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These are the user uploaded subtitles that are being translated: 1 00:00:02,461 --> 00:00:03,170 ♪♪♪ 2 00:00:03,170 --> 00:00:05,339 Daly: From all across America, 3 00:00:05,339 --> 00:00:08,133 they are watching, and we see you all! 4 00:00:08,133 --> 00:00:10,010 Give it up for our coaches ‐‐ 5 00:00:10,010 --> 00:00:12,596 Kelly Clarkson! 6 00:00:12,596 --> 00:00:14,181 Kelly: I still have my save left, 7 00:00:14,181 --> 00:00:15,641 and I'm just kind of waiting for that moment 8 00:00:15,641 --> 00:00:18,143 where I cannot decide between my two artists. 9 00:00:18,143 --> 00:00:20,854 Gwen Stefani! 10 00:00:20,854 --> 00:00:22,856 Gwen: So I have my save, and I want to make sure 11 00:00:22,856 --> 00:00:25,192 that it comes from a place deep in my heart 12 00:00:25,192 --> 00:00:27,694 where I really feel like I'm gonna connect with this person 13 00:00:27,694 --> 00:00:28,862 and make a difference. 14 00:00:28,862 --> 00:00:31,365 The great John Legend! 15 00:00:31,365 --> 00:00:33,367 Hey! 16 00:00:33,367 --> 00:00:35,035 Look at that energy! 17 00:00:35,035 --> 00:00:36,036 Yeah! 18 00:00:36,036 --> 00:00:38,247 Blake: Last day of battles. 19 00:00:38,247 --> 00:00:40,541 You're looking at the only coach 20 00:00:40,541 --> 00:00:44,169 with a steal ‐‐ Ol' Blaker. 21 00:00:44,169 --> 00:00:47,339 No Blake‐o, they call me back in Oklahoma. 22 00:00:47,339 --> 00:00:49,633 Daly: And Blake Shelton! 23 00:00:49,633 --> 00:00:51,301 [ Cheers and applause ] 24 00:00:51,301 --> 00:00:53,387 "Shuffling" Shelton, "Saddle 'Em Up" Shelton, 25 00:00:53,387 --> 00:00:55,055 "Break It Down" Blake. 26 00:00:55,055 --> 00:00:59,059 Whoo! 27 00:00:59,059 --> 00:01:01,353 I've got the only steal left. 28 00:01:01,353 --> 00:01:03,355 Watch this. 29 00:01:03,355 --> 00:01:04,481 No, I don't mean right now, 30 00:01:04,481 --> 00:01:06,233 like, when I get out there. 31 00:01:06,233 --> 00:01:10,696 [ Laughs ] 32 00:01:10,696 --> 00:01:12,072 [ Cheers and applause ] 33 00:01:12,072 --> 00:01:14,408 Oh, look at that. There's people. 34 00:01:14,408 --> 00:01:17,494 [ Cheers and applause ] 35 00:01:20,289 --> 00:01:21,748 Daly: Give it up one more time, 36 00:01:21,748 --> 00:01:25,210 three amazing, talented coaches and artists, 37 00:01:25,210 --> 00:01:26,420 and Blake. 38 00:01:26,420 --> 00:01:29,214 [ Laughter ] 39 00:01:29,214 --> 00:01:30,257 ♪♪♪ 40 00:01:30,257 --> 00:01:32,759 I'm so excited. Oh! 41 00:01:32,759 --> 00:01:34,928 This is actually h‐‐ Like, it feels, like, surreal. 42 00:01:34,928 --> 00:01:36,221 When I worked with you, 43 00:01:36,221 --> 00:01:38,432 you felt like a little baby to me, 44 00:01:38,432 --> 00:01:40,684 and now I have two little, tiny babies. 45 00:01:40,684 --> 00:01:42,686 I know, even younger than me 46 00:01:42,686 --> 00:01:45,105 when you met me. 14 and 15. 47 00:01:45,105 --> 00:01:46,940 I'm excited. Hi. 48 00:01:46,940 --> 00:01:49,276 Hi, guys. So nice to meet you. 49 00:01:49,276 --> 00:01:52,571 Seeing Julia Michaels, I think I almost passed out. 50 00:01:52,571 --> 00:01:54,114 I love the song "Issues." 51 00:01:54,114 --> 00:01:55,532 ♪ 'Cause I got issues ♪ 52 00:01:55,532 --> 00:01:57,284 It's a bop. [ Chuckles ] 53 00:01:57,284 --> 00:01:58,368 When I worked with her the first time, 54 00:01:58,368 --> 00:01:59,578 she wasn't an artist yet. 55 00:01:59,578 --> 00:02:01,663 She was just a songwriter, making hits. 56 00:02:01,663 --> 00:02:04,166 So it's really cool to see her do this for you 57 00:02:04,166 --> 00:02:06,460 because she really did do this for me. That's amazing. 58 00:02:06,460 --> 00:02:09,296 Julia Michaels is a Grammy Award nominee. 59 00:02:09,296 --> 00:02:11,423 She's a writer. She's a singer. 60 00:02:11,423 --> 00:02:14,301 She has all of this under her belt at such a young age, 61 00:02:14,301 --> 00:02:15,636 and that's what I want to do. 62 00:02:15,636 --> 00:02:17,095 So, what do you think about this song? 63 00:02:17,095 --> 00:02:18,472 Larriah: At first, I was like, "Whoa, 64 00:02:18,472 --> 00:02:20,140 that's a big song." 65 00:02:20,140 --> 00:02:21,642 I chose "Like I'm Gonna Lose You" 66 00:02:21,642 --> 00:02:24,478 by Meghan Trainor featuring John Legend. 67 00:02:24,478 --> 00:02:26,438 Also John Legend's gonna be right there. 68 00:02:26,438 --> 00:02:29,650 I know, but big song for big voices. 69 00:02:29,650 --> 00:02:30,734 Yeah. That's why. 70 00:02:30,734 --> 00:02:32,235 Yeah. Yeah. 71 00:02:32,235 --> 00:02:34,988 ♪ I found myself dreaming ♪ 72 00:02:34,988 --> 00:02:38,617 When I choose a song for really young singers, 73 00:02:38,617 --> 00:02:40,661 You want to make sure that the content of the lyrics 74 00:02:40,661 --> 00:02:43,372 is age‐appropriate and they could wrap their heads around it 75 00:02:43,372 --> 00:02:45,374 and it's upbeat, but it's still emotional. 76 00:02:45,374 --> 00:02:47,334 ♪ And I realized ♪ 77 00:02:47,334 --> 00:02:49,503 Julia: Larriah's such an old soul. 78 00:02:49,503 --> 00:02:52,631 I was just so compelled by her voice. 79 00:02:52,631 --> 00:02:54,675 ♪ So I'm gonna love you ♪ 80 00:02:54,675 --> 00:02:56,176 Whoo! Let's go! 81 00:02:56,176 --> 00:02:58,011 Julia: If she's singing like that at 15, 82 00:02:58,011 --> 00:03:01,181 I can't even imagine what she's gonna be singing like at my age. 83 00:03:01,181 --> 00:03:04,851 ♪ I realized ♪ 84 00:03:04,851 --> 00:03:08,188 Carter was not what I was expecting. 85 00:03:08,188 --> 00:03:11,024 ♪ So I'm gonna love you ♪ 86 00:03:11,024 --> 00:03:15,862 That sweet boy can project like I've never heard. 87 00:03:15,862 --> 00:03:21,868 Both: ♪ Like I'm gonna lose you ♪ 88 00:03:21,868 --> 00:03:24,329 Okay! 89 00:03:24,329 --> 00:03:27,082 I threw my paper. I was like, "Alright." 90 00:03:27,082 --> 00:03:30,460 [ Chuckles ] I'm so screwed. 91 00:03:30,460 --> 00:03:32,546 I can't even sing like this, and you guys are 14 and 15. 92 00:03:32,546 --> 00:03:34,381 Oh, no, no. You discover music 93 00:03:34,381 --> 00:03:36,049 when you're, like, your guys' age. 94 00:03:36,049 --> 00:03:38,051 You're finding your identity. 95 00:03:38,051 --> 00:03:40,554 It's such a struggle being a teenager. 96 00:03:40,554 --> 00:03:42,347 It is, but that was mind‐blowing. 97 00:03:42,347 --> 00:03:44,057 Mind‐blowing. Thank you. 98 00:03:44,057 --> 00:03:47,060 I feel like it sounds a little too sad at the beginning. 99 00:03:47,060 --> 00:03:49,229 Okay. I'd love to hear the beginning 100 00:03:49,229 --> 00:03:52,399 where it's just a little bit stronger. Stronger. 101 00:03:52,399 --> 00:03:53,817 Okay. You sound so soft 102 00:03:53,817 --> 00:03:56,319 because you project so fully. 103 00:03:56,319 --> 00:03:58,697 It's not like you don't get there at the end. 104 00:03:58,697 --> 00:04:01,199 Like, girl, you get there, 105 00:04:01,199 --> 00:04:02,742 and it's beautiful. 106 00:04:02,742 --> 00:04:04,578 Everyone's gonna be shocked because in your blinds, 107 00:04:04,578 --> 00:04:06,705 you didn't really do that at all. 108 00:04:06,705 --> 00:04:09,583 You sing with, like, so much intention. 109 00:04:09,583 --> 00:04:12,586 You sing from such, like, a deep place. 110 00:04:12,586 --> 00:04:14,588 There's, like, so much pain in there. 111 00:04:14,588 --> 00:04:16,423 I want to know your story. 112 00:04:16,423 --> 00:04:19,718 Larriah: My biological father left when I was 2. 113 00:04:19,718 --> 00:04:22,262 He just chose not to be here and that's on him, 114 00:04:22,262 --> 00:04:25,515 and in came my stepdad. 115 00:04:25,515 --> 00:04:27,434 He saw me as his own, which was 116 00:04:27,434 --> 00:04:29,603 an amazing thing for him to do. 117 00:04:29,603 --> 00:04:31,271 He did not have to be there for me, 118 00:04:31,271 --> 00:04:33,607 to have to come to countless shows that I've done. 119 00:04:33,607 --> 00:04:35,942 He is a role model for me, 120 00:04:35,942 --> 00:04:39,613 and I've tried my hardest to channel those emotions 121 00:04:39,613 --> 00:04:41,573 and that love that I have for my family. 122 00:04:41,573 --> 00:04:47,287 ♪ I'll be there ♪ 123 00:04:47,287 --> 00:04:49,998 Everybody knows that I just want a daughter. 124 00:04:49,998 --> 00:04:51,833 Is that weird? Like ‐‐ Ha! 125 00:04:51,833 --> 00:04:55,128 I mean, your singing talent is so unbelievable. 126 00:04:55,128 --> 00:04:56,880 Thank you. Thank you. Your voice is so rich and warm 127 00:04:56,880 --> 00:04:58,465 and dreamy. Thank you so much. 128 00:04:58,465 --> 00:05:01,635 I'm just excited to see where Gwen takes me, 129 00:05:01,635 --> 00:05:03,553 and I'm excited to see where I take myself. 130 00:05:03,553 --> 00:05:06,598 This experience has definitely matured me 131 00:05:06,598 --> 00:05:08,642 and, you know, shown me what I can really do. 132 00:05:08,642 --> 00:05:10,602 Yeah. Carter, it's interesting 133 00:05:10,602 --> 00:05:11,937 because every time you'd do something, I saw 134 00:05:11,937 --> 00:05:13,313 Julia go, "Ooh!" 135 00:05:13,313 --> 00:05:15,106 [ Laughs ] 136 00:05:15,106 --> 00:05:18,318 I was like, "Whoo!" The way you do your style 137 00:05:18,318 --> 00:05:21,446 reminds me of the earlier stuff he was doing, you know? 138 00:05:21,446 --> 00:05:23,156 Finding body language is something 139 00:05:23,156 --> 00:05:25,826 that comes over a long period of time, 140 00:05:25,826 --> 00:05:27,661 and I think the whole key to it 141 00:05:27,661 --> 00:05:30,038 is to be able to, like, make the right choices 142 00:05:30,038 --> 00:05:31,790 when you're trying to show off your voice 143 00:05:31,790 --> 00:05:33,959 at the right emotional moment. 144 00:05:33,959 --> 00:05:36,503 Carter: I have reason to sing from my heart 145 00:05:36,503 --> 00:05:38,755 and showcase that emotional side. 146 00:05:38,755 --> 00:05:41,299 I have a brother who was diagnosed 147 00:05:41,299 --> 00:05:43,677 with autism at the age of 2. 148 00:05:43,677 --> 00:05:46,972 He teaches me so much more than I could ever teach him. 149 00:05:46,972 --> 00:05:49,182 I have always been a theater kid 150 00:05:49,182 --> 00:05:50,809 ever since, like, the fifth grade. 151 00:05:50,809 --> 00:05:52,686 I definitely think theater has prepared me 152 00:05:52,686 --> 00:05:53,687 for a moment like this. 153 00:05:53,687 --> 00:05:55,522 ♪ So ♪ 154 00:05:55,522 --> 00:05:57,357 It's really given me experience 155 00:05:57,357 --> 00:05:59,317 with showing stage presence, 156 00:05:59,317 --> 00:06:02,696 and it really helped me connect emotionally to a song as well. 157 00:06:02,696 --> 00:06:04,489 ♪ To make your heart beat better? ♪ 158 00:06:04,489 --> 00:06:07,492 You do not look like your voice, okay? 159 00:06:07,492 --> 00:06:09,369 Where is the person who was singing? 160 00:06:09,369 --> 00:06:11,371 I loved your voice. 161 00:06:11,371 --> 00:06:13,248 The tone was so beautiful. 162 00:06:13,248 --> 00:06:14,583 It was shocking to me. 163 00:06:14,583 --> 00:06:15,584 I think I'm gonna go with Gwen. 164 00:06:15,584 --> 00:06:17,544 Oh, my God. What?! 165 00:06:17,544 --> 00:06:19,838 My heart is broken. Carter! 166 00:06:19,838 --> 00:06:21,214 Carter: It's definitely intimidating 167 00:06:21,214 --> 00:06:22,674 to be one of the younger ones 168 00:06:22,674 --> 00:06:26,887 because everyone here is so insanely talented, 169 00:06:26,887 --> 00:06:29,014 but that's kind of where the acting comes in. 170 00:06:29,014 --> 00:06:31,391 During the song, I gonna have to think about my family 171 00:06:31,391 --> 00:06:33,727 and how much I love them like I'm gonna lose them. 172 00:06:33,727 --> 00:06:36,396 You know, this is a battle, but it's also a duet. 173 00:06:36,396 --> 00:06:39,733 You got to be able to show your stage presence together. 174 00:06:39,733 --> 00:06:42,235 Julia: For Larriah, she already has that emotion. 175 00:06:42,235 --> 00:06:45,864 She was singing from a real place of pain 176 00:06:45,864 --> 00:06:47,365 and vulnerability. 177 00:06:47,365 --> 00:06:49,826 Carter, he has a beautiful voice. 178 00:06:49,826 --> 00:06:54,623 You just don't expect that power to come out of that body, 179 00:06:54,623 --> 00:06:56,625 but he might have to dig a Little Deeper 180 00:06:56,625 --> 00:06:58,251 to find the emotion of it. 181 00:06:58,251 --> 00:07:00,754 This is going to probably be your toughest decision. 182 00:07:00,754 --> 00:07:02,589 [ Chuckles ] Good luck. 183 00:07:02,589 --> 00:07:04,424 [ Laughter ] 184 00:07:04,424 --> 00:07:06,593 [ Cheers and applause ] 185 00:07:06,593 --> 00:07:09,846 I wanted you on my team, Carter. 186 00:07:09,846 --> 00:07:11,765 Yes! 187 00:07:11,765 --> 00:07:13,266 Larriah! 188 00:07:13,266 --> 00:07:15,810 The battle starts right now. 189 00:07:17,937 --> 00:07:25,945 ♪♪♪ 190 00:07:25,945 --> 00:07:29,449 ♪ I found myself dreaming ♪ 191 00:07:29,449 --> 00:07:32,786 ♪ In silver and gold ♪ 192 00:07:32,786 --> 00:07:35,497 ♪ Like a scene from a movie ♪ 193 00:07:35,497 --> 00:07:38,958 ♪ That every broken heart knows ♪ 194 00:07:38,958 --> 00:07:40,460 Wow. 195 00:07:40,460 --> 00:07:42,962 ♪ We were walking on moonlight ♪ 196 00:07:42,962 --> 00:07:46,466 ♪ And you pulled me close ♪ 197 00:07:46,466 --> 00:07:48,968 ♪ Split second, then you disappeared ♪ 198 00:07:48,968 --> 00:07:52,889 ♪ And then I was all alone ♪ 199 00:07:52,889 --> 00:07:55,642 ♪ I woke up in tears, with you by my side ♪ 200 00:07:55,642 --> 00:07:57,811 ♪ You by my side ♪ ♪ A breath of relief ♪ 201 00:07:57,811 --> 00:07:59,104 ♪ And I realized ♪ 202 00:07:59,104 --> 00:08:02,148 ♪ Oooh ♪ ♪ Ooh ♪ 203 00:08:02,148 --> 00:08:05,652 Both: ♪ No, we're not promised tomorrow ♪ 204 00:08:05,652 --> 00:08:08,655 ♪ So I'm gonna love you ♪ 205 00:08:08,655 --> 00:08:12,659 ♪ Like I'm gonna lose you ♪ 206 00:08:12,659 --> 00:08:15,495 ♪ I'm gonna hold you ♪ 207 00:08:15,495 --> 00:08:19,541 ♪ Like I'm saying goodbye ♪ 208 00:08:19,541 --> 00:08:22,168 ♪ Wherever we're standing ♪ 209 00:08:22,168 --> 00:08:26,089 ♪ I won't take you for granted ♪ 210 00:08:26,089 --> 00:08:29,008 ♪ 'Cause we'll never know when ♪ 211 00:08:29,008 --> 00:08:33,972 ♪ When we'll run out of time ♪ 212 00:08:33,972 --> 00:08:35,682 ♪ Let's take our time ♪ 213 00:08:35,682 --> 00:08:37,851 ♪ To say what we want ♪ ♪ Say what we want ♪ 214 00:08:37,851 --> 00:08:39,102 ♪ Use what we got ♪ 215 00:08:39,102 --> 00:08:40,186 ♪ Before it's all gone ♪ 216 00:08:40,186 --> 00:08:41,521 ♪ Hold on ♪ 217 00:08:41,521 --> 00:08:43,815 ♪ No ♪ 218 00:08:43,815 --> 00:08:46,860 ♪ We're not promised tomorrow ♪ 219 00:08:46,860 --> 00:08:50,030 ♪ So I'm gonna love you ♪ ♪ Ohhh ♪ 220 00:08:50,030 --> 00:08:53,783 ♪ Like I'm gonna lose you ♪ 221 00:08:53,783 --> 00:08:56,202 ♪ I'm gonna hold you ♪ 222 00:08:56,202 --> 00:09:00,540 ♪ Like I'm saying goodbye ♪ 223 00:09:00,540 --> 00:09:02,834 ♪ Wherever we're standing ♪ 224 00:09:02,834 --> 00:09:04,044 ♪ Whoa ♪ Whoo! 225 00:09:04,044 --> 00:09:07,547 ♪ I won't take you for granted ♪ 226 00:09:07,547 --> 00:09:10,175 ♪ 'Cause we'll never know when ♪ 227 00:09:10,175 --> 00:09:17,724 ♪ When we'll run out of time ♪ 228 00:09:17,724 --> 00:09:19,392 Beautiful ending. 229 00:09:19,392 --> 00:09:20,560 Whoo! 230 00:09:20,560 --> 00:09:22,896 ♪ So I'm gonna love you ♪ 231 00:09:22,896 --> 00:09:24,397 ♪ Whoa, oh ♪ 232 00:09:24,397 --> 00:09:26,733 ♪ Like I'm gonna lose you, baby ♪ 233 00:09:26,733 --> 00:09:28,068 Wow. 234 00:09:28,068 --> 00:09:29,569 Oh, my God. 235 00:09:29,569 --> 00:09:31,821 ♪ I'm gonna love you ♪ 236 00:09:31,821 --> 00:09:33,573 ♪ Like I'm gonna ♪ 237 00:09:33,573 --> 00:09:38,745 Both: ♪ Lose you ♪ 238 00:09:38,745 --> 00:09:40,121 Wow! 239 00:09:40,121 --> 00:09:42,457 What are you talking about?! 240 00:09:42,457 --> 00:09:45,001 Wow! What are you doing? 241 00:09:45,001 --> 00:09:46,086 [ Cheers and applause ] 242 00:09:46,086 --> 00:09:48,880 Oh, my gosh. 243 00:09:48,880 --> 00:09:51,883 That was so beautiful. 244 00:09:51,883 --> 00:09:52,926 You are so screwed. 245 00:09:52,926 --> 00:09:54,594 Oh, my gosh. 246 00:09:54,594 --> 00:09:56,930 I'm gonna quit now. 247 00:09:56,930 --> 00:09:58,181 [ Laughter ] [ Laughing ] Oh, my God. 248 00:09:58,181 --> 00:10:01,184 Okay, you guys were so incredible. 249 00:10:01,184 --> 00:10:03,603 That was so well done. 250 00:10:03,603 --> 00:10:06,439 Like, all your choices, how you kind of floated together. 251 00:10:06,439 --> 00:10:09,067 That little thing y'all did where it slowed down, 252 00:10:09,067 --> 00:10:10,735 I was like, "What!" 253 00:10:10,735 --> 00:10:13,238 Like, you're 14 and 15, that's insane. 254 00:10:13,238 --> 00:10:14,697 Thank you so much. 255 00:10:14,697 --> 00:10:17,075 If I'm going to have to pick, which 256 00:10:17,075 --> 00:10:19,035 I definitely don't want to do. 257 00:10:19,035 --> 00:10:21,121 Kelly, you're contractually obligated... 258 00:10:21,121 --> 00:10:24,666 Oh, my gosh, you guys. ...to pick somebody. 259 00:10:24,666 --> 00:10:27,085 It's a $25,000 fine by NBC. 260 00:10:27,085 --> 00:10:29,629 You know what, it is worth it. 261 00:10:29,629 --> 00:10:31,089 [ Laughter ] 262 00:10:31,089 --> 00:10:33,133 I'm not picking. 25 grand. 263 00:10:33,133 --> 00:10:34,634 You hear that, NBC? 264 00:10:34,634 --> 00:10:35,969 The guys are really excited 265 00:10:35,969 --> 00:10:37,137 to help you out on this one, Gwen. 266 00:10:37,137 --> 00:10:38,471 We are. 267 00:10:38,471 --> 00:10:39,806 I don't think this is fair 268 00:10:39,806 --> 00:10:41,474 because of the age difference. 269 00:10:41,474 --> 00:10:44,060 I mean, Larriah, 270 00:10:44,060 --> 00:10:47,939 I mean, you are months older than Carter. 271 00:10:47,939 --> 00:10:50,984 When this thing started, I thought Larriah had the edge 272 00:10:50,984 --> 00:10:53,820 because I just felt like she had a little bit more of a grip 273 00:10:53,820 --> 00:10:56,281 on the song and little bit more control, 274 00:10:56,281 --> 00:10:59,325 but then I think Carter may have caught on to that. 275 00:10:59,325 --> 00:11:01,995 When he came in on his half of the first chorus, 276 00:11:01,995 --> 00:11:05,874 it was like, "Whoa. What the hell is this kid doing now?" 277 00:11:05,874 --> 00:11:08,751 I guess if I was having to just say a reason, 278 00:11:08,751 --> 00:11:11,504 Larriah, she ended as strong as she started. 279 00:11:11,504 --> 00:11:14,340 You both were just wonderful. 280 00:11:14,340 --> 00:11:18,011 Usually, I'm very judgy when it comes to songs that I recorded, 281 00:11:18,011 --> 00:11:20,680 but I was thoroughly impressed with your take on the song. 282 00:11:20,680 --> 00:11:23,766 Thank you. I thought you found new places to go musically 283 00:11:23,766 --> 00:11:25,143 with the song. Carter, you know, 284 00:11:25,143 --> 00:11:26,769 I wanted you on my team. 285 00:11:26,769 --> 00:11:28,855 Gwen: I'm sorry. I feel like I had a good shot. 286 00:11:28,855 --> 00:11:30,190 I feel like I won. [ Chuckles ] 287 00:11:30,190 --> 00:11:31,691 [ Laughter ] 288 00:11:31,691 --> 00:11:33,693 And I was really, like, a little bit hurt 289 00:11:33,693 --> 00:11:35,320 when you didn't pick me. I'm sorry. 290 00:11:35,320 --> 00:11:38,198 Why are you shaming a 14‐year‐old? 291 00:11:38,198 --> 00:11:39,866 Yeah, pick on the 15‐year‐old 292 00:11:39,866 --> 00:11:41,534 if you're gonna pick on somebody. 293 00:11:41,534 --> 00:11:43,536 So much older. No. 294 00:11:43,536 --> 00:11:46,414 But I did feel you were just so impressive 295 00:11:46,414 --> 00:11:48,249 and interesting musically. 296 00:11:48,249 --> 00:11:49,876 Thank you. And, Larriah, 297 00:11:49,876 --> 00:11:52,128 it sounded so comfortable. 298 00:11:52,128 --> 00:11:54,172 And your tone, 299 00:11:54,172 --> 00:11:57,133 It was rich and beautiful and mature, 300 00:11:57,133 --> 00:11:59,302 and so I'm going to say I would lean 301 00:11:59,302 --> 00:12:01,346 a little bit, just by a hair, 302 00:12:01,346 --> 00:12:03,223 toward Larriah. Thank you. 303 00:12:03,223 --> 00:12:04,891 Daly: Thank you, John. Thank you, coaches. 304 00:12:04,891 --> 00:12:06,559 Gwen, of course, you have the final decision. 305 00:12:06,559 --> 00:12:09,187 Okay. So this might take a minute. 306 00:12:09,187 --> 00:12:12,148 Every second that goes by, I keep changing my mind. 307 00:12:12,148 --> 00:12:14,234 Larriah was a one‐chair turn, 308 00:12:14,234 --> 00:12:18,571 and then we get into rehearsals and Larriah blows us away. 309 00:12:18,571 --> 00:12:22,033 You have already lived a whole life at 15 years old, 310 00:12:22,033 --> 00:12:23,743 and Julia saw that in you 311 00:12:23,743 --> 00:12:26,162 and saw that you were singing from your heart. 312 00:12:26,162 --> 00:12:28,122 Carter, I think you have this incredible voice 313 00:12:28,122 --> 00:12:29,624 that you can do all this stuff with, 314 00:12:29,624 --> 00:12:31,584 and you're just getting started. 315 00:12:31,584 --> 00:12:34,420 To watch you perform the way you did, 316 00:12:34,420 --> 00:12:36,256 you just had a lot more confidence 317 00:12:36,256 --> 00:12:39,425 in your body language, and I saw a big growth in that. 318 00:12:39,425 --> 00:12:42,929 Vocally, you just were so incredible today. 319 00:12:42,929 --> 00:12:44,264 Daly: You have two incredible young artists. 320 00:12:44,264 --> 00:12:46,182 We know how you feel about both of them. 321 00:12:46,182 --> 00:12:47,600 Unfortunately, you can only pick one. 322 00:12:47,600 --> 00:12:49,269 Gwen, who's the winner of this battle? 323 00:12:49,269 --> 00:12:52,230 My dream on the show is to work with young artists, 324 00:12:52,230 --> 00:12:56,109 and I got two of them here that I think are so magic. 325 00:12:56,109 --> 00:12:58,611 I don't know what to do. I really don't know what to do. 326 00:12:58,611 --> 00:13:00,905 Gwen. Oh, my gosh, Carson. 327 00:13:00,905 --> 00:13:03,616 I mean, that's rude, okay? 328 00:13:03,616 --> 00:13:06,369 [ Laughter ] 329 00:13:06,369 --> 00:13:07,954 [ Sighs ] 330 00:13:07,954 --> 00:13:11,791 I'm going to say the winner of this battle... 331 00:13:11,791 --> 00:13:12,959 is Carter. 332 00:13:12,959 --> 00:13:14,294 Daly: Carter, congratulations. 333 00:13:14,294 --> 00:13:15,795 You are moving on to the knockouts. 334 00:13:15,795 --> 00:13:17,797 Thank you so much. 335 00:13:17,797 --> 00:13:20,133 Gwen: I love Carter and Larriah so much, 336 00:13:20,133 --> 00:13:22,635 and that was the worst thing ever to have to choose. 337 00:13:22,635 --> 00:13:26,264 They were both equally so deserving to move forward. 338 00:13:26,264 --> 00:13:27,640 Thank you so much. 339 00:13:27,640 --> 00:13:29,809 Ultimately, Carter has a little bit more 340 00:13:29,809 --> 00:13:32,145 of a unique sound to his voice 341 00:13:32,145 --> 00:13:34,314 and a unique gift being so young and a male, 342 00:13:34,314 --> 00:13:37,608 and he has such a beautiful tone. 343 00:13:37,608 --> 00:13:38,818 [ Crying ] 344 00:13:38,818 --> 00:13:41,154 I can't believe it. 345 00:13:41,154 --> 00:13:43,823 The validation from Gwen, I think it just 346 00:13:43,823 --> 00:13:45,324 means a lot to me. 347 00:13:45,324 --> 00:13:48,161 Going to knockouts. I can't believe that. Oh, my God. 348 00:13:48,161 --> 00:13:49,829 Daly: Let me remind you, Larriah is available 349 00:13:49,829 --> 00:13:51,330 to steal or save. Larriah, anything 350 00:13:51,330 --> 00:13:52,999 you'd like to say to your coach? 351 00:13:52,999 --> 00:13:56,252 I thank you so much for instilling in me information 352 00:13:56,252 --> 00:13:58,004 that I didn't even know about myself. 353 00:13:58,004 --> 00:14:00,173 If I could come up there and just give you 354 00:14:00,173 --> 00:14:03,009 the biggest, most loving hug, I would. 355 00:14:03,009 --> 00:14:04,343 Daly: Give it up again 356 00:14:04,343 --> 00:14:06,012 for Larriah Jackson, ladies and gentlemen. 357 00:14:06,012 --> 00:14:07,346 Thank you so, so much. Larriah, thank you so much. 358 00:14:07,346 --> 00:14:09,849 ‐Beautiful job, Larriah. ‐Beautiful job. 359 00:14:09,849 --> 00:14:12,685 [ Applause ] 360 00:14:12,685 --> 00:14:14,687 Oh! 361 00:14:14,687 --> 00:14:16,314 We got a save! 362 00:14:16,314 --> 00:14:18,316 Yes! Yes! 363 00:14:18,316 --> 00:14:19,984 Whoo! 364 00:14:19,984 --> 00:14:22,487 Gwen Stefani's not letting Larriah out of here. 365 00:14:22,487 --> 00:14:23,946 No way. 366 00:14:23,946 --> 00:14:25,865 Oh, I'm so happy. 367 00:14:25,865 --> 00:14:27,700 I love her. I'm so happy. 368 00:14:27,700 --> 00:14:29,368 Larriah, since rehearsals, 369 00:14:29,368 --> 00:14:31,329 I have not stopped thinking about you. 370 00:14:31,329 --> 00:14:33,748 You have, like, so much to give to the world. 371 00:14:33,748 --> 00:14:35,958 I just feel it, so I'm so happy 372 00:14:35,958 --> 00:14:37,960 I got to save you. I'm so excited too! 373 00:14:37,960 --> 00:14:41,380 Daly: Congratulations. We'll see you in the knockouts. 374 00:14:41,380 --> 00:14:42,882 Larriah, I love her. 375 00:14:42,882 --> 00:14:45,051 When the four‐way knockout happens, 376 00:14:45,051 --> 00:14:46,719 she's going to be on fire. 377 00:14:46,719 --> 00:14:49,055 I think she's singing from a really real place 378 00:14:49,055 --> 00:14:50,223 inside of her heart. 379 00:14:50,223 --> 00:14:51,724 Going into the four‐way knockout, 380 00:14:51,724 --> 00:14:55,728 I want to show Gwen that I'm willing to work. 381 00:14:55,728 --> 00:14:57,480 Team Gwen! Team Gwen! 382 00:14:57,480 --> 00:15:00,024 [ Both laugh ] 383 00:15:09,242 --> 00:15:10,535 ♪ This is "The Voice" ♪ 384 00:15:10,535 --> 00:15:12,161 Daly: Welcome back to the battles. 385 00:15:14,622 --> 00:15:17,750 Okay, so there's two dudes coming out to sing. 386 00:15:17,750 --> 00:15:19,919 Aaron's my rock guy, '90s rock, 387 00:15:19,919 --> 00:15:21,879 which is exciting to me. 388 00:15:21,879 --> 00:15:23,256 I mean, even having him audition for the show, 389 00:15:23,256 --> 00:15:24,757 much less choose me as his coach. 390 00:15:24,757 --> 00:15:28,052 ♪ And leave love bleeding in my hands ♪ 391 00:15:28,052 --> 00:15:30,179 ♪ In my hands again ♪ 392 00:15:30,179 --> 00:15:31,764 Aaron: When I saw those chairs turn around, 393 00:15:31,764 --> 00:15:34,892 that confidence boost took me to another level. 394 00:15:34,892 --> 00:15:37,395 Blake: We don't get a lot of rock artists. 395 00:15:37,395 --> 00:15:39,564 And I feel like the fact that I can do the 396 00:15:39,564 --> 00:15:40,940 ♪ In my hands ♪ 397 00:15:40,940 --> 00:15:42,108 That's actually pretty good. 398 00:15:42,108 --> 00:15:44,610 And you think it's pretty good... 399 00:15:44,610 --> 00:15:46,946 [ Laughter ] ...means that we might have 400 00:15:46,946 --> 00:15:48,114 something going here. 401 00:15:48,114 --> 00:15:49,615 I'm going to have to go with Blake. 402 00:15:49,615 --> 00:15:51,284 Yeah! I could not be more excited 403 00:15:51,284 --> 00:15:52,869 to work with Blake Shelton. 404 00:15:52,869 --> 00:15:54,120 He's a big fan of the '80s 405 00:15:54,120 --> 00:15:56,164 and '90s rock genre. He's awesome. 406 00:15:56,164 --> 00:15:58,249 And then Ian, it's got to be tricky 407 00:15:58,249 --> 00:15:59,959 to figure out how to make a voice 408 00:15:59,959 --> 00:16:02,461 that is so low connect with people. 409 00:16:02,461 --> 00:16:05,923 ♪ "I'm a ramblin' man" ♪ 410 00:16:05,923 --> 00:16:08,092 ♪ "Ain't never gonna change" ♪ 411 00:16:08,092 --> 00:16:09,719 I don't know if there was an accident 412 00:16:09,719 --> 00:16:10,970 that made you have that voice, 413 00:16:10,970 --> 00:16:12,138 like you accidentally swallowed a fire 414 00:16:12,138 --> 00:16:13,222 at some point as a ‐‐ 415 00:16:13,222 --> 00:16:15,141 But now you're on Team Blake. 416 00:16:15,141 --> 00:16:16,976 Thank you. Yes, sir. 417 00:16:16,976 --> 00:16:19,103 I'm so grateful that Blake turned his chair for me 418 00:16:19,103 --> 00:16:25,651 because I've been gigging full time for the past 4 years. 419 00:16:25,651 --> 00:16:27,153 My partner in life, Ayla, 420 00:16:27,153 --> 00:16:29,780 books the shows, does all the management, 421 00:16:29,780 --> 00:16:33,659 and also Ayla and I started a production company together. 422 00:16:33,659 --> 00:16:35,119 We focus on artist development, 423 00:16:35,119 --> 00:16:37,538 which is interviews for making videos, 424 00:16:37,538 --> 00:16:38,998 just trying to help independent artists 425 00:16:38,998 --> 00:16:41,792 become self‐sustainable. 426 00:16:41,792 --> 00:16:43,586 I love doing it because I know in music 427 00:16:43,586 --> 00:16:45,671 sometimes, it can feel hopeless, 428 00:16:45,671 --> 00:16:50,092 and just to even experience some kindness in this world 429 00:16:50,092 --> 00:16:52,136 can make you go on for another year. 430 00:16:52,136 --> 00:16:55,264 So being here on this kind of platform during this time, 431 00:16:55,264 --> 00:16:59,143 it's more than anything I could have really asked for. 432 00:16:59,143 --> 00:17:01,020 Come on in here. 433 00:17:01,020 --> 00:17:02,521 ‐What's up? ‐Hey, that's ‐‐ 434 00:17:02,521 --> 00:17:04,273 This is my friend Kane Brown. 435 00:17:04,273 --> 00:17:06,525 Yeah. Kane Brown is so huge. 436 00:17:06,525 --> 00:17:08,694 I love what he's doing in country. 437 00:17:08,694 --> 00:17:12,031 That baritone, it just stands out so strong. 438 00:17:12,031 --> 00:17:13,366 He's huge right now. 439 00:17:13,366 --> 00:17:15,993 To have him here giving me instructions 440 00:17:15,993 --> 00:17:19,080 and advice, like, I was blown away by that. 441 00:17:19,080 --> 00:17:21,207 It's an honor to be here with you guys. Absolutely. 442 00:17:21,207 --> 00:17:22,917 Thank you. Yeah, man. Can't wait to hear y'all sing. 443 00:17:22,917 --> 00:17:24,961 And it'll be cool because y'all are both so different. 444 00:17:24,961 --> 00:17:27,046 I like your fashion sense, too, man. That's really good. 445 00:17:27,046 --> 00:17:28,214 Hey, thanks, man. I like yours as well. 446 00:17:28,214 --> 00:17:29,715 [ Laughs ] Like those boots. 447 00:17:29,715 --> 00:17:31,050 Y'all planned that, didn't you? 448 00:17:31,050 --> 00:17:32,885 Blake: Aaron and Ian are going to be singing 449 00:17:32,885 --> 00:17:36,222 "Have You Ever Seen the Rain" by Creedence Clearwater Revival. 450 00:17:36,222 --> 00:17:38,224 This is absolutely the perfect song for these two 451 00:17:38,224 --> 00:17:39,642 because it lands right in the middle 452 00:17:39,642 --> 00:17:40,851 of what they both do. 453 00:17:40,851 --> 00:17:43,813 ♪ Someone told me long ago ♪ 454 00:17:43,813 --> 00:17:46,691 Ian has this deep, rumbling voice 455 00:17:46,691 --> 00:17:48,150 that if he ever comes on the radio ‐‐ 456 00:17:48,150 --> 00:17:50,027 and I believe he will one day ‐‐ 457 00:17:50,027 --> 00:17:52,196 there will be no mistaking who it is. 458 00:17:52,196 --> 00:17:55,199 ♪ Winter's over, so they say ♪ 459 00:17:55,199 --> 00:17:57,868 I love Aaron's voice because it's reminiscent 460 00:17:57,868 --> 00:18:00,413 of these rock artists that I loved so much, 461 00:18:00,413 --> 00:18:02,915 and he has big range. He's believable. 462 00:18:02,915 --> 00:18:05,251 He's just got a cool rock edge to what he does. 463 00:18:05,251 --> 00:18:08,004 Both: ♪ And I want to know ♪ 464 00:18:08,004 --> 00:18:15,678 ♪ Have you ever seen the rain? ♪ 465 00:18:15,678 --> 00:18:19,849 ♪ Comin' down on a sunny day ♪ 466 00:18:19,849 --> 00:18:21,851 To say it's a one‐of‐a‐kind voice 467 00:18:21,851 --> 00:18:23,853 feels like an understatement, you know? 468 00:18:23,853 --> 00:18:25,896 Well, thank you. So special, man. 469 00:18:25,896 --> 00:18:27,940 Man, your voice is just, like, so unique. 470 00:18:27,940 --> 00:18:29,734 I like it. Thanks, man. 471 00:18:29,734 --> 00:18:32,194 I'm just gonna tell you that probably 10 more times. 472 00:18:32,194 --> 00:18:34,071 Yeah. I appreciate it. 473 00:18:34,071 --> 00:18:37,074 Aaron, I love the raspy part of your voice. 474 00:18:37,074 --> 00:18:38,784 I feel like people really gravitate 475 00:18:38,784 --> 00:18:40,620 towards voices that do that. 476 00:18:40,620 --> 00:18:42,330 It just gives you something to sink 477 00:18:42,330 --> 00:18:43,789 your teeth into, you know? 478 00:18:43,789 --> 00:18:45,166 I remember last season, I was sitting 479 00:18:45,166 --> 00:18:47,793 with my kid in my lap and I was watching you 480 00:18:47,793 --> 00:18:49,962 talk to Todd Michael Hall. I remember that moment 481 00:18:49,962 --> 00:18:51,297 where I was like, "I can do this." 482 00:18:51,297 --> 00:18:55,092 Like, "I should try," and now to be here... 483 00:18:55,092 --> 00:18:57,928 Well, I'm married to a very beautiful, wonderful woman. 484 00:18:57,928 --> 00:19:00,765 We have three boys. She has been a huge 485 00:19:00,765 --> 00:19:01,974 support every step of the way. 486 00:19:01,974 --> 00:19:03,601 So right now I'm out here in LA, 487 00:19:03,601 --> 00:19:06,979 and my wife has taken on everything back home 488 00:19:06,979 --> 00:19:10,316 and I could not be more humbled by all the support 489 00:19:10,316 --> 00:19:12,652 that she's given me to be out here. 490 00:19:12,652 --> 00:19:14,779 I got to give this everything I got for her. 491 00:19:14,779 --> 00:19:16,781 Are you holding back at all? 492 00:19:16,781 --> 00:19:19,116 It's kind of like that balance where you want to hit it, 493 00:19:19,116 --> 00:19:20,660 but you don't want to go sharp. Yeah. 494 00:19:20,660 --> 00:19:22,328 I just felt like I wanted to feel you push 495 00:19:22,328 --> 00:19:25,539 a little more, just, like, that '90s voice, 496 00:19:25,539 --> 00:19:27,375 where you can just feel it in your bones. 497 00:19:27,375 --> 00:19:31,128 Yeah. [ Chuckles ] I think I came from a zero singing ability, 498 00:19:31,128 --> 00:19:34,423 so if I can do it, anybody in America can do it. 499 00:19:34,423 --> 00:19:36,092 Aaron's got a range that can cut through 500 00:19:36,092 --> 00:19:37,927 any kind of band arrangement, 501 00:19:37,927 --> 00:19:41,347 and that means I gotta do my absolute best 502 00:19:41,347 --> 00:19:42,848 to match him there. 503 00:19:42,848 --> 00:19:44,350 And then you're doing a harmony part 504 00:19:44,350 --> 00:19:45,351 over his melody, right? 505 00:19:45,351 --> 00:19:46,519 Yeah. I'm going under him. 506 00:19:46,519 --> 00:19:47,978 Yeah. Yeah, when you came in 507 00:19:47,978 --> 00:19:49,772 with the higher stuff towards the end, 508 00:19:49,772 --> 00:19:51,982 it was like, "Whoa, he's pushing," 509 00:19:51,982 --> 00:19:53,984 you know what I'm saying? Like, I would think 510 00:19:53,984 --> 00:19:55,695 it would be to your advantage 511 00:19:55,695 --> 00:19:57,988 to do something that kind of demonstrates 512 00:19:57,988 --> 00:19:59,699 what your capabilities are, you know? 513 00:19:59,699 --> 00:20:01,033 Are you super laid‐back, bro? 514 00:20:01,033 --> 00:20:02,326 Yeah, I'm pretty laid‐back. 515 00:20:02,326 --> 00:20:04,286 I think it's just a deep voice thing, man. 516 00:20:04,286 --> 00:20:05,830 Kane even walks slow. 517 00:20:05,830 --> 00:20:07,081 That's how I walk. 518 00:20:07,081 --> 00:20:08,416 When Kane texts you, like, 519 00:20:08,416 --> 00:20:10,334 the little text bubble just goes on forever 520 00:20:10,334 --> 00:20:12,211 because he's just... [ Laughter ] 521 00:20:12,211 --> 00:20:14,338 I think Ian, he's kind of like me. 522 00:20:14,338 --> 00:20:17,341 When you have a deep voice, there's a certain pocket. 523 00:20:17,341 --> 00:20:19,051 I think he's still trying to find it. 524 00:20:19,051 --> 00:20:20,469 Now it's just trying to think, 525 00:20:20,469 --> 00:20:22,221 "Got him on my team, what's he going to be 526 00:20:22,221 --> 00:20:24,223 capable of on down the road here? 527 00:20:24,223 --> 00:20:26,851 What can we do?" Ian's voice does have 528 00:20:26,851 --> 00:20:28,561 such a cool, unique tone. 529 00:20:28,561 --> 00:20:31,856 It makes me want to just up my game to the next level. 530 00:20:31,856 --> 00:20:33,232 This is the time, 531 00:20:33,232 --> 00:20:35,359 maybe even more than the blind auditions, 532 00:20:35,359 --> 00:20:37,737 to show what you're capable of doing. 533 00:20:37,737 --> 00:20:40,322 Kane: The key for Ian is going to be finding out 534 00:20:40,322 --> 00:20:42,408 how far his voice can go. 535 00:20:42,408 --> 00:20:44,827 Aaron has a very powerful voice. 536 00:20:44,827 --> 00:20:48,247 There's another gear there that he can hit 537 00:20:48,247 --> 00:20:51,125 that will make him almost Steven Tyler‐like. 538 00:20:51,125 --> 00:20:54,837 You guys are so talented. It's actually ridiculous. 539 00:20:54,837 --> 00:20:56,255 Ian: Thank you, man. It's an honor to be here 540 00:20:56,255 --> 00:20:58,007 with you guys, with everybody, you know? 541 00:20:58,007 --> 00:21:00,009 Well, you guys get out. Just get out. I'm tired of this. 542 00:21:00,009 --> 00:21:01,218 Thank you, guys. You're too good. 543 00:21:01,218 --> 00:21:02,219 Thank you. It's great to meet you. 544 00:21:02,219 --> 00:21:03,220 ‐See you soon. ‐Yeah. 545 00:21:03,220 --> 00:21:04,764 Daly: Coming up... 546 00:21:04,764 --> 00:21:07,600 Both: ♪ Have you ever seen the rain? ♪ 547 00:21:07,600 --> 00:21:10,060 Whoo! 548 00:21:10,060 --> 00:21:13,355 Both: ♪ That's what I need ♪ 549 00:21:13,355 --> 00:21:14,899 ♪ Yeah ♪ 550 00:21:14,899 --> 00:21:17,401 Both: ♪ You're all I need ♪ 551 00:21:17,401 --> 00:21:19,528 Oh, my gosh. Hey! 552 00:21:19,528 --> 00:21:21,113 I feel like I'm, like, Grammys. 553 00:21:21,113 --> 00:21:24,450 If I had a steal left, I'd be all up on this button. 554 00:21:24,450 --> 00:21:26,285 Daly: We got a steal! 555 00:21:26,285 --> 00:21:28,537 [ Cheers and applause ] 556 00:21:28,537 --> 00:21:30,998 Oh, we got a save! 557 00:21:30,998 --> 00:21:32,583 Ooh, ooh, ooh! 558 00:21:32,583 --> 00:21:35,044 Well played. 559 00:21:42,259 --> 00:21:43,469 ♪ This is "The Voice" ♪ 560 00:21:43,469 --> 00:21:44,553 Daly: Welcome back to the final night 561 00:21:44,553 --> 00:21:46,305 of the battles. 562 00:21:46,305 --> 00:21:49,934 [ Cheers and applause ] 563 00:21:49,934 --> 00:21:51,435 Alright, Aaron Scott! 564 00:21:51,435 --> 00:21:53,437 Who got into my closet! 565 00:21:53,437 --> 00:21:55,397 [ Laughs ] 566 00:21:55,397 --> 00:21:57,149 Let the battle begin. 567 00:21:58,984 --> 00:22:04,406 ♪♪♪ 568 00:22:04,406 --> 00:22:08,619 ♪ Someone told me long ago ♪ 569 00:22:08,619 --> 00:22:11,664 ♪ There's a calm before the storm ♪ 570 00:22:11,664 --> 00:22:14,208 ♪ Yes, I know ♪ 571 00:22:14,208 --> 00:22:18,671 ♪ It's been comin' for some time ♪ 572 00:22:18,671 --> 00:22:20,965 Alright! 573 00:22:20,965 --> 00:22:25,094 ♪ When it's over, so they say ♪ 574 00:22:25,094 --> 00:22:28,138 ♪ It'll rain a sunny day ♪ 575 00:22:28,138 --> 00:22:30,808 ♪ And I know ♪ 576 00:22:30,808 --> 00:22:34,854 ♪ Shinin' down like water ♪ 577 00:22:34,854 --> 00:22:38,023 Yeah! 578 00:22:38,023 --> 00:22:41,193 Both: ♪ I want to know ♪ 579 00:22:41,193 --> 00:22:46,490 ♪ Have you ever seen the rain? ♪ 580 00:22:46,490 --> 00:22:49,535 ♪ Yes, I want to know ♪ 581 00:22:49,535 --> 00:22:55,040 ♪ Have you ever seen the rain? ♪ 582 00:22:55,040 --> 00:23:02,631 ♪ Comin' down on a sunny day ♪ 583 00:23:02,631 --> 00:23:06,969 ♪ Till forever, on it goes ♪ 584 00:23:06,969 --> 00:23:09,972 ♪ Through the circle, fast and slow ♪ 585 00:23:09,972 --> 00:23:12,558 ♪ 'Cause I know ♪ 586 00:23:12,558 --> 00:23:19,899 ♪ It can't stop, I wonder ♪ 587 00:23:19,899 --> 00:23:22,568 ♪ And I want to know ♪ 588 00:23:22,568 --> 00:23:28,073 ♪ Have you ever seen the rain? ♪ 589 00:23:28,073 --> 00:23:30,534 ♪ Yes, I want to know ♪ 590 00:23:30,534 --> 00:23:31,744 Yeah! 591 00:23:31,744 --> 00:23:36,749 ♪ Have you ever seen the rain? ♪ 592 00:23:36,749 --> 00:23:41,837 Both: ♪ Comin' down on a sunny day ♪ 593 00:23:41,837 --> 00:23:45,007 ♪ Yeahhh ♪ 594 00:23:45,007 --> 00:23:47,593 ♪ I want to know ♪ 595 00:23:47,593 --> 00:23:50,220 ♪ Have you ever seen the rain? ♪ 596 00:23:50,220 --> 00:23:53,223 ♪ Ever seen the rain? ♪ 597 00:23:53,223 --> 00:23:56,268 ♪ Yes, I want to know ♪ 598 00:23:56,268 --> 00:23:58,270 ♪ Have you ever seen the rain? ♪ 599 00:23:58,270 --> 00:24:00,272 ♪ The rain ♪ 600 00:24:00,272 --> 00:24:03,692 I love you. 601 00:24:03,692 --> 00:24:08,572 Both: ♪ Comin' down on a sunny day ♪ 602 00:24:08,572 --> 00:24:12,117 ♪ Ooohhh ♪ 603 00:24:12,117 --> 00:24:20,626 ♪ Comin' down on a sunny day ♪ 604 00:24:20,626 --> 00:24:24,630 [ Cheers and applause ] 605 00:24:24,630 --> 00:24:27,633 Whoo! 606 00:24:27,633 --> 00:24:28,884 Alright! 607 00:24:28,884 --> 00:24:30,803 Whoo! 608 00:24:30,803 --> 00:24:33,973 [ Cheers and applause ] 609 00:24:33,973 --> 00:24:35,599 Aaron and Ian. Right. 610 00:24:35,599 --> 00:24:37,309 Fantastic job. 611 00:24:37,309 --> 00:24:39,061 Aaron, I think the most impressive part 612 00:24:39,061 --> 00:24:41,230 of your performance was just hearing your range 613 00:24:41,230 --> 00:24:43,148 and the power of your voice, 614 00:24:43,148 --> 00:24:45,734 but it wasn't clear who you were, 615 00:24:45,734 --> 00:24:47,319 whereas Ian, I felt like 616 00:24:47,319 --> 00:24:50,948 it was so much identity and character in your voice. 617 00:24:50,948 --> 00:24:54,952 The rasp, the gravel, that was more compelling for me, 618 00:24:54,952 --> 00:24:59,206 and I would lean toward Ian if I were Blake. 619 00:24:59,206 --> 00:25:01,959 It was really hard because it felt really balanced, 620 00:25:01,959 --> 00:25:04,086 yet you guys are so different. 621 00:25:04,086 --> 00:25:07,006 With Aaron, some of the choices that you made 622 00:25:07,006 --> 00:25:10,175 changing up the melody were kind of shocking in a good way. 623 00:25:10,175 --> 00:25:12,970 It was creative, and your voice is so clear 624 00:25:12,970 --> 00:25:14,680 and powerful. With Ian, 625 00:25:14,680 --> 00:25:16,306 nobody has a voice that sounds like that. 626 00:25:16,306 --> 00:25:17,808 It's just so rare, 627 00:25:17,808 --> 00:25:19,810 and I always tend to be attracted 628 00:25:19,810 --> 00:25:21,645 to rarer, stylized voices. 629 00:25:21,645 --> 00:25:24,023 The way you are on stage feels really natural. 630 00:25:24,023 --> 00:25:26,025 Thank you. Kelly: Aaron, I like you on this song, 631 00:25:26,025 --> 00:25:27,860 but I felt like it kind of tamed you a bit 632 00:25:27,860 --> 00:25:30,195 from what I saw and heard from you in the blinds. 633 00:25:30,195 --> 00:25:31,864 But, Aaron, you did an amazing job, 634 00:25:31,864 --> 00:25:33,657 and you happen to be 635 00:25:33,657 --> 00:25:35,325 one of my favorite vocalists this season. 636 00:25:35,325 --> 00:25:38,162 I think that you have an incredible tone. 637 00:25:38,162 --> 00:25:40,831 I was, like, glued to you. 638 00:25:40,831 --> 00:25:43,000 Like, it was inappropriate. 639 00:25:43,000 --> 00:25:44,126 Like, I was literally just, like... 640 00:25:44,126 --> 00:25:45,335 I was like, "I got to stop looking." 641 00:25:45,335 --> 00:25:47,129 I saw her doing that, by the way. 642 00:25:47,129 --> 00:25:49,882 I looked down the aisle, like, "What's Kelly doing?" 643 00:25:49,882 --> 00:25:51,800 Thank you. I would listen to you sing 644 00:25:51,800 --> 00:25:53,886 "You Are My Sunshine." 645 00:25:53,886 --> 00:25:55,179 Wait a minute, I'm writing that down. 646 00:25:55,179 --> 00:25:56,388 [ Laughter ] 647 00:25:56,388 --> 00:25:57,890 No, it's just ‐‐ I'm just saying, 648 00:25:57,890 --> 00:26:00,059 if you have such a storyteller vibe, 649 00:26:00,059 --> 00:26:02,686 and I'm attracted to that, and I would go with you. 650 00:26:02,686 --> 00:26:04,396 Daly: Thank you, coaches. Blake, give us few thoughts 651 00:26:04,396 --> 00:26:06,398 about that battle before you tell us who won. 652 00:26:06,398 --> 00:26:08,233 Well, it's not that often that, you know, 653 00:26:08,233 --> 00:26:12,738 I get a battle pairing where I feel like every single note 654 00:26:12,738 --> 00:26:16,200 that was given in the rehearsals came into play here, 655 00:26:16,200 --> 00:26:19,078 and that just goes to show your professionalism 656 00:26:19,078 --> 00:26:22,206 and how eager you are to get this done up here today. 657 00:26:22,206 --> 00:26:26,085 And you literally both did it, and really the only notes 658 00:26:26,085 --> 00:26:30,047 that we're hearing are a little more taste‐driven 659 00:26:30,047 --> 00:26:33,092 than technically speaking, you know? 660 00:26:33,092 --> 00:26:36,095 And so I just want to say thanks and respect and all that 661 00:26:36,095 --> 00:26:39,765 for you two putting in the time and the work. 662 00:26:39,765 --> 00:26:41,183 Blake, the time has come. 663 00:26:41,183 --> 00:26:43,352 Who is the winner of this battle? 664 00:26:43,352 --> 00:26:45,771 I know I got to make a decision here. 665 00:26:45,771 --> 00:26:47,022 So... 666 00:26:49,900 --> 00:26:52,069 winner of this battle... 667 00:26:55,114 --> 00:26:56,865 is Ian. Thank you. 668 00:26:56,865 --> 00:26:58,784 Daly: Ian, congratulations! 669 00:26:58,784 --> 00:27:00,202 You're moving on to the knockouts... 670 00:27:00,202 --> 00:27:01,787 Thank you very much. ...representing Team Blake. 671 00:27:01,787 --> 00:27:05,082 He's so chill. Thank you, guys. 672 00:27:05,082 --> 00:27:07,626 Blake: I ended up choosing Ian because he's just got 673 00:27:07,626 --> 00:27:09,294 the most unique voice that maybe 674 00:27:09,294 --> 00:27:10,921 I've ever heard on "The Voice." 675 00:27:10,921 --> 00:27:12,297 He's so mellow. I know. 676 00:27:12,297 --> 00:27:14,800 I know, I'm like, "Could you be more chill?" 677 00:27:14,800 --> 00:27:16,718 He's a dark horse. I was the only person 678 00:27:16,718 --> 00:27:18,137 that pushed my button for him. 679 00:27:18,137 --> 00:27:20,139 Moving forward with Ian, I got to find songs 680 00:27:20,139 --> 00:27:21,807 that really help him display 681 00:27:21,807 --> 00:27:23,976 that low baritone sound that he has. 682 00:27:23,976 --> 00:27:26,228 Really milk that for all it's worth. 683 00:27:26,228 --> 00:27:27,938 Daly: Aaron, anything you want to say to your coach? 684 00:27:27,938 --> 00:27:30,148 Blake, I just want to say thank you so much 685 00:27:30,148 --> 00:27:31,984 for giving me a shot to be out here. 686 00:27:31,984 --> 00:27:33,485 You are welcome to come up to Wisconsin 687 00:27:33,485 --> 00:27:35,112 and hunt on our land whenever you want, man. 688 00:27:35,112 --> 00:27:36,280 Kelly: Yeah! 689 00:27:36,280 --> 00:27:39,491 Daly: Give it up for Aaron Scott. 690 00:27:39,491 --> 00:27:40,826 Great job, Aaron. 691 00:27:40,826 --> 00:27:42,327 Kelly: I felt so bad for Aaron, 692 00:27:42,327 --> 00:27:43,829 'cause I actually really liked Aaron in the blinds. 693 00:27:43,829 --> 00:27:44,997 See you, man. See you. 694 00:27:44,997 --> 00:27:47,541 But Ian is so cool. 695 00:27:47,541 --> 00:27:49,167 Yeah, I was captivated by him. 696 00:27:49,167 --> 00:27:52,087 He was so good. So, like, from another planet. 697 00:27:52,087 --> 00:27:54,172 He opened his mouth and I literally went... 698 00:27:54,172 --> 00:27:56,258 And I didn't take my eyes off him. 699 00:27:56,258 --> 00:27:57,926 I could see you from the side going... 700 00:27:57,926 --> 00:28:01,346 I think that Ian is a real contender for the finale. 701 00:28:09,187 --> 00:28:10,105 ♪ This is "The Voice" ♪ 702 00:28:10,105 --> 00:28:11,565 Daly: Welcome back. 703 00:28:14,026 --> 00:28:17,362 Producer: Okay, the next pairing is Casmé... 704 00:28:17,362 --> 00:28:20,032 Come on, who with me? Who with me? 705 00:28:20,032 --> 00:28:22,117 ...versus Rio. 706 00:28:22,117 --> 00:28:23,619 I knew it! Yay! 707 00:28:23,619 --> 00:28:24,828 Whoo! 708 00:28:24,828 --> 00:28:26,997 That's gonna be so hot! 709 00:28:26,997 --> 00:28:28,582 Let's turn it out, Casmé. 710 00:28:28,582 --> 00:28:31,501 Let's go, baby! 711 00:28:32,669 --> 00:28:36,131 So this is Rio and Casmé. 712 00:28:36,131 --> 00:28:39,551 They're both from two iconic musical cities 713 00:28:39,551 --> 00:28:40,844 in America. Okay. 714 00:28:40,844 --> 00:28:42,387 You know you got to put on for New Orleans. 715 00:28:42,387 --> 00:28:43,847 Oh, well, you know I'm going to do that. 716 00:28:43,847 --> 00:28:45,515 And you got to put on for Detroit. 717 00:28:45,515 --> 00:28:48,810 Absolutely. They both sang Detroit artists. 718 00:28:48,810 --> 00:28:52,522 Rio sang "Cruisin'" by the great Smokey Robinson. Oh, Smokey. 719 00:28:52,522 --> 00:28:53,899 ♪ Baby, let's cruise ♪ 720 00:28:53,899 --> 00:28:54,983 The day of the blind auditions, 721 00:28:54,983 --> 00:28:56,568 I was extremely nervous. 722 00:28:56,568 --> 00:28:58,528 I was sweating. 723 00:28:58,528 --> 00:29:01,365 Oh, yes, baby, yes! 724 00:29:01,365 --> 00:29:03,659 When I got three chairs, it was just surreal. 725 00:29:03,659 --> 00:29:05,869 You like me, you really like me. 726 00:29:05,869 --> 00:29:07,746 Sing! ♪ I love it ♪ 727 00:29:07,746 --> 00:29:10,749 ♪ When we're cruisin' together ♪ 728 00:29:10,749 --> 00:29:13,418 I pressed my button almost immediately. 729 00:29:13,418 --> 00:29:15,379 The thing that impresses me most is when vocalists 730 00:29:15,379 --> 00:29:17,422 go to places I just wouldn't think of. 731 00:29:17,422 --> 00:29:18,882 John: When your voice came in, 732 00:29:18,882 --> 00:29:21,385 it was just magical from the very beginning. 733 00:29:21,385 --> 00:29:23,512 ...John Legend. Yeah! 734 00:29:23,512 --> 00:29:27,891 I picked John because I'm a male R&B solo artist 735 00:29:27,891 --> 00:29:30,018 from the East Side of Detroit. 736 00:29:30,018 --> 00:29:34,022 It hasn't been easy attempting to pursue an R&B music career 737 00:29:34,022 --> 00:29:35,732 while being openly gay. 738 00:29:35,732 --> 00:29:37,567 People kind of view it, 739 00:29:37,567 --> 00:29:39,069 you know, from a different lens. 740 00:29:39,069 --> 00:29:40,737 They're not as accepting, 741 00:29:40,737 --> 00:29:43,615 so I have faced some shady little moments 742 00:29:43,615 --> 00:29:45,033 when I'm trying to perform. 743 00:29:45,033 --> 00:29:47,619 It's been difficult, but I can't focus 744 00:29:47,619 --> 00:29:49,997 on what happened back at home. 745 00:29:49,997 --> 00:29:51,790 I'm extremely proud to be here, 746 00:29:51,790 --> 00:29:53,959 and I am going to give it everything I have. 747 00:29:53,959 --> 00:29:57,462 Casmé sang "Baby I Love You," Aretha Franklin song. 748 00:29:57,462 --> 00:30:00,966 The blind audition was extremely emotional. 749 00:30:00,966 --> 00:30:03,135 Didn't know if my voice was going to be good enough. 750 00:30:03,135 --> 00:30:05,220 ♪ I love you, I love you ♪ 751 00:30:05,220 --> 00:30:06,763 ♪ I love you ♪ 752 00:30:06,763 --> 00:30:08,640 ♪ I love you, baby ♪ 753 00:30:08,640 --> 00:30:09,933 ♪ I love you ♪ 754 00:30:09,933 --> 00:30:11,643 [ Cheers and applause ] 755 00:30:11,643 --> 00:30:14,104 What a beautiful rendition of that song. 756 00:30:14,104 --> 00:30:15,772 Did you catch that little part in the song when I said 757 00:30:15,772 --> 00:30:17,107 "I want you" and I did like that? I saw it. 758 00:30:17,107 --> 00:30:18,150 I was blushing. 759 00:30:18,150 --> 00:30:19,651 [ All cheering ] 760 00:30:19,651 --> 00:30:20,819 Are you born and raised in New Orleans? 761 00:30:20,819 --> 00:30:22,654 Yes ‐‐ the oldest of eight children. 762 00:30:22,654 --> 00:30:25,157 I'm extremely close with my family. 763 00:30:25,157 --> 00:30:27,659 I actually was living in Nashville 764 00:30:27,659 --> 00:30:29,911 at the time of Hurricane Katrina. 765 00:30:29,911 --> 00:30:34,041 My entire family moved to Nashville with me 766 00:30:34,041 --> 00:30:37,961 because our home was pretty much ruined, 767 00:30:37,961 --> 00:30:41,590 so they really had to, like, start from ground zero. 768 00:30:41,590 --> 00:30:44,801 Immediately, I start looking for places for them. 769 00:30:44,801 --> 00:30:46,178 It was a lot of emotions, 770 00:30:46,178 --> 00:30:48,013 and I was trying to be strong for everybody 771 00:30:48,013 --> 00:30:51,099 because I was the oldest, so I just became this Superwoman, 772 00:30:51,099 --> 00:30:53,018 just wearing all the hats just trying to do whatever 773 00:30:53,018 --> 00:30:55,520 I could to make sure my family was good. 774 00:30:55,520 --> 00:30:57,814 So I take this moment very seriously 775 00:30:57,814 --> 00:30:59,816 because it can change my life. 776 00:30:59,816 --> 00:31:01,693 Out of so many people that could have been here, 777 00:31:01,693 --> 00:31:04,112 I'm here. I'm proud. 778 00:31:04,112 --> 00:31:06,948 Here we go. Hello. Look who we have here. 779 00:31:06,948 --> 00:31:10,118 Oh, my goodness! It's Miguel! 780 00:31:10,118 --> 00:31:11,828 Rio: It was extremely intimidating 781 00:31:11,828 --> 00:31:15,540 because Miguel and John Legend aren't bubblegum singers. 782 00:31:15,540 --> 00:31:17,000 They can really sing. 783 00:31:17,000 --> 00:31:18,502 John: It's Miguel. How are you guys? 784 00:31:18,502 --> 00:31:20,003 Welcome, welcome, welcome. 785 00:31:20,003 --> 00:31:22,672 My style of music is extremely similar to Miguel's. 786 00:31:22,672 --> 00:31:25,842 I've always modeled myself after his blueprint. 787 00:31:25,842 --> 00:31:28,887 We are so happy to have him as our guest mentor today. 788 00:31:28,887 --> 00:31:31,181 Very kind. You don't understand. 789 00:31:31,181 --> 00:31:34,059 Miguel is standing right there. 790 00:31:34,059 --> 00:31:36,061 Like, teach me thy ways. 791 00:31:36,061 --> 00:31:40,065 I am a sponge. Let's get it. 792 00:31:40,065 --> 00:31:42,150 Honored to have you on my team. 793 00:31:42,150 --> 00:31:43,860 Honored to work with both of you. 794 00:31:43,860 --> 00:31:45,237 Yes! Let's hear it. 795 00:31:45,237 --> 00:31:47,864 Both: ♪ You're all I need to get by ♪ 796 00:31:47,864 --> 00:31:55,247 ♪ You're all I need to get by ♪ 797 00:31:55,247 --> 00:31:57,958 ♪ Like the sweet morning dew ♪ 798 00:31:57,958 --> 00:31:59,000 ♪ I took one look at you ♪ 799 00:31:59,000 --> 00:32:00,919 John: Rio is a beautiful singer. 800 00:32:00,919 --> 00:32:03,713 He has just a great tone, great control. 801 00:32:03,713 --> 00:32:05,757 He's singing with Casmé, and she's bringing 802 00:32:05,757 --> 00:32:07,926 so much charisma to everything she does. 803 00:32:07,926 --> 00:32:10,846 ♪ Always there in times of need ♪ 804 00:32:10,846 --> 00:32:13,849 Their soul vibes work perfectly. 805 00:32:13,849 --> 00:32:14,933 They're going to sound incredible. 806 00:32:14,933 --> 00:32:16,893 Both: ♪ You're all ♪ 807 00:32:16,893 --> 00:32:20,730 ♪ You're all I need ♪ 808 00:32:20,730 --> 00:32:22,691 Yeah! Wow. 809 00:32:22,691 --> 00:32:25,026 So fun. That was fun to watch. 810 00:32:25,026 --> 00:32:27,279 The energy that was coming from you 811 00:32:27,279 --> 00:32:29,739 gave me a lot of joy. 812 00:32:29,739 --> 00:32:31,283 There were so many soulful choices 813 00:32:31,283 --> 00:32:32,617 you were making. 814 00:32:32,617 --> 00:32:33,910 It's just full of life. 815 00:32:33,910 --> 00:32:35,954 [ Laughs ] Man, man. 816 00:32:35,954 --> 00:32:37,956 That intro, it sounds great, 817 00:32:37,956 --> 00:32:39,791 but it does start off in a way 818 00:32:39,791 --> 00:32:42,210 that throws off the momentum of the song. 819 00:32:42,210 --> 00:32:44,880 Okay. I'd rather do the classic intro... 820 00:32:44,880 --> 00:32:47,215 Okay. ...because people love this song so much. 821 00:32:47,215 --> 00:32:51,219 I would just do ♪ You're all ♪ 822 00:32:51,219 --> 00:32:52,721 ♪ I need ♪ 823 00:32:52,721 --> 00:32:54,389 The song is kind of high. 824 00:32:54,389 --> 00:32:57,267 And it is such a classic, I just pray I do it justice. 825 00:32:57,267 --> 00:32:58,727 Yeah, I like the harmony better. 826 00:32:58,727 --> 00:33:00,937 So you're ♪ You're all ♪ 827 00:33:00,937 --> 00:33:03,064 ♪ I need ♪ 828 00:33:03,064 --> 00:33:05,108 ♪ To get by ♪ 829 00:33:05,108 --> 00:33:07,319 Okay. Enter kind of conservatively in a sense 830 00:33:07,319 --> 00:33:09,988 that people are like, "This is the song I know and love." 831 00:33:09,988 --> 00:33:12,949 We got that. Rio, you are a very gifted singer. 832 00:33:12,949 --> 00:33:16,828 Just want to make sure that because Casmé is so vibrant 833 00:33:16,828 --> 00:33:19,289 and charismatic on the energy level, 834 00:33:19,289 --> 00:33:21,625 y'all gonna have to match each other a little bit more. 835 00:33:21,625 --> 00:33:24,169 Rio, could you stand with your feet 836 00:33:24,169 --> 00:33:25,629 the width of your shoulders? 837 00:33:25,629 --> 00:33:26,755 How does that feel? 838 00:33:26,755 --> 00:33:27,964 Stable, good. Right? 839 00:33:27,964 --> 00:33:31,134 This communicates control and presence. 840 00:33:31,134 --> 00:33:33,678 Rio: To work with Miguel and John, 841 00:33:33,678 --> 00:33:35,305 it's like a master class. 842 00:33:35,305 --> 00:33:36,640 It's something I'm going to remember 843 00:33:36,640 --> 00:33:37,933 for a long time. 844 00:33:37,933 --> 00:33:40,810 Come in strong, like you know this song 845 00:33:40,810 --> 00:33:42,312 and you're connected to those lyrics. 846 00:33:42,312 --> 00:33:44,689 Don't question yourself. That will carry you through. 847 00:33:44,689 --> 00:33:46,358 Alright, let's hear it again. 848 00:33:46,358 --> 00:33:49,027 Both: ♪ 'Cause we, we got the right ♪ 849 00:33:49,027 --> 00:33:53,114 Miguel: Wow, Rio, that felt like it was a good tweak for him. 850 00:33:53,114 --> 00:33:55,325 It helped in his presence. I literally felt like 851 00:33:55,325 --> 00:33:58,036 the energy was coming through the glass. 852 00:33:58,036 --> 00:34:00,205 Both: ♪ You're all I want to strive for ♪ 853 00:34:00,205 --> 00:34:02,082 ♪ And do a little more, you're ♪ 854 00:34:02,082 --> 00:34:05,293 It was like the clouds parted and the sun shined 855 00:34:05,293 --> 00:34:07,045 and it was just beautiful. 856 00:34:07,045 --> 00:34:12,717 Hey! ♪ Honey, honey, honey, honey ♪ 857 00:34:12,717 --> 00:34:15,220 Hey! Wow, wow. 858 00:34:15,220 --> 00:34:17,722 [ Chuckles ] I actually started to tear up. 859 00:34:17,722 --> 00:34:19,391 I don't know if it's because of everything 860 00:34:19,391 --> 00:34:21,351 that's been happening, but we need these moments 861 00:34:21,351 --> 00:34:24,020 and no one's gonna match your energy, Casmé. 862 00:34:24,020 --> 00:34:26,731 It's just coming off of you, you know? 863 00:34:26,731 --> 00:34:29,025 It's beautiful to watch. Thank you, guys. 864 00:34:29,025 --> 00:34:31,194 We're going to create a beautiful moment 865 00:34:31,194 --> 00:34:33,697 for the country with you two singing together. 866 00:34:33,697 --> 00:34:35,198 Thank you, guys. Thank y'all so much. 867 00:34:35,198 --> 00:34:37,742 John: Thank you! Vocally, they're already 868 00:34:37,742 --> 00:34:39,035 in a great place. 869 00:34:39,035 --> 00:34:40,870 If they can feed off each other's energy, 870 00:34:40,870 --> 00:34:42,956 I think it's going to be one of our favorites of the battles. 871 00:34:42,956 --> 00:34:44,416 ♪ You're all I need ♪ 872 00:34:44,416 --> 00:34:47,002 Yeah. Feel like the glass is gonna just break. 873 00:34:47,002 --> 00:34:48,044 [ Chuckles ] 874 00:34:48,044 --> 00:34:49,879 ♪ You're all I need ♪ Pshh! 875 00:34:49,879 --> 00:34:51,256 Oh, love it. Love it. Love it. 876 00:34:51,256 --> 00:34:53,758 Yeah. 877 00:34:53,758 --> 00:34:56,261 Daly: Who would you pick as the winner of this battle? 878 00:34:56,261 --> 00:34:59,806 Get the "Voice" official app now and play along. 879 00:35:09,232 --> 00:35:10,442 ♪ This is "The Voice" ♪ 880 00:35:10,442 --> 00:35:11,443 Daly: Welcome back to the battles 881 00:35:11,443 --> 00:35:13,069 at Universal Studios Hollywood. 882 00:35:13,069 --> 00:35:16,364 [ Cheers and applause ] 883 00:35:16,364 --> 00:35:19,534 Y'all look fresh. 884 00:35:19,534 --> 00:35:21,911 This battle begins right now. 885 00:35:27,667 --> 00:35:30,295 Both: ♪ You're all ♪ 886 00:35:30,295 --> 00:35:32,464 ♪ I need ♪ 887 00:35:32,464 --> 00:35:35,300 ♪ To get by ♪ 888 00:35:35,300 --> 00:35:38,637 ♪ Ahh ♪ Whoo! 889 00:35:38,637 --> 00:35:41,473 ♪ Like the sweet morning dew ♪ 890 00:35:41,473 --> 00:35:43,808 ♪ I took one look at you ♪ 891 00:35:43,808 --> 00:35:45,977 ♪ And it was plain to see ♪ 892 00:35:45,977 --> 00:35:48,813 ♪ You were my destiny ♪ 893 00:35:48,813 --> 00:35:51,483 ♪ With arms open wide ♪ 894 00:35:51,483 --> 00:35:53,818 ♪ I threw away my pride ♪ 895 00:35:53,818 --> 00:35:55,987 ♪ I'll sacrifice for you ♪ 896 00:35:55,987 --> 00:35:57,989 ♪ Dedicate my life to you ♪ 897 00:35:57,989 --> 00:35:59,949 ♪ Come on, baby ♪ ♪ I will go ♪ 898 00:35:59,949 --> 00:36:01,451 ♪ Where you lead ♪ 899 00:36:01,451 --> 00:36:03,912 ♪ Always there in time of need ♪ 900 00:36:03,912 --> 00:36:06,039 ♪ And when I lose my will ♪ 901 00:36:06,039 --> 00:36:08,541 ♪ Hey ♪ ♪ You'll be there to push me up the hill ♪ 902 00:36:08,541 --> 00:36:10,001 ♪ There's no ♪ 903 00:36:10,001 --> 00:36:13,838 ♪ No looking back for us ♪ 904 00:36:13,838 --> 00:36:15,674 ♪ We got love ♪ 905 00:36:15,674 --> 00:36:18,009 ♪ Sure 'nough, that's enough ♪ 906 00:36:18,009 --> 00:36:20,011 ♪ You're all ♪ 907 00:36:20,011 --> 00:36:22,847 ♪ You're all I need ♪ 908 00:36:22,847 --> 00:36:24,474 ♪ To get by ♪ 909 00:36:24,474 --> 00:36:26,643 ♪ Like an eagle protects his nest ♪ 910 00:36:26,643 --> 00:36:29,145 ♪ For you I'll do my best ♪ 911 00:36:29,145 --> 00:36:31,481 ♪ Stand by you like a tree ♪ 912 00:36:31,481 --> 00:36:34,442 ♪ And dare anybody to try and move me ♪ 913 00:36:34,442 --> 00:36:37,445 ♪ Darling, in you I found strength ♪ 914 00:36:37,445 --> 00:36:39,030 ♪ Where I was torn down ♪ 915 00:36:39,030 --> 00:36:41,199 ♪ I don't know what's in store ♪ 916 00:36:41,199 --> 00:36:44,035 ♪ But together we can open any door ♪ 917 00:36:44,035 --> 00:36:46,538 ♪ Just to do what's good for you ♪ 918 00:36:46,538 --> 00:36:48,915 ♪ And inspire you a little higher ♪ 919 00:36:48,915 --> 00:36:50,750 ♪ I know you can ♪ Hey! 920 00:36:50,750 --> 00:36:52,711 ♪ Make a man out of this soul ♪ Hey! 921 00:36:52,711 --> 00:36:54,045 ♪ That didn't have a goal ♪ 922 00:36:54,045 --> 00:36:55,505 Both: ♪ 'Cause we ♪ 923 00:36:55,505 --> 00:36:59,217 ♪ We got the right foundation ♪ 924 00:36:59,217 --> 00:37:03,722 ♪ And with love and determination ♪ 925 00:37:03,722 --> 00:37:05,640 ♪ You're all ♪ 926 00:37:05,640 --> 00:37:07,892 ♪ You're all I want to strive for ♪ 927 00:37:07,892 --> 00:37:10,812 ♪ And do a little more, you're all ♪ 928 00:37:10,812 --> 00:37:12,897 ♪ All the joys under the sun ♪ 929 00:37:12,897 --> 00:37:14,232 ♪ Wrapped up into one ♪ 930 00:37:14,232 --> 00:37:15,734 ♪ You're all ♪ 931 00:37:15,734 --> 00:37:18,528 ♪ You're all I need ♪ 932 00:37:18,528 --> 00:37:20,572 Oh, my God! Hey! 933 00:37:20,572 --> 00:37:25,577 Both: ♪ You're all I need ♪ 934 00:37:25,577 --> 00:37:28,747 ♪ You're all I need ♪ ♪ Ohhhh ♪ 935 00:37:28,747 --> 00:37:32,292 ♪ To get by ♪ 936 00:37:32,292 --> 00:37:35,086 ♪ Ahhhh ♪ 937 00:37:35,086 --> 00:37:37,213 ♪ Ohhh ♪ 938 00:37:37,213 --> 00:37:41,926 ♪ Honey, honey, honey, honey ♪ 939 00:37:41,926 --> 00:37:44,763 Yeah! 940 00:37:44,763 --> 00:37:47,932 [ Cheers and applause ] 941 00:37:47,932 --> 00:37:50,727 My God! Oh, my gosh. 942 00:37:50,727 --> 00:37:53,772 I do not feel like I'm in a singing competition 943 00:37:53,772 --> 00:37:55,940 setting right now. I feel like I'm at the Grammys. 944 00:37:55,940 --> 00:37:59,694 Both you are so natural. I mean, it was very equally matched. 945 00:37:59,694 --> 00:38:04,115 Rio, your voice is stunning, your stage presence, your style, 946 00:38:04,115 --> 00:38:06,701 everything was just so incredible. 947 00:38:06,701 --> 00:38:10,079 Casmé, from the moment the light flashed, 948 00:38:10,079 --> 00:38:12,499 I was like a zombie, like, just staring at you. 949 00:38:12,499 --> 00:38:15,794 I mean, it's almost like you were a genie locked away 950 00:38:15,794 --> 00:38:17,962 and someone let you out. The dancing, 951 00:38:17,962 --> 00:38:21,800 like, the swagging, everything was incredible. 952 00:38:21,800 --> 00:38:23,802 Kelly: Rio, you have such great tone. 953 00:38:23,802 --> 00:38:26,721 The melodies you would go for and the little falsetto thing. 954 00:38:26,721 --> 00:38:30,642 I love your voice, but there are few people in this world 955 00:38:30,642 --> 00:38:33,895 that were born to be on a stage, 956 00:38:33,895 --> 00:38:35,939 and, Casmé, you're, like ‐‐ 957 00:38:35,939 --> 00:38:39,943 I mean, I'm a very comfortable, confident person in my own skin, 958 00:38:39,943 --> 00:38:41,653 but, like, you made me seem not. 959 00:38:41,653 --> 00:38:44,656 And I'm extremely comfortable, probably too comfortable. 960 00:38:44,656 --> 00:38:46,658 But how into the song you are 961 00:38:46,658 --> 00:38:48,159 and how happy you are in the moment, 962 00:38:48,159 --> 00:38:50,119 I was like, "Diana Ross is here." 963 00:38:50,119 --> 00:38:51,788 I think that you're one that everybody should 964 00:38:51,788 --> 00:38:53,206 be worried about, honestly. 965 00:38:53,206 --> 00:38:55,208 Thank you so much. 966 00:38:55,208 --> 00:38:57,001 Blake: I want to talk a bit about Rio 967 00:38:57,001 --> 00:38:59,838 because I was really locked in on your stage presence 968 00:38:59,838 --> 00:39:01,339 and your connection with the song. 969 00:39:01,339 --> 00:39:03,758 Thank you. And you just have your own unique way 970 00:39:03,758 --> 00:39:07,178 of performing, and I did see how incredible Casmé is, 971 00:39:07,178 --> 00:39:10,765 but I can't find any reason why you couldn't pick Rio 972 00:39:10,765 --> 00:39:12,267 and be exactly right about it too. 973 00:39:12,267 --> 00:39:15,103 So I'm going to accept my fine from NBC 974 00:39:15,103 --> 00:39:16,187 and I'm not going to help you on that. 975 00:39:16,187 --> 00:39:18,106 [ Laughter ] 976 00:39:18,106 --> 00:39:19,649 Daly: John, it all comes down to you, buddy. 977 00:39:19,649 --> 00:39:20,692 Give us some thoughts. 978 00:39:20,692 --> 00:39:22,527 I think this was the most 979 00:39:22,527 --> 00:39:25,989 thoroughly engrossing, joyful, 980 00:39:25,989 --> 00:39:29,033 well‐put‐together performance we've seen in the battles 981 00:39:29,033 --> 00:39:31,160 of any of the artists on any team. 982 00:39:31,160 --> 00:39:32,871 It was just beautiful. 983 00:39:32,871 --> 00:39:34,581 Casmé is who she is. 984 00:39:34,581 --> 00:39:37,166 She walks in the room like that. 985 00:39:37,166 --> 00:39:40,879 And I talked to Rio about you got to be able to match that. 986 00:39:40,879 --> 00:39:43,006 You've got to match that energy. You did it. 987 00:39:43,006 --> 00:39:46,968 And he really did look completely in control. 988 00:39:46,968 --> 00:39:49,178 You looked like you were having so much fun. 989 00:39:49,178 --> 00:39:51,556 You have wonderful tone. 990 00:39:51,556 --> 00:39:53,224 You have runs, you have falsetto. 991 00:39:53,224 --> 00:39:54,809 You have all these things, 992 00:39:54,809 --> 00:39:57,228 and it just felt like you belonged up here 993 00:39:57,228 --> 00:39:59,731 and it was completely natural and felt so good. 994 00:39:59,731 --> 00:40:01,649 Thank you. Casmé, everything 995 00:40:01,649 --> 00:40:04,903 everyone's been saying about you is because you are who you are. 996 00:40:04,903 --> 00:40:06,654 We talked a lot about your presence, 997 00:40:06,654 --> 00:40:08,865 but your voice is wonderful. 998 00:40:08,865 --> 00:40:10,575 It's flawless. It's so full. 999 00:40:10,575 --> 00:40:13,411 You were just completely on point as a vocalist today. 1000 00:40:13,411 --> 00:40:15,121 Thank you. Daly: John, the time has come. 1001 00:40:15,121 --> 00:40:17,248 Who's the winner of this battle? 1002 00:40:19,042 --> 00:40:20,919 Obviously, this is a tough decision, 1003 00:40:20,919 --> 00:40:24,380 but I'm just honored that I got to work with both of you. 1004 00:40:26,215 --> 00:40:28,217 The winner of this battle is... 1005 00:40:36,184 --> 00:40:37,393 ♪ This is "The Voice" ♪ 1006 00:40:37,393 --> 00:40:40,063 Daly: Welcome back to "The Voice." 1007 00:40:40,063 --> 00:40:41,731 John: Obviously, this is a tough decision, 1008 00:40:41,731 --> 00:40:44,442 but... 1009 00:40:44,442 --> 00:40:46,277 the winner of this battle... 1010 00:40:46,277 --> 00:40:47,737 ♪♪♪ 1011 00:40:47,737 --> 00:40:49,280 is Casmé. 1012 00:40:49,280 --> 00:40:52,533 Daly: Casmé moving in to knockouts. 1013 00:40:52,533 --> 00:40:54,285 Congratulations. 1014 00:40:54,285 --> 00:40:57,747 John: Everyone loves Casmé. Her energy is so infectious. 1015 00:40:57,747 --> 00:41:00,124 She's so soulful and charming. 1016 00:41:00,124 --> 00:41:03,962 Her presence on stage is just superstar quality. 1017 00:41:03,962 --> 00:41:05,755 Thank you all, thank you. 1018 00:41:05,755 --> 00:41:07,715 Congratulations, Casmé. 1019 00:41:07,715 --> 00:41:10,093 I'm just grateful for this opportunity. 1020 00:41:10,093 --> 00:41:13,429 And it's a dream come true. 1021 00:41:13,429 --> 00:41:15,807 Daly: Rio, anything you'd like to say to your coach? 1022 00:41:15,807 --> 00:41:17,976 Thank you so much for seeing something in me, John, 1023 00:41:17,976 --> 00:41:19,477 and turning your chair. 1024 00:41:19,477 --> 00:41:21,104 Thank y'all so much for this opportunity. 1025 00:41:21,104 --> 00:41:22,605 And the journey does not stop here. 1026 00:41:22,605 --> 00:41:23,648 That's right, Rio. 1027 00:41:23,648 --> 00:41:25,984 Daly: Give it up for Rio Souma, 1028 00:41:25,984 --> 00:41:27,652 ladies and gentlemen! 1029 00:41:27,652 --> 00:41:30,822 [ Cheers and applause ] 1030 00:41:30,822 --> 00:41:33,658 That was so good. She is amazing. I love her. 1031 00:41:33,658 --> 00:41:35,493 Like, she's her own thing in her own lane, 1032 00:41:35,493 --> 00:41:38,579 and it's so captivating. 1033 00:41:38,579 --> 00:41:41,874 ♪ Been traveling these wide roads ♪ Okay. 1034 00:41:41,874 --> 00:41:45,503 ♪ So long ♪ 1035 00:41:45,503 --> 00:41:47,672 So who do you think the mentor is? I have a hunch. 1036 00:41:47,672 --> 00:41:49,507 I think it's gonna be a girl. 1037 00:41:49,507 --> 00:41:53,344 Both: ♪ Take me to your river ♪ 1038 00:41:53,344 --> 00:41:57,515 ♪ I wanna go ♪ 1039 00:41:57,515 --> 00:42:00,018 Oh, my gosh, I love you. 1040 00:42:00,018 --> 00:42:01,978 Whoever it is, they're going to be phenomenal, obviously. 1041 00:42:01,978 --> 00:42:03,688 It's Kelly, you know? I know. I can't wait. 1042 00:42:03,688 --> 00:42:04,856 I'm just so excited. Oh, man. 1043 00:42:04,856 --> 00:42:05,940 I'm so excited. 1044 00:42:05,940 --> 00:42:07,608 What's up, y'all? 1045 00:42:07,608 --> 00:42:08,818 What's up? What's up? 1046 00:42:08,818 --> 00:42:10,028 ‐Oh, my ‐‐ ‐Oh, my gosh. 1047 00:42:10,028 --> 00:42:11,362 It's Leon Bridges. 1048 00:42:11,362 --> 00:42:12,864 This is Leon Bridges, everybody. 1049 00:42:12,864 --> 00:42:14,866 When I first walked in, all I could see was Kelly 1050 00:42:14,866 --> 00:42:16,534 with a pirate patch on her eye. 1051 00:42:16,534 --> 00:42:17,827 Then I noticed ‐‐ I was like, 1052 00:42:17,827 --> 00:42:19,871 "oh, that's Leon Bridges right next to her." 1053 00:42:19,871 --> 00:42:21,748 I was just like.... [ Gasps ] 1054 00:42:21,748 --> 00:42:23,082 [ Laughs ] 1055 00:42:23,082 --> 00:42:24,751 Kelly: So I picked a Celine Dion song. 1056 00:42:24,751 --> 00:42:26,377 I don't think I've ever given anyone 1057 00:42:26,377 --> 00:42:27,545 this big of a song before. 1058 00:42:27,545 --> 00:42:29,005 I'm going to be honest with you. 1059 00:42:29,005 --> 00:42:30,548 It's part of that album "A New Day Has Come." 1060 00:42:30,548 --> 00:42:31,716 Like, I've been studying that album 1061 00:42:31,716 --> 00:42:32,884 since I'm, like, 13 years old. 1062 00:42:32,884 --> 00:42:34,552 I sang it at like all the gay clubs, 1063 00:42:34,552 --> 00:42:36,012 like, in New York, in Midtown. Oh, my gosh! 1064 00:42:36,012 --> 00:42:37,472 Yeah, that was, like, my go‐to karaoke ‐‐ 1065 00:42:37,472 --> 00:42:39,057 That and "Since You've Been Gone." 1066 00:42:39,057 --> 00:42:40,725 Marisa: Once I started going to the gay clubs in the village, 1067 00:42:40,725 --> 00:42:42,185 I started to really blossom. 1068 00:42:42,185 --> 00:42:44,062 I started going to Fire Island and Cherry Grove, 1069 00:42:44,062 --> 00:42:46,397 and I got a job there singing at the restaurants, 1070 00:42:46,397 --> 00:42:49,734 performing live music every night for 5 1/2 years. 1071 00:42:49,734 --> 00:42:52,153 And I'd play, like, 50 to 60 songs a night. 1072 00:42:52,153 --> 00:42:53,905 I love what do. 1073 00:42:53,905 --> 00:42:56,574 But I think at this point, I'm ready for the next level. 1074 00:42:56,574 --> 00:42:58,409 ♪ Pretty, pretty please ♪ 1075 00:42:58,409 --> 00:43:00,912 ♪ Don't you ever, ever feel ♪ 1076 00:43:00,912 --> 00:43:02,121 ♪ Like you're nothing ♪ 1077 00:43:02,121 --> 00:43:04,582 You have range for days. 1078 00:43:04,582 --> 00:43:07,919 I would be shocked if you weren't in the finale. 1079 00:43:07,919 --> 00:43:09,045 I want to go Kelly. Yeah! 1080 00:43:09,045 --> 00:43:11,089 Marisa: I'm hungry for more. 1081 00:43:11,089 --> 00:43:13,674 And I'm just really excited to be here 1082 00:43:13,674 --> 00:43:15,718 and see where this journey now takes me. 1083 00:43:15,718 --> 00:43:17,762 Like, y'all been here since the Blinds. 1084 00:43:17,762 --> 00:43:19,597 Have you seen your family at all? 1085 00:43:19,597 --> 00:43:21,099 No, I haven't seen my family for quite a while. 1086 00:43:21,099 --> 00:43:23,017 It's been a hard weekend. That's for sure. 1087 00:43:23,017 --> 00:43:24,727 My Mom just got admitted last night. 1088 00:43:24,727 --> 00:43:25,853 She has COVID pretty bad. 1089 00:43:25,853 --> 00:43:27,897 Oh, my gosh. I'm so sorry. 1090 00:43:27,897 --> 00:43:29,565 I'll definitely send up some prayers, man. 1091 00:43:29,565 --> 00:43:31,109 Thank you so much. Appreciate that. Yeah. 1092 00:43:31,109 --> 00:43:34,612 Ryan G.: I got news that my grandma had contracted COVID. 1093 00:43:34,612 --> 00:43:36,572 And my mom was kind of taking care of her, 1094 00:43:36,572 --> 00:43:38,533 but she ended up contracting COVID as well. 1095 00:43:38,533 --> 00:43:40,118 And my mom has multiple sclerosis. 1096 00:43:40,118 --> 00:43:41,619 I'm hoping for the best still, 1097 00:43:41,619 --> 00:43:42,954 and I think she's gonna pull through. 1098 00:43:42,954 --> 00:43:44,163 She's a strong woman 1099 00:43:44,163 --> 00:43:46,833 And, so, knowing my mom's watching, 1100 00:43:46,833 --> 00:43:48,126 I'm going to give it everything I have. 1101 00:43:48,126 --> 00:43:51,129 ♪ Ognuno dia la ♪ 1102 00:43:51,129 --> 00:43:55,967 ♪ Mano al suo vicino ♪ 1103 00:43:55,967 --> 00:43:58,761 Kelly: Your voice is so magical. 1104 00:43:58,761 --> 00:44:01,639 No one in this competition can touch you. 1105 00:44:01,639 --> 00:44:02,807 I'm gonna go with Kelly. 1106 00:44:02,807 --> 00:44:04,142 I wish I could hug you right now. 1107 00:44:04,142 --> 00:44:05,768 Like, I'm so happy. 1108 00:44:05,768 --> 00:44:07,270 Ryan G.: This year has been probably 1109 00:44:07,270 --> 00:44:09,147 one of the hardest years I've ever had in my life. 1110 00:44:09,147 --> 00:44:11,816 But "The Voice" is lending me an opportunity 1111 00:44:11,816 --> 00:44:13,985 to fulfill one of my biggest dreams ever, 1112 00:44:13,985 --> 00:44:16,821 and that's to be on the biggest stage in the world. 1113 00:44:16,821 --> 00:44:18,948 ♪ There's so much life ♪ 1114 00:44:18,948 --> 00:44:20,908 ♪ I've left to live ♪ 1115 00:44:20,908 --> 00:44:22,285 Yeah. 1116 00:44:22,285 --> 00:44:23,828 Kelly: Ryan, it's more than just the opera singer, 1117 00:44:23,828 --> 00:44:26,539 and I'll say, man, him singing "I Surrender," 1118 00:44:26,539 --> 00:44:28,708 it's so sexy. 1119 00:44:28,708 --> 00:44:29,959 It's so cool to see a dude 1120 00:44:29,959 --> 00:44:31,794 singing a female powerhouse song. 1121 00:44:31,794 --> 00:44:33,254 That's cool. 1122 00:44:33,254 --> 00:44:37,175 ♪ 'Cause I'd surrender everything ♪ 1123 00:44:37,175 --> 00:44:40,011 ♪ To feel the chance to live again ♪ Marisa has an incredible gift, 1124 00:44:40,011 --> 00:44:42,847 and her voice is just so powerful. 1125 00:44:42,847 --> 00:44:44,265 She can hit any note. 1126 00:44:44,265 --> 00:44:45,975 She stands out on my team. 1127 00:44:47,143 --> 00:44:51,022 ♪ I surrender ♪ ♪ I surrender ♪ 1128 00:44:51,022 --> 00:44:53,941 ♪ Oh, oh ♪ 1129 00:44:53,941 --> 00:44:55,651 Kelly: That was so good. 1130 00:44:55,651 --> 00:44:57,987 Oh, my God, you guys, this is gonna be awesome. 1131 00:44:57,987 --> 00:45:01,699 The thing I love about Celine is how intimate she can be. 1132 00:45:01,699 --> 00:45:03,701 So make sure in that beginning, 1133 00:45:03,701 --> 00:45:07,371 you're kind of, like, speaking and singing. Yeah. 1134 00:45:07,371 --> 00:45:10,249 ♪ There's so much life, I've left to live ♪ 1135 00:45:10,249 --> 00:45:12,043 Just make sure it's not overthought. 1136 00:45:12,043 --> 00:45:14,003 I feel like there's a lot of pressure on me, 1137 00:45:14,003 --> 00:45:15,046 and I don't, like, want to lose a battle 1138 00:45:15,046 --> 00:45:16,339 because I'm not Celine. 1139 00:45:16,339 --> 00:45:17,965 I get what you're saying though. 1140 00:45:17,965 --> 00:45:19,884 It's hard to depart from what innately you know, 1141 00:45:19,884 --> 00:45:21,302 because you've been listening to it 1142 00:45:21,302 --> 00:45:23,054 since you were, like, a kid. Yeah. 1143 00:45:23,054 --> 00:45:24,722 The reason why I pressed my button, 1144 00:45:24,722 --> 00:45:26,182 it was because I like your sound. 1145 00:45:26,182 --> 00:45:28,643 With my own music, I've become numb, 1146 00:45:28,643 --> 00:45:30,895 because like, you know, I sing it... 1147 00:45:30,895 --> 00:45:32,063 Right. ...every night. 1148 00:45:32,063 --> 00:45:33,731 Find within the lyrics something 1149 00:45:33,731 --> 00:45:35,733 that resonates with you and your experience. 1150 00:45:35,733 --> 00:45:37,860 Yes. Thank you, Leon. I appreciate it. 1151 00:45:37,860 --> 00:45:39,237 You know Celine Dion, my whole life, 1152 00:45:39,237 --> 00:45:40,905 has sang this song in my ears. 1153 00:45:40,905 --> 00:45:42,865 I have to now let that go, 1154 00:45:42,865 --> 00:45:44,909 and I have to bring myself forward. 1155 00:45:44,909 --> 00:45:47,745 This is my story now. that I'm telling. 1156 00:45:47,745 --> 00:45:49,789 Ryan, there's this cool "ooh" thing you do, 1157 00:45:49,789 --> 00:45:51,374 and then you end up sailing, and then you start singing ‐‐ 1158 00:45:51,374 --> 00:45:52,792 Ryan: In the key change where it goes, 1159 00:45:52,792 --> 00:45:54,752 ♪ Ah, ah ♪ 1160 00:45:54,752 --> 00:45:58,005 Yes. You have a very cool vibe 1161 00:45:58,005 --> 00:46:00,716 when you're singing this vulnerable, intimate moment. 1162 00:46:00,716 --> 00:46:02,260 Open your eyes. I know. 1163 00:46:02,260 --> 00:46:03,594 I don't know the lyrics that well yet. 1164 00:46:03,594 --> 00:46:05,221 So I'm, like, trying to think through. 1165 00:46:05,221 --> 00:46:06,597 I like that you're introspective, 1166 00:46:06,597 --> 00:46:07,848 and it's like the ‐‐ I like ‐‐ 1167 00:46:07,848 --> 00:46:09,183 That's your vibe. That's cool. 1168 00:46:09,183 --> 00:46:10,893 But every once in awhile, open up your eyes, 1169 00:46:10,893 --> 00:46:12,937 just so everybody can be like, "ooh, he let me in." 1170 00:46:12,937 --> 00:46:14,772 [ Chuckles ] Definitely. Yes. 1171 00:46:14,772 --> 00:46:17,108 Maybe, I don't know, surrender. 1172 00:46:17,108 --> 00:46:18,276 [ Laughs ] 1173 00:46:18,276 --> 00:46:19,777 Ryan G.: I've worked on the song 1174 00:46:19,777 --> 00:46:21,237 through probably the hardest things 1175 00:46:21,237 --> 00:46:22,905 I've gone through in my life. 1176 00:46:22,905 --> 00:46:25,116 It would mean more than just winning. 1177 00:46:25,116 --> 00:46:26,701 Like, it would be kind of like 1178 00:46:26,701 --> 00:46:28,703 a life battle for me, too, that I'm winning. 1179 00:46:28,703 --> 00:46:30,288 ♪ I'll break free ♪ Marisa: ♪ I'll break free ♪ 1180 00:46:30,288 --> 00:46:31,998 ♪ Take me ♪ ♪ Take me ♪ 1181 00:46:31,998 --> 00:46:33,457 Leon: It was definitely evident 1182 00:46:33,457 --> 00:46:38,254 that Ryan was channeling his pain and that emotion. 1183 00:46:38,254 --> 00:46:42,216 ♪ I surrender ♪ ♪ I surrender ♪ 1184 00:46:42,216 --> 00:46:44,427 That's what resonates with people. 1185 00:46:44,427 --> 00:46:45,970 [ Vocalizing ] 1186 00:46:45,970 --> 00:46:48,389 I think it'd be cooler if they ended soft. 1187 00:46:48,389 --> 00:46:51,434 Connection and believability are so key. 1188 00:46:51,434 --> 00:46:55,813 ♪ I surrender ♪ ♪ I surrender ♪ 1189 00:46:55,813 --> 00:46:57,315 Oh, my God, if y'all make me cry 1190 00:46:57,315 --> 00:46:59,775 and my eye starts hurting, I'm punching both of you. 1191 00:46:59,775 --> 00:47:01,277 It's inevitable. 1192 00:47:01,277 --> 00:47:04,405 These two are going to blow the roof of the house. 1193 00:47:04,405 --> 00:47:08,326 They're going to move everyone and their dog on this song. 1194 00:47:08,326 --> 00:47:10,453 This is going to be the best battle. What? 1195 00:47:10,453 --> 00:47:12,496 Alright, bye, y'all. 1196 00:47:12,496 --> 00:47:14,999 I cannot wait to check in on their progress 1197 00:47:14,999 --> 00:47:16,125 at stage rehearsals, 1198 00:47:16,125 --> 00:47:18,002 There's always, like, one battle 1199 00:47:18,002 --> 00:47:19,337 that kind of sticks out, that you're like, 1200 00:47:19,337 --> 00:47:21,005 "Oh, my God, that worked." Yeah. 1201 00:47:21,005 --> 00:47:22,673 No, you actually got some... It kind of sucks, though... 1202 00:47:22,673 --> 00:47:24,342 ...pretty good players. ...when they're all so good. 1203 00:47:24,342 --> 00:47:25,801 Leon: Yeah, that's... And then they have ‐‐ they get cut. 1204 00:47:25,801 --> 00:47:27,011 Ultimately, you know, 1205 00:47:27,011 --> 00:47:29,138 there can only be one. I know. 1206 00:47:29,138 --> 00:47:32,767 ♪ There's so much life I've left to live ♪ 1207 00:47:32,767 --> 00:47:34,018 Marisa: This is the most amazing thing ever. 1208 00:47:34,018 --> 00:47:36,437 I'm fighting hard to stay on Kelly's team. 1209 00:47:36,437 --> 00:47:39,106 Putting in the work with Ryan and making the song 1210 00:47:39,106 --> 00:47:41,025 really special and unique to us ‐‐ 1211 00:47:41,025 --> 00:47:43,319 such a gratifying experience. 1212 00:47:43,319 --> 00:47:45,196 Kelly: Y'all did so well. 1213 00:47:45,196 --> 00:47:47,490 You sound amazing together. 1214 00:47:47,490 --> 00:47:49,867 Thanks, Kel. Thank you. Marisa. 1215 00:47:49,867 --> 00:47:53,162 It was awesome, because it sounded more authentically you, 1216 00:47:53,162 --> 00:47:55,915 and less how we both hear Celine doing it, 1217 00:47:55,915 --> 00:47:57,541 and it was way better. 1218 00:47:57,541 --> 00:47:59,835 ♪ I reach to you ♪ Ryan G.: ♪ I reach to you ♪ 1219 00:47:59,835 --> 00:48:04,215 Ryan, the sound and texture of your voice is so beautiful. 1220 00:48:04,215 --> 00:48:06,217 Make sure you just stay present in the verses. 1221 00:48:06,217 --> 00:48:08,219 You don't have to hold back. Sing it. 1222 00:48:08,219 --> 00:48:10,221 I think we're going to tighten a couple little things up 1223 00:48:10,221 --> 00:48:11,389 a little bit more, 1224 00:48:11,389 --> 00:48:13,391 and then kill it on the performance. 1225 00:48:13,391 --> 00:48:14,892 This is your moment. 1226 00:48:14,892 --> 00:48:16,227 Thanks, Kelly. Loosen up, 1227 00:48:16,227 --> 00:48:18,062 But also have fun, okay? [ Laughs ] 1228 00:48:18,062 --> 00:48:19,355 Alright, bye, y'all. 1229 00:48:19,355 --> 00:48:21,023 See you. Take care. Bye. 1230 00:48:30,491 --> 00:48:31,409 ♪ This is "The Voice" ♪ 1231 00:48:31,409 --> 00:48:33,244 Daly: Welcome back. 1232 00:48:33,244 --> 00:48:36,580 [ Cheers and applause ] 1233 00:48:36,580 --> 00:48:37,957 [ Laughs ] 1234 00:48:37,957 --> 00:48:39,959 Spin move. 1235 00:48:39,959 --> 00:48:41,669 [ Cheers and applause ] 1236 00:48:41,669 --> 00:48:44,004 Let the battle begin. 1237 00:48:44,880 --> 00:48:46,799 Oh, I am so nervous. 1238 00:48:47,758 --> 00:48:50,928 ♪♪♪ 1239 00:48:50,928 --> 00:48:55,433 ♪ Ooh, ooh, ooh‐ooh‐ooh ♪ 1240 00:48:55,433 --> 00:48:59,603 ♪ There's so much life I've left to live ♪ 1241 00:48:59,603 --> 00:49:03,732 ♪ And this fire's burning still ♪ 1242 00:49:03,732 --> 00:49:07,695 ♪ When I watch you look at me ♪ 1243 00:49:07,695 --> 00:49:11,449 ♪ I think I could find the will ♪ 1244 00:49:11,449 --> 00:49:15,286 ♪ To stand for every thing ♪ 1245 00:49:15,286 --> 00:49:19,665 ♪ And forsake this solid ground ♪ 1246 00:49:19,665 --> 00:49:23,586 ♪ And give up this fear within ♪ 1247 00:49:23,586 --> 00:49:28,883 ♪ Of what would happen if they ever knew ♪ 1248 00:49:28,883 --> 00:49:32,595 ♪ I'm in love with you ♪ 1249 00:49:32,595 --> 00:49:36,307 Both: ♪ 'Cause I'd surrender everything ♪ 1250 00:49:36,307 --> 00:49:40,311 ♪ To feel the chance to live again ♪ 1251 00:49:40,311 --> 00:49:43,314 ♪ I reach to you ♪ 1252 00:49:43,314 --> 00:49:46,317 ♪ I know you can feel it, too ♪ 1253 00:49:46,317 --> 00:49:48,652 ♪ We'd make it through ♪ 1254 00:49:48,652 --> 00:49:49,987 ♪ A thousand dreams ♪ 1255 00:49:49,987 --> 00:49:52,656 ♪ I still believe ♪ 1256 00:49:52,656 --> 00:49:56,619 ♪ I'd make you give them all to me ♪ 1257 00:49:56,619 --> 00:49:59,830 ♪ I'd hold you in my arms ♪ 1258 00:49:59,830 --> 00:50:03,876 ♪ And never let go ♪ 1259 00:50:03,876 --> 00:50:11,842 ♪ I surrender ♪ 1260 00:50:11,842 --> 00:50:16,430 ♪ Every night's getting longer ♪ 1261 00:50:16,430 --> 00:50:20,935 ♪ And this fire's getting stronger ♪ 1262 00:50:20,935 --> 00:50:23,020 ♪ I'll swallow my pride ♪ 1263 00:50:23,020 --> 00:50:25,022 ♪ And I'll be alive ♪ 1264 00:50:25,022 --> 00:50:29,443 ♪ Can't you hear my call ♪ 1265 00:50:29,443 --> 00:50:34,698 ♪ I surrender all ♪ 1266 00:50:34,698 --> 00:50:38,035 ♪ I'd surrender everything ♪ 1267 00:50:38,035 --> 00:50:42,081 ♪ To feel the chance to live again ♪ 1268 00:50:42,081 --> 00:50:45,668 ♪ I'll hold ♪ 1269 00:50:45,668 --> 00:50:50,506 ♪ Never let go ♪ 1270 00:50:50,506 --> 00:50:53,968 ♪ Right here, right now ♪ 1271 00:50:53,968 --> 00:50:57,638 ♪ I give my life to live again ♪ 1272 00:50:57,638 --> 00:50:58,889 ♪ I'll break free ♪ 1273 00:50:58,889 --> 00:51:00,057 Come on! 1274 00:51:00,057 --> 00:51:02,059 ♪ Take me ♪ 1275 00:51:02,059 --> 00:51:06,855 ♪ My everything ♪ 1276 00:51:08,399 --> 00:51:13,529 ♪ I surrender ♪ 1277 00:51:13,529 --> 00:51:15,030 ♪ Oh, oh‐oh ♪ 1278 00:51:15,030 --> 00:51:17,074 Whoo! 1279 00:51:17,074 --> 00:51:18,909 Beautiful. Oh, my God. 1280 00:51:18,909 --> 00:51:20,077 Whew. 1281 00:51:20,077 --> 00:51:22,913 Whoo! 1282 00:51:22,913 --> 00:51:24,748 That was a big song, y'all. 1283 00:51:24,748 --> 00:51:25,958 That was a real big song. Whoa. 1284 00:51:25,958 --> 00:51:27,042 John: Real big lick. 1285 00:51:27,042 --> 00:51:28,752 My dog's on the screen. 1286 00:51:28,752 --> 00:51:30,087 Your dog is on the screen? Where? 1287 00:51:30,087 --> 00:51:32,089 She's right in the center with my friend Kelly. 1288 00:51:32,089 --> 00:51:33,090 Gwen: Aww! Blake: Aww! I see. 1289 00:51:33,090 --> 00:51:34,758 Hey, look! 1290 00:51:34,758 --> 00:51:37,428 Oh, little puppy. [ Laughs ] 1291 00:51:37,428 --> 00:51:40,681 Well, you know, the right song is ‐‐ is everything. 1292 00:51:40,681 --> 00:51:42,891 Ryan, we know that you have a big voice 1293 00:51:42,891 --> 00:51:45,769 and you're a trained vocalist and talented. 1294 00:51:45,769 --> 00:51:47,396 But Marisa just absolutely 1295 00:51:47,396 --> 00:51:48,897 just took over the room here... Thank you. 1296 00:51:48,897 --> 00:51:51,108 ...and just ‐‐ just destroyed the place. 1297 00:51:51,108 --> 00:51:53,611 Ryan, you really are a gifted vocalist. 1298 00:51:53,611 --> 00:51:55,029 I just think in this moment, 1299 00:51:55,029 --> 00:51:57,573 it was just built for Marisa to shine. 1300 00:51:57,573 --> 00:52:00,576 But that doesn't mean she was guaranteed to do so. 1301 00:52:00,576 --> 00:52:02,703 She had to deliver, and she did. 1302 00:52:02,703 --> 00:52:04,163 Thank you so much. Thank you. 1303 00:52:04,163 --> 00:52:06,582 You guys are almost opposite 1304 00:52:06,582 --> 00:52:08,500 the way that you attacked the song. 1305 00:52:08,500 --> 00:52:10,628 I wanted to just watch Ryan the whole time 1306 00:52:10,628 --> 00:52:13,130 because you just are at ease the entire time 1307 00:52:13,130 --> 00:52:14,965 as you sing these perfect notes. 1308 00:52:14,965 --> 00:52:16,925 It's like, "whoa, he's not even trying, 1309 00:52:16,925 --> 00:52:18,802 and that beautifulness is coming out of him." 1310 00:52:18,802 --> 00:52:21,597 And it's so controlled and mesmerizing 1311 00:52:21,597 --> 00:52:22,890 and crazy to watch. 1312 00:52:22,890 --> 00:52:24,475 Marisa comes out here 1313 00:52:24,475 --> 00:52:27,144 with this huge personality and passion 1314 00:52:27,144 --> 00:52:29,063 and ready to have her moment. 1315 00:52:29,063 --> 00:52:30,814 It was hard to ignore that, you know what I'm saying? 1316 00:52:30,814 --> 00:52:33,776 Sure. But both so talented. 1317 00:52:33,776 --> 00:52:35,152 Daly: Thank you, coaches. Thank you. 1318 00:52:35,152 --> 00:52:36,820 Kelly's got the final decision. 1319 00:52:36,820 --> 00:52:38,155 Tell us some thoughts on that battle 1320 00:52:38,155 --> 00:52:39,657 before you tell us who won. 1321 00:52:39,657 --> 00:52:40,824 I think it's interesting, Marisa. 1322 00:52:40,824 --> 00:52:42,743 Like, I remember in the rehearsals, 1323 00:52:42,743 --> 00:52:44,662 you said, "I feel like I'm at a disadvantage..." I know. 1324 00:52:44,662 --> 00:52:46,872 "...because I'm singing a Celine Dion song." 1325 00:52:46,872 --> 00:52:48,791 Yeah. But what's funny is 1326 00:52:48,791 --> 00:52:50,167 Ryan felt like he was at a disadvantage 1327 00:52:50,167 --> 00:52:51,794 cause he's like, "well, this song 1328 00:52:51,794 --> 00:52:54,129 is a huge female song." Right. 1329 00:52:54,129 --> 00:52:56,173 I think also on the flip side, though, what's cool is 1330 00:52:56,173 --> 00:52:58,008 I've never heard a man sing this song, 1331 00:52:58,008 --> 00:53:00,803 especially with your depth and your control. 1332 00:53:00,803 --> 00:53:04,181 What's deceiving about this one over here 1333 00:53:04,181 --> 00:53:05,933 is you are just as powerful. 1334 00:53:05,933 --> 00:53:07,851 So this is my hardest battle, 1335 00:53:07,851 --> 00:53:09,853 because you're both very gifted. 1336 00:53:09,853 --> 00:53:11,689 So it's a really difficult decision. 1337 00:53:11,689 --> 00:53:14,525 I'm just stalling. I'm sweating. 1338 00:53:14,525 --> 00:53:16,026 [ Laughs ] 1339 00:53:16,026 --> 00:53:18,946 Kelly, who is the winner of this battle? Ohh. 1340 00:53:18,946 --> 00:53:20,781 [ Dramatic music plays ] 1341 00:53:20,781 --> 00:53:21,699 Come on. 1342 00:53:21,699 --> 00:53:22,950 Kelly: Oh, my gosh. 1343 00:53:22,950 --> 00:53:24,493 So ‐‐ it's terrible. 1344 00:53:24,493 --> 00:53:26,704 It's ‐‐ this is terrible. Um... 1345 00:53:26,704 --> 00:53:28,831 ♪♪♪ 1346 00:53:28,831 --> 00:53:30,916 Blah! 1347 00:53:30,916 --> 00:53:33,836 The winner of this battle is... 1348 00:53:33,836 --> 00:53:35,170 Marisa. 1349 00:53:35,170 --> 00:53:36,797 Daly: Marisa, congratulations. 1350 00:53:36,797 --> 00:53:38,132 You are moving on to the Knockouts. 1351 00:53:38,132 --> 00:53:40,134 Oh, thank you so much. 1352 00:53:40,134 --> 00:53:41,552 Wow. 1353 00:53:41,552 --> 00:53:43,220 Kelly: Marisa versus Ryan 1354 00:53:43,220 --> 00:53:46,223 was the worst battle I've ever had to choose between 1355 00:53:46,223 --> 00:53:50,018 because they are both incredible singers. 1356 00:53:50,018 --> 00:53:53,021 I couldn't deny how Marisa just nailed it. 1357 00:53:53,021 --> 00:53:55,566 She was like... knock it out the park. 1358 00:53:55,566 --> 00:53:58,736 Oh! [ Laughs ] 1359 00:53:58,736 --> 00:54:00,738 That was so hard! 1360 00:54:00,738 --> 00:54:02,573 Marisa: I'm so excited. 1361 00:54:02,573 --> 00:54:03,907 Thank you! 1362 00:54:03,907 --> 00:54:05,242 Daly: Coaches, let me remind you 1363 00:54:05,242 --> 00:54:06,910 Ryan's available to steal her save. 1364 00:54:06,910 --> 00:54:08,871 Give it up one more time for Ryan Gallagher, 1365 00:54:08,871 --> 00:54:10,038 ladies and gentlemen. Good job, Ryan. 1366 00:54:10,038 --> 00:54:11,248 Good job. Great job, Ryan. 1367 00:54:11,248 --> 00:54:12,916 In fact, so great... 1368 00:54:12,916 --> 00:54:14,209 whoo, whoo, whoo, whoo, whoo. Whoa! 1369 00:54:14,209 --> 00:54:15,669 Oh, my God! 1370 00:54:15,669 --> 00:54:17,004 He's saved! He's saved. He's saved. 1371 00:54:17,004 --> 00:54:18,922 Whoo! Whoo! Whoo! 1372 00:54:18,922 --> 00:54:20,924 I want to give you a hug. Kelly: Oh, my gosh. 1373 00:54:20,924 --> 00:54:22,676 I was like, "I'm gonna save you. 1374 00:54:22,676 --> 00:54:24,094 I promise. Oh, my God. 1375 00:54:24,094 --> 00:54:26,680 Kelly goes all‐in on her one save... 1376 00:54:26,680 --> 00:54:28,599 Oh, my goodness. ...for Ryan Gallagher. 1377 00:54:28,599 --> 00:54:30,267 who's back in this competition. 1378 00:54:30,267 --> 00:54:32,269 Let me get a hug. 1379 00:54:32,269 --> 00:54:34,104 Kelly: Ryan ‐‐ I just don't want him to go home. 1380 00:54:34,104 --> 00:54:35,731 I think he's so gifted. 1381 00:54:35,731 --> 00:54:39,193 And, gah, his voice is so moving. 1382 00:54:39,193 --> 00:54:42,279 You sound so different than anybody else here. 1383 00:54:42,279 --> 00:54:43,906 And that's the whole point of the show 1384 00:54:43,906 --> 00:54:45,282 is that it's a voice that moves us. 1385 00:54:45,282 --> 00:54:47,784 Thank you for saving me. Yeah! 1386 00:54:47,784 --> 00:54:49,953 Daly: Kelly saves Ryan. Congratulations. 1387 00:54:49,953 --> 00:54:51,663 We'll see you in the Knockouts. 1388 00:54:51,663 --> 00:54:52,998 Give it up for Ryan Gallagher. 1389 00:54:52,998 --> 00:54:54,333 Ryan G.: Happy to still be on Kelly's team. 1390 00:54:54,333 --> 00:54:56,251 But going into the four‐way knockout, 1391 00:54:56,251 --> 00:54:58,795 I'm nervous. There's a lot of really good talent here. 1392 00:54:58,795 --> 00:55:00,255 But I'm gonna bring it. 1393 00:55:00,255 --> 00:55:01,798 He's really good. He lives to fight another day. 1394 00:55:01,798 --> 00:55:03,800 He is just, like, stoic... Yeah. 1395 00:55:03,800 --> 00:55:05,886 ...and, like, James Bond. He got really excited at the end. 1396 00:55:05,886 --> 00:55:07,638 Winning a four‐way knockout's gonna be hard. 1397 00:55:07,638 --> 00:55:09,097 You know that four‐way knockout, 1398 00:55:09,097 --> 00:55:10,140 he's gonna have to pick something that really is 1399 00:55:10,140 --> 00:55:11,975 almost, like, finale worthy. 1400 00:55:11,975 --> 00:55:15,771 Daly: With no saves left, Kelly, Blake, and Gwen 1401 00:55:15,771 --> 00:55:18,148 made more tough decisions. 1402 00:55:18,148 --> 00:55:21,318 ♪ I wonder when I love me is enough ♪ 1403 00:55:21,318 --> 00:55:24,321 ♪ Yeah, yeah ♪ 1404 00:55:24,321 --> 00:55:27,658 ♪ Oh, oh‐oh, oh‐oh ♪ 1405 00:55:27,658 --> 00:55:31,078 I'm just torn now because you both did so well 1406 00:55:31,078 --> 00:55:33,372 at really doing exactly what I asked. 1407 00:55:33,372 --> 00:55:36,875 But, Kelsie, you are a firecracker like I am. 1408 00:55:36,875 --> 00:55:40,254 So the winner of this battle is Kelsie. 1409 00:55:40,254 --> 00:55:43,173 Daly: Congratulations, Kelsie Watts. 1410 00:55:43,173 --> 00:55:44,967 You are moving on to the Knockouts. 1411 00:55:44,967 --> 00:55:46,802 Kelsie is exciting because we don't really have anybody 1412 00:55:46,802 --> 00:55:49,805 in that, like, total pop lane that can just nail a vocal. 1413 00:55:49,805 --> 00:55:52,182 So polished, like the whole package. 1414 00:55:52,182 --> 00:55:54,351 ♪ Just as free ♪ 1415 00:55:54,351 --> 00:55:57,354 ♪♪♪ 1416 00:55:57,354 --> 00:56:01,358 Both: ♪ Free as we'll ever be ♪ 1417 00:56:01,358 --> 00:56:04,319 Thank both of you guys for putting in the work. 1418 00:56:04,319 --> 00:56:05,362 You're like a rock. 1419 00:56:05,362 --> 00:56:07,698 The winner of this battle is Ben. 1420 00:56:07,698 --> 00:56:10,033 Daly: Ben Allen, you're moving on to the knockouts 1421 00:56:10,033 --> 00:56:12,035 from Team Blake. 1422 00:56:12,035 --> 00:56:14,329 I chose Ben because America's gonna fall in love 1423 00:56:14,329 --> 00:56:15,414 with the sound of his voice. 1424 00:56:15,414 --> 00:56:18,250 It is truly twangy country, 1425 00:56:18,250 --> 00:56:20,043 and we don't have enough of that these days. 1426 00:56:20,043 --> 00:56:21,712 [ Cheers and applause ] 1427 00:56:21,712 --> 00:56:24,339 This is going to be a hard one for me, guys. 1428 00:56:24,339 --> 00:56:27,384 Both: ♪ So what am I defending now ♪ 1429 00:56:27,384 --> 00:56:29,219 ♪ You were my town ♪ 1430 00:56:29,219 --> 00:56:33,724 ♪ Now I'm in exile seein' you out ♪ 1431 00:56:33,724 --> 00:56:37,728 ♪ And I think I've seen this film before ♪ 1432 00:56:37,728 --> 00:56:39,354 You brought it with those harmonies, 1433 00:56:39,354 --> 00:56:41,732 and you learned it and you lived it. 1434 00:56:41,732 --> 00:56:43,900 I loved the performance. I really did. 1435 00:56:43,900 --> 00:56:47,738 I want to go with the person that I can help keep improving. 1436 00:56:47,738 --> 00:56:50,073 The winner of this battle is Van. 1437 00:56:50,073 --> 00:56:51,366 [ Cheers and applause ] 1438 00:56:51,366 --> 00:56:53,160 Daly: Van Andrew, congratulations. 1439 00:56:53,160 --> 00:56:54,995 Gwen: I'm just really in love with Van. 1440 00:56:54,995 --> 00:56:57,456 I mean, the guy has so much potential in his voice, 1441 00:56:57,456 --> 00:57:00,208 and it's rare to find a singer like Van these days 1442 00:57:00,208 --> 00:57:01,376 that can do all of that. 1443 00:57:01,376 --> 00:57:02,919 There's really no lane. 1444 00:57:02,919 --> 00:57:05,005 Like, he could sing any kind of music. 1445 00:57:05,005 --> 00:57:08,842 ♪♪♪ 1446 00:57:14,473 --> 00:57:16,016 ♪ This is "The Voice" ♪ 1447 00:57:16,016 --> 00:57:18,560 Daly: Welcome back to the final night of the Battles. 1448 00:57:18,560 --> 00:57:19,561 How do you feel about your team, John? 1449 00:57:19,561 --> 00:57:20,771 I feel really good. 1450 00:57:20,771 --> 00:57:22,272 But you really learn about them 1451 00:57:22,272 --> 00:57:23,440 as you rehearse with them, 1452 00:57:23,440 --> 00:57:25,442 how they respond to all this pressure. 1453 00:57:25,442 --> 00:57:27,277 Kelly, how do you think your team is going to do in the Knockouts? 1454 00:57:27,277 --> 00:57:29,571 I always aim for an eclectic team. 1455 00:57:29,571 --> 00:57:30,906 But this year, really ‐‐ 1456 00:57:30,906 --> 00:57:32,741 Like, there's opera singers, country singers, 1457 00:57:32,741 --> 00:57:34,451 like, really all over the board. 1458 00:57:34,451 --> 00:57:36,536 And Knockouts are going to be really hard to choose. 1459 00:57:36,536 --> 00:57:37,913 Gwen, it always seems like it's hard for you 1460 00:57:37,913 --> 00:57:39,456 to say goodbye to members of your team 1461 00:57:39,456 --> 00:57:40,832 because you become so close to them. 1462 00:57:40,832 --> 00:57:42,542 Gwen: It's really hard. 1463 00:57:42,542 --> 00:57:44,586 You have to make this decision based on the moment, 1464 00:57:44,586 --> 00:57:45,921 and there's a lot of emotions. 1465 00:57:45,921 --> 00:57:47,631 So you just feel responsible for people, 1466 00:57:47,631 --> 00:57:49,424 and you care, you know. 1467 00:57:49,424 --> 00:57:51,468 Blake, you always seem like you hold on to your steal 1468 00:57:51,468 --> 00:57:52,886 to the last minute. 1469 00:57:52,886 --> 00:57:55,889 You know, I think premature button pushing 1470 00:57:55,889 --> 00:57:58,433 is a problem with these other three coaches. 1471 00:57:58,433 --> 00:58:00,811 And I don't know why in the world 1472 00:58:00,811 --> 00:58:02,270 you would use your steal button 1473 00:58:02,270 --> 00:58:04,272 within the first couple of battles. 1474 00:58:04,272 --> 00:58:05,774 You know, wait it out. You really got to just ‐‐ 1475 00:58:05,774 --> 00:58:07,651 you really got to settle down. 1476 00:58:07,651 --> 00:58:08,944 Good luck everybody. Thank you. 1477 00:58:08,944 --> 00:58:10,779 ♪♪♪ 1478 00:58:10,779 --> 00:58:13,824 Well, the next two are Liam and Ryan. 1479 00:58:13,824 --> 00:58:15,325 Okay. 1480 00:58:15,325 --> 00:58:16,785 They're both really talented. 1481 00:58:16,785 --> 00:58:18,495 Okay. Awesome. 1482 00:58:18,495 --> 00:58:19,788 ‐Whoo! Hi! ‐Oh, my goodness. 1483 00:58:19,788 --> 00:58:21,832 Look who's here. 1484 00:58:21,832 --> 00:58:23,875 Julia Michaels. What is up, y'all? 1485 00:58:23,875 --> 00:58:26,336 Julia Michaels has worked with Justin Bieber, 1486 00:58:26,336 --> 00:58:30,340 Gwen Stefani, Ed Sheeran, now me. 1487 00:58:30,340 --> 00:58:32,342 I'm so excited. Man, this is so cool. 1488 00:58:32,342 --> 00:58:34,344 It's great to meet you. You have so many hits. 1489 00:58:34,344 --> 00:58:35,679 Liam: What more could an artist want 1490 00:58:35,679 --> 00:58:37,806 than to be coached by this legend. 1491 00:58:37,806 --> 00:58:39,099 Are you guys having fun? 1492 00:58:39,099 --> 00:58:40,642 We're happy to be singing together. 1493 00:58:40,642 --> 00:58:41,977 Yeah, we both ‐‐ 1494 00:58:41,977 --> 00:58:44,980 like our our life breath is live performance. 1495 00:58:44,980 --> 00:58:49,693 And so we're really happy to be doing that together. 1496 00:58:49,693 --> 00:58:51,528 Liam: Life at home, 1497 00:58:51,528 --> 00:58:54,865 I'm a social media and content marketing strategist. 1498 00:58:54,865 --> 00:58:57,993 I work with a very broad range of clients 1499 00:58:57,993 --> 00:59:00,537 from a chimpanzee‐rescue sanctuary 1500 00:59:00,537 --> 00:59:02,748 to, like, a plumbing company. 1501 00:59:02,748 --> 00:59:05,834 So it really pushes me to be creative. 1502 00:59:05,834 --> 00:59:09,671 But I have always felt this sense of urgency 1503 00:59:09,671 --> 00:59:12,674 to give music a chance. 1504 00:59:12,674 --> 00:59:14,843 ♪ Oh, ow ♪ 1505 00:59:14,843 --> 00:59:17,804 The blind audition was a larger‐than‐life moment. 1506 00:59:17,804 --> 00:59:20,015 ♪ Candy, yeah ♪ 1507 00:59:20,015 --> 00:59:21,850 You sounded so incredible. 1508 00:59:21,850 --> 00:59:23,518 your voice is so rich. 1509 00:59:23,518 --> 00:59:24,895 Gwen. Ah! 1510 00:59:24,895 --> 00:59:26,730 This is just giving me so much fire, 1511 00:59:26,730 --> 00:59:30,025 and I'm ready to keep pushing this career as far as we can go. 1512 00:59:30,025 --> 00:59:32,652 So, what's the song doing for you guys? 1513 00:59:32,652 --> 00:59:33,820 "I Need a Dollar." 1514 00:59:33,820 --> 00:59:35,572 Yeah. Well, it's true. 1515 00:59:35,572 --> 00:59:37,407 [ Laughs ] Yeah, for sure. For both of us. 1516 00:59:37,407 --> 00:59:38,992 Amazing. For sure. 1517 00:59:38,992 --> 00:59:40,535 Starving songwriters. 1518 00:59:40,535 --> 00:59:41,995 For the battle round, we will be singing. 1519 00:59:41,995 --> 00:59:44,623 "I Need a Dollar" by Aloe Blacc. 1520 00:59:44,623 --> 00:59:46,958 ♪ Well, I need a dollar, dollar ♪ 1521 00:59:46,958 --> 00:59:48,752 ♪ Dollar, that's what I need ♪ 1522 00:59:48,752 --> 00:59:50,420 The song is extremely relatable 1523 00:59:50,420 --> 00:59:51,671 being a gigging musician, 1524 00:59:51,671 --> 00:59:53,340 just because there are some months 1525 00:59:53,340 --> 00:59:55,675 when I don't know how I'm going to pay rent that month. 1526 00:59:55,675 --> 00:59:56,843 Before "The Voice," 1527 00:59:56,843 --> 00:59:58,929 I was a full‐time gigging musician 1528 00:59:58,929 --> 01:00:00,597 in Dallas, Texas. 1529 01:00:00,597 --> 01:00:02,891 So I played four to five times a week 1530 01:00:02,891 --> 01:00:04,392 with and without my band 1531 01:00:04,392 --> 01:00:05,769 depending on what the gig was 1532 01:00:05,769 --> 01:00:06,770 and how lucrative it would be 1533 01:00:06,770 --> 01:00:08,396 if I could support a band. 1534 01:00:08,396 --> 01:00:10,941 On a typical night, we usually have 50 people 1535 01:00:10,941 --> 01:00:12,776 in a brewery that are not there to see us. 1536 01:00:12,776 --> 01:00:14,444 They there to drink beer. 1537 01:00:14,444 --> 01:00:15,904 It's been a long journey, 1538 01:00:15,904 --> 01:00:17,447 so an opportunity like "The Voice" 1539 01:00:17,447 --> 01:00:19,616 is absolutely monumental to me. 1540 01:00:19,616 --> 01:00:22,077 ♪ We keep on waiting ♪ 1541 01:00:22,077 --> 01:00:27,666 ♪ Waiting on the world to change ♪ 1542 01:00:27,666 --> 01:00:30,919 Ryan B.: After the Block on John from Gwen, 1543 01:00:30,919 --> 01:00:32,462 that completely threw me over the edge 1544 01:00:32,462 --> 01:00:33,964 in terms of my happiness. 1545 01:00:33,964 --> 01:00:35,465 I'm glad I didn't fall over. 1546 01:00:35,465 --> 01:00:37,592 Honestly, it sounded just so classic. 1547 01:00:37,592 --> 01:00:38,635 Gwen, we're doing this thing. 1548 01:00:38,635 --> 01:00:39,970 Gwen blocking John, 1549 01:00:39,970 --> 01:00:41,429 it actually validates 1550 01:00:41,429 --> 01:00:43,473 that I'm good at what I'm doing, 1551 01:00:43,473 --> 01:00:44,724 and that's something that I struggle with 1552 01:00:44,724 --> 01:00:45,892 is self‐confidence. 1553 01:00:45,892 --> 01:00:47,978 It was an amazing moment for me. 1554 01:00:47,978 --> 01:00:49,771 ♪ Bad times are comin' ♪ 1555 01:00:49,771 --> 01:00:51,731 ♪ And I done reap what I done sow ♪ 1556 01:00:51,731 --> 01:00:55,110 Gwen: Liam, he gives it a 110 every time he sings. 1557 01:00:55,110 --> 01:00:57,112 He has a lot of charisma. 1558 01:00:57,112 --> 01:00:58,947 ♪ Yeah ♪ 1559 01:00:58,947 --> 01:01:00,782 ♪ I need a dollar, dollar ♪ 1560 01:01:00,782 --> 01:01:02,784 ♪ A dollar, that's what I need ♪ 1561 01:01:02,784 --> 01:01:05,453 Gwen: Ryan has a really beautiful tone. 1562 01:01:05,453 --> 01:01:08,540 And on an album, it's going to be really pretty. 1563 01:01:08,540 --> 01:01:10,709 His problem on this show is going to be 1564 01:01:10,709 --> 01:01:12,168 he starts to sound a little bit linear. 1565 01:01:12,168 --> 01:01:13,920 ♪♪♪ 1566 01:01:13,920 --> 01:01:15,088 Nice. Wow. 1567 01:01:15,088 --> 01:01:16,464 Uh‐huh. 1568 01:01:16,464 --> 01:01:18,091 This is not an easy song to do, 1569 01:01:18,091 --> 01:01:19,926 because it's repetitive. 1570 01:01:19,926 --> 01:01:21,595 Even though you're singing the same thing, 1571 01:01:21,595 --> 01:01:24,139 emotionally, you want to take it on a journey. 1572 01:01:24,139 --> 01:01:25,765 If I sing "Don't Speak," 1573 01:01:25,765 --> 01:01:27,142 I'm going to sing the first chorus. 1574 01:01:27,142 --> 01:01:28,768 ♪ Da, da, da‐da‐da ♪ 1575 01:01:28,768 --> 01:01:30,145 ♪ Don't tell me ♪ 1576 01:01:30,145 --> 01:01:32,147 And at the end, I'm gonna be, you know, crying. 1577 01:01:32,147 --> 01:01:35,150 Liam, instead of coming, like, full‐blown the whole time, 1578 01:01:35,150 --> 01:01:37,986 in the beginning, think about, "how can I hold back?" 1579 01:01:37,986 --> 01:01:39,863 You could be more down here in the 1580 01:01:39,863 --> 01:01:41,531 ♪ I need a dollar ♪ Yeah. 1581 01:01:41,531 --> 01:01:42,991 Like, are you going to help me? Yeah. 1582 01:01:42,991 --> 01:01:46,036 So then you save some of that power for later. 1583 01:01:46,036 --> 01:01:47,829 You have one really great run, 1584 01:01:47,829 --> 01:01:49,915 and I would love to find that moment for you. Okay. 1585 01:01:49,915 --> 01:01:51,750 Maybe go into your head voice. 1586 01:01:51,750 --> 01:01:53,001 When guys are able to use 1587 01:01:53,001 --> 01:01:55,128 that part of their voice on this show, 1588 01:01:55,128 --> 01:01:56,546 people are like, "what?" 1589 01:01:56,546 --> 01:01:58,006 You know? 1590 01:01:58,006 --> 01:02:00,175 Julia: What will help, too, is the performance. 1591 01:02:00,175 --> 01:02:03,136 Don't be afraid to, like, dance a little bit. 1592 01:02:03,136 --> 01:02:04,638 Liam is so much more of a groover than I am. 1593 01:02:04,638 --> 01:02:05,847 I'm getting used to it. 1594 01:02:05,847 --> 01:02:07,891 Just like a little bop goes a long way. 1595 01:02:07,891 --> 01:02:09,809 I can move a little bit, I guess. 1596 01:02:09,809 --> 01:02:12,562 Gwen and Julia are trying to encourage me 1597 01:02:12,562 --> 01:02:14,731 to sing more freely. 1598 01:02:14,731 --> 01:02:16,191 I think it's going to be a journey 1599 01:02:16,191 --> 01:02:18,068 in terms of me trying to be more open 1600 01:02:18,068 --> 01:02:20,153 with the way that I represent myself on the stage 1601 01:02:20,153 --> 01:02:21,821 and that stage presence. 1602 01:02:21,821 --> 01:02:23,990 Just looking at the way this is structured, 1603 01:02:23,990 --> 01:02:26,743 I'm wondering if we could break this up differently 1604 01:02:26,743 --> 01:02:30,705 so that you each get a real chunk of a moment, 1605 01:02:30,705 --> 01:02:32,248 because you both have really sexy tones. 1606 01:02:32,248 --> 01:02:34,084 It would be nice to really hear that. 1607 01:02:34,084 --> 01:02:36,753 ♪ I need a dollar, dollar ♪ 1608 01:02:36,753 --> 01:02:38,713 ♪ A dollar, that's what I need ♪ 1609 01:02:38,713 --> 01:02:40,840 Julia: I know that if I was in that position, 1610 01:02:40,840 --> 01:02:42,092 you want to be in the moment. 1611 01:02:42,092 --> 01:02:43,343 You want to have a moment. 1612 01:02:43,343 --> 01:02:45,095 ♪ Share your dollar with me ♪ 1613 01:02:45,095 --> 01:02:47,097 All those little tricks that you can pull out, 1614 01:02:47,097 --> 01:02:50,100 and personality is going to win. Julia: Agreed. 1615 01:02:50,100 --> 01:02:52,894 ♪ Well, let me tell you something ♪ 1616 01:02:52,894 --> 01:02:54,938 Liam: Ryan and I have been working really hard on this song. 1617 01:02:54,938 --> 01:02:56,940 The energy between me and Ryan has been awesome. 1618 01:02:56,940 --> 01:02:59,609 We're really connecting with the song 1619 01:02:59,609 --> 01:03:01,277 And so the dynamics are coming through, 1620 01:03:01,277 --> 01:03:02,696 and we're really excited. 1621 01:03:02,696 --> 01:03:04,114 Gwen: How are you guys? 1622 01:03:04,114 --> 01:03:05,240 Good. Great. 1623 01:03:05,240 --> 01:03:07,075 I know that we wanted 1624 01:03:07,075 --> 01:03:08,952 to try to figure out, like, how you guys can both 1625 01:03:08,952 --> 01:03:10,245 have, like, emotional moments 1626 01:03:10,245 --> 01:03:11,913 that highlight your vocals. 1627 01:03:11,913 --> 01:03:13,832 Staging really helped us tell the story, 1628 01:03:13,832 --> 01:03:15,750 which helped me a lot 1629 01:03:15,750 --> 01:03:17,961 finding the places where I can be more intimate 1630 01:03:17,961 --> 01:03:19,587 so we could build the dynamics. 1631 01:03:19,587 --> 01:03:20,964 That's awesome. 1632 01:03:20,964 --> 01:03:22,757 It's really, really fun to vibe with Liam. 1633 01:03:22,757 --> 01:03:25,593 So this ‐‐ this, uh, partnership has been extremely special. 1634 01:03:25,593 --> 01:03:27,721 Yeah. It's a bromance for sure. 1635 01:03:27,721 --> 01:03:30,557 It's gonna be good. It's gonna be really, really good. 1636 01:03:30,557 --> 01:03:32,767 And we're going to give you a show for sure. Yeah, we are. 1637 01:03:32,767 --> 01:03:34,728 I can't wait. 1638 01:03:34,728 --> 01:03:37,814 ♪♪♪ 1639 01:03:43,528 --> 01:03:44,821 ♪ This is "The Voice" ♪ 1640 01:03:44,821 --> 01:03:46,489 Daly: Welcome back to the battle rounds 1641 01:03:46,489 --> 01:03:49,367 The battle starts now. 1642 01:03:49,826 --> 01:03:55,665 ♪♪♪ 1643 01:03:55,665 --> 01:03:57,876 ♪ I need a dollar, dollar ♪ 1644 01:03:57,876 --> 01:03:59,753 ♪ A dollar that's what I need ♪ 1645 01:03:59,753 --> 01:04:00,837 ♪ Hey, hey ♪ 1646 01:04:00,837 --> 01:04:02,964 ♪ Well I need a dollar, dollar ♪ 1647 01:04:02,964 --> 01:04:04,841 ♪ A dollar that's what I need ♪° 1648 01:04:04,841 --> 01:04:06,509 ♪ Yeah, yeah ♪ 1649 01:04:06,509 --> 01:04:08,511 ♪ I need a dollar, dollar ♪ 1650 01:04:08,511 --> 01:04:10,430 Wow. ♪ A dollar that's what I need ♪ 1651 01:04:10,430 --> 01:04:13,308 ♪ If I share with you my story ♪ 1652 01:04:13,308 --> 01:04:15,977 ♪ Would you share your dollar with me? ♪ 1653 01:04:17,020 --> 01:04:18,813 ♪ Bad times are comin' ♪ 1654 01:04:18,813 --> 01:04:21,274 ♪ And I done reap what I done sow ♪ 1655 01:04:21,274 --> 01:04:22,525 ♪ Hey, hey ♪ 1656 01:04:22,525 --> 01:04:24,652 ♪ Well let me tell you somethin' ♪ 1657 01:04:24,652 --> 01:04:27,530 ♪ All that glitters ain't gold ♪ 1658 01:04:27,530 --> 01:04:29,824 ♪ It's been a long old trouble ♪ 1659 01:04:29,824 --> 01:04:31,868 ♪ A long old troublesome road ♪ 1660 01:04:31,868 --> 01:04:34,788 ♪ And I'm looking for somebody ♪ 1661 01:04:34,788 --> 01:04:37,916 ♪ Come and help me carry this load ♪ 1662 01:04:37,916 --> 01:04:40,543 ♪ I need a dollar, dollar ♪ 1663 01:04:40,543 --> 01:04:42,462 ♪ A dollar that's what I need ♪ 1664 01:04:42,462 --> 01:04:43,797 ♪ Hey, hey ♪ 1665 01:04:43,797 --> 01:04:46,049 ♪ I need a dollar, dollar ♪ 1666 01:04:46,049 --> 01:04:47,717 ♪ A dollar that's what I need ♪ 1667 01:04:47,717 --> 01:04:48,885 ♪ Yeah ♪ 1668 01:04:48,885 --> 01:04:51,054 ♪ And I need a dollar, dollar ♪ 1669 01:04:51,054 --> 01:04:52,889 ♪ A dollar that's what I need ♪ 1670 01:04:52,889 --> 01:04:55,892 ♪ if I share with you my story ♪ 1671 01:04:55,892 --> 01:04:58,686 ♪ Would you share your dollar with me? ♪ 1672 01:04:58,686 --> 01:05:00,647 ♪♪♪ 1673 01:05:00,647 --> 01:05:04,526 ♪ Well, I don't know if I'm walking on solid ground ♪ 1674 01:05:04,526 --> 01:05:05,860 Okay. 1675 01:05:05,860 --> 01:05:07,862 ♪ 'Cause everything around me is ♪ 1676 01:05:07,862 --> 01:05:10,573 ♪ Crumbling down ♪ 1677 01:05:10,573 --> 01:05:15,411 ♪ All I want is for someone to help me ♪ 1678 01:05:15,411 --> 01:05:17,372 ♪ Ahhh ♪ 1679 01:05:17,372 --> 01:05:18,540 [ Cheers and applause ] 1680 01:05:18,540 --> 01:05:19,916 ♪ What in the world ♪ 1681 01:05:19,916 --> 01:05:23,670 ♪ Am I gonna do tomorrow? ♪ 1682 01:05:23,670 --> 01:05:26,589 ♪ Is there someone whose good dollar ♪ 1683 01:05:26,589 --> 01:05:29,509 ♪ I could borrow? ♪ 1684 01:05:29,509 --> 01:05:33,763 ♪ Who can help me take away my sorrow? ♪ 1685 01:05:33,763 --> 01:05:36,432 Both: ♪ Maybe it's inside the bottle ♪ 1686 01:05:36,432 --> 01:05:38,518 ♪ Yeah ♪ 1687 01:05:38,518 --> 01:05:41,688 ♪ That's what I need ♪ 1688 01:05:41,688 --> 01:05:43,857 ♪ Yeah ♪ 1689 01:05:43,857 --> 01:05:47,360 ♪ That's what I need ♪ 1690 01:05:47,360 --> 01:05:48,611 ♪ Yeah ♪ 1691 01:05:48,611 --> 01:05:50,530 Come on! 1692 01:05:50,530 --> 01:05:52,615 ♪ I need a dollar, dollar ♪ 1693 01:05:52,615 --> 01:05:54,951 ♪ Dollar that's what I need ♪ 1694 01:05:54,951 --> 01:05:59,164 ♪ Will somebody please, please, please ♪ 1695 01:05:59,164 --> 01:06:00,582 ♪ Share your dollar ♪ 1696 01:06:00,582 --> 01:06:02,584 ♪ Share your dollar with me ♪ 1697 01:06:02,584 --> 01:06:05,128 ♪ Come on, share your dollar with me ♪ 1698 01:06:05,128 --> 01:06:08,590 ♪ Come on, share your dollar, give me your dollar ♪ 1699 01:06:08,590 --> 01:06:10,800 ♪ Share your dollar with me ♪ 1700 01:06:10,800 --> 01:06:12,719 ♪ Yeah, hey ♪ 1701 01:06:12,719 --> 01:06:13,970 Whoo! 1702 01:06:13,970 --> 01:06:16,097 Wow. 1703 01:06:18,725 --> 01:06:20,977 Yes, yes, yes. Yes, yes, yes. 1704 01:06:20,977 --> 01:06:23,563 Oh, my gosh. 1705 01:06:23,563 --> 01:06:25,148 Kelly: I mean, y'all have to feel awesome. 1706 01:06:25,148 --> 01:06:26,733 That was a physical thing, too. 1707 01:06:26,733 --> 01:06:28,484 And you were fighting this mic pack. 1708 01:06:28,484 --> 01:06:30,612 [ Laughter ] That happens to me all the time. 1709 01:06:30,612 --> 01:06:32,739 It was awesome, though. You were like Beyoncé. 1710 01:06:32,739 --> 01:06:34,949 Nothing stopped you. You just kept going. 1711 01:06:34,949 --> 01:06:36,451 It was amazing. 1712 01:06:36,451 --> 01:06:38,745 Liam, you are so intense. 1713 01:06:38,745 --> 01:06:40,705 [ Laughter ] It was really good. 1714 01:06:40,705 --> 01:06:42,957 Your range is really great. 1715 01:06:42,957 --> 01:06:44,876 And it's not even that you go into a falsetto, 1716 01:06:44,876 --> 01:06:46,753 you literally ‐‐ it's still chest up there, 1717 01:06:46,753 --> 01:06:48,838 and it was really, really nice. 1718 01:06:48,838 --> 01:06:51,841 Ryan, you are my cup of tea as a vocalist. 1719 01:06:51,841 --> 01:06:54,010 Thank you. I want to hear you sing Ray LaMontagne. 1720 01:06:54,010 --> 01:06:56,012 I want a glass of wine while listening. 1721 01:06:56,012 --> 01:06:57,597 I mean, I just love your vibe. 1722 01:06:57,597 --> 01:06:58,973 I think you both did a great job. 1723 01:06:58,973 --> 01:07:02,185 But style‐wise, I really genuinely love your voice. 1724 01:07:02,185 --> 01:07:03,645 Thank you. 1725 01:07:03,645 --> 01:07:05,188 [ Cheers and applause ] 1726 01:07:05,188 --> 01:07:06,856 Blake: First of all, 1727 01:07:06,856 --> 01:07:09,192 you're both very aggressive vocally, you know. 1728 01:07:09,192 --> 01:07:10,818 I'm in shock right now. 1729 01:07:10,818 --> 01:07:12,779 And you're both sneaking up on something. 1730 01:07:12,779 --> 01:07:14,656 Crouching. Squatting down here, crouching down. 1731 01:07:14,656 --> 01:07:16,199 Crouching tiger. 1732 01:07:16,199 --> 01:07:18,826 But yeah, trying to catch a rabbit or something. 1733 01:07:18,826 --> 01:07:20,203 [ Laughter ] 1734 01:07:20,203 --> 01:07:22,747 One thing tips this in Ryan's favor for me, 1735 01:07:22,747 --> 01:07:25,083 and that is that mic pack. 1736 01:07:25,083 --> 01:07:28,044 To be able to not even acknowledge it... 1737 01:07:28,044 --> 01:07:29,629 Cool as a cucumber. ...he didn't care. 1738 01:07:29,629 --> 01:07:30,880 He was singing the song. 1739 01:07:30,880 --> 01:07:32,882 He was focused on what he had to do. 1740 01:07:32,882 --> 01:07:35,551 And that was incredible. Thank you. 1741 01:07:35,551 --> 01:07:36,803 [ Applause ] 1742 01:07:36,803 --> 01:07:38,471 John: Liam, your range 1743 01:07:38,471 --> 01:07:40,014 is probably the most impressive thing 1744 01:07:40,014 --> 01:07:43,559 about your performance and your gift as a vocalist 1745 01:07:43,559 --> 01:07:47,230 Ryan, I particularly enjoy your tone of voice. 1746 01:07:47,230 --> 01:07:49,065 It's a little bit more of my style. 1747 01:07:49,065 --> 01:07:52,068 I think style and tone‐wise, I would side with you. 1748 01:07:52,068 --> 01:07:55,071 But range‐wise and power, I would side with Liam. 1749 01:07:55,071 --> 01:07:57,824 So that's what she'll have to decide. 1750 01:07:57,824 --> 01:07:59,242 Thank you. Daly: Thank you coaches. 1751 01:07:59,242 --> 01:08:00,994 Gwen, you have the final decision. 1752 01:08:00,994 --> 01:08:02,245 Before we find out the winner, 1753 01:08:02,245 --> 01:08:04,038 give us your thoughts on the battle. 1754 01:08:04,038 --> 01:08:05,707 Okay, well, Carson, 1755 01:08:05,707 --> 01:08:08,835 this one was my biggest surprise battle, 1756 01:08:08,835 --> 01:08:11,671 because when you have a song that's quite linear, 1757 01:08:11,671 --> 01:08:13,089 you have to, like, somehow figure out a way 1758 01:08:13,089 --> 01:08:15,842 to make it interesting the whole way through. 1759 01:08:15,842 --> 01:08:18,052 You guys really worked so hard. 1760 01:08:18,052 --> 01:08:21,848 It was very energetic in a way I never expected it to be. 1761 01:08:21,848 --> 01:08:24,267 Liam, one thing I love about you 1762 01:08:24,267 --> 01:08:26,269 is just your spirit and your energy, 1763 01:08:26,269 --> 01:08:28,896 and it would be fun to see what else you can do with that. 1764 01:08:28,896 --> 01:08:31,107 Ryan, today was a shock for me. 1765 01:08:31,107 --> 01:08:33,109 I didn't know you had the showmanship 1766 01:08:33,109 --> 01:08:34,694 that you showed me today 1767 01:08:34,694 --> 01:08:36,612 Like, it was so good. 1768 01:08:36,612 --> 01:08:38,114 Like, it was so tasteful. 1769 01:08:38,114 --> 01:08:41,117 In rehearsals, I didn't see that in you at all. 1770 01:08:41,117 --> 01:08:42,952 That was really, really good. 1771 01:08:42,952 --> 01:08:44,287 Gwen, the time has come. 1772 01:08:44,287 --> 01:08:45,955 Who's the winner of this battle? 1773 01:08:45,955 --> 01:08:47,999 So I'm just so grateful 1774 01:08:47,999 --> 01:08:49,667 I got to work with both you guys. 1775 01:08:49,667 --> 01:08:52,128 You're both cool. So cool. 1776 01:08:52,128 --> 01:08:58,134 But the winner, Carson, of this battle is... 1777 01:08:58,134 --> 01:08:59,886 Ryan. 1778 01:08:59,886 --> 01:09:01,304 There you have it. 1779 01:09:01,304 --> 01:09:04,640 Ryan Berg is moving on to the Knockouts on Team Gwen. 1780 01:09:04,640 --> 01:09:06,142 Congratulations, Ryan. 1781 01:09:06,142 --> 01:09:07,643 Ryan B.: It's bittersweet 1782 01:09:07,643 --> 01:09:09,062 just because I'm so close with Liam. 1783 01:09:09,062 --> 01:09:11,064 But, I mean, I'm so glad that I'm going on in this, 1784 01:09:11,064 --> 01:09:13,149 and I'm gonna continue this journey. 1785 01:09:13,149 --> 01:09:14,734 Liam, anything you want to say to Gwen. 1786 01:09:14,734 --> 01:09:18,654 Gwen, I ‐‐ I just admire you and your career so much. 1787 01:09:18,654 --> 01:09:20,156 I'm so grateful you turned for me, 1788 01:09:20,156 --> 01:09:21,908 and I'm so grateful for "The Voice" 1789 01:09:21,908 --> 01:09:23,326 for this opportunity. Thank you so much. 1790 01:09:23,326 --> 01:09:25,578 Give it up one more time for Liam St. John, 1791 01:09:25,578 --> 01:09:26,996 ladies and gentlemen. 1792 01:09:26,996 --> 01:09:28,998 [ Cheers and applause ] Thank you, Liam. 1793 01:09:28,998 --> 01:09:30,958 Ryan brought so much personality 1794 01:09:30,958 --> 01:09:33,169 and character and swag the stage. 1795 01:09:33,169 --> 01:09:36,005 When his mic pack came off, we've all had that moment. 1796 01:09:36,005 --> 01:09:37,840 We all know the show must go on, 1797 01:09:37,840 --> 01:09:40,009 and he just handled everything so well. 1798 01:09:40,009 --> 01:09:42,011 ♪ I need a dollar, dollar ♪ 1799 01:09:42,011 --> 01:09:44,180 I wonder how many dollars Aloe Blacc needs 1800 01:09:44,180 --> 01:09:45,598 by the end of that song. 1801 01:09:45,598 --> 01:09:46,682 [ Laughter ] 1802 01:09:46,682 --> 01:09:48,101 $200, maybe? 1803 01:09:48,101 --> 01:09:49,811 A lot of dollars. 1804 01:09:49,811 --> 01:09:51,187 Daly: Coming up... 1805 01:09:51,187 --> 01:09:53,022 John: I love you all's harmonies together. 1806 01:09:53,022 --> 01:09:56,693 You could hit the ♪ I ♪ 1807 01:09:56,693 --> 01:10:00,697 ♪ And I, I ♪ 1808 01:10:00,697 --> 01:10:02,782 ♪ Don't want to fall in love ♪ 1809 01:10:02,782 --> 01:10:04,033 Beautiful. 1810 01:10:04,033 --> 01:10:06,202 Daly: Whoa! We got a steal! 1811 01:10:06,202 --> 01:10:08,204 Whoo! 1812 01:10:08,204 --> 01:10:09,914 I would have turned for you five times. 1813 01:10:09,914 --> 01:10:11,749 Like, pshew, pshew. 1814 01:10:19,507 --> 01:10:20,717 ♪ This is "The Voice" ♪ 1815 01:10:20,717 --> 01:10:22,385 Daly: Welcome back. 1816 01:10:22,385 --> 01:10:26,848 ♪♪♪ 1817 01:10:26,848 --> 01:10:29,642 Now that you're in here, do you know who it is? I have no idea. 1818 01:10:29,642 --> 01:10:30,810 Can't wait to meet them. 1819 01:10:30,810 --> 01:10:33,563 Cami and James. Mm‐hmm. 1820 01:10:33,563 --> 01:10:34,814 James: I just hope he's into our version. 1821 01:10:34,814 --> 01:10:36,065 Hello. 1822 01:10:36,065 --> 01:10:37,567 Oh, hello. Hi. 1823 01:10:37,567 --> 01:10:39,402 Look, who's here? Miguel is here. 1824 01:10:39,402 --> 01:10:41,696 He's our guest mentor. Pleasure. How are you guys? 1825 01:10:41,696 --> 01:10:42,864 Pleasure to meet you. What's up, man? 1826 01:10:42,864 --> 01:10:44,490 How are you, man? Good. 1827 01:10:44,490 --> 01:10:45,825 My shock factor was already up here 1828 01:10:45,825 --> 01:10:47,744 when I walked into the studio. 1829 01:10:47,744 --> 01:10:49,412 And then when I saw Miguel, I was like, 1830 01:10:49,412 --> 01:10:50,413 "This is not happening." 1831 01:10:50,413 --> 01:10:51,789 The guy has won Grammys. 1832 01:10:51,789 --> 01:10:52,915 He has such a cool style. 1833 01:10:52,915 --> 01:10:54,292 I was so excited. 1834 01:10:54,292 --> 01:10:55,877 Cami was a four‐chair turn. 1835 01:10:55,877 --> 01:10:58,755 She has a really, like, beautiful ethereal voice... 1836 01:10:58,755 --> 01:10:59,922 Thank you. 1837 01:10:59,922 --> 01:11:01,758 ...and mesmerized all the coaches. 1838 01:11:01,758 --> 01:11:04,260 ♪ Come on, skinny love ♪ 1839 01:11:04,260 --> 01:11:06,846 ♪ Just last the year ♪ 1840 01:11:06,846 --> 01:11:08,765 ♪♪♪ 1841 01:11:08,765 --> 01:11:09,766 Oh, my God! 1842 01:11:09,766 --> 01:11:11,267 Whoo! 1843 01:11:11,267 --> 01:11:12,769 Cami: It was crazy to get a four‐chair turn. 1844 01:11:12,769 --> 01:11:14,437 and it was such an honor 1845 01:11:14,437 --> 01:11:16,272 that Kelly used her only block on me. 1846 01:11:16,272 --> 01:11:17,440 Okay. Wow. 1847 01:11:17,440 --> 01:11:18,900 Kelly: Blake loves your voice. 1848 01:11:18,900 --> 01:11:20,777 That's the one I'd have to fight most. 1849 01:11:20,777 --> 01:11:22,570 I maybe picked poorly. Oh, I'm going to fight you. 1850 01:11:22,570 --> 01:11:24,614 That performance was mesmerizing. 1851 01:11:24,614 --> 01:11:26,616 John. Yeah! 1852 01:11:26,616 --> 01:11:28,743 Cami: John, I just felt a connection with. 1853 01:11:28,743 --> 01:11:30,453 He has so much wisdom, 1854 01:11:30,453 --> 01:11:33,122 and I'm so excited to hear what he has to share with me. 1855 01:11:33,122 --> 01:11:34,916 And then James came in 1856 01:11:34,916 --> 01:11:36,793 and mesmerized all the coaches, too. 1857 01:11:36,793 --> 01:11:41,297 ♪ Watermelon sugar high ♪ James: Being here is my dream. 1858 01:11:41,297 --> 01:11:43,090 There's something about delivering a song 1859 01:11:43,090 --> 01:11:44,467 and having people accept it 1860 01:11:44,467 --> 01:11:46,761 that is just so rewarding. 1861 01:11:46,761 --> 01:11:48,638 You would have for sure had a four‐chair turn. 1862 01:11:48,638 --> 01:11:50,473 It was a masterful performance. 1863 01:11:50,473 --> 01:11:52,475 I had one slot left on my team. 1864 01:11:52,475 --> 01:11:54,644 I'm the only person here that could have turned for you. 1865 01:11:54,644 --> 01:11:57,438 ♪♪♪ 1866 01:11:57,438 --> 01:12:00,483 For both of you, a path was cleared for me, 1867 01:12:00,483 --> 01:12:01,776 and I feel very fortunate 1868 01:12:01,776 --> 01:12:03,778 that I get to work with both of you. 1869 01:12:03,778 --> 01:12:05,947 I'm very excited to see what you do with this 1870 01:12:05,947 --> 01:12:07,990 classic Chris Isaak song. 1871 01:12:07,990 --> 01:12:11,661 John: Cami and James, I gave them "Wicked Game" by Chris Isaak. 1872 01:12:11,661 --> 01:12:13,663 James: ♪ No one could save me ♪ 1873 01:12:13,663 --> 01:12:14,872 I thought it would be really cool, 1874 01:12:14,872 --> 01:12:17,875 because they both have beautiful tones. 1875 01:12:17,875 --> 01:12:19,961 They both have voices that would sound really good 1876 01:12:19,961 --> 01:12:21,754 on a haunting song. 1877 01:12:21,754 --> 01:12:24,465 ♪ Will make foolish people do ♪ 1878 01:12:24,465 --> 01:12:25,800 Cami's voice is gorgeous. 1879 01:12:25,800 --> 01:12:27,927 Its ethereal, it's haunting, it's powerful 1880 01:12:27,927 --> 01:12:29,345 in the right moments. 1881 01:12:29,345 --> 01:12:30,972 She even has some low notes 1882 01:12:30,972 --> 01:12:33,641 that I didn't expect to come from her mouth. 1883 01:12:33,641 --> 01:12:35,184 ♪ What a wicked game to play ♪ 1884 01:12:35,184 --> 01:12:37,854 James has so many facets to his voice ‐‐ 1885 01:12:37,854 --> 01:12:40,523 the falsetto, the high chest voice. 1886 01:12:40,523 --> 01:12:42,859 He has a real sense of artistry and creativity, 1887 01:12:42,859 --> 01:12:44,944 and I really enjoyed watching him 1888 01:12:44,944 --> 01:12:46,946 find his way into the song. 1889 01:12:46,946 --> 01:12:48,948 ♪ Hey ♪ ♪ Hey ♪ 1890 01:12:48,948 --> 01:12:51,784 Yeah, that really is a good arrangement. Yeah. 1891 01:12:51,784 --> 01:12:53,536 I was surprised. 1892 01:12:53,536 --> 01:12:55,162 Whoo! James, you got some of that blend 1893 01:12:55,162 --> 01:12:58,040 that Miguel has so beautifully when he sings. 1894 01:12:58,040 --> 01:12:59,041 Hey, it was a great surprise, man. 1895 01:12:59,041 --> 01:13:00,543 It was a great surprise. 1896 01:13:00,543 --> 01:13:02,545 Cami, wow, when you hit those high notes, 1897 01:13:02,545 --> 01:13:03,796 it's very like, "ahh." 1898 01:13:03,796 --> 01:13:05,006 [ Laughs ] 1899 01:13:05,006 --> 01:13:06,549 It sounds really angelic, 1900 01:13:06,549 --> 01:13:08,009 and you have a really lovely tone. 1901 01:13:08,009 --> 01:13:09,719 For you to be able to do what you do up there 1902 01:13:09,719 --> 01:13:12,221 and down there is remarkable. 1903 01:13:12,221 --> 01:13:14,557 Not a lot of singers can do that. 1904 01:13:14,557 --> 01:13:16,559 I love the dynamic in your range. 1905 01:13:16,559 --> 01:13:18,895 Thanks. I was really pleasantly surprised at the lower. 1906 01:13:18,895 --> 01:13:20,563 Yeah, that's tough stuff. Yeah. 1907 01:13:20,563 --> 01:13:21,898 if we're trying to be as good 1908 01:13:21,898 --> 01:13:23,065 as we absolutely possibly can, 1909 01:13:23,065 --> 01:13:24,734 just watch your pace a little bit. 1910 01:13:24,734 --> 01:13:26,027 Sure. 1911 01:13:26,027 --> 01:13:27,486 You're really good for the most part. 1912 01:13:27,486 --> 01:13:28,905 I love you all's harmonies together. 1913 01:13:28,905 --> 01:13:32,742 The one harmony I didn't love was the first "I". 1914 01:13:32,742 --> 01:13:34,660 So maybe just always go up to that one, 1915 01:13:34,660 --> 01:13:38,623 or you could hit the ♪ I ♪ 1916 01:13:38,623 --> 01:13:40,625 But I thought everything else was perfect. 1917 01:13:40,625 --> 01:13:41,959 Cool. 1918 01:13:41,959 --> 01:13:43,586 Cami: The biggest thing for this song 1919 01:13:43,586 --> 01:13:45,546 is making sure that we're both in sync, 1920 01:13:45,546 --> 01:13:47,048 because it is a duet. 1921 01:13:47,048 --> 01:13:49,425 Some people aren't used to singing with other people, 1922 01:13:49,425 --> 01:13:50,927 but I've had plenty of experience. 1923 01:13:50,927 --> 01:13:52,762 When I was 17 years old, 1924 01:13:52,762 --> 01:13:55,765 I joined a Christian music group called Joyful Noise. 1925 01:13:55,765 --> 01:13:57,934 From their, me and the one guitar player 1926 01:13:57,934 --> 01:13:59,602 started playing duo gigs. 1927 01:13:59,602 --> 01:14:01,729 What did we call ourselves? Like, Cami and Tommy. 1928 01:14:01,729 --> 01:14:03,064 Um, 'cause I'm Cami and he's Tommy, so... 1929 01:14:03,064 --> 01:14:04,607 [ Laughs ] 1930 01:14:04,607 --> 01:14:06,776 James, when you're talking about 1931 01:14:06,776 --> 01:14:08,194 "this world will only break your heart," 1932 01:14:08,194 --> 01:14:09,946 that's very angsty, and it's, like, painful. 1933 01:14:09,946 --> 01:14:11,781 I don't want to see that same level 1934 01:14:11,781 --> 01:14:13,074 at the very beginning, 1935 01:14:13,074 --> 01:14:14,784 because then it feels incongruous with... 1936 01:14:14,784 --> 01:14:16,118 Miguel: Yeah. ...with the moment. 1937 01:14:16,118 --> 01:14:17,954 One thing that's helped me in the past 1938 01:14:17,954 --> 01:14:19,789 is, like, how you would tell that story 1939 01:14:19,789 --> 01:14:21,123 if you were having a conversation. 1940 01:14:21,123 --> 01:14:22,500 Just say the words. 1941 01:14:22,500 --> 01:14:23,793 And however your body 1942 01:14:23,793 --> 01:14:25,711 naturally would go when describing it, 1943 01:14:25,711 --> 01:14:28,631 that might be a good place to go in the song. 1944 01:14:28,631 --> 01:14:32,760 ♪ And I ♪ James: ♪ And I ♪ 1945 01:14:32,760 --> 01:14:34,720 Miguel: It's a real challenge being on stage. 1946 01:14:34,720 --> 01:14:37,807 Connecting with the audience is a big, big part. 1947 01:14:37,807 --> 01:14:41,477 Cami's natural comfortability in telling stories 1948 01:14:41,477 --> 01:14:42,645 might cut through. 1949 01:14:42,645 --> 01:14:44,563 ♪ I don't want to ♪ 1950 01:14:44,563 --> 01:14:45,731 Oh. 1951 01:14:45,731 --> 01:14:48,109 But if James finds that connection, 1952 01:14:48,109 --> 01:14:51,320 I think he has a very strong chance 1953 01:14:51,320 --> 01:14:53,155 at winning this battle for sure. 1954 01:14:53,155 --> 01:14:55,074 Take a deep breath. 1955 01:14:55,074 --> 01:14:56,993 Feel your, like, feet connected to the floor. Yeah. 1956 01:14:56,993 --> 01:14:58,494 And just replant your feet. 1957 01:14:58,494 --> 01:15:00,830 Jump back in. You got it. Yes. 1958 01:15:00,830 --> 01:15:02,540 ♪ I ♪ ♪ I ♪ 1959 01:15:02,540 --> 01:15:05,501 ♪ Don't want to fall in love ♪ 1960 01:15:05,501 --> 01:15:07,128 Sing it, James. 1961 01:15:07,128 --> 01:15:08,671 James: I've never had a vocal lesson, 1962 01:15:08,671 --> 01:15:10,006 and I don't have a lot of experience 1963 01:15:10,006 --> 01:15:11,257 singing in front of people. 1964 01:15:11,257 --> 01:15:12,758 The one thing I was worried about 1965 01:15:12,758 --> 01:15:14,135 was how am I gonna perform? 1966 01:15:14,135 --> 01:15:15,261 How am I going to move? 1967 01:15:15,261 --> 01:15:16,846 That's all I was thinking about. 1968 01:15:16,846 --> 01:15:19,265 I have OCD, obsessive‐compulsive disorder. 1969 01:15:19,265 --> 01:15:21,017 You know, I get stressed about something going on, 1970 01:15:21,017 --> 01:15:22,685 and then my brain will just replay it 1971 01:15:22,685 --> 01:15:24,020 and replay it and replay it. 1972 01:15:24,020 --> 01:15:25,646 A lot of my musical journey 1973 01:15:25,646 --> 01:15:27,982 has just been, like, me by myself in the studio, 1974 01:15:27,982 --> 01:15:30,776 because I'm afraid that at any moment, 1975 01:15:30,776 --> 01:15:32,862 I will just be totally blocked. 1976 01:15:32,862 --> 01:15:35,698 In February of this year, I was finally was like, 1977 01:15:35,698 --> 01:15:37,033 "okay, I think I can go perform." 1978 01:15:37,033 --> 01:15:39,660 And yeah, I have done three gigs in my life 1979 01:15:39,660 --> 01:15:40,870 before coming here. 1980 01:15:40,870 --> 01:15:42,329 Now I have four. 1981 01:15:42,329 --> 01:15:44,206 Yeah, and one in front of John Legend, 1982 01:15:44,206 --> 01:15:47,168 John: Make sure you're both thinking about the blend, 1983 01:15:47,168 --> 01:15:48,878 but also thinking about, 1984 01:15:48,878 --> 01:15:50,880 "I want to make my mark on this competition." 1985 01:15:50,880 --> 01:15:52,715 This one is going to be hard. 1986 01:15:52,715 --> 01:15:56,052 I'm waiting to see what they do when the pressures on, 1987 01:15:56,052 --> 01:15:59,055 and I'll make my decision based on my gut response 1988 01:15:59,055 --> 01:16:00,890 to how they do in that moment. 1989 01:16:00,890 --> 01:16:03,642 They sound incredible. Yeah, really great together. 1990 01:16:03,642 --> 01:16:06,145 Those harmonies are phenomenal. Lovely. 1991 01:16:06,145 --> 01:16:10,691 ♪♪♪ 1992 01:16:16,447 --> 01:16:17,656 ♪ This is "The Voice" ♪ 1993 01:16:17,656 --> 01:16:19,283 Daly: Welcome back to the battles. 1994 01:16:20,743 --> 01:16:22,244 This might be a steal. 1995 01:16:22,244 --> 01:16:23,662 Blake: Oh, yeah? Yeah. 1996 01:16:23,662 --> 01:16:25,623 Their future is in your hands, John. 1997 01:16:25,623 --> 01:16:26,707 [ Laughs ] 1998 01:16:26,707 --> 01:16:27,792 Let's do it. 1999 01:16:27,792 --> 01:16:29,335 [ Cheers and applause ] 2000 01:16:29,335 --> 01:16:31,378 This battle begins right now. 2001 01:16:35,382 --> 01:16:38,344 ♪♪♪ 2002 01:16:38,344 --> 01:16:39,929 This song. 2003 01:16:39,929 --> 01:16:44,433 ♪♪♪ 2004 01:16:44,433 --> 01:16:46,727 ♪ My world was on fire ♪ 2005 01:16:46,727 --> 01:16:50,773 ♪ And no one could save me but you ♪ 2006 01:16:53,609 --> 01:16:56,278 ♪ It's strange what desire ♪ 2007 01:16:56,278 --> 01:17:01,408 ♪ Will make foolish people do ♪ 2008 01:17:03,619 --> 01:17:05,412 ♪ I never dreamed ♪ 2009 01:17:05,412 --> 01:17:12,753 ♪ That I'd meet somebody like you ♪ 2010 01:17:12,753 --> 01:17:14,547 ♪ I never dreamed ♪ 2011 01:17:14,547 --> 01:17:21,637 ♪ That I'd lose somebody like you ♪ 2012 01:17:21,637 --> 01:17:25,599 ♪ And I ♪ 2013 01:17:25,599 --> 01:17:28,894 ♪ Don't want to fall in love ♪ 2014 01:17:30,646 --> 01:17:34,775 ♪ And I ♪ 2015 01:17:34,775 --> 01:17:38,821 ♪ Don't want to fall in love ♪ 2016 01:17:39,738 --> 01:17:47,454 ♪ With you ♪ 2017 01:17:49,874 --> 01:17:54,670 ♪ What a wicked game to play ♪ 2018 01:17:54,670 --> 01:17:59,300 ♪ To make me feel this way ♪ 2019 01:17:59,300 --> 01:18:03,679 ♪ What a wicked thing to do ♪ 2020 01:18:03,679 --> 01:18:07,349 ♪ To make me dream of you ♪ 2021 01:18:07,349 --> 01:18:11,687 ♪ And I ♪ 2022 01:18:11,687 --> 01:18:16,525 ♪ Don't want to fall in love ♪ 2023 01:18:16,525 --> 01:18:19,695 ♪ And I ♪ ♪ No, I ♪ 2024 01:18:19,695 --> 01:18:22,823 ♪ Don't want to fall in love ♪ 2025 01:18:26,702 --> 01:18:32,416 ♪ This world will only break your heart ♪ 2026 01:18:35,878 --> 01:18:45,304 ♪ This world will only break your heart ♪ 2027 01:18:45,304 --> 01:18:51,477 ♪ This world will only break your ♪ 2028 01:18:51,477 --> 01:18:56,148 ♪ Heart ♪ 2029 01:18:56,148 --> 01:19:00,402 Wow, that was good. 2030 01:19:00,402 --> 01:19:01,570 Oh, my gosh. 2031 01:19:01,570 --> 01:19:03,906 That was just so cool. John: Yes. 2032 01:19:03,906 --> 01:19:05,866 You are so screwed. I know. I know. 2033 01:19:05,866 --> 01:19:07,409 [ Laughter ] 2034 01:19:07,409 --> 01:19:09,078 Wow, I've never heard that version. 2035 01:19:09,078 --> 01:19:12,623 They created this. You created that together? Wow. 2036 01:19:12,623 --> 01:19:14,875 When you guys first came in together on the higher note, 2037 01:19:14,875 --> 01:19:16,669 it was shocking, 2038 01:19:16,669 --> 01:19:19,421 but, like, in the greatest emotional way. 2039 01:19:19,421 --> 01:19:20,881 Cami, I love your voice. 2040 01:19:20,881 --> 01:19:22,591 It's really stylized. 2041 01:19:22,591 --> 01:19:24,677 I can tell you have something to say as an artist, 2042 01:19:24,677 --> 01:19:26,762 and I think that that's really powerful. 2043 01:19:26,762 --> 01:19:29,598 James, your voice is incredible. 2044 01:19:29,598 --> 01:19:31,517 It reminds me of, um... 2045 01:19:31,517 --> 01:19:32,893 Sonny Bono. No. 2046 01:19:32,893 --> 01:19:34,436 Jeff Buckley. Yeah, Jeff Buckley. 2047 01:19:34,436 --> 01:19:35,604 That's who it was. Exactly. 2048 01:19:35,604 --> 01:19:37,773 James, your voice is insane. 2049 01:19:37,773 --> 01:19:39,066 I really love your voice. 2050 01:19:39,066 --> 01:19:40,734 And I would probably go with James. 2051 01:19:40,734 --> 01:19:42,403 Thank you. 2052 01:19:42,403 --> 01:19:44,029 That was really beautiful. 2053 01:19:44,029 --> 01:19:46,448 Yeah. Like, to be able to do that on national television 2054 01:19:46,448 --> 01:19:47,950 and be a part of something that incredible. 2055 01:19:47,950 --> 01:19:50,119 This was probably my favorite battle. 2056 01:19:50,119 --> 01:19:52,913 And your tones are incredible together 2057 01:19:52,913 --> 01:19:55,666 James, those were all really cool choices that you made. 2058 01:19:55,666 --> 01:19:57,876 Your voice sounds so beautiful, 2059 01:19:57,876 --> 01:20:00,587 just the perfect amount of purity and rasp. 2060 01:20:00,587 --> 01:20:03,882 And, Cami, the thing I love most about female singers 2061 01:20:03,882 --> 01:20:05,926 whether it's like Annie Lennox or Trisha Yearwood, 2062 01:20:05,926 --> 01:20:07,970 your voice moved through every part of your body 2063 01:20:07,970 --> 01:20:09,596 and then came out. 2064 01:20:09,596 --> 01:20:13,100 And it's really moving and wonderful. Thank you. 2065 01:20:13,100 --> 01:20:17,479 And how you both actually navigate dynamics 2066 01:20:17,479 --> 01:20:18,814 is incredible. 2067 01:20:18,814 --> 01:20:19,982 If had a steal left, 2068 01:20:19,982 --> 01:20:21,567 I'd be like all up on this button. 2069 01:20:21,567 --> 01:20:22,818 Like ‐‐ but I don't. 2070 01:20:22,818 --> 01:20:24,653 if I had to pick someone, 2071 01:20:24,653 --> 01:20:26,655 I might lean more towards Cami. 2072 01:20:26,655 --> 01:20:28,657 But y'all are both so good. 2073 01:20:28,657 --> 01:20:30,576 So, you know, good luck. 2074 01:20:30,576 --> 01:20:31,952 John: Thank you, Kelly. Yep. 2075 01:20:31,952 --> 01:20:33,579 Thank you. 2076 01:20:33,579 --> 01:20:36,290 Blake: Somewhere, Chris Isaak is going, 2077 01:20:36,290 --> 01:20:38,000 "did I write that song?" 2078 01:20:38,000 --> 01:20:40,002 [ Laughter ] I'll never have heard 2079 01:20:40,002 --> 01:20:42,629 such an inventive cover of a song before. 2080 01:20:42,629 --> 01:20:44,506 Cami, besides the fact 2081 01:20:44,506 --> 01:20:47,843 that you're a great singer, artist, 2082 01:20:47,843 --> 01:20:50,179 I mean, I feel like she's Literally a star 2083 01:20:50,179 --> 01:20:51,513 standing there. 2084 01:20:51,513 --> 01:20:52,848 James, I realize John's 2085 01:20:52,848 --> 01:20:54,183 the only person that turned around for you. 2086 01:20:54,183 --> 01:20:56,518 He was the last person on my team. 2087 01:20:56,518 --> 01:20:57,853 We couldn't turn around. 2088 01:20:57,853 --> 01:20:59,438 I would have turned for you five times. 2089 01:20:59,438 --> 01:21:00,773 Like, pshew, pshew. 2090 01:21:00,773 --> 01:21:01,940 You're somebody who should have had 2091 01:21:01,940 --> 01:21:03,650 four chairs turn around, 2092 01:21:03,650 --> 01:21:07,196 just like Cami Clune did, because wow. 2093 01:21:07,196 --> 01:21:09,990 You're the big discovery in this moment to me. 2094 01:21:09,990 --> 01:21:12,034 I'd probably be going with you, James. 2095 01:21:12,034 --> 01:21:13,827 Daly: Thank you, Blake. Thank you, coaches. 2096 01:21:13,827 --> 01:21:15,204 John, you've got the final decision. 2097 01:21:15,204 --> 01:21:17,748 Wow, well, I'm just so proud, first of all, 2098 01:21:17,748 --> 01:21:20,709 because as you can tell, everyone here was so impressed 2099 01:21:20,709 --> 01:21:23,128 with your musical choices, your arrangement. 2100 01:21:23,128 --> 01:21:26,048 Thank you for having a creative take on a song 2101 01:21:26,048 --> 01:21:27,716 that we've heard many times before. 2102 01:21:27,716 --> 01:21:30,552 You both are just shining bright lights 2103 01:21:30,552 --> 01:21:31,887 with beautiful voices. 2104 01:21:31,887 --> 01:21:34,139 You both deserve to go far on the show. 2105 01:21:34,139 --> 01:21:35,891 And it was great to watch you two. 2106 01:21:35,891 --> 01:21:38,685 I felt like the way you coordinated your movements, 2107 01:21:38,685 --> 01:21:41,897 it was very on time, and it was subtle and beautiful. 2108 01:21:41,897 --> 01:21:44,525 John, the time has come. You got a tough one here. 2109 01:21:44,525 --> 01:21:46,193 Who is the winner of this battle? 2110 01:21:46,193 --> 01:21:49,029 I have an impossible decision to make, 2111 01:21:49,029 --> 01:21:51,073 but I'm ready to make it. 2112 01:21:51,073 --> 01:21:53,033 [ Dramatic music plays ] 2113 01:21:53,033 --> 01:21:55,577 The winner of this battle is... 2114 01:21:55,577 --> 01:21:58,789 ♪♪♪ 2115 01:21:58,789 --> 01:21:59,790 Cami. 2116 01:21:59,790 --> 01:22:01,208 [ Cheers and applause ] 2117 01:22:01,208 --> 01:22:03,544 Cami Clune... Cami: Thank you. 2118 01:22:03,544 --> 01:22:05,254 ...you are moving on to the Knockouts. Thank you so much. Oh, my gosh. 2119 01:22:05,254 --> 01:22:06,839 Congratulations. Thank you. 2120 01:22:06,839 --> 01:22:08,048 Cami versus James, 2121 01:22:08,048 --> 01:22:10,008 they're both such gifted singers. 2122 01:22:10,008 --> 01:22:12,886 And it was more a stylistic choice for me. 2123 01:22:12,886 --> 01:22:14,596 [ Cheers and applause ] John: Great job. 2124 01:22:14,596 --> 01:22:17,850 Cami has an angelic voice, a beautiful tone. 2125 01:22:17,850 --> 01:22:19,893 She in some ways reminds me of Maelyn 2126 01:22:19,893 --> 01:22:21,603 who won Season 16 with me. 2127 01:22:21,603 --> 01:22:22,938 And I feel like we can go far together. 2128 01:22:22,938 --> 01:22:24,898 I'm so thankful that he believes in me 2129 01:22:24,898 --> 01:22:26,608 and thinks that I deserve to move on. 2130 01:22:26,608 --> 01:22:28,026 And I do feel myself growing as an artist, 2131 01:22:28,026 --> 01:22:29,778 and I'm so excited to keep going. 2132 01:22:29,778 --> 01:22:32,114 Let me remind you James is available to steal 2133 01:22:32,114 --> 01:22:34,116 James, anything you want to say to your coach? 2134 01:22:34,116 --> 01:22:35,617 I just want to say thank you so much. 2135 01:22:35,617 --> 01:22:37,870 I learned more than I thought possible. 2136 01:22:37,870 --> 01:22:39,079 You're phenomenal, James. You're so great. 2137 01:22:39,079 --> 01:22:40,622 You're so good. 2138 01:22:40,622 --> 01:22:41,832 Daly: Give it up again for James Pyle, 2139 01:22:41,832 --> 01:22:43,167 ladies and gentlemen. 2140 01:22:43,167 --> 01:22:44,585 Blake: Hey, wait, wait, 2141 01:22:44,585 --> 01:22:45,878 wait, wait, wait, wait, wait, wait. 2142 01:22:45,878 --> 01:22:48,130 Wait, wait, wait. 2143 01:22:48,130 --> 01:22:49,882 I want to see if this still works. 2144 01:22:49,882 --> 01:22:52,134 Oh, we got a steal! 2145 01:22:52,134 --> 01:22:54,136 Yes! [ Laughs ] 2146 01:22:54,136 --> 01:22:55,762 [ Cheers and applause ] 2147 01:22:55,762 --> 01:22:59,266 ♪♪♪ 2148 01:22:59,266 --> 01:23:00,767 Blake, talk to us. 2149 01:23:00,767 --> 01:23:02,227 Badly about John's decision 2150 01:23:02,227 --> 01:23:04,980 or about how great James is? 2151 01:23:04,980 --> 01:23:06,815 About how lucky you are to have James on your team. 2152 01:23:06,815 --> 01:23:08,150 You know, you're right, you're right. 2153 01:23:08,150 --> 01:23:10,110 I'm so happy. This is insane. 2154 01:23:10,110 --> 01:23:11,987 Congratulations, man. This is gonna be a lot of fun. 2155 01:23:11,987 --> 01:23:13,989 Daly: Congratulations, James Pyle. 2156 01:23:13,989 --> 01:23:16,909 We'll see you in the knockouts. Thank you. 2157 01:23:16,909 --> 01:23:19,786 Blake: Man, I'm so happy I got a chance to steal James. 2158 01:23:19,786 --> 01:23:22,873 He's just got this under‐the‐radar talent. 2159 01:23:22,873 --> 01:23:26,126 The ones that people don't expect to break out, 2160 01:23:26,126 --> 01:23:28,128 those are the ones you got to keep your eye on 2161 01:23:28,128 --> 01:23:30,005 once they do it, because it's hard to stop them 2162 01:23:30,005 --> 01:23:31,673 after that moment. 2163 01:23:31,673 --> 01:23:33,175 Daly: Nice work, buddy. Thank you. Thank you. 2164 01:23:33,175 --> 01:23:34,593 He's great. 2165 01:23:34,593 --> 01:23:35,844 He's incredible. 2166 01:23:35,844 --> 01:23:37,346 Whoa, Blake, way to go, jerk. 2167 01:23:37,346 --> 01:23:39,097 Well played. 2168 01:23:39,097 --> 01:23:41,600 James is amazing, and I was hoping 2169 01:23:41,600 --> 01:23:43,268 that someone would steal him and give him a chance 2170 01:23:43,268 --> 01:23:44,686 to stay on the show, 2171 01:23:44,686 --> 01:23:45,979 and Blake came through. 2172 01:23:45,979 --> 01:23:47,773 He disappoints me a lot. 2173 01:23:47,773 --> 01:23:49,316 but he came through. 2174 01:23:56,698 --> 01:24:18,220 ♪♪♪ 153099

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