All language subtitles for Dance.with.Me.1998.1080p.WEBRip.x264-RARBG

[ Woman ]
OYE !

CAMINA, CAMINA,
CAMINA, CAMINA !

[ Man ]
QUE SABROSO.

[ Woman ]
MIRTA.

[ Chattering In Spanish ]

[ Speaking Spanish ]

[ Man Shouting ]
RAFAEL ! RAFAEL !

[ Chattering In Spanish ]

* [ Singing In Spanish ]

[ Woman Over P.A.,
Indistinct ]

HI !
[ Woman ]
DADDY ! THERE HE IS, MAMA !

IT'S SO GOOD TO SEE YOU !

DID YOU HAVE A NICE TRIP ?
GOOD.

[ Man ]
DAN ! OVER HERE !
HI, PAT.

TU LLAMAS RAFAEL ?

SI, SI. RAFAEL INFANTE.

UH, GOOD.
MI LLAMAS RUBY.

UH, MI TRABAJO
POR JOHN BURNETT.

JOHN BURNETT, SI, SI.

YEAH, JOHN BURNETT.

MMM, UM--

EL, UH, JOHN BURNETT.

UM, EL, UH,

EL PREGUNTE.

E-ESCUELA BAILAR.
BAILAR ?

SI, SI.

DO YOU--
DO YOU SPEAK ENGLISH ?

YOU SHOULD HEAR MY FRENCH.
[ Laughs ]

* TEACH ME TONIGHT

* STARTING WITH THE A-B-C
OF IT *

HERE WE ARE.

I'LL SEE YOU AROUND.
I GOT A LESSON TO TEACH.

RUBY !
THANK YOU.
[ Ruby ] OH, SURE.

DE NADA.

HEY, SUGAR.
RAFAEL'S HERE.

OH.
[ Ruby ] STEVE,
I'M JUST GONNA GO CHANGE.

HEY, RAFAEL.
WELCOME TO TEXAS.
I'M LOVEJOY.

OH, NICE TO MEET YOU.

JOHN SHOULD BE HERE SOON.
CAN I GET YOU SOMETHING ?

NO. THANK YOU
VERY MUCH.

YOU MUST BE TIRED,
SO WE'LL DO YOUR PAPERWORK
AND EVERYTHING ELSE TOMORROW.

OKAY.
[ Phone Ringing ]
OH, THAT'S ME.

AS YOU CAN SEE,
THIS PLACE NEEDS
A LOT OF WORK.

YOU'LL HAVE PLENTY
TO DO.

EXCELSIOR DANCE STUDIO.
TAKE A LOOK AROUND
IF YOU WANT TO.

HELLO ? OH--

* TEACH ME TONIGHT

* [ Woman Vocalizing ]

LOOK UP.
SWEETHEART, COME ON.

WHO'S THAT TALL
DRINK OF WATER ?

MAYBE THE NEW HANDYMAN.

NOW, BEA, CONCENTRATE.

OKAY, AND TWO,
HOLD. GOOD.

STEP, STEP, AND ONE,
TWO-- AAH !
OH !

I'M SORRY.
THIS PLACE IS FALLING APART !
[ Laughs ]

HOW MANY CLASSES
HAVE YOU TAKEN ?

WELL, I JUST STARTED,
BUT RUBY SEEMS LIKE
A GREAT TEACHER.

I KNOW, I KNOW.
DON'T EVEN SAY IT.

THIS AIN'T NO MEAT COOLER.
TURN THAT DAMN AIR OFF.

YOU KNOW WHAT THE BILLS
ARE LIKE AROUND HERE.

EVA GRANT CANCELLED.
OH, THAT'S RAFAEL.

* SHOULD THE TEACHER STAND
SO NEAR, MY LOVE

* GRADUATION'S
ALMOST HERE, MY LOVE

* TEACH ME TONIGHT
WELL, HELLO THERE.
I'M JOHN BURNETT. *

RAFAEL INFANTE,
MR. BURNETT.

JOHN'S FINE.
LOOKS LIKE YOU GOT HERE
IN ONE PIECE.

* TEACH ME TONIGHT

LATER ON, I WANT TO HEAR
ABOUT YOUR MOTHER
AND EVERYTHING.

EXCUSE ME A SECOND.

[ John ] ALL RIGHT, YOU GUYS,
I EXPECT YOU ALL TO DO ME
PROUD IN VEGAS.

ONE DAY DOWN.
WE'RE NEVER GONNA
BE READY.

WE'LL REHEARSE LATER.

- LET'S HAVE SOME FUN.
- STEVE,
I DIDN'T SEE YOUR NAME

I WOULDN'T GET
YOUR HOPES UP TOO HIGH.
I'VE ONLY HAD FOUR LESSONS.

HELL, YOU ONLY COMPETE
AGAINST YOUR OWN LEVEL.
WHAT ARE YOU SCARED OF ?

I'LL HAVE TO TALK
TO RUBY ABOUT IT.

GOOD.
YOU'LL BE GOING THEN.

[ John ]
STEFANO, PUT ON SOME MUSIC.

THIS IS SUPPOSED
TO BE A DANCE STUDIO.
[ Stefano ] GROUCH !

* [ Latin Music ]
CHA-CHA TIME ! *

LET'S GO GET YOU SETTLED.
[ Ruby ]
STEVE !

READY.
REMEMBER:
FORWARD ON YOUR LEFT.

TWO, THREE, CHA-CHA-CHA.
GOOD ! TWO, THREE,
CHA-CHA-CHA.

- [ John ]
ANY NEW BUSINESS TODAY ?
- WHAT DO YOU THINK ?

WELL, GET ON THAT PHONE AND
MAKE SURE
EVERYBODY'S COMING TO

I ALREADY DID,
AND NOBODY IS.

OOH ! AHH !

* MAN, IF I DON'T DANCE
I WOULD GO CRAZY

* IF I DON'T
IF I DON'T DANCE

* GOTTA DANCE
IF I DON'T *

BYE, RAFAEL.
CIAO, LOVEJOY.

CIAO. HE'S CUTE.

JOHN, THANK YOU
FOR HELPING ME.

THERE WASN'T MUCH
TO IT.

DON'T MENTION IT.

I WAS REALLY SORRY
TO HEAR ABOUT YOUR MOTHER.

SHE WAS
A BEAUTIFUL WOMAN.

[ Sighs ]
SO, IS YOUR FATHER
STILL IN CUBA ?

NO.
HE IS LONG GONE.

WELL, HELL.
ROBERTA'S SON IN TEXAS !

TRULY AMAZING.

BUS STOPS AT THE CORNER.
IT'LL TAKE YOU
RIGHT TO THE STUDIO.

THANK YOU.

WOW, WHAT A BIG HOUSE !

IT WAS
MY PARENTS' PLACE.

DO YOU HAVE
A FAMILY ?

YOU JUST MET 'EM.

ENOUGH WHINING AND
CARRYING ON GOES ON THERE...

TO GIVE ME ALL
I EVER WANT OF A FAMILY.

HERE'S AN ADVANCE
TO GET YOU TO PAYDAY.

I'M GONNA TAKE THE RENT
OUT OF YOUR SALARY.

WE'LL BOTH MAKE OUT
BETTER THAT WAY.

WE SHOULD GO
AND HAVE A DRINK TOGETHER.

I'LL TAKE A RAIN CHECK.
I GOTTA GET BACK.
COME ON.

BRING YOUR SUITCASE.

YOU'LL BE STAYING UP THERE.

WHEN MY FOLKS WERE AROUND,
I USED TO GO BACK THERE
TO BE ALONE.

IT'S A GREAT
LITTLE PLACE.

YOU'LL FIND
EVERYTHING YOU NEED.

LOVEJOY'LL FILL YOU IN
ABOUT WORK TOMORROW.

JUST ENJOY YOUR FIRST NIGHT
IN THE U.S. OF A.

THE LOCK'S
A LITTLE STICKY.

JOHN. THANK YOU.

GLAD TO BE OF SERVICE.

[ Engine Starts ]

AND TWO, AND THREE,
AND KICK.

TWO, THREE.

AND ONE, TWO, THREE--
BACK, AND HERE,
AND GREAT, GREAT.

AND HERE, HERE--
RIGHT.

[ Panting ]
SORRY.

MICHAEL.
I'M SORRY.

IT'S OKAY. LET'S DO IT AGAIN.
CROSSOVER'S HERE. CROSS, ONE.

TWO, THREE, FOUR,
AND ONE.

[ Ruby ]
RONDE AND THREE, FOUR.

AND THREE AND FOUR.

[ Both Grunt ]

I'M SORRY, ARE YOU ALL RIGHT ?
THAT'S THE PERFECT PLACE
FOR IT.

WHAT, THE STEP
OR THE BUTT ?

JOKE, JOKE.
AND--
[ Phone Ringing ]

OKAY, HERE.
ONE, TWO, POW.

[ Lovejoy ]
YOO-HOO ! MICHAEL MICHAELS !
TELEPHONE, HONEY.

THANK GOD !

GET UP HERE, LOVER BOY.
[ Laughing ]

THREE TIMES TODAY.
OH, JEEZ.

[ Michael ]
HIYA. MM-HMM.

NO, IT'S GOING ALL RIGHT.

NO, I CAN JUST PICK IT UP
ON THE WAY HOME.

[ Squeaking ]

[ Michael ]
RUBY, I'M GOING OUT
FOR A SMOKE.

OKAY. YOU SMOKE
TOO MUCH, BABY DOLL.

HOW DO YOU DANCE
WITH NO MUSIC ?

IT'S CHOREOGRAPHY.

I SEE.

CHA-CHA.

THAT'S CHA-CHA-CHA ?
UH-HUH.

I COMPETE PROFESSIONALLY
IN THE LATIN DANCES.

I-I'VE NEVER
SEEN A LATIN DANCE
THAT LOOKS LIKE THAT.

STICK AROUND.

HOW DO YOU DANCE
WITHOUT MUSIC ?
IT COMES FROM THE MUSIC.

I'M SURE THAT'S WHY
YOU LOOK SO STIFF.

YOU SHOULD PLAY SOME MUSIC.
YOU WOULD FEEL BETTER.

I WOULD ?

YEAH !

AND WHAT DO YOU KNOW
ABOUT PROFESSIONAL,

INTERNATIONAL-STYLE
LATIN DANCING ?

I'M LATIN,
BUT I NEVER HEARD OF THAT.

THEN I WOULDN'T TALK
TO PROFESSIONALS
ABOUT IT.

*

KEEP YOUR HEADS UP.

JOHN, FINALISTS
FROM THE U.S.D.C.

THOUGHT YOU MIGHT WANT
TO SEE.

[ Ruby ]
OKAY. THANK YOU !
[ Students Applauding ]

SEE YOU NEXT WEEK.
MM-HMM.

EIGHTEEN.

I'LL SHUT THAT OFF.

NO, NO.
I CAN HANDLE IT.

MAYBE I'LL STEAL
SOME OF HIS MOVES.

[ John ]
YOU KNOW, THEY BROKE UP.

SHE'S DANCING
WITH GINO NOW.

[ Announcer ] COUPLE
NUMBER 33, JULIAN MARSHALL
AND MELISSA DEXTER.

GOOD FOR HER.

'COURSE, SHE HASN'T WON
ANYTHING SINCE.

[ Announcer Continues ]

SON OF A BITCH HAS ALWAYS BEEN
TOO GOOD FOR HIS OWN GOOD.

WELL, MICHAEL IS
REALLY COMING ALONG.

YEAH, HE'S LOOKING
BETTER EVERY DAY.

[ Announcer ]
JULIAN MARSHALL
AND MELISSA DEXTER.

SIX YEARS IS A LONG TIME.
I GOTTA COME BACK THIS YEAR.

[ Man ]
DID ANYBODY SEE MY 4:00 ?
RIGHT HERE.

[ Lovejoy ] I'M GONNA
DROP THESE IN THE MAILBOX
AND MAKE THE DEPOSIT.

WILL YOU ORDER ME SOME FOOD ?
[ John ]
NO.

LET'S GO EAT, GANG.

RAFAEL, HONEY ?

WE COULD SURE USE
SOME DECORATIN'
FOR THE PARTY TONIGHT.

THERE'S SOME MORE STUFF
IN THE CLOSET.

IT STARTS AT 9:00.
THANKS, SHUG.

[ Man ]
HELLO ?
CAN ANYBODY HEAR ME ?

COMING, RUBY ?
NO, I'VE GOT
TO RUN HOME.

OKAY, SEE YOU LATER.
GOOD-BYE, LOVEJOY.

BYE.
LET'S GO, LET'S GO, LET'S GO !

I'M COMING, I'M COMING !
I'M STARVING.

WHAT'S THE SPECIAL TONIGHT ?
I'M GOING TO TRY
THE MEAT LOAF.

[ John ] THE MEAT LOAF TASTED
LIKE DOG FOOD.
[ Lovejoy ] IT WAS.HEY, RUBY.

HEY.

JOHN, YOU WOULD
ENJOY NIETZSCHE.
OH, BOY.

WHO ?
ONE OF THE GREAT
PHILOSOPHERS.

I'VE BEGUN TO STUDY HIM.
SOMEONE SHOULD STUDY YOU.

SOMEONE SHOULD.

[ John ] GOD HELP US.
[ Lovejoy ] SOMEONE SHOULD.

[ Lovejoy ]
OH, WOW !

WHAT THE HELL IS THIS ?

[ All Laughing ]
[ Michael ]
HOW FUN !

OH, MY LORD !

WHO'S RESPONSIBLE
FOR THIS ?

GUESS I AM.
I ASKED RAFAEL TO DECORATE.
OH, LOOK AT THIS !

WHAT THE HELL
WAS HE THINKING ?

THIS ISN'T CHRISTMAS,
OR HALLOWEEN, OR EASTER,
FOR CRYING OUT LOUD.

WELL, I GUESS YOU'RE GONNA
HAVE TO TAKE ME OUT
AND HORSEWHIP ME NOW.

JOHN, HE'S FROM
A DIFFERENT COUNTRY.

THANKS, RUBY.
THAT'S VERY HELPFUL.

IF PEOPLE COULD JUST DO
WHAT THEY'RE SUPPOSED TO DO.

MAGNIFICENT !
[ Laughing ]
IT'S JUST DECORATIONS !

I THINK IT'S BEAUTIFUL.

MADEMOISELLE ?

* LET'S GET LOST

* LOST IN EACH OTHER'S ARMS

* LET'S GET LOST

* LET THEM SEND OUT ALARMS

* AND THOUGH THEY'LL THINK US
RATHER RUDE

* LET'S TELL THE WORLD

* WE'RE IN THAT CRAZY MOOD

* LET'S DEFY

* ALL THE ROMANTIC MYTHS
HOW'S YOUR DRINK ?
IS IT ALL RIGHT ?

* LET'S GET CROSSED

I LOVE
YOUR DECORATING !

IT LOOKS SO BEAUTIFUL !
GRACIAS.

I COULD BE
GINGER ROGERS TONIGHT
IN A BIG MUSICAL DANCE MOVIE.

I'M BEA.
BEA, I'M RAFAEL.

HI !
IT'S A PLEASURE
TO MEET YOU, GINGER.

OH !
[ Laughing ]
WOULD YOU LIKE TO DANCE ?

I WOULD LOVE TO
DANCE WITH YOU,
BUT I DON'T KNOW THIS DANCING.

WELL, I DIDN'T START
UNTIL I WAS 67.

COME ON.
I'LL SHOW YOU.

I-I DON'T THINK I SHOULD.
I'M NOT A TEACHER.

YOU'RE NOT GONNA HURT
MY FEELINGS, ARE YOU ?

NO.
[ Chuckling ]
COME ON.

EXCUSE ME,
OUT OF THE WAY.

GIVE ME SOME SPACE.
COME ALONG. HERE.

OKAY.

[ Bea ]
OH ! OH !

[ Laughing ]
OW !

WAIT A MINUTE !
WAIT A MINUTE !

IT'S-- IT'S SLOW,
QUICK, QUICK, SLOW.

QUICK, QUICK, SLOW.

OKAY ?
QUICK, QUICK, SLOW.
[ Laughing ]

HOW 'BOUT A TURN,
OKAY ?

OOH !
I'M SORRY.
ARE YOU OKAY ?

NO, THAT'S OKAY.
OKAY.

WELL, THAT WAS
A START.

[ As Elvis ]
MISS ?
HEY, NICE WORK, MAN.

BEA, IT'S ME !
OH, MICHAEL !

WE HAVE THESE PARTIES
EVERY WEEK.

MOST OF THESE DECORATIONS
ARE MEANT FOR HOLIDAYS.

YOU UNDERSTAND ?

THE PLACE LOOKS NICE.
YOU SHOULD KEEP IT THIS WAY.

YOUR CUSTOMERS LIKE IT.

YOU KNOW, YOUR JOB
REALLY ENDS AT 7:00.

YOU DON'T HAVE
TO HANG AROUND.

I-I DON'T MIND.

JOHN,
WILL YOU DANCE WITH ME ?
SURE.

* NOW, IT'S PLAIN TO SEE
THE HURTIN'S ON ME

* IT'S A NATURAL FACT
I LIKE IT LIKE THAT

* SO, WORK OUT
YEAH

* WORK OUT
HONEY, WORK OUT

* AAH
BABY, WORK OUT

* STOP 'EM, TURN OUT
COMIN' OUT

* WORK OUT

* WORK OUT
WORK ALL NIGHT LONG

* YEAH

* BABY, 'ROUND AND 'ROUND
WE GO

* DON'T YOU KNOW
DON'T YOU KNOW

* 'ROUND AND 'ROUND
WE GO

* WHERE WE STOP
NOBODY KNOWS

* THE BAND IS SWINGIN'
ON THE STAND

* WE'RE MOVIN' IN
WE'RE MOVIN' OUT

* STEP BACK, NOW
END THIS DANCE WITH A SHOUT

* SO WORK OUT

* NOW, WHEN I TELL YA TO SHOUT
I WANT YOU TO JUMP BACK

* YEAH, YEAH
BABY, LET'S SHOUT

* HONEY, LET'S SHOUT

* AAH
BABY, LET'S SHOUT

* LET'S SHOUT
LET'S SHOUT

* SHOUT ALL NIGHT LONG
SHOUT IT OUT
JUST ONE MORE TIME

* NOW, HERE WE GO

* 'ROUND AND 'ROUND WE GO
WHAT ARE YOU DOING ? *

OH, MY GOD !

I THINK I'M OKAY NOW.
YEAH.

I OWE YOU ONE.
SI.

OKAY.
COME ON, RUBY !

* WORK OUT, BABY

* AAH, WORK OUT
WHY ?

* STOP AND TURN
AND THROW IT OUT

* WORK OUT, WORK OUT

[ Dog Barking ]

[ Knock On Door ]

GETTIN' COMFORTABLE ?

YEAH.
IT'S VERY NICE.

GOOD.
I'M GLAD YOU LIKE IT.

HMM.

I BET YOU REALLY MISS HER.

WERE YOU EVER MARRIED ?

ONCE, FOR 10 DAYS.

I DIDN'T LIKE IT MUCH.

DID YOUR MOTHER
KEEP SINGIN' ?

JUST FOR ENJOYMENT.

SHE TAUGHT ENGLISH.

BOY, SHE COULD SING.

DID YOU KNOW WE WORKED
ON AN ITALIAN CRUISE SHIP ?

SHE PACKED THE HOUSE
EVERY NIGHT.

I'D GIVE A LITTLE DANCE CLASS,
BUT THEY WERE
THERE TO HEAR HER.

TAKE ONE.

WE'LL HAVE
SOME CUBAN RUM.

YOU WERE HER FIRST LOVE.

SHE WROTE A SONG.
SHE USED TO SING IT TO ME.

A SONG ?
[ Laughing ]

SHE ALWAYS DID TEND
TO OVERDO THINGS.

YOU'RE NOT GONNA SING IT,
ARE YOU ?
NO.

I DON'T THINK SO.

SALUD !
HERE'S TO YA !

FISH BEEN RUNNIN'
PRETTY GOOD ALL WEEK.

IF I CAN BEAT THIS COLD FRONT,
I MIGHT GET A COUPLE.

I FISHED A LOT
IN SANTIAGO.

WELL, YOU'LL LIKE
TEXAS, THEN.

I'LL SMOKE THIS
ON THE WAY TO THE COAST.

VROOM, VROOM !
VROOM, VROOM !

PETER, SWEETIE,
NOT ON MY COSTUMES.

THAT'S DADDY !

[ Phone Rings ]

HELLO ?
IT'S ME.

WHO ?

ME, RAFAEL.
HOW DID YOU GET
THIS NUMBER ?

DIRECTORY ASSISTANCE.
[ Laughing ]

WHAT ARE YOU DOING ?
HOLD ON.

OH, MR. SPARKLES,
WHAT ARE YOU DOING ?

HERE, LOOK.
WATCH YOUR DADDY, OKAY ?
OKAY.

UH, SORRY.

YOU'RE NOT ALONE.
I'M SORRY.

UM, NO. I'M ALONE.

YOU KNOW WHEN YOU SAID
YOU OWED ME ONE ?

WELL, DON'T LET IT GO
TO YOUR HEAD.

DID YOU MEAN IT
OR NOT ?

UH, EXACTLY WHAT DID YOU HAVE
IN MIND ?

[ Sighs Deeply ]

I WANT YOU
TO TAKE ME DANCING.
TONIGHT ?

NO ! NO, NO.

TOMORROW. I DON'T LIKE
TO MOVE TOO FAST.

[ Laughing ]

TOO FAST GOING WHERE ?

* [ Salsa ]

* [ Singing In Spanish ]

HOLA. QUE LES TRAIGO ?
DOS MOJITOS.

DOS MOJITOS ?
SI.

SABES QUE HACE TIEMPO
QUE NO HE OIDO DE ESA BEBIDA.
USTED ES CUBANO.

SI, SI.

HAVE YOU EVER HAD
A MOJITO ?

NO.
I HARDLY EVER DRINK.

OF COURSE NOT.
YOU'VE NEVER HAD
A CUBAN DRINK.

I'VE NEVER HAD
A CUBAN ANYTHING.

[ Laughs ]

YOU DID SOMETHING DIFFERENT
TO YOUR HAIR ?

WHAT DO YOU MEAN ?
I-I-IT'S MORE... POOFY ?

POOFY ?
YEAH.

PUFFY ?
PUFFY, YEAH-- PUFFY.

YEAH, LIKE--
LIKE A HAT.

ARE YOU KIDDING ?
YES, I AM.

THIS WAY.

YOUR FLY'S OPEN.

I BET IT IS.

TU ZIPPER ESTA ABIERTO.

[ Ruby ]
SHALL WE DANCE ?

[ Rafael ]
OKAY.

DO YOU MAMBO ?

YOU MEAN,
THE WAY YOU DO ?

WELL, YEAH, MAMBO.
YOU-YOU ARE LATIN,
AREN'T YOU ?

YES, YES, BUT
I DON'T KNOW
WHAT YOU DO.

WELL, I'LL SHOW YOU
THE BASICS REALLY QUICK.

YOU'RE GONNA BREAK
ON THE TWO BEAT.
BREAK ?

YEAH. START WITH YOUR LEFT
ON THE TWO,

JUST A LITTLE
BALL-CHANGE, OKAY ?

ONE, TWO, THREE, FOUR.
ONE, TWO, THREE, FOUR.

ONE, TWO, THREE, FOUR.
ONE, TWO, THREE, FOUR.
ONE, TWO--

NO, IT'S ON THE TWO.

YOU DID THE ONE.
TWO.
OKAY.

ONE, TWO, THREE, FOUR.
ONE, TWO, THREE, FOUR.
ONE, TWO, THREE, FOUR.

[ Laughing ] OKAY, WAIT.
YOU WANT TO LEARN, OR--

SURE, SURE, SURE.

ONE, TWO, THREE, FOUR.
ONE, TWO, THREE--
I'M SORRY.

YOU KNOW, I DON'T KNOW
WHAT YOU ARE DOING.

YOU KNOW--
WHY DON'T WE
TAKE A BREAK ?

I'M GONNA GO
TO THE LADIES' ROOM.
OKAY.

[ Announcer ]
Y AHORA, DAMAS Y CABALLEROS,
D.L.G.

SENORITA, BAILE CONMIGO ?

* [ Singing In Spanish ]

DANCE, HONEY ?

I NEED TO GO.
WHAT ?

I NEED TO GO NOW !
WHY ?

* [ Music Ends ]

HI.

I DON'T WANT
TO PLAY GAMES
WITH YOU.

YOU WANTED TO GO DANCING,
YOU DANCED.

JUST LEAVE IT AT THAT.

IT WAS A TWO-HOUR BUS RIDE.

BUT I FORGIVE YOU.

OH, YOU FORGIVE ME, HUH ?
WE DIDN'T GO TOGETHER.

WE HAD A DATE.
OH, IT WASN'T A DATE.

WE JUST WENT DANCING
AND YOU MADE ME FEEL
LIKE AN IDIOT...

'CAUSE YOU SAID
YOU COULDN'T DANCE.
NO, NO, NO.

I SAID I COULDN'T DO
WHAT YOU DO.

I DON'T KNOW WHAT
CHANGE-BALL MEANS.

THE MUSIC TELLS ME
HOW TO DANCE.

IT'S BALL-CHANGE.

I'M CUBAN.
OF COURSE I KNOW
HOW TO DANCE.

HERE'S YOUR TICKET.

I DON'T LIKE PEOPLE
LAUGHING AT ME.

I'VE BEEN LEFT ON MY ASS
ONE TOO MANY TIMES
TO THINK IT'S FUNNY.

RUBY, I DIDN'T MEAN
TO INSULT YOU AT THE CLUB.

I APOLOGIZE IF I DID.

I WAS--

I WAS JUST TRYING
TO HAVE FUN WITH YOU.

A LITTLE RUM,
A LITTLE DANCING,
A LITTLE JOKES.

I DIDN'T KNOW
THAT WOULD BE SO HARD.

IT WILL NEVER HAPPEN AGAIN.

CIAO.

[ Woman ]
NO, LET ME COUNT, OKAY ?
THAT'S TOO QUICK !

[ Lovejoy ]
ONE MORE DAY
CLOSER TO VEGAS !

[ Woman ]
NO, NO.
YOU LEAD AND LET ME COUNT.

NO, HONEY, NO.
I NEED TO START IT
BECAUSE I HAVE TO LEAD.

YOU LEAD,
BUT LET ME COUNT.

BUT I'LL LEAD--
NO, SEE, I HAVE TO START.
THEN YOU START COUNTING.

[ Arguing Continues ]

STOP !

STOP IT !

MR. AND MRS. HARRINGTON,
I COME FROM THE BLOOD
OF SPANISH KINGS.

I AM NOT
A MARRIAGE COUNSELOR.
HE STEPPED ALL OVER MY FEET.

NO, SUE, YOU STEPPED
ON MINE !
NO, NO, NO, NO, NO, NO !

DANCING IS FUN.
DID YOU HAVE FUN
AT THE PARTY ?

KIND OF.
I DID.

WHO'S FAULT WAS THAT ?

EXACTLY.
DANCING IS ALWAYS FUN.
THERE ARE NO MISTAKES.

[ Stefano ]
COME, LET ME SHOW YOU
SOMETHING EXCITING.

HERE WE GO, AND
ONE, TWO, THREE, FOUR.

ONE, TWO, THREE, FOUR.
ONE, TWO, THREE, FOUR.

OOH !
ONE, TWO, THREE, FOUR.

ONE, THAT'S GOOD ! YES !
WE'RE GOOD.

YES !
[ Woman ] I'M JUST SUPPOSED
TO REHEARSE BY MYSELF ?

HE'D RATHER GO FISHING !

HOW ARE WE SUPPOSED TO WIN
IF WE NEVER PRACTICE
TOGETHER ?

HE'S NOT THE ONLY GAME
IN TOWN.

YOU'RE RIGHT.
I SAY WE BURN
THE PLACE DOWN.

[ Rafael ]
ANY LUCK ?

WIND SHIFTED
WITH THE FRONT.

MOSQUITOES EVERYWHERE.
FISH NOWHERE.

CAN I ASK YOU WHO'S IN CHARGE
OF THE STUDIO
WHEN YOU'RE GONE ?

WHAT HAPPENED NOW ?

WELL,
PATRICIA WAS YELLING,

THE TOILET OVERFLOWED,
AND A MIRROR FELL DOWN
AND BROKE.

SEVEN MORE YEARS
OF SHIT !

I CLEANED IT ALL UP.
GOOD.

HERE.

IF IT FITS, KEEP IT.

THANK YOU.

IT'S COLD TODAY.
GRACIAS.

YOU BET.

THAT YOUR TRUCK ?

WHAT'S LEFT OF IT.

TWO EIGHTY-NINE ?

YEAH.

'COURSE, I ADDED
A HOLLEY CARB
AND A HURST SHIFTER.

RACING CAM ?
YOU BET.

SHE USED TO FLY.

I COULD FIX IT.

FIX IT ?

NAH, I DON'T THINK SO.

I USED TO LOVE FOOLIN' AROUND
WITH THIS OLD THING, THOUGH.

I COULD MAKE IT
GOOD AGAIN.

IT NEEDS SOME
MAJOR WORK.

HELL, THE WHEELS
ARE EVEN RUSTED THROUGH.

I'VE GOT THE TIME.

SO I TAKE THE NUMBER 12
TO JEFFERSON ?

THEN, THE NUMBER 6, OKAY.

I TAKE THAT DOWNTOWN
TO WHAT ?

SO WHEN I GET OUT OF TOWN,
I GET OFF AT COUNTY LINE.

HOW MANY BLOCKS
I NEED TO WALK ?
FIFTEEN ?

THINK I DON'T KNOW
WHAT YOU'RE UP TO ?

IS IT WORKING ?

[ Rafael ]
WHERE IS YOUR FAMILY ?

I'M IT.

WHERE DID YOU
GROW UP ?
NOWHERE.

MY FATHER WAS
IN THE ARMY.

AHH.

WE MOVED AROUND A LOT.
ALWAYS THE NEW GIRL IN SCHOOL.

[ Chattering In Spanish ]

THIS PLACE HAS PARTS
FOR OLD TRUCKS.

HERE, HERE.
SEVEN-ONE-FIVE, RIGHT HERE.

THAT'S IT ?
SI, YEAH.
GIVE ME ONE SECOND, SI ?

OKAY.

BEEP, BEEP !

THEY MUST HAVE GONE
TO EAT.

IF YOU DON'T MIND,
WE COULD WAIT
A LITTLE WHILE ?

OKAY.

HEY, BURRITO, CHICA ?

I'M STARVING.

* [ Man Singing In Spanish
On Radio ]
THAT'S OKAY ? *

MMM.
MUY BIEN.

MMM.
MM-HMM ?

MM-HMM.

IS THIS ANYTHING
LIKE CUBA ?

NO.

IT DOESN'T FEEL
LIKE AN ISLAND.

MMM.

YOU KNOW, I'VE ALWAYS WANTED
TO LIVE BY THE WATER.

MM-HMM ?

* [ Humming ]

IT'S A BEAUTIFUL SONG.

OH, YEAH.

IT'S ABOUT MOTHERLAND.
HOME.

WHAT HOME MEANS.

I WAS NEVER IN ONE PLACE
LONG ENOUGH TO KNOW WHAT
THAT'S SUPPOSED TO FEEL LIKE.

HE SAYS,
"IT IS LIKE AN OLD TREE.

"LIKE THE LOVE
OF A NEWBORN SISTER.

THE HEARTS OF THOSE
FAR FROM HOME."

IT'S BEAUTIFUL.
YEAH.

IS YOUR FAMILY
STILL THERE ?

NO. MY MOTHER
PASSED AWAY.

I NEVER KNEW
MY FATHER.

THEY HAD AN AFFAIR
ON A CRUISE SHIP.

THAT WAS IT.

LOOK ! THE DOOR WASN'T
EVEN LOCKED.

LET'S GO,
LET'S GO !

HELLO ?

YOU BOTH KNOW
EACH OTHER ?
NO, NO, NO. HE'S FROM CUBA.

YES, I'M FERNANDO.

FERNANDO, SHE'S MY FRIEND,
RUBY, AND I'M RAFAEL.

IT IS MY PLEASURE.
MY SON WILL BE BACK
SOON.

HE'LL HELP YOU
WITH YOUR TRUCK.

GOOD.
PLEASE,
COME JOIN US.

MY DAUGHTER IS
PROMISED TODAY.
CONGRATULATIONS !

MIRA. MITA,
OTRO CUBANITO DEL CAMPO.

HOLA.
THIS IS MY DAUGHTER.

HI.

THIS IS MY FRIENDS,
MY FAMILY.

PLEASE, COME. SIT DOWN.

WHAT CAN I GET YOU
TO DRINK ?
CAFE.

CLARO.
CAFE CUBANO ?

AND YOU, SENORITA ?
DECAF WOULD BE FINE.

UH, WATER ?

YES.

* [ Slow Dance Beat Plays ]

DO WE DARE ?

YOU JUST DID
A BALL-CHANGE.

I DIDN'T MEAN TO.

IT MUST'VE BEEN
THE MUSIC.

[ Engine Cranks ]
[ Speaks Spanish ]

[ Engine Cranks ]
[ Continues In Spanish ]

[ Engine Revs ]

SI, SI !
[ Laughing ]

[ Laughs ]

AYE-YI-YI !

* [ Salsa Beat ]

ALL RIGHT.
LET'S DO IT.
ALL RIGHT.

[ Rafael ]
WHAT DO THEY GET
IF THEY WIN ?

[ Stefano ]
THE PROFESSIONALS ?
A CAREER--

SHOWS, COMPETITIONS,
COACHING.

THAT'S WHERE
THE REAL MONEY IS.

WILL THEY WIN ?
NAH, IT STILL
TAKES TWO.

MICHAEL !
LOOK, I'M DOIN'
THE BEST I CAN, ALL RIGHT ?

LET'S JUST TRY IT AGAIN,
OKAY ?

[ Woman ]
I DON'T FEEL THAT WE'RE
GETTING HIGH ENOUGH.

[ John ]
YOU'LL NEVER GET THE HEIGHT
IF YOU DON'T COMPRESS.

[ Woman ]
WELL,
I DON'T FEEL YOU UNDER ME.

[ John ] TRY IT AGAIN.
OKAY. READY ?

WHOA, WAIT A MINUTE.
WAIT A MINUTE !
WE MISS THIS ONE SOMETIMES.

LATELY,
IT'S ALL THE TIME.
YOU'LL DO FINE.

WILL YOU ?

LET'S STOP FOR TODAY, OKAY ?
GREAT.

OH, I HAD FUN
THE OTHER DAY.

THANKS FOR DRIVING ME.

- WHAT ABOUT GOING
TO THE CLUB AGAIN ?
- OH, NO, NO.

MAYBE... YOU'RE AFRAID
TO DANCE MY WAY ?
[ Chuckles ]

SATURDAY.

DEAL !

[ Gasps ]
WHOO !

[ Sighs ]
WOW, THAT WAS GREAT !

WHAT ?
YOU MISSED IT.

MY MOTHER MADE ME TAKE
A LITTLE BALLET.

HE CAN PICK ME UP
ANYTIME HE WANTS TO.

TAKE A NUMBER,
SISTER.

[ Chattering In Spanish ]

* [ Up-Tempo Latin ]

[ Woman Singing In Spanish ]
DON'T LOOSEN UP TOO MUCH.
OOH !

IT'S CROWDED.
WHAT DO YOU MEAN ?
WE HAVE THE WHOLE FLOOR.

OH !
WEASEL.

WOW !
YOU SEE ?

[ Speaking in Spanish ]
[ Man Replies
In Spanish ]

AH.
WHOO !

AHHH !

[ Squealing ]

* [ Spanish ]

[ Squeals ]

[ Laughing ]

[ Dancers Speaking
In Spanish ]

[ Dancer Speaking
In Spanish ]

[ Women Squealing ]

[ Speaking In Spanish ]

[ Gasps ]

[ Both Panting ]
[ Dancers Applauding ]

* [ Slow Latin Beat ]

YOU SHOULD'VE
LET ME DROP YOU OFF.

OH, IT'S CLOSE ENOUGH
TO WALK FROM HERE.

I SHOULD
SEE YOU HOME.

THANK YOU.
I HAD A GOOD TIME.

I HAVE AN EARLY
DAY TOMORROW.

I HAD
A VERY NICE TIME.

OKAY.
CIAO, QUERIDA.

CIAO.

OH, NO !

UH--

OHHH--

[ Laughs ]

[ Giggles ]
WHAT ARE YOU STILL
DOING UP, PUMPKIN ?

[ Bea, Applauding ]
OH, BRAVO ! BRAVO !

[ Peter Giggling ]
[ Ruby ] OH, I'M SORRY
ABOUT THE SPRINKLERS.

OH, MY GOD.
YOU ARE SOAKED.

[ Chuckling ]

RAFAEL, THIS IS
MY SON PETER.

HI, PETER.

HI.

YOU'D BETTER COME INSIDE
AND DRY OFF. HMM ?

SU--
YEAH, SURE.

WE CAN'T HAVE
YOU GETTING SICK.

[ Embarrassed Laugh ]
[ Bea ]
WELL, I'M ON MY WAY.

GOOD NIGHT, MISTER.
[ Kisses ]

YOU HAD
A GOOD TIME, HUH ?
YES. THANK YOU.

UH-HUH.
I KNOW MY MEN.

[ Hair Dryer Whirring ]

UH, IT'S ALMOST DRY.

WHY DIDN'T
YOU TELL ME ?

I WOULD'VE.

ARE YOU
STILL MARRIED ?

UH, WE WERE
JUST PARTNERS.

YOU SPEND A LOT
OF TIME...
WITH PARTNERS.

HE WAS GONE
LONG BEFORE
PETER WAS BORN.

HE LEFT YOU
PREGNANT ?

WELL, UH,
TH-THESE ARE DRY.

[ Muttering ]
THIS IS DRY.

[ Moans ]
WAIT. I CAN'T.
I CAN'T.

YOU'RE RIGHT.

YOU'RE RIGHT.

[ Horn Beeping ]

[ Engine Revving ]

WELL, I'LL BE DAMNED.

THERE'S ALWAYS A WAY.

SHOOT, I RECKON.
IT DIDN'T LOOK
THAT GOOD NEW.

GOOD JOB !

I SET IT ACCORDING TO SPECS,
BUT IT STILL MISSES.

SHE ALWAYS DID LIKE IT
A LITTLE RICH.

GIVE ME SOME R.P.M.

[ Engine Revs ]

AIN'T THAT SWEET ?
[ Laughs ] WE STILL NEED
TIE RODS AND A NEW FLYWHEEL.

I'LL TAKE CARE
OF IT SOON.

I'M GONNA HAVE
TO REIMBURSE YOU FOR THIS.

AND I TELL YOU WHAT.
WE'LL TAKE HER FISHING
UP THE COAST THIS WEEKEND.

[ Engine Stops ]
THERE'S A GREAT PIER
A COUPLE OF HOURS FROM HERE.

YOU CAN MEET ME
OUT THERE FRIDAY NIGHT.

- WHAT DO YA SAY ?
- HEY. I SAY, "YES."
[ Chuckles ]

[ Sighs ]
I'LL BE DAMNED.

YA DONE
GOOD WORK, SON.
[ Chuckles ]

[ Car Approaching ]

HI.
HI.

GOT A MINUTE ?
SURE.

YOU USED TO LOVE TO DANCE.
NOW, IT'S A CHORE.

HE LIFTED ME SO EASILY,
AND WHEN HE SAID HE HAD
BALLET TRAINING--

I KNOW THAT I'M
JUST AN AMATEUR,
BUT I HAVE PUT EVERYTHING

AND, IF I THINK
I DON'T HAVE A CHANCE,

WELL, THEN,
I'D RATHER NOT GO.

[ Sighs ]
I SEE.

I DON'T KNOW
HOW ELSE TO SAY IT.

YOU SAID IT FINE.

MATTER OF FACT, MY BACK'S
NOT ARGUIN' WITH YOU AT ALL.

* [ Country ]

ONE, TWO, HERE WE GO.
YAHOO !

* [ Woman Singing ]
NOW, ONE, TWO.*

*ONE-TWO-THREE, ONE-TWO-THREE,
ONE-TWO-THREE.*

AND, ONE-TWO-THREE. VERY GOOD,
MARTY. ONE-TWO-THREE.
AND, ONE-TWO-THREE.

YES ! SUPPORT MY ARM.

GOOD. NOW, GO AROUND
ONE MORE TIME. I DIDN'T KNOW
HE COULD DO THAT.

HE'S BEEN LISTENING
TO ME, I CAN TELL.

OOPS. I'M SORRY. I'M SORRY.
OH ! ARE YOU OKAY ?

YES. ARE YOU OKAY ?
IT'S JUST
A LITTLE OFF.

WHY DON'T WE DO
STUFF LIKE THAT ?

[ Patricia ]
WE HAVE TO MAKE SURE
TO GET OUR TIMING TOGETHER.

IT'S OKAY. WE'LL JUST TRY
IT AGAIN. YOU READY ?
YES.

* YOU PUT ONE OVER ON ME
YES.

* OKAY. HERE IT COMES.
YES !
SAID I'M THE ONLY ONE *

OH, WOW.
HE'S GOOD.

* AND NOW, I'M GONE
YES ! *

SI !
HEY, I WANT
TO DO THAT TOO.

[ Laughing ]

I GOTTA GET
SOME WATER.

[ Chattering ]

HEEL, TOE,
HEEL, TOGETHER.
TOE, HEEL, TOGETHER.

THERE YOU ARE.
THANK YOU.
I WAS WONDERING WHERE I WAS.

THESE ARE ALL PAID.

FOR LAS VEGAS, SWITCH
RAFAEL'S NAME WITH MINE
ON PATRICIA'S ENTRY.

I'M NOT GONNA GO.

AND TAKE MICHAEL AND RUBY
OFF THE PRO LIST.

CANCEL ALL HER LESSONS
TILL VEGAS.

THEY'RE NOT COMPETIN'
AND SHE'S LEAVIN' EARLY.

- WHY ?
- I DON'T KNOW.
I JUST GOT A NOTE.

BY THE WAY, I'LL BE
OUTTA HERE TOMORROW NIGHT.

[ Engine Stops,
Parking Brake Sets ]

YOU NEED
TO TALK TO ME ?

I HEARD YOU'RE
DANCING WITH PATRICIA.

I THINK IT'S GREAT.

WHO ARE YOU
DANCING WITH ?

YOU'RE GOING
BACK TO HIM.

I'M GOING
BACK TO DANCE.

I KNOW HE HURT YOU.

[ Sighs ]
IT DOESN'T MATTER.
PETER MATTERS.

I'LL-- I'LL HAVE A FUTURE
DANCING WITH JULIAN, AND
PETER CAN SEE HIS FATHER MORE.

I-I WANT HIM TO FEEL
LIKE HE'S GOT FAMILY.

MAYBE HE ALREADY FEELS
THAT... RIGHT HERE.

GOOD NIGHT.

WHAT ABOUT
THE NIGHT WE DANCED ?

- [ Sighs ]
THAT WAS DIFFERENT.
- THAT'S MY POINT.

THIS IS NOT EASY FOR ME.

OF COURSE IT IS.

THAT'S WHY
YOU ARE DOING IT.

I DON'T WANT
TO BE IN LOVE.

[ Pony Whinnying ]

[ John ]
WANNA RIDE ONE
OF THEM PONIES ?

YEAH.
[ Ruby ]
HOLD ON TIGHT, COWBOY.

UM, I'M GLAD
YOU COULD MAKE IT.
WHAT'S UP ?

UH, I JUST WANT YOU TO KNOW
THAT IT'S OKAY WITH STEVE
THAT I'M LEAVING EARLY.

HE'S READY FOR VEGAS.

AND BEA AND LOVEJOY ARE
GOING TO BE TAKING CARE
OF PETER WHILE I'M GONE.

I'M MEETING
JULIAN THERE.

I FIGURED AS MUCH.
[ Boy ]
THROW ME THE BALL !

A-AND IF WE DANCE WELL--
WHICH YOU WILL.

THEN I'M MOVIN'
TO CHICAGO.

YOU'RE JUST SCOOTING RIGHT
OUT OF HERE, AREN'T YOU ?

I'VE BEEN HERE LONGER
THAN I'VE BEEN ANYWHERE, EVER.

I'M GONNA
MISS YOU IN VEGAS.

TWENTY YEARS
OF IT WAS ENOUGH.

ANOTHER MONTH OR TWO,
YOU CAN FIND ME UP THE COAST.

YOU'LL BREAK A LOT OF HEARTS
WHEN YOU CLOSE THAT STUDIO.

WHAT'S GOING TO HAPPEN
TO RAFAEL ?

IT'S NOT
MY PROBLEM ANYMORE.

HOW DO YOU KNOW HIM ?
I KNEW HIS MOTHER...

WHEN WE WORKED
THE CRUISE SHIPS
WAY BACK WHEN.

YOU'RE-- YOU'RE THE ONE
FROM THE CRUISE SHIP.

[ Foghorn Blares ]

[ Footsteps Approaching ]

HEY, JOHN !
BROUGHT YOU A FRIEND.
MMM ?

HOT NIGHT, AIN'T IT ?

WHOA !
THAT YOUR ONLY SHIRT ?

LUCKY TARPON SHIRT.
YOU KNOW THAT.

WELL, I'M GONNA SHUT
THE KITCHEN DOWN PRETTY SOON,
SO IF YOU'RE HUNGRY...

YOU BETTER MAKE IT.

YOU EVER CAST
A LONG ROD BEFORE ?

I CAN DO IT.

[ Reel Whines ]

OW !

SOME ICE.
[ Groans ]

[ Mutters
In Spanish ]

THAT KIND OF WEIGHT TENDS
TO SPOOL THAT LINE QUICKLY.

THROW ME A BEER.

IT'S NICE HERE.

I DON'T KNOW WHAT
YOU'RE UP TO, FRIEND.

BUT I DON'T HAVE A SON.

[ Reel Whining ]

SHE'S TOO HEAVY.
IF SHE SPOOLS
THAT REEL, SHE'LL

KID, CAN YOU HOLD IT ?
YEAH.
[ Grunts ]

[ Reel Continues Whining ]
WHERE THE HELL
IS MY KNIFE ?

[ Rafael ]
THE LINE IS GOING !

[ Both Panting ]

WHY DID YOU
HELP ME COME HERE ?

DID YOU FEEL GUILTY BECAUSE
YOU LEFT HER WITHOUT A WORD ?

YOU AND I BOTH KNOW SHE WOULD
HAVE TOLD ME ABOUT YOU.

YOU WOULD'VE CALLED
HER A LIAR TOO ?

MY MOTHER NEVER LIED.

LET ME BE REAL CLEAR.

ABOUT A MILE DOWN THE BEACH
THERE, I'M BUYIN' A PLACE.

I'VE BEEN WAITIN'
FOR THIS A LONG TIME.

THE STUDIO'LL BE HISTORY.

SO, GO TO VEGAS. EARN
YOURSELF A NICE LITTLE BONUS.

THEN BE ON YOUR WAY.
YOU GET ME ?

CLARO.

TELL ME, WHAT DID
YOUR FATHER THINK
OF MY MOTHER ?

WHAT DID HE TELL HER WHEN
SHE CALLED LOOKING FOR YOU ?

WHAT DID HE TELL THE LITTLE
COMMUNIST CUBAN GIRL LOOKING
FOR HIS ONLY SON ?

SHE DID TRY TO TELL YOU.

BUT NOW THAT I KNOW YOU,
I NEVER WOULD HAVE.

ONE, STEP, TURN. SWIVEL, TOE,
HEEL. SWIVEL, TOE, HEEL.

SWIVEL, TOE, HEEL.
SWIVEL, TOE, HEEL.

STEP.

TWO, THREE,
FOUR, FIVE, SIX.

AND STEP, STEP--

STEP, STEP--
DID YOU TELL THEM ?

NO.

[ Sighs ]

ROCK, STEP.

EVERYBODY,

STEFANO HAS SOMETHING HE'S
WAITED ALL HIS LIFE TO SAY.

IN JOHN'S ABSENCE HERE AND
IN LAS VEGAS, I AM IN CHARGE.

SO, IF YOU HAVE ANY QUESTIONS,
PLEASE FEEL FREE
TO APPROACH ME ANYTIME.

THANK YOU.

WHERE'S THE MUSIC ?

THIS IS SUPPOSED
TO BE A DANCE STUDIO.

WE HAVE TO REHEARSE,
SO WE CAN WIN !
[ Screams ]

YES ! PUT ON SOME MUSIC.
WE'RE GOING TO VEGAS !

* [ Big Band ]

* WHEN DAY IS GONE

* AND NIGHT COMES ON

* UNTIL THE DAWN

* WHAT DO I DO

[ Male Emcee ]
THE FINEST
DANCERS IN THE WORLD,

* I CLASP YOUR HAND

* AND WANDER THROUGH
SLUMBER LAND

* DREAM DANCING
RAFAEL, PATRICIA, TABLE 101.
GO THERE AND ROOT FOR US.

* WITH YOU
OKAY.
GOOD LUCK, BEA. *

BE CHEERING YA.
COME ON, BEA.
BEA, LET'S GO.

* THANK YOU.
A SKY SO BLUE

* AND FIELDS OF GREEN

* SPARKLING WITH DEW

* [ Both Laughing ]

* IT'S JUST SUBLIME

* WHENEVER I SPEND MY TIME

* DREAM DANCING

* DREAM DANCING

* DREAM DANCING

* WITH YOU

AND NOW, COMPETITORS,
THE FINAL DANCE OF THIS ROUND:
THE QUICKSTEP.

* [ Brassy Big Band ]

[ Emcee ]
AREN'T THEY FANTASTIC,
LADIES AND GENTLEMEN ?

EXCUSE ME.

COME ON.
ALL RIGHT.

OH, THEY'RE FLYING !
WOW.

[ Emcee ]
THANK YOU, PROFESSIONALS.

TEACHERS, PLEASE ESCORT
YOUR STUDENTS FOR THE
PRO-AM COMPETITION.

[ Emcee ] WE BEGIN WITH
THE TANGO. SENIOR LADIES,
STUDENT DIVISION.

* [ Bandonion ]

[ Encouraging Shouts ]

- [ Man ]
COME ON, 368 !
- [ Man ] GO, GRACE !

I'LL BE BACK.
OKAY.

[ Applause ]

[ Emcee ] WE'LL TAKE A SHORT
BREAK WHILE THE JUDGES
TURN IN THEIR SCORES.

[ Woman ]
I NEED A NEW DRESS.
GO, TIMMY !

[ Woman ]
STOP SQUEEZING MY HAND !

[ Chattering ]
H-HEY !
DID YOU SEE BEA ?

I'M GOING BACK TO CUBA.

I KNOW--
YOU WILL MISS ME ?

[ Emcee ] AND WE CONTINUE NOW
WITH THE AMATEUR JUNIOR SWING
COMPETITION.

RUBY, HE'S HERE.
WAIT--

[ Julian ]
LEW, THIS IS RUBY.
VERY NICE TO MEET YOU.

[ Ruby ] HI.
YOU'LL BE
JOINING US IN CHICAGO ?

COME ON. WE'LL TALK
IN THE BAR. LET'S GO.

JULIAN--
NOW.

[ Man ]
DANCE YOUR HEART OUT, ADRIAN !

HE TRAINED IN ENGLAND.
I DID TOO.

YOU LOOKED GOOD
OUT THERE.
YEAH, I KNOW.

I PUT THE WORD OUT. I'M
EXPECTING SEVERAL JOB OFFERS.

NEW YORK, SAN FRANCISCO,
EVEN LONDON.

* TALK ABOUT THE BOY
FROM NEW YORK CITY

* HE'S KINDA TALL

* HE'S REALLY FINE

* SOMEDAY I HOPE
TO MAKE HIM MINE ALL MINE

* AND HE'S NEAT
AND OH, SO SWEET *

COME ON. LOOSER !

WHAT IS THAT ?

I DUNNO.
IT'S ARM STYLING.
IT JUST FELT GOOD.

YOU KNOW WHERE
I WANT THAT ARM.
NOW, JUST PUT IT THERE.

NOW, TRY IT AGAIN.

DON'T LOOK AT ME LIKE
I'M AN ASSHOLE JUST
'CAUSE I LIKE TO WIN.

OH, THAT'S NOT
THE ONLY REASON.

ONE, HUH-HUH.
TWO--

* [ Man Crooning ]
WHEN MARIMBA RHYTHMS
START TO PLAY

* DANCE WITH ME
MAKE ME SWAY

* LIKE A LAZY OCEAN
HUGS THE SHORE

* HOLD ME CLOSE
SWAY ME MORE *

I'VE BEEN TOLD I HAVE
A VERY ATTRACTIVE HEAD.

* [ Bell Chimes ]
LIKE A FLOWER
BENDING IN THE BREEZE

* BEND WITH ME
SWAY WITH ME
WOW ! *

[ Patricia ] YES !
[ Man ]
THERE THEY ARE.

[ Chattering ]

* [ Woman Torch Singing ]
LIKE SOME OTHER MEN DO

* JUST GET OUT OF HERE

* AND GET ME SOME MONEY, TOO

[ Cheering ]

* IF YOU HAD PREPARED
20 YEARS AGO

* [ Continues In Background ]
A LITTLE MORE.
AND... ZOOM ! *

[ Woman Speaking Spanish ]
[ Woman #2 ] KEEP YOUR LEAD--

[ Man ] STAY
FOCUSED ON POINT.
[ Woman ] RIGHT.

[ Man ]
DAMNED JUDGE--

YOU GONNA WARM UP
WITH ME OR HER ?

HEY, YOU MADE
THE RULES, BABY.
DANCING ONLY.

* YES, YOU DO

* [ Cheering ]
LIKE SOME OTHER MEN DO *

[ Man ]
THAT'S GREAT !
[ Man #2 ] SMOKIN' !

[ Emcee ]
CAROL BENTLEY
AND TOM SLATER.

[ Shouts, Cheering ]
WH-WHERE'S BEA ?

I DON'T KNOW.

CAROL, YOU ROCK MY WORLD !
[ Emcee ] NEXT, WE HAVE
TWO SEPARATE ENTRIES,

THEATER ARTS AND CABARET.

CABARET ?

[ Emcee ] PLEASE WELCOME
FROM TEXAS, PATRICIA BLACK
AND RAFAEL INFANTE.

* [ Man ]
WANT YOU, MISS YOU

* LOVE YOU, I DO

* NEVER WANT TO BE
THIS FAR FROM YOU

* AGAIN

* I LONG TO TOUCH YOU
[ Scattered Applause ]

* AND I NEED TO HOLD YOU

* BEAUTIFUL AND PRICELESS

* AREN'T SUFFICIENT WORDS

* YOU KNOW I'LL BE BACK

* MAYBE ONE IN A BILLION

* WHEN I FEEL MYSELF

* IN YOUR ARMS AGAIN

* I'LL REMEMBER WHEN

* AND I WILL NEVER

* LET GO

* NO I WILL NEVER

* LET GO

* WANT YOU, MISS YOU

* LOVE YOU, I DO

* HOPELESSLY LONGING

* FOR THE TOUCH OF YOUR HAND
[ Cheering ] *

WHOO !
[ Laughs ]

BRAVO !
[ Woman ] BEAUTIFUL !

* HOW MUCH I WANT YOU

* MISS YOU, LOVE YOU

* OH, I WANT YOU

* MISS YOU

* LOVE YOU
[ Audience Cheering ] *

[ Man ]
BELLISIMO !

[ Emcee ]
PATRICIA BLACK
AND RAFAEL INFANTE.

[ Woman ] HEY !

I WANNA DO
THAT TOO !

WHOO-HOO!
BEA !

MUSIC, PLEASE !

* [ Man Shouting ] OW !
YEAH, DO IT !
[ Latin ] *

[ Emcee ]
BEA JOHNSON
AND RAFAEL INFANTE.

COME ON.

YES !

[ Stefano ]
YEAH, BEA !

[ Shouts ]

MORE !

OH, THANK YOU.
THANK YOU.

[ Emcee ]
THANK YOU, BEA !

BEA JOHNSON
AND RAFAEL INFANTE !

[ Women Chanting ]
I WANT TO DO THAT TOO !
I WANT TO DO THAT TOO !

[ Men Shouting ]
I WANT TO DO THAT TOO !

WHOO-WHOO !

THANK YOU.
THANK YOU.
OOH-WHEE !

BRILLIANT, BEA !
BREATHTAKING !
WHOO ! WE DID IT !

WONDERFUL.
IT WAS RAFAEL'S IDEA.

- [ Patricia ]
JOHN, YOU CAME !
- YEAH.

HI ! WERE YOU HERE
THE WHOLE NIGHT ?
YOU WERE GREAT !

THANK YOU.
I DIDN'T SEE YOU.
YOU--

I SAW YOU !

RAFAEL,
WE NEED TO TALK.
[ Bea ] IT WAS ALL A SECRET.

ABOUT WHAT ?

I'M GOING
BACK TO CUBA.

BUT... YOU'RE
AN AMERICAN CITIZEN.

I'M NOT
AN AMERICAN CITIZEN.

IF ONE OF YOUR
PARENTS IS, YOU ARE.

[ Emcee ]
LADIES AND GENTLEMEN,
PLEASE TAKE YOUR SEATS.

LET'S GET OUT OF HERE.

[ Emcee ]
ROUND ONE, PROFESSIONAL
LATIN CHAMPIONSHIPS.

THE ORDER WILL BE
SAMBA, CHA-CHA-CHA...

PASO DOBLE AND R-R-RHUMBA.
OH.

SAMBA, PLEASE.

* [ Chanting In Portuguese ]

* [ Afro-Latin Beat ]

HA-- LOOK AT THEM.

* [ Continues
In Background ] *

I SAID SOME THINGS
THE OTHER NIGHT
I DIDN'T MEAN.

I'VE LIVED WITH REGRETS
MY WHOLE LIFE.

[ Sighs ]
I LOVED YOUR MOTHER.

IT SCARED ME.

AND THEN YOU--
OUT OF THE BLUE.

I DIDN'T KNOW.

I JUST HANDLED
EVERYTHING ALL WRONG.

AW, HELL, I DON'T
KNOW HOW TO DO THIS.

MAYBE...

WE COULD START OVER.

I'M RAFAEL INFANTE...

FROM SANTIAGO DE CUBA.

[ Sighs ]

JOHN BURNETT...

FROM SOMEWHERE
IN TEXAS.

[ Chuckles ]

YOU'RE A HELL
OF A DANCER.
SI ?

I WAS PROUD
OF YA OUT THERE.
[ Chuckles ]

[ Crowd Chanting ]
U.S.A ! U.S.A. ! U.S.A.--
YOU NAILED THE STAR LIFT.

[ Emcee ]
WHO WERE
YOUR FAVORITE COUPLES ?

ONLY SIX WILL RETURN !

YOU ARE
DRAGGING, MAN.

[ Crowd Continues Chanting ]
YOU WERE
LEADING ME TOO HARD.

U.S.A. ! U.S.A. ! U.S.A. !
U.S.A. ! U.S.A.--

[ Emcee ]
AND NOW, THE FINALISTS...

FOR THE PROFESSIONAL LATIN
WORLD OPEN CHAMPIONSHIPS.

FROM ITALY,
COUPLE NUMBER 2-4-3.

- [ Gasps ]
- GINO STECCAGLIA
AND MELISSA DEXTER.

FROM THE U.S.A.,
COUPLE NUMBER 2-8-5 !

LET'S GO !
JULIAN MARSHALL
AND RUBY SINCLAIR !

WE LOVE YOU, RUBY !
FROM MONTREAL, CANADA,

COUPLE NUMBER 2-9-3,
JEAN-MARC GENEREAUX
AND FRANCE MOUSSEAU !

DON'T DIE ON ME.
WATCH YOUR TEMPO.
FROM THE U.S.A.,

COUPLE NUMBER 3-2-2,
WATCH YOUR EGO.

TONY MEREDITH
AND MELANIE LAPATIN.

FROM SOUTH AFRICA,
COUPLE NUMBER 3-3-6,

WANDILE NKOSI
AND LINDI KUNENE.

YEA !
WOOO !

AND FROM FINLAND,
COUPLE NUMBER 3-3-3,
THAT'S MY TEACHER !

JAMES AND JANNA KUNITZ.

SAMBA, PLEASE.

* [ Baritone Sax ]

* [ Latin Big Band ]

[ Audience Clamoring ]

[ Man ] GO, U.S.A. !

GO, U.S.A. !

[ Woman ] GO, U.S.A. !

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ JACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE

* BLACK MACHINE
IS MAZZ MACHINE

* BLACK MACHINE
IS JAZZ MACHINE *

[ Emcee ]
CHA-CHA-CHA !

* [ Woman Singing
In Spanish ] *

[ Woman ]
GO, TONY !

[ Man ]
GO, TONY !

MOVE YOUR FEET !
STOP PUSHING ME !

[ Emcee ]
PASO DOBLE.

[ Man ]
GO DO IT, RUBY !
[ Man #2 ] YEAH, RUBY, GO !

[ Woman ]
GO, U.S.A. !

[ Man ] SOUTH AFRICA !
[ Woman ] GO, RUBY !

[ Woman ]
WE'RE NUMBER ONE, U.S.A. !

[ Man ]
GO, U.S.A. !

[ Man ]
U.S.A. !

[ Man ]
I LOVE YOU, MELANIE !

[ Emcee ]
WHAT A SHOW,
LADIES AND GENTLEMEN !

THEY'VE BEEN DANCING
ALL NIGHT. LET'S SHOW
THEM YOUR APPRECIATION.

[ Panting ]
MY LEGS ARE CRAMPING.

KEEP MOVING !
JUST KEEP MOVING !
THEY'RE CRAMPING !

ONE MORE DANCE.
DON'T SCREW IT UP NOW !

[ Emcee ]
R-R-RHUMBA, PLEASE.

* [ Woman Singing
In Spanish ] *

[ Indistinct ]

[ Indistinct ]

COME ON !

[ Audience Cheering ]

[ Man ]
U.S.A. ! U.S.A. !

[ Man ] RUBY !
[ Woman ]
WE'RE NUMBER ONE, U.S.A. !

[ Audience Shouting
Continues ]

[ Man ]
GO, U.S.A. !

AND NOW, LADIES AND GENTLEMEN,
THE RESULTS...

OF THE 22nd WORLD PROFESSIONAL
LATIN CHAMPIONSHIPS.

IN SIXTH PLACE,
FROM SOUTH AFRICA,

JUANDIN COSELE
AND LINDA KUNDINI !
[ Applause ]

IN FIFTH PLACE, FROM ITALY,
GINO STECCAGLIA
AND MELISSA DEXTER.

[ Applause ]
YES.

AND IN FOURTH PLACE,

FROM FINLAND,
JAMES AND JANNA KUNITZ !
[ Applause ]

GOOD LUCK, BABY.

IN THIRD PLACE,
FROM MONTREAL, CANADA,

JEAN MARC GENEREUX
AND FRANCE MOUSSEAU.

[ Cheering ]

IT'S GOING TO BE
US OR THEM.

AND OUR RUNNER-UP.

FROM THE U.S.A.--
[ Crowd Becomes Silent ]

TONY MEREDITH
AND MELANIE LAPATIN.

OH, HO, HO, HO !
OH, RUBY !

AND THE NEW PROFESSIONAL LATIN
WORLD CHAMPIONS,
YOU WERE GREAT.

FROM
THE UNITED STATES
OF AMERICA,

JULIAN MERCER
AND RUBY SINCLAIR.

[ Breathes Heavily ]

[ Cheers ]

OOOH !

[ Cheers Become Distant ]

[ Breathes Heavily ]

* I CALL IT PRIDE
A DEEPER LOVE

* PRIDE, A DEEPER LOVE

* PRIDE, A DEEPER LOVE
WHOA-OH-OH-OH

* IT'S
THE POWER THAT GIVES YOU
THE STRENGTH TO SURVIVE

* PRIDE, A DEEPER LOVE
WHOA-OH-OH-OH

* YEAH, OOH-AAH
WHOA !
YOU LOST ME !

* YEAH-Y-Y-Y-Y-Y-YEAH
NOW I'VE GOT LOVE
IN MY HEART

* IT GIVES ME THE STRENGTH

* TO MAKE IT THROUGH THE DAY

* OH, LOVE, HAVE RESPECT
FOR YOURSELF
PRIDE

* IN BAD TIMES I'M NOT
LOOKING FOR HANDOUTS
THANK YOU, THANK YOU. *

THERE SHE IS !
HEY !

THANK YOU VERY MUCH,
THANK YOU.
YOU WERE GREAT !

HAVE A SEAT.

WOW.

BEAUTIFUL.
VERY NICE.

I JUST HAVE TO--
I HAVE TO SAY...

YOU BLEW ME AWAY.

YOU WERE JUST INCREDIBLE.

I WANT YOU
TO WORK FOR ME.
I HAVE SOMETHING HERE.

A CONTRACT.
LOOK THOSE OVER.

I THINK YOU'LL FIND IT
VERY, VERY GENEROUS.

DO YOU WANNA DANCE ?

ANY QUESTIONS,
JUST FEEL FREE TO ASK.

YOU AND JULIAN WILL BE
VERY SUCCESSFUL IN CHICAGO.

* WHOA-OH-OH-OH
YEAH

* YEAH

* WHOA-OH
PRIDE, A DEEPER LOVE

* PRIDE, A DEEPER LOVE

* PRIDE, A DEEPER LOVE
WHOA-OH-OH-OH

* DEEPER

* [ Salsa ]

WE'VE GOT
GREAT BENEFITS,

AND THE FINEST STUDIO
IN CHICAGO.

AAAH !
HA, HA !

[ Speaks In Spanish ]

[ Laughs ]

ALL RIGHT,
ALL RIGHT !
WHAT'S UP ?

[ Laughs ]

* ALL OF MY LIFE
I'VE BEEN SEARCHING

* FOR SOMEONE TO FIND ME

* I HAVE BEEN LONELY

* WAITING FOR YOUR ARMS
TO HOLD ME

* YOU TOOK ME IN FROM THE COLD

* AND OUT OF THE DARK

* YOU HAVE TAKEN ME
INTO YOUR HEART

* YOU ARE MY HOME

* YOU ARE THE ONE
THAT I COME TO

* YOU ARE THE SHELTER
I RUN TO
[ Squeals ]

* I LOOK IN YOUR EYES
AND I KNOW

* YOU'RE MY HOME

NO.
NO, I CAN'T.

HANG ON.

* YOU ARE MY HOME
YOU'RE THE ONE THAT I LOVE

* I LOOK INTO YOUR EYES

* AND I KNOW THAT YOUR HEART
IS MY HOME

* YOU ARE MY HOME
YOU'RE THE ONE THAT I LOVE

* YOU ARE THE LOVE
THAT NEEDS ME
[ Speaks In Spanish ]

* YOU ARE MY HOME
YOU'RE THE ONE THAT I LOVE

* [ Sings In Spanish ]

* YOU ARE MY HOME
YOU'RE THE ONE THAT I LOVE

* [ Woman Sings In Spanish ]

BAILA CONMIGO !

* [ Pop Music ]

* [ Woman ]
OOH

* LOVE SOMETIMES

* CAN BE LIKE DESTINY

* THERE'S NO WAY
TO SAY FOREVER

* MAY NOT REALIZE YOUR DREAMS

* AND LOVE SOMETIMES

* IS LIKE THE BLOWING WIND

* IT CAN TAKE US TO WHEREVER

* SENDING US ON SILENT WINGS

* BUT I HAVE BROKEN

* ALL THE RULES OF LOVE

* I NEVER DREAMED THAT I COULD

* COME THIS FAR

* AND NOW I'M LOST
IN MY EMOTIONS

* YOU'RE BECOMING MY DEVOTION

* THERE'S NOTHING I CAN DO

* TO STOP THIS LOVE FOR YOU

* I WAS NOT SUPPOSED

* TO FALL IN LOVE WITH YOU

* I HAVE SOMEONE ELSE

* SOMEONE ELSE IS LOVING YOU

* AND I WAS NOT SUPPOSED

* TO LET THIS LOVE GET THROUGH

* SO LET ME SAY FOR REAL

* HEAVEN'S WHAT I FEEL

* WHEN I'M WITH YOU

* THIS FEELING IS FOREVER

* YOU MAKE ME FEEL LIKE HEAVEN

* MY LOVE IS TRUE
WHEN I'M WITH YOU

* THIS FEELING IS FOREVER
IT IS FOREVER

* YOU MAKE ME
FEEL LIKE HEAVEN
I FEEL LIKE HEAVEN

* MY LOVE IS TRUE
WHEN I'M WITH YOU

* WHEN I'M WITH YOU

* [ Man ]
OOH

* [ Man ]
OOH

* YEAH

* ALL OF MY LIFE
I'VE BEEN SEARCHING

* FOR SOMEONE TO FIND ME

* I HAVE BEEN LONELY

* WAITING FOR YOUR ARMS
TO HOLD ME

* [ Woman ]
YOU TOOK ME IN FROM THE COLD

* AND OUT OF THE DARK

* YOU HAVE TAKEN ME
INTO YOUR HEART

* YOU ARE MY HOME

* YOU ARE THE ONE
THAT I COME TO

* YOU ARE THE SHELTER
I RUN TO
I RUN TO YOU, BABY

* TO KEEP ME SAFE
FROM THE COLD
SAFE FROM THE COLD

* YOU'RE MY HOME

* YOU'RE MY HOME

* YOU WERE THE LIGHT
IN THE WINDOW

* WHEN I COULDN'T FIND MY WAY

* YOU LEFT MY HEART TO

* WANT IN THE PLACE
HERE BESIDE YOU

* DON'T HAVE TO BE ALONE
BE ALONE, BABY

* BABY, YOU'RE MY HOME

* NEVER HAVE TO BE ALONE
NEVER HAVE TO BE

* WHEN I LOOK IN YOUR EYES