Original subtitles

Thank.

LISTENING

Thank!

Wait outside.

Hello, what's your name?

Alexander Paraskevas.

Can I get louder?

Alexander Paraskevas.

What number is it, 28th?

15th. All messed up.

What have you prepared?

Prelude from "Partita for violin no. 3 "Bach,

"Spanish Symphony" by Lalo

and "Sonatina in D major op.137" by Schubert.

All the most popular.

- Where do you want to start? - With Lalo, perhaps.

Good.

Anew.

Thank!

Wait outside.

Push!

Nothing outstanding.

Be outstanding we would have nothing to teach him.

First he needs to get out out of your shell.

Yes, he is very tight.

I was just worried.

Technique is not a fountain either.

The shoulder is constantly raising.

You can work on the pose, but he has his own style.

What's the use if there is no technology?

And the speed is not enough fingers stick to the neck.

Our task is to teach him the technique.

I don't think we should lower the bar.

Against?

Behind?

- Shall we give him a trial period? - Yes.

Hilda, would you like some chocolate cake?

- Hilda? - Yes?

- Would you like a chocolate cake? - Not.

- And the apple pie? - Yes.

- Delicious. - No thanks.

- You are welcome. - Thank.

Second piece, Hilda?

Do not embarrass me.

Why, if it's delicious? Do you like it?

- Like. - Well, good.

Happy Birthday.

Thank.

More tea or coffee?

- No, I'm done, thanks. - Good.

Play something, Yonas.

- What do you pour? - What's in the teapot?

Tea.

- Which one? - The black.

- Not. - Brew green?

Then I won't sleep.

- Come on black with milk. - If you want green ...

No thanks. Jonas, play it.

You don't have to if you don't want to.

The next lesson is on Tuesday at 3 o'clock.

- Good day. - Paraskevas.

- Hello. Let's go? - Hello.

You will have to wait outside.

- But how will I see his progress? - It's too early to talk about it.

Until.

Get out the tool.

What did you play to develop your technique?

Scales and etudes.

- Play it. - Triads?

Yes.

- And what are the sketches? - Kreutzer, one through fourteenth.

Okay, play it.

Why is it so fast?

What are you thinking about?

- When? - When you play.

- About nothing. - In fact of the matter.

We need to comprehend the music before playing it.

Then it will become music. Otherwise, it's just noise.

Played this piece?

It's Bach, isn't it?

Looks familiar.

How did you understand it?

Sixteenths everywhere.

What else?

Everything is very smooth.

For many works by Bach good motor skills are required.

- What size? - Three eighths.

- And the pace? - Presto.

- What does it mean? - Fast, it seems.

Right. As you like.

- Let's try? - Yes.

Anew.

Anna, score for your school orchestra?

Yes.

So in the closet.

Have you already decided?

- About what? - Play together.

Don't wanna play anymore?

See you later.

Nice place.

Shall we sit here?

Better there.

Yes?

- Are you sure? - Yes.

- What will you order? - You are first. - No you.

Steak with potatoes and beer.

I'd like lemonade, please. Or is white wine better?

- Do you like white wine? - Yes. - Better lemonade.

Okay.

And from food ...

spaghetti with gorgonzola sauce.

- Can I take them? - I do not know.

- So far no one has complained. - No, then ...

Tagliatelle with bolognese sauce.

If I were you, I would take pasta with gorgonzola and squid.

I don't eat seafood. Only with gorgonzola.

Sorry, another question.

Do you have vegetarian options?

Gorgonzola without meat.

Is there spaghetti with vegetables?

- Spaghetti with tomatoes? - Yes.

Decide on a place. I will not transplant with a plate.

Lemonade.

Thank.

Are we changing?

Let's go.

- Here? - Yes. - Exactly?

- Yeah sorry. - Nowhere else? - No, it's good here.

I have a new student.

- Yes. - Very talented.

Slightly insecure but we'll fix that.

Clear.

- What? - I said nothing.

- I just really want to eat. - They are.

- Thank. - Thank.

- Would you like my food? - Not.

- It's not a problem. - No, really.

- Okay. - It's okay.

It will be easier. Eat.

- It smells from me. - Nothing like this.

Can't you feel?

- I feel. - What, so much?

But I can find you with closed eyes.

- This is good. - Poorly.

How are you doing in school?

We need to ventilate.

Close it, it's cold.

Sorry.

- You are late. - Missed the bus.

The listeners won't wait.

- I'm not ready yet. - It's about attitude.

- Let's start with presto. - Good.

Don't lift your shoulder.

Keep the bow straight.

This is B-flat, not B.

Enough. Not bad.

But this is not our goal. Why practice?

To play well?

Yes. With practice music gradually penetrates your body.

Becomes a part of you.

Give me a violin.

Take a relaxed position.

Pull your hair while staying relaxed like a puppet.

And now, without straining your hands, chat with them.

Shake yourself well.

Now take your violin.

Go on.

- Why did you come? - Pick you up.

- Why would you? - I thought you'd be glad.

Try it.

You’ll knock yourself all out.

Sorry.

No, wait, we'll rise together. I'll finish now.

I offered Anna to play with us.

Clear.

Chao!

- Well? - What?

Do you want to play?

- You think I can’t? - That's not the point.

In that. You do not believe, what will I get.

Yonas, you keep bow or toothbrush?

Work on the stroke.

It's easier to start with this.

Now...

Down, up, down.

Come on.

- Anna, can I say a few words? - Yes.

- How are you doing with the new kid? - Okay, he's trying.

Anna, why did you mark a touch in Yoanas's notes?

He had problems, I wanted to help.

Yes, but I'm his teacher, not you.

Hello Emma, ​​come in.

Okay, I said everything.

Warm up.

I completely forgot.

I'm sorry.

Try it.

- Are you against Anna playing with us? - Against? Not.

Come on in.

- Take off your clothes. - Yes.

- Wait here. - Thank.

- Shall I pour you something? - No thanks.

Glad you came.

- Good evening. - Good evening.

Thank you for coming.

Well, let's get started.

- Good. - You know that? - Yes.

Yes. Although I haven't played for a long time.

Nothing.

- Shall we tune? - Yes.

We started.

- Not bad! - Can you hear the cello?

- Violins are too loud. - Are we playing loud?

Maybe we can play without the cello?

- To hear yourself. - Okay.

- Well, how? - And you?

- Closer to the threshold. - Good.

We all play like that. And the touch here ...

- ... on the 11th bar, it seems. - No, on the eighth.

The second line is hemiola?

Yes, that's right.

- How do you sound? - In my opinion, great.

- Now all together. - Come on.

Played well.

- At the same time in a week? - Come whenever you want.

- Many thanks. - Thanks you.

- I want to go to the toilet. - We'll be there soon.

Dad?

Do you hear the resonance?

Wet the board, wet it

Yet.

Like this.

Take a closer look. What do you see?

- The rings are narrow. - Yes. Do you see the dark streaks? This is winter.

The soft layer between them is summer.

What will you make of it?

- For the viola will do. - I'll see something else.

Look.

- It rained a lot this year. - And what does it mean?

It doesn't suit us. It grew too fast.

See how wide the line is.

Give me a blanket.

Thank. Run to the garden.

- Put the good ones here. - Okay.

Good.

Won't you even have dinner? You can't go on an empty stomach.

I will not tolerate this treating your son.

The guy needs to be brought up.

Turn off the light.

Do you know how much I love you?

You never complimented me.

So what?

I am always caring and attentive to you.

Caring and attentive you can be with a dog.

- When you met, you produced a different impression. - What?

Proud and unapproachable.

I do not know what to say.

Romance can't last forever.

You said so yourself once.

Good morning Anna.

What's the matter?

You didn't show up on Saturday.

In the sense? I thought, that I don't fit you.

- Where did you get it? - The first violin made it clear.

She didn't say anything.

- My style of play does not suit you. - Not at all.

On the contrary.

- But if you don't want to play with us ... - No, that's not the point.

But it would be strange if I didn't say that now.

I am not catching something.

Apparently, I'm too difficult to express myself.

Tune in.

The nails are too long.

Faster.

Throw back your head.

- Are you holding it? - Yes.

It's okay.

Enough, sit down.

Enough.

I want a dog.

Mom, I want a dog.

You already have one.

Your dog is a violin.

- What is it? - Meat.

- What kind of meat? - Beef.

Does a cow hurt when she is slaughtered?

She is deafened.

Stun, then stab you?

So you can eat cutlets.

May I continue my lesson?

Very well.

Very well.

Jonas, come in.

Do you want to accompany Alexander? Play the Pleyel duet.

“You should know them. - It seems ...

I think I know.

This?

AND...

Jonas, pull yourself together. Again.

Too bad, Jonas. Again.

- What's the matter? - I do not want.

- Don't be stupid. Take your violin and play. - I don't want to play.

- Jonas, stop it. - I don't want to play!

- Leave me alone, I don't want to! - What do you allow yourself?!

Okay, back to presto.

Yonas, eat.

What was he doing here?

He needs to get ready to audition.

There is a school for that.

Should I have kicked him out? He came himself.

That's it, Jonas, that's enough.

Let's go down.

I'll put you Menuhin's record.

You've heard her all.

He was your age.

A little older.

Tighten it up.

Come on.

More more.

- All? - A little bit more.

Good. Take the plane.

Come on.

In one motion. Okay, one more time.

Well done.

Until.

- Yes? - Hi, this is Anna.

- Do you want to eat? - Not.

I do not for a long time.

Can you help me?

Yes.

Hold it like that.

Won't you sew up?

I wasn't going to, but I can.

Let me.

- How long will you prepare? - About an hour.

- Whole chicken for you alone? - Yes.

Why not?

Do you want a drink?

Mom cooked for me chicken when I was sick.

Did you have a happy childhood?

Some time.

Until her death.

How old were you?

Twelve.

She was a teacher German. Like my father.

Loved to play the piano even sometimes performed.

She promised to bring gifts from trips, but kept forgetting.

Sometimes I wait for her to come back and bring me a gift.

Would you like to try again?

We have little time. Concert next week.

And there is no one better than you.

What are you doing?

Seriously.

Anna, control yourself. Can't you see what's going on with Jonas?

I care. I want him to learn.

This is the problem. You press on him.

- He doesn't study enough. - He has a teacher.

- Say thank you... - Yes I know.

- No you do not know. Let me finish. - You wanted to say...

- ... I should be happy ... - No, I wanted to say something completely different.

Say thank you that he even plays. Or should everyone be geniuses?

On the violin, the light did not converge like a wedge.

A lifetime is not enough in order to achieve the ideal in something.

Empty he himself will decide what he wants to excel at.

Great theory. It worked for you.

Yes.

At least I'm not kidding myself.

- Anna, are you coming? - Yes.

Wait a second.

All.

- Again? - Yes.

Wait a minute...

Everything was amazing.

I need a drink.

This is an exit, not an entrance. This is the entrance!

- Where were you looking? - I have not noticed.

- Open your eyes! - Stop yelling at me!

We must try a different approach.

- How many days before audition? - Ten.

Ten days...

Very soon.

We're almost done. Wait a bit.

- How many hours a day are you doing - Two.

Study four. Two before school and two after.

But you said that quality is more important than quantity.

She spoke.

But sometimes the amount turns into quality.

Oh, the bow flew away!

Anna...

I'm sorry I screwed up at the concert.

Let's go.

So I left the orchestra.

First appeared tremor in the right hand,

then I even have a violin could not customize.

As soon as I start playing I know in advance that I will fail.

Have you tried beta blockers?

I tried it.

I went to different doctors, but only the allergy has earned.

"The pilot writes a report at the request of the airline. "

Find in the sentence accusative and genitive.

And where is the accusative case here?

He must answer to the questions "who? what?"

And what word answers them?

Jonas!

Go, mother is calling.

- Yes? - What is it?

- What are you talking about? - A fish!

I saved them so they would not be fried.

- And what are you going to do with them? - I do not know. - Take it and release it.

You play clean mechanically, without a soul.

Music, above all, emotions, not bare notes.

You have to believe in yourself then everything will work out. Come on.

Try to do as I said.

Give me a hand.

Sit down.

Stretch out your hand.

Sit still.

Don't twitch.

Like this.

Help?

Not.

Let me pass.

I called you five times, Anna.

Five.

Louder.

That's where you got your problem. Start with "re".

It's still slow. Try it at this pace.

It should work.

Play.

Anew.

You smear the notes. They have to sound clear. Once again, to the rhythm.

Anew.

Better. Again.

Let's try it differently.

Beat the rhythm with your hands.

Faster.

Look at me!

- What size? - Three eighths.

Okay, now play.

Anew.

Hold the violin higher.

Not.

Anew.

Not.

Anew.

Not.

Anew.

Not.

Anew.

Not.

Not!

Not.

Why are you constantly raise your shoulder ?!

Go on.

Take off the belt.

- Take it off. - I do not want.

Relax.

Like this.

Raise your hand.

Do you want to eat?

Good morning.

Sorry, I'm having a difficult period right now.

I do not care.

Hello, you called Alexander Paraskevasu ...

Sorry...

- Good evening. - Good evening.

Alexander, by chance, did you get sick?

- What is it? - He didn't come to class today.

- I didn `t know about it. - Audition in two days.

If you don't train, they won't accept him.

Do you think he trains little? He plays four hours a day.

Hope this is enough.

Dad?

What's the matter?

I can't piss.

Will you give me your hand?

No, wait.

I'll try again.

Will you stand and watch?

- Don't pour too much, that's enough. - In my opinion, not enough.

See? Enough.

I heard about your concert.

You've always been so meticulous.

Your mother always believed that she lacks discipline.

The last one for today. Doesn't want to get out.

- Good. - Yes.

Now it's good.

Anna, throw the sausage out of the cellar.

It is completely dry.

It has not dried up.

- Hard as a brick. - It's cheese!

- Dry cheese? - Not!

- But she's all wrinkled. - It should be like that.

It needs to be cut thinly.

- But it's dry. - God ...

What?

Why do you say that it is dry?

Because she's like us ... Dry as an apricot.

- Not. - What is "no"?

We're not like an apricot.

Do you want to eat?

- Make you a sandwich? - I don't want a sandwich.

You can not play anymore on the violin if you don't want to.

Tell me your opinion.

- Good sound. - The same instrument.

- But the sound is different. - Yes, I made him old.

Listen.

Who is it?

You.

It sounds somehow immature.

This is the beauty.

Hello black coffee.

- Please, 1 euro 60 cents. - Thank. Leave the change.

- Goodbye. - Goodbye.

Anna, can I have you for a second?

Sure.

We didn't finish last time.

I didn't want to take Jonas at all, because I was afraid of you.

- Me? - Yes, your exactingness.

The student quit studying, and my son can't stand me.

Mine hates me too.

I am very grateful to you.

Without you, Jonas I'd quit playing altogether.

He's very gifted.

Far from average.

No, he's too difficult for the average.

Good morning.

LISTENING

Alexander Paraskevas?

He's here?

Then Paula Jench, please.

Can you take my chest?

And for the other too.

Thank.

Anna...

What happened?

Alexander fell from the stairs and broke his neck.

He's unconscious now.

How did it come about?

I do not know.

I wanted to congratulate him.

He ran down the stairs and fell.

Probably stumbled.

And Jonas? Where is Jonas?

- I do not know. - Like this? He was with you.

I said I don't know!

I don't know where he is!

- Where have you been? - I played hockey.

Clear.

Eat.

Excuse me, can we talk?

- Sure. - Thank you for calling.

I sympathize with you with all my heart.

Will mobility return to him, will become clear in a few weeks.

You helped him so much.

They gave him confidence.

- Let him play as soon as he can. - Sure.

I'll tell him.

Say hello for me.

I'll visit him soon.

Goodbye.

Goodbye.

Translated by Notabenoid http://notabenoid.org/book/80310/483184

Translators: Dark_Alice