All language subtitles for chantal

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian Download
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech Download
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French Download
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish Download
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:02,300 --> 00:00:05,050 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 3 00:00:05,050 --> 00:00:08,310 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 4 00:00:08,310 --> 00:00:10,940 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 5 00:00:10,940 --> 00:00:13,730 ♪ THAN A NINE SO FINE ♪ 6 00:00:13,730 --> 00:00:16,310 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 7 00:00:16,320 --> 00:00:19,160 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 8 00:00:19,150 --> 00:00:23,540 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 9 00:00:23,540 --> 00:00:27,330 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 10 00:00:27,330 --> 00:00:29,790 ♪ I TAKE MY CHANCES ♪ 11 00:00:29,800 --> 00:00:32,720 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 12 00:00:32,720 --> 00:00:34,640 [ Siren Wailing ] 13 00:00:34,630 --> 00:00:37,170 ♪ BUT THE HARDEST THING I EVER DO ♪ 14 00:00:37,170 --> 00:00:40,670 ♪ IS WATCH MY LEADING LADIES ♪ 15 00:00:40,970 --> 00:00:45,060 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 16 00:00:45,560 --> 00:00:48,310 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 17 00:00:48,310 --> 00:00:50,980 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 18 00:00:50,980 --> 00:00:53,940 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 19 00:00:53,940 --> 00:00:56,740 ♪ THAT MADE REDFORD SUCH A STAR ♪ 20 00:00:56,740 --> 00:00:59,690 ♪ [ Women Vocalizing ] 21 00:01:03,330 --> 00:01:06,450 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 22 00:01:06,450 --> 00:01:09,080 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 23 00:01:09,090 --> 00:01:12,510 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 24 00:01:12,510 --> 00:01:14,300 ♪ HEY, HEY ♪ 25 00:01:14,290 --> 00:01:17,260 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 26 00:01:17,260 --> 00:01:19,960 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 27 00:01:19,960 --> 00:01:23,970 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 28 00:01:23,970 --> 00:01:25,430 ♪ HEY, HEY ♪ 29 00:01:25,440 --> 00:01:28,480 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 30 00:01:28,470 --> 00:01:30,270 ♪ OR TARZAN FROM A VINE ♪ 31 00:01:30,270 --> 00:01:32,640 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 32 00:01:32,640 --> 00:01:36,480 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪ 33 00:01:50,740 --> 00:01:53,960 [ Colt Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 34 00:01:53,960 --> 00:01:57,750 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 35 00:01:57,750 --> 00:01:59,920 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 36 00:01:59,920 --> 00:02:03,220 WOMEN HAVE WANTED TO DIE FOR HIM. 37 00:02:03,220 --> 00:02:07,480 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 38 00:02:07,480 --> 00:02:09,930 HE WAS WHAT WE CALL A STUNTMAN. 39 00:02:09,930 --> 00:02:12,310 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 40 00:02:12,320 --> 00:02:14,360 WELL, BECAUSE IT'S ME, COLT SEAVERS. 41 00:02:14,350 --> 00:02:17,990 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 42 00:02:18,490 --> 00:02:21,820 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 43 00:02:21,820 --> 00:02:24,740 WELL, ONE WAY IS TO WAIT BY THE PHONE... 44 00:02:24,740 --> 00:02:27,080 AND WAIT... AND WAIT. 45 00:02:27,080 --> 00:02:29,860 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 46 00:02:29,870 --> 00:02:32,180 OF THE UNITED STATES OF AMERICA, 47 00:02:32,170 --> 00:02:35,000 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 48 00:02:35,000 --> 00:02:38,510 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 49 00:02:38,510 --> 00:02:41,960 GET OUT OF JAIL ON WHAT WE CALL BAIL. 50 00:02:41,960 --> 00:02:44,460 AND THEY RUN LIKE HELL. 51 00:02:44,460 --> 00:02:47,100 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY... 52 00:02:47,100 --> 00:02:50,640 TRYIN' TO FIND THEM AND BRING THEM BACK TO JUSTICE. 53 00:02:50,640 --> 00:02:54,310 BUT TODAY I'M DOING A STUNT THAT'S GONNA PUT ME AT THE END OF MY ROPE. 54 00:03:03,230 --> 00:03:06,030 FASTER, JODY, FASTER! PUT THE PEDAL TO THE METAL! 55 00:03:06,400 --> 00:03:09,400 YOU KNOW THIS ISN'T EXACTLY A FERRARI! 56 00:03:10,710 --> 00:03:13,120 [ Colt ] SLOW HER DOWN, KID. IT'S GOING TOO FAST! 57 00:03:13,130 --> 00:03:15,250 - I'M AFRAID WE'LL STALL, COLT. - THROTTLE HER DOWN. 58 00:03:15,240 --> 00:03:17,580 OKAY, YOU'RE THE BOSS. 59 00:03:18,920 --> 00:03:20,890 OKAY, A LITTLE MORE. 60 00:03:20,880 --> 00:03:25,890 THAT'S BETTER. COME ON! COME ON! I CAN ALMOST REACH IT. 61 00:03:25,890 --> 00:03:28,470 - HURRY UP, COLT. - SLOW IT DOWN, KID! 62 00:03:28,470 --> 00:03:31,680 I'M GOING AS SLOW AS I CAN! 63 00:03:31,680 --> 00:03:35,730 - COLT! - NOT NOW, JODY! I'VE ALMOST GOT IT. 64 00:03:35,730 --> 00:03:37,680 I GOT IT! I GOT IT! 65 00:03:41,570 --> 00:03:44,270 TAKE IT UP, KID! 66 00:03:44,270 --> 00:03:48,740 - ALL IN GOOD TIME, COLT. - TAKE IT UP! 67 00:03:48,750 --> 00:03:51,340 [ Howie ] WHOA! DON'T WORRY, COLT. WE'RE GONNA MAKE IT! 68 00:03:59,870 --> 00:04:02,210 KID! 69 00:04:04,180 --> 00:04:06,210 OH, HE'S GONNA KILL ME. 70 00:04:08,710 --> 00:04:10,430 COLT, PLEASE, YOU GOTTA PROMISE ME... 71 00:04:10,430 --> 00:04:12,300 YOU WON'T TELL A SOUL ABOUT THIS. 72 00:04:12,300 --> 00:04:16,100 IT'S SO HUMILIATING. LET'S NOT FORGET PAINFUL AS HELL. 73 00:04:16,110 --> 00:04:20,070 OH, I KNOW IT. BUT I SWEAR, I'LL MAKE THIS UP TO YOU. 74 00:04:20,060 --> 00:04:24,360 FIND ME A WAY TO MAKE A LIVING FOR THE NEXT MONTH AND A HALF, AND I'LL BE SATISFIED. 75 00:04:24,360 --> 00:04:29,030 DON'T WORRY ABOUT THAT. BIG JACK CALLED AND SHE SAID SHE'S GOT A JOB THAT'S A PIECE OF CAKE. 76 00:04:29,040 --> 00:04:31,750 I'M WORRIED. 77 00:04:31,740 --> 00:04:34,460 NO. THIS TIME HOWIE'S ABSOLUTELY RIGHT. 78 00:04:34,460 --> 00:04:36,460 IT'S A SIMPLE PAPERHANGER CASE. 79 00:04:36,460 --> 00:04:38,330 PAPERHANGER? THAT'S A CHECK FORGER. 80 00:04:38,330 --> 00:04:40,630 SOME YOUNG GUY RAN BACK TO HIS HOMETOWN-- 81 00:04:40,630 --> 00:04:43,000 A SMALL PLACE CALLED LUCKY, NEVADA. 82 00:04:43,000 --> 00:04:47,000 HIS NAME IS JOHN C. RYDER, AND HE WAS SEEN NEAR TOWN YESTERDAY. 83 00:04:47,000 --> 00:04:50,340 ALL JODY AND HOWIE HAVE TO DO IS GO UP THERE, GET HIM AND BRING HIM BACK. 84 00:04:50,340 --> 00:04:54,260 HE IS DEFINITELY A NONVIOLENT TYPE. 85 00:04:54,260 --> 00:04:56,590 I DON'T KNOW. THEY ALL START OUT EASY ENOUGH. 86 00:04:56,600 --> 00:05:02,330 COLT, LOOK, I ONLY HAVE THREE DAYS LEFT ON THIS BOND, THEN I FORFEIT BAIL. 87 00:05:02,320 --> 00:05:04,940 I COULD EVEN LOSE MY INSURANCE COVERAGE. 88 00:05:04,940 --> 00:05:07,570 I REALLY NEED THEIR HELP. 89 00:05:07,570 --> 00:05:09,990 I DON'T KNOW. 90 00:05:09,990 --> 00:05:15,110 COLT, YOU CAN'T PUNISH ME JUST BECAUSE YOU HAD SOME STUPID ACCIDENT. 91 00:05:16,700 --> 00:05:22,750 NO, I CAN'T PUNISH YOU FOR MY STUPID ACCIDENT. 92 00:05:22,760 --> 00:05:27,050 ALL RIGHT, KID, YOU GO, BUT YOU CALL ME IF YOU GET IN ANY TROUBLE. 93 00:05:27,540 --> 00:05:29,630 - WHAT COULD YOU DO WITH-- - YOU HEARD ME. 94 00:05:29,630 --> 00:05:32,630 I'LL CALL YOU. I'LL CARRY A QUARTER EVERY PLACE I GO. 95 00:05:32,630 --> 00:05:35,550 PUT YOUR THINGS TOGETHER. THE KID'S RUNNING THE SHOW. 96 00:05:35,550 --> 00:05:39,550 LOVE YOU, COLT. AND DON'T WORRY. I'LL KEEP HIM OUT OF TROUBLE. 97 00:05:39,560 --> 00:05:44,870 IRONIC, ISN'T IT, HOW YOUR CLUMSY ACCIDENT TURNED INTO A "BREAK" FOR HOWIE? 98 00:05:44,860 --> 00:05:48,950 YOU DO A GOOD JOB, HOWIE. SO YOU KEEP IN TOUCH, ALL RIGHT? 99 00:05:48,950 --> 00:05:52,400 AND YOU, HANDSOME, TAKE CARE OF THAT LEG. I'LL CALL YOU IN THE NEXT FEW DAYS. 100 00:05:52,400 --> 00:05:54,990 BYE-BYE. 101 00:05:55,990 --> 00:05:57,820 - COLT-- - GO. 102 00:05:57,820 --> 00:06:00,490 [ Door Closes ] I DON'T KNOW HOW TO SAY THIS, BUT I-- 103 00:06:00,490 --> 00:06:02,880 GO! 104 00:06:02,880 --> 00:06:05,080 - I HOPE YOUR FOOT FEELS BETTER. - YOU GET! 105 00:06:08,580 --> 00:06:10,590 [ Door Closes ] 106 00:06:16,590 --> 00:06:19,090 KAREN. 107 00:06:19,100 --> 00:06:22,610 NOT IN, HUH? THANK YOU. 108 00:06:22,600 --> 00:06:25,400 LET'S SEE. [ Muttering ] DONNA. 109 00:06:32,690 --> 00:06:36,440 [ Howie ] THAT'S THE GUY WE'RE LOOKING FOR. HIS NAME'S JOHN C. RYDER. 110 00:06:36,450 --> 00:06:38,790 NOPE. 111 00:06:38,780 --> 00:06:41,780 NOPE WHAT? ISN'T THAT HIS NAME? 112 00:06:41,780 --> 00:06:44,290 OH, THAT'S HIS NAME ALL RIGHT, BUT HE HASN'T BEEN AROUND FOR MONTHS. 113 00:06:44,290 --> 00:06:46,750 WELL, ARE YOU SURE? WE HAD A REPORT THAT-- 114 00:06:46,760 --> 00:06:49,630 - I MEAN, ISN'T THERE A CHANCE HE, UH-- - NO. 115 00:06:52,210 --> 00:06:55,050 - I GUESS WE'LL HAVE TO NOSE AROUND A LITTLE ON OUR OWN. - NO, YOU WON'T. 116 00:06:55,050 --> 00:07:00,720 - SHERIFF, THIS IS A WARRANT. - AND THIS IS A TOURIST TOWN. WE'RE JUST GETTING STARTED. 117 00:07:00,720 --> 00:07:04,270 WE DON'T HAVE A CRIMINAL ELEMENT HERE. WE DON'T WANT ANYONE SAYING WE DO. 118 00:07:04,270 --> 00:07:07,280 SHERIFF, I THINK IT'S ONLY FAIR THAT I WARN YOU THAT-- 119 00:07:13,570 --> 00:07:17,580 WELL, HOW'S THAT GONNA WORK, COLT? 120 00:07:17,570 --> 00:07:20,490 ALL RIGHT. ANYTHING YOU SAY. 121 00:07:24,790 --> 00:07:28,300 I UNDERSTAND YOU DECIDED TO LEAVE TOWN. 122 00:07:28,300 --> 00:07:31,130 YEAH, I THOUGHT YOU'D LIKE TO KNOW WE'VE BEEN PULLED OFF THE CASE. 123 00:07:31,130 --> 00:07:36,170 - WELL, GOOD. - THEY'RE SENDING THE BIG GUY OUT. I'M SORRY. 124 00:07:36,170 --> 00:07:38,590 WHAT DO YOU MEAN YOU'RE SORRY? 125 00:07:38,590 --> 00:07:41,560 I GUESS I SHOULDN'T SAY ANYTHING. 126 00:07:41,560 --> 00:07:44,850 MAYBE I'M PREJUDICED, BUT I HATE VIOLENCE. 127 00:07:44,850 --> 00:07:48,680 WAIT A MINUTE. I THINK YOU OUGHT TO SAY A LOT MORE RIGHT NOW. 128 00:07:52,100 --> 00:07:54,490 YOU'RE GONNA FIND OUT ANYWAY. 129 00:07:58,440 --> 00:08:00,440 COLT SEAVERS IS COMING TO TOWN. 130 00:08:00,450 --> 00:08:03,710 [ Scoffs ] WHO THE HELL IS COLT SEAVERS? 131 00:08:07,840 --> 00:08:09,670 YOU DON'T WANT TO KNOW. 132 00:08:09,670 --> 00:08:14,040 IF HE'S COMING TO MY TOWN I WANT TO KNOW, AND I WANT TO KNOW RIGHT NOW. 133 00:08:16,050 --> 00:08:19,060 COLT SEAVERS IS THE MOST RUTHLESS BOUNTY HUNTER IN THE COUNTRY. 134 00:08:19,050 --> 00:08:21,720 HE'S RIGHT. YOU SEE, THE ORGANIZATION WE WORK FOR... 135 00:08:21,720 --> 00:08:24,720 ONLY SENDS HIM OUT WHEN THEY WANNA PUSH THE BUTTON. 136 00:08:24,720 --> 00:08:29,720 PUSH THE BUTTON? YEAH, I'M AFRAID THIS KID RYDER-- 137 00:08:29,730 --> 00:08:32,120 HE'S GONE. 138 00:08:32,110 --> 00:08:37,620 ARE YOU TALKING ABOUT SOMEBODY COMING INTO MY TOWN, TAKING THE LAW IN HIS OWN HANDS? 139 00:08:37,620 --> 00:08:40,870 'CAUSE IF YOU ARE, HE'D BETTER BE READY FOR A LONG JAIL SENTENCE. 140 00:08:40,870 --> 00:08:45,210 ABSOLUTELY. W-WE'RE ON YOUR SIDE. THIS GUY SEAVERS SCARES US TO DEATH. 141 00:08:45,210 --> 00:08:49,630 I SAW HIM GO INTO A TOWN AND LEAVE AN ENTIRE POLICE DEPARTMENT IN SHAMBLES. 142 00:08:49,630 --> 00:08:54,720 - AND HE DOES IT LEGALLY. - THAT'S THE CRIME OF IT. HE KILLS BY THE LAW. 143 00:08:54,720 --> 00:08:58,170 HE KILLS? 144 00:08:58,170 --> 00:09:00,920 WE'LL SEE ABOUT THAT. 145 00:09:00,920 --> 00:09:04,310 HEY, THAT WASN'T SO TOUGH. WEREN'T WE LAYING IT ON A LITTLE THICK? 146 00:09:04,310 --> 00:09:06,310 THAT'S WHAT COLT SAID TO DO. WHY? 147 00:09:06,310 --> 00:09:08,810 I DON'T KNOW. 148 00:09:08,810 --> 00:09:12,070 ARE YOU SURE IT'S HIS LEG HE BROKE AND NOT HIS HEAD? 149 00:09:12,070 --> 00:09:15,850 - WE GOT TROUBLE. - WHAT ARE YOU TALKING ABOUT? WHAT KIND OF TROUBLE? 150 00:09:15,860 --> 00:09:18,170 COLT SEAVERS IS COMING TO TOWN. ♪ [ Country, Indistinct ] 151 00:09:18,160 --> 00:09:23,410 - WHO? - SOME KIND OF A HARDCASE, BIG-TIME BOUNTY HUNTER. 152 00:09:23,410 --> 00:09:27,030 ALL OVER A LITTLE JOHN RYDER? I DON'T BELIEVE IT. 153 00:09:27,030 --> 00:09:31,040 WELL, I DON'T EITHER. BUT THERE'S MORE HERE THAN MEETS THE EYE. 154 00:09:31,040 --> 00:09:33,290 MAYBE YOU'RE RIGHT. WHAT DO WE DO? 155 00:09:33,290 --> 00:09:36,010 YOU LET ME KNOW THE MINUTE HE SHOWS UP. 156 00:09:36,010 --> 00:09:38,380 ♪ [ Continues ] 157 00:09:42,350 --> 00:09:44,770 ♪ TO MAKE A LONG STORY SHORT ♪ 158 00:09:44,770 --> 00:09:47,600 ♪ HONEY, I'M LEAVING ♪ 159 00:09:48,050 --> 00:09:50,550 ♪ TO MAKE A LONG STORY SHORT ♪ 160 00:09:50,560 --> 00:09:54,070 ♪ I'M MOVIN' ON ♪ 161 00:09:54,060 --> 00:09:57,060 ♪ I'M NOT THE SORT FOR SAD GOOD-BYES ♪ 162 00:09:57,060 --> 00:09:59,280 ♪ AND DREAMIN' ♪ 163 00:09:59,280 --> 00:10:02,120 ♪ TO MAKE A LONG STORY SHORT ♪ 164 00:10:02,120 --> 00:10:05,620 ♪ HONEY, I'M GONE ♪ 165 00:10:07,120 --> 00:10:09,120 OH, COLT, ARE YOU ALL RIGHT? 166 00:10:09,130 --> 00:10:11,140 NO. 167 00:10:11,630 --> 00:10:14,630 NOW, THEN, LET'S GET DOWN TO BUSINESS. COLT, WE CAN'T MAKE A MOVE. 168 00:10:14,630 --> 00:10:17,130 EVEN IF YOUR LEG WAS ALL RIGHT, THE SHERIFF'S WATCHING EVERYTHING WE DO. 169 00:10:17,630 --> 00:10:20,130 WELL, I DON'T INTEND TO MAKE A MOVE. WHAT? 170 00:10:20,140 --> 00:10:22,810 I INTEND TO HAVE YOU TWO MAKE ALL THE MOVES. 171 00:10:22,810 --> 00:10:25,900 COLT, THE SHERIFF'S DOGGING US LIKE A PAIR OF CRIMINALS. 172 00:10:25,890 --> 00:10:29,390 GOOD. THEN WE GOT HIS ATTENTION. THAT'S JUST THE BEGINNING. 173 00:10:29,400 --> 00:10:32,410 UH, HOW DOES THAT WORK AGAIN? 174 00:10:32,400 --> 00:10:34,680 WELL, IT'S AN OLD RULE OF THUMB FOR TRACKING. 175 00:10:34,680 --> 00:10:38,350 LOCALS DON'T OFTEN SIDE WITH STRANGERS WHEN THEIR OWN ARE IN TROUBLE. 176 00:10:38,350 --> 00:10:40,990 SO WHAT ARE WE GONNA DO? IT'S THE WHOLE TOWN AGAINST US. 177 00:10:40,990 --> 00:10:43,740 WELL, WE TRY TO GET JOHN C. RYDER TO COME TO US. 178 00:10:43,740 --> 00:10:48,700 WELL, HOW ARE WE GONNA DO THAT? MAKING THE LOCAL PEOPLE THINK WE'RE MEAN. 179 00:10:48,700 --> 00:10:53,200 MEAN AS IN TOUGH? NO. MEAN AS IN OFF-THE-WALL RUTHLESS. 180 00:10:53,700 --> 00:10:56,090 WHISKEY. I DON'T THINK I UNDERSTAND. 181 00:10:56,090 --> 00:10:58,540 WELL, IT WORKS THIS WAY-- 182 00:10:58,540 --> 00:11:02,340 JOHN RYDER IS WANTED FOR CHECK FORGERY, WHICH MEANS HE'S BASICALLY A NONVIOLENT TYPE... 183 00:11:02,340 --> 00:11:05,600 WHO'LL GET ANYTHING FROM A YEAR TO PROBATION, EVEN IF HE'S CONVICTED. 184 00:11:05,600 --> 00:11:08,100 WE WANT TO MAKE IT CLEAR TO EVERYONE WE'RE PREPARED... 185 00:11:08,100 --> 00:11:10,600 TO BLAST HIM OUT OF HIS SOCKS IF HE DECIDES TO RUN. 186 00:11:10,600 --> 00:11:14,110 ISN'T THAT A LITTLE CRUEL? THANK YOU. 187 00:11:14,110 --> 00:11:16,360 NO. WE DON'T MEAN IT. 188 00:11:16,360 --> 00:11:18,730 LIKE I SAY, GET THE FOLKS' ATTENTION. 189 00:11:18,730 --> 00:11:23,110 LET 'EM THINK THEY'RE DOING JOHN A FAVOR BY TURNING HIM IN OR BY HIM COMING FORWARD HIMSELF. 190 00:11:23,120 --> 00:11:26,290 - YOU KNOW SOMETHING? THAT'S VERY CLEVER. - YEAH. YOU BETTER GET MOVIN'. 191 00:11:26,290 --> 00:11:30,050 THE TRICK IS TO KEEP THINGS STIRRED UP. MOVE AROUND TOWN, ASK A LOT OF QUESTIONS. 192 00:11:30,040 --> 00:11:32,710 SOONER OR LATER, SOMEBODY'LL TIP OFF SOMETHIN'. 193 00:11:32,710 --> 00:11:35,380 OKAY, WE'RE GONE. 194 00:11:35,380 --> 00:11:38,250 ♪ SO TO SAVE US BOTH SOME TIME ♪ 195 00:11:38,250 --> 00:11:41,720 ♪ GONNA BRING IT OUT ON THE LINE ♪ 196 00:11:41,720 --> 00:11:46,590 ♪ COME RIGHT TO IT AND TELL YOU WHAT I MEAN ♪ 197 00:11:46,590 --> 00:11:48,970 ♪ TO MAKE A LONG STORY SHORT ♪ 198 00:11:48,970 --> 00:11:50,980 ♪ HONEY, I'M LEAVING ♪ 199 00:11:50,980 --> 00:11:55,400 ♪ TO MAKE A LONG STORY SHORT ♪ 200 00:11:55,400 --> 00:11:58,180 ♪ I'M MOVIN' ON ♪ 201 00:11:58,180 --> 00:12:00,680 ♪ [ Continues, Indistinct ] 202 00:12:02,690 --> 00:12:06,360 - CAN I HELP YOU, FELLA? - NO, THANKS. 203 00:12:06,360 --> 00:12:09,160 WELL, YOU'LL HAVE TO COME OUT OF HERE. THIS IS A PRIVATE ROOM. 204 00:12:09,160 --> 00:12:13,330 - I'LL PAY FOR IT. - NOW, LOOK, BUDDY. 205 00:12:13,330 --> 00:12:15,780 IS THERE A PROBLEM, NORRIS? 206 00:12:15,780 --> 00:12:19,290 THIS, UH, GENTLEMAN WOULD LIKE TO TALK TO YOU. 207 00:12:19,290 --> 00:12:21,290 WHAT CAN I DO FOR YOU? UH, WAIT. 208 00:12:21,290 --> 00:12:24,260 BEFORE HE GOES, UH, I MIGHT OUGHTA... 209 00:12:27,600 --> 00:12:31,380 CHECK THIS IN, SO AS NOT TO ALARM ANYBODY. 210 00:12:33,350 --> 00:12:35,850 IT'S LOADED, MR. MANNING. OF COURSE IT'S LOADED. 211 00:12:35,850 --> 00:12:38,110 CAN'T SHOOT ANYBODY WITH AN EMPTY GUN. 212 00:12:38,110 --> 00:12:40,310 NOW, JUST WHO ARE YOU, MISTER? 213 00:12:40,310 --> 00:12:45,360 NOW THAT'S A FAIR QUESTION. UH, SEAVERS IS THE NAME. COLT SEAVERS. 214 00:12:45,360 --> 00:12:47,620 WORK FOR THE COURTS, LOS ANGELES COUNTY. 215 00:12:47,620 --> 00:12:49,980 WHAT BRINGS YOU TO LUCKY, NEVADA? 216 00:12:49,990 --> 00:12:52,880 THERE'S PLENTY OF TIME TO DO MY WORK. RIGHT NOW I WAS HOPING... 217 00:12:52,870 --> 00:12:55,120 TO GET INTO A NICE, HIGH-STAKES GAME OF POKER. 218 00:12:55,120 --> 00:12:57,460 UH-HUH. 219 00:12:57,460 --> 00:13:01,300 WELL, YOU'RE A DAY EARLY FOR OUR USUAL HIGH-STAKE GAME, 220 00:13:01,300 --> 00:13:04,720 BUT I SUPPOSE I COULD MAKE A FEW PHONE CALLS. 221 00:13:04,720 --> 00:13:07,470 NOTHING LIKE FRESH MONEY TO MAKE A CROWD. 222 00:13:07,470 --> 00:13:11,640 WELL, THANK YOU. I, UH, APPRECIATE THAT. 223 00:13:12,980 --> 00:13:17,490 AND, UH, I PROBABLY WON'T BE USING THAT GUN TONIGHT, 224 00:13:17,480 --> 00:13:20,480 UNLESS I GET, UH, REAL LUCKY. 225 00:13:22,990 --> 00:13:26,000 NORRIS, I WANT YOU TO GET THE SHERIFF. YES, SIR. 226 00:13:32,750 --> 00:13:34,760 YOU'RE ON, JODY. 227 00:13:50,760 --> 00:13:54,550 NOW THAT'S HARASSMENT, PLAIN AND SIMPLE. LET'S BUST 'EM. 228 00:13:54,550 --> 00:13:57,520 [ Man ] I DON'T KNOW. THE OLD BOY SEEMS TO BE KIND OF ENJOYING IT. 229 00:13:58,020 --> 00:14:00,520 WOULDN'T MIND TALKING TO HER MYSELF. 230 00:14:20,540 --> 00:14:24,040 RED JACK ON BLACK QUEEN. 231 00:14:24,050 --> 00:14:28,560 WELL, UH, DARNED IF YOU AREN'T RIGHT. THANK YOU VERY MUCH. 232 00:14:28,550 --> 00:14:31,050 I LIKE TO PLAY THE GAME MYSELF. 233 00:14:31,050 --> 00:14:33,420 MY WIFE, MOSTLY SHE LIKES TELEVISION. 234 00:14:35,390 --> 00:14:37,560 MM-HMM. HMM. 235 00:14:38,060 --> 00:14:41,060 SHERIFF BAKER'S THE NAME. 236 00:14:41,060 --> 00:14:44,060 OH, NICE TO MEET YOU, SHERIFF. UH, SEAVERS. COLT SEAVERS. 237 00:14:45,070 --> 00:14:48,770 I KNOW. YOU HAVEN'T BEEN HERE AN HOUR, 238 00:14:48,770 --> 00:14:52,110 AND YOU'RE THE TALK OF THE WHOLE TOWN. 239 00:14:52,110 --> 00:14:55,030 SORRY TO HEAR THAT. KIND OF MAKES MY JOB A LOT HARDER. 240 00:14:55,030 --> 00:14:59,030 OH? AND WHAT IS YOUR JOB? 241 00:14:59,030 --> 00:15:03,330 PRETTY MUCH LIKE YOURS, SHERIFF. I HELP BRING PEOPLE BACK TO JUSTICE. 242 00:15:03,340 --> 00:15:09,600 WELL, SINCE THIS IS MY TOWN, I'D SURE APPRECIATE KNOWING WHO YOU'RE BRINGING TO JUSTICE. 243 00:15:09,590 --> 00:15:11,760 YOU'RE RIGHT. 244 00:15:21,850 --> 00:15:24,610 "JOHN RYDER, CHECK FORGERY." 245 00:15:24,610 --> 00:15:27,690 - YOU KNOW HIM? - TO TELL YOU THE TRUTH, I DO. 246 00:15:27,690 --> 00:15:29,690 HE'S THE SON OF A VERY IMPORTANT PERSON. 247 00:15:29,700 --> 00:15:32,870 I HEARD THAT HE JUST MIGHT BE BACK IN THIS AREA. 248 00:15:32,870 --> 00:15:36,660 IF HE WAS, I'D KNOW IT. AND THAT'S WHAT I TOLD A COUPLE OF YOUNG FOLK... 249 00:15:36,650 --> 00:15:39,200 THAT WERE IN TOWN AHEAD OF YOU LOOKING FOR JOHN. 250 00:15:39,200 --> 00:15:42,960 HE'S NOT IN TOWN. I'D APPRECIATE IT IF YOU MOVED ON. 251 00:15:45,790 --> 00:15:48,800 I'M SORRY, SHERIFF. I CAN'T DO THAT. 252 00:15:48,800 --> 00:15:51,800 AND IF ANYBODY STOPS ME, I CALL IN THE STATE POLICE. 253 00:15:51,800 --> 00:15:54,420 OH, MY, MY, MY. 254 00:15:54,920 --> 00:15:57,640 YOU DO DRAW THE BATTLE LINES, DON'T YOU? 255 00:15:57,640 --> 00:16:02,760 - IT CAN ALL BE AVOIDED, OR, UH-- - OR WHAT? 256 00:16:02,760 --> 00:16:07,980 OR IT'S SHOOT FIRST AND ASK QUESTIONS LATER WHEN I DO FIND JOHN RYDER. 257 00:16:10,570 --> 00:16:12,820 A WORD OF WARNING, MR. SEAVERS. 258 00:16:12,820 --> 00:16:19,030 SOMEBODY HERE'S LIABLE TO GET SHOT, BUT IT ISN'T JOHN RYDER. 259 00:16:25,120 --> 00:16:27,080 [ Woman On Intercom ] GEORGE MANNING ON LINE ONE. 260 00:16:27,090 --> 00:16:30,460 PUT HIM ON. HELLO, GEORGE. 261 00:16:30,460 --> 00:16:33,300 IT'S HAPPENED. 262 00:16:33,290 --> 00:16:37,800 GEORGE, IF I WEREN'T UP TO MY NECK IN BOOKKEEPING, I'D BE AT HOME WITH A TALL MARTINI. 263 00:16:37,800 --> 00:16:41,220 - I DON'T HAVE TIME FOR RIDDLES. - FINE. YOU WANT TO SEE EVERYTHING GO DOWN THE DRAIN? 264 00:16:41,220 --> 00:16:43,470 YOU JUST SIT THERE AND WORRY ABOUT YOUR BOOKS. 265 00:16:43,470 --> 00:16:47,720 - WHAT THE HELL ARE YOU TALKING ABOUT? - COLT SEAVERS IS IN TOWN. 266 00:16:47,720 --> 00:16:51,110 - WHO? - A BIG-TIME BOUNTY HUNTER. 267 00:16:51,610 --> 00:16:53,610 SO? SO HE'S LOOKING FOR YOUR SON. 268 00:16:53,610 --> 00:16:56,060 GEORGE, MY SON'S PERFECTLY SAFE. 269 00:16:56,060 --> 00:16:58,230 YOUR SON IS A TIME BOMB. 270 00:16:59,620 --> 00:17:03,120 LOOK, I DON'T LIKE THE TONE OF THIS CONVERSATION. 271 00:17:03,620 --> 00:17:07,960 MY SON HASN'T DONE ANYTHING TO JUSTIFY A BIG-TIME BOUNTY HUNTER. 272 00:17:07,960 --> 00:17:11,380 SO STOP WORRYING. SOMEONE'S PLAYING GAMES. 273 00:17:11,380 --> 00:17:14,880 EXACTLY. THEY'RE NOT LOOKIN' FOR YOUR SON AT ALL. 274 00:17:14,880 --> 00:17:17,890 WE ALL KNOW WHAT THEY'RE LOOKING FOR, 275 00:17:17,890 --> 00:17:21,390 AND YOUR SON PROBABLY TIPPED 'EM OFF. 276 00:17:23,890 --> 00:17:28,260 LISTEN, GEORGE, I'M GOING TO PRETEND I DIDN'T HEAR THAT. 277 00:17:28,260 --> 00:17:32,400 NOW YOU BETTER GET HOLD OF YOURSELF. IN LESS THAN TWO DAYS, 278 00:17:32,900 --> 00:17:35,400 THE STATUTE OF LIMITATIONS IS GONNA RUN OUT ON THE WHOLE THING. 279 00:17:35,400 --> 00:17:38,240 AND THEN WE'RE GONNA BE IN GREEN FOR THE REST OF OUR LIVES. 280 00:17:38,240 --> 00:17:40,660 WALTER, I HOPE YOU'RE RIGHT. 281 00:17:40,660 --> 00:17:44,160 BUT YOU GOT TO ADMIT, THIS GUY SHOWING UP HERE NOW... 282 00:17:44,160 --> 00:17:47,450 AFTER ALL THESE YEARS IS A PRETTY BIG COINCIDENCE. 283 00:17:47,450 --> 00:17:52,870 ALL RIGHT, GEORGE. THERE'S NO POINT IN TAKING ANY CHANCES. 284 00:17:52,870 --> 00:17:55,260 WHY DON'T YOU GET THE SHERIFF AND COME RIGHT OVER HERE? 285 00:17:58,460 --> 00:18:00,930 ♪ [ Country ] 286 00:18:00,930 --> 00:18:04,430 UH, THAT'LL BE 22.80. 287 00:18:04,430 --> 00:18:07,770 YOU WOULDN'T KNOW A FRIEND A MINE, WOULD YOU? A FELLOW NAMED JOHN RYDER? 288 00:18:07,770 --> 00:18:11,890 - JOHN'S A FRIEND OF YOURS? - WELL, LET'S SAY HE WAS, BACK UP IN L.A. 289 00:18:11,890 --> 00:18:16,530 - I THOUGHT I'D LOOK HIM UP. - AFRAID YOU CAME A LONG WAY FOR NOTHIN'. 290 00:18:16,530 --> 00:18:18,310 DOES THAT MEAN YOU DON'T KNOW WHERE HE IS? 291 00:18:18,310 --> 00:18:21,200 WELL, I KNOW WHERE HE IS, BUT YOU CAN'T GET THERE. 292 00:18:21,200 --> 00:18:23,780 WHY IS THAT? 293 00:18:24,290 --> 00:18:28,670 THAT'S 90, 23, 24, 25. 294 00:18:28,660 --> 00:18:31,130 NOBODY GETS IN OR OUT OF THE GORDON ESTATE. 295 00:18:31,130 --> 00:18:35,130 - WELL, HOW COME? - WELL, I REALLY DON'T KNOW, AND I KNOW BETTER THAN TO ASK. 296 00:18:36,970 --> 00:18:39,590 BE SEEIN' YOU NOW. 297 00:18:45,670 --> 00:18:49,060 WHAT ELSE DID HE SAY? [ Gas Station Attendant ] JUST THAT HE WANTED TO FIND YOU. 298 00:18:49,560 --> 00:18:52,600 - DID YOU GET A LICENSE NUMBER? - OH, YOU BET YOU, JOHN. 299 00:18:52,600 --> 00:18:55,820 HE WAS DRIVIN' A JIMMY TRUCK WITH CALIFORNIA PLATES THAT SAID "FALL GUY." 300 00:18:55,820 --> 00:18:57,990 "FALL GUY"? WHAT'S THAT SUPPOSED TO MEAN? 301 00:18:57,990 --> 00:19:02,240 HELL IF I KNOW. LOOK, JOHN, IF YOU NEED ANY HELP-- 302 00:19:02,240 --> 00:19:06,160 NO. LISTEN, YOU STAY OUT OF THIS. 303 00:19:06,160 --> 00:19:10,000 YOU KNOW YOU CAN'T GET MIXED UP WITH MY OLD MAN AND HIS FRIENDS-- NOT AND SURVIVE. 304 00:19:10,000 --> 00:19:13,950 I KNOW IT, JOHN, BUT I JUST CAN'T STAND TO SEE WHAT'S HAPPENIN' TO YOU. 305 00:19:13,950 --> 00:19:15,750 YOU'RE LIKE A PRISONER OUT THERE ON THAT RANCH. 306 00:19:15,750 --> 00:19:19,170 - I CAN HANDLE IT. - ANY CHANCE WE CAN GET TOGETHER FOR A BEER TONIGHT? 307 00:19:19,170 --> 00:19:22,590 THERE'S SOMEBODY WHO'D SURE LIKE TO SEE YOU. 308 00:19:22,590 --> 00:19:26,600 NO. I CAN'T SEE HER YET, DEKE-- 309 00:19:26,600 --> 00:19:31,350 NOT UNTIL I CAN FIGURE OUT WHAT TO DO-- FIGURE OUT SOME WAY TO GET HER OUT OF HERE FOR GOOD. 310 00:19:31,350 --> 00:19:34,220 HEY, DEKE? YEAH, JOHN. 311 00:19:34,220 --> 00:19:37,140 THANKS. 312 00:19:37,140 --> 00:19:39,640 YOU'RE ONE OF THE FEW DECENT ONES LEFT AROUND HERE. 313 00:19:39,640 --> 00:19:41,860 I WON'T FORGET YOU. 314 00:19:43,200 --> 00:19:46,030 TAKE CARE, EH? 315 00:19:49,370 --> 00:19:51,660 [ Rhythmic Beeping ] [ Respirator Pumping ] 316 00:20:11,060 --> 00:20:14,340 YOU'VE RUINED THEM-- EVERY ONE OF 'EM. 317 00:20:14,350 --> 00:20:18,330 THERE ISN'T ONE OF 'EM WORTH SAVING ANYMORE, AND YOU'RE RESPONSIBLE. 318 00:20:26,660 --> 00:20:28,660 [ Respirator Stops ] 319 00:20:28,660 --> 00:20:31,750 I SHOULD HAVE DONE THIS SIX YEARS AGO. 320 00:20:31,750 --> 00:20:34,160 HOLD IT, MR. RYDER! 321 00:20:40,090 --> 00:20:42,590 INTERESTED IN BEATING THE ODDS? 322 00:20:44,090 --> 00:20:48,050 WHY DON'T YOU TRY SOME BLACKJACK? I'M COMING ON. 323 00:20:54,300 --> 00:20:56,300 [ Coughs ] 324 00:20:56,300 --> 00:20:59,020 YOU'RE HOT. THANKS TO YOU. 325 00:20:59,020 --> 00:21:01,610 A MAN BRINGS HIS OWN LUCK. 326 00:21:01,610 --> 00:21:04,390 HELPS WHEN SOMEONE IS DEALING SECONDS. 327 00:21:04,400 --> 00:21:08,160 ♪ [ Country, Indistinct ] MR. SEAVERS, GET OUT OF TOWN. 328 00:21:08,150 --> 00:21:11,990 THAT MAY BE THE SEXIEST THREAT I'VE EVER HEARD. 329 00:21:15,820 --> 00:21:19,130 MAKE THAT THE SINCEREST THREAT. 330 00:21:19,130 --> 00:21:22,880 YOU, UH, REALLY THAT WORRIED ABOUT ME THIS EARLY IN OUR RELATIONSHIP? 331 00:21:22,880 --> 00:21:25,300 YOU HAVE NO IDEA. 332 00:21:25,300 --> 00:21:29,470 CAN YOU GIVE ME A HINT OF WHAT IT WAS ABOUT ME THAT GOT YOU THIS UPSET? 333 00:21:29,970 --> 00:21:32,970 THE FACT THAT YOU WANT TO KILL THE NICEST PERSON ON THE FACE OF THIS EARTH. 334 00:21:32,970 --> 00:21:35,930 JOHN RYDER. 335 00:21:37,930 --> 00:21:41,730 LOOK, MR. SEAVERS, PLEASE LEAVE. I'LL LET YOU WIN ALL YOU WANT. 336 00:21:41,730 --> 00:21:43,930 HMM, THAT'S A FIRING OFFENSE. 337 00:21:43,940 --> 00:21:48,370 THEY CAN'T FIRE ME. MY FATHER'S ONE OF THEM. 338 00:21:48,360 --> 00:21:50,520 ONE OF WHAT? 339 00:21:51,910 --> 00:21:53,780 HAVE YOU EVER HEARD OF THE GORDON ESTATE? 340 00:21:53,780 --> 00:21:56,110 NO. SHOULD I HAVE? 341 00:21:56,110 --> 00:22:00,120 WELL, MR. GORDON OWNS THIS TOWN, ALONG WITH MY FATHER, 342 00:22:00,120 --> 00:22:03,120 THE OWNER OF THIS CASINO, THE SHERIFF-- 343 00:22:03,120 --> 00:22:06,620 - [ Door Closes ] - [ Footsteps Approaching ] 344 00:22:15,380 --> 00:22:17,380 WELL, MR. SEAVERS, YOU'RE IN LUCK. 345 00:22:17,890 --> 00:22:21,400 THIS IS WALTER FARR, OUR TOWN'S LEADING BANKER. 346 00:22:21,390 --> 00:22:25,190 JUST ABOUT AS FINE A POKER PLAYER AS THERE IS, NEXT TO ME. 347 00:22:25,190 --> 00:22:28,150 AND THIS IS WENDLE TURLOCK, OUR TOWN'S BEST DOCTOR. 348 00:22:28,650 --> 00:22:30,400 THE ONLY DOCTOR. DR. TURLOCK. 349 00:22:31,780 --> 00:22:34,280 HOW YOU DOING, HONEY? 350 00:22:34,290 --> 00:22:36,630 WELL, LET'S PLAY POKER. 351 00:22:36,620 --> 00:22:39,570 UH, WE COULD USE ONE MORE. 352 00:22:39,570 --> 00:22:42,880 WHAT ABOUT THIS GORDON FELLOW THAT I KEEP HEARING ABOUT? 353 00:22:44,630 --> 00:22:48,550 WELL, MR. GORDON ISN'T VERY MUCH OF A GAMBLER. 354 00:22:48,550 --> 00:22:53,050 BUT DON'T WORRY. YOU'LL HAVE YOURSELF ONE HELL OF A GAME, MR. SEAVERS. 355 00:22:54,470 --> 00:22:56,970 NORRIS, CASH HIM OUT. 356 00:23:06,180 --> 00:23:09,690 OH, HOWIE, LOOK. 357 00:23:09,690 --> 00:23:12,520 [ Howie ] NO WONDER THERE'S NOTHING ELSE OUT HERE. IT TAKES UP THE WHOLE VALLEY. 358 00:23:12,520 --> 00:23:15,940 WELL, ONE THING'S FOR SURE. WE'RE NOT GONNA FIND HIM GOING IN THE FRONT DOOR. 359 00:23:15,940 --> 00:23:18,450 WE'D BETTER FIND SOME OTHER WAY. 360 00:23:34,130 --> 00:23:36,350 HOWIE, LOOK OUT! 361 00:23:38,220 --> 00:23:41,470 [ Howie ] WE'RE DEFINITELY ON GORDON'S PROPERTY NOW. HANG ON! 362 00:23:49,640 --> 00:23:53,230 - HOWIE, WE'RE TRAPPED! - YOU UNDERESTIMATE ME. 363 00:23:56,480 --> 00:23:59,320 [ Tires Squealing ] 364 00:24:00,240 --> 00:24:02,660 WATCH THIS, KID. 365 00:24:35,320 --> 00:24:37,690 HEY! 366 00:24:42,330 --> 00:24:44,530 - LOOK OUT! - [ Tires Squealing ] 367 00:24:58,350 --> 00:25:01,050 WE GOTTA HELP 'EM. 368 00:25:13,310 --> 00:25:16,310 JODY? JODY, ARE YOU OKAY? 369 00:25:17,820 --> 00:25:19,540 [ Groans ] 370 00:25:22,820 --> 00:25:25,320 WELL, AT LEAST WE'RE IN ONE PIECE. 371 00:25:25,320 --> 00:25:29,830 YEAH. I GUESS YOU'RE RIGHT. 372 00:25:29,830 --> 00:25:34,550 THE QUESTION IS, WHY IS EVERYBODY GETTING SO WORKED UP OVER A CHECK FORGER? 373 00:25:40,670 --> 00:25:44,670 YOU PLAY A PRETTY MEAN GAME OF POKER, MR. SEAVERS. 374 00:25:44,680 --> 00:25:47,770 YOU EVER CONSIDER PROFESSIONAL GAMBLING OVER BOUNTY HUNTING? 375 00:25:47,760 --> 00:25:50,150 NO. I LIKE TO KILL TOO MUCH. 376 00:25:51,770 --> 00:25:54,600 YOU'RE NOT SERIOUS? 377 00:25:54,600 --> 00:25:57,020 WELL, IF HE IS, I DON'T FIND IT AMUSING. 378 00:25:57,020 --> 00:26:00,940 NEITHER DO I, MR. MANNING. I LOVE THE LAW. 379 00:26:00,940 --> 00:26:04,740 I SEE PEOPLE TAKE ADVANTAGE, I JUST WANNA GUN 'EM DOWN LIKE DOGS. 380 00:26:04,750 --> 00:26:10,130 WELL, MR. SEAVERS, THE LAW IS SUBJECT TO INTERPRETATION. 381 00:26:10,120 --> 00:26:13,750 ONE MAN'S JUSTICE IS OFTEN ANOTHER MAN'S INJUSTICE. 382 00:26:13,760 --> 00:26:15,600 - ARE YOU A COMMIE? - [ Laughs ] OH. 383 00:26:15,590 --> 00:26:18,840 - IS HE A COMMIE? - UH, SEE HERE, SEAVERS. 384 00:26:18,840 --> 00:26:20,840 I THINK YOU'RE TAKING THINGS A LITTLE TOO FAR. 385 00:26:20,850 --> 00:26:24,770 GENTLEMEN, GENTLEMEN. THIS IS GETTING US NOWHERE. 386 00:26:24,770 --> 00:26:26,640 WE WERE PLAYING POKER. 387 00:26:26,630 --> 00:26:30,890 DEAL, AND ANTE UP. 388 00:26:30,890 --> 00:26:35,690 WHAT DO YOU MAKE FROM A CASE SUCH AS THIS, MR. SEAVERS? 389 00:26:35,690 --> 00:26:41,700 OH, $5,000 BRINGING JOHN RYDER BACK TO LOS ANGELES, DEAD OR ALIVE. 390 00:26:41,700 --> 00:26:45,200 WHAT IF YOU WERE TO EARN AT LEAST THAT MUCH IN A POKER GAME? 391 00:26:45,200 --> 00:26:48,620 WOULDN'T IT BE NICE TO AVOID THE HASSLE OF TRYING TO TRACK DOWN... 392 00:26:48,620 --> 00:26:52,630 A MERE BOY WHO MADE A MISTAKE? 393 00:26:52,630 --> 00:26:54,630 YOU SURE MAKE A GOOD POINT. 394 00:26:54,630 --> 00:26:58,380 - YOUR BET, SHERIFF. - [ Chips Hit Table ] 395 00:27:14,400 --> 00:27:17,320 [ Rhythmic Beeping ] [ Respirator Pumping ] 396 00:27:22,770 --> 00:27:25,280 THERE'S RAZOR WIRE ON THIS FENCE. 397 00:27:25,280 --> 00:27:29,280 WHAT COULD BE GOING ON AT A RANCH WAY OUT HERE THAT'D DESERVE THIS KIND OF SECURITY? 398 00:27:29,280 --> 00:27:33,330 I DON'T KNOW. BUT IF YOU'RE WORRIED ABOUT THE RAZOR WIRE, I GOT MORE BAD NEWS FOR YOU. 399 00:27:33,840 --> 00:27:35,850 WHAT IS IT? I THINK IT'S ELECTRIFIED. 400 00:27:35,840 --> 00:27:40,090 IT'S NOT ELECTRIFIED. IF IT WERE ELECTRIFIED, IT WOULD HAVE THOSE LITTLE WHITE-- 401 00:27:40,090 --> 00:27:43,590 THEY DON'T USE THOSE ANYMORE. HOW DO YOU KNOW ABOUT ELECTRIC FENCES? 402 00:27:43,600 --> 00:27:46,390 YOU FORGET I'VE BEEN WORKING WITH COLT A LITTLE BIT LONGER THAN YOU. 403 00:27:46,380 --> 00:27:49,350 YEAH, WELL, THE NEXT TIME, FEEL FREE TO PULL RANK A LITTLE SOONER, OKAY? 404 00:27:49,850 --> 00:27:53,190 YEAH. HOW ARE WE GONNA GET INTO THIS PLACE? 405 00:27:53,190 --> 00:27:55,560 WELL, WE BETTER GO BACK TO THE TRUCK AND GET THE ROPES. 406 00:27:55,560 --> 00:27:57,860 IT'S A TWO-MILE HIKE BACK TO THE TRUCK. 407 00:27:57,860 --> 00:28:00,480 YEAH, AND IT'S A LOT OF VOLTAGE WE GOTTA CLIMB OVER. 408 00:28:00,480 --> 00:28:02,900 OH, MAN, THERE'S GOTTA BE AN EASIER WAY. 409 00:28:02,900 --> 00:28:05,400 COME ON. THERE'S NOTHING LIKE A GOOD HIKE TO BUILD CHARACTER. CHARACTER? 410 00:28:05,400 --> 00:28:08,400 I'M GONNA BE ABRAHAM LINCOLN BEFORE THIS DAY'S OUT. 411 00:28:15,330 --> 00:28:18,800 I CALL. 412 00:28:18,800 --> 00:28:20,800 FULL HOUSE. ACES AND NINES. 413 00:28:21,300 --> 00:28:23,300 BEATS MY FLUSH. ME TOO. 414 00:28:23,300 --> 00:28:27,800 I'M TAPPED OUT. SORRY, GENTLEMEN. FOUR BEAUTIFUL LITTLE LADIES. 415 00:28:27,810 --> 00:28:32,150 BOY. [ Chuckles ] THAT'S AN AMAZING RUN OF LUCK. 416 00:28:32,140 --> 00:28:37,260 - IT APPEARS THAT YOU HAVE $12,000 IN FRONT OF YOU. - [ Chuckles ] 417 00:28:37,270 --> 00:28:41,190 YOU'VE MADE AS MUCH AS YOU WOULD HAVE MADE HUNTING FOR THAT NO-ACCOUNT KID. 418 00:28:41,190 --> 00:28:43,030 NOW I GUESS YOU'LL BE HEADING OUT NOW. 419 00:28:43,020 --> 00:28:45,910 WELL, IT WAS NICE MEETING YOU, MR. SEAVERS. 420 00:28:45,910 --> 00:28:47,910 THANK YOU VERY MUCH. 421 00:28:47,910 --> 00:28:50,910 GIVE HIM HIS GUN BACK, NORRIS. 422 00:28:50,910 --> 00:28:53,410 WELL, THANK YOU. THAT'LL BE ALL, NORRIS. 423 00:28:54,750 --> 00:28:56,920 GOOD-BYE, MR. SEAVERS. 424 00:28:56,920 --> 00:28:59,700 [ Chuckles ] I DON'T SEE ME GOING ANYPLACE. 425 00:28:59,700 --> 00:29:03,840 FORGET ABOUT JOHN RYDER. HE ISN'T WORTH THE AGGRAVATION THAT WE CAN GIVE YOU. 426 00:29:03,840 --> 00:29:07,040 YOU LEAVE PEACEFULLY, OR I'M GONNA RUN YOU OUT OF TOWN. 427 00:29:07,050 --> 00:29:10,390 - IS THERE A THREAT IN THERE SOMEWHERE? - YOU BET THERE'S A-- 428 00:29:13,520 --> 00:29:19,470 I'VE PLAYED A LOT OF POKER. THIS IS THE FIRST TIME I'VE EVER SEEN A WINNER PULL A GUN. 429 00:29:19,470 --> 00:29:22,980 YEAH, WELL, IT'S THE FIRST TIME THAT I'VE EVER SEEN ANYBODY CHEAT TO LOSE. 430 00:29:22,980 --> 00:29:26,280 NOW, WHY IS IT YOU FELLAS ARE LETTIN' ME WIN ALL THIS MONEY, HUH? 431 00:29:33,660 --> 00:29:38,170 WHAT DO YOU THINK, JODY? LOOKS SECURE TO ME. 432 00:29:38,160 --> 00:29:40,540 YOU BETTER LET ME GO FIRST, SEE IF IT'LL TEST MY WEIGHT. 433 00:29:40,550 --> 00:29:43,060 FORGET IT. I CAN'T LET YOU DO THAT. 434 00:29:43,050 --> 00:29:45,050 OKAY. 435 00:29:49,720 --> 00:29:54,590 - HOWIE, ARE YOU ALL RIGHT? - [ Groans ] I'M FINE. OH! 436 00:29:54,590 --> 00:29:58,140 - WHAT'D YOU SAY? - I SAID GET READY. 437 00:29:58,150 --> 00:30:01,110 - THE ROPE'S COMING UP. - OH, OKAY. 438 00:30:06,190 --> 00:30:08,610 [ Groans ] 439 00:30:17,030 --> 00:30:20,830 WELL, THAT WAS EASY ENOUGH. NOW WHAT? 440 00:30:20,840 --> 00:30:23,710 NOW WE MOVE OUT AND FIND JOHN. 441 00:30:24,590 --> 00:30:28,590 MR. SEAVERS, 442 00:30:28,590 --> 00:30:30,960 THE FOUR OF US AND MOST OF THE FOLKS IN THIS TOWN... 443 00:30:30,960 --> 00:30:36,720 HAVE WORKED HARD FOR SIX YEARS TO RESTORE THE BEAUTY AND ELEGANCE OF LUCKY, NEVADA. 444 00:30:36,720 --> 00:30:39,350 I'D SAY YOU'VE DONE A HELL OF A JOB. 445 00:30:39,350 --> 00:30:41,640 WELL, THANK YOU VERY MUCH. THE POINT IS... 446 00:30:41,640 --> 00:30:44,970 THAT WE'RE STILL A LONG WAY FROM THE TOURIST ATTRACTION WE HAVE YET TO BECOME. 447 00:30:44,980 --> 00:30:47,950 WE HAVE THE HEALTHIEST CLIMATE, THE FINEST WATER... 448 00:30:48,450 --> 00:30:50,740 AND THE FINEST HOSPITALITY OF ANY CITY IN NEVADA. 449 00:30:50,730 --> 00:30:53,980 IT'S JUST THAT WHAT WE DON'T NEED IS A BAD REPUTATION. 450 00:30:53,990 --> 00:30:58,460 VERY WELL COULD EARN IF A BOUNTY HUNTER LIKE YOU CAME INTO TOWN... 451 00:30:58,460 --> 00:31:04,470 AND SUDDENLY STARTS SHOOTING THINGS UP BECAUSE OF A-- A CHECK FORGER. 452 00:31:04,460 --> 00:31:07,960 WELL, WHY IS IT ALL YOU BIG COWBOYS ARE TAKING SUCH AN INTEREST... 453 00:31:07,970 --> 00:31:11,980 IN THIS LITTLE BITTY FELLA THAT ALL I WANT TO SEE IS STAND TRIAL? 454 00:31:14,970 --> 00:31:16,720 WELL, 455 00:31:19,590 --> 00:31:23,480 THIS LITTLE FELLA JUST HAPPENS TO BE MY STEPSON. 456 00:31:33,830 --> 00:31:36,170 [ Howie ] I ONLY SEE ONE GUARD. 457 00:31:36,160 --> 00:31:38,660 YEAH. GUARDING WHAT? THAT'S A GOOD QUESTION. 458 00:31:38,660 --> 00:31:40,910 JOHN HARDLY SEEMS WORTH ALL THIS EFFORT. 459 00:31:44,200 --> 00:31:46,500 OKAY, WISE GUY, ON YOUR FEET. COME ON. COME ON. 460 00:31:46,500 --> 00:31:48,790 - [ Groaning ] - HOWIE, IT'S JOHN RYDER. 461 00:31:50,430 --> 00:31:53,270 LISTEN, I'VE GOT A PLAN, KID. OH, NO. 462 00:31:53,260 --> 00:31:55,850 HOW LONG WILL IT TAKE YOU TO GET THAT CAR STARTED? 463 00:31:55,850 --> 00:31:59,300 FROM THE TIME I GET MY HANDS ON THE IGNITION WIRES OR FROM NOW? 464 00:31:59,300 --> 00:32:01,300 FROM NOW. OH, 60 SECONDS. 465 00:32:01,300 --> 00:32:03,800 OKAY, GET GOING. HOWIE. 466 00:32:03,810 --> 00:32:07,700 LISTEN, COLT CAN'T HOLD OFF THE WHOLE TOWN ALL DAY. COME ON. 467 00:32:13,980 --> 00:32:16,370 [ Groans ] ALL RIGHT. 468 00:32:16,370 --> 00:32:19,650 [ Man ] HE'S PRETTY LIVELY FOR SOMEONE THAT'S JUST BEEN SHOT WITH A TRANQUILIZER DART. 469 00:32:23,070 --> 00:32:26,710 HEY, KID, THE NEXT ONE WILL BE A BULLET INSTEAD OF A TRANQUILIZER. NOW MOVE IT! 470 00:32:32,050 --> 00:32:34,720 - [ Engine Starts ] - WHAT THE-- 471 00:32:34,720 --> 00:32:36,720 WILL! WILL! 472 00:32:38,170 --> 00:32:40,420 JOHN! JOHN, COME BACK HERE! 473 00:32:40,420 --> 00:32:42,590 [ Tires Squealing ] 474 00:32:50,490 --> 00:32:54,000 COME ON! COME ON! GET IN! IT'S FOR YOUR OWN GOOD! 475 00:32:54,820 --> 00:32:56,990 WE'RE HERE TO HELP YOU. 476 00:33:00,750 --> 00:33:02,590 LET'S GO. [ Tires Squealing ] 477 00:33:04,500 --> 00:33:06,750 - IT'S THAT WAY. - I THOUGHT THE GATE WAS BACK THAT WAY. 478 00:33:07,250 --> 00:33:10,120 JODY, I TOOK CELESTIAL NAVIGATION AT PRINCETON. JUST GO. 479 00:33:29,060 --> 00:33:31,220 [ Howie ] GET DOWN! THOSE GUYS ARE ARMED TO THE TEETH. 480 00:33:31,230 --> 00:33:33,290 HANG ON. 481 00:33:38,230 --> 00:33:40,650 HEY, YOU MIND IF I ASK YOU A QUESTION? 482 00:33:40,650 --> 00:33:42,650 WHO ARE YOU GUYS? 483 00:33:52,710 --> 00:33:55,420 NICE WORK, JODY. WE GOT AWAY CLEAN. 484 00:33:56,750 --> 00:34:00,220 [ Gunshot ] WILL YOU QUIT SAYING THAT? 485 00:34:00,220 --> 00:34:04,010 WE'RE FINISHED. WE'LL NEVER GET AWAY, ANY OF US. 486 00:34:04,010 --> 00:34:08,090 WHO ARE THOSE GUYS? AND IF THEY'RE PROTECTING YOU, WHY ARE THEY SHOOTING AT YOU AND US? 487 00:34:08,100 --> 00:34:11,440 THEY'RE NOT PROTECTING ME-- I'M THEIR PRISONER. 488 00:34:11,430 --> 00:34:15,400 HE'S DRUNK. NO, JUST A LITTLE DRUGGED MAYBE FOR TRYING TO KILL HIM. 489 00:34:15,400 --> 00:34:18,400 HE DESERVES IT. WHO? WHO DESERVES IT? 490 00:34:18,410 --> 00:34:21,920 NO, I CAN'T TELL YOU. IF YOU FIND OUT, YOU'LL BE AS DEAD AS I AM. 491 00:34:21,910 --> 00:34:25,910 LOOK, JUST-- JUST GET OUT OF HERE AND LEAVE ME. THEY WON'T BOTHER YOU. 492 00:34:26,410 --> 00:34:29,450 BUT IT'S YOU WE WANT. 493 00:34:29,450 --> 00:34:32,450 [ Howie ] LOSE THOSE GUYS. LOOK, JUST UP AHEAD THERE'S A HAIRPIN TURN. 494 00:34:33,870 --> 00:34:36,370 [ Tires Squealing ] 495 00:34:55,890 --> 00:35:00,450 - NOW! - [ Tires Squealing ] 496 00:35:03,070 --> 00:35:04,900 [ Screams ] 497 00:35:04,900 --> 00:35:07,620 [ Horn Honking ] 498 00:35:07,620 --> 00:35:11,710 BET THOSE GUYS ARE GONNA HAVE A HEADACHE IN THE MORNING. LET'S GET OUTTA HERE. 499 00:35:23,420 --> 00:35:25,720 MR. MANNING, SIR. 500 00:35:25,720 --> 00:35:28,470 HEY, HOLD IT, NORRIS. SECRETS AREN'T POLITE, YOU KNOW. 501 00:35:28,480 --> 00:35:30,600 IT'S PRIVATE. 502 00:35:30,590 --> 00:35:35,570 NO, NOW WAIT A MINUTE, FELLAS. WE DON'T HAVE ANY MORE SECRETS, DO WE? 503 00:35:35,570 --> 00:35:39,020 HE'S RIGHT. GO ON, NORRIS. WELL, THE SECURITY CHIEF JUST CALLED... 504 00:35:39,020 --> 00:35:41,020 AND SOMEBODY BROKE IN AND BROKE OUT JOHN. 505 00:35:41,520 --> 00:35:44,520 HOW THE HELL DID THEY GET IN THERE, LET ALONE BREAK OUT PAST ALL THOSE GUARDS? 506 00:35:45,030 --> 00:35:48,040 IT ISN'T CLEAR, BUT THE GUARDS IN PURSUIT, THEY'LL CATCH HIM. THEY'LL GET HIM FOR SURE. 507 00:35:48,030 --> 00:35:52,000 WAIT A MINUTE, FELLAS. I'M STILL HERE. WHAT PLACE ARE WE TALKIN' ABOUT, AND WHO'S CHASIN' WHO? 508 00:35:52,000 --> 00:35:56,000 WHOEVER BROKE IN IS NEVER GONNA GET AWAY ALIVE. BELIEVE ME. 509 00:35:57,340 --> 00:35:59,960 MAYBE I DO. 510 00:35:59,960 --> 00:36:02,120 YOU DON'T LOOK SO COCKY NOW, SEAVERS. 511 00:36:02,130 --> 00:36:06,060 IF THOSE TWO WERE YOUR LITTLE FRIENDS, THEY'RE IN A LOT OF TROUBLE. 512 00:36:06,050 --> 00:36:08,970 - HOW MANY ARE CHASING 'EM, NORRIS? - TWO. 513 00:36:08,970 --> 00:36:11,880 BUT IT'S DETLAF AND NAYLON. 514 00:36:11,890 --> 00:36:14,900 AND THEY'RE ANIMALS, SEAVERS. 515 00:36:14,890 --> 00:36:19,360 I THINK WE OUGHT TO START TALKING A DEAL IF YOU EVER WANT TO SEE YOUR FRIENDS ALIVE AGAIN. 516 00:36:19,860 --> 00:36:22,700 LISTEN TO HIM, MR. SEAVERS, PLEASE. HE'S NOT BLUFFING. 517 00:36:24,070 --> 00:36:25,880 WHAT KIND OF DEAL? 518 00:36:29,040 --> 00:36:33,240 WE'LL GIVE YOU $100,000 IF YOU BACK OFF AND FORGET YOU EVER HEARD OF LUCKY, NEVADA. 519 00:36:33,240 --> 00:36:36,160 ARE YOU CRAZY? $100,000 TO THIS-- 520 00:36:36,160 --> 00:36:39,660 SHUT UP, BAKER. MR. SEAVERS IS A MAN OF PRINCIPLE. 521 00:36:39,660 --> 00:36:42,050 HE'S NOT GONNA SELL OUT FOR ANY PRICE. 522 00:36:44,050 --> 00:36:46,050 OKAY, NOW YOU'RE TALKIN'. 523 00:36:46,050 --> 00:36:49,060 FIRST THING YOU DO, YOU GET ON THE HORN AND CALL OFF YOUR DOGS. 524 00:36:49,560 --> 00:36:51,890 ARRANGE FOR MY PEOPLE TO MEET US SOMEPLACE-- SOMEPLACE NEUTRAL. 525 00:36:51,890 --> 00:36:54,760 THE GORDON ESTATE. 526 00:36:55,650 --> 00:36:58,730 - THE GORDON ESTATE? - YEAH. 527 00:36:58,730 --> 00:37:03,190 YES, HE'S ONE OF THE TOWN'S WEALTHIEST AND MOST UPSTANDING CITIZENS. 528 00:37:03,190 --> 00:37:06,610 HE'LL DO YOU NO HARM. 529 00:37:06,610 --> 00:37:08,410 LET'S GO. 530 00:37:28,550 --> 00:37:31,270 [ Manning ] UH, MR. SEAVERS, YOU CAN PUT AWAY YOUR GUN NOW. 531 00:37:31,270 --> 00:37:33,940 WE'RE ALL QUITE WILLING TO COMPROMISE WITH YOU. 532 00:37:34,440 --> 00:37:36,950 NO, THANKS. I LIKE IT RIGHT WHERE IT IS. 533 00:37:36,940 --> 00:37:40,310 - HOW FAR IS IT TO THIS GORDON ESTATE? - JUST ABOUT 20 MINUTES. 534 00:37:40,310 --> 00:37:44,360 - STEP ON IT. - YES, SIR, MR. SEAVERS. ANYTHING THAT YOU WANT. 535 00:37:44,360 --> 00:37:48,110 [ Engine Accelerates ] 536 00:37:50,320 --> 00:37:55,290 HOWIE, IF EVERYONE IN TOWN IS IN ON WHATEVER THIS IS ALL ABOUT, WHERE ARE WE GONNA GO? 537 00:37:55,290 --> 00:37:57,460 WE'RE GONNA GRAB COLT AND BE ON OUR WAY. 538 00:37:57,460 --> 00:37:59,710 WAIT. YOU CAN'T JUST LET 'EM GET AWAY WITH IT. 539 00:37:59,710 --> 00:38:02,550 - WITH WHAT? - I KEEP TRYING TO TELL YOU. 540 00:38:02,550 --> 00:38:04,880 IF YOU FIND OUT WHAT'S GOING ON, YOU'RE AS GOOD AS DEAD. 541 00:38:04,880 --> 00:38:07,830 HOW DO YOU EXPECT US TO BELIEVE YOU WHEN YOU WON'T TELL US ANYTHING? 542 00:38:08,340 --> 00:38:10,350 I'M TRYING TO PROTECT YOU. DON'T YOU UNDERSTAND THAT? 543 00:38:10,340 --> 00:38:13,220 WHO'S THE PRISONER HERE ANYWAY? OH, WAIT A MINUTE. LOOK OUT. 544 00:38:16,590 --> 00:38:20,400 HOWIE, THAT WAS A POLICE CAR BACK THERE. MAYBE WE SHOULD'VE FLAGGED IT DOWN. 545 00:38:20,400 --> 00:38:25,350 FORGET IT. THAT WAS SHERIFF BAKER. HE'S AS MUCH OF A CROOK AS MY OLD MAN. 546 00:38:25,350 --> 00:38:29,660 YEAH, HE'S RIGHT. WE'RE NOT STOPPING UNTIL WE GET TO THE O.K. SALOON AND GAMING PALACE. 547 00:38:29,660 --> 00:38:31,940 SAY, WASN'T THAT A CAR FROM THE ESTATE? 548 00:38:31,940 --> 00:38:34,110 MAYBE THEY COULD HAVE FILLED US ALL IN ON WHAT HAPPENED. 549 00:38:34,610 --> 00:38:37,160 - HOW MUCH FURTHER? - JUST ANOTHER 10 MILES. 550 00:38:37,160 --> 00:38:40,330 WELL, THEN WE'LL KNOW SOON ENOUGH, WON'T WE? 551 00:38:42,290 --> 00:38:44,380 ♪ [ Country ] 552 00:38:48,880 --> 00:38:52,520 JOHN, YOU GET DOWN ON THE FLOOR. I'M GONNA GO IN AND SEE IF I CAN GET COLT. 553 00:38:55,770 --> 00:38:58,050 ♪ [ Continues ] 554 00:38:59,550 --> 00:39:02,050 YOU'VE GOTTA HELP ME. IT'S A MATTER OF LIFE AND DEATH. 555 00:39:02,060 --> 00:39:04,070 LADY, I'VE GOT A STORY THAT'LL BREAK YOUR HEART. 556 00:39:04,060 --> 00:39:06,560 IF YOU'RE LOOKING FOR YOUR FRIEND, HE'S NOT THERE. THEY TRICKED HIM. 557 00:39:06,560 --> 00:39:10,060 THEY'VE TAKEN HIM OUT TO THE GORDON ESTATE, AND HE'LL NEVER COME BACK. 558 00:39:11,570 --> 00:39:15,080 WE'VE GOT A PROBLEM. TAKE ME WITH YOU. 559 00:39:15,070 --> 00:39:17,570 JOHN. OH. 560 00:39:19,540 --> 00:39:21,540 WELL, LET'S MOVE IT. 561 00:39:40,180 --> 00:39:41,480 DON'T SLOW DOWN FOR THOSE GUARDS. 562 00:39:41,480 --> 00:39:43,260 IF I DON'T, THEY'RE GONNA SHOOT. 563 00:39:43,260 --> 00:39:46,150 TAKE YOUR PICK. 564 00:40:02,280 --> 00:40:05,530 THERE'S SO MANY GUARDS AROUND THE ESTATE WE'LL NEVER GET IN. 565 00:40:05,540 --> 00:40:07,550 HEY, JACKIE, NEVER SAY NEVER TO A STUNTMAN. 566 00:40:08,040 --> 00:40:11,040 IS THERE ANY PLACE HIGH ENOUGH FOR US TO JUMP THIS CAR INTO THE COMPOUND? 567 00:40:11,040 --> 00:40:14,340 HOW HIGH DO YOU NEED? IF IT'S AN EIGHT-FOOT FENCE, WE'LL NEED A THREE-FOOT RISE. 568 00:40:14,350 --> 00:40:16,770 AND ENOUGH ROOM TO GET UP TO 65. 569 00:40:16,760 --> 00:40:19,270 THERE'S A FIRE TRAIL BEHIND THE HOUSE. 570 00:40:19,270 --> 00:40:22,970 IF YOU MAKE IT, WE'LL-- WE'LL GAIN FIVE MINUTES ON THEM AND BYPASS THE GUARDS. 571 00:40:22,970 --> 00:40:25,770 AND IF WE MISS, WE'LL NEVER KNOW IT. 572 00:40:25,770 --> 00:40:27,860 I KNOW. YOU WISH COLT WERE HERE. 573 00:40:31,560 --> 00:40:33,950 [ Rhythmic Beeping ] [ Respirator Pumping ] 574 00:40:43,820 --> 00:40:47,240 HE CAME TO US IN A NIGHTMARE MORE THAN SIX YEARS AGO. 575 00:40:47,240 --> 00:40:50,250 LITERALLY, A MAN OUT OF THE SKY. 576 00:40:50,250 --> 00:40:54,750 - [ Manning ] BEARING GIFTS. - A HUNDRED MILLION DOLLARS. 577 00:40:56,750 --> 00:40:58,750 THE HIJACKER THEY NEVER FOUND. 578 00:40:59,260 --> 00:41:01,260 FELL INTO MY BACKYARD. 579 00:41:01,260 --> 00:41:07,260 AND SO BEGAN THE SEDUCTION OF A VERITABLE GHOST TOWN CALLED LUCKY, NEVADA. 580 00:41:10,900 --> 00:41:13,690 [ Through Mechanical Larynx ] I PRESUME THIS IS MR. SEAVERS. 581 00:41:13,690 --> 00:41:18,440 MR. SEAVERS CAME TO GET MY STEPSON. 582 00:41:18,440 --> 00:41:21,440 YOU KNOW WHY WE COULDN'T LET HIM BE TAKEN BACK TO LOS ANGELES. 583 00:41:22,910 --> 00:41:25,920 YOUR STEPSON WAS FOOLISH ENOUGH... 584 00:41:25,920 --> 00:41:31,920 TO TRY TO KILL ME BY TERMINATING MY LIFE-SUPPORT SYSTEM. 585 00:41:31,920 --> 00:41:35,260 HOW DID A MAN IN HIS CONDITION GET CONTROL OF ALL YOU PEOPLE? 586 00:41:35,260 --> 00:41:38,210 WELL, IT DIDN'T HAPPEN ALL AT ONCE, SEAVERS. 587 00:41:38,210 --> 00:41:42,850 FARR CAME TO ME AND TOLD ME HE FOUND THE MAN THE WHOLE COUNTRY WAS LOOKING FOR. 588 00:41:42,850 --> 00:41:45,180 THE MAN MADE AN IRRESISTIBLE OFFER. 589 00:41:45,690 --> 00:41:48,610 [ Turlock ] WE WERE TO GET ALL THE MONEY HE'D HIJACKED FOR SUPPLYING HIM... 590 00:41:48,610 --> 00:41:51,620 WITH A LIFE-SUPPORT SYSTEM WITHIN THIS FORTRESS. 591 00:41:51,610 --> 00:41:55,060 DOC TURLOCK CAME IN AND AGREED TO HELP PATCH UP MR. GORDON. 592 00:41:55,060 --> 00:41:57,060 WHEN HE SAW HIM, HE COULDN'T BELIEVE IT. 593 00:41:57,060 --> 00:42:00,950 HE SAID JUST ABOUT EVERY BONE WAS BROKEN IN THAT MAN'S BODY. 594 00:42:02,950 --> 00:42:06,410 THE TOP OF THE POINT A MILE AHEAD WILL PUT YOU RIGHT INTO THE COMPOUND. 595 00:42:06,410 --> 00:42:11,380 BUT YOU'RE GONNA HAVE TO VEER TO THE RIGHT, OTHERWISE YOU'LL END UP IN THE HOUSE. 596 00:42:11,380 --> 00:42:13,630 I KNOW WHAT YOU'RE THINKING, AND DON'T THINK IT. 597 00:42:13,630 --> 00:42:17,300 - HEY, WHAT WOULD COLT DO? - HE'D THINK OF A BETTER WAY. 598 00:42:17,300 --> 00:42:20,220 AND IF HE COULDN'T THINK OF A BETTER WAY? 599 00:42:20,220 --> 00:42:23,560 IF YOU'RE GONNA MAKE A DEAL WITH THE DEVIL, WHY'D YOU BOTHER KEEPING HIM ALIVE? 600 00:42:23,560 --> 00:42:25,930 WHY DIDN'T YOU JUST TAKE THE MONEY AND LET HIM DIE? 601 00:42:27,930 --> 00:42:29,930 IN THE FIRST PLACE, MR. SEAVERS, 602 00:42:30,430 --> 00:42:33,430 WHILE WE MAY HAVE BEEN VULNERABLE TO THE TEMPTATION OF MILLIONS OF DOLLARS... 603 00:42:33,430 --> 00:42:36,820 TO BE HAD FOR THE ASKING, WE WERE NOT AND ARE NOT KILLERS. 604 00:42:41,490 --> 00:42:47,410 OH, WE MAY HAVE SOLD OUR SOULS, BUT WE GOT WHAT WE WANTED. 605 00:42:47,920 --> 00:42:50,430 WE'RE ALL RICH, AND HE'S SAFE, 606 00:42:50,420 --> 00:42:55,700 AND HE'S COMPLETELY SECURE AND INSULATED FROM THE POSSIBILITY OF ANY OUTSIDE ATTACK. 607 00:42:55,710 --> 00:42:58,520 HOW WAS IT THAT WE WERE ABLE TO WALK RIGHT IN? 608 00:43:00,790 --> 00:43:05,930 I WANTED TO NEGOTIATE WITH YOU PERSONALLY, MR. SEAVERS. 609 00:43:05,930 --> 00:43:10,770 SO ALL I HAVE TO DO IS TELL YOU MY PRICE, AND I CAN BE ON MY WAY? 610 00:43:10,770 --> 00:43:14,610 NO. FIRST, YOU'LL DELIVER JOHN RYDER TO ME. 611 00:43:14,610 --> 00:43:18,110 [ Chuckles, Clears Throat ] WELL, I'M AFRAID THAT ONE'S GONNA BE A LITTLE HARD. 612 00:43:18,110 --> 00:43:21,230 - I DON'T HAVE HIM. - BUT YOUR ASSOCIATES DO. 613 00:43:24,230 --> 00:43:27,240 OKAY, LET'S SAY I CAN GET MY CREW TO BRING HIM IN. 614 00:43:27,240 --> 00:43:29,040 WHAT ARE YOU GONNA DO TO HIM? 615 00:43:29,040 --> 00:43:33,410 NOTHING. WE'RE NOT KILLERS, MR. SEAVERS. 616 00:43:33,410 --> 00:43:37,410 WE SIMPLY CANNOT ALLOW HIM TO LEAVE THIS COMPOUND AND TELL THE WORLD WHAT HE KNOWS. 617 00:43:37,410 --> 00:43:41,750 SO, UH, HE WOULD LIVE HERE FOR THE REST OF HIS LIFE? 618 00:43:41,750 --> 00:43:45,090 OR UNTIL MINE EXPIRES. 619 00:43:45,090 --> 00:43:47,090 THAT SEEMS FAIR ENOUGH TO ME, BUT, UH-- 620 00:43:47,090 --> 00:43:49,890 WHY DON'T WE PAY ME MY MONEY AND LET ME BE ON MY WAY? 621 00:43:49,890 --> 00:43:54,760 NO. I'M AFRAID YOU'RE MY HOSTAGE, MR. SEAVERS, 622 00:43:54,770 --> 00:43:57,780 TO ASSURE YOUR FRIENDS COMING BACK FOR YOU WITH JOHN. 623 00:43:57,770 --> 00:44:02,240 I WAS AFRAID YOU WERE GONNA SAY THAT. 624 00:44:02,240 --> 00:44:04,610 [ Gun Cocks ] I'M NOBODY'S HOSTAGE. 625 00:44:15,670 --> 00:44:18,590 YOU BETTER DROP THE GUN, MR. SEAVERS. 626 00:44:23,590 --> 00:44:26,600 I THINK YOU SPOKE A LITTLE TOO SOON. 627 00:44:26,600 --> 00:44:28,600 NOW WHAT HAPPENS? 628 00:44:28,600 --> 00:44:32,300 NOW WE WAIT FOR YOUR FRIENDS TO TRY TO RESCUE YOU. 629 00:44:34,890 --> 00:44:38,220 EXACTLY WHERE DOES HE CONTROL EVERYTHING FROM, JOHN? THE CENTER OF THE HOUSE. 630 00:44:38,230 --> 00:44:41,150 BUT LIKE I TOLD YOU, WE CAN'T GET TO IT... 631 00:44:41,140 --> 00:44:43,150 UNTIL WE FIGURE OUT SOME WAY TO OVERPOWER THE GUARDS. 632 00:44:43,150 --> 00:44:45,400 HOW FAR IS THE HOUSE FROM THE JUMP-OFF POINT? 633 00:44:45,400 --> 00:44:47,870 FIFTY FEET. OH, YOU'LL NEVER MAKE IT. 634 00:44:47,870 --> 00:44:50,370 WE MIGHT IF WE REDLINE IT. [ Sighs ] 635 00:44:50,370 --> 00:44:52,650 OH, I WISH COLT COULD SEE THIS. 636 00:44:52,660 --> 00:44:55,800 WITH A LITTLE LUCK, HE WILL. 637 00:44:55,790 --> 00:44:58,160 YOU KNOW, I DON'T LIKE TO TELL YOU FOLKS YOUR BUSINESS, 638 00:44:58,660 --> 00:45:00,660 BUT MY FRIENDS ARE ON THE YOUNG SIDE-- 639 00:45:00,660 --> 00:45:02,660 KIND OF WILD, IF YOU KNOW WHAT I MEAN. 640 00:45:02,670 --> 00:45:06,430 - WHAT DO YOU SUGGEST, MR. SEAVERS? - JUST WANT YOU TO UNDERSTAND... 641 00:45:06,420 --> 00:45:08,920 THAT WE DO A LOT OF CRAZY THINGS IN THE MOVIES. 642 00:45:10,340 --> 00:45:13,090 MY FORTRESS IS IMPENETRABLE. 643 00:45:13,090 --> 00:45:14,810 HANG ON. 644 00:45:36,370 --> 00:45:39,750 NOW DON'T FEEL BAD, MR. GORDON. NO PLAN IS PERFECT. 645 00:45:39,750 --> 00:45:43,260 ESPECIALLY WHEN YOU'RE DEALING WITH SOMEBODY AS CRAZY AS A STUNTMAN. 646 00:45:56,690 --> 00:45:59,690 IF JOHN RYDER WAS SO DARN HONEST THAT HE COULDN'T FACE... 647 00:46:00,190 --> 00:46:01,690 WHAT EVERYONE WAS DOING UP IN LUCKY, 648 00:46:01,690 --> 00:46:05,690 THEN HOW COULD HE JUSTIFY RUNNING AWAY USING FORGED CHECKS? 649 00:46:05,700 --> 00:46:09,210 JOHN RYDER NEVER FORGED A CHECK IN HIS LIFE. 650 00:46:09,200 --> 00:46:12,200 REMEMBER, THE CHECKS WERE DRAWN ON HIS STEPFATHER'S OWN BANK. 651 00:46:12,200 --> 00:46:15,200 [ Howie ] MEANING THE OLD MAN USED JOHN'S TRAIL OF CHECKS TO LOCATE HIM. 652 00:46:15,210 --> 00:46:18,300 THEN HE REPORTED THEM AS FORGERIES TO THE AUTHORITIES SO THAT THEY'D HOLD HIM... 653 00:46:18,290 --> 00:46:21,290 UNTIL HE COULD SEND SOMEBODY OUT TO BRING HIM BACK. 654 00:46:21,300 --> 00:46:24,810 THEN WHY DIDN'T HE SIMPLY TELL THE AUTHORITIES WHAT HAD HAPPENED? 655 00:46:24,800 --> 00:46:27,220 WELL, HE COULDN'T-- NOT WITHOUT TELLING THE WHOLE STORY... 656 00:46:27,220 --> 00:46:31,220 AND SENDING PEOPLE TO JAIL THAT HE CARED ABOUT, INCLUDING HIS GIRLFRIEND'S FATHER. 657 00:46:31,220 --> 00:46:33,720 HER FATHER? WELL, HOW DID HE FIGURE IN THIS? 658 00:46:33,720 --> 00:46:35,720 THAT WAS THE DOCTOR THAT PUT GORDON BACK TOGETHER. 659 00:46:35,730 --> 00:46:39,440 SHOULDN'T THERE BE SOME REWARD MONEY WE CAN GET OUR HANDS ON? NOT NECESSARILY. 660 00:46:39,430 --> 00:46:42,430 ALL THE MONEY HAS BEEN SPENT. UNLESS, OF COURSE, YOU'D LIKE TO INVEST... 661 00:46:42,430 --> 00:46:47,320 IN A SMALL PIECE OF PROPERTY IN LUCKY, NEVADA. [ Colt ] TOO LATE. 662 00:46:47,320 --> 00:46:50,690 I GAVE WHATEVER INTEREST WE MIGHT HAVE IN THAT DEAL TO JOHN AND JACKIE. 663 00:46:50,690 --> 00:46:53,690 YOU GAVE OUR INTEREST AWAY? MAY I REMIND YOU ALL I'M THE ONE... 664 00:46:53,690 --> 00:46:57,700 WHO DROVE THE CAR THROUGH THE HOUSE, WHICH MADE IT POSSIBLE TO PUT THAT MAN OUT OF BUSINESS? 665 00:46:57,700 --> 00:47:01,420 WELL, MAY I REMIND YOU WHO IT WAS THAT PUT ME OUT OF BUSINESS A COUPLE OF DAYS AGO? 666 00:47:01,420 --> 00:47:04,920 I THOUGHT YOU HAD AN ACCIDENT, COLT. HE DID. 667 00:47:04,920 --> 00:47:06,920 HOWIE, WHAT HAPPENED? 668 00:47:06,920 --> 00:47:09,420 YOU HAVE TO EXPECT A FEW ACCIDENTS IN OUR BUSINESS. HOWIE. 669 00:47:09,430 --> 00:47:11,940 YOU WOULDN'T WANT ME TO GO BACK ON A CONFIDENCE WITH COLT? 670 00:47:11,930 --> 00:47:13,930 UH-HUH. COLT. 671 00:47:13,930 --> 00:47:16,770 OKAY, KID, I'LL TAKE YOU OFF THE HOOK. THANKS, COLT. 672 00:47:16,770 --> 00:47:19,940 GO AHEAD AND TELL HER WHAT HAPPENED.58031

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.