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These are the user uploaded subtitles that are being translated: 1 00:00:29,375 --> 00:00:31,375 (street noises) 2 00:00:44,042 --> 00:00:46,042 ♫ (music begins) 3 00:00:47,917 --> 00:00:49,708 (Inhale) 4 00:00:49,708 --> 00:00:51,708 (exhale) 5 00:00:55,042 --> 00:00:57,875 ♫ IT'S A NEW DAY 6 00:00:57,875 --> 00:00:59,875 ♫ RISE AND SHINE 7 00:00:59,875 --> 00:01:01,875 ♫ WITH A PERFECTLY PLANNED 8 00:01:02,417 --> 00:01:04,417 ♫ PLAN IN MIND 9 00:01:04,417 --> 00:01:06,417 ♫ A NEW DAY 10 00:01:06,417 --> 00:01:08,417 ♫ IN THE NEIGHBORHOOD 11 00:01:08,417 --> 00:01:11,292 ♫ AT THE OLD ITALIAN RESTAURANT NEAR 12 00:01:11,292 --> 00:01:14,625 ♫ THE CORNER OF FIFTH AND A 13 00:01:25,542 --> 00:01:28,292 ♫ IT'S A NEW DAY 14 00:01:29,250 --> 00:01:30,875 ♫ HARRY 15 00:01:30,875 --> 00:01:32,875 ♫ A NEW DAY 16 00:01:33,375 --> 00:01:35,000 ♫ HIS DAD 17 00:01:35,000 --> 00:01:36,875 ♫ A NEW DAY 18 00:01:36,875 --> 00:01:39,042 ♫ IN THE NEIGHBORHOOD 19 00:01:39,042 --> 00:01:41,792 ♫ AT THE OLD ITALIAN RESTAURANT NEAR 20 00:01:41,792 --> 00:01:44,917 ♫ THE CORNER OF FIFTH AND A... 21 00:01:47,625 --> 00:01:49,625 ♫ IT’S A NEW DAY ♫ NOTHING GOES AS IT’S PLANNED 22 00:01:49,625 --> 00:01:51,875 ♫ NEVER DOES ♫ SO WHY DO WE THINK THAT WE KNOW 23 00:01:51,875 --> 00:01:53,875 ♫ WHEN WE DON’T ♫ NEW GOES ASKEW 24 00:01:53,875 --> 00:01:57,875 ♫ TODAY GOES ASTRAY, ASTRAY, ASTRAY … 25 00:01:58,958 --> 00:02:01,500 ♫ AT THE OLD ITALIAN RESTAURANT NEAR 26 00:02:01,500 --> 00:02:04,708 ♫ NEAR THE CORNER OF FIFTH AND A... 27 00:02:11,583 --> 00:02:14,250 ♫ A NEW DAY 28 00:02:15,208 --> 00:02:16,583 ♫ SHERRI 29 00:02:16,583 --> 00:02:18,583 ♫ A NEW DAY 30 00:02:19,208 --> 00:02:20,875 ♫ HER MOM 31 00:02:20,875 --> 00:02:22,875 ♫ A NEW DAY 32 00:02:22,875 --> 00:02:24,875 ♫ IN THE NEIGHBORHOOD 33 00:02:25,000 --> 00:02:27,625 ♫ AT THE TRENDY BRIDAL SHOP NEXT DOOR 34 00:02:27,667 --> 00:02:29,917 ♫ TO THE OLD ITALIAN RESTAURANT NEAR 35 00:02:29,917 --> 00:02:33,417 ♫ THE CORNER OF FIFTH AND A... 36 00:02:35,667 --> 00:02:37,875 ♫ TODAY, NOT YESTERDAY, OR TOMORROW 37 00:02:37,875 --> 00:02:40,125 ♫ NOW, NOT SOONER OR LATER 38 00:02:40,208 --> 00:02:42,417 ♫ WE THREE, BE HERE WITH YOU 39 00:02:42,417 --> 00:02:44,583 ♫ TO SHARE AN ALTERNATIVE POINT OF VIEW 40 00:02:44,583 --> 00:02:46,292 ♫ YOU SEE US 41 00:02:46,292 --> 00:02:47,333 ♫ THEY DON’T 42 00:02:47,333 --> 00:02:48,625 ♫ YOU HEAR US 43 00:02:48,625 --> 00:02:50,250 ♫ THEY WON’T. ♫ WE’RE UP STAGE 44 00:02:50,250 --> 00:02:51,875 ♫ DOWN STAGE LEFT ♫ STAGE RIGHT, WE'RE 45 00:02:51,875 --> 00:02:53,750 ♫ EVERYWHERE, YET OUT OF SIGHT 46 00:02:53,750 --> 00:02:55,750 ♫ WE SEE UNSEEN ♫ WE SEE IT ALL 47 00:02:55,750 --> 00:02:58,083 ♫ IN RHYTHM AND RHYME ♫ WE BREAK THROUGH THE WALL 48 00:02:58,083 --> 00:03:00,458 ♫ IT’S A NEW DAY ♫ NOTHING GOES AS IT’S PLANNED 49 00:03:00,458 --> 00:03:02,625 ♫ NEVER DOES ♫ SO WHY DO WE THINK THAT WE KNOW 50 00:03:02,625 --> 00:03:04,625 ♫ WHEN WE DON'T ♫ IT'S A NEW DAY NOTHING GOES 51 00:03:04,625 --> 00:03:08,458 ♫ AS IT'S PLANNED ♫ ASTRAY, ASTRAY, ASTRAY... 52 00:03:09,750 --> 00:03:11,292 ♫ AT 53 00:03:11,292 --> 00:03:13,250 ♫ THE TRENDY BRIDAL SHOP 54 00:03:14,125 --> 00:03:15,875 ♫ AND AT 55 00:03:15,875 --> 00:03:18,250 ♫ THE OLD ITALIAN RESTAURANT 56 00:03:19,000 --> 00:03:20,625 ♫ NEAR 57 00:03:20,625 --> 00:03:24,250 ♫ THE CORNER OF FIFTH AND A... 58 00:03:32,917 --> 00:03:34,917 ♫ (music vamps) 59 00:03:37,000 --> 00:03:38,750 That's it. 60 00:03:38,792 --> 00:03:40,792 I got it... I got it. 61 00:03:41,208 --> 00:03:43,458 Ya got what, Dad? BIG HARRY: Ow! Cazzo 62 00:03:43,458 --> 00:03:45,417 What'd you expect? It's cappuccino. 63 00:03:45,417 --> 00:03:47,167 I wanted to see how deep the foam was. 64 00:03:47,167 --> 00:03:49,167 Well, now you know. 65 00:03:49,958 --> 00:03:51,958 Oh! That’s the biscotti. 66 00:03:53,000 --> 00:03:55,542 I’ve figured it out. I’ve got the answer. 67 00:03:55,542 --> 00:03:57,333 Got the answer to what, Dad? 68 00:03:57,333 --> 00:03:59,333 The answer to our survival. 69 00:03:59,333 --> 00:04:01,333 Every day a new ethnic 70 00:04:01,333 --> 00:04:03,333 restaurant opens on the block. 71 00:04:03,417 --> 00:04:05,417 That’s what people want. Variety. 72 00:04:06,167 --> 00:04:08,917 So, we’ll give it to them all in one place. 73 00:04:08,917 --> 00:04:10,917 Another cockamamie scheme? You know how well your 74 00:04:10,917 --> 00:04:12,875 Cajun Greek fusion menus went over. 75 00:04:12,875 --> 00:04:14,833 My mistake was combining them. 76 00:04:14,833 --> 00:04:16,833 This is different. ♫ (music begins) 77 00:04:19,417 --> 00:04:21,417 ♫ MONDAY CHICKEN TIKKA… 78 00:04:21,708 --> 00:04:23,000 Indian? 79 00:04:23,000 --> 00:04:25,000 Cudicini’s becomes an Indian restaurant? 80 00:04:25,375 --> 00:04:27,375 ♫ TUESDAY CHICKEN TERIYAKI… 81 00:04:27,875 --> 00:04:29,875 LITTLE HARRY: And then we magically become Japanese the next day? 82 00:04:30,375 --> 00:04:32,375 ♫ WEDNESDAY CHICKEN TACO… 83 00:04:32,375 --> 00:04:34,125 LITTLE HARRY: Oh great! Mexican too? 84 00:04:34,125 --> 00:04:36,125 ♫ THURSDAY CHICKEN SOUVLAKI… 85 00:04:36,958 --> 00:04:38,833 ♫ FRIDAY CHICKEN FRICASEE 86 00:04:38,833 --> 00:04:40,833 ♫ SATURDAY CHICKEN CHOW MEIN 87 00:04:40,833 --> 00:04:44,833 ♫ SUNDAY CHICKEN PARMESAN … 88 00:04:44,833 --> 00:04:46,833 Oh my God, Dad. This isn’t a food court. 89 00:04:47,792 --> 00:04:49,583 ♫ WHERE TELL ME WHERE CAN YOU HAVE 90 00:04:49,583 --> 00:04:52,083 ♫ SOMETHING DIFFERENT EVERY NIGHT ♫ WAITERS WEARING COLORS 91 00:04:52,083 --> 00:04:54,083 ♫ INSTEAD OF BORING BLACK AND WHITE 92 00:04:54,083 --> 00:04:55,917 ♫ TELL ME WHERE ♫ DO YOU HAVE SUCH A CHOICE 93 00:04:55,917 --> 00:04:58,208 ♫ OF THINGS TO EAT ♫ A DIFFERENT MENU EVERY DAY 94 00:04:58,208 --> 00:05:00,167 ♫ HERE WE DO IT HARRY’S WAY 95 00:05:00,167 --> 00:05:02,167 “A different menu every day.” No no no. 96 00:05:02,167 --> 00:05:04,167 That’s a really bad idea. 97 00:05:04,333 --> 00:05:06,625 Shrimp! ♫ MONDAY SHRIMP TIKKA 98 00:05:06,625 --> 00:05:09,500 ♫ TUESDAY SHRIMP TERIYAKI ♫ WEDNESDAY SHRIMP TACO 99 00:05:09,500 --> 00:05:12,250 ♫ THURSDAY SHRIMP SOUVLAKI ♫ FRIDAY SHRIMP FRICASEE 100 00:05:12,250 --> 00:05:14,250 ♫ SATURDAY SHRIMP CHOW MEIN 101 00:05:14,625 --> 00:05:16,833 ♫ SUNDAY SHRIMP PARMESAN 102 00:05:16,833 --> 00:05:19,333 ♫ WHERE, TELL ME WHERE VOICES: ♫ MONDAY SHIMP TIKKA 103 00:05:19,333 --> 00:05:22,042 ♫ COME ON IN, GRAB A CHAIR VOICES: ♫ TUESDAY SHRIMP TERIYAKI 104 00:05:22,042 --> 00:05:24,542 ♫ WE’RE ONE OF A KIND VOICES: ♫ WEDNESDAY SHRIMP TACO 105 00:05:24,542 --> 00:05:27,167 ♫ RELAX AND UNWIND VOICES: ♫ THURSDAY SHRIMP SOUVLAKI 106 00:05:27,167 --> 00:05:29,125 ♫ COME AND GET IT WHILE IT’S HOT VOICES: ♫ OOO... 107 00:05:29,125 --> 00:05:31,583 ♫ I PROMISE IT WILL HIT THE VOICES: ♫ OOO... 108 00:05:31,667 --> 00:05:32,542 ALL: ♫ … SPOT 109 00:05:32,542 --> 00:05:34,917 ♫ A DIFFERENT MENU EVERY DAY 110 00:05:35,250 --> 00:05:37,833 ♫ HERE WE DO IT HARRY’S 111 00:05:37,833 --> 00:05:39,625 ♫ WAY 112 00:05:39,625 --> 00:05:42,208 I don’t believe you. Come on, just give it a chance. 113 00:05:43,125 --> 00:05:45,083 ♫ WHERE, TELL ME WHERE ♫ CAN YOU TAKE A TRIP 114 00:05:45,083 --> 00:05:47,042 ♫ AROUND THE WORLD ♫ IN JUST ONE WEEK 115 00:05:47,042 --> 00:05:48,875 Where, Dad? ♫ RIGHT HERE 116 00:05:48,875 --> 00:05:51,417 ♫ BOMBAY, TOKYO ♫ MEXICO, ATHENS 117 00:05:51,417 --> 00:05:54,125 ♫ HONG KONG, PARIS, ROME … LITTLE HARRY: Ridiculous! 118 00:05:54,625 --> 00:05:57,125 ♫ WHERE ELSE, NO PLACE I TELL YOU 119 00:05:57,125 --> 00:05:58,958 ♫ NO PLACE I KNOW 120 00:05:58,958 --> 00:06:01,083 ♫ SERVES DIFFERENT FOOD ♫ FROM A DIFFERENT 121 00:06:01,083 --> 00:06:03,625 ♫ COUNTRY EVERY NIGHT ♫ A DIFFERENT SPICE 122 00:06:03,625 --> 00:06:05,625 ♫ AT A DECENT PRICE 123 00:06:05,625 --> 00:06:08,125 BOTH: ♫ MONDAY PORK TIKKA ♫ TUESDAY PORK TERIYAKI 124 00:06:08,125 --> 00:06:10,958 ♫ WEDNESDAY PORK TACO ♫ THURSDAY PORK SOUVLAKI 125 00:06:10,958 --> 00:06:14,208 ♫ FRIDAY PORK FRICASEE ♫ SATURDAY PORK CHOW MEIN 126 00:06:14,333 --> 00:06:16,333 ♫ SUNDAY PORK PARMESAN 127 00:06:16,333 --> 00:06:19,208 ♫ WHERE ELSE NO PLACE I TELL YOU VOICES: ♫ MONDAY PORK TIKKA 128 00:06:19,208 --> 00:06:22,292 ♫ NO PLACE I KNOW SERVES DIFFERENT FOOD VOICES: ♫ TUESDAY PORK TERIYAKI, WEDNESDAY PORK TACO 129 00:06:22,292 --> 00:06:24,292 ♫ FROM A DIFFERENT COUNTRY EVERY NIGHT VOICES: ♫ THURSDAY PORK SOUVLAKI, FRIDAY PORK FRICASEE 130 00:06:24,292 --> 00:06:26,292 ALL: ♫ EVERY NIGHT A DIFFERENT SPICE 131 00:06:26,292 --> 00:06:28,208 ♫ AT A DECENT PRICE LITTLE HARRY: Bombay? 132 00:06:28,208 --> 00:06:30,208 ♫ TELL ME WHERE VOICES: ♫ OOO... PORK TIKKA 133 00:06:30,208 --> 00:06:32,750 ♫ COME IN, GRAB A CHAIR VOICES: ♫ OOO... PORK TERIYAKI 134 00:06:32,750 --> 00:06:35,292 ♫ WE'RE ONE OF A KIND VOICES: ♫ OOO... PORK TACO 135 00:06:35,292 --> 00:06:37,250 ♫ RELAX AND UNWIND VOICES: ♫ AAH... 136 00:06:37,250 --> 00:06:39,250 ALL: ♫ COME AND GET IT WHILE IT’S HOT 137 00:06:39,625 --> 00:06:42,125 ♫ I PROMISE IT WILL HIT THE … 138 00:06:42,125 --> 00:06:43,042 ♫ SPOT 139 00:06:43,042 --> 00:06:45,542 ♫ A DIFFERENT MENU EVERY DAY 140 00:06:45,833 --> 00:06:48,167 ♫ HERE WE DO IT HARRY’S LITTLE HARRY: Bombay? 141 00:06:48,167 --> 00:06:49,375 ♫ WAY 142 00:06:49,375 --> 00:06:50,833 ♫ TELL ME WHERE VOICES: ♫ TELL ME WHERE, GRAB A CHAIR 143 00:06:50,833 --> 00:06:53,042 ♫ COME IN, GRAB A CHAIR 144 00:06:53,958 --> 00:06:55,958 ♫ WE'RE ONE OF A KIND VOICES: ♫ WHERE CAN YOU FILL YOUR CUP 145 00:06:55,958 --> 00:06:57,958 ♫ RELAX AND UNWIND VOICES: ♫ UNTIL IT OVERFLOWS 146 00:06:58,417 --> 00:07:00,958 ♫ COME AND GET IT WHILE IT'S HOT VOICES: ♫ AHH... 147 00:07:00,958 --> 00:07:02,958 ♫ I PROMISE IT WILL HIT THE... VOICES: ♫ AHH... 148 00:07:03,292 --> 00:07:04,125 ALL: ♫ SPOT 149 00:07:04,125 --> 00:07:06,542 ♫ A DIFFERENT PALATE EVERY NIGHT 150 00:07:07,042 --> 00:07:09,042 ♫ EAT AT HARRY’S DO IT RIGHT 151 00:07:09,375 --> 00:07:11,500 ♫ A DIFFERENT MENU EVERY DAY 152 00:07:12,125 --> 00:07:14,667 ♫ HERE WE DO IT HARRY'S 153 00:07:14,667 --> 00:07:16,667 ♫ WAY 154 00:07:16,667 --> 00:07:18,667 ♫ HARRY'S WAY 155 00:07:19,375 --> 00:07:24,583 ♫ HARRY'S WAY 156 00:07:25,417 --> 00:07:27,417 ♫ (music plays out) 157 00:07:31,125 --> 00:07:33,125 Dad, wait. I need to talk to you. 158 00:07:33,417 --> 00:07:35,292 In Italian: Non, Ora (Not now) I gotta go to Canal Street to pick up 159 00:07:35,292 --> 00:07:36,917 spices for all the new cuisines. 160 00:07:36,917 --> 00:07:40,333 Do you even know what you’d need? BIG HARRY: (speaking in Italian) 161 00:07:52,125 --> 00:07:53,000 ♫ (music begins) 162 00:07:53,000 --> 00:07:54,958 ♫ DAD … HOW TO SAY THIS 163 00:07:54,958 --> 00:07:56,958 ♫ WITHOUT KILLING YOU? 164 00:07:57,750 --> 00:07:59,750 ♫ I'M LEAVING DAD 165 00:07:59,917 --> 00:08:01,917 ♫ I'VE APPLIED FOR A NEW POSITION... 166 00:08:04,167 --> 00:08:06,167 ♫ I WANT TO BE A CHEF DAD 167 00:08:06,667 --> 00:08:08,667 ♫ NOT A COOK … A CHEF 168 00:08:09,000 --> 00:08:10,500 ♫ WORK FOR THE BEST, NOT THAT 169 00:08:10,500 --> 00:08:12,042 ♫ YOU'RE NOT THE BEST … DAD 170 00:08:12,042 --> 00:08:14,042 ♫ YOU KNOW WHAT I MEAN … 171 00:08:15,875 --> 00:08:17,875 ♫ NO, YOU DON'T KNOW WHAT I MEAN … 172 00:08:19,250 --> 00:08:22,083 ♫ DAD I REALLY LOVE YOU 173 00:08:23,250 --> 00:08:25,250 ♫ BUT DAD I’M ALMOST THIRTY 174 00:08:26,500 --> 00:08:28,500 ♫ AND I WANT TO MOVE ON 175 00:08:29,667 --> 00:08:31,667 ♫ MOVE ON … 176 00:08:33,833 --> 00:08:36,083 ♫ SO I'VE APPLIED TO BE 177 00:08:36,167 --> 00:08:38,958 ♫ THE SOUS CHEF AT FELIDIA 178 00:08:39,958 --> 00:08:41,958 ♫ IF THEY CHOOSE ME 179 00:08:41,958 --> 00:08:43,958 ♫ I'LL BE WORKING FOR 180 00:08:43,958 --> 00:08:46,417 ♫ LIDIA BASTIANICH 181 00:08:47,542 --> 00:08:49,542 ♫ ME, DAD … 182 00:08:49,542 --> 00:08:51,542 ♫ YOUR SON … 183 00:08:51,917 --> 00:08:53,917 ♫ WORKING FOR 184 00:08:54,542 --> 00:08:56,542 ♫ LIDIA … 185 00:08:56,542 --> 00:08:58,542 ♫ MY INSPIRATION, MY MUSE, MY LIFE 186 00:08:59,333 --> 00:09:02,375 ♫ LIDIA … QUEEN OF ITALIAN CUISINE 187 00:09:03,125 --> 00:09:07,042 ♫ LIDIA … SICILY … PUGLIA … MARCHE 188 00:09:07,167 --> 00:09:10,792 ♫ LIDIA … PLUMP FOOD GODDESS BASTIANICH 189 00:09:11,500 --> 00:09:13,500 ♫ LIDIA … CICCI 190 00:09:13,500 --> 00:09:15,500 ♫ BRESAOLA, PROSCIUTTO 191 00:09:15,583 --> 00:09:17,583 ♫ LIDIA … GNOCCHI 192 00:09:17,583 --> 00:09:19,583 ♫ POLPETTE, BRANZINO 193 00:09:19,583 --> 00:09:21,583 ♫ LIDIA … FUSILLONI 194 00:09:21,583 --> 00:09:23,583 ♫ BROCCOLI RABE AGLIO 195 00:09:23,667 --> 00:09:25,667 ♫ LIDIA … BISCOTTI 196 00:09:25,667 --> 00:09:27,667 ♫ FIGHI, ESPRESSO 197 00:09:28,042 --> 00:09:30,042 ♫ LI … DIA … 198 00:09:30,792 --> 00:09:32,792 ♫ ROSSO DI MONTALCINO 199 00:09:33,417 --> 00:09:35,417 ♫ LI … DIA … 200 00:09:35,958 --> 00:09:37,958 (Claps hands) ♫ “TUTTI A TAVOLA A MANGIARE” 201 00:09:38,625 --> 00:09:39,833 ♫ LIDIA … 202 00:09:39,875 --> 00:09:40,792 ♫ LIDIA … 203 00:09:40,875 --> 00:09:42,000 ♫ LIDIA … 204 00:09:42,042 --> 00:09:44,042 ♫ LIDIA … 205 00:09:44,083 --> 00:09:45,083 ♫ LIDIA … 206 00:09:45,083 --> 00:09:46,667 VOICES: ♫ AHH 207 00:09:46,792 --> 00:09:48,583 ♫ LIDIA … 208 00:09:48,750 --> 00:09:50,750 ♫ LIDIA … LIDIA ... 209 00:09:50,833 --> 00:09:52,500 ♫ LIDIA … 210 00:09:52,583 --> 00:09:54,583 ♫ LIDIA … LIDIA ... 211 00:09:54,625 --> 00:09:56,625 ♫ LIDIA … VOICES: ♫ AHH 212 00:09:56,917 --> 00:09:58,833 ♫ LIDIA … VOICES: ♫ AHH 213 00:09:58,917 --> 00:10:00,917 ♫ LIDIA … LIDIA ... 214 00:10:00,917 --> 00:10:02,750 ♫ LI - I - I - I - IDIA... 215 00:10:02,833 --> 00:10:07,667 ♫ LI - I - I - I - IDIA... 216 00:10:10,917 --> 00:10:14,917 ♫ LIDIA... 217 00:10:16,292 --> 00:10:18,292 ♫ (music continues) 218 00:10:20,500 --> 00:10:22,500 ♫ A NEW DAY 219 00:10:22,500 --> 00:10:24,917 ♫ IN THE NEIGHBORHOOD 220 00:10:24,917 --> 00:10:26,875 ♫ AT THE TRENDY BRIDAL SHOP 221 00:10:26,875 --> 00:10:29,417 ♫ NEXT DOOR TO THE OLD ITALIAN RESTAURANT 222 00:10:29,417 --> 00:10:33,042 ♫ NEAR THE CORNER OF FIFTH AND A … 223 00:10:45,542 --> 00:10:47,208 Sherri, do you need any help? 224 00:10:47,208 --> 00:10:49,208 SHERRI: No, I'm fine, Mom. 225 00:10:53,458 --> 00:10:56,250 Siri! Call Lewis Miller Floral Designs. 226 00:10:56,250 --> 00:10:58,250 VOICE: Call Lewis Miller Floral Designs. 227 00:11:00,083 --> 00:11:02,500 Lewis! Francine Walters here .. 228 00:11:03,000 --> 00:11:05,000 Listen, I wanted to triple check 229 00:11:05,000 --> 00:11:07,000 on the flower arrangements – 230 00:11:07,000 --> 00:11:09,000 you’ve ordered white, not blue, hydrangea, yes? 231 00:11:09,583 --> 00:11:11,583 And white French tulips? 232 00:11:11,583 --> 00:11:13,458 No, no. No baby’s breath. 233 00:11:13,458 --> 00:11:15,125 God how gauche. 234 00:11:15,125 --> 00:11:17,125 Lewis ... You won’t believe 235 00:11:17,125 --> 00:11:19,125 where Sherri’s dragged me? 236 00:11:19,125 --> 00:11:21,125 Zoya for Brides ... 237 00:11:21,708 --> 00:11:23,583 You’ve heard of it? 238 00:11:23,583 --> 00:11:25,375 Chic? 239 00:11:25,375 --> 00:11:27,375 Only in New York would you find a little hole in the wall 240 00:11:27,375 --> 00:11:29,375 shop selling dresses that cost almost as much 241 00:11:29,375 --> 00:11:31,375 as an Oscar de la Rente original... 242 00:11:32,375 --> 00:11:34,375 alright, alright, you’re right. 243 00:11:34,375 --> 00:11:36,375 Sherri is worth it. 244 00:11:39,875 --> 00:11:41,875 ♫ (music begins) 245 00:11:44,875 --> 00:11:46,542 ♫ MY LITTLE GIRL 246 00:11:46,542 --> 00:11:48,000 ♫ MY BUTTERCUP 247 00:11:48,000 --> 00:11:50,208 ♫ MY BABY’S GETTING MARRIED 248 00:11:50,208 --> 00:11:52,792 ♫ MY ONE AND ONLY DARLING DAUGHTER 249 00:11:52,792 --> 00:11:55,500 ♫ LOVE OF MY LIFE … WILL BE A WIFE 250 00:11:55,500 --> 00:11:58,000 ♫ MY PRECIOUS PLUM ♫ MY SWEETIE PIE 251 00:11:58,000 --> 00:11:59,875 ♫ THE APPLE OF MY EYE 252 00:11:59,875 --> 00:12:01,875 ♫ THE LITTLE GIRL I BIRTHED AND FED 253 00:12:01,875 --> 00:12:03,833 ♫ MY PRIDE AND JOY 254 00:12:03,833 --> 00:12:08,042 ♫ WILL BE NEW … LY WED 255 00:12:08,958 --> 00:12:10,958 ♫ TRA LA LA LA 256 00:12:11,458 --> 00:12:13,458 ♫ LA LA LA LA LA 257 00:12:13,792 --> 00:12:15,792 ♫ TRA LA LA LA 258 00:12:16,208 --> 00:12:19,833 ♫ NEWLY WED 259 00:12:20,583 --> 00:12:22,875 VOICES: ♫ HER LITTLE GIRL ♫ HER BUTTERCUP 260 00:12:22,875 --> 00:12:25,458 ♫ HER BABY’S GETTING MARRIED 261 00:12:25,458 --> 00:12:28,000 ♫ HER ONE AND ONLY ♫ DARLING DAUGHTER 262 00:12:28,000 --> 00:12:30,667 ♫ LOVE OF HER LIFE … WILL BE A WIFE 263 00:12:30,667 --> 00:12:33,000 ♫ HER PRECIOUS PLUM ♫ HER SWEETIE PIE 264 00:12:33,000 --> 00:12:34,958 ♫ THE APPLE OF HER EYE 265 00:12:34,958 --> 00:12:37,083 ♫ THE LITTLE GIRL ♫ I BIRTHED AND FED 266 00:12:37,083 --> 00:12:39,417 ♫ MY PRIDE AND JOY VOICES: ♫ AHH 267 00:12:39,417 --> 00:12:42,458 ♫ WILL BE ALL: ♫ NEWLY 268 00:12:42,458 --> 00:12:46,167 ♫ WED VOICES: ♫ AHH 269 00:12:46,667 --> 00:12:48,667 ♫ TRA LA LA LA 270 00:12:49,042 --> 00:12:51,042 ♫ LA LA LA LA LA 271 00:12:51,458 --> 00:12:53,458 ♫ TRA LA LA LA 272 00:12:53,833 --> 00:12:55,833 ♫ LA LA LA LA LA 273 00:12:56,000 --> 00:12:58,000 ♫ TRA LA LA LA 274 00:12:58,333 --> 00:13:00,333 ALL: ♫ TRA LA LA LA 275 00:13:00,833 --> 00:13:05,000 ♫ NEWLY 276 00:13:06,083 --> 00:13:16,125 ♫ WED VOICES: ♫ AHH 277 00:13:17,917 --> 00:13:20,333 Sherri? Sherri! 278 00:13:20,917 --> 00:13:22,917 Did Zoya fly to Belgium to pick up the lace? 279 00:13:23,083 --> 00:13:25,083 I’ll be out in a minute. Chill, Mom. 280 00:13:25,083 --> 00:13:27,083 I hate that expression. 281 00:13:29,583 --> 00:13:32,542 Siri! Call Marie Bonsard at The Ritz, Paris. 282 00:13:32,542 --> 00:13:34,542 VOICE: Call Mary Bonsard Ritz Paris. 283 00:13:35,292 --> 00:13:36,833 Bonjour Marie – 284 00:13:36,833 --> 00:13:38,833 Oui mignon, c’est Francine Williams 285 00:13:39,333 --> 00:13:41,333 I wanted to make sure le Deluxe Suite 286 00:13:41,333 --> 00:13:43,625 is confirmed for my Sherri’s lune de miel – 287 00:13:45,083 --> 00:13:47,083 no, no, mignon, not le Petite 288 00:13:47,083 --> 00:13:49,083 Deluxe Suite – le Deluxe. 289 00:13:49,625 --> 00:13:51,625 Do I need to speak to the manager? 290 00:13:51,792 --> 00:13:53,792 D’accord. Le Suite Deluxe, 291 00:13:53,792 --> 00:13:55,542 on a high floor facing the 292 00:13:55,542 --> 00:13:58,208 Place Vendome. Merveilleux. 293 00:13:58,958 --> 00:14:00,958 ♫ (music begins) 294 00:14:04,417 --> 00:14:09,167 VOICES: ♫ AHH 295 00:14:12,250 --> 00:14:14,250 ♫ ALMOST A BRIDE 296 00:14:14,958 --> 00:14:16,958 ♫ ALMOST WALKING DOWN THE AISLE 297 00:14:17,750 --> 00:14:21,000 ♫ WITH MY ALMOST BRIDE GROOM 298 00:14:21,000 --> 00:14:23,000 ♫ BRANDON 299 00:14:23,250 --> 00:14:25,250 ♫ WALKING BY MY SIDE 300 00:14:25,250 --> 00:14:27,250 ♫ ALMOST HUSBAND 301 00:14:27,458 --> 00:14:29,458 ♫ ALMOST WIFE 302 00:14:30,458 --> 00:14:33,167 ♫ ALMOST … 303 00:14:33,167 --> 00:14:40,542 ♫ MARRIED LIFE 304 00:14:42,167 --> 00:14:44,167 Look at you. 305 00:14:45,042 --> 00:14:47,042 Oh … just look at you. 306 00:14:49,083 --> 00:14:52,083 I can’t hold back a minute longer … Do you want to hear your wedding present? 307 00:14:52,292 --> 00:14:54,292 No. Not without Brandon. 308 00:14:54,917 --> 00:14:56,917 I put down a deposit on a fabulous condo 309 00:14:56,917 --> 00:14:58,500 for you and your fiancé. 310 00:14:58,500 --> 00:15:00,375 You did? 311 00:15:00,375 --> 00:15:01,375 Where? 312 00:15:01,375 --> 00:15:03,375 Eighty ninth and Lex. 313 00:15:04,083 --> 00:15:06,083 In your building? 314 00:15:06,750 --> 00:15:08,750 No .. Mom, no. 315 00:15:09,292 --> 00:15:12,000 You know that Brandon and I have been looking for lofts in Dumbo. 316 00:15:13,208 --> 00:15:14,542 Where??? 317 00:15:14,542 --> 00:15:16,542 Dumbo. It’s in Brooklyn. 318 00:15:16,542 --> 00:15:18,542 Oh, my God. 319 00:15:19,000 --> 00:15:21,000 No. 320 00:15:21,208 --> 00:15:23,208 In our building you’ll be safe ... 321 00:15:23,208 --> 00:15:25,208 and you’ll have a built in babysitter. 322 00:15:25,542 --> 00:15:27,542 ♫ (music begins) Look, I have it all figured out – 323 00:15:28,833 --> 00:15:30,750 ♫ OF COURSE YOU DO ♫ OF COURSE YOU DO 324 00:15:30,750 --> 00:15:32,458 ♫ MOMMY ANYTHING FOR YOU 325 00:15:32,458 --> 00:15:35,792 ♫ MOMMY EVERYTHING FOR YOU 326 00:15:35,792 --> 00:15:37,792 ♫ TIME OUT ♫ I’M TWENTY NINE 327 00:15:37,792 --> 00:15:39,792 ♫ I WANT TO BUILD A LIFE THAT’S MINE 328 00:15:39,792 --> 00:15:42,958 ♫ SOMEONE’S GOT TO DRAW THE LINE 329 00:15:43,792 --> 00:15:45,792 ♫ I’VE TRIED TO CUT THE CORD 330 00:15:46,125 --> 00:15:49,417 ♫ BUT THE CORD IS TOUGH 331 00:15:50,000 --> 00:15:51,833 ♫ THE OLDER I GET 332 00:15:51,833 --> 00:15:53,833 ♫ THE ROUGHER THE MOTHER 333 00:15:53,833 --> 00:15:56,750 ♫ MOTHER DAUGHTER STUFF 334 00:15:57,958 --> 00:16:01,000 ♫ IT’S NOT THAT I DON’T APPRECIATE YOU … 335 00:16:01,333 --> 00:16:03,333 ♫ I DO 336 00:16:04,417 --> 00:16:07,167 ♫ BUT I’M ALMOST THIRTY 337 00:16:07,958 --> 00:16:09,917 ♫ AND I AM SO LOOKING FORWARD 338 00:16:09,917 --> 00:16:11,917 ♫ TO FINALLY LIVING IN MY OWN PLACE 339 00:16:12,083 --> 00:16:14,500 ♫ CLOSE YET FAR ENOUGH 340 00:16:14,500 --> 00:16:17,667 ♫ AWAY FROM YOU … 341 00:16:22,167 --> 00:16:24,167 ♫ ALMOST A BRIDE 342 00:16:24,958 --> 00:16:26,958 ♫ ALMOST WALKING DOWN THE AISLE 343 00:16:27,708 --> 00:16:30,667 ♫ WITH MY ALMOST BRIDE GROOM 344 00:16:30,667 --> 00:16:32,667 ♫ BRANDON 345 00:16:32,792 --> 00:16:34,792 ♫ WALKING BY MY SIDE 346 00:16:34,792 --> 00:16:36,792 ♫ ALMOST HUSBAND 347 00:16:36,958 --> 00:16:38,958 ♫ ALMOST WIFE 348 00:16:39,375 --> 00:16:44,333 ♫ ALMOST … MARRIED 349 00:16:44,958 --> 00:16:49,333 VOICES: ♫ TRA LA AHH … 350 00:16:50,208 --> 00:16:54,917 ♫ TRA LA AHH … 351 00:16:55,583 --> 00:17:00,708 ♫ TRA LA AHH … 352 00:17:01,042 --> 00:17:03,042 ♫ ALMOST HUSBAND VOICES: ♫ OOO ... 353 00:17:03,708 --> 00:17:05,708 ♫ ALMOST WIFE VOICES: ♫ OOO ... 354 00:17:06,833 --> 00:17:09,833 ♫ ALMOST … 355 00:17:09,833 --> 00:17:13,333 ♫ MARRIED 356 00:17:14,625 --> 00:17:20,083 ♫ LIFE 357 00:17:28,458 --> 00:17:30,458 ♫ (music begins) 358 00:17:45,667 --> 00:17:48,458 Basmati rice and saffron 359 00:17:48,458 --> 00:17:50,458 and .. turmeric and ginger root .. and 360 00:17:51,167 --> 00:17:53,167 tchotchke’s for the tables - 361 00:17:53,208 --> 00:17:55,625 Buddhas and Eiffel Towers and Taj Mahals. 362 00:17:55,875 --> 00:17:58,833 Indian night at Cudicini’s begins next Monday. 363 00:17:59,208 --> 00:18:01,208 LITTLE HARRY: What? No! 364 00:18:01,208 --> 00:18:03,667 We’ll turn every dish into a curry dish, Little Harry. 365 00:18:04,250 --> 00:18:06,583 Bolognaise curry, Milanese curry, 366 00:18:07,583 --> 00:18:09,583 Veal parmesan curry --- 367 00:18:09,583 --> 00:18:10,625 No! 368 00:18:10,625 --> 00:18:12,458 Relax, kid, it’ll be fun. 369 00:18:12,458 --> 00:18:14,417 Wait. I need to talk to you NOW. BIG HARRY: Non ora. ("Not now") 370 00:18:14,417 --> 00:18:17,000 Later. Later. I’ve got a lot to do. LITTLE HARRY: Dad. Stop ... 371 00:18:23,583 --> 00:18:25,583 I’m on the short list for a job as sous chef 372 00:18:25,583 --> 00:18:27,583 at Felidia. 373 00:18:28,458 --> 00:18:30,458 Felidia? 374 00:18:30,958 --> 00:18:32,958 What the hell are you saying? 375 00:18:32,958 --> 00:18:34,958 I’m on the short list at Felidia ... 376 00:18:35,458 --> 00:18:37,792 You know. Lidia Bastianich's restaurant on 58th Street … 377 00:18:37,792 --> 00:18:39,042 Yeah, yeah, I know who she is ... That's not the point. 378 00:18:39,042 --> 00:18:41,875 I've been trying to tell you for ages. I want to be a real chef with proper training. 379 00:18:43,083 --> 00:18:45,083 What? Cooking lunch and 380 00:18:45,083 --> 00:18:47,833 dinner every week for over ten years isn’t proper training? 381 00:18:47,833 --> 00:18:49,833 No. Not real training, Dad. 382 00:18:50,958 --> 00:18:52,958 What’re you? A traitor? 383 00:18:54,750 --> 00:18:57,417 ♫ (music begins) Traitor, Dad? You don’t mean that. 384 00:18:58,458 --> 00:19:00,458 BIG HARRY: I goddamn do mean that. 385 00:19:02,833 --> 00:19:04,708 ♫ WHY DO I DO IT? 386 00:19:04,708 --> 00:19:05,917 just listen to me. 387 00:19:05,917 --> 00:19:07,917 ♫ WHY DO I WORK SO HARD AND 388 00:19:07,917 --> 00:19:09,917 ♫ SEEM TO GET NOWHERE? 389 00:19:10,167 --> 00:19:12,958 ♫ WHY DOES MY LIFE LOOK LIKE A PILE OF CRAP? 390 00:19:12,958 --> 00:19:14,417 Dad, would you just listen to me? 391 00:19:14,417 --> 00:19:16,417 ♫ YOU MIGHT THINK I WAS A BUM ♫ BUT I'M NOT 392 00:19:16,875 --> 00:19:18,875 ♫ I WORK HARD ALL MY LIFE ♫ AND FOR WHAT? 393 00:19:20,458 --> 00:19:22,167 ♫ WHY DO I DO IT? 394 00:19:22,167 --> 00:19:24,167 This is a really big opportunity. 395 00:19:24,167 --> 00:19:26,167 ♫ WHY DO I DO IT? 396 00:19:26,417 --> 00:19:29,167 ♫ FOR THE NAME 397 00:19:30,500 --> 00:19:33,083 ♫ I DO IT FOR THE FAMILY NAME 398 00:19:33,250 --> 00:19:35,917 ♫ I FIGHT … I STAY IN THE GAME 399 00:19:36,458 --> 00:19:37,792 ♫ WHY? 400 00:19:37,792 --> 00:19:41,375 ♫ FOR THE FAMILY NAME 401 00:19:41,583 --> 00:19:44,417 I’m tired of being a short order cook. 402 00:19:45,125 --> 00:19:47,708 A short order cook? What is this, a diner? 403 00:19:47,792 --> 00:19:50,167 Ok, then. A red sauce cook. You know what I’m talking about. 404 00:19:50,917 --> 00:19:52,917 Cudicini’s isn’t good enough for you, huh? 405 00:19:53,375 --> 00:19:55,375 All those phony celebrity chefs 406 00:19:55,750 --> 00:19:57,750 fill your head with dreams. 407 00:19:58,000 --> 00:20:00,542 Top chef ... Top Italian chef ... 408 00:20:00,667 --> 00:20:02,667 Top bullshit chef ... 409 00:20:03,167 --> 00:20:05,167 Next thing you’ll be wanting your own TV show. 410 00:20:05,167 --> 00:20:07,167 ♫ (music changes) 411 00:20:14,958 --> 00:20:16,958 ♫ AT LEAST I DREAM. SO WHAT? 412 00:20:17,583 --> 00:20:19,917 ♫ I WANT TO EXPLORE ♫ I WANT MORE 413 00:20:19,958 --> 00:20:22,292 ♫ EVERYTHING YOU DO ♫ EVERYTHING YOU DREAM 414 00:20:22,542 --> 00:20:25,333 ♫ EVERYTHING YOU WANT ♫ IS STUCK INSIDE THESE WALLS 415 00:20:25,333 --> 00:20:27,917 ♫ YOUR DAD DID IT ♫ YOU DO IT … 416 00:20:29,083 --> 00:20:30,500 ♫ NOW YOU WANT ME TO DO 417 00:20:30,500 --> 00:20:32,500 ♫ THE SAME THING ♫ IN THE THE SAME PLACE 418 00:20:33,083 --> 00:20:35,667 ♫ TRYING OUT ANOTHER FREAKIN’ CRAZY IDEA 419 00:20:35,667 --> 00:20:37,667 ♫ YOU’RE RIGHT I CAN’T DO IT 420 00:20:37,667 --> 00:20:39,667 ♫ AND I WON’T ♫ AND WHY WOULD I? 421 00:20:39,667 --> 00:20:40,958 ♫ WHY SHOULD I? 422 00:20:40,958 --> 00:20:43,792 ♫ LITTLE HARRY DANTE CARLO CUDICINI ... 423 00:20:44,125 --> 00:20:46,083 ♫ YOU DO IT 424 00:20:46,083 --> 00:20:48,083 ♫ FOR THE FAMILY NAME 425 00:20:48,750 --> 00:20:50,750 ♫ YOU THINK I'M A JOKE 426 00:20:50,750 --> 00:20:52,500 ♫ WELL, MAYBE YOU'RE RIGHT 427 00:20:52,500 --> 00:20:54,500 ♫ TOTALLY BROKE 428 00:20:55,125 --> 00:20:57,083 ♫ WORKING MY BONES TO KEEP 429 00:20:57,083 --> 00:20:59,083 ♫ THIS BUSINESS ALIVE 430 00:21:00,625 --> 00:21:02,625 ♫ TRYING TO BE STRONG 431 00:21:02,667 --> 00:21:05,667 ♫ TO KEEP THIS THING MOVING ALONG 432 00:21:05,667 --> 00:21:08,125 ♫ LONGER THAN ME ♫ THAT'S ALL I WANT 433 00:21:08,542 --> 00:21:10,250 ♫ NO MORE ♫ NO LESS 434 00:21:10,250 --> 00:21:12,917 ♫ AND WHAT DO I GET? ♫ A BIG FUCKING MESS 435 00:21:13,375 --> 00:21:15,375 ♫ WHY DO I DO IT? 436 00:21:15,583 --> 00:21:18,500 ♫ WHY? 437 00:21:22,792 --> 00:21:24,792 So ... 438 00:21:25,208 --> 00:21:27,208 when do I start looking for your replacement? 439 00:21:27,750 --> 00:21:29,708 It’s a long shot anyhow. 440 00:21:29,708 --> 00:21:31,708 Well if you get it, 441 00:21:32,250 --> 00:21:34,250 at least you’ll give me notice, right? 442 00:21:34,333 --> 00:21:36,083 Dad. Try to understand. 443 00:21:36,083 --> 00:21:38,042 Oh, yes. Capisco! ("I understand") 444 00:21:39,292 --> 00:21:41,292 I understand alright. 445 00:21:41,292 --> 00:21:43,292 Boy, do I understand. 446 00:21:44,208 --> 00:21:46,208 You think you’re such an ‘artiste’ ... 447 00:21:47,958 --> 00:21:49,958 If I hadn’t given you a job, 448 00:21:49,958 --> 00:21:51,958 you’d be dunking fries in 449 00:21:51,958 --> 00:21:53,958 week old oil at Micky D’s. 450 00:22:01,792 --> 00:22:03,792 I need a break. 451 00:22:04,292 --> 00:22:06,292 ♫ (music begins) 452 00:22:18,750 --> 00:22:20,750 (phone rings) 453 00:22:20,792 --> 00:22:22,792 Hello. Hey Suzy, what’s going on? 454 00:22:23,875 --> 00:22:25,875 Oh, no. FRANCINE: What happened? 455 00:22:26,042 --> 00:22:28,875 Brandon’s assistant says he canceled the menu tasting at noon. 456 00:22:28,875 --> 00:22:30,833 Why? SHERRI: Why did he...? 457 00:22:31,250 --> 00:22:33,167 He’s with an investor. 458 00:22:33,167 --> 00:22:35,667 Well, it’s 11:30. Tell him to reinstate it. 459 00:22:36,292 --> 00:22:38,833 Let me talk to him. Where’d he go? 460 00:22:38,833 --> 00:22:40,833 Where'd he go? SHERRI: With who? 461 00:22:40,833 --> 00:22:42,833 SHERRI: Beatrice Coviington? FRANCINE: The model? 462 00:22:43,375 --> 00:22:45,167 Wow, I didn’t know she was a client? 463 00:22:45,167 --> 00:22:47,167 It’s fine we don’t need him for the tasting. 464 00:22:47,167 --> 00:22:49,167 I do. 465 00:22:49,167 --> 00:22:51,167 Thanks suzy, I’ll call his cell. 466 00:22:53,917 --> 00:22:55,917 Hey sweetie, what’s going on? 467 00:22:56,500 --> 00:22:58,500 They’ve been prepping all morning … 468 00:22:58,792 --> 00:23:01,083 I’m interrupting your meeting ... in your office? 469 00:23:01,083 --> 00:23:02,250 What? 470 00:23:02,250 --> 00:23:04,250 Suzy said you that you left with 471 00:23:04,250 --> 00:23:06,250 Beatrice Covington ... 472 00:23:06,375 --> 00:23:08,375 Suzy lied? FRANCINE: Suzy lied? 473 00:23:08,375 --> 00:23:10,375 Mom! Oh, you did leave. 474 00:23:10,375 --> 00:23:11,542 See? 475 00:23:11,542 --> 00:23:13,542 Then why did he say he was -- FRANCINE: Why did you say that you 476 00:23:13,542 --> 00:23:15,542 were in a meeting in your office ... 477 00:23:15,750 --> 00:23:17,750 no, I’m not giving you the third degree. 478 00:23:19,083 --> 00:23:21,083 It’s not what I think? What do you think 479 00:23:21,083 --> 00:23:23,083 I think, that you’re shacked up at some hotel with 480 00:23:23,083 --> 00:23:24,792 that model? 481 00:23:24,792 --> 00:23:26,792 No, I didn’t have you followed. 482 00:23:26,792 --> 00:23:28,792 I was kidding. 483 00:23:29,667 --> 00:23:31,292 Oh no. 484 00:23:31,292 --> 00:23:33,292 No. No. 485 00:23:33,292 --> 00:23:35,292 Of course it’s cheating. 486 00:23:36,875 --> 00:23:38,875 You bastard – 487 00:23:42,958 --> 00:23:44,958 He tried to say it wasn’t cheating because we weren’t 488 00:23:44,958 --> 00:23:46,667 married yet. 489 00:23:49,292 --> 00:23:51,667 How could he do this to me? I thought he loved me. 490 00:23:52,375 --> 00:23:54,375 FRANCINE: Sherri ... 491 00:23:54,833 --> 00:23:56,833 Oh, God. Not now. 492 00:23:57,458 --> 00:24:00,000 It’s The Four Seasons banquet manager. I’ll call him later. 493 00:24:00,292 --> 00:24:01,833 Take it. 494 00:24:03,208 --> 00:24:05,542 Hello? Yes, I know. 495 00:24:06,500 --> 00:24:08,500 No. 496 00:24:08,542 --> 00:24:10,542 No need to reschedule. 497 00:24:11,458 --> 00:24:13,458 The wedding is off. 498 00:24:16,333 --> 00:24:18,333 Uh, oh dear. 499 00:24:24,875 --> 00:24:26,875 You go take a cab. 500 00:24:27,500 --> 00:24:29,500 I'm going to walk home. 501 00:24:30,500 --> 00:24:32,500 ♫ (music begins) 502 00:24:35,458 --> 00:24:37,458 (door slams) 503 00:24:38,750 --> 00:24:40,750 (street noises) 504 00:24:42,292 --> 00:24:44,292 ♫ (music begins) 505 00:24:52,667 --> 00:24:54,667 ♫ ALMOST A BRIDE 506 00:24:54,667 --> 00:24:57,083 ♫ ALMOST WALKING DOWN THE AISLE 507 00:24:57,083 --> 00:24:58,625 ♫ WITH THAT 508 00:24:58,625 --> 00:25:00,625 ♫ SLEAZY ASSHOLE 509 00:25:00,625 --> 00:25:02,625 ♫ BRANDON 510 00:25:02,625 --> 00:25:05,500 ♫ YOUR DAD DID IT ♫ YOU DO IT 511 00:25:06,583 --> 00:25:08,292 ♫ NOW YOU WANT ME TO DO 512 00:25:08,292 --> 00:25:10,333 ♫ THE SAME THING SHERRI: ♫ ALMOST WIFE 513 00:25:10,333 --> 00:25:13,458 ♫ IN THE SAME PLACE ♫ I CAN'T I WON'T 514 00:25:13,458 --> 00:25:15,625 SHERRI: ♫ ALMOST MADE THE BIGGEST 515 00:25:15,625 --> 00:25:18,333 ♫ MISTAKE 516 00:25:18,333 --> 00:25:20,333 LITTLE HARRY: ♫ WHY WOULD I? 517 00:25:20,333 --> 00:25:25,375 SHERRI: ♫ OF MY ALMOST MARRIED LIFE LITTLE HARRY: ♫ WHY SHOULD I? 518 00:25:27,000 --> 00:25:28,958 God, I really dodged a bullet 519 00:25:28,958 --> 00:25:31,417 You did? SHERRI: To think I thought he was a catch. 520 00:25:31,667 --> 00:25:32,792 Who? 521 00:25:32,792 --> 00:25:34,792 My asshole cheating ex-fiancé Brandon. 522 00:25:35,083 --> 00:25:38,250 He’s been having an affair with Beatrice Covington, the super model. 523 00:25:39,250 --> 00:25:41,250 Ugh! 524 00:25:41,500 --> 00:25:43,500 This is the worst day of my life. (cries) 525 00:25:46,000 --> 00:25:48,000 I totally get it. 526 00:25:48,708 --> 00:25:50,708 (sobs) 527 00:25:50,708 --> 00:25:52,667 Oh, uh. 528 00:25:55,583 --> 00:25:57,583 What’re you doing in this alley? Are you a thief? 529 00:25:59,750 --> 00:26:01,708 Here. Go on. LITTLE HARRY: Please, no ... 530 00:26:01,708 --> 00:26:03,708 Take it. I don’t want it. LITTLE HARRY: Please, no. 531 00:26:05,875 --> 00:26:07,875 Then what do you want then? 532 00:26:08,292 --> 00:26:10,292 I’m on a break. 533 00:26:10,625 --> 00:26:12,625 I’m the cook at my dad’s restaurant 534 00:26:14,708 --> 00:26:16,708 Oh, you're a chef? LITTLE HARRY: Cook. 535 00:26:17,375 --> 00:26:19,250 You are? 536 00:26:19,250 --> 00:26:21,250 I’m such a foodie. 537 00:26:22,583 --> 00:26:25,333 What kind of chef/cook are you? 538 00:26:25,958 --> 00:26:27,958 I used to make Italian food, 539 00:26:28,875 --> 00:26:30,875 but that's all about to change... a new concept. 540 00:26:31,167 --> 00:26:32,917 Every night a different menu. 541 00:26:32,917 --> 00:26:35,333 Mondays - Indian. Tuesdays - Japanese. 542 00:26:35,333 --> 00:26:37,333 Wednesday – God knows. Thursday – who cares. 543 00:26:37,333 --> 00:26:39,333 That sounds weird. 544 00:26:39,583 --> 00:26:41,583 Desperate measures for desperate times. 545 00:26:41,875 --> 00:26:43,875 Business sucks lately. 546 00:26:43,917 --> 00:26:45,750 Sucks, like it might close? 547 00:26:45,750 --> 00:26:47,750 It’s not good. 548 00:26:47,750 --> 00:26:50,042 That’s too bad. I was all set to give it a try. 549 00:26:55,208 --> 00:26:57,208 I just got dumped. 550 00:26:58,042 --> 00:26:59,542 I'm sorry. 551 00:26:59,542 --> 00:27:02,042 Correction. I dumped Brandon because he… 552 00:27:02,042 --> 00:27:03,708 Cheated. 553 00:27:03,708 --> 00:27:06,208 Who told you? LITTLE HARRY: You did. "Asshole cheating --" 554 00:27:06,208 --> 00:27:08,208 Oh... (laughs) 555 00:27:10,500 --> 00:27:12,500 Can I get you something? 556 00:27:13,083 --> 00:27:15,083 Ativan, valium, xanax... 557 00:27:15,375 --> 00:27:17,375 I’m not fussy. LITTLE HARRY: (laughs) 558 00:27:17,375 --> 00:27:19,375 Sorry. 559 00:27:20,667 --> 00:27:22,667 What's your name? 560 00:27:22,667 --> 00:27:24,667 Sherri Williams. What's yours? 561 00:27:25,833 --> 00:27:27,833 Harry Cudicini. 562 00:27:31,750 --> 00:27:33,750 Why don’t you come by after i finish up. 563 00:27:34,917 --> 00:27:36,917 I feel like testing some new recipes tonight 564 00:27:37,583 --> 00:27:39,583 and you said you’re a foodie. 565 00:27:40,000 --> 00:27:42,000 Maybe you can tell me what you think. 566 00:27:42,708 --> 00:27:44,708 Cool... Okay. 567 00:27:45,583 --> 00:27:47,583 Yeah. I guess. Sure. 568 00:27:47,750 --> 00:27:49,333 Why not? 569 00:27:49,333 --> 00:27:51,333 I’ve got nothing better to do now that I’m not getting married. 570 00:27:54,083 --> 00:27:56,083 Hey I'll buy the wine. 571 00:27:56,417 --> 00:27:58,417 That’ll give me something to do. (laughs) LITTLE HARRY: That's okay. 572 00:27:58,417 --> 00:28:00,417 I got it covered. SHERRI: Oh. 573 00:28:00,417 --> 00:28:02,417 Okay. 574 00:28:03,042 --> 00:28:05,042 What time? 575 00:28:05,292 --> 00:28:07,292 Eleven. 576 00:28:07,292 --> 00:28:09,292 Okay. Cool. 577 00:28:09,958 --> 00:28:11,958 See you at eleven. 578 00:28:21,833 --> 00:28:23,833 ♫ (grand music) 579 00:28:48,000 --> 00:28:51,792 ♫ OOO … ♫ TELL ME, TELL ME WHERE 580 00:28:51,792 --> 00:28:53,792 ♫ COME ON IN (COME ON IN, COME ON IN) 581 00:28:54,000 --> 00:28:55,458 ♫ GRAB A CHAIR 582 00:28:55,458 --> 00:28:57,458 ♫ ONE OF A KIND (ONE OF A KIND) 583 00:28:57,833 --> 00:28:59,833 ♫ AHH … 584 00:28:59,833 --> 00:29:03,625 ♫ RELAX (RELAX, RELAX) AND UNWIND 585 00:29:03,792 --> 00:29:05,792 ♫ COME AND GET IT ♫ (COME AND GET IT, COME AND GET IT) 586 00:29:05,792 --> 00:29:07,417 ♫ WHILE IT’S HOT 587 00:29:07,417 --> 00:29:09,417 ♫ I PROMISE IT WILL 588 00:29:09,417 --> 00:29:13,167 ♫ HIT THE SPOT 589 00:29:26,208 --> 00:29:27,458 ♫ ARANCINE 590 00:29:27,458 --> 00:29:30,500 ♫ BEEF, PEAS, PLUM TOMATOES 591 00:29:30,500 --> 00:29:32,833 ♫ EXTRA VIRGIN OLIVE OIL 592 00:29:32,833 --> 00:29:34,833 ♫ STUFFED RICE BALLS 593 00:29:35,667 --> 00:29:40,000 ♫ AND A BOTTLE OF PROSECCO 594 00:29:45,042 --> 00:29:47,333 Can you believe I still live with my mother? 595 00:29:50,583 --> 00:29:52,583 Yeah, well I live upstairs with my Dad ... 596 00:29:52,583 --> 00:29:54,583 He still waits up for me when I go out. 597 00:29:54,583 --> 00:29:56,583 You’re kidding, right? LITTLE HARRY: Not entirely. 598 00:29:56,583 --> 00:29:58,583 We work together and we live together. 599 00:29:59,167 --> 00:30:01,167 Oh God Harry, me too. 600 00:30:03,292 --> 00:30:05,292 Right after I got my MBA, 601 00:30:05,708 --> 00:30:07,708 out of the blue my dad 602 00:30:07,708 --> 00:30:09,708 decided he wants to go move to Virgin Gorda 603 00:30:10,208 --> 00:30:12,208 and live on a boat... 604 00:30:13,000 --> 00:30:15,000 without us. 605 00:30:15,125 --> 00:30:17,958 Oh no … that’s really sad 606 00:30:18,833 --> 00:30:20,833 Yea it was. 607 00:30:20,833 --> 00:30:22,833 Especially for my mother. 608 00:30:22,833 --> 00:30:24,833 Not just his leaving, but he decided to take 609 00:30:24,833 --> 00:30:26,792 whatever money they had in the bank 610 00:30:26,792 --> 00:30:28,792 with him and leaving her to manage 611 00:30:28,792 --> 00:30:30,792 their real estate holdings on her own. 612 00:30:30,792 --> 00:30:32,375 Did she even know how? 613 00:30:32,375 --> 00:30:34,375 Not at first. 614 00:30:34,375 --> 00:30:36,375 She was in way over her heard. 615 00:30:36,375 --> 00:30:38,375 So she begged for me to come home and help her out. 616 00:30:39,417 --> 00:30:41,417 So, here I am six years later. 617 00:30:42,000 --> 00:30:44,000 I get it. 618 00:30:44,583 --> 00:30:46,583 Sherri, I applied for a 619 00:30:46,583 --> 00:30:48,583 job as sous-chef at Felidia. 620 00:30:49,042 --> 00:30:51,042 I should be hearing from her any day now. 621 00:30:51,417 --> 00:30:53,417 Harry! That is 622 00:30:53,417 --> 00:30:55,417 so, so brave. 623 00:30:56,417 --> 00:30:58,417 It is, isn't it? 624 00:30:58,750 --> 00:31:00,750 The timing's not great but 625 00:31:01,167 --> 00:31:03,125 I need proper training if I’m gonna be a 626 00:31:03,125 --> 00:31:04,917 four star Italian chef. 627 00:31:06,333 --> 00:31:08,333 A four star chef. 628 00:31:09,083 --> 00:31:11,083 I am so impressed. 629 00:31:13,167 --> 00:31:15,167 Here’s to you. (glasses clink) 630 00:31:20,000 --> 00:31:22,375 If Lidia calls me back. SHERRI: Fingers crossed. 631 00:31:26,667 --> 00:31:28,667 ♫ (music continues) 632 00:31:44,125 --> 00:31:46,125 ♫ GNOCCHI ALLA BAVA 633 00:31:46,125 --> 00:31:48,125 ♫ BUTTER, CREAM 634 00:31:48,458 --> 00:31:50,458 ♫ PARMIGIANO-REGGIANO 635 00:31:50,458 --> 00:31:53,417 ♫ DROOLING GNOCCHI 636 00:31:54,000 --> 00:31:57,375 ♫ AND A BOTTLE OF BIANCO 637 00:32:00,375 --> 00:32:02,375 Ahh .. This gnoochi is amazing. 638 00:32:03,458 --> 00:32:06,583 The sauce must be a thousand calories per spoonful. What’s in it? 639 00:32:07,292 --> 00:32:09,292 Cream, parmesan cheese, cream, 640 00:32:09,292 --> 00:32:10,542 fontina, more cream - 641 00:32:10,542 --> 00:32:12,542 okay. Stop … I don’t need to know. 642 00:32:14,167 --> 00:32:16,167 Do you know, I think I’ve tried 643 00:32:16,167 --> 00:32:18,167 all fifty varieties of pasta. 644 00:32:18,167 --> 00:32:20,167 Try six hundred. 645 00:32:20,167 --> 00:32:21,958 Shut up. 646 00:32:21,958 --> 00:32:23,958 You're making that up. LITTLE HARRY: No. Google it if you like. 647 00:32:26,583 --> 00:32:28,583 “600 types of pasta.” 648 00:32:31,083 --> 00:32:33,083 Ha! Well, wikipedia isn’t always right... 649 00:32:34,542 --> 00:32:36,542 Hey! You were going to show me a picture of your mom. 650 00:32:45,417 --> 00:32:47,417 Oh... 651 00:32:48,250 --> 00:32:50,250 She’s so pretty... 652 00:32:51,667 --> 00:32:53,667 And so young. 653 00:32:55,292 --> 00:32:57,292 She was only eighteen when she had me. 654 00:32:58,750 --> 00:33:00,958 I don’t even remember her. I was just a baby when she left. 655 00:33:01,875 --> 00:33:03,875 You mean she just took off? 656 00:33:04,792 --> 00:33:06,792 Well, she was just a kid herself. 657 00:33:07,333 --> 00:33:09,333 Harry, that’s terrible, 658 00:33:09,333 --> 00:33:11,333 not to have a mom, 659 00:33:11,333 --> 00:33:12,417 or even remember her ... 660 00:33:12,417 --> 00:33:14,708 She wasn’t ready for all that responsibility. 661 00:33:16,208 --> 00:33:18,750 You were her baby. She abandoned you. 662 00:33:18,750 --> 00:33:20,750 I was hardly abandoned. 663 00:33:21,000 --> 00:33:22,542 Oh, my God... 664 00:33:22,542 --> 00:33:24,542 I’m so sorry, I sound so judgmental. 665 00:33:26,958 --> 00:33:28,958 Actually ... 666 00:33:28,958 --> 00:33:30,958 it felt really caring. 667 00:33:39,125 --> 00:33:41,125 ♫ (music continues) 668 00:33:47,875 --> 00:33:49,875 ♫ SALSICCIA 669 00:33:49,875 --> 00:33:51,875 ♫ CON PEPERINO 670 00:33:52,083 --> 00:33:53,458 ♫ CHERRY PEPPERS 671 00:33:53,458 --> 00:33:56,458 ♫ MUSHROOMS ♫ SWEET ITALIAN SAUSAGE 672 00:33:57,792 --> 00:34:01,750 ♫ AND A BOTTLE OF CHIANTI 673 00:34:06,042 --> 00:34:08,042 I’ve never had such a feast. 674 00:34:10,000 --> 00:34:11,583 I’ve died and gone to heaven. 675 00:34:11,583 --> 00:34:13,375 You look pretty alive to me. (she laughs) 676 00:34:13,375 --> 00:34:15,000 In fact I can see your heart beating 677 00:34:15,000 --> 00:34:17,000 – thump thump, thump thump. 678 00:34:17,000 --> 00:34:19,833 - thump, thump. thump, thump, thump, thump thump 679 00:34:19,833 --> 00:34:21,625 Quit looking at my stuff. 680 00:34:21,625 --> 00:34:23,625 (both chuckle) 681 00:34:25,458 --> 00:34:27,458 Sherri, I told you Lidia’s my escape plan. What’s yours? 682 00:34:29,750 --> 00:34:31,750 You mean, now that I’m not marrying ‘asshole”-- 683 00:34:31,750 --> 00:34:33,750 BOTH: ‘cheating ex-fiance’ - 684 00:34:35,625 --> 00:34:37,625 I’m not sure ... 685 00:34:37,625 --> 00:34:39,583 I’m good at what I do 686 00:34:39,583 --> 00:34:42,250 but I don’t want to spend the rest of my life collecting rents ... 687 00:34:43,250 --> 00:34:46,042 I want something I can really dig my teeth into … 688 00:34:46,542 --> 00:34:48,542 back into my marketing skills ... 689 00:34:49,542 --> 00:34:51,542 come up with some app .. or some 690 00:34:51,875 --> 00:34:54,417 product that people can’t really live without. 691 00:34:55,250 --> 00:34:57,250 Like the George Foreman grill. 692 00:34:57,250 --> 00:34:59,208 Oh, I can live without the George Foreman grill. 693 00:34:59,417 --> 00:35:01,417 Okay, (laughs) 694 00:35:01,417 --> 00:35:03,417 well, how about 695 00:35:05,083 --> 00:35:07,083 q-tips. LITTLE HARRY: Oh. 696 00:35:09,375 --> 00:35:11,375 zippers. 697 00:35:11,833 --> 00:35:13,833 That’s it. The zipper. How did 698 00:35:13,833 --> 00:35:15,750 we live before they were invented. 699 00:35:15,750 --> 00:35:17,417 Buttons. 700 00:35:17,417 --> 00:35:19,417 You’re impossible. 701 00:35:19,542 --> 00:35:21,542 (laughs) 702 00:35:21,792 --> 00:35:24,250 Seriously, I just need that one great idea 703 00:35:24,458 --> 00:35:26,458 and I’ll be off and running. 704 00:35:29,417 --> 00:35:31,417 Do you have any idea how beautiful you are? 705 00:35:34,083 --> 00:35:36,083 ♫ (music continues) 706 00:35:42,583 --> 00:35:44,583 ♫ CROSTATA CILIEGIA 707 00:35:44,583 --> 00:35:46,542 ♫ SUGAR, BUTTER 708 00:35:47,250 --> 00:35:49,250 ♫ EGG YOLK, FRUIT JAM 709 00:35:49,583 --> 00:35:51,583 ♫ CHUNKY CHERRY TARTLETT 710 00:35:52,458 --> 00:35:57,417 ♫ AND A GLASS OF LIMONCELLO 711 00:36:00,833 --> 00:36:02,833 It must be 100 degrees in here. 712 00:36:03,250 --> 00:36:05,250 It’s the wine. (both laugh) 713 00:36:05,917 --> 00:36:07,917 “It’s the wine.” Listen to you. 714 00:36:08,500 --> 00:36:10,208 You’re a bit drunk. LITTLE HARRY: Oh, you think? 715 00:36:10,208 --> 00:36:12,208 (both laughing) 716 00:36:20,708 --> 00:36:22,708 (both sigh) 717 00:36:28,083 --> 00:36:30,083 Oh! LITTLE HARRY: Oh! 718 00:36:30,083 --> 00:36:32,042 Eww .. it’s all gooey. 719 00:36:32,042 --> 00:36:33,833 I can feel it. 720 00:36:33,833 --> 00:36:35,542 It's a gooey cherry. What did you expect? Let me get that. 721 00:36:35,542 --> 00:36:37,542 Huh? No. No. 722 00:36:43,375 --> 00:36:45,375 (puts cherry on dish) 723 00:36:53,208 --> 00:36:55,208 (she laughs) 724 00:36:57,333 --> 00:37:00,083 Sherri, can I say something really truly personal? 725 00:37:01,917 --> 00:37:03,917 That sounds scary. 726 00:37:05,375 --> 00:37:07,375 Your fiancé was an idiot. 727 00:37:09,167 --> 00:37:11,167 Having an affair with an actress – 728 00:37:11,167 --> 00:37:12,292 Model. 729 00:37:12,292 --> 00:37:14,292 When he had someone like you. 730 00:37:15,167 --> 00:37:17,167 You’re smart. 731 00:37:17,708 --> 00:37:19,708 Sexy. Funny. Warm. 732 00:37:21,167 --> 00:37:22,292 Stop. 733 00:37:22,292 --> 00:37:24,292 And me. I’m not exactly the cool 734 00:37:24,292 --> 00:37:26,250 kind of guy you’ve been dating. 735 00:37:27,417 --> 00:37:29,417 Poor Harry. You’re not that 736 00:37:29,417 --> 00:37:31,375 uncool. 737 00:37:32,125 --> 00:37:33,917 I mean, 738 00:37:33,917 --> 00:37:35,875 uncool can actually be pretty 739 00:37:37,167 --> 00:37:39,167 hot. 740 00:37:39,375 --> 00:37:41,375 A kind of ... 741 00:37:41,708 --> 00:37:44,083 sweet ... hot. 742 00:37:44,750 --> 00:37:46,750 Did you just call me sweetheart? SHERRI: No. 743 00:37:48,292 --> 00:37:50,292 Sweet Hot. 744 00:37:50,542 --> 00:37:52,542 Oh. SHERRI: No, no, no. 745 00:37:53,458 --> 00:37:55,292 Sweet is good. 746 00:37:55,292 --> 00:37:57,292 Really good. 747 00:37:58,875 --> 00:38:00,875 I so need sweet right now. 748 00:38:02,042 --> 00:38:04,042 You do? 749 00:38:13,000 --> 00:38:15,000 (music swells) 750 00:38:19,792 --> 00:38:22,042 ♫ LABBRA, LIPS ♫ LINGUA, TONGUE 751 00:38:22,042 --> 00:38:24,875 ♫ GUSTO, TASTE ♫ SEDUZIONE 752 00:38:24,875 --> 00:38:27,375 ♫ NUDO, NAKED ♫ GAMBE, LEGS 753 00:38:27,375 --> 00:38:30,083 ♫ COSCE, THIGHS ♫ EROTICO 754 00:38:30,083 --> 00:38:33,333 ♫ TOCARRE, TOUCH ♫ LECCATA, LICK 755 00:38:33,333 --> 00:38:36,125 ♫ GEMITO ♫ OH … (OH … OH … ) 756 00:38:36,875 --> 00:38:38,875 ♫ OHHH … 757 00:38:45,625 --> 00:38:50,833 ♫ DOLCE COME LO ZUCCHERO! 758 00:39:14,875 --> 00:39:16,875 Why are you looking at me like that? 759 00:39:17,792 --> 00:39:20,500 Pinch me. I think I’m dreaming. 760 00:39:22,375 --> 00:39:24,375 Ow! 761 00:39:24,375 --> 00:39:26,375 Sorry … you did say pinch me. 762 00:39:33,458 --> 00:39:35,458 You’re the kind of woman I never 763 00:39:36,333 --> 00:39:38,333 in a million years thought would be caught 764 00:39:38,333 --> 00:39:40,292 dead with someone like me. 765 00:39:40,292 --> 00:39:41,750 Shut up. 766 00:39:41,750 --> 00:39:43,750 I mean it. 767 00:39:49,292 --> 00:39:52,167 Once news gets out that you’re not marrying Brandon, you’ll be 768 00:39:53,875 --> 00:39:55,875 swept off your feet by the kind of man that 769 00:39:55,875 --> 00:39:57,875 deserves you and I’ll be history. 770 00:39:57,875 --> 00:39:59,875 What’s that supposed to mean ... ♫ (gentle music begins) 771 00:39:59,958 --> 00:40:01,958 ... the kind of man who deserves me? 772 00:40:06,667 --> 00:40:09,417 ♫ YOU’RE UPTOWN ♫ I’M DOWN 773 00:40:11,167 --> 00:40:13,833 ♫ YOU’RE RICH ♫ I’M NOT 774 00:40:15,917 --> 00:40:17,917 ♫ YOU’RE ROYALTY 775 00:40:18,125 --> 00:40:20,833 ♫ I’M A REGULAR JOE 776 00:40:21,750 --> 00:40:27,500 ♫ AND I DON’T WANT TO LET YOU GO 777 00:40:30,375 --> 00:40:33,167 ♫ SO WHAT IF WE’RE DIFFERENT 778 00:40:34,458 --> 00:40:38,542 ♫ I’M BORED WITH THE SAME 779 00:40:40,042 --> 00:40:42,042 ♫ OPPOSITES 780 00:40:42,750 --> 00:40:44,083 ♫ ATTRACT 781 00:40:44,083 --> 00:40:45,792 ♫ THEY DO 782 00:40:45,792 --> 00:40:50,500 ♫ AND I LOVE BEING HERE WITH YOU 783 00:40:51,000 --> 00:40:55,500 ♫ I NEVER THOUGHT I’D BE FALLING SO QUICKLY 784 00:40:55,708 --> 00:40:57,708 ♫ I NEVER THOUGHT 785 00:40:57,708 --> 00:41:01,417 ♫ VERY MUCH ABOUT FALLING AT ALL 786 00:41:02,250 --> 00:41:04,167 ♫ PLEASANT SURPRISE 787 00:41:04,167 --> 00:41:07,042 ♫ AS I LOOK IN YOUR EYES 788 00:41:07,417 --> 00:41:12,792 ♫ YOU ARE ALL I SEE … 789 00:41:23,958 --> 00:41:27,417 ♫ I’M TREMBLING INSIDE 790 00:41:29,083 --> 00:41:31,667 ♫ SO AM I … 791 00:41:35,417 --> 00:41:38,625 ♫ THIS MUST BE 792 00:41:39,875 --> 00:41:42,583 ♫ LOVE AT FIRST SIGHT 793 00:41:42,917 --> 00:41:45,708 ♫ WE WERE MEANT TO BE 794 00:41:46,333 --> 00:41:48,333 ♫ IN THE RIGHT PLACE 795 00:41:48,333 --> 00:41:50,333 ♫ AT THE RIGHT TIME … 796 00:41:52,333 --> 00:41:53,542 Will you? 797 00:41:53,542 --> 00:41:55,250 What? 798 00:41:56,125 --> 00:41:58,125 Marry me? 799 00:41:59,875 --> 00:42:01,875 Uh ... 800 00:42:02,500 --> 00:42:04,500 That's crazy. 801 00:42:04,708 --> 00:42:06,708 I know. 802 00:42:10,125 --> 00:42:12,458 ♫ HARRY. 803 00:42:14,458 --> 00:42:18,750 ♫ MARRY ME … 804 00:42:37,333 --> 00:42:39,333 ♫ (uplifting music) 805 00:42:42,917 --> 00:42:45,542 VOICES: ♫ LOVE IS LOVE IS LOVE ♫ IS GRAND 806 00:42:45,542 --> 00:42:48,167 ♫ IT GOES AND COMES ♫ LIKE SLEIGHT OF HAND 807 00:42:48,167 --> 00:42:50,708 ♫ MAGICALLY ♫ APPEARS TO BE 808 00:42:51,125 --> 00:42:56,167 ♫ THE ONLY THING IN LIFE ♫ (IN LIFE, IN LIFE … ) 809 00:42:56,375 --> 00:42:59,375 ♫ THAT’S FREE … 810 00:42:59,583 --> 00:43:02,250 ♫ IF YOU’RE LOOKING ♫ YOU WON’T FIND IT 811 00:43:02,250 --> 00:43:04,583 ♫ IT WILL FIND YOU ♫ WHEN YOU STOP 812 00:43:04,958 --> 00:43:06,958 (Inhale, exhale) 813 00:43:07,792 --> 00:43:10,167 ♫ LOOK AT THEM ♫ UNLIKELY PAIR 814 00:43:10,458 --> 00:43:13,333 ♫ DOWN THERE ♫ IN DREAMLAND 815 00:43:13,750 --> 00:43:15,750 Dreamland! 816 00:43:15,958 --> 00:43:17,958 ♫ AHH … 817 00:43:18,042 --> 00:43:20,833 ♫ IT’S A NEW DAY 818 00:43:21,500 --> 00:43:23,500 ♫ SWEPT AWAY 819 00:43:23,958 --> 00:43:26,542 ♫ A NEW DAY 820 00:43:26,708 --> 00:43:29,333 ♫ IN LOVE’S EMBRACE 821 00:43:29,542 --> 00:43:31,542 ♫ A NEW DAY 822 00:43:31,833 --> 00:43:35,375 ♫ IN THE AFTERGLOW 823 00:43:37,083 --> 00:43:39,958 ♫ ASLEEP BESIDE THE TABLE. 824 00:43:39,958 --> 00:43:43,833 ♫ SNUGGLED UNDERNEATH THE CHECKERED CLOTH 825 00:43:43,875 --> 00:43:47,083 ♫ AT THE OLD ITALIAN RESTAURANT 826 00:43:47,083 --> 00:43:53,042 ♫ NEAR THE CORNER OF FIFTH AND A … 827 00:43:58,458 --> 00:44:00,458 ♫ (gentle music) 828 00:44:13,167 --> 00:44:15,167 (bed covers rustling) 829 00:44:20,750 --> 00:44:22,750 (thud of dropped shoe) 830 00:44:35,208 --> 00:44:37,208 (covers rustling again) 831 00:44:40,125 --> 00:44:42,125 (footsteps) 832 00:44:46,208 --> 00:44:48,208 (setting down book) 833 00:44:52,333 --> 00:44:54,333 Ahh! SHERRI: Ahh! LITTLE HARRY: Ahh! 834 00:44:54,333 --> 00:44:56,333 ALL: Ahh! LITTLE HARRY: It's okay Dad, it's okay. 835 00:44:56,583 --> 00:44:58,583 Who the hell are you? I almost had a heart attack. 836 00:44:58,583 --> 00:45:00,583 Don’t worry. His heart’s stronger than mine. 837 00:45:01,958 --> 00:45:03,792 Are you gonna introduce me, Little Harry? 838 00:45:03,792 --> 00:45:05,792 Dad! Just Harry. 839 00:45:06,125 --> 00:45:08,125 I'm Sherri Williams. 840 00:45:08,875 --> 00:45:10,875 I just want to let you to know, your son 841 00:45:11,375 --> 00:45:13,375 is the most delicious, 842 00:45:13,583 --> 00:45:15,583 sweet, nice man on earth. 843 00:45:17,458 --> 00:45:18,750 Really? 844 00:45:19,292 --> 00:45:21,292 Dad, Sherri and I are engaged. 845 00:45:23,042 --> 00:45:24,458 Engaged in what? 846 00:45:24,458 --> 00:45:26,458 We’re getting married. 847 00:45:26,917 --> 00:45:28,500 Married? 848 00:45:28,500 --> 00:45:31,458 You never mentioned you were seeing someone, much less serious. 849 00:45:33,625 --> 00:45:35,625 When did you two lovebirds meet? 850 00:45:36,417 --> 00:45:38,417 Yesterday. 851 00:45:38,583 --> 00:45:40,458 Yesterday? 852 00:45:40,458 --> 00:45:42,458 We met him in the alley. 853 00:45:42,458 --> 00:45:44,458 He was on a break and I was leaving Zoya’s. 854 00:45:45,250 --> 00:45:47,250 Are you both out of your minds? 855 00:45:47,250 --> 00:45:50,208 Take it easy. He's okay. He's okay. 856 00:45:51,458 --> 00:45:54,042 Dad, Sherri and I had a really magical date last night. 857 00:45:55,250 --> 00:45:57,250 And I know, it sounds crazy, but lightning just struck. 858 00:45:59,000 --> 00:46:01,000 Kaboom! 859 00:46:01,250 --> 00:46:02,917 Kaboom? 860 00:46:02,917 --> 00:46:04,583 It’s not like we’re getting married tomorrow. 861 00:46:04,583 --> 00:46:06,542 Maybe in a year or so? LITTLE HARRY: Or two or three? 862 00:46:06,750 --> 00:46:10,042 Ma che cazzo gli gira in testa! E impazzito! ("This is the craziest thing I have ever heard in my life") 863 00:46:10,042 --> 00:46:11,417 My son is crazy! 864 00:46:11,417 --> 00:46:13,417 You just need time to digest the news. 865 00:46:14,583 --> 00:46:16,583 I hope it’s okay. 866 00:46:16,583 --> 00:46:18,583 I called my Mom left a message for her to meet me here. 867 00:46:18,625 --> 00:46:21,292 Here? Your mother's coming here? 868 00:46:21,458 --> 00:46:23,458 Yeah. I wanted her to meet you. 869 00:46:25,292 --> 00:46:27,292 I better get changed. 870 00:46:36,542 --> 00:46:38,542 Can I, uh, 871 00:46:39,292 --> 00:46:41,042 get you a cup of coffee? 872 00:46:41,042 --> 00:46:43,042 That'd be nice. BIG HARRY: Okay. 873 00:46:50,292 --> 00:46:52,125 (setting cups down) Thank you, Mr. Cudicini. 874 00:46:52,125 --> 00:46:54,125 Please, call me Harry. 875 00:46:54,917 --> 00:46:56,833 What happened to your finger? It’s bright red. 876 00:46:56,833 --> 00:46:58,792 Va bene va bene. ("It's okay") Burnt it yesterday morning ... 877 00:46:58,792 --> 00:47:00,292 happens all the time. 878 00:47:00,292 --> 00:47:02,292 Occupational hazard. 879 00:47:02,292 --> 00:47:04,292 It’s going to blister. 880 00:47:04,292 --> 00:47:05,958 Where's your First Aid kit? 881 00:47:05,958 --> 00:47:08,583 This is silly. It’s nothing. SHERRI: You want it to get an infection? 882 00:47:09,667 --> 00:47:11,875 Okay. But don't make a big bandage. 883 00:47:14,750 --> 00:47:16,750 Here. (sets down the first aid kit) 884 00:47:18,958 --> 00:47:20,958 Now ... 885 00:47:20,958 --> 00:47:22,958 Try not to get it wet. 886 00:47:24,500 --> 00:47:26,500 You're a regular Florence Nightingale. 887 00:47:26,958 --> 00:47:28,958 I took a First Aid class in high school. 888 00:47:29,292 --> 00:47:31,958 You never know when it’ll come in handy. 889 00:47:32,375 --> 00:47:34,375 Il sempre pronto ("Always prepared") 890 00:47:35,792 --> 00:47:37,792 Can you teach me how to speak Italian? 891 00:47:38,125 --> 00:47:40,125 I love the way it sounds. 892 00:47:40,125 --> 00:47:42,125 Then maybe you can teach my son... 893 00:47:42,125 --> 00:47:43,708 he’s not so interested. 894 00:47:43,708 --> 00:47:45,458 Capisco perfettamente, Dad. ("I understand perfectly") 895 00:47:45,458 --> 00:47:47,458 (sets cutting board down) BIG HARRY: Now you're trying to impress me. 896 00:47:47,458 --> 00:47:50,000 So speak Italian once in a while. LITTLE HARRY: I just did. 897 00:47:53,542 --> 00:47:56,542 Coffee with biscotti, the perfect breakfast. 898 00:48:01,625 --> 00:48:03,625 (crunches on biscotti, then chewing) 899 00:48:04,250 --> 00:48:06,250 Mmm ... 900 00:48:06,750 --> 00:48:08,750 This is amazing. 901 00:48:09,625 --> 00:48:11,625 Crunchy but not too hard. 902 00:48:13,417 --> 00:48:15,417 And really great flavor. What’s it? Ginger? 903 00:48:16,542 --> 00:48:17,958 BOTH: Anise ... 904 00:48:17,958 --> 00:48:19,958 Hazel nuts or almonds? 905 00:48:20,417 --> 00:48:22,417 BOTH: Almonds. 906 00:48:23,000 --> 00:48:25,000 Do you sell them? LITTLE HARRY: Sure, they're on the menu. 907 00:48:25,250 --> 00:48:27,250 No, I mean do you 908 00:48:27,250 --> 00:48:29,250 box and sell them. 909 00:48:29,958 --> 00:48:31,708 Where’d you get the recipe? BIG HARRY: Oh ... 910 00:48:31,708 --> 00:48:33,667 It’s a secret recipe passed on from my great grandmother 911 00:48:33,667 --> 00:48:35,667 to my grandmother to my mother. 912 00:48:35,833 --> 00:48:37,667 My nonna. She was really tiny 913 00:48:37,667 --> 00:48:39,667 so we called her Nonnina. ♫ (music begins) 914 00:48:41,417 --> 00:48:43,917 ♫ IT’S A NO BRAINER- ♫ TASTE THEM, SMELL THEM 915 00:48:43,917 --> 00:48:45,917 ♫ SELL THEM BY THE DOZENS 916 00:48:45,917 --> 00:48:50,000 ♫ AT THE MARKET ♫ IN UNION SQUARE … 917 00:48:50,417 --> 00:48:52,542 ♫ BEFORE YOU KNOW IT THEY'LL BE SELLING 918 00:48:52,542 --> 00:48:55,583 ♫ EVERYWHERE … 919 00:48:56,083 --> 00:48:58,625 ♫ WE NEED MONEY, EXTRA MONEY 920 00:48:58,625 --> 00:49:01,208 ♫ THIS IDEA ♫ CAN MAKE YOU MONEY 921 00:49:01,208 --> 00:49:03,500 ♫ A SWEET LITTLE PACKAGE ♫ WITH NONNINA’S FACE 922 00:49:03,500 --> 00:49:05,875 ♫ A FEW BISCOTTI INSIDE 923 00:49:05,875 --> 00:49:07,750 ♫ AND THE MONEY WILL FLOW 924 00:49:07,750 --> 00:49:10,542 ♫ ALONG WITH FAMILY PRIDE 925 00:49:10,958 --> 00:49:12,958 ♫ NONNINA’S BISCOTTI 926 00:49:13,167 --> 00:49:15,167 ♫ WITH COFFEE, WITH TEA 927 00:49:15,667 --> 00:49:17,667 ♫ RIGHT UNDER YOUR NOSE 928 00:49:18,042 --> 00:49:20,042 ♫ CRAZY I SUPPOSE TO THINK 929 00:49:20,208 --> 00:49:22,208 ♫ A SIMPLE BISCOTTI 930 00:49:22,500 --> 00:49:24,500 ♫ COULD SET YOU FREE 931 00:49:24,792 --> 00:49:26,792 ♫ NONNINA’S BISCOTTI 932 00:49:27,042 --> 00:49:29,958 ♫ WITH COFFEE, WITH TEA 933 00:49:30,792 --> 00:49:32,792 Can you share what’s in them? 934 00:49:32,958 --> 00:49:34,958 LITTLE HARRY: ♫ A LITTLE FLOUR BIG HARRY: ♫ SUGAR 935 00:49:34,958 --> 00:49:36,208 LITTLE HARRY: ♫ ANISE BIG HARRY: ♫ OLIVE OIL 936 00:49:36,208 --> 00:49:38,083 ♫ BAKING POWDER ♫ MILK, EGGS, SALT 937 00:49:38,083 --> 00:49:40,292 ♫ ONE CUP OF THIS ♫ A HALF A CUP OF THAT 938 00:49:40,292 --> 00:49:42,000 LITTLE HARRY: ♫ ONE TEASPOON BIG HARRY: ♫ TABLESPOON 939 00:49:42,000 --> 00:49:44,917 ♫ PINCH/DASH/SPLASH ♫ BLEND/KNEAD 940 00:49:44,917 --> 00:49:47,500 ♫ BAKE/SLICE/BAKE/TURN/BAKE 941 00:49:47,500 --> 00:49:50,375 ♫ HOW MANY BISCOTTI ♫ DOES YOUR RECIPE MAKE? 942 00:49:50,375 --> 00:49:53,292 ♫ ONE? … TWO? … LITTLE HARRY: ♫ THREE DOZEN 943 00:49:54,333 --> 00:49:56,292 ♫ I PAY THREE DOLLARS 944 00:49:56,292 --> 00:49:59,500 ♫ FOR A SINGLE BISCOTTI ♫ AT MY FAVORITE CAFE 945 00:50:00,250 --> 00:50:02,250 ♫ YOURS ARE WAY BETTER 946 00:50:02,333 --> 00:50:04,333 ♫ I THINK WE SHOULD DO THIS 947 00:50:04,333 --> 00:50:06,042 ♫ LET’S PLAY WITH SOME NUMBERS 948 00:50:06,042 --> 00:50:10,208 ♫ TO HELP US THINK THROUGH THIS … 949 00:50:11,042 --> 00:50:13,042 VOICES: ♫ DOOT … DOOT … 950 00:50:13,625 --> 00:50:15,625 ♫ DOOT … DOOT … 951 00:50:16,292 --> 00:50:18,292 ♫ DOOT … DOOT … 952 00:50:18,833 --> 00:50:20,833 ♫ DOOT … DOOT … 953 00:50:20,875 --> 00:50:22,875 ♫ LET’S SAY THEY COST VOICES: ♫ DOOT ... 954 00:50:22,875 --> 00:50:24,583 ♫ A DOLLAR A DOZEN TO MAKE VOICES: ♫ DOOT ... 955 00:50:24,583 --> 00:50:26,292 ♫ PLUS ANOTHER DOLLAR TO PACKAGE VOICES: ♫ DOOT ... 956 00:50:26,292 --> 00:50:27,667 ♫ WE CHARGE EIGHTEEN BUCKS VOICES: ♫ DOOT ... 957 00:50:27,667 --> 00:50:31,000 ♫ LESS OUR TWO DOLLAR COST ♫ THAT’S A SIXTEEN DOLLAR PROFIT 958 00:50:31,000 --> 00:50:33,708 ♫ IF WE SELL FOUR DOZEN A DAY BIG HARRY: We could do that. 959 00:50:34,375 --> 00:50:37,125 ♫ TWENTY FIVE DOZEN A WEEK ♫ A HUNDRED DOZEN A MONTH 960 00:50:37,125 --> 00:50:39,125 ♫ THAT’S SIXTEEN HUNDRED BUCKS VOICES: ♫ DOOT ... 961 00:50:39,125 --> 00:50:41,125 ♫ ALMOST TWENTY GRAND A YEAR VOICES: ♫ DOOT ... DOOT ... DOOT ... DOOT ... 962 00:50:41,750 --> 00:50:43,750 VOICES: ♫ AHH! 963 00:50:44,083 --> 00:50:46,500 ♫ UNBELIEVABLE BIG HARRY: ♫ HOW’D SHE DO THAT? 964 00:50:46,792 --> 00:50:49,333 ♫ DUNNO’ BUT IT SURE ♫ SOUNDS GOOD TO ME 965 00:50:49,333 --> 00:50:52,875 ♫ I’M WILLING … ♫ LET’S GIVE IT A TRY 966 00:50:53,458 --> 00:50:55,458 ALL: ♫ NONNINA’S BISCOTTI 967 00:50:55,792 --> 00:50:57,792 ♫ WITH COFFEE, WITH TEA 968 00:50:58,333 --> 00:51:00,333 ♫ RIGHT UNDER OUR NOSE 969 00:51:00,667 --> 00:51:03,375 ♫ CRAZY TO ALL: ♫ SUPPOOSE 970 00:51:03,375 --> 00:51:05,167 ♫ A BISCOTTI 971 00:51:05,167 --> 00:51:07,167 ♫ COULD SET US FREE 972 00:51:07,375 --> 00:51:09,375 ♫ NONNINA’S BICOTTI 973 00:51:09,625 --> 00:51:10,833 ♫ WITH COFFEE,... 974 00:51:10,833 --> 00:51:12,833 ALL: ♫ NONNINA’S BICOTTI 975 00:51:12,833 --> 00:51:14,833 ♫ WITH COFFEE, WITH TEA 976 00:51:15,042 --> 00:51:17,042 ♫ RIGHT UNDER OUR NOSE 977 00:51:17,042 --> 00:51:19,042 ♫ CRAZY TO SUPPOSE 978 00:51:19,042 --> 00:51:20,917 ♫ A BISCOTTI 979 00:51:20,917 --> 00:51:22,917 ♫ COULD TURN THE KEY 980 00:51:22,917 --> 00:51:24,917 ♫ NONNINA’S BISCOTTI 981 00:51:24,917 --> 00:51:26,917 ♫ A SIMPLE BISCOTTI 982 00:51:26,917 --> 00:51:28,875 ♫ NONNINA’S BISCOTTI 983 00:51:28,875 --> 00:51:30,833 ♫ WILL SET 984 00:51:30,833 --> 00:51:32,833 ♫ US 985 00:51:32,833 --> 00:51:35,750 ♫ FREE 986 00:51:35,750 --> 00:51:37,750 Welcome to the family! 987 00:51:38,583 --> 00:51:40,583 ♫ (musical sting) 988 00:51:44,083 --> 00:51:45,792 Where did he go? 989 00:51:45,792 --> 00:51:48,792 Probably to change so he can buy some gift boxes for the biscotti. 990 00:51:48,958 --> 00:51:50,958 Oh. LITTLE HARRY: Come to Indian night and buy 991 00:51:50,958 --> 00:51:52,917 a box of biscotti. Come to Japanese night 992 00:51:52,917 --> 00:51:54,917 and buy a box of biscotti. (laughs) 993 00:51:56,750 --> 00:51:58,750 Does he know about Felidia? 994 00:52:00,250 --> 00:52:02,500 I can see how that would be really hard for him. 995 00:52:03,042 --> 00:52:05,042 I told him. 996 00:52:05,417 --> 00:52:07,417 Are you saying I shouldn’t leave? 997 00:52:10,292 --> 00:52:12,292 For you. 998 00:52:12,292 --> 00:52:14,292 This cameo belonged to my mother. 999 00:52:14,500 --> 00:52:16,500 Nonnina. 1000 00:52:20,250 --> 00:52:22,250 I love it. 1001 00:52:22,833 --> 00:52:24,833 FRANCINE: Ding dong. SHERRI: Mom. 1002 00:52:28,833 --> 00:52:30,833 Mom. Come in, come in. 1003 00:52:31,125 --> 00:52:33,125 What am I doing here? 1004 00:52:33,125 --> 00:52:35,125 This is Francine, my mom. 1005 00:52:36,750 --> 00:52:39,958 Mom, this is Harry. He’s a chef. 1006 00:52:40,875 --> 00:52:42,875 And this is Harry’s dad Harry. 1007 00:52:43,625 --> 00:52:45,625 Sherri, explain! 1008 00:52:46,125 --> 00:52:48,125 We have the most exciting news - 1009 00:52:48,542 --> 00:52:50,542 Harry and I are engaged. FRANCINE: What? 1010 00:52:51,292 --> 00:52:52,875 Which Harry? 1011 00:52:52,875 --> 00:52:54,875 BIG HARRY: (laughing) Little Harry. 1012 00:52:54,875 --> 00:52:56,458 Please. Just Harry. 1013 00:52:56,458 --> 00:52:58,458 Your daughter’s a real sweetheart. 1014 00:52:58,458 --> 00:53:00,458 And not just beautiful but smart ... 1015 00:53:00,625 --> 00:53:01,542 really smart. 1016 00:53:01,625 --> 00:53:04,125 Twenty-four hours ago she was engaged to someone else. 1017 00:53:07,333 --> 00:53:09,333 To someone else? FRANCINE: Yes. 1018 00:53:09,833 --> 00:53:11,833 She was engaged ... to another man. 1019 00:53:11,833 --> 00:53:13,833 She’s vulnerable, and totally reactive. 1020 00:53:17,625 --> 00:53:19,625 L’amore ... 1021 00:53:19,625 --> 00:53:21,625 it’s a powerful force. 1022 00:53:23,042 --> 00:53:25,042 Do you even know him? 1023 00:53:26,875 --> 00:53:28,875 I knew Brandon and look where that got me. 1024 00:53:30,208 --> 00:53:32,583 This time i’m trusting my gut. 1025 00:53:33,917 --> 00:53:35,750 Harry’s different. 1026 00:53:35,750 --> 00:53:37,583 I'll say. 1027 00:53:37,583 --> 00:53:39,250 Look, 1028 00:53:39,250 --> 00:53:41,250 I’m not asking your permission. 1029 00:53:41,500 --> 00:53:43,500 If you can’t get on board ... 1030 00:53:43,917 --> 00:53:45,917 we’ll elope. FRANCINE: Elope? 1031 00:53:47,250 --> 00:53:49,250 ♫ (eerie music begins) 1032 00:53:58,917 --> 00:54:00,917 VOICES: ♫ TRA LA LA LA 1033 00:54:01,750 --> 00:54:03,750 ♫ TRA LA LA LA LA … 1034 00:54:06,250 --> 00:54:08,250 Elope? 1035 00:54:10,083 --> 00:54:12,083 I’ve been dreaming of her wedding 1036 00:54:12,083 --> 00:54:14,042 since the day she was born. Ah! 1037 00:54:14,042 --> 00:54:16,042 My baby, 1038 00:54:16,208 --> 00:54:18,208 my precious baby girl. 1039 00:54:18,208 --> 00:54:21,750 VOICES: ♫ HER PRECIOUS BABY GIRL … 1040 00:54:22,500 --> 00:54:24,500 I‘ll tell them she’ll be disinherited if 1041 00:54:24,500 --> 00:54:26,000 she elopes ... 1042 00:54:26,000 --> 00:54:28,958 but then, she’d actually elope just to get back at me. Oh! 1043 00:54:29,583 --> 00:54:32,458 VOICES: ♫ TRA LA LA LA 1044 00:54:32,458 --> 00:54:34,458 ♫ TRA LA LA ELOPE … 1045 00:54:37,292 --> 00:54:39,292 Why would she want to hurt me? 1046 00:54:40,208 --> 00:54:41,875 She’s my life, 1047 00:54:41,875 --> 00:54:43,875 even more so since Felix left. 1048 00:54:45,875 --> 00:54:47,875 And she knows how much her father hurt me. 1049 00:54:52,250 --> 00:54:54,250 Ewe. (inhales) 1050 00:54:54,250 --> 00:54:56,000 We grew up together, 1051 00:54:56,000 --> 00:54:57,750 we went to college together, 1052 00:54:57,750 --> 00:54:59,750 we started a business together, 1053 00:54:59,750 --> 00:55:01,750 and then one day, poof, 1054 00:55:03,458 --> 00:55:05,458 it’s all gone. 1055 00:55:05,875 --> 00:55:07,875 VOICES: ♫ TRA LA LA LA 1056 00:55:08,167 --> 00:55:11,792 ♫ LA LA LA LA LA … 1057 00:55:11,792 --> 00:55:13,792 He went on some mid life 1058 00:55:14,125 --> 00:55:16,958 crisis odyssey to Virgin Gorda! 1059 00:55:17,500 --> 00:55:19,500 You never know if it will last … 1060 00:55:20,083 --> 00:55:22,083 Sherri, 1061 00:55:22,083 --> 00:55:26,375 oh Sherri. 1062 00:55:27,000 --> 00:55:30,792 ♫ HER PRECIOUS BABY GIRL … 1063 00:55:30,792 --> 00:55:32,792 VOICES: ♫ Why not give love a chance? ♫ (Why not give love a chance? 1064 00:55:33,333 --> 00:55:35,333 VOICES: ♫ Why not give love a chance? ♫ (Why not give love a chance? 1065 00:55:42,250 --> 00:55:44,250 Why not give love a chance? 1066 00:55:46,667 --> 00:55:48,667 Harry doesn’t look like a money grubber ... 1067 00:55:50,708 --> 00:55:52,708 He is kind of cute ... 1068 00:55:54,958 --> 00:55:56,958 And if he can cook. 1069 00:56:06,708 --> 00:56:09,750 You’re getting married next Saturday at The Four Seasons. 1070 00:56:09,750 --> 00:56:12,375 The Four Seasons! What? 1071 00:56:12,375 --> 00:56:14,833 We just got engaged last night. Maybe in a year or two -- 1072 00:56:14,833 --> 00:56:16,833 It’s already booked. LITTLE HARRY: It is? 1073 00:56:17,000 --> 00:56:18,708 How? Sherri? Help me out here. 1074 00:56:18,708 --> 00:56:20,708 And You’ll honeymoon at The Ritz in Paris. 1075 00:56:21,042 --> 00:56:22,667 Paris! (laughs) LITTLE HARRY: What? 1076 00:56:22,667 --> 00:56:25,958 That’s where Sherri, my cherie, was conceived. 1077 00:56:25,958 --> 00:56:27,958 STOP! Mom, 1078 00:56:28,375 --> 00:56:30,375 What are you doing? Is it because of 1079 00:56:30,375 --> 00:56:32,208 the deposits? 1080 00:56:32,208 --> 00:56:34,208 I can explain - everything was already arranged. 1081 00:56:34,500 --> 00:56:37,333 Screw the deposits, mom. FRANCINE: No, my darling. 1082 00:56:37,667 --> 00:56:39,667 That's not it at all. 1083 00:56:40,042 --> 00:56:42,042 Did you forget? 1084 00:56:42,542 --> 00:56:45,542 ♫ IN THREE MONTHS YOU'RE TURNING THIRTY 1085 00:56:46,417 --> 00:56:48,417 ♫ NOT TWENTY, 1086 00:56:48,417 --> 00:56:50,417 ♫ SHERRI - THIRTY 1087 00:56:50,542 --> 00:56:53,917 ♫ AND WHEN YOU'RE PUSHING THIRTY 1088 00:56:54,125 --> 00:56:55,917 ♫ IT MEANS YOUR EGGS 1089 00:56:55,917 --> 00:56:57,917 ♫ ARE ALMOST FRIED 1090 00:56:58,625 --> 00:57:00,458 You always said you wanted at least three children 1091 00:57:00,458 --> 00:57:01,917 by the time you were thirty five. 1092 00:57:01,917 --> 00:57:03,917 That was your plan, Mom, not mine. 1093 00:57:05,292 --> 00:57:07,292 ♫ I SHOULD KNOW I ONCE WAS THIRTY 1094 00:57:07,292 --> 00:57:10,333 ♫ MAKING BABIES TAKES STRATEGIC PLANNING 1095 00:57:10,333 --> 00:57:12,333 ♫ YOU GET JUST SO MANY CHANCES 1096 00:57:12,333 --> 00:57:15,167 ♫ AND YOUR CHANCES GET MUCH SLIMMER 1097 00:57:15,167 --> 00:57:17,125 ♫ I’M JUST TRYING TO REMIND YOU 1098 00:57:17,125 --> 00:57:19,125 ♫ DEAR, YOUR BODY HAS A TIMER 1099 00:57:19,125 --> 00:57:21,583 ♫ AND THE TIMER KEEPS ON TICKING 1100 00:57:21,583 --> 00:57:24,125 ♫ AND THE TICKING IS A TIME BOMB 1101 00:57:24,125 --> 00:57:27,083 FRANCINE AND VOICES: ♫ EGGS YOUR BEAUTIFUL EGGS 1102 00:57:27,083 --> 00:57:29,083 ♫ SOON WILL BE DEPLETED 1103 00:57:29,083 --> 00:57:31,833 ♫ EGGS YOUR RADIENT EGGS 1104 00:57:31,833 --> 00:57:33,833 ♫ SOON WILL BE DEFEATED 1105 00:57:33,833 --> 00:57:35,417 VOICES: ♫ EGGS … FRANCINE: ♫ DISAPPEARING 1106 00:57:35,417 --> 00:57:37,417 VOICES: ♫ GLORIOUS EGGS … FRANCINE: ♫ ROTTING 1107 00:57:37,417 --> 00:57:40,000 VOICES: ♫ FABULOUS EGGS … FRANCINE: ♫ DYING 1108 00:57:40,000 --> 00:57:42,000 VOICES: ♫ PRETTY PINK EGGS … 1109 00:57:42,000 --> 00:57:45,000 FRANCINE: ♫ DEAD, DEAD, GONE 1110 00:57:45,500 --> 00:57:48,875 ♫ IN THREE MONTHS YOU’RE TURNING THIRTY 1111 00:57:49,583 --> 00:57:51,583 ♫ NOT TWENTY FIVE, SIX, SEVEN, 1112 00:57:51,583 --> 00:57:53,583 ♫ EIGHT, NINE – THIRTY 1113 00:57:53,833 --> 00:57:55,792 ♫ AND SHERRI 1114 00:57:55,792 --> 00:57:57,792 ♫ WHEN YOU’RE THIRTY 1115 00:57:58,167 --> 00:58:01,292 ♫ IT MEANS YOUR EGGS ARE ALMOST ‘SSFPHT’ 1116 00:58:02,417 --> 00:58:04,417 Wait! Women these days 1117 00:58:04,417 --> 00:58:06,875 are having babies well into their forties. 1118 00:58:06,875 --> 00:58:08,875 Ahh! 1119 00:58:08,875 --> 00:58:11,417 ♫ I SHOULD KNOW I ONCE WAS THIRTY MAKING BABIES BIG HARRY: ♫ YOU COULD HAVE 1120 00:58:11,417 --> 00:58:13,417 ♫ A SON FRANCINE: ♫ TAKES STRATEGIC PLANNING 1121 00:58:13,417 --> 00:58:16,583 FRANCINE: ♫ YOU GET JUST SO MANY CHANCES AND YOUR CHANCES BIG HARRY: ♫ AND NAME HIM HARRY 1122 00:58:16,583 --> 00:58:19,833 FRANCINE: ♫ GET MUCH SLIMMER, I'M JUST TRYING TO REMIND YOU DEAR BIG HARRY: ♫ A GRANDSON, LITTLE, LITTLE HARRY 1123 00:58:19,833 --> 00:58:21,792 FRANCINE: ♫ YOUR BODY HAS A TIMER AND 1124 00:58:21,792 --> 00:58:23,792 BOTH: ♫ AND THE TIMER KEEPS ON TICKING 1125 00:58:23,792 --> 00:58:26,458 ♫ AND THE TICKING IS A TIMEBOMB VOICES: ♫ AAH 1126 00:58:26,917 --> 00:58:29,542 BIG HARRY AND VOICES: ♫ EGGS HER BEAUTIFUL EGGS 1127 00:58:29,542 --> 00:58:31,542 FRANCINE AND BIG HARRY: ♫ SOON WILL BE DEPLETED 1128 00:58:31,542 --> 00:58:34,250 ♫ EGGS HER RADIANT EGGS 1129 00:58:34,250 --> 00:58:36,250 ♫ SOON WILL BE DEFEATED 1130 00:58:36,250 --> 00:58:37,667 ♫ EGGS ♫ DISAPPEARING 1131 00:58:37,667 --> 00:58:39,667 ♫ GLORIOUS EGGS ♫ ROTTING 1132 00:58:39,958 --> 00:58:42,250 ♫ FABULOUS EGGS ♫ DYING 1133 00:58:42,292 --> 00:58:45,125 ♫ PRETTY PINK EGGS ♫ DEAD, DEAD, 1134 00:58:45,125 --> 00:58:47,125 ♫ GONE 1135 00:58:47,792 --> 00:58:49,542 ♫ IN NINETY DAYS YOU’RE TURNING THIRTY 1136 00:58:49,542 --> 00:58:51,167 BIG HARRY: ♫ NINETY DAYS SHE'S TURNING THIRTY 1137 00:58:51,167 --> 00:58:52,833 ♫ TEN YEARS AWAY FROM FORTY 1138 00:58:52,833 --> 00:58:54,542 BIG HARRY: ♫ TEN YEARS AWAY FROM FORTY 1139 00:58:54,542 --> 00:58:56,208 ♫ WHICH TURNS QUICKLY INTO FIFTY 1140 00:58:56,208 --> 00:58:57,917 ♫ SIXTY, SEVENTY, EIGHTY, NINETY 1141 00:58:57,958 --> 00:59:05,542 ♫ THEN YOU’RE DEAD AND GONE VOICES: ♫ DEAD AND GONE 1142 00:59:06,417 --> 00:59:09,083 ♫ SOON MY EGGS WILL BE DEPLETED ♫ FADED, DEHYDRATED 1143 00:59:09,083 --> 00:59:11,042 ♫ DISAPPEARING, ROTTING ♫ DYING, DYING 1144 00:59:11,042 --> 00:59:12,667 ♫ DEAD, DEAD, GONE 1145 00:59:12,667 --> 00:59:15,375 ALL: ♫ SOON YOUR (MY) EGGS WILL BE DEPLETED ♫ FADED, DEHYDRATED 1146 00:59:15,375 --> 00:59:19,375 ♫ DISSIPATED, DISAPPEARING, ROTTING ♫ DYING, DYING, DEAD, DEAD, GONE -- 1147 00:59:19,625 --> 00:59:22,667 ♫ FADED, DEHYDRATED ♫ DISSIPATED, DISAPPEARING, ROTTING 1148 00:59:22,667 --> 00:59:24,667 ♫ RANCID, SPOILED, 1149 00:59:24,667 --> 00:59:27,500 ♫ HARD BOILED, FRYING, DYING 1150 00:59:27,500 --> 00:59:29,042 ♫ MUMMIFYING 1151 00:59:29,042 --> 00:59:31,042 ♫ MUMMIFYING, FRYING DYING, DYING, DYING 1152 00:59:31,042 --> 00:59:32,208 ♫ MUMMIFYING 1153 00:59:32,208 --> 00:59:33,750 ♫ DEAD SHERRI: Dead? 1154 00:59:33,750 --> 00:59:35,292 ♫ DEAD SHERRI: Dead. 1155 00:59:38,083 --> 00:59:40,083 You do want children, don’t you, Harry? 1156 00:59:40,542 --> 00:59:42,625 You’d be such a great dad. ♫ (agitated music begins) 1157 00:59:48,750 --> 00:59:51,417 ♫ WHAT WAS I THINKING ♫ I WASN’T THINKING 1158 00:59:51,417 --> 00:59:54,208 ♫ WHAT AM I DOING ♫ EVERYTHING WRONG 1159 00:59:54,458 --> 00:59:56,958 ♫ WHAT WILL I TELL HER ♫ I’M WRONG FOR THE PART? 1160 00:59:57,167 --> 00:59:59,167 ♫ ANYTHING I SAY 1161 00:59:59,958 --> 01:00:01,958 ♫ ANYTHING I DO … 1162 01:00:02,083 --> 01:00:07,667 ♫ HEARTS WILL BE BROKEN 1163 01:00:08,458 --> 01:00:13,667 ♫ BROKEN 1164 01:00:14,083 --> 01:00:16,833 ♫ WHERE AM I GOING ♫ I’M GOING NOWHERE 1165 01:00:16,875 --> 01:00:19,667 ♫ RUNNING AWAY FROM ♫ MYSELF AGAIN 1166 01:00:19,833 --> 01:00:22,458 ♫ HOW CAN I TELL HER ♫ WHO AM I KIDDING 1167 01:00:22,625 --> 01:00:25,167 ♫ ANYTHING I SAY 1168 01:00:25,167 --> 01:00:27,167 ♫ ANYTHING I DO … 1169 01:00:27,375 --> 01:00:33,167 ♫ HEARTS WILL BE BROKEN 1170 01:00:33,875 --> 01:00:39,208 ♫ BROKEN 1171 01:00:39,458 --> 01:00:42,042 ♫ HARRY RUNNING AWAY AGAIN 1172 01:00:42,333 --> 01:00:45,250 ♫ RUNNING FASTER THAN HE CAN 1173 01:00:45,250 --> 01:00:47,792 ♫ NO EASY WAY OUT 1174 01:00:47,958 --> 01:00:49,958 ♫ IT WAS ALL A MISTAKE 1175 01:00:50,750 --> 01:00:56,625 ♫ NO MATTER WHAT I SAY OR DO … 1176 01:00:59,750 --> 01:01:01,750 ♫ HEARTS WILL BREAK … 1177 01:01:16,000 --> 01:01:18,000 Dad, Francine, leave .. please .. 1178 01:01:18,000 --> 01:01:20,000 we need to be alone. 1179 01:01:22,583 --> 01:01:24,583 GO! PLEASE. Sherri and I need to talk. Alone. NOW. 1180 01:01:25,167 --> 01:01:28,417 Okay. FRANCINE: I'm going back to the office. 1181 01:01:32,583 --> 01:01:33,833 Harry? 1182 01:01:33,958 --> 01:01:35,958 I thought my father was bad ... your mom was practically 1183 01:01:36,417 --> 01:01:38,792 picking out baby names... planning our lives. 1184 01:01:38,792 --> 01:01:41,333 For all I know she wants us to move in with her. No wonder your father left. 1185 01:01:41,417 --> 01:01:42,542 That was mean. 1186 01:01:42,542 --> 01:01:44,542 You totally blindsided me. 1187 01:01:44,542 --> 01:01:46,333 Sherri I can’t do this. I can’t. 1188 01:01:46,333 --> 01:01:48,000 Are you breaking it off? 1189 01:01:48,000 --> 01:01:51,500 Not sure it’s “breaking it off” after one night. Breaking it off seems a little too, too .. official. 1190 01:01:51,500 --> 01:01:53,500 We were engaged. LITTLE HARRY: That was your idea. 1191 01:01:54,542 --> 01:01:56,875 Don’t you dare pin all this on me. LITTLE HARRY: You -- 1192 01:01:56,875 --> 01:01:59,875 Sure, I proposed, but I don’t remember holding a gun at your head. LITTLE HARRY: You... and you mom, and now my Dad. 1193 01:01:59,875 --> 01:02:01,875 You’re just plugging me into the empty groom slot. 1194 01:02:03,125 --> 01:02:05,125 You know i’m right. SHERRI: Enough, Harry. Enough. 1195 01:02:17,917 --> 01:02:19,917 ♫ (dark music begins) 1196 01:02:27,167 --> 01:02:29,167 ♫ I THOUGHT IT COULD WORK 1197 01:02:29,167 --> 01:02:32,125 ♫ I NEED TO SLOW DOWN ♫ WHAT, WHERE IS IT I'M TRAVELLING 1198 01:02:32,125 --> 01:02:34,125 ♫ WHAT'S THIS STRAIN ON MY HEART 1199 01:02:34,125 --> 01:02:36,125 ♫ WHAT AM I TRYING TO PROVE? 1200 01:02:36,125 --> 01:02:38,125 ♫ WHO AM I TRYING TO PLEASE 1201 01:02:38,250 --> 01:02:40,250 ♫ LIVING SOME SILLY DELUSION 1202 01:02:40,292 --> 01:02:43,333 ♫ CRAZY RIDICULOUS CHILDHOOD DREAM 1203 01:02:46,958 --> 01:02:48,958 ♫ (gentle music) 1204 01:02:57,042 --> 01:02:59,167 ♫ EVERY STORY’S THE SAME 1205 01:03:01,375 --> 01:03:03,375 ♫ A PRINCESS, A PRINCE 1206 01:03:03,625 --> 01:03:06,708 ♫ ONCE UPON A TIME … 1207 01:03:06,708 --> 01:03:08,708 ♫ A FAIRYTALE WEDDING 1208 01:03:10,708 --> 01:03:12,708 ♫ A DAUGHTER, A SON 1209 01:03:12,958 --> 01:03:14,958 ♫ HAPPILY EVER AFTER 1210 01:03:15,333 --> 01:03:18,417 ♫ ONCE UPON A TIME … 1211 01:03:18,500 --> 01:03:22,292 ♫ IT’S NOT REAL 1212 01:03:23,667 --> 01:03:26,333 ♫ WE’RE SIMPLY PLAYING A GAME 1213 01:03:27,250 --> 01:03:32,417 ♫ I WANT MORE THAN MAKE BELIEVE … 1214 01:03:37,000 --> 01:03:40,083 ♫ I IMAGINED A LIFE 1215 01:03:40,875 --> 01:03:44,292 ♫ WHERE I WOULD FIND LOVE 1216 01:03:44,292 --> 01:03:47,542 ♫ ONCE UPON A TIME … 1217 01:03:47,542 --> 01:03:50,625 ♫ OR MAYBE LOVE WOULD FIND ME 1218 01:03:52,375 --> 01:03:54,375 ♫ LIKE IN A FAIRYTALE 1219 01:03:55,167 --> 01:03:58,375 ♫ ONCE UPON A TIME … 1220 01:03:58,583 --> 01:04:02,542 ♫ IT’S NOT REAL 1221 01:04:02,917 --> 01:04:05,500 ♫ IT’S JUST ANOTHER LIE 1222 01:04:05,500 --> 01:04:07,500 ♫ THAT WE BUY INTO 1223 01:04:08,250 --> 01:04:14,750 ♫ I WANT MORE THAN MAKE BELIEVE … 1224 01:04:15,292 --> 01:04:17,292 ♫ MORE TIME … 1225 01:04:17,958 --> 01:04:21,458 ♫ TO NOT KNOW WHAT I WANT 1226 01:04:22,292 --> 01:04:24,292 ♫ MORE TIME … 1227 01:04:24,667 --> 01:04:29,208 ♫ TO QUIET ALL THE VOICES IN MY HEAD 1228 01:04:29,208 --> 01:04:30,917 ♫ ALL THE PRESSURE 1229 01:04:30,917 --> 01:04:33,417 ♫ ALL THE WORRY, ALL THE HURT 1230 01:04:33,417 --> 01:04:36,000 ♫ AND FEAR AND LIES 1231 01:04:36,000 --> 01:04:38,000 ♫ NEED TO STOP 1232 01:04:39,042 --> 01:04:41,042 ♫ JUST STOP 1233 01:04:44,750 --> 01:04:46,750 (exhales) 1234 01:04:55,417 --> 01:04:57,417 ♫ THANK YOU HARRY 1235 01:04:57,417 --> 01:04:59,417 ♫ FOR FORCING ME 1236 01:04:59,417 --> 01:05:01,417 ♫ TO LOOK INSIDE 1237 01:05:04,833 --> 01:05:06,833 ♫ THANK YOU HARRY 1238 01:05:06,833 --> 01:05:09,667 ♫ FOR SAVING ME 1239 01:05:09,667 --> 01:05:12,417 ♫ FROM BEING JUST ANOTHER BRIDE 1240 01:05:12,667 --> 01:05:16,250 ♫ ANOTHER 1241 01:05:17,167 --> 01:05:22,292 ♫ BRIDE 1242 01:05:31,292 --> 01:05:33,292 ♫ (music) 1243 01:05:40,042 --> 01:05:43,375 ♫ IT’S A NEW DAY 1244 01:05:43,375 --> 01:05:45,125 (inhale, exhale) 1245 01:05:45,125 --> 01:05:47,125 ♫ A NEW DAY 1246 01:05:47,583 --> 01:05:49,583 (inhale, exhale) 1247 01:05:49,583 --> 01:05:51,583 ♫ A NEW DAY 1248 01:05:51,583 --> 01:05:53,583 ♫ IN THE NEIGHBORHOOD 1249 01:05:54,000 --> 01:05:56,750 ♫ AT THE OLD ITALIAN RESTAURANT NEAR 1250 01:05:56,792 --> 01:06:01,042 ♫ THE CORNER OF FIFTH AND A… 1251 01:06:02,375 --> 01:06:04,375 (cell phone vibrates on table) 1252 01:06:06,375 --> 01:06:08,375 ♫ (music begins) 1253 01:06:20,625 --> 01:06:22,625 (sets phone down) 1254 01:06:23,458 --> 01:06:25,458 LIDIA (V. O.): Harry Cudicini - 1255 01:06:25,458 --> 01:06:27,458 this is Lidia Bastianich. 1256 01:06:27,458 --> 01:06:29,750 I'm delighted to offer you the position 1257 01:06:29,750 --> 01:06:31,750 as a sous–chef at Felidia. 1258 01:06:32,417 --> 01:06:34,417 Please report to work with your 1259 01:06:34,417 --> 01:06:36,417 knives a week from Monday 1260 01:06:36,417 --> 01:06:38,417 at 6 am. Ciao. 1261 01:06:40,042 --> 01:06:42,042 (picks up phone) 1262 01:06:43,250 --> 01:06:45,250 LIDIA (V. O.): Harry Cudicini - 1263 01:06:45,250 --> 01:06:46,625 this is Lidia Bastianich. 1264 01:06:46,625 --> 01:06:48,917 I'm delighted to offer you the position 1265 01:06:48,917 --> 01:06:50,917 as a sous–chef at Felidia. 1266 01:06:51,750 --> 01:06:53,750 Please report to work with your 1267 01:06:53,750 --> 01:06:55,750 knives a week from Monday 1268 01:06:55,750 --> 01:06:57,750 at 6 am. Ciao. 1269 01:06:58,292 --> 01:07:00,292 (delighted) 1270 01:07:01,500 --> 01:07:03,458 Little Harry, Little Harry. 1271 01:07:03,458 --> 01:07:05,208 Get out here. Get out here. 1272 01:07:05,208 --> 01:07:07,208 You’re never gonna believe this. Some guy calls, 1273 01:07:07,750 --> 01:07:10,083 says he’s a location scout for a movie, 1274 01:07:10,083 --> 01:07:12,625 can they use Cudicini’s as a location. 1275 01:07:12,625 --> 01:07:14,625 Dad, I gotta tell you something - BIG HARRY: You won't believe what they're offering 1276 01:07:15,042 --> 01:07:17,833 $30,000 for three days. 1277 01:07:17,833 --> 01:07:19,833 That’s great, Dad. But listen – BIG HARRY: $30,000 1278 01:07:20,125 --> 01:07:21,958 I can pay off my back rent. 1279 01:07:21,958 --> 01:07:23,958 I’ll even have enough left over to market 1280 01:07:23,958 --> 01:07:25,958 the hell out of my newest plan. 1281 01:07:25,958 --> 01:07:27,958 Your newest plan? 1282 01:07:28,208 --> 01:07:30,208 Not just international, but a 1283 01:07:30,208 --> 01:07:32,792 vaygan international cuisine. 1284 01:07:32,792 --> 01:07:35,083 Vegan? BIG HARRY: Vaygan. 1285 01:07:35,083 --> 01:07:36,833 You mean vegan. And gluten free and - 1286 01:07:36,833 --> 01:07:39,000 Yeah. You know what I mean. It’s what everyone wants nowadays, 1287 01:07:39,375 --> 01:07:41,375 and it’ll be cheaper to run without meat. 1288 01:07:41,417 --> 01:07:43,417 Slap me five, kid. Slap me five. 1289 01:07:43,417 --> 01:07:45,417 (hands slap) I have a meeting with the tofu wholesaler 1290 01:07:45,417 --> 01:07:47,417 on Canal Street. 1291 01:07:47,583 --> 01:07:49,583 Oh, and that’s not all. I’m gonna put 1292 01:07:49,583 --> 01:07:52,083 Sherri to work starting a business with Noninna’s Biscotti. 1293 01:07:52,083 --> 01:07:54,083 Dad. Dad. Stop... 1294 01:07:54,375 --> 01:07:56,375 the engagement is off. 1295 01:07:57,208 --> 01:07:59,000 What? 1296 01:07:59,000 --> 01:08:01,000 Why? What happened? 1297 01:08:01,167 --> 01:08:03,167 It was all happening too fast -- 1298 01:08:03,792 --> 01:08:05,792 Aw. Jeez. 1299 01:08:06,625 --> 01:08:08,625 (ticks tongue) (drops coat) 1300 01:08:08,917 --> 01:08:10,625 Well ... 1301 01:08:10,667 --> 01:08:12,667 it was pretty insane. 1302 01:08:13,333 --> 01:08:15,333 Sherri’s a doll, but getting 1303 01:08:15,333 --> 01:08:17,333 engaged on the first date was the kind of impulsive 1304 01:08:17,333 --> 01:08:19,333 thing I’d be more likely to do than you, eh. 1305 01:08:19,917 --> 01:08:21,917 Like father, like son? 1306 01:08:22,833 --> 01:08:24,458 But the idea’s still good. 1307 01:08:24,458 --> 01:08:26,458 You can be in charge of Noninna’s Biscotti. 1308 01:08:26,708 --> 01:08:28,708 Do it any way you want, I’ll stay out of it. 1309 01:08:28,958 --> 01:08:30,958 Dad, 1310 01:08:31,708 --> 01:08:33,708 Lidia called this morning 1311 01:08:33,958 --> 01:08:35,958 and offered me the job ... 1312 01:08:36,083 --> 01:08:38,750 Me. Lidia chose me. 1313 01:08:40,542 --> 01:08:42,542 Ah, no. 1314 01:08:52,250 --> 01:08:54,250 Oh Hell, 1315 01:08:54,250 --> 01:08:56,667 maybe it’s time you find out what the real world is like ... 1316 01:08:57,417 --> 01:08:59,417 Get kicked around a little like everybody else ... 1317 01:08:59,833 --> 01:09:01,833 It’s been too easy. 1318 01:09:02,542 --> 01:09:04,542 Yeah, 1319 01:09:04,667 --> 01:09:06,667 it’ll be a good lesson. 1320 01:09:07,125 --> 01:09:09,000 And maybe you’ll appreciate your ole man more. 1321 01:09:09,000 --> 01:09:11,458 Dad, I do appreciate you. I’m going to make you proud. 1322 01:09:11,583 --> 01:09:13,583 Basta, Little Harry. Basta. ("Enough") 1323 01:09:14,750 --> 01:09:17,625 Just say, “Thanks, Dad.” 1324 01:09:19,750 --> 01:09:21,750 Thanks, Dad. 1325 01:09:23,000 --> 01:09:24,417 (kisses forehead) 1326 01:09:29,833 --> 01:09:31,833 ♫ (music) 1327 01:09:34,333 --> 01:09:37,833 (inhale, exhale) 1328 01:09:47,500 --> 01:09:49,500 ♫ IT’S A NEW DAY 1329 01:09:49,500 --> 01:09:51,958 ♫ NOTHING GOES AS IT’S PLANNED 1330 01:09:51,958 --> 01:09:53,583 ♫ NEVER DOES 1331 01:09:53,583 --> 01:09:57,708 ♫ SO WHY DO WE THINK THAT WE KNOW … 1332 01:10:00,875 --> 01:10:02,875 FRANCINE: Sherri! Stop. 1333 01:10:03,125 --> 01:10:05,125 Mom? What are you doing out here? 1334 01:10:05,583 --> 01:10:07,583 I followed you. 1335 01:10:08,000 --> 01:10:10,000 I was worried sick. 1336 01:10:10,000 --> 01:10:12,000 You came home and slammed the door and you wouldn’t 1337 01:10:12,000 --> 01:10:14,000 let me in. 1338 01:10:14,167 --> 01:10:16,167 The engagement is - 1339 01:10:16,167 --> 01:10:18,458 Off. I figured that out. 1340 01:10:19,125 --> 01:10:21,542 Please tell me it wasn’t all my fault. 1341 01:10:22,375 --> 01:10:25,042 No ... There’s blame enough to go around… 1342 01:10:27,583 --> 01:10:29,583 I know I can be a bit … 1343 01:10:31,750 --> 01:10:33,417 pushy. 1344 01:10:34,458 --> 01:10:36,458 You think? 1345 01:10:41,333 --> 01:10:43,333 So, here’s the deal, Mom. 1346 01:10:44,375 --> 01:10:46,375 I’m moving out. 1347 01:10:46,500 --> 01:10:48,500 It’s time for me to be on my own. 1348 01:10:51,000 --> 01:10:52,583 Okay. 1349 01:10:54,042 --> 01:10:56,042 And I’m giving notice. 1350 01:10:57,292 --> 01:10:59,292 I need to find my own thing. 1351 01:10:59,833 --> 01:11:01,458 Okay. 1352 01:11:04,042 --> 01:11:06,042 And Mom, 1353 01:11:06,375 --> 01:11:08,375 I’ll have children if 1354 01:11:08,458 --> 01:11:10,458 and when I’m ready. 1355 01:11:13,125 --> 01:11:14,708 Okay. 1356 01:11:16,250 --> 01:11:18,000 Okay. 1357 01:11:22,333 --> 01:11:24,333 What are you doing out here, anyhow? 1358 01:11:25,083 --> 01:11:27,083 I’m bringing the dress back to Zoya’s and 1359 01:11:27,708 --> 01:11:29,708 the cameo Harry’s dad gave me. 1360 01:11:33,292 --> 01:11:35,292 I’ll return the dress, 1361 01:11:35,292 --> 01:11:37,292 you return the cameo. 1362 01:11:39,750 --> 01:11:41,750 Okay. 1363 01:11:51,083 --> 01:11:53,083 ♫ (music begins) 1364 01:12:03,208 --> 01:12:05,208 ♫ (soft music) 1365 01:12:15,083 --> 01:12:18,333 (inhale, exhale) 1366 01:12:25,958 --> 01:12:28,167 SHERRI: Hey. Sorry to barge in. 1367 01:12:28,917 --> 01:12:30,917 I was looking for your dad. 1368 01:12:31,625 --> 01:12:33,625 He’s out stocking up on tofu – 1369 01:12:34,542 --> 01:12:36,542 soft, dried, fermented, pickled - 1370 01:12:37,875 --> 01:12:39,875 I came to bring him back Nonnina’s pin. 1371 01:12:41,375 --> 01:12:43,375 Please... 1372 01:12:47,958 --> 01:12:49,958 don’t forget to give him back his pin. 1373 01:12:50,417 --> 01:12:52,042 Don’t just stuff it in some drawer, it’s - 1374 01:12:52,042 --> 01:12:54,042 I got it ... 1375 01:12:54,250 --> 01:12:55,792 I will. 1376 01:12:57,958 --> 01:12:59,958 Tell him I’m sorry I never 1377 01:12:59,958 --> 01:13:01,958 got my Italian lessons. LITTLE HARRY: I will. 1378 01:13:04,667 --> 01:13:06,667 And tell him ... ciao. 1379 01:13:07,167 --> 01:13:08,667 Ciao. 1380 01:13:12,458 --> 01:13:14,458 Sherri ... 1381 01:13:17,208 --> 01:13:19,208 I’m sorry I was so unkind. 1382 01:13:24,917 --> 01:13:26,917 You were, Harry. 1383 01:13:26,917 --> 01:13:28,875 You really were. LITTLE HARRY: I know. 1384 01:13:30,208 --> 01:13:32,208 I didn’t mean to hurt you, but I panicked. 1385 01:13:34,875 --> 01:13:36,875 I know that’s no excuse. 1386 01:13:37,167 --> 01:13:38,958 No, it’s not. 1387 01:13:42,208 --> 01:13:44,208 What about “Kaboom?” 1388 01:13:46,917 --> 01:13:48,917 “Kaboom?” 1389 01:13:49,750 --> 01:13:51,750 I didn’t just imagine it... 1390 01:13:51,750 --> 01:13:53,750 it wasn’t just me. LITTLE HARRY: No. 1391 01:13:54,542 --> 01:13:56,125 you didn’t. 1392 01:14:01,917 --> 01:14:03,917 Well… 1393 01:14:06,417 --> 01:14:08,417 What's your favorite color? 1394 01:14:09,500 --> 01:14:11,292 ♫ (music) 1395 01:14:11,292 --> 01:14:13,292 My favorite color? 1396 01:14:17,167 --> 01:14:19,167 ♫ WHAT'S YOUR FAVORITE COLOR? 1397 01:14:21,167 --> 01:14:23,167 ♫ WHAT'S YOUR FAVORITE FLOWER? 1398 01:14:25,333 --> 01:14:27,333 ♫ YOUR FAVORITE KIND OF MUSIC? 1399 01:14:28,917 --> 01:14:30,917 ♫ YOUR FAVORITE FOOD? 1400 01:14:32,958 --> 01:14:34,958 ♫ WHAT'S YOUR FAVORITE SEASON? 1401 01:14:36,375 --> 01:14:38,375 ♫ YOUR FAVORITE PLACE ON EARTH? 1402 01:14:39,875 --> 01:14:41,875 ♫ TIME OF DAY? 1403 01:14:41,875 --> 01:14:43,875 ♫ OR NIGHT? 1404 01:14:43,875 --> 01:14:45,875 ♫ YOUR FAVORITE ANYTHING? 1405 01:14:49,792 --> 01:14:51,792 We barely got to know each other. 1406 01:14:52,375 --> 01:14:54,375 Yeah. 1407 01:14:54,833 --> 01:14:56,833 Yeah. 1408 01:14:57,625 --> 01:14:59,625 Do you think one day .. When you’ve had enough 1409 01:15:00,708 --> 01:15:02,708 time to sift through everything .. I can, 1410 01:15:04,542 --> 01:15:06,542 I can cook you another meal? 1411 01:15:11,125 --> 01:15:13,125 Sherri ... 1412 01:15:14,000 --> 01:15:16,000 Please? 1413 01:15:19,583 --> 01:15:22,750 ♫ YOU OPENED A DOOR 1414 01:15:24,375 --> 01:15:28,833 ♫ I'M NOT SURE HOW TO WALK THROUGH 1415 01:15:30,417 --> 01:15:32,417 ♫ DON'T KNOW EXACTLY 1416 01:15:32,417 --> 01:15:34,417 ♫ WHAT MOVE TO MAKE 1417 01:15:35,458 --> 01:15:37,458 ♫ WHAT TO TAKE 1418 01:15:37,458 --> 01:15:39,458 ♫ WHAT TO LEAVE BEHIND 1419 01:15:40,667 --> 01:15:42,667 ♫ IT’S NEW 1420 01:15:42,792 --> 01:15:44,792 ♫ THIS FEELING 1421 01:15:45,792 --> 01:15:49,708 ♫ I’VE NEVER FELT BEFORE 1422 01:15:51,833 --> 01:15:54,583 ♫ AND I LIKE HOW I FEEL 1423 01:15:54,583 --> 01:15:58,333 ♫ BEING HERE WITH YOU 1424 01:16:02,042 --> 01:16:06,125 ♫ YOU OPENED MY EYES 1425 01:16:06,792 --> 01:16:11,000 ♫ I SEE MORE NOW THAN BEFORE 1426 01:16:12,667 --> 01:16:14,667 ♫ STILL I'M UNCERTAIN 1427 01:16:14,958 --> 01:16:16,958 ♫ WHICH WAY TO TURN 1428 01:16:17,667 --> 01:16:21,833 ♫ WHAT I NEED TO LEARN 1429 01:16:23,125 --> 01:16:25,125 ♫ IT'S NEW 1430 01:16:25,292 --> 01:16:27,292 ♫ THIS FEELING 1431 01:16:27,750 --> 01:16:32,042 ♫ TOO NEW TO UNDERSTAND 1432 01:16:34,458 --> 01:16:37,792 ♫ AND I LIKE HOW I FEEL WITH YOU 1433 01:16:37,792 --> 01:16:44,750 ♫ HOW I FEEL WITH YOU, I FEEL IT TOO SHERRI: ♫ AND I LIKE THAT YOU FEEL IT TOO 1434 01:16:46,125 --> 01:16:49,542 BOTH: ♫ LET’S START AT THE START 1435 01:16:49,542 --> 01:16:52,417 ♫ YOU AND I 1436 01:16:52,417 --> 01:16:55,375 ♫ HEART TO HEART 1437 01:16:55,917 --> 01:17:00,250 ♫ HEART TO HEART 1438 01:17:04,167 --> 01:17:07,000 ♫ WHAT’S YOUR FAVORITE COLOR? 1439 01:17:08,125 --> 01:17:10,125 Pink. 1440 01:17:10,542 --> 01:17:12,542 Green. 1441 01:17:13,750 --> 01:17:16,500 ♫ WHAT’S YOUR FAVORITE FLOWER? 1442 01:17:17,625 --> 01:17:19,625 Roses. 1443 01:17:20,458 --> 01:17:22,458 Tulips. 1444 01:17:23,125 --> 01:17:25,125 ♫ SEASON? 1445 01:17:25,750 --> 01:17:27,500 Spring. 1446 01:17:27,500 --> 01:17:28,708 Summer. 1447 01:17:29,667 --> 01:17:32,333 ♫ PLACE ON EARTH? 1448 01:17:34,375 --> 01:17:36,375 Both: New York. 1449 01:17:37,125 --> 01:17:39,125 ♫ (music begins) 1450 01:17:46,708 --> 01:17:48,708 (inhale, exhale) 1451 01:17:59,417 --> 01:18:01,417 (inhale, exhale) 1452 01:18:02,292 --> 01:18:08,500 ♫ HMM 1453 01:18:15,333 --> 01:18:17,333 ♫ (ending music) 95444

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