All language subtitles for Malasaña 32 (2020)-en

- Sebas, give me the marble!
- Not.

- Give it to me!
- There is more.

- For! Give them to me!
- Leave me.

- Bring it, it's mine!
- My nose is going to be yours!

Mom, tell Sebas
to return it to me!

You are idiot?

Let's go.

You know Mom doesn't like us
to stand in the old woman's house.

Julian!

Let's go.

What do you do?

It has gotten inside.

Hello?

Ms,

I am entering your house.

I come for my marble.

Ms,

Will you give me back the marble?

Sebas! Sebas!

Run!

[Some who are born, others will die.]

[Sorrows and glories, wars and peace.]

[There is always why to live, ]

[why fight.]

[There is always someone to suffer for]

[and who to love.]

[In the end, the works remain, ]

[people leave.]

[Others who come will continue them.]

[Life goes on...]

[same.]

- We have already arrived?
- Come on.

- It's here?
- There you have it.

How big Is all this our house?

Not all. Look, it's that
one over there. You see?

The third floor. How
nice. We will be like kings.

Madrid heaven for us alone.

The Olmedo? They finally arrive.

- Esteban Ocaña, the administrator.
- But I spoke to Don Felipe.

Yes, of course, my boss. But no
problem, I'm already up to date.

Well, nothing. Manuel Olmedo
Fernández. And my lady, Candela.

- Haunted.
- So much pleasure.

- They come?
- Yes of course.

The goalkeeper is on
leave, but joins next week.

The procedures to install the
elevator are already underway.

- It's only a few stairs.
- Is it a third party?

My father will have a
hard time going up here.

You have heard Mr. Ocaña,
woman. Soon we will have an elevator.

That is precisely why it
has cost you much cheaper

a flat like this, with
all these comforts.

You have made a very
good investment, believe me.

Well, the flat is not
ours, it's from the bank.

And even selling everything we had,
we have had to ask for a mortgage.

And how close are you
going to be to your work?

You have a letter of
recommendation to work in Galleries.

That is great. And
what you do for a living?

I have always worked in the field,

but one of the people spoke for me and
tomorrow I start at the Pegaso truck factory.

Well here it is, third B.

Well... go ahead.

- What is that?
- It's... from Mateo.

I haven't read it, huh?

Grandfather,

What are you doing there?

The living room.

How hot.

Yes, well, here is that
summers last until September.

They'll get used to it. As you can see,

everything is just as
the previous owner left it.

- What happened?
- Passed away.

- Shall we continue?
- Yes of course.

- Big windows.
- Well, look, they are like the ones in town.

But the views are better.

Than? Don't tell me
you don't like the house.

- How long has it been closed?
- Well, four years, I think.

That's what they told me
when I came to see her.

Look, we have turntables.

- Manolo, don't do that.
- Why?

Because it's bad luck.

Why do we want such a big house?

Candela, what's in town?

- Nothing.
- Nothing.

We are in Madrid.
Madrid is the future.

Let's give the kids a
chance. And us too,

what a good need

Come on, you will see
how happy we will be here.

[If I were queen of daylight, ]

[the wind and the sea...]

Excuse me, but I have to go.

I hope you enjoy it.

Welcome... to your home.

What have I told you,
Rafael? Not inside the house.

Why do you put that there?

For good things to happen to us.

Isn't it going to happen
to us like in town?

- No, from now on everything will be better.
- Someone help me?

Come on, run, go. Go with your sister.

- I will help you.
- No, not you, Rafita.

Which is my room?

The one in the background.

Rafita!

- Mom, mom, I scared Amparo!
- This kid...

Watch your feet there.

More for the background,
to the living room.

There, by the table.

Watch out. Watch out, watch out, watch out.

- Sorry.
- With that you fix everything?

Amparo, come.

Go take your things
to your room, go on.

- Candela.
- Than?

- Where do I leave this?
- Where you want.

You like?

Why do I have to
sleep with Grandpa?

- Because it's like that, son. It is so.
- Can't I sleep with Amparo?

Your sister is older.

Amparo, what are you doing?

You know that your father
doesn't like closed doors.

Is not my father. Well,
it's my room, right?

Yeah, but this
room is in this house.

I know, you don't
need to remind me.

You can leave the door
open when you leave.

- Are you going to throw it all away?
- Yeah

If you want something you... I'm not
going to wear any of this, it's horrible.

This is pretty.

Although the color green...

it does not convince me.

Anything else?

Yes, can you go bathing Rafita?

- Now?
- Now. I'm going to prepare dinner.

And from tomorrow you
will have to take care

from your brother while we work.

Candela, come take care
of the child for a moment.

It goes

Can you stop still

Are we going to stay here long?

I suppose.

Well, I liked the
town house more.

Can we play again?

Again?

"Porfi"...

Wouldn't you rather play with grandpa?

"I see I see".

- "Do you see?".
- "A little thing".

"What little thing is it?"

"Start... with the P".

["What will I be? What will I be?
What will I be?"]

- Hair comb!
- Do not.

Wall.

- Hair.
- You won't guess it in life.

Come on, tell me what it is.

Paris.

- What is "paris"?
- A place that does not smell poor.

Come on, that's not worth it! It
has to be something you see.

- Stay here for a moment.
- Voucher.

Grandpa, what does he do?

Rafa?

Rafa, open the door.

Rafael, stop playing, we're
going to have a cold dinner.

Rafa, what are you doing?
Why don't you open

Rafa, what are you doing?

- Mom, Mom, there's someone inside!
- What happens? What are those voices?

Rafael is inside! You closed
the door, I can't open it!

- Rafa! Rafa!
- Get away!

- How can you think of leaving the child alone?
- He could have been killed!

- Where do you have your head, Amparo? Where?
- I've seen someone, I swear.

What have I told you? What
have I told you? No closed doors!

I don't want any more nonsense
in my house, do you hear me?

"Bless us, Lord, and bless
the food that we will receive..."

Take advantage.

Pass me the oil, Pepe.

- Father, let's eat.
- Come on, Rafita, hit those potatoes.

To eat.

What's up, Amparo?

I do not know. No...

I think I'm upset from
the trip, I'm going to bed.

- What is it, my love?
- It scares me.

Grandpa is not well, he
needs this machine to sleep.

They are like the Norway lobster.

Close your eyes.

So, very well.

Imagine they are singing to you.

Best?

Good night, precious.

Good night mom.

Rafa, what are you doing?

It's magic.

Magical the bill will
be if you don't turn it off.

Turn off, let's go to sleep.

Look, Manolo, that's line 25.

Here we all help each other. Every
two hours you can throw the cigarette.

And if you need to go to the bathroom,
then notify a colleague to cover you.

Any questions you
have, you ask me, okay?

- Yes of course.
- I am Miguel. Welcome.

Thank you.

Welcome. Have a happy shopping.

- Thank you very much.
- Thank you very much.

The important thing is
that you always smile.

That and that you meet the sales
objectives. That is also very important.

- Oh, and always wear a lipstick.
- Is it also important?

It is very important.

Let's see. Let.

So.

Pepe,

you will see how you will find something.

This is not like the town,
there is room for everyone here.

Even for us.

I did not want to leave.

And me? Do you think I
wanted to go and leave Mateo?

But here we are, we have to get stuck.

You have hot milk in the kitchen,

in case you want to have breakfast
before you go looking for a job.

Rafael, how many times have I told you that
you don't play with the spinning top here?

It is that, if not, I
will never learn.

Look, you're messing up the floor.
It's over, give me the top. Already.

I'm sorry.

We go to breakfast?

Come on, Rafael,
please, have breakfast.

- Do you want me to give it to you?
- I can do it alone.

Ah okay.

But you eat it all, huh?

Yes Yes.

If that?

Rafita.

- What do you say?
- You asked me.

No, I haven't asked you anything.

[You asked me.]

Grandfather?

Don't move, did you hear me?

Than?

Much.

[One balloon, two balloons,
three balloons.]

[The Moon is a balloon]
[that escaped me.]

[One balloon, two balloons,
three balloons.]

[Earth is a globe]
[where I live.]

[One balloon, two balloons,
three balloons.]

[The Moon is a balloon]
[that escaped me.]

[One balloon, two balloons, three glo...]

[Tralará, larita, ]

[I am very happy.]

[It will pull, larota, ]

[I am very happy.]

[I'm waiting] [for my
grandchildren to come.]

[I've made cookies for them...]

[But what a handsome boy.]

[And what greater.]

[What is your name? Let's see.]

[Aren't you going to tell Grandma Berta]

[What is your name?]

[I'm going to be very sad.]

Rafael Olmedo Jiménez.

[What a nice name.]

[Tell me one thing, Rafael, ]

[Do you feel like... playing?]

Grandpa, for God's sake, can
you tell where you are going?

To the farm.

But what farm? If we no
longer have the farm, we sold it.

I have to get the shotgun.

Your father surely knows where he is.

He would not have brought us to this house.

He also said he would
see where we are again.

Grandpa, please, let's go home.

He is going to take it.

To who? What does it say?

She.

["I see I see".]

- "Do you see?".
[-"A little thing".]

"And what little thing is it?"

["Start with the letter...]

[B.]

[What I will be? What I will be?
What I will be?".]

Paris?

[Not.]

Top.

Pepe knows how to put it in his hand
and everything. He is going to teach me.

[And you?]

[Don't you want to... try?]

They won't let me throw it away.

[But now you're... alone.]

Protection.

[Amparo is gone.]

[He is alone... with me.]

[I'm going to call a friend]
[to come take care of you.]

[She knows many games.]

[You can't imagine
the desire] [he's got...]

[meet.]

Grandpa, stay here
and don't move, will you?

That I already have enough.

Rafael, have you finished breakfast?

Rafael?

Rafa, come out.

Stop playing.

Rafa!

Rafa!

[Great, ] [They left
me some cookies.]

[Here they will come
now.] [I'm very nervous.]

[No, it is not them. It
will take a long time.]

[Here, the gun.] [Pim,
pam, pum. Shoot alone.]

[Oh, what nerves...]

Very well,

Do you want to add something else?

My father went outside.

It gets disoriented.

Not well. He has something on
his mind, no... he does not rule.

- And my daughter came out behind him.
- And left the kid alone?

Good.

We have reviewed the building from top to bottom:
Storage rooms, roof terrace, the crack...

We have asked in the shops in the
area and they don't know anything either.

And is it done? Aren't they
going to do anything else?

We are going to give notice to
all the police stations in Madrid.

The best thing is to get them
off the phone, just in case.

We don't have a line
yet, we just moved.

We will come see you if we have
news. Sir, madam, good night.

Manolo, don't you see that...?

I know, you are right. Come on.

- Where are you going?
- To look for it, I will not stay waiting.

- And I also.
- I'm going with you.

No, we come every so often
and we will tell you.

I'm not going to stay dying of anguish.

- I can go?
- No, stay with Grandpa.

We will find it.

[Protection?]

Rafael, where are you?

[Do not leave me alone.]

Honey, we're not going to leave you alone,
but you have to tell me where you are.

[I do not know.]

OK.

What do you see around you?

[Shh... who will hear you.]

Is there? [-Yes.]

Is that a man or a woman? Tell me.

[He has seen me.]

Rafael!

Mother!

Rafael! Rafael, are you there?

Rafael!

- Please help! Help!
- Can you know what those voices are for?

- Amparo, what's up?
- It's Rafael, it's in there. Listen to it.

- Rafael?
- Impossible, nobody lives in the third.

- My daughter says she has listened to the boy!
- Father, I heard you. It's in there.

Stand back.

Rafael, son!

Rafael!

Come? There is no one, the
floor has been empty for centuries.

Is here.

I think I have a
flashlight at home.

Rafa!

Rafael, darling!

Come out now, boy.

Rafa.

Rafa?

Rafa, are you there?

Dad.

Oh my God.

Rafa, it's me, Amparo.

Rafa, come on, come out, nothing happens.

Rafa.

Does this wall not face our house?

Yes.

Protection!

- Amparo!
- Amparo!

Protection! Protection!

- Amparo!
- Amparo, what's wrong with you? What's wrong?

Amparo, it's me, look at me! Look at
me! Look at me, look at me, look at me!

What's wrong?

Daughter, what's up? What happens?

Daughter, look at me.

What happens? What's
up, Amparo? What happens?

- There is nothing here.
- Have they found it?

Help me get her home, please.

Come, come here. Come here.

Come on.

There it is, there it is.

It has passed, it has
passed, it has passed.

How can we go to work without
knowing that the child is there?

We have only been at work for
one day, we cannot miss it anymore.

We need the money
to pay the mortgage.

Candela, we have to go to
work. We have no other choice.

The baby says she
is sure she saw it.

- Don't start again, please.
- He saw it.

There was nobody there, there was nobody.

What you see you
saw, or imagined or...

Well, because of nerves or...

- I don't know, I don't know.
- But where is it?

You said that we were going to do well in the
city. We were going to do well in the city.

I cannot leave this
house without my son.

Candela, look at me.

You are afraid, it is
normal. I have fear also.

But we cannot lose
our minds, nor hope.

We can not.

They make me a heel wound.

I'm sure it's okay.

How do you know?

Because I am his father.

Hello?

Shall I speak to Susana?

Yes Yes.

No, no, no, you don't know me.

Look,

I live in Calle Manuela
Malasaña, 32, in third B.

I wanted to ask you if you
met the previous owner.

Listen? Suzanne?

Cut now, girl.

Hello?

Excuse me, can I help you with something?

Have you come alone

Did you come alone?

Lola, darling.

- Excuse me, I don't know what could have happened.
- As it is called?

- Me?
- Yeah

Candle.

Excuse my daughter, she gets
nervous when I'm not around.

You must have seen something in yourself.

If I can help you with something...

Lola wants me to give you this.

If you want my partner to come or...

Read it to your children.

- But...
- It will help you.

- Everything alright, Mrs. Davalos?
- Yeah

Do you need us to
take it to the dry cleaner?

I already attend to her.

Yes, of course. Sorry.

Clear?

Hello?

Clear?

Clear.

Hi.

Grandfather?

[I am that]

[that chases you every night.]

[I am that]

[who, because he loves
you, no longer lives.]

[He who waits for you, ]

[the one who dreams you, ]

[the one who wants to own]

[of your love, of your love]

[I am that...]

Grandfather.

Grandpa, it's burning.

[Protection.]

[Help me.]

[You have to get me out of here.]

[Help me.]

[Get on the phone, Amparo.]

[Take it.]

Rafael?

Rafa!

Rafa.

Close your eyes.

Rafa...

Rafa.

You're good?

Manolo!

- Manolo!
- Yes here.

You have a call, something from your son.

Now I'm listening
to your little heart.

In his state it is normal
that he does not speak,

it may take a few
days to do it again.

I have a grandson of the same age. You
have to have a thousand eyes with them.

So much time in the dark
could have caused him shock.

When he recovers his voice, he will
surely tell them what has happened.

It is best to rest and
avoid any startles.

- Very well.
- Thank you very much doctor.

- You are welcome.
- Here.

Manolo.

Than?

I don't like this house,
I don't like Madrid.

For me it is not being easy either.

I thought that I can
talk to my cousin,

that can put you as a temporary worker.

Candela, listen. We
don't have a dime.

Everything we had we
have put in this house.

We can't go back.

Come on, rest.

- What if God is punishing us?
- Here we go again!

- We can't even get married.
- I don't want to talk about this again,

OK?

I don't want to, it's over.

Protection.

- What are you doing up?
- Nothing.

- Are you going out?
- No, no, where am I going?

You are very pretty.

Mother.

Tell me.

Nothing.

What happens?

You see something?

Candela, the light is out.

My goodness, this is from
the year of the polka.

Protection.

"I see I see."

["Do you see?".]

Candela, what's up? Where are you?

Protection.

Amparo, what are you doing?

Fuck.

Mother!

[Own.]

[Own.]

- Mother!
- Manolo, take my father!

Protection! Protection!

Pepe! Pepe!

[Own.]

- Amparo! Protection!
- Mother!

Move away!

Run!

They are 360 pesetas a night.

390 with bathroom. Can
I have the family book?

The family book?

I think we don't have it
on us. We had to run away.

Well I can't let them stay if they
don't show me the family book.

I pay you for two rooms,
but let us all stay together.

Tomorrow I want you out.

"Our Father, who..."

That you are in heaven,

Hallowed be thy name.

Come to us...

"Your kingdom."

"Your will be done on
earth as it is in heaven."

Give us this day
our daily bread.

Forgive us our debts,
as we forgive our debtors.

And do not let us into temptation,

"but deliver us from evil. Amen."

Tell me?

I have consulted it.

Thank you very much.

We gave them the money and
now they have to pay it back.

Things happen in that house.

What things? Are they
leaking? Are there any pests?

- There is a spirit...
- We do not mind losing the entrance...

nor the letters that
have already been paid.

Surely there is something
we can do, sell the car.

Gentlemen, a mortgage is forever.

So they signed life insurance.

I warn you to continue
rigorously paying your debt,

whether or not they live in
that house. Good Morning.

Listen to me. Listen to me, pussy...

- I got fired.
- What do you mean they fired you?

I have disappeared without
explanation. What were they going to do?

- Come on, Candela, take it easy.
- How do you want me to calm down?

Give me time. Right now I
can't think, but I'm going to fix it.

I swear.

I am not going to put my
children in that apartment.

And what do we do, do we sleep in the car
under a bridge? What are we going to do?

Candela, where are you going?

Someone will have
to bring this family up.

[Give them... Give them...]

Give them... Give them... Give them...

Give them... Give them.

What do you do?

Did you want to personally
deliver it to the client?

It would never occur to
me to do something like that.

You are late and you
have hardly any sales.

At the end of the month
you will have to explain.

- Julia...
- I'm really trying.

I really try, but you
don't make it easy for me.

Say your name, I trusted you,
even though I didn't know...

Even knowing that what?

I don't know what he expected from someone
who gets into bed with his brother-in-law,

having his sister
dying in the next room.

Haven't you had enough...?

Embittering our life in the village,

that you also
have to rot it here?

Don't get into my life anymore.

Good afternoon.

- Good afternoon.
- What I can help?

- I come from Galleries.
- Leave it to me if you want.

Can I speak to the
lady of the house?

No this. But, come on, I can
give it to you without problem.

Rosario, who is it?

You already know Lola, right?

He can hear you perfectly.

Hi.

Why did you take so long to come?

What did you see when
we met at Galleries?

How did you know?

Lola sees things that others do not see.

Presences need

a weakened mind to communicate,

a mind that does not put barriers

to enter it.

Some people are in
the world for a reason.

That is Lola's reason.

It must have been terrible
what happened on that floor

so that the old tenant
does not want to leave.

But why? That's what
I do not understand.

We are not to blame for anything.
Why don't you leave us alone?

Lola knew how to see it in
you and continues to see it.

Your husband and children
already carry that pain with them.

What are you trying to tell me?

You can leave, sell the apartment...

It's the same, it's already inside.

Pain will haunt you until
you can calm it down.

Can you help us?

He wants something from
your family, Candela.

Something you have.

Pepe, where were you?

How can you think of leaving your brother
alone with everything that has happened, man?

It's... what I've been
given... by the metronome.

Have you come home

Twelve pesetas missing...

of the subway.

Hi.

Doña Susana López García?

On the phone you sounded different.

How old are you?

- Seventeen.
- Seventeen years,

Holy Virgin.

Are you OK?

No. Come in.

Thank you.

- Have you done this before?
- Ever.

- And Amparo?
- Wasn't I with you?

He said... he... was...
going to look for you.

- We have to wait for your daughter.
- Why do we have to wait?

- Manolo.
- No, Manolo no.

I don't know what the
kids have to be here for.

You can help us, right? Do
what you have to do, but alone.

This is not done like this, Mr. Olmedo.

Ah, it is not done like this.
And how is it done?

He wants us to go inside.

Every day different ones
come. They keep me company.

Thank you for receiving me. I
thought after talking on the phone...

I don't like phones.

But come in, come in,
I'm not going to eat you.

Julia will be here with you today, darling.

Mother...

Nothing happens, son.

Doña Susana, I don't know if you
could tell me who lived in the house.

Why do you want to know?

Your phone number is the only
one that appears in the phone book.

And on the invoices.

Always called.

But I did not answer him.

Who was?

How many are you in your family?

My mother, my grandfather,

- Manolo...
- Brothers? Any child?

- Rafael.
- Age?

Five years.

And what has he done to him?

He took it, but he has
already returned it to us.

Because a child is on the way.

I can still smell the bellies.

Didn't you live alone?

Come.

Blessed Christ.

My girl.

Doña Susana?

I think I'm going to leave.

It's not me.

- What's going on?
- Don't touch her.

Punishments were useless.

My father locked him in the clock.

She slit her throat to
cry until she pulled it out.

But it didn't matter

the next day I did
the same thing again,

I took my green dress.

My father went crazy when he
was found walking on the landing,

with heels,

faking a pregnancy.

Holy God.

There was a day that my father met
him with the neighbor in the basement.

He was beaten so badly
that he almost killed him.

It was his brother.

And do you know what it said?

That it wasn't Miguel,

that we call him Clara.

The child is ours.

Don't hurt them,

they are not to blame
for your misfortunes.

You have to go.

He didn't realize
he was hurting us.

Did you live alone all
your life in that house?

We couldn't let him out, he was
obsessed with being a mother.

So he took your brother.

When he found out you were
pregnant, he released him.

Now he wants your son.

Imagine what they would have said
about us if they had seen him like this:

Dressed and made up.

My parents wouldn't let him
out even on the street portal.

When my parents were absent,
we divided the apartment into two:

The third A mine and B his.

I had to leave my house not to
listen to the gossip of the neighbors.

What a shame.

Since then I have not wanted
to know anything about him.

He kept calling until
the night he died.

And then the phone stopped ringing.

Maybe all he needed
was a little company.

Not,

he didn't deserve it.

Why couldn't he be
the same as the others?

What would it have cost him?

Because of him we
could never be a family.

- They could, but they didn't want to.
- Do not!

It was a monster!

Be clear about one thing.

If there is something you
have not achieved in life,

I assure you that he will
continue trying after death.

"I believe in God the almighty
father, creator of heaven and earth."

I believe in Jesus Christ,
his only son, our Lord,

which was conceived by the
work and grace of the Holy Spirit.

I believe in the forgiveness of
sins, the resurrection of the flesh

and eternal life. Amen. "- No!"

"I believe in the all mighty Father God..."

Rafa. Rafa.

Lola! Lola, no, daughter.

Mother!

Rafael!

Let go of my brother!

Give it to me.

Not.

Not.

I know what they did was horrible.

You deserved a
better life, not all of this.

Sorry, Clara.

Give it to me!

Own!

You have to go.

Dad!

- Do not!
- Do not!

Do they have everything?

I will notify you if there
is any interested buyer.

Don't worry, nobody is going to
find out what happened in the house.

At least with her husband's insurance

they have been able to remove
the slab from the mortgage

and they can go back to town in peace.

Send me the sewing
machine as soon as I can.

- Give to me.
- No, that I can.

- Amparo.
- Pepe...

Everything is done, mom.

You will be fine, madam.

To the train station, please.

[You confused a dream with a
plan.] [Welcome to the big city.]

[No one is going to give you a
cable, ] [they won't even look at you]

[when you pour down the drain.]

[It's not even for bad blood, ]

[you just seem, you are nobody.]

[So you understand that what you
have] [at home is the important thing]

[or what comes will not be easy.]

[I don't fear fire]

[nor to their insults, ]

[what I fear is]

[to see a wall...]

[that grows]

[between you and me.]

[Everything is so big,
everything is so cold.]

[The monster knows]

[that divided...]

[can us.]

[Don't walk away from me.]

[You do not believe me.]

[I ask you and you don't believe me.]

[You look at me and you don't believe me.]

[It's me, but you don't believe me.]

[Tell me you believe me and
everything will be fine.]

[Tell me you believe me one last time.]

[Tell me you believe me
and don't lie to me.]

[Lie to Me. Trust me.]

[No one escapes.]

[The end of everything that happens out
there] [is always on coming home, yes.]

[The city is hostile,
I know, but it lasts]

[when things are going well at home.]

[Nothing scares me.] [And it was the
other way around, which terrifies me]

[is what I can find when I return, ]
[because I will always return.]

[You and me, believe me.]

[You and I against this city, ]
[that we don't care about the rest.]

[We must be a home]

[be our oasis of peace.]

[You and me against this
city, ] [that we do not care.]

[We must be a home]

[be our oasis of peace.]

[You do not believe me.]

[I ask you and you don't believe me.]

[You look at me and you don't believe me.]

[It's me, but you don't believe me.]

[Trust me.]

[Tell me you believe me and
everything will be fine.]

[Tell me you believe me one last time.]

[Tell me you believe me
and don't lie to me.]

[Lie to Me. Trust me.]

[Sorry there is a mistake I guess]

[because I think I don't know her.]

[Than? Who are you?]

[Do you want me to
call someone?] [Okay?]

[I just don't know what it says.]

[Excuse me, but don't yell at
me.] [I ask you to calm down.]

[How? Malasaña 32? Does not exist.]

---oOo---