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These are the user uploaded subtitles that are being translated: 1 00:00:01,862 --> 00:00:03,522 Jonathan: THERE'S SOMETHING TRULY EXTRAORDINARY 2 00:00:03,551 --> 00:00:07,001 ABOUT LIVING A LIFE ALONGSIDE THE BIG CATS. 3 00:00:07,034 --> 00:00:08,764 WE'RE JONATHAN AND ANGELA SCOTT, 4 00:00:08,793 --> 00:00:10,863 AND WE'VE BEEN FOLLOWING THE LIONS, LEOPARDS, 5 00:00:10,896 --> 00:00:15,166 AND CHEETAHS OF THE MASAI MARA FOR OVER 40 YEARS. 6 00:00:15,206 --> 00:00:19,966 THEY'RE NOT JUST BIG CATS TO US, WE KNOW THEM AS INDIVIDUALS. 7 00:00:20,000 --> 00:00:23,790 ALONGSIDE US IS OUR GOOD FRIEND JACKSON OLE LOOSEYIA. 8 00:00:23,827 --> 00:00:27,137 HE'S SPENT HIS LIFE IN THE MARA, AND THESE CHARACTERS 9 00:00:27,172 --> 00:00:30,412 ARE AS SPECIAL TO HIM AS THEY ARE TO US. 10 00:00:30,448 --> 00:00:32,758 JOIN US AS WE DRAW BACK THE CURTAIN 11 00:00:32,793 --> 00:00:35,663 ON THE INTIMATE STORY OF THEIR LIVES. 12 00:00:35,689 --> 00:00:38,659 --Captions by VITAC-- www.vitac.com 13 00:00:38,689 --> 00:00:41,619 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 14 00:00:41,655 --> 00:00:47,895 ♪♪ 15 00:00:47,931 --> 00:00:49,931 Jackson: WE'RE BACK WITH OUR FIVE CHEETAH BOYS. 16 00:00:49,965 --> 00:00:54,165 I CAN'T BELIEVE HOW MUCH ADRENALINE IS IN MY BLOOD 17 00:00:54,206 --> 00:00:56,656 WHEN I SEE THEM ON HUNT. 18 00:01:11,241 --> 00:01:18,521 ♪♪ 19 00:01:18,551 --> 00:01:23,621 THIS IS THE FIRST ATTEMPT OF THIS CHEETAH HUNT. 20 00:01:23,655 --> 00:01:25,785 THEY ARE SO CLOSE TO THEIR PREY. 21 00:01:25,827 --> 00:01:28,207 AND WHEN THEY TAKE OFF, YOU KNOW, 22 00:01:28,241 --> 00:01:30,551 AT A SPEED OF 50 KILOMETERS AN HOUR, 23 00:01:30,586 --> 00:01:33,756 THERE'S NOTHING FOR A WILDEBEEST, WHICH RUNS UP TO 24 00:01:33,793 --> 00:01:35,903 35, 40 KILOMETERS AN HOUR. 25 00:01:35,931 --> 00:01:40,721 BUT THESE CHEETAHS CAN GO AT TOP SPEED UP TO 70 MILES PER HOUR. 26 00:01:43,655 --> 00:01:45,925 THEY'VE COME TO THE HEART OF THE MIGRATION. 27 00:01:45,965 --> 00:01:48,235 THIS IS WHERE ALL THE WILDEBEESTS ARE. 28 00:01:48,275 --> 00:01:50,475 I MEAN, THOUSANDS. 29 00:01:50,517 --> 00:01:53,097 NOT HUNDREDS -- THOUSANDS AND THOUSANDS OF THEM. 30 00:01:54,965 --> 00:02:02,545 ♪♪ 31 00:02:02,586 --> 00:02:03,966 WOW, THEY ARE NOW WAITING. 32 00:02:04,000 --> 00:02:06,070 THEY ARE NOW MOVING SLOWLY. 33 00:02:06,103 --> 00:02:08,343 THEY'RE SELECTING. LOOK AT THEM. 34 00:02:08,379 --> 00:02:09,899 YEAH, THEY ARE DEFINITELY SELECTING. 35 00:02:09,931 --> 00:02:11,761 LOOK. 36 00:02:11,793 --> 00:02:17,103 ♪♪ 37 00:02:17,137 --> 00:02:21,687 THERE IS NO SENIOR MOMENT WITH OUR FIVE CHEETAH BOYS -- 38 00:02:21,724 --> 00:02:23,244 VERY YOUTHFUL-FEELING, YOU KNOW. 39 00:02:23,275 --> 00:02:25,405 THEY ARE RUNNING AROUND. THEY'RE JUMPING. 40 00:02:25,448 --> 00:02:27,548 WELL, LOOK HERE, THEN. THEY'RE STILL YOUNG. 41 00:02:27,586 --> 00:02:28,896 THIS IS THE FIRST TIME, 42 00:02:28,931 --> 00:02:31,031 I THINK, THEY HAVE EVER TAKEN A TERRITORY. 43 00:02:31,068 --> 00:02:34,898 THEY'RE NOT 100% FULLY GROWN UP. 44 00:02:34,931 --> 00:02:38,721 THEY'RE WELL-BUILT, BUT WAIT ANOTHER YEAR WITH THESE BOYS. 45 00:02:38,758 --> 00:02:43,278 THEY WILL LOOK HUGE, ESPECIALLY WITH THE AMOUNT OF FOOD 46 00:02:43,310 --> 00:02:45,170 THAT THEY WILL BE PUTTING ON TO THEIR BACKS. 47 00:02:45,206 --> 00:02:46,856 WOW. 48 00:02:46,896 --> 00:02:54,166 ♪♪ 49 00:02:54,206 --> 00:02:57,516 NOW, FOR THE LAST FEW DAYS, WE'VE BEEN LOOKING FOR BAHATI, 50 00:02:57,551 --> 00:03:00,831 ONE OF OUR FAVORITE LEOPARDS, WITH HER TWO CUBS. 51 00:03:00,862 --> 00:03:02,282 AND GUESS WHAT. 52 00:03:02,310 --> 00:03:06,590 I DIDN'T FIND BAHATI, BUT I FOUND A BIT OF GOLD -- 53 00:03:06,620 --> 00:03:09,340 FIG AND HER CUB. 54 00:03:09,379 --> 00:03:11,719 NOW, FIG IS A LEOPARD THAT WE KNOW. 55 00:03:11,758 --> 00:03:14,308 SHE LIVES IN THE OLARE OROK CONSERVANCY -- 56 00:03:14,344 --> 00:03:19,174 SO BEYOND THE RESERVE BOUNDARIES, A PROTECTED AREA. 57 00:03:19,206 --> 00:03:21,616 AND THE NATURE OF THAT DAPPLED COAT, 58 00:03:21,655 --> 00:03:23,515 THOSE ROSETTES, THOSE SPOTS -- 59 00:03:23,551 --> 00:03:28,901 THEY'RE BLENDING PERFECTLY WITH THE PLACE SHE'S LYING. 60 00:03:28,931 --> 00:03:30,761 OH, LOOK, LOOK, LOOK. 61 00:03:30,793 --> 00:03:32,523 THERE'S THE CUB. 62 00:03:35,103 --> 00:03:38,103 ONE THING I'VE LEARNED FROM ALL MY YEARS IN THE MARA -- 63 00:03:38,137 --> 00:03:42,337 YOU NEVER TAKE TIME SPENT WITH A LEOPARD FOR GRANTED, 64 00:03:42,379 --> 00:03:47,099 BECAUSE THIS CAT IS THE MOST DIFFICULT CAT TO FIND. 65 00:03:48,517 --> 00:03:52,757 SO SOMETHING LIKE THIS, A WINDOW INTO THAT SECRET WORLD -- 66 00:03:52,793 --> 00:03:55,763 FOR ME, IT'S THE BEST. 67 00:03:55,793 --> 00:04:00,343 THERE'S SIMPLY NOTHING THAT COMPARES WITH THIS. 68 00:04:15,241 --> 00:04:22,661 ♪♪ 69 00:04:22,689 --> 00:04:24,899 I THINK, YOU KNOW, WE CHARACTERIZE THE LEOPARD 70 00:04:24,931 --> 00:04:26,691 AS BEING SO SOLITARY -- 71 00:04:26,724 --> 00:04:29,484 THE ULTIMATE CAT THAT WALKS ALONE. 72 00:04:29,517 --> 00:04:30,967 BUT OF COURSE, FOR A MOTHER LEOPARD, 73 00:04:31,000 --> 00:04:33,240 OFTEN SHE HAS A CUB OR CUBS. 74 00:04:33,275 --> 00:04:35,405 AND YOU GET THESE WONDERFUL MOMENTS 75 00:04:35,448 --> 00:04:38,658 JUST EVERY SO OFTEN, JUST PURE JOY. 76 00:04:45,620 --> 00:04:52,550 ♪♪ 77 00:04:52,586 --> 00:04:55,756 OKAY, SHE'S GOING DOWN INTO THE LAGA. 78 00:04:55,793 --> 00:04:57,033 NOW IT'S GONNA BE DIFFICULT 79 00:04:57,068 --> 00:04:58,828 TO TRY AND FOLLOW HER, BECAUSE SHE MAY CONTINUE. 80 00:04:58,862 --> 00:05:01,342 SHE MAY ACTUALLY WANT TO GO AND TRY AND HUNT 81 00:05:01,379 --> 00:05:02,899 WHILE THE CUB IS JUST TUCKED AWAY. 82 00:05:02,931 --> 00:05:05,831 AND THE CUB WILL BE QUITE HAPPY JUST TO BE LEFT ON ITS OWN. 83 00:05:12,551 --> 00:05:15,071 LOOK AT FIG, COVERING THE OPEN GROUND -- 84 00:05:15,103 --> 00:05:17,283 A RISKY MOVEMENT FOR A LEOPARD. 85 00:05:20,275 --> 00:05:22,205 YOU CAN SEE THE TOPI IN THE BACKGROUND. 86 00:05:22,241 --> 00:05:24,001 THEY'VE SPOTTED HER. 87 00:05:26,172 --> 00:05:31,692 AND SHE'LL HAVE A TERRITORY -- MAYBE 15, 20 SQUARE KILOMETERS. 88 00:05:31,724 --> 00:05:34,594 THEY HAVE TO MOVE AROUND, AND THEY MARK THEIR TERRITORY. 89 00:05:34,620 --> 00:05:36,140 THEY LEAVE SCENT MARKS. 90 00:05:36,172 --> 00:05:39,522 ANY OTHER LEOPARD COMING ALONG WILL SMELL SIMILAR PLACES -- 91 00:05:39,551 --> 00:05:43,901 FALLEN TREES, THE SIDE OF TRUNKS, BUSHES. 92 00:05:43,931 --> 00:05:47,791 SO SHE'S STAMPING HER IDENTITY ON HER TERRITORY. 93 00:06:06,655 --> 00:06:10,305 NOTHING RELAXES QUITE LIKE A LEOPARD. 94 00:06:10,344 --> 00:06:13,834 I MEAN, I THINK THAT IS PART OF THE ALLURE OF THE LEOPARD. 95 00:06:16,689 --> 00:06:21,169 SHE'S LYING NOW IN A THORN TREE, AND I MEAN THORNS -- 96 00:06:21,206 --> 00:06:23,026 TWO-INCH-LONG THORNS. 97 00:06:23,068 --> 00:06:25,238 AND YET, SHE LOOKS AS COMFORTABLE 98 00:06:25,275 --> 00:06:28,475 AS ANYTHING COULD ON EARTH. 99 00:06:28,517 --> 00:06:30,167 SHE'S TOTALLY RELAXED. 100 00:06:30,206 --> 00:06:33,166 AND OF COURSE, UP THERE, SHE'S GOT A VIEW ACROSS THE PLAINS. 101 00:06:33,206 --> 00:06:36,066 IF SHE NEEDS TO CHECK EVERY SO OFTEN WHAT'S GOING ON, 102 00:06:36,103 --> 00:06:37,623 SHE'S IN THE PERFECT POSITION. 103 00:06:37,655 --> 00:06:39,585 BUT MAINLY, SHE'S BEING A CAT. 104 00:06:39,620 --> 00:06:42,410 AND WHAT DO CATS LIKE TO DO MOST OF THE TIME? 105 00:06:42,448 --> 00:06:44,168 TO SLEEP. 106 00:06:51,965 --> 00:06:54,925 I'M NOT SURE WHAT FIG HAS SEEN, 107 00:06:54,965 --> 00:07:00,065 BUT THE INTENSITY OF THAT LOOK -- 108 00:07:00,103 --> 00:07:05,553 EYES WIDE OPEN, PUPILS JUST SHUT DOWN TO A PINHOLE. 109 00:07:05,586 --> 00:07:07,066 SHE'S LOOKING OUT THERE. 110 00:07:07,103 --> 00:07:08,833 MAYBE SHE'S SEEN PREY. 111 00:07:13,689 --> 00:07:15,689 AND LOOK AT THE TAIL. YOU SEE THE TAIL? 112 00:07:15,724 --> 00:07:18,554 YOU CAN READ THE MOOD OF THE LEOPARD -- 113 00:07:18,586 --> 00:07:21,546 THE TWITCH, A LITTLE BIT OF TENSION. 114 00:07:21,586 --> 00:07:24,236 "WHAT AM I GONNA DO NEXT?" 115 00:07:24,275 --> 00:07:28,785 IF YOU DON'T FEEL IT, THEN COME TO AFRICA 116 00:07:28,827 --> 00:07:31,927 AND SIT IN THE PRESENCE OF A LEOPARD, 117 00:07:31,965 --> 00:07:34,445 AND YOU'LL KNOW EXACTLY WHY I HAVE SPENT 118 00:07:34,482 --> 00:07:40,762 SO MANY YEARS HERE REVELING, OBSESSED BY THESE GREAT CATS. 119 00:07:52,862 --> 00:07:57,212 WE HAVE BEEN SO LUCKY TO HAVE SAT ALL DAY 120 00:07:57,241 --> 00:08:04,621 AND WAIT AND WAIT UNTIL FINALLY, WE FOUND NOTCH AND HER CUBS. 121 00:08:04,655 --> 00:08:08,305 THIS IS THE SAME LIONESS ANGIE AND JOHNNY WERE FOLLOWING 122 00:08:08,344 --> 00:08:11,794 AT THE PIPE BY THE ROAD. 123 00:08:11,827 --> 00:08:17,307 THESE TWO LITTLE CUBS ARE LIPSTICK AND BLACKIE CUBS. 124 00:08:17,344 --> 00:08:20,004 THEY HAVE NOT BEEN INTRODUCED INTO THE PRIDE. 125 00:08:20,034 --> 00:08:22,454 THEY'RE ABOUT 3 MONTHS OLD. 126 00:08:25,965 --> 00:08:29,545 I CAN JUST SEE THE EARS. 127 00:08:29,586 --> 00:08:32,276 THEY'RE ABOUT -- MAYBE EVEN 2 MONTHS OLD. 128 00:08:32,310 --> 00:08:35,930 GOD, THEY'RE SMALL. 129 00:08:35,965 --> 00:08:38,475 FOR ALL THOSE HOURS, WE'VE BEEN WAITING. 130 00:08:38,517 --> 00:08:42,377 THESE CUBS DID NOT SUCKLE, DID NOT HAVE A DRINK. 131 00:08:42,413 --> 00:08:45,763 AND IT'S JUST NOW, IT'S POSITIONING HERSELF. 132 00:08:45,793 --> 00:08:48,763 LOOK, SHE'S POSITIONING NOW, HOLDING THE CUBS, 133 00:08:48,793 --> 00:08:51,343 TRYING TO PULL THE CUBS TO THE UDDER. 134 00:08:51,379 --> 00:08:52,659 LOOK. 135 00:08:52,689 --> 00:08:56,759 THEY DON'T FEED LIKE, EVERY TWO MINUTES. 136 00:09:01,413 --> 00:09:04,523 THEY'VE GOT TO GET USED TO NOT SUCKLING, 137 00:09:04,551 --> 00:09:10,551 NOT DRINKING ALL THE TIME BECAUSE LIONS 138 00:09:10,586 --> 00:09:12,276 AND ALL THESE OTHER PREDATORS, 139 00:09:12,310 --> 00:09:16,550 THEY KNOW TOUGH TIMES CAN BE AHEAD. 140 00:09:16,586 --> 00:09:20,716 THE DAY OF PLENTY WILL JUST FADE AWAY. 141 00:09:20,758 --> 00:09:23,448 THE MIGRATION WILL BE MOVING AWAY. 142 00:09:23,482 --> 00:09:28,142 THEY THEMSELVES, THEY KNOW WHAT IT IS TO BE TOUGH. 143 00:09:28,172 --> 00:09:32,032 AND THEY HAVE TO TRANSLATE THAT MEANING TO THE CUBS. 144 00:09:32,068 --> 00:09:36,718 NOW THOSE CUBS ARE FINALLY SUCKLING. 145 00:09:36,758 --> 00:09:38,718 AND YOU SEE, MOTHER IS ALWAYS REACHING. 146 00:09:38,758 --> 00:09:39,998 LOOK. 147 00:09:40,034 --> 00:09:43,554 IT'S TOUCH IS LIKE A HUMAN SOMEHOW. 148 00:09:43,586 --> 00:09:46,686 LOOK, TOUCHING THE HEADS, PULLING THE OTHER ONE. 149 00:09:48,310 --> 00:09:49,930 LOOK AT THAT. 150 00:09:49,965 --> 00:09:51,685 VERY, VERY SPECIAL. 151 00:09:58,827 --> 00:10:06,067 WE'RE JUST SO LUCKY TO FIND THIS NATURAL BEAUTY, 152 00:10:06,103 --> 00:10:08,003 WILDLIFE THAT WE DON'T INTERFERE. 153 00:10:08,034 --> 00:10:09,904 WE DON'T FEED. WE DON'T DO ANYTHING. 154 00:10:09,931 --> 00:10:12,211 WE JUST WATCH. 155 00:10:12,241 --> 00:10:15,931 ♪♪ 156 00:10:15,965 --> 00:10:20,135 THIS IS THE MAKING OF LION KINGDOM. 157 00:10:21,068 --> 00:10:25,898 AND SOME DAY, THEY RULE. THEY WALK ON THIS SAVANNA, 158 00:10:25,931 --> 00:10:29,341 AS POWERFUL AS THEIR DAD, 159 00:10:29,379 --> 00:10:34,589 TERRORIZING EVERYONE -- THOSE LITTLE THINGS. 160 00:10:34,620 --> 00:10:36,410 THAT'S WHY I LOVE LIONS. 161 00:10:42,000 --> 00:10:45,760 ♪♪ 162 00:10:45,793 --> 00:10:49,213 [ THUNDER RUMBLES ] 163 00:10:50,379 --> 00:10:57,859 ♪♪ 164 00:10:57,896 --> 00:10:59,966 Jackson: IT'S NOW COOL, AND IT'S RAINING. 165 00:11:00,000 --> 00:11:03,860 IT'S PERFECT FOR CHEETAHS HUNTING. 166 00:11:03,896 --> 00:11:05,336 LOOK AT THEM. 167 00:11:05,379 --> 00:11:07,719 THEY'RE ALL RUNNING, AND THEY'RE EXCITED. 168 00:11:07,758 --> 00:11:10,138 WE MIGHT SEE SOME ACTION THIS EVENING. 169 00:11:14,413 --> 00:11:15,763 BUT RIGHT HERE, THERE'S A LOT OF BULLYING. 170 00:11:15,793 --> 00:11:17,593 LOOK. 171 00:11:17,620 --> 00:11:22,070 THERE IS ONE WHICH IS SO WELL-DOMINATED BY THE REST. 172 00:11:22,103 --> 00:11:23,483 VERY OFTEN YOU SEE HE RUNS, 173 00:11:23,517 --> 00:11:27,447 AND THEN THEY JUMP ON HIM AND THEY RUN ON HIM. 174 00:11:27,482 --> 00:11:30,862 THEY'RE JUST, LIKE, BULLYING HIM, LIKE, ALMOST FIGHTING HIM. 175 00:11:30,896 --> 00:11:34,686 LOOK, HE'S BEING PUSHED ON TO THE SIDE. 176 00:11:35,862 --> 00:11:38,902 WAS HE THE LATEST TO JOIN THE COALITION? 177 00:11:38,931 --> 00:11:40,971 WE DON'T KNOW, BUT THIS IS WHERE 178 00:11:41,000 --> 00:11:43,070 YOU CAN SEE THE HIERARCHY IS HAPPENING. 179 00:11:43,103 --> 00:11:49,003 ♪♪ 180 00:11:57,965 --> 00:12:00,065 THEY HAVE NOW SET THEIR TARGET. 181 00:12:00,103 --> 00:12:04,103 I CAN SEE THAT WILDEBEEST THAT IS ASLEEP RIGHT THERE. 182 00:12:05,379 --> 00:12:09,619 RAIN IS BEHIND, SO NOT AWARE. 183 00:12:09,655 --> 00:12:11,205 AND LOOK AT THE WAY THEY'RE COMING. 184 00:12:11,241 --> 00:12:13,551 REALLY, THIS IS THE ULTIMATE MOMENT. 185 00:12:13,586 --> 00:12:15,966 WE'RE WAITING FOR THESE BOYS TO PERFORM. 186 00:12:18,758 --> 00:12:21,968 LOOK. LOOK, LOOK, LOOK, LOOK, LOOK. 187 00:12:22,000 --> 00:12:25,000 NOW, THE ANTICIPATION -- WHICH ONE? 188 00:12:25,034 --> 00:12:27,794 DECISION-MAKING -- THAT ONE OR THAT ONE? 189 00:12:29,275 --> 00:12:34,165 ALL THESE WILDEBEESTS, YOU THINK THEY'RE LOOKING AWAY, UNAWARE. 190 00:12:34,206 --> 00:12:37,716 ANY MOVEMENT, THAT WILL TRIGGER AN ALERT. 191 00:12:37,758 --> 00:12:39,858 YOU'LL SEE EVERY SINGLE WILDEBEEST LOOKING AROUND 192 00:12:39,896 --> 00:12:44,276 AND SAYING, "IS IT TIME," BECAUSE THEY'RE VULNERABLE. 193 00:12:44,310 --> 00:12:45,690 THEY KNOW IN THE RAIN, 194 00:12:45,724 --> 00:12:49,034 PREDATORS WILL COME BEHIND THEM AND ATTACK. 195 00:12:52,172 --> 00:12:55,552 YEAH, TARGET -- FOCUS ON IT. 196 00:12:55,586 --> 00:12:57,306 THERE THEY GO. THERE THEY GO. 197 00:13:31,034 --> 00:13:39,414 ♪♪ 198 00:13:39,448 --> 00:13:42,478 FIGHTING, FIGHTING VERY HARD -- LOOK AT IT. 199 00:13:42,517 --> 00:13:44,687 HOW AMAZING IS THAT? 200 00:13:44,724 --> 00:13:46,454 FIGHTING ON HIS OWN. 201 00:13:49,793 --> 00:13:51,863 HELP IS COMING. 202 00:13:57,448 --> 00:14:03,068 ♪♪ 203 00:14:03,103 --> 00:14:05,553 HOW MANY CHEETAHS ON IT NOW? 204 00:14:05,586 --> 00:14:07,096 FOUR. 205 00:14:14,310 --> 00:14:21,450 ♪♪ 206 00:14:21,482 --> 00:14:25,002 AND THAT IS A FIGHT. 207 00:14:25,034 --> 00:14:26,864 YOU DON'T WITNESS THESE THINGS. 208 00:14:32,275 --> 00:14:37,685 ♪♪ 209 00:14:37,724 --> 00:14:40,074 IT'S DOWN. 210 00:14:40,103 --> 00:14:43,453 JUST IMAGINE HOW LONG WE HAVE FOLLOWED THESE CHEETAHS. 211 00:14:43,482 --> 00:14:44,902 IT'S UNBELIEVABLE. 212 00:14:44,931 --> 00:14:49,791 FINALLY, THIS IS WHAT WE HAVE BEEN WAITING FOR DAYS. 213 00:14:49,827 --> 00:14:51,717 I MEAN, WE'VE FOLLOWED FOR TWO DAYS. 214 00:14:51,758 --> 00:14:53,338 WE DIDN'T SEE ANY SUCCESS. 215 00:14:53,379 --> 00:14:58,139 TODAY IS AN AMAZING -- AN AMAZING HUNT. 216 00:14:58,172 --> 00:15:03,622 THESE FIVE CHEETAH BOYS ARE TRULY FANTASTIC HUNTERS. 217 00:15:06,793 --> 00:15:09,623 AGAIN, IT'S NOT OVER. 218 00:15:09,655 --> 00:15:11,065 I SEE A HYENA. 219 00:15:13,068 --> 00:15:14,998 YOU THINK WE'RE FINISHED? 220 00:15:15,034 --> 00:15:16,314 WE'RE NOT. 221 00:15:16,344 --> 00:15:19,864 THESE CHEETAH HAVE TO EAT QUICKLY, FAST. 222 00:15:25,793 --> 00:15:28,933 THE HYENA'S JUST GONE TO CALL THE REINFORCEMENT. 223 00:15:28,965 --> 00:15:30,095 LOOK! HE'S GONE OVER THERE. 224 00:15:30,137 --> 00:15:32,167 HE'S GOT A FRIEND ALREADY. 225 00:15:32,206 --> 00:15:36,586 HE'S TELLING THEM, "OOH! WE'VE GOT SOMETHING UP THERE." 226 00:15:36,620 --> 00:15:38,340 THEY ARE NOW COMING. 227 00:15:38,379 --> 00:15:40,829 AND THAT IS WHAT HYENAS ARE KNOWN FOR -- 228 00:15:40,862 --> 00:15:42,972 STEALING KILLS FROM OTHER PREDATORS, 229 00:15:43,000 --> 00:15:45,000 PARTICULARLY CHEETAH. 230 00:15:48,379 --> 00:15:50,479 WOW. 231 00:15:50,517 --> 00:15:53,207 LOOK AT THOSE MALES JOINING UP TOGETHER. 232 00:15:53,241 --> 00:15:57,211 THAT'S WHAT THEY NEED EACH OTHER FOR -- A FORCE AND POWER. 233 00:15:57,241 --> 00:15:58,761 HE SAID, "RIGHT? 234 00:15:58,793 --> 00:16:00,833 YOU WANT TO FIGHT?" 235 00:16:00,862 --> 00:16:03,212 AND YOU SEE THERE, THEY HYENAS GOING AROUND. 236 00:16:03,241 --> 00:16:04,521 AND THEY SAY, "OKAY." 237 00:16:04,551 --> 00:16:06,241 THE HYENAS DON'T GIVE UP. 238 00:16:06,275 --> 00:16:08,585 THAT IS WHAT HYENAS ARE KNOWN FOR. 239 00:16:13,000 --> 00:16:16,760 IT'S SO GREAT TO SEE HOW STRONG THEY ARE 240 00:16:16,793 --> 00:16:18,933 AND HOW POWERFUL THEY ARE, 241 00:16:18,965 --> 00:16:24,515 BY DEFENDING THEIR MEAL AGAINST A VERY STRONG HYENA. 242 00:16:26,103 --> 00:16:30,283 FOR A HYENA, HE SEES A CHEETAH AND WALKS IN AND TAKE IT AWAY. 243 00:16:31,655 --> 00:16:33,615 BUT THAT DEFENDING -- ONE OF THEM IS THERE, 244 00:16:33,655 --> 00:16:37,095 STANDING, GUARDING, WHILE THE OTHERS ARE EATING. 245 00:16:37,137 --> 00:16:40,617 SO THEY TAKE TURNS -- EAT, EAT, EAT, EAT, GO AND GUARD. 246 00:16:40,655 --> 00:16:43,135 COME BACK, I EAT. 247 00:16:43,172 --> 00:16:48,692 THIS IS THE STRENGTH OF HAVING FIVE MALE CHEETAHS TOGETHER. 248 00:16:49,206 --> 00:16:51,996 THESE BOYS ARE JUST FANTASTIC. 249 00:17:00,517 --> 00:17:03,967 ♪♪ 250 00:17:12,896 --> 00:17:14,616 Jonathan: I'M LOOKING FOR BAHATI THE LEOPARD, 251 00:17:14,655 --> 00:17:17,095 ONE OF MY FAVORITE BIG CAT CHARACTERS. 252 00:17:17,137 --> 00:17:18,277 NOW, SHE'S TERRITORIAL. 253 00:17:18,310 --> 00:17:20,310 SHE OCCUPIES QUITE A BIG RANGE. 254 00:17:20,344 --> 00:17:22,344 BUT AT LEAST I KNOW WHERE TO START. 255 00:17:22,379 --> 00:17:24,409 SOMEWHERE AMONGST THESE THICKETS, 256 00:17:24,448 --> 00:17:26,308 I'M HOPING WE'LL PICK HER UP. 257 00:17:27,862 --> 00:17:29,722 I'VE BEEN TALKING TO SOME OF THE DRIVER GUIDES, 258 00:17:29,758 --> 00:17:31,858 AND THEY ARE SAYING THAT ACTUALLY, 259 00:17:31,896 --> 00:17:34,826 BAHATI HAS JUST BEEN SEEN WITH ONE CUB. 260 00:17:34,862 --> 00:17:36,552 SO WHAT HAPPENED TO THE OTHER ONE? 261 00:17:36,586 --> 00:17:37,716 IS IT STILL ALIVE? 262 00:17:37,758 --> 00:17:39,518 THAT'S WHAT I WANT TO FIND OUT. 263 00:17:46,137 --> 00:17:47,237 [ ENGINE SHUTS OFF ] 264 00:17:47,275 --> 00:17:49,025 [ CHUCKLES ] I JUST LOVE IT. 265 00:17:49,068 --> 00:17:51,338 THIS IS ONE OF THE MOST BEAUTIFUL SPOTS IN THE MARA, 266 00:17:51,379 --> 00:17:52,619 THE TALEK RIVER. 267 00:17:52,655 --> 00:17:54,925 IT'S THE HEART OF BAHATI'S TERRITORY, 268 00:17:54,965 --> 00:17:56,515 AND RIGHT NOW WE'VE GOT A LIONESS 269 00:17:56,551 --> 00:18:00,281 BECAUSE THEY ALSO HAVE A TERRITORY HERE. 270 00:18:00,310 --> 00:18:01,450 [ LIONESS BELLOWING ] 271 00:18:01,482 --> 00:18:02,792 BUT LOOK. 272 00:18:02,827 --> 00:18:04,067 LISTEN TO HER! 273 00:18:04,103 --> 00:18:06,863 [ BELLOWING CONTINUES ] 274 00:18:22,517 --> 00:18:26,377 IF THAT DOESN'T STIR YOUR BLOOD, THEN I DON'T KNOW WHAT WOULD. 275 00:18:26,413 --> 00:18:30,593 THAT IS THE HEART AND SOUL OF AFRICA SPEAKING TO YOU. 276 00:18:30,620 --> 00:18:35,030 AND ALSO, IT'S NOT JUST A WAY OF COMMUNICATING FOR THE LIONS 277 00:18:35,068 --> 00:18:37,688 TO TELL THE REST OF THE PRIDE WHERE SHE IS. 278 00:18:37,724 --> 00:18:42,864 IT'S ALSO A THREAT -- A THREAT TO LEOPARDS, A THREAT TO BAHATI. 279 00:18:42,896 --> 00:18:44,686 THIS IS LION KINGDOM. 280 00:18:44,724 --> 00:18:46,104 THIS IS LION CENTRAL. 281 00:18:46,137 --> 00:18:47,857 WATCH OUT. 282 00:18:51,379 --> 00:18:52,239 WHAT A VIEW. 283 00:18:52,275 --> 00:18:54,515 THE TALEK RIVER, BEAUTIFUL. 284 00:18:54,551 --> 00:19:00,481 IT RUNS INTO THE MARA, AND NO BARRIER TO A BIG CAT. 285 00:19:04,689 --> 00:19:07,309 WHEN YOU SEE A LIONESS COMPARED WITH A LEOPARD, 286 00:19:07,344 --> 00:19:10,344 SO MUCH BIGGER AND STOCKIER. 287 00:19:10,379 --> 00:19:11,449 SHE CALLED. 288 00:19:11,482 --> 00:19:12,862 NOW SHE'S LISTENING. 289 00:19:12,896 --> 00:19:15,306 WHERE'S THE REST OF HER PRIDE? 290 00:19:16,344 --> 00:19:19,794 [ BELLOWING ] 291 00:19:36,724 --> 00:19:41,904 IT WOULD BE IRREVERENT TO INTERRUPT THAT KIND OF MOMENT, 292 00:19:41,931 --> 00:19:44,691 THOSE SOUNDS, THAT COMMUNICATION. 293 00:19:44,724 --> 00:19:48,344 AND IT SPEAKS TO ME DEEP INSIDE. 294 00:19:48,379 --> 00:19:50,379 THIS IS WHY I CAME TO AFRICA. 295 00:19:53,965 --> 00:19:56,715 THERE'S A POIGNANCY THERE, BECAUSE ALL OF OUR BIG CATS 296 00:19:56,758 --> 00:20:00,028 ARE UNDER THREAT FROM MAN. 297 00:20:00,068 --> 00:20:03,998 WE HAVE TO ENSURE THAT WE HAVE AT LEAST SOME PLACE 298 00:20:04,034 --> 00:20:05,344 FOR WILD ANIMALS. 299 00:20:05,379 --> 00:20:08,829 AND RIGHT NOW, THAT PLACE IS THE MASAI MARA. 300 00:20:08,862 --> 00:20:11,242 AND THE SOUND OF A WILD LION 301 00:20:11,275 --> 00:20:14,585 IS ALL I THINK YOU AND I NEED TO HEAR. 302 00:20:18,241 --> 00:20:26,591 ♪♪ 303 00:20:26,620 --> 00:20:29,410 Angela: PHOTOGRAPHY, FOR ME, HAS BEEN A PASSION 304 00:20:29,448 --> 00:20:31,998 SINCE I WAS VERY YOUNG. 305 00:20:32,034 --> 00:20:36,034 I THINK IT GAVE ME A VOICE, BECAUSE I WAS A VERY SHY CHILD. 306 00:20:36,068 --> 00:20:40,238 AND I FOUND THAT I COULD EXPLAIN EASIER 307 00:20:40,275 --> 00:20:44,405 WHAT I WAS FEELING THROUGH PHOTOGRAPHY. 308 00:20:45,137 --> 00:20:46,967 AND AS I GOT OLDER, 309 00:20:47,000 --> 00:20:52,590 I REALIZED THAT THE POWER BEHIND THE ART OF SEEING 310 00:20:52,620 --> 00:20:56,550 WAS PROBABLY ONE OF OUR MOST EMOTIVE FEELINGS. 311 00:20:56,586 --> 00:20:59,826 BECAUSE WHEN YOU SEE A PHOTOGRAPH, 312 00:20:59,862 --> 00:21:02,622 YOU FEEL IT ON SO MANY DIFFERENT LEVELS. 313 00:21:02,655 --> 00:21:06,375 IT SPEAKS TO YOU IN A THOUSAND DIFFERENT WAYS, 314 00:21:06,413 --> 00:21:11,313 AND EACH PERSON IS ABSORBING IT IN THEIR OWN PERSONAL WAY. 315 00:21:12,241 --> 00:21:16,311 JONATHAN IS SO ELOQUENT, AND HE WRITES SO BEAUTIFULLY 316 00:21:16,344 --> 00:21:19,624 THAT I FEEL THAT IT'S MY ROLE IN OUR PARTNERSHIP 317 00:21:19,655 --> 00:21:23,335 TO ILLUSTRATE HIS WORDS WITH MY PHOTOGRAPHY. 318 00:21:26,724 --> 00:21:30,794 SO FOR ME, ALWAYS IT'S BEEN A CHALLENGE TO SEE 319 00:21:30,827 --> 00:21:36,407 IF I CAN CREATE MY OWN PERSONAL INTERPRETATION 320 00:21:36,448 --> 00:21:39,278 OF WHAT I SEE EVERY DAY. 321 00:21:39,310 --> 00:21:41,970 AND THEN, OF COURSE, THE JOY IS IN SHARING. 322 00:21:42,000 --> 00:21:45,340 THE JOY IS IN SHARING ONE'S WORK WITH OTHERS 323 00:21:45,379 --> 00:21:48,029 AND HOPING IT TOUCHES THEM. 324 00:21:49,275 --> 00:21:52,585 IF I CAN SHARE THE EXTRAORDINARY THINGS 325 00:21:52,620 --> 00:21:55,310 THAT I'M SO PRIVILEGED TO SEE 326 00:21:55,344 --> 00:22:01,034 AND I CAN TOUCH SOMEBODY ELSE TO FEEL WHAT I FEEL, 327 00:22:01,068 --> 00:22:03,168 THEN MY WORK IS DONE. 328 00:22:16,758 --> 00:22:22,408 ♪♪ 329 00:22:22,448 --> 00:22:24,858 Jonathan: JUST IMAGINE HOW MANY TIMES I MUST HAVE 330 00:22:24,896 --> 00:22:26,446 DRIVEN RIGHT PAST A LEOPARD, 331 00:22:26,482 --> 00:22:29,072 THE VERY THING THAT I MOST WANT TO SEE. 332 00:22:31,482 --> 00:22:35,032 THE LAST TIME I SAW BAHATI WITH CUBS, SHE HAD TWO CUBS. 333 00:22:35,068 --> 00:22:36,518 ORIGINALLY, THERE WERE THREE. 334 00:22:36,551 --> 00:22:39,971 SHE LOST ONE, AND SHE WAS HAVING A REALLY DIFFICULT TIME. 335 00:22:40,000 --> 00:22:42,970 NOW AFTER THAT, WE HEARD REPORTS FROM TIME TO TIME 336 00:22:43,000 --> 00:22:47,030 THAT SHE WAS ONLY SEEN WITH A SINGLE CUB. 337 00:22:47,068 --> 00:22:48,448 WELL, GUESS WHAT. 338 00:22:48,482 --> 00:22:50,552 SHE'S GOT BOTH CUBS. 339 00:22:50,586 --> 00:22:52,066 ONE IS A LITTLE GIRL. 340 00:22:52,103 --> 00:22:53,833 SHE'S LIKE A BOUNCING BALLOON. 341 00:22:53,862 --> 00:22:55,832 SHE'S LIKE A JACK-IN-A-BOX. 342 00:22:55,862 --> 00:22:58,342 BUT YOU CAN FEEL SHE NEEDS TO COME BACK TO BAHATI 343 00:22:58,379 --> 00:23:01,589 EVERY SO OFTEN TO GREET HER, TO RUB HEADS, TO JUMP ON HER. 344 00:23:01,620 --> 00:23:04,660 AND THEN SHE'S OFF, JUST LIKE A FLASH. 345 00:23:06,103 --> 00:23:08,143 AND THE OTHER IS A LITTLE BOY. 346 00:23:08,172 --> 00:23:10,522 HE'S SHYER, HE'S MORE INDEPENDENT, 347 00:23:10,551 --> 00:23:13,311 AND AT TIMES, HE JUST HANGS OUT ON HIS OWN. 348 00:23:13,344 --> 00:23:16,864 BUT IN SITUATIONS LIKE THIS WHERE THERE'S FOOD, MOM GOES OFF 349 00:23:16,896 --> 00:23:18,926 AND BRINGS HIM BACK TO THE KILL. 350 00:23:18,965 --> 00:23:23,855 BUT YOU CAN SEE WHEN YOU WATCH HIM NOW, HE'S VERY NERVOUS. 351 00:23:23,896 --> 00:23:26,166 HE'S NOT AS CONFIDENT AS HIS SISTER. 352 00:23:26,206 --> 00:23:29,826 HE EATS QUICKLY, HE LOOKS FURTIVE, AND HE MOVES AWAY. 353 00:23:32,620 --> 00:23:34,170 BUT WHAT DOES THAT TELL YOU? 354 00:23:34,206 --> 00:23:36,276 EVERY LEOPARD IS AN INDIVIDUAL, 355 00:23:36,310 --> 00:23:38,860 AND THIS IS A REAL SUCCESS STORY. 356 00:23:38,896 --> 00:23:41,756 BAHATI IS RAISING, ONCE AGAIN, TWO CUBS. 357 00:23:41,793 --> 00:23:44,003 THE LAST LITTER SURVIVED TO MATURITY. 358 00:23:44,034 --> 00:23:45,624 THESE TWO ARE DOING WELL. 359 00:23:45,655 --> 00:23:47,375 GREAT MOM. 360 00:23:52,655 --> 00:23:54,205 DO YOU KNOW IT'S A STRANGE THING? 361 00:23:54,241 --> 00:23:56,241 HOW DO YOU DEFINE THE RELATIONSHIP 362 00:23:56,275 --> 00:23:58,095 THAT YOU HAVE WITH A WILD ANIMAL, 363 00:23:58,137 --> 00:24:00,447 BECAUSE I DON'T WANT HER AS A PET. 364 00:24:00,482 --> 00:24:02,212 I DON'T WANT TO STROKE HER. 365 00:24:02,241 --> 00:24:06,211 I WANT HER TO BE WHAT SHE IS, THIS EXTRAORDINARY WILD CREATURE 366 00:24:06,241 --> 00:24:08,591 WITH ALL THOSE AMAZING ABILITIES, 367 00:24:08,620 --> 00:24:13,140 THAT TOGETHER MAKE THE BEAUTY AND THE INQUISITIVENESS 368 00:24:13,172 --> 00:24:16,412 AND THE ELUSIVENESS OF A LEOPARD. 369 00:24:29,379 --> 00:24:39,169 ♪♪ 370 00:24:39,206 --> 00:24:41,446 THAT IS BLACKIE. 371 00:24:41,482 --> 00:24:46,142 THIS IS THE KING OF THE TOPI PLAINS PRIDE. 372 00:24:46,172 --> 00:24:49,172 AND BACK BEHIND THERE, THE WHOLE PRIDE IS COMING... 373 00:24:51,482 --> 00:24:55,792 LED BY THESE MIGHTY, MOST POWERFUL MALES. 374 00:24:55,827 --> 00:24:58,097 THIS IS LIPSTICK OVER HERE. 375 00:24:58,137 --> 00:25:01,657 AND BLACKIE IS BACK THERE, LOOKING AT THE REST OF THE PRIDE 376 00:25:01,689 --> 00:25:06,239 AS THEY COME STRAIGHT ACROSS THE PLAINS BACK TO THIS HILL. 377 00:25:15,000 --> 00:25:23,660 ♪♪ 378 00:25:23,689 --> 00:25:25,969 Jonathan: WE'VE GOT NOTCH WITH HER TWO TINY CUBS. 379 00:25:26,000 --> 00:25:28,970 SHE'S ACTUALLY MOVING THEM RIGHT OUT IN THE OPEN. 380 00:25:29,000 --> 00:25:31,760 IT'S A DANGEROUS MOVE, BUT THE REST OF THE PRIDE ARE UP AHEAD. 381 00:25:31,793 --> 00:25:34,143 JACKSON'S THERE WITH BLACKIE AND LIPSTICK. 382 00:25:34,172 --> 00:25:36,142 AND I'M JUST HOPING AND HOPING 383 00:25:36,172 --> 00:25:38,212 THAT SHE DOESN'T BUMP INTO HYENAS. 384 00:25:38,241 --> 00:25:39,971 THEY ARE TINY. 385 00:25:45,344 --> 00:25:47,934 YOU CAN SEE THE WAY NOTCH, SHE STOPS EVERY SO OFTEN. 386 00:25:47,965 --> 00:25:49,375 SHE LOOKS AROUND. 387 00:25:49,413 --> 00:25:51,723 SHE'S THINKING ABOUT, YOU KNOW, IS THERE DANGER AHEAD? 388 00:25:51,758 --> 00:25:53,208 SHE'S AN EXPERIENCED MOTHER. 389 00:25:53,241 --> 00:25:55,311 SHE'S DONE THIS KIND OF THING BEFORE. 390 00:26:00,586 --> 00:26:03,336 THIS IS A HUGE MOMENT IN THESE LITTLE CUBS' LIFE. 391 00:26:03,379 --> 00:26:06,029 I MEAN, THEY'RE SORT OF ANKLE-HIGH. 392 00:26:06,068 --> 00:26:09,098 THEY LOOK WAY TOO SMALL TO BE BROUGHT INTO THE OPEN, 393 00:26:09,137 --> 00:26:11,337 BUT THIS IS ACTUALLY THE BREAKING-IN POINT. 394 00:26:11,379 --> 00:26:14,519 THIS IS THE TIME WHEN LIONESSES TEND TO BRING CUBS 395 00:26:14,551 --> 00:26:16,411 TO JOIN THE REST OF THE PRIDE. 396 00:26:24,931 --> 00:26:27,831 AND LOOK AT THIS EXPANSIVE PLAIN BEHIND ME. 397 00:26:27,862 --> 00:26:30,662 I MEAN, SHE'S PROBABLY WALKED A KILOMETER WITH THOSE CUBS. 398 00:26:30,689 --> 00:26:34,479 AND THEY ARE TINY, BUT SHE DID IT. 399 00:26:34,517 --> 00:26:37,827 AND THE REST OF THE PRIDE ARE JUST AROUND THE CORNER. 400 00:26:37,862 --> 00:26:39,172 SHE'S SCALED THE MOUNTAIN. 401 00:26:39,206 --> 00:26:41,376 SHE'S GOT THOSE TWO LITTLE CUBS TO SAFETY, 402 00:26:41,413 --> 00:26:44,003 RIGHT WHERE SHE WANTED THEM. 403 00:26:45,068 --> 00:26:46,718 WHAT A MORNING. 404 00:26:51,172 --> 00:26:54,212 ♪♪ 405 00:26:56,206 --> 00:26:58,896 Jackson: BLACKIE AND LIPSTICK HAVE LED THEIR PRIDE 406 00:26:58,931 --> 00:27:02,721 STRAIGHT INTO THIS ROCKY OUTCROP. 407 00:27:02,758 --> 00:27:08,208 CANNOT HAVE A BETTER PLACE, PEACEFUL PLACE, FOR ALL OF THEM. 408 00:27:08,241 --> 00:27:10,621 THIS IS GOOD. WHY IS HE RUNNING? 409 00:27:10,655 --> 00:27:12,135 HE'S RUNNING AFTER SOMETHING. 410 00:27:14,275 --> 00:27:17,965 HE'S GOING AFTER SOMETHING. I DON'T KNOW WHAT. 411 00:27:18,000 --> 00:27:20,000 GOSH, WHAT IS HE AFTER? 412 00:27:21,275 --> 00:27:23,205 [ ENGINE STARTS ] 413 00:27:23,241 --> 00:27:25,101 WE DON'T KNOW WHAT HE SAW. 414 00:27:25,137 --> 00:27:26,167 IS IT ANOTHER MALE? 415 00:27:26,206 --> 00:27:28,546 IS HE -- ANOTHER FEMALE? 416 00:27:28,586 --> 00:27:31,166 I DON'T KNOW, BUT HE'S RUNNING. 417 00:27:32,689 --> 00:27:34,829 DON'T KNOW HOW I'LL GET OUT OF HERE. 418 00:27:34,862 --> 00:27:37,622 BUT LOOK HOW DIFFICULT IT IS TO FOLLOW HIM. 419 00:27:37,655 --> 00:27:40,475 AND BECAUSE THIS MALE HAVE GOT UP AND RUN, 420 00:27:40,517 --> 00:27:44,967 THE CHANCES OF THE REST OF THE MEMBERS COMING TO JOIN IS HIGH. 421 00:27:47,000 --> 00:27:50,070 THIS IS THE EXCITEMENT OF THE MASAI MARA. 422 00:27:50,103 --> 00:27:54,003 WHEN CATS ARE IN ACTION, WE'VE GOT TO ACT LIKE THEM. 423 00:27:54,034 --> 00:27:57,074 WELL, I SEE QUITE A FEW HYENAS UP THERE. 424 00:27:58,448 --> 00:28:00,028 LOOK AT THEM. LOOK AT HIM RUNNING. 425 00:28:00,068 --> 00:28:01,718 LOOK AT HIM COMING. WOW! 426 00:28:01,758 --> 00:28:03,718 ALL THE HYENAS ARE RUNNING. 427 00:28:03,758 --> 00:28:05,378 THEY SEE THE KING COMING. 428 00:28:05,413 --> 00:28:08,833 EVERYBODY'S JUST EXPLODING AND RUNNING AWAY FROM HIM. 429 00:28:08,862 --> 00:28:10,102 WOW. 430 00:28:10,137 --> 00:28:12,617 [ ROARING ]LOOK AT HIM COME. 431 00:28:13,793 --> 00:28:18,103 HE MIGHT BE LIMPING, BUT HE RULES. 432 00:28:19,413 --> 00:28:22,863 NOW I CAN SEE WHY HE WAS RUNNING TOWARDS THIS DIRECTION. 433 00:28:22,896 --> 00:28:25,616 THERE'S A KILL! 434 00:28:25,655 --> 00:28:27,995 THESE ARE HIS OLDEST SONS. 435 00:28:28,034 --> 00:28:35,214 LIPSTICK AND BLACKIE SIRED THESE FOUR SUB-ADULTS. 436 00:28:35,241 --> 00:28:39,861 THE SUBS CAME TO STEAL THAT IMPALA FROM THE HYENAS. 437 00:28:39,896 --> 00:28:41,856 UNBELIEVABLE. 438 00:28:41,896 --> 00:28:46,066 AND LOOK, LIPSTICK, THEY DON'T EVEN CARE. 439 00:28:46,103 --> 00:28:49,383 ALL WHAT THEY WANT IS TO MAKE SURE THAT THIS TERRITORY 440 00:28:49,413 --> 00:28:51,523 IS WELL-CLAIMED, IS WELL-PROTECTED. 441 00:28:51,551 --> 00:28:53,281 THIS IS HIS. 442 00:28:56,517 --> 00:29:00,587 ALL YOUNG MALES AND YOUNG FEMALES, THEY FIGHT OVER SCRAPS. 443 00:29:00,620 --> 00:29:01,790 THEY FIGHT OVER THINGS, 444 00:29:01,827 --> 00:29:05,207 ESPECIALLY IF THEY CATCH A SMALL THING. 445 00:29:05,241 --> 00:29:09,971 IF THIS WAS BIG BUFFALO, THERE WOULD BE PLENTY OF SPACE 446 00:29:10,000 --> 00:29:13,030 AND PLENTY OF ROOM FOR THE PRIDE TO JOIN IN. 447 00:29:13,068 --> 00:29:18,408 BUT THIS IS JUST A SMALL IMPALA FEEDING FOUR HUNGRY LIONS. 448 00:29:18,448 --> 00:29:19,788 NOT ENOUGH. LOOK AT THAT FIGHT. 449 00:29:19,827 --> 00:29:21,447 LOOK AT THAT SCRAP. LOOK AT THAT. 450 00:29:21,482 --> 00:29:23,002 EVERYONE WANTS TO GO WITH SOMETHING. 451 00:29:23,034 --> 00:29:25,554 HE GOT EVERYTHING, AND HE TOOK OFF. 452 00:29:25,586 --> 00:29:27,276 AND SHE GOES WITH A PIECE. 453 00:29:27,310 --> 00:29:29,000 FABULOUS! 454 00:29:29,034 --> 00:29:31,624 THE OTHER MALES ARE LEFT WITH ALMOST NOTHING. 455 00:29:31,655 --> 00:29:35,825 THAT IS WHAT'S CALLED SURVIVAL OF THE FITTEST. 456 00:29:44,413 --> 00:29:46,143 [ ENGINES SHUTS OFF ] 457 00:29:50,931 --> 00:29:53,451 Jonathan: YOU CAN SEE HOW MUCH BIGGER LIPSTICK IS 458 00:29:53,482 --> 00:29:56,722 THAN THESE OTHER YOUNG MALES. 459 00:29:56,758 --> 00:29:58,338 HE CAN DOMINATE THEM. 460 00:29:58,379 --> 00:30:01,899 THEY'RE PROBABLY ABOUT 2, 2 1/2 YEARS OF AGE. 461 00:30:01,931 --> 00:30:04,241 BUT THESE YOUNGSTERS NOW WILL BE STARTING OUT 462 00:30:04,275 --> 00:30:06,165 ON A JOURNEY OF THEIR OWN AS NOMADS. 463 00:30:06,206 --> 00:30:07,756 BETWEEN 2 AND 4 YEARS OF AGE, 464 00:30:07,793 --> 00:30:09,973 YOU HAVE TO MOVE AROUND AS A YOUNG MALE, 465 00:30:10,000 --> 00:30:13,520 LOOK AFTER YOURSELF, STEAL KILLS FROM HYENAS, FROM OTHER LIONS, 466 00:30:13,551 --> 00:30:17,901 BECAUSE YOU WILL ALWAYS BE IN SOMEBODY'S TERRITORY. 467 00:30:19,931 --> 00:30:21,481 I'VE JUST NOTICED ONE OF THESE YOUNG MALES 468 00:30:21,517 --> 00:30:23,857 WHO'S WEARING A SATELLITE COLLAR. 469 00:30:23,896 --> 00:30:26,066 AND THAT IS HELPING THE MARA LION PROJECT 470 00:30:26,103 --> 00:30:28,453 TO TRACK THE MOVEMENT OF THESE YOUNG MALES, 471 00:30:28,482 --> 00:30:31,452 BECAUSE WE WANT TO KNOW WHAT HAPPENS TO THESE YOUNG MALES 472 00:30:31,482 --> 00:30:33,412 WHEN THEY DISPERSE FROM THEIR PRIDE. 473 00:30:33,448 --> 00:30:35,238 BECAUSE WE SEEM TO BE LOSING QUITE A LOT OF THEM, 474 00:30:35,275 --> 00:30:38,275 PROBABLY BECAUSE THEY ARE AT THE FOREFRONT 475 00:30:38,310 --> 00:30:40,140 OF CONFLICT SITUATIONS, 476 00:30:40,172 --> 00:30:43,142 TAKING CATTLE FROM THE MASAI PASTORALISTS. 477 00:30:46,310 --> 00:30:48,970 THIS IS A PIVOTAL TIME IN THE LIFE OF THESE YOUNG MALES, 478 00:30:49,000 --> 00:30:52,310 BECAUSE SOON THEY WILL BE FORCED OUT OF THE PRIDE. 479 00:30:52,344 --> 00:30:55,974 BUT BY THE LOOK OF THIS ONE, IT'S NOT JUST ABOUT FOOD. 480 00:30:56,000 --> 00:30:58,790 I THINK HE'S INTERESTED IN THAT YOUNG FEMALE. 481 00:30:58,827 --> 00:31:02,617 AND THAT COULD BE A MISTAKE. 482 00:31:02,655 --> 00:31:11,235 ♪♪ 483 00:31:11,275 --> 00:31:14,375 [ GROWLING, SNARLING ] 484 00:31:29,655 --> 00:31:32,205 WHAT CAN I POSSIBLY ADD TO THAT? 485 00:31:32,241 --> 00:31:37,341 IN TERMS OF POWER, IN TERMS OF DEMONSTRATING WHO'S BOSS, 486 00:31:37,379 --> 00:31:41,859 I MEAN, YOU SAW THE WAY LIPSTICK JUST STOOD TALL 487 00:31:41,896 --> 00:31:45,616 AND DEFIED THOSE YOUNG MALES. 488 00:31:45,655 --> 00:31:49,785 AND THEN, VERY SIGNIFICANTLY, LIPSTICK MARKED HIS TERRITORY. 489 00:31:49,827 --> 00:31:51,827 HE SCUFFED HIS FEET, HE PEED, 490 00:31:51,862 --> 00:31:54,522 AND HE DID IT RIGHT NEXT TO THE TWO FEMALES 491 00:31:54,551 --> 00:31:56,661 'CAUSE THIS IS WHAT THIS IS ABOUT. 492 00:31:56,689 --> 00:32:00,209 IT'S ALL ABOUT ACCESS TO FEMALES, NOT ABOUT FOOD. 493 00:32:00,241 --> 00:32:03,001 THERE'S NOTHING LEFT OF THAT CARCASS. 494 00:32:04,413 --> 00:32:06,283 BUT I'LL TELL YOU WHAT, THESE YOUNG MALES -- 495 00:32:06,310 --> 00:32:08,830 THEY ARE READY TO PUSH THE LIMITS. 496 00:32:08,862 --> 00:32:11,342 THEY ARE READY TO CHALLENGE. 497 00:32:12,724 --> 00:32:15,764 THE TEMPTATION TO CHECK OUT THIS FEMALE, YOU CAN SEE 498 00:32:15,793 --> 00:32:18,553 IT'S JUST TOO MUCH FOR THAT YOUNG MALE. 499 00:32:18,586 --> 00:32:20,516 HE JUST CAN'T RESIST. 500 00:32:22,586 --> 00:32:26,206 [ ROARING, GROWLING ] 501 00:32:43,103 --> 00:32:48,933 NO QUESTION WHO'S IN CHARGE HERE -- THE BIG GUY, LIPSTICK. 502 00:32:48,965 --> 00:32:50,515 BUT THIS YOUNG GUY BETTER WATCH OUT, 503 00:32:50,551 --> 00:32:54,451 THIS YOUNG MALE, BECAUSE HE'S PUSHING THE LIMITS. 504 00:32:54,482 --> 00:32:56,002 YOU KNOW WHEN IT COMES TO THE POINT OF, 505 00:32:56,034 --> 00:32:57,624 "I'M BEGINNING TO ACTUALLY GET 506 00:32:57,655 --> 00:33:00,445 A LITTLE BIT IRRITATED WITH YOU." 507 00:33:00,482 --> 00:33:03,312 SO FAR, NOBODY'S GOT REALLY HURT. 508 00:33:03,344 --> 00:33:05,834 BUT THEY COULD, IF HE PUSHES THE LIMIT. 509 00:33:05,862 --> 00:33:10,342 LIPSTICK WILL RESPOND IN THE ONLY WAY LIONS KNOW HOW TO -- 510 00:33:10,379 --> 00:33:12,029 WITH VIOLENCE. 511 00:33:18,448 --> 00:33:24,898 ♪♪ 512 00:33:24,931 --> 00:33:28,141 I GOT A FEELING THAT IS THE END OF ONE HECK OF A MORNING. 513 00:33:28,172 --> 00:33:30,212 I MEAN, GOODNESS ME. 514 00:33:30,241 --> 00:33:32,551 THOSE YOUNGSTERS, I MEAN, THEY THINK THEY'RE READY. 515 00:33:32,586 --> 00:33:33,896 BUT NOT YET. 516 00:33:33,931 --> 00:33:36,211 IN FACT, NOT FOR QUITE A TIME. 517 00:33:36,241 --> 00:33:39,451 AND LIPSTICK WAS JUST SAYING TO THEM, "YOU KNOW WHAT? 518 00:33:39,482 --> 00:33:41,032 YOU JUST WAIT IN TURN. 519 00:33:41,068 --> 00:33:43,238 I'M NOT READY TO STEP ASIDE YET. 520 00:33:43,275 --> 00:33:45,095 THIS IS MY PLACE." 521 00:33:58,034 --> 00:34:02,144 ♪♪ 522 00:34:02,172 --> 00:34:07,242 [ WILDEBEESTS LOWING ] 523 00:34:07,275 --> 00:34:09,335 WHEN YOU SEE THIS MANY WILDEBEESTS ON A MISSION 524 00:34:09,379 --> 00:34:11,139 LIKE THIS -- VERY DIRECTIONAL, 525 00:34:11,172 --> 00:34:12,692 JUST WALKING THROUGH THE LONG GRASS, 526 00:34:12,724 --> 00:34:15,314 THEY'RE STOPPING FOR NOTHING -- IT MEANS ONE THING. 527 00:34:15,344 --> 00:34:16,524 THEY'RE HEADED FOR THE RIVER. 528 00:34:18,620 --> 00:34:20,690 AND IF YOU WANTED TO SEE AN EPIC CROSSING, 529 00:34:20,724 --> 00:34:22,484 I RECKON THIS IS GONNA BE IT. 530 00:34:22,517 --> 00:34:29,857 ♪♪ 531 00:34:29,896 --> 00:34:31,656 WHEN YOU GET A BIG CROSSING LIKE THIS, 532 00:34:31,689 --> 00:34:34,279 IT IS A DRAMA LIKE NO OTHER. 533 00:34:34,310 --> 00:34:36,410 THE ANIMALS ARE SO FRANTIC. 534 00:34:36,448 --> 00:34:39,068 THE PRESSURE OF ANIMALS FROM BEHIND 535 00:34:39,103 --> 00:34:40,553 GIVES THE FRONT ONES NO OPTION. 536 00:34:40,586 --> 00:34:42,236 THEY HAVE TO GO OVER. 537 00:35:06,275 --> 00:35:14,235 ♪♪ 538 00:35:14,275 --> 00:35:15,855 THIS IS WHY WE CALL IT 539 00:35:15,896 --> 00:35:18,686 THE GREATEST WILDLIFE SPECTACLE ON EARTH. 540 00:35:18,724 --> 00:35:21,904 YOU HAVE GOT TENS OF THOUSANDS OF WILDEBEESTS 541 00:35:21,931 --> 00:35:24,621 JUST POURING OVER THE BANKS OF THE MARA RIVER. 542 00:35:30,517 --> 00:35:36,407 ♪♪ 543 00:35:36,448 --> 00:35:38,278 AND YOU CAN SEE THE BANKS OF THE RIVER 544 00:35:38,310 --> 00:35:41,450 IN PLACES ARE 18 TO 20 FEET HIGH. 545 00:35:41,482 --> 00:35:45,172 AND SOMETIMES, BROKEN LEGS, BROKEN SPINES. 546 00:35:45,206 --> 00:35:48,096 AND YOU CAN LITERALLY HAVE HUNDREDS OF ANIMALS 547 00:35:48,137 --> 00:35:49,787 DYING IN A BIG CROSSING. 548 00:35:55,620 --> 00:36:01,480 ♪♪ 549 00:36:01,517 --> 00:36:04,517 THE BENEFIT OF BEING PART OF THE HERD ARE IN THESE MOMENTS, 550 00:36:04,551 --> 00:36:07,211 BECAUSE THERE'S ALWAYS THE THREAT OF PREDATORS. 551 00:37:10,172 --> 00:37:19,172 ♪♪ 552 00:37:27,206 --> 00:37:30,996 WE EVOLVED SIDE-BY-SIDE WITH THESE GREAT PREDATORS 553 00:37:31,034 --> 00:37:34,244 OVER THOUSANDS OF YEARS OUT ON THE AFRICAN SAVANNA. 554 00:37:38,655 --> 00:37:40,135 WHEN YOU HEAR A LION ROARING, 555 00:37:40,172 --> 00:37:42,622 THAT SOUND ECHOING ACROSS THE PLAINS, 556 00:37:42,655 --> 00:37:45,275 IT STIRS SOMETHING DEEP INSIDE YOU. 557 00:37:45,310 --> 00:37:51,900 ♪♪ 558 00:37:51,931 --> 00:37:55,341 IMAGINE AFRICA, IMAGINE THE MARA, 559 00:37:55,379 --> 00:37:58,379 WITHOUT THE SOUND OF THE MIGHTY LION. 560 00:38:06,724 --> 00:38:14,904 ♪♪ 561 00:38:14,931 --> 00:38:17,171 IF I'D BEEN WRITING THIS STORY, 562 00:38:17,206 --> 00:38:19,716 YOU COULDN'T HAVE SCRIPTED A BETTER ENDING. 563 00:38:19,758 --> 00:38:22,898 THE MARSH PRIDE ARE BACK IN THE HEART OF THEIR TERRITORY. 564 00:38:22,931 --> 00:38:26,621 CHARM AND THE OTHER FOUR FEMALES HAVE RETURNED. 565 00:38:26,655 --> 00:38:32,685 ♪♪ 566 00:38:32,724 --> 00:38:35,104 ONLY TWO OF OUR LIONESSES HAVE CUBS RIGHT NOW -- 567 00:38:35,137 --> 00:38:37,657 KABEBE AND CARLI. 568 00:38:37,689 --> 00:38:39,619 NOW THEY'RE THE ONES WHO HAVE TO BE CAREFUL, 569 00:38:39,655 --> 00:38:41,135 HAVE TO REALLY WATCH OUT FOR THE WARRIORS, 570 00:38:41,172 --> 00:38:43,212 'CAUSE THEIR CUBS ARE STILL VULNERABLE. 571 00:38:43,241 --> 00:38:45,591 BUT FOR THE OTHER THREE LIONESSES, 572 00:38:45,620 --> 00:38:48,410 THEY COULD POSSIBLY MATE WITH THE WARRIORS. 573 00:38:48,448 --> 00:38:51,408 AND THAT WOULD BE A WHOLE NEW CHAPTER IN THE HISTORY, 574 00:38:51,448 --> 00:38:54,898 IN THE BIG CAT LEGACY, OF THE MARSH PRIDE. 575 00:38:58,000 --> 00:39:01,210 BUT FOR THE MOMENT, I'M JUST SOAKING UP THE JOY. 576 00:39:01,241 --> 00:39:03,591 40 YEARS IN THE MARA WATCHING THIS PRIDE, 577 00:39:03,620 --> 00:39:06,380 AND FOR A MOMENT THAT BLIP WHERE THEY LEFT, 578 00:39:06,413 --> 00:39:09,103 AND NOW THE CONTINUITY IS RESTORED. 579 00:39:09,137 --> 00:39:13,337 JUST INCREDIBLE, A WONDERFUL END TO OUR STORY. 580 00:39:13,379 --> 00:39:22,479 ♪♪ 581 00:39:22,517 --> 00:39:25,307 WHO COULD'VE IMAGINED IN THEIR WILDEST DREAMS 582 00:39:25,344 --> 00:39:28,174 THAT WE WOULD'VE RECORDED SUCH SPECTACULAR MOMENTS 583 00:39:28,206 --> 00:39:29,856 WITH OUR BIG CATS? 584 00:39:29,896 --> 00:39:34,996 ♪♪ 585 00:39:35,034 --> 00:39:37,074 Jackson: GROWING UP IN THE MASAI MARA, 586 00:39:37,103 --> 00:39:40,003 I HAVE LEARNED SO MANY THINGS. 587 00:39:40,034 --> 00:39:43,974 AND I'M VERY PROUD TO SHARE SO MANY TREASURES. 588 00:39:44,000 --> 00:39:48,340 WE HAVE LEARNED TO LIVE SIDE-BY-SIDE WITH THESE ANIMALS. 589 00:39:48,379 --> 00:39:50,689 Angela: I THINK THE MASAI MARA IS SO CLOSE 590 00:39:50,724 --> 00:39:53,384 TO BOTH JONATHAN AND MY HEART. 591 00:39:53,413 --> 00:39:55,213 IT IS OUR VERY ESSENCE. 592 00:39:55,241 --> 00:39:57,381 IT IS WHAT WE LOVE TO DO 593 00:39:57,413 --> 00:40:00,173 MORE THAN ANYTHING. 594 00:40:00,206 --> 00:40:03,656 Jonathan: BUT IN SOME WAYS, THE REASON THIS IS SO SPECIAL 595 00:40:03,689 --> 00:40:05,929 FOR US IS BECAUSE THIS IS OUR HOME. 596 00:40:05,965 --> 00:40:08,205 THIS IS WHERE WE LIVE. 597 00:40:08,241 --> 00:40:11,171 WHEN THE CAMERAS DISAPPEAR, WHEN THE LIGHTS GO DOWN, 598 00:40:11,206 --> 00:40:13,716 WE ARE STILL HERE, FOLLOWING THESE STORIES 599 00:40:13,758 --> 00:40:16,308 AS WE HAVE FOR THE LAST 40 YEARS. 600 00:40:16,344 --> 00:40:19,524 AND I THINK IT'S THE INTIMACY OF OUR RELATIONSHIP 601 00:40:19,551 --> 00:40:21,001 WITH THESE GREAT CATS 602 00:40:21,034 --> 00:40:23,864 THAT REALLY IS AT THE HEART OF OUR JOY. 603 00:40:25,275 --> 00:40:27,065 Jackson: I'M EXCITED TO GO OUT EVERY DAY 604 00:40:27,103 --> 00:40:29,623 BECAUSE I KNOW I'M GOING TO LEARN SOMETHING NEW. 605 00:40:29,655 --> 00:40:31,785 EVERY SINGLE DAY I GO OUT, 606 00:40:31,827 --> 00:40:34,687 I SEE SOMETHING I'VE NEVER SEEN BEFORE. 607 00:40:34,724 --> 00:40:35,934 THAT'S WHY I LOVE IT. 608 00:40:35,965 --> 00:40:38,335 I LOVE THIS PLACE TO BITS. 609 00:40:40,724 --> 00:40:42,724 Angela: BECAUSE IT IS SO RICH, 610 00:40:42,758 --> 00:40:47,718 IT'S SO ABUNDANT IN SO MANY DIFFERENT SPECIES, 611 00:40:47,758 --> 00:40:53,138 THE HUMAN RACE HAVE TAKEN OVER AS GUARDIANS OF THE PLANET. 612 00:40:53,172 --> 00:40:56,592 AND IT WOULD BE AN ABSOLUTE TRAGEDY 613 00:40:56,620 --> 00:41:00,030 IF WE DIDN'T REALLY STEP UP 614 00:41:00,068 --> 00:41:04,518 AND PROTECT THESE EXTRAORDINARY WILD PLACES. 615 00:41:04,551 --> 00:41:07,211 THERE ARE SO FEW LEFT IN THE WORLD NOW. 616 00:41:10,793 --> 00:41:13,073 Jonathan: THESE GREAT CATS THAT HAVE ENTHRALLED US, OF COURSE, 617 00:41:13,103 --> 00:41:16,593 HAVE BEEN LIVING IN PLACES LIKE THIS FOR THOUSANDS OF YEARS. 618 00:41:16,620 --> 00:41:20,970 AND IN A SENSE, ALL WE'RE ABLE TO DO IS LOOK AT ONE PAGE 619 00:41:21,000 --> 00:41:22,860 IN THE BOOK OF THEIR LIFE. 620 00:41:22,896 --> 00:41:25,616 AND WHAT I WOULD HOPE IS THAT OVER EONS, 621 00:41:25,655 --> 00:41:27,655 PEOPLE WILL JUST TURN ONE MORE PAGE, 622 00:41:27,689 --> 00:41:31,619 TAKE ONE MORE LOOK AT THIS EXTRAORDINARY LEGACY 623 00:41:31,655 --> 00:41:33,275 THAT WE HAVE IN FRONT OF US. 624 00:41:33,310 --> 00:41:35,280 IT IS A NEVER-ENDING STORY, 625 00:41:35,310 --> 00:41:37,790 AND WE ARE JUST A VERY SMALL PART OF THAT. 626 00:41:37,827 --> 00:41:41,377 AND I FEEL VERY PRIVILEGED TO HAVE JUST BEEN ABLE TO SHARE 627 00:41:41,413 --> 00:41:45,003 BRIEFLY WITH YOU SOMETHING OF THEIR STORY. 628 00:41:45,034 --> 00:41:48,284 ♪♪ 45163

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