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These are the user uploaded subtitles that are being translated: 1 00:00:01,069 --> 00:00:03,137 [ FILM PROJECTOR WHIRRING ] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:03,137 --> 00:00:05,173 [ SLOW, DRAMATIC MUSIC PLAYS ] 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:12,280 --> 00:00:17,285 [ INDISTINCT CONVERSATION ] 6 00:00:17,285 --> 00:00:19,220 LOOSEN UP A LITTLE. 7 00:00:22,790 --> 00:00:23,624 GREAT. 8 00:00:23,624 --> 00:00:25,626 LOOK THIS WAY WHEN YOU DO IT. 9 00:00:25,626 --> 00:00:26,727 [ CAMERA SHUTTER CLICKS ] 10 00:00:26,727 --> 00:00:29,630 [ BOTH LAUGH ] 11 00:00:29,630 --> 00:00:31,099 I EVEN THOUGHT OF IT IN, 12 00:00:31,099 --> 00:00:32,633 LIKE, TERMS OF NOT A BIRD. 13 00:00:32,633 --> 00:00:33,434 UH-HUH. 14 00:00:33,434 --> 00:00:35,103 ALTHOUGH THE TRADITIONAL 15 00:00:35,103 --> 00:00:36,704 SENSE OF THE WORD "BIRD" JUST -- 16 00:00:36,704 --> 00:00:37,738 LOOK UP HERE. 17 00:00:37,738 --> 00:00:39,773 [ CAMERA SHUTTER CLICKS ] 18 00:00:39,773 --> 00:00:42,176 THAT'S COOL. 19 00:00:42,176 --> 00:00:43,144 HERE, OPEN YOUR MOUTH. 20 00:00:43,144 --> 00:00:43,677 OPEN IT. 21 00:00:43,677 --> 00:00:45,113 HERE, I'M GONNA PUT THIS IN. 22 00:00:45,113 --> 00:00:46,147 I CAN SEE YOUR FILLINGS. 23 00:00:46,147 --> 00:00:47,381 [ Laughing ] OH. 24 00:00:47,381 --> 00:00:48,349 [ Muffled ] I DON'T HAVE ANY 25 00:00:48,349 --> 00:00:48,682 FILLINGS. 26 00:00:48,682 --> 00:00:49,883 OH. WHAT IS THAT UNDERNEATH 27 00:00:49,883 --> 00:00:50,884 YOUR TWO FRONT TEETH. 28 00:00:50,884 --> 00:00:51,885 IT'S A SPLINT. 29 00:00:51,885 --> 00:00:53,487 [ BOTH LAUGH ] 30 00:00:53,487 --> 00:00:55,556 'CAUSE I HAD BRACES, AND THEY 31 00:00:55,556 --> 00:00:57,525 THOUGHT MY TEETH WERE GONNA 32 00:00:57,525 --> 00:00:58,226 MOVE. 33 00:00:58,226 --> 00:00:59,193 [ LAUGHS ] 34 00:00:59,193 --> 00:01:00,161 DO TELL. 35 00:01:00,161 --> 00:01:01,495 [ SPEAKING INDISTINCTLY ] 36 00:01:01,495 --> 00:01:02,663 [ CHUCKLES ] 37 00:01:02,663 --> 00:01:04,798 THAT'S GOOD. YOU CAN GET UP. 38 00:01:04,798 --> 00:01:07,868 [ BOTH LAUGH ] 39 00:01:07,868 --> 00:01:08,902 WHEW. 40 00:01:08,902 --> 00:01:09,570 READY? 41 00:01:09,570 --> 00:01:10,604 I AM READY. 42 00:01:10,604 --> 00:01:11,505 THERE YOU GO. 43 00:01:11,505 --> 00:01:12,306 OKAY. 44 00:01:12,306 --> 00:01:13,441 I'LL BE READY FOR YOUR SWIFT 45 00:01:13,441 --> 00:01:14,375 KICK THIS TIME. 46 00:01:14,375 --> 00:01:14,642 OKAY. 47 00:01:14,642 --> 00:01:16,544 AND WHOA! 48 00:01:16,544 --> 00:01:18,679 LIKE THAT. 49 00:01:18,679 --> 00:01:19,547 GOOD. 50 00:01:19,547 --> 00:01:20,581 SORRY, I FORGOT TO DO THIS. 51 00:01:20,581 --> 00:01:20,881 OKAY. 52 00:01:20,881 --> 00:01:21,715 SO, THIS MAY -- 53 00:01:21,715 --> 00:01:22,783 MAKE SURE I DON'T FALL OVER 54 00:01:22,783 --> 00:01:23,217 ON YOU. 55 00:01:23,217 --> 00:01:23,917 I'LL BE OKAY. 56 00:01:23,917 --> 00:01:24,718 [ CHUCKLES ] 57 00:01:24,718 --> 00:01:27,488 GOOD? 58 00:01:27,488 --> 00:01:29,390 YEAH. 59 00:01:29,390 --> 00:01:30,891 GONNA DO THIS QUICK. 60 00:01:30,891 --> 00:01:33,727 AND... 61 00:01:33,727 --> 00:01:35,129 [ CAMERA SHUTTER CLICKS ] 62 00:01:37,331 --> 00:01:38,466 [ WATER FLOWING ] 63 00:01:38,466 --> 00:01:41,435 [ SOFT, DRAMATIC MUSIC PLAYS ] 64 00:01:41,435 --> 00:01:43,404 [ BIRDS CHIRPING ] 65 00:01:48,376 --> 00:01:51,445 [ DOG BARKING IN DISTANCE ] 66 00:02:20,541 --> 00:02:22,210 ALL RIGHT, WE GOT IT. 67 00:02:22,210 --> 00:02:25,979 [ CLEARS THROAT ] 68 00:02:25,979 --> 00:02:28,216 LOVELY, LOVELY, LOVELY, LOVELY. 69 00:02:28,216 --> 00:02:31,785 DRY OFF, GIRL. 70 00:02:31,785 --> 00:02:33,887 START MOVING OUT. 71 00:02:33,887 --> 00:02:35,823 ALL RIGHT, PACK IT UP. 72 00:02:35,823 --> 00:02:38,292 [ MID-TEMPO MUSIC PLAYS ] 73 00:02:42,630 --> 00:02:44,632 GET IT? 74 00:02:53,441 --> 00:02:56,610 [ MUSIC INTENSIFIES ] 75 00:03:56,003 --> 00:03:58,539 [ MUSIC SOFTENS ] 76 00:03:58,539 --> 00:04:00,508 [ SIGHS ] 77 00:04:00,508 --> 00:04:02,610 [ RATTLING ] 78 00:04:08,081 --> 00:04:11,552 [ SIGHS ] 79 00:04:11,552 --> 00:04:13,487 [ CEREAL RUSTLING ] 80 00:04:21,595 --> 00:04:23,831 I LIKE IT WHEN THEY'RE MORE 81 00:04:23,831 --> 00:04:25,633 FROM THE BACK, LIKE... 82 00:04:25,633 --> 00:04:26,834 HERE, GO BACK OUT. 83 00:04:26,834 --> 00:04:27,668 LET ME SEE. 84 00:04:27,668 --> 00:04:29,337 OH, YEAH. 85 00:04:29,337 --> 00:04:31,605 I LIKE MORE FROM THE BACK AND 86 00:04:31,605 --> 00:04:33,674 NOT, LIKE -- YOU KNOW, LIKE, 87 00:04:33,674 --> 00:04:35,676 FROM THE SIDE, LIKE THESE. 88 00:04:35,676 --> 00:04:36,810 MM-HMM. 89 00:04:36,810 --> 00:04:37,578 NO, I AGREE. 90 00:04:37,578 --> 00:04:38,846 I THINK YOU SHOULD -- YOU 91 00:04:38,846 --> 00:04:39,947 SHOULD RUN TOWARDS IT. 92 00:04:39,947 --> 00:04:40,981 YOU KNOW WHAT I MEAN? 93 00:04:40,981 --> 00:04:41,615 YEAH. 94 00:04:41,615 --> 00:04:42,616 NO. 95 00:04:42,616 --> 00:04:44,618 [ CHUCKLES ] 96 00:04:44,618 --> 00:04:46,019 DOES IT CROSS OVER LIKE THIS? 97 00:04:46,019 --> 00:04:47,588 YEAH, JUST START... 98 00:04:47,588 --> 00:04:48,856 YOU GO, LIKE, ONE OVER? 99 00:04:48,856 --> 00:04:50,591 YEAH, AND THEN MAYBE YOU 100 00:04:50,591 --> 00:04:51,592 SHOULD GO UNDER. 101 00:04:51,592 --> 00:04:52,660 I JUST LIKE TO LOOK AT IT. 102 00:04:52,660 --> 00:04:53,794 I DON'T KNOW HOW TO DO IT. 103 00:04:53,794 --> 00:04:54,995 I THINK THE BLUE WOULD LOOK 104 00:04:54,995 --> 00:04:55,963 REALLY NICE WITH HER. 105 00:04:55,963 --> 00:04:56,664 MM-HMM. 106 00:04:56,664 --> 00:04:58,098 AND SHE ALSO HAS THESE REALLY 107 00:04:58,098 --> 00:04:59,433 GREAT RED TIGHTS THAT I THINK 108 00:04:59,433 --> 00:05:00,568 WILL GO REALLY WELL. 109 00:05:00,568 --> 00:05:01,435 OH, PERFECT. 110 00:05:01,435 --> 00:05:02,736 AND THIS BRA, LIKE, REALLY 111 00:05:02,736 --> 00:05:04,037 STRETCHES REALLY WELL, AND WE 112 00:05:04,037 --> 00:05:05,606 CAN CUT IT WITHOUT IT JUST, 113 00:05:05,606 --> 00:05:07,875 LIKE, COMPLETELY FALLING APART. 114 00:05:07,875 --> 00:05:08,909 SO I THINK -- I JUST THINK IT'LL 115 00:05:08,909 --> 00:05:09,743 ALSO LOOK REALLY GOOD. 116 00:05:09,743 --> 00:05:10,744 AS LONG AS SHE'S GOT THE RED 117 00:05:10,744 --> 00:05:11,078 TIGHTS... 118 00:05:11,078 --> 00:05:11,845 YEAH. 119 00:05:11,845 --> 00:05:13,113 ...I DON'T CARE. 120 00:05:13,113 --> 00:05:14,682 AND SHE NEEDS SOMETHING ON 121 00:05:14,682 --> 00:05:15,383 TOP ALSO. 122 00:05:15,383 --> 00:05:16,049 [ CHUCKLES ] 123 00:05:16,049 --> 00:05:17,618 [ SUSPENSEFUL MUSIC PLAYS ] 124 00:05:17,618 --> 00:05:21,655 [ CAMERA SHUTTER CLICKS ] 125 00:05:21,655 --> 00:05:23,424 [ MUSIC STOPS ] 126 00:05:23,424 --> 00:05:24,625 [ CAMERA SHUTTER CLICKS ] 127 00:05:24,625 --> 00:05:26,627 [ SOFT, DRAMATIC MUSIC PLAYS ] 128 00:05:29,630 --> 00:05:31,532 [ CAMERA SHUTTER CLICKS ] 129 00:05:59,627 --> 00:06:01,529 [ VEHICLE PASSING ] 130 00:06:04,097 --> 00:06:08,636 [ POLICE RADIO CHATTER ] 131 00:06:08,636 --> 00:06:10,704 [ ENGINE TURNS OVER ] 132 00:06:13,206 --> 00:06:17,110 [ SIREN WAILS ] 133 00:06:17,110 --> 00:06:17,878 I DON'T KNOW. 134 00:06:17,878 --> 00:06:19,112 SHE'S JUST IN THE TRUNK, LOOKING 135 00:06:19,112 --> 00:06:20,113 KIND OF SCARED AND, UH... 136 00:06:20,113 --> 00:06:21,148 DO YOU WANT THIS? 137 00:06:21,148 --> 00:06:22,716 YEAH. HOLD ON A SECOND. 138 00:06:22,716 --> 00:06:23,751 'CAUSE WE'RE GONNA WANT TO SHOOT 139 00:06:23,751 --> 00:06:24,718 INTO THE SUN, SO MAYBE IF 140 00:06:24,718 --> 00:06:25,953 YOU'RE, LIKE, OVER HERE, KIND OF 141 00:06:25,953 --> 00:06:27,721 GETTING A... 142 00:06:27,721 --> 00:06:29,723 OKAY. 143 00:06:29,723 --> 00:06:30,491 THIS KIND OF DEAL. 144 00:06:30,491 --> 00:06:32,493 UH-HUH. 145 00:06:32,493 --> 00:06:33,794 [ FABRIC RUBBING ] 146 00:06:33,794 --> 00:06:34,695 [ Gasping ] OH. 147 00:06:34,695 --> 00:06:38,165 STOP IT. 148 00:06:38,165 --> 00:06:39,933 HOW IS THAT, UH... 149 00:06:39,933 --> 00:06:40,801 YEAH. 150 00:06:40,801 --> 00:06:41,969 [ LAUGHS ] 151 00:06:41,969 --> 00:06:43,571 THIS SORT OF REVEAL KIND OF 152 00:06:43,571 --> 00:06:44,838 THING, WITH HER JUST IN THE 153 00:06:44,838 --> 00:06:46,239 TRUNK, LOOKING TERRIFIED OF YOU 154 00:06:46,239 --> 00:06:47,007 OR WHATEVER. 155 00:06:47,007 --> 00:06:48,742 AND THEN WE'RE GONNA KIND OF 156 00:06:48,742 --> 00:06:49,810 BREAK THEM INTO STAGES. 157 00:06:49,810 --> 00:06:51,512 IT'LL BE, LIKE, NUMBER ONE, YOU 158 00:06:51,512 --> 00:06:53,013 KNOW, LIFTING HER UP OUT OF THE 159 00:06:53,013 --> 00:06:54,548 TRUNK, WITH YOUR HANDS KIND OF 160 00:06:54,548 --> 00:06:55,749 UNDERNEATH HER. 161 00:06:55,749 --> 00:06:56,950 YOU DON'T LIKE IT, BUT, LIKE, 162 00:06:56,950 --> 00:06:58,251 HAVE YOU EVER DATED ANYONE WHO 163 00:06:58,251 --> 00:06:59,553 REALLY LIKED SHORT HAIR? 164 00:06:59,553 --> 00:07:00,988 MNH-MNH, I'VE ONLY DATED 165 00:07:00,988 --> 00:07:03,857 PEOPLE WHO LIKE LONG HAIR. 166 00:07:03,857 --> 00:07:05,526 I HAD A BOYFRIEND WHO HAD, 167 00:07:05,526 --> 00:07:07,160 LIKE -- HE, LIKE, MADE IT, LIKE, 168 00:07:07,160 --> 00:07:07,828 A THING. 169 00:07:07,828 --> 00:07:09,697 LIKE, HE, LIKE, FETISHIZED IT. 170 00:07:09,697 --> 00:07:10,731 YOU CUT YOUR HAIR SHORT? 171 00:07:10,731 --> 00:07:11,532 NO, NO, NO, NO. 172 00:07:11,532 --> 00:07:12,966 LIKE, HE TRIED TO GET ME TO CUT 173 00:07:12,966 --> 00:07:14,067 MY HAIR, BUT I WOULDN'T. 174 00:07:14,067 --> 00:07:15,503 AND THEN YOU BROKE UP? 175 00:07:15,503 --> 00:07:16,504 AND I BROKE UP. 176 00:07:16,504 --> 00:07:17,838 WELL, WE BROKE UP BECAUSE I 177 00:07:17,838 --> 00:07:18,739 CHEATED ON HIM. 178 00:07:18,739 --> 00:07:22,109 [ BOTH LAUGH ] 179 00:07:22,109 --> 00:07:24,044 ANYONE ELSE BEEN IN HERE? 180 00:07:24,044 --> 00:07:26,780 THE TWO OF US AND... 181 00:07:26,780 --> 00:07:31,819 GUY WHO FOUND HER. 182 00:07:31,819 --> 00:07:32,553 WHEN WAS THAT? 183 00:07:32,553 --> 00:07:33,821 [ CAMERA SHUTTER CLICKS ] 184 00:07:33,821 --> 00:07:35,155 I GOT THE CALL ABOUT AN HOUR 185 00:07:35,155 --> 00:07:36,724 AGO -- A LITTLE MORE THAN AN 186 00:07:36,724 --> 00:07:38,792 HOUR. 187 00:07:38,792 --> 00:07:39,593 HE STILL HERE? 188 00:07:39,593 --> 00:07:42,129 YEAH, WE GOT HIM IN THE CAR. 189 00:07:42,129 --> 00:07:43,964 [ CAMERA SHUTTER CLICKS ] 190 00:07:43,964 --> 00:07:46,299 GEEZ, THERE'S A LOT OF BLOOD. 191 00:07:46,299 --> 00:07:49,770 [ CAMERA SHUTTER CLICKS ] 192 00:07:49,770 --> 00:07:51,271 ALL RIGHT. 193 00:07:51,271 --> 00:07:52,305 [ CAMERA SHUTTER CLICKS ] 194 00:07:52,305 --> 00:07:55,208 [ SIGHS ] 195 00:07:55,208 --> 00:07:56,877 LET'S GO TALK TO THE BOYFRIEND, 196 00:07:56,877 --> 00:07:57,911 I GUESS. 197 00:07:57,911 --> 00:07:59,580 [ SIGHS ] 198 00:07:59,580 --> 00:08:01,048 FEELING ALL RIGHT? 199 00:08:01,048 --> 00:08:02,950 [ CAMERA SHUTTER CLICKS ] 200 00:08:02,950 --> 00:08:05,118 YEAH, I'M FINE. 201 00:08:05,118 --> 00:08:06,754 [ CAMERA SHUTTER CLICKS ] 202 00:08:06,754 --> 00:08:08,556 OKAY. 203 00:08:08,556 --> 00:08:10,591 LET'S GO. 204 00:08:10,591 --> 00:08:13,794 [ SUSPENSEFUL MUSIC PLAYS ] 205 00:08:17,598 --> 00:08:18,866 [ MUSIC STOPS ] 206 00:08:18,866 --> 00:08:20,333 ACTUALLY, I THINK SHE NEEDS A 207 00:08:20,333 --> 00:08:21,234 LITTLE BIT MORE. 208 00:08:21,234 --> 00:08:23,336 OOH, I DIDN'T REALIZE IT WAS SO 209 00:08:23,336 --> 00:08:24,972 EASY TO TEAR A SHIRT. 210 00:08:24,972 --> 00:08:26,907 [ SNICKERS ] 211 00:08:26,907 --> 00:08:28,642 KEEP THIS ONE STRAIGHT, AND THEN 212 00:08:28,642 --> 00:08:30,243 THIS ONE AS MUCH FORWARD AS 213 00:08:30,243 --> 00:08:30,978 POSSIBLE. 214 00:08:30,978 --> 00:08:32,846 AND THEN IF YOU CAN JUST KIND OF 215 00:08:32,846 --> 00:08:33,847 LOOK BACK HERE. 216 00:08:33,847 --> 00:08:34,247 MM-HMM. 217 00:08:34,247 --> 00:08:35,616 THAT'S OUT, AND WE'RE GOOD 218 00:08:35,616 --> 00:08:35,916 TO GO. 219 00:08:35,916 --> 00:08:39,887 OKAY. 220 00:08:39,887 --> 00:08:40,821 [ RUNNING FOOTSTEPS 221 00:08:40,821 --> 00:08:42,022 APPROACHING ] 222 00:08:42,022 --> 00:08:44,324 BOOM, BOOM, BOOM, I GOT IT. 223 00:08:44,324 --> 00:08:45,659 [ LAUGHTER ] 224 00:08:45,659 --> 00:08:47,628 I'M SO FAST, I HAVE TO... 225 00:08:47,628 --> 00:08:48,996 [ LAUGHTER ] 226 00:08:48,996 --> 00:08:50,898 KEEP LOSING THE, UH, THE 227 00:08:50,898 --> 00:08:51,865 ROPE, THERE. 228 00:08:51,865 --> 00:08:52,232 OHH. 229 00:08:52,232 --> 00:08:53,601 ACTUALLY, YOU SHOULD PUT 230 00:08:53,601 --> 00:08:54,935 IT -- YOU SHOULD PUT IT BACK ON. 231 00:08:54,935 --> 00:08:56,369 NO, THE ROPE, BEHIND YOUR BACK. 232 00:08:56,369 --> 00:08:57,004 YEAH? 233 00:08:57,004 --> 00:08:58,238 YEAH, IT'S A GOOD LOOK. 234 00:08:58,238 --> 00:09:00,808 HERE, LIKE THAT. 235 00:09:00,808 --> 00:09:02,009 [ LAUGHS ] 236 00:09:02,009 --> 00:09:03,944 [ SLOW, DRAMATIC MUSIC PLAYS ] 237 00:09:52,159 --> 00:09:54,728 [ LAUGHS ] 238 00:09:54,728 --> 00:09:55,896 [ SPEAKING INDISTINCTLY ] 239 00:09:55,896 --> 00:09:56,697 CHEERS. 240 00:09:56,697 --> 00:09:58,198 YEAH, YOU LOOK REALLY GOOD IN 241 00:09:58,198 --> 00:09:58,899 THEM. 242 00:09:58,899 --> 00:09:59,399 THANK YOU. 243 00:09:59,399 --> 00:10:01,001 YOU'RE SWEET AND CUTE. 244 00:10:01,001 --> 00:10:02,369 [ MID-TEMPO MUSIC PLAYS ] 245 00:10:02,369 --> 00:10:04,071 DID YOU LIKE THE RED TIGHTS? 246 00:10:04,071 --> 00:10:04,938 THEY'RE YOURS. 247 00:10:04,938 --> 00:10:06,039 YEAH. THANK YOU. 248 00:10:06,039 --> 00:10:07,274 I'LL WEAR THEM SOMETIME. 249 00:10:07,274 --> 00:10:08,942 I DON'T KNOW WHEN I MIGHT EVER 250 00:10:08,942 --> 00:10:09,376 FIND... 251 00:10:09,376 --> 00:10:11,011 LIKE, IF YOU'RE ON ANOTHER 252 00:10:11,011 --> 00:10:11,979 PHOTO SHOOT? 253 00:10:11,979 --> 00:10:13,113 YEAH, IF YOU EVER WANT TO 254 00:10:13,113 --> 00:10:13,981 RESHOOT THAT. 255 00:10:13,981 --> 00:10:14,948 YEAH. OH, YEAH. 256 00:10:14,948 --> 00:10:15,448 CALLIE? HEY. 257 00:10:15,448 --> 00:10:16,316 HEY, HOW ARE YOU? 258 00:10:16,316 --> 00:10:17,685 I'M ALL RIGHT. HOW ARE YOU? 259 00:10:17,685 --> 00:10:19,019 I'M GOOD, THANKS. 260 00:10:19,019 --> 00:10:20,353 COOL. 261 00:10:20,353 --> 00:10:21,221 OH, I'M SORRY. 262 00:10:21,221 --> 00:10:22,022 THIS IS BILLY. 263 00:10:22,022 --> 00:10:23,156 HEY, NICE TO MEET YOU. 264 00:10:23,156 --> 00:10:24,124 AND THIS IS ALEX. 265 00:10:24,124 --> 00:10:25,693 HI. NICE TO MEET YOU. 266 00:10:25,693 --> 00:10:27,094 ARE YOU GUYS ENJOYING 267 00:10:27,094 --> 00:10:27,995 YOURSELVES? 268 00:10:27,995 --> 00:10:29,062 MM-HMM, YEAH. 269 00:10:29,062 --> 00:10:29,797 COOL. 270 00:10:29,797 --> 00:10:30,463 TOTALLY. 271 00:10:30,463 --> 00:10:32,800 [ CHUCKLES ] 272 00:10:32,800 --> 00:10:34,467 OH, MY -- YEAH, I KNOW. 273 00:10:34,467 --> 00:10:36,236 IT'S REALLY BAD. NO, I KNOW. 274 00:10:36,236 --> 00:10:37,004 OKAY. 275 00:10:37,004 --> 00:10:38,371 NO, IT'S FINE, IT'S FINE. 276 00:10:38,371 --> 00:10:39,807 IT WAS, LIKE, THIS STUPID 277 00:10:39,807 --> 00:10:40,307 ACCIDENT. 278 00:10:40,307 --> 00:10:41,842 THE BARTENDER WAS SHAKING A 279 00:10:41,842 --> 00:10:43,343 COCKTAIL YESTERDAY, AND I, LIKE, 280 00:10:43,343 --> 00:10:44,845 LEANED IN FOR SOME ICE, AND MY 281 00:10:44,845 --> 00:10:46,446 EYE WAS JUST, LIKE, RIGHT THERE. 282 00:10:46,446 --> 00:10:47,180 EW. 283 00:10:47,180 --> 00:10:49,082 IT LOOKS REALLY COOL, 284 00:10:49,082 --> 00:10:49,817 ACTUALLY. 285 00:10:49,817 --> 00:10:50,851 CAN I TOUCH IT? 286 00:10:50,851 --> 00:10:52,185 [ Laughing ] OH, IT HURTS. 287 00:10:52,185 --> 00:10:54,154 DON'T TOUCH IT. 288 00:10:54,154 --> 00:10:55,422 WHAT ARE YOU GUYS UP TO? 289 00:10:55,422 --> 00:10:57,357 UM, WE JUST GOT DONE WITH A 290 00:10:57,357 --> 00:10:58,325 PHOTO SHOOT. 291 00:10:58,325 --> 00:11:00,260 OH, YOU'RE THE PHOTOGRAPHER 292 00:11:00,260 --> 00:11:01,494 THAT YOU WORK WITH. 293 00:11:01,494 --> 00:11:03,130 THE PHOTOGRAPHER? 294 00:11:03,130 --> 00:11:04,031 THAT'S RIGHT. 295 00:11:04,031 --> 00:11:04,998 [ CHUCKLES ] 296 00:11:04,998 --> 00:11:06,834 WELL, CAN I GET YOU GUYS ANOTHER 297 00:11:06,834 --> 00:11:08,468 DRINK, OR ARE YOU ALL SET, OR... 298 00:11:08,468 --> 00:11:09,402 WE'RE OKAY. 299 00:11:09,402 --> 00:11:11,404 OKAY, WELL, ENJOY YOURSELVES. 300 00:11:11,404 --> 00:11:13,006 NICE TO MEET YOU. 301 00:11:13,006 --> 00:11:13,406 BYE. 302 00:11:13,406 --> 00:11:17,510 [ MID-TEMPO MUSIC CONTINUES ] 303 00:11:17,510 --> 00:11:19,312 WATCH OUT, I'LL GIVE YOU ONE, 304 00:11:19,312 --> 00:11:20,047 TOO. 305 00:11:20,047 --> 00:11:21,348 Pow. 306 00:11:21,348 --> 00:11:24,351 [ CHUCKLES ] 307 00:11:24,351 --> 00:11:25,819 [ UP-TEMPO MUSIC PLAYS 308 00:11:25,819 --> 00:11:26,219 INDISTINCTLY ] 309 00:11:26,219 --> 00:11:28,155 [ INDISTINCT CONVERSATION ] 310 00:11:41,168 --> 00:11:43,103 [ CHUCKLES ] 311 00:11:43,103 --> 00:11:44,171 CAN I TAKE PICTURES OF YOU? 312 00:11:44,171 --> 00:11:46,306 OOH. THIS IS AWESOME. 313 00:11:54,081 --> 00:11:55,916 WHAT? 314 00:11:55,916 --> 00:11:59,219 [ CAMERA SHUTTER CLICKS ] 315 00:11:59,219 --> 00:12:01,254 AND GET BACK ON THE COUCH. 316 00:12:05,125 --> 00:12:08,528 LIE BACK. 317 00:12:08,528 --> 00:12:14,134 [ SPEAKING INDISTINCTLY ] 318 00:12:14,134 --> 00:12:15,535 [ LAUGHS ] 319 00:12:15,535 --> 00:12:19,072 THANK YOU. 320 00:12:19,072 --> 00:12:20,140 [ CAMERA SHUTTER CLICKS ] 321 00:12:20,140 --> 00:12:21,108 [ MID-TEMPO MUSIC PLAYS 322 00:12:21,108 --> 00:12:22,142 INDISTINCTLY ] 323 00:12:22,142 --> 00:12:23,877 I THINK IT LOOKS TERRIBLE, 324 00:12:23,877 --> 00:12:24,912 PERSONALLY. 325 00:12:24,912 --> 00:12:25,946 IT'S TERRIBLE. 326 00:12:25,946 --> 00:12:28,115 [ CHUCKLES ] 327 00:12:28,115 --> 00:12:30,150 I SHOULD PROBABLY TAKE IT 328 00:12:30,150 --> 00:12:30,583 OFF. 329 00:12:30,583 --> 00:12:32,152 NO, KEEP IT ON. 330 00:12:32,152 --> 00:12:34,154 OH, MY GOD, IF I LOOKED LIKE 331 00:12:34,154 --> 00:12:34,955 THAT... 332 00:12:34,955 --> 00:12:36,156 [ CHUCKLES ] 333 00:12:36,156 --> 00:12:37,424 DO YOU WANT ANY? 334 00:12:37,424 --> 00:12:38,458 UH, NOT ME. 335 00:12:38,458 --> 00:12:40,193 DO YOU HAVE ANY BEER? 336 00:12:40,193 --> 00:12:43,964 DO WE HAVE ANY BEER? 337 00:12:43,964 --> 00:12:45,298 [ Holding breath ] ALMOST 338 00:12:45,298 --> 00:12:46,166 SURELY, YES. 339 00:12:46,166 --> 00:12:48,101 MOVE OVER HERE. 340 00:12:49,937 --> 00:12:52,572 [ CLEARS THROAT ] 341 00:12:52,572 --> 00:12:55,175 [ BOTH LAUGH ] 342 00:12:55,175 --> 00:12:56,844 I'VE BEEN THINKING A LOT 343 00:12:56,844 --> 00:12:58,578 ABOUT WHEN I WAS REALLY, REALLY 344 00:12:58,578 --> 00:12:59,312 LITTLE. 345 00:12:59,312 --> 00:13:00,180 MM-HMM. 346 00:13:00,180 --> 00:13:01,915 I WOULD PLAY THIS PRETEND 347 00:13:01,915 --> 00:13:03,416 GAME WITH MY BEST FRIEND, 348 00:13:03,416 --> 00:13:05,218 LAUREN, WHERE I WAS, LIKE, A 349 00:13:05,218 --> 00:13:06,920 CINDERELLA TYPE -- LIKE, A 350 00:13:06,920 --> 00:13:08,488 REALLY HELPLESS WOMAN WITH 351 00:13:08,488 --> 00:13:09,356 DIABETES. 352 00:13:09,356 --> 00:13:11,491 AND SHE WAS THE EVIL STEPSISTER, 353 00:13:11,491 --> 00:13:13,226 AND SHE WOULD, LIKE, BE 354 00:13:13,226 --> 00:13:14,962 INJECTING ME WITH TOO MUCH 355 00:13:14,962 --> 00:13:17,130 INSULIN, AND SHE HAD TO GET ON 356 00:13:17,130 --> 00:13:17,931 TOP OF ME. 357 00:13:17,931 --> 00:13:19,900 AND SORT OF LIKE, AS SHE WAS 358 00:13:19,900 --> 00:13:21,534 INJECTING ME, SHE HUMPED ME. 359 00:13:21,534 --> 00:13:23,536 AND I THINK THAT'S WHERE I MIGHT 360 00:13:23,536 --> 00:13:25,205 HAVE HAD MY FIRST ORGASM. 361 00:13:25,205 --> 00:13:27,908 [ SNICKERS ] 362 00:13:27,908 --> 00:13:29,242 [ CHUCKLES ] 363 00:13:29,242 --> 00:13:31,144 IT'S REALLY FUCKED-UP TO 364 00:13:31,144 --> 00:13:33,013 THINK ABOUT IT, IF YOU THINK 365 00:13:33,013 --> 00:13:34,647 ABOUT HOW THAT MIGHT BE 366 00:13:34,647 --> 00:13:38,952 AFFECTING MY CHOICES IN LIFE. 367 00:13:38,952 --> 00:13:40,520 I'M GONNA GO PUT ON SOME 368 00:13:40,520 --> 00:13:41,188 MUSIC. 369 00:13:41,188 --> 00:13:43,356 [ SIGHS ] 370 00:13:43,356 --> 00:13:46,159 [ FOOTSTEPS DEPARTING ] 371 00:13:48,528 --> 00:13:51,098 [ MID-TEMPO MUSIC PLAYS ] 372 00:13:57,637 --> 00:13:58,538 [ SIGHS ] 373 00:13:58,538 --> 00:13:59,639 * SHE'S COMIN' ON ME NOW WITH 374 00:13:59,639 --> 00:14:02,509 EVERYTHING SHE KNOWS NOW ♪ 375 00:14:02,509 --> 00:14:03,977 ♪ SHE'S COMIN' ON ME NOW WITH 376 00:14:03,977 --> 00:14:07,214 EVERYTHING SHE'S SEEN ♪ 377 00:14:07,214 --> 00:14:08,515 ♪ SHE'S COMIN' THROUGH THE CROWD 378 00:14:08,515 --> 00:14:11,351 OF THE DREAMS IN BOTH EYES ♪ 379 00:14:11,351 --> 00:14:13,186 ♪ SHE'S MAKIN' IT KNOWN THAT I'M 380 00:14:13,186 --> 00:14:15,388 NOT GETTIN' AWAY ♪ 381 00:14:15,388 --> 00:14:18,258 ♪ AND EVEN IF I MADE A BREAK FOR 382 00:14:18,258 --> 00:14:19,993 THE DOOR NOW ♪ 383 00:14:19,993 --> 00:14:22,195 ♪ THERE'S NO TELLIN' IF I CAN 384 00:14:22,195 --> 00:14:24,697 MAKE IT TO STREET ♪ 385 00:14:24,697 --> 00:14:27,034 ♪ I GOT LOVE INSIDE MY GUTS ♪ 386 00:14:27,034 --> 00:14:29,269 ♪ MY MIND IS MORE THAN FUCKING 387 00:14:29,269 --> 00:14:30,237 LORD KNOWS ♪ 388 00:14:30,237 --> 00:14:34,307 ♪ THE SAFER I FACE THE GRIEF ♪ 389 00:14:34,307 --> 00:14:37,077 ♪ WE'RE ALL WASTIN' TIME WE 390 00:14:37,077 --> 00:14:41,181 DON'T HAVE, AND IT'S DYIN' ♪ 391 00:14:43,616 --> 00:14:46,453 ♪ AT THE END OF THE DAY, I STILL 392 00:14:46,453 --> 00:14:51,124 HOPE IT'S WORTH VYIN' FOR ♪ 393 00:14:55,495 --> 00:14:57,597 [ SIGHS ] 394 00:15:00,733 --> 00:15:02,269 * SHE'S COMIN' ON ME NOW WITH 395 00:15:02,269 --> 00:15:05,305 EVERYTHING SHE KNOWS NOW ♪ 396 00:15:05,305 --> 00:15:06,639 ♪ WITH EVERYTHING SHE SAYS SHE 397 00:15:06,639 --> 00:15:09,076 KNOWS BUT DOESN'T SEE ♪ 398 00:15:09,076 --> 00:15:11,444 ♪ AND RIGHT BEFORE I SAY, "HEY, 399 00:15:11,444 --> 00:15:14,014 LET'S THINK THIS OVER ♪ 400 00:15:14,014 --> 00:15:16,083 ♪ SHE QUICKLY TURNS AWAY AND 401 00:15:16,083 --> 00:15:19,086 WALKS THROUGH THE TREES ♪ 402 00:15:19,086 --> 00:15:20,087 ♪ PUSHIN' THROUGH THE CROWD, 403 00:15:20,087 --> 00:15:23,256 LIVIN' IN BOTH EYES ♪ 404 00:15:23,256 --> 00:15:24,724 ♪ SHE WON THE SOUTHERN MAN, 405 00:15:24,724 --> 00:15:27,127 THAT BOY WAS ME ♪ 406 00:15:27,127 --> 00:15:28,528 ♪ SO NOW I'M BEGGIN', 407 00:15:28,528 --> 00:15:29,997 "HOLD STEADY ♪ 408 00:15:29,997 --> 00:15:31,464 ♪ BEFORE SHE TURNS AND WALKS 409 00:15:31,464 --> 00:15:32,365 AWAY ♪ 410 00:15:32,365 --> 00:15:34,034 ♪ NOW IT'S WAY TOO LATE TO SEE 411 00:15:34,034 --> 00:15:37,770 WHAT'S IN THE HAZE ♪ 412 00:15:37,770 --> 00:15:40,107 ♪ WE'RE ALL WASTIN' TIME WE 413 00:15:40,107 --> 00:15:44,211 DON'T HAVE, AND IT'S DYIN' ♪ 414 00:15:46,779 --> 00:15:49,516 ♪ AT THE END OF THE DAY, I STILL 415 00:15:49,516 --> 00:15:56,023 HOPE IT'S WORTH VYIN' FOR ♪ 416 00:15:56,023 --> 00:15:58,391 ♪ NOW YOU'RE ALL BUT A GHOST IN 417 00:15:58,391 --> 00:16:02,362 MY HEART, AND I'M TRYIN' ♪ 418 00:16:04,764 --> 00:16:07,334 ♪ EVEN IF I COULD CHANGE, YOU 419 00:16:07,334 --> 00:16:11,338 SAID, "BABY, DON'T BOTHER ♪ 420 00:16:11,338 --> 00:16:13,673 BREAKFAST IS SERVED. 421 00:16:13,673 --> 00:16:15,408 ALL RIGHT, WHAT DOES YOUR 422 00:16:15,408 --> 00:16:16,576 APPETITE REFLECT? 423 00:16:16,576 --> 00:16:18,645 I'LL LET YOU CHOOSE TWO BACON, 424 00:16:18,645 --> 00:16:19,646 THREE BACON. 425 00:16:19,646 --> 00:16:21,514 UM, TWO BACON, PLEASE. 426 00:16:21,514 --> 00:16:22,749 I'LL TAKE WHATEVER. 427 00:16:22,749 --> 00:16:23,416 THAT'S YOURS. 428 00:16:23,416 --> 00:16:24,084 [ MUSIC FADES ] 429 00:16:24,084 --> 00:16:25,352 [ Sighing ] MMM. 430 00:16:25,352 --> 00:16:26,153 [ SIGHS ] 431 00:16:26,153 --> 00:16:28,355 ACTUALLY, DO YOU GUYS WANT ANY 432 00:16:28,355 --> 00:16:28,755 COFFEE? 433 00:16:28,755 --> 00:16:29,589 MM-HMM. 434 00:16:29,589 --> 00:16:33,693 ALL RIGHT. 435 00:16:41,368 --> 00:16:43,203 MMM. 436 00:16:43,203 --> 00:16:47,140 [ CHUCKLES ] 437 00:16:47,140 --> 00:16:48,775 MMM. 438 00:16:48,775 --> 00:16:50,810 DID YOU HAVE FUN LAST NIGHT? 439 00:16:50,810 --> 00:16:51,711 I DID. 440 00:16:51,711 --> 00:16:53,213 DID YOU HAVE FUN? 441 00:16:53,213 --> 00:16:55,482 MM-HMM. 442 00:16:55,482 --> 00:16:56,816 AREN'T YOU GLAD YOU HAVE SUCH A 443 00:16:56,816 --> 00:16:57,650 SEXY GIRLFRIEND? 444 00:16:57,650 --> 00:16:58,218 MNH-MNH. 445 00:16:58,218 --> 00:17:00,420 [ LAUGHS ] 446 00:17:02,755 --> 00:17:04,224 FOR YOU. 447 00:17:04,224 --> 00:17:06,326 MM-HMM. 448 00:17:14,401 --> 00:17:17,304 [ MID-TEMPO JAZZ PLAYS ] 449 00:17:26,346 --> 00:17:28,281 [ MUSIC INTENSIFIES ] 450 00:18:06,453 --> 00:18:08,755 [ INDISTINCT CONVERSATION ] 451 00:18:37,317 --> 00:18:39,386 [ MUSIC FADES ] 452 00:18:54,267 --> 00:18:56,469 [ SIGHING ] 453 00:19:09,549 --> 00:19:13,253 [ SIGHS ] 454 00:19:13,253 --> 00:19:16,323 GO ON, OUT. 455 00:19:16,323 --> 00:19:19,559 COME ON, SNOWBALL, GET OUT. 456 00:19:19,559 --> 00:19:24,264 GO ON, GET OUT OF THERE. 457 00:19:24,264 --> 00:19:26,999 [ SIGHS ] 458 00:19:26,999 --> 00:19:29,202 [ ZIPPER ZIPPING ] 459 00:19:33,740 --> 00:19:34,841 [ SLOW, DRAMATIC MUSIC PLAYS ] 460 00:19:34,841 --> 00:19:37,477 [ TELEPHONE RINGING ] 461 00:19:53,360 --> 00:19:54,327 [ CLEARS THROAT ] 462 00:19:54,327 --> 00:19:54,727 HERE YOU GO. 463 00:19:54,727 --> 00:19:57,730 THANK YOU. 464 00:19:57,730 --> 00:20:00,800 [ SIGHS ] 465 00:20:00,800 --> 00:20:02,802 UM, IT'S REALLY NICE TO SEE 466 00:20:02,802 --> 00:20:03,403 YOU. 467 00:20:03,403 --> 00:20:04,371 [ CHUCKLES ] 468 00:20:04,371 --> 00:20:05,305 YOU TOO. 469 00:20:05,305 --> 00:20:06,439 [ CHUCKLES ] 470 00:20:06,439 --> 00:20:08,675 UM, I HAD A LOT OF FUN THE 471 00:20:08,675 --> 00:20:09,809 OTHER NIGHT. 472 00:20:09,809 --> 00:20:11,911 YEAH, US TOO. 473 00:20:11,911 --> 00:20:13,880 GOOD. 474 00:20:13,880 --> 00:20:15,448 HAVE YOU HAD A CHANCE TO LOOK AT 475 00:20:15,448 --> 00:20:16,015 THE PICTURES? 476 00:20:16,015 --> 00:20:16,449 I DID. 477 00:20:16,449 --> 00:20:16,883 YEAH? 478 00:20:16,883 --> 00:20:17,850 THEY LOOK REALLY, REALLY 479 00:20:17,850 --> 00:20:18,318 GOOD. 480 00:20:18,318 --> 00:20:18,685 REALLY? 481 00:20:18,685 --> 00:20:19,018 YEAH. 482 00:20:19,018 --> 00:20:20,052 YOU LOOK REALLY GOOD IN THEM. 483 00:20:20,052 --> 00:20:20,887 OH, COOL. 484 00:20:20,887 --> 00:20:22,689 YEAH. ACTUALLY, IT REMINDS 485 00:20:22,689 --> 00:20:24,324 ME, THE WAITRESS FRIEND THAT YOU 486 00:20:24,324 --> 00:20:25,692 INTRODUCED US TO THE OTHER 487 00:20:25,692 --> 00:20:26,993 NIGHT -- THE ONE WITH THE 488 00:20:26,993 --> 00:20:27,760 BLACK EYE? 489 00:20:27,760 --> 00:20:28,661 MM-HMM. 490 00:20:28,661 --> 00:20:29,662 WHAT WAS HER NAME? 491 00:20:29,662 --> 00:20:30,463 REBECCA? 492 00:20:30,463 --> 00:20:31,864 YEAH. DO YOU KNOW IF SHE'S 493 00:20:31,864 --> 00:20:33,466 EVER DONE ANY MODELING BEFORE OR 494 00:20:33,466 --> 00:20:34,934 IF SHE'S EVER EXPRESSED ANY 495 00:20:34,934 --> 00:20:35,868 INTEREST IN IT? 496 00:20:35,868 --> 00:20:38,938 UM... 497 00:20:38,938 --> 00:20:39,939 I ACTUALLY DON'T KNOW. 498 00:20:39,939 --> 00:20:41,408 I MEAN, I JUST THINK SHE'S 499 00:20:41,408 --> 00:20:42,509 GOT A REALLY COOL LOOK. 500 00:20:42,509 --> 00:20:42,942 DON'T YOU? 501 00:20:42,942 --> 00:20:44,844 YEAH. 502 00:20:44,844 --> 00:20:46,479 DO YOU THINK THAT IF, LIKE, 503 00:20:46,479 --> 00:20:47,980 YOU KNOW, LIKE, IF I CALLED HER 504 00:20:47,980 --> 00:20:49,749 AND ASKED HER, YOU KNOW, ABOUT 505 00:20:49,749 --> 00:20:51,318 DOING SOMETHING, THAT SHE WOULD 506 00:20:51,318 --> 00:20:52,519 BE WEIRDED OUT BY IT, OR... 507 00:20:52,519 --> 00:20:53,953 I ACTUALLY HAVE -- I'M SORRY, 508 00:20:53,953 --> 00:20:55,054 [CHUCKLES ] I DON'T KNOW. 509 00:20:55,054 --> 00:20:56,456 YOU DON'T KNOW? 510 00:20:56,456 --> 00:20:58,425 I'M SURE SHE'D BE HAPPY. 511 00:20:58,425 --> 00:21:00,360 DO YOU HAVE HER NUMBER? 512 00:21:00,360 --> 00:21:01,928 MM-HMM. YEAH, DO YOU WANT IT? 513 00:21:01,928 --> 00:21:03,430 YEAH, IF THAT'S COOL. 514 00:21:03,430 --> 00:21:07,033 YEAH. 515 00:21:07,033 --> 00:21:09,302 [ MUSIC INTENSIFIES ] 516 00:21:24,451 --> 00:21:26,553 [ CAMERA SHUTTER CLICKS ] 517 00:21:32,925 --> 00:21:36,729 [ MUSIC FADES ] 518 00:21:36,729 --> 00:21:38,531 YEAH, THAT CAN WORK. 519 00:21:38,531 --> 00:21:40,733 LIKE, AROUND 10:00. 520 00:21:40,733 --> 00:21:41,801 OKAY. 521 00:21:41,801 --> 00:21:44,537 [ CHUCKLING ] 522 00:21:44,537 --> 00:21:46,539 YEAH, OKAY, IT'S COOL. 523 00:21:46,539 --> 00:21:48,741 ALL RIGHT. 524 00:21:48,741 --> 00:21:50,543 OKAY, I'LL SEE YOU THEN. 525 00:21:50,543 --> 00:21:52,612 BYE. 526 00:21:55,047 --> 00:21:56,783 WHAT? 527 00:21:56,783 --> 00:21:58,117 WHO WAS THAT? 528 00:21:58,117 --> 00:21:59,919 JUST -- JUST A FRIEND OF 529 00:21:59,919 --> 00:22:00,587 CALLIE'S. 530 00:22:00,587 --> 00:22:02,955 HAS HE GOT A NAME? 531 00:22:02,955 --> 00:22:04,791 BILLY. [ CHUCKLES ] 532 00:22:04,791 --> 00:22:06,459 HE'S A PHOTOGRAPHER. 533 00:22:06,459 --> 00:22:07,794 SOUNDS LIKE YOU JUST MADE 534 00:22:07,794 --> 00:22:08,060 THAT UP. 535 00:22:08,060 --> 00:22:09,128 [ Chuckling ] NO, NO. 536 00:22:09,128 --> 00:22:12,732 WHY WOULD I MAKE THAT UP? 537 00:22:12,732 --> 00:22:13,533 [ CHUCKLES ] 538 00:22:13,533 --> 00:22:14,601 I GOT TO GO TO WORK. 539 00:22:14,601 --> 00:22:18,137 I'LL SEE YOU LATER, ALL RIGHT? 540 00:22:18,137 --> 00:22:20,106 HELLO? 541 00:22:22,975 --> 00:22:25,111 I'LL SEE YOU TONIGHT. 542 00:22:27,780 --> 00:22:31,584 [ DOOR OPENS ] 543 00:22:31,584 --> 00:22:34,086 [ DOOR CLOSES ] 544 00:22:34,086 --> 00:22:35,388 [ WATER RUNNING ] 545 00:22:37,524 --> 00:22:40,026 [ DOOR CLOSES ] 546 00:22:40,026 --> 00:22:41,461 [ WATER STOPS RUNNING ] 547 00:22:41,461 --> 00:22:44,030 WHO WERE YOU TALKING TO? 548 00:22:44,030 --> 00:22:46,032 I WAS TALKING TO THAT 549 00:22:46,032 --> 00:22:47,967 WAITRESS FROM THE OTHER DAY. 550 00:22:50,803 --> 00:22:55,107 WHAT? [ CHUCKLES ] 551 00:22:55,107 --> 00:22:58,044 [ KNOCK ON DOOR ] 552 00:22:58,044 --> 00:23:00,179 WERE YOU EXPECTING ANYBODY? 553 00:23:00,179 --> 00:23:02,682 [ SOFT, DRAMATIC MUSIC PLAYS ] 554 00:23:08,521 --> 00:23:10,523 ARE YOU WILLIAM WINGARD? 555 00:23:10,523 --> 00:23:11,057 YEAH. 556 00:23:11,057 --> 00:23:12,859 DETECTIVE MIKE BANFEAUX. 557 00:23:12,859 --> 00:23:14,794 UM... 558 00:23:14,794 --> 00:23:15,828 I WAS WONDERING IF I COULD ASK 559 00:23:15,828 --> 00:23:16,796 YOU A COUPLE QUESTIONS. 560 00:23:16,796 --> 00:23:18,665 SURE. 561 00:23:18,665 --> 00:23:19,866 DO YOU KNOW A 562 00:23:19,866 --> 00:23:20,833 SHANNON FIERMAN? 563 00:23:20,833 --> 00:23:21,568 SHE'S A MODEL. 564 00:23:21,568 --> 00:23:23,703 GOT A PHOTO RIGHT HERE. 565 00:23:26,973 --> 00:23:27,940 I DON'T THINK SO. 566 00:23:27,940 --> 00:23:29,208 NO, THAT'S THE MODEL I BOOKED 567 00:23:29,208 --> 00:23:30,677 FOR THE SHOOT THE OTHER DAY -- 568 00:23:30,677 --> 00:23:32,612 THE ONE THAT DIDN'T SHOW UP. 569 00:23:32,612 --> 00:23:33,546 OH, RIGHT. 570 00:23:33,546 --> 00:23:34,981 MIND IF I COME IN? 571 00:23:34,981 --> 00:23:36,949 THANKS. 572 00:23:40,520 --> 00:23:42,922 SHANNON FIERMAN WAS MURDERED THE 573 00:23:42,922 --> 00:23:44,223 DAY BEFORE YESTERDAY. 574 00:23:44,223 --> 00:23:45,658 I'VE BEEN GOING AROUND SPEAKING 575 00:23:45,658 --> 00:23:46,893 WITH SOME OF HER FRIENDS AND 576 00:23:46,893 --> 00:23:47,894 ASSOCIATES, AND YOUR NAME HAS 577 00:23:47,894 --> 00:23:48,961 COME UP A COUPLE TIMES AS 578 00:23:48,961 --> 00:23:50,096 SOMEONE SHE MIGHT HAVE WORKED 579 00:23:50,096 --> 00:23:50,697 WITH. 580 00:23:50,697 --> 00:23:52,198 I WAS JUST WONDERING IF YOU 581 00:23:52,198 --> 00:23:54,033 MIGHT KNOW ANYTHING THAT JUMPS 582 00:23:54,033 --> 00:23:55,702 OUT AT YOU, UH, ANYONE NEW IN 583 00:23:55,702 --> 00:23:57,604 HER LIFE, AN EX-BOYFRIEND OR 584 00:23:57,604 --> 00:23:58,137 SOMEONE. 585 00:23:58,137 --> 00:24:00,006 NO, I JUST SPOKE TO HER OVER 586 00:24:00,006 --> 00:24:01,674 THE PHONE TO BOOK THE SHOOT. 587 00:24:01,674 --> 00:24:03,109 NOTHING ELSE. 588 00:24:03,109 --> 00:24:05,111 DID SHE EVER MENTION AN 589 00:24:05,111 --> 00:24:07,580 ARGUMENT OR FEELING THREATENED? 590 00:24:07,580 --> 00:24:09,015 WAS THERE ANYTHING? 591 00:24:09,015 --> 00:24:10,049 NO, NOTHING LIKE THAT. 592 00:24:10,049 --> 00:24:11,217 NOTHING LIKE THAT CAME UP? 593 00:24:11,217 --> 00:24:12,585 WELL, WE'RE DOING A SHOOT IN 594 00:24:12,585 --> 00:24:13,252 THE NEXT FEW DAYS. 595 00:24:13,252 --> 00:24:14,587 MAYBE SOME OF OUR PEOPLE MIGHT 596 00:24:14,587 --> 00:24:15,154 HAVE KNOWN HER. 597 00:24:15,154 --> 00:24:16,122 I MEAN, YOU'RE MORE THAN WELCOME 598 00:24:16,122 --> 00:24:16,989 TO COME AND ASK AROUND IF YOU 599 00:24:16,989 --> 00:24:18,024 WANT. 600 00:24:18,024 --> 00:24:20,727 YEAH, THAT COULD BE HELPFUL. 601 00:24:20,727 --> 00:24:23,029 HERE'S MY CARD. 602 00:24:23,029 --> 00:24:24,897 CALL ME IF YOU THINK OF 603 00:24:24,897 --> 00:24:25,698 ANYTHING. 604 00:24:25,698 --> 00:24:27,900 AND, YEAH, I COULD DROP BY. 605 00:24:27,900 --> 00:24:28,701 [ SNIFFLES ] 606 00:24:28,701 --> 00:24:29,168 SURE. 607 00:24:29,168 --> 00:24:31,538 THANKS. 608 00:24:31,538 --> 00:24:32,939 DO YOU MIND IF I USE YOUR 609 00:24:32,939 --> 00:24:33,540 RESTROOM? 610 00:24:33,540 --> 00:24:35,675 [ MID-TEMPO MUSIC PLAYS 611 00:24:35,675 --> 00:24:38,511 INDISTINCTLY ] 612 00:24:41,914 --> 00:24:44,717 ♪ SHOULD HAVE NEVER TRIED SO 613 00:24:44,717 --> 00:24:45,685 HARD ♪ 614 00:24:45,685 --> 00:24:46,986 HEY. 615 00:24:46,986 --> 00:24:47,954 HOW ARE YOU? 616 00:24:47,954 --> 00:24:48,287 HEY. 617 00:24:48,287 --> 00:24:49,722 I'M SO GLAD. 618 00:24:49,722 --> 00:24:50,990 GIVE ME TWO MINUTES. 619 00:24:50,990 --> 00:24:52,925 I'M JUST GONNA TURN THIS IN. 620 00:24:52,925 --> 00:24:54,060 YEAH, YEAH, SURE. 621 00:24:54,060 --> 00:24:55,628 ALL MY STUFF. 622 00:24:55,628 --> 00:24:56,563 YOU WANT TO SIT DOWN? 623 00:24:56,563 --> 00:24:57,096 YEAH. 624 00:24:57,096 --> 00:24:58,565 I'LL BE RIGHT BACK. 625 00:24:58,565 --> 00:25:01,968 * SHOULD HAVE NEVER TRIED 626 00:25:01,968 --> 00:25:03,703 SO HARD ♪ 627 00:25:03,703 --> 00:25:05,137 [ SOFT MUSIC PLAYS ] 628 00:25:05,137 --> 00:25:06,706 SO, WHAT KIND OF PHOTOS -- 629 00:25:06,706 --> 00:25:08,007 HOW WOULD YOU DESCRIBE THE 630 00:25:08,007 --> 00:25:10,743 PHOTOS THAT YOU TAKE? 631 00:25:10,743 --> 00:25:12,211 YOU WANT, LIKE, A PRETENTIOUS 632 00:25:12,211 --> 00:25:13,746 VERSION OF THAT OR, LIKE, JUST A 633 00:25:13,746 --> 00:25:14,981 STRAIGHTFORWARD VERSION? 634 00:25:14,981 --> 00:25:16,148 JUST -- I MEAN, I DON'T KNOW. 635 00:25:16,148 --> 00:25:17,149 WHICH ONE IS BETTER? 636 00:25:17,149 --> 00:25:20,620 I WOULD SAY, I TAKE... 637 00:25:20,620 --> 00:25:23,623 PERSONAL FETISH PHOTOS. 638 00:25:23,623 --> 00:25:24,791 PERSONAL FETISH? 639 00:25:24,791 --> 00:25:25,958 THAT'S HOW I WOULD DESCRIBE 640 00:25:25,958 --> 00:25:26,292 IT, YEAH. 641 00:25:26,292 --> 00:25:28,695 BUT, LIKE -- BUT I MEAN THAT IN 642 00:25:28,695 --> 00:25:30,697 THE CLASSIEST WAY POSSIBLE. 643 00:25:30,697 --> 00:25:32,231 OKAY. 644 00:25:32,231 --> 00:25:33,600 CLASSY PERSONAL-FETISH PHOTOS. 645 00:25:33,600 --> 00:25:34,200 [ CHUCKLES ] 646 00:25:34,200 --> 00:25:35,602 HOW DO YOU COME UP WITH YOUR 647 00:25:35,602 --> 00:25:38,004 IDEAS? 648 00:25:38,004 --> 00:25:39,371 UM, YOU KNOW, I DON'T REALLY 649 00:25:39,371 --> 00:25:39,772 KNOW. 650 00:25:39,772 --> 00:25:41,307 IT'S JUST, OVER THE COURSE OF 651 00:25:41,307 --> 00:25:42,809 TIME, YOU JUST SEE THINGS THAT 652 00:25:42,809 --> 00:25:44,677 LOOK GOOD OR SEE THINGS THAT YOU 653 00:25:44,677 --> 00:25:45,678 WANT TO RE-CREATE. 654 00:25:45,678 --> 00:25:46,779 DOES YOUR GIRLFRIEND GET 655 00:25:46,779 --> 00:25:48,114 JEALOUS? 656 00:25:48,114 --> 00:25:49,982 Tsk. 657 00:25:49,982 --> 00:25:50,182 UM... 658 00:25:50,182 --> 00:25:50,617 OH. 659 00:25:50,617 --> 00:25:51,684 THAT'S PROBABLY A QUESTION 660 00:25:51,684 --> 00:25:52,685 YOU'D HAVE TO ASK HER... 661 00:25:52,685 --> 00:25:53,185 [ LAUGHS ] 662 00:25:53,185 --> 00:25:54,020 ...NOT ME. 663 00:25:54,020 --> 00:25:55,021 SHE DOESN'T ACT LIKE SHE'S 664 00:25:55,021 --> 00:25:55,387 JEALOUS? 665 00:25:55,387 --> 00:25:56,989 I DON'T THINK SHE DOES. 666 00:25:56,989 --> 00:25:57,356 YOU KNOW? 667 00:25:57,356 --> 00:25:58,658 WOULD YOU GET JEALOUS? 668 00:25:58,658 --> 00:25:59,391 YEAH, I THINK SO. 669 00:25:59,391 --> 00:26:00,727 MAYBE SHE GETS JEALOUS A 670 00:26:00,727 --> 00:26:01,193 LITTLE BIT. 671 00:26:01,193 --> 00:26:02,394 WERE YOU, LIKE, INTERESTED IN 672 00:26:02,394 --> 00:26:03,763 ALL THESE, LIKE, WOMEN IN, LIKE, 673 00:26:03,763 --> 00:26:05,331 A SEXUAL, FETISHY WAY? 674 00:26:05,331 --> 00:26:06,799 [ CHUCKLES ] UM... 675 00:26:06,799 --> 00:26:08,801 YOU ASK HER TO WEAR TIGHTS? 676 00:26:08,801 --> 00:26:11,003 YOU ASK THEM TO WEAR TIGHTS? 677 00:26:11,003 --> 00:26:13,072 LIKE, WHAT'S -- HOW DO YOU 678 00:26:13,072 --> 00:26:17,076 SEPARATE THAT? 679 00:26:17,076 --> 00:26:20,279 UM... 680 00:26:20,279 --> 00:26:21,848 AGAIN, YOU KNOW, WRONG PERSON. 681 00:26:21,848 --> 00:26:22,849 I DON'T REALLY -- 682 00:26:22,849 --> 00:26:24,283 YOU DON'T SEPARATE IT? 683 00:26:24,283 --> 00:26:25,752 WELL, I JUST DON'T THINK 684 00:26:25,752 --> 00:26:27,086 ABOUT IT, HONESTLY, YOU KNOW? 685 00:26:27,086 --> 00:26:28,688 I MEAN, IF A PROBLEM ARISES, WE 686 00:26:28,688 --> 00:26:30,022 DEAL WITH IT, BUT, YOU KNOW... 687 00:26:30,022 --> 00:26:31,858 I MEAN, PART OF IT, YOU KNOW, 688 00:26:31,858 --> 00:26:33,860 LIKE, YOU KNOW, SHE KNOWS THAT 689 00:26:33,860 --> 00:26:35,862 MY ATTRACTION TOWARDS SOMEBODY 690 00:26:35,862 --> 00:26:37,864 ELSE IS USUALLY WHAT DRIVES MY 691 00:26:37,864 --> 00:26:38,865 INTERESTS. 692 00:26:38,865 --> 00:26:39,666 YEAH. 693 00:26:39,666 --> 00:26:41,668 AND WITHOUT THAT, THEN, YOU 694 00:26:41,668 --> 00:26:43,235 KNOW, WHY ELSE WOULD I BE 695 00:26:43,235 --> 00:26:45,337 SHOOTING THESE THINGS, YOU KNOW? 696 00:26:45,337 --> 00:26:46,105 RIGHT. 697 00:26:46,105 --> 00:26:47,239 SO SHE'S FINE WITH THAT. 698 00:26:47,239 --> 00:26:48,240 [ CAMERA SHUTTER CLICKS ] 699 00:26:48,240 --> 00:26:49,308 WHEN SHE MET YOU, WERE YOU 700 00:26:49,308 --> 00:26:50,076 ALREADY DOING IT? 701 00:26:50,076 --> 00:26:50,877 YEAH. 702 00:26:50,877 --> 00:26:52,244 YEAH, I GUESS SO. 703 00:26:52,244 --> 00:26:52,879 YEAH. 704 00:26:52,879 --> 00:26:54,280 YOU'D HAVE TO BE COOL WITH 705 00:26:54,280 --> 00:26:55,114 THAT, I GUESS. 706 00:26:55,114 --> 00:27:01,187 [ CHUCKLES ] 707 00:27:01,187 --> 00:27:02,088 YEAH. 708 00:27:02,088 --> 00:27:03,790 OKAY, WELL, THANKS FOR THE 709 00:27:03,790 --> 00:27:04,156 BEER. 710 00:27:04,156 --> 00:27:06,225 [ HORN HONKING ] 711 00:27:10,096 --> 00:27:11,363 REBECCA, LET'S GO. 712 00:27:11,363 --> 00:27:13,399 SEE YA. 713 00:27:16,068 --> 00:27:19,271 [ VEHICLE DOOR OPENS ] 714 00:27:19,271 --> 00:27:20,773 [ VEHICLE DOOR CLOSES ] 715 00:27:20,773 --> 00:27:22,909 WHO WAS THAT? 716 00:27:22,909 --> 00:27:25,411 "SOME GUY"? 717 00:27:25,411 --> 00:27:26,445 [ SOFT, DRAMATIC MUSIC PLAYS 718 00:27:26,445 --> 00:27:28,848 ON TELEVISION ] 719 00:27:28,848 --> 00:27:30,149 WHERE HAVE YOU BEEN? 720 00:27:30,149 --> 00:27:33,419 I WAS WORKING LATE WITH PHIL. 721 00:27:33,419 --> 00:27:34,887 WHY DIDN'T YOU CALL? 722 00:27:34,887 --> 00:27:35,487 I DID. 723 00:27:35,487 --> 00:27:37,189 I CALLED YOU A QUARTER TO 5:00, 724 00:27:37,189 --> 00:27:38,390 BUT THERE WAS NO ANSWER. 725 00:27:38,390 --> 00:27:40,893 THEN, I GOT WORKING AND FORGOT. 726 00:27:40,893 --> 00:27:42,361 YOU KNEW I HAD TO GO TO THE 727 00:27:42,361 --> 00:27:44,130 CLEANER'S LATE THIS AFTERNOON. 728 00:27:44,130 --> 00:27:45,231 AND YOU TRY TO TELL ME YOU 729 00:27:45,231 --> 00:27:46,132 CALLED ME THEN. 730 00:27:46,132 --> 00:27:48,267 I TELL YOU, I DID CALL, AND 731 00:27:48,267 --> 00:27:49,969 THEN I GOT INVOLVED. 732 00:27:49,969 --> 00:27:52,204 [ BREATHING HEAVILY ] 733 00:28:02,481 --> 00:28:04,817 [ FRENETIC CARTOON MUSIC PLAYS ] 734 00:28:04,817 --> 00:28:06,185 GANGWAY! 735 00:28:06,185 --> 00:28:08,520 [ LAUGHING ] 736 00:28:08,520 --> 00:28:09,521 HUH? HUH? 737 00:28:09,521 --> 00:28:10,522 [ PURRING ] 738 00:28:10,522 --> 00:28:12,892 ME WANTS PEACE AND QUIET. 739 00:28:12,892 --> 00:28:14,326 I'VE BEEN A BAD BOY. 740 00:28:14,326 --> 00:28:16,195 I SHOULD HAVE LISTENED TO MY 741 00:28:16,195 --> 00:28:18,798 MOTHER. 742 00:28:18,798 --> 00:28:20,833 [ CRICKETS CHIRPING ] 743 00:28:23,435 --> 00:28:25,805 [ CELLPHONE VIBRATING ] 744 00:29:01,207 --> 00:29:03,242 [ SIGHS ] 745 00:29:03,242 --> 00:29:05,878 [ CELLPHONE VIBRATING ] 746 00:29:05,878 --> 00:29:07,546 WHO THE FUCK IS TEXTING YOU? 747 00:29:07,546 --> 00:29:09,281 [ SIGHS ] 748 00:29:09,281 --> 00:29:12,251 IT'S JUST THAT WAITRESS. 749 00:29:24,196 --> 00:29:26,198 [ SIGHS ] 750 00:29:36,208 --> 00:29:38,277 [ CELLPHONE VIBRATING ] 751 00:29:38,277 --> 00:29:41,848 JESUS. 752 00:29:41,848 --> 00:29:45,351 [ SIGHS ] 753 00:29:45,351 --> 00:29:47,486 [ DRAMATIC MUSIC PLAYS ] 754 00:29:47,486 --> 00:29:50,022 [ MUSIC FADES ] 755 00:29:50,022 --> 00:29:51,423 [ GUN COCKS ] 756 00:29:51,423 --> 00:29:53,092 [ DRAMATIC MUSIC RESUMES ] 757 00:29:53,092 --> 00:29:55,194 [ SHOWER WATER RUNNING ] 758 00:30:02,935 --> 00:30:04,336 HOW HIGH DO YOU WANT IT? 759 00:30:04,336 --> 00:30:06,472 UH, LET'S KEEP HER GOING, BUT 760 00:30:06,472 --> 00:30:08,474 JUST LEAVE ENOUGH ROOM SO HER 761 00:30:08,474 --> 00:30:10,442 BREASTS ARE EXPOSED, OKAY? 762 00:30:15,114 --> 00:30:15,948 HEY, BOSS. 763 00:30:15,948 --> 00:30:17,016 YOU WANT A COUPLE OF ONE K's 764 00:30:17,016 --> 00:30:17,583 WITH THIS, OR... 765 00:30:17,583 --> 00:30:18,951 YEAH, GO AHEAD AND HAVE THEM 766 00:30:18,951 --> 00:30:19,551 IN THERE, STANDBY. 767 00:30:19,551 --> 00:30:21,653 [ INDISTINCT CONVERSATION ] 768 00:30:21,653 --> 00:30:24,656 OHH! 769 00:30:24,656 --> 00:30:25,457 [ CHUCKLES ] 770 00:30:25,457 --> 00:30:26,325 DOES IT SMELL? 771 00:30:26,325 --> 00:30:27,026 [ SNIFFING ] 772 00:30:27,026 --> 00:30:28,094 [ Chuckling ] "DOES IT 773 00:30:28,094 --> 00:30:28,427 SMELL?" 774 00:30:28,427 --> 00:30:29,896 I JUST CAN'T STAND THE SMELL 775 00:30:29,896 --> 00:30:30,930 OF THESE KIND OF THINGS. 776 00:30:30,930 --> 00:30:31,330 UGH. 777 00:30:31,330 --> 00:30:32,464 IT'S REALLY NASTY, THOUGH. 778 00:30:32,464 --> 00:30:33,632 I CAN'T REALLY LOOK AT IT. 779 00:30:33,632 --> 00:30:35,067 I CAN'T LOOK AWAY FROM IT. 780 00:30:35,067 --> 00:30:36,602 IF IT'S GROSSING YOU OUT, 781 00:30:36,602 --> 00:30:38,370 THEN, YOU KNOW, IT'S DOING ITS 782 00:30:38,370 --> 00:30:39,371 JOB. 783 00:30:39,371 --> 00:30:41,373 SO, IS THIS STARTING TO APPEAL 784 00:30:41,373 --> 00:30:42,108 TO YOU YET? 785 00:30:42,108 --> 00:30:44,143 I DON'T KNOW. 786 00:30:44,143 --> 00:30:47,013 I'M NOT SURE IT'S THE KIND OF... 787 00:30:47,013 --> 00:30:50,516 THING, YOU KNOW, MY MAMA WOULD 788 00:30:50,516 --> 00:30:51,117 BE PROUD OF. 789 00:30:51,117 --> 00:30:51,550 [ CHUCKLES ] 790 00:30:51,550 --> 00:30:52,184 WHAT DO YOU MEAN? 791 00:30:52,184 --> 00:30:53,185 YOU'RE JUST PLAYING, LIKE, A 792 00:30:53,185 --> 00:30:54,153 GAME OF DRESS-UP HERE. 793 00:30:54,153 --> 00:30:55,221 YEAH, I GUESS. 794 00:30:55,221 --> 00:30:57,023 BUT IT'S DRESS-UP MIXED WITH 795 00:30:57,023 --> 00:30:57,556 FINE ART. 796 00:30:57,556 --> 00:30:58,424 FINE ART? 797 00:30:58,424 --> 00:30:59,058 YES. 798 00:30:59,058 --> 00:31:00,192 ALL RIGHT, THAT'S WHAT WE'RE 799 00:31:00,192 --> 00:31:00,626 DOING HERE? 800 00:31:00,626 --> 00:31:01,460 WELL, YES. 801 00:31:01,460 --> 00:31:01,994 ALL RIGHT. 802 00:31:01,994 --> 00:31:03,062 IF YOU CAN'T TELL -- IF YOU 803 00:31:03,062 --> 00:31:04,130 HAVEN'T FIGURED THAT OUT YET. 804 00:31:04,130 --> 00:31:05,097 WELL, I WASN'T SURE. 805 00:31:05,097 --> 00:31:06,398 I THOUGHT IT MIGHT BE SOMETHING 806 00:31:06,398 --> 00:31:06,665 DIFFERENT. 807 00:31:06,665 --> 00:31:07,666 WELL, HOW WOULD IT BE 808 00:31:07,666 --> 00:31:08,534 SOMETHING DIFFERENT? 809 00:31:08,534 --> 00:31:09,168 I DON'T KNOW. 810 00:31:09,168 --> 00:31:10,402 BECAUSE THERE'S BOOBIES? 811 00:31:10,402 --> 00:31:11,403 YEAH, I GUESS SO. 812 00:31:11,403 --> 00:31:12,538 YOU DON'T THINK THAT 813 00:31:12,538 --> 00:31:14,106 SOMETHING CAN BE ARTISTIC IF IT 814 00:31:14,106 --> 00:31:15,041 HAS BOOBIES IN IT? 815 00:31:15,041 --> 00:31:16,442 WELL, I'M JUST CURIOUS, LIKE, 816 00:31:16,442 --> 00:31:17,709 WHAT'S THE DISTINCTION HERE. 817 00:31:17,709 --> 00:31:20,679 WELL, THAT'S NOT MY PROBLEM. 818 00:31:20,679 --> 00:31:21,948 I THOUGHT YOU WERE THE 819 00:31:21,948 --> 00:31:22,448 ARTIST. 820 00:31:22,448 --> 00:31:22,949 EXACTLY. 821 00:31:22,949 --> 00:31:24,150 I THOUGHT YOU WERE THE ONE 822 00:31:24,150 --> 00:31:24,716 MAKING IT ART. 823 00:31:24,716 --> 00:31:26,652 WELL, I'M THE IRRESPONSIBLE 824 00:31:26,652 --> 00:31:28,620 ARTIST, SO, YOU KNOW, WHICH IS 825 00:31:28,620 --> 00:31:30,222 THE SIGN OF A GOOD ARTIST. 826 00:31:30,222 --> 00:31:31,958 IF THEY'RE IRRESPONSIBLE? 827 00:31:31,958 --> 00:31:33,225 [ CHUCKLES ] SOMETIMES. 828 00:31:33,225 --> 00:31:34,160 [ CHUCKLES ] 829 00:31:34,160 --> 00:31:35,427 IN THIS CASE, YEAH. 830 00:31:35,427 --> 00:31:37,229 DO YOU EVER FEEL LIKE YOU'RE 831 00:31:37,229 --> 00:31:38,530 NOT MAKING ART? 832 00:31:38,530 --> 00:31:39,999 WELL, RIGHT NOW, I DON'T FEEL 833 00:31:39,999 --> 00:31:40,732 LIKE I'M MAKING ART. 834 00:31:40,732 --> 00:31:42,168 I'M SITTING HERE CHATTING WITH 835 00:31:42,168 --> 00:31:42,434 YOU. 836 00:31:42,434 --> 00:31:44,503 YEAH, BUT YOU EVER FEEL 837 00:31:44,503 --> 00:31:45,737 LIKE... 838 00:31:45,737 --> 00:31:46,738 [ MID-TEMPO DRAMATIC MUSIC 839 00:31:46,738 --> 00:31:48,040 PLAYS ] 840 00:31:48,040 --> 00:31:50,076 LOOK WHO IT IS. 841 00:31:50,076 --> 00:31:51,577 [ CHUCKLES ] 842 00:31:51,577 --> 00:31:52,144 HEY. 843 00:31:52,144 --> 00:31:53,179 HOW'S IT GOING, MAN? 844 00:31:53,179 --> 00:31:54,046 GOOD. 845 00:31:54,046 --> 00:31:55,481 HOW YOU DOING? 846 00:31:55,481 --> 00:31:56,215 FINE. 847 00:31:56,215 --> 00:31:57,749 EVERYBODY'S BACK HERE IF YOU 848 00:31:57,749 --> 00:31:58,750 WANT TO CHITCHAT. 849 00:31:58,750 --> 00:32:00,419 YEAH, THAT'D BE GREAT. 850 00:32:00,419 --> 00:32:02,121 OKAY, COME ON BACK. 851 00:32:02,121 --> 00:32:03,122 HOW'S THE WEATHER OUT THERE? 852 00:32:03,122 --> 00:32:05,191 STILL RAINING. 853 00:32:05,191 --> 00:32:06,758 20 MORE. I'LL COUNT DOWN. 854 00:32:06,758 --> 00:32:08,260 20... 855 00:32:08,260 --> 00:32:09,996 EXCUSE ME. LOOK ALIVE. 856 00:32:09,996 --> 00:32:11,563 WE GOT A POLICE OFFICER HERE. 857 00:32:11,563 --> 00:32:12,698 EVERYONE, THIS IS 858 00:32:12,698 --> 00:32:14,066 DETECTIVE BANFEAUX. 859 00:32:14,066 --> 00:32:15,434 HE'D LIKE TO ASK YOU ALL SOME 860 00:32:15,434 --> 00:32:16,135 QUESTIONS. 861 00:32:16,135 --> 00:32:17,503 I RECOMMEND STARTING WITH HER. 862 00:32:17,503 --> 00:32:18,470 SHE'S THE MOST 863 00:32:18,470 --> 00:32:19,438 SUSPICIOUS-LOOKING. 864 00:32:19,438 --> 00:32:20,239 [ CHUCKLES ] WHOO! 865 00:32:20,239 --> 00:32:22,008 HAVE YOU EVER SEEN THIS WOMAN 866 00:32:22,008 --> 00:32:23,242 BEFORE OR WORKED WITH HER? 867 00:32:23,242 --> 00:32:24,510 HER NAME IS SHANNON FIERMAN. 868 00:32:24,510 --> 00:32:25,277 MNH-MNH. 869 00:32:25,277 --> 00:32:26,245 SHE'S A MODEL. 870 00:32:26,245 --> 00:32:27,646 MNH-MNH, I DIDN'T SEE HER. 871 00:32:27,646 --> 00:32:30,249 MISS, DO YOU KNOW HER? 872 00:32:30,249 --> 00:32:31,750 NO. 873 00:32:31,750 --> 00:32:33,252 NEVER MET? 874 00:32:33,252 --> 00:32:34,120 NO. 875 00:32:34,120 --> 00:32:35,287 YOU GUYS WANT TO GET THAT? 876 00:32:35,287 --> 00:32:37,489 [ SOFT, DRAMATIC MUSIC PLAYS ] 877 00:32:37,489 --> 00:32:40,559 OKAY. 878 00:32:40,559 --> 00:32:42,794 OH. 879 00:32:42,794 --> 00:32:44,063 AM I STUCK? 880 00:32:44,063 --> 00:32:46,598 NOW IT'S FINE. 881 00:32:46,598 --> 00:32:48,300 OKAY. 882 00:32:48,300 --> 00:32:49,335 HERE YOU GO. 883 00:32:49,335 --> 00:32:51,737 HOW DO I GET ON THIS THING? 884 00:32:51,737 --> 00:32:52,738 GOTCHA. 885 00:32:52,738 --> 00:32:54,306 IT'S OKAY. 886 00:32:54,306 --> 00:32:55,241 LIKE... 887 00:32:55,241 --> 00:32:56,808 [ CHUCKLES ] LOOK. 888 00:32:56,808 --> 00:32:57,776 OKAY? 889 00:32:57,776 --> 00:32:59,045 MM-HMM. 890 00:32:59,045 --> 00:33:00,679 [ LIQUID SPLASHES ] 891 00:33:00,679 --> 00:33:01,513 UH-OH. 892 00:33:01,513 --> 00:33:02,448 [ CHUCKLES ] 893 00:33:02,448 --> 00:33:02,814 NICE. 894 00:33:02,814 --> 00:33:03,549 OKAY. 895 00:33:03,549 --> 00:33:05,717 THERE YOU GO. 896 00:33:05,717 --> 00:33:07,053 LET ME, LIKE... 897 00:33:07,053 --> 00:33:08,320 IS IT COLD? 898 00:33:08,320 --> 00:33:10,056 NO, ACTUALLY, IT'S KIND OF 899 00:33:10,056 --> 00:33:10,322 FINE. 900 00:33:10,322 --> 00:33:12,191 [ CHUCKLES ] 901 00:33:12,191 --> 00:33:13,159 LUKEWARM. 902 00:33:13,159 --> 00:33:14,226 KIND OF LIKE CHOCOLATE. 903 00:33:14,226 --> 00:33:14,793 [ CHUCKLES ] 904 00:33:14,793 --> 00:33:16,162 DO YOU WANT TO DO ANYTHING 905 00:33:16,162 --> 00:33:18,764 WITH HER HAIR? 906 00:33:18,764 --> 00:33:20,266 LET'S LOOK HERE. 907 00:33:20,266 --> 00:33:22,234 NO, JUST KEEP IT DRY FOR RIGHT 908 00:33:22,234 --> 00:33:22,634 NOW. 909 00:33:22,634 --> 00:33:24,636 WE'LL DO A COUPLE WITH IT DRY, 910 00:33:24,636 --> 00:33:26,605 AND THEN MAYBE WE'LL SWITCH IT 911 00:33:26,605 --> 00:33:28,540 UP LATER, BUT JUST STAY THE SAME 912 00:33:28,540 --> 00:33:29,108 WAY. 913 00:33:29,108 --> 00:33:30,776 IS THIS TEMPTING TO YOU NOW? 914 00:33:30,776 --> 00:33:33,112 [ LAUGHTER ] 915 00:33:33,112 --> 00:33:34,380 IT'S PRETTY COOL, ACTUALLY. 916 00:33:34,380 --> 00:33:35,614 JUST HANG OUT FOR JUST A 917 00:33:35,614 --> 00:33:36,182 SECOND. 918 00:33:36,182 --> 00:33:37,083 IT FEELS COOL? 919 00:33:37,083 --> 00:33:37,749 YEAH, IT DOES. 920 00:33:37,749 --> 00:33:39,251 IS IT SLIMY? 921 00:33:39,251 --> 00:33:40,352 HOW OFTEN DO YOU SEE SHIT 922 00:33:40,352 --> 00:33:41,187 LIKE THAT? 923 00:33:41,187 --> 00:33:42,788 PEOPLE KILLING THEMSELVES? 924 00:33:42,788 --> 00:33:44,390 OH, YEAH, WITH, LIKE, 925 00:33:44,390 --> 00:33:46,525 THE WRISTS OPEN AND EVERYTHING? 926 00:33:46,525 --> 00:33:47,326 PRETTY COMMON. 927 00:33:47,326 --> 00:33:48,360 SUPPOSEDLY, IF YOU DO IT WITH A 928 00:33:48,360 --> 00:33:49,595 FINE ENOUGH BLADE, YOU CAN'T 929 00:33:49,595 --> 00:33:50,629 EVEN REALLY FEEL ANYTHING. 930 00:33:50,629 --> 00:33:52,631 YOU JUST GET KIND OF SLEEPY AS 931 00:33:52,631 --> 00:33:54,600 YOUR LIFE RUNS OUT OF YOU. 932 00:33:54,600 --> 00:33:56,368 JUST GET KIND OF TIRED AND WARM. 933 00:33:56,368 --> 00:33:58,270 CLOSE YOUR EYES. 934 00:33:58,270 --> 00:34:01,240 OKAY. 935 00:34:01,240 --> 00:34:02,274 [ CAMERA SHUTTER CLICKS ] 936 00:34:02,274 --> 00:34:04,610 [ CAMERA WHIRRING ] 937 00:34:04,610 --> 00:34:05,644 HEY, ALEX? 938 00:34:05,644 --> 00:34:07,579 YEAH? 939 00:34:13,319 --> 00:34:14,820 [ CAMERA SHUTTER CLICKS ] 940 00:34:14,820 --> 00:34:18,557 [ CAMERA WHIRRING ] 941 00:34:18,557 --> 00:34:19,725 THANK YOU. 942 00:34:19,725 --> 00:34:21,627 [ MUSIC INTENSIFIES ] 943 00:34:26,598 --> 00:34:28,634 [ FOOTSTEPS APPROACHING ] 944 00:34:43,282 --> 00:34:45,417 [ CAMERA SHUTTER CLICKS ] 945 00:34:45,417 --> 00:34:47,719 [ MUSIC INTENSIFIES ] 946 00:34:50,789 --> 00:34:52,291 [ CAMERA SHUTTER CLICKS ] 947 00:34:52,291 --> 00:34:54,560 [ INDISTINCT CONVERSATION ] 948 00:35:05,371 --> 00:35:06,405 [ MID-TEMPO MUSIC 949 00:35:06,405 --> 00:35:09,441 PLAYS INDISTINCTLY ] 950 00:35:09,441 --> 00:35:10,809 [ Holding breath ] I THINK 951 00:35:10,809 --> 00:35:12,411 CARS ARE FUTURISTIC, YOU KNOW? 952 00:35:12,411 --> 00:35:14,446 [ EXHALES ] 953 00:35:14,446 --> 00:35:16,682 I MEAN, JUST ANYTHING, YOU KNOW? 954 00:35:16,682 --> 00:35:18,450 LIKE, I THINK THAT MAYBE, IF I 955 00:35:18,450 --> 00:35:19,818 HAD A PAST LIFE, IT WAS 956 00:35:19,818 --> 00:35:21,720 DEFINITELY BEFORE ELECTRICITY. 957 00:35:21,720 --> 00:35:23,355 [ KNOCK ON DOOR ] 958 00:35:23,355 --> 00:35:26,258 HOLD ON A SECOND. 959 00:35:26,258 --> 00:35:27,326 I'LL HOLD THAT. 960 00:35:27,326 --> 00:35:28,460 HOLD THAT FOR ME. 961 00:35:28,460 --> 00:35:30,529 MM-HMM. 962 00:35:32,698 --> 00:35:35,301 * HELLO ♪ 963 00:35:35,301 --> 00:35:36,335 [ LAUGHS ] 964 00:35:36,335 --> 00:35:37,736 OH, HEY, WHAT'S UP? [ LAUGHS ] 965 00:35:37,736 --> 00:35:38,470 HOW ARE YOU? 966 00:35:38,470 --> 00:35:39,705 I'M GOOD, I'M GOOD. 967 00:35:39,705 --> 00:35:40,439 COME ON IN. 968 00:35:40,439 --> 00:35:41,440 IS ALEX AROUND? 969 00:35:41,440 --> 00:35:42,441 OH, NO, SHE'S STILL AT HER 970 00:35:42,441 --> 00:35:43,709 MOM'S FOR THE WEEKEND. 971 00:35:43,709 --> 00:35:44,710 OH, YEAH. I'M SORRY. 972 00:35:44,710 --> 00:35:45,911 WHAT ARE YOU DOING AROUND 973 00:35:45,911 --> 00:35:46,478 HERE? 974 00:35:46,478 --> 00:35:47,913 I JUST WANTED TO STOP BY AND 975 00:35:47,913 --> 00:35:48,680 SAY HI. 976 00:35:48,680 --> 00:35:49,448 OH, YEAH. 977 00:35:49,448 --> 00:35:50,649 YOU KNOW THESE GUYS? 978 00:35:50,649 --> 00:35:51,917 UM, YEAH, KIND OF. 979 00:35:51,917 --> 00:35:53,352 HOW'S IT GOING? 980 00:35:53,352 --> 00:35:57,389 HEY. 981 00:35:57,389 --> 00:35:58,790 THANK YOU MUCH. 982 00:35:58,790 --> 00:36:00,692 UM, I'M ACTUALLY NOT GONNA 983 00:36:00,692 --> 00:36:02,328 STAY, I DON'T THINK, SO DO YOU 984 00:36:02,328 --> 00:36:03,995 MIND JUST TELLING ALEX I STOPPED 985 00:36:03,995 --> 00:36:04,830 BY? 986 00:36:04,830 --> 00:36:06,432 OH, YOU'RE NOT GONNA STAY? 987 00:36:06,432 --> 00:36:08,267 NO, I DON'T THINK SO. 988 00:36:08,267 --> 00:36:09,635 OKAY, HERE, HERE. 989 00:36:09,635 --> 00:36:11,670 LET ME WALK YOU OUT, THEN. 990 00:36:17,376 --> 00:36:18,510 YOU'RE MORE THAN WELCOME TO 991 00:36:18,510 --> 00:36:21,447 STICK AROUND. 992 00:36:21,447 --> 00:36:24,483 ALL RIGHT. 993 00:36:24,483 --> 00:36:26,352 UM, HAVE A GOOD NIGHT. 994 00:36:26,352 --> 00:36:26,885 YEAH. 995 00:36:26,885 --> 00:36:28,554 I'LL SEE YOU SOON, I HOPE. 996 00:36:28,554 --> 00:36:29,688 [ CHUCKLES ] 997 00:36:29,688 --> 00:36:30,422 GOOD NIGHT. 998 00:36:30,422 --> 00:36:32,658 [ SOFT, DRAMATIC MUSIC PLAYS ] 999 00:37:01,387 --> 00:37:03,722 [ CAR IDLING ] 1000 00:37:08,360 --> 00:37:10,296 [ BRAKE RELEASES ] 1001 00:37:17,303 --> 00:37:18,404 [ INDISTINCT CONVERSATION ] 1002 00:37:18,404 --> 00:37:18,870 [ SOFT MUSIC 1003 00:37:18,870 --> 00:37:19,771 PLAYS INDISTINCTLY ] 1004 00:37:19,771 --> 00:37:20,539 I DON'T KNOW. 1005 00:37:20,539 --> 00:37:21,740 I THINK I WOULD FEEL FUNNY ABOUT 1006 00:37:21,740 --> 00:37:22,808 IT. 1007 00:37:22,808 --> 00:37:23,809 I COULDN'T LOOK AT THEM 1008 00:37:23,809 --> 00:37:24,543 AFTERWARDS. 1009 00:37:24,543 --> 00:37:26,445 I BET YOU WOULD TAKE LIKE 1010 00:37:26,445 --> 00:37:28,480 THREE, AND THEN AS YOU SAW ONE, 1011 00:37:28,480 --> 00:37:30,015 YOU'D WANT TO TAKE MORE. 1012 00:37:30,015 --> 00:37:31,817 MAYBE. I DON'T KNOW. 1013 00:37:31,817 --> 00:37:32,784 YOU SHOULD JUST TRY IT. 1014 00:37:32,784 --> 00:37:33,519 THERE'S NO -- 1015 00:37:33,519 --> 00:37:34,586 WAIT, WAIT, WAIT, HOLD ON. 1016 00:37:34,586 --> 00:37:35,621 [ CAMERA SHUTTER CLICKS ] 1017 00:37:35,621 --> 00:37:36,322 ONE MORE. 1018 00:37:36,322 --> 00:37:36,888 [ CHUCKLES ] 1019 00:37:36,888 --> 00:37:37,789 HOLD A MINUTE. 1020 00:37:37,789 --> 00:37:38,424 [ CHUCKLES ] 1021 00:37:38,424 --> 00:37:39,491 NOW, NOW, DON'T MOVE, DON'T 1022 00:37:39,491 --> 00:37:39,658 MOVE. 1023 00:37:39,658 --> 00:37:42,428 [ CAMERA SHUTTER CLICKING ] 1024 00:37:42,428 --> 00:37:44,630 [ CHUCKLES ] 1025 00:37:44,630 --> 00:37:46,832 HERE. 1026 00:37:46,832 --> 00:37:48,967 [ CAMERA SHUTTER CLICKING ] 1027 00:37:48,967 --> 00:37:52,871 [ CHUCKLES ] 1028 00:37:52,871 --> 00:37:54,640 [ CAMERA SHUTTER CLICKING ] 1029 00:37:54,640 --> 00:37:57,943 [ CHUCKLES ] 1030 00:37:57,943 --> 00:38:01,046 [ CAMERA SHUTTER CLICKING ] 1031 00:38:01,046 --> 00:38:03,449 [ CHUCKLES ] 1032 00:38:03,449 --> 00:38:05,684 [ CAMERA SHUTTER CLICKING ] 1033 00:38:10,088 --> 00:38:11,357 [ CHUCKLES ] 1034 00:38:11,357 --> 00:38:14,059 [ CAMERA SHUTTER CLICKING ] 1035 00:38:19,431 --> 00:38:23,001 * IT'S A WASTE OF TIME, 1036 00:38:23,001 --> 00:38:26,037 TRYIN' TO STAND IN LINE ♪ 1037 00:38:26,037 --> 00:38:29,575 ♪ NEVER A PLACE AND TIME ♪ 1038 00:38:29,575 --> 00:38:33,078 ♪ WISH YOU WERE SPENDIN' TIME ♪ 1039 00:38:33,078 --> 00:38:36,915 ♪ LOOK FOR A FOOLISH SIGN ♪ 1040 00:38:36,915 --> 00:38:38,650 ♪ SOMETHING TO... ♪ 1041 00:38:38,650 --> 00:38:39,585 [ DRAMATIC MUSIC PLAYS ] 1042 00:38:39,585 --> 00:38:40,552 DO YOU HAVE A GOOD TIME? 1043 00:38:40,552 --> 00:38:41,052 YEAH, I DID. 1044 00:38:41,052 --> 00:38:41,687 DID YOU REALLY? 1045 00:38:41,687 --> 00:38:43,121 YEAH, I DID, I DID. 1046 00:38:43,121 --> 00:38:44,856 I HAD A VERY, VERY GOOD TIME. 1047 00:38:44,856 --> 00:38:45,657 [ Chuckling ] GOOD. 1048 00:38:45,657 --> 00:38:48,894 AND, UH, I HOPE THAT WE DO 1049 00:38:48,894 --> 00:38:49,961 SOMETHING LIKE THIS AGAIN, IF 1050 00:38:49,961 --> 00:38:50,862 YOU EVER FEEL LIKE IT. 1051 00:38:50,862 --> 00:38:51,863 WE SHOULD HANG OUT. 1052 00:38:51,863 --> 00:38:52,531 YEAH, WE SHOULD. 1053 00:38:52,531 --> 00:38:53,164 WE SHOULD HANG OUT. 1054 00:38:53,164 --> 00:38:54,433 WE SHOULD JUST GO DO SOMETHING 1055 00:38:54,433 --> 00:38:55,066 NORMAL SOMETIME SOON. 1056 00:38:55,066 --> 00:38:55,901 [ LAUGHS ] OKAY. 1057 00:38:55,901 --> 00:38:57,869 IT WAS SO GOOD TO SEE YOU. 1058 00:38:57,869 --> 00:39:00,572 [ DRAMATIC MUSIC CONTINUES ] 1059 00:39:15,887 --> 00:39:17,856 [ MUSIC INTENSIFIES ] 1060 00:40:00,966 --> 00:40:02,934 [ DOORKNOB RATTLES ] 1061 00:40:02,934 --> 00:40:05,136 [ DOOR CREAKS ] 1062 00:40:11,009 --> 00:40:13,579 [ MUSIC SOFTENS ] 1063 00:40:13,579 --> 00:40:17,549 [ ENGINE IDLING ] 1064 00:40:17,549 --> 00:40:19,551 [ ENGINE SHUTS OFF ] 1065 00:40:25,591 --> 00:40:28,059 [ FOOTSTEPS APPROACHING ] 1066 00:40:30,061 --> 00:40:32,163 [ MUSIC FADES ] 1067 00:40:37,035 --> 00:40:39,938 MMM. 1068 00:40:43,809 --> 00:40:46,044 WHOSE IS THIS? 1069 00:40:46,044 --> 00:40:47,879 THAT'S AMY'S. 1070 00:40:47,879 --> 00:40:50,248 OH. 1071 00:40:50,248 --> 00:40:53,885 HOW'D THE SHOOT GO? 1072 00:40:53,885 --> 00:40:56,087 IT'S FINE. 1073 00:40:56,087 --> 00:40:56,888 [ CHUCKLES ] 1074 00:40:56,888 --> 00:40:58,289 CAME BACK HERE AFTERWARDS? 1075 00:40:58,289 --> 00:41:01,092 MM-HMM. 1076 00:41:04,195 --> 00:41:06,464 [ MID-TEMPO MUSIC PLAYS ] 1077 00:41:25,083 --> 00:41:27,152 [ BREATHING HEAVILY ] 1078 00:41:27,152 --> 00:41:29,588 OH, FUCK IT. 1079 00:41:29,588 --> 00:41:31,790 [ SIGHS ] 1080 00:41:31,790 --> 00:41:34,726 [ BOTH BREATHING MOANING ] 1081 00:41:39,698 --> 00:41:42,968 [ SHOWER WATER RUNNING ] 1082 00:41:56,147 --> 00:41:58,149 [ SOFT, DRAMATIC MUSIC PLAYS ] 1083 00:41:58,149 --> 00:41:59,818 [ SCOFFS ] 1084 00:41:59,818 --> 00:42:01,620 [ Sarcastically ] OH, I'M SO 1085 00:42:01,620 --> 00:42:03,288 GLAD YOU HAD A GOOD TIME. 1086 00:42:23,108 --> 00:42:25,110 [ SIGHS ] 1087 00:42:32,117 --> 00:42:33,985 STOP. 1088 00:42:33,985 --> 00:42:35,721 NOTHING HAPPENED? 1089 00:42:35,721 --> 00:42:37,856 NO. 1090 00:42:37,856 --> 00:42:40,158 SERIOUSLY. 1091 00:42:40,158 --> 00:42:41,793 WHY ARE YOU TAKING NAKED 1092 00:42:41,793 --> 00:42:43,829 PICTURES OF WOMEN IN OUR HOUSE? 1093 00:42:50,201 --> 00:42:51,737 HAVE YOU EVER DONE THIS BEFORE? 1094 00:42:51,737 --> 00:42:53,371 DO YOU TAKE... 1095 00:42:53,371 --> 00:42:55,974 SMUTTY PICTURES WHEN I'M NOT 1096 00:42:55,974 --> 00:42:57,943 HERE? 1097 00:42:57,943 --> 00:43:00,278 NO. 1098 00:43:00,278 --> 00:43:01,246 NO, SERIOUSLY, WE WERE JUST 1099 00:43:01,246 --> 00:43:02,247 HANGING OUT, AND YOU KNOW, I 1100 00:43:02,247 --> 00:43:02,748 MEAN... 1101 00:43:02,748 --> 00:43:03,749 WELL, WHAT ARE YOU GONNA DO 1102 00:43:03,749 --> 00:43:04,149 WITH THEM? 1103 00:43:04,149 --> 00:43:05,183 WHAT ARE YOU GONNA DO WITH THE 1104 00:43:05,183 --> 00:43:06,985 PICTURES? 1105 00:43:06,985 --> 00:43:07,719 I DON'T KNOW. 1106 00:43:07,719 --> 00:43:08,787 I HAVEN'T HAD A CHANCE TO LOOK 1107 00:43:08,787 --> 00:43:09,020 AT THEM. 1108 00:43:09,020 --> 00:43:10,656 WELL, I'D LIKE YOU TO DELETE 1109 00:43:10,656 --> 00:43:13,191 THEM. 1110 00:43:13,191 --> 00:43:15,761 COULD YOU PLEASE DO THAT? 1111 00:43:15,761 --> 00:43:16,327 WELL, I DON'T KNOW. 1112 00:43:16,327 --> 00:43:17,228 I MEAN, THERE MIGHT BE, LIKE -- 1113 00:43:17,228 --> 00:43:18,029 NO, I NEED YOU TO DELETE 1114 00:43:18,029 --> 00:43:20,065 THEM. 1115 00:43:22,968 --> 00:43:25,370 [ SIGHS ] 1116 00:43:25,370 --> 00:43:27,205 I'M NOT BEING UNREASONABLE. 1117 00:43:27,205 --> 00:43:29,307 ALL RIGHT, ALL RIGHT, IF YOU 1118 00:43:29,307 --> 00:43:32,711 WANT ME TO DELETE THEM. 1119 00:43:32,711 --> 00:43:34,312 LOOK, WE TAKE PICTURES... 1120 00:43:34,312 --> 00:43:35,013 [ SIGHS ] 1121 00:43:35,013 --> 00:43:36,782 VERY SPECIFIC PICTURES. 1122 00:43:36,782 --> 00:43:37,883 ALL RIGHT, HERE. 1123 00:43:37,883 --> 00:43:39,050 JUST GIVE ME THE CAMERA. 1124 00:43:39,050 --> 00:43:40,251 I'LL DELETE THE PHOTOS. 1125 00:43:40,251 --> 00:43:41,687 I'LL DELETE THEM LATER, OKAY? 1126 00:43:41,687 --> 00:43:42,320 [ MUSIC STOPS ] 1127 00:43:42,320 --> 00:43:43,822 THERE MIGHT BE SO STUNNING THAT 1128 00:43:43,822 --> 00:43:44,923 I DON'T WANT TO MESS UP. 1129 00:43:44,923 --> 00:43:45,356 YOU KNOW? 1130 00:43:45,356 --> 00:43:47,893 LOOK, SERIOUSLY. 1131 00:43:54,766 --> 00:43:57,268 FINE. 1132 00:43:57,268 --> 00:44:00,806 [ SIGHS ] 1133 00:44:05,777 --> 00:44:08,046 [ SOFT, DRAMATIC MUSIC PLAYS ] 1134 00:44:08,046 --> 00:44:09,214 WHAT ARE YOU DOING HERE, 1135 00:44:09,214 --> 00:44:11,850 MICHAEL? 1136 00:44:11,850 --> 00:44:12,884 I JUST STOPPED BY TO GET A 1137 00:44:12,884 --> 00:44:13,351 COUPLE THINGS. 1138 00:44:13,351 --> 00:44:16,922 I'LL BE GONE IN A FEW MINUTES. 1139 00:44:16,922 --> 00:44:18,456 YOU CANNOT KEEP SHOWING UP 1140 00:44:18,456 --> 00:44:19,725 HERE UNANNOUNCED. 1141 00:44:19,725 --> 00:44:20,926 DO YOU UNDERSTAND ME? 1142 00:44:20,926 --> 00:44:22,227 YEAH, I KNOW. 1143 00:44:22,227 --> 00:44:23,328 I TOLD YOU TO LEAVE. 1144 00:44:23,328 --> 00:44:24,062 I MEANT IT. 1145 00:44:24,062 --> 00:44:24,763 I KNOW. 1146 00:44:24,763 --> 00:44:26,297 I USED TO BE AFRAID THAT I'D 1147 00:44:26,297 --> 00:44:27,733 GET A CALL IN THE MIDDLE OF THE 1148 00:44:27,733 --> 00:44:29,034 NIGHT, AND YOU'D BE DEAD ON A 1149 00:44:29,034 --> 00:44:30,068 STREET CORNER SOMEWHERE. 1150 00:44:30,068 --> 00:44:31,937 NOW I'M TERRIFIED THAT YOU'RE 1151 00:44:31,937 --> 00:44:33,739 GONNA DO SOMETHING TO YOURSELF. 1152 00:44:33,739 --> 00:44:35,373 I COME HOME EVERY DAY WITH A PIT 1153 00:44:35,373 --> 00:44:37,075 IN THE MIDDLE OF MY STOMACH, 1154 00:44:37,075 --> 00:44:38,343 MICHAEL, THAT YOU'RE GONNA BE 1155 00:44:38,343 --> 00:44:39,811 DEAD ON A FLOOR AND I'M GONNA 1156 00:44:39,811 --> 00:44:41,246 FIND YOU AND HAVE TO DEAL WITH 1157 00:44:41,246 --> 00:44:41,512 THAT. 1158 00:44:41,512 --> 00:44:43,048 I CAN'T DO THIS ANYMORE. 1159 00:44:43,048 --> 00:44:44,349 I'M NOT CUT OUT FOR IT. 1160 00:44:44,349 --> 00:44:45,316 [ SCOFFS ] 1161 00:44:45,316 --> 00:44:47,285 HOMICIDE DETECTIVE IS ONE THING. 1162 00:44:47,285 --> 00:44:49,120 DEPRESSED IS A WHOLE OTHER ONE. 1163 00:44:49,120 --> 00:44:50,355 I WANT A FAMILY. 1164 00:44:50,355 --> 00:44:51,857 I WANT A FUTURE, MICHAEL. 1165 00:44:51,857 --> 00:44:53,524 I WANT A SENSE OF SECURITY AND 1166 00:44:53,524 --> 00:44:57,095 SAFETY IN MY LIFE. 1167 00:44:57,095 --> 00:44:58,864 I'VE DONE EVERYTHING I CAN FOR 1168 00:44:58,864 --> 00:44:59,330 YOU. 1169 00:44:59,330 --> 00:45:00,999 I'VE GONE ABOVE AND BEYOND, AND 1170 00:45:00,999 --> 00:45:02,400 I JUST DON'T HAVE IT IN ME 1171 00:45:02,400 --> 00:45:04,069 ANYMORE. 1172 00:45:04,069 --> 00:45:05,103 I JUST WANT YOU TO GET YOUR 1173 00:45:05,103 --> 00:45:09,107 STUFF AND GET OUT OF HERE. 1174 00:45:09,107 --> 00:45:10,375 I'M SORRY. 1175 00:45:10,375 --> 00:45:12,377 YEAH, HEARD IT BEFORE. 1176 00:45:35,133 --> 00:45:37,202 [ CAMERA SHUTTER CLICKS ] 1177 00:45:49,080 --> 00:45:50,181 HOW ARE YOU? 1178 00:45:50,181 --> 00:45:51,149 I'M GOOD. 1179 00:45:51,149 --> 00:45:53,118 YOU EXCITED ABOUT THE SHOOT? 1180 00:45:53,118 --> 00:45:54,452 YEAH, YEAH. 1181 00:45:54,452 --> 00:45:56,121 UM, ACTUALLY... 1182 00:45:56,121 --> 00:45:57,022 THAT'S WHAT I WANT TO TALK TO 1183 00:45:57,022 --> 00:45:57,355 YOU ABOUT. 1184 00:45:57,355 --> 00:45:59,958 UM, YOU KNOW, IT JUST OCCURRED 1185 00:45:59,958 --> 00:46:01,592 TO ME THE OTHER DAY, UH, HOW, 1186 00:46:01,592 --> 00:46:03,561 YOU KNOW, I'VE BEEN HANGING OUT 1187 00:46:03,561 --> 00:46:05,130 WITH REBECCA AND ALL. 1188 00:46:05,130 --> 00:46:07,332 AND, UH, I MEAN, IT JUST KIND OF 1189 00:46:07,332 --> 00:46:09,300 OCCURRED TO ME THAT THIS MIGHT 1190 00:46:09,300 --> 00:46:11,069 BE A GOOD STARTING POINT FOR 1191 00:46:11,069 --> 00:46:12,303 HER. 1192 00:46:12,303 --> 00:46:13,038 OKAY, COOL. 1193 00:46:13,038 --> 00:46:14,505 W-WHAT WOULD YOU HAVE FOR HER? 1194 00:46:14,505 --> 00:46:15,941 WHAT WOULD SHE BE DOING? 1195 00:46:15,941 --> 00:46:17,442 WELL, I WAS THINKING MAYBE 1196 00:46:17,442 --> 00:46:18,877 SWITCHING YOU GUYS OUT. 1197 00:46:18,877 --> 00:46:20,178 OH, OKAY. 1198 00:46:20,178 --> 00:46:21,346 LIKE, UH, YOU KNOW, IT 1199 00:46:21,346 --> 00:46:22,547 JUST -- IT JUST SEEMS LIKE WE'RE 1200 00:46:22,547 --> 00:46:23,949 GONNA BE ON THE SOUND STAGE, 1201 00:46:23,949 --> 00:46:24,415 AND... 1202 00:46:24,415 --> 00:46:24,950 MM-HMM. 1203 00:46:24,950 --> 00:46:26,384 ...IT'S, UH, IT'S GONNA BE A 1204 00:46:26,384 --> 00:46:27,418 CONTROLLED ENVIRONMENT. 1205 00:46:27,418 --> 00:46:27,853 YEAH. 1206 00:46:27,853 --> 00:46:28,920 THERE'S NOT GONNA BE A LOT OF 1207 00:46:28,920 --> 00:46:29,955 PEOPLE WANDERING IN AND OUT. 1208 00:46:29,955 --> 00:46:30,488 YEAH. TOTALLY. 1209 00:46:30,488 --> 00:46:31,990 THAT MAKES A LOT OF SENSE. 1210 00:46:31,990 --> 00:46:33,191 I THINK SHE'LL BE GREAT. 1211 00:46:33,191 --> 00:46:34,025 YEAH? 1212 00:46:34,025 --> 00:46:34,860 YEAH. 1213 00:46:34,860 --> 00:46:35,493 OKAY. 1214 00:46:35,493 --> 00:46:36,895 BUT DON'T GET ME WRONG. 1215 00:46:36,895 --> 00:46:37,896 I WANT YOU THERE. 1216 00:46:37,896 --> 00:46:38,964 [ Chuckling ] OH. 1217 00:46:38,964 --> 00:46:39,564 YOU KNOW? 1218 00:46:39,564 --> 00:46:41,399 LIKE, I WANT YOU TO BE THERE TO 1219 00:46:41,399 --> 00:46:42,934 HELP OUT AND, YOU KNOW, IF YOU 1220 00:46:42,934 --> 00:46:43,935 WANT TO BE THERE. 1221 00:46:43,935 --> 00:46:44,903 YEAH, TOTALLY. 1222 00:46:44,903 --> 00:46:45,470 OKAY. 1223 00:46:45,470 --> 00:46:46,404 YEAH, I'LL HELP OUT. 1224 00:46:46,404 --> 00:46:46,938 OKAY. 1225 00:46:46,938 --> 00:46:48,106 I'M JUST ACTUALLY GONNA RUN 1226 00:46:48,106 --> 00:46:49,407 TO THE BATHROOM REALLY QUICKLY. 1227 00:46:49,407 --> 00:46:50,208 DO YOU NEED ANYTHING? 1228 00:46:50,208 --> 00:46:50,976 NO, I'M GOOD. 1229 00:46:50,976 --> 00:46:53,011 OKAY. 1230 00:46:53,011 --> 00:46:54,913 [ MUSIC INTENSIFIES ] 1231 00:47:02,988 --> 00:47:05,290 [ SIGHS ] 1232 00:47:34,252 --> 00:47:36,454 [ MUSIC FADES ] 1233 00:47:36,454 --> 00:47:38,589 LATE NIGHT? 1234 00:47:38,589 --> 00:47:40,291 MAYBE I SHOULD HAVE SOME 1235 00:47:40,291 --> 00:47:41,092 WATER. 1236 00:47:41,092 --> 00:47:43,028 [ CHUCKLES ] 1237 00:47:46,664 --> 00:47:48,099 I DON'T KNOW HOW LONG IT'S BEEN 1238 00:47:48,099 --> 00:47:49,267 IN THE BACK SEAT, BUT [SIGHS] 1239 00:47:49,267 --> 00:47:49,667 GO FOR IT. 1240 00:47:49,667 --> 00:47:50,335 PERFECT. 1241 00:47:50,335 --> 00:47:51,636 IT'S GOT ELECTROLYTES. 1242 00:47:51,636 --> 00:47:53,538 [ CHUCKLES ] 1243 00:48:09,654 --> 00:48:11,990 [ INDISTINCT CONVERSATIONS ] 1244 00:48:11,990 --> 00:48:16,261 [ FOOTSTEPS APPROACHING ] 1245 00:48:16,261 --> 00:48:18,363 [ TELEPHONE RINGING ] 1246 00:48:40,251 --> 00:48:41,752 [ UP-TEMPO MUSIC 1247 00:48:41,752 --> 00:48:43,989 PLAYS INDISTINCTLY ] 1248 00:49:29,267 --> 00:49:31,569 [ MUSIC INTENSIFIES ] 1249 00:49:33,571 --> 00:49:36,041 [ ENGINE TURNS OVER ] 1250 00:49:41,179 --> 00:49:42,213 [ SOFT MUSIC PLAYS ] 1251 00:49:42,213 --> 00:49:43,481 YOU KNOW WHAT'S AN AESTHETIC 1252 00:49:43,481 --> 00:49:44,215 CHOICE? 1253 00:49:44,215 --> 00:49:45,050 [ SNIFFLES ] 1254 00:49:45,050 --> 00:49:46,584 YOU KNOW, NATURE PHOTOS -- 1255 00:49:46,584 --> 00:49:48,419 PHOTOS LIKE BIRDS AND TREES. 1256 00:49:48,419 --> 00:49:49,754 YEAH, BUT ANYBODY CAN TAKE 1257 00:49:49,754 --> 00:49:50,288 THAT. 1258 00:49:50,288 --> 00:49:51,756 AND MOST PEOPLE, IF YOU ACTUALLY 1259 00:49:51,756 --> 00:49:53,358 START LOOKING AT WHAT PEOPLE DO 1260 00:49:53,358 --> 00:49:54,659 WHEN THEY FIRST START TAKING 1261 00:49:54,659 --> 00:49:56,261 PHOTOGRAPHS, THEY ALWAYS END UP 1262 00:49:56,261 --> 00:49:57,628 JUST GOING TO, LIKE, BOTANICAL 1263 00:49:57,628 --> 00:49:58,696 GARDENS OR SOMETHING. 1264 00:49:58,696 --> 00:50:00,265 IF YOU EVER GO TO BOTANICAL 1265 00:50:00,265 --> 00:50:01,466 GARDENS, YOU JUST SEE ALL THESE, 1266 00:50:01,466 --> 00:50:02,700 LIKE, PHOTOGRAPHY JOURNALISM 1267 00:50:02,700 --> 00:50:03,834 STUDENTS OUT THERE WITH THEIR 1268 00:50:03,834 --> 00:50:05,536 CAMERAS, TAKING PICTURES OF THE 1269 00:50:05,536 --> 00:50:06,637 SAME GODDAMN PLANTS THAT 1270 00:50:06,637 --> 00:50:07,738 EVERYBODY ELSE HAS TAKEN 1271 00:50:07,738 --> 00:50:08,473 PICTURES OF. 1272 00:50:08,473 --> 00:50:10,075 YOU KNOW, IT'S RIDICULOUS, 1273 00:50:10,075 --> 00:50:11,676 'CAUSE IT'S LIKE, WHY CAN'T THEY 1274 00:50:11,676 --> 00:50:13,478 JUST GO OUT TO, LIKE, SOMEWHERE 1275 00:50:13,478 --> 00:50:14,845 WHERE PEOPLE DON'T PHOTOGRAPH 1276 00:50:14,845 --> 00:50:15,613 PLANTS. 1277 00:50:15,613 --> 00:50:17,382 INSTEAD, PEOPLE ACTUALLY GO TO 1278 00:50:17,382 --> 00:50:18,716 LOCATIONS WHERE THE PLANTS ARE 1279 00:50:18,716 --> 00:50:19,850 COMMONLY PHOTOGRAPHED -- THE 1280 00:50:19,850 --> 00:50:21,086 EXACT SAME ONES. 1281 00:50:21,086 --> 00:50:21,852 THERE'S PROBABLY, LIKE, 1282 00:50:21,852 --> 00:50:23,588 HARD DRIVES AND HARD DRIVES JUST 1283 00:50:23,588 --> 00:50:24,822 FILLED WITH, LIKE, ALL THE 1284 00:50:24,822 --> 00:50:26,291 BOTANICAL GARDENS ACROSS THE 1285 00:50:26,291 --> 00:50:27,525 UNITED STATES WITH THE SAME 1286 00:50:27,525 --> 00:50:29,260 GODDAMN PLANTS, YEAR AFTER YEAR, 1287 00:50:29,260 --> 00:50:30,495 WHEN THEY'RE BLOOMING AND DYING. 1288 00:50:30,495 --> 00:50:31,529 YOU KNOW WHAT I MEAN? 1289 00:50:31,529 --> 00:50:32,397 IT'S RIDICULOUS. 1290 00:50:32,397 --> 00:50:33,731 SO, YOU KNOW, AT THE END OF THE 1291 00:50:33,731 --> 00:50:36,334 DAY, YOU KNOW, DOING THAT KIND 1292 00:50:36,334 --> 00:50:37,835 OF THING IS EASY. 1293 00:50:37,835 --> 00:50:40,305 AND YOU KNOW, PULLING TOGETHER 1294 00:50:40,305 --> 00:50:42,373 THE RESOURCES, YOU KNOW, TO GET 1295 00:50:42,373 --> 00:50:44,342 A CREW TOGETHER, GET MAKEUP 1296 00:50:44,342 --> 00:50:46,544 TEAMS TOGETHER, TO GET EVERYBODY 1297 00:50:46,544 --> 00:50:48,779 ALL IN ON THE GAME, YOU KNOW, TO 1298 00:50:48,779 --> 00:50:50,781 RE-CREATE AN INTERESTING -- 1299 00:50:50,781 --> 00:50:53,151 MAYBE IT'S A CRIME SCENE, MAYBE 1300 00:50:53,151 --> 00:50:55,320 IT'S, LIKE, A KIDNAPPING SCENE, 1301 00:50:55,320 --> 00:50:57,322 MAYBE IT'S, LIKE, SOME SORT OF, 1302 00:50:57,322 --> 00:50:59,124 LIKE, WEIRD SEX CRIME GONE WRONG 1303 00:50:59,124 --> 00:51:00,725 KIND OF THING IN THE MIDST OF 1304 00:51:00,725 --> 00:51:01,192 IT. 1305 00:51:01,192 --> 00:51:02,760 YOU KNOW, WHATEVER IT IS, YOU'RE 1306 00:51:02,760 --> 00:51:04,329 ACTUALLY MAKING SOMETHING 1307 00:51:04,329 --> 00:51:05,730 INTERESTING HAPPEN, EVEN IF IT 1308 00:51:05,730 --> 00:51:06,864 IS DARK OR WHATEVER. 1309 00:51:06,864 --> 00:51:09,467 AND THAT'S JUST WAY MORE 1310 00:51:09,467 --> 00:51:12,637 INTERESTING THAN, YOU KNOW, JUST 1311 00:51:12,637 --> 00:51:13,804 GOING OUT AND TAKING A PICTURE 1312 00:51:13,804 --> 00:51:14,905 OF YOUR FUCKING TREE IN YOUR 1313 00:51:14,905 --> 00:51:15,906 FRONT YARD OR SOMETHING. 1314 00:51:15,906 --> 00:51:16,474 YOU KNOW? 1315 00:51:16,474 --> 00:51:18,343 I THINK PHOTOS OF FLOWERS ARE 1316 00:51:18,343 --> 00:51:18,576 NICE. 1317 00:51:18,576 --> 00:51:19,677 [ SIGHS ] 1318 00:51:19,677 --> 00:51:21,846 I LIKE LOOKING AT PHOTOS. 1319 00:51:21,846 --> 00:51:22,847 YOU KNOW, I'M SURE THAT 1320 00:51:22,847 --> 00:51:23,914 THERE'S PHOTOS OF FLOWERS OUT 1321 00:51:23,914 --> 00:51:25,383 THERE THAT'LL JUST BLOW MY MIND, 1322 00:51:25,383 --> 00:51:25,616 YOU KNOW? 1323 00:51:25,616 --> 00:51:26,584 I JUST HAVEN'T SEEN THEM. 1324 00:51:26,584 --> 00:51:28,319 ALL RIGHT, ALL RIGHT, WELL, 1325 00:51:28,319 --> 00:51:28,719 WHY WOMEN? 1326 00:51:28,719 --> 00:51:30,421 WHY IS IT ALL THOSE DEAD WOMEN? 1327 00:51:30,421 --> 00:51:31,889 WHY NOT SOME DEAD OLD GUY WITH, 1328 00:51:31,889 --> 00:51:32,623 LIKE, A -- 1329 00:51:32,623 --> 00:51:34,559 WELL, THAT'S DEPRESSING, YOU 1330 00:51:34,559 --> 00:51:35,360 KNOW? 1331 00:51:35,360 --> 00:51:36,894 IT'S NOT ABOUT THEM BEING DEAD 1332 00:51:36,894 --> 00:51:38,696 OR BEAT UP OR ANYTHING LIKE 1333 00:51:38,696 --> 00:51:39,797 THAT, YOU KNOW. 1334 00:51:39,797 --> 00:51:41,166 IT'S JUST A SPICE. 1335 00:51:41,166 --> 00:51:42,167 ACTUALLY, YOU KNOW WHAT, IT'S 1336 00:51:42,167 --> 00:51:43,501 RIDICULOUS FOR ME TO EVEN TRY TO 1337 00:51:43,501 --> 00:51:44,669 EXPLAIN THIS, BECAUSE IT'S NOT 1338 00:51:44,669 --> 00:51:45,703 SOMETHING THAT I EVEN THINK 1339 00:51:45,703 --> 00:51:46,204 ABOUT. 1340 00:51:46,204 --> 00:51:47,372 IT'S JUST SOMETHING THAT I DO. 1341 00:51:47,372 --> 00:51:48,573 AND THAT'S WHAT YOU GOT TO DO IN 1342 00:51:48,573 --> 00:51:49,374 THESE SITUATIONS. 1343 00:51:49,374 --> 00:51:51,742 YOU CAN'T SAY, "WHY AM I DOING 1344 00:51:51,742 --> 00:51:52,577 THIS?" 1345 00:51:52,577 --> 00:51:54,745 YOU KNOW, "WHY, WHY, WHY?" 1346 00:51:54,745 --> 00:51:57,448 YOU JUST HAVE TO BE LIKE, "OKAY, 1347 00:51:57,448 --> 00:51:59,917 I'M ATTRACTED TO THIS, YOU KNOW, 1348 00:51:59,917 --> 00:52:02,520 AND THAT'S WHAT I'M GONNA DO." 1349 00:52:02,520 --> 00:52:04,455 AND THAT'S PRETTY MUCH WHAT 1350 00:52:04,455 --> 00:52:06,524 PHOTOGRAPHY, IN GENERAL, IS. 1351 00:52:06,524 --> 00:52:07,392 YOU KNOW? 1352 00:52:07,392 --> 00:52:08,959 YOU JUST HAVE TO REACT TO 1353 00:52:08,959 --> 00:52:11,429 SOMETHING THAT GIVES YOU SOME 1354 00:52:11,429 --> 00:52:14,565 SORT OF, YOU KNOW, SOME SORT OF, 1355 00:52:14,565 --> 00:52:18,569 UH, YOU KNOW, EMOTIONAL FEEDBACK 1356 00:52:18,569 --> 00:52:20,738 THAT YOU CAN'T QUITE EXPLAIN. 1357 00:52:20,738 --> 00:52:22,407 YOU KNOW, I DON'T -- I DON'T 1358 00:52:22,407 --> 00:52:23,641 LIKE LOOKING AT DEAD BODIES. 1359 00:52:23,641 --> 00:52:24,975 I DON'T LIKE -- I DON'T LIKE 1360 00:52:24,975 --> 00:52:26,644 SEEING PEOPLE ACTUALLY GET HURT. 1361 00:52:26,644 --> 00:52:27,945 YOU KNOW, IT'S NOT LIKE THAT 1362 00:52:27,945 --> 00:52:28,546 AT ALL. 1363 00:52:28,546 --> 00:52:30,415 HAVE YOU EVER SEEN A REAL 1364 00:52:30,415 --> 00:52:30,915 DEAD BODY? 1365 00:52:30,915 --> 00:52:33,618 UM... 1366 00:52:33,618 --> 00:52:34,785 I MEAN, LIKE, AT A FUNERAL, 1367 00:52:34,785 --> 00:52:36,221 NOT, LIKE, JUST WALKING AROUND 1368 00:52:36,221 --> 00:52:37,555 AND STUMBLE ACROSS ONE, ALTHOUGH 1369 00:52:37,555 --> 00:52:38,823 I ALWAYS THOUGHT THAT WOULD BE 1370 00:52:38,823 --> 00:52:39,557 KIND OF COOL. 1371 00:52:39,557 --> 00:52:41,726 [ SIGHS ] 1372 00:52:41,726 --> 00:52:43,228 YOU KNOW WHAT MIGHT BE A GOOD 1373 00:52:43,228 --> 00:52:43,761 FIX FOR YOU? 1374 00:52:43,761 --> 00:52:44,929 WHAT'S THAT? 1375 00:52:44,929 --> 00:52:45,930 [ SNIFFLES ] 1376 00:52:45,930 --> 00:52:47,865 HAVE YOU JUST TRIED, YOU 1377 00:52:47,865 --> 00:52:50,235 KNOW, SMILING OCCASIONALLY? 1378 00:52:50,235 --> 00:52:51,269 YOU KNOW? 1379 00:52:51,269 --> 00:52:53,438 I SMILE, I SMILE. 1380 00:52:53,438 --> 00:52:54,004 LIKE, UM -- 1381 00:52:54,004 --> 00:52:55,005 LET ME SEE. 1382 00:52:55,005 --> 00:52:56,274 I'M NOT -- THERE'S NOTHING TO 1383 00:52:56,274 --> 00:52:57,508 SMILE ABOUT RIGHT NOW. 1384 00:52:57,508 --> 00:52:58,543 I'M NOT GONNA SMILE RIGHT NOW. 1385 00:52:58,543 --> 00:52:59,744 WELL, SEE, THAT'S THE THING, 1386 00:52:59,744 --> 00:53:00,878 IS YOU DON'T NEED ANYTHING TO 1387 00:53:00,878 --> 00:53:01,546 SMILE ABOUT. 1388 00:53:01,546 --> 00:53:02,680 YOU CAN JUST SMILE. YOU KNOW? 1389 00:53:02,680 --> 00:53:03,681 WELL, WHAT IS THAT? 1390 00:53:03,681 --> 00:53:04,949 WHAT'S THE BENEFIT OF THAT? 1391 00:53:04,949 --> 00:53:06,484 WELL, IT RELEASES ENDORPHINS 1392 00:53:06,484 --> 00:53:07,252 OR SOMETHING. 1393 00:53:07,252 --> 00:53:07,852 I DON'T KNOW. 1394 00:53:07,852 --> 00:53:09,920 UH, YOU KNOW, YOU SMILE, YOU 1395 00:53:09,920 --> 00:53:10,888 FEEL GOOD. 1396 00:53:10,888 --> 00:53:11,689 YOU KNOW? 1397 00:53:11,689 --> 00:53:13,558 AND IF YOU DON'T FEEL GOOD, I 1398 00:53:13,558 --> 00:53:15,493 THINK IF YOU GET INTO THE HABIT 1399 00:53:15,493 --> 00:53:17,027 OF SMILING, YOU CAN START. 1400 00:53:17,027 --> 00:53:18,429 I THINK YOU SHOULD JUST, YOU 1401 00:53:18,429 --> 00:53:19,764 KNOW, START PRACTICING SMILING, 1402 00:53:19,764 --> 00:53:20,631 PERSONALLY. 1403 00:53:20,631 --> 00:53:21,532 [ CHUCKLES ] 1404 00:53:21,532 --> 00:53:23,268 IT'S THE DUMBEST THING I'VE 1405 00:53:23,268 --> 00:53:24,269 EVER HEARD. 1406 00:53:24,269 --> 00:53:25,303 [ CHUCKLES ] 1407 00:53:25,303 --> 00:53:27,605 COMING FROM MR. MOPEY OVER HERE. 1408 00:53:30,775 --> 00:53:32,843 [ SIGHS ] 1409 00:53:32,843 --> 00:53:33,844 [ MUSIC STOPS ] 1410 00:53:33,844 --> 00:53:36,414 [ DOORKNOB RATTLES ] 1411 00:53:46,657 --> 00:53:49,627 [ ZIPPER UNZIPS ] 1412 00:53:49,627 --> 00:53:51,996 [ LIQUID RUNNING ] 1413 00:54:02,540 --> 00:54:05,810 [ MOANING IN DISTANCE ] 1414 00:54:22,660 --> 00:54:25,896 [ MOANING INTENSIFIES ] 1415 00:54:52,990 --> 00:54:55,493 [ SPITS ] 1416 00:55:02,667 --> 00:55:05,436 [ MOANING INTENSIFIES ] 1417 00:55:07,672 --> 00:55:11,942 [ UP-TEMPO MUSIC PLAYS LOUDLY ] 1418 00:55:11,942 --> 00:55:14,412 [ BRAKE ENGAGES ] 1419 00:55:16,581 --> 00:55:18,649 [ ENGINE REVS ] 1420 00:55:18,649 --> 00:55:19,984 [ VEHICLE DEPARTING ] 1421 00:55:19,984 --> 00:55:21,386 [ TIRES SCREECH ] 1422 00:55:21,386 --> 00:55:23,588 [ CRASH ] 1423 00:55:31,762 --> 00:55:33,398 IF YOU COME NEAR MY 1424 00:55:33,398 --> 00:55:35,766 GIRLFRIEND, I'M GONNA KILL YOU! 1425 00:55:35,766 --> 00:55:36,701 KILL YOU! 1426 00:55:36,701 --> 00:55:38,669 OKAY, OKAY, OKAY. 1427 00:55:42,006 --> 00:55:44,509 [ VEHICLE DOOR CLOSES ] 1428 00:55:49,113 --> 00:55:50,681 [ ENGINE TURNS OVER ] 1429 00:55:50,681 --> 00:55:52,617 [ ENGINE REVS ] 1430 00:55:52,617 --> 00:55:53,684 [ VEHICLE DEPARTING ] 1431 00:55:53,684 --> 00:55:55,920 [ MUSIC STOPS ] 1432 00:55:55,920 --> 00:55:57,955 [ CRICKETS CHIRPING ] 1433 00:56:07,998 --> 00:56:10,067 [ GLASS SHARDS FALL ] 1434 00:56:14,905 --> 00:56:17,642 [ SIGHING ] 1435 00:56:17,642 --> 00:56:18,643 WHAT'S THE MATTER? 1436 00:56:18,643 --> 00:56:20,144 NOTHING. 1437 00:56:20,144 --> 00:56:22,046 [ SIGHS ] 1438 00:56:22,046 --> 00:56:23,047 WHAT'S THE MATTER? 1439 00:56:23,047 --> 00:56:25,082 [ SIGHS ] 1440 00:56:25,082 --> 00:56:26,684 SOMEBODY BUSTED OUT ONE OF MY 1441 00:56:26,684 --> 00:56:27,685 WINDOWS IN MY CAR. 1442 00:56:27,685 --> 00:56:31,822 WHAT? 1443 00:56:31,822 --> 00:56:35,693 WHAT HAPPENED? 1444 00:56:35,693 --> 00:56:36,961 [ SIGHS ] 1445 00:56:36,961 --> 00:56:39,129 UH, I WAS JUST WALKING UP TO THE 1446 00:56:39,129 --> 00:56:41,699 DOOR JUST A MINUTE AGO, AND, UH, 1447 00:56:41,699 --> 00:56:43,501 ON MY WAY UP, UM, I HEARD A 1448 00:56:43,501 --> 00:56:45,503 NOISE, AND I TURNED AROUND AND 1449 00:56:45,503 --> 00:56:47,772 THERE WAS SOMEBODY REACHING IN. 1450 00:56:47,772 --> 00:56:48,973 AND YOU KNOW, I CHASED HIM OFF 1451 00:56:48,973 --> 00:56:50,140 AND, YOU KNOW, THAT WAS THAT. 1452 00:56:50,140 --> 00:56:51,008 YOU KNOW? 1453 00:56:51,008 --> 00:56:52,810 IT'S FINE. I'M FINE. 1454 00:56:52,810 --> 00:56:54,211 CAR'S MOSTLY FINE. 1455 00:56:54,211 --> 00:56:55,846 DID THEY TAKE ANYTHING? 1456 00:56:55,846 --> 00:56:56,747 I DON'T THINK SO. 1457 00:56:56,747 --> 00:56:57,081 [ SIGHS ] 1458 00:56:57,081 --> 00:56:58,248 YOU KNOW, I'M JUST FUCKING 1459 00:56:58,248 --> 00:56:59,717 ANNOYED THAT I HAVE TO, YOU 1460 00:56:59,717 --> 00:57:01,118 KNOW -- IT'S JUST ONE MORE THING 1461 00:57:01,118 --> 00:57:02,720 I HAVE TO DEAL WITH TOMORROW. 1462 00:57:02,720 --> 00:57:03,654 NOW I GOT TO FIGURE OUT 1463 00:57:03,654 --> 00:57:04,822 SOMETHING TO DO WITH THIS 1464 00:57:04,822 --> 00:57:06,991 WINDOW. 1465 00:57:06,991 --> 00:57:08,759 ARE YOU OKAY? 1466 00:57:08,759 --> 00:57:09,894 SERIOUSLY, I'M GOOD, I'M 1467 00:57:09,894 --> 00:57:10,194 FINE. 1468 00:57:10,194 --> 00:57:11,729 NO, YOUR HEART IS BEATING 1469 00:57:11,729 --> 00:57:12,096 REALLY FAST. 1470 00:57:12,096 --> 00:57:13,163 ARE YOU SURE YOU'RE OKAY? 1471 00:57:13,163 --> 00:57:14,264 I'M GREAT. 1472 00:57:14,264 --> 00:57:16,701 TAKE THE BOOK, READ YOUR BOOK. 1473 00:57:16,701 --> 00:57:19,737 CUDDLE BACK UP. 1474 00:57:19,737 --> 00:57:21,872 JUST PRETEND LIKE I'M NOT EVEN 1475 00:57:21,872 --> 00:57:22,740 HERE. 1476 00:57:27,512 --> 00:57:31,115 [ SIGHS ] 1477 00:57:31,115 --> 00:57:32,750 HEY, LOOK, JUST STAY. 1478 00:57:32,750 --> 00:57:33,150 COME ON. 1479 00:57:33,150 --> 00:57:34,885 YOU CAN'T JUST BREAK, LIKE, 1480 00:57:34,885 --> 00:57:36,521 THE CAR WINDOW OF, LIKE, EVERY 1481 00:57:36,521 --> 00:57:37,755 NEW FRIEND I HAVE. 1482 00:57:37,755 --> 00:57:39,023 IT'S CRAZY. I CAN'T -- 1483 00:57:39,023 --> 00:57:40,791 I MEAN, HOW WELL DO YOU KNOW 1484 00:57:40,791 --> 00:57:41,559 THIS GUY?! 1485 00:57:41,559 --> 00:57:43,227 I -- WHAT DOES IT MATTER HOW 1486 00:57:43,227 --> 00:57:44,795 WELL I KNOW THIS GUY? 1487 00:57:44,795 --> 00:57:45,796 WHAT DO YOU MEAN? 1488 00:57:45,796 --> 00:57:47,231 I MEAN, THESE PHOTOGRAPHS! 1489 00:57:47,231 --> 00:57:48,566 I MEAN, THEY'RE SICK! 1490 00:57:48,566 --> 00:57:49,567 THEY'RE NOT -- I DON'T THINK 1491 00:57:49,567 --> 00:57:50,134 THEY'RE -- 1492 00:57:50,134 --> 00:57:50,935 YES, THEY ARE! 1493 00:57:50,935 --> 00:57:51,569 ARE YOU KIDDING?! 1494 00:57:51,569 --> 00:57:53,237 HOW DO YOU KNOW HE'S NOT TAKING 1495 00:57:53,237 --> 00:57:54,805 ADVANTAGE OF YOU, HUH? 1496 00:57:54,805 --> 00:57:56,073 BECAUSE I TALKED TO HIM. 1497 00:57:56,073 --> 00:57:57,542 HE'S MY -- LIKE, HE'S... 1498 00:57:57,542 --> 00:57:58,609 HE'LL SAY ANYTHING! 1499 00:57:58,609 --> 00:57:59,844 ARE YOU CRAZY?! 1500 00:57:59,844 --> 00:58:01,145 YOU'RE TALKING ABOUT HIM LIKE 1501 00:58:01,145 --> 00:58:02,613 HE'S A MONSTER AND I'M AN IDIOT. 1502 00:58:02,613 --> 00:58:05,049 I'M -- I CAN'T DO IT. 1503 00:58:05,049 --> 00:58:07,117 NO, STOP. COME ON, STOP. 1504 00:58:07,117 --> 00:58:08,318 STOP, STOP, STOP. 1505 00:58:08,318 --> 00:58:09,319 STOP, PLEASE. 1506 00:58:09,319 --> 00:58:10,755 [ Crying ] NO, DON'T. 1507 00:58:10,755 --> 00:58:11,221 STOP. 1508 00:58:11,221 --> 00:58:13,724 [ SNIFFLING ] 1509 00:58:13,724 --> 00:58:15,760 COME ON, THAT'S ENOUGH. 1510 00:58:15,760 --> 00:58:17,862 STOP, STOP, STOP. JUST... 1511 00:58:17,862 --> 00:58:19,063 [ SIGHS ] 1512 00:58:19,063 --> 00:58:21,065 I'M SORRY. [ SNIFFLES ] 1513 00:58:21,065 --> 00:58:22,867 I'M SORRY, TOO. 1514 00:58:22,867 --> 00:58:24,869 ALL RIGHT? 1515 00:58:24,869 --> 00:58:26,136 [ SIGHS ] 1516 00:58:26,136 --> 00:58:28,038 LOOK, WE CAN FIX THIS. 1517 00:58:28,038 --> 00:58:29,173 I DON'T THINK SO. 1518 00:58:29,173 --> 00:58:30,775 YES, WE CAN. COME ON. 1519 00:58:30,775 --> 00:58:31,876 [ SIGHS ] 1520 00:58:31,876 --> 00:58:33,310 YOU DON'T LISTEN TO ME. 1521 00:58:33,310 --> 00:58:35,045 I'M LISTENING RIGHT NOW. 1522 00:58:35,045 --> 00:58:40,217 I CAN'T STAY. 1523 00:58:40,217 --> 00:58:43,020 COME ON, JUST -- DON'T... 1524 00:58:43,020 --> 00:58:45,122 WHERE ARE YOU GONNA GO?! 1525 00:58:45,122 --> 00:58:46,156 [ SOFT, DRAMATIC MUSIC PLAYS ] 1526 00:58:46,156 --> 00:58:47,291 [ DOOR CLOSES ] 1527 00:58:47,291 --> 00:58:49,093 [ SIGHS ] 1528 00:58:58,268 --> 00:59:00,270 [ CAMERA SHUTTER CLICKS ] 1529 00:59:03,307 --> 00:59:06,877 [ MUSIC INTENSIFIES ] 1530 00:59:06,877 --> 00:59:08,879 [ CAMERA SHUTTER CLICKS ] 1531 00:59:12,382 --> 00:59:15,786 [ MUSIC INTENSIFIES ] 1532 00:59:41,846 --> 00:59:43,948 [ MUSIC FADES ] 1533 00:59:53,090 --> 00:59:55,359 [ SIGHS ] 1534 01:00:00,330 --> 01:00:01,999 ALL RIGHT, WE GOT IT. 1535 01:00:01,999 --> 01:00:03,367 HOUSE LIGHTS! 1536 01:00:03,367 --> 01:00:05,903 DID IT WORK? 1537 01:00:05,903 --> 01:00:06,436 [ LAUGHS ] 1538 01:00:06,436 --> 01:00:07,938 [ INDISTINCT CONVERSATION ] 1539 01:00:07,938 --> 01:00:12,176 [ SOFT, DRAMATIC MUSIC PLAYS ] 1540 01:00:12,176 --> 01:00:13,443 YOU LOOK GOOD, LOOK GOD. 1541 01:00:13,443 --> 01:00:14,679 YOU LOOK LIKE A COP. 1542 01:00:14,679 --> 01:00:16,747 YEAH. 1543 01:00:16,747 --> 01:00:19,950 YOU LOOK REALLY GOOD. 1544 01:00:19,950 --> 01:00:21,986 YOU'D NEVER DO ANY OF THAT 1545 01:00:21,986 --> 01:00:23,353 STUFF. 1546 01:00:23,353 --> 01:00:25,823 [ INDISTINCT CONVERSATIONS ] 1547 01:00:30,761 --> 01:00:32,129 SHOULD WE KEEP HER PRETTY 1548 01:00:32,129 --> 01:00:32,763 EYE MAKEUP ON? 1549 01:00:32,763 --> 01:00:33,731 [ CHUCKLES ] 1550 01:00:33,731 --> 01:00:34,364 EYELASHES? 1551 01:00:34,364 --> 01:00:35,199 [ CHUCKLES ] 1552 01:00:35,199 --> 01:00:36,400 I THINK SHE'S HOT. 1553 01:00:36,400 --> 01:00:38,135 SHE HAS A NICE BOD. 1554 01:00:38,135 --> 01:00:41,005 FROM EATING SALAD ALL DAY. 1555 01:00:41,005 --> 01:00:43,140 [ CHUCKLES ] 1556 01:00:43,140 --> 01:00:45,342 SHE'S REALLY TONED. 1557 01:00:45,342 --> 01:00:47,077 BUT I DON'T LIKE IT. 1558 01:00:47,077 --> 01:00:48,112 YOU DON'T? 1559 01:00:48,112 --> 01:00:48,445 NO. 1560 01:00:48,445 --> 01:00:49,379 I REALLY LIKE IT. 1561 01:00:49,379 --> 01:00:51,215 OH, MY GOD, I -- I WOULD KILL 1562 01:00:51,215 --> 01:00:52,750 MYSELF IF I HAD HER BODY. 1563 01:00:52,750 --> 01:00:53,718 NO. 1564 01:00:53,718 --> 01:00:55,252 I DON'T -- I DON'T LIKE HER 1565 01:00:55,252 --> 01:00:55,853 BODY. 1566 01:00:55,853 --> 01:00:56,386 YOU DON'T? 1567 01:00:56,386 --> 01:00:57,387 NO. I LIKE MY BODY. 1568 01:00:57,387 --> 01:00:58,856 OBVIOUSLY, I LIKE YOUR BODY, 1569 01:00:58,856 --> 01:00:59,123 TOO. 1570 01:00:59,123 --> 01:01:00,224 SHE JUST HAPPENS TO BE THE 1571 01:01:00,224 --> 01:01:01,291 PERSON WHO'S NAKED TODAY. 1572 01:01:01,291 --> 01:01:02,026 WELL -- 1573 01:01:02,026 --> 01:01:03,027 I'M DRESSED IN BOTH OF THEM. 1574 01:01:03,027 --> 01:01:03,961 SHOW HER THE BADGE. 1575 01:01:03,961 --> 01:01:05,262 DO YOU THINK THAT THAT'S A FAKE 1576 01:01:05,262 --> 01:01:05,763 BADGE. 1577 01:01:05,763 --> 01:01:06,330 I DON'T KNOW. 1578 01:01:06,330 --> 01:01:07,431 LET HER TOUCH THE BADGE. 1579 01:01:07,431 --> 01:01:08,332 TOUCH THE BADGE? 1580 01:01:08,332 --> 01:01:09,066 TOUCH IT. 1581 01:01:09,066 --> 01:01:10,067 THAT'S A LITTLE -- 1582 01:01:10,067 --> 01:01:10,801 IT'S REAL. 1583 01:01:10,801 --> 01:01:11,802 SHE DOESN'T HAVE TO. 1584 01:01:11,802 --> 01:01:13,037 DO YOU FEEL LIKE YOU'RE, 1585 01:01:13,037 --> 01:01:14,004 LIKE, THE CHARACTER IN 1586 01:01:14,004 --> 01:01:15,072 "SILK STOCKINGS" RIGHT NOW OR 1587 01:01:15,072 --> 01:01:15,505 SOMETHING? 1588 01:01:15,505 --> 01:01:16,373 "SILK STOCKINGS"? 1589 01:01:16,373 --> 01:01:17,207 I HAVEN'T SEEN THAT. 1590 01:01:17,207 --> 01:01:18,108 IT WAS AT 1591 01:01:18,108 --> 01:01:19,376 "USA UP ALL NIGHT." 1592 01:01:19,376 --> 01:01:21,011 JUST WAIT TILL SHE TURNS 25. 1593 01:01:21,011 --> 01:01:22,046 IT'LL ALL DROP. 1594 01:01:22,046 --> 01:01:22,847 [ IMITATES EXPLOSION ] 1595 01:01:22,847 --> 01:01:24,281 [ BOTH LAUGH ] 1596 01:01:24,281 --> 01:01:25,182 IT'LL ALL GO DOWN. 1597 01:01:25,182 --> 01:01:28,418 I'M NOT USED TO... 1598 01:01:28,418 --> 01:01:29,519 JUST NEED TO WIGGLE IT A 1599 01:01:29,519 --> 01:01:30,020 LITTLE. 1600 01:01:30,020 --> 01:01:30,821 I AM WIGGLING. 1601 01:01:30,821 --> 01:01:31,856 JUST GIVE IT A UMH-UMH-UMH. 1602 01:01:31,856 --> 01:01:36,426 [ BOTH LAUGH ] 1603 01:01:36,426 --> 01:01:39,029 HAZARD OF THE TRADE, I GUESS. 1604 01:01:39,029 --> 01:01:40,164 [ CHUCKLES ] 1605 01:01:40,164 --> 01:01:41,331 ACTING DEAD. 1606 01:01:41,331 --> 01:01:43,033 YEAH. WELL, IT'S TOUGH 1607 01:01:43,033 --> 01:01:44,368 WORKING, LAYING ON THE FLOOR 1608 01:01:44,368 --> 01:01:45,102 ALL DAY. 1609 01:01:45,102 --> 01:01:46,070 [ CHUCKLES ] 1610 01:01:46,070 --> 01:01:47,872 I KNOW. IT'S, UH, TORTUROUS. 1611 01:01:47,872 --> 01:01:49,073 [ SCOFFS ] 1612 01:01:49,073 --> 01:01:51,475 IT WASN'T TORTUROUS, EXACTLY. 1613 01:01:51,475 --> 01:01:52,843 [ CHUCKLES ] 1614 01:01:52,843 --> 01:01:54,912 DID YOU HAVE FUN? 1615 01:01:54,912 --> 01:01:58,448 YEAH. [ CHUCKLES ] 1616 01:01:58,448 --> 01:02:00,284 COOL. [ CHUCKLES ] 1617 01:02:00,284 --> 01:02:02,486 [ SIGHS ] 1618 01:02:02,486 --> 01:02:05,055 [ SPEAKING INDISTINCTLY ] 1619 01:02:05,055 --> 01:02:05,355 HEY. 1620 01:02:05,355 --> 01:02:06,356 [ CHUCKLES ] 1621 01:02:06,356 --> 01:02:06,857 HEY. 1622 01:02:06,857 --> 01:02:08,092 HOW ARE YOU? 1623 01:02:08,092 --> 01:02:09,059 GOOD. 1624 01:02:09,059 --> 01:02:10,260 GOT ANYTHING ELSE? 1625 01:02:10,260 --> 01:02:12,229 YEAH, AT LEAST... 1626 01:02:12,229 --> 01:02:14,098 ACTUALLY, I GOT TO ACTUALLY 1627 01:02:14,098 --> 01:02:15,165 CHECK MY VOICEMAIL. 1628 01:02:15,165 --> 01:02:16,200 OKAY. 1629 01:02:16,200 --> 01:02:18,402 SEE YA. 1630 01:02:21,571 --> 01:02:23,140 [ CHUCKLES ] 1631 01:02:23,140 --> 01:02:24,541 WHERE'S ALEX? 1632 01:02:24,541 --> 01:02:28,212 SHE'S LOADING THE VAN. 1633 01:02:28,212 --> 01:02:32,349 UM... 1634 01:02:32,349 --> 01:02:35,886 I FEEL KIND OF WEIRD ABOUT 1635 01:02:35,886 --> 01:02:36,887 NOT TELLING ALEX ABOUT WHAT 1636 01:02:36,887 --> 01:02:38,555 HAPPENED THE OTHER NIGHT. 1637 01:02:38,555 --> 01:02:40,891 UM... 1638 01:02:40,891 --> 01:02:41,158 SO... 1639 01:02:41,158 --> 01:02:42,326 WHAT ARE YOU TALKING ABOUT? 1640 01:02:42,326 --> 01:02:42,927 [ MUSIC FADES ] 1641 01:02:42,927 --> 01:02:44,895 LIKE, IT FEELS WEIRD KEEPING 1642 01:02:44,895 --> 01:02:46,363 IT A SECRET FROM HER THAT WE 1643 01:02:46,363 --> 01:02:49,333 KISSED. 1644 01:02:49,333 --> 01:02:54,104 Tsk. 1645 01:02:54,104 --> 01:02:55,239 I'M -- I'M REALLY NOT SURE WHAT 1646 01:02:55,239 --> 01:02:57,975 YOU'RE GETTING AT, HERE. 1647 01:03:02,446 --> 01:03:06,583 DO YOU LIKE ME? 1648 01:03:06,583 --> 01:03:07,384 LIKE? 1649 01:03:07,384 --> 01:03:08,185 LIKE. 1650 01:03:08,185 --> 01:03:09,153 LIKE YOU? 1651 01:03:09,153 --> 01:03:11,088 LIKE, IF I WENT LIKE THIS... 1652 01:03:14,224 --> 01:03:15,259 LIKE, I SHOULD -- I SHOULD 1653 01:03:15,259 --> 01:03:16,193 PROBABLY GO HELP THEM OUT. 1654 01:03:16,193 --> 01:03:18,395 SORRY. 1655 01:03:18,395 --> 01:03:20,530 [ SIGHS ] 1656 01:03:29,639 --> 01:03:32,009 [ SOFT, DRAMATIC MUSIC PLAYS ] 1657 01:03:36,881 --> 01:03:39,917 YEAH. NO. 1658 01:03:39,917 --> 01:03:40,450 [ SIGHS ] 1659 01:03:40,450 --> 01:03:42,386 CAN I CALL YOU BACK IN A MINUTE? 1660 01:03:42,386 --> 01:03:45,655 ALL RIGHT. 1661 01:03:45,655 --> 01:03:46,924 WHERE'D EVERYBODY GO? 1662 01:03:46,924 --> 01:03:48,458 I THINK THEY JUST FINISHED 1663 01:03:48,458 --> 01:03:51,962 LOADING UP THE VAN. 1664 01:03:51,962 --> 01:03:52,930 DO YOU WANT TO GO GET SOME 1665 01:03:52,930 --> 01:03:53,363 DRINKS WITH US? 1666 01:03:53,363 --> 01:03:54,231 YEAH. 1667 01:03:54,231 --> 01:03:55,632 CAN I MEET YOU THERE, THOUGH? 1668 01:03:55,632 --> 01:03:57,334 I JUST HAVE TO FINISH A PHONE 1669 01:03:57,334 --> 01:03:57,935 CALL. 1670 01:03:57,935 --> 01:03:59,403 THAT'S FINE. [ CHUCKLES ] 1671 01:03:59,403 --> 01:04:01,005 OKAY. I HAD FUN TODAY. 1672 01:04:01,005 --> 01:04:01,972 YEAH, ME TOO. 1673 01:04:01,972 --> 01:04:02,539 COOL. 1674 01:04:02,539 --> 01:04:03,640 [ BOTH CHUCKLE ] 1675 01:04:03,640 --> 01:04:05,575 ALL RIGHT, WELL, I'LL SEE YOU IN 1676 01:04:05,575 --> 01:04:06,543 A BIT, THEN? 1677 01:04:06,543 --> 01:04:08,012 YEAH. 1678 01:04:08,012 --> 01:04:10,014 BYE. [ CHUCKLES ] 1679 01:04:10,014 --> 01:04:11,348 I'LL BE IN, IN LIKE AN HOUR OR 1680 01:04:11,348 --> 01:04:12,182 SOMETHING. 1681 01:04:12,182 --> 01:04:12,983 OKAY, COOL. SEE YA. 1682 01:04:12,983 --> 01:04:15,152 BYE. 1683 01:04:18,122 --> 01:04:19,423 THAT MUST BE KIND OF NICE TO 1684 01:04:19,423 --> 01:04:21,158 BE ABLE TO WORK WITH THE PERSON 1685 01:04:21,158 --> 01:04:22,359 THAT YOU'RE IN A RELATIONSHIP 1686 01:04:22,359 --> 01:04:23,994 WITH -- KIND OF COLLABORATE LIKE 1687 01:04:23,994 --> 01:04:25,262 THAT. 1688 01:04:25,262 --> 01:04:25,996 [ GRUNTS ] 1689 01:04:25,996 --> 01:04:26,997 YEAH, IT'S REALLY NICE. 1690 01:04:26,997 --> 01:04:28,298 HEY. 1691 01:04:28,298 --> 01:04:30,167 ALL THROUGH WITH IT? 1692 01:04:30,167 --> 01:04:31,335 [ CHUCKLES ] 1693 01:04:31,335 --> 01:04:33,637 YOU GUYS READY TO GO? 1694 01:04:33,637 --> 01:04:36,606 UM, KIND OF BEAT. 1695 01:04:36,606 --> 01:04:39,409 DO YOU MIND IF I JUST GO HOME? 1696 01:04:39,409 --> 01:04:40,310 THAT'S FINE. 1697 01:04:40,310 --> 01:04:41,946 IS IT ALL RIGHT IF YOU GIVE ME A 1698 01:04:41,946 --> 01:04:42,947 RIDE BEFORE WE GO? 1699 01:04:42,947 --> 01:04:43,981 I CAN DRIVE YOU. 1700 01:04:43,981 --> 01:04:44,982 I GOT MY CAR HERE. 1701 01:04:44,982 --> 01:04:46,383 IT'S A BIT OF A MESS RIGHT NOW, 1702 01:04:46,383 --> 01:04:47,484 BUT CAN CLEAN IT OUT. 1703 01:04:47,484 --> 01:04:48,385 IS THAT COOL? 1704 01:04:48,385 --> 01:04:49,019 YEAH. 1705 01:04:49,019 --> 01:04:49,653 ALL RIGHT. 1706 01:04:49,653 --> 01:04:51,021 HAVE YOU SEEN CALLIE? 1707 01:04:51,021 --> 01:04:52,422 MNH-MNH. 1708 01:04:52,422 --> 01:04:54,091 ALL RIGHT, I'LL SEE YOU AT 1709 01:04:54,091 --> 01:04:54,458 HOME. 1710 01:04:54,458 --> 01:04:56,293 ALL RIGHT. 1711 01:04:56,293 --> 01:04:58,562 OHHH. 1712 01:04:58,562 --> 01:04:59,696 SEE YA. 1713 01:04:59,696 --> 01:05:00,597 BYE. 1714 01:05:00,597 --> 01:05:02,366 [ DRAMATIC MUSIC FADES ] 1715 01:05:02,366 --> 01:05:03,467 [ MID-TEMPO MUSIC 1716 01:05:03,467 --> 01:05:04,634 PLAYS INDISTINCTLY ] 1717 01:05:04,634 --> 01:05:06,236 YOU'RE LUCKY, YOU KNOW, 1718 01:05:06,236 --> 01:05:07,337 GETTING TO WORK WITH YOUR 1719 01:05:07,337 --> 01:05:08,238 GIRLFRIEND. 1720 01:05:08,238 --> 01:05:09,673 THE FACT THAT YOU GUYS EVEN HAVE 1721 01:05:09,673 --> 01:05:11,241 SOMETHING IN COMMON YOU CAN 1722 01:05:11,241 --> 01:05:12,642 SHARE LIKE THAT, IT'S COOL. 1723 01:05:12,642 --> 01:05:14,044 I THINK YOU GUYS ARE LIKE A 1724 01:05:14,044 --> 01:05:15,512 PARTNERSHIP, WHERE YOU'RE 1725 01:05:15,512 --> 01:05:16,713 ACTUALLY COLLABORATING. 1726 01:05:16,713 --> 01:05:19,049 YEAH. IT'S NOT BAD. 1727 01:05:19,049 --> 01:05:20,350 YOU KNOW? 1728 01:05:20,350 --> 01:05:22,286 SOMETIMES, YOU KNOW, YOU GET A 1729 01:05:22,286 --> 01:05:24,088 LITTLE -- I MEAN, BEING AROUND 1730 01:05:24,088 --> 01:05:26,290 SOMEBODY LIKE THAT ALL THE TIME, 1731 01:05:26,290 --> 01:05:28,258 IT'S GOT ITS MINUSES AS WELL AS 1732 01:05:28,258 --> 01:05:29,059 ITS PLUSSES. 1733 01:05:29,059 --> 01:05:30,427 YEAH, BUT JUST EVEN BEING 1734 01:05:30,427 --> 01:05:31,728 ABLE TO SPEND THAT KIND OF TIME 1735 01:05:31,728 --> 01:05:33,097 TOGETHER, I THINK A LOT OF 1736 01:05:33,097 --> 01:05:34,398 PEOPLE WOULD GIVE A LOT TO FIND 1737 01:05:34,398 --> 01:05:35,299 SOMEONE LIKE THAT. 1738 01:05:35,299 --> 01:05:36,566 IT'S NICE. IT'S... 1739 01:05:36,566 --> 01:05:38,702 YOU GUYS GIVE ME HOPE, YOU KNOW? 1740 01:05:38,702 --> 01:05:40,304 IT'S A NICE THING. 1741 01:05:40,304 --> 01:05:42,339 YEAH, IT'S GOOD. 1742 01:05:49,313 --> 01:05:51,048 SO, I TAKE IT THAT YOU DON'T 1743 01:05:51,048 --> 01:05:52,116 SMOKE POT, THEN. 1744 01:05:52,116 --> 01:05:53,317 UH, NO, NO. 1745 01:05:53,317 --> 01:05:55,319 I MEAN, I -- I HAVE, BUT NOT FOR 1746 01:05:55,319 --> 01:05:57,121 A WHILE -- NOT SINCE COLLEGE. 1747 01:05:57,121 --> 01:06:00,357 OKAY. 1748 01:06:00,357 --> 01:06:02,359 DID IT FREAK YOU OUT? 1749 01:06:02,359 --> 01:06:03,560 I DIDN'T ENJOY IT. 1750 01:06:03,560 --> 01:06:05,095 UM, YOU KNOW, IT'S JUST ONE OF 1751 01:06:05,095 --> 01:06:06,730 THOSE THINGS WHERE IT MADE ME 1752 01:06:06,730 --> 01:06:08,132 FEEL VERY SELF-CONSCIOUS. 1753 01:06:08,132 --> 01:06:10,167 [ POLICE RADIO CHATTER ] 1754 01:06:17,541 --> 01:06:18,775 ISN'T THAT THE SOUND STAGE? 1755 01:06:18,775 --> 01:06:20,610 YEAH. 1756 01:06:20,610 --> 01:06:21,145 SHIT. 1757 01:06:21,145 --> 01:06:22,646 ALEX WAS THERE WHEN WE LEFT. 1758 01:06:22,646 --> 01:06:23,680 ALL RIGHT, CALL HER. 1759 01:06:23,680 --> 01:06:25,315 WE'RE GONNA HEAD STRAIGHT THERE. 1760 01:06:25,315 --> 01:06:27,284 [ SIREN WAILS ] 1761 01:06:30,120 --> 01:06:32,122 [ SOFT, DRAMATIC MUSIC PLAYS ] 1762 01:06:32,122 --> 01:06:34,524 [ CELLPHONE VIBRATING ] 1763 01:06:34,524 --> 01:06:39,063 [ SHOWER WATER RUNNING ] 1764 01:06:39,063 --> 01:06:41,365 [ CLEARS THROAT ] 1765 01:06:49,406 --> 01:06:50,407 PRIOR TO GETTING 1766 01:06:50,407 --> 01:06:51,775 DISCONNECTED, HOW DID SHE SOUND? 1767 01:06:51,775 --> 01:06:53,077 [ Crying ] SHE SAID, "I'M 1768 01:06:53,077 --> 01:06:53,377 FINE." 1769 01:06:53,377 --> 01:06:53,843 SHE WAS HERE. 1770 01:06:53,843 --> 01:06:54,678 YOU KNOW, I MEAN... 1771 01:06:54,678 --> 01:06:56,113 NO DISTRESS? 1772 01:06:56,113 --> 01:06:57,647 WELL, NO. A LITTLE. 1773 01:06:57,647 --> 01:06:59,383 I MEAN, JUST BROKE UP. 1774 01:06:59,383 --> 01:07:01,685 LIKE, HE WAS TAKING PHOTOGRAPHS 1775 01:07:01,685 --> 01:07:03,387 OF MY GIRLFRIEND. 1776 01:07:03,387 --> 01:07:04,388 [ POLICE RADIO CHATTER ] 1777 01:07:04,388 --> 01:07:05,489 YOU SON OF A BITCH! 1778 01:07:05,489 --> 01:07:08,792 [ INDISTINCT SHOUTING ] 1779 01:07:08,792 --> 01:07:10,627 YOU HAVE TO LET ME GO! 1780 01:07:10,627 --> 01:07:14,131 [ INDISTINCT SHOUTING ] 1781 01:07:14,131 --> 01:07:15,165 IT'S YOUR FAULT! 1782 01:07:15,165 --> 01:07:18,102 [ INDISTINCT SHOUTING ] 1783 01:07:18,102 --> 01:07:19,536 YOU CALM DOWN! 1784 01:07:19,536 --> 01:07:22,106 IT'S YOUR FAULT! 1785 01:07:22,106 --> 01:07:25,442 [ MUSIC INTENSIFIES ] 1786 01:07:25,442 --> 01:07:27,744 [ POLICE RADIO CHATTER ] 1787 01:07:41,491 --> 01:07:43,693 [ MUSIC SOFTENS ] 1788 01:07:45,762 --> 01:07:49,266 [ KNOCK ON DOOR ] 1789 01:07:49,266 --> 01:07:51,335 [ SIGHS ] 1790 01:07:54,604 --> 01:07:56,740 [ MUSIC FADES ] 1791 01:07:56,740 --> 01:08:00,844 [ SUSPENSEFUL MUSIC PLAYS ] 1792 01:08:00,844 --> 01:08:03,180 HEY. 1793 01:08:03,180 --> 01:08:05,449 [ MUSIC FADES ] 1794 01:08:05,449 --> 01:08:07,251 [ CRICKETS CHIRPING ] 1795 01:08:07,251 --> 01:08:08,818 [ SIGHS ] 1796 01:08:08,818 --> 01:08:11,121 IT'S REALLY BAD. 1797 01:08:15,525 --> 01:08:18,162 HE HASN'T BEEN SO INTO SOMEONE 1798 01:08:18,162 --> 01:08:20,464 SINCE... 1799 01:08:20,464 --> 01:08:22,699 ACTUALLY, PROBABLY SINCE HE 1800 01:08:22,699 --> 01:08:24,934 FIRST MET YOU. 1801 01:08:36,680 --> 01:08:38,848 [ SIGHS ] 1802 01:08:45,689 --> 01:08:47,891 [ DRAMATIC MUSIC PLAYS ] 1803 01:09:02,506 --> 01:09:04,274 AAH! 1804 01:09:04,274 --> 01:09:06,310 AAAH! 1805 01:09:06,310 --> 01:09:09,813 [ GUNSHOTS ] 1806 01:09:09,813 --> 01:09:10,780 AAH! 1807 01:09:10,780 --> 01:09:13,683 [ GASPING ] 1808 01:09:13,683 --> 01:09:17,187 [ GRUNTING ] 1809 01:09:29,933 --> 01:09:31,868 [ MUSIC FADES ] 1810 01:09:46,950 --> 01:09:49,386 DO YOU WANT MY HONEST 1811 01:09:49,386 --> 01:09:50,554 OPINION? 1812 01:09:50,554 --> 01:09:53,623 I-I THINK SO, YEAH, YEAH. 1813 01:09:53,623 --> 01:09:56,793 I THINK WE MIGHT WANT TO 1814 01:09:56,793 --> 01:10:00,297 RE-APPROACH THIS AS... 1815 01:10:00,297 --> 01:10:03,400 SOME KIND OF A TRUE-CRIME BOOK, 1816 01:10:03,400 --> 01:10:05,435 RATHER THAN A MEMOIR. 1817 01:10:05,435 --> 01:10:06,970 YEAH, YEAH. 1818 01:10:06,970 --> 01:10:08,405 THESE CONVERSATIONS ARE 1819 01:10:08,405 --> 01:10:09,806 ALWAYS DIFFICULT BECAUSE THIS IS 1820 01:10:09,806 --> 01:10:11,275 YOUR REAL LIFE WE'RE TALKING 1821 01:10:11,275 --> 01:10:11,775 ABOUT HERE. 1822 01:10:11,775 --> 01:10:13,777 I DON'T MEAN TO SUGGEST THAT 1823 01:10:13,777 --> 01:10:15,845 YOUR LIFE IS NOT INTERESTING. 1824 01:10:15,845 --> 01:10:17,614 I ALSO DON'T MEAN TO SUGGEST 1825 01:10:17,614 --> 01:10:18,748 THAT THE TRUTH CAN'T BE 1826 01:10:18,748 --> 01:10:19,616 INTERESTING. 1827 01:10:19,616 --> 01:10:24,388 I JUST THINK, YOU KNOW, A MEMOIR 1828 01:10:24,388 --> 01:10:27,757 WHERE THE NARRATOR, OUR -- OUR, 1829 01:10:27,757 --> 01:10:31,295 YOU KNOW, HERO ENDS UP SHOOTING 1830 01:10:31,295 --> 01:10:34,298 AN UNARMED WOMAN AND BEING 1831 01:10:34,298 --> 01:10:37,701 SUSPENDED, AND THE MURDER THAT 1832 01:10:37,701 --> 01:10:39,035 SAID HERO IS TRYING TO SOLVE, 1833 01:10:39,035 --> 01:10:40,704 YOU KNOW, TWO OF THEM END UP 1834 01:10:40,704 --> 01:10:42,472 BEING RELATED, AND A THIRD ENDS 1835 01:10:42,472 --> 01:10:43,873 UP BEING UNRELATED, I MEAN, 1836 01:10:43,873 --> 01:10:45,442 THESE ARE JUST THE KIND OF 1837 01:10:45,442 --> 01:10:47,511 THINGS THAT HAPPEN IN REAL LIFE 1838 01:10:47,511 --> 01:10:49,646 BUT THAT DON'T NECESSARILY MAKE 1839 01:10:49,646 --> 01:10:53,350 FOR COMPELLING, UH, YOU KNOW, 1840 01:10:53,350 --> 01:10:57,020 COMMERCIAL, UH, BOOKS. 1841 01:10:57,020 --> 01:10:59,523 YEAH, I-I CAN SEE THAT. 1842 01:10:59,523 --> 01:11:01,725 AND I THINK IF WE CAN JUST 1843 01:11:01,725 --> 01:11:03,693 LIBERATE YOU FROM THE FACTS OF 1844 01:11:03,693 --> 01:11:05,695 THE CASE AND SORT OF FREE YOU UP 1845 01:11:05,695 --> 01:11:07,631 TO TIE UP SOME OF THESE LOOSE 1846 01:11:07,631 --> 01:11:09,032 ENDS AND STRENGTHEN THESE 1847 01:11:09,032 --> 01:11:10,700 CONNECTIONS -- YOU AND THE 1848 01:11:10,700 --> 01:11:12,469 PHOTOGRAPHER, FOR INSTANCE -- 1849 01:11:12,469 --> 01:11:14,671 YOU COULD STRENGTHEN UP THE -- 1850 01:11:14,671 --> 01:11:16,906 THE KIND OF PARALLELS THAT YOU 1851 01:11:16,906 --> 01:11:19,376 SEEM TO BE SUGGESTING HERE, UM, 1852 01:11:19,376 --> 01:11:21,945 AND -- AND YOU KNOW, REALLY TIE 1853 01:11:21,945 --> 01:11:24,914 THESE TWO TOGETHER IN SOME KIND 1854 01:11:24,914 --> 01:11:27,684 OF COHESIVE, COMPELLING WAY. 1855 01:11:27,684 --> 01:11:29,486 YEAH. THAT'S A GOOD IDEA. 1856 01:11:29,486 --> 01:11:32,522 I'LL, UM, I'LL THINK ABOUT THAT. 1857 01:11:32,522 --> 01:11:33,757 WHAT'S UP WITH THIS 1858 01:11:33,757 --> 01:11:34,491 PHOTOGRAPHER? 1859 01:11:34,491 --> 01:11:35,725 WHAT'S THIS GUY UP TO? 1860 01:11:35,725 --> 01:11:37,494 BILLY? 1861 01:11:37,494 --> 01:11:39,663 HE'S GOOD. 1862 01:11:42,732 --> 01:11:43,800 IS THIS ALL RIGHT? 1863 01:11:43,800 --> 01:11:45,702 YEAH. MY TAN LINE LOOKS KIND 1864 01:11:45,702 --> 01:11:46,770 OF WEIRD, BUT... 1865 01:11:46,770 --> 01:11:47,504 OKAY. 1866 01:11:47,504 --> 01:11:48,905 ACTUALLY... 1867 01:11:48,905 --> 01:11:50,139 THERE. THERE YOU GO. 1868 01:11:50,139 --> 01:11:51,107 [ LAUGHS ] 1869 01:11:51,107 --> 01:11:52,442 CAN YOU SEE THE LEFT HAND? 1870 01:11:52,442 --> 01:11:53,443 MAYBE I SHOULD JUST DO THE 1871 01:11:53,443 --> 01:11:53,610 RIGHT? 1872 01:11:53,610 --> 01:11:54,444 NO, DO BOTH. 1873 01:11:54,444 --> 01:11:54,811 BOTH? 1874 01:11:54,811 --> 01:11:56,613 THAT LOOKS GOOD, YEAH. 1875 01:11:56,613 --> 01:11:57,847 [ CAMERA SHUTTER CLICKS ] 1876 01:11:57,847 --> 01:12:00,484 [ SIGHS ] 1877 01:12:00,484 --> 01:12:01,885 [ CAMERA SHUTTER CLICKS ] 1878 01:12:01,885 --> 01:12:02,952 [ Chuckling ] OKAY. 1879 01:12:02,952 --> 01:12:04,454 THAT'S GOOD, THAT'S GOOD. 1880 01:12:04,454 --> 01:12:05,422 I'M GONNA PULL THIS DOWN, 1881 01:12:05,422 --> 01:12:05,789 AS WELL. 1882 01:12:05,789 --> 01:12:07,724 MM-HMM. 1883 01:12:07,724 --> 01:12:08,992 [ BOTH LAUGH ] 1884 01:12:08,992 --> 01:12:10,427 ALL RIGHT, COULD YOU JUST 1885 01:12:10,427 --> 01:12:11,761 ARCH UP JUST A LITTLE BIT? 1886 01:12:11,761 --> 01:12:13,430 LIKE, JUST LIKE... 1887 01:12:13,430 --> 01:12:15,164 NOT TOWARDS ME, JUST, LIKE, UP. 1888 01:12:15,164 --> 01:12:16,733 YEAH, RIGHT THERE. 1889 01:12:16,733 --> 01:12:18,101 THERE YOU GO. 1890 01:12:18,101 --> 01:12:21,004 [ CAMERA SHUTTER CLICKS ] 1891 01:12:21,004 --> 01:12:22,572 HERE, LET ME -- I'M JUST GONNA 1892 01:12:22,572 --> 01:12:24,441 POSITION THIS AGAIN REAL QUICK. 1893 01:12:24,441 --> 01:12:25,875 OKAY. 1894 01:12:25,875 --> 01:12:27,744 DOES IT LOOK WEIRD WHEN I LIKE, 1895 01:12:27,744 --> 01:12:28,878 POINT MY TOES OUT? 1896 01:12:28,878 --> 01:12:29,879 NO. DO THAT. 1897 01:12:29,879 --> 01:12:32,416 OKAY. 1898 01:12:32,416 --> 01:12:34,183 LOOK AWAY OR -- SORRY. 1899 01:12:34,183 --> 01:12:35,852 KIND OF LOOK -- LOOK LIKE HOW 1900 01:12:35,852 --> 01:12:37,186 YOU ARE, WITH YOUR HEAD OVER 1901 01:12:37,186 --> 01:12:38,788 YOUR SHOULDER, BUT KIND OF BE 1902 01:12:38,788 --> 01:12:39,556 LOOKING UPWARDS. 1903 01:12:39,556 --> 01:12:41,425 LIKE -- YEAH, LIKE THAT AND THEN 1904 01:12:41,425 --> 01:12:42,759 EYES UP, IS WHAT I MEAN. 1905 01:12:42,759 --> 01:12:44,928 YEAH. YEAH, LIKE THAT. 1906 01:12:47,997 --> 01:12:50,467 [ CAMERA SHUTTER CLICKS ] 1907 01:12:50,467 --> 01:12:50,800 OKAY, GREAT. 1908 01:12:50,800 --> 01:12:51,601 LET'S JUST DO ONE MORE. 1909 01:12:51,601 --> 01:12:52,836 OKAY. 1910 01:12:52,836 --> 01:12:55,505 [ SIGHS ] 1911 01:12:55,505 --> 01:12:56,940 HEY. 1912 01:12:56,940 --> 01:12:59,809 HEY, WHAT'S UP? 1913 01:12:59,809 --> 01:13:01,578 ALL RIGHT. 1914 01:13:01,578 --> 01:13:03,980 I THINK -- AND... 1915 01:13:03,980 --> 01:13:06,516 [ CAMERA SHUTTER CLICKS ] 1916 01:13:06,516 --> 01:13:08,184 ALL RIGHT. [ SIGHS ] 1917 01:13:08,184 --> 01:13:09,018 THAT'LL DO IT. 1918 01:13:09,018 --> 01:13:10,754 AWESOME. 1919 01:13:10,754 --> 01:13:13,122 HEY. HI. 1920 01:13:13,122 --> 01:13:13,957 [ LAUGHS ] 1921 01:13:13,957 --> 01:13:14,758 WAS IT GOOD? 1922 01:13:14,758 --> 01:13:15,959 IT WAS GREAT, I THINK. 1923 01:13:15,959 --> 01:13:17,160 I DON'T KNOW. WAS IT GREAT? 1924 01:13:17,160 --> 01:13:18,161 OH, IT WAS GREAT. 1925 01:13:18,161 --> 01:13:19,028 [ CHUCKLES ] 1926 01:13:19,028 --> 01:13:19,829 OH, SORRY. 1927 01:13:19,829 --> 01:13:20,830 THAT'S OKAY. 1928 01:13:20,830 --> 01:13:22,499 I'LL PUT THIS ON. 1929 01:13:22,499 --> 01:13:24,167 SO, HOW WAS YOUR THING -- 1930 01:13:24,167 --> 01:13:25,569 YOUR AGENT THING? 1931 01:13:25,569 --> 01:13:26,870 OH, UH, YEAH. 1932 01:13:26,870 --> 01:13:28,838 I MEAN, HE -- HE SEEMS TO THINK 1933 01:13:28,838 --> 01:13:30,807 THE BOOK HAS SOME POTENTIAL. 1934 01:13:30,807 --> 01:13:32,642 WANTS TO FLIP A COUPLE THINGS 1935 01:13:32,642 --> 01:13:33,543 AROUND. 1936 01:13:33,543 --> 01:13:34,544 UH-HUH. 1937 01:13:34,544 --> 01:13:35,679 [ CAMERA SHUTTER CLICKS ] 1938 01:13:35,679 --> 01:13:36,079 YEAH. 1939 01:13:36,079 --> 01:13:36,946 [ SIGHS ] 1940 01:13:36,946 --> 01:13:38,648 MAYBE, UH, MAKE MY CHARACTER 1941 01:13:38,648 --> 01:13:40,550 A LITTLE MORE PROACTIVE THAN I 1942 01:13:40,550 --> 01:13:41,618 WAS IN REAL LIFE. 1943 01:13:41,618 --> 01:13:44,087 THAT MAY BE INTERESTING. 1944 01:13:44,087 --> 01:13:45,088 LIKE YOU, UH... 1945 01:13:45,088 --> 01:13:46,590 YEAH, MAYBE ACTUALLY -- 1946 01:13:46,590 --> 01:13:47,924 LIKE YOU SOLVED THE CASE? 1947 01:13:47,924 --> 01:13:49,526 [ LAUGHING ] 1948 01:13:49,526 --> 01:13:50,627 YEAH. 1949 01:13:50,627 --> 01:13:53,129 HOW IS IT GOING? 1950 01:13:53,129 --> 01:13:53,930 I'M OKAY. 1951 01:13:53,930 --> 01:13:55,532 MEETINGS WITH AGENTS ARE ALWAYS 1952 01:13:55,532 --> 01:13:56,199 A LITTLE WEIRD. 1953 01:13:56,199 --> 01:13:56,966 YEAH. 1954 01:13:56,966 --> 01:13:58,935 I MEAN, I DON'T KNOW ABOUT IT. 1955 01:13:58,935 --> 01:13:59,936 [ LAUGHS ] 1956 01:13:59,936 --> 01:14:02,506 [ WATER RUNNING ] 1957 01:14:14,884 --> 01:14:17,120 HOW'S IT GOING? 1958 01:14:17,120 --> 01:14:19,055 HMM. IT'S GOING GOOD. 1959 01:14:19,055 --> 01:14:19,923 [ SNIFFLES ] 1960 01:14:19,923 --> 01:14:20,223 GREAT. 1961 01:14:20,223 --> 01:14:21,858 STILL TRYING TO FIGURE OUT 1962 01:14:21,858 --> 01:14:23,960 THAT ENDING. 1963 01:14:23,960 --> 01:14:25,895 I HAVE AN IDEA FOR A REALLY 1964 01:14:25,895 --> 01:14:26,663 GOOD ENDING. 1965 01:14:26,663 --> 01:14:27,864 YOU DO? 1966 01:14:27,864 --> 01:14:29,098 MM-HMM. 1967 01:14:29,098 --> 01:14:30,066 WHAT'S THAT? 1968 01:14:30,066 --> 01:14:31,535 IT GOES LIKE THIS. 1969 01:14:31,535 --> 01:14:32,135 MM-HMM? 1970 01:14:32,135 --> 01:14:34,504 FIRST... 1971 01:14:37,941 --> 01:14:40,076 ...HE PUTS DOWN THE BOOK. 1972 01:14:40,076 --> 01:14:41,578 MM-HMM. 1973 01:14:41,578 --> 01:14:42,912 SECOND... 1974 01:14:42,912 --> 01:14:45,181 HE TAKES HER SHIRT. 1975 01:14:45,181 --> 01:14:47,150 THAT SOUNDS LIKE A GOOD IDEA. 1976 01:14:47,150 --> 01:14:48,952 THEN... 1977 01:14:48,952 --> 01:14:50,954 SHE GETS DOWN. 1978 01:14:50,954 --> 01:14:51,988 YEAH. 1979 01:14:51,988 --> 01:14:53,757 YOU'RE A BETTER WRITER THAN ME. 1980 01:14:53,757 --> 01:14:54,724 [ CHUCKLES ] 1981 01:14:54,724 --> 01:14:56,292 FOURTH... 1982 01:14:56,292 --> 01:14:58,928 THEY TURN OFF THE LIGHT. 1983 01:14:58,928 --> 01:15:01,765 [ MID-TEMPO MUSIC PLAYS ] 1984 01:15:24,588 --> 01:15:26,522 [ CAMERA SHUTTER CLICKS ] 110978