All language subtitles for The Fugitive 2x10

No. Oh,
please don't leave me.

Please, you don't know
the harbor. Please.

Carla,
I can't take you with me.

Oh, no, please.

You need me,
you'll get caught.

KIMBLE:
Maybe I will,
but they won't hurt you.

I want 'em to
find you here, safe.

Kimble.

( tense theme playing )

No, Papa, no.

NARRATOR:

( dramatic theme playing )

A QM Production.

Starring David Janssen
as Dr. Richard Kimble.

An innocent victim
of blind justice,

falsely convicted
for the murder of his wife,

reprieved by fate
when a trainwreck

freed him en route
to the death house.

Freed him to hide
in lonely desperation.

To change his identity.

To toil at many jobs.

Freed him to search
for a one-armed man

he saw leave
the scene of the crime.

Freed him to run

before the relentless pursuit

of the police lieutenant
obsessed with his capture.

ANNOUNCER:
The guest stars
in tonight's story:

Brenda Scott,

Tim O'Connor,

Joe DeSantis.

ANNOUNCER:

( pleasant theme playing )

( boat horn honking )

( honking continues )

Hey, Tonino,
what's the horn for?

Tuna's running.
Just heard it on the radio.

Hey, tuna.

The tuna is running
You hear that?

( laughing )

Tuna.
( excited chatter )

ANNOUNCER:
Little fishing villages
that dot the coastline

are like the sea
that sustains them:

capricious.

Sometimes cordial,

sometimes angry,
dangerous.

Tonight, the village
of Puerto Viejo

will be festive.

( accordion playing faintly )

Handyman Jeff Parker rooms
in the warehouse loft.

He's had a pleasant month here.

But he's made no commitments,
for it's only a matter of time

till he has to move on.

Parker is a fugitive.

( accordion playing, clapping )
( laughing, chattering )

Where's the handkerchief?

Who got it?
( laughs )

Hey, you got it, Carla.

Choose, huh?
Make a choice.

Get ready, Miguel.

Get back, everybody.

You got him good, Carla.

TONINO:
Dance, dance with her, Jeff.
You get a kiss.

Hey.

Oh, I don't know how it goes.

I can show you.

All right,
what do I do?

Put your fingers
on my shoulders.

( all laugh )
You learn quick.

( plays accordion )
( crowd clapping )

TONINO:
Kiss him, Carla.

Kiss him.

Kiss him.
( speaks Spanish )

MAN:
Ey.

I'm happy to see my people
having a fiesta all night long.

( all laugh )

What makes you
so happy tonight, huh?

The tuna is running again, Joe.
I heard it on the radio.

Yeah, that's right.
The tuna's running again.

Go home.
Go to bed, you old fool.

I guess you're right.

How am I gonna take
my boat chasing tuna,

5:00 tomorrow morning?

Myself?

With my whole crew
asleep home in bed?

Five, six days, you're gonna
be out there fishing.

You wanna stay up all night?
Stay up catching fish.

You wanna celebrate?
Okay.

But I'll tell you when.

Now, go home.

Go to bed before
I break somebody's head.

Carla, you go to bed too.
It's late.

No, Papa, it's not late.

Don't, Miguel.

Carla, I want to see you.

Stop bothering me.

No, I want to talk
to you right now.

Leave me alone, Miguel.

MIGUEL:
You listen
to what I have to say.

Why is it,
for the first time,

you did not choose me
at the dance tonight?

Have I changed? Is there
something different about me?

I wait this whole night

for you to get the scarf
so that you will choose me.

Why is it you don't?

( sighs )

Parker,

you like my daughter Carla
pretty good, yeah?

She's a beautiful girl, Joe.

She's only just
15 years old.

No mama to
watch out for her.

She does need a woman's advice.

You know, Parker,

I don't want to
make trouble for you.

But, uh, I got the state prison
in one direction,

the border that way,
smugglers off the coast.

Now, that's the kind of guys
come to Puerto Viejo

same like you.

Now, mostly I say to them

"Anda, move on."

You, I trust.
I put you to work.

Sure, sometimes I see
you get nervous

when the sheriff patrol
comes around,

but that's okay with me.
I trust you.

But I'm not stupid.

Understand, Parker?

If you trust me, Joe,
why do you bring it up?

You're a good man.
You do your job.

But don't chase after my Carla.

Have you seen me chasing?

You smile at her,
you talk to her,

you make it easy,
she come to you.

Tonight, I see
with my own eyes.

Huh? You gonna deny?

She asked me to dance, Joe.

You gonna blame it on the girl?

No blame, no denial.

Is that clear?

Now, Parker,
don't chase after my Carla.

You come around one more time,

I'm gonna shove this
down your throat.

( dramatic theme playing )

Ever since he came you act
like I am the stranger.

He is the stranger.

Me, you know all your life.

Miguel, go away
and stop acting

like some silly little kid
or something.

If you don't,
I'll just scream.

( huffs )

CARLA:
Jeff?

( tender theme playing )

I...

I wanted to, uh--

Well, to say how sorry I am

about the way everything
happened out there

in-in front of everybody
and everything.

I'm sorry we didn't get to
finish our dance.

I didn't get a chance to
thank you for asking me.

Gave me a chance to
join in the fun.

And my father just
bursting in like that--

Honestly,
it's-it's ridiculous.

I think he has
a big responsibility.

Oh, yes, I know.

But, I mean, you know,
just because I always played

with Miguel
when I was little, well,

that doesn't mean I have to
choose him for everything.

You know, uh,

Miguel's always
bothering me,

wanting to kiss me.

So ridiculous.

Well, he likes you a lot.

Still,

if a woman doesn't want a man to
kiss her then he shouldn't try.

But if she does,
then he should know it.

Well, I think Miguel
will learn that.

Honestly, I don't see
how you can go around

understanding
everybody else so well.

Carla, I want to walk you home.

We'll have a talk.

See, I'm going to
leave Puerto Viejo tonight.

Leave?

Look, Carla,
I want you to--

What did my father
say to you?

It has nothing to do
with your father.

I'm leaving because of something
that happened a long time ago.

( sighs )

Oh, it's only Pablo,

drunk again as usual.

Hey, Pablo, wake up.

Go home.

Usually, we just throw
cold water on him.

Pablo.
Wake up.

( gloomy theme playing )

Is he sick?

Carla, uh,

go tell your father to
meet me at Pablo's shack, hm?

Go on.

Parker?

What's going on?

Pablo's dead.

I think it's bubonic plague.

( gloomy theme playing )

Hey, how come you was
with Carla when you found him?

I thought I told you to
stay away from Carla.

Joe, I'd be a hundred miles
away from here by now

if it weren't for this.

Now, understand me. I think
Pablo died of the plague.

What do you know about
the Plague? You're no doctor.

Then call a doctor. Call the
Public Health Department.

I gotta sail
tomorrow morning.

What's the matter,
tryin' to louse me up?

If I don't sail,
I don't get no fish.

Joe,

half your town
may be sick.

One case of this
is an epidemic.

Okay, Parker.
Okay.

Crazy drunken fool.

I told you once,
I told you a hundred times.

Now, look, Parker,

if I call the Public Health
they're gonna say one word:

Quarantine.

I gotta stay.
You gotta stay.

You wanna stay,
maybe the cops come.

They ask a lot of questions--
Where everybody been?

Me, I know one thing,
them tuna fish ain't gonna wait.

It's a lousy way to die, Joe.

Look, maybe somebody in town
is gonna get it, maybe not.

If they quarantine,
I lose, you lose.

Whatever you did,
I don't care.

I like you, yeah?

You wanna get out
of my town,

I help you pack
your things.

You gotta report it, Joe.

All right,
tomorrow morning,

after I sail,
somebody reports.

Tonight,
you got no choice.

You got a choice.

( tense theme playing )

You get out of my town,
that's your choice.

You go up to your room,

you pack up your things
and you get out,

or I break you
with my hands.

( somber theme playing )

( dials )

Operator, uh,
give me the nearest office

of the Public
Health Service, please.

( dramatic theme playing )

( gloomy theme playing )

All right,

better get your guys
out of here right away.

Now, do everything you have to
to keep this town sealed off.

There's only one road
from the highway.

The roadblocks will be simple.
That's good.

( ominous theme playing )

What are you people?

What are you trying
to do here, huh?

Good morning.
Good m--

We're from Public Health.
We're quarantining your town.

Jeff Parker.

That scum.
He called them, huh?

Oh, no, Papa,
he didn't. No.

Yes, I did.

Parker, you dirty scum.

I told you get to
get out of my town.

Now, look,
I'm gonna sail my boat

or I'm gonna kill somebody.

Now, you get out of here,
Parker, you get out--

Wait a minute. W-w-what are
you getting mad at this man for?

He saved your town.

Now, look, you tell your men to
get away from my boat.

I'm gonna sail for tuna.

Right through the Harbor Patrol
and the Coast Guard and all?

Now, listen--
Now, you listen to me.

Nobody leaves this town.

Not in any way or for any reason
for the next seven days.

If you try it,
I'll lock you up.

Now, look,

do me the favor, huh?

This been a very bad year.

Me and my people,
we owe a lot of money.

Me, I could lose the boat.

Now, please,
let me sail, will you?

Look, me and my men,

we could be on the boat
a hundred miles away,

a week, 10 days--

Same thing
like quarantine, no?

No.

Joe, this is Dr. Davis.

He examined Pablo.

It's bubonic plague,
in spades.

You and I were
in the shack.

If anyone gets it,
we've got the best chance.

And Carla.

She shook him
trying to wake him.

You, doctor,

you're not gonna let my daughter
get sick like that.

I guess I'd better
give you inoculations.

Can't you wait on that?

Okay.

Why don't you tell the rest
of your fly-casters

that I'm gonna need
all the help I can get.

Come on, in a week,
if we're lucky,

it's all history.

Are you opposed
to inoculations?

Oh, no, I-I just
happen to know that, uh,

the vaccine for this is--

Well, it makes people sick.

Well, you do get around,
don't you?

I worked in a hospital once.

Good, good. I'm gonna
need a lot of help.

The first thing you do is
get a couple of guys

to clean this room out.

We'll spray it,

and we'll use the storeroom
as a dispensary

and a fumigation depot.

I'm gonna call
for some supplies.

( tender theme playing )

Now, you had better
be careful.

Keep hangin' around him,
there's going to be trouble.

Now, you read the instructions,
use the insecticide.

Use plenty of it,
all around the house.

Anyone has a sore throat,
a fever, swollen glands,

get in touch with us,
all right?

All right, that's fine.

If you know anybody else
that hasn't been examined,

you send them down here
right away.

There you are.

Read the instructions,
use the insecticide

around the house,
use plenty of it.

Anyone has a sore throat,
swollen glands,

doesn't feel well,
you get in touch with us, huh?

Tell the children to
use the soap.

Hi.

Dr. Davis says rest
is the most important thing.

I haven't seen you stop
in three whole days.

Well, you ought to practice
what you preach, young lady.

Papa says you're afraid
of something. Are you?

Well, everybody's afraid
of something.

But you didn't leave.

You stayed in Pablo's shack
so that nobody could get in.

It turned out to be
a wasted effort.

Nobody tried.

Still, if you should get it
because of that it--

Well, then it would
be like-like

you're really not afraid
of anything.

Carla, men are not
supposed to be afraid--

Oh, I know,
I know.

But, you know, doctors,
they're really not.

They're not afraid
of anything.

Even if I should get it.

You're not afraid
you have it, are you?

Oh, no.

No, but if I should,

I wouldn't be afraid,

because you'd be there,
wouldn't you?

I would be there.

Here, drink your coffee.

Yes, ma'am.
( giggles )

No, Parker isn't here.

He said he was gonna
spray the whole dock-front

and that's, uh--
That's a big territory.

My daughter with him?

Yeah, yeah. His dinner
was getting cold

so I sent her to find him.

( romantic theme playing )

So that's who you are?

Who'd you think I was?

( chuckles )

I dunno. A man
from Mars or something.

( both chuckle )

I took you some supper
but Dr. Davis said

that you hadn't
gotten back yet.

Well, he's usually right.

That's very heavy,
isn't it?

( grunts )

It was a lot heavier
a couple days ago.

I'm gettin' used to it now.

Hey.
What?

Let's go for a boat ride.

All you do is slide it
down the bank.

It's Tonino's. Tonino does it
all the time by himself.

But not under quarantine.

Well, that's almost over.

Come on.

If you're afraid
of what Papa might think--

What papa already thinks.

I'm old enough to know
who I like.

My mother was married
when she was my age.

Uh...

You know,
I'm practically 16.

Oh, it's ridiculous.

Do you remember your mother?

Very well.

I don't very well.

But I remember when she died.

( tender theme playing )

It was in-in this great big,

shiny, white hospital,

and it was way up high.

Oh, the highest
I've ever been.

And I...

I-I just felt like
I could look down

and just see everything.

And then Papa came in
and picked me up

and carried me out,

and I looked at mama.

Oh...

I thought I was gonna
be scared,

but I wasn't.

Because there was
a doctor there.

He was standing
right next to her.

Oh, I wonder what it's like

to work in a clean,
white hospital.

Dr. Davis says
that you did once.

What did you do?

It was just a temporary job.

Oh.

Must've been
just wonderful though.

Yes, it was.

Hey, wouldn't it be wonderful

if-if I could be a nurse

and you could be a doctor

and we could go around to all
the little dirty towns like--

Like Puerto Viejo
and wherever people needed us

and-and I could wear
a white dress and...

And you wouldn't
even really have to

be in love with me
or anything.

Well, you're right, Carla,
to separate the make believe

from the "being in love" part.

Carla, you can't be happy
pretending to be in love.

I'm not pretending.

Is that what you think?

In 36 hours, Dr. Davis is
going to lift this quarantine.

I'll have to leave.

Yes, I think you're pretending.
I think it's not very real

for you to be in love
with somebody

who just drifted into town
who's twice your age.

( laughs )

Big lecture.

Just because you're afraid
I want you to kiss me.

No kiss,

I'm sorry.

Jeff, I didn't mean afraid.

Carla, your love and affection
are very precious things.

They'll never mean more
to you or to anyone

than they do right now.

Now, if you're going to
offer them to someone,

offer them to someone
who can share them with you.

Someone you know,
someone you can trust.

I trusted you.

How do you know what your kiss
might have meant to me?

You just don't go around
experimenting with strangers.

Experimenting?

Carla, there are--
Oh, let me go.

Carla.
Leave me alone.

( dramatic theme playing )

No, no, no, we looked there.

( sighs ):
I don't know.

Uh, listen,
thank you, thank you.

Goodbye.

Carla.
Leave me alone.

Carla, what has
he done to you?

Leave me alone.

It was Parker, wasn't it?

Oh, let me go, Miguel.

Your father's been looking
all over this town for you.

So are you going to leave it
all up to my father, Miguel?

All what?

I'm supposed to be your girl,
Miguel.

Oh, yes, you're supposed to be,
but you're always with him.

So why couldn't you be a man
and stop him?

I didn't think anything

really was going to happen.

Well, it did.

( uneasy theme playing )

Miguel...

Miguel,
if you really liked me,

you'd go out
and get him for this.

You'd fight for me.

You'd just go out there
and get him.

( slams door )

I will, Carla, I will.

Joe.

Joe, it's Carla.

What?

What?

Well, she's here.

You see, it happened.

Parker.

( gloomy theme playing )

( tense theme playing )

Sorry, mister, nobody's
allowed to come through.

You in charge
of the roadblock?

Me, I'm Joe Vardez.

Oh, sure, I've seen you.

I want to report
on a guy we got in town.

He hurt my daughter.

Who is it?

He goes by the name
of Jeff Parker,

but I dunno.

I think he's
some kind of a crook

trying to hide from the cops.

( dramatic theme playing )

( tense theme playing )

( phone ringing )

VARDEZ:
Carla, take it, will you?

( ringing continues )

Carla.

Carla.

Hello.

Yes, this is Joe Vardez.

Well, you may have
lost your tuna, Mr. Vardez,

but you caught yourself a shark.

You turned out to be
a pretty good detective.

You mean J-Jeff Parker?

Yeah.

Oh, you took
his fingerprints, huh?

I thought he might make a habit
of chasin' little girls,

so I, uh-- I had him
checked out at headquarters.

Found out who he really is.

Yeah, who?

Doctor what?

Yeah?

Yeah.

Yeah, okay.

Jeff Parker.

He's a doctor.

A doctor?

Yeah, all the time,
he's a doctor.

Kimble, Richard.

( uneasy theme playing )

Wait. Wait, Carla.

Carla.

Five o'clock.

Six o'clock tomorrow morning,
I've got to let them take you.

That's when
the quarantine is over.

Thirteen hours
and you've had it, doctor.

What is that "doctor,"
some kind of a needle?

You have a very Freudian
personality.

I mean, you knew you were
going to be caught here.

In the quarantine, yes.

Now, I would have
been long gone.

I don't think
you would, doctor.

If I knew I killed somebody?

Now, that's an
interesting puzzle.

Hm.

Is he trying to atone for taking
a life by saving others,

or is he proven innocent
by innocent faith in outcome?

What kind of grades
did you get in Abnormal Psych?

CARLA:
Jeff.

Carla, you stay
away from him.

Let me go,
Let me go.

What's going on here?
Hold on, young lady.

Jeff, I'm sorry.

It's all my fault.
I'm sorry.

That's all right, Carla.

I didn't know,
I-I didn't know.

Now, you listen to me,
Carla...

Vardez--
You shut your face.

Now, listen to me.

Okay, mister,
you tell my daughter.

He's a murderer,

he's dangerous, Carla.

He is not.

Papa, Papa,
he never touched me.

He nev--?

But Miguel told me--

I lied to Miguel to get even.

Whether he did anything
to you or not, Miss,

won't change anything.

He is a murderer.

I was convicted and sentenced.

Why didn't you tell me
who you were?

Understand me,

he's been sentenced to die.

He's a doctor.

( tender theme playing )

Oh, please.

Please, don't you see?

He never touched me.

He was good to me.

He was kind to me.

Please don't let them
do this to him.

Please help him.

Carla, nothing can happen to him

while he's under the quarantine,

but after 6:00 in the morning,

I have no more authority
over him or anyone else.

Please.
Please help him.

Look, Carla,
there's nothing he can do.

But he's a doctor.

You're a doctor.

You're both doctors.

( sobs )

( sobs )
( dramatic theme playing )

Carla,

I try to think
about you, you know?

No, Papa, you were scared
to face him yourself.

Me, scared? I could kill
that man with my two hands.

That's why I go for the cops.
I don't wanna kill nobody.

You did, Papa.
You did.

No, Carla, I just--

Miguel ran to you,
you ran to the cops.

It's the same thing,
scared.

What's the matter, you talk
to your father like that?

You sick or something?

Carla...
( dramatic theme playing )

You take
her temperature?

I don't got no thermometer,
but, uh, to me,

her face feels hot
like a stove.

All right, young lady,

let's take a look
at that throat of yours, hm?

Leave me alone.

The throat. Open up.
Leave me alone.

Come on, now,
stop that.

Open up.
come on.

Stop yelling and crying
for about an hour,

and you might get well
in a hurry.

You know how to use
a thermometer?

I'll leave this one with you.

It might be just
emotional upset.

Under the tongue.

You take her temperature
at 7, 7:30 and 8.

And you, young lady,
you get into that bed

and you stay there
until I tell you to get up.

( phone rings )

Hello, Davis.

I took her temperature again,
it's higher up.

My daughter's scared, doc,
and maybe me too.

Papa.

Papa,
tell him, please.

She want that Parker,
that Dr. Kimble to come.

I don't care, she want him,
you bring him.

You want,
you can bring the cop too.

Okay.

How is she?

It's hard to tell.

She wants you to come.

Hey, wait a minute.

He's a prisoner.

He's a doctor.

He's got no license.

He's got an educated opinion.

He stays here.

Now, look, if she's got it,

we're all gonna be here
seven more days,

and I can't do it all.

He comes with me.

All right,
get on your feet.

( somber theme playing )

A hundred and one
and a half.

( sighs )

I'll have some tests
flown up to the lab.

They ought to let us know
by noon tomorrow.

Will Dr. Kimble
be here then?

Yes, he will.

Until 6 in the morning,
then he goes with me.

DAVIS:
Negative, everybody stays until
those lab reports come back.

OFFICER:
You're going to
extend the quarantine?

DAVIS:
I have to. Excuse me.

( suspenseful theme playing )

Will you have to
examine me again?

At 12:00 and 5:00
in the morning

Dr. Davis will be here.

I don't want Dr. Davis.

I want you.

Look, Carla,
I'll come if they let me.

You get some sleep.

Don't worry,
everything will be fine.

( dramatic theme playing )

( somber theme playing )

Come on, doctor,
it's time to get up.

Time to hit
the good old deck.

What time is it?
It's 5 a.m.,

so be about.

Cheer up. It's time to
do good in the world.

Unlock him, take him down
to see his patient.

He'd say she had it
even if she hasn't.

Keep him out of the death house
seven more days.

That's ridiculous.

The lab report will
be here by noon.

If she hasn't got it,
we'll know.

Come on, you.

Now turn this way a little.

Say, could you hold
that lamp up, please?

All right,
you can turn the lamp off.

( dramatic theme playing )

( tense theme playing )

Carla.

Operator,

get me
the sheriff's office.

( dramatic theme playing )

( panting )

Carla, go on back.
I know which way to go.

I want you to say
you were kidnapped.

Later, I will.

Look, there are no big,
white hospitals in my life.

That's what I was trying to
tell you when we found Pablo.

There's nothing to
share with anyone.

No.

No, you have to hurt me
to make me leave you now.

( tense theme playing )

Come on.

Look in every building.

Remember, he's got
the cop's gun.

And he's got my daughter too.

Miguel, Tonino, you go that way.

You,
you come with me.

( somber theme playing )

It's locked with a chain.

( muffled gunshot )

The gasoline.
We'll come back for it.

Get the doors.

Miguel,
what'd you find?

Nothing.

How about the beach?

The garage where
you store your boat.

No, Vardez went
down there to look.

Let's try the sand dunes.

( tense theme playing )

No. Oh,
please don't leave me.

Please, you don't know
the harbor. Please.

Carla,
I can't take you with me.

Oh, no, please.

You need me,
you'll get caught.

KIMBLE:
Maybe I will,
but they won't hurt you.

I want 'em to find
you here, safe.

Kimble.

No, Papa, no.

( tense theme builds )

You got the key?

Unlock that handcuff, quick.

You ain't got much time.

Joe,

if you think I ever hurt
your daughter, then shoot me.

Papa, please.

Papa, he didn't do anything.
Let him go.

Please.

Kimble...

take my daughter
and get out of here.

I see you come in here,

I point my gun straight at you,

I'm gonna kill you,

but I can't shoot.

I gotta make up my mind,
you good or you bad.

If you bad,
I'm gonna kill you.

But I can't shoot.

Go on,
Take her out of here.

You don't want
to run like this, Carla.

VARDEZ:
Away from Puerto Viejo?

Yeah.

Give her a chance
someplace in the world.

She fight for you,
she lie for you.

Just like her mama
did for me.

She love you that much.

Take that chance.

She don't belong to me no more.

Papa?

You gonna be happy with him.

Go on.

Your mama die in this town.

Carla, I...

I couldn't have
come this far without you.

I have to go on alone.

This is your home.

I...

I want my kiss.

Well, I, uh--

I guess I made, uh,
a big problem

out of that before,
didn't I?

We grownups sometimes
get things a little mixed up.

Well, kids too.

( chuckles )

I-I hope you can
be a doctor again somewhere.

( somber theme playing )

Oh, Papa, I love you.

( dramatic theme playing )

( suspenseful theme playing )

Ah, ah.

All right.

You take aspirin and you stay
in bed for the rest of the day.

You've got a dilly
of a cold coming on.

Which must be what was wrong
with you last night.

Complicated, of course,
by being hauled out

in the cold
by this Kimble person.

Yeah, she didn't even
have no coat.

Can you imagine?

Forcing her to go
with him like that.

Yeah.
That's awful.

Also, he left town
at 5:30 a.m. this morning

and the quarantine
wasn't up until 6.

He broke the law.

How's the girl?

Well, she's suffering
from exposure

so go easy on her.

Is-is there any news?

Found the motorboat, empty.

Everyone makes a joke
about the fish that got away.

But not this time, huh?

Not this time.

ANNOUNCER:
Somewhere far ahead
in the distance and time

lies a harbor of many names:

safety, love,

security, peace.

Meantime, the only haven
for Richard Kimble

is the freedom to move,

and remain a fugitive.

( dramatic theme playing )

( dramatic theme playing )