Original subtitles

[electricity rattles]

Subtitles by explosiveskull www.OpenSubtitles.org

[typewriter ticking]

[ominous music]

[man screaming]

[pounding]

[ominous music]

- [man screaming] - [aircraft revving]

[pounding]

[guns fire]

[guns firing]

[letters pounding]

[guns firing]

[ominous music]

[phone ringing]

Frank, it's four A.M.

Shot down, when?

Where?

[suspenseful music]

Is he alive?

[suspenseful music]

[dog barking]

Not that that helps us.

If he's caught, the Germans can be extremely persuasive.

Call Gubbins.

I want every resistance cell from here to the Danube

hunting night and day.

- Sergeant, Sergeant! - Frank, if they catch him

and he talks, there is no Operation Overlord.

There is no damn D-Day and we will lose this war.

[dogs barking]

[soldiers talking in German]

[dogs barking]

William, shake Maurice out of bed.

Get him to ready my car.

[phone dings]

Get me the Prime Minister.

[suspenseful music]

Stop!

Freeze, hands up.

Hands up!

Get them above your head now!

Get down.

One bad move and he will shoot your horse

and then I will shoot you.

[speaks in French]

- Kneel down. - [soldier speaks in German]

[Ellie speaks in French]

[tense music]

[gun fires]

[ominous music]

[Ellie pants]

[Ellie speaks in French]

[papers rustling]

[ominous music]

[Ellie speaks in French]

Von Richter, you're sure?

If there's anyone in Europe that knows

where Victor Lawrence is,

you can be sure it's Sturmbannfuhrer Von Richter.

Where is he now?

So he'll be in UK airspace in what, six hours?

Von Richter is slippery.

Who do we have to meet him?

Have an agent from Baker Street

join Nichols at the airfield.

I appreciate you're stretched, we all are Frank.

Try John Seabourne,

he's just got in from that ugly mess in Yugoslavia.

Leave?

Well, who gave him leave?!

Tell him his country needs him tonight.

He can see his daughter afterwards.

And Frank.

Need to know eh?

Tell Seabourne we just need him to confirm

its Von Richter.

Oh, and one last thing.

Make sure he understands we need Von Richter alive.

[clock ticking]

[John] And there it is, 2,000 little pieces

to make it all work in perfect time.

[Jane] How do you even begin to know where they all go?

Actually, you would if anyone would!

[John] Let's hope I can remember eh?

[Jane] You will.

[John] The trick is knowing what each part does.

Everyone, if one piece is missing,

just one piece, then none of this works.

[gentle music]

I don't wanna go, Dad.

[sighs]

I don't want you to go either, but...

Why is there a "but"?

There's always a "but".

Your mother is looking forward to seeing you.

That's not the point.

This was our week.

We've had it planned for months.

Well unfortunately Mister Hitler

must have lost the copy our diary this month.

- I did send it to him. - [Jane scoffs]

I hate this war.

[both sigh]

[gentle music]

I'll make it up to you.

I promise.

It can't be time already.

You promise you won't carry on and fix it without me.

How could I?

You're my co-pilot.

My right hand girl.

I don't do anything important without you.

[gentle music]

Got your tickets?

And map?

And you'll wait for your mother

to pick you up at the station.

Dad, I've done this a million times.

[John] Not by yourself.

I'm not on my own.

I mean not without me or your mother.

- [car honks] - Call in sick.

[John] You know I can't.

I know you won't.

[John] Here comes your Aunt Betty now.

[dramatic music]

Last chance.

Hurry up and make this horrid war end.

[knocking at the door]

I'm doing my best.

Hello, Betty.

Hi, John.

Hello, darling.

Hi, Aunt Betty.

Jane has got all our telephone numbers

and addresses written on there.

Put it in an inside pocket.

We'll be fine, won't we poppet?

We're off on an adventure.

[John] Thank you.

I'll wait in the car.

Bye dad.

[dramatic music]

[birds chirping]

[dramatic music]

[Jane] Win this war.

And come home.

I promise.

[dramatic music]

[ominous music]

[suspenseful music]

[gun cocks]

[aircraft revving]

[tense music]

- John. - Danny.

You really didn't have to come, you know.

[aircraft engine rattling]

Everything all right?

I could have identified him just as well as you.

[aircraft engine rattling]

See?

Right on time.

You worry to much, John.

[aircraft engine rattling]

[aircraft rumbles]

[birds cawing]

[man sighs]

Sturmbannfuhrer Richter.

Well?

It's him.

Welcome to England, Sturmbannfuhrer Richter.

We have much to talk about.

This goes against every code

of the Geneva convention.

You do not get to lecture us about codes,

Geneva, or any other.

[Challenger speaks in foreign language]

[Durand speaks in foreign language]

[John] What did he say?

[Durand speaks in foreign language]

[Challenger] He wants his cuffs back.

[ominous music]

- [suspenseful music] - [Durand grunts]

[suspenseful music]

[metal clangs]

[metals creaking]

[tense music]

[suspenseful music]

[ominous music]

[both grunting]

- [Von Richter grunts] - [suspenseful music]

[Von Richter screams]

[John] Don't move.

[dog barking]

[Man] Home guard!

Who goes there?

[Von Richter groaning]

Special Operations.

Don't shoot.

[birds chirping]

[tense music]

[dramatic music]

[Man On Radio] The battle for Monte casino

has ended in victory.

Polish troops of the 2nd Polish Corps

led by General Wadyslav Anders

captured German positions around the hilltop fortress

in the early hours of this morning Italian time.

Men and officers of His majesty's Eighth Army's

and soldiers of the 1st Canadian Infantry Division

and the 5th Canadian Armoured Division

are pursuing the Germans north to the Hitler line.

Eyewitnesses describe a German army in disarray

as commonwealth and allied soldiers harass and dog

at the heels of the retreating Germans.

In home news, the south east of Britain

suffered another wave of daylight bombardment,

suggesting the German command are getting desperate.

In Watford a munitions factory was hit causing a large fire

and 103 casualties.

In East Anglia, a passenger train

on the Norwich to London Liverpool street line

suffered a direct hit at approximately four P.M.

just as the train was pulling out of Sudbury, in Suffolk.

A statement by John Roberts of the Auxiliary Fire Service

at 9 A.M. this morning confirms 15 people were killed,

including six children.

Whilst there are no other casualties from the bombardment,

a ministry spokesman asks all members of the public

to continue their vigilance in respect of unexploded bombs.

[dramatic music]

[bell tolls]

[Priest] We are gathered here today to remember before God

-our dear sister Jane, -[bell tolls]

to give thanks for her life,

to commend her to God her merciful redeemer and judge,

- [bell tolls] - to commit her body

to be buried.

We have entrusted our sister to God's merciful keeping,

and we now commit her body to the ground:

- [bells tolls] - earth to earth,

ashes to ashes,

- dust to dust. - [bell tolls]

[knocking on the door]

Hello?

[birds chirping]

You're late.

Lathyrus odoratus.

Need to be hardened off in April

or they won't survive a cold snap.

May we go inside?

My sincerest condolences, old boy.

You know it wasn't your fault.

It was just wrong place, wrong time.

It's a damn ugly war.

Danny could have identified Richter,

I needn't to be there.

He could have, had things gone smoothly.

But, as it turns out,

you rather did need to be there.

I didn't know that when I sent Jane packing.

And if you'd gone with her?

You'd have all been hit with the same damn bomb.

No.

Neither of us would have gone to London

in the first place.

If I could change that, I would.

But I can't.

What are you doing here?

John, we've got a situation.

[ominous music]

Candidly, a real pickle.

A senior planner at Baker Street's gone and got himself

shot down over the continent.

Haute De France.

The SS picked him up near Lille.

You told his family it's an ugly war?

It's Victor Lawrence, John.

[ominous music]

The thing is, John.

The SS don't know who they have.

If they did, well.

At the moment they think he's a just another airman.

That Sturmbannfuhrer you picked up at Dunwichon Saturday,

seems you got him in his sciatic nerve.

Jolly painful I understand.

Sung like a canary.

We're quite sure they don't know who they have.

They're not idiots.

They'll find out.

No, they won't, because you're going to go over there

and get him out.

Before he talks.

We already know where he is.

They've got him in a holding camp.

But if they move him to Germany,

or should I say when...

I'm a Balkan specialist.

I don't even speak French.

To mangle Delaphine Corortain's wonderful quote:

"Tyrants and dissemblers create worlds

"in which good people are forced to make terrible choices".

You don't live in that world.

It certainly feels like I do.

You do not.

You don't have a choice.

I'll be just outside.

[ominous music]

[dramatic music]

If he talks before you get him,

we lose our only real chance of ending this war.

Have local resistance get me a flying jacket

and some identity tags.

Good man.

I'll wait in the car.

[dramatic music]

[ominous music]

[birds chirping]

[ominous music]

[suspenseful music]

[suspenseful music]

[man speaking in foreign French]

[suspenseful music]

Notre.

Dame.

I could have killed you.

[Ellie speaks in French]

He's fine.

We heard your aeroplane.

We followed you, we had to be sure.

If you heard the plane,

we must assume others did.

Is there somewhere we can go?

Get your coat.

[ominous music]

My name is Ellie and him Anatole.

[John] John Seabourne.

We should get off the road.

[Ellie] The Germans do not patrol

on this side of the forest.

We can travel faster this way.

[John] Where are we going?

[Ellie] We see many aeroplanes at night

and now even in the day, high up.

Spies [mumbles]?

Something big is coming.

[dramatic music]

[John] It's safe here?

Safe?

You are in occupied France, Mr. Seabourne.

No where is safe.

Where's everyone else?

[Bernard speaks in French]

That's?

You are it.

A boy, a girl and an old priest?

Father Bernard lets us use this place,

but he does not fight.

So?

Where is everyone else?

The resistance have been ordered north, into the Ardennes.

Some have gone to the coast, even to Normandy.

The last two left yesterday.

They didn't even say goodbye.

[Anatole speaks in French]

He wants to know if the Americans are coming.

Nobody will be coming.

Not if I don't complete my mission.

[Ellie] So speak.

I need to find a man.

A British officer.

Shot down last week.

We believe he was taken to a Durchgangslager,

a holding camp where they host POWS...

I know what a Durchgangslager is.

Do you know Chateau Craique?

Chateau Craique?!

[speaks in French]

Gestapo.

Will you show me the way?

And then you can go to the Ardennes,

and whichever part of this wretched war you want.

We will show you the way to the Chateau.

[John] Thank you.

And then we are leaving.

And you will be "tout seul".

[Bernard speaks in French]

What did he say?

He wishes us luck.

Come on, let's go and find your prisoner.

[dramatic music]

The Germans broke the dykes and flooded the fields from here

to the chateau.

[ominous music]

They don't patrol this side.

Watch out for the snakes.

[animals calling]

[dogs barking]

There, in between the trees.

[John] I see it.

How do we get closer?

[Ellie] More swamp.

[John] Lead the way

[ominous music]

[grass rustling]

[Anatole] Chateau Craique.

How do we know your Victor is still there?

[John] We don't, not yet.

[Ellie speaks in French]

[leaves rustle]

You trying to get yourself killed?

There.

By the low out-buildings.

[ominous music]

[Ellie] It's him?

[John] It's him.

[Ellie] Come on, let's go.

I'll get my gun.

We go in now.

[John] No, wait.

Ellie, wait for me.

[Ellie speaks in French]

I said no.

Are you crazy.

We must go now.

They still don't not know who he is.

It's the best advantage we've got.

So we create a diversion.

We have explosives, TNT...

This is not a military operation.

This is a burglary.

We go in silently and we leave no trace.

And that requires careful planning.

What if the Gestapo discover him

while you are making this plan?

Will you stay?

A few days.

I need your help.

I must learn everything about that camp.

Ellie?

[suspenseful music]

[urine pattering]

[ominous music]

You would have let him kill us.

No.

I let you get wet.

[ominous music]

Will you help me get that man out?

We can give you two days.

That'll be enough.

But tell him, they must not suspect a thing.

We must be silent, like ghosts.

[chattering in French]

What did he say?

He said the ghosts are already dead.

[ominous music]

[John Voiceover] Okay, we have two days

to find a way into the chateau

and get him out.

Here is our plan.

We must survey every inch of the chateau.

[ominous music]

The boy waits at the outer ditch.

You and I, we get as close as we dare

and learn everything we can about that camp.

We study it from all four points of the compass.

We move quickly,

we move silently and exploit our crucial tactical advantage.

We will know where they are and what they are doing

at every minute.

They don't even know we are here.

This is our secret weapon,

and this what will get us inside.

Knowledge, intelligence.

We note every gun post, every field of fire,

every patrol route,

'till we can create a birds eye view from memory.

Every time they take the prisoners out, we make a note.

Every guard position, write it down,

every shift change, every patrol, every guard,

the loners, the chatterers, the paranoid,

- the lazy... - We write it down.

[John Voiceover] We write, it, down.

He knows his tactics their commander.

Those machine guns, elevated, overlapping arcs.

Six men could defend this place against a whole platoon,

a company probably.

Before the war, I used to play with my brother

on this swing.

[dramatic music]

Perhaps you will again.

It's not the same for you in England.

Here children will never be children any more.

[dramatic music]

Bilbo calling Oakenshield, over.

Bilbo calling Oakenshield, over.

[Man] Oakenshield calling Bilbo.

Smaug's still lurking in Rivendell.

Oakenshield out.

Message received.

Bilbo out.

The British are strange.

They're characters from a children's book about dwarves.

Actually I think he was a hobbit.

A "Hobbit"?

A little person who, who sneaks into a dragon's cave.

[ominous music]

[paper rustling]

Stop!

The chateau's defences are designed

against a full military assault.

The Nazis don't consider a small team to be any threat.

They certainly aren't expecting infiltration

buy one or two men or they'd have tighter defences.

This is why we do our homework.

Look, it's a back door, a way in.

What are you saying?

There's a blind spot.

Right

there.

An invisible corridor from one end of the field

to the other that I don't think can be seen

by either machine gun.

If we can make it that far, make it across the field,

we'll be out of sight.

There is still a chance he'll see you

before you get there.

It's not about chance, we need to test it.

[ominous music]

If I'm seen, open up.

Make it look like an attack.

[ominous music]

[John panting]

[suspenseful music]

[brooding music]

[Ellie] [speaks in French] Resistance.

[John panting]

Like clockwork eh?

[Ellie] So we go tonight?

- No. - Again "no".

That's our way in.

That's the easy bit.

Now we need to find a way out.

But not now.

We'll come back.

Come on, the patrol will be on their way.

[ominous music]

We have less than a minute.

Where have they gone?

Where have they taken them?

Don't get us caught now.

We're too close.

They've got other prisoners, French Resistance.

My comrades.

[John] I can't see anyone.

[Ellie] They took them to that low building.

[John] There's no one there.

They took them inside.

This is why they didn't say adieu.

It changes everything.

It changes nothing.

We do not go in until we have an escape plan.

You know what they do to the resistance.

What they will already be doing.

Those men knew the risk.

How can you be so cold?

What don't you understand?

[Bernard speaking in French]

She was only a little girl when the Germans

came through in 40.

[Bernard speaking in French]

A girl with pigtails and a crush on the boy

who lived down the lane.

[Bernard speaking in French]

Her parents were killed by the Luftwaffe.

Her brother and she survived.

Anatole is your brother?

No, commandos from England,

parachuted in on New Year's Day.

They convinced us both to spy for them.

The Gestapo found our safe house.

Only I escaped.

They took my brother to Chateau Craique.

When they returned him he had no skin.

So you see.

I do.

Quite clearly.

You don't want to save those boys or stop this war,

you want revenge.

[Ellie grunts]

If we go in tonight without an escape plan

and we are caught, Victor talks.

Then there will be hundreds,

thousands of boys like your brother, for years to come.

We do not go tonight!

I will help you get your people out if I can.

They aren't my people.

They are just people.

But it can not be tonight.

I will shoot you all if you try.

[ominous music]

Including him.

[Ellie and Bernard speak in French]

Deadly.

[ominous music]

Bilbo calling Oakenshield, over.

Bilbo calling Oakenshield, over.

[radio buzzing]

Bilbo calling Oakenshield, over.

[dramatic music]

[Ellie sobs]

[sniffles]

[suspenseful music]

[leaves rustling]

[suspenseful music]

[Ellie grunts]

- [soldier grunts] - [Ellie screams]

[suspenseful music]

[Ellie grunts]

[suspenseful music]

[Man speaking in German]

[gun fires]

[ominous music]

I'm sorry, I'm sorry.

It was a mistake.

I panicked.

Let it go, it's done.

I'm sorry.

[stuttering] My gun, you distracted me.

What was I supposed to do?!

I said let it go.

We must hide them.

Let me think.

We strip them, we take them to the swamp

and weigh them down.

[suspenseful music]

They must be found.

They must be found today.

Found?

I don't understand.

Once they are discovered missing,

the SS will search these woods.

[Ellie] So we move from the church.

It doesn't matter if they find us or not,

they are certain to reinforce the guards at the Chateau.

The Germans must find these bodies.

What difference will that make?

They will still come hunting for whoever did it,

and when they can't find anyone,

they will still put more guards up,

like you said.

Then they need to find who did it.

If they know who did it they might,

just might think the matter is closed.

Please, no.

Or think they know.

They only have to think they know.

What do you mean?

You need to find someone to take the blame, and quickly.

[Anatole speaking in French]

They will come for everyone and they will kill them all.

In March, near Alvelina German staff car

came off the road on oil, they blamed us.

Everyone in the village was shot.

Everyone.

[Anatole speaks in French]

It's not the same for you.

Your family is safe in England.

What do you know about my family?

He's a child.

He's old enough.

[Anatole and Ellie speak in French]

[Bernard speaks in French]

[Ellie speak in French]

What did he say?

[Bernard speaks in French]

What is he saying?

[Ellie and Anatole speak in French]

What's he saying, what does he want?

[Bernard speaks in French]

Pitie, what's pitie?

Pitie is pity.

[dramatic music]

He says we must bring the dead soldiers to the church.

And perhaps the Germans will show pity to a man of God.

And make it quick.

It is a damn ugly war.

[ominous music]

[Man On Radio] Von Rhor's commander

is on his way to Chatueau Craique.

Compromised, mission compromised.

Tonight, you must go in tonight.

Mission compromised.

[dramatic music]

[Ellie] What's going on?

[John] News from London.

[Ellie] They got Hitler with a bomb?

Our lads intercepted a message.

They're taking Victor to a POW camp in Germany tomorrow.

The regional Gestapo Commander, Von Rhor,

is arriving to supervise the transfer.

When, when does he come?

[John] Tomorrow.

He knows who Victor is.

[Ellie] So it is lost.

[John] No.

[Ellie] How no?

[Anatole speaks in French]

So tonight?

We go in tonight?

I go in.

[Ellie] What's happening?

[Bernard speaks in French]

[Bernard] The ones, they came before you.

I need you to stay and help him hide the dead Germans

so they're never found.

What about me, where's mine?

We are no longer hiding in ditches.

Where I'm going, there is every likelihood I will be caught.

Wearing these tags, I'm just an unlucky airman.

You can not come.

You know what they will do to you.

[Ellie speaks in French]

You must stay here.

If I am not back by morning, then come for us.

And bring everything you have.

I will get your boys out if I can.

I swear.

[dramatic music]

[Bernard speaks in French]

[Ellie speaks in French]

[Bernard speaks in French]

[ominous music]

[bushes rustle]

Don't shoot.

[John] What are you doing here?

I've got news.

There was an escape attempt this morning.

No, no, the Nazi's caught it.

But they've moved all the allied prisoners

into the manor house.

How do you know?

It's all over the village.

They say they have cellars.

They must have put them there.

They did the same with my brother.

Come on, let's go.

I told you...

[Ellie] You know the chateau from the outside.

I know the inside.

[John] I need you to get us out.

I'm coming with you.

And if you don't like it, too bad, we're out of time.

Stay close to me.

[Ellie] I brought explosives.

We can set charges, blow them when we leave.

I said no sound.

Leave them here.

[ominous music]

[tense music]

[Ellie] What do we do?

[John] There's no other way.

We're gonna have to swim it.

In your sketches,

there is a low bank on the other side.

We wait 'till dark.

[ominous music]

[dramatic music]

Boots 'n all.

No footprints in the chateau.

Your feet will dry in minutes, shoes won't.

[ominous music]

[faint voice talking]

[man laughs]

[men chattering in German]

[tense music]

[Ellie speaks in French]

[door closes]

Where is Victor?

Where are the other prisoners?

[Ellie speaks in French]

Where's the rest of them?

Where are the allies?

Where are the POWs?

[Ellie speaks in French]

[Davide speaks in French]

They have moved them back to a barn.

You lied to me.

They have moved them.

They were never here and you know it.

You lied to me.

We cannot take them.

[Ellie] What?

[Davide speaks in French]

No, we have to take them.

If the Germans find these men missing,

they will lock down the whole manor house.

You are saying we leave them there?

[Davide speaks in French]

We can't take them.

You know what will happen to them

if they stay.

And you know, as well as I know,

what will happen to the whole world if we are caught.

Ask them what we should do.

I'm sorry, Monsieur Seabourne.

Our missions have now separated.

[gun cocks]

[suspenseful music]

I promise.

Once we have got Victor out, I will come back for these men.

But right now...

And if they don't last that long?

Right now, we get Victor out.

It is no exaggeration but millions of lives depend on this.

Tell them.

[Ellie speaks in French]

[Davide speaks in French]

Tell him I'll be back for him.

[Ellie speaks in French]

No, please.

[ominous music]

[door clangs]

[ominous music]

Victor Lawrence?

Where us is Victor Lawrence?

For God's sake.

[speaks in French]

I am Victor Lawrence.

John Seabourne, Special Operations, we need to go.

What are you doing here

You're coming with us.

Who are you?

SOE, sir.

[Victor] Oh, you fools.

Hurry up.

We need to go, now.

Get out before the guard comes back.

I'm not leaving without you.

He doesn't want to come, let's go.

[John] We're here to break you out, Sir.

This is a rescue.

Look around you.

You think I couldn't have got out of here myself

without you.

Its a barn.

A mediaeval barn.

You can kick through the walls.

We could have been gone the first night.

All of us.

I can't leave.

I can't risk it.

The Nazi's don't know who I am.

I intend to keep it that way.

Which means not cavorting around in some boys

own adventure of an escape.

Hit him on the head.

There is a senior Gestapo officer on his way,

Sturmbannfuhrer Von Rohr.

[Victor] I know who Von Rohr is.

Then you know he knows you.

We have to get you out of here before they realise

who you are.

And you think busting out of here in a blaze of glory

is going to make that less likely?

No.

We're sneaking out the way we came in.

Sir, I know how important you are.

I am certain you don't.

But as far as you think you understand,

you will realise I only need to remain undiscovered

for a few more days.

Once our boys and the Americans land,

none of this will matter.

Then you can play hero with whomever you please,

there will be plenty of need for that

I can assure you.

The course of action with the highest chance of success

is for me to remain here and you both to leave.

My friends are the dungeons of that chateau

and if we do not get you out, we can not get them out,

and if we do not get them out,

they will be tortured to death.

And it will be your fault, and his.

This isn't about your friends in the cellar,

this is about years of damn war

and thousands of lives.

I am truly sorry for your comrades,

but he is right.

[John] If they find out who you are then...

Then I will take what I know to the grave.

You have never been a prisoner of the Gestapo.

Sir, I'm sure you know what this is.

I'm not taking a damn cyanide pill.

Then you leave me no choice.

[gun cocks]

You'll bring the guard.

You'll be caught.

All of you.

[ominous music]

[Briggs] Chaps, Brandt's on his way.

[ominous music]

Merde!

Is that the same guard?

The same guard as what?

The same guard as usual.

Has he seen Victor?

Bright lady.

If the head count still matches,

that's all he'll care about.

[ominous music]

Attention please.

Chaps, fall in.

[speaking in German]

Good.

[speaks in German]

[door clangs]

What kind of fool breaks in to become a prisoner of war?

Ellie, come out.

You're taking Victor out of here.

Again?

I said I won't, and I said why not.

I was crystal clear.

Yes, you did.

Indeed you were.

Specifically, you said they don't know who you are.

And you said if the head count hasn't changed,

you or me, they won't know or care.

You would do that?

We're switching.

Ellie!

Ellie!

Ellie!

Oh, no.

[John panting]

She must have slipped out when the guard...

Oh, you think so?

[Victor] Where'd you find her?

Please, shut up, let me think.

Enterprising woman.

If they catch her,

what's that?

Lights out.

Don't s'pose you brought a torch.

No plan survives contact with the enemy eh?

Well, his didn't survive contact with friends.

[vehicle approaching]

[ominous music]

It's him.

It's Von Rohr.

[brooding music]

You recognise him?

It's him.

- Can you hear them? - I could if you'd be quiet.

[faint voices talking]

Be quiet.

[ominous music]

- Hide. - No.

If the head count still matches,

there's a chance he won't recognise me.

[suspenseful music]

And if he does?

Then I'm sure you will do what is required.

[John sighs deeply]

[suspenseful music]

[Von Rohr speaking in German]

[guard speaks in German]

Fall in chaps.

Nice and neat for the Gestapo.

[ominous music]

[suspenseful music]

He didn't recognise you.

He did.

He just can't remember where from.

Yet.

[ominous music]

[suspenseful music]

[Von Rohr speaks in German]

[suspenseful music]

If it was up to me...

[Victor] It is up to you.

I'll tell them what happened here.

Tell my Alice, I...

Just tell her.

[gun cocks]

[bomb explodes]

[brooding music]

[soldiers shouting in German]

- The RAF? - No.

The Resistance?

Ellie.

This is no longer a burglary.

[Victor] What is it?

War.

[soldiers shouting in German]

Gather what you can.

Scrounge weapons off dead crouts.

Anything loaded, open it up and pour hell on 'em.

You, stay right beside me.

[soldier groans]

[ominous music]

[soldiers speaking in German]

[gun fires]

[suspenseful music]

[guns firing]

[Man] We have to go.

[guns firing]

Think you can take him?

We need to draw his fire.

I'll go.

Good luck.

Don't miss.

[guns firing]

Let's go.

[ominous music]

[guns firing]

[soldier shouting in German]

[Briggs screams]

[guns firing]

[suspenseful music]

[men panting]

[guns firing]

We are pinned down in a inferior position, Sir.

As soon as they realise they'll be on us

with everything they've got.

[guns firing]

We can't stay here, Sir.

If we don't help her, she's dead,

and so are her boys.

If they find him, he's as dead as she is.

Him or her, sir.

[dramatic music]

Are you mobile?

Legs are fine.

[pants] I need you to draw their fire.

I want them to think we're retreating that way.

[Briggs] We can certainly do that.

[John] Make it as obvious as possible.

You going back for her?!

I made a promise.

- Come on, Sir. - No.

He's coming with me.

Back there?!

[John] He's my mission, Captain.

On me.

[guns firing]

[ominous music]

[guns firing]

[soldiers shouting in German]

[guns firing]

It's working.

You are a fanatic.

I'll give you that much.

She saved your bacon, Sir.

I'm not leaving her.

[gun firing]

[tense music]

[dramatic music]

[guns firing]

[Von Rohr speaks in foreign language]

[guns firing]

[Von Rohr shouting in foreign language]

You came back.

You didn't leave me much choice.

There's always a choice.

I made a promise.

[Ellie] To me, or my boys in there?

[ominous music]

You, stay here.

Are you joking?

Don't move.

[Ellie] What is your plan?

[brooding music]

[suspenseful music]

[guard speaks in German]

[Ellie speaks in French]

[guard speaks in German]

- [guard groans] - [Ellie grunts]

[ominous music]

[tense music]

[faint voice talking]

[suspenseful music]

[tense music]

[fist thumps]

[Davide groans]

One last time.

Where will the resistance take Victor Lawrence?

[Davide speaks in French]

[Davide panting]

Where is he?

[fist thumps]

Where is he?

[door clicks]

I am Victor Lawrence.

[ominous music]

[door thuds]

[suspenseful music]

[gun fires]

[ominous music]

[bird cawing]

That's the signal.

That's your boat.

[birds cawing]

You're not coming.

I told you, I made a promise.

She would have been proud.

Catch up with you after the final whistle eh?

Good luck.

And to you.

One and all.

[dramatic music]

[birds cawing]

What now?

What's the date?

Fifth of June.

[dramatic music]

What are you doing tomorrow?

Come on, let's end this horrid war.

[dramatic music]

[gentle music]

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