 OKAY, YOU GUYS, KEEP SINGING. 556 00:33:25,970 --> 00:33:28,473 RANDY, TRY SINGING LEAD. DAVID, TAKE YOUR VOICE LOWER. 557 00:33:28,473 --> 00:33:31,976 - I GUESS I GOTTA GET A NEW TAPE. - [ No Audio ] 558 00:33:32,477 --> 00:33:35,980 LULU, COULD YOU BRING US SOMETHING TO DRINK ? COME HERE. 559 00:33:39,984 --> 00:33:43,988 I AM REALLY NERVOUS. I MEAN, WHAT IF THIS DOESN'T WORK OUT ? 560 00:33:43,988 --> 00:33:48,493 OH, JACKIE, AUNTIE LULU HAS A GREAT RELAXER, 561 00:33:48,493 --> 00:33:51,496 DIRECT FROM MOTHER NATURE. 562 00:33:51,496 --> 00:33:55,500 [ Chuckles ] LULU ! I DON'T THINK SO. 563 00:33:55,500 --> 00:33:58,503 COME ON. YOU HAVE SOME OF THIS AND I'LL HAVE SOME OF YOURS. 564 00:33:59,003 --> 00:34:00,505 WHAT DO YOU MEAN, MINE ? PLEASE ! 565 00:34:01,005 --> 00:34:03,007 WITH ALL THE PLANTS SAM'S GOT AROUND HERE, 566 00:34:03,007 --> 00:34:05,009 I'LL TAKE SOME OF THE HOMEGROWN KIND. 567 00:34:05,009 --> 00:34:08,012 YOU GROW IT AT HOME ? DOES THE POSTMAN RING TWICE ? 568 00:34:08,513 --> 00:34:10,515 LULU, YOU'RE CRAZY. 569 00:34:10,515 --> 00:34:13,518 OH, COME ON, JACKIE. COME ON. 570 00:34:13,518 --> 00:34:15,520 LULU ! TRUST ME. 571 00:34:15,636 --> 00:34:17,271 [ Knocking ] 572 00:34:19,774 --> 00:34:21,275 JUST A MINUTE ! 573 00:34:23,277 --> 00:34:25,780 [ Knocking Continues ] JUST A MINUTE ! 574 00:34:30,284 --> 00:34:32,286 I'M RON WHITE. YOUR SISTER SENT YOU A CAKE. 575 00:34:32,286 --> 00:34:34,288 A LITTLE OLD LADY JUST ROBBED ME ! 576 00:34:34,288 --> 00:34:36,290 WOULD YOU MIND RUNNING THROUGH THAT AGAIN ? 577 00:34:37,291 --> 00:34:39,794 A LITTLE OLD LADY WITH A BIG GUN HELD ME UP. 578 00:34:39,794 --> 00:34:41,913 NO KIDDING. HOW DO YOU KNOW MY SISTER ? 579 00:34:41,913 --> 00:34:43,915 I LIVED NEXT DOOR TO HER IN ST. LOUIS. 580 00:34:43,915 --> 00:34:45,917 SHE MUST HAVE BEEN 80 YEARS OLD. 581 00:34:45,917 --> 00:34:48,419 OH, THAT'S NOT MY SISTER. I MEAN, SHE'S OLDER THAN I AM, BUT-- 582 00:34:48,419 --> 00:34:53,925 SHE GOT MY WALLET, MY WATCH, MY CLASS RING. SHE GOT MY PHI BETA KAPPA KEY. 583 00:34:53,925 --> 00:34:56,427 WELL, I'M SURE GLAD SHE DIDN'T GET THE CAKE. I FORGOT TO ORDER DESSERT. 584 00:34:58,930 --> 00:35:00,932 - CAN I USE THE PHONE ? - HOW LONG HAVE YOU BEEN IN NEW YORK ? 585 00:35:00,932 --> 00:35:03,434 I JUST MOVED HERE. I'M A TAX LAWYER. 586 00:35:03,434 --> 00:35:06,437 YOU MUST STAY FOR DINNER. I AM SO MAD AT THAT I.R.S., 587 00:35:06,437 --> 00:35:08,940 I'M GOING TO FILE LATE NEXT YEAR. I GOTTA CALL THE POLICE. 588 00:35:10,942 --> 00:35:13,945 IT'S A RAID. JUST KIDDING. 589 00:35:14,195 --> 00:35:15,696 THIS IS OFFICER RAY SIMPSON. 590 00:35:16,197 --> 00:35:17,698 OFFICER SIMPSON ? AM I GLAD TO SEE YOU. 591 00:35:18,199 --> 00:35:21,202 I WAS LEAVING AN AUDITION THIS AFTERNOON WHEN I HEARD THIS GREAT VOICE. 592 00:35:21,202 --> 00:35:23,704 IT WAS HIM, GIVING A SINGING PARKING TICKET. 593 00:35:23,704 --> 00:35:27,208 HE USED TO SING WITH A GROUP OF POLICEMEN CALLED THE COP OUTS. 594 00:35:27,208 --> 00:35:29,710 CLEVER, HUH ? I HOPE I'M NOT BARGING IN. 595 00:35:30,211 --> 00:35:33,214 NO. YOU'RE JUST IN TIME. RON HERE JUST GOT ROLLED BY AN OLD LADY. 596 00:35:33,214 --> 00:35:34,715 ROBBED, NOT ROLLED. 597 00:35:35,216 --> 00:35:36,717 WHY DON'T YOU ALL HELP YOURSELF TO SOME VINO ? 598 00:35:37,218 --> 00:35:40,721 I WANNA SHOW YOU SOMETHING DIVINE. OOH, I CAN HARDLY WAIT. 599 00:35:40,721 --> 00:35:43,724 [ Samantha ] RETAIL, BUT ON SALE. ARE YOU REALLY A POLICEMAN ? 600 00:35:44,225 --> 00:35:46,727 YOU DON'T KNOW BLACK IRISH WHEN YOU SEE IT ? 601 00:35:46,727 --> 00:35:50,231 WELL, I DID GET ROBBED, BY AN OLD LADY. 602 00:35:50,615 --> 00:35:52,116 ON A MOPED ? THAT'S HER. 603 00:35:52,617 --> 00:35:54,619 WRITE DOWN WHAT YOU LOST. I'LL SEE WHAT I CAN DO. 604 00:35:56,120 --> 00:35:58,122 YOU HERE TO SING ? WHAT ? 605 00:35:58,623 --> 00:36:00,625 I AM. YOU GOT A PENCIL ? 606 00:36:00,625 --> 00:36:02,627 RIGHT HERE. FOLLOW ME. 607 00:36:04,128 --> 00:36:06,130 THE LIST ? 608 00:36:06,130 --> 00:36:08,633 [ Giggling ] 609 00:36:08,633 --> 00:36:10,635 HEY. SHH. 610 00:36:10,635 --> 00:36:12,637 LOOK INTO MY EYES. ARE THEY RED ? 611 00:36:13,137 --> 00:36:17,141 DO YOU THINK ANYBODY CAN TELL ? OH, RELAX, HONEY. 612 00:36:17,642 --> 00:36:20,645 NEXT TIME I'LL GET YOU SOME MAGIC MUSHROOMS. 613 00:36:20,645 --> 00:36:22,647 [ Laughs ] 614 00:36:22,647 --> 00:36:25,149 HEY, JACK ! JACK ! HI. 615 00:36:25,149 --> 00:36:28,152 HI. COME ON AND MEET RAY. HEY, RAY ! 616 00:36:28,152 --> 00:36:29,654 HI. 617 00:36:34,025 --> 00:36:37,028 OH. OH, GOD. 618 00:36:37,028 --> 00:36:39,530 COME ON. HE'S GOT A WONDERFUL VOICE. 619 00:36:45,036 --> 00:36:48,039 HOW YOU DOING ? HI. 620 00:36:48,039 --> 00:36:50,041 IT'S A TAPE. YEAH. 621 00:36:54,545 --> 00:36:56,047 HELP ! 622 00:36:58,049 --> 00:37:00,051 HELP ME. 623 00:37:01,552 --> 00:37:03,554 AH ! OH ! 624 00:37:09,060 --> 00:37:11,562 HEY ! HEY ! HEY, YOU ! 625 00:37:11,562 --> 00:37:14,065 THE DOOR'S JAMMED. THE DOOR. WHAT ? 626 00:37:14,565 --> 00:37:16,567 GET SOME HELP. THE DOOR'S JAMMED. 627 00:37:20,071 --> 00:37:21,572 MADAM. 628 00:37:22,073 --> 00:37:24,575 OH ! OH, GOD. 629 00:37:29,964 --> 00:37:32,967 WHAT IS THIS, SOME KIND OF HALFWAY HOUSE ? THAT'S AS GOOD A NAME AS ANY. 630 00:37:32,967 --> 00:37:36,470 COME ON. WE'RE GETTING INTO THE MUSIC BUSINESS. GET THE WINE. 631 00:37:40,474 --> 00:37:42,093 ♪♪♪♪ [ Humming ] 632 00:37:44,095 --> 00:37:47,598 HEY, YOU GUYS, THIS IS RON. POOR BABY JUST GOT ROLLED. 633 00:37:50,101 --> 00:37:52,103 ♪♪♪♪ [ Humming ] 634 00:37:53,604 --> 00:37:56,107 HI. 635 00:38:00,111 --> 00:38:03,114 RON ! OH, THIS IS LULU BRECHT, BEST DRESSER IN THE BUSINESS. 636 00:38:03,497 --> 00:38:06,000 AH. MY UNDRESSING AIN'T BAD EITHER. 637 00:38:06,367 --> 00:38:09,370 COME ON. PAY NO ATTENTION. 638 00:38:09,370 --> 00:38:10,871 WINE. 639 00:38:10,871 --> 00:38:12,873 IS THERE ANY REASON WHY HE'S DRESSED LIKE AN INDIAN ? 640 00:38:13,374 --> 00:38:15,876 MAYBE IT'S HIS, UH, FANTASY. [ Chuckles ] 641 00:38:16,377 --> 00:38:18,379 UH, BEING A COWBOY IS MY FANTASY, 642 00:38:18,379 --> 00:38:20,381 BUT I DON'T GO AROUND DRESSED LIKE ONE. TOO BAD. 643 00:38:20,881 --> 00:38:23,384 WE COULD USE ANOTHER HAND ON THIS SPREAD. OHH ! 644 00:38:23,384 --> 00:38:25,886 [ Woman ] JACKIE ! 645 00:38:25,886 --> 00:38:29,390 BUBELEH ! MOTHER ! I DIDN'T KNOW YOU WERE COMING TO TOWN. 646 00:38:29,390 --> 00:38:32,393 SURE. I TOOK A BUS FROM JERSEY TO SEE A MATINEE. 647 00:38:32,393 --> 00:38:35,896 ROTTEN. NOT LIKE THE DAYS WHEN I WAS A CHORINE. 648 00:38:37,398 --> 00:38:39,400 OHH ! JACKIE, I CAN'T WAIT FOR THE DAY... 649 00:38:39,400 --> 00:38:42,903 WHEN SOMETHING YOU'VE WRITTEN IS PRODUCED ON BROADWAY. 650 00:38:42,903 --> 00:38:45,406 MOTHER, WOULD YOU DO ME A FAVOR ? SURE. 651 00:38:45,406 --> 00:38:47,908 DON'T TELL EVERYONE HERE THAT I'M A GENIUS. I'M YOUR MOTHER. 652 00:38:48,409 --> 00:38:49,910 I KNOW, BUT THESE ARE MY FRIENDS... 653 00:38:50,411 --> 00:38:52,413 AND GENIUSES HAVE A REAL HARD TIME KEEPING FRIENDS, OKAY ? 654 00:38:52,913 --> 00:38:54,415 HERE. I BROUGHT YOU SOMETHING FROM ZABAR'S. OH ! 655 00:38:54,915 --> 00:38:56,917 I BROUGHT YOU SOMETHING FROM BLOOMIE'S. DID YOU GET STUFFED CABBAGE ? 656 00:38:56,917 --> 00:38:58,919 WHAT ELSE ? HELEN ! 657 00:38:58,919 --> 00:39:00,921 AH ! HELLO. NOW, SAMANTHA, 658 00:39:00,921 --> 00:39:02,923 YOU KNOW FROM WOMEN'S WEAR DAILY AND LIKE THAT. 659 00:39:02,923 --> 00:39:06,427 TELL ME. HOW DO YOU LIKE MY NEW OUTFIT, HUH ? 660 00:39:06,427 --> 00:39:08,929 GUCCI, PUCCI, FIORUCCI. 661 00:39:08,929 --> 00:39:11,932 IT'S BEAUTIFUL. IT'S COLORFUL. 662 00:39:12,183 --> 00:39:15,436 - EATS, EVERYONE ! - [ All Cheering ] 663 00:39:15,436 --> 00:39:17,438 HEY, GREAT ! 664 00:39:17,438 --> 00:39:19,440 HAVE SOME FOOD. THAT SALAD LOOKS GOOD. 665 00:39:19,940 --> 00:39:22,443 FELIPES, LOOK WHO'S HERE. AH ! 666 00:39:22,443 --> 00:39:24,945 YOU LOOK GREAT. WONDERFUL. 667 00:39:24,945 --> 00:39:26,947 WANT SOME WINE ? DAVID, THIS IS MY MOM. 668 00:39:26,947 --> 00:39:28,449 HERE. WANT SOME WINE ? 669 00:39:29,950 --> 00:39:33,954 HI. [ Felipe ] I LOVE JACK'S SONG. 670 00:39:42,596 --> 00:39:44,598 OH, MY. 671 00:39:53,107 --> 00:39:56,110 [ Meow ] I SHOULD NEVER COME DOWNTOWN. 672 00:39:58,112 --> 00:40:00,114 [ Meow ] NICE KITTY. 673 00:40:00,114 --> 00:40:02,116 YOU RUN ALONG. 674 00:40:02,116 --> 00:40:06,737 - MOVE IT, CAT. YOU ROTTEN PUSSY. - [ Screeching ] 675 00:40:06,737 --> 00:40:10,124 - HELP ! I'M BEING ATTACKED ! - SYDNE ! 676 00:40:10,124 --> 00:40:13,127 AS GOD IS MY WITNESS, I HAD NOTHING TO DO WITH THIS. 677 00:40:13,377 --> 00:40:14,879 THIS IS SYDNE CHANNING, 678 00:40:14,879 --> 00:40:17,381 A SEMI-LEGEND IN HER OWN TIME. 679 00:40:17,381 --> 00:40:20,384 SYDNE, THIS IS RIDICULOUS. FOR ONCE, WE ARE IN AGREEMENT. 680 00:40:20,384 --> 00:40:23,387 [ Grunts ] HELLO, BOYS. 681 00:40:23,637 --> 00:40:26,757 SYDNE, YOU HAVE ARRIVED HERE LIKE THE WICKED WITCH OF THE WEST. 682 00:40:26,757 --> 00:40:28,759 AND YOU'VE TURNED INTO SNOW WHITE. 683 00:40:28,759 --> 00:40:31,762 AND HERE ARE THE SEVEN DWARFS. SLEEPY, SNEEZY, GRUMPY AND... 684 00:40:34,265 --> 00:40:35,766 GORGEOUS. 685 00:40:35,766 --> 00:40:37,768 HOW DO YOU DO ? I'M SYDNE CHANNING. 686 00:40:37,768 --> 00:40:39,770 DO YOU HAVE REPRESENTATION ? 687 00:40:39,770 --> 00:40:42,773 I'MTHEMOST IMPORTANT COMMERCIAL AND PRINT AGENT IN NEW YORK. 688 00:40:42,773 --> 00:40:46,277 WHAT ? FRUIT OF THE LOOM IS DOING A BIG AD CAMPAIGN. 689 00:40:46,777 --> 00:40:49,780 SOMETHING TELLS ME THAT YOU COULD REALLY FIT INTO A PAIR OF JOCKEY SHORTS. 690 00:40:49,780 --> 00:40:51,782 WHAT A DELIGHTFUL ICEBREAKER. 691 00:40:55,169 --> 00:40:58,172 SYDNE, HAVE SOME LASAGNA. 692 00:41:00,174 --> 00:41:02,176 IT'S AN EVIL DAY WHEN AMERICA'S TOP MODEL... 693 00:41:02,676 --> 00:41:04,678 THROWS IT ALL AWAY TO BECOME A DEN MOTHER. 694 00:41:04,678 --> 00:41:06,680 MM-MM. 695 00:41:11,051 --> 00:41:13,554 [ Crunching ] 696 00:41:15,055 --> 00:41:18,058 IT'S SO CRUNCHY. 697 00:41:18,192 --> 00:41:21,695 I AM IN SHOCK. I HAD NO IDEA THIS WAS HAPPENING. 698 00:41:21,695 --> 00:41:24,198 SOMETHING KEPT SAYING, "GO. BE WITH JACKIE TONIGHT." 699 00:41:24,698 --> 00:41:27,701 AND, MY GOD, IT'S A SHOW BUSINESS FIRST. 700 00:41:27,701 --> 00:41:29,703 MY VERY OWN SON... 701 00:41:29,703 --> 00:41:32,706 RECORDING A REAL, LIVE BACKYARD ALBUM. 702 00:41:33,207 --> 00:41:36,710 WHY, IT'S JUST LIKE JUDY GARLAND AT CARNEGIE HALL, 703 00:41:36,710 --> 00:41:38,712 SOPHIE TUCKER AT THE PALACE... 704 00:41:39,213 --> 00:41:42,216 OR MINNIE PEARL SELLING FRIEND CHICKEN. DID YOU KNOW-- 705 00:41:45,219 --> 00:41:48,222 DO YOU REALIZE WHAT BROUGHT ME HERE TONIGHT ? 706 00:41:48,222 --> 00:41:51,225 KISMET. THAT MEANS FATE. 707 00:41:51,225 --> 00:41:55,229 MA-- OH, HONEYBUNS, DON'T YOU REALIZE... 708 00:41:55,729 --> 00:42:00,234 IT'S YOUR MUSIC THAT'S BRINGING ALL OF THESE TALENTED BOYS TOGETHER. 709 00:42:00,734 --> 00:42:03,237 THEY OUGHT TO GET DOWN ON THEIR KNEES-- MOM. 710 00:42:03,737 --> 00:42:05,239 THEY'RE DOING THIS AS A FAVOR. A FAVOR ? 711 00:42:05,239 --> 00:42:08,742 WHY, IT'S THE GREATEST FAVOR THEY'VE EVER DONE FOR THEMSELVES. 712 00:42:10,244 --> 00:42:12,246 GUYS, LET'S GET THIS SHOW ON THE ROAD. 713 00:42:12,496 --> 00:42:14,498 DAVE ? RANDY ? YOU GOT IT. 714 00:42:14,498 --> 00:42:16,500 BRACE YOURSELVES FOR A DEBUT. 715 00:42:16,500 --> 00:42:18,502 [ Samantha ] GO GET 'EM ! DID I SAY SOMETHING ? 716 00:42:21,088 --> 00:42:24,091 ♪♪♪♪ GIVE US THE LYRICS. 717 00:42:25,593 --> 00:42:27,595 I MIGHT NOT HAVE TO USE THIS. 718 00:42:35,603 --> 00:42:37,605 ♪♪ WHEN I'M WITH MY FRIENDS ♪♪ 719 00:42:37,605 --> 00:42:39,607 ♪♪ THERE'S MAGIC IN THE AIR ♪♪ 720 00:42:39,607 --> 00:42:42,610 ♪♪ GOOD VIBRATIONS ALWAYS SURROUND US ♪♪ 721 00:42:42,610 --> 00:42:44,612 ♪♪ ♪♪ PLAY SOME GOOD MUSIC 722 00:42:44,612 --> 00:42:46,614 ♪♪ ♪♪ THE MOMENT HAS FLAIR 723 00:42:46,614 --> 00:42:50,117 ♪♪ HAPPINESS AND JOY'S EVERYWHERE ♪♪ 724 00:42:50,117 --> 00:42:53,621 ♪♪ SO HAVE A GOOD TIME EVERYONE HAVE SOME FUN ♪♪ 725 00:42:53,621 --> 00:42:57,124 ♪♪ LEAVE ALL OF YOUR PROBLEMS BEHIND YOU ♪♪ 726 00:42:57,124 --> 00:42:58,626 ♪ ♪♪ COME AND SING ALONG ♪ 727 00:42:59,126 --> 00:43:01,128 ♪♪ JOIN IN ON MY SONG ♪♪ 728 00:43:01,128 --> 00:43:04,632 ♪♪ SING ABOUT THIS MAGICAL NIGHT ♪♪ 729 00:43:04,632 --> 00:43:06,133 ♪♪ MAGIC NIGHT ♪♪ 730 00:43:06,133 --> 00:43:09,637 ♪♪ MAGIC'S IN THE MUSIC IT'S A MAGIC NIGHT ♪♪ 731 00:43:09,637 --> 00:43:14,642 ♪♪ WE ALL NEED TO USE IT ♪♪ ♪♪ WE CAN HAVE A GOOD TIME ♪♪ 732 00:43:14,642 --> 00:43:16,143 ♪♪ AND ENJOY ♪♪ 733 00:43:16,644 --> 00:43:20,147 ♪♪ ALL THE MAGICAL VIBES ON THIS GREAT MAGIC NIGHT ♪♪ 734 00:43:20,147 --> 00:43:23,651 ♪♪ GOOD FRIENDS ALL AROUND YOU IT'S A MAGIC NIGHT ♪♪ 735 00:43:24,151 --> 00:43:28,155 ♪ ♪♪ MAGIC SURE WILL FIND YOU SO LET'S ALL TRY TONIGHT ♪ 736 00:43:28,405 --> 00:43:30,407 ♪♪ TO FEEL LOVE ♪♪ 737 00:43:30,407 --> 00:43:32,910 ♪♪ COMING FROM INSIDE EACH OTHER ♪♪ 738 00:43:32,910 --> 00:43:35,779 ♪♪ WHEN I'M WITH MY FRIENDS FRIENDS WITH WHOM I CAN SHARE ♪♪ 739 00:43:36,280 --> 00:43:39,783 ♪♪ ALL MY UPS AND DOWNS AND BETWEENS WITH ♪♪ 740 00:43:39,783 --> 00:43:42,920 ♪♪ WHEN I'M WITH LOVED ONES THE MOMENTS ARE DEAR ♪♪ 741 00:43:43,420 --> 00:43:46,924 ♪♪ SO MUCH MAGIC IS IN THE AIR ♪♪ 742 00:43:47,174 --> 00:43:50,678 ♪ ♪♪ MAGIC'S WHEN I COME TOGETHER WITH MY FRIENDS ♪ 743 00:43:50,678 --> 00:43:54,181 ♪♪ PEOPLE FROM THE WORLD ALL AROUND US ♪♪ 744 00:43:54,181 --> 00:43:57,184 ♪♪ SHARING THE GOOD THINGS WE ALL LOVE TO SHARE ♪♪ 745 00:43:57,685 --> 00:44:01,188 ♪♪ SO MUCH LOVE IS FOUND IN THE AIR ♪♪ 746 00:44:01,188 --> 00:44:02,189 ♪♪ MAGIC NIGHT ♪♪ 747 00:44:02,556 --> 00:44:05,559 ♪♪ MAGIC'S IN THE MUSIC IT'S A MAGIC NIGHT ♪♪ 748 00:44:06,060 --> 00:44:11,065 ♪♪ WE ALL NEED TO USE IT WE CAN HAVE A GOOD TIME ♪♪ 749 00:44:11,065 --> 00:44:13,067 ♪♪ AND ENJOY ♪♪ 750 00:44:13,067 --> 00:44:16,570 ♪♪ ALL THE MAGICAL VIBES ON THIS GREAT MAGIC NIGHT ♪♪ 751 00:44:16,570 --> 00:44:19,573 ♪♪ GOOD FRIEND ALL AROUND YO U IT'S A MAGIC NIGHT ♪♪ 752 00:44:20,074 --> 00:44:25,079 ♪♪ MAGIC SURE WILL FIND YOU SO LET'S ALL TRY TONIGHT ♪♪ 753 00:44:25,079 --> 00:44:27,081 ♪♪ TO FEEL LOVE ♪♪ 754 00:44:27,081 --> 00:44:29,083 ♪♪ COMING FROM INSIDE EACH OTHER ♪♪ 755 00:44:29,083 --> 00:44:31,085 HEY, LET'S GO DOWN. LET'S GO. 756 00:44:35,839 --> 00:44:39,843 ♪♪♪♪ [ Vocalizing ] AAH ! 757 00:44:40,844 --> 00:44:43,347 ♪♪ SO MUCH MAGIC ♪♪ 758 00:44:47,351 --> 00:44:50,354 ♪♪ SO MUCH MAGIC ♪♪ 759 00:44:54,858 --> 00:44:57,361 ♪♪ SO MUCH MAGIC ♪♪ 760 00:44:57,861 --> 00:45:00,864 ♪ ♪♪ MAGIC NIGHT MAGIC'S IN THE MUSIC ♪ 761 00:45:00,864 --> 00:45:03,867 ♪♪ IT'S A MAGIC NIGHT WE ALL NEED TO USE IT ♪♪ 762 00:45:04,368 --> 00:45:07,871 - ♪♪ WE CAN HAVE A GOOD TIME ♪♪ - SAMANTHA. 763 00:45:07,871 --> 00:45:09,873 ♪♪ AND ENJOY ALL THE MAGICAL VIBES ♪♪ SAMANTHA. 764 00:45:09,873 --> 00:45:12,876 HEY ! ♪♪ ON THIS GREAT MAGIC NIGHT ♪♪ 765 00:45:13,377 --> 00:45:15,879 NOT BAD FOR A WEDNESDAY NIGHT. I'VE GOTTA BE GOING. 766 00:45:15,879 --> 00:45:18,882 I'LL LET MYSELF OUT. WAIT A MINUTE. 767 00:45:18,882 --> 00:45:21,885 THE LASAGNA WAS GOOD. 768 00:45:21,885 --> 00:45:24,388 AH ! WAIT A MINUTE. 769 00:45:24,388 --> 00:45:26,390 WE'RE JUST GETTING STARTED. 770 00:45:26,390 --> 00:45:29,893 ♪♪ MAGIC NIGHT MAGIC'S IN THE MUSIC ♪♪ 771 00:45:29,893 --> 00:45:32,896 THIS IS THE BEST PARTY WE'VE HAD IN WEEKS. WHY ARE YOU LEAVING SO EARLY ? 772 00:45:34,898 --> 00:45:38,402 LET'S PUT IT THIS WAY. YOUR FRIENDS ARE A LITTLE FAR OUT FOR ME. 773 00:45:38,902 --> 00:45:40,904 WHAT DO YOU MEAN ? I DON'T UNDERSTAND... 774 00:45:40,904 --> 00:45:42,906 WHY A GOOD-LOOKING GIRL LIKE YOU IS DOWN HERE IN THE VILLAGE... 775 00:45:42,906 --> 00:45:45,409 WITH A BUNCH OF-- I DON'T KNOW WHAT ! 776 00:45:45,409 --> 00:45:48,912 DO YOU KNOW SOMETHING ? I DON'T JUDGE PEOPLE. I ACCEPT THEM. 777 00:45:48,912 --> 00:45:51,415 THERE ISN'T A PERSON WHO BREATHES WHO DOESN'T HAVE CERTAIN PECULIARITIES. 778 00:45:51,915 --> 00:45:53,917 AS LONG AS IT DOESN'T HURT ANYBODY, IT'S ALL RIGHT WITH ME. 779 00:45:53,917 --> 00:45:55,919 YEAH, BUT WHERE DO YOU DRAW THE LINE ? 780 00:45:55,919 --> 00:45:58,922 WITH UPTIGHT SQUARES LIKE YOU. 781 00:46:02,426 --> 00:46:04,428 REALLY. 782 00:46:04,428 --> 00:46:06,563 ♪♪ ON THIS GREAT MAGIC NIGHT ♪♪ 783 00:46:07,064 --> 00:46:09,566 ♪♪ GOOD FRIEND ALL AROUND YOU IT'S A MAGIC NIGHT ♪♪ SAM, AM I CRAZY, 784 00:46:10,067 --> 00:46:12,069 OR DOES IT SOUND WONDERFUL ? YES. BOTH OF THE ABOVE. 785 00:46:12,569 --> 00:46:15,572 WELL, WHAT DO WE DO NOW ? SELL THE RECORDING AND PUBLISHING RIGHTS. 786 00:46:15,572 --> 00:46:18,075 YOU CAN DO THAT ? LIKE A SNAP. 787 00:46:18,575 --> 00:46:21,078 OH, SAM ! ♪♪ MAGIC NIGHT ♪♪ 788 00:46:21,328 --> 00:46:23,831 ♪♪ MAGIC'S IS THE MUSIC IT'S A MAGIC NIGHT ♪♪ 789 00:46:24,198 --> 00:46:29,203 ♪♪ WE ALL NEED TO USE IT WE CAN HAVE A GOOD TIME ♪♪ 790 00:46:29,203 --> 00:46:31,205 ♪♪ AND ENJOY ♪♪ 791 00:46:31,205 --> 00:46:35,709 ♪♪ ALL THE MAGICAL VIBES ON THIS GREAT MAGIC NIGHT ♪♪♪♪ 792 00:46:45,636 --> 00:46:47,638 OH. HI, SAM. 793 00:46:47,638 --> 00:46:52,142 I CANNOT BELIEVE THAT ON THE HOTTEST DAY OF THE YEAR THE AIR-CONDITIONING GOES OUT. 794 00:46:52,142 --> 00:46:54,144 WELL, HOW'D IT GO TODAY ? 795 00:46:54,144 --> 00:46:56,146 - IT DIDN'T. - DIDN'T WHAT ? - IT DIDN'T GO. 796 00:46:56,146 --> 00:47:00,150 I SAW A MUSIC PUBLISHER, A COUPLE OF TALENT AGENTS AND A RECORD COMPANY V.P. 797 00:47:00,534 --> 00:47:02,786 - WHAT'D THEY SAY ? - "WOULD I DISCUSS IT OVER DINNER ?" 798 00:47:02,786 --> 00:47:06,657 - IT'S THE SAME OLD CASTING COUCH ROUTINE. - SAM, THIS IS VERY DEPRESSING. 799 00:47:06,907 --> 00:47:11,411 CRITICAL. I ATE TWO SNOWBALLS, ONE DING DONG AND A COUPLE OF TWINKIES. 800 00:47:11,912 --> 00:47:13,413 MAKE YOU FEEL ANY BETTER ? 801 00:47:13,914 --> 00:47:17,918 IF YOU LIKE FEELING LIKE THE PILLSBURY DOUGHBOY. 802 00:47:18,168 --> 00:47:21,171 WHO'S THE MOST IMPORTANT RECORD PERSON WE BOTH KNOW ? 803 00:47:21,171 --> 00:47:24,174 STEVE WAITS. OH, NO. 804 00:47:24,174 --> 00:47:26,176 I'M NOT SWALLOWING MY PRIDE AND GOING BACK TO HIM. 805 00:47:26,176 --> 00:47:27,678 SURE YOU CAN. UH-UH. 806 00:47:27,678 --> 00:47:30,180 ANYBODY WHO CAN SWALLOW TWO SNOWBALLS AND A DING DONG... 807 00:47:30,180 --> 00:47:32,182 SHOULDN'T HAVE ANY TROUBLE WITH PRIDE. 808 00:47:32,182 --> 00:47:34,184 YOU'RE DOING HIM A FAVOR, SAM. 809 00:47:34,184 --> 00:47:36,186 I'M A VERY TALENTED COMPOSER, RIGHT ? RIGHT. 810 00:47:36,186 --> 00:47:38,689 AND MARRAKECH RECORDS IS THE BIGGEST AND THE BEST. 811 00:47:38,689 --> 00:47:41,692 SO WHY DON'T WE START AT THE TOP ? IT'S BETTER THAN WORKING OUR WAY UP. 812 00:47:41,692 --> 00:47:44,695 WHAT DO YOU SAY ? THAT'S MY KIND OF LOGIC. 813 00:47:44,695 --> 00:47:47,698 HELP ME GET READY. GREAT. 814 00:47:47,698 --> 00:47:49,700 ALL RIGHT. 815 00:47:49,700 --> 00:47:53,203 WHAT SHOULD I GIVE HIM ? INNOCENT LITTLE GIRL OR WOMAN OF THE WORLD ? 816 00:47:53,203 --> 00:47:56,206 WELL, IF YOU ASKED ME, I'D TAKE-- 817 00:47:56,206 --> 00:47:59,209 I KNOW WHAT YOU'D CHOOSE. WHICH REMINDS ME. 818 00:47:59,209 --> 00:48:02,212 HOW COME I HAVEN'T HEARD THE PITTER-PATTER OF LITTLE STEWARDESSES' PUMPS LATELY ? 819 00:48:02,713 --> 00:48:05,716 HAVE YOU BEEN DECLARED OFF-LIMITS ? NO. THEY HAVE. 820 00:48:06,099 --> 00:48:08,852 - WHAT DO YOU MEAN ? - I'VE GIVEN UP MY LOVE LIFE COMPLETELY... 821 00:48:08,852 --> 00:48:10,854 UNTIL AFTER I'VE GOTTEN SOMETHING RECORDED. 822 00:48:10,854 --> 00:48:13,974 - I MADE A SOLEMN VOW. - JACK, THAT COULD TAKE-- 823 00:48:13,974 --> 00:48:16,727 SHH ! DON'T SAY IT. DON'T EVEN THINK ABOUT IT. 824 00:48:16,727 --> 00:48:19,229 JUST PICK OUT YOUR DRESS AND GO SELL YOUR ASS OFF. 825 00:48:19,229 --> 00:48:23,233 WELL, THIS DEFINITELY CALLS FOR TITS AND TEARS. 826 00:48:23,617 --> 00:48:27,120 WELL, SURE I GOT TIME FOR YOU. GO AHEAD. [ Buzzing ] 827 00:48:27,621 --> 00:48:31,124 WHAT ? NO, WE ARE SHIPPING TRIPLE PLATINUM. ABSOLUTELY NO RETURNS. 828 00:48:31,625 --> 00:48:33,126 ANYBODY ELSE CALL ? ROD STEWART. 829 00:48:33,627 --> 00:48:36,129 GET ME HIS PRIVATE NUMBER. CAN'T GET IT FROM CELEBRITY SERVICE. 830 00:48:36,630 --> 00:48:41,134 WOULD YOU FIND ME ROD STEWART ? WHEN YOU DO, HAVE HIM CALL ME BACK IMMEDIATELY. YES ! 831 00:48:41,134 --> 00:48:44,638 UH, NO, NO, NO, NO, NO. 832 00:48:44,638 --> 00:48:46,640 UH-HUH. UH-HUH. 833 00:48:52,145 --> 00:48:55,148 SAMANTHA. OUT. UH-HUH. 834 00:48:55,148 --> 00:48:57,150 UH-HUH. 835 00:48:57,150 --> 00:48:59,653 OH ! 836 00:49:00,904 --> 00:49:02,906 OOH. UH-HUH. 837 00:49:05,158 --> 00:49:07,160 UH-HUH. 838 00:49:07,160 --> 00:49:10,163 UH-- MM-HMM. 839 00:49:10,163 --> 00:49:11,782 UH-HUH. 840 00:49:11,782 --> 00:49:13,533 UH-HUH. 841 00:49:15,035 --> 00:49:17,037 OH, YEAH. 842 00:49:20,040 --> 00:49:21,541 UH-HUH. 843 00:49:23,543 --> 00:49:25,045 MM-HMM. 844 00:49:26,546 --> 00:49:27,798 DON'T I GET A KISS ? 845 00:49:29,800 --> 00:49:31,802 FIFTY-THOUSAND DOLLARS ? ARE YOU CRAZY ? 846 00:49:31,802 --> 00:49:35,939 WHO DO YOU THINK I AM, NEIL BOGART ? KEEP IN TOUCH. 847 00:49:37,941 --> 00:49:39,943 CAN I GET YOU A DRINK ? [ Buzzes ] 848 00:49:39,943 --> 00:49:43,447 WHAT ? NO. WAIT, WAIT. WOULD YOU JUST WAIT ? 849 00:49:43,947 --> 00:49:46,450 NOW, HOW DID WE RELEASE THE NEW SINGLE IN ATLANTA ? 850 00:49:46,450 --> 00:49:49,453 YEAH. UH, TELL HIM I'LL CALL HIM BACK. 851 00:49:49,953 --> 00:49:52,456 NOW, UH, WHERE WERE WE ? WELL, STEVE, IF I COULD JUST-- 852 00:49:52,456 --> 00:49:54,458 [ Buzzes ] ONE SECOND. YEAH ? 853 00:49:54,458 --> 00:49:57,210 NO. TELL HIM I'LL SEE HIM A LITTLE AFTER 7:00. WAIT A MINUTE. 854 00:49:57,210 --> 00:50:00,714 SAMANTHA, WHERE ARE YOU GOING ? SAMANTHA, WAIT A MINUTE. 855 00:50:01,214 --> 00:50:03,216 YOU'RE DOING IT AGAIN. IT'S ALL COMING BACK TO ME. 856 00:50:03,717 --> 00:50:06,219 LIVING WITH THE TOUCH-TONE KID. I CAN'T GET A WORD IN EDGEWISE. 857 00:50:06,219 --> 00:50:08,221 YOU MEAN THE TELEPHONE ? YEAH. 858 00:50:08,221 --> 00:50:10,724 NO, THIS IS ME IN THE PAST. THIS IS NOT ME NOW. NO. 859 00:50:11,224 --> 00:50:13,226 NO, YOU'VE CHANGED. YEAH. I'LL CALL YOU BACK. 860 00:50:13,226 --> 00:50:15,228 YOU DON'T HAVE A PHONE IN YOUR LIMO ? 861 00:50:15,729 --> 00:50:18,231 NEXT TO THE JOHN ? NEXT TO THE BED ? 862 00:50:18,231 --> 00:50:20,233 IN THE SAUNA ? 863 00:50:20,233 --> 00:50:22,235 NO. THAT'S WHAT I THOUGHT. 864 00:50:22,235 --> 00:50:25,238 OKAY, WAIT. JUST ONE MINUTE. ONE MINUTE. 865 00:50:25,238 --> 00:50:27,741 WANNA SEE WHAT I THINK OF TELEPHONES NOW ? 866 00:50:27,741 --> 00:50:29,743 THAT'S WHAT I THINK OF TELEPHONES NOW ! [ Phone Buzzes ] 867 00:50:29,743 --> 00:50:34,748 HELLO. LOOK, WILL YOU JUST HOLD ALL CALLS ? 868 00:50:36,750 --> 00:50:39,252 I GOTTA GET OUT OF THIS BUSINESS. HAVE A SEAT, SWEETHEART. 869 00:50:39,252 --> 00:50:41,254 YEAH. 870 00:50:41,254 --> 00:50:44,257 WHAT I'M TRYING TO TELL YOU IS THAT I'M DIFFERENT NOW. 871 00:50:44,257 --> 00:50:49,763 AND-- WELL, THE FACT IS THAT, UH, THE REASONS YOU LEFT ME SIMPLY DON'T EXIST ANYMORE. 872 00:50:50,263 --> 00:50:52,265 [ Phone Buzzes ] 873 00:50:52,766 --> 00:50:54,768 I DON'T EVEN HAVE TO ANSWER THAT. 874 00:50:54,768 --> 00:50:57,771 PROVE IT. [ Buzzing Continues ] 875 00:50:57,771 --> 00:51:00,774 OH, GOD. I'VE REALLY MISSED YOU, YOU KNOW THAT ? 876 00:51:00,774 --> 00:51:03,777 I'VE-- I'VE NEVER STOPPED LOVING YOU, EVER, EVER, EVER. 877 00:51:03,777 --> 00:51:06,279 [ Buzzing Continues ] THAT BODY OF YOURS IS SO BEAUTIFUL. 878 00:51:06,279 --> 00:51:09,282 I'LL NEVER FORGET YOU. 879 00:51:09,282 --> 00:51:12,786 I'VE GOT TO HAVE YOU AGAIN. I LOVE YOU. 880 00:51:14,287 --> 00:51:18,792 - WAS THAT ROD STEWART ? - STEVE, THIS IS NOT EXACTLY WHAT I HAD IN MIND. 881 00:51:18,792 --> 00:51:23,797 OH, SAM. DO YOU THINK THERE'S ANYTHING LEFT BETWEEN US ? 882 00:51:23,797 --> 00:51:28,301 WELL, YEAH. WHY DON'T WE, UM, MAKE SOME BEAUTIFUL MUSIC TOGETHER ? 883 00:51:28,802 --> 00:51:30,804 A CASSETTE ? 884 00:51:30,804 --> 00:51:33,807 OH, NO. NOT YOU TOO. 885 00:51:33,807 --> 00:51:37,310 OH, JEEZ. EVERYBODY IS PUSHING THEIR MUSIC THESE DAYS ! 886 00:51:37,811 --> 00:51:40,814 I KNOW WHAT IT IS. YOU GOT A NEW BOYFRIEND WHO'S LEARNING HOW TO PLAY THE GUITAR. 887 00:51:41,314 --> 00:51:44,317 WRONG. I HAVE A NEW LIFE, NOT A NEW BOYFRIEND. 888 00:51:44,818 --> 00:51:46,820 IT'S JACK'S MUSIC. YOU REMEMBER JACK ? 889 00:51:46,820 --> 00:51:52,325 YEAH. THAT KID THAT TOOK CARE OF YOUR APARTMENT LAST SUMMER AND LET ALL THE PLANTS DIE ? 890 00:51:52,325 --> 00:51:55,328 WELL, HE'S VERY TALENTED, AND HE COMPOSED ALL OF THAT. 891 00:51:55,328 --> 00:51:57,330 LISTEN TO ME, SAMANTHA. 892 00:51:57,330 --> 00:52:00,333 MUSIC MAY BE THE OIL OF SHOW BUSINESS, BUT YOU DO NOT WANT TO GET INVOLVED. 893 00:52:00,333 --> 00:52:02,202 - TRUST ME. - TRUST ME. 894 00:52:02,202 --> 00:52:04,204 YOU'VE GOT THE BIGGEST GROUPS AROUND. 895 00:52:04,204 --> 00:52:06,706 THEY'D GIVE THEIR EYETEETH TO GET THEIR HANDS ON THIS MUSIC. 896 00:52:06,706 --> 00:52:09,342 [ Woman ] YOUR TAX LAWYERS ARE WAITING, MR. WAITS. 897 00:52:09,342 --> 00:52:12,846 TAX LAWYERS. EVERYBODY'S GOT THEIR HANDS OUT. 898 00:52:12,846 --> 00:52:15,849 EX-PARTNERS, STOCKHOLDERS, THE I.R.S. 899 00:52:15,849 --> 00:52:18,852 [ Weeping ] TAKING EVERYTHING I GOT. 900 00:52:18,852 --> 00:52:23,356 I DO ALL THE WORK, AND THEY TAKE ALL THE MONEY. 901 00:52:23,356 --> 00:52:27,861 GREED ! GREED ! LET ME TELL YOU ABOUT GREED. 902 00:52:27,978 --> 00:52:30,981 MY GROUPS WRITE AND RECORD THEIR OWN MUSIC... 903 00:52:31,231 --> 00:52:32,732 BECAUSE THEY DON'T WANNA SHARE THEIR ROYALTIES WITH ANYBODY. 904 00:52:33,233 --> 00:52:34,734 THEY DON'T EVEN WANNA HEAR ANYBODY ELSE'S STUFF. 905 00:52:35,235 --> 00:52:37,737 SO HOW DOES A COMPOSER GET STARTED ? 906 00:52:37,988 --> 00:52:40,991 I DON'T KNOW. I DON'T KNOW. TELL HIM HE'S GOTTA HAVE A HOOK. 907 00:52:41,124 --> 00:52:42,626 TELL JACK TO GET HIMSELF A GROUP. 908 00:52:43,126 --> 00:52:45,629 A GROUP ? BUT WE ARE A GROUP. 909 00:52:45,629 --> 00:52:47,631 THEY'RE RIGHT THERE ON THE TAPE AND THEY'RE FABULOUS. 910 00:52:47,631 --> 00:52:50,133 OH, YEAH ? WHAT ARE THEY CALLED ? I'M NOT GONNA TELL YOU. 911 00:52:50,133 --> 00:52:52,135 WHERE ARE THEY PERFORMING ? THEY'RE NOT. 912 00:52:52,135 --> 00:52:54,638 SAM-- LOOK, I'VE GOT THEM UNDER WRAPS. 913 00:52:54,638 --> 00:52:57,641 THEY'RE A REVOLUTIONARY NEW CONCEPT, AND I'M NOT HAVING MY GROUP RIPPED OFF. 914 00:52:58,141 --> 00:53:00,644 I THOUGHT IT WAS JACK'S GROUP. I'M THE MANAGER. 915 00:53:00,644 --> 00:53:02,646 YOU'RE A MANAGER ? 916 00:53:02,646 --> 00:53:05,148 YES, AND I'M NOT LEAVING THIS OFFICE UNTIL I GET A COMMITMENT FROM YOU... 917 00:53:05,148 --> 00:53:08,151 FOR A DEMO SESSION. THAT'S VERY EASY. YOU GOT IT. 918 00:53:08,151 --> 00:53:11,655 OH. OH ! REALLY ? 919 00:53:12,155 --> 00:53:14,658 YEAH, YES. YES. YES. YES. THANK YOU. 920 00:53:14,658 --> 00:53:17,160 I REALLY OWE YOU ONE FOR THIS. 921 00:53:17,160 --> 00:53:19,162 IF YOU REALLY MEAN THAT, 922 00:53:19,162 --> 00:53:22,165 THEN HOW ABOUT THE EAST HAMPTON LIKE THE OLD TIMES THIS WEEKEND ? 923 00:53:22,165 --> 00:53:24,668 OH, THAT'S REALLY HARD FOR ME... 924 00:53:24,668 --> 00:53:29,172 BECAUSE, UH, I HAVE TO CONTROL MYSELF BECAUSE OF MY VOW. 925 00:53:29,673 --> 00:53:33,176 WHAT VOW ? OH, WELL, I COMMITTED MYSELF TO CHASTITY... 926 00:53:33,176 --> 00:53:35,178 UNTIL THE GROUP BECOMES A SUCCESS. 927 00:53:35,679 --> 00:53:38,181 OH, CHASTITY. YEAH, AND IT'S REALLY HARD FOR ME. 928 00:53:38,682 --> 00:53:41,184 YEAH. BECAUSE I WANT WHAT YOU WANT. 929 00:53:41,184 --> 00:53:44,187 WHAT WE WANT. WHAT THE WHOLE WORLD WANTS. 930 00:53:44,688 --> 00:53:46,690 BECAUSE YOU'RE THE ONE THAT I WANT. 931 00:53:46,690 --> 00:53:49,693 NOBODY DOES IT BETTER. SO KNOCK ON WOOD. 932 00:53:49,693 --> 00:53:53,196 SOMEDAY I'LL FIND YOU AND WE'LL BE TOGETHER AGAIN FOR SOME... 933 00:53:53,196 --> 00:53:56,199 HOT STUFF BECAUSE I LOVE THE NIGHTLIFE... 934 00:53:56,199 --> 00:53:58,201 AND, OOH, I WANNA MAKE IT WITH YOU. 935 00:53:58,201 --> 00:54:01,705 SO I'LL BE SEEING YOU BECAUSE YOU LIGHT UP MY LIFE. 936 00:54:01,705 --> 00:54:04,708 OOH. SHOO-BE-DO-BE-DO. 937 00:54:09,212 --> 00:54:10,714 HI. UH-- 938 00:54:13,216 --> 00:54:15,218 UH, WHICH WAY'S THE MEN'S ROOM ? 939 00:54:15,218 --> 00:54:18,221 RIGHT OVER THERE. THAT WAY. 940 00:54:23,593 --> 00:54:25,595 RICHARD. COME ON IN. HI. 941 00:54:25,595 --> 00:54:27,597 HELLO. 942 00:54:31,685 --> 00:54:34,187 UM, HOLD IT ! 943 00:54:41,194 --> 00:54:43,697 HEY, WATCH IT. 944 00:54:57,460 --> 00:54:59,963 YOU'RE REALLY LUCKY I'M A NICE PERSON. 945 00:55:01,464 --> 00:55:05,468 I COULD HAVE RAFFLED THIS OFF IN THE ELEVATOR. 946 00:55:05,468 --> 00:55:07,470 THANK YOU. 947 00:55:07,470 --> 00:55:09,973 HEY, I MEAN IT. 948 00:55:09,973 --> 00:55:12,976 I REALLY WANNA APOLOGIZE FOR THE OTHER NIGHT. 949 00:55:13,476 --> 00:55:15,979 I'M A GEMINI. I GOT TWO PERSONALITIES. THIS IS THE GOOD ONE. 950 00:55:15,979 --> 00:55:18,481 COME ON. LET'S BE FRIENDS. 951 00:55:18,481 --> 00:55:22,485 THE ONLY MAN WHO EVER SAID THAT TO ME AND MEANT IT WAS JACK. 952 00:55:22,986 --> 00:55:25,488 WELL, FRIENDLY. 953 00:55:25,488 --> 00:55:28,992 CAN I TAKE YOU TO DINNER ? DON'T YOU HAVE TO GET BACK TO WORK ? 954 00:55:29,242 --> 00:55:31,244 I'LL COOK UP SOME STORY AND IT TO 'EM TOMORROW. 955 00:55:31,244 --> 00:55:34,247 HMM. THE DEVIOUS TYPE, HUH ? 956 00:55:34,247 --> 00:55:38,752 WELL, ACTUALLY, I'M VERY COOL, CALM AND CONSCIENTIOUS. 957 00:55:38,752 --> 00:55:41,254 IN FACT, EVERYTHING I DO IS ON TIME, NEAT AND CORRECT. 958 00:55:41,755 --> 00:55:44,758 I THINK IT'S ABOUT TIME I GOT AWAY WITH A LITTLE SOMETHING. 959 00:55:44,758 --> 00:55:47,761 THIS IS REALLY TERRIFIC, BUT I HAVE TO GET HOME. 960 00:55:47,761 --> 00:55:49,763 COME ON ! I'VE LOST HALF A DAY'S PAY. 961 00:55:49,763 --> 00:55:52,766 RON, YOU'RE REALLY NICE, BUT I HAVE A GROUP TO PUT TOGETHER. 962 00:55:54,267 --> 00:55:57,771 NEED ANY HELP ? ALL I CAN GET. 963 00:55:57,771 --> 00:56:00,774 ALL RIGHT ! [ Whistles ] 964 00:56:02,909 --> 00:56:04,911 HEY, BUDDY ! 965 00:56:05,912 --> 00:56:07,914 DAMN. IT'S OKAY, IT'S OKAY. 966 00:56:07,914 --> 00:56:11,034 - [ Whistles ] - [ Horn Honks ] 967 00:56:12,786 --> 00:56:14,788 HEY ! WHOO ! 968 00:56:17,290 --> 00:56:21,795 [ Tires Screech ] IT TAKES MORE THAN A PRETTY FACE TO GET ANYWHERE IN THIS TOWN. 969 00:56:21,795 --> 00:56:24,297 I CAN'T BELIEVE IT. JEEZ ! 970 00:56:24,798 --> 00:56:26,299 MA'AM ? 971 00:56:30,303 --> 00:56:32,305 ♪♪♪♪ [ Humming ] 972 00:56:33,306 --> 00:56:36,192 JACK ! JACK ! 973 00:56:36,693 --> 00:56:39,195 JACK ! JACK ! WE'RE A GROUP ! 974 00:56:39,696 --> 00:56:41,698 WE'VE GOT STUDIO TIME ! WHAT ? 975 00:56:41,698 --> 00:56:43,700 YOU REMEMBER RON. HE'S REALLY VERY NICE. 976 00:56:43,700 --> 00:56:45,702 HEY, I CAN'T GET THAT SONG OUT OF MY HEAD. 977 00:56:46,202 --> 00:56:48,204 REMEMBER THAT-- ♪♪ MAGIC NIGHT ♪ ♪♪♪ RIGHT. 978 00:56:48,204 --> 00:56:50,206 HEY, BUT-- BUT-- HOW'S THE INDIAN ? FINE. 979 00:56:50,206 --> 00:56:52,208 WOULD YOU GET THE MUSTARD AND THE RELISH ? I HAVE TO TAKE MY LENSES OUT. 980 00:56:52,208 --> 00:56:55,712 THEY'RE KILLING ME. WAIT, SAM ! YOU GOTTA TELL ME LOGICALLY AND SIMPLY... 981 00:56:55,712 --> 00:56:58,214 WHAT WENT ON OVER THERE ! WE ARE A GROUP ! 982 00:56:58,214 --> 00:57:00,216 WE'RE A GROUP ! YEAH, BUT... 983 00:57:00,717 --> 00:57:03,720 YOU JUST DON'T PUT TOGETHER A GROUP LIKE IT WAS A LAUNDRY LOAD. 984 00:57:03,720 --> 00:57:06,973 "LAUNDRY LOAD." HEY, THAT'S NOT A BAD NAME. WHERE IS THAT DISTILLED WATER ? 985 00:57:06,973 --> 00:57:09,476 I'VE GOTTA TAKE MY LENSES-- I'LL USE PERRIER. 986 00:57:09,476 --> 00:57:11,478 DO YOU KNOW WHAT THIS IS ALL ABOUT ? 987 00:57:11,478 --> 00:57:14,481 I HAVEN'T QUITE GOT THE WHOLE THING, BUT IT SOUNDS PROMISING. 988 00:57:14,481 --> 00:57:17,734 WAIT A MINUTE. SAM, STOP WITH ALL THIS BUSY WORK. 989 00:57:17,734 --> 00:57:19,736 THIS IS ALL-- THIS IS MY LIFE HERE ! 990 00:57:19,736 --> 00:57:23,740 WAIT A MINUTE. TELL ME, HOW DO YOU PUT TOGETHER A GROUP THAT DOESN'T EXIST ? 991 00:57:23,740 --> 00:57:25,742 [ Timer Buzzes ] I GOT IT. I JUST DID IT. 992 00:57:25,742 --> 00:57:29,245 I USED MY BRAINS, NOT MY BODY. DO YOU KNOW WHAT AN ACCOMPLISHMENT THAT IS ? 993 00:57:29,245 --> 00:57:31,748 DO YOU KNOW HOW GOOD THAT MAKES ME FEEL ? YEAH. 994 00:57:31,748 --> 00:57:35,118 BUT IT STILL DOESN'T EXPLAIN WHAT'S GOING ON ! 995 00:57:35,118 --> 00:57:38,505 WE, MY DARLING, ARE A GROUP. YEAH. WE'RE A GROUP. 996 00:57:38,505 --> 00:57:40,256 OH ! OH, NO ! OW ! 997 00:57:40,757 --> 00:57:43,009 OH, MY GOD ! OH, NO ! 998 00:57:43,009 --> 00:57:45,512 OH ! OH, MY GOD ! THANKS A LOT ! 999 00:57:46,012 --> 00:57:48,014 OH, MY FLOOR ! ALL OVER THE MUSIC ! 1000 00:57:48,014 --> 00:57:51,017 GET HIS PANTS OFF. HELP ME GET HIS PANTS OFF. I'M BURNING ! 1001 00:57:51,017 --> 00:57:54,020 IT'S ALL OVER MY PARQUET FLOOR. OKAY, FIRST OF ALL, 1002 00:57:54,020 --> 00:57:56,022 WE NEED MORE GUYS. WHY ? 1003 00:57:56,022 --> 00:57:58,525 MY MUSIC NEEDS A VERY BIG SOUND, YOU KNOW WHAT I MEAN ? 1004 00:57:58,525 --> 00:58:01,528 OH, I GOT IT ! WE'LL PUT ADS INVARIETY, BACKSTAGEANDBILLBOARD. 1005 00:58:01,528 --> 00:58:05,031 WE'LL HOLD AUDITIONS. OH, BUT WHERE ? WE CAN'T DO IT HERE... 1006 00:58:05,031 --> 00:58:07,534 BECAUSE WE MADE SO MUCH NOISE THE OTHER NIGHT... 1007 00:58:07,534 --> 00:58:10,036 THAT TWO NEIGHBORS COMPLAINED AND-- 1008 00:58:10,036 --> 00:58:12,038 I CAN'T AFFORD TO RENT A HALL. 1009 00:58:12,038 --> 00:58:16,543 WELL, YOU CAN USE MY OFFICE. YOUR OFFICE A WEEK FROM FRIDAY ? 1010 00:58:16,543 --> 00:58:19,546 YEAH, SURE. FANTASTIC ! SAM, YOU WRITE UP THE AD. 1011 00:58:19,546 --> 00:58:22,048 THIS IS TERRIFIC ! I GOTTA THINK ! WE GOT A GROUP ! 1012 00:58:22,048 --> 00:58:24,050 WHO'D HAVE THUNK IT, RIGHT ? HEY. 1013 00:58:24,050 --> 00:58:28,054 ECH ! I'LL THINK ABOUT THAT TOMORROW. BLECH ! 1014 00:58:33,059 --> 00:58:36,563 - DO YOU WEAR A DICKIE ? - SMART ALECK. 1015 00:58:36,563 --> 00:58:40,567 YOU GO WRITE THE AD. SAM, I LEFT A NEW SONG ON MY RECORDER. 1016 00:58:41,067 --> 00:58:44,571 GIVE IT A LISTEN IF YOU'VE GOT NOTHING BETTER TO DO. 1017 00:58:44,571 --> 00:58:46,573 I THINK I CAN DO TWO THINGS AT ONCE. 1018 00:58:46,573 --> 00:58:49,576 [ Chuckling ] THE PAD AND THE PENCIL ARE ON THE DESK. 1019 00:58:51,694 --> 00:58:54,697 UM, SAM'S VERY DELICATE. 1020 00:58:54,697 --> 00:58:56,699 I'D LIKE FOR HER NOT TO SEE YOUR KNEES. 1021 00:58:58,201 --> 00:59:01,204 [ Chuckling ] 1022 00:59:22,725 --> 00:59:25,228 CRAZY. 1023 00:59:49,002 --> 00:59:51,504 WOULD YOU LIKE SOME WINE ? 1024 00:59:51,504 --> 00:59:53,506 THAT'D BE NICE. 1025 00:59:58,394 --> 01:00:01,397 YOU LOOK QUITE COMFORTABLE. 1026 01:00:03,399 --> 01:00:05,902 I-I AM. 1027 01:00:05,902 --> 01:00:07,904 THIS CITY WAS GETTING TO ME FOR A WHILE, 1028 01:00:07,904 --> 01:00:09,906 BUT I THINK I'M GETTING USED TO IT. 1029 01:00:09,906 --> 01:00:12,408 I'VE BEEN LIVING HERE AND WORKING HERE SINCE I WAS 18, 1030 01:00:12,408 --> 01:00:15,411 AND I WOULDN'T LIVE ANYWHERE ELSE. 1031 01:00:15,411 --> 01:00:18,164 YOU KNOW, I NEVER DATED A GIRL WITH A MALE ROOMMATE. 1032 01:00:19,666 --> 01:00:23,169 WELL, THIS IS THE '80s, DARLING. 1033 01:00:23,169 --> 01:00:26,172 YOU'RE GONNA SEE A LOT OF THINGS YOU'VE NEVER SEEN BEFORE. 1034 01:00:26,172 --> 01:00:29,175 [ Gasps ] OH, EXCUSE ME ! OH, I'M SORRY ! 1035 01:00:29,175 --> 01:00:31,177 HERE. LET ME HELP GET IT OFF-- OH ! 1036 01:00:31,678 --> 01:00:35,181 OH, MY DRESS, IT'S CAUGHT. IT COST ME $1,000. 1037 01:00:35,181 --> 01:00:38,685 CAN YOU HELP ME UNDO IT ? $1,000 FOR A DRESS ? 1038 01:00:38,685 --> 01:00:42,188 YEAH, BUT I GOT IT WHOLESALE. HERE, HELP ME UNBUTTON IT. 1039 01:00:42,188 --> 01:00:45,191 I CAN'T REACH IT. I'M NOT MOVING. I KNOW I'LL TEAR IT. 1040 01:00:45,191 --> 01:00:47,694 OH, MY GOD. WAIT A MINUTE. 1041 01:00:47,694 --> 01:00:50,196 HERE, DOES THIS HELP ? 1042 01:00:50,196 --> 01:00:52,198 YEAH ! 1043 01:00:52,198 --> 01:00:54,200 WELL, GET-- LET ME SEE IF I-- 1044 01:00:54,200 --> 01:00:56,202 [ Groaning ] 1045 01:00:56,202 --> 01:00:58,955 OH, MY GOD. [ Groaning ] 1046 01:00:58,955 --> 01:01:01,457 YEAH, I GOT IT. I GOT IT. WAIT A MINUTE. 1047 01:01:01,457 --> 01:01:03,960 WHAT ARE YOU-- I THINK I GOT IT. 1048 01:01:03,960 --> 01:01:06,963 WAIT. CAN YOU HELP ME ? MY CUFF DOWN HERE. WHERE ? 1049 01:01:06,963 --> 01:01:09,465 WAIT A MINUTE ! WAIT A MINUTE ! WHAT ? 1050 01:01:09,966 --> 01:01:12,468 ARE YOU MARRIED ? 1051 01:01:12,468 --> 01:01:14,470 UH, KIND OF. 1052 01:01:14,470 --> 01:01:16,973 NOW LISTEN, I DRAW THE LINE AT YOUNGER MEN, 1053 01:01:16,973 --> 01:01:19,976 BUT I DEFINITELY DRAW THE LINE AT YOUNGER MARRIED MEN. 1054 01:01:19,976 --> 01:01:23,479 IT'S COMIN' THROUGH. MY DIVORCE. WHAT ? 1055 01:01:23,479 --> 01:01:26,482 THAT IS A TIRED LINE. NO, IT'S NOT. 1056 01:01:26,482 --> 01:01:29,986 THAT'S WHY I MOVED FROM ST. LOUIS, TO HAVE SOME FUN. 1057 01:01:30,486 --> 01:01:32,989 OH, WHOA ! [ Laughing ] 1058 01:01:32,989 --> 01:01:34,991 WELL, ARE YOU ? 1059 01:01:34,991 --> 01:01:37,994 I AM NOW. 1060 01:01:37,994 --> 01:01:39,996 THIS LITTLE PIGGY WENT TO MARKET... CUT IT OUT ! 1061 01:01:39,996 --> 01:01:41,497 AND THIS LITTLE PIGGY WENT HOME. 1062 01:01:41,998 --> 01:01:44,000 - WAIT ! I'M TICKLISH ! - THIS LITTLE PIGGY... 1063 01:01:44,000 --> 01:01:46,502 WHOA ! 1064 01:01:46,502 --> 01:01:48,504 YOU SURE GET UP QUICK. 1065 01:01:48,504 --> 01:01:51,374 UM, "QUICKLY." 1066 01:01:53,376 --> 01:01:56,379 WHAT ARE YOU, A GRAMMARIAN ? 1067 01:01:56,379 --> 01:01:59,382 SOMETHING LIKE THAT. 1068 01:01:59,382 --> 01:02:02,385 YOU SURE KNOW YOUR BODY ENGLISH. 1069 01:02:02,385 --> 01:02:04,887 YOU'RE NOT SO BAD YOURSELF. 1070 01:02:16,399 --> 01:02:18,401 WHICH WAY DO WE GO ? TO THE RIGHT. 1071 01:02:18,401 --> 01:02:20,403 AND DON'T STOP TILL SUNUP. 1072 01:02:39,422 --> 01:02:41,424 WOW. 1073 01:02:41,924 --> 01:02:44,427 IT'S, UH, SO ORANGE. 1074 01:02:44,427 --> 01:02:46,429 PEACH. 1075 01:02:52,935 --> 01:02:55,438 WHOA ! [ Laughing ] 1076 01:02:55,438 --> 01:02:57,940 YOU'RE SURE DANGEROUS ON YOUR FEET. 1077 01:03:00,443 --> 01:03:02,945 WE WON'T HAVE TO WORRY ABOUT THAT FOR A WHILE. 1078 01:03:05,448 --> 01:03:07,400 [ Crash ] [ Samantha Laughing ] 1079 01:03:14,607 --> 01:03:17,610 WHAT ARE YOU DOING ? [ Ron ] THESE ARE THE '80s, KID. 1080 01:03:18,211 --> 01:03:21,214 YOU'RE GONNA DO A LOT OF THINGS YOU'VE NEVER DONE BEFORE. 1081 01:03:23,432 --> 01:03:27,937 [ Sustained Beep ] 1082 01:03:28,437 --> 01:03:30,940 OH, MY GOD ! IT'S THE SMOKE ALARM ! 1083 01:03:30,940 --> 01:03:34,443 NO, IT'S NOT. IT'S JUST MY WATCH. 1084 01:03:34,443 --> 01:03:36,946 [ Sighs ] I GOTTA BE IN COURT BY 8:00. 1085 01:03:36,946 --> 01:03:39,448 I GOTTA GO HOME AND CHANGE. 1086 01:03:56,966 --> 01:03:59,969 I HOPE YOU DON'T THINK I'M A HIT-AND-RUN ARTIST. 1087 01:03:59,969 --> 01:04:03,472 WAS THAT CRUDE ? I DON'T WANNA BE CRUDE, BUT-- 1088 01:04:06,475 --> 01:04:08,477 IT WAS WONDERFUL. 1089 01:04:09,979 --> 01:04:12,481 YOU'RE WONDERFUL. 1090 01:04:14,984 --> 01:04:19,488 NOW, I GUESS WHAT I'M TRYING TO SAY IS-- 1091 01:04:19,488 --> 01:04:21,490 AH, SHIT. 1092 01:04:22,491 --> 01:04:24,493 YOU'RE FABULOUS. 1093 01:04:42,011 --> 01:04:44,797 [ Bell Tolling ] 1094 01:04:50,303 --> 01:04:52,805 SO WHAT DO YOU THINK ? GIRL, THIS IS CRAZY. 1095 01:04:52,805 --> 01:04:55,808 ALEXANDER, YOU'RE SO SHY THAT PEOPLE JUST FORGET. 1096 01:04:55,808 --> 01:04:57,810 NOW, LISTEN, YOU GOTTA COME OUT OF YOUR SHELL... 1097 01:04:57,810 --> 01:05:00,313 OR YOU'RE GONNA BE LEADING THAT GROUP IN WASHINGTON SQUARE... 1098 01:05:00,313 --> 01:05:03,316 FOR THE REST OF YOUR LIFE, AND EVERYTHING ELSE IS GONNA PASS YOU BY. 1099 01:05:03,816 --> 01:05:05,818 THAT'S WHY I TOOK A JOB AS A STAGEHAND AT THE THEATER. 1100 01:05:05,818 --> 01:05:08,821 THAT'S YOUR FIRST STRATEGIC CAREER MISTAKE. OKAY. 1101 01:05:08,821 --> 01:05:12,825 OKAY, OKAY. SO WHAT ELSE HAVE YOU BEEN DOING WITH YOURSELF ? 1102 01:05:12,825 --> 01:05:15,328 I'VE BEEN WORKING WITH THE GROUP AT WASHINGTON SQUARE, 1103 01:05:15,328 --> 01:05:17,830 GOING TO NATIONAL GUARD MEETINGS, GETTING BY. 1104 01:05:17,830 --> 01:05:19,832 YOU KNOW, NOTHING MORE. 1105 01:05:19,832 --> 01:05:22,835 WHAT I KNOW IS, YOU'RE GONNA BE MY SECOND DISCOVERY FOR THIS GROUP. 1106 01:05:22,835 --> 01:05:24,837 WHAT HAVE I GOT TO LOSE ? 1107 01:05:41,604 --> 01:05:43,606 [ Dings ] 1108 01:05:47,109 --> 01:05:49,612 GOSH, I WISH I HAD TIME TO CHANGE. 1109 01:05:49,612 --> 01:05:52,615 THIS LOOKS LIKE ONE OF THESE UPTIGHT CONSERVATIVE LAW OFFICES. 1110 01:05:52,615 --> 01:05:56,118 NOT TO WORRY. YOU LOOK JUST FINE. 1111 01:05:56,118 --> 01:05:58,120 COME ON. 1112 01:06:00,122 --> 01:06:02,124 OH ! WHAT ? COME ON ! 1113 01:06:02,124 --> 01:06:04,126 GIRL, IS THIS A JOKE ? 1114 01:06:06,128 --> 01:06:08,130 THIS IS THE CRAZIEST PLACE I'VE EVER SEEN. 1115 01:06:08,130 --> 01:06:10,633 WATCH IT ! LOOK AT HER ! WHERE ARE WE ? 1116 01:06:12,635 --> 01:06:16,138 GIVE ME THAT PHONE ! GIVE IT TO ME ! 1117 01:06:18,140 --> 01:06:19,642 [ All Yelling ] 1118 01:06:20,142 --> 01:06:22,645 I ONLY HAVE TWO HANDS, GENTLEMEN, PLEASE ! GIVE ME A CHANCE ! 1119 01:06:22,645 --> 01:06:24,647 I'VE GOT EVERYTHING UNDER CONTROL. DON'T WORRY. 1120 01:06:24,647 --> 01:06:26,649 JACK ! HI ! OH, ALICIA ! 1121 01:06:26,649 --> 01:06:28,651 HOW YOU DOIN' ? FINE. THIS IS ALEXANDER. 1122 01:06:29,151 --> 01:06:31,654 HE WORKS THE LIGHTS FOR MY SHOW, BUT HE'D BE PERFECT FOR THE GROUP. 1123 01:06:31,654 --> 01:06:34,156 GREAT. NICE TO MEET YOU. ALICIA, I NEVER EXPECTED SUCH A TURNOUT. 1124 01:06:34,657 --> 01:06:37,660 IS THIS UNBELIEVABLE ? HELP ME OUT WITH THE CARDS. I GOTTA GET INSIDE. 1125 01:06:37,660 --> 01:06:39,662 ALEX, COME ON. THERE YOU GO. 1126 01:06:40,162 --> 01:06:42,164 PLEASE ! OKAY, ONE SECOND ! STAND BACK ! 1127 01:06:44,166 --> 01:06:47,670 JACK, WE'VE GOT TO TALK. RON, JUST A SECOND. 1128 01:06:47,670 --> 01:06:50,673 ALEX, DID I SEE YOU SINGING IN WASHINGTON SQUARE ? 1129 01:06:50,673 --> 01:06:52,675 THAT'S MY REHEARSAL SPACE. 1130 01:06:52,675 --> 01:06:54,677 YOU'RE SUPER ! 1131 01:06:54,677 --> 01:06:57,680 LOOK, YOU DON'T HAVE TO AUDITION TODAY. WHY DON'T YOU SIT OVER THERE ? 1132 01:06:58,180 --> 01:07:00,182 THOSE ARE THE PEOPLE WE'RE CONSIDERING, AND WE'LL TALK TO YOU IN A SECOND. 1133 01:07:00,182 --> 01:07:02,184 OKAY ? THANKS, ALEX. JACK, WE'VE GOT SOME-- 1134 01:07:02,685 --> 01:07:05,187 ♪♪♪♪ [ Whistling ] LISTEN, SHH ! 1135 01:07:05,187 --> 01:07:07,440 PRACTICE IT RIGHT OVER THERE. THANK YOU. 1136 01:07:07,440 --> 01:07:10,443 JACK-- JUST A SECOND ! 1137 01:07:10,443 --> 01:07:12,445 HEY ! THANK YOU ! 1138 01:07:15,948 --> 01:07:19,452 WHAT'D YOU THINK ? UM-- 1139 01:07:19,452 --> 01:07:22,455 VERY... UNUSUAL. HMM ? 1140 01:07:22,455 --> 01:07:25,458 GREAT. SAM, TAKE HIS NUMBER. 1141 01:07:25,458 --> 01:07:27,460 AND WE'LL BE BACK TO YOU, OKAY ? COULD YOU SIT RIGHT OVER THERE ? 1142 01:07:27,460 --> 01:07:29,962 THANK YOU. THANKS. 1143 01:07:29,962 --> 01:07:33,466 WHAT'S SO IMPORTANT ? LISTEN, I THOUGHT WE WERE AUDITIONING SINGERS. 1144 01:07:33,966 --> 01:07:38,471 WELL, THEY ALL SING, DON'T THEY ? COME ON ! TAKE IT EASY ! 1145 01:07:38,971 --> 01:07:40,473 NEXT. 1146 01:07:40,973 --> 01:07:44,477 HEY ! HI, FOLKS ! 1147 01:07:44,477 --> 01:07:48,981 AH, NUMBER 18 ! BUSTER SIRWINSKY. 1148 01:07:48,981 --> 01:07:52,985 ♪♪ BODY, BODY WANNA FEEL MY BODY ♪♪ 1149 01:07:52,985 --> 01:07:55,371 ♪♪ BODY, BODY ♪♪ 1150 01:07:55,371 --> 01:07:58,374 ♪♪ WANNA TOUCH MY BODY BODY, BODY ♪♪ 1151 01:07:58,874 --> 01:08:00,993 ♪♪ WANNA TOUCH MY BODY ♪♪ 1152 01:08:00,993 --> 01:08:02,995 ♪♪ BODY, BODY ♪♪ 1153 01:08:02,995 --> 01:08:04,997 ♪♪ IT'S TOO MUCH, MY BODY ♪♪ 1154 01:08:04,997 --> 01:08:06,999 ♪♪ BODY, BODY ♪♪ 1155 01:08:06,999 --> 01:08:10,503 ♪♪ WANNA FEEL MY BODY, BODY ♪♪ 1156 01:08:11,003 --> 01:08:14,006 ♪♪ TURN IT OUT MY BODY, BODY ♪♪ 1157 01:08:14,006 --> 01:08:17,009 [ All Yelling ] 1158 01:08:17,510 --> 01:08:19,645 I USED TO BE A 98-POUND WEAKLING, 1159 01:08:19,645 --> 01:08:22,648 BUT I'VE ALWAYS HAD A BIG VOICE. MR. WHITE ! 1160 01:08:23,149 --> 01:08:25,768 WHAT IS THE MEANING OF THIS CHARADE ? 1161 01:08:25,768 --> 01:08:28,270 ROGER, WHAT ON EARTH IS GOING ON HERE ? 1162 01:08:28,270 --> 01:08:31,273 - MOTHER, WHAT ARE YOU DOING HERE ? - MOTHER ? 1163 01:08:31,273 --> 01:08:32,408 - MOTHER ? - THAT'S YOUR MOTHER ? 1164 01:08:32,908 --> 01:08:33,909 SHE LOOKS BETTER THAN I DO. 1165 01:08:34,410 --> 01:08:37,029 [ Whistles ] [ Ron ] WE'RE HOLDING AUDITIONS. 1166 01:08:37,029 --> 01:08:40,416 WELL, YOU'VE CERTAINLY ASSEMBLED A COLORFUL GROUP. 1167 01:08:40,416 --> 01:08:43,419 HOLDING AUDITIONS FOR WHAT, IF I MAY ASK. 1168 01:08:43,919 --> 01:08:46,422 - A HOT NEW SINGING GROUP. - UH, RON. 1169 01:08:46,922 --> 01:08:50,926 RON, YOU, UH, YOU DIDN'T ANSWER MY QUESTION. 1170 01:08:50,926 --> 01:08:54,930 YOU HEARD WHAT HE SAID. WE'RE HOLDING AUDITIONS FOR A NEW SINGING GROUP. 1171 01:08:54,930 --> 01:08:56,932 THAT IS JACK MORELL, 1172 01:08:56,932 --> 01:08:59,435 A NEW COMPOSER AND A NEW CLIENT. 1173 01:09:01,437 --> 01:09:03,439 THIS FIRM'S REPRESENTED MANY ENTERTAINMENT CLIENTS OVER THE YEARS. 1174 01:09:03,439 --> 01:09:06,442 YES, TRUE. COLE PORTER PLAYED THAT PIANO. 1175 01:09:06,442 --> 01:09:10,446 WE REPRESENTED RODGERS AND HAMMERSTEIN, MARVIN HAMLISCH. 1176 01:09:10,446 --> 01:09:14,950 BUT THIS SORT OF SHENANIGANS IS NOTHING SHORT OF DISGRACEFUL. 1177 01:09:15,451 --> 01:09:16,952 I'M SORRY YOU FEEL THAT WAY. 1178 01:09:19,071 --> 01:09:23,075 RON, DEAR, DIDN'T GREENWICH VILLAGE PEOPLE-TYPES GO OUT WITH THE '60s ? 1179 01:09:23,075 --> 01:09:26,579 THAT'S IT ! THE NAME ! VILLAGE PEOPLE ! 1180 01:09:26,579 --> 01:09:30,082 THAT'S NOT A BAD IDEA. THAT'S WHAT WE ARE. THAT'S WHERE WE'RE FROM. 1181 01:09:30,082 --> 01:09:35,588 VILLAGE PEOPLE ! THAT'S FANTASTIC ! THANK YOU ! 1182 01:09:35,588 --> 01:09:39,091 [ Laughing ] WELL, IT DOES HAVE A CERTAIN CHARM. 1183 01:09:39,091 --> 01:09:40,593 VILLAGE PEOPLE. I CAN SELL THAT. 1184 01:09:41,093 --> 01:09:45,598 HAVE WE MET ? YOU LOOK FAMILIAR. 1185 01:09:45,598 --> 01:09:47,600 THIS IS THE FACE THAT LAUNCHED A MILLION LIPSTICKS. 1186 01:09:47,600 --> 01:09:49,602 SAMANTHA SIMPSON, NORMA WHITE. 1187 01:09:49,602 --> 01:09:52,605 WHY, OF COURSE ! I'VE SEEN YOU INVOGUE AND IN WOMEN'S-- 1188 01:09:52,605 --> 01:09:55,107 WHY, I AM SO VERY PLEASED TO MAKE YOUR ACQUAINTANCE. 1189 01:09:55,107 --> 01:09:57,109 THANK YOU. NUMBER 19 ! 1190 01:09:57,109 --> 01:09:59,111 I'M FROM THE BRONX. MY NAME IS GLENN HUGHES. 1191 01:09:59,612 --> 01:10:01,614 MY WORD ! BASIC BLACK. 1192 01:10:01,614 --> 01:10:04,617 WHAT DO YOU DO, GLENN ? I'M A TOLL COLLECTOR AT THE BROOKLYN BATTERY TUNNEL. 1193 01:10:04,617 --> 01:10:07,119 DO ALL TOLL COLLECTORS LOOK LIKE THAT ? 1194 01:10:07,620 --> 01:10:09,121 JUST THE HOT ONES. 1195 01:10:09,622 --> 01:10:11,624 WHAT'S YOUR TALENT ? HUH ? 1196 01:10:11,624 --> 01:10:14,126 AREN'T YOU HERE FOR THE AUDITIONS ? AUDITIONS ? 1197 01:10:14,126 --> 01:10:16,128 I'M HERE FOR AN EXTENSION ON MY INCOME TAX. 1198 01:10:16,629 --> 01:10:18,130 GLENN, YOU'RE IN THE WRONG ROOM. 1199 01:10:18,631 --> 01:10:21,133 WE'RE HAVING AUDITIONS FOR A SINGING GROUP. A SINGING GROUP ? 1200 01:10:21,634 --> 01:10:23,636 WELL, YOU AIN'T HEARD NOTHIN' YET. 1201 01:10:29,141 --> 01:10:30,643 ♪♪♪♪ [ Piano ] 1202 01:10:30,643 --> 01:10:33,646 ♪♪ OH, DANNY BOY ♪♪ 1203 01:10:33,646 --> 01:10:39,151 ♪♪ THE PIPES THE PIPES ARE CALLING ♪♪ 1204 01:10:39,151 --> 01:10:41,654 ♪♪ FROM GLEN TO GLEN ♪♪ 1205 01:10:41,654 --> 01:10:46,158 ♪♪ AND DOWN THE MOUNTAINSIDE ♪♪ 1206 01:10:46,659 --> 01:10:49,161 ♪♪ THE SUMMER'S GONE ♪♪ 1207 01:10:49,161 --> 01:10:53,165 ♪♪ AND ALL THE ROSES FALLING ♪♪ 1208 01:10:53,165 --> 01:10:57,169 ♪♪ 'TIS YOU 'TIS YOU MUST GO ♪♪ 1209 01:10:57,670 --> 01:11:00,673 ♪♪ AND I MUST BIDE ♪♪ 1210 01:11:01,173 --> 01:11:04,176 ♪♪ BUT COME YE BACK ♪♪ 1211 01:11:04,677 --> 01:11:10,182 ♪ ♪♪ WHEN SUMMER'S IN THE MEADOW ♪ 1212 01:11:10,182 --> 01:11:14,186 ♪ ♪♪ OR WHEN THE VALLEY'S HUSHED ♪ 1213 01:11:15,187 --> 01:11:19,692 ♪♪ AND WHITE WITH SNOW ♪♪ 1214 01:11:19,692 --> 01:11:23,195 ♪♪ 'TIS I'LL BE ♪♪ 1215 01:11:27,199 --> 01:11:29,702 ♪♪ HERE ♪♪ 1216 01:11:29,702 --> 01:11:32,204 ♪♪ IN SUNSHINE ♪♪ 1217 01:11:32,204 --> 01:11:36,709 ♪♪ OR IN SHADOWS ♪♪ 1218 01:11:37,209 --> 01:11:39,211 ♪♪ OH, DANNY BOY ♪♪ 1219 01:11:39,211 --> 01:11:41,714 ♪♪ OH, DANNY BOY ♪♪ 1220 01:11:41,714 --> 01:11:50,222 ♪♪ I LOVE YOU SO ♪♪♪♪ 1221 01:11:50,222 --> 01:11:54,226 NOT BAD, NOT BAD. GREAT ! 1222 01:11:54,226 --> 01:11:57,730 YOU ARE FANTASTIC ! RON, SIGN HIM UP. 1223 01:12:00,232 --> 01:12:02,234 LET'S TALK BUSINESS. NOW, THIS GROUP WE'RE PUTTING TOGETHER-- 1224 01:12:02,234 --> 01:12:06,238 UH, RON, MAY I SEE YOU FOR A MOMENT ? 1225 01:12:08,741 --> 01:12:10,743 YEAH ? RON-- 1226 01:12:10,743 --> 01:12:14,747 RON, I APPRECIATE YOUR NEWFOUND INTEREST IN THE THEATRICAL WORLD. 1227 01:12:14,747 --> 01:12:17,750 HOWEVER, I'M AFRAID THAT YOUR CHOICE OF ENTERTAINMENT CLIENTS... 1228 01:12:18,250 --> 01:12:21,253 IS UNACCEPTABLE TO THIS FIRM. 1229 01:12:21,253 --> 01:12:24,256 I WOULD APPRECIATE YOUR LIMITING YOUR FUTURE ENDEAVORS... 1230 01:12:24,256 --> 01:12:27,259 TO THE TAX AREA. 1231 01:12:27,259 --> 01:12:32,264 THIS COUNTRY IS OVERTAXED, AND SO AM I. I QUIT ! 1232 01:12:32,264 --> 01:12:35,267 THIS IS ENTIRELY UP TO YOU, 1233 01:12:35,267 --> 01:12:39,772 BUT I THINK YOU'RE MAKING A BIG CAREER MISTAKE. 1234 01:12:39,772 --> 01:12:42,775 OH, RON, RON, DEAR. 1235 01:12:42,775 --> 01:12:46,278 CALL ME AFTER 6:00 AT THE PLAZA. 1236 01:12:46,278 --> 01:12:48,781 WE'LL GET ALL OF THIS RESOLVED. YEAH, MOM. 1237 01:12:49,281 --> 01:12:53,285 AH ! IT IS SO NICE TO HAVE MET YOU, MISS SIMPSON. 1238 01:12:53,285 --> 01:12:55,788 THANK YOU. 1239 01:12:55,788 --> 01:12:58,791 HOW COULD YOU JUST UP AND QUIT YOUR JOB LIKE THAT ? 1240 01:12:58,791 --> 01:13:02,294 WHY NOT ? I'M THE LAWYER FOR THE HOTTEST NEW GROUP IN SHOW BUSINESS-- 1241 01:13:02,795 --> 01:13:04,296 THE VILLAGE PEOPLE. 1242 01:13:04,797 --> 01:13:09,435 HEY, HEY ! WAIT TILL YOU GET A LOAD OF THIS ! 1243 01:13:09,935 --> 01:13:12,438 I'M JAMES, AND FLAME'S MY GAME. 1244 01:13:12,438 --> 01:13:14,940 ♪♪♪♪ [ Piano ] 1245 01:13:31,457 --> 01:13:34,460 [ Fire Alarm Ringing ] [ Screaming ] 1246 01:13:39,465 --> 01:13:42,468 [ Laughing ] 1247 01:13:48,974 --> 01:13:51,977 I ALWAYS KNEW THIS JOB WOULD BE A WASHOUT. 1248 01:13:54,980 --> 01:13:56,982 WHAT A BEGINNING ! 1249 01:14:00,352 --> 01:14:03,355 THIS WAY. [ Chattering ] 1250 01:14:05,357 --> 01:14:07,359 WAIT A MINUTE ! WAIT A MINUTE ! 1251 01:14:07,860 --> 01:14:11,363 I AM NOT TAKING ONE MORE STEP TILL I KNOW WHERE I'M GOING. RIGHT ! 1252 01:14:11,363 --> 01:14:14,366 YEAH ! I QUIT MY JOB, AND YOU GOT ME WALKING A BEAT AGAIN. 1253 01:14:14,366 --> 01:14:16,368 AND I'M NOT EVEN GETTING PAID FOR IT. HEY, HOLD YOUR HORSES. 1254 01:14:16,869 --> 01:14:18,370 I TOLD YOU I HAD A SURPRISE FOR YOU. 1255 01:14:18,370 --> 01:14:20,873 I HOPE SO ! I TURNED IN MY COIN CHANGER AT THE TOLL BOOTH. 1256 01:14:20,873 --> 01:14:22,875 HEY, DON'T FORGET I QUIT MY JOB TOO. 1257 01:14:22,875 --> 01:14:24,877 I GOT FAITH IN YOU. REALLY ? 1258 01:14:24,877 --> 01:14:26,879 YEAH. I GOT FAITH IN ALL OF YOU. 1259 01:14:26,879 --> 01:14:29,882 SO LET'S GET GOING. I GOT A PLACE TO REHEARSE RIGHT AROUND HERE. 1260 01:14:30,382 --> 01:14:33,385 AND IT'S FREE ! HEY ! ALL RIGHT ! 1261 01:14:33,385 --> 01:14:35,387 THAT'S WONDERFUL ! 1262 01:14:36,889 --> 01:14:41,894 WELL, YOU SEE-- YOU SEE, MY DAD IS A MOOSE IN ST. LOUIS. 1263 01:14:41,894 --> 01:14:43,896 AND I FIGURED, WELL, HE'S INTO COMMUNITY SERVICES. 1264 01:14:44,396 --> 01:14:48,400 I FIGURED A CITY THE SIZE OF NEW YORK THAT THERE HAD TO BE SOMEBODY DID THE SAME THING. 1265 01:14:48,400 --> 01:14:50,903 SO I MADE A FEW PHONE CALLS, SOMEBODY GAVE ME AN ADDRESS... 1266 01:14:51,403 --> 01:14:53,906 AND MADE ARRANGEMENTS FOR US TO USE IT. 1267 01:14:53,906 --> 01:14:57,910 HEY, THAT'S TERRIFIC ! YOU'RE TERRIFIC. 1268 01:14:57,910 --> 01:15:00,412 WELL, WAIT. 1269 01:15:00,412 --> 01:15:02,915 IT TAKES MORE THAN A PRETTY FACE TO GET AROUND THIS TOWN. 1270 01:15:02,915 --> 01:15:05,417 ♪♪♪♪ AW ! 1271 01:15:10,422 --> 01:15:14,059 COME ON, GUYS ! YEAH ! YEAH ! YEAH ! 1272 01:15:18,564 --> 01:15:21,567 ♪ ♪♪ YOUNG MAN THERE'S NO NEED TO FEEL DOWN ♪ 1273 01:15:21,567 --> 01:15:25,571 ♪ ♪♪ I SAID, YOUNG MAN PICK YOURSELF OFF THE GROUND ♪ 1274 01:15:25,571 --> 01:15:29,074 ♪♪ I SAID, YOUNG MAN 'CAUSE YOU'RE IN A NEW TOWN ♪♪ 1275 01:15:29,074 --> 01:15:33,946 ♪♪ THERE'S NO NEED TO BE UNHAPPY ♪♪ 1276 01:15:33,946 --> 01:15:36,949 ♪♪ YOUNG MAN THERE'S A PLACE YOU CAN GO ♪♪ 1277 01:15:36,949 --> 01:15:40,335 ♪♪ I SAID, YOUNG MAN, WHEN YOU'RE SHORT ON YOUR DOUGH ♪♪ 1278 01:15:40,335 --> 01:15:42,588 ♪♪ YOU CAN STAY THERE ♪♪ 1279 01:15:42,588 --> 01:15:49,211 ♪♪ AND I'M SURE YOU WILL FIND MANY WAYS TO HAVE A GOOD TIME ♪♪ 1280 01:15:50,963 --> 01:15:54,967 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1281 01:15:54,967 --> 01:15:59,855 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1282 01:15:59,855 --> 01:16:03,358 ♪♪ THEY HAVE EVERYTHING FOR YOU MEN TO ENJOY ♪♪ 1283 01:16:03,859 --> 01:16:05,978 ♪♪ YOU CAN HANG OUT WITH ALL THE BOYS ♪♪ 1284 01:16:06,478 --> 01:16:10,232 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1285 01:16:10,232 --> 01:16:14,987 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1286 01:16:14,987 --> 01:16:18,991 ♪♪ YOU CAN GET YOURSELF CLEAN YOU CAN HAVE A GOOD MEAL ♪♪ 1287 01:16:18,991 --> 01:16:22,995 ♪♪ YOU CAN DO WHATEVER YOU FEEL ♪♪ 1288 01:16:22,995 --> 01:16:25,998 ♪♪ YOUNG MAN ARE YOU LISTENING TO ME ♪♪ 1289 01:16:26,498 --> 01:16:30,002 ♪♪ I SAID, YOUNG MAN WHAT DO YOU WANT TO BE ♪♪ 1290 01:16:30,002 --> 01:16:34,006 ♪♪ I SAID, YOUNG MAN YOU CAN MAKE REAL YOUR DREAMS ♪♪ 1291 01:16:34,506 --> 01:16:38,510 ♪♪ BUT YOU'VE GOT TO KNOW THIS ONE THING ♪♪ 1292 01:16:38,510 --> 01:16:41,513 ♪♪ NO MAN DOES IT ALL BY HIMSELF ♪♪ 1293 01:16:41,513 --> 01:16:45,017 ♪♪ I SAID, YOUNG MAN PUT YOUR PRIDE ON THE SHELF ♪♪ 1294 01:16:45,517 --> 01:16:49,404 ♪♪ AND JUST GO THERE TO THE YMCA ♪♪ 1295 01:16:49,404 --> 01:16:54,026 ♪♪ I'M SURE THEY CAN HELP YOU TODAY ♪♪ 1296 01:16:56,028 --> 01:16:59,531 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1297 01:17:01,533 --> 01:17:04,786 ♪♪ YMCA ♪♪ 1298 01:17:12,294 --> 01:17:14,796 ♪♪ YMCA ♪♪ 1299 01:17:14,796 --> 01:17:19,685 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1300 01:17:20,185 --> 01:17:23,305 ♪♪ THEY HAVE EVERYTHING FOR YOU MEN TO ENJOY ♪♪ 1301 01:17:23,805 --> 01:17:26,308 ♪♪ YOU CAN HANG OUT WITH ALL THE BOYS ♪♪ 1302 01:17:26,308 --> 01:17:29,811 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1303 01:17:30,312 --> 01:17:34,316 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1304 01:17:34,316 --> 01:17:38,820 ♪♪ YOU CAN GET YOURSELF CLEAN YOU CAN HAVE A GOOD MEAL ♪♪ 1305 01:17:38,820 --> 01:17:42,824 ♪♪ YOU CAN DO WHATEVER YOU FEEL ♪♪ 1306 01:17:42,824 --> 01:17:46,712 ♪♪ YOUNG MAN I WAS ONCE IN YOUR SHOES ♪♪ 1307 01:17:46,712 --> 01:17:49,965 ♪♪ I SAID, I WAS DOWN AND OUT WITH THE BLUES ♪♪ 1308 01:17:49,965 --> 01:17:53,969 ♪♪ I FELT NO MAN CARED IF I WERE ALIVE ♪♪ 1309 01:17:53,969 --> 01:17:58,473 ♪♪ I FELT THE WHOLE WORLD WAS SO JIVE ♪♪ 1310 01:17:58,473 --> 01:18:01,593 ♪♪ THAT'S WHEN SOMEONE CAME UP TO ME ♪♪ 1311 01:18:01,593 --> 01:18:05,597 ♪♪ AND SAID, YOUNG MAN TAKE A WALK UP THE STREET ♪♪ 1312 01:18:05,597 --> 01:18:09,101 ♪♪ THERE'S A PLACE THERE CALLED THE YMCA ♪♪ 1313 01:18:09,101 --> 01:18:13,355 ♪♪ THEY CAN START YOU BACK ON YOUR WAY ♪♪ 1314 01:18:15,741 --> 01:18:19,361 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1315 01:18:19,361 --> 01:18:23,365 ♪♪ IT'S FUN TO STAY AT THE YMCA ♪♪ 1316 01:18:25,000 --> 01:18:29,121 ♪ ♪♪ YOUNG MAN, YOUNG MAN THERE'S NO NEED TO FEEL DOWN ♪ 1317 01:18:29,121 --> 01:18:32,874 ♪ ♪♪ YOUNG MAN, YOUNG MAN PICK YOURSELF OFF THE GROUND ♪ 1318 01:18:32,874 --> 01:18:35,377 ♪♪ YMCA ♪♪ 1319 01:18:35,377 --> 01:18:40,015 ♪♪ AND JUST GO TO THE Y ♪♪ ♪♪ YMCA ♪♪ 1320 01:18:40,515 --> 01:18:44,019 ♪♪ YOUNG MAN, YOUNG MAN ARE YOU LISTENIN' TO ME ♪♪ 1321 01:18:44,019 --> 01:18:47,522 ♪♪ YOUNG MAN, YOUNG MAN WHAT DO YOU WANNA BE ♪♪ 1322 01:18:48,023 --> 01:18:50,025 ♪♪ YMCA ♪♪ 1323 01:18:50,025 --> 01:18:55,530 ♪♪ YOU'LL FIND IT AT THE Y ♪♪ ♪♪ YMCA ♪♪ 1324 01:18:55,530 --> 01:18:59,151 ♪♪ NO MAN, YOUNG MAN DOES IT ALL BY HIMSELF ♪♪ 1325 01:18:59,151 --> 01:19:03,038 ♪♪ YOUNG MAN, YOUNG MAN PUT YOUR PRIDE ON THE SHELF ♪♪ 1326 01:19:03,038 --> 01:19:05,040 ♪♪ YMCA ♪♪ 1327 01:19:07,042 --> 01:19:10,545 ♪♪ YMCA ♪♪ 1328 01:19:18,170 --> 01:19:20,172 ♪♪ YMCA ♪♪ 1329 01:19:22,174 --> 01:19:25,177 ♪♪ YMCA ♪♪ 1330 01:19:33,318 --> 01:19:35,320 ♪♪ YMCA ♪♪♪♪ 1331 01:19:40,525 --> 01:19:42,527 HOLY SMOKES. HE WAS SUPPOSED TO BE HERE AN HOUR AGO. 1332 01:19:42,527 --> 01:19:45,030 CALM DOWN. HE'S UNDER MORE PRESSURE THAN YOU ARE. 1333 01:19:45,030 --> 01:19:47,532 BESIDES, HE'S NEVER BEEN ON TIME FOR ANYTHING IN HIS LIFE. 1334 01:19:47,532 --> 01:19:49,534 ESPECIALLY HIS TAXES. 1335 01:19:49,534 --> 01:19:53,038 ONE AND TWO AND-- ♪♪♪♪ [ Humming ] 1336 01:19:58,543 --> 01:20:00,545 UH, I DON'T KNOW, LULU. IT DOESN'T FEEL RIGHT. 1337 01:20:00,545 --> 01:20:02,547 MAYBE WE OUGHTA DO SOMETHING MORE. 1338 01:20:02,547 --> 01:20:05,050 I'M A SINGER, NOT A DANCER. WELL, COME ON, BOYS ! 1339 01:20:05,050 --> 01:20:07,552 TODAY EVERYBODY IS A DANCER. 1340 01:20:07,552 --> 01:20:10,555 THAT'S WHAT I'M HERE FOR: WARDROBE AND STEPS. 1341 01:20:12,557 --> 01:20:14,059 HERE HE COMES. 1342 01:20:14,559 --> 01:20:16,194 THEN WHAT DO WE DO ? WHAT DO WE DO ? 1343 01:20:16,194 --> 01:20:18,697 WE DO WHAT WE REHEARSED. 1344 01:20:18,697 --> 01:20:22,200 BUT WE DO IT, UH, SEXY ! 1345 01:20:22,200 --> 01:20:24,703 [ Laughing ] 1346 01:20:24,703 --> 01:20:27,956 OKAY, GENTLEMEN, THIS IS THE BIG MOMENT. 1347 01:20:27,956 --> 01:20:31,459 WE'RE READY, I THINK. SO LET'S SHOW HIM SOMETHIN'... 1348 01:20:31,459 --> 01:20:33,211 HE'LL NEVER FORGET. [ Ringing ] 1349 01:20:33,211 --> 01:20:35,213 HI, STEVE. WHAT ? 1350 01:20:35,213 --> 01:20:37,215 NO, I CAN'T SEE ANYBODY TILL THE BEGINNING OF NEXT WEEK. 1351 01:20:37,716 --> 01:20:39,718 AND CAN YOU FIND ME THE ADDRESS OF THIS PLACE I GOTTA GO TO ? 1352 01:20:40,218 --> 01:20:42,721 CAN I HEAR SOMETHING FAST ? I GOTTA GO PICK UP AN AWARD. HONEST, I DO. 1353 01:20:42,721 --> 01:20:45,724 WHAT ? WELL, WHERE YOU LOOKIN' ? IT'S GOTTA BE THERE SOMEPLACE. 1354 01:20:45,724 --> 01:20:48,226 WHAT'S ALL THIS BASS ? IT'LL SOUND TERRIBLE. THAT'S BETTER. 1355 01:20:48,727 --> 01:20:51,229 YEAH, HOLD ON. UH, YOU REMEMBER JACK. 1356 01:20:51,229 --> 01:20:53,231 YEAH, MUSICAL GENIUS OF TOMORROW, RIGHT ? 1357 01:20:53,231 --> 01:20:57,235 I WOULDN'T GO THAT FAR. DAY AFTER TOMORROW, MAYBE. [ Phone Ringing ] 1358 01:20:57,235 --> 01:20:59,738 I'LL GET IT. SIR, WHAT WE'VE GOT FOR YOU TODAY.... 1359 01:21:00,238 --> 01:21:02,741 IS THE MUSIC THAT EVERYBODY'S GONNA BE DANCING TO NEXT MONTH... 1360 01:21:02,741 --> 01:21:04,743 OR WHENEVER YOU CAN GET THE ALBUM OUT. 1361 01:21:04,743 --> 01:21:07,746 THE ALBUM ? I'LL CALL YOU BACK. MM-HMM. 1362 01:21:07,746 --> 01:21:11,249 YOU SEE, SIR, THIS IS THE SOUND OF THE '80s. 1363 01:21:11,750 --> 01:21:13,752 EVERYBODY'S LOOKIN' FOR IT, AND WE'VE GOT IT. 1364 01:21:13,752 --> 01:21:17,255 WHEN THE OTHER KIDS WERE FOLLOWING THE BASEBALL SCORES, I WAS FOLLOWING THE CHARTS. 1365 01:21:17,255 --> 01:21:20,258 YOU CAN ASK ME ANYTHING ABOUT POPULAR MUSIC, AND I KNOW IT. 1366 01:21:20,258 --> 01:21:22,761 - GO AHEAD. ASK ME SOMETHING. - RIGHT. 1367 01:21:22,761 --> 01:21:26,131 HMM ? WHERE ARE THE MEMBERS OF THIS MAGICAL GROUP ? 1368 01:21:26,131 --> 01:21:29,634 THEY'RE RIGHT THERE. 1369 01:21:34,022 --> 01:21:36,524 I HATE HALLOWEEN. OKAY, GENTLEMEN, 1370 01:21:36,524 --> 01:21:39,277 LET'S SHOW MR. WAITS WHAT WE CAN DO. 1371 01:21:41,279 --> 01:21:45,650 SWEETHEART, WHY ARE THEY DRESSED SO FUNNY ? WELL, THEY'RE FROM THE VILLAGE. 1372 01:21:45,650 --> 01:21:48,653 THAT'S WHY THEY'RE CALLED VILLAGE PEOPLE. OH, RIGHT. 1373 01:21:49,154 --> 01:21:50,655 OKAY TO START, SIR ? OH, YEAH, PLEASE. GO AHEAD, GO AHEAD. 1374 01:21:51,156 --> 01:21:52,657 YOU'RE GONNA LOVE IT. 1375 01:21:53,158 --> 01:21:56,294 ♪♪♪♪ HIT IT. 1376 01:22:07,672 --> 01:22:09,424 FIVE, SIX, SEVEN, RAY ! 1377 01:22:09,424 --> 01:22:13,311 ♪♪ YEAH ♪♪ ♪♪ LIBERATION ♪♪ 1378 01:22:13,311 --> 01:22:16,815 ♪♪ LIBERATION ♪♪ 1379 01:22:16,815 --> 01:22:20,819 ♪♪ LIBERATION ♪♪ ♪♪ LIBERATION ♪♪ 1380 01:22:20,819 --> 01:22:22,821 ♪♪ LIBERATION ♪♪ 1381 01:22:24,823 --> 01:22:28,076 - ♪♪ LIBERATION ♪♪ -♪♪ LIBERATION ♪♪ 1382 01:22:28,076 --> 01:22:32,080 ♪♪ IT'S TIME FOR LIBERATION ♪♪ ♪♪ RIGHT NOW ♪♪ 1383 01:22:32,080 --> 01:22:35,583 ♪♪ LIBERATION, LIBERATION ♪♪ ♪♪ LIBERATION ♪♪ 1384 01:22:35,583 --> 01:22:39,587 ♪♪ ♪♪ IT'S TIME FOR LIBERATION 1385 01:22:39,587 --> 01:22:45,343 ♪♪ OUT OF OUR WAY BECAUSE WE'RE READY TO FLY ♪♪ 1386 01:22:45,343 --> 01:22:46,962 ♪♪ LIBERATION ♪♪ 1387 01:22:47,462 --> 01:22:52,467 ♪ ♪♪ AND FOR THIS RIGHT WE STAND HERE WILLING TO DIE ♪ 1388 01:22:52,467 --> 01:22:54,602 ♪♪ LIBERATION ♪♪ 1389 01:22:54,602 --> 01:23:01,726 ♪ ♪♪ NO, WE WON'T LET THOSE SMALL MINDS STAND IN OUR WAY ♪ 1390 01:23:02,227 --> 01:23:09,234 ♪♪ IF THERE'S A PRICE THEN WE ARE WILLING TO PAY ♪♪ 1391 01:23:09,234 --> 01:23:13,989 ♪♪ STAND UP AND SING TOGETHER ALL IN ONE VOICE ♪♪ 1392 01:23:14,489 --> 01:23:16,491 ♪♪ LIBERATION ♪♪ 1393 01:23:16,992 --> 01:23:21,997 ♪♪ IF YOU'RE IN LOVE WITH FREEDO YOU HAVE NO CHOICE ♪♪ 1394 01:23:21,997 --> 01:23:24,499 ♪♪ LIBERATION ♪♪ 1395 01:23:24,499 --> 01:23:31,506 ♪♪ EVEN A CHILD CAN SEE THAT NOW IS THE TIME ♪♪ 1396 01:23:31,506 --> 01:23:34,509 ♪♪ WHEN WILL YOU LEARN MY FRIEND ♪♪ [ Feedback ] 1397 01:23:34,509 --> 01:23:39,014 ♪♪ THAT YOUR FIGHT IS MINE ♪♪ 1398 01:23:39,014 --> 01:23:42,517 -♪♪ LIBERATION ♪♪ -♪♪ LIBERATION ♪♪ 1399 01:23:42,517 --> 01:23:46,154 - ♪♪ IT'S TIME FOR LIBERATION ♪♪ - ♪♪ RIGHT NOW ♪♪ 1400 01:23:46,154 --> 01:23:48,156 ♪♪ LIBERATION ♪♪ 1401 01:23:48,156 --> 01:23:53,278 ♪ ♪♪ LIBERATION IT'S TIME FOR LIBERATION ♪ 1402 01:23:53,278 --> 01:23:58,166 ♪♪ WE'RE SERVING NOTICE THAT WE WON'T BE DENIED ♪♪ 1403 01:23:58,166 --> 01:24:00,919 ♪♪ LIBERATION ♪♪ 1404 01:24:01,419 --> 01:24:06,174 ♪♪ WE ARE THE WINNERS LOSERS MUST STEP ASIDE ♪♪ 1405 01:24:06,174 --> 01:24:08,676 ♪♪ LIBERATION ♪♪ 1406 01:24:08,676 --> 01:24:15,934 ♪♪ WE HAVE A JOB THAT SIMPLY HAS TO GET DONE ♪♪ 1407 01:24:15,934 --> 01:24:22,941 ♪♪ WE'RE GETTING STRONGER YET WE'VE ONLY BEGUN ♪♪ 1408 01:24:23,441 --> 01:24:27,062 ♪♪ LIBERATION, LIBERATION ♪♪ 1409 01:24:27,062 --> 01:24:29,064 ♪♪ IT'S TIME FOR LIBERATION ♪♪ 1410 01:24:29,564 --> 01:24:34,702 ♪♪ WE GOT TO HAVE LIBERATION YEAH ♪♪ 1411 01:24:34,702 --> 01:24:36,955 ♪♪ ♪♪ IT'S TIME FOR LIBERATION 1412 01:24:36,955 --> 01:24:38,957 ♪♪ GOT TO STAND TALL FOR LIBERATION ♪♪ 1413 01:24:39,457 --> 01:24:44,462 ♪♪ LIBERATION IT'S TIME FOR LIBERATION ♪♪ 1414 01:24:44,462 --> 01:24:48,466 ♪♪ WE NEED SOME LIBERATION ♪♪ 1415 01:24:48,466 --> 01:24:51,336 ♪♪ ♪♪ IT'S TIME FOR LIBERATION 1416 01:24:51,336 --> 01:24:54,339 ♪♪ LIBERATION ♪♪♪♪ 1417 01:24:56,841 --> 01:24:59,844 UH, FANTASTIC. THE BEST YET. 1418 01:24:59,844 --> 01:25:02,347 THOSE GUYS CAN, UH, SING. 1419 01:25:02,347 --> 01:25:07,352 HOW ABOUT THOSE BOYS ? NOW HAVE I STRUCK GOLD OR HAVE I STRUCK GOLD ? 1420 01:25:07,352 --> 01:25:10,605 I'M AFRAID YOU STRUCK OUT. 1421 01:25:10,605 --> 01:25:14,109 WHAT ? I'M SORRY. I'M JUST NOT INTERESTED. 1422 01:25:14,609 --> 01:25:19,114 HEY, DON'T BE AN IDIOT ! THEY WERE WONDERFUL ! LISTEN. JUST LISTEN TO ME. 1423 01:25:19,114 --> 01:25:21,116 I MADE A FORTUNE IN THIS BUSINESS USING MY INTUITION, 1424 01:25:21,116 --> 01:25:23,618 AND MY INTUITION TELLS ME, "DO NOT GET INVOLVED." 1425 01:25:24,119 --> 01:25:26,121 I'M SORRY. 1426 01:25:28,123 --> 01:25:31,626 JUST STAY VERY COOL, CALM AND COLLECTED. 1427 01:25:31,626 --> 01:25:34,629 I AM PERFECTLY CAPABLE OF TAKING CARE OF THIS. 1428 01:25:42,137 --> 01:25:45,140 IT WASN'T THAT BAD, WAS IT ? I CAN'T BELIEVE HOW NEGATIVE HE IS. 1429 01:25:45,140 --> 01:25:47,642 SO THEY MADE A FEW MISTAKES. THEY WERE GREAT ! 1430 01:25:47,642 --> 01:25:50,145 AND YOU WERE FABULOUS. YEAH ? 1431 01:25:50,145 --> 01:25:52,147 HOLD ON, GUYS. 1432 01:25:56,651 --> 01:25:59,154 DID IT AGAIN. GOT MYSELF A NEW GROUP, AND CHEAP. 1433 01:25:59,154 --> 01:26:01,156 WHAT IN THE HELL IS THE MATTER WITH YOU ? 1434 01:26:01,156 --> 01:26:04,659 VILLAGE PEOPLE IS BETTER THAN ANY GROUP YOU'VE GOT. 1435 01:26:04,659 --> 01:26:06,661 I'M SORRY, SAMANTHA, REALLY. 1436 01:26:07,162 --> 01:26:09,664 I KNOW THAT YOU PUT A LOT OF TIME AND MONEY INTO THIS GROUP, 1437 01:26:09,664 --> 01:26:12,167 AND YOU DON'T HAVE ANY EXTRA MONEY COMING IN, 1438 01:26:12,167 --> 01:26:15,170 BUT THEY'VE GOT A VERY LITTLE SOMETHING TO OFFER, VERY LITTLE, 1439 01:26:15,170 --> 01:26:17,672 TO A VERY SMALL AUDIENCE. 1440 01:26:17,672 --> 01:26:22,177 NOW I'LL SHOW YOU EXACTLY HOW DISINTERESTED I AM. 1441 01:26:22,177 --> 01:26:25,180 THAT'S IT. THAT'S MY OFFER. NOW, DON'T GET ALL EXCITED AND THANK ME. 1442 01:26:25,180 --> 01:26:28,683 WE MAY NOT BE LOVERS ANYMORE, BUT WE'RE ALWAYS GONNA BE GOOD, SOLID FRIENDS. 1443 01:26:29,184 --> 01:26:31,686 ARE YOU MAD ? THAT WOULDN'T FEED MY CAT ! 1444 01:26:31,686 --> 01:26:33,688 YOU DON'T HAVE A CAT. 1445 01:26:33,688 --> 01:26:35,690 TAKE YOUR OFFER AND STICK IT IN YOUR EAR ! 1446 01:26:35,690 --> 01:26:37,692 THEY'RE WORTH A LOT MORE THAN THAT ! 1447 01:26:37,692 --> 01:26:40,195 WHY DO YOU ALWAYS GIVE ME THIS SHIT ? 1448 01:26:40,195 --> 01:26:43,198 I'M TERRIBLY SORRY, SISTER. THAT'S OKAY, KIDDO. 1449 01:26:43,198 --> 01:26:45,700 LISTEN, SAM, I'M TERRIBLY SORRY I'M LATE. 1450 01:26:46,201 --> 01:26:48,703 I'M DOINGSOUND OF MUSIC AT THE HARLEM ENSEMBLE. 1451 01:26:48,703 --> 01:26:51,206 IS RAY IN THERE ? MM-HMM. 1452 01:26:51,206 --> 01:26:54,709 AND YOU'VE BEEN HANGING OUT IN THE VILLAGE TOO LONG ! 1453 01:26:57,212 --> 01:27:00,715 I BELIEVE THESE ARE THE GENTLEMEN. [ Laughing ] 1454 01:27:03,218 --> 01:27:05,720 HI, GUYS. HI. 1455 01:27:05,720 --> 01:27:09,224 TERRIFIC. OUR LUCK HITS ROCK BOTTOM, AND YOU BOYS HIT THE BOTTLE. 1456 01:27:09,224 --> 01:27:11,226 COME ON, PLEASE. SIT DOWN, SIT DOWN. 1457 01:27:11,726 --> 01:27:13,728 TAKE A LOAD OFF YOUR FEET. WOULD YOU LIKE SOME SANGRIA ? 1458 01:27:13,728 --> 01:27:16,231 SURE. ARE YOU TWO GUYS CELEBRATING SOMETHING ? 1459 01:27:16,731 --> 01:27:18,233 COME ON, JACK, TELL 'EM. 1460 01:27:18,733 --> 01:27:22,237 WELL, YOU GUYS REMEMBER BENNY MURRAY, WHO RAN THE SADDLE TRAMPS ? 1461 01:27:22,737 --> 01:27:24,739 SURE. WHOEVER COULD FORGET BENNY THE LETCH ? 1462 01:27:24,739 --> 01:27:27,242 WE RAN INTO HIM THIS MORNING. WHAT WERE YOU DOING ? 1463 01:27:27,242 --> 01:27:29,244 CRUISING DOWN TIMES SQUARE ? 1464 01:27:29,244 --> 01:27:32,247 REAL FUNNY. COME ON, WOULD YOU LISTEN ? 1465 01:27:32,247 --> 01:27:34,249 OKAY, SORRY. THANK YOU VERY MUCH. 1466 01:27:34,249 --> 01:27:37,752 HE SOLD SADDLE TRAMPS, AND HE'S GOING INTO THE PARTY BUSINESS. 1467 01:27:37,752 --> 01:27:40,388 AS IN TUPPERWARE ? PLEASE ! 1468 01:27:40,388 --> 01:27:42,140 WOULD YOU BE SERIOUS ? 1469 01:27:42,140 --> 01:27:44,642 COME ON. YOU TAKE OVER A PLACE-- BUILDING, LOFT, ANYTHING-- 1470 01:27:44,642 --> 01:27:46,644 YOU GIVE THE PARTY A THEME. PUT IN A LIGHT SHOW, 1471 01:27:47,145 --> 01:27:51,649 GET A REALLY HOT DEEJAY, LINE UP A COUPLE ACTS, AND VOILA ! 1472 01:27:51,649 --> 01:27:54,152 2,000 PEOPLE AT 20 BUCKS A HEAD, 1473 01:27:54,152 --> 01:27:56,154 PLUS WHAT YOU MAKE AT THE BAR. 1474 01:27:56,154 --> 01:27:58,156 YOU GUYS ARE REALLY ON A ROLL. 1475 01:27:58,156 --> 01:28:01,159 WOULD YOU BOYS PLEASE CALM DOWN AND SIT DOWN ? 1476 01:28:02,410 --> 01:28:04,912 SAM, WE'VE GOT TO HAVE OUR OWN PAY PARTY. 1477 01:28:04,912 --> 01:28:06,914 IT'S THE PERFECT WAY TO INTRODUCE THE GUYS. 1478 01:28:06,914 --> 01:28:08,916 YOU CAN GET ALL THE PRESS AND THE OPINION-MAKERS THERE. 1479 01:28:08,916 --> 01:28:10,918 IT'LL BE INSTANT STARDOM ! 1480 01:28:10,918 --> 01:28:13,171 DO YOU WINOS HAVE ANY IDEA WHAT THAT WILL COST ? 1481 01:28:13,171 --> 01:28:16,040 DO YOU KNOW WHAT THE PROFITS COULD BE ? 1482 01:28:17,792 --> 01:28:21,296 "2,000 PEOPLE, 20 BUCKS A HEAD, PLUS WHAT YOU MAKE AT THE BAR." 1483 01:28:21,296 --> 01:28:24,682 THIS IS GOING TO TURN STEVE WAITS INTO A BASKET CASE. 1484 01:28:24,682 --> 01:28:27,552 HOWEVER, I'M NOT SPENDING ANY OF MY SAVINGS. OH, NO, NO. 1485 01:28:27,552 --> 01:28:29,554 I THINK IT'S TIME I MAKE MY FAREWELL APPEARANCE. 1486 01:28:29,554 --> 01:28:33,057 HELLO, SYDNE ? THIS IS SAMANTHA. SHH ! 1487 01:28:33,057 --> 01:28:35,560 HANG ON TO YOUR 8 X 10s. 1488 01:28:35,560 --> 01:28:38,563 I'VE DECIDED TO POUR MILK FOR THAT COMMERCIAL YOU WANTED ME TO DO, 1489 01:28:38,563 --> 01:28:42,066 AND I HAVE A WONDERFUL NEW GROUP TO APPEAR WITH ME. 1490 01:28:42,066 --> 01:28:44,068 OH, YES, WE COME AS A PACKAGE. 1491 01:28:45,570 --> 01:28:47,572 I THINK WE'RE ABOUT TO MAKE A DEAL. 1492 01:28:47,572 --> 01:28:49,574 HEY ! HEY ! 1493 01:28:49,574 --> 01:28:51,959 I REALLY THINK THAT-- MY DARLING, YOU MUST REMEMBER. 1494 01:28:51,959 --> 01:28:54,462 WE ARE DEALING WITH A MODEL OF THE FIRST MAGNITUDE. 1495 01:28:54,462 --> 01:28:57,465 I NOW THAT SHE'S GREAT-- THIS IS VERY IMPORTANT FOR MY AGENCY... 1496 01:28:57,465 --> 01:28:59,467 AND HER NEW IMAGE FOR THE '80s. 1497 01:28:59,467 --> 01:29:02,470 YOU KNOW, SYDNE, I'VE ALREADY DONE THREE COMMERCIALS WITH THIS LADY. 1498 01:29:02,470 --> 01:29:05,973 GOOD ! YOU'VE HAD PRACTICE. NOW MAKE PERFECT. 1499 01:29:05,973 --> 01:29:08,476 LULU, GET OUT OF THERE ! 1500 01:29:16,984 --> 01:29:18,986 MILK COMMERCIAL INTRO, TAKE TWO. 1501 01:29:20,988 --> 01:29:23,491 [ Man ] ACTION ! 1502 01:29:23,491 --> 01:29:25,493 CHILDREN ! 1503 01:29:29,997 --> 01:29:31,999 ALL RIGHT, LISTEN, CHILDREN. 1504 01:29:31,999 --> 01:29:35,620 IF YOU WANNA GROW UP TO BE BIG AND STRONG AND SING AND DANCE, 1505 01:29:35,620 --> 01:29:37,622 YOU'VE GOTTA DRINK YOUR MILK. 1506 01:29:44,629 --> 01:29:48,516 ♪♪ DO THE SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1507 01:29:48,516 --> 01:29:50,518 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ 1508 01:29:51,018 --> 01:29:52,019 ♪♪ DO THE SHAKE ♪♪ 1509 01:29:52,019 --> 01:29:54,889 ♪♪ WHEN THEY COME HOME FROM SCHOOL ♪♪ 1510 01:29:55,390 --> 01:29:56,524 ♪♪ ALL RIGHT ♪♪ 1511 01:29:56,524 --> 01:29:58,526 ♪♪ AND THEY WANT SOMETHING THAT'S COLD TO DRINK ♪♪ 1512 01:29:58,526 --> 01:30:00,027 ♪♪ COLD TO DRINK ♪♪ 1513 01:30:00,027 --> 01:30:03,281 ♪♪ VITALITY THEY NEED ♪♪ 1514 01:30:03,281 --> 01:30:07,785 ♪♪ THEY ALSO WANT SOMETHING GOOD AND SWEET ♪♪ ♪♪ GOOD AND SWEET ♪♪ 1515 01:30:07,785 --> 01:30:11,539 ♪♪ ♪♪ JUST GET A GLASS OF MILK 1516 01:30:12,039 --> 01:30:14,041 ♪♪ YOU'LL SEE IT'S NOT VERY HARD TO MAKE ♪♪ 1517 01:30:14,542 --> 01:30:18,663 ♪♪ ♪♪ NOT VERY HARD TO MAKE ♪♪ ♪♪ ADD SOME ICE CREAM AND BLEND 1518 01:30:18,663 --> 01:30:23,167 ♪♪ YOU WILL HAVE YOURSELF A GREAT MILK SHAKE ♪♪ ♪♪ A GREAT MILK SHAKE ♪♪ 1519 01:30:23,167 --> 01:30:27,305 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪ 1520 01:30:27,305 --> 01:30:30,808 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1521 01:30:30,808 --> 01:30:34,812 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪ 1522 01:30:34,812 --> 01:30:37,932 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1523 01:30:37,932 --> 01:30:40,568 ♪♪ YEAH ♪♪ ♪♪ WHEN YOU'RE AT WORK ♪♪ 1524 01:30:40,568 --> 01:30:43,070 ♪♪ TODAY ♪♪ ♪♪ ALL RIGHT ♪♪ 1525 01:30:43,070 --> 01:30:46,441 ♪♪ AND THEN IT'S TIME FOR YOUR COFFEE BREAK ♪♪ ♪♪ COFFEE BREAK ♪♪ 1526 01:30:46,441 --> 01:30:50,328 ♪♪ WHY DON'T YOU TREAT YOURSELF ♪♪ 1527 01:30:50,328 --> 01:30:53,331 ♪♪ TO A BIG, THICK AND FROSTY SHAKE ♪♪ 1528 01:30:53,331 --> 01:30:58,085 ♪ - ♪♪ FROSTY SHAKE ♪♪ - ♪♪ WHEN IT IS TIME FOR LUNCH ♪ 1529 01:30:58,085 --> 01:31:00,588 ♪♪ A MILK SHAKE GOES WITH YOUR SANDWICH TOO ♪♪ 1530 01:31:00,588 --> 01:31:05,593 - ♪♪ YEAH, YEAH, YEAH ♪♪ -♪♪ JUST HAVE YOURSELF A FIX ♪♪ 1531 01:31:05,593 --> 01:31:08,095 ♪♪ SEE WHAT A MILK SHAKE CAN DO FOR YOU ♪♪ 1532 01:31:08,095 --> 01:31:10,097 ♪♪ YEAH, YEAH, YEAH ♪♪ 1533 01:31:10,097 --> 01:31:13,968 ♪♪ DO IT, ALL RIGHT ♪♪ ♪♪ DO IT, DO THE SHAKE ♪♪ 1534 01:31:13,968 --> 01:31:17,722 ♪♪ WHY DON'T YOU DO IT, YEAH ♪♪ ♪♪ DO IT, DO IT DO THE SHAKE ♪♪ 1535 01:31:17,722 --> 01:31:20,725 ♪♪ DO THE SHAKE, Y'ALL, HEY ♪♪ ♪♪ DO THE SHAKE ♪♪ 1536 01:31:20,725 --> 01:31:25,229 ♪♪ DO THE MILK SHAKE, HEY ♪♪ ♪♪ DO IT, DO IT DO THE SHAKE ♪♪ 1537 01:31:25,229 --> 01:31:28,733 ♪♪ JUST GET SOME ICE CREAM AND SOME MILK ♪♪ 1538 01:31:28,733 --> 01:31:33,120 ♪♪ THEN BLEND YOURSELF A MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1539 01:31:33,120 --> 01:31:36,123 ♪♪ JUST DO THE SHAKE, Y'ALL HEY ♪♪ 1540 01:31:36,123 --> 01:31:40,378 ♪♪ ON YOUR COFFEE BREAK NOW YEAH ♪♪ ♪♪ DO THE SHAKE ♪♪ 1541 01:31:40,378 --> 01:31:44,131 ♪♪ JUST DO THE SHAKE DO THE SHAKE ♪♪ 1542 01:31:44,131 --> 01:31:48,135 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1543 01:31:48,135 --> 01:31:52,640 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪ 1544 01:31:52,640 --> 01:31:55,643 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1545 01:31:55,643 --> 01:31:58,145 ♪♪ VANILLA ♪♪ ♪♪ DO THE SHAKE ♪♪ 1546 01:31:58,145 --> 01:32:02,149 ♪♪ CHOCOLATE STRAWBERRY, YEAH, OW ♪♪ 1547 01:32:02,400 --> 01:32:05,019 ♪♪ DO THE SHAKE ♪♪ ♪♪ JUST DO THE SHAKE ♪♪ 1548 01:32:05,520 --> 01:32:07,522 ♪♪ DO THE SHAKE ♪♪ 1549 01:32:07,522 --> 01:32:10,525 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1550 01:32:10,775 --> 01:32:12,276 ONE MORE TIME. 1551 01:32:12,276 --> 01:32:15,913 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪ 1552 01:32:15,913 --> 01:32:18,916 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1553 01:32:19,417 --> 01:32:22,920 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪ 1554 01:32:23,421 --> 01:32:26,424 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪ 1555 01:32:26,424 --> 01:32:28,793 ♪♪ VANILLA ♪♪ ♪♪ DO THE SHAKE ♪♪ 1556 01:32:28,793 --> 01:32:33,681 ♪♪ CHOCOLATE STRAWBERRY, YEAH, OW ♪♪ 1557 01:32:33,681 --> 01:32:36,801 ♪♪ DO THE SHAKE ♪♪ ♪♪ JUST DO THE SHAKE ♪♪ 1558 01:32:36,801 --> 01:32:38,803 ♪♪ DO THE SHAKE ♪♪ 1559 01:32:38,803 --> 01:32:42,306 ♪♪ DO THE MILK SHAKE THE MILK SHAKE ♪♪ ♪♪ DO THE SHAKE ♪♪♪♪ 1560 01:32:42,807 --> 01:32:44,308 [ Applause ] 1561 01:32:44,759 --> 01:32:47,979 GREAT ! FANTASTIC ! [ Cheering ] 1562 01:32:47,979 --> 01:32:51,482 MY SON IS A TELEVISION GENIUS, THAT'S WHAT HE IS. 1563 01:32:51,983 --> 01:32:54,485 AND THAT HAS GOT TO BE A GOLD SINGLE. 1564 01:32:54,986 --> 01:32:56,988 PLUS A PLATINUM DANCE CRAZE. 1565 01:32:57,488 --> 01:32:59,624 ♪♪ DO THE SHAKE DO THE SHAKE ♪♪♪♪ 1566 01:32:59,624 --> 01:33:03,995 - MA, IT'S ONLY A COMMERCIAL. - AW, NOW, HONEY, 1567 01:33:04,495 --> 01:33:06,998 DID GERSHWIN EVER WRITE A HIT COMMERCIAL, HUH ? 1568 01:33:08,499 --> 01:33:10,501 WELL, HOW'D YOU LIKE IT ? 1569 01:33:10,501 --> 01:33:14,005 I HAD NO IDEA YOU WERE GOING TO SHOW SO MUCH OF YOURSELF ON TELEVISION. 1570 01:33:14,505 --> 01:33:18,509 OH, SAM, THAT IS THE MOST GLAMOROUS AND SEXY COMMERCIAL I HAVE EVER SEEN. 1571 01:33:19,010 --> 01:33:20,511 AW, LULU. 1572 01:33:21,012 --> 01:33:24,015 LULU, WILL YOU TAKE THIS AWAY ? I DO NOT DO MANUAL LABOR. 1573 01:33:24,015 --> 01:33:26,901 DO YOU KNOW SOMETHING ? YOU ARE SO UPTIGHT... 1574 01:33:26,901 --> 01:33:29,403 YOU DON'T EVEN KNOW A GREAT CAREER MOVE WHEN YOU SEE ONE. 1575 01:33:29,904 --> 01:33:31,906 IF THAT DOESN'T SELL MILK, NOTHING WILL. 1576 01:33:31,906 --> 01:33:36,911 AS A MATTER OF FACT, SAMANTHA, I'M HAVING A BIT OF A PROBLEM WITH THE ADVERTISING AGENCY. 1577 01:33:36,911 --> 01:33:38,913 WHAT DO YOU MEAN ? 1578 01:33:38,913 --> 01:33:40,915 DESPITE THE FACT THAT I THINK IT'S FABULOUS, 1579 01:33:41,415 --> 01:33:43,417 THE CLIENT NEEDS MORE TIME TO THINK IT OVER. 1580 01:33:43,417 --> 01:33:45,419 THINK WHAT OVER ? 1581 01:33:45,920 --> 01:33:48,422 THE HIGHER ECHELON OF MADISON AVENUE... 1582 01:33:48,923 --> 01:33:51,425 FEELS THAT IT MAY BE TOO CONTROVERSIAL... 1583 01:33:51,425 --> 01:33:53,928 FOR THE AMERICAN FAMILY IMAGE. 1584 01:33:53,928 --> 01:33:57,431 CORPORATE THINKING SUCKS. MOTHER ! 1585 01:33:57,431 --> 01:34:00,685 I THOUGHT IT WAS VERY CHIC AND TASTEFUL. 1586 01:34:00,685 --> 01:34:03,187 TWO QUALITIES OFTEN IGNORED BY TELEVISION. 1587 01:34:03,187 --> 01:34:07,191 WELL, THIS MEANS NO RESIDUALS FOR A WHILE. 1588 01:34:07,191 --> 01:34:09,694 RESIDUALS ? DOES THAT HAVE SOMETHING TO DO WITH MONEY ? 1589 01:34:10,194 --> 01:34:13,698 HMM. UH, YEAH, WE NEED IT NOW. 1590 01:34:13,698 --> 01:34:16,701 WELL, YOU COULDN'T POSSIBLY BE OVERDRAWN AT THE BANK. 1591 01:34:16,701 --> 01:34:21,205 [ Laughing ] COULD YOU, DEAR ? NO, OF COURSE NOT. 1592 01:34:21,205 --> 01:34:23,207 WE WERE GOING TO USE THE RESIDUAL PAYMENTS FROM THE COMMERCIAL... 1593 01:34:23,708 --> 01:34:25,710 TO PUT ON A PAY PARTY TO INTRODUCE THE VILLAGE PEOPLE. 1594 01:34:25,710 --> 01:34:27,712 [ Sydne ] PAY TO GO TO A PARTY ? 1595 01:34:27,712 --> 01:34:29,714 HOW GAUCHE ! 1596 01:34:29,714 --> 01:34:34,218 YOU DON'T HAVE TO PAY. MY BRIDGE CLUB WILL THROW THE PARTY. 1597 01:34:34,218 --> 01:34:38,723 WE'LL USE THE ELKS LODGE. WHY, IT'LL BE BIGGER THAN BINGO NIGHT. 1598 01:34:38,723 --> 01:34:44,478 MOM, THAT'S WONDERFUL, BUT, SEE, WE WERE THINKING OF SOMETHING SPECTACULAR. 1599 01:34:44,478 --> 01:34:46,981 UH-OH. YOU NEED THE BIG BUCKS, HUH ? YEAH. 1600 01:34:46,981 --> 01:34:50,985 WELL, MY GOODNESS, A PARTY IS A PARTY. IT SHOULDN'T BE A PROBLEM. 1601 01:34:50,985 --> 01:34:53,487 NORMA, WE'RE TALKING ABOUT SOMETHING FOR AROUND 2,000 PEOPLE... 1602 01:34:53,988 --> 01:34:55,489 WITH LIGHTS AND COSTUMES. 1603 01:34:55,990 --> 01:34:57,491 I MEAN, A REAL SHOW. 1604 01:34:57,992 --> 01:35:02,496 WELL, I DID ONE FOR 3,000 LAST MONTH IN-- 1605 01:35:02,496 --> 01:35:04,498 WHERE WAS IT ? HOUSTON. 1606 01:35:06,000 --> 01:35:09,003 YOU GAVE A PARTY FOR 3,000 PEOPLE ? 1607 01:35:09,003 --> 01:35:14,508 MM-HMM. A CHARITY FUND-RAISER. IT'S ONE OF MY HOBBIES. 1608 01:35:14,508 --> 01:35:18,012 BUT, OF COURSE, WE DO RAISE A LOT OF MONEY FOR THE NEEDY. 1609 01:35:18,012 --> 01:35:22,516 MRS. WHITE, WOULD YOU CONSIDER US NEEDY ? 1610 01:35:22,516 --> 01:35:24,518 AS A MATTER OF FACT, 1611 01:35:24,518 --> 01:35:28,522 I AM IN CHARGE OF A REALLY GRAND AFFAIR... 1612 01:35:29,023 --> 01:35:31,025 NEXT MONTH IN SAN FRANCISCO AT THE GALLERIA. 1613 01:35:31,025 --> 01:35:34,528 NOW, WOULD IT BE POSSIBLE FOR THE BOYS TO SING A FEW SONGS ? 1614 01:35:35,029 --> 01:35:38,032 A-- A FEW SONGS ? HEY ! 1615 01:35:38,032 --> 01:35:41,035 WE WILL KNOCK 'EM OUT ! 1616 01:35:41,035 --> 01:35:43,037 I THINK I SHOULD GET STEVE WAITS IN ON THIS. 1617 01:35:43,037 --> 01:35:45,539 LET'S HAVE SOME CHAMPAGNE ! 1618 01:35:45,539 --> 01:35:48,042 LULU, PACK MY FALL WARDROBE. 1619 01:35:48,042 --> 01:35:50,544 I ADORE SAN FRANCISCO. 1620 01:35:50,544 --> 01:35:52,546 MY FAVORITE EX-HUSBAND LIVES THERE. 1621 01:35:52,546 --> 01:35:55,549 AND I AM DOWN TO MY LAST PUCCI. 1622 01:35:55,549 --> 01:35:58,552 HAVE I GOT A WHOLESALER FOR YOU ! 1623 01:36:02,423 --> 01:36:06,927 STEVE ? HELLO, DARLING. IT'S SAMANTHA. 1624 01:36:06,927 --> 01:36:09,930 I, UH, THINK I HAVE AN OFFER YOU CAN'T REFUSE. 1625 01:36:10,431 --> 01:36:13,934 HOW ABOUT A LONG WEEKEND IN SAN FRANCISCO ? 1626 01:36:13,934 --> 01:36:19,440 UH-HUH. WELL, I'LL SEE YOU AT YOUR PLACE IN ABOUT 45 MINUTES. 1627 01:36:19,440 --> 01:36:21,442 I'LL GIVE YOU ALL THE DETAILS. 1628 01:36:21,442 --> 01:36:25,446 [ Laughs ] BYE. 1629 01:36:25,946 --> 01:36:28,949 I JUST SEALED OUR FUTURE. AND ENDED OURS. 1630 01:36:28,949 --> 01:36:31,952 GET YOUR MIND OUT OF THE GUTTER. IT'S NOT WHAT YOU THINK. 1631 01:36:31,952 --> 01:36:34,455 STEP INTO MY OFFICE. 1632 01:36:37,458 --> 01:36:39,460 I CAN'T BELIEVE THAT YOU CALLED STEVE WAITS... 1633 01:36:39,460 --> 01:36:41,962 AND MADE AN ASSIGNATION RIGHT IN FRONT OF ME ! 1634 01:36:41,962 --> 01:36:45,966 WHAT'S THAT ? A DATE ! 1635 01:36:45,966 --> 01:36:49,470 WELL, WHY DIDN'T YOU SAY SO ? I WOULDN'T DO SOMETHING LIKE THAT BEHIND YOUR BACK. 1636 01:36:49,970 --> 01:36:53,474 WHAT WERE YOU TRYING TO DO, SEDUCE HIM INTO A DEAL ? 1637 01:36:53,474 --> 01:36:56,477 IS THAT ACTUALLY WHAT YOU THINK OF ME ? 1638 01:36:56,477 --> 01:36:59,980 I DON'T KNOW. I-- 1639 01:36:59,980 --> 01:37:01,982 OH, REALLY ? 1640 01:37:01,982 --> 01:37:04,485 WELL, UM, IF THAT'S THE CASE, 1641 01:37:04,485 --> 01:37:09,990 I SUGGEST WE SEE EACH OTHER ONLY ON A BUSINESS RELATIONSHIP FROM NOW ON. 1642 01:37:09,990 --> 01:37:12,493 AND I'LL SEE YOU IN SAN FRANCISCO, MR. WHITE. 1643 01:37:18,999 --> 01:37:23,220 ALL RIGHT, SO MAKE IT QUICK BECAUSE SAMANTHA'S GONNA BE HERE ANY MINUTE. 1644 01:37:23,220 --> 01:37:25,222 HOW DID WE DO IN CHICAGO ? 1645 01:37:25,723 --> 01:37:28,225 OKAY, THAT'S GOOD. UH-HUH. UH-HUH. 1646 01:37:28,225 --> 01:37:30,728 MM-HMM. UH-HUH. 1647 01:37:30,728 --> 01:37:33,731 OKAY, GOOD-BYE. 1648 01:37:33,731 --> 01:37:35,733 CHARLIE, THE MINUTE SHE GETS ON BOARD, 1649 01:37:35,733 --> 01:37:38,736 SLAM THE DOOR AND TAKE OFF, ALL RIGHT ? [ Tires Screeching ] 1650 01:37:38,736 --> 01:37:40,738 NEVER MIND. [ Car Door Closes ] 1651 01:37:44,742 --> 01:37:46,243 IS THAT YOU, SAM ? 1652 01:37:47,862 --> 01:37:51,866 HI, MR. WAITS. I'M SORRY. SAM COULDN'T MAKE IT. IT'S A LONG STORY. 1653 01:37:52,366 --> 01:37:56,871 OH, MY GOD. A REAL PRIVATE JET ! 1654 01:37:56,871 --> 01:38:00,875 SOMEDAY YOU'RE GONNA HAVE ONE OF THESE, BABY. A LITTLE BIGGER, I HOPE. 1655 01:38:00,875 --> 01:38:05,379 AND I'LL TAKE CARE OF THE DECOR MYSELF. NOT SO BUSY. 1656 01:38:05,379 --> 01:38:09,383 AND WHO'S THIS ? OH, UH, MR. WAITS, THIS IS MY MOTHER. 1657 01:38:09,383 --> 01:38:14,388 HELEN MORELL. AND YOU CAN JUST THANK YOUR LUCKY STARS THAT YOU KNOW MY SON. 1658 01:38:14,388 --> 01:38:16,891 [ Engine Revving ] 1659 01:38:16,891 --> 01:38:20,895 WILD BLUE YONDER ! HERE WE GO ! 1660 01:38:29,787 --> 01:38:31,789 GEE, THESE LOOK GOOD. 1661 01:38:31,789 --> 01:38:34,792 DON'T TOUCH THAT, JACKIE. IT'LL GIVE YOU THE TROTS. 1662 01:38:34,792 --> 01:38:37,795 WHEW ! CAN'T WE GET RID OF THAT SMELLY THING ? 1663 01:38:37,795 --> 01:38:40,297 I GOT ALL YOUR FAVORITES HERE, BABY. 1664 01:38:40,297 --> 01:38:43,801 I GOT CHICKEN SOUP WITH MATZO BALLS. 1665 01:38:43,801 --> 01:38:49,306 I GOT KREPLACH. I GOT STUFFED CABBAGE. SHE'S NOT EVEN JEWISH. 1666 01:38:49,306 --> 01:38:52,309 WELL, WHEN IT COMES TO EATING, ALL MOTHERS ARE JEWISH. 1667 01:38:52,309 --> 01:38:55,312 NOW, WAIT A MINUTE ! I AM BEING HIJACKED IN MY OWN AIRPLANE ! 1668 01:38:55,813 --> 01:38:59,817 DON'T YOU UNDERSTAND ? I AM THE PRESIDENT OF A MAJOR RECORD COMPANY. 1669 01:39:02,820 --> 01:39:05,823 IS IT REALLY KREPLACH IN THERE ? I GOT EVERYTHING. 1670 01:39:05,823 --> 01:39:08,325 YOU SEE, SIR, MY FATHER IS JEWISH, 1671 01:39:08,325 --> 01:39:10,327 BUT MY MOM, SHE'S ITALIAN-CATHOLIC. 1672 01:39:10,327 --> 01:39:12,329 SO, WE GOT ALL THE BASES COVERED. 1673 01:39:12,329 --> 01:39:15,699 SPEAKING OF BASEBALL, WHILE THE OTHER KIDS WERE FOLLOWING THE BASEBALL SCORES, 1674 01:39:15,699 --> 01:39:18,085 I WAS FOLLOWING THE POP CHARTS. YOU CAN ASK ME ANY-- 1675 01:39:18,085 --> 01:39:21,588 I THINK I'VE HEARD THAT BEFORE. WHY DON'T YOU SAVE THAT FOR THE LINER NOTES ON THE ALBUM ? 1676 01:39:22,089 --> 01:39:23,707 ALBUM ? WE'RE GETTING AN ALBUM DEAL ? 1677 01:39:23,707 --> 01:39:25,709 NO ! I DID NOT SAY THAT. 1678 01:39:25,709 --> 01:39:28,212 I WORKED FOR DAVID MERRICK ON BROADWAY. 1679 01:39:28,712 --> 01:39:30,714 I KNOW ABOUT CONTRACTS. 1680 01:39:30,714 --> 01:39:36,220 I THINK WE'RE GONNA HAVE TO INSIST ON 10% OF THE FIRST 100% NET PROFITS. 1681 01:39:36,220 --> 01:39:40,224 THAT DOESN'T MAKE ANY SENSE. FIRST OF ALL, I HAVE NOT SEEN THIS GROUP EVEN PERFORM. 1682 01:39:40,224 --> 01:39:43,727 OH, LET ME TELL YOU ! 1683 01:39:43,727 --> 01:39:47,731 AFTER THIS CONCERT, PEOPLE WILL BE STANDING ON THEIR HEADS TO BID. 1684 01:39:48,232 --> 01:39:53,237 NOBODY IN THIS WORLD IS GONNA GIVE YOU ANY MORE THAN 2% OF 6% OF 100% OF THE PROFITS. 1685 01:39:53,737 --> 01:39:55,739 HOW ABOUT NINE PERCENT ? 1686 01:39:55,739 --> 01:39:58,742 THAT'S RIDICULOUS. NO MORE THAN SEVEN. 1687 01:39:58,742 --> 01:40:00,744 EIGHT PERCENT ? YOU'RE ROBBING ME. 1688 01:40:00,744 --> 01:40:03,747 OH, USE YOUR NAPKIN ! I'M SORRY. 1689 01:40:03,747 --> 01:40:05,249 [ Whispering ] WHAT ABOUT THE MERCHANDISING ? 1690 01:40:05,249 --> 01:40:08,252 NOT SO FAST ! AH, YES, THE MERCHANDISING. 1691 01:40:08,252 --> 01:40:13,757 NOW, I THINK THAT WE WILL HAVE TO ASK FOR THE T-SHIRTS. 1692 01:40:13,757 --> 01:40:16,760 I FEEL LIKE I'M SITTING ON MY OWN PLANE WITH MA BARKER AND HER KID ! 1693 01:40:17,261 --> 01:40:19,263 ALL RIGHT, YOU WANNA FIGHT ? YOU GET THE T-SHIRTS, 1694 01:40:19,263 --> 01:40:21,265 I GET THE LUNCH PAILS AND THE LOOK-ALIKE DOLLS. 1695 01:40:21,765 --> 01:40:24,768 YOU CAN HAVE THE T-SHIRTS IN JAPAN. 1696 01:40:24,768 --> 01:40:26,770 WE WILL TAKE THE LUNCH PAILS WORLDWIDE. 1697 01:40:26,770 --> 01:40:29,773 BACK UP A MINUTE AND GO ALL THE WAY BACK TO THE BEGINNING. 1698 01:40:29,773 --> 01:40:33,277 NOW, WHICH ONE IS THE KREPLACH ? 1699 01:40:38,282 --> 01:40:40,284 I SEE YOU. 1700 01:40:57,051 --> 01:41:00,054 BUBBE, 1701 01:41:00,054 --> 01:41:05,559 THE FIRST TIME I PLAYED SAN FRANCISCO, I CAME IN ON A BUS. 1702 01:41:05,559 --> 01:41:11,065 AND HERE I AM COMING BACK WITH MY SUCCESSFUL SON ON A PRIVATE JET. 1703 01:41:14,068 --> 01:41:16,570 OH, LOOK, MA, LOOK HOW BEAUTIFUL. 1704 01:41:16,570 --> 01:41:20,824 OH, OH, JACKIE, IT IS TRUE. THERE IS MAGIC IN THE WORLD. 1705 01:41:20,824 --> 01:41:22,826 ♪♪♪♪ 1706 01:41:23,327 --> 01:41:25,162 [ Audience Cheering ] 1707 01:41:25,162 --> 01:41:29,800 [ Announcer ] LADIES AND GENTLEMEN, THE RITCHIE FAMILY ! 1708 01:42:00,697 --> 01:42:04,201 ♪♪ I'M TRAVELING THROUGH THIS GAME CALLED LIFE ♪♪ 1709 01:42:04,201 --> 01:42:05,953 ♪♪ IT'S A TOUGH GAME TO PLAY ♪♪ 1710 01:42:06,453 --> 01:42:08,455 ♪♪ SOMETIMES I THINK IT'S ROUGH ♪♪ 1711 01:42:08,455 --> 01:42:11,959 ♪♪ NOW THAT I GOT THE FINAL OKAY ♪♪ 1712 01:42:11,959 --> 01:42:15,846 ♪♪ YOU'RE TRYING SO HARD TO TAKE IT ALL AWAY ♪♪ 1713 01:42:15,846 --> 01:42:19,716 ♪♪ I GOT MY EDUCATION I GOT DETERMINATION ♪♪ 1714 01:42:19,716 --> 01:42:23,103 ♪ ♪♪ I GOT IMAGINATION COME ON, GIVE ME A BREAK ♪ 1715 01:42:23,103 --> 01:42:27,608 ♪♪ I GOT MY EDUCATION I GOT DETERMINATION ♪♪ 1716 01:42:27,608 --> 01:42:30,611 ♪ ♪♪ I GOT IMAGINATION COME ON, GIVE ME A BREAK ♪ 1717 01:42:31,111 --> 01:42:35,115 ♪♪ WELL, I STARTED OUT MY LIFE TRYIN' TO FIND A BETTER WAY ♪♪ 1718 01:42:35,115 --> 01:42:38,735 ♪♪ TO LIVE IN THIS WORLD FROM DAY TO DAY ♪♪ 1719 01:42:38,735 --> 01:42:40,988 ♪♪ NOW, PEOPLE DON'T YOU KNOW ♪♪ 1720 01:42:40,988 --> 01:42:42,739 ♪♪ DON'T YOU KNOW ♪♪ 1721 01:42:42,739 --> 01:42:46,493 ♪♪ FOLKS ALWAYS SAY YOU GOTT A REAP JUST WHAT YOU SOW ♪♪ 1722 01:42:46,994 --> 01:42:49,997 ♪♪ I GOT MY EDUCATION I GOT DETERMINATION ♪♪ 1723 01:42:50,497 --> 01:42:54,501 ♪ ♪♪ I GOT IMAGINATION COME ON, GIVE ME A BREAK ♪ 1724 01:42:54,501 --> 01:42:58,005 ♪♪ I GOT MY EDUCATION I GOT DETERMINATION ♪♪ 1725 01:42:58,005 --> 01:43:01,508 ♪ ♪♪ I GOT IMAGINATION COME ON, GIVE ME A BREAK ♪ 1726 01:43:01,508 --> 01:43:03,510 ♪♪ GIVE IT UP ♪♪ 1727 01:43:06,013 --> 01:43:10,017 ♪♪ COME ON, GIVE ME A BREAK ♪♪ ♪♪ OH, WON'T YOU GIVE ME ♪♪ 1728 01:43:10,017 --> 01:43:13,403 ♪♪ COME ON, GIVE ME A BREAK ♪♪ ♪♪ WON'T YOU GIVE ME A BREAK ♪♪ 1729 01:43:13,403 --> 01:43:17,407 ♪♪ COME ON, GIVE ME A BREAK ♪♪ ♪♪ I DESERVE A CHANCE ♪♪ 1730 01:43:17,407 --> 01:43:22,279 ♪♪ COME ON, GIVE ME A BREAK ♪♪ ♪♪ WON'T YOU GIVE ME A BREAK ♪♪ 1731 01:43:22,279 --> 01:43:25,782 ♪♪ I DESERVE A BETTER CHANCE ♪♪ 1732 01:43:25,782 --> 01:43:29,286 ♪ ♪♪ I'M A WOMAN I WANT TO SHOW THE WORLD ♪ 1733 01:43:30,787 --> 01:43:33,173 ♪ ♪♪ WON'T YOU GIVE ME A BREAK ♪♪♪ 1734 01:43:46,186 --> 01:43:50,307 NO, NO, NO. SAMANTHA SIMPSON. IS SHE THERE ? 1735 01:43:51,808 --> 01:43:54,811 NO ? THANK YOU. 1736 01:43:54,811 --> 01:43:56,813 SHE WAS SUPPOSED TO BE HERE AN HOUR AGO. 1737 01:43:56,813 --> 01:43:58,815 WELL, WHERE ARE THE COSTUMES ? GOOD QUESTION. 1738 01:43:58,815 --> 01:44:01,318 THAT AIRLINE SAID THEY'D GET 'EM HERE AS SOON AS THEY FOUND 'EM. 1739 01:44:01,818 --> 01:44:04,821 GUESS WE'LL BE MAKING OUR BIG DEBUT IN THE BUFF. YEAH, LOOKS LIKE IT. 1740 01:44:04,821 --> 01:44:08,325 LISTEN TO THE BEAT, BOYS ! THIS IS SAN FRANCISCO ! 1741 01:44:08,325 --> 01:44:10,327 THEY'RE GONNA LOVE IT ! COME ON, LIGHTEN UP ! 1742 01:44:10,327 --> 01:44:13,330 VOCALIZE ! COME ON ! HOP TO ! 1743 01:44:14,831 --> 01:44:17,834 THE AIRLINE CAME THROUGH WITH OUR COSTUMES ! YEE-HA ! 1744 01:44:18,335 --> 01:44:21,838 PARTY POOPER ! HEY, IS SAM HERE YET ? 1745 01:44:21,838 --> 01:44:25,342 I HAVE NOT SEEN HIDE NOR HAIR OF HER. I DON'T TRUST STEVE WAITS. 1746 01:44:25,842 --> 01:44:29,346 THEY COULD'VE FLOWN OFF TO ACAPULCO BY NOW ! ACAPULCO ? 1747 01:44:29,346 --> 01:44:32,849 OH, WITH STEVE, ANYTHING IS POSSIBLE. HEY, HELP ME WITH THIS. 1748 01:44:32,849 --> 01:44:34,851 AND ON TOP OF EVERYTHING ELSE, I CAN'T FIND JACK. 1749 01:44:34,851 --> 01:44:38,355 I'LL GET THAT. I'M GONNA GO CHECK OUT OUR SOUND SYSTEM. 1750 01:44:38,355 --> 01:44:41,358 YOU ARE NOT GONNA BELIEVE THIS CROWD. 1751 01:44:41,358 --> 01:44:46,363 SAN FRANCISCO HIGH LIFE IS ONE OF THE KINKIEST THINGS I EVER SAW. 1752 01:44:46,363 --> 01:44:48,365 OOH ! [ Laughing ] 1753 01:44:51,368 --> 01:44:55,872 DO YOU REALIZE THE BIGGEST CROWD WE'VE EVER PLAYED TO WAS IN SAM'S BACKYARD ? 1754 01:44:55,872 --> 01:44:58,375 YEAH. HOW WE GONNA FACE ALL THOSE PEOPLE OUT THERE ? 1755 01:44:58,375 --> 01:45:01,261 IT'S TOO LATE TO TURN BACK NOW, FELLAS. 1756 01:45:02,763 --> 01:45:05,265 OH, GOD. LEATHER MEN DON'T GET NERVOUS ! 1757 01:45:05,766 --> 01:45:08,769 LEATHER MEN DON'T GET NERVOUS. OH, YES, THEY DO. 1758 01:45:08,769 --> 01:45:12,773 YES, THEY DO. COME ON, GUYS. LET'S GET THE SHOW ON THE ROAD. 1759 01:45:12,773 --> 01:45:18,278 KNOCK, KNOCK ! OH, HELLO THERE, NORMA ! HOW ARE YOU ? 1760 01:45:18,278 --> 01:45:20,781 I'D LIKE YOU TO MEET THE WOMEN FROM MY COMMITTEE. 1761 01:45:20,781 --> 01:45:24,284 MRS. WILLIAMS AND MRS. SLATKIN, LULU BRECHT. 1762 01:45:24,284 --> 01:45:26,286 HELLO. NICE TO MEET YOU. 1763 01:45:26,286 --> 01:45:30,290 HI. AND THESE-- THESE ARE THE VILLAGE PEOPLE. 1764 01:45:31,541 --> 01:45:33,543 HELLO. HI. HI, NORMA. 1765 01:45:33,543 --> 01:45:35,796 DON'T MIND US. WE UNDERSTAND SHOW FOLK HERE. 1766 01:45:35,796 --> 01:45:39,299 OH, I KNEW THEY WOULD LOVE US IN FRISCO. 1767 01:45:39,299 --> 01:45:42,803 PLEASE, MY DEAR, NEVER "FRISCO." "SAN FRANCISCO." 1768 01:45:43,804 --> 01:45:46,807 PARDONMOI. THIS IS JUST TOO EXCITING. 1769 01:45:46,807 --> 01:45:49,309 I'VE NEVER SEEN SUCH A HUGE TURNOUT. 1770 01:45:49,309 --> 01:45:52,813 AND SO BIZARRE, CHIC. THOSE GIRL SINGERS WERE MARVELOUS. 1771 01:45:52,813 --> 01:45:56,817 OH, I WANT YOU TO MEET SOME OF THE WOMEN WHO HELPED MAKE ALL OF THIS POSSIBLE. 1772 01:45:57,317 --> 01:45:59,319 YOU'VE DONE A WONDERFUL JOB. THANK YOU VERY MUCH. 1773 01:45:59,319 --> 01:46:01,321 AND I KNOW YOU'RE GONNA BE VERY PROUD OF MY BOYS. 1774 01:46:01,822 --> 01:46:03,323 YOUR BOYS ? 1775 01:46:03,323 --> 01:46:06,326 I HAVE JUST BECOME THE HONORARY PRESS AGENT FOR THE VILLAGE PEOPLE. 1776 01:46:06,326 --> 01:46:08,829 MAY I PRESENT THE U.P., A.P. CROSS YOUR FINGERS... 1777 01:46:08,829 --> 01:46:12,833 WE GET CLAUDIA WALTERS FOR20/60,OR WHATEVER THAT SHOW IS CALLED. 1778 01:46:12,833 --> 01:46:17,337 NORMA, PERHAPS YOU WOULD BE KIND ENOUGH TO LINE UP MY BOYS FOR A PICTURE WITH THESE LADIES. 1779 01:46:17,337 --> 01:46:19,339 GENTLEMEN, START SNAPPING AWAY. 1780 01:46:19,339 --> 01:46:22,342 WE MADE IT ! WE MADE IT ! 1781 01:46:22,342 --> 01:46:25,846 WHAT'S THAT ? SIGNED CONTRACTS WITH MARRAKECH RECORDS ! 1782 01:46:25,846 --> 01:46:29,349 [ Cheering ] HELLO, PRIME TIME ! 1783 01:46:29,349 --> 01:46:31,852 I CAN'T BELIEVE IT ! BELIEVE IT. BELIEVE IT. 1784 01:46:31,852 --> 01:46:34,354 I APPROVED THEM MYSELF. 1785 01:46:34,354 --> 01:46:38,859 OH, LADIES, I'LL MEET YOU AT THE HOSPITALITY SUITE IN FIVE MINUTES. 1786 01:46:38,859 --> 01:46:40,861 OH, ALICIA, DEAR, WOULD YOU BE AN ANGEL AND TAKE THEM OVER THERE ? 1787 01:46:41,361 --> 01:46:43,363 MY PLEASURE. LADIES, WILL YOU FOLLOW ME ? 1788 01:46:43,363 --> 01:46:45,365 BYE. GOOD-BYE. 1789 01:46:53,990 --> 01:46:57,994 BEST BEHAVIOR, BOYS. THIS IS CLAUDIA WALTERS. SHE'S SYNDICATED. 1790 01:46:57,994 --> 01:47:01,498 EXCUSE ME, BUT I HAVE NO COMMENT AT THIS TIME NOW. 1791 01:47:01,498 --> 01:47:05,502 WELL, THAT'S PERFECTLY ALL RIGHT BECAUSE I'M HERE TO INTERVIEW THE VILLAGE PEOPLE. 1792 01:47:05,502 --> 01:47:07,504 WELL, THEY'RE MY NEW ACT, AND I'VE JUST SIGNED THEM, 1793 01:47:07,504 --> 01:47:09,506 COMPLIMENTS OF MARRAKECH RECORDS. 1794 01:47:09,506 --> 01:47:12,008 MY SON INVENTED THE VILLAGE PEOPLE. 1795 01:47:12,509 --> 01:47:15,512 OH, YEAH. AND HE WRITES ALL THEIR MUSIC. 1796 01:47:15,512 --> 01:47:19,516 AS LONG AS WE'RE HERE, MAYBE WE OUGHT TO GET SOMETHING ON HIM ON FILM. 1797 01:47:19,516 --> 01:47:22,018 GOOD THINKING. MR. WAITS ? 1798 01:47:22,018 --> 01:47:26,523 YEAH ? YOU'VE BEEN VERY SUCCESSFUL WITH YOUR GROUPS IN THE PAST. 1799 01:47:26,523 --> 01:47:29,526 I WOULD LIKE A LITTLE MORE INFORMATION ON YOUR PERSONAL INVOLVEMENT. 1800 01:47:31,027 --> 01:47:36,032 WELL, I GET VERY, UH, HIGHLY CREATIVELY INVOLVED. 1801 01:47:36,032 --> 01:47:38,034 I GET VERY INVOLVED PERSONALLY... 1802 01:47:38,535 --> 01:47:40,036 WITH EVERY MEMBER OF THE COMPANY. 1803 01:47:40,537 --> 01:47:44,040 EXCUSE ME. IT JUST HAPPENS TO LOOK BETTER THAT WAY. 1804 01:47:44,541 --> 01:47:46,543 [ Sighs ] BUT FRANKLY, BETWEEN YOU AND ME, 1805 01:47:46,543 --> 01:47:50,547 IT GETS... LONELY. 1806 01:47:51,047 --> 01:47:54,050 VERY LONELY SOMETIMES. 1807 01:47:55,552 --> 01:48:00,056 I WONDER IF THERE'S A QUIETER PLACE YOU AND I CAN TALK. 1808 01:48:00,056 --> 01:48:04,561 I THINK THAT COULD BE ARRANGED. AARON ? 1809 01:48:04,561 --> 01:48:08,315 YES ? I'M GOING TO BE BACK IN A MOMENT. 1810 01:48:08,315 --> 01:48:10,317 WILL YOU SPEAK WITH THE BOYS FOR ME ? SURE. 1811 01:48:10,317 --> 01:48:12,819 THANK YOU. 1812 01:48:12,819 --> 01:48:16,323 SAM, LOOKS LIKE WE'RE ALL IN BUSINESS. 1813 01:48:16,323 --> 01:48:18,325 OH ! 1814 01:48:18,325 --> 01:48:21,328 WHY DON'T YOU GUYS TELL US HOW YOU GOT STARTED ? 1815 01:48:23,330 --> 01:48:25,332 SAM ! 1816 01:48:25,332 --> 01:48:28,084 SAM ! MISSION ACCOMPLISHED ! 1817 01:48:28,084 --> 01:48:30,587 SIGNED CONTRACTS WITH MARRAKECH RECORDS ! 1818 01:48:30,587 --> 01:48:32,589 SIGNED, SEALED AND DELIVERED ! 1819 01:48:35,091 --> 01:48:38,595 IT'S RIGHT HERE. HEY, SAM ! GOOD NEWS ! 1820 01:48:39,095 --> 01:48:41,097 SAM, BABY ! HOW WAS ACAPULCO ? 1821 01:48:41,097 --> 01:48:44,100 HI ! I CAN'T BELIEVE IT ! OH, SAM ! 1822 01:48:44,100 --> 01:48:48,605 SAM, LOOK, WE'VE GOT TWO ALBUMS AND THEY'RE GUARANTEED ! 1823 01:48:49,105 --> 01:48:52,609 EXCUSE ME. AS SENIOR PARTNER OF THE LAW FIRM... 1824 01:48:52,609 --> 01:48:55,111 THAT REPRESENTS VILLAGE PEOPLE, 1825 01:48:55,111 --> 01:48:58,114 THERE ARE A NUMBER OF POINTS THAT HAVE TO BE CLARIFIED. 1826 01:48:58,114 --> 01:49:00,617 UH, WELCOME BACK TO THE FIRM, RON, 1827 01:49:01,117 --> 01:49:03,620 AS A, UH, JUNIOR PARTNER. 1828 01:49:04,120 --> 01:49:05,622 RON ! 1829 01:49:06,122 --> 01:49:09,626 THANK YOU VERY MUCH. THANK YOU VERY MUCH, MR. MONTGOMERY. 1830 01:49:09,626 --> 01:49:13,129 MR. MONTGOMERY ? I'M THE ONE THAT WENT TO RICHARD... 1831 01:49:13,129 --> 01:49:15,131 TO GET HIM TO GO TO THE MILK COUNCIL... 1832 01:49:15,131 --> 01:49:17,133 TO GET THE COMMERCIAL ON TELEVISION. 1833 01:49:17,133 --> 01:49:20,136 WHAT ABOUT ACAPULCO ? WHAT ARE YOU TALKING ABOUT ? 1834 01:49:20,136 --> 01:49:24,641 OH, SAM, YOU WERE SO LATE, WE THOUGHT MAYBE YOU'D FLOWN OFF TO ACAPULCO... 1835 01:49:24,641 --> 01:49:28,144 AND GOTTEN MARRIED OR SOMETHING. 1836 01:49:28,144 --> 01:49:30,647 LULU ! MARRIED ? I'M SORRY. 1837 01:49:32,148 --> 01:49:35,151 I MEAN, I WANT THIS GROUP TO BE LAUNCHED AS MUCH AS ANYBODY. 1838 01:49:35,652 --> 01:49:40,156 I'D DO ANYTHING FOR 'EM, BUT TO RUN OFF TO ACAPULCO AND GET MARRIED ? I'M NOT-- 1839 01:49:40,657 --> 01:49:43,159 WHAT DO YOU THINK-- 1840 01:49:43,159 --> 01:49:45,161 OH, SAM. 1841 01:49:48,164 --> 01:49:50,166 WHAT ABOUT A SAN FRANCISCO WEDDING ? 1842 01:49:50,166 --> 01:49:52,669 SOMETHING SIMPLE, LIKE, UH, ON THE GOLDEN GATE BRIDGE. 1843 01:49:56,172 --> 01:49:58,174 IS THIS A PROPOSAL OR AN APOLOGY ? 1844 01:49:58,174 --> 01:50:00,677 NAH, IT'S A PUBLICITY STUNT. 1845 01:50:00,677 --> 01:50:04,180 OF COURSE ! IT'S A PROPOSAL. 1846 01:50:04,180 --> 01:50:08,184 AND I ALSO WANT TO APOLOGIZE FOR THE THINGS I SAID AT SYDNE'S OFFICE. 1847 01:50:11,688 --> 01:50:13,690 I DON'T KNOW WHAT TO SAY. 1848 01:50:13,690 --> 01:50:15,692 SAY YES. 1849 01:50:17,694 --> 01:50:19,696 KISS ME. 1850 01:50:24,200 --> 01:50:27,087 THEY MUST GET MARRIED IN CALIFORNIA. 1851 01:50:27,087 --> 01:50:30,590 THEY'VE GOT THAT MARVELOUS COMMUNITY PROPERTY HERE. 1852 01:50:31,091 --> 01:50:33,593 OH, OH ! I'VE GOT A SHOW TO PUT ON ! 1853 01:50:33,593 --> 01:50:38,598 COME ON, COME ON ! I'M GONNA NEED EVERYBODY'S HELP ! EVERYBODY ! COME ON ! 1854 01:50:38,598 --> 01:50:41,101 COME ON, FOLLOW ME, EVERYBODY. FOLLOW ME ! COME ON ! 1855 01:50:43,603 --> 01:50:46,606 GOOD LUCK. GOOD LUCK, FELIPE, DEAR. 1856 01:50:46,606 --> 01:50:51,611 LULU, THIS IS HIGHLY DISORGANIZED ! 1857 01:50:51,611 --> 01:50:55,615 SYDNE, SHUT YOUR MOUTH. 1858 01:50:57,367 --> 01:50:59,736 I AM NOW THE NUMBER-ONE ROADIE FOR THE VILLAGE PEOPLE, 1859 01:51:00,236 --> 01:51:03,239 AND I WILL HAVE THEM DRESSED AND READY TO GO ON. 1860 01:51:04,741 --> 01:51:07,377 - GO, GIRL ! -AMEN ! 1861 01:51:07,377 --> 01:51:12,882 LULU, WHOEVER GETS YOU DESERVES YOU. 1862 01:51:14,250 --> 01:51:17,754 I CAN'T BELIEVE IT'S FINALLY HERE: 1863 01:51:17,754 --> 01:51:20,757 MAKE-IT-OR-BREAK-IT TIME. 1864 01:51:20,757 --> 01:51:22,759 I MEAN, WHAT IF IT REALLY DOESN'T WORK ? 1865 01:51:22,759 --> 01:51:26,262 WHAT IF IT REALLY, REALLY DOESN'T WORK ? 1866 01:51:26,763 --> 01:51:30,266 HEY, EVERYTHING'S GONNA WORK OUT JUST PERFECTLY. 1867 01:51:30,266 --> 01:51:33,269 THIS IS THE MOMENT YOU'VE WORKED FOR. ENJOY IT. 1868 01:51:33,269 --> 01:51:35,772 TONIGHT BELONGS TO YOU AND THE VILLAGE PEOPLE. 1869 01:51:44,731 --> 01:51:48,034 [ Crowd Cheering, Whistling ] 1870 01:51:51,538 --> 01:51:55,041 WELL, GUYS, THIS IS IT. 1871 01:51:55,041 --> 01:51:58,044 YEAH. LET'S DO IT. 1872 01:52:07,554 --> 01:52:11,558 ♪♪♪♪ 1873 01:52:11,558 --> 01:52:13,560 WE'RE A GROUP. 1874 01:52:15,061 --> 01:52:17,063 [ Felipe ] GERONIMO. 1875 01:52:42,338 --> 01:52:45,341 [ Siren Wailing ] 1876 01:52:49,846 --> 01:52:53,099 [ Engine Revving ] 1877 01:53:37,777 --> 01:53:40,280 ♪♪ EVERYONE YOU MEET THE CHILDREN IN THE STREET ♪♪ 1878 01:53:40,780 --> 01:53:42,282 ♪♪ ARE SWAYIN' TO THE RHYTHM ♪♪ 1879 01:53:42,782 --> 01:53:44,784 ♪♪ THERE'S SOMETHIN' MOVIN' IN THEM ♪♪ 1880 01:53:44,901 --> 01:53:48,404 ♪♪ THERE'S NO PLACE TO HIDE SO WHY EVEN TRY ♪♪ 1881 01:53:48,404 --> 01:53:51,908 ♪♪ CAN'T YOU HEAR IT COMING YOUR WAY IT'S HERE TO STAY ♪♪ 1882 01:53:51,908 --> 01:53:55,411 ♪♪ MUSIC IN OUR WALK MUSIC WHEN WE TALK ♪♪ 1883 01:53:55,411 --> 01:53:58,915 ♪♪ IT'S REALLY SOMETHING MAGIC TO LOSE IT WOULD BE TRAGIC ♪♪ 1884 01:53:59,415 --> 01:54:02,919 ♪♪ CAN'T YOU FEEL THE SOUND MOVIN' THROUGH THE GROUND ♪♪ 1885 01:54:02,919 --> 01:54:06,556 ♪♪ MUSIC MAKES THE WORLD GO AROUND ♪♪ 1886 01:54:06,556 --> 01:54:09,559 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1887 01:54:10,059 --> 01:54:13,062 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1888 01:54:13,429 --> 01:54:16,933 ♪♪ TAKE THE COLD FROM SNOW TELL THE TREES DON'T GROW ♪♪ 1889 01:54:16,933 --> 01:54:20,436 ♪♪ TELL THE WIND DON'T BLOW 'CAUSE IT'S EASIER ♪♪ 1890 01:54:20,436 --> 01:54:23,940 ♪♪ ♪♪ NO, YOU CAN'T STOP THE MUSIC 1891 01:54:23,940 --> 01:54:27,443 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1892 01:54:27,443 --> 01:54:30,947 ♪♪ TAKE THE SPARK FROM LOVE MAKE THE RAIN FALL UP ♪♪ 1893 01:54:31,447 --> 01:54:35,084 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1894 01:54:35,084 --> 01:54:38,588 ♪♪ MOVIN' WITH THE WIND SINCE THE WORLD BEGAN ♪♪ 1895 01:54:39,088 --> 01:54:42,592 ♪♪ THE BEAT IS GONNA GET YA BEAT IS GONNA GET YA ♪♪ 1896 01:54:42,592 --> 01:54:45,845 ♪♪ MUSIC FOR THE BLUES FOR YOUR DANCIN' SHOES ♪♪ 1897 01:54:45,845 --> 01:54:49,849 ♪♪ THERE'S MUSIC IN THE WAY THAT WE KISS, YOU CAN'T RESIST ♪♪ 1898 01:54:49,849 --> 01:54:53,353 ♪♪ MOVIN' THROUGH THE TREES BUZZIN' WITH THE BEES ♪♪ 1899 01:54:53,353 --> 01:54:57,357 ♪♪ THE SOUND IS GETTIN' LOUDER SOUND IS GETTIN' LOUDER ♪♪ 1900 01:54:57,357 --> 01:55:00,360 ♪♪ MUSIC WHEN WE PLAY WHEN WE KNEEL TO PRAY ♪♪ 1901 01:55:00,360 --> 01:55:03,863 ♪ ♪♪ THERE'S MUSIC IN THE SOUND OF THE WIND ♪ 1902 01:55:03,863 --> 01:55:07,367 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1903 01:55:07,367 --> 01:55:10,870 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1904 01:55:11,371 --> 01:55:14,874 ♪♪ TAKE THE HEAT FROM FLAME TRY NOT FEELING PAIN ♪♪ 1905 01:55:14,874 --> 01:55:18,378 ♪♪ THOUGH YOU TRY IN VAIN IT'S MUCH EASIER ♪♪ 1906 01:55:18,378 --> 01:55:21,881 ♪♪ ♪♪ NO, YOU CAN'T STOP THE MUSIC 1907 01:55:21,881 --> 01:55:25,385 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1908 01:55:25,385 --> 01:55:29,389 ♪♪ CHANGE THE MASTER PLAN TAKE THE HOPE FROM MAN ♪♪ 1909 01:55:29,389 --> 01:55:32,892 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1910 01:55:33,393 --> 01:55:36,896 ♪♪ ON THE RADIO ON EVERY TV SHOW ♪♪ 1911 01:55:36,896 --> 01:55:40,266 ♪♪ FOR EACH AND EVERY REASON EACH AND EVERY SEASON ♪♪ 1912 01:55:40,767 --> 01:55:44,020 ♪♪ MUSIC WHEN WE LOVE FOR THE MOON ABOVE ♪♪ 1913 01:55:44,020 --> 01:55:47,523 ♪♪ MUSIC FOR THE SHOW OF LIFE THAT NEVER ENDS ♪♪ 1914 01:55:47,774 --> 01:55:51,277 ♪♪ MUSIC ON A PLANE MUSIC ON A TRAIN ♪♪ 1915 01:55:51,277 --> 01:55:55,281 ♪♪ SAILING ON THE OCEAN MUSIC IN THE MOTION ♪♪ 1916 01:55:55,281 --> 01:55:58,785 ♪♪ MUSIC IN YOUR CAR AT YOUR LOCAL BAR ♪♪ 1917 01:55:58,785 --> 01:56:01,287 ♪♪ THERE'S MUSIC WHEN YOU LOOK AT A STAR ♪♪ 1918 01:56:01,788 --> 01:56:05,425 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1919 01:56:05,425 --> 01:56:08,428 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1920 01:56:08,428 --> 01:56:12,432 ♪♪ KEEP TWO LOVES APART MEND A BROKEN HEART ♪♪ 1921 01:56:12,932 --> 01:56:16,936 ♪♪ CATCH A FALLIN' STAR THAT'S MUCH EASIER ♪♪ 1922 01:56:16,936 --> 01:56:19,689 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1923 01:56:19,689 --> 01:56:23,693 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1924 01:56:23,693 --> 01:56:27,313 ♪♪ TELL THE SUN DON'T SHINE STOP OLD FATHER TIME ♪♪ 1925 01:56:27,313 --> 01:56:30,817 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1926 01:56:31,317 --> 01:56:34,454 ♪♪ YOU CAN'T STOP THE MUSIC ♪♪ 1927 01:56:34,454 --> 01:56:37,457 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1928 01:56:37,457 --> 01:56:41,461 ♪♪ TAKE THE COLD FROM SNOW TELL THE TREES DON'T GROW ♪♪ 1929 01:56:41,461 --> 01:56:45,465 ♪♪ TELL THE WIND DON'T BLOW 'CAUSE IT'S EASIER ♪♪ 1930 01:56:45,465 --> 01:56:48,968 ♪♪ ♪♪ NO, YOU CAN'T STOP THE MUSIC 1931 01:56:48,968 --> 01:56:52,472 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1932 01:56:52,472 --> 01:56:55,975 ♪♪ TAKE THE SPARK FROM LOVE MAKE THE RAIN FALL UP ♪♪ 1933 01:56:55,975 --> 01:57:00,980 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1934 01:57:05,985 --> 01:57:08,488 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1935 01:57:08,988 --> 01:57:12,241 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1936 01:57:12,241 --> 01:57:15,745 ♪♪ KEEP TWO LOVES APART MEND A BROKEN HEART ♪♪ 1937 01:57:15,745 --> 01:57:19,749 ♪♪ CATCH A FALLIN' STAR IT'S MUCH EASIER ♪♪ 1938 01:57:20,249 --> 01:57:22,752 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1939 01:57:23,252 --> 01:57:26,756 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1940 01:57:26,756 --> 01:57:30,259 ♪♪ TELL THE SUN DON'T SHINE STOP OLD FATHER TIME ♪♪ 1941 01:57:30,259 --> 01:57:34,263 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1942 01:57:34,764 --> 01:57:37,383 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1943 01:57:37,383 --> 01:57:40,887 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1944 01:57:40,887 --> 01:57:44,891 ♪♪ TAKE THE COLD FROM SNOW TELL THE TREES DON'T GROW ♪♪ 1945 01:57:44,891 --> 01:57:48,394 ♪♪ TELL THE WIND DON'T BLOW 'CAUSE IT'S EASIER ♪♪ 1946 01:57:48,394 --> 01:57:51,898 ♪♪ ♪♪ NO, YOU CAN'T STOP THE MUSIC 1947 01:57:52,398 --> 01:57:55,401 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1948 01:57:55,401 --> 01:57:58,905 ♪♪ TAKE THE SPARK FROM LOVE MAKE THE RAIN FALL UP ♪♪ 1949 01:57:59,405 --> 01:58:03,409 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1950 01:58:03,409 --> 01:58:06,412 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1951 01:58:06,412 --> 01:58:10,299 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1952 01:58:10,299 --> 01:58:13,803 ♪♪ KEEP TWO LOVES APART MEND A BROKEN HEART ♪♪ 1953 01:58:13,803 --> 01:58:17,807 ♪♪ CATCH A FALLIN' STAR IT'S MUCH EASIER ♪♪ 1954 01:58:17,807 --> 01:58:21,177 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1955 01:58:21,177 --> 01:58:24,180 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1956 01:58:24,180 --> 01:58:28,184 ♪♪ TELL THE SUN DON'T SHINE STOP OLD FATHER TIME ♪♪ 1957 01:58:28,184 --> 01:58:32,188 ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 1958 01:58:32,688 --> 01:58:35,691 ♪♪ ♪♪ YOU CAN'T STOP THE MUSIC 1959 01:58:35,691 --> 01:58:39,195 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1960 01:58:39,195 --> 01:58:42,698 ♪♪ TAKE THE COLD FROM SNOW TELL THE TREES DON'T GROW ♪♪ 1961 01:58:42,698 --> 01:58:46,202 ♪♪ TELL THE WIND DON'T BLOW 'CAUSE IT'S EASIER ♪♪ 1962 01:58:46,702 --> 01:58:50,206 ♪♪ ♪♪ NO, YOU CAN'T STOP THE MUSIC 1963 01:58:50,206 --> 01:58:53,709 ♪♪ NOBODY CAN STOP THE MUSIC ♪♪ 1964 01:58:53,709 --> 01:58:57,213 ♪♪ TAKE THE SPARK FROM LOVE MAKE THE RAIN FALL UP ♪♪ 1965 01:58:57,213 --> 01:59:03,219 ♪♪ ♪♪ 'CAUSE THAT'S EASIER TO DO ♪♪ 165044