All language subtitles for The Fugitive - 3x10 - Landscape with Running Figures Part 2.EN

Mr. Carver.

Mr. Carver, please.

Please don't run away from me.

Mr. Carver.

Steve.

It is steve, isn't it?

I never told you but--

But when you first
got on the bus,

I saw you,

I know I did.

And, uh,

When I-I looked at you,

All sorts of--

Of wild fantasies
crossed my mind.

I thought of

What it would
be like if--

If for some reason you and I
were taken away together.

And it did happen.

But-- but only
a part of it happened.

Only a very small part.

Steve.

You saw me?

( switchboard buzzing )
yes, yes.

Carver, don't leave me,
don't run away from me now.

Hello.

This is lieutenant gerard.

I'd like to speak
to my wife again.

( dramatic theme playing )

Narrator:

( dramatic theme playing )

A qm production.

Starring david janssen
as dr. Richard kimble.

An innocent victim
of blind justice,

Falsely convicted
for the murder of his wife,

Reprieved by fate
when a train wreck freed him

En route to the death house.

Freed him to hide
in lonely desperation,

To change his identity,
to toil at many jobs.

Freed him to search
for a one-armed man

He saw leave the scene
of the crime.

Freed him to run
before the relentless pursuit

Of the police lieutenant
obsessed with his capture.

Announcer:
The guest stars
in tonight's story:

Barbara rush,

Herschel bernardi.

Co-staring:
Jud taylor,

Robert doyle.

Also starring barry morse
as lieutenant philip gerard.

Announcer:

( mellow theme playing )

Narrator:
A police dragnet,
a bus accident,

And an ironic fate

Have brought together
two people

On a lonely country road.

The woman, blinded
in the accident,

Is unaware that the man
beside her is richard kimble.

And neither is aware
that the other

Is fleeing from the obsession

Of lieutenant philip gerard.

Hunter of the man,

Husband of the woman.

Are you all right,
mrs. Lindsay?

Just tired.

How long ago was the accident?

About a half an hour.

Is that all?

I've lost all track
of everything.

Is it still light out?

Yes.

How much further until
we reach where we're going?

Not much further.

What's happened?

Te-- tell me what is it?

There's a car in
the middle of the road.

Mister, mister.
Can you help me, please?

We can't stop.

I can give you a lift
into town, that's all.

Please, just--
just take a look, huh?

I need your help.

It'll only take a minute.
Honest.

( dramatic theme playing )

Well, what about that,
chief?

Yeah, what do you think?

( ominous theme playing )

There's a woman in that truck
that needs medical attention.

I've got to get--
( pop music playing on radio )

I've got to get
to the next town.

No sweat, chief.

We just wanna
borrow a tire.

Take a look, beavo.

( music continues )

Hey, hey, what's with her?

She can't see.

Could be a concussion.

( snaps )
uh?

( snapping fingers )

Ah, ah.

Who is it?
( snaps )

All right, take the tire.

Move it, beavo.

( mutes radio )

Thanks a lot, chief.

( increases volume )

It's a 914.

Close enough.

You took the tire.
You don't--

You don't need us.

Take? What do you mean,
take?

We don't want
to take anything.

We'll pay you for it.

Here, let me take a look,
chief, see what I got here.

You got any change
for a 50?

No.

Flat out, huh?

What about
your girlfriend?

She left her purse
at the accident.

It's too bad.

Now, wait, wait, wait.

We'll find someway
to settle up.

We just don't wanna
take it.

Psst, hey.

Let me tell you about a girl
I once knew had t.B.

Did I ever
tell you about her?

( gasps )

Did I?

( whimpering )

Did I?

( whimpering )

Did I?
Stop it!

Stop it!

( gasps )

Easy, easy.

Come on, give me
a hand with that tire.

� I can't help but wonder
will you still be �

( marie sobbing )

It's all right.

It's all right now.

Just a bunch of kids.

It's all right.

( engine starts )

Hey, chickee,
the name's beavo!

Remember
to ask for me!

Command 1 to 1l35.
Come in please. Over.

1l35. Over.

This is detective
sergeant rainey at command 1.

Has the 2:10 bus
to joplin, number 73,

Passed your position yet?
Over.

About an hour ago.

Most of the passengers got off
when they heard

That the highway ahead
was flood alerted.

An auxiliary bus
just picked them up

And took them back
to the city.

Over.

Lieutenant, the word
we got from fredonia

Is that the bus from here's
more than a half-hour overdue.

I'm sorry about this,
lieutenant.

But even if your wife
had stayed on the bus,

It's likely
there was just

Some sort of
mechanical breakdown.

We're sending a car out to check
the entire stretch of highway.

How serious is it?

I don't know.

I understand there's
a lot of pressure

On the tilden dam.

There's nothing to be concerned
about yet.

She's probably on her way
back on the auxiliary bus.

She's in safe hands.

( mellow theme playing )

We'll be there any minute now,
mrs. Lindsay.

( motor sputtering )

Are we there?

We're there.

It's, uh, only a few more
feet to walk.

Think you can make it?

( suspenseful theme playing )

( dramatic theme playing )

How much further?

We're almost there.

You'd better rest a while.

Mr. Carver.

I won't be far.

You rest a while.

( ominous theme playing )

Something's happened,
mr. Carver. What is it?

I'm all right.

I know I won't be suddenly
able to see again

But I don't want
to be lied to again.

The town's been evacuated.
There's no one here.

The phones?
What about the phones?

They're all dead.

Are we going back
to the truck?

I think we're better
off here for now.

( dramatic theme playing )

( suspenseful theme playing )

There's a switchboard
inside this building.

We may be able
to get a line through.

Don't be frightened.
I'm gonna break some glass.

Come on.

( suspenseful theme playing )

Would you mind if I asked you
to keep talking to me?

Uh, you can
talk about anything.

Just anything at all.

Um...

Wh-- what do you do
for a living?

Jobs. Odd jobs.

For a moment back there
at the accident,

I thought that
you might be a doctor.

I think that
believing that

Might have carried me
over that--

That one moment.

Mr. Carver?
You are still there, aren't you?

I'm still here.

I don't know--

I don't know why I thought
that you had to be a doctor.

It's just the

Incredible conceit
of the individual I suppose.

Always believing that,

Whatever happens or
wherever it happens,

Some divine providence

Will allow you personally
to survive.

( winding switchboard )

Operator?

Operator?

Operator?

Operator?

Operator?

Mrs. Lindsay?
Hm.

Mrs. Lindsay.

( gasps )

It's all right.

It's all right.
It's steve carver.

You were just sleeping.
It's all right.

The switchboard,
what about the switchboard?

The lines are all dead
out of here.

( car approaching )

Some--

Somebody's come back.

( tires squealing )

They've come back,
haven't they?

I'll go take a look.

I want you
to do something for me.

You sit here.

Now, one of these circuits
has got to go through.

They're probably trying
to repair the line already.

Now, this is the key
to call the operator.

When the lines are repaired,
she'll answer.

You'll have to speak
to her through this.

Can you do it?

Good. I'll be back
in a few minutes.

Mr. Carver?

Is there really a chance of
getting something on this line,

Or is this just occupational
therapy for the blind?

No, there is a chance,
mrs. Lindsay.

You know, it--
it really doesn't seem

Very important now,
but that's not really my name.

Mr. Carver?

Mr. Carver?

( radio playing pop music
in distance )

( switchboard clicks )

Woman ( on phone ):
Operator. Operator.

Yes.

This is the fredonia operator.

Operator.

Don't cut me off.
Can you hear me?

Yes, ma'am.
I can hear you.

Operator,

We need help.

( pop music playing on radio )

Hi, chief.
Small world.

Came out dry,
decided it was refill time.

Before on the road,
I asked you your help.

Uh, wait, wait, wait.

Wait a minute.
Don't tell me.

You got change of a 50.

( bottle smashes )

Before I asked for it.

Now I've got to have it.

Got to?

How's that again, chief?

Come on, tommy,
I wanna hear.

Where's the blind woman?

( music stops )

She's down the block.

Trying to get
a direct phone line through.

If she can't--

If we can't get her somewhere,

Where they can help her,
she can slip back into shock.

Bingo.

( laughs )

Go on, mister,
what'll happen then?

Well, she could die.

If she can't get help
she could die.

Hard lines, chief.

Come on, joannie,
come off.

Ah, come on,
beavo.

She could
really die?

Right here?
Huh?

That's why we have to get her
somewhere where they can help.

Somewhere where
they can help her.

( clears throat )

Well, we just have to
think it out, chief.

I'll tell you what.
Why don't you, uh--

Why don't you just have
a drink on the house, huh?

Here.

Here.

Go on, take it.
It's good.

Drink.

Yeah, you really have
a problem, chief.

Somebody really pulled
the plug on you.

You're in the middle
of a vacuum.

You know, that's why
we cruise around here.

There's nobody
to bug you.

No fuzz, no heat.

Really free, like you're
all alone in the world.

It's like somebody came along
and dropped the bomb.

Poof.

Where's the nearest town
that hasn't been evacuated?

Uh, um-- mm...

Uh, maybe hanleyville.

What do you think?

No, no, no,
wait, wait, wait, wait a minute.

It seems to me I heard

Hanleyville was
three feet under water.

( pop music playing on jukebox )

She needs help now.
Mm.

Relax, chief.
Drink your drink.

We gotta think
this out.

Hello?

Yes.

Yes, I'll wait.

( ominous theme playing )

Hello?

Yes, this is mrs. Gerard.

Mrs. Gerard, yes.

I want to speak to
lieutenant philip gerard.

Hold on,
I'll get him for you.

Lieutenant, it's your wife.

We still haven't gotten
word from the bus.

She must have gotten off with
the others at the roadblock.

Marie? Where are you?

Phil, I'm in a little town.
I don't remember the name.

I took a bus this morning
and then--

I know that. I want to know
why you're doing this.

Tell me.

D-doing this?

You know how close
we might be to kimble.

You know what
this means to me.

And still you do this. Why?

Philip, I want you
to come and get me.

I see.

This is some sort of test.

A choice between you and kimble.

No, it's not a test.

There's been an accident.

What happened?

Are you all right?

It's a little late to ask that.

I just want to know whether
or not you're coming to get me.

If you have to think about it,
philip, don't come.

Marie? Mar--

( ominous theme playing )

It's going to be all right.

I got through.

They're sending
an ambulance.

Some of the roads
a-are still blocked

So they don't know
how much time it will take.

But it's coming.

Mr. Carver?

( whistling )

Mr. Carver?

( gasps )

Mr. Carver.

Mr. Carver!

( screaming )

( marie screaming )

You wait a second, chief.

Now we're gonna
help you out.

There's lots of people
wouldn't get involved but us,

We're gonna help you.
( marie screams )

Wait, wait, wait, wait!
Wait, we didn't mean it.

We were gonna help you.
Honest.

We were only kidding.

Tell him, joannie, tell him!

( screaming )

( marie screaming )

Come on.

( marie screaming )

( car honking )

( tires squealing )

( dramatic theme playing )

( marie sobbing )

It's all right.

It's all right.

( sobbing )

Don't cry.

It's all over now.

( suspenseful theme playing )

I'll need a car
and a driver.

I want to go
to my wife.

It may take a little while
to trace the call.

We can radio you en route
when we get the word.

Kimble's not like
other criminals.

People--

Decent people.

Will hide him,
lie for him.

It's always been that way.

You can't believe anybody.

Don't worry, lieutenant.

If he's in there,
we'll dig him out.

Yes.

Yes, I'm sure you will.

( dramatic theme playing )

( suspenseful theme playing )

That better?

Better.

Those people...

What were they?

Just people
that are gone.

People you don't have
to think about anymore.

Yes.

Yes, that's the best idea.
I won't.

I won't think
about them.

I'll put them away with
all the other things

I don't have
to think about.

I was able to get
the operator

To put another call
through for me.

Did I tell you that?

Another call?

Well, it wasn't
anything important.

What's important now,

Is that I get the doctor
to prescribe a drink for me.

Almost everything's
locked up.

Cheese and crackers.

Half a bottle
of wine.

I'll take it.

Are-- are the lights
on here?

There's no electricity
at all.

They must've
turned it off when they

Decided to evacuate the town.

I don't know why
that makes me feel better.

May I have some
of that wine now?

Back on the bus,

A man said something
about being

The last two people
left in the world.

And here we are.

( dramatic theme playing )

How long were you married?

You were married,
weren't you?

Mr. Carver?

Yes, I was married.

I could tell.

There's a--

A quality.

Not quite beaten,
but badly burned.

What was it?

Divorce?

Separation?

Desertion?

Act of god?

I suppose you could say
act of god.

Oh, I'm--

I'm sorry.
I don't know why I said that.

Were-- were there
any children?

No.

Oh, that's too bad.

Or maybe it's good. I--

I'm never sure.

I'm-- I'm talking
too much, aren't I?

And I can't stop.

It's all
I've got to hold on to,

And you can't hold on
to words, can you?

Please.

Uh, tell me,

When you were married,

Were you happy?

Yes, that's what
I want to know.

Were you happy?

What's the matter, mr. Carver?

Hasn't anyone
ever asked you that?

Not for a long while.

I guess we were happy.

It's been a long time.
I don't remember.

That's not something you forget.

I didn't say I'd forgotten.

I said I didn't remember.

Please, mr. Carver,
would you tell me about it?

Don't be angry.
Start anywhere.

Tell me about anything.

But please talk to me.

( switchboard buzzing )

Captain, no answer yet.

But the call did originate
from the tilden board.

L9, l9.
This is command 1.

Command 1, this is l9.
Over.

The telephone call
originated in tilden.

Tilden?

Your best bet
will be highway 6.

You should be there
in less than two hours.

Good luck, lieutenant.

Thank you.

We hadn't planned
to get married.

Not right away.

( melancholy theme playing )

Then my reserve outfit
was called up for korea.

And we spent our honeymoon
in san diego.

Town was so crowded,

That she had to stay
at the ywca.

Every night I could get off
I'd walk her back there.

Kiss my wife good night in front
of the door of the ywca.

Even after the war,

It was a while before we could
afford our own place.

The first one
wasn't much.

Two whole weeks of nothing
but painting.

I guess we were happy then.

Where was that?

Back in that small town
you mentioned?

Yeah, back in s--

Back in that small town.

It must be very painful

Being asked to go over
all of that again.

No, it wasn't.

It wasn't at all.

So long ago
I'd almost forgotten.

I thought there
was nothing back there.

Just some dust and dead leaves.

It helps?

Hm, it helps.

Maybe we could bottle it.

Stop-the-world-and-look-around
pills.

Just the thing for people
on the run.

Where I come from
nobody runs.

It's that kind of town.

It's a perfect circle.

There's nothing to run to,

And there's nothing
to run away from.

The only thing to do
is wait around

Until the movie theatre
changes its bill.

Every Wednesday.

And sometimes on Saturday.

Only when
it's a foreign movie.

You've been there.

Another town with another name.
But I've been there.

Any more?

Dead soldier.

After faithful service,
as my husband would say.

I was able to get a call
through to my husband.

He's back in the city.

Will he be coming here?

No, I didn't tell him,

So he won't be coming here.

I should explain my marriage
to you, mr. Carver.

What you see before you

Is the losing end
of a modern-day triangle.

I lost my husband some time ago
to a will-o'-the-wisp

Who drifts in and out,
twisting our lives.

The little man
who wasn't there.

He wasn't there again today.

He's never there.

Never there.

You probably read about it.

It was in all the newspapers.

You did get newspapers
in that town of yours?

Two of them.

One and a half to be exact.

Oh, then you couldn't
have missed--

( suspenseful theme playing )

One and a half?

It was sort of a local joke.

The one paper,
the call dispatch,

Uh,
came out twice a week,

So everyone said one and a half.

The call dispatch?

Yeah.
It wasn't much of a joke.

You'd have to come from a town
like that to understand it.

Yes, I guess you would.

Mr. Carver,
you never told me,

How long were
you and helen married?

Helen?

Isn't that what you said
her name was?

Yes, that was her name.
Helen.

( alarm rings )

( gasps )
it's all right.

No, it's all right.

( music playing on jukebox )

( pinball machine rattles )

The power's just
come back on.

( sobbing )

That's a good sign.

That's a good sign.
It means the town

Is out of danger and the people
will be coming back.

( playing jazzy music )

The music started,
remember?

We're back in the world.

( sobbing )

Oh,

You've done so much.

Promise me--

Promise me one more thing.

Un-- until they come.

Until someone comes.

Please, please promise me
you won't leave me.

Promise me.

( suspenseful theme playing )

Operator?

Operator:
This is the fredonia operator.

Mr. Carver?

No sign of the ambulance.

I don't know what's
taking them so long.

I was just trying to get
through to the operator.

I wanted to see if there really
was someone out there.

I think you ought
to rest a while.

Oh, I'm sorry.

It was just so sudden.

You won't leave me,
will you?

I won't leave you.

Oh, you won't be sorry.

It's--

It's not as though there's

Any amount of money that could
pay you for what you've done,

But I'm going to make sure
that when we get back,

I'm--

I'm going to make sure--

( switchboard buzzing )

I've got it.

Hello?

Hello?

Marie? It's phillip.

Are you all right?

I just found out what happened.

Why didn't you tell me?

It's-- it's my husband.
He must have traced my call.

Marie?

Marie, can you hear me?

Yes, I'm all right.

What did you find out?

About the accident,
about what happened to you.

Have you
sent for an ambulance?

Yes, from fredonia.

Marie, I want you
to know that, uh,

I was on my way to you
before I found out.

I was on my way.

It's important to me
that you believe that.

Yes, I believe that.

We're not far from,
uh, tilden now,

And it won't be long.
I'll be there with you.

Yes.

I spoke to margaret again
and the children are fine.

Marie.
Marie, look--

I'm sorry.
I can't talk any more now.

Goodbye.

Mr. Carver,

I'm very tired.

I think I will rest now.

I'm, uh,

Gonna take another
look for that ambulance.

I might be gone for a while.

No, please,
please, don't go.

You'll be all right now.
Nothing can happen to you now.

You promised me
you wouldn't leave me.

You-- you won't be sorry.

Did I tell you that
I'm going to see

That you get a reward
when we get back?

What do you think of that?

You just tell me
how much you need.

Need for what?

Well, for whatever you want.

Oh, you don't have to worry.

I mean, you can just
take the money and go.

You don't have to worry
about publicity.

What makes you think
I wouldn't like publicity?

You know, I, uh--

I might like
my picture in the paper.

Mr. Carver.

Mr. Carver, please.

Please don't
run away from me.

Mr. Carver.

Steve.

It is steve, isn't it?

I never told you, but--

But when you first got on
the bus, I saw you.

I know I did.

And, uh,

When I-I looked at you,

All sorts of wild fantasies
crossed my mind.

I thought of what
it would be like if--

If for some reason you and I
were taken away together.

And it did happen. But--

But only a part
of it happened.

Only a very small part.

Steve.

You saw me?

( switchboard buzzing )
yes, yes.

Mr. Carver, don't leave me,
don't run away from me now.

Hello?

This is lieutenant gerard.

I'd like to speak
to my wife again.

( tense theme playing )

Marie? Can you hear me?

Mr. Carver.

Steve?

Mr. Carver?

You'd do anything to keep
me here, wouldn't you?

Yes.

Yes, anything.

Anything.

Mr. Carver.

Kimble. Richard kimble.

No, no.

No, it's carver.

Carver!

( dramatic theme playing )

No, please! Please help me!
Don't leave me!

No!

Kimble!

You can't get away
from me.

I won't let you
get away from me.

Kimble. Kimble.

( dramatic theme playing )

Kimble.

Kimble?

( marie sobbing )

Kim--

Kimble.

Kimble.

( sobbing )

Kimble.

Kimble.

Let me take you back.
Don't do this stuff.

No. It began with you,
it'll end with you.

( sirens approaching )

( sirens wailing )

( dramatic theme playing )

Sorry we took so long.

Some of the roads
were still closed off.

Wait a second.

You need some help?

No, thanks.

Easy.

Excuse me,
but I'm gonna need

Some information from you.
Your name?

Steve carver.

Officer:
I understand you had to break
into the local phone office.

Any other buildings?

This is just routine,
mr. Carver.

We know you did
what you had to do.

Uh, we just need a record,
that's all.

Just the bar,
down the block.

There were others,
they broke in.

Others?

Yeah,
two boys and a girl.

In a small, red pickup?
Yeah.

The highway patrol
already tagged them.

Did you personally take
or otherwise consume

Any items that would total
in excess of $10 in value?

Just for the insurance boys,
mr. Carver.

No, nothing in excess
of $10.

Well, I guess
that covers it.

Would you sign here,
please?

( sirens approaching )

( dramatic theme playing )

Marie?
Marie, it's me, philip.

( motorcycle engine starts )

( dramatic theme playing )

( sirens wailing )

( dramatic theme playing )

( suspenseful theme playing )

( door closes )

Philip.
Shh.

No. No, don't talk.
Just rest.

Kimble.
Shh.

Don't talk.

I promised the doctor.

I-I can only stay if you
don't talk and just rest.

As far as
kimble is concerned, I--

I got word
just a little while ago.

They didn't get him.

He slipped through somehow.

And I was so sure
this time.

( chuckles )

I'm always so sure.

Marie.

There'll be another time
with kimble.

And when the call comes,
I'll go.

I have to.

He's stuck in my throat
and I can't swallow him.

Sometimes it's as if kimble
were all around me.

You're the only thing
he hasn't touched.

The only part of my life
he can't ever get to.

And if I lost that,

There'd be nothing left.

Nothing but the thought
of kimble choking at me.

No more.

Sometime--

Not now,
but, uh, sometime,

I want you to tell me
about the accident.

About the man
who helped you.

Everything.

Yes, sometime.

Ahem. I--

I spoke to margaret
again, and, uh,

She's bringing
the children down.

So I thought maybe in--

In a few days
when you're all right,

Perhaps we could
all go back together.

Just as if
nothing had happened.

Nothing happened.

Yes, that's the way it was.

Everything stopped,

But nothing happened.

( soft theme playing )

Narrator:
For a brief moment, time also
stopped for richard kimble.

And, for a while, it had been
good to be able to stop

And look back.

And find that there was
something there.

But now it is over.

For the fugitive,
time has started again.

( dramatic theme playing )

( dramatic theme playing )