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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:06,000 He was the tight-fisted shopkeeper who just love to con his customers. 2 00:00:06,000 --> 00:00:08,000 Well, that'll be 97p, love. 3 00:00:08,000 --> 00:00:09,000 Thank you. 4 00:00:09,000 --> 00:00:12,000 Oh, d-don't bother about the 3p, y-you can owe it me. 5 00:00:12,000 --> 00:00:14,000 Oh, right. 6 00:00:14,000 --> 00:00:17,000 With his trusty nephew and long-suffering assistant... 7 00:00:17,000 --> 00:00:18,000 LAUGHTER 8 00:00:18,000 --> 00:00:21,000 I'm the errand boy from outer space. 9 00:00:21,000 --> 00:00:24,000 ..and a gaggle of gossiping regulars... 10 00:00:24,000 --> 00:00:26,000 I'll have a large sliced loaf. 11 00:00:26,000 --> 00:00:28,000 ..it was the ultimate one-stop shop. 12 00:00:28,000 --> 00:00:30,000 No, I'll take a small one. 13 00:00:30,000 --> 00:00:31,000 In the next half-hour, 14 00:00:31,000 --> 00:00:35,000 we'll reveal why this hilarious show's quirky characters... 15 00:00:35,000 --> 00:00:38,000 You can't move round here for grocers in your bosom. 16 00:00:38,000 --> 00:00:40,000 ..classic catchphrases... 17 00:00:40,000 --> 00:00:42,000 G-Granville, f-f-fetch your cloth! 18 00:00:42,000 --> 00:00:44,000 MOCKING: "Granville, f-f-fetch your cloth!" 19 00:00:44,000 --> 00:00:46,000 ..and slapstick comedy... 20 00:00:46,000 --> 00:00:47,000 CLATTERING 21 00:00:47,000 --> 00:00:49,000 ..made it a national treasure. 22 00:00:49,000 --> 00:00:51,000 Stop or I'll f-f-f-f-f...! Oh! 23 00:00:52,000 --> 00:00:53,000 Five...four... 24 00:00:53,000 --> 00:00:55,000 Plus we will be going behind-the-scenes 25 00:00:55,000 --> 00:00:57,000 of a brand-new episode... 26 00:00:57,000 --> 00:00:58,000 Action! 27 00:00:58,000 --> 00:00:59,000 BELL CHIMES 28 00:00:59,000 --> 00:01:01,000 ..to take an inside look at the remaking 29 00:01:01,000 --> 00:01:02,000 of a British comedy classic. 30 00:01:02,000 --> 00:01:05,000 I look like a muffin, don't I? 31 00:01:05,000 --> 00:01:07,000 OI! Ah! Ooh! 32 00:01:07,000 --> 00:01:10,000 And to discover whether they can create a real Christmas cracker. 33 00:01:10,000 --> 00:01:13,000 I don't usually do much for Christmas but, 34 00:01:13,000 --> 00:01:15,000 under the circumstances... 35 00:01:15,000 --> 00:01:17,000 Ah! 36 00:01:17,000 --> 00:01:21,000 Welcome to a celebration of one of Britain's best-loved sitcoms. 37 00:01:21,000 --> 00:01:24,000 But it isn't Christmas yet! It feels like it to me. 38 00:01:38,000 --> 00:01:42,000 Doncaster, a town at the heart of the Industrial Revolution 39 00:01:42,000 --> 00:01:46,000 and with a proud history based on coal mining and the railways. 40 00:01:48,000 --> 00:01:50,000 In the back streets of Balby sits 41 00:01:50,000 --> 00:01:53,000 what looks like an ordinary hair salon 42 00:01:53,000 --> 00:01:57,000 but, in fact, it has a very special place in British TV history. 43 00:01:57,000 --> 00:02:00,000 When you look back at all of the photographs and that, 44 00:02:00,000 --> 00:02:02,000 they were good times then, weren't they? They were. 45 00:02:02,000 --> 00:02:06,000 Ronnie Barker and David Jason, I mean, they were very friendly. 46 00:02:06,000 --> 00:02:08,000 They were all very friendly. 47 00:02:08,000 --> 00:02:09,000 Nearly 30 years ago, 48 00:02:09,000 --> 00:02:13,000 Helen Ibbotson's hairdressers was the location for Arkwright's store. 49 00:02:13,000 --> 00:02:17,000 And was the most famous corner shop in the country. 50 00:02:18,000 --> 00:02:21,000 When they used to come to come, they came with big catering vans 51 00:02:21,000 --> 00:02:25,000 and big limousines. It was a big, spectacular thing. 52 00:02:25,000 --> 00:02:27,000 Loads of people came to watch it. 53 00:02:27,000 --> 00:02:30,000 Packed, packed with people. 54 00:02:30,000 --> 00:02:32,000 Now there's fresh buzz in the air. 55 00:02:32,000 --> 00:02:37,000 The BBC is planning a new one-off Christmas special of Open All Hours 56 00:02:37,000 --> 00:02:39,000 and soon the salon will once again 57 00:02:39,000 --> 00:02:42,000 be transformed into Arkwright's shop. 58 00:02:42,000 --> 00:02:45,000 I'll be interested to see them all, anyway. 59 00:02:45,000 --> 00:02:48,000 Never thought we'd be doing this again, did we, love? No, we didn't. 60 00:02:50,000 --> 00:02:53,000 The idea to set a sitcom in a working-class community 61 00:02:53,000 --> 00:02:56,000 in Yorkshire first emerged in 1973. 62 00:02:57,000 --> 00:03:01,000 Writer Roy Clarke was approached by the BBC 63 00:03:01,000 --> 00:03:04,000 to script two new comedies for Ronnie Barker. 64 00:03:04,000 --> 00:03:06,000 And it was Ronnie himself who came up with the idea 65 00:03:06,000 --> 00:03:09,000 of setting one of them in a corner shop. 66 00:03:11,000 --> 00:03:13,000 He said, "I've always wanted to play 67 00:03:13,000 --> 00:03:18,000 "one of these little shopkeepers that sell everything. 68 00:03:18,000 --> 00:03:22,000 And that was good news to me because... 69 00:03:22,000 --> 00:03:26,000 my wife was raised in exactly that kind of situation 70 00:03:26,000 --> 00:03:29,000 and, at one time, when I was still teaching, 71 00:03:29,000 --> 00:03:32,000 she ran a little corner shop. 72 00:03:32,000 --> 00:03:35,000 Roy's experience inspired him to create a man 73 00:03:35,000 --> 00:03:39,000 who would soon become Britain's most famous shopkeeper. 74 00:03:39,000 --> 00:03:42,000 Enter miserly grocer Albert Arkwright. 75 00:03:42,000 --> 00:03:46,000 It was obvious from word one that Ronnie as a shopkeeper 76 00:03:46,000 --> 00:03:48,000 was going to be tight-fisted 77 00:03:48,000 --> 00:03:51,000 and going to be an old Scrooge as far as he can. 78 00:03:51,000 --> 00:03:55,000 And this is where you get the magic of someone like Ronnie. 79 00:03:55,000 --> 00:03:59,000 In other hands, that could have been a real mean old scrote 80 00:03:59,000 --> 00:04:01,000 that nobody took to at all 81 00:04:01,000 --> 00:04:05,000 but Ronnie could pull that off and people still liked him. 82 00:04:05,000 --> 00:04:08,000 Hey, G-G-Granville. Have you been courting again? 83 00:04:08,000 --> 00:04:11,000 Fat chance! We don't close till nine. 84 00:04:11,000 --> 00:04:13,000 Mrs Scully said it c-could have been you 85 00:04:13,000 --> 00:04:15,000 she saw coming out of their Margaret... 86 00:04:15,000 --> 00:04:17,000 You what? ..'s place on Frith Street. 87 00:04:17,000 --> 00:04:19,000 Let me finish, will you? 88 00:04:19,000 --> 00:04:24,000 Open All Hours first hit our screens as a pilot show in March 1973 89 00:04:24,000 --> 00:04:28,000 but, even though it was set in the north, the very first episode 90 00:04:28,000 --> 00:04:31,000 was actually shot in the streets of Ealing in London. 91 00:04:31,000 --> 00:04:35,000 When it came to casting Arkwright's nephew and errand boy, Granville, 92 00:04:35,000 --> 00:04:38,000 Ronnie knew the perfect man. 93 00:04:38,000 --> 00:04:42,000 My relationship with Ronnie was built over many years. 94 00:04:42,000 --> 00:04:46,000 I suppose our timing was so good, we relied on each other so much. 95 00:04:46,000 --> 00:04:48,000 TILL SNAPS SHUT 96 00:04:48,000 --> 00:04:51,000 LAUGHTER 97 00:04:51,000 --> 00:04:53,000 That'll have somebody yet, that. I dread opening that till. 98 00:04:53,000 --> 00:04:55,000 I just know, one of these days, 99 00:04:55,000 --> 00:04:57,000 I'm going to find somebody's fingers in there. 100 00:04:57,000 --> 00:04:58,000 Mine! 101 00:05:00,000 --> 00:05:01,000 The on-screen double act 102 00:05:01,000 --> 00:05:04,000 of Arkwright and Granville worked instantly. 103 00:05:04,000 --> 00:05:07,000 But making a northern-based comedy in the capital 104 00:05:07,000 --> 00:05:10,000 lacked the right feel for the show's producers. 105 00:05:10,000 --> 00:05:14,000 Wherever you go in London, whatever location you choose, 106 00:05:14,000 --> 00:05:15,000 it reeks of London somehow. 107 00:05:15,000 --> 00:05:18,000 It doesn't seem to be the North of England. 108 00:05:18,000 --> 00:05:20,000 So, three years later, 109 00:05:20,000 --> 00:05:22,000 when they were commissioned to make a full series... 110 00:05:22,000 --> 00:05:24,000 GLASS SHATTERS 111 00:05:24,000 --> 00:05:25,000 ..they decided to move it north. 112 00:05:32,000 --> 00:05:35,000 Now its soon-to-be-famous corner shop 113 00:05:35,000 --> 00:05:39,000 was firmly set in Doncaster in South Yorkshire. 114 00:05:40,000 --> 00:05:42,000 BELL CHIMES 115 00:05:51,000 --> 00:05:54,000 G-Granville! F-F-Fetch your cloth! 116 00:05:54,000 --> 00:05:56,000 Along with well-known catchphrases, 117 00:05:56,000 --> 00:06:00,000 the show featured an array of colourful characters 118 00:06:00,000 --> 00:06:03,000 who would soon become family favourites. 119 00:06:03,000 --> 00:06:06,000 There she goes, Granville, N-Nurse Gladys Emmanuel, 120 00:06:06,000 --> 00:06:11,000 with her black bag neatly laundered and her b-b-blouse tightly packed. 121 00:06:11,000 --> 00:06:12,000 Take your time, Mavis, 122 00:06:12,000 --> 00:06:15,000 we can't rush a decision like this. 123 00:06:15,000 --> 00:06:17,000 Large loaf or small? 124 00:06:17,000 --> 00:06:21,000 Three pounds odd for a little bag of groceries like that?! 125 00:06:21,000 --> 00:06:24,000 Well, I can p-put it in a bigger bag for you, if you like. 126 00:06:24,000 --> 00:06:26,000 Ey oop, it's the Black Widow. 127 00:06:26,000 --> 00:06:28,000 She'd put the fear of God into God. 128 00:06:28,000 --> 00:06:30,000 'Gladys Emmanuel...' 129 00:06:30,000 --> 00:06:32,000 I think she burnt her bra when she was 12. 130 00:06:32,000 --> 00:06:35,000 You know, she was having no nonsense from anybody. 131 00:06:35,000 --> 00:06:36,000 She was her own woman. 132 00:06:36,000 --> 00:06:39,000 I like that blouse you've got on there. 133 00:06:39,000 --> 00:06:42,000 Ooh, I'd l-like to browse through that blouse. 134 00:06:44,000 --> 00:06:46,000 One afternoon, when it's wet, you know? 135 00:06:46,000 --> 00:06:48,000 I'll send it over next time I wash it. 136 00:06:49,000 --> 00:06:54,000 Arkwright's obsession and constant pursuit of Nurse Gladys Emmanuel 137 00:06:54,000 --> 00:06:57,000 is one of the show's longest-running themes. 138 00:06:57,000 --> 00:07:00,000 Not often you g-get extras like that on a Morris M-Minor. 139 00:07:00,000 --> 00:07:04,000 It was an ongoing gladiatorial game. 140 00:07:05,000 --> 00:07:08,000 And I think she liked that in him. 141 00:07:08,000 --> 00:07:10,000 By heck, she affects me powerfully, that woman. 142 00:07:12,000 --> 00:07:14,000 S-S-Something in the way she moves. 143 00:07:16,000 --> 00:07:19,000 Like a combine harvester going through a cornfield. 144 00:07:19,000 --> 00:07:21,000 But, for every love interest... 145 00:07:22,000 --> 00:07:24,000 ..there was a love rival. 146 00:07:26,000 --> 00:07:28,000 She never cracks a smile. 147 00:07:28,000 --> 00:07:33,000 She's very close, very quiet, very stealthy. 148 00:07:33,000 --> 00:07:35,000 Um, slightly threatening. 149 00:07:35,000 --> 00:07:37,000 A little bit sinister, even. 150 00:07:37,000 --> 00:07:40,000 Good day to you, Mrs Featherstone. Is it? 151 00:07:40,000 --> 00:07:42,000 Maybe it is if you're young and daft. 152 00:07:42,000 --> 00:07:44,000 She's like a Sherman tank, actually. 153 00:07:44,000 --> 00:07:48,000 Moving inexorably onwards, all encased in black camouflage. 154 00:07:48,000 --> 00:07:50,000 BELL CHIMES Oh... 155 00:07:50,000 --> 00:07:53,000 Th-The Widow F-Featherstone. 156 00:07:53,000 --> 00:07:56,000 And what can we do for you that's b-brisk and impersonal 157 00:07:56,000 --> 00:07:59,000 and n-not necessarily inexpensive? 158 00:07:59,000 --> 00:08:02,000 Oh, it'll be inexpensive. I never waste me money. 159 00:08:02,000 --> 00:08:04,000 She was definitely after Arkwright. 160 00:08:04,000 --> 00:08:07,000 More probably because he was very good with his money. 161 00:08:07,000 --> 00:08:11,000 Arkwright, though, was ready to dodge her advances. 162 00:08:11,000 --> 00:08:12,000 Are we alone? 163 00:08:12,000 --> 00:08:16,000 No. No, we're not alone. No. I have men here. I have men... 164 00:08:16,000 --> 00:08:18,000 men working... 165 00:08:18,000 --> 00:08:20,000 working in the, er... in the cellar. 166 00:08:20,000 --> 00:08:22,000 Men working. 167 00:08:22,000 --> 00:08:23,000 HE KNOCKS LIKE A HAMMER 168 00:08:23,000 --> 00:08:25,000 There they are. 169 00:08:25,000 --> 00:08:29,000 In fact, Arkwright only had eyes for one woman. 170 00:08:29,000 --> 00:08:31,000 She was violently jealous. 171 00:08:31,000 --> 00:08:34,000 As she said, he was blinded by a bigger bosom. 172 00:08:35,000 --> 00:08:36,000 Why... 173 00:08:36,000 --> 00:08:38,000 LAUGHTER 174 00:08:38,000 --> 00:08:40,000 ..that's f-fresh from the oven! 175 00:08:40,000 --> 00:08:42,000 What is it? 176 00:08:42,000 --> 00:08:46,000 I don't know, but if you've got any to spare, I'll take the lot. 177 00:08:46,000 --> 00:08:49,000 My bosom was padded out with the wardrobe mistress's socks, 178 00:08:49,000 --> 00:08:52,000 which will ruin the image for half of England, won't it? 179 00:08:52,000 --> 00:08:53,000 SHE LAUGHS 180 00:08:53,000 --> 00:08:56,000 Dropping into Britain's busiest corner shop 181 00:08:56,000 --> 00:08:58,000 was a steady stream of oddball customers 182 00:08:58,000 --> 00:09:01,000 who became the lifeblood of the show. 183 00:09:01,000 --> 00:09:02,000 Argh! 184 00:09:02,000 --> 00:09:05,000 Basically, what you've got there is a little theatre. 185 00:09:05,000 --> 00:09:09,000 These guys pop in, do their turn and then go. 186 00:09:09,000 --> 00:09:12,000 There we are, two pints of extra strong exportable 187 00:09:12,000 --> 00:09:15,000 and an ounce of black shag. There we are. 188 00:09:15,000 --> 00:09:17,000 LAUGHTER 189 00:09:17,000 --> 00:09:20,000 Now then, anything for Mr Brocklesby this evening? 190 00:09:20,000 --> 00:09:22,000 Much like the inspiration for the corner shop, 191 00:09:22,000 --> 00:09:25,000 many of Roy Clarke's larger-than-life personalities 192 00:09:25,000 --> 00:09:28,000 were based on people he'd observed. 193 00:09:28,000 --> 00:09:29,000 There has to be, for me, 194 00:09:29,000 --> 00:09:34,000 some kind of link with reality for the character to work. 195 00:09:34,000 --> 00:09:36,000 I'd better have a tin of, er... 196 00:09:36,000 --> 00:09:37,000 soup. 197 00:09:37,000 --> 00:09:41,000 Usually, you get 40 percent from one guy 198 00:09:41,000 --> 00:09:44,000 and maybe the rest from another one. 199 00:09:44,000 --> 00:09:45,000 L-L-Large or small? 200 00:09:46,000 --> 00:09:47,000 Large. 201 00:09:50,000 --> 00:09:52,000 No, small. 202 00:09:52,000 --> 00:09:57,000 The way that he has created some of these really wonderfully 203 00:09:57,000 --> 00:10:00,000 eccentric characters... Well, he's a sort of one-off. 204 00:10:00,000 --> 00:10:04,000 I haven't got a small tin. I only have a large tin. 205 00:10:04,000 --> 00:10:05,000 Oh. 206 00:10:05,000 --> 00:10:07,000 Well, I c-c-can't cut them in half, Mavis! 207 00:10:07,000 --> 00:10:09,000 LAUGHTER 208 00:10:09,000 --> 00:10:11,000 It all f-flops out, you see. 209 00:10:11,000 --> 00:10:14,000 I tell you what I will do, I'll sell you o-one large tin 210 00:10:14,000 --> 00:10:17,000 and I'll only charge you for t-two small tins. 211 00:10:17,000 --> 00:10:19,000 Oh, thank you, Mr Arkwright. 212 00:10:20,000 --> 00:10:22,000 For the actress playing Mavis, 213 00:10:22,000 --> 00:10:26,000 a real-life shopping trip was never the same again. 214 00:10:26,000 --> 00:10:28,000 I always had to make sure that I knew exactly what I wanted, 215 00:10:28,000 --> 00:10:32,000 otherwise, you know, I'd get a barrage of funny comments 216 00:10:32,000 --> 00:10:33,000 about being indecisive. 217 00:10:33,000 --> 00:10:35,000 SHE LAUGHS 218 00:10:37,000 --> 00:10:40,000 Every week, customers would come and go, 219 00:10:40,000 --> 00:10:43,000 but much of the comedy flowed from two characters 220 00:10:43,000 --> 00:10:45,000 who rarely left the shop. 221 00:10:45,000 --> 00:10:48,000 The big asset in that show 222 00:10:48,000 --> 00:10:52,000 was the chemistry between Granville and Arkwright. 223 00:10:52,000 --> 00:10:54,000 Well? How much? 224 00:10:54,000 --> 00:10:56,000 I'm thinking, I'm thinking! 225 00:10:56,000 --> 00:10:58,000 Come on. My arms are aching up here. 226 00:10:58,000 --> 00:11:01,000 And my w-wallet's aching down here! 227 00:11:01,000 --> 00:11:05,000 It was a writer's dream from word one because, I mean, 228 00:11:05,000 --> 00:11:09,000 looking at the thing calmly, you know, afterwards, 229 00:11:09,000 --> 00:11:12,000 where are you going to get a talent like Ronnie Barker 230 00:11:12,000 --> 00:11:15,000 and a talent like David Jason in one show? 231 00:11:15,000 --> 00:11:18,000 You're never, ever going to get it again. 232 00:11:18,000 --> 00:11:19,000 Well? How much? 233 00:11:21,000 --> 00:11:22,000 28p. 234 00:11:22,000 --> 00:11:24,000 Are you sure? 235 00:11:24,000 --> 00:11:27,000 Get it writ at 28p-p-p-p! 236 00:11:28,000 --> 00:11:31,000 Ronnie Barker wasn't one of those people 237 00:11:31,000 --> 00:11:35,000 who wanted inferior people around him to make himself feel better. 238 00:11:35,000 --> 00:11:39,000 You know, he liked having David there because he was funny and fast. 239 00:11:39,000 --> 00:11:41,000 BELL CHIMES 240 00:11:43,000 --> 00:11:45,000 LAUGHTER 241 00:11:45,000 --> 00:11:47,000 Make it 29. 242 00:11:47,000 --> 00:11:51,000 He was a typical tightwad but, in Ronnie Barker's expert hands, 243 00:11:51,000 --> 00:11:55,000 Arkwright became the nation's most lovable shopkeeper. 244 00:11:55,000 --> 00:11:58,000 'Ronnie makes it look so easy.' 245 00:11:58,000 --> 00:12:00,000 That is how clever he is. 246 00:12:00,000 --> 00:12:02,000 Because not everybody can do it. 247 00:12:02,000 --> 00:12:04,000 And not everybody can do it with the ease 248 00:12:04,000 --> 00:12:07,000 with which Ronnie was capable of doing it. 249 00:12:07,000 --> 00:12:10,000 Get your helmet on the counter, will you? 250 00:12:10,000 --> 00:12:12,000 That's right. Come on, Mr Bristow. 251 00:12:12,000 --> 00:12:15,000 Don't worry, I'm not going to do it that way round. You're all right. 252 00:12:15,000 --> 00:12:17,000 Have you saved me them half a dozen...? 253 00:12:17,000 --> 00:12:19,000 OHH! 254 00:12:19,000 --> 00:12:21,000 LAUGHTER AND APPLAUSE 255 00:12:23,000 --> 00:12:27,000 There goes a r-regular order for half a dozen razor blades. 256 00:12:27,000 --> 00:12:30,000 Ronnie Barker had no great ego. 257 00:12:30,000 --> 00:12:34,000 So he treated you as being as important as himself. 258 00:12:34,000 --> 00:12:37,000 Which is, apart from being very flattering, is comforting. 259 00:12:37,000 --> 00:12:39,000 Granville. HE WHISTLES 260 00:12:39,000 --> 00:12:40,000 Come on. Come on. Come on, come on. 261 00:12:40,000 --> 00:12:43,000 Watch this, look, the Bounty hunters. Come on, look. 262 00:12:45,000 --> 00:12:48,000 Yes! You like those, don't you? Aye, lovely! 263 00:12:48,000 --> 00:12:50,000 Yeah. Put your money in the till. 264 00:12:51,000 --> 00:12:55,000 It was a joy and a pleasure to work with such a great man. 265 00:12:57,000 --> 00:13:01,000 There was one shop regular which captivated millions 266 00:13:01,000 --> 00:13:04,000 and even threatened to upstage Arkwright himself. 267 00:13:04,000 --> 00:13:09,000 Oh, I hate this till! Go on, get on with it! It won't b-bite you. 268 00:13:09,000 --> 00:13:12,000 Ronnie Barker used to say, "The snapping till's building its part." 269 00:13:12,000 --> 00:13:14,000 You know, cos it seemed to loom larger! 270 00:13:16,000 --> 00:13:17,000 TILL SNAPS SHUT 271 00:13:17,000 --> 00:13:19,000 You wouldn't want to get your hands caught in it, 272 00:13:19,000 --> 00:13:21,000 let me put it that way. 273 00:13:21,000 --> 00:13:24,000 So you have to treat it with a great deal of respect. 274 00:13:29,000 --> 00:13:32,000 The snapping till has a mind of its own. And if you... 275 00:13:32,000 --> 00:13:35,000 dally with your hands in there too much, 276 00:13:35,000 --> 00:13:37,000 you will lose your fingers. 277 00:13:38,000 --> 00:13:40,000 TILL SNAPS SHUT Argh! 278 00:13:40,000 --> 00:13:43,000 Of course, it didn't really have a mind of its own. 279 00:13:43,000 --> 00:13:46,000 The assistant floor manager was on the other end 280 00:13:46,000 --> 00:13:49,000 and pulled a string and, of course, 281 00:13:49,000 --> 00:13:53,000 we were all frightened about catching Ronnie's fingers. 282 00:13:53,000 --> 00:13:56,000 If you're going to risk that vicious spring clip, I don't want to look. 283 00:13:56,000 --> 00:13:57,000 Just tell me when it's all over. 284 00:13:57,000 --> 00:14:00,000 Oh, don't be daft, you only have to j-jiggle it a bit. 285 00:14:00,000 --> 00:14:03,000 And once, in fact, it he did actually catch Ronnie's his fingers. 286 00:14:03,000 --> 00:14:05,000 TILL SNAPS SHUT Oh! 287 00:14:07,000 --> 00:14:11,000 Slapstick comedy became one of the show's key features. 288 00:14:11,000 --> 00:14:14,000 And a source for some of its classic moments. 289 00:14:14,000 --> 00:14:16,000 Now, listen, Granville... 290 00:14:17,000 --> 00:14:20,000 If you can find the right physical bits, 291 00:14:20,000 --> 00:14:23,000 that's where the belly laughs are. 292 00:14:23,000 --> 00:14:25,000 A fans' favourite is when Granville 293 00:14:25,000 --> 00:14:28,000 discovered some false legs dumped in a dustbin. 294 00:14:28,000 --> 00:14:30,000 He sticks them out of the basket 295 00:14:30,000 --> 00:14:33,000 so it looks like he's got a sort of upside-down female in there. 296 00:14:35,000 --> 00:14:37,000 And then he puts them underneath his pinny 297 00:14:37,000 --> 00:14:39,000 when sitting on a seat in the park. 298 00:14:41,000 --> 00:14:44,000 Then he sticks them either side of a bloke underneath a car. 299 00:14:46,000 --> 00:14:49,000 And it was just a great, funny sequence 300 00:14:49,000 --> 00:14:51,000 and I enjoyed doing that very much. 301 00:14:55,000 --> 00:14:57,000 But, for millions of viewers, 302 00:14:57,000 --> 00:15:01,000 there was an even more memorable trademark of the series. 303 00:15:01,000 --> 00:15:07,000 I-I-I have a d-difficulty f-formulating my words! 304 00:15:07,000 --> 00:15:10,000 I think Ronnie did it brilliantly. It was utterly truthful. 305 00:15:10,000 --> 00:15:14,000 It was a completely natural stutter. 306 00:15:14,000 --> 00:15:18,000 It all started when we had b-b-b-b-b... 307 00:15:18,000 --> 00:15:22,000 It's no good, you know I can't understand Morse code. 308 00:15:22,000 --> 00:15:25,000 I used to stutter when I was a child, 309 00:15:25,000 --> 00:15:28,000 so I was worried that I would join in. 310 00:15:28,000 --> 00:15:31,000 There's enough dirt on there to fill The Black Hole of Ca-ca-ca... 311 00:15:31,000 --> 00:15:34,000 The Black Hole of Ca-ca-ca... 312 00:15:34,000 --> 00:15:35,000 The Black... 313 00:15:35,000 --> 00:15:38,000 The Hanging Gardens of Babylon. 314 00:15:38,000 --> 00:15:43,000 I think now if you had a character created who did stutter, I think you 315 00:15:43,000 --> 00:15:45,000 might have a problem with that these days, 316 00:15:45,000 --> 00:15:47,000 cos I think it might be seen as not politically correct. 317 00:15:47,000 --> 00:15:53,000 Good morning, Mrs F-f-f-f... Jackson. 318 00:15:53,000 --> 00:15:56,000 Through four series, from 1976 to 1985, 319 00:15:56,000 --> 00:15:59,000 Open All Hours charmed the nation. 320 00:16:00,000 --> 00:16:03,000 From Arkwright's obsession with fleecing his customers... 321 00:16:03,000 --> 00:16:06,000 Last few what at the old price? 322 00:16:06,000 --> 00:16:08,000 We'll worry about that when we get them inside. 323 00:16:08,000 --> 00:16:12,000 ..to his continuing quest to win the heart of Nurse Gladys. 324 00:16:12,000 --> 00:16:16,000 Hello, Gladys Emmanuel. Nice to see you looking so cheerful. 325 00:16:16,000 --> 00:16:18,000 And Granville's failed lessons in love. 326 00:16:18,000 --> 00:16:21,000 OK. I'm your prisoner. 327 00:16:21,000 --> 00:16:24,000 Do with me what you will. Ah! 328 00:16:24,000 --> 00:16:28,000 By the mid-1980s, it was pulling in nearly 19 million viewers, 329 00:16:28,000 --> 00:16:30,000 and was Britain's most popular TV show. 330 00:16:32,000 --> 00:16:34,000 GUNSHOT 331 00:16:34,000 --> 00:16:36,000 But suddenly, at the height of its success, 332 00:16:36,000 --> 00:16:38,000 Arkwright and Granville shut up shop. 333 00:16:40,000 --> 00:16:42,000 One day, Granville, all this will be yours. 334 00:16:42,000 --> 00:16:44,000 Lock-lock-lock-lock stock and barrel. 335 00:17:00,000 --> 00:17:03,000 It's nearly 30 years since the last series was produced, 336 00:17:03,000 --> 00:17:07,000 and on the streets of Balby, filming of a brand-new episode is due 337 00:17:07,000 --> 00:17:10,000 to get under way in just two days' time. 338 00:17:10,000 --> 00:17:15,000 But before the cameras can start recording, a BBC set design team 339 00:17:15,000 --> 00:17:19,000 needs to transform the hairdressing salon into Arkwright's store. 340 00:17:21,000 --> 00:17:24,000 It's exactly as it was all those years ago. 341 00:17:24,000 --> 00:17:26,000 I mean, this is mind-blowing. 342 00:17:26,000 --> 00:17:30,000 You know, this is such a rare thing to happen cos what premises 343 00:17:30,000 --> 00:17:33,000 has remained the same for nearly 30 years? 344 00:17:34,000 --> 00:17:38,000 Plan of action - we've all arrived here at eight o'clock this morning, 345 00:17:38,000 --> 00:17:40,000 and we've got chippies starting in there, 346 00:17:40,000 --> 00:17:42,000 the boys are unloading the lorries 347 00:17:42,000 --> 00:17:46,000 and gradually during the course of the day, the thing will evolve. 348 00:17:59,000 --> 00:18:02,000 It's just an ordinary hairdresser shop, but when you see that stuck 349 00:18:02,000 --> 00:18:05,000 there again you think, "Oh, he's up - he's coming back!" 350 00:18:06,000 --> 00:18:10,000 Word certainly spreads fast, and the return of this iconic show 351 00:18:10,000 --> 00:18:13,000 is causing quite a stir in the neighbourhood. 352 00:18:13,000 --> 00:18:17,000 It's nice that, you know, they're bringing it back. 353 00:18:17,000 --> 00:18:18,000 It's come home after all this time. 354 00:18:18,000 --> 00:18:22,000 I mean, it's nearly 30 years since the last series were made 355 00:18:22,000 --> 00:18:24,000 and so it's nice that... 356 00:18:24,000 --> 00:18:27,000 I think they thought it would never happen again. 357 00:18:27,000 --> 00:18:28,000 Mum used to tell me stories 358 00:18:28,000 --> 00:18:30,000 that she used to come down in t'pushchair, 359 00:18:30,000 --> 00:18:34,000 used to stand at the corner, or by the gulley just watching filming. 360 00:18:34,000 --> 00:18:35,000 It's fantastic. 361 00:18:35,000 --> 00:18:37,000 It's a British institution. 362 00:18:37,000 --> 00:18:39,000 I can't wait to see it filmed. 363 00:18:39,000 --> 00:18:42,000 Such is the excitement of the return of the show, others have 364 00:18:42,000 --> 00:18:46,000 travelled from far and wide to catch a glimpse of this famous shop. 365 00:18:46,000 --> 00:18:49,000 We've come all the way from Burton-on-Trent this morning, 366 00:18:49,000 --> 00:18:53,000 and as soon as we found out this was happening we left home 367 00:18:53,000 --> 00:18:57,000 and here we are an hour later outside Arkwright's emporium. 368 00:18:58,000 --> 00:19:02,000 Transforming the hair salon into Arkwright's shop is a huge task, 369 00:19:02,000 --> 00:19:05,000 and to make it true to life, every single detail counts. 370 00:19:07,000 --> 00:19:09,000 It takes a six-person team of designers, 371 00:19:09,000 --> 00:19:13,000 props-men and art directors two full days to pull off this massive 372 00:19:13,000 --> 00:19:17,000 makeover, and it's only by late Sunday afternoon that they're 373 00:19:17,000 --> 00:19:19,000 applying the finishing touches. 374 00:19:26,000 --> 00:19:30,000 We're really well on the way now. I reckon about another hour will 375 00:19:30,000 --> 00:19:31,000 see us fairly fit to be ready 376 00:19:31,000 --> 00:19:35,000 for the cameras tomorrow morning bright and early. 377 00:19:44,000 --> 00:19:48,000 8am, and it's the start of filming of the Christmas special. 378 00:19:48,000 --> 00:19:50,000 Sir David to you! 379 00:19:51,000 --> 00:19:52,000 As more than 50 crew 380 00:19:52,000 --> 00:19:56,000 and production team take to the streets of Balby in Doncaster, 381 00:19:56,000 --> 00:19:58,000 the crowds are already swelling. 382 00:19:58,000 --> 00:20:01,000 They're beginning to shoot a new episode 383 00:20:01,000 --> 00:20:03,000 for the first time since 1985. 384 00:20:05,000 --> 00:20:08,000 I do feel that it can't possibly be 28 years 385 00:20:08,000 --> 00:20:12,000 since the last episode of Open All Hours. 386 00:20:12,000 --> 00:20:14,000 It must be yesterday afternoon. 387 00:20:14,000 --> 00:20:17,000 And it's so nice to do it again. 388 00:20:17,000 --> 00:20:19,000 It's such a laugh. 389 00:20:19,000 --> 00:20:20,000 As though we never went away. 390 00:20:20,000 --> 00:20:23,000 For the original cast members, 391 00:20:23,000 --> 00:20:26,000 it's a reunion they could never have dreamed would happen. 392 00:20:26,000 --> 00:20:29,000 It's great to be here back in the shop. 393 00:20:29,000 --> 00:20:31,000 It's as though we'd never left it. 394 00:20:33,000 --> 00:20:37,000 The delight in revisiting it is quite wonderful. 395 00:20:38,000 --> 00:20:42,000 Despite heavy rain, hundreds gather in the street to witness 396 00:20:42,000 --> 00:20:45,000 the first of three days' filming at the shop. 397 00:20:47,000 --> 00:20:50,000 The people were so warm and receptive, 398 00:20:50,000 --> 00:20:52,000 and so keen to see it back. 399 00:20:53,000 --> 00:20:56,000 They stood patiently, watching us all. 400 00:20:56,000 --> 00:20:58,000 Some of them stood there all day. 401 00:20:58,000 --> 00:21:01,000 A couple came and said, "I used to watch you filming 402 00:21:01,000 --> 00:21:05,000 "when I was a little girl and here's my daughter come to watch you today." 403 00:21:05,000 --> 00:21:08,000 And that was... 404 00:21:08,000 --> 00:21:09,000 It was quite moving. 405 00:21:11,000 --> 00:21:14,000 Two big fans who grew up in these streets are Wayne Burton 406 00:21:14,000 --> 00:21:16,000 and Jane Laing. 407 00:21:16,000 --> 00:21:18,000 It's the first time they've met for 25 years, 408 00:21:18,000 --> 00:21:23,000 and both have fond childhood memories about the show. 409 00:21:23,000 --> 00:21:27,000 We used to sit on the step and get to play and be in the background. 410 00:21:27,000 --> 00:21:29,000 How old would you have been? You're older than me, aren't you? 411 00:21:29,000 --> 00:21:32,000 Ooh... Last time they come, I think it were '83. 412 00:21:32,000 --> 00:21:35,000 I'd have been about 12. 413 00:21:35,000 --> 00:21:36,000 Oh, I were nine. Were you? 414 00:21:36,000 --> 00:21:37,000 Yeah. Showing our age now! 415 00:21:37,000 --> 00:21:39,000 We are now, just a little bit. 416 00:21:39,000 --> 00:21:42,000 That street felt like they owned us then 417 00:21:42,000 --> 00:21:44,000 and they still feel like they own us. 418 00:21:47,000 --> 00:21:49,000 DIRECTOR: And...action. 419 00:21:49,000 --> 00:21:52,000 How are we, Mrs Featherstone? 420 00:21:52,000 --> 00:21:54,000 Call me...Delphine. 421 00:21:54,000 --> 00:21:55,000 In Roy Clarke's Christmas special, 422 00:21:55,000 --> 00:22:00,000 Granville has inherited the shop from Arkwright and is now in charge, 423 00:22:00,000 --> 00:22:03,000 but he's still doing battle with some very familiar faces. 424 00:22:03,000 --> 00:22:06,000 Your Uncle Arkwright would turn in his grave. 425 00:22:06,000 --> 00:22:09,000 He was never one for mixing business with pleasure. 426 00:22:09,000 --> 00:22:11,000 Believe me, I tried. 427 00:22:11,000 --> 00:22:15,000 Roy Clarke gave us so much fun and silliness in the original series and 428 00:22:15,000 --> 00:22:18,000 I'm absolutely delighted to say that 429 00:22:18,000 --> 00:22:20,000 his skill has not diminished one iota. 430 00:22:20,000 --> 00:22:23,000 I have trained two husbands to an early grave. 431 00:22:23,000 --> 00:22:25,000 It's a bit difficult for me, 432 00:22:25,000 --> 00:22:29,000 cos this time I'm playing the Ronnie B part and it... 433 00:22:29,000 --> 00:22:30,000 It's huge! 434 00:22:30,000 --> 00:22:33,000 It's a lot of words to remember in such a short time, 435 00:22:33,000 --> 00:22:37,000 so at the moment, I'm still struggling. 436 00:22:39,000 --> 00:22:43,000 There's also a lot resting on the shoulders of James Baxter, 437 00:22:43,000 --> 00:22:45,000 who plays Granville's son Leroy. 438 00:22:46,000 --> 00:22:47,000 Coming into it, 439 00:22:47,000 --> 00:22:52,000 I was and still am aware of the enormity of the show, but I just 440 00:22:52,000 --> 00:22:55,000 had to take solace or take comfort 441 00:22:55,000 --> 00:23:00,000 in that I am working with a legend. 442 00:23:02,000 --> 00:23:04,000 David's really helped me settle in. 443 00:23:05,000 --> 00:23:07,000 That'll cost ya! 444 00:23:07,000 --> 00:23:09,000 You'll get it at trade price. 445 00:23:09,000 --> 00:23:12,000 He's very fun to work with. 446 00:23:12,000 --> 00:23:15,000 It's been a busy day's filming for the whole team. 447 00:23:16,000 --> 00:23:17,000 Front cover of the Radio Times. 448 00:23:19,000 --> 00:23:22,000 And they're overcome with the welcome they've 449 00:23:22,000 --> 00:23:24,000 received from the people of Doncaster. 450 00:23:24,000 --> 00:23:27,000 After the first few takes people were applauding in the streets. 451 00:23:27,000 --> 00:23:29,000 I've never seen that happen before. 452 00:23:29,000 --> 00:23:34,000 Just seems to be so many smiles everywhere. 453 00:23:34,000 --> 00:23:36,000 We feel hugely welcome. 454 00:23:36,000 --> 00:23:39,000 As they record the final scene of the day... 455 00:23:39,000 --> 00:23:44,000 Your note arrived safely, Granville, tucked in among my groceries. 456 00:23:44,000 --> 00:23:48,000 ..the cast and crew know there's plenty of work still ahead of them. 457 00:23:49,000 --> 00:23:51,000 '19, take two on the end.' 458 00:24:00,000 --> 00:24:02,000 It's now two weeks later. 459 00:24:02,000 --> 00:24:06,000 With the location filming completed, final rehearsals are under way 460 00:24:06,000 --> 00:24:10,000 for the recording of the whole show in front of a live studio audience. 461 00:24:10,000 --> 00:24:14,000 You leave us a few free samples and we'll see how it goes. 462 00:24:14,000 --> 00:24:18,000 It's a huge day for the team and it's the first time fans 463 00:24:18,000 --> 00:24:22,000 will have the chance to see the full show and deliver their verdict. 464 00:24:22,000 --> 00:24:24,000 Making any comedy programme is risky. 465 00:24:24,000 --> 00:24:28,000 There's always the chance that we might make something that we 466 00:24:28,000 --> 00:24:32,000 think works, and nobody else agrees. 467 00:24:32,000 --> 00:24:34,000 The demand for tickets has been phenomenal. 468 00:24:34,000 --> 00:24:38,000 The producers have received more than 28,000 applications 469 00:24:38,000 --> 00:24:41,000 for just 360 places. 470 00:24:41,000 --> 00:24:43,000 So there's a lot at stake. 471 00:24:43,000 --> 00:24:45,000 We all have fond memories of it, 472 00:24:45,000 --> 00:24:52,000 we all loved it and I do think it's kind of ripe for a return. 473 00:24:52,000 --> 00:24:56,000 So, erm, tonight's the night and we hope it goes well. 474 00:24:56,000 --> 00:25:00,000 Five, four, three, two, one... 475 00:25:00,000 --> 00:25:03,000 DIRECTOR: Action! BELL RINGS 476 00:25:03,000 --> 00:25:06,000 The big question is - will the audience love the new episode 477 00:25:06,000 --> 00:25:09,000 just as much as they did the originals? 478 00:25:11,000 --> 00:25:15,000 David and I both agreed, if it's not broken, don't mend it. 479 00:25:15,000 --> 00:25:19,000 So keep it as close as we can to what it was. 480 00:25:21,000 --> 00:25:22,000 LAUGHTER 481 00:25:22,000 --> 00:25:25,000 Warming up out there, is it? 482 00:25:25,000 --> 00:25:27,000 You're a deadpan lot around here. 483 00:25:27,000 --> 00:25:30,000 Something about the tone. 484 00:25:30,000 --> 00:25:31,000 It's absolutely Roy Clarke. 485 00:25:31,000 --> 00:25:34,000 I look like a muffin, don't I? 486 00:25:34,000 --> 00:25:36,000 You look as though you could use a drink. 487 00:25:36,000 --> 00:25:38,000 I do. I need a drink. 488 00:25:38,000 --> 00:25:42,000 It feels very similar to the original Open All Hours. 489 00:25:43,000 --> 00:25:45,000 "You need a drink," he says. 490 00:25:45,000 --> 00:25:46,000 Then charges me for the bottle. 491 00:25:48,000 --> 00:25:49,000 It's a lair. 492 00:25:50,000 --> 00:25:53,000 "G-granville, remember, this is a lair." 493 00:25:53,000 --> 00:25:57,000 And you enter at you pee-pe-peril. 494 00:25:57,000 --> 00:25:58,000 It's a jungle round here. 495 00:26:01,000 --> 00:26:04,000 For Roy Clarke, keeping a presence of Arkwright in the new show 496 00:26:04,000 --> 00:26:07,000 was one of his biggest challenges. 497 00:26:07,000 --> 00:26:10,000 A huge absence is going to be there 498 00:26:10,000 --> 00:26:12,000 in everybody's mind when they see this. 499 00:26:12,000 --> 00:26:16,000 And so, you might as well face it and use it. 500 00:26:16,000 --> 00:26:18,000 You'll never get rid of all this anchovy paste. 501 00:26:18,000 --> 00:26:20,000 Don't worry, I'll shift it. 502 00:26:20,000 --> 00:26:25,000 You forget that I was ta-ta-ta-trained... 503 00:26:25,000 --> 00:26:27,000 LAUGHTER 504 00:26:27,000 --> 00:26:31,000 For my mind, for my money, Ronnie's still there. 505 00:26:31,000 --> 00:26:35,000 I was trained by the m-m-master! 506 00:26:35,000 --> 00:26:40,000 If he could see us, if he is watching, be laughing his head off. 507 00:26:40,000 --> 00:26:43,000 LAUGHTER 508 00:26:46,000 --> 00:26:48,000 The show's gone down a storm, 509 00:26:48,000 --> 00:26:52,000 and the audience's reaction is unanimous. 510 00:26:52,000 --> 00:26:53,000 Absolutely fantastic. 511 00:26:54,000 --> 00:26:55,000 Yeah, absolutely great. 512 00:26:55,000 --> 00:26:58,000 To see David Jason, it's a dream. 513 00:26:58,000 --> 00:27:00,000 Smashing. Beautiful. 514 00:27:00,000 --> 00:27:01,000 Really enjoyed it. 515 00:27:03,000 --> 00:27:07,000 It might be 40 years since the very first episode... 516 00:27:07,000 --> 00:27:09,000 You ta-ta-taught me some stuff! 517 00:27:09,000 --> 00:27:13,000 ..but it's clear that Open All Hours still holds a special 518 00:27:13,000 --> 00:27:15,000 place in the heart of the nation. 519 00:27:16,000 --> 00:27:20,000 It's been a great trip down memory lane for me. 520 00:27:20,000 --> 00:27:21,000 Good morning, Granville. 521 00:27:21,000 --> 00:27:23,000 Good morning, Mavis. 522 00:27:23,000 --> 00:27:24,000 I've had a ball. 523 00:27:24,000 --> 00:27:28,000 Do you know that the small grocer makes an ideal pet? 524 00:27:28,000 --> 00:27:31,000 I've always know that it's very special. 525 00:27:31,000 --> 00:27:33,000 Very, very special. 526 00:27:33,000 --> 00:27:36,000 I think we are ready to take us to the next level. 527 00:27:36,000 --> 00:27:38,000 And working on it again, of course, 528 00:27:38,000 --> 00:27:43,000 you are even more aware of how clever and how funny it is. 529 00:27:43,000 --> 00:27:45,000 It is the age of the cougar. 530 00:27:45,000 --> 00:27:47,000 SHE GROWLS 531 00:27:47,000 --> 00:27:52,000 In order to do comedy well, you have to have a sense of the ridiculous 532 00:27:52,000 --> 00:27:53,000 and you have to have a sense of fun. 533 00:27:53,000 --> 00:27:55,000 Lower your end. 534 00:27:55,000 --> 00:27:56,000 The story of my life. 535 00:27:58,000 --> 00:28:02,000 So put those elements all together and you can't wait to get back to 536 00:28:02,000 --> 00:28:07,000 work really, because it's not like work, it's just like having a party. 537 00:28:07,000 --> 00:28:10,000 Ladies and gentlemen, the price is wrong! 538 00:28:10,000 --> 00:28:13,000 Granville, come on down! 539 00:28:15,000 --> 00:28:17,000 I think Open All Hours was unique. 540 00:28:17,000 --> 00:28:19,000 I don't believe that any of us 541 00:28:19,000 --> 00:28:23,000 knew that it would stand the test of time the way it has. 542 00:28:23,000 --> 00:28:26,000 Bl-bl-bl-bl... 543 00:28:27,000 --> 00:28:30,000 Bl-bl-bloody burglars! 544 00:28:30,000 --> 00:28:32,000 It's held in affection, I think. 545 00:28:32,000 --> 00:28:35,000 I think that's the secret of its success. 546 00:28:35,000 --> 00:28:36,000 It's held in great affection. 547 00:28:36,000 --> 00:28:39,000 Now, isn't it time silly old fools were in bed? 548 00:28:39,000 --> 00:28:42,000 Thought you'd n-never ask! 43540

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