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HO, HO, HO.MERRY CHRISTMAS.
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THANK YOU.
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MERRY CHRISTMAS.
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MERRY CHRISTMAS.THANK YOU.
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EXCUSE ME.
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EXCUSE--EXCUSE YOU!
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MERRY CHRISTMAS.THANK YOU.
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EXCUSE ME.
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THANK YOU.MERRY CHRISTMAS.
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YOU'RE SO KIND.
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THANK YOU SO MUCH.MERRY CHRISTMAS.
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I DON'T THINK SO.
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IT'S CAROL. GET ME KENDRA.
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NO, I DON'T NEED TO CHECKWITH CAROL ON THIS, ED.
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I'M THE SENIOR EDITOR,
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SECOND IN COMMANDAT SPRINGWOOD,
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AND THIS IS MY CALL,SO YOU'D BETTER START LISTENING.
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CAROL'S ON THE PHONE FOR YOU.
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THAT'S MY FINAL OFFER, ED.SO YOU'D BETTER START LISTENING.
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LET ME KNOW.
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THIS IS KENDRA.
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IT'S ME.
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CAROL? WHERE ARE YOU?
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WAIT,ARE YOU ON FOOT?
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TRAFFIC WAS AWFUL,
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AND SITTINGIN THE CAR SERVICE
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WAS JUST EATING THE DAY AWAY.
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I HATE THE HOLIDAYS.
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ARE YOU OKAY?
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I KNOW HOWTO WALK, KENDRA.
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LISTEN, MY CALL TO BERLINFELL THROUGH.
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I WANT TO PUSHTHE 11:00 MEETING UP.
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UH... SURE.
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WHAT TIME WERE YOU THINKING?
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NOW. HAVE EVERYONE READY.
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OKAY, UH...
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FOLKS, MAY I HAVEYOUR ATTENTION,
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PLEASE?
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QUICKLY, EVERYONE,STOP WHAT YOU'RE DOING.
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IT'S IMPORTANT.
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OKAY, PEOPLE,
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TWO QUICK THINGS.
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ONE, FOR THOSE OF YOU
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WHO REQUESTEDCHRISTMAS OFF TOMORROW...
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CAROL HAS DENIEDONE, FOR YOUR REQUESTS.
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AND TWO, THE 11:00 MEETINGHAS BEEN PUSHED UP.
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DON'T WORRY,WE'LL BE READY!
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IT'S NOW.
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OH, GOD HELP US.
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OKAY, GREAT.
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WHICH OF THESE SUBTITLESSHOULD WE GO WITH?
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"LOSE WEIGHT FASTER"OR "GET SLIMMER QUICKER?"
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OH, THEY'RE BOTH BAD.
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- THEY ARE?- YEAH.
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OH, GOD,CAROL WANTS A NEW SUBTITLE.
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WHAT SHOULD I DO?
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UH... IMPROVISE.
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IMPROVISE...
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OH, KENDRA.
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- DO YOU HAVE JUST--- NO, TANYA.
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- I REALLY WOULD JUST--- NO, TANYA.
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OH, OKAY, THANK YOU.
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SHH. QUIET!
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SHE'S COMING.
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LOOK ALIVE,PEOPLE.
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COME ON, GO, GO, GO, GO!
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OH, YOUR HAIR...
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LET'S GO. OKAY.
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BREATHE, BREATHE.
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LET'S GO.
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GOOD MORNING,MS. HUFFLER.
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WE'LL SEE.
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UM, OKAY, UM...
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CHRISTMAS NUMBERSARE GOOD,
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BUT MAINLY DUE TO A SURGEIN ONLINE SHOPPING.
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AND WHAT ABOUT RETAIL?
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THE BIG THREE AREN'T MOVINGAS MANY VOLUMES
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AS WE HAD HOPED.
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TELL THEM IF WE DON'TGET BETTER PLACEMENT,
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WE'LL PULL OUR STOCK.
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UH, REALLY?
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YES.
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NEXT.
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UM, THE PRINCESS DOESN'T LIKEHER NEW GHOST WRITER.
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PRINCESS POPOR PRINCESS ROYALTY?
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PRINCESS ROYALTY.
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WELL, THEN,GET HER A NEW WRITER.
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BUT THIS ISTHE FOURTH ONE.
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THEN FIND HER A FIFTH.
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FRED, LET'S HEAR ITFOR THE "THE 59-SECOND WORKOUT."
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WELL, UM...
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YOU-- YOU SEE, UH...
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UH...
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WELL, UM...
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FRED?
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UM...
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DIDN'T YOU TELL ME,"FITNESS THE FAST WAY?"
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- GREAT.- YEAH--
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THEN WE CAN FOLLOW IT UPWITH THE FAST "ER"
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AND FAST "EST."
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HELL, WE CAN BUNDLE ITWITH E-BOOKS--
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"FRY YOUR LIFE AWAY,"AND THEN YOU GOT SOMETHING.
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FAT AND FITNESSAT THE SAME TIME? LOVE IT.
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ANYTHING ELSE?
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NO.
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LOVELY.
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CAROL, IF-- IF I COULD JUST--
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TANYA,I DON'T THINK THAT'S--
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MS. HUFFLER,IT JUST TAKES A MINUTE.
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THAT'S ALL I--
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YOU'VE GOT 10 SECONDS.
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- OH, UH, OKAY--- 10, NINE, EIGHT--
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OKAY, HERE IT IS.
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PAM JACOBS HAS SUBMITTED
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THE BEST DEBUT NOVELI'VE READ IN YEARS, AND...
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I THINK WE SHOULD MAKE AN OFFER.
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CORRECT ME IF I'M WRONG,
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BUT YOU'RETHE CLASSICS EDITOR, RIGHT?
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YES.
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THAT'S STRANGE.
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I WASN'T AWARE THATDEAD AUTHORS MADE SUBMISSIONS.
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IS IT A LONG-LOSTMASTERPIECE?
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UM, NO--I MEAN, NOT YET, BUT--
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SO, IT'S A NEW BOOK?
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YES--
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THEN THE LOGICALQUESTION WOULD BE,
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WHY IS SOMEONE IN CLASSICSPITCHING ME A NEW BOOK?
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BECAUSE...
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IT'S A SEMINAL WORK.
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IT'S... IT'S A ONE-OF-A-KIND.
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IT'S A TRUE VOICE.
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AND IF--
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IF YOU DON'T GIVE IT A CHANCE...
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YOU'LL BE MAKINGA... HUGE MISTAKE.
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REALLY?
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YOU HAVE TO BELIEVE ME.
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THIS BOOK IS THE REASONTHAT WE'RE ALL HERE
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DOING WHAT IT IS WE DO.
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IT'S WHAT LITERATUREIS ALL ABOUT.
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IT'S WHAT PEOPLESHOULD BE READING, AND, WELL...
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IT'S WHATWE SHOULD BE PUBLISHING.
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YOU REALLY MEAN IT, DON'T YOU?
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I DO.
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YOU'RE FIRED.
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WHAT?
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YOU BROKE THE FIRST RULEIN PUBLISHING.
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IT'S NOT ABOUTWHAT BOOKS SHOULD BE READ.
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YOIT'S ABOUT WHAT BOOKSEICAN BE SOLD..
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WH...
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CAROL HUFFIER, YOU KNOW...
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YOU ARE A HEARTLESS TYRANT,
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AND-- AND
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YOU WOULDN'T KNOWA GOOD BOOK
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IF IT BIT YOUON THE... BUTT!
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BEAUTIFUL CHOICEOF WORDS, NO LESS.
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YOU WILL GETWHAT'S COMING TO YOU.
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I ALREADY HAVE.
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LONG LIVE THE NOVEL!
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NOT A GREAT EXIT LINE.
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TELL ME ABOUT IT.
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- SHH!- SORRY.
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ANY MORE PITCHES TODAY?
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I DIDN'T THINK SO.
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WAS THAT REALLYNECESSARY, CAROL?
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SHE'S A SINGLE MOTHER
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WITH TWO KIDS.
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I DIDN'T MAKE THAT MISTAKE.
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SHE LOVES THE BOOK.
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SHE WAS JUST FIGHTINGFOR WHAT SHE BELIEVES IN.
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I MEANT ABOUT HAVING KIDS.
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WELL...
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UH, WAIT, KENDRA?
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"TALK TO KENDRA."
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WHAT AM I SUPPOSED TOTALK TO YOU ABOUT?
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TODAY WAS THE DAYYOU WERE GOING TO...
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MAKE YOUR DECISION.
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DECISION?
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ABOUT WHAT?
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THE TRANSFER?
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TO LONDON?
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MY BOYFRIEND, ZAC,
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HAS A TWO-YEAR CONTRACT
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IN LONDON,
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AND I REQUESTED A TRANSFER.
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WHEN?
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A YEAR AGO,
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THE DAY HE WON HIS BID.
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WE'VE HAD SEVERAL CONVERSATIONSABOUT THIS, CAROL--
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AH, AH, RIGHT, RIGHT,NO, I-- I REMEMBER,
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AND, UH...
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I'VE THOUGHT ABOUT IT A LOT.
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I JUST DON'T THINKIT'S THE RIGHT FIT FOR YOU.
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YOU KNOW I WANT TO GET INTOFOREIGN RIGHTS.
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IT'S THE PERFECT FIT.
195
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WHAT, YOU DON'T YOU THINKI CAN DO IT?
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WELL, IF I DID, YOU WOULD.
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LISTEN, KENDRA,
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YOU'RE MY SENIOR EDITOR,MY RIGHT-HAND WOMAN.
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EVERYTHING YOU'RE GOING TO LEARNABOUT PUBLISHING
200
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YOU'RE GOING TO LEARNRIGHT HERE.
201
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EVER SINCE EVEPASSED AWAY,
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I'VE MANAGED TO TURNTHIS PLACE AROUND,
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AND NOW I'M COUNTING ON YOUTO SUPPORT ME.
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LISTEN.
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LET ME GIVE YOUA LITTLE PIECE OF ADVICE--
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NEVER PLAN YOUR LIFELISTEN.AROUND A MAN.
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THEY'D NEVER GIVE YOUTHE SAME COURTESY.
208
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NEVER PLAN YOUR LIFELISTEN.N.
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GLORIA, IT'S WORK.
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SOMEONE HAS TOKEEP THE LIGHTS ON.
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BUT MS. HUFFLER,IT'S CHRISTMAS.
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TRUST ME,
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MY MOTHER OF ALL PEOPLEWOULD UNDERSTAND.
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SHE WORKED EVERY HOLIDAYWHEN I WAS A KID.
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BUT IT WOULD JUST MEANSO MUCH TO HER.
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YOU MISSED LAST YEAR,AND I JUST THINK--
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GLORIA--
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AND THERE MIGHT NOT BE THATMANY MORE CHRISTMASES LEFT.
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GLORIA!
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PLEASE, JUST STICKTO YOUR JOB DESCRIPTION,
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AND KEEP AN EYEON MY MOTHER, NOT ME.
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PLEASE, JUST STICKTO YOYOU UNDERSTAND?ION,
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YES, MA'AM.
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GOOD.
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SO, GOODBYE, GLORIA.
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MERRY CHRISTMAS,MS. HUFFLER.
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THIS IS MYFAVORITE MOVIE,
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"SCROOGE."
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I WATCH IT EVERY YEAR.
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AND SO DO I.
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YOU SHALL BEHOLD VISIONSOF A CHRISTMAS PAST,
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A CHRISTMAS PRESENT,DO I.
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AND A CHRISTMAS YET TO COME!
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EXPECT THE FIRSTWHEN THE CLOCK STRIKES MIDNIGHT.
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♪ OH, DASHINGTHROUGH THE SNOW ♪
236
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♪ IN A ONE-HORSE OPEN SLEIGH ♪
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♪ OVER THE FIELDS WE GO ♪
238
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♪ LAUGHING ALL THE WAY... ♪
239
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REMEMBER WHEN EVERAN THINGS?
240
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WE GOT TWO WEEKS OFFFOR THE HOLIDAYS.
241
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ISN'T WORKINGON CHRISTMAS ILLEGAL?
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YEAH.
243
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SOMEWHEREIT'S GOT TO BE.
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WELL, WHAT ARE YOUGOING TO DO?
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REVOLT.
246
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WELL, WHAT ARE YOUGONO, I'M SERIOUS!
247
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WHAT IF THE WHOLE OFFICESTAYED HOME?
248
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WHAT WOULD SHE DO,FIRE ALL OF US?
249
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YES.
250
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SHE'D HAVE NOTHING.
251
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WE'RE THE BACKBONEOF SPRINGWOOD.
252
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I MEAN, WE'RE THE ONESWITH THE POWER.
253
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WE SHOULD ORGANIZEOUR FORCES,
254
00:11:21,750 --> 00:11:23,208
GET TOGETHER, AND REBELAGAINST CAROL HUFFLER
255
00:11:23,291 --> 00:11:25,708
AND PUT AN ENDTO HER TYRANNICAL RULE.
256
00:11:25,750 --> 00:11:27,041
COME ON,WHO'S WITH ME?
257
00:11:27,083 --> 00:11:28,041
SHE'S HERE.
258
00:11:28,083 --> 00:11:32,000
YOU LOOK SPECTACULARTONIGHT, MS. HUFFLER.
259
00:11:34,416 --> 00:11:35,500
I HATE HER.
260
00:11:35,541 --> 00:11:37,041
: WAY TOGIVE IT TO HER, FRED.
261
00:11:37,125 --> 00:11:38,833
POWERTO THE PEOPLE.
262
00:11:38,875 --> 00:11:39,958
AMEN, SISTER.CHEERS.
263
00:11:40,000 --> 00:11:41,083
:YOU TOLD HER.
264
00:11:49,166 --> 00:11:50,208
I LOVED YOUR LAST BOOK.
265
00:11:50,250 --> 00:11:51,958
WHAT WAS THE GENESIS FOR THAT?
266
00:11:52,000 --> 00:11:54,208
AND HOW MUCH INPUTDID YOUR WRITING PARTNER
267
00:11:54,291 --> 00:11:55,375
HAVE IN THIS ONE?
268
00:11:55,416 --> 00:11:56,958
KENDRA!
269
00:11:57,041 --> 00:11:58,083
THERE YOU ARE.
270
00:11:58,125 --> 00:12:00,125
OH, HI, CAROL.
271
00:12:00,208 --> 00:12:02,875
WOW, YOU LOOK BEAUTIFUL.
272
00:12:02,916 --> 00:12:03,791
THANK YOU.
273
00:12:03,833 --> 00:12:05,208
YOU LOOK BEAUTIFUL,TOO, BABY.
274
00:12:05,250 --> 00:12:07,875
CAROL, YOUREMEMBER ZAC,
275
00:12:07,916 --> 00:12:09,458
DON'T YOU?
276
00:12:09,500 --> 00:12:11,416
I, UM...
277
00:12:11,458 --> 00:12:12,375
ONE MORE TIME?
278
00:12:12,375 --> 00:12:14,541
MY BOYFRIEND?
279
00:12:14,625 --> 00:12:16,416
THE ONE WHO'SGOING TO LONDON
280
00:12:16,500 --> 00:12:18,083
FOR TWO YEARS?
281
00:12:18,166 --> 00:12:19,125
OH, RIGHT,
282
00:12:19,208 --> 00:12:20,333
THAT ONE.
283
00:12:20,375 --> 00:12:22,208
THE FOOD'S TERRIBLE.
284
00:12:22,208 --> 00:12:24,166
HAVE A WONDERFUL TRIP.
285
00:12:24,208 --> 00:12:27,000
UH, OKAY, THANKS FOR THAT.
286
00:12:27,041 --> 00:12:29,208
CAN I GET YOUANYTHING TO DRINK?
287
00:12:29,291 --> 00:12:30,083
WATER.
288
00:12:30,166 --> 00:12:31,583
NOT TOO MUCH ICE.
289
00:12:32,541 --> 00:12:35,000
GOTCHA. WATER.
290
00:12:35,875 --> 00:12:37,625
CAROL,HOW ARE YOU?
291
00:12:37,666 --> 00:12:39,208
YOU HAVEN'T RETURNEDANY OF MY CALLS.
292
00:12:39,208 --> 00:12:41,041
I'M COMING WITH YOU.
293
00:12:41,083 --> 00:12:42,041
HELLO, PAM.
294
00:12:42,083 --> 00:12:45,750
SO I HEARD YOU FIRED TANYAFOR PITCHING MY WRITER.
295
00:12:45,833 --> 00:12:46,833
IT'S NOTHINGPERSONAL.
296
00:12:46,875 --> 00:12:47,750
OH, I BELIEVE THAT.
297
00:12:47,750 --> 00:12:49,500
HOW COULD IT EVERBE PERSONAL WITH YOU?
298
00:12:49,541 --> 00:12:52,000
THERE'S A HUNDRED OTHEROHPUBLISHERS HERE TONIGHT, PAM.
299
00:12:52,041 --> 00:12:53,875
WHY DON'T YOU TALK TO ONEWHO WANTS TO LISTEN?
300
00:12:53,958 --> 00:12:54,833
BECAUSE I'M NO FOOL.
301
00:12:54,875 --> 00:12:57,166
YOU HAVETHE LARGEST MARKET SHARE,
302
00:12:57,208 --> 00:12:59,166
AND I WANT YOUTO MEET THE AUTHOR.
303
00:12:59,208 --> 00:13:00,083
OH, BEN!
304
00:13:00,166 --> 00:13:02,458
YOU BROUGHT HIMHERE TONIGHT?
305
00:13:02,541 --> 00:13:03,625
BEN WOODLEY!
306
00:13:03,708 --> 00:13:04,833
WHAT DID YOUJUST SAY?
307
00:13:04,875 --> 00:13:06,500
COME HERE.
308
00:13:07,541 --> 00:13:08,958
NOT ONLY IS HE BRILLIANT,HE'S CUTE,
309
00:13:09,000 --> 00:13:09,791
A MARKETING SLAM DUNK.
310
00:13:09,833 --> 00:13:12,166
BENJAMIN WOODLEY,CAROL HUFFLER,
311
00:13:12,208 --> 00:13:15,166
PRESIDENT OFSPRINGWOOD PUBLISHING.
312
00:13:15,208 --> 00:13:16,250
HI, CAROL.
313
00:13:16,250 --> 00:13:18,458
BEN.
314
00:13:18,541 --> 00:13:20,000
HOW ARE YOU?
315
00:13:20,041 --> 00:13:21,041
I'M GOOD.
316
00:13:21,083 --> 00:13:22,625
HOW ARE YOU?
317
00:13:23,541 --> 00:13:24,250
OKAY.
318
00:13:24,333 --> 00:13:26,833
WAIT A MINUTE, HOLD THE PHONE.
319
00:13:26,875 --> 00:13:28,208
YOU TWOALREADY KNOW EACH OTHER?
320
00:13:28,250 --> 00:13:29,375
YEAH, WE DO.
321
00:13:29,416 --> 00:13:31,125
YEAH. WE DO.
322
00:13:32,125 --> 00:13:32,916
OH.
323
00:13:33,000 --> 00:13:34,916
WHO KNEW, RIGHT?
324
00:13:36,041 --> 00:13:38,291
WELL, YOU DON'T NEED ME HERETO MESS THIS UP.
325
00:13:38,333 --> 00:13:39,708
- EXCUSE ME.- PAM!
326
00:13:42,375 --> 00:13:44,208
SO, UM...
327
00:13:44,291 --> 00:13:46,041
FUNNY SEEING YOU HERE.
328
00:13:46,083 --> 00:13:47,583
OH, I'M NOT AN IDIOT, BEN.
329
00:13:47,625 --> 00:13:49,750
I KNOW YOU PLANNEDTHIS LITTLE SURPRISE.
330
00:13:49,833 --> 00:13:51,000
WHAT ARE YOU-- WHAT?
331
00:13:51,041 --> 00:13:52,875
THIS AMBUSHSO I'D BUY YOUR BOOK.
332
00:13:52,916 --> 00:13:54,708
NO, NO. HANG-- HANG ON.
333
00:13:54,750 --> 00:13:57,250
I SPECIFICALLY ASKED PAMNOT TO SEND YOU MY BOOK.
334
00:13:57,333 --> 00:13:58,875
WHAT? THAT'S RIDICULOUS.
335
00:13:58,916 --> 00:14:00,208
YOU'D BE A FOOLNOT TO SEND IT TO ME.
336
00:14:00,291 --> 00:14:02,291
UH, EXCUSE ME?
337
00:14:02,375 --> 00:14:03,875
I THOUGHT YOU JUST SAID
338
00:14:03,916 --> 00:14:04,833
THAT YOU...
339
00:14:04,875 --> 00:14:06,541
UH, I'M CONFUSED.
340
00:14:06,583 --> 00:14:07,875
AM I STILLNOT GOOD ENOUGH FOR YOU?
341
00:14:07,916 --> 00:14:09,208
IS THAT WHATYOU'RE TRYING TO SAY?
342
00:14:09,250 --> 00:14:11,208
YOU'RE NOT GOOD ENOUGH FOR ME?
343
00:14:12,541 --> 00:14:15,375
LOOK, CAROL, I DON'T CARE IFYOU READ MY BOOK OR NOT, OKAY?
344
00:14:15,416 --> 00:14:16,833
OBVIOUSLY.
345
00:14:16,875 --> 00:14:18,708
I MEAN...
346
00:14:18,708 --> 00:14:20,875
LOOK, I WOULD LOVE
347
00:14:20,916 --> 00:14:22,916
FOR YOU TO READ MY BOOK, OKAY,
348
00:14:23,000 --> 00:14:24,625
BUT I DON'T EXPECT YOU TO,
349
00:14:24,666 --> 00:14:25,875
NOT AFTERWHAT WE'VE BEEN THROUGH.
350
00:14:25,958 --> 00:14:29,875
THAT'S ALL I MEANT.
351
00:14:29,875 --> 00:14:31,875
WHAT'S IT ABOUT?
352
00:14:31,958 --> 00:14:34,208
THE LAST 10 YEARS OF MY LIFE.
353
00:14:34,250 --> 00:14:35,750
STARTING THE DAY YOU LEFT?
354
00:14:35,791 --> 00:14:40,041
I LIKE TO THINK OF ITAS THE DAY YOU STAYED.
355
00:14:40,041 --> 00:14:41,541
I HAD A JOB, BEN, REMEMBER?
356
00:14:41,625 --> 00:14:43,166
SOMEBODY HAD TO KEEPTHE LIGHTS ON.
357
00:14:43,208 --> 00:14:44,458
THAT'S RIGHT. RIGHT.
358
00:14:44,541 --> 00:14:46,750
YOU KNOW, I NEVER ASKED YOUTO TAKE CARE OF ME.
359
00:14:46,791 --> 00:14:49,166
BUT I DID,BECAUSE THE WAY I REMEMBER IT,
360
00:14:49,208 --> 00:14:51,458
YOU COULDN'TTAKE CARE OF YOURSELF.
361
00:14:52,083 --> 00:14:54,708
I TURNED OUT JUST FINE,THANK YOU VERY MUCH.
362
00:14:54,750 --> 00:14:55,833
WELL, THEN, YOU'RE WELCOME.
363
00:14:55,875 --> 00:14:58,041
HOW'S OUR REUNIONCOMING ALONG?
364
00:14:58,083 --> 00:14:59,458
IT'S OVER.
365
00:15:00,375 --> 00:15:02,000
THIS WHOLEHEARTLESS THING
366
00:15:02,041 --> 00:15:04,875
IS JUST A PHASEWITH HER, RIGHT?
367
00:15:04,875 --> 00:15:06,875
YOU KNOW WHERE TO FIND ME.
368
00:15:09,083 --> 00:15:10,958
WHAT'S HAPPENINGOVER THERE?
369
00:15:11,041 --> 00:15:13,083
: OH, MY...
370
00:15:14,958 --> 00:15:16,125
THIS IS GOOD.
371
00:15:16,208 --> 00:15:17,583
MM...
372
00:15:17,666 --> 00:15:18,916
SHE'S HAVINGA BAD DAY.
373
00:15:18,916 --> 00:15:20,625
- OH, MY GOODNESS.- TELL ME ABOUT IT.
374
00:15:20,708 --> 00:15:22,333
SHE'S HAVINGDID YOU SEE THOSE SHOES?.
375
00:15:24,375 --> 00:15:26,250
CHEERS.
376
00:15:37,000 --> 00:15:39,083
YOU OKAY?
377
00:15:39,125 --> 00:15:41,125
I'M FINE.
378
00:15:41,166 --> 00:15:43,000
YOU DON'T SEEMFINE.
379
00:15:43,041 --> 00:15:45,583
THANKS. VERY NICE.
380
00:15:45,583 --> 00:15:48,250
YOU LOOK LIKE YOU COULDUSE A LITTLE HUG.
381
00:15:48,333 --> 00:15:49,208
THYOU KNOW WHAT,E.
382
00:15:49,291 --> 00:15:51,500
I'M NOT BIG ON HUGGING STRANGERSIN BATHROOMS.
383
00:15:51,541 --> 00:15:53,875
WHO SAID ANYTHINGABOUT STRANGERS?
384
00:15:53,958 --> 00:15:55,375
NOW, TURN AROUNDAND GIVE YOUR OLD BUDDY
385
00:15:55,416 --> 00:15:57,166
A LITTLE SQUEEZE.
386
00:16:00,166 --> 00:16:01,208
EVE?
387
00:16:01,250 --> 00:16:02,208
EVE MAILER?
388
00:16:02,208 --> 00:16:04,250
IN THE FLESH.
389
00:16:04,916 --> 00:16:08,625
WELL, MAYBE NOT IN THE FLESH,BUT YEAH, IT'S ME.
390
00:16:08,666 --> 00:16:12,208
WHAT-- WAIT, WAIT,WHAT'S GOING ON?
391
00:16:12,250 --> 00:16:13,333
IT'S OKAY.
392
00:16:13,375 --> 00:16:14,708
NO, IT'S NOT OKAY.
393
00:16:14,750 --> 00:16:15,625
YOU'RE DEAD!
394
00:16:15,708 --> 00:16:17,875
MAYBE, BUT YOU'RE RUDE.
395
00:16:17,916 --> 00:16:20,041
NO, I'M HALLUCINATING.
396
00:16:20,083 --> 00:16:22,041
IT'S FINE.
397
00:16:22,083 --> 00:16:23,125
THEY DID SAY
398
00:16:23,208 --> 00:16:25,083
THAT YOU MIGHT HAVESOME TROUBLE WITH THIS.
399
00:16:25,166 --> 00:16:28,041
THEY? WHO ARE THEY?
400
00:16:28,083 --> 00:16:29,791
MY BOSSES.
401
00:16:29,875 --> 00:16:30,833
BOSSES?
402
00:16:30,875 --> 00:16:32,875
THE SPIRITUAL ENTITIES
403
00:16:32,958 --> 00:16:34,958
WHO OVERSEETHE BALANCE OF THINGS.
404
00:16:35,041 --> 00:16:36,541
WE CALL THEM
405
00:16:36,583 --> 00:16:38,500
"THE BOARD OF CORRECTORS."
406
00:16:38,541 --> 00:16:39,833
WHAT?
407
00:16:39,875 --> 00:16:42,125
IT-- IT'S FUNNIERIF YOU'RE DEAD.
408
00:16:42,208 --> 00:16:46,500
OH, SOMEBODY MUST HAVEPUT SOMETHING IN MY DRINK.
409
00:16:47,916 --> 00:16:48,958
YOU'RE NOT REAL.
410
00:16:49,041 --> 00:16:50,375
NONE OF THIS
411
00:16:50,375 --> 00:16:53,000
IS REAL.
412
00:17:05,208 --> 00:17:07,375
WHAT THE...E OF THIS
413
00:17:13,708 --> 00:17:15,125
WHAT'S GOING ON?
414
00:17:16,208 --> 00:17:18,416
WHAT'S GOING ON?
415
00:17:18,458 --> 00:17:19,416
WHERE AM I?
416
00:17:19,458 --> 00:17:22,208
YOU GONNA THROW UP?SOME PEOPLE ACTUALLY THROW UP.
417
00:17:22,250 --> 00:17:23,041
WHY IS IT DAYTIME?
418
00:17:23,083 --> 00:17:25,041
WELL,A BETTER QUESTION MIGHT BE,
419
00:17:25,041 --> 00:17:26,958
WHY IS IT 1985?
420
00:17:31,500 --> 00:17:33,541
IT'S NOT POSSIBLE.
421
00:17:36,958 --> 00:17:38,416
NO...
422
00:17:38,500 --> 00:17:39,541
IT CAN'T BE.
423
00:17:40,333 --> 00:17:43,666
OH, MAN...
424
00:17:43,708 --> 00:17:45,083
YOU'RE GONNA VOMIT,AREN'T YOU?
425
00:17:45,083 --> 00:17:47,625
I AM GETTING THE HECKAWAY FROM YOU.
426
00:17:47,666 --> 00:17:50,208
YOU'AND DON'T YOU FOLLOW ME.AREN'TJUST LEAVE ME ALONE!
427
00:18:05,750 --> 00:18:07,791
YOU'VE GOT A LITTLE LAMPPOST
428
00:18:07,875 --> 00:18:09,000
ON YOUR FACE.
429
00:18:10,791 --> 00:18:11,791
LOOK, LOOK,
430
00:18:11,875 --> 00:18:13,958
YOU ARE FREAKING OUT,AND THAT IS TOTALLY NORMAL.
431
00:18:14,000 --> 00:18:16,166
YOU NEED TO STOPTALKING TO ME.
432
00:18:16,208 --> 00:18:17,041
I KNOW THIS IS HARD
433
00:18:17,125 --> 00:18:18,708
FOR YOU TO WRAPYOUR BRAIN AROUND,
434
00:18:18,750 --> 00:18:21,166
BUT IF YOU'LL JUSTGIVE YOURSELF OVER
435
00:18:21,208 --> 00:18:22,208
TO THE WHOLE EXPERIENCE--
436
00:18:22,250 --> 00:18:23,166
WHOLE EXPERIENCE?
437
00:18:23,208 --> 00:18:24,500
YOU MEAN THE FACTTHAT I'M DREAMING?
438
00:18:24,541 --> 00:18:26,250
BECAUSE THAT'S WHAT'S HAPPENINGRIGHT NOW, THAT'S IT.
439
00:18:26,333 --> 00:18:27,166
I'M DREAMING.
440
00:18:27,208 --> 00:18:28,625
THIS IS NOT A DREAM.
441
00:18:28,708 --> 00:18:30,083
YOU KNOW WHAT, YOU'RE RIGHT.
442
00:18:30,166 --> 00:18:31,625
IT'S A NIGHTMARE.
443
00:18:31,666 --> 00:18:32,666
COME TO THINK OF IT,
444
00:18:32,708 --> 00:18:35,875
MAYBE IF I STOP TALKING TO YOU,IT'LL ALL GO AWAY.
445
00:18:35,916 --> 00:18:37,875
LOOK, CAROL,YOUR LIFE IS OFF COURSE,
446
00:18:37,916 --> 00:18:39,666
AND I'M HERE TO HELP YOUGET IT BACK ON--
447
00:18:42,041 --> 00:18:42,916
LISTEN TO ME...
448
00:18:42,958 --> 00:18:44,291
CAROL HUFFLER!
449
00:18:45,083 --> 00:18:48,125
I'VE ONLY GOT ONE NIGHTTO MAKE THIS WORK,
450
00:18:48,166 --> 00:18:49,375
SO YOU'VE GOT TO WISE UP
451
00:18:49,416 --> 00:18:51,583
AND REALIZE IT'S TIME FOR YOUTO MAKE A CHANGE.
452
00:18:51,666 --> 00:18:54,708
LOOK, THIS COULD BETHE BEGINNING
453
00:18:54,708 --> 00:18:56,041
OF A WHOLE NEW LIFE FOR YOU,
454
00:18:56,083 --> 00:18:57,791
BUT ONLY IF YOU WANT IT.
455
00:18:57,875 --> 00:18:58,666
IN THE END,
456
00:18:58,708 --> 00:19:00,875
THE CHOICE IS YOURS,AND YOURS ALONE.
457
00:19:00,875 --> 00:19:04,375
DO YOU UNDERSTAND?
458
00:19:05,208 --> 00:19:09,375
MAYBE I'M IN A COMA.
459
00:19:14,791 --> 00:19:16,666
:JUST A REMINDER, SHOPPERS,
460
00:19:16,708 --> 00:19:20,041
WE HAVE A SPECIAL ON LEGWARMERSON THE THIRD FLOOR--
461
00:19:20,083 --> 00:19:21,875
BUY TWO, GET ONE FREE.
462
00:19:21,916 --> 00:19:23,208
WHAT THE...?
463
00:19:27,333 --> 00:19:29,291
IS THIS...?
464
00:19:31,083 --> 00:19:33,791
I HAVEN'T THOUGHTABOUT THIS PLACE SINCE...
465
00:19:33,875 --> 00:19:36,708
1985?
466
00:19:36,708 --> 00:19:39,916
IT MUST BE AN OLD MEMORYFROM MY SUBCONSCIOUS.
467
00:19:40,000 --> 00:19:42,000
HAPPENS ALL THE TIMEIN DREAMS.1985?
468
00:19:42,041 --> 00:19:43,125
REALLY?
469
00:19:43,166 --> 00:19:45,041
I TALKED TO GLORIAABOUT MY MOTHER EARLIER,
470
00:19:45,083 --> 00:19:48,875
I MUST HAVE FALLEN ASLEEPTHINKING ABOUT HER,
471
00:19:48,875 --> 00:19:50,041
AND HERE WE ARE.
472
00:19:50,041 --> 00:19:51,166
ALL RIGHT, THEN,
473
00:19:51,208 --> 00:19:53,291
LET'S SEE HOW THISGRABS YOU, THEN.
474
00:19:56,125 --> 00:19:57,791
MOM?
475
00:19:57,875 --> 00:19:58,708
MOM!
476
00:19:58,791 --> 00:20:00,958
SHE CAN'T HEAR YOU.
477
00:20:01,041 --> 00:20:04,166
YOU'RE A SPECTATORTHIS TIME.
478
00:20:06,291 --> 00:20:08,125
IS THAT...
479
00:20:08,208 --> 00:20:10,041
ME?
480
00:20:10,041 --> 00:20:13,541
WELL, IT'S NOT ELVIS.
481
00:20:18,000 --> 00:20:20,375
SHE WAS A HARDWORKER, WASN'T SHE?
482
00:20:20,416 --> 00:20:22,750
SHE ALWAYS USED TO SAY,
483
00:20:22,833 --> 00:20:24,083
"WORK TO LIVE,
484
00:20:24,166 --> 00:20:27,000
DON'T LIVE TO WORK,"
485
00:20:27,041 --> 00:20:29,041
BUT SHE NEVER HADA DAY OFF.
486
00:20:31,833 --> 00:20:33,375
EXCUSE ME, MISS HUFFLER?
487
00:20:33,458 --> 00:20:34,375
YOUR SHIFT IS OVER.
488
00:20:34,458 --> 00:20:35,666
YOU CAN PUNCH OUT NOW.
489
00:20:35,708 --> 00:20:37,375
OH, IS IT TIME ALREADY?
490
00:20:37,416 --> 00:20:38,583
HERE'S YOUR FINAL CHECK,
491
00:20:38,625 --> 00:20:40,916
AND THANK YOU FOR YOUR HELPTHIS HOLIDAY SEASON.
492
00:20:41,000 --> 00:20:42,708
UM, SIR? EXCUSE ME...
493
00:20:42,708 --> 00:20:43,708
DO YOU REMEMBERLAST WEEK
494
00:20:43,791 --> 00:20:45,375
WHEN I ASKED ABOUTANY FULL-TIME POSITIONS
495
00:20:45,416 --> 00:20:46,500
OPENING UP?
496
00:20:46,541 --> 00:20:48,166
I'M SORRY, BUT THE JOBWAS TEMPORARY.
497
00:20:48,208 --> 00:20:50,666
WE DON'T HAVEANYTHING RIGHT NOW.
498
00:20:50,708 --> 00:20:52,125
OKAY, BUT IT'S JUST,
499
00:20:52,208 --> 00:20:53,166
I REALLY LOVEWORKING HERE,
500
00:20:53,208 --> 00:20:55,333
AND I'LL WORKIN ANY DEPARTMENT.
501
00:20:55,375 --> 00:20:57,875
I'M SORRY.
502
00:21:00,041 --> 00:21:01,833
COME ON, HONEY.
503
00:21:01,875 --> 00:21:03,791
LET'S GO.
504
00:21:03,833 --> 00:21:05,166
DON'T WANT TO BE LATE.
505
00:21:05,208 --> 00:21:07,291
WHERE ARE YOU GOING?
506
00:21:07,333 --> 00:21:09,041
SHE PICKED UP SHIFTS
507
00:21:09,083 --> 00:21:10,250
WAITING TABLESAT A DINER.
508
00:21:10,333 --> 00:21:14,083
HOW DOES THATMAKE YOU FEEL?
509
00:21:14,708 --> 00:21:17,041
HOW DOES THAT MAKE ME FEEL?
510
00:21:17,041 --> 00:21:18,833
ANNOYED.
511
00:21:18,875 --> 00:21:21,958
YOU KNOW, THIS IS JUST A SILLY,HSAPPY, IRRELEVANT DREAM,L?
512
00:21:22,041 --> 00:21:23,875
AND YOU KNOW WHAT?
513
00:21:23,916 --> 00:21:25,375
THIS WHOLE THINGIS INSANE.
514
00:21:25,416 --> 00:21:27,208
I DON'T EVEN KNOW WHYI'M STILL TALKING TO YOU.
515
00:21:27,250 --> 00:21:29,208
WE'RE NOT DONE YET, CAROL.
516
00:21:29,208 --> 00:21:30,625
YEAH, WELL, I AM,
517
00:21:30,708 --> 00:21:32,125
SO YOU CAN DOWHATEVER THE HECK YOU WANT,
518
00:21:32,208 --> 00:21:33,416
BUT I'M OUT OF HERE.
519
00:21:38,041 --> 00:21:40,416
WHAT'S GOING ON?
520
00:21:42,208 --> 00:21:43,166
WHAT JUST HAPPENED?
521
00:21:43,208 --> 00:21:44,625
ABOUT 15 YEARS.
522
00:21:44,708 --> 00:21:46,541
OKAY, I'LL GIVE YOU THIS,
523
00:21:46,583 --> 00:21:50,208
THIS IS THE REALEST DREAMTHAT I HAVE EVER EXPERIENCED.
524
00:21:50,291 --> 00:21:52,041
HOW MANY TIMESDO I HAVE TO TELL YOU,
525
00:21:52,041 --> 00:21:53,708
THIS IS NOT--
526
00:21:53,750 --> 00:21:57,041
OH, NEVER MIND, I GIVE UP.
527
00:21:57,791 --> 00:21:58,958
WAIT A SECOND.
528
00:22:01,916 --> 00:22:03,916
IS THIS...
529
00:22:03,958 --> 00:22:05,833
JIM'S BOOKSTORE?
530
00:22:05,875 --> 00:22:08,125
HEY, IT'S YOUR DREAM.YOU TELL ME.
531
00:22:08,875 --> 00:22:12,208
I HAVEN'T THOUGHT ABOUTTHIS PLACE IN YEARS.
532
00:22:12,250 --> 00:22:15,625
WHY AM I THINKING ABOUT THIS?
533
00:22:15,666 --> 00:22:18,208
YOU USED TO LOVECOMING HERE.
534
00:22:18,250 --> 00:22:19,416
IS THAT ME?
535
00:22:19,458 --> 00:22:22,041
I LOOKED GOOD.
536
00:22:23,250 --> 00:22:26,166
THIS PLACE WASYOUR SANCTUARY.
537
00:22:26,208 --> 00:22:27,750
I MEAN, WHEN WASTHE LAST TIME
538
00:22:27,750 --> 00:22:30,916
THAT YOU GOT LOSTIN A REALLY GOOD BOOK?
539
00:22:30,958 --> 00:22:33,875
YOU KNOW, I GOT TOHAND IT TO MYSELF,
540
00:22:33,916 --> 00:22:34,958
EVEN IN MY DREAMS,
541
00:22:35,000 --> 00:22:37,083
YOU'RE STILLTHE SAME OLD EVE.
542
00:22:37,166 --> 00:22:39,041
OH, WHAT'S THATSUPPOSED TO MEAN?
543
00:22:39,125 --> 00:22:40,041
IT WAS ALWAYS ABOUT
544
00:22:40,083 --> 00:22:42,666
"GETTING LOST"IN THE PAGES OF GREAT NOVELS,
545
00:22:42,708 --> 00:22:44,875
OR GOINGON LITERARY ADVENTURES.
546
00:22:44,916 --> 00:22:48,583
YOU WERE ALWAYSSUCH A SENTIMENTALIST.
547
00:22:48,666 --> 00:22:50,666
THIS IS WHAT WE DO, CAROL.
548
00:22:50,708 --> 00:22:54,000
WE PROVIDE THE WORLDWITH THESE GREAT STORIES.
549
00:22:54,041 --> 00:22:56,375
THAT IS WHAT PUBLISHINGIS ABOUT.
550
00:22:56,416 --> 00:22:58,125
NO, IT'S NOT, EVE.
551
00:22:58,208 --> 00:22:59,416
IT'S ABOUT MONEY.
552
00:23:00,208 --> 00:23:01,208
THAT'S WHATYOU NEVER GOT.
553
00:23:01,208 --> 00:23:02,375
IT'S ABOUTMOVING PRODUCT,
554
00:23:02,416 --> 00:23:04,833
AND THAT'S HOW I TURNEDYOUR QUAINT LITTLE SHOP
555
00:23:04,875 --> 00:23:06,375
INTOTHE GLOBAL PUBLISHING EMPIRE
556
00:23:06,458 --> 00:23:07,208
THAT YOU SEE TODAY.
557
00:23:07,291 --> 00:23:09,458
BIGGER DOESN'T ALWAYSMEAN BETTER.
558
00:23:09,541 --> 00:23:10,458
REALLY?
559
00:23:10,541 --> 00:23:12,750
GIVE ME ONE EXAMPLEWHERE THAT'S THE CASE.
560
00:23:12,791 --> 00:23:14,458
JUST ONE?
561
00:23:14,541 --> 00:23:15,833
UH, TUMORS,
562
00:23:15,875 --> 00:23:17,083
HOLES IN THE ROOF,
563
00:23:17,166 --> 00:23:18,708
BUDGETS, COCKROACHES--
564
00:23:18,750 --> 00:23:19,583
OKAY, FINE.
565
00:23:19,625 --> 00:23:21,125
YOU LACKED VISION, EVE.
566
00:23:21,208 --> 00:23:22,333
IT'S THAT SIMPLE.
567
00:23:22,375 --> 00:23:24,666
I CREATED A FAMILY
568
00:23:24,708 --> 00:23:26,083
AND PEOPLE WHO CAREDABOUT EACH OTHER
569
00:23:26,166 --> 00:23:27,916
AND THE COMPANY THEY WORKED FOR.
570
00:23:27,958 --> 00:23:28,875
THAT'S VISION.
571
00:23:28,875 --> 00:23:30,333
YOU NEVER COMPETED.
572
00:23:30,375 --> 00:23:31,666
YOU NEVER PUSHED THEM
573
00:23:31,708 --> 00:23:34,041
TO BECOME ANYTHING MORETHAN THEIR AVERAGE SELVES.
574
00:23:34,041 --> 00:23:35,708
WE WERE HAPPY!
575
00:23:35,708 --> 00:23:36,833
HAPPY? HOW CAN YOU BE HAPPY
576
00:23:36,875 --> 00:23:38,791
WHEN YOUR COMPANY'SON THE BRINK OF FAILURE?
577
00:23:38,875 --> 00:23:40,250
WE HAD INTEGRITY.
578
00:23:40,333 --> 00:23:42,125
FINE, YOU DIEDWITH INTEGRITY.
579
00:23:42,208 --> 00:23:43,125
AND A MOUNTAIN OF DEBT
580
00:23:43,166 --> 00:23:45,541
THAT I'VE TURNED INTOA MOUNTAIN OF PROFIT.
581
00:23:46,666 --> 00:23:48,333
BEST THINGYOU EVER DID, EVE...
582
00:23:49,250 --> 00:23:50,375
WAS HIRE ME.
583
00:23:51,458 --> 00:23:52,666
I KEEP HOPING.
584
00:23:53,833 --> 00:23:55,708
SO WE'RE JUSTGOING TO SIT HERE
585
00:23:55,750 --> 00:23:57,625
AND WATCH ME READALL DAY?
586
00:23:57,666 --> 00:23:58,750
IF THIS IS YOUR SHOW,
587
00:23:58,833 --> 00:24:00,666
HOW ABOUT SHOWING ME SOMETHING?
588
00:24:02,208 --> 00:24:04,708
THIS WAS THE FIRST DAYYOU CAME HERE.
589
00:24:04,750 --> 00:24:05,708
SO WHAT?
590
00:24:05,750 --> 00:24:08,750
YOU DON'T REMEMBERWHAT HAPPENED ON THAT DAY?
591
00:24:08,750 --> 00:24:10,375
NO...
592
00:24:10,375 --> 00:24:12,041
YOU DON'T REMEMBERWHWHAT COULD BE SO IMPORTANT
593
00:24:12,041 --> 00:24:13,625
OTHER THAN...
594
00:24:13,708 --> 00:24:17,208
PICKING UP A GOOD BOOK OR...
595
00:24:28,916 --> 00:24:30,041
HEY, MAN.
596
00:24:32,708 --> 00:24:35,916
IT'S THE FIRST DAY I MET BEN.
597
00:24:40,250 --> 00:24:40,916
HEY.
598
00:24:41,000 --> 00:24:42,416
LISTEN, YEAH,GOOD TO SEE YOU.
599
00:24:42,500 --> 00:24:43,375
HOW'S IT GOING?
600
00:24:43,375 --> 00:24:45,500
YEAH, I PICKED UP THISOLD COLLECTION OF TWAIN
601
00:24:45,541 --> 00:24:47,041
FROM THIS ENGLISHPROFESSOR AT DePAUL.ING?
602
00:24:47,125 --> 00:24:47,875
WOW.
603
00:24:47,916 --> 00:24:49,708
YEAH, IT'S ALLBOXED UP IN THE BACK
604
00:24:49,708 --> 00:24:50,625
IF YOU WANTTO TAKE A LOOK.
605
00:24:50,666 --> 00:24:51,625
- OKAY, YEAH.- YEAH? WICKED.
606
00:24:51,666 --> 00:24:55,458
- OKAY. THANKS, JIM.- CHEERS.
607
00:24:57,125 --> 00:24:58,208
WOW...
608
00:24:58,208 --> 00:24:59,833
IS HE EVER CUTE.
609
00:24:59,875 --> 00:25:01,208
HE'S AVERAGE.
610
00:25:01,875 --> 00:25:04,666
YOU DON'T KNOW WHATYOU'RE TALKING ABOUT.
611
00:25:04,708 --> 00:25:06,958
HE WAS MY BOYFRIEND.
612
00:25:07,000 --> 00:25:08,541
YES. YES, HE SURE WAS.
613
00:25:08,583 --> 00:25:10,416
HE'S THE ONLY PERSONYOU EVER LOVED.
614
00:25:10,416 --> 00:25:13,000
HE TAUGHT YOUTHE MEANING OF THE WORD.
615
00:25:13,916 --> 00:25:14,666
HE'S THE ONLY PERSONYYOU'RE RIGHT..
616
00:25:14,708 --> 00:25:17,333
HE TAUGHT METHAT IT WAS JUST A WORD.
617
00:25:17,375 --> 00:25:20,541
YOU SURE ABOUT THAT?
618
00:25:22,791 --> 00:25:23,791
HI.
619
00:25:23,833 --> 00:25:25,375
HI.
620
00:25:27,083 --> 00:25:27,958
YOU SEE THAT?
621
00:25:28,041 --> 00:25:30,291
NOW, THAT'S MAGIC.
622
00:25:30,375 --> 00:25:31,250
MAGIC?
623
00:25:31,291 --> 00:25:32,166
IT'S A CRUSH.
624
00:25:32,208 --> 00:25:34,166
A CHEMICAL REACTIONIN THE BRAIN.
625
00:25:34,208 --> 00:25:35,916
THE PERFECT STORMOF LUST, YOUTH,
626
00:25:36,000 --> 00:25:37,875
AND INEXPERIENCE
627
00:25:37,958 --> 00:25:39,666
COMINGCRASHING TOGETHER.
628
00:25:39,708 --> 00:25:42,208
WHAT DO YOU WANTFROM ME, I'M HUMAN.
629
00:25:42,250 --> 00:25:43,000
REALLY?
630
00:25:43,041 --> 00:25:45,416
'CAUSE I WAS STARTINGTO WONDER.
631
00:25:48,541 --> 00:25:49,666
GOOD BOOK.
632
00:25:51,333 --> 00:25:52,208
OH.
633
00:25:52,250 --> 00:25:56,083
IT CHANGED MY LIFE, ACTUALLY.
634
00:25:56,166 --> 00:25:57,375
UM... ME TOO.
635
00:25:57,416 --> 00:25:58,666
REALLY?
636
00:25:58,708 --> 00:26:00,291
BUT I HAVEN'TREAD IT IN YEARS.
637
00:26:00,375 --> 00:26:01,416
WELL...
638
00:26:03,041 --> 00:26:04,958
WHO ELSE DO YOU LIKE READING,
639
00:26:05,041 --> 00:26:06,875
IF YOU DON'T MIND MY ASKING?
640
00:26:06,875 --> 00:26:08,750
UH...
641
00:26:08,833 --> 00:26:10,083
IF YOU HUGO, DICKENS,ASKING?
642
00:26:10,125 --> 00:26:12,916
DOSTOYEVSKI...
643
00:26:13,000 --> 00:26:14,125
: TOLSTOY.
644
00:26:15,958 --> 00:26:16,875
AM I THAT OBVIOUS?
645
00:26:16,916 --> 00:26:18,291
NO, NO.
646
00:26:18,375 --> 00:26:19,958
NO, I JUST, UH...
647
00:26:20,000 --> 00:26:20,833
WELL, YOU JUST LISTED
648
00:26:20,875 --> 00:26:25,000
ALL OF THE GREATEST WRITERSEVER.
649
00:26:27,666 --> 00:26:31,041
HEY, IF YOU LIKE THOSE GUYS,HAVE YOU READ THIS?
650
00:26:31,083 --> 00:26:32,000
GABRIEL GARCIA MARQUEZ,
651
00:26:32,041 --> 00:26:33,541
"ONE HUNDRED YEARSOF SOLITUDE?"
652
00:26:33,583 --> 00:26:34,916
NO.
653
00:26:34,958 --> 00:26:36,041
IT'S...
654
00:26:36,125 --> 00:26:37,750
I MEAN, TALK ABOUT ROMANTIC.
655
00:26:37,791 --> 00:26:39,125
IT'S MYSTICAL,
656
00:26:39,208 --> 00:26:41,833
KIND OF A HISTORY OF...
657
00:26:41,875 --> 00:26:43,375
A HISTORY OF...
658
00:26:43,375 --> 00:26:45,541
LIFE?I DON'T KNOW--
659
00:26:45,583 --> 00:26:47,083
UGH.
660
00:26:47,166 --> 00:26:48,666
SERIOUSLY?
661
00:26:48,708 --> 00:26:50,458
"A HISTORY OF LIFE?"
662
00:26:50,500 --> 00:26:53,958
THAT'S THE CORNIEST THINGI'VE EVER HEARD.
663
00:26:57,125 --> 00:26:59,041
DO YOU SEE THIS, HUH?
664
00:26:59,083 --> 00:27:00,666
I MEAN, WHEN WAS THE LAST TIME
665
00:27:00,708 --> 00:27:01,875
YOU HAD THAT LOOK IN YOUR EYES?
666
00:27:01,958 --> 00:27:03,875
THE LOOK OF A NAIVE GIRL?
667
00:27:03,958 --> 00:27:06,250
IT'S BEEN A WHILE.
668
00:27:06,333 --> 00:27:07,583
AND WHAT ABOUT HIM, HUH?
669
00:27:07,666 --> 00:27:10,708
CHECK OUT HOW MUCH LIFEHE HAS INSIDE HIMSELF.
670
00:27:10,708 --> 00:27:12,958
HE'S TRULY INSPIRED!
671
00:27:13,041 --> 00:27:13,916
IS THAT WHAT YOU SEE?
672
00:27:13,958 --> 00:27:15,208
BECAUSEI SEE A DREAMER
673
00:27:15,250 --> 00:27:17,458
WHO WILL NEVER BEWILLIAM FAULKNER.
674
00:27:17,541 --> 00:27:20,541
THIS IS A BOY WHO BELIEVESIN WHAT HE LOVES.
675
00:27:22,000 --> 00:27:22,833
AND THAT'S A GIRL
676
00:27:22,875 --> 00:27:26,041
WHO LOVESWHO SHE BELIEVES IN.
677
00:27:27,500 --> 00:27:28,875
WHO LOVESWHO SHESORRY.VES IN.
678
00:27:28,875 --> 00:27:30,166
NOT BUYIN' IT.
679
00:27:41,291 --> 00:27:42,958
AGAIN?
680
00:27:43,041 --> 00:27:43,833
COULD YOU WARN ME
681
00:27:43,875 --> 00:27:45,458
NEXT TIMEYOU'RE GONNA DO THAT?
682
00:27:45,500 --> 00:27:47,125
NO.
683
00:27:48,750 --> 00:27:50,041
WAIT A MINUTE.
684
00:27:50,083 --> 00:27:52,875
I KNOW THIS PLACE.
685
00:27:52,916 --> 00:27:53,750
THIS WAS...
686
00:27:53,833 --> 00:27:55,708
OUR FIRST APARTMENT,
687
00:27:55,708 --> 00:27:57,333
AND IT HASA HUNDRED STAIRS.
688
00:27:57,375 --> 00:27:58,583
WELL, YOU WANTED PRE-WAR,
689
00:27:58,666 --> 00:28:01,000
AND THAT MEANSNO ELEVATOR.
690
00:28:01,041 --> 00:28:03,041
I MEANT WORLD WAR II,NOT CIVIL WAR.
691
00:28:03,083 --> 00:28:03,916
SERIOUSLY?
692
00:28:03,958 --> 00:28:05,958
THERE WAS NOTHINGON THE GROUND FLOOR?
693
00:28:06,000 --> 00:28:06,750
NOPE.
694
00:28:06,833 --> 00:28:10,166
BESIDES, THEN WEWOULDN'T HAVE OUR VIEW.
695
00:28:20,875 --> 00:28:23,458
WELL...WELCOME HOME.
696
00:28:23,541 --> 00:28:26,375
SAME TO YOU.
697
00:28:37,916 --> 00:28:40,375
WHAT'S THAT?
698
00:28:41,208 --> 00:28:42,458
REMEMBER?
699
00:28:42,541 --> 00:28:43,250
I DON'T KNOW,
700
00:28:43,333 --> 00:28:46,333
MAYBE THE LAST TENANTSLEFT IT BEHIND.
701
00:28:50,375 --> 00:28:52,875
WHAT IS THIS?
702
00:28:52,875 --> 00:28:55,583
DID YOU, UM...
703
00:28:56,791 --> 00:28:59,333
WHAT DID YOU DO?
704
00:29:04,333 --> 00:29:06,125
IT'S A HOUSEWARMING GIFT.
705
00:29:06,166 --> 00:29:09,416
WOW...
706
00:29:13,750 --> 00:29:17,833
REMIND ME, IS THATHOW YOU SPELL "CRUSH"?
707
00:29:17,875 --> 00:29:20,458
THANK YOU SO MUCH.
708
00:29:20,541 --> 00:29:24,666
NOW NOTHING THAT'S STOPPING YOUFROM WRITING THAT NOVEL.
709
00:29:59,250 --> 00:30:01,541
LOOK HOW GENEROUSYOU WERE.
710
00:30:01,583 --> 00:30:05,166
AND WHEN YOU GAVE BEN A GIFTTHAT CHANGED HIS LIFE,
711
00:30:05,208 --> 00:30:08,041
YOU ENCOURAGED HIMTO PURSUE HIS DREAM.
712
00:30:08,083 --> 00:30:10,041
OH, RIGHT.
713
00:30:10,125 --> 00:30:11,000
THE GLORIOUS DREAM
714
00:30:11,041 --> 00:30:14,166
OF BECOMING A POOR,UNRECOGNIZED GENIUS.
715
00:30:14,208 --> 00:30:15,708
HEY, LOOK, HE WANTEDTO BE A WRITER.
716
00:30:15,750 --> 00:30:17,666
YOU CAN'T FAULT HIM FOR THAT.
717
00:30:17,708 --> 00:30:19,000
I FAULT HIMFOR NOT BEING REALISTIC.
718
00:30:19,041 --> 00:30:21,208
WE WERE BUILDINGA LIFE TOGETHER,
719
00:30:21,250 --> 00:30:22,375
AND HE WOULD'VE BEEN CONTENT
720
00:30:22,416 --> 00:30:24,958
LIVING LIKE A PAUPERIN SOME BOHEMIAN FANTASY.
721
00:30:25,041 --> 00:30:27,333
IT'S HARDLY A FANTASY
722
00:30:27,375 --> 00:30:28,916
TO BELIEVE IN YOUR DREAM.
723
00:30:28,958 --> 00:30:29,958
WITHOUT MONEY,
724
00:30:30,000 --> 00:30:31,833
THERE'S NO POINT TO DREAMING,IS THERE?
725
00:30:31,875 --> 00:30:34,083
HEY, WHEN DID YOU LOSEYOUR SOUL,
726
00:30:34,125 --> 00:30:35,708
CAROL?
727
00:30:35,708 --> 00:30:36,708
GOODBYE, EVE.
728
00:30:36,708 --> 00:30:39,333
WHERE ARE YOUGOING?
729
00:30:41,083 --> 00:30:42,208
AWAY FROM YOU.
730
00:30:42,250 --> 00:30:43,875
AND THIS TIME,
731
00:30:43,875 --> 00:30:45,375
DON'T FOLLOW ME.
732
00:30:45,375 --> 00:30:47,541
OKAY, I WON'T.
733
00:30:56,708 --> 00:31:00,041
LOOK WHO'S HERE.
734
00:31:01,833 --> 00:31:03,208
WHAT HAPPENED,FORGET YOUR KEYS?
735
00:31:07,125 --> 00:31:08,000
WOW,
736
00:31:08,041 --> 00:31:09,083
HAVE I MISSED YOU.
737
00:31:09,125 --> 00:31:11,125
YOU KNOW WHAT? STOP IT!
738
00:31:13,208 --> 00:31:15,250
I HAVE HAD--
739
00:31:18,916 --> 00:31:22,833
YOU KNOW,THERE'S ONE CONSTANT
740
00:31:22,875 --> 00:31:24,166
IN EVERY GOOD STORY.
741
00:31:24,208 --> 00:31:26,916
THERE'S A BEGINNINGAND A MIDDLE
742
00:31:26,958 --> 00:31:28,333
AND AN END.
743
00:31:28,375 --> 00:31:29,208
ALL I'M SAYING IS
744
00:31:29,250 --> 00:31:31,916
THERE'S PLENTY OF ROOMAT SPRINGWOOD
745
00:31:32,000 --> 00:31:32,833
FOR MORE PROFITABLE BOOKS.
746
00:31:32,875 --> 00:31:34,250
WE CAN STILL HAVEGREAT LITERATURE
747
00:31:34,333 --> 00:31:36,708
AND SELL MORE COMMERCIAL BOOKS
748
00:31:36,750 --> 00:31:38,583
THAT HAVE A BROADER APPEAL.
749
00:31:38,583 --> 00:31:40,625
WE CAN MAKE THE COMPANYMORE COMPETITIVE
750
00:31:40,666 --> 00:31:42,791
INSTEAD OF SITTINGON THE SIDELINES.OADER APPEAL.
751
00:31:42,833 --> 00:31:43,750
AND WHAT DOES EVE SAY?
752
00:31:43,833 --> 00:31:45,583
THE SAME THINGSHE ALWAYS SAYS,
753
00:31:45,666 --> 00:31:48,083
IT'LL RUINOUR REPUTATION,
754
00:31:48,125 --> 00:31:51,541
AND WE'LL LOSE THE AUTHORSWE ALREADY HAVE.
755
00:31:51,583 --> 00:31:53,166
- WELL, SHE'S GOT A POINT.- YEAH, WELL, SO DO I.
756
00:31:53,208 --> 00:31:54,666
AND I'M GOING TOTAKE THAT POINT
757
00:31:54,708 --> 00:31:56,791
TO THE BOARD OF DIRECTORSNEXT WEEK,
758
00:31:56,875 --> 00:31:58,500
WITH OR WITHOUT HER SUPPORT.
759
00:32:03,000 --> 00:32:04,000
WHAT?
760
00:32:04,041 --> 00:32:04,958
WELL, I MEAN...
761
00:32:05,000 --> 00:32:07,583
EVE'S DONESO MUCH FOR YOU,
762
00:32:07,666 --> 00:32:10,750
AND SO NOW YOU'RE JUSTGOING TO PUSH HER ASIDE?
763
00:32:10,750 --> 00:32:13,625
SPRINGWOOD CAN BARELYKEEP ITS DOORS OPEN
764
00:32:13,666 --> 00:32:15,166
BECAUSE EVE'S GOT YOU'RE JUSTHER HEAD IN THE CLOUDS.R ASIDE?
765
00:32:15,208 --> 00:32:17,375
THE COMPANY NEEDSA NEW DIRECTION,
766
00:32:17,375 --> 00:32:20,083
AND I HAVE A PLAN.
767
00:32:20,083 --> 00:32:21,000
WOW.
768
00:32:21,041 --> 00:32:23,208
IT'S BUSINESS, BEN.AND YOU WOULDN'T UNDERSTAND.
769
00:32:23,250 --> 00:32:24,583
REALLY?
770
00:32:24,625 --> 00:32:27,166
YEAH, SERIOUSLY,YOU SIT THERE IN JUDGMENT,
771
00:32:27,208 --> 00:32:29,875
BUT IT'S NOT LIKEYOU'RE THAT...
772
00:32:31,125 --> 00:32:33,041
WHAT?
773
00:32:33,083 --> 00:32:35,041
NOTHING.
774
00:32:35,125 --> 00:32:37,166
NO, SERIOUSLY, I WANT TO KNOW.
775
00:32:37,208 --> 00:32:39,041
WHAT?
776
00:32:43,958 --> 00:32:46,750
IT'S NOT LIKEYOU'RE THAT AMBITIOUS,
777
00:32:46,750 --> 00:32:47,875
BEN.
778
00:32:48,666 --> 00:32:50,416
WRITING A NOVELYOUISN'T AMBITIOUS?US,
779
00:32:50,416 --> 00:32:51,750
NO.
780
00:32:51,833 --> 00:32:53,666
WRITING A NOVELWRITING A NOVEL ISN'T.S?US,
781
00:32:53,708 --> 00:32:55,416
GETTING ONTHE BEST-SELLER LIST IS.
782
00:32:55,458 --> 00:32:56,458
ARE YOU SERIOUS?
783
00:32:56,500 --> 00:32:57,875
THAT'S WHAT YOU THINKI SHOULD BE DOING?
784
00:32:57,958 --> 00:33:00,541
I THINK ALL AUTHORSSHOULD BE DOING THAT.
785
00:33:00,583 --> 00:33:03,000
OTHERWISE YOU'RE JUSTWALLOWING IN MEDIOCRITY.
786
00:33:03,041 --> 00:33:04,875
SO, IN YOUR MIND,
787
00:33:04,875 --> 00:33:08,500
RECOGNITION IS WHAT DEFINESA GOOD WRITER?
788
00:33:08,541 --> 00:33:09,708
NO, SUCCESSDEFINES A GOOD WRITER.
789
00:33:09,791 --> 00:33:13,000
IF YOU CAN KEEP YOUR LIGHTS ON,YOU'RE DOING YOUR JOB.
790
00:33:15,041 --> 00:33:16,875
YOU KNOW, I...
791
00:33:16,916 --> 00:33:20,875
I KNOW THAT YOU HAD A ROUGH TIMEAS A KID, CAROL--
792
00:33:20,958 --> 00:33:23,875
YOUR MOM WORKINGALL THE TIME
793
00:33:23,958 --> 00:33:25,833
AND STILL NOT BEING ABLETO SCRAPE TWO NICKELS TOGETHER.
794
00:33:25,875 --> 00:33:27,750
YOU DON'T KNOWANYTHING ABOUT IT--
795
00:33:27,833 --> 00:33:28,666
NO, LISTEN.
796
00:33:28,708 --> 00:33:31,166
BUT YOU MADE A CHOICE,
797
00:33:31,208 --> 00:33:34,166
TO NEVER HAVE TOWORRY ABOUT MONEY.
798
00:33:34,208 --> 00:33:35,083
I UNDERSTAND.
799
00:33:35,166 --> 00:33:39,500
I MADE THE SAME CHOICE,
800
00:33:39,541 --> 00:33:41,083
BUT THE DIFFERENCEBETWEEN US IS
801
00:33:41,125 --> 00:33:44,000
THAT I DON'T NEED MONEYTO FEEL SECURE.
802
00:33:44,041 --> 00:33:49,291
I DON'T NEED MONEYTO FEEL... HAPPY.
803
00:33:50,916 --> 00:33:52,875
YOU'RE RIGHT.
804
00:33:52,875 --> 00:33:54,083
THAT'S A BIG DIFFERENCE
805
00:33:54,166 --> 00:33:56,958
BETWEEN US.
806
00:33:57,041 --> 00:33:58,708
YOU'VE CHANGED.
807
00:33:58,791 --> 00:34:01,458
IT'S CALLED GROWING UP, BEN.
808
00:34:01,541 --> 00:34:06,708
CALL IT WHAT YOU WANT,BUT I MISS WHO YOU WERE.
809
00:34:06,708 --> 00:34:07,666
I MISS THE GIRL
810
00:34:07,708 --> 00:34:10,458
WHO USED TO LOVEREADING BOOKS,
811
00:34:10,500 --> 00:34:13,750
WHO DIDN'T CARE SO MUCHABOUT PROMOTIONS
812
00:34:13,833 --> 00:34:16,125
AND BOTTOM LINES.
813
00:34:16,208 --> 00:34:18,541
I MISS THE GIRL
814
00:34:18,583 --> 00:34:22,958
WHO GAVE METHAT TYPEWRITER.
815
00:34:24,041 --> 00:34:26,541
I'M STARTING TO REGRETTHAT I EVER DID.
816
00:34:50,500 --> 00:34:53,250
GOODBYE, CAROL.
817
00:34:55,208 --> 00:34:58,958
YOU KNOW SOMETHING?
818
00:34:59,041 --> 00:35:00,333
I SHOULDN'T HAVE SAID THAT.
819
00:35:00,375 --> 00:35:01,958
WHAT?
820
00:35:02,000 --> 00:35:05,041
ABOUT REGRETTINGGIVING HIM THE REMINGTON.
821
00:35:05,083 --> 00:35:06,166
REALLY?
822
00:35:06,208 --> 00:35:07,041
WELL, THE TRUTH IS,
823
00:35:07,083 --> 00:35:08,875
IF I'D NEVER GIVEN HIMTHE TYPEWRITER,
824
00:35:08,916 --> 00:35:10,375
WE MIGHT STILL BE TOGETHER,
825
00:35:10,416 --> 00:35:12,583
AND MAYBE
826
00:35:12,625 --> 00:35:16,375
I MIGHT NOT HAVE BECOMETHE WOMAN THAT I AM TODAY.
827
00:35:16,416 --> 00:35:20,958
OH, YOU MEAN THE LONELY WOMANWITH NO FRIENDS
828
00:35:21,000 --> 00:35:24,208
AND A HOCKEY PUCK FOR A HEART?
829
00:35:25,916 --> 00:35:27,708
GOODBYE, EVE.
830
00:35:27,708 --> 00:35:29,166
WHERE ARE YOU GOING?
831
00:35:29,208 --> 00:35:33,500
TO DO WHAT I SHOULD HAVE DONEA LONG TIME AGO.
832
00:35:33,541 --> 00:35:35,250
END THIS.
833
00:35:37,041 --> 00:35:38,041
OH, COME ON.
834
00:35:38,083 --> 00:35:39,875
DO WE REALLY HAVE TOGO THROUGH THIS AGAIN, CAROL?
835
00:35:39,958 --> 00:35:41,291
YOU KNOW YOU CAN'T JUST
836
00:35:41,375 --> 00:35:42,166
WALK AWAY.
837
00:35:42,208 --> 00:35:44,041
I'M NOT WALKING THIS TIME, EVE.
838
00:35:44,125 --> 00:35:48,166
CAN'T DIE IN A DREAM, SO...SEE YOU ON THE OTHER SIDE.
839
00:35:48,208 --> 00:35:49,250
CAROL!
840
00:35:49,291 --> 00:35:50,250
IT'S BEEN...
841
00:35:50,291 --> 00:35:52,375
WELL, IT'S BEEN.
842
00:35:52,416 --> 00:35:53,291
WAIT!
843
00:36:02,375 --> 00:36:04,583
IT WAS A DREAM.
844
00:36:21,208 --> 00:36:21,958
EVE MAILER.
845
00:36:22,041 --> 00:36:23,916
NOW, THEREWAS A CLASSY LADY.
846
00:36:23,958 --> 00:36:25,083
HEAR! HEAR!
847
00:36:25,166 --> 00:36:26,708
TWO WEEKS OFFFOR THE HOLIDAYS...
848
00:36:26,750 --> 00:36:29,666
A NICE LITTLE BONUSIN OUR STOCKING EVERY YEAR.
849
00:36:29,708 --> 00:36:31,875
AND SHE HADIMPECCABLE TASTE.
850
00:36:31,916 --> 00:36:33,500
MM, IT'S TRUE.
851
00:36:33,541 --> 00:36:35,708
SHE COULD PICK A BEST-SELLEROUT OF THE SLUSH PILE.
852
00:36:35,750 --> 00:36:37,541
NO, I WAS TALKINGABOUT HER WARDROBE.
853
00:36:37,583 --> 00:36:40,208
YOU KNOW, I HAVE AN EYEFOR THAT SORT OF THING.
854
00:36:41,375 --> 00:36:42,541
WHAT'S THE DIFFERENCE?
855
00:36:42,583 --> 00:36:44,875
CAROL HUFFLERIS GOING TO BE OUR BOSS FOREVER.
856
00:36:44,916 --> 00:36:46,000
NO, NOT IF WE ORGANIZE
857
00:36:46,041 --> 00:36:48,541
AND STAND UP TOTHAT STALIN IN STILETTOS.
858
00:36:48,625 --> 00:36:50,208
PLEASE STOP WITHTHE REBELLION TALK, FRED.
859
00:36:50,291 --> 00:36:51,666
I'M TRYINGTO ENJOY MY DRINK.
860
00:36:51,708 --> 00:36:53,000
LOOK,WE WORK WITH THE AUTHORS,
861
00:36:53,041 --> 00:36:54,375
NEGOTIATE THE DEALS,EDIT THE BOOKS,
862
00:36:54,416 --> 00:36:55,666
GET THEM ON THE SHELVES,
863
00:36:55,708 --> 00:36:56,958
AND THEN WHO GETSALL THE CREDIT?
864
00:36:57,041 --> 00:36:58,375
CAROL.
865
00:36:58,416 --> 00:36:59,208
EXACTLY.
866
00:36:59,208 --> 00:37:00,625
I MEAN, WHAT'S SO SPECIALABOUT HER?
867
00:37:00,666 --> 00:37:02,750
WHY DO WE EVEN NEED HER?
868
00:37:02,833 --> 00:37:03,958
TO SIGN OUR PAYCHECKS.
869
00:37:04,041 --> 00:37:06,041
WELL, WHAT IF WE SIGNEDOUR OWN PAYCHECKS?
870
00:37:06,083 --> 00:37:07,958
FORGERY ISA FELONY, FRED.
871
00:37:08,000 --> 00:37:09,916
I'M NOT TALKING ABOUT FORGERY!
872
00:37:09,958 --> 00:37:13,666
I'M TALKING ABOUTSTARTING OUR OWN COMPANY.
873
00:37:15,666 --> 00:37:17,041
DO YOU NEEDTO LIE DOWN?
874
00:37:17,083 --> 00:37:20,000
LOOK, THE AUTHORS HAVEA RELATIONSHIP WITH US,
875
00:37:20,041 --> 00:37:20,916
NOT THE COMPANY.
876
00:37:20,958 --> 00:37:22,500
THEY DON'T LIKE CAROLANY MORE THAN WE DO,
877
00:37:22,541 --> 00:37:24,541
SO WHY DON'T WE JUSTCALL THEM UP AND ASK,
878
00:37:24,583 --> 00:37:28,208
AND THEN WE CAN BE THEMASTERS OF OUR OWN FATE.
879
00:37:28,250 --> 00:37:30,375
AND RUIN CAROLIN THE PROCESS.
880
00:37:30,458 --> 00:37:31,375
HMM.
881
00:37:31,416 --> 00:37:33,541
WHAT WOULD WE CALL IT?
882
00:37:34,708 --> 00:37:37,041
REVOLUTION PUBLISHING.
883
00:37:38,875 --> 00:37:41,250
VIVA LA REVOLUCION!
884
00:37:48,083 --> 00:37:48,875
NOW WHAT?
885
00:37:48,875 --> 00:37:50,208
WE SHOUT IT FROMTHE MOUNTAIN TOPS.
886
00:37:50,208 --> 00:37:51,333
LET'S JUSTMAKE SOME CALLS.
887
00:37:51,375 --> 00:37:52,875
THAT WORKS.
888
00:37:52,916 --> 00:37:54,875
OKAY, COOL.
889
00:37:54,916 --> 00:37:55,875
HEY, J.K.
890
00:37:55,916 --> 00:37:57,041
HI, ANGELINA?
891
00:38:04,125 --> 00:38:05,083
HELLO!
892
00:38:06,541 --> 00:38:08,958
OH, COME ON, NOW,DON'T FREAK OUT, PLEASE--
893
00:38:09,000 --> 00:38:10,875
DON'T FREAK OUT?ARE YOU KIDDING?
894
00:38:10,958 --> 00:38:12,541
I'M BEING HAUNTEDBY MY DEAD EX-BOSS,
895
00:38:12,583 --> 00:38:14,375
AND YOU'RE TELLING MENOT TO FREAK OUT?
896
00:38:14,375 --> 00:38:16,291
YES, BUT THE THING IS--
897
00:38:16,375 --> 00:38:17,750
PLEASE!
898
00:38:17,833 --> 00:38:20,041
I CAN'T DO THIS.
899
00:38:20,125 --> 00:38:21,583
JUST LEAVE ME ALONE.
900
00:38:21,583 --> 00:38:24,916
OH, COME ON,THE NIGHT IS STILL YOUNG.
901
00:38:26,083 --> 00:38:27,125
JUSWAIT A SECOND.NE.
902
00:38:27,875 --> 00:38:29,708
I KNOW THIS STORY.
903
00:38:29,750 --> 00:38:33,250
YES? YOU DO?
904
00:38:33,291 --> 00:38:35,041
YEAH...
905
00:38:35,083 --> 00:38:36,708
IT'S CHRISTMAS EVE,
906
00:38:36,750 --> 00:38:39,208
AND YOU'VE COMETO WARN ME
907
00:38:39,291 --> 00:38:40,875
THAT I AM SQUANDERINGMY LIFE.
908
00:38:40,916 --> 00:38:43,083
OH, WHAT'S IT CALLED, UM...
909
00:38:43,125 --> 00:38:45,125
MIRACLE ON 34th STREET?
910
00:38:45,208 --> 00:38:46,125
NO.
911
00:38:46,208 --> 00:38:47,375
IT'S AWONDERFUL LIFE?
912
00:38:47,458 --> 00:38:48,375
NO!
913
00:38:48,375 --> 00:38:49,416
NOT STAR WARS?
914
00:38:49,416 --> 00:38:50,375
NO.
915
00:38:50,375 --> 00:38:51,666
"A CHRISTMAS CAROL"
916
00:38:51,708 --> 00:38:52,791
BY CHARLES DICKENS.
917
00:38:52,875 --> 00:38:54,750
OH, WELL, YOU'RE RIGHT,
918
00:38:54,750 --> 00:38:58,708
EXCEPT IN THIS CASE,"CAROL'S CHRISTMAS."
919
00:38:58,791 --> 00:38:59,875
YOU SEE WHAT I DID THERE?
920
00:38:59,875 --> 00:39:01,041
I FLIPPED IT.
921
00:39:03,833 --> 00:39:05,375
ALL RIGHT, YOU'RE RIGHT.
922
00:39:05,375 --> 00:39:06,541
PEOPLE LIKE ME
923
00:39:06,541 --> 00:39:08,875
HAVE BEEN COMING DOWN HERETO HELP PEOPLE LIKE YOU
924
00:39:08,875 --> 00:39:09,875
FOR GENERATIONS.
925
00:39:09,916 --> 00:39:12,250
CHUCK WAS JUST THE FIRST GUYTO WRITE ABOUT IT.
926
00:39:12,291 --> 00:39:13,958
DID YOU JUST SAY CHUCK?
927
00:39:14,041 --> 00:39:15,166
AS IN DICKENS?
928
00:39:15,208 --> 00:39:17,000
INCREDIBLY SWEET GUY,
929
00:39:17,041 --> 00:39:18,458
OBVIOUSLY AWESOME WRITER.
930
00:39:18,541 --> 00:39:22,208
BUT HE JUST-- HE HAD A TENDENCYTO EMBELLISH A LITTLE BIT.
931
00:39:22,208 --> 00:39:23,708
YOU KNOW, LIKE,
932
00:39:23,708 --> 00:39:26,375
THREE GHOSTS INSTEAD OF ONE,
933
00:39:26,375 --> 00:39:28,666
AND THEN TURKEY,
934
00:39:28,708 --> 00:39:30,583
INSTEAD OF JUSTA SLAB OF MUTTON.
935
00:39:30,666 --> 00:39:31,875
YOU KNOW,LITTLE THINGS LIKE THAT,
936
00:39:31,958 --> 00:39:33,041
BUT THEY DO ADD UP.
937
00:39:33,083 --> 00:39:34,291
OKAY, WELL, FINE,
938
00:39:34,333 --> 00:39:36,041
BUT LET ME TELL YOU SOMETHING.
939
00:39:36,083 --> 00:39:39,125
I ALWAYS SAW SCROOGEAS THE VICTIM IN THAT STORY.
940
00:39:39,208 --> 00:39:40,125
MM-HMM.
941
00:39:40,208 --> 00:39:42,875
HE WAS JUST A MODEST,RESPONSIBLE BUSINESSMAN
942
00:39:42,875 --> 00:39:47,375
WHO WAS BULLIED INTO BECOMINGA SENTIMENTAL SPENDTHRIFT.
943
00:39:47,416 --> 00:39:49,125
WELL, TAKE HEART, CAROL,
944
00:39:49,208 --> 00:39:52,208
BECAUSE YOU'RE HEADEDFOR A LONELY EXISTENCE
945
00:39:52,208 --> 00:39:54,708
AND AN ETERNITY OF REGRET
946
00:39:54,791 --> 00:39:56,916
IF YOU DON'T CHANGE YOUR LIFE.
947
00:39:57,000 --> 00:39:59,041
I'LL TAKE MY CHANCES.
948
00:39:59,083 --> 00:40:00,791
LET'S GO.
949
00:40:00,875 --> 00:40:03,791
WHOA, AREN'T WEA LITTLE EAGER BEAVER NOW.
950
00:40:03,875 --> 00:40:05,375
WELL, SINCE I'M BEING FORCED
951
00:40:05,416 --> 00:40:07,291
TO TAKE YOUR LITTLEMAGIC CARPET RIDE WITH YOU,
952
00:40:07,333 --> 00:40:09,083
I MIGHT AS WELLGET IT OVER WITH.
953
00:40:09,125 --> 00:40:10,750
SO...
954
00:40:10,791 --> 00:40:12,625
LET'S NOT WASTEANY MORE TIME, SHALL WE?
955
00:40:12,708 --> 00:40:14,125
WHAT YEAR ARE WE HEADED TO?
956
00:40:14,208 --> 00:40:16,375
THIS ONE.
957
00:40:16,416 --> 00:40:17,625
JUST SECONDS AWAY.
958
00:40:24,958 --> 00:40:26,208
OOF!
959
00:40:33,875 --> 00:40:35,416
ARE YOU HAVING FUN?
960
00:40:36,958 --> 00:40:39,041
A TOTAL BLAST.
961
00:40:39,125 --> 00:40:41,000
SWEET OF YOU TO ASK, THOUGH.
962
00:40:42,250 --> 00:40:44,166
WHERE ARE WE?
963
00:40:44,208 --> 00:40:46,208
HERE, FOLLOW ME.
964
00:40:46,291 --> 00:40:48,250
I GOT SOMETHINGTO SHOW YOU.
965
00:40:48,291 --> 00:40:49,041
OH, GOSH.
966
00:40:49,125 --> 00:40:50,708
WHOSE HOUSE IS THIS?
967
00:40:50,708 --> 00:40:51,541
WHERE ARE WE?
968
00:40:51,583 --> 00:40:54,583
HAVEN'T YOU EVER BEENTO TANYA'S HOUSE?
969
00:40:57,333 --> 00:40:59,625
I DIDN'T KNOWTANYA HAD KIDS.
970
00:40:59,708 --> 00:41:01,166
THEY'RE PRECIOUS, NO?
971
00:41:01,208 --> 00:41:04,000
"PRECIOUS,"FROM THE LATIN "PRETIOSUS"
972
00:41:04,041 --> 00:41:05,041
MEANING "EXPENSIVE."
973
00:41:05,083 --> 00:41:08,041
IT'S ALSO THE LATIN ROOTFOR "PRICE,"
974
00:41:08,083 --> 00:41:10,125
AS IN "PRICELESS."
975
00:41:12,208 --> 00:41:14,041
OF COURSEYOU'RE SHOWING ME THIS.
976
00:41:14,041 --> 00:41:16,041
KEEP WATCHING.
977
00:41:16,083 --> 00:41:17,375
: WHAT ARE THOSE FOR?
978
00:41:17,416 --> 00:41:23,000
WELL, SANTA'S REINDEERNEED A SNACK, TOO, RIGHT?
979
00:41:26,000 --> 00:41:27,208
CAN YOU READ THAT?
980
00:41:27,208 --> 00:41:29,708
"DEAR SANTA, MAKE IT GOOD."
981
00:41:31,041 --> 00:41:32,666
KIDDING!
982
00:41:34,416 --> 00:41:37,208
ALL RIGHT, WELL,
983
00:41:37,291 --> 00:41:39,291
YOU NEVER KNOW WHATTIME SANTA'S COMING,
984
00:41:39,375 --> 00:41:41,875
SO IT'S TIMEFOR BED.
985
00:41:41,916 --> 00:41:44,125
OKAY?
986
00:41:45,791 --> 00:41:47,250
GIVE ME A HUG.
987
00:41:47,333 --> 00:41:49,666
I LOVE YOU GUYS.
988
00:41:49,708 --> 00:41:52,291
OKAY, OFF YOU GO.
989
00:41:53,708 --> 00:41:56,916
SO WHERE'S DADDY?
990
00:41:56,916 --> 00:42:00,333
DIED IN A CAR ACCIDENTTWO YEARS AGO.
991
00:42:00,375 --> 00:42:01,541
SO WHERE'S DADDSHE'S ALONE NOW.
992
00:42:02,208 --> 00:42:04,333
HOW WAS ISUPPOSED TO KNOW THAT?
993
00:42:05,666 --> 00:42:07,250
EVERYONEIN THE OFFICE KNEW,
994
00:42:07,333 --> 00:42:08,291
BUT DON'T WORRY.
995
00:42:08,375 --> 00:42:09,416
KENDRA COVERED FOR YOU.
996
00:42:09,500 --> 00:42:11,041
SHE SENT FLOWERS.
997
00:42:28,375 --> 00:42:29,166
WHAT'S SHE DOING?
998
00:42:29,208 --> 00:42:30,833
SHE HAS TO RETURNTHEIR PRESENTS
999
00:42:30,875 --> 00:42:31,625
TO SAVE MONEY.
1000
00:42:31,666 --> 00:42:34,208
LOOK, SHE SHOULD'VE KNOWN BETTER
1001
00:42:34,291 --> 00:42:35,791
THAN TO PITCH ME A NEW BOOK.
1002
00:42:35,833 --> 00:42:38,000
SHE WAS JUST TRYINGTO DO HER JOB.
1003
00:42:38,041 --> 00:42:39,791
THAT'S NOT HER JOB!
1004
00:42:39,833 --> 00:42:40,875
SHE SHOULD'VE BEEN HAPPY
1005
00:42:40,916 --> 00:42:42,208
WITH THE ONESHE ALREADY HAD,
1006
00:42:42,250 --> 00:42:43,750
LIKE EVERYONE ELSEWHO WORKS FOR ME.
1007
00:42:43,791 --> 00:42:45,166
WHOA, WAIT, BACK IT UP.
1008
00:42:45,208 --> 00:42:46,291
BACK IT UP.
1009
00:42:46,333 --> 00:42:49,291
YOU THINK THAT EVERYONETHAT WORKS FOR YOU IS HAPPY?
1010
00:42:49,333 --> 00:42:51,375
WHY WOULDN'T THEY BE?
1011
00:42:53,875 --> 00:42:55,208
I-- WAIT.
1012
00:42:55,250 --> 00:42:56,250
I JUST--
1013
00:42:56,333 --> 00:42:58,250
I HAVE TO CAPTURE THIS LOOKOF TOTAL CLUELESSNESS.
1014
00:42:58,333 --> 00:43:00,291
HANG ON A SECOND HERE.
1015
00:43:00,375 --> 00:43:02,083
ALL RIGHT, SAY CHEESE.
1016
00:43:08,000 --> 00:43:09,125
WHAT? WHAT'S THIS?
1017
00:43:09,166 --> 00:43:10,208
YES!
1018
00:43:10,291 --> 00:43:11,750
WAY TO GO, GIRLS!
1019
00:43:11,791 --> 00:43:14,291
SEE?THEY'RE HAVING FUN.
1020
00:43:14,333 --> 00:43:16,125
THEY'RE GETTING THERE.
1021
00:43:17,291 --> 00:43:18,708
SHH, SHH, SHH!
1022
00:43:18,708 --> 00:43:20,708
THIS IS FRED.
1023
00:43:20,708 --> 00:43:21,708
UH-HUH.
1024
00:43:21,708 --> 00:43:24,041
THE ENTIRE STAFF OFTHE CHICAGO GUARDIAN, IN!
1025
00:43:25,833 --> 00:43:27,583
OH YES!
1026
00:43:27,625 --> 00:43:28,875
- ANOTHER ONE SCORED!- ANOTHER ROUND!
1027
00:43:28,875 --> 00:43:31,708
IN? IN FOR WHAT?
1028
00:43:31,750 --> 00:43:35,583
THEY'RE PLANNING A LITTLECHRISTMAS SURPRISE.
1029
00:43:35,583 --> 00:43:37,708
YOU KNOW, I NEVERTHOUGHT I'D SAY THIS,
1030
00:43:37,750 --> 00:43:40,000
TBUT I CAN'T WAIT TO SEEECTHE LOOK ON CAROL'S FACE
1031
00:43:40,041 --> 00:43:42,208
WHEN SHE COMES INTOMORROW.
1032
00:43:42,250 --> 00:43:45,458
I HOPESHE GETS A WRINKLE.
1033
00:43:45,541 --> 00:43:47,125
YES.
1034
00:43:47,166 --> 00:43:48,708
RIGHT WHEREEVERYONE CAN SEE IT!
1035
00:43:48,750 --> 00:43:50,208
RIGHT HERE.
1036
00:43:50,250 --> 00:43:53,041
VIVA LA REVOLUCION!
1037
00:43:53,125 --> 00:43:56,041
VIVA LA REVOLUCION!
1038
00:43:56,125 --> 00:43:57,625
DO YOU KNOWWHAT'S GOING ON?
1039
00:44:00,458 --> 00:44:01,958
WHEN I TOLD THE PRINCESS
1040
00:44:02,041 --> 00:44:04,208
WE WERE STARTINGOUR OWN PUBLISHING COMPANY,
1041
00:44:04,291 --> 00:44:06,291
SHE SAID,"DO ME A FAVOR
1042
00:44:06,333 --> 00:44:08,875
AND STICK ITTO CAROL FOR ME."
1043
00:44:11,083 --> 00:44:12,791
THEIR OWN PUBLISHING COMPANY?
1044
00:44:12,875 --> 00:44:14,375
NO, THAT'S IMPOSSIBLE.
1045
00:44:14,375 --> 00:44:15,875
CAN YOU IMAGINE?
1046
00:44:15,875 --> 00:44:16,916
OH, SO FUNNY.
1047
00:44:17,000 --> 00:44:18,500
IS THIS A COUP?
1048
00:44:18,541 --> 00:44:19,708
I MEAN, I WON'TSTAND FOR THIS.
1049
00:44:19,708 --> 00:44:20,875
STAND FOR IT?
1050
00:44:20,916 --> 00:44:23,166
YOU'D BETTER MAKE SUREYOU CAN SURVIVE IT FIRST.
1051
00:44:23,208 --> 00:44:25,250
I WANT YOUTO TAKE ME HOME RIGHT NOW.
1052
00:44:25,291 --> 00:44:27,208
AH, CAN'T DO IT.
1053
00:44:27,250 --> 00:44:28,208
I DEMAND IT!
1054
00:44:28,291 --> 00:44:30,708
OH, YOU DEMAND IT.
1055
00:44:30,708 --> 00:44:33,375
STILL, NOT GOING TO HAPPEN.
1056
00:44:35,916 --> 00:44:36,708
HEADS UP!
1057
00:44:43,958 --> 00:44:46,208
THANKS FOR COMING WITH ME.
1058
00:44:46,250 --> 00:44:47,208
ALWAYS.
1059
00:44:48,833 --> 00:44:51,125
OKAY, SO WHEREARE WE NOW?
1060
00:44:51,208 --> 00:44:52,458
OH, WE'RE TRYING TO SEE
1061
00:44:52,500 --> 00:44:54,875
IF ANYONE'SSTILL LEFT IN YOUR CORNER.
1062
00:44:54,916 --> 00:44:56,833
I WONDER WHY CAROLDISAPPEARED FROM THE PARTY.
1063
00:44:56,875 --> 00:44:59,166
SERIOUSLY?
1064
00:44:59,208 --> 00:45:01,458
WE'RE HAVINGA PERFECTLY NICE TIME,
1065
00:45:01,541 --> 00:45:03,375
AND YOU HAVE TO BRING UPTHE MOTHER OF SATAN.
1066
00:45:03,416 --> 00:45:06,000
SHE'S JUST--
1067
00:45:06,041 --> 00:45:08,291
I'M WORRIED ABOUT HER,THAT'S ALL.
1068
00:45:08,333 --> 00:45:09,833
WHY?
1069
00:45:09,875 --> 00:45:12,375
IT'S NOT LIKESHE CARES ABOUT YOU.
1070
00:45:12,375 --> 00:45:16,375
WHAT MAKES YOU SAY THAT?
1071
00:45:16,416 --> 00:45:18,875
UH, WELL, LET'S SEE.
1072
00:45:18,916 --> 00:45:21,958
UM, SHE TREATS YOULIKE DIRT,
1073
00:45:22,000 --> 00:45:24,208
SHE DIDN'T GIVE YOUTHE TRANSFER,
1074
00:45:24,208 --> 00:45:25,416
AND, WORST OF ALL,
1075
00:45:25,500 --> 00:45:28,625
SHE'S MET THE MAN YOU LOVEMORE THAN A DOZEN TIMES
1076
00:45:28,666 --> 00:45:30,208
AND SHE CAN'TREMEMBER MY NAME!
1077
00:45:30,208 --> 00:45:32,000
SHE'S NOTTHAT BAD, ZAC.
1078
00:45:32,041 --> 00:45:34,041
SHE'S JUSTLOOKING OUT FOR ME.
1079
00:45:35,250 --> 00:45:37,333
LOOKING OUT FOR YOU?
1080
00:45:37,375 --> 00:45:39,833
YEAH.
1081
00:45:42,416 --> 00:45:43,958
LOOK, KENDRA,
1082
00:45:44,041 --> 00:45:46,708
I'M THE ONE WHO'SLOOKING OUT FOR YOU, OKAY?
1083
00:45:46,791 --> 00:45:49,833
I JUST THINK THATYOU SHOULD QUIT YOUR JOB
1084
00:45:49,875 --> 00:45:50,958
AND COME TO LONDON.
1085
00:45:51,041 --> 00:45:53,541
AND DO WHAT?
1086
00:45:53,625 --> 00:45:54,916
WRITE.
1087
00:45:55,000 --> 00:45:56,291
YOU'VE ALWAYS WANTED TO,
1088
00:45:56,375 --> 00:45:58,166
AND NOW ISTHE PERFECT TIME.
1089
00:45:58,208 --> 00:46:00,625
I DIDN'T KNOW KENDRAWANTED TO BE A WRITER.
1090
00:46:00,666 --> 00:46:03,458
THERE'S A LOTYOU DON'T KNOW ABOUT KENDRA,
1091
00:46:03,541 --> 00:46:05,875
INCLUDING HOW MUCH INFLUENCEYOU HAVE OVER HER.
1092
00:46:05,916 --> 00:46:07,833
:ZAC, DON'T YOU SEE
1093
00:46:07,875 --> 00:46:09,833
THAT I'M IN THE SAME PLACECAROL WAS
1094
00:46:09,875 --> 00:46:11,000
WHEN SHE WAS MY AGE?
1095
00:46:11,041 --> 00:46:12,250
: BUT CAROLNEVER WANTED TO BE
1096
00:46:12,291 --> 00:46:14,333
SOMETHING ELSE, KENDRA.
1097
00:46:14,375 --> 00:46:16,000
IT'S DIFFERENT.
1098
00:46:16,041 --> 00:46:16,875
WELL...
1099
00:46:16,958 --> 00:46:18,916
THINGS CHANGE, ZAC.
1100
00:46:18,916 --> 00:46:21,375
I HAVE A FUTUREAT THE COMPANY NOW.
1101
00:46:23,791 --> 00:46:25,791
THINGS FINE.E, ZAC.
1102
00:46:25,833 --> 00:46:27,458
WHAT ABOUT OUR FUTURE?
1103
00:46:30,875 --> 00:46:32,125
I DON'T KNOW.
1104
00:46:38,041 --> 00:46:40,958
AMAZING HOW HISTORYREPEATS ITSELF.
1105
00:46:41,000 --> 00:46:42,208
YEAH, BUT THE BIGDIFFERENCE IS,
1106
00:46:42,250 --> 00:46:43,250
UNLIKE YOU,
1107
00:46:43,333 --> 00:46:45,083
I DON'T PLAN ON GETTING HITBY A BUS ANYTIME SOON.
1108
00:46:45,083 --> 00:46:49,458
I DIDN'T PLANON GETTING HIT BY A BUS.
1109
00:46:49,541 --> 00:46:54,000
YOU KNOW, I'M NOT RESPONSIBLEFOR KENDRA'S DECISION,
1110
00:46:54,041 --> 00:46:56,250
OR ANYONE ELSE'S,FOR THAT MATTER.
1111
00:46:58,416 --> 00:46:59,625
YOU KNOW,
1112
00:46:59,666 --> 00:47:00,500
LIFE IS ABOUT CHOICES,
1113
00:47:00,541 --> 00:47:04,041
AND KENDRA'SGOING TO RUIN HER LIFE,
1114
00:47:04,041 --> 00:47:04,875
IRONICALLY ENOUGH,
1115
00:47:04,958 --> 00:47:07,041
WAITING AROUNDTO BECOME YOU.
1116
00:47:07,083 --> 00:47:08,750
WELL, THEN, KENDRASHOULD CHOOSE TO DO
1117
00:47:08,833 --> 00:47:09,791
WHATEVER IT ISTHAT SHE WANTS.
1118
00:47:09,875 --> 00:47:12,041
OR YOU COULD CHOOSETO GIVE HER THE TRANSFER
1119
00:47:12,125 --> 00:47:13,250
AND LET HER BE WITH ZAC!
1120
00:47:13,291 --> 00:47:14,666
WHY SHOULD I?
1121
00:47:14,708 --> 00:47:16,500
OH, GOD, LET'S SEE.
1122
00:47:16,541 --> 00:47:19,333
OH, BECAUSE SHE'S BEENINCREDIBLY LOYAL TO YOU.
1123
00:47:19,375 --> 00:47:20,708
TO MAKE HER HAPPY.
1124
00:47:20,708 --> 00:47:22,958
OH, HAPPY. HAPPY!
1125
00:47:23,041 --> 00:47:23,833
HAPPY. WHY?
1126
00:47:23,875 --> 00:47:25,708
WHY SHOULD I TRY?
1127
00:47:25,750 --> 00:47:26,875
I TRIED TO MAKE BEN HAPPY,
1128
00:47:26,916 --> 00:47:27,958
AND LOOKWHERE IT GOT ME.
1129
00:47:28,000 --> 00:47:31,041
WHY SHOULD I BOTHERMAKING ANYONE HAPPY?
1130
00:47:36,958 --> 00:47:38,500
LET ME SHOW YOU.
1131
00:47:41,875 --> 00:47:44,125
I'M...
1132
00:47:44,208 --> 00:47:47,375
I'M SCARED.
1133
00:48:00,000 --> 00:48:01,041
I CAN'T SEE--
1134
00:48:01,083 --> 00:48:02,083
HANG ON, HANG ON,I GOT IT.
1135
00:48:02,125 --> 00:48:02,958
WHERE ARE WE?
1136
00:48:02,958 --> 00:48:06,000
- OW! THAT'S MY FOOT!- SORRY, SORRY.
1137
00:48:06,708 --> 00:48:08,833
SORRY, SORRYABOUT THE CLOSET.WHERE ARE WE?
1138
00:48:08,875 --> 00:48:11,708
I WAS NEVERTHAT GOOD OF A DRIVER.
1139
00:48:11,708 --> 00:48:14,041
ARE WE BACKIN THE PAST?
1140
00:48:14,125 --> 00:48:15,916
NO, IT'S STILL YOUR ROOM,
1141
00:48:15,958 --> 00:48:18,666
JUST THE WAYYOU LEFT IT.
1142
00:48:19,333 --> 00:48:21,875
SHE... SHE HASN'T CHANGEDA THING.
1143
00:48:21,958 --> 00:48:24,541
YOUR MOM LIKED IT THIS WAY.
1144
00:48:24,625 --> 00:48:26,041
WAIT.
1145
00:48:26,041 --> 00:48:28,666
CHECK THIS OUT.
1146
00:48:31,125 --> 00:48:33,875
SHE REMEMBERED HOW IMPORTANTIT WAS TO YOU.
1147
00:48:35,166 --> 00:48:37,916
SHE KEPT THEM ALL.
1148
00:48:40,375 --> 00:48:42,041
YOU KNOW, I REMEMBER
1149
00:48:42,041 --> 00:48:44,541
WHEN YOU FIRST CAME INFOR YOUR INTERVIEW,
1150
00:48:44,625 --> 00:48:46,625
YOAND YOU WENT ON AND ON AND ON
1151
00:48:46,666 --> 00:48:49,458
ABOUT ALL THESE BOOKSTHAT YOU LOVED.
1152
00:48:49,541 --> 00:48:50,333
WELL...
1153
00:48:50,375 --> 00:48:53,041
HERE THEY ALL ARE.
1154
00:48:54,916 --> 00:48:57,875
I HAD NO IDEASHE STILL HAD THEM.
1155
00:48:58,791 --> 00:49:01,333
THEY'RE SORT OFPIECES OF YOU, RIGHT?
1156
00:49:05,208 --> 00:49:07,791
: GLORIA, YOU CANAT LEAST LET ME HELP.
1157
00:49:07,833 --> 00:49:11,041
: NO. YOU JUST STOPARGUING WITH ME.
1158
00:49:11,083 --> 00:49:12,833
YOU KNOW, I CAN MANAGEALL THIS STUFF ON MY OWN.
1159
00:49:12,875 --> 00:49:13,875
WELL, MAYBE YOU CAN,
1160
00:49:13,958 --> 00:49:16,458
BUT MAYBE I CAN'T.
1161
00:49:19,750 --> 00:49:21,083
THANK YOU.
1162
00:49:21,166 --> 00:49:23,083
IT'S BEEN A WHILE,HASN'T IT?
1163
00:49:23,166 --> 00:49:25,000
NOW, I'VE GOTEVERYTHING WE NEED
1164
00:49:25,041 --> 00:49:27,000
FOR DINNERTOMORROW NIGHT.
1165
00:49:27,041 --> 00:49:29,041
GLORIA, IT'SCHRISTMAS TOMORROW.
1166
00:49:29,083 --> 00:49:31,750
YOU'VE GOT TO GO HOMEAND BE WITH YOUR FAMILY.
1167
00:49:31,833 --> 00:49:33,041
HUSH, NOW.WE TALKED ABOUT THIS.
1168
00:49:33,125 --> 00:49:36,750
THEY'RE ALL OUT OF TOWN,AND BESIDES...
1169
00:49:36,833 --> 00:49:40,041
YOU ARE FAMILY.
1170
00:49:46,708 --> 00:49:48,333
I REALLY MISS HER, GLORIA.
1171
00:49:50,208 --> 00:49:52,083
I KNOW YOU DO, DEAR.
1172
00:49:52,166 --> 00:49:57,291
I JUST WISH SHE WOULDDROP BY TOMORROW, THAT'S ALL.
1173
00:49:57,375 --> 00:49:59,000
I KNOW.
1174
00:49:59,041 --> 00:50:00,375
BUT I UNDERSTAND.
1175
00:50:00,458 --> 00:50:01,666
SHE IS SO VERY BUSY.
1176
00:50:01,708 --> 00:50:05,875
SHE HAS SO MANYBIG THINGS GOING ON
1177
00:50:05,958 --> 00:50:08,666
AND PEOPLE TO SEE, AND...
1178
00:50:11,250 --> 00:50:13,958
I JUST MISS HER.
1179
00:50:16,250 --> 00:50:18,166
OOH,
1180
00:50:18,208 --> 00:50:19,958
I ALMOST FORGOT!
1181
00:50:20,041 --> 00:50:24,583
THIS CAME FOR YOU TODAYWHILE YOU WERE OUT.
1182
00:50:27,458 --> 00:50:28,875
WHAT?
1183
00:50:28,916 --> 00:50:32,625
FROM...IS IT FROM CAROL?
1184
00:50:32,708 --> 00:50:35,625
I'M SO SORRYI FORGOT.
1185
00:50:37,875 --> 00:50:39,833
KENDRA.
1186
00:50:39,875 --> 00:50:41,708
AGAIN.
1187
00:50:41,791 --> 00:50:44,875
YOU SEE A PATTERNEMERGING AT ALL?
1188
00:50:44,916 --> 00:50:50,208
SHE'S ALWAYSLOOKING OUT FOR YOU.
1189
00:50:51,458 --> 00:50:52,875
OH...
1190
00:50:52,875 --> 00:50:54,958
OH, THAT'S...
1191
00:50:55,000 --> 00:50:57,541
OH...
1192
00:50:57,583 --> 00:51:00,000
I REMEMBER THAT CHRISTMAS.
1193
00:51:00,041 --> 00:51:02,208
YOU TWO LOOK SO HAPPY TOGETHER.
1194
00:51:02,250 --> 00:51:04,666
YEAH. YEAH.
1195
00:51:05,583 --> 00:51:06,708
YOU MISS HER,DON'T YOU?
1196
00:51:06,708 --> 00:51:08,458
OF COURSE I DO.
1197
00:51:08,541 --> 00:51:12,125
THEN WHY DON'T YOUGO SEE HER MORE OFTEN?
1198
00:51:12,208 --> 00:51:13,416
IT'S JUST BECAUSE--
1199
00:51:13,416 --> 00:51:15,375
IT COULDN'T BEBECAUSE WHEN YOU SEE HER,
1200
00:51:15,375 --> 00:51:16,541
IT'S JUSTIT REMINDS YOU
1201
00:51:16,583 --> 00:51:18,375
OF THE TOUGH TIMESYOU HAD
1202
00:51:18,375 --> 00:51:19,291
WHEN YOU WERE A KID?
1203
00:51:19,333 --> 00:51:22,166
LOOK, I JUST--I'M A BUSY WOMAN,
1204
00:51:22,208 --> 00:51:24,791
AND I...THERE'S NOT A LOT OF TIME.
1205
00:51:24,875 --> 00:51:27,625
YOU HAVE TO MAKE THE TIME
1206
00:51:27,666 --> 00:51:28,875
FOR THE PEOPLE THAT YOU LOVE.
1207
00:51:28,916 --> 00:51:29,750
WAIT A SECOND,
1208
00:51:29,833 --> 00:51:31,583
WHAT ARE YOU DOING?
1209
00:51:31,625 --> 00:51:33,041
ARE YOU TRYING TO SAYTHAT I DON'T LOVE
1210
00:51:33,083 --> 00:51:34,125
MY OWN MOTHER?
1211
00:51:34,208 --> 00:51:35,625
OF COURSE NOT--
1212
00:51:35,666 --> 00:51:37,125
BECAUSE I PAY FOR THIS HOUSE,
1213
00:51:37,208 --> 00:51:38,083
FOR THE GROCERY BILLS,
1214
00:51:38,166 --> 00:51:39,750
FOR GLORIA'S SALARY.
1215
00:51:39,750 --> 00:51:41,208
- EVERYTHING!- YEAH, THAT'S GREAT.
1216
00:51:41,250 --> 00:51:43,791
BUT YOU ALSOHAVE TO GIVE HER TIME.
1217
00:51:43,875 --> 00:51:45,333
TIME IS EXPENSIVE.
1218
00:51:45,375 --> 00:51:46,208
ACTUALLY, NO,
1219
00:51:46,250 --> 00:51:47,958
TIME DOESN'T HAVE A PRICE.
1220
00:51:48,041 --> 00:51:48,875
YOU CAN'T BUY IT,
1221
00:51:48,916 --> 00:51:50,750
AND ONCE IT'S GONE,IT'S GONE FOR GOOD.
1222
00:51:50,750 --> 00:51:52,791
OH, HERE WE GO,THE REQUISITE LECTURE
1223
00:51:52,833 --> 00:51:55,000
ANABOUT HOW TIMENE,SLIPS THROUGH YOUR FINGERS.
1224
00:51:55,041 --> 00:51:57,000
EVERY MOMENTI DON'T SPEND WORKING
1225
00:51:57,041 --> 00:51:57,958
IS MONEY LOST.
1226
00:51:58,000 --> 00:52:00,541
REMEMBERWHAT YOUR MOTHER SAID?
1227
00:52:00,583 --> 00:52:03,083
"DON'T LIVE TO WORK.YOU WORK TO LIVE."
1228
00:52:03,166 --> 00:52:04,833
ALL SHE EVER DID WAS WORK!
1229
00:52:04,875 --> 00:52:06,708
YEAH, BUT SHE DIDN'THAVE A CHOICE.
1230
00:52:06,750 --> 00:52:07,791
YOU DO.
1231
00:52:07,875 --> 00:52:08,875
WHAT ARE YOU DOING?
1232
00:52:08,875 --> 00:52:10,000
GIVE THAT BACK.
1233
00:52:10,041 --> 00:52:11,916
THAT'S MY BOOK!
1234
00:52:19,958 --> 00:52:21,666
WAIT.
1235
00:52:21,708 --> 00:52:25,166
YOU DID IT AGAIN.
1236
00:52:25,208 --> 00:52:26,500
WHERE ARE WE?
1237
00:52:26,541 --> 00:52:29,375
WE ARE ATSUSAN JOHNSON'S HOUSE.
1238
00:52:29,375 --> 00:52:32,416
I DON'T KNOW WHO THAT IS.
1239
00:52:37,916 --> 00:52:40,375
GUESS WHOCAN'T SHAKE ME.
1240
00:52:40,375 --> 00:52:41,416
TOP ROPE!
1241
00:52:41,500 --> 00:52:43,083
I GOT YOU!
1242
00:52:43,125 --> 00:52:44,000
BEN?
1243
00:52:44,041 --> 00:52:49,041
WAIT. HE'S MARRIEDWITH KIDS?
1244
00:52:49,083 --> 00:52:51,708
HE IS NOT MARRIED,YOU IDIOT.
1245
00:52:51,791 --> 00:52:53,041
WELL, THEN,EXPLAIN THIS.
1246
00:52:53,083 --> 00:52:54,708
OH, YEAH?
1247
00:52:54,708 --> 00:52:56,208
LAY OFF YOUR UNCLE, BOYS,
1248
00:52:56,208 --> 00:52:57,875
HE'S AN OLD MAN NOW.
1249
00:52:57,958 --> 00:52:58,791
AW, NOT THE CHICKEN WING!
1250
00:52:58,833 --> 00:53:00,708
GO BRUSH YOUR TEETHAND GET IN BED.
1251
00:53:00,750 --> 00:53:02,375
AW, FIVE MORE MINUTES.
1252
00:53:02,375 --> 00:53:03,375
NO. NOW, PLEASE.
1253
00:53:03,416 --> 00:53:04,666
THANK YOU.
1254
00:53:04,708 --> 00:53:06,708
HEY, WHERE'S MY HUG?GOOD NIGHT.
1255
00:53:06,791 --> 00:53:08,708
- GOOD NIGHT, UNCLE BEN.- GOOD NIGHT.
1256
00:53:08,750 --> 00:53:10,750
I'LL BE UP IN A MINUTETO TUCK YOU IN.
1257
00:53:10,833 --> 00:53:12,625
- GOOD NIGHT!- GOOD NIGHT.
1258
00:53:12,708 --> 00:53:14,166
PHEW!
1259
00:53:14,208 --> 00:53:15,833
FINE.
1260
00:53:15,875 --> 00:53:17,708
OR IT'S HIS SISTER.
1261
00:53:17,708 --> 00:53:19,291
LET'S MOVE ON.
1262
00:53:19,333 --> 00:53:21,250
THEY LOVEHAVING YOU AROUND.
1263
00:53:21,333 --> 00:53:22,375
SO DOES BILL.
1264
00:53:22,416 --> 00:53:24,041
HE GETS TO WAKE UP WITHOUTBLACK AND BLUE MARKS
1265
00:53:24,083 --> 00:53:26,041
ALL OVER HIS BODY.
1266
00:53:27,208 --> 00:53:29,041
THEY'RE GOOD KIDS.
1267
00:53:29,041 --> 00:53:30,625
I ENVY YOU GUYS.
1268
00:53:30,708 --> 00:53:33,583
I MEAN, WHAT GOOD IS CHRISTMASWITHOUT KIDS, HUH?
1269
00:53:33,583 --> 00:53:36,708
WELL, TRADE INTHE BACHELOR LIFESTYLE
1270
00:53:36,791 --> 00:53:37,875
I MEAN, WHAT GOOD IS CHRISTMASWITHAND HAVE SOME, THEN.
1271
00:53:37,916 --> 00:53:40,125
I'VE ALWAYS WANTEDTO BE AN AUNT.
1272
00:53:41,041 --> 00:53:43,583
GOT TO FIND THE GIRL FIRST.
1273
00:53:43,625 --> 00:53:45,708
AND YOU GOT TO GET OVERTHE OLD ONE
1274
00:53:45,750 --> 00:53:47,833
BEFORE YOU CANDO THAT.
1275
00:53:47,875 --> 00:53:49,500
COME ON, BEN.
1276
00:53:49,541 --> 00:53:51,416
I'M THE BIG SISTER.I KNOW EVERYTHING.
1277
00:53:51,500 --> 00:53:52,833
OF COURSE YOU DO.
1278
00:53:52,875 --> 00:53:55,291
I SAW HOW NERVOUS YOU WEREEARLIER TONIGHT
1279
00:53:55,375 --> 00:53:56,833
BEFORE THE PARTY, OKAY?
1280
00:53:56,875 --> 00:53:59,416
JUST THE THOUGHT OF SEEING CAROLHAD YOU ALL WORKED UP.
1281
00:53:59,458 --> 00:54:01,208
OH, COME ON.
1282
00:54:03,041 --> 00:54:04,708
YOU CAN'T LIETO ME.
1283
00:54:04,750 --> 00:54:07,916
I DON'T KNOWWHAT YOU'RE TALKING ABOUT.
1284
00:54:07,958 --> 00:54:08,750
REALLY?
1285
00:54:08,833 --> 00:54:11,250
WELL, THEN, TELL ME THIS.DID YOU SEE HER?
1286
00:54:15,000 --> 00:54:16,791
OKAY, YOU WANT TO KNOW?
1287
00:54:16,875 --> 00:54:17,750
FINE.
1288
00:54:17,791 --> 00:54:21,041
YES, I SAW HER,AND IT DIDN'T GO SO GREAT.
1289
00:54:22,791 --> 00:54:23,750
I MEAN, WE SAID HELLO,
1290
00:54:23,791 --> 00:54:27,041
AND BEFORE I KNEW IT,WE WERE FIGHTING AGAIN.
1291
00:54:27,083 --> 00:54:28,208
RIGHT BACK WHERE WE LEFT OFF.
1292
00:54:28,291 --> 00:54:30,083
WAIT, YOU GUYS DON'TSEE EACH OTHER
1293
00:54:30,166 --> 00:54:31,500
FOR WHAT, 10 YEARS,
1294
00:54:31,541 --> 00:54:34,083
AND THE FIRST THING YOU DOIS HAVE AN ARGUMENT?
1295
00:54:34,083 --> 00:54:34,916
WHY?
1296
00:54:35,000 --> 00:54:37,083
AND THEWHY? BECAUSE YOU DOITHAT'S WHAT WE DO.?
1297
00:54:38,083 --> 00:54:40,916
LOOK, YOU KNOW,IT'S...
1298
00:54:41,000 --> 00:54:43,041
IT'S FINE, OKAY?
1299
00:54:43,083 --> 00:54:44,875
SERIOUSLY.
1300
00:54:44,916 --> 00:54:47,208
IT JUST PROVES THATI WAS RIGHT TO WALK AWAY
1301
00:54:47,291 --> 00:54:49,500
IN THE FIRST PLACE.
1302
00:54:49,541 --> 00:54:51,541
DON'T.
1303
00:54:51,625 --> 00:54:55,083
YOU STILL CAREABOUT HER.
1304
00:54:55,125 --> 00:54:56,416
- HANG ON--- BEN...
1305
00:54:56,500 --> 00:54:57,875
DON'T GET ME WRONG.
1306
00:54:57,916 --> 00:54:59,041
I DON'T WANT YOU TO GET HURT,
1307
00:54:59,041 --> 00:55:00,208
BUT THE FACT IS
1308
00:55:00,291 --> 00:55:02,541
YOU GUYS WERE JUST KIDSWHEN YOU BROKE UP,
1309
00:55:02,583 --> 00:55:05,708
AND YOU DIDN'T TRY THAT HARDTO STAY TOGETHER.
1310
00:55:05,750 --> 00:55:07,625
AND IF YOU'RE STILL FIGHTINGAFTER ALL THIS TIME,
1311
00:55:07,666 --> 00:55:09,041
THERE'S FEELINGS THERE,
1312
00:55:09,083 --> 00:55:12,041
AND IF YOU'RE STILLIN LOVE WITH HER,
1313
00:55:12,083 --> 00:55:16,208
YOU'VE GOTTO TELL HER.
1314
00:55:20,291 --> 00:55:22,333
NO.
1315
00:55:22,375 --> 00:55:24,166
THE WOMAN I SAWTONIGHT
1316
00:55:24,208 --> 00:55:27,250
IS NOT THE WOMANI FELL IN LOVE WITH,
1317
00:55:27,333 --> 00:55:30,208
NOT ANYMORE.
1318
00:55:30,291 --> 00:55:31,875
SEE, NOW,I DID NOT KNOW
1319
00:55:31,916 --> 00:55:34,083
THAT HE WAS GOINGTO SAY THAT,
1320
00:55:34,166 --> 00:55:35,041
AND I'M NOT SURE
1321
00:55:35,041 --> 00:55:39,541
THAT THAT'S NECESSARILYHOW HE REALLY FEELS.
1322
00:55:40,958 --> 00:55:42,500
CAROL?
1323
00:55:43,750 --> 00:55:47,041
WHY WOULD YOU SHOW ME THAT?
1324
00:55:51,875 --> 00:55:55,875
WHERE DID YOU GO?
1325
00:55:58,166 --> 00:56:01,541
OH, IS THAT IT?
1326
00:56:01,583 --> 00:56:05,083
IS THAT WHATI'M SUPPOSED TO LEARN?
1327
00:56:05,083 --> 00:56:07,166
HMM?
1328
00:56:07,916 --> 00:56:12,000
IS THAT WHATYOU SHOW ME THAT I'M NOT ALONE,
1329
00:56:12,041 --> 00:56:17,333
TELL ME I DON'T CAREABOUT MY MOTHER,
1330
00:56:17,375 --> 00:56:23,041
AND THEN YOU SHOW ME THATBEN DOESN'T LOVE ME ANYMORE.
1331
00:56:26,958 --> 00:56:30,083
SHOW YOURSELF, YOU COWARD.
1332
00:56:38,041 --> 00:56:40,333
ANSWER ME.
1333
00:56:51,166 --> 00:56:54,291
PLEASE.
1334
00:57:11,958 --> 00:57:12,875
OKAY,
1335
00:57:12,958 --> 00:57:16,041
WHAT'S IN STORE, EVE MAILER?
1336
00:57:21,500 --> 00:57:23,625
LET'S SEE HERE.
1337
00:57:29,333 --> 00:57:33,000
GHOST OF CHRISTMAS PAST,THAT'S OVER.
1338
00:57:33,041 --> 00:57:35,750
THEN WE'VE GOTA CHRISTMAS PRESENT.
1339
00:57:35,833 --> 00:57:39,875
A TON OF FUN.
1340
00:57:39,875 --> 00:57:43,666
SO, WHAT'S NEXT?
1341
00:57:43,708 --> 00:57:44,916
OKAY, HERE WE GO...
1342
00:57:46,000 --> 00:57:48,375
AH, CHRISTMAS FUTURE.
1343
00:57:48,416 --> 00:57:51,375
"IN THE ORIGINAL DICKENS STORYAND SUBSEQUENT VERSIONS,
1344
00:57:51,375 --> 00:57:53,916
"THE APPARITIONAPPEARS TO THE PROTAGONIST
1345
00:57:53,958 --> 00:57:56,458
"IN THE ORIGINAL DICKENS STORY"AS THE ANGEL OF DARKNESS
1346
00:57:56,500 --> 00:57:58,083
"OR THE GRIM REAPER,
1347
00:57:58,166 --> 00:58:01,791
"MORE COMMONLY KNOWN AS...
1348
00:58:01,875 --> 00:58:03,208
DEATH"?
1349
00:58:08,125 --> 00:58:09,375
EVE?
1350
00:58:09,375 --> 00:58:10,541
WERE YOU SCARED?
1351
00:58:11,875 --> 00:58:13,875
TOOK YOU LONG ENOUGH.
1352
00:58:13,916 --> 00:58:16,958
I THOUGHT YOU MIGHT NEEDSOME TIME TO COOL OFF.
1353
00:58:19,958 --> 00:58:24,250
IT WAS BETTER IN REHEARSALS,BUT YOU GET THE GENERAL IDEA.
1354
00:58:24,333 --> 00:58:25,625
SO, THE FUTURE?
1355
00:58:25,708 --> 00:58:28,000
LISTEN, I DON'T WANT TO RUIN ITOR ANYTHING, BUT...
1356
00:58:28,041 --> 00:58:29,083
I KNOW I DIE IN THE END.
1357
00:58:29,125 --> 00:58:30,708
REALLY?
1358
00:58:30,708 --> 00:58:31,875
YEAH, EVERYONE DOES.
1359
00:58:31,916 --> 00:58:34,208
YOU CAN'T REALLYGET AROUND THAT ONE, CAN YOU?
1360
00:58:34,250 --> 00:58:38,666
YOU MIGHT JUSTFIND YOURSELF SURPRISED.
1361
00:58:47,541 --> 00:58:49,416
THIS DOESN'T LOOKVERY FUTURISTIC.
1362
00:58:49,500 --> 00:58:53,000
OH, YOU'RE COMING UP ON 40PRETTY QUICK, LITTLE LADY.
1363
00:58:53,041 --> 00:58:56,208
THIS IS BASICALLYNEXT WEEK FOR YOU.
1364
00:58:58,041 --> 00:58:59,708
I DIDN'T EXPECT THAT.
1365
00:58:59,708 --> 00:59:01,041
WHERE ARE WE?
1366
00:59:01,083 --> 00:59:03,708
IT'S CHRISTMAS MORNING,AND THIS IS YOUR FAMILY.
1367
00:59:03,791 --> 00:59:05,041
WHOA, WHOA, WHOA.
1368
00:59:05,875 --> 00:59:08,208
THESE ARE ALL MINE?
1369
00:59:08,250 --> 00:59:11,750
YEAH, YOU AND BENHAD THREE KIDS, AND...
1370
00:59:11,833 --> 00:59:13,291
ONE, TWO,
1371
00:59:13,333 --> 00:59:15,208
THREE GRANDKIDS SO FAR.
1372
00:59:15,250 --> 00:59:16,583
: YOU'RESPOILING THEM AGAIN.
1373
00:59:16,625 --> 00:59:18,208
WE'RE THE GRANDPARENTS.
1374
00:59:18,250 --> 00:59:20,041
IT'S IN OURJOB DESCRIPTION.
1375
00:59:20,083 --> 00:59:21,833
HOLD ON.
1376
00:59:21,875 --> 00:59:24,000
SO...
1377
00:59:24,041 --> 00:59:27,041
THIS IS MY FAMILY,
1378
00:59:27,083 --> 00:59:29,208
AND THAT...
1379
00:59:29,250 --> 00:59:31,000
THAT'S ME?
1380
00:59:31,041 --> 00:59:32,541
AND THAT'S BEN.
1381
00:59:32,625 --> 00:59:34,916
PRETTY BEAUTIFULVISION OF THE FUTURE, NO?
1382
00:59:34,958 --> 00:59:37,375
OH, MY GOD...
1383
00:59:37,875 --> 00:59:39,416
I THINK YOUR PRESENTIS THEIR FAVORITE ONE.
1384
00:59:39,458 --> 00:59:42,208
SWEET, ISN'T IT?
1385
00:59:42,291 --> 00:59:44,583
SO, WHAT DO YOU THINK?
1386
00:59:44,625 --> 00:59:47,041
:NOT TOO SHABBY.
1387
00:59:47,125 --> 00:59:49,291
YEAH, NOTTOO SHABBY AT ALL.
1388
00:59:51,166 --> 00:59:52,958
OKAY, SO WHY THREE KIDS?
1389
00:59:53,000 --> 00:59:56,750
I MEAN, DO I LIVEON A FARM NOW, OR WHAT?
1390
00:59:56,833 --> 00:59:58,333
GRANDMA, LOOK!
1391
00:59:58,375 --> 00:59:59,208
LOOK AT THIS.
1392
00:59:59,250 --> 01:00:01,166
WHERE DID YOU GET THIS, EMMA?
1393
01:00:01,208 --> 01:00:03,750
SANTA BROUGHT METHE DOLL I WANTED!
1394
01:00:03,833 --> 01:00:06,083
SANTA BROUGHT THIS TO YOU?
1395
01:00:07,208 --> 01:00:08,125
AS IN SANTA CLAUS
1396
01:00:08,166 --> 01:00:10,041
WHO DELIVERS PRESENTS
1397
01:00:10,041 --> 01:00:13,416
TO ALL THE LITTLE GIRLS AND BOYSWHO WERE GOOD LAST YEAR?
1398
01:00:16,458 --> 01:00:19,500
THEN YOU MUST HAVE BEENA VERY GOOD GIRL.
1399
01:00:20,708 --> 01:00:21,833
DOES SHE HAVEA NAME?
1400
01:00:21,875 --> 01:00:24,208
I LIKE "KATIE."
1401
01:00:24,291 --> 01:00:27,291
SO DO I, SWEETHEART.
1402
01:00:27,375 --> 01:00:28,375
AWW.
1403
01:00:28,375 --> 01:00:30,958
SHOW YOUR MOMMY.
1404
01:00:31,041 --> 01:00:32,041
WHAT HAVE YOUGOT THERE?
1405
01:00:32,125 --> 01:00:33,333
HEY, CAN ITELL YOU SOMETHING?
1406
01:00:33,375 --> 01:00:35,250
THANK YOU.
1407
01:00:35,333 --> 01:00:36,208
FOR WHAT?
1408
01:00:36,208 --> 01:00:38,958
FOR GIVING MEANOTHER SHOT.
1409
01:00:41,041 --> 01:00:43,041
AND WITHOUT MISTLETOE, FOLKS!
1410
01:00:47,125 --> 01:00:48,750
SO THAT'S IT?
1411
01:00:48,833 --> 01:00:50,875
A HAPPY ENDING?
1412
01:00:50,875 --> 01:00:54,000
WELL, YOU WERE RIGHT,BECAUSE I AM SURPRISED.
1413
01:00:54,041 --> 01:00:56,208
OH, THIS,THIS ISN'T YOUR FUTURE. ENDING?
1414
01:00:56,250 --> 01:00:57,416
YOU'RE TEASING ME?
1415
01:00:57,416 --> 01:01:00,708
THIS IS JUST ONEOF MANY POSSIBLE FUTURES.
1416
01:01:00,750 --> 01:01:02,875
THIS IS BASICALLYWHAT'S BEHIND DOOR NUMBER ONE.
1417
01:01:02,916 --> 01:01:06,625
AND I'M GUESSINGWHAT'S BEHIND DOOR NUMBER TWO
1418
01:01:06,666 --> 01:01:08,375
ISN'T GOING TO BESUCH A PARTY.
1419
01:01:08,375 --> 01:01:09,333
OH, NOT AT ALL.
1420
01:01:20,916 --> 01:01:21,958
WHAT NOW?
1421
01:01:22,041 --> 01:01:25,125
TURN AROUND.THIS WAY.
1422
01:01:25,208 --> 01:01:27,166
UGH.
1423
01:01:33,458 --> 01:01:34,875
NO DATE?
1424
01:01:34,958 --> 01:01:35,791
WELL, I'D TELL YOU,
1425
01:01:35,833 --> 01:01:38,250
BUT THEN I'DHAVE TO KILL YOU.
1426
01:01:39,083 --> 01:01:42,166
HEY, IT'S JUST ANOTHER DOOR.
1427
01:01:42,208 --> 01:01:44,375
WELL, LIKE I SAID,
1428
01:01:44,375 --> 01:01:46,875
EVERYONE DIES.
1429
01:01:46,916 --> 01:01:48,583
TRUE,
1430
01:01:48,625 --> 01:01:52,375
BUT EVERYONE DOESN'T NECESSARILYDIE ALONE.
1431
01:01:55,208 --> 01:01:58,750
IT'S ALREADY OVER?
1432
01:01:58,791 --> 01:01:59,750
NO ONE CAME?
1433
01:01:59,833 --> 01:02:02,041
OH, SOMEONE DID.
1434
01:02:02,041 --> 01:02:03,833
SHE JUST GOT HERE LATE.
1435
01:02:03,875 --> 01:02:06,500
HOW ABOUT THAT...
1436
01:02:07,375 --> 01:02:08,708
I DIDN'T GET YOU FLOWERS
1437
01:02:08,750 --> 01:02:11,208
BECAUSE I KNOWYOU HATE THEM, SO...
1438
01:02:12,041 --> 01:02:14,958
SHE'S THE NEW PRESIDENT
1439
01:02:15,000 --> 01:02:16,750
AND, IN HONOROF YOUR MEMORY,
1440
01:02:16,833 --> 01:02:19,708
SHE DEEMED TODAYA WORK DAY.
1441
01:02:19,708 --> 01:02:21,416
SHE THOUGHT YOU'D APPROVE.
1442
01:02:23,125 --> 01:02:24,375
I WOULD HAVE.
1443
01:02:24,416 --> 01:02:26,208
BUT I THINK YOU KNOW
1444
01:02:26,250 --> 01:02:28,333
THAT NO ONEWOULD HAVE COME ANYWAY.
1445
01:02:30,208 --> 01:02:32,041
SHE LOOKSDIFFERENT.
1446
01:02:33,416 --> 01:02:34,541
SHE LOOKS...
1447
01:02:34,625 --> 01:02:35,666
SAD?
1448
01:02:47,500 --> 01:02:49,541
THIS IS KENDRA.
1449
01:02:49,583 --> 01:02:52,208
NO, NOW WORKS. I'M JUSTWALKING OUT OF A MEETING.
1450
01:02:52,250 --> 01:02:55,041
TELL ME...
1451
01:02:55,083 --> 01:02:56,833
THEN DUMP HIM.
1452
01:02:56,875 --> 01:02:57,833
HE'S COSTING US MONEY
1453
01:02:57,875 --> 01:02:59,666
AND WE NEED TOKEEP THE LIGHTS ON.
1454
01:02:59,708 --> 01:03:01,583
I'M IN CHARGE,AND IT'S MY CALL.
1455
01:03:01,625 --> 01:03:03,208
A CHIP OFF THE OLD BLOCK,
1456
01:03:03,250 --> 01:03:05,208
HUH?
1457
01:03:05,250 --> 01:03:08,208
SO THE COMPANY SURVIVED?
1458
01:03:08,291 --> 01:03:09,041
THERE WAS NO REVOLT?
1459
01:03:09,083 --> 01:03:11,541
OH, NO, THERE WAS A REVOLT,
1460
01:03:11,583 --> 01:03:15,291
AND PEOPLE HAD A TOUGH TIMEFOR A WHILE, BUT...
1461
01:03:15,375 --> 01:03:17,208
I WON.
1462
01:03:17,291 --> 01:03:21,208
YEAH, YOU FIREDEVERYONE BUT KENDRA,
1463
01:03:21,250 --> 01:03:26,083
AND YOU ESTABLISHEDYOUR REPUTATION
1464
01:03:26,166 --> 01:03:28,000
AS A WOMAN TO BE FEARED.
1465
01:03:28,041 --> 01:03:31,541
AND IN THE END...
1466
01:03:32,791 --> 01:03:35,875
I'M ALONE.
1467
01:03:37,250 --> 01:03:40,958
IS THEREA DOOR NUMBER THREE?
1468
01:03:41,000 --> 01:03:44,416
THAT'S ENTIRELYUP TO YOU.
1469
01:03:50,458 --> 01:03:51,625
EVE?
1470
01:03:53,875 --> 01:03:57,000
EVE, WAIT.
1471
01:03:57,958 --> 01:03:58,875
EVE!
1472
01:04:00,250 --> 01:04:02,208
I DON'T WANT TO BE ALONE.
1473
01:04:02,208 --> 01:04:03,958
YOU'RE RIGHT.
1474
01:04:04,041 --> 01:04:05,250
I WANT TO CHANGE!
1475
01:04:05,291 --> 01:04:07,958
PLEASE.
1476
01:04:08,041 --> 01:04:10,208
HELP ME.
1477
01:04:10,250 --> 01:04:12,416
I DON'T KNOW HOWTO DO IT!
1478
01:04:39,791 --> 01:04:43,583
♪ FOR THE "SORRIES"OH, THE "SORRIES" OF YOUR SOUL ♪
1479
01:04:43,625 --> 01:04:46,041
♪ THEY ARE YOUR WORRIESARE YOUR WORRIES ♪
1480
01:04:46,083 --> 01:04:47,708
♪ OF MY HOUSEHOLD ♪
1481
01:04:47,708 --> 01:04:51,625
♪ I HEAR THE WIND A-HOWLINGAT MY SWINGING DOOR ♪
1482
01:04:51,708 --> 01:04:54,041
♪ BUT AT YOUR HOUSETHE WEATHER'S PLEASANT ♪
1483
01:04:54,083 --> 01:04:59,000
♪ NOTHING MORE ♪
1484
01:04:59,041 --> 01:05:03,000
♪ I AM BEHIND ♪
1485
01:05:03,041 --> 01:05:06,250
♪ I AM BEHIND ♪
1486
01:05:06,333 --> 01:05:09,000
♪ NEVER MINDI WILL NOT PINE ♪
1487
01:05:09,041 --> 01:05:11,208
♪ FOR I AM MINE... ♪
1488
01:05:11,250 --> 01:05:12,625
HI. I--
1489
01:05:12,666 --> 01:05:13,958
I DON'T NEED A NUMBER.
1490
01:05:14,000 --> 01:05:17,458
COULD YOU TELL MEWHAT DAY IT IS?
1491
01:05:17,500 --> 01:05:20,708
WELL, THEN,MERRY CHRISTMAS, GOOD SIR!
1492
01:05:20,750 --> 01:05:22,000
OH, SORRY.
1493
01:05:22,041 --> 01:05:24,583
HAPPY HANUKKAH.
1494
01:05:28,958 --> 01:05:32,791
♪ YOU DECIDEDYOU WOULD EDUCATE ME ♪
1495
01:05:32,875 --> 01:05:40,000
♪ WHILE CONVERSINGOVER A NICE SPOT OF TEA ♪
1496
01:05:40,041 --> 01:05:44,166
♪ I AM BEHIND ♪
1497
01:05:44,208 --> 01:05:47,833
♪ I AM BEHIND ♪
1498
01:05:47,875 --> 01:05:48,875
♪ WELL, NEVER MIND ♪
1499
01:05:48,916 --> 01:05:52,875
♪ I WILL NOT PINEFOR I AM MINE... ♪
1500
01:05:52,875 --> 01:05:54,291
NICE ONE, EVE.
1501
01:05:56,208 --> 01:05:57,708
THAT'S FUNNY.
1502
01:05:57,750 --> 01:06:01,500
♪ I AM BEHIND ♪
1503
01:06:01,541 --> 01:06:03,958
♪ NEVER MINDI WILL NOT PINE ♪
1504
01:06:04,041 --> 01:06:07,333
♪ FOR I AM MINE ♪
1505
01:06:07,375 --> 01:06:11,833
♪ I AM BEHIND ♪
1506
01:06:11,875 --> 01:06:15,791
♪ I AM BEHIND ♪
1507
01:06:15,833 --> 01:06:18,625
♪ NEVER MINDI WILL NOT PINE ♪
1508
01:06:18,666 --> 01:06:21,000
♪ FOR I AM MINE ♪
1509
01:06:26,125 --> 01:06:27,208
HI.
1510
01:06:29,708 --> 01:06:31,208
IT'S GRACE, RIGHT?
1511
01:06:31,250 --> 01:06:33,250
HOW DO YOU KNOW MY NAME?
1512
01:06:33,333 --> 01:06:34,791
UH... I, UM...
1513
01:06:34,833 --> 01:06:36,958
I'M YOUR MOMMY'S BOSS AT WORK.
1514
01:06:40,500 --> 01:06:41,750
WE WORK TOGETHER.
1515
01:06:41,833 --> 01:06:44,375
ARE YOU THE LADYWHO FIRED HER?
1516
01:06:44,416 --> 01:06:47,458
UM, WELL, I, UM--
1517
01:07:00,375 --> 01:07:01,208
WHAT ARE YOU DOING HERE?
1518
01:07:01,291 --> 01:07:03,458
MERRY CHRISTMAS, TANYA.
1519
01:07:03,500 --> 01:07:04,708
OH!
1520
01:07:04,791 --> 01:07:07,041
THESE ARE FORYOUR BEAUTIFUL CHILDREN,
1521
01:07:07,041 --> 01:07:10,125
AND THERE'S A LITTLE SOMETHINGIN THERE FOR YOU, TOO.
1522
01:07:16,125 --> 01:07:18,208
IT'S CHRISTMAS MORNING.
1523
01:07:18,250 --> 01:07:19,208
IS NOTHING SACRED?
1524
01:07:19,250 --> 01:07:21,000
I READ BEN'S MANUSCRIPT,
1525
01:07:21,041 --> 01:07:22,125
AND YOU WERE RIGHT.
1526
01:07:22,166 --> 01:07:23,250
IT'S...
1527
01:07:23,291 --> 01:07:24,208
IT'S AMAZING.
1528
01:07:24,250 --> 01:07:26,041
I CAME HERE TO TELL YOU THAT,
1529
01:07:26,125 --> 01:07:29,416
AND ALSO TO TELL YOU THAT...
1530
01:07:32,125 --> 01:07:33,416
I'M SORRY.
1531
01:07:33,500 --> 01:07:34,708
ARE YOU DRUNK?
1532
01:07:34,750 --> 01:07:35,750
YOU HAVEEVERY REASON, TANYA,
1533
01:07:35,833 --> 01:07:37,000
TO BE ANGRY WITH ME,
1534
01:07:37,041 --> 01:07:38,000
BUT I AM SERIOUSABOUT THIS BOOK.
1535
01:07:38,041 --> 01:07:40,000
I WANT TOPUBLISH IT IMMEDIATELY,
1536
01:07:40,041 --> 01:07:42,416
AND DO YOU WANTTO KNOW WHY?
1537
01:07:43,541 --> 01:07:46,000
BECAUSEIT DESERVES TO BE READ.
1538
01:07:46,041 --> 01:07:48,208
SO? PUBLISH IT.
1539
01:07:48,250 --> 01:07:49,208
WHAT DO I CARE?
1540
01:07:49,208 --> 01:07:50,833
BECAUSE I WAS WRONG,
1541
01:07:50,875 --> 01:07:53,041
AND I WANT TO TRYAND MAKE AMENDS.
1542
01:07:57,541 --> 01:07:59,041
I WANT YOUTO COME BACK TO WORK.
1543
01:08:00,041 --> 01:08:01,541
ARE YOU KIDDING ME?
1544
01:08:02,750 --> 01:08:05,041
OKAY, LISTEN TO ME.
1545
01:08:05,083 --> 01:08:10,375
I WOKE UP THIS MORNING,AND I FELT LIKE A NEW WOMAN,
1546
01:08:10,375 --> 01:08:11,833
LIKE THIS BURDEN
1547
01:08:11,875 --> 01:08:13,750
HAD BEEN LIFTEDOFF OF MY SHOULDERS,
1548
01:08:13,791 --> 01:08:14,875
AND YOU WANT TO KNOW WHY?
1549
01:08:14,875 --> 01:08:16,000
NEW MATTRESS?
1550
01:08:16,041 --> 01:08:19,916
BECAUSE I WILL NEVER, EVER,HAVE TO WORK FOR YOU AGAIN.
1551
01:08:22,291 --> 01:08:23,250
WAIT, WAIT!
1552
01:08:23,291 --> 01:08:24,166
JUST...
1553
01:08:24,208 --> 01:08:25,083
GET OFF MY DOOR.
1554
01:08:25,125 --> 01:08:26,125
NO, WILL YOU--
1555
01:08:26,208 --> 01:08:27,291
I WILL CALL THE COPS!
1556
01:08:27,375 --> 01:08:29,208
JUST LISTEN TO ME!
1557
01:08:29,208 --> 01:08:30,958
FINE.
1558
01:08:31,000 --> 01:08:32,291
YOU'VE GOT 10 SECONDS.
1559
01:08:32,375 --> 01:08:34,916
ALL RIGHT, OKAY, 10 SECONDS.
1560
01:08:35,000 --> 01:08:36,416
NINE, EIGHT...
1561
01:08:36,500 --> 01:08:37,291
OKAY, OKAY!
1562
01:08:37,333 --> 01:08:42,041
HERE I GO.
1563
01:08:42,083 --> 01:08:44,958
TANYA, I WANT YOU TO BETHE EDITOR FOR THIS BOOK,
1564
01:08:45,000 --> 01:08:47,708
AND I WANT YOU TO HELP MEREBUILD SPRINGWOOD
1565
01:08:47,750 --> 01:08:51,041
INTO THE COMPANYTHAT EVE LEFT BEHIND.
1566
01:08:51,083 --> 01:08:53,083
I NEED YOU TO MAKE US BETTER.
1567
01:08:55,375 --> 01:08:56,375
I WANT A RAISE.
1568
01:08:56,416 --> 01:08:57,791
NO PROBLEM.
1569
01:08:57,833 --> 01:08:58,958
AND TWO WEEKS' VACATION.
1570
01:08:59,041 --> 01:08:59,875
YOU GOT IT.
1571
01:08:59,875 --> 01:09:01,458
AND FULL BENEFITSFOR THE WHOLE OFFICE.
1572
01:09:01,541 --> 01:09:03,083
WOW.
1573
01:09:03,166 --> 01:09:05,625
OKAY, YOU KNOW WHAT, UM...
1574
01:09:05,708 --> 01:09:08,375
WE HAVE A REALLY BIGOVERHEAD ALREADY, AND--
1575
01:09:08,375 --> 01:09:09,833
OH, HEY! WAIT.
1576
01:09:09,875 --> 01:09:10,833
DUT, DUT, DUT...
1577
01:09:10,875 --> 01:09:14,083
LOOKING FORWARD TO IT.
1578
01:09:14,125 --> 01:09:15,375
IS IT A DEAL?
1579
01:09:30,708 --> 01:09:33,541
LADIES, LET'S DO THIS.
1580
01:09:37,208 --> 01:09:39,291
MERRY CHRISTMAS, GUYS.
1581
01:09:40,875 --> 01:09:42,041
KENDRA.
1582
01:09:43,125 --> 01:09:44,250
EVERYTHING OKAY?
1583
01:09:44,291 --> 01:09:45,791
NEVER BETTER.
1584
01:09:45,875 --> 01:09:47,625
WE SHOULD TELL HER.
1585
01:09:47,666 --> 01:09:49,041
SHE'LL FIND OUTSOON ENOUGH.
1586
01:09:49,041 --> 01:09:50,750
TELL ME WHAT?
1587
01:09:50,833 --> 01:09:52,000
UH, WE'RE FORMINGA NEW--
1588
01:09:52,041 --> 01:09:52,791
WENDY!
1589
01:09:52,833 --> 01:09:54,833
SHE SHOULD KNOW.SHE'S ONE OF US.
1590
01:09:54,875 --> 01:09:56,083
OKAY,WHAT'S GOING ON, GUYS?
1591
01:09:56,125 --> 01:09:58,208
WE'RE REVOLTING.
1592
01:09:58,291 --> 01:09:59,708
WAIT, THAT DIDN'TSOUND RIGHT.
1593
01:09:59,791 --> 01:10:00,958
UH, WE'RE REBELLING.
1594
01:10:01,041 --> 01:10:02,250
AGAINST?
1595
01:10:02,333 --> 01:10:03,208
UH, CAROL?
1596
01:10:03,250 --> 01:10:04,500
WE'RE FORMING A NEW COMPANY,
1597
01:10:04,541 --> 01:10:06,208
AND TAKING ALL OFSPRINGWOOD'S BUSINESS WITH US.
1598
01:10:06,250 --> 01:10:07,750
EXCUSE ME?
1599
01:10:07,791 --> 01:10:09,083
THE ONLY QUESTIONYOU NEED TO ASK, KENDRA--
1600
01:10:09,166 --> 01:10:12,375
ARE YOU WITH USOR AGAINST US?
1601
01:10:13,083 --> 01:10:14,041
UH, HOLD ONA SEC, GUYS--
1602
01:10:14,083 --> 01:10:17,083
TIME FOR TALK'S OVER, KENDRA!TIME FOR ACTION!
1603
01:10:17,125 --> 01:10:18,000
BUT--
1604
01:10:18,041 --> 01:10:18,875
VIVA LA REVOLUCION!
1605
01:10:18,958 --> 01:10:21,041
:VIVA LA REVOLUCION!
1606
01:10:21,041 --> 01:10:21,875
CAROL HUFFLER,
1607
01:10:21,875 --> 01:10:23,458
YOUR ERA OF TYRANNY IS...
1608
01:10:25,000 --> 01:10:26,041
SHE'S NOT HERE.
1609
01:10:26,041 --> 01:10:27,041
WEIRD.
1610
01:10:27,041 --> 01:10:28,916
SHE'HERE.
1611
01:10:28,916 --> 01:10:31,541
HUH?WEIRD.
1612
01:10:48,041 --> 01:10:49,166
HERE.
1613
01:10:50,375 --> 01:10:52,208
MERRY CHRISTMAS, EVERYONE.
1614
01:10:54,833 --> 01:10:56,375
OH, MY GOODNESS, IS HE OKAY?
1615
01:10:56,416 --> 01:10:57,541
OH, YEAH, HE'S FINE.
1616
01:10:57,583 --> 01:11:00,041
IT HAPPENS ALL THE TIME.HE'LL JUST BE A MINUTE.
1617
01:11:00,083 --> 01:11:00,875
WAKE UP.
1618
01:11:00,916 --> 01:11:02,375
OKAY, COME ON.WAKE UP.
1619
01:11:02,416 --> 01:11:03,208
HEY, SWEETIE.
1620
01:11:03,291 --> 01:11:04,333
I DON'T WANNA GO TO SCHOOL.
1621
01:11:04,375 --> 01:11:06,083
WAKE UP!
1622
01:11:12,500 --> 01:11:13,541
NOW, I KNOW
1623
01:11:13,625 --> 01:11:14,750
YOU'RE ALLA LITTLE CONFUSED,
1624
01:11:14,791 --> 01:11:15,916
SO I'M GOING TO CUTRIGHT TO THE CHASE,
1625
01:11:16,000 --> 01:11:18,625
BECAUSE I DON'T WANT TO KEEP YOUANY LONGER THAN NECESSARY.
1626
01:11:18,708 --> 01:11:21,000
YOU'RE FREAKING US OUT.
1627
01:11:21,041 --> 01:11:22,125
BELIEVE ME WHEN I TELL YOU
1628
01:11:22,208 --> 01:11:25,291
THE CAROL HUFFLERTHAT YOU'VE COME TO KNOW...
1629
01:11:25,375 --> 01:11:28,041
AND HATE...
1630
01:11:28,125 --> 01:11:29,500
IS A THING OF THE PAST.
1631
01:11:30,666 --> 01:11:32,916
I'M TURNING OVERA NEW LEAF.
1632
01:11:33,000 --> 01:11:34,750
I'M GOING TO BEA BETTER PERSON.
1633
01:11:34,833 --> 01:11:39,583
I REALIZE THAT I'M GOING TOHAVE TO EARN YOUR TRUST,
1634
01:11:39,625 --> 01:11:43,625
BUT I'M HOPING THATTHIS CAN BE THE FIRST STEP.
1635
01:11:45,125 --> 01:11:48,375
PASS THE REST OFTHESE OUT. THANK YOU.
1636
01:11:48,416 --> 01:11:49,583
WHAT'S THIS?
1637
01:11:49,666 --> 01:11:51,458
SOMETHING THAT'S LONG OVERDUE.
1638
01:11:51,541 --> 01:11:53,375
IT'S A BONUS!
1639
01:11:53,375 --> 01:11:54,333
NOPE,
1640
01:11:54,375 --> 01:11:56,250
IT'S AIT'S PROFIT SHARING,
1641
01:11:56,333 --> 01:11:57,875
BECAUSE FROMTHIS POINT ON,
1642
01:11:57,958 --> 01:12:00,083
YOU'RE ALLBOARD MEMBERS.
1643
01:12:00,166 --> 01:12:01,333
IT'S A NEW DAY.
1644
01:12:01,375 --> 01:12:06,041
EVE MAILER FOUNDED THIS COMPANYON ONE SIMPLE CONCEPT,
1645
01:12:06,125 --> 01:12:07,666
THE LOVE OF GOOD BOOKS.
1646
01:12:07,708 --> 01:12:09,708
AND YOU ALLENTERED PUBLISHING
1647
01:12:09,708 --> 01:12:10,791
FOR THE SAME REASON.
1648
01:12:10,833 --> 01:12:14,125
SO IT'S TIMETHAT WE GO BACK TO OUR ROOTS.
1649
01:12:14,208 --> 01:12:15,875
SPRINGWOOD, FROM NOW ON,
1650
01:12:15,958 --> 01:12:18,208
WILL NOT ONLY PUBLISHBOOKS THAT SELL,
1651
01:12:18,250 --> 01:12:20,708
BUT BOOKS THAT SHOULD BE READ.
1652
01:12:22,333 --> 01:12:23,166
I PRESENT
1653
01:12:23,208 --> 01:12:24,875
THE FOLLOWING MOTIONTO THE BOARD.
1654
01:12:24,916 --> 01:12:26,791
TWO WEEKS OF CHRISTMAS VACATION,
1655
01:12:26,833 --> 01:12:27,833
PAID,
1656
01:12:27,875 --> 01:12:29,791
EFFECTIVE IMMEDIATELY.
1657
01:12:29,875 --> 01:12:30,708
ALL IN FAVOR, SAY "AYE."
1658
01:12:30,708 --> 01:12:32,083
: AYE!
1659
01:12:34,416 --> 01:12:36,958
WE WON, FRED.
1660
01:12:37,000 --> 01:12:38,625
WE WON!
1661
01:12:41,625 --> 01:12:44,208
AND I PRESENTANOTHER MOTION.
1662
01:12:44,958 --> 01:12:48,833
THAT CAROL HUFFLERREMAIN THE PRESIDENT
1663
01:12:48,875 --> 01:12:50,416
OF SPRINGWOODPUBLISHING.
1664
01:12:50,416 --> 01:12:51,708
AYE!
1665
01:12:51,708 --> 01:12:53,041
OF SPRINGWOODPU
1666
01:12:53,041 --> 01:12:54,958
ALL IN FAVOR?
1667
01:12:55,000 --> 01:12:55,916
AYE!
1668
01:12:56,000 --> 01:12:58,041
: AYE.
1669
01:12:59,000 --> 01:13:00,208
THANK YOU.
1670
01:13:01,750 --> 01:13:03,916
WE DID IT!
1671
01:13:04,000 --> 01:13:05,500
I PROMISEI WON'T LET YOU DOWN.
1672
01:13:05,541 --> 01:13:09,375
NOW, THERE'S A TON OF FOOD,EGG NOG,
1673
01:13:09,458 --> 01:13:11,416
COME ON IN AND JOIN.
1674
01:13:11,458 --> 01:13:12,958
MERRY CHRISTMAS.
1675
01:13:14,291 --> 01:13:16,041
A LOTOF GOOD FOOD.
1676
01:13:16,083 --> 01:13:18,041
STILL A LITTLE HYPOGLYCEMIC...
1677
01:13:20,000 --> 01:13:21,708
- MERRY CHRISTMAS.- THANKS.
1678
01:13:21,750 --> 01:13:24,875
OH, LOOK AT ALL THIS FOOD.
1679
01:13:38,041 --> 01:13:40,041
IF YOU'RE ON MEDICATIONS,
1680
01:13:40,041 --> 01:13:41,166
YOU NEED TO KEEP TAKING THEM
1681
01:13:41,208 --> 01:13:44,083
BECAUSE IF YOU SNAP OUT OF THISAND BREAK THEIR HEARTS,
1682
01:13:44,125 --> 01:13:45,791
THAT WOULD JUST BE CRUEL.
1683
01:13:45,875 --> 01:13:49,083
KENDRA, I'VE NEVERFELT BETTER IN MY LIFE,
1684
01:13:49,125 --> 01:13:49,916
AND DON'T WORRY,
1685
01:13:50,000 --> 01:13:50,958
I'M NOT GOING TODISAPPOINT THEM.
1686
01:13:51,000 --> 01:13:53,208
THIS IS GOING TOWORK OUT FOR EVERYONE,
1687
01:13:53,208 --> 01:13:54,208
SO YOU KNOW WHAT?
1688
01:13:54,250 --> 01:13:55,791
WHAT?
1689
01:13:55,833 --> 01:13:57,083
I'M LETTING YOU GO.
1690
01:13:58,041 --> 01:14:00,166
WAIT, YOU'RE FIRING ME?
1691
01:14:00,208 --> 01:14:01,208
NO, NOT FIRED.
1692
01:14:01,291 --> 01:14:04,375
OFFICIALLY,A ONE-YEAR SABBATICAL,
1693
01:14:04,416 --> 01:14:05,875
PAID.
1694
01:14:05,916 --> 01:14:08,583
I WANT YOU TO GO TO EUROPEAND START WRITING.
1695
01:14:10,166 --> 01:14:11,375
WHAT?
1696
01:14:11,375 --> 01:14:12,250
WAIT, HOW DID YOU--
1697
01:14:12,333 --> 01:14:14,875
IT'S NOT IMPORTANT HOW I KNOW.
1698
01:14:14,916 --> 01:14:16,291
WHAT'S IMPORTANTIS THAT YOU DO IT.
1699
01:14:16,333 --> 01:14:19,666
I THOUGHT I WASN'T SUPPOSED TOPLAN MY LIFE AROUND A MAN.
1700
01:14:19,708 --> 01:14:22,208
YOU'RE PLANNING A LIFEWITH YOUR MAN.
1701
01:14:22,250 --> 01:14:23,500
IT'S DIFFERENT.
1702
01:14:29,041 --> 01:14:30,916
WHY ARE YOU DOING THIS?
1703
01:14:31,000 --> 01:14:33,458
YOU'VE DONE SO MUCH FOR ME,KENDRA, OVER THE YEARS--
1704
01:14:33,541 --> 01:14:34,625
IT'S MY JOB.
1705
01:14:34,708 --> 01:14:36,375
NO, GETTING MY MOTHERA CHRISTMAS PRESENT
1706
01:14:36,416 --> 01:14:38,541
BECAUSE YOU KNEW I'D FORGET,THAT'S NOT YOUR JOB.
1707
01:14:40,208 --> 01:14:41,208
THANK YOU SO MUCH
1708
01:14:41,208 --> 01:14:42,875
FOR EVERYTHING.
1709
01:14:42,916 --> 01:14:44,500
I JUST-- I WANT TO MAKE SURE
1710
01:14:44,541 --> 01:14:46,000
YOU DON'T WIND UPANYTHING LIKE ME,
1711
01:14:46,041 --> 01:14:49,333
BECAUSE I'D NEVER BE ABLETO FORGIVE MYSELF.
1712
01:14:50,875 --> 01:14:52,291
I'M SO SORRY.
1713
01:14:53,250 --> 01:14:55,750
IT'S OKAY.
1714
01:14:55,833 --> 01:14:57,791
IT'S OKAY. THANK YOU.
1715
01:14:57,875 --> 01:14:59,625
THANK YOU.
1716
01:15:00,875 --> 01:15:03,333
NOW, IF YOU'LL EXCUSE ME...
1717
01:15:03,375 --> 01:15:05,958
WAIT. WHERE ARE YOU GOING?
1718
01:15:10,208 --> 01:15:11,500
TO SEE IF I CAN FIX
1719
01:15:11,541 --> 01:15:13,666
THE MOST IMPORTANT THINGIN MY LIFE.
1720
01:15:30,250 --> 01:15:32,083
IT WAS SO NICE OF THEMTO HAVE US OVER.
1721
01:15:32,166 --> 01:15:34,333
YES, IT WAS.
1722
01:15:40,916 --> 01:15:43,000
WHAT?
1723
01:15:43,041 --> 01:15:46,708
WHAT IS ALL THIS?
1724
01:15:46,750 --> 01:15:49,916
ARE WEIN THE RIGHT HOUSE?
1725
01:15:53,375 --> 01:15:54,541
HI, MOM.
1726
01:15:55,958 --> 01:15:57,958
MERRY CHRISTMAS.
1727
01:15:58,041 --> 01:15:59,208
HI, SWEETHEART.
1728
01:16:08,875 --> 01:16:11,208
I'M SO SORRY, MOM.
1729
01:16:11,250 --> 01:16:14,000
IT'S OKAY.
1730
01:16:14,041 --> 01:16:16,708
IT'S FINE.
1731
01:16:16,708 --> 01:16:18,583
YOU'RE HOME NOW.
1732
01:16:20,875 --> 01:16:22,208
AND GLORIA,
1733
01:16:22,250 --> 01:16:23,958
I'M SORRY I WAS SO AWFUL
1734
01:16:24,041 --> 01:16:25,458
BEFORE.
1735
01:16:25,541 --> 01:16:26,416
REALLY?
1736
01:16:26,458 --> 01:16:27,625
WHICH TIME?
1737
01:16:31,000 --> 01:16:32,041
YOU'RE A PART OF THIS FAMILY,
1738
01:16:32,041 --> 01:16:35,125
AND THANK YOU FOR TAKINGSUCH GOOD CARE OF MY MOTHER.
1739
01:16:35,208 --> 01:16:37,375
YOU'RE WELCOME.
1740
01:16:42,875 --> 01:16:45,250
NOW, YOU TWOGET CAUGHT UP.
1741
01:16:45,333 --> 01:16:48,125
I'M GONNA GETMY KITCHEN HUMMING.
1742
01:16:51,583 --> 01:16:53,208
THE DECORATIONS ARE BEAUTIFUL.
1743
01:16:53,916 --> 01:16:55,666
I'M GLAD YOU KEPT THEM ALL.
1744
01:16:55,708 --> 01:16:59,000
WELL, I ALWAYS HOPEDI'D GIVE THEM TO YOU ONE DAY.
1745
01:17:00,833 --> 01:17:03,041
WOULD YOU... LIKE SOME TEA?
1746
01:17:03,041 --> 01:17:05,208
I'D LOVE THAT.
1747
01:17:06,375 --> 01:17:09,333
I LOVED YOUR PRESENT.
1748
01:17:09,375 --> 01:17:10,875
YEAH, ABOUT THAT--
1749
01:17:10,958 --> 01:17:14,583
NO, NO, I LOVED IT.
1750
01:17:17,208 --> 01:17:19,875
MOM, I KNOW HOW HARDYOU HAD TO WORK
1751
01:17:19,875 --> 01:17:20,791
WHEN I WAS A LITTLE GIRL.
1752
01:17:20,875 --> 01:17:24,500
HONEY, IT MUST HAVE BEENHARD FOR YOU, TOO,
1753
01:17:24,541 --> 01:17:26,583
BEING DRAGGED AROUNDFROM JOB TO JOB.
1754
01:17:26,625 --> 01:17:29,875
BUT YOU ALWAYS MADE SUREI HAD A GREAT BOOK TO READ.
1755
01:17:30,958 --> 01:17:32,041
NOW, WITHOUT MY BOOKS,
1756
01:17:32,125 --> 01:17:34,041
I WOULDN'T HAVEMY WONDERFUL LIFE.
1757
01:17:34,041 --> 01:17:35,416
I OFTEN WONDER
1758
01:17:35,500 --> 01:17:37,041
WHAT YOU MUST HAVE THOUGHTABOUT ME BACK THEN.
1759
01:17:37,083 --> 01:17:39,333
I THOUGHT YOU WEREA DEVOTED MOTHER
1760
01:17:39,375 --> 01:17:41,125
WHO LOVED ME VERY MUCH.
1761
01:17:41,958 --> 01:17:45,291
I JUST WANTED YOU TO HAVETHE OPPORTUNITIES THAT I DIDN'T.
1762
01:17:46,666 --> 01:17:50,875
AND IF I'VE NEVERSAID IT BEFORE,
1763
01:17:50,916 --> 01:17:52,375
THANK YOU.
1764
01:17:57,541 --> 01:18:00,458
I'M SORRY I HAVEN'T BEENAROUND MUCH LATELY.
1765
01:18:01,875 --> 01:18:03,375
THAT'S OKAY, HONEY.
1766
01:18:03,375 --> 01:18:04,666
YOU'VE BEEN BUSY.
1767
01:18:05,541 --> 01:18:08,958
WORK TO LIVE, MOM,NOT LIVE TO WORK.
1768
01:18:09,000 --> 01:18:10,791
THOSE WERE YOUR WORDS.
1769
01:18:10,875 --> 01:18:12,833
WISE WORDS.
1770
01:18:12,875 --> 01:18:15,291
FROM A WISE WOMAN.
1771
01:18:18,958 --> 01:18:20,916
I...
1772
01:18:21,000 --> 01:18:24,458
I HAD THE STRANGEST DREAMABOUT YOU LAST NIGHT.
1773
01:18:24,541 --> 01:18:25,791
YOU DID?
1774
01:18:25,875 --> 01:18:26,583
YEAH.
1775
01:18:26,666 --> 01:18:29,166
IT-- IT WAS YOU,BUT YOU WERE OLDER.
1776
01:18:29,208 --> 01:18:31,750
YOU WERE ABOUT MY AGE.
1777
01:18:31,833 --> 01:18:34,000
IT WAS CHRISTMAS, AND...
1778
01:18:34,041 --> 01:18:35,041
YOU HAD YOUR FAMILY
1779
01:18:35,041 --> 01:18:36,875
ALL AROUND YOU.
1780
01:18:36,958 --> 01:18:40,250
ADORING CHILDRENLOOKING UP.
1781
01:18:40,333 --> 01:18:41,333
THERE WAS A MAN.
1782
01:18:41,375 --> 01:18:45,208
HE WAS...
1783
01:18:45,250 --> 01:18:47,166
IT WAS BEN.
1784
01:18:47,208 --> 01:18:48,875
DO YOU REMEMBER BEN?
1785
01:18:48,916 --> 01:18:51,000
THAT BOYYOU USED TO DATE?
1786
01:18:51,041 --> 01:18:53,666
HE WAS SO CUTE.
1787
01:18:53,708 --> 01:18:56,208
YOU TWO SEEMED SO HAPPY.
1788
01:18:57,958 --> 01:18:59,208
WE WERE.
1789
01:19:01,833 --> 01:19:02,875
AND THEN...
1790
01:19:02,916 --> 01:19:04,916
HE LEANED OVER
1791
01:19:04,916 --> 01:19:06,791
AND WHISPERED SOMETHINGIN YOUR EAR,
1792
01:19:06,875 --> 01:19:08,166
HE LEANED OVEAND...
1793
01:19:08,208 --> 01:19:09,375
WHAT WAS IT HE SAID?
1794
01:19:09,375 --> 01:19:11,250
IT WAS, UH...
1795
01:19:18,041 --> 01:19:20,416
HE THANKED ME FOR GIVING HIM
1796
01:19:20,458 --> 01:19:22,250
ANOTHER CHANCE.
1797
01:19:25,958 --> 01:19:27,041
RIGHT.
1798
01:19:28,750 --> 01:19:32,875
WELL, THEN, MAYBE YOU SHOULD.
1799
01:19:34,750 --> 01:19:36,166
I THINK IT'S TOO LATE, MOM.
1800
01:19:36,208 --> 01:19:38,166
NO, HONEY.
1801
01:19:38,208 --> 01:19:40,416
IT'S NEVER TO LATE.
1802
01:19:40,500 --> 01:19:43,041
MEN NEVER KNOW WHAT THEY WANTUNTIL YOU TELL THEM.
1803
01:20:04,458 --> 01:20:08,041
OKAY.
1804
01:20:08,083 --> 01:20:10,708
ALL RIGHT.
1805
01:20:10,708 --> 01:20:12,375
I'LL BE BACK.
1806
01:20:12,375 --> 01:20:13,458
WISH ME LUCK.
1807
01:20:13,500 --> 01:20:14,375
OKAY.
1808
01:20:14,375 --> 01:20:16,791
I LOVE YOU, MOM.
1809
01:20:16,875 --> 01:20:19,041
I LOVE YOU TOO.
1810
01:20:21,708 --> 01:20:23,458
WHERE'D CAROL GO?
1811
01:20:23,541 --> 01:20:26,291
UM...
1812
01:20:26,375 --> 01:20:27,916
TO GET HER MAN.
1813
01:20:38,916 --> 01:20:39,750
HI, SUSAN,
1814
01:20:39,833 --> 01:20:42,708
IT... IT'S ME, CAROL HUFFLER.
1815
01:20:42,708 --> 01:20:43,708
YEAH.
1816
01:20:43,708 --> 01:20:44,791
IT... II REMEMBER YOU.UFFLER.
1817
01:20:44,833 --> 01:20:46,666
UM... WHAT ARE YOU DOING HERE?
1818
01:20:46,708 --> 01:20:48,958
WELL, I...THOUGHT BEN WAS HERE.
1819
01:20:49,041 --> 01:20:50,125
HE'S NOT.
1820
01:20:51,166 --> 01:20:52,333
OH.
1821
01:20:52,375 --> 01:20:54,041
HE LEFTTHIS MORNING.
1822
01:20:54,083 --> 01:20:55,041
REALLY?
1823
01:20:55,083 --> 01:20:56,000
I-- I THOUGHT MAYBE THAT--
1824
01:20:56,041 --> 01:20:58,250
HE ALWAYSSPENDS CHRISTMAS ALONE.
1825
01:20:59,208 --> 01:21:00,541
I DIDN'T KNOW THAT.
1826
01:21:00,583 --> 01:21:02,000
WELL, HE DIDN'T ALWAYS DO IT.
1827
01:21:02,041 --> 01:21:05,291
HE...STARTED WHEN YOU GUYS...
1828
01:21:07,166 --> 01:21:09,958
WELL, YOU KNOW.
1829
01:21:11,375 --> 01:21:12,541
DO YOU KNOW WHERE HE WENT?
1830
01:21:12,583 --> 01:21:16,791
HE MIGHT BE GONE THROUGHTO THE NEW YEAR OR LONGER.
1831
01:21:16,875 --> 01:21:18,541
I COULDN'T SAY.
1832
01:21:20,375 --> 01:21:22,458
WELL...
1833
01:21:22,541 --> 01:21:24,416
THANKS.
1834
01:21:25,875 --> 01:21:27,583
IS THAT...?
1835
01:21:30,875 --> 01:21:31,833
YEAH.
1836
01:21:31,875 --> 01:21:33,666
HE, UM...
1837
01:21:33,708 --> 01:21:34,541
HE LEFT IT BEHIND.
1838
01:21:34,625 --> 01:21:37,125
SAID HE DIDN'TWANT IT ANYMORE, AND...
1839
01:21:37,166 --> 01:21:39,958
HE TOLD ME TO SELL IT.
1840
01:21:40,958 --> 01:21:42,000
MAY I?
1841
01:21:42,041 --> 01:21:43,916
OH, SURE.
1842
01:21:52,875 --> 01:21:54,250
CAN I GET YOUANYTHING?
1843
01:21:54,250 --> 01:21:55,333
NO.
1844
01:21:55,375 --> 01:21:57,625
CAN I GET YOUTHANKS. I'M FINE.G?
1845
01:21:59,333 --> 01:22:00,875
LISTEN,
1846
01:22:00,916 --> 01:22:03,375
I KNOW YOU AND BEN HAVE HADYOUR PROBLEMS IN THE PAST,
1847
01:22:03,375 --> 01:22:05,666
BUT IF I HEAR FROM HIM,
1848
01:22:05,708 --> 01:22:07,833
SHALL I TELL HIMYOU DROPPED BY?
1849
01:22:07,875 --> 01:22:09,541
NO, IT'S OKAY.
1850
01:22:09,583 --> 01:22:11,416
HE'S BETTER OFF NOT KNOWING.
1851
01:22:15,375 --> 01:22:16,708
I'LL JUST LET MYSELF OUT,
1852
01:22:16,708 --> 01:22:18,875
IF YOU WOULDN'T MIND.
1853
01:22:18,875 --> 01:22:20,333
TAKE YOUR TIME.
1854
01:22:20,375 --> 01:22:22,166
THANKS.
1855
01:22:22,208 --> 01:22:23,666
MERRY CHRISTMAS.
1856
01:22:24,458 --> 01:22:26,375
MERRY CHRISTMAS.
1857
01:22:50,083 --> 01:22:52,916
CAROL? UH...
1858
01:22:53,000 --> 01:22:54,375
I THOUGHT YOU LEFT.
1859
01:22:56,041 --> 01:22:57,875
WELL, I DID, BUT I, UH...
1860
01:22:57,916 --> 01:22:58,958
I CAME BACK.
1861
01:22:59,041 --> 01:23:00,958
WHAT FOR?
1862
01:23:01,708 --> 01:23:03,916
SOME THINGS YOU CAN'T JUSTWALK AWAY FROM.
1863
01:23:03,958 --> 01:23:05,416
BEN, I...
1864
01:23:05,500 --> 01:23:06,375
I'M SORRY.
1865
01:23:06,375 --> 01:23:07,833
I'M SORRY FOR EVERYTHING--
1866
01:23:07,875 --> 01:23:09,416
- WAIT, UH, CAROL--- LET ME TALK.
1867
01:23:09,500 --> 01:23:10,541
LISTEN TO ME.
1868
01:23:10,583 --> 01:23:12,916
I... YOU WERE RIGHT.I DID CHANGE.
1869
01:23:12,958 --> 01:23:13,833
I...
1870
01:23:13,875 --> 01:23:16,708
TURNED INTO SOMEONETHAT I'M NOT PROUD OF,
1871
01:23:16,791 --> 01:23:18,791
AND I DON'TWANT TO BE HER ANYMORE.
1872
01:23:18,875 --> 01:23:21,041
LISTEN--
1873
01:23:21,125 --> 01:23:23,208
NO, I NEED TO BEA BETTER PERSON, BEN.
1874
01:23:23,291 --> 01:23:24,333
DON'T YOU SEE THAT?
1875
01:23:24,375 --> 01:23:26,166
AND I'M ASKING YOU
1876
01:23:26,208 --> 01:23:27,541
TO HELP ME GET THERE.
1877
01:23:27,583 --> 01:23:31,875
I KNOW WHO I WASAND WHERE I CAME FROM,
1878
01:23:31,916 --> 01:23:35,250
AND NOW I KNOWWHERE I WANT TO GO.
1879
01:23:36,500 --> 01:23:37,375
OH, CAROL...
1880
01:23:37,375 --> 01:23:38,375
BUT I CAN'TDO IT ALONE
1881
01:23:38,375 --> 01:23:40,875
ANYMORE, BEN.
1882
01:23:40,916 --> 01:23:44,375
WE'RE NOT MEANT TO BE ALONE.
1883
01:23:44,375 --> 01:23:46,541
I KNOW THAT NOW.
1884
01:23:49,083 --> 01:23:54,041
I PUSHED YOU AWAYWHEN YOU NEEDED ME THE MOST,
1885
01:23:54,083 --> 01:23:57,208
AND FOR THAT, I'M SO SORRY.
1886
01:23:57,250 --> 01:24:00,541
I KNOW NOW
1887
01:24:00,541 --> 01:24:06,583
SHARING LIFE IS WHATMAKES LIFE WORTH LIVING,
1888
01:24:06,625 --> 01:24:11,500
AND I WANT TO SHAREMY LIFE WITH YOU.OW NOW
1889
01:24:15,416 --> 01:24:18,041
I, UH, I THOUGHT YOU SAIDYOU COULDN'T WALK AWAY.
1890
01:24:18,125 --> 01:24:21,333
WELL, I MEANTFROM THE TYPEWRITER.
1891
01:24:21,375 --> 01:24:22,791
WHAT?
1892
01:24:22,875 --> 01:24:23,708
YEAH.
1893
01:24:23,750 --> 01:24:24,541
IN THAT CONDITION,
1894
01:24:24,583 --> 01:24:27,208
IT'S WAY TOO VALUABLEJUST TO SELL IT.
1895
01:24:28,041 --> 01:24:29,666
YOU SON-OF-A...
1896
01:24:38,208 --> 01:24:41,166
I REALLY,REALLY LIKED YOUR SPEECH.
1897
01:24:41,208 --> 01:24:43,291
YOU'RE MEAN.
1898
01:24:43,375 --> 01:24:45,333
NO, I LEARNED FROM THE BEST.
1899
01:24:46,333 --> 01:24:47,958
I READ YOUR MANUSCRIPT.
1900
01:24:48,041 --> 01:24:48,875
YEAH?
1901
01:24:48,875 --> 01:24:50,125
WHAT DID YOU THINK?
1902
01:24:50,875 --> 01:24:53,750
WELL, I THINK THAT, UM,
1903
01:24:53,833 --> 01:24:57,041
YOU NEED A COMPANY THAT CAN TAKEREALLY GOOD CARE OF YOU.
1904
01:24:57,083 --> 01:24:59,375
YOU THINKI NEED TO BE TAKEN CARE OF?
1905
01:24:59,416 --> 01:25:01,208
WE ALL DO.
1906
01:25:02,750 --> 01:25:05,875
♪ AT THIS SPECIAL TIMEOF YEAR ♪
1907
01:25:05,916 --> 01:25:09,666
♪ I'M SO VERY GLADYOU'RE HERE ♪
1908
01:25:09,708 --> 01:25:12,833
♪ MERRY CHRISTMAS ♪
1909
01:25:12,875 --> 01:25:16,500
♪ MERRY CHRISTMAS ♪
1910
01:25:16,541 --> 01:25:19,916
♪ A FIELD OF FRESHLYFALLEN SNOW ♪
1911
01:25:19,916 --> 01:25:23,333
♪ AND WE'VE GOTNOWHERE ELSE TO GO ♪
1912
01:25:23,375 --> 01:25:26,916
♪ A FIELD OF FRESHLY♪ MERRY CHRISTMAS ♪
1913
01:25:27,000 --> 01:25:33,541
♪ MERRY CHRISTMAS TO YOU... ♪
1914
01:25:33,583 --> 01:25:37,041
THE BEST CHRISTMASIN A VERY LONG TIME.
1915
01:25:37,041 --> 01:25:38,041
MERRY CHRISTMAS.
1916
01:25:38,041 --> 01:25:38,958
MERRY CHRISTMAS.
1917
01:25:39,000 --> 01:25:40,916
♪ AND SONGS SUNG BY A CHOIR ♪
1918
01:25:40,958 --> 01:25:45,208
♪ IT'S SNOWINGAND IT'S BLOWING ♪
1919
01:25:45,291 --> 01:25:49,125
♪ SO LET'S STAY HEREBY THE FIRE ♪
1920
01:25:49,166 --> 01:25:52,125
♪ MISTLETOE AND A FESTIVE TREE ♪
1921
01:25:52,208 --> 01:25:55,875
♪ THERE'S NO PLACETHAT I'D RATHER BE ♪
1922
01:25:55,916 --> 01:25:59,166
♪ MERRY CHRISTMAS ♪
1923
01:25:59,208 --> 01:26:05,375
♪ MERRY CHRISTMAS TO YOU... ♪
1924
01:26:12,333 --> 01:26:14,916
MERRY CHRISTMAS, BABY.
1925
01:26:16,083 --> 01:26:20,208
♪ MERRY, MERRY CHRISTMAS ♪
1926
01:26:20,250 --> 01:26:28,375
♪ MERRY CHRISTMAS TO YOU ♪
116433
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