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00:00:17,583 --> 00:00:20,540
Soon after its premiere,
the film Metropolis
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00:00:20,666 --> 00:00:23,749
was severely truncated
and alterations were made.
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00:00:23,875 --> 00:00:26,915
From that time onward,
more than a quarter of the film
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00:00:27,041 --> 00:00:30,124
was assumed to have been lost.
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00:00:30,250 --> 00:00:33,332
Then, in 2008, a virtually complete
version of the film
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00:00:33,458 --> 00:00:36,540
was discovered in Buenos Aires.
What had been preserved
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00:00:36,666 --> 00:00:39,749
was, however, a heavily damaged
copy of the film
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00:00:39,875 --> 00:00:42,915
that had been printed to 16mm
film stock,
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00:00:43,041 --> 00:00:47,207
lacking the full frame
of the picture's original aspect ratio.
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00:00:47,791 --> 00:00:51,707
A considerable amount of the film
reconstruction was able to be completed
11
00:00:51,833 --> 00:00:54,207
and the correct sequence
of its editing
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00:00:54,333 --> 00:00:57,124
established by means
of this Argentinian material.
13
00:00:57,250 --> 00:01:00,249
Spanish intertitles have been translated
into German
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00:01:00,375 --> 00:01:02,374
with the aid of the censor-cards.
15
00:01:02,500 --> 00:01:06,415
In order to display in their correct
position on the image
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00:01:06,541 --> 00:01:09,332
the cropped elements taken
from the 16mm negative,
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00:01:09,458 --> 00:01:12,290
the missing portion of the frame
has been marked by black.
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00:01:13,083 --> 00:01:16,832
The intertitles appear
with their original graphic treatment.
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00:01:16,958 --> 00:01:20,790
Those titles which appear in a different
typeface (like the one used here)
20
00:01:20,916 --> 00:01:24,374
have been added to summarise
the content of still-missing scenes
21
00:01:24,500 --> 00:01:26,332
as far as is necessary
to facilitate
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00:01:26,458 --> 00:01:28,707
an adequate understanding
of the storyline.
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00:01:28,833 --> 00:01:31,957
Shorter gaps are indicated
by small segments of black leader.
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00:01:32,250 --> 00:01:39,290
This film was produced by Ufa
and is distributed courtesy of Parufamet.
25
00:01:39,583 --> 00:01:44,957
Direction: Fritz Lang.
Scenario: Thea von Harbou.
26
00:01:45,250 --> 00:01:48,874
Production Design: Otto Hunte,
Erich Kettelhut, Karl Vollbrecht.
27
00:01:49,000 --> 00:01:52,707
At the Camera:
Karl Freund, Günther Rittau.
28
00:01:53,000 --> 00:01:58,790
Music: Gottfried Huppertz.
Sculptor: Walter Schultze-Mittendorf.
29
00:01:59,083 --> 00:02:01,415
Metropolis, a novel
by Thea von Harbou,
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00:02:01,541 --> 00:02:04,624
appeared in the publication
Illustriertes Blatt, Frankfurt,
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00:02:04,750 --> 00:02:07,374
and in book form
from August Scherl Verlag G.m.b.H.
32
00:02:07,666 --> 00:02:10,499
The personages in the film:
33
00:02:10,625 --> 00:02:13,457
Joh Fredersen - Alfred Abel
34
00:02:13,583 --> 00:02:16,999
Freder, Joh Fredersen's son -
Gustav Fröhlich
35
00:02:17,125 --> 00:02:20,540
Rotwang, the inventor
- Rudolf Klein-Rogge
36
00:02:20,666 --> 00:02:24,082
The Thin Man - Fritz Rasp
Josaphat - Theodor Loos
37
00:02:24,208 --> 00:02:27,040
11811 - Erwin Biswanger
38
00:02:27,166 --> 00:02:30,582
Grot, the guardian of the Heart-Machine -
Heinrich George
39
00:02:30,708 --> 00:02:34,457
The Creative Man
The Machine-Man
40
00:02:34,583 --> 00:02:38,332
Death
The Seven Deadly Sins
41
00:02:38,458 --> 00:02:42,332
Maria - Brigitte Helm
42
00:02:42,625 --> 00:02:45,207
Epigraph:
43
00:02:45,333 --> 00:02:50,915
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
44
00:03:58,000 --> 00:04:01,290
Shift change.
45
00:05:19,208 --> 00:05:22,332
Deep beneath
46
00:05:22,458 --> 00:05:25,999
the earth lay the
47
00:05:26,125 --> 00:05:30,207
City of the Workers.
48
00:06:39,916 --> 00:06:45,499
As deep beneath the earth
as the City of the Workers lay,
49
00:06:45,625 --> 00:06:51,249
so high above it towered the complex
known as the "Sons' Club",
50
00:06:51,375 --> 00:06:56,957
with its lecture halls and libraries,
its theatres and stadiums.
51
00:07:30,041 --> 00:07:34,374
Fathers, for whom every revolution
of a mechanical wheel meant gold,
52
00:07:34,500 --> 00:07:39,249
had bestowed upon their sons
the wonder of the Eternal Gardens.
53
00:07:58,833 --> 00:08:02,165
Which of you ladies shall today
54
00:08:02,291 --> 00:08:07,124
have the honour of entertaining Master Freder,
Joh Fredersen's son?
55
00:10:46,291 --> 00:10:50,415
Look! These are your brothers!
56
00:10:53,000 --> 00:10:55,832
Look - !
57
00:11:03,083 --> 00:11:06,374
These are your brothers!
58
00:12:35,875 --> 00:12:39,165
Who - was that?
59
00:13:28,333 --> 00:13:30,749
But this was what happened to Freder -
60
00:13:30,875 --> 00:13:34,332
the son of Joh Fredersen,
the master of Metropolis -
61
00:13:34,458 --> 00:13:37,124
as he sought out the girl:
62
00:17:43,833 --> 00:17:47,957
To the new Tower of Babel -
to my father - !
63
00:21:38,083 --> 00:21:43,499
Why is it, Josaphat, that I learn of this explosion
from my son, and not from you - !
64
00:21:51,458 --> 00:21:54,749
Details - !
65
00:23:07,083 --> 00:23:12,457
What were you looking for
in the Machine-Halls, Freder?
66
00:23:15,166 --> 00:23:21,790
I wanted to look into the faces of the people
whose little children are my brothers, my sisters...
67
00:23:48,500 --> 00:23:50,832
Your magnificent city, Father -
68
00:23:50,958 --> 00:23:55,124
and you the brain of this city -
and all of us within the light of this city... -
69
00:24:22,416 --> 00:24:26,540
...and where are the people, Father,
whose hands built your city - ?
70
00:24:32,416 --> 00:24:36,540
Off where they belong...
71
00:24:43,416 --> 00:24:46,374
...off where they belong...?
72
00:24:51,416 --> 00:24:54,957
...in the Depths...?
73
00:25:30,291 --> 00:25:35,249
And if those in the Depths
one day rise against you?
74
00:26:07,250 --> 00:26:12,207
The chief foreman of the Heart-Machine, Grot, -
with an important message...
75
00:26:33,166 --> 00:26:38,124
There were two more copies
of those damnable plans, Herr Fredersen...
76
00:27:19,125 --> 00:27:24,082
...in the pockets of two men who met
with an accident today at the M-Machine...
77
00:27:38,208 --> 00:27:44,832
How is it, Josaphat, that these plans
were brought to me by Grot, rather than by you?
78
00:28:09,166 --> 00:28:14,124
Apply to the G-Bank
for your remaining wages...
79
00:29:19,125 --> 00:29:23,165
Father, do you know what it means
to be dismissed by you? -
80
00:29:23,291 --> 00:29:27,415
It means: To be sent below! -
Father - below! Into the Depths - !
81
00:30:40,125 --> 00:30:46,749
Do you know what it means to be dismissed
like that by Joh Fredersen?
82
00:31:05,166 --> 00:31:09,290
Would you like to come with me,
Josaphat?
83
00:31:49,833 --> 00:31:58,124
Go home, Josaphat, and wait for me...
I still have a long way to go tonight...
84
00:32:09,416 --> 00:32:14,374
Into the Depths, -
to my brothers...
85
00:32:22,750 --> 00:32:29,374
From today on I wish to be kept precisely informed
of my son's every move...
86
00:33:44,750 --> 00:33:46,790
Brother...
87
00:33:57,166 --> 00:34:02,165
...the Machine! There needs
to be someone at the Machine!
88
00:34:07,666 --> 00:34:12,624
There will be someone at the machine...
89
00:34:12,750 --> 00:34:14,707
ME.
90
00:34:26,458 --> 00:34:31,415
Listen to me...
I want to trade my life with you...
91
00:35:03,208 --> 00:35:08,124
Josaphat.
99th Block. House 7, 7th Floor.
92
00:35:13,583 --> 00:35:17,707
Wait for me -
both of you...
93
00:35:48,541 --> 00:36:08,957
Josaphat.
99th Block. House 7, 7th Floor.
94
00:38:01,375 --> 00:38:03,874
In the middle of Metropolis,
95
00:38:04,000 --> 00:38:08,499
there stands a strange house
that the centuries had overlooked.
96
00:38:15,041 --> 00:38:20,415
The man who dwelled within
was Rotwang, the inventor.
97
00:39:38,916 --> 00:39:40,915
Hel
98
00:39:41,041 --> 00:39:45,499
Born to bring me happiness
and a benediction to all mankind.
99
00:39:45,625 --> 00:39:50,124
Lost to Joh Fredersen.
Died giving life to Freder, Joh Fredersen's son.
100
00:40:16,375 --> 00:40:21,040
A mind like yours, Rotwang,
should be able to forget...
101
00:40:26,083 --> 00:40:32,707
Only one time in life did I forget something:
that Hel was a woman - and you a man...
102
00:40:38,708 --> 00:40:43,665
Let the dead lie, Rotwang...
She's dead for you as she is for me...
103
00:40:51,375 --> 00:40:56,332
For me she isn't dead, Joh Fredersen -
for me she lives - !
104
00:41:06,083 --> 00:41:14,374
Do you think the loss of a hand
is too high a price for recreating Hel - ?!
105
00:41:20,958 --> 00:41:24,249
Do you wish to see her - ?!
106
00:43:26,041 --> 00:43:28,832
Now, Joh Fredersen - ?!
107
00:43:28,958 --> 00:43:32,915
Isn't it worth losing a hand
to have created the man of the future -
108
00:43:33,041 --> 00:43:35,124
the Machine-Man - ?!
109
00:43:42,708 --> 00:43:46,540
24 more hours of work -
110
00:43:46,666 --> 00:43:51,832
and no man, Joh Fredersen, will be able
to differentiate the Machine-Man from a mortal - !
111
00:44:11,875 --> 00:44:17,374
The woman is mine, Joh Fredersen!
Hel's son was yours!
112
00:44:44,541 --> 00:44:49,499
And what brings you my way,
Joh Fredersen?
113
00:45:00,208 --> 00:45:06,832
I need your advice -
as usual, when all my experts fail me...
114
00:45:20,166 --> 00:45:23,082
Can you decipher for me these plans
115
00:45:23,208 --> 00:45:28,457
that for months have been getting discovered
in the pockets of my workers?
116
00:46:03,875 --> 00:46:08,832
...at two... once my shift ends!
She has summoned us again...
117
00:47:35,291 --> 00:47:41,915
Father - ! Father - !
Will ten hours never come to an end - ??! !
118
00:48:12,500 --> 00:48:16,540
- it's a blueprint
of the two-thousand-year-old catacombs
119
00:48:16,666 --> 00:48:20,790
deep below the lowest levels
of your Metropolis...
120
00:48:56,041 --> 00:49:04,207
I should like to glean what my workers
are doing exactly in those catacombs...
121
00:52:28,208 --> 00:52:30,624
Today I shall tell you
122
00:52:30,750 --> 00:52:34,915
the legend of THE CONSTRUCTION
OF THE TOWER OF BABEL...
123
00:52:35,041 --> 00:52:40,707
The Legend of THE CONSTRUCTION
OF THE TOWER OF BABEL
124
00:52:50,708 --> 00:52:56,915
Come! Let us build a tower
whose zenith shall reach unto the stars!
125
00:53:00,166 --> 00:53:03,749
And at the tower's zenith we shall write:
126
00:53:03,875 --> 00:53:08,457
Great is the world and its Maker!
And great is Man!
127
00:53:28,541 --> 00:53:31,665
...but those who had conceived
of the Tower of Babel
128
00:53:31,791 --> 00:53:34,082
could not build the Tower of Babel.
129
00:53:34,208 --> 00:53:38,874
The task was too great.
So they paid wages to outside hands...
130
00:53:56,166 --> 00:54:01,249
But the hands that built the Tower of Babel
knew nothing of the dream
131
00:54:01,375 --> 00:54:06,540
of which the head that had conceived it
had been fantasising.
132
00:54:34,750 --> 00:54:39,374
The hymns of praise of one man
became the curses of others.
133
00:54:52,625 --> 00:54:58,832
The same language was spoken,
but these men did not understand one another...
134
00:55:06,666 --> 00:55:14,499
Great is the world and its Maker
and great is Man
135
00:55:30,166 --> 00:55:34,290
HEAD and HANDS require a Mediator.
136
00:55:36,750 --> 00:55:42,957
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
137
00:56:12,041 --> 00:56:16,999
And where is our Mediator,
Maria - ?
138
00:56:37,250 --> 00:56:42,207
Wait for him!
He will surely come!
139
00:56:57,583 --> 00:57:02,540
We will wait, Maria...!
But not for much longer - !
140
00:58:51,500 --> 00:58:56,457
Oh Mediator,
have you finally come...
141
00:58:59,250 --> 00:59:04,207
You summoned me -
here I am!
142
00:59:35,041 --> 00:59:41,665
Rotwang, give the Machine-Man
the likeness of this woman...
143
00:59:50,791 --> 00:59:54,832
I shall sow discord
between them and her!
144
00:59:54,958 --> 00:59:59,082
I shall destroy their belief
in this woman -
145
01:00:26,375 --> 01:00:32,999
Leave me alone now, Joh Fredersen...
You'll find the way back without me...
146
01:00:58,958 --> 01:01:03,624
You fool! Now you shall also lose
the last remaining thing you still had from Hel...
147
01:01:03,750 --> 01:01:07,249
your son...
148
01:01:30,166 --> 01:01:34,332
Until tomorrow, in the cathedral!
149
01:06:06,166 --> 01:06:10,290
END OF THE PRELUDE
150
01:06:14,833 --> 01:06:18,624
INTERMEZZO
151
01:06:56,208 --> 01:07:00,040
Freder witnesses a monk at the pulpit
who preaches:
152
01:07:00,166 --> 01:07:05,040
"Verily, I say unto you: the days
of which the Apocalypse speaks draw nigh!"
153
01:07:05,416 --> 01:07:09,457
The monk's hand points to the Bible,
in which it is written:
154
01:07:09,625 --> 01:07:13,415
"And I saw a woman sit upon a scarlet coloured
beast, full of names of blasphemy,
155
01:07:13,541 --> 01:07:15,707
having seven heads and ten horns.
156
01:07:15,833 --> 01:07:19,499
And the woman was arrayed
in purple and scarlet colour,
157
01:07:19,625 --> 01:07:21,790
having a golden cup in her hand.
158
01:07:21,916 --> 01:07:25,582
And upon her forehead was a name
written, a mystery:
159
01:07:25,708 --> 01:07:29,207
BABYLON THE GREAT, the Mother
of Abominations ofthe Earth.
160
01:07:29,333 --> 01:07:32,665
And I saw the woman drunken
with the blood ofthe Saints."
161
01:07:48,541 --> 01:07:54,332
You will annihilate Joh Fredersen -
him and his city and his son - !
162
01:08:39,458 --> 01:08:41,124
GLUTTONY
163
01:08:41,291 --> 01:08:42,957
AVARICE
164
01:08:43,083 --> 01:08:44,832
PRIDE
165
01:08:44,958 --> 01:08:46,207
LUST
166
01:08:46,375 --> 01:08:48,040
ENVY
167
01:08:48,208 --> 01:08:49,499
ANGER
168
01:08:49,666 --> 01:08:50,790
SLOTH
169
01:09:06,458 --> 01:09:10,499
Had you come earlier,
you wouldn't have frightened me...
170
01:09:10,625 --> 01:09:14,749
I now beg of you: stay away from me
and my beloved...!
171
01:10:19,666 --> 01:10:24,082
Where is the one whose clothes
you are wearing?
172
01:10:38,208 --> 01:10:44,040
Josaphat.
99th Block. House 7, 7th Floor.
173
01:11:18,083 --> 01:11:21,415
Would you please wake Georgy up?
174
01:11:21,541 --> 01:11:25,415
He must lead me
to the Workers' City at once...
175
01:11:44,541 --> 01:11:52,124
No. 11811, get back to the Machine
and forget that you ever left it - understood?
176
01:12:13,083 --> 01:12:16,790
I have to have someone
who's faithful to me, Josaphat, -
177
01:12:16,916 --> 01:12:20,749
otherwise, how shall I attain the end-goal
of my path - ?!
178
01:12:47,375 --> 01:12:51,124
I must go on, Josaphat, -
must now, on my own,
179
01:12:51,250 --> 01:12:55,040
seek out the person to whom Georgy
was supposed to lead me...
180
01:12:58,458 --> 01:13:03,624
Tonight, Josaphat -
tonight when I come back...
181
01:14:51,083 --> 01:14:56,624
Josaphat.
99th Block. House 7, 7th Floor.
182
01:15:34,083 --> 01:15:41,707
So, what price are you demanding
for leaving this residence tonight?
183
01:16:27,916 --> 01:16:33,040
You still don't seem to have grasped
who sent me here...
184
01:16:36,541 --> 01:16:37,749
CENTRAL BANK OF METROPOLIS
185
01:16:39,708 --> 01:16:45,874
This man doesn't want his son
to find you still here tonight!
186
01:17:38,125 --> 01:17:43,707
In three hours' time
I shall be calling for you!
187
01:18:39,750 --> 01:18:46,332
Come! It is time to give the Man-Machine
your face!
188
01:26:30,916 --> 01:26:34,999
Where is Maria - ?!
189
01:26:43,375 --> 01:26:48,290
She's with your father...
190
01:27:05,125 --> 01:27:10,040
I'm telling you,
she is with your father - !
191
01:27:11,791 --> 01:27:15,790
"She is the most perfect and most obedient tool
that a man has ever possessed!
192
01:27:15,916 --> 01:27:19,915
Tonight you shall see how she holds up
before the eyes ofthe upper hundred.
193
01:27:20,041 --> 01:27:24,165
You shall see her dance, and if only one single
person recognises the machine in her,
194
01:27:24,291 --> 01:27:28,290
I will call myself a bungler
who never succeeded at anything!
195
01:27:28,416 --> 01:27:31,457
C. Rotwang"
196
01:27:31,583 --> 01:27:36,374
"C. A. Rotwang requests Herr Joh Fredersen
to be his guest this evening."
197
01:28:09,041 --> 01:28:15,624
I want you to go to those in the Depths
in order to annihilate the work of your prototype!
198
01:30:07,250 --> 01:30:10,290
"C. A. Rotwang requests Herr Joh Fredersen
to be his guest this evening."
199
01:32:03,958 --> 01:32:11,290
Verily, I say unto you: the days
of which the Apocalypse speaks draw nigh...!
200
01:33:22,125 --> 01:33:27,040
All Seven Deadly Sins,
on her behalf - !
201
01:34:12,791 --> 01:34:17,707
Death overtakes the City - !
202
01:34:29,583 --> 01:34:34,499
END OF THE INTERMEZZO
203
01:34:49,708 --> 01:34:57,957
The Revelation of St. John
Avalun Publishing, Hellerau
204
01:35:16,083 --> 01:35:20,499
I escaped from the Thin Man
wearing this attire...
205
01:35:20,625 --> 01:35:25,165
But for ten days your father's bloodhound
has been making the Workers' City unsafe...
206
01:35:35,000 --> 01:35:38,082
The only thing keeping the workers in check
207
01:35:38,208 --> 01:35:42,415
is their expectation for the Mediator
promised unto them...
208
01:36:07,416 --> 01:36:12,707
Even stranger things
have been happening, Freder...
209
01:36:23,208 --> 01:36:27,790
On that evening when you fell ill...
210
01:36:38,458 --> 01:36:43,415
...once the best of friends...
because of that woman...
211
01:36:49,125 --> 01:36:54,040
...the other man...
on that same evening...
212
01:37:02,041 --> 01:37:08,624
...the Eternal Gardens lie abandoned...
but night after night in Yoshiwara...
213
01:37:44,500 --> 01:37:51,082
And this woman,
at whose feet all sins are heaped...
214
01:37:51,416 --> 01:37:56,124
...is also called Maria...
215
01:38:04,416 --> 01:38:10,999
That same woman that those in the Depths
regard as a saint - ?!
216
01:38:25,500 --> 01:38:28,832
Many now go to the City of the Dead,
217
01:38:28,958 --> 01:38:33,790
to a woman they have judged
to be as true as gold.
218
01:38:39,583 --> 01:38:43,999
The Mediator is not likely
to miss that occasion...
219
01:39:06,833 --> 01:39:10,165
Whatever happens tonight:
220
01:39:10,291 --> 01:39:14,415
it is my express order to allow the workers
to do as they please...
221
01:39:25,416 --> 01:39:30,707
Joh Fredersen wants to let those in the Depths
use force and do wrong
222
01:39:30,833 --> 01:39:36,165
so that he can claim the right
to use force against them...
223
01:39:53,750 --> 01:39:58,999
When you spoke to your poor brothers,
you talked about peace, Maria...
224
01:39:59,125 --> 01:40:04,499
today a mouthpiece of Joh Fredersen
incites them to rebel against him...
225
01:40:27,916 --> 01:40:32,832
She will destroy their belief
in the Mediator!
226
01:41:11,125 --> 01:41:17,707
You know I've always talked about peace...
but your Mediator hasn't come...
227
01:41:29,666 --> 01:41:34,582
You've waited long enough!
Your time has come - !
228
01:41:41,291 --> 01:41:45,040
...but I've tricked Joh Fredersen!
229
01:41:45,166 --> 01:41:49,540
Your clone does not obey his will -
only mine alone!
230
01:41:58,625 --> 01:42:05,249
Who is the living fodder
for the machines for Metropolis - ?!
231
01:42:09,833 --> 01:42:16,415
Who smears the machine-joints
with their own marrow - ?!
232
01:42:31,333 --> 01:42:36,249
Who feeds the machines
with their own flesh - ?!
233
01:42:43,041 --> 01:42:49,624
Let the machines starve, you fools - !
Finish them off - ! !
234
01:42:52,958 --> 01:42:57,874
Do them in -
these machines - ! !
235
01:43:14,250 --> 01:43:17,082
You aren't Maria - ! ! !
236
01:43:20,708 --> 01:43:23,040
YOU ARE NOT MARIA - !
237
01:43:37,583 --> 01:43:42,499
Maria talks of peace, not murder - !
This is not Maria - ! !
238
01:43:46,375 --> 01:43:51,332
Joh Fredersen's son - ! !
239
01:43:53,833 --> 01:44:00,415
Do him in, the dog,
in his white silken hide - ! ! !
240
01:44:31,500 --> 01:44:35,540
Get your women, your sons,
out of the Workers' City!
241
01:44:35,666 --> 01:44:39,749
Let no-one stay behind!
Death to the machines - ! ! !
242
01:44:50,291 --> 01:44:52,457
In the attic of his home,
243
01:44:52,583 --> 01:44:56,165
Rotwang displays
for Maria his ever-growing intoxication
244
01:44:56,291 --> 01:44:58,374
with his triumph over Fredersen:
245
01:44:58,666 --> 01:45:00,874
" - and twice over did I trick Joh Fredersen - !
246
01:45:01,000 --> 01:45:04,915
For I concealed from him that his son
wants to be the Mediator of your brothers -
247
01:45:05,041 --> 01:45:06,915
and is in love with you - !"
248
01:45:07,208 --> 01:45:09,707
Maria isn't the only one listening to Rotwang.
249
01:45:09,833 --> 01:45:13,832
On the other side of the attic's window,
Joh Fredersen was eavesdropping...
250
01:45:14,291 --> 01:45:19,124
Joh Fredersen breaks into Rotwang's attic.
He wrestles with his old rival and overtakes him.
251
01:45:19,250 --> 01:45:22,582
Maria is free.
252
01:45:49,000 --> 01:45:53,082
...faithful after all...
253
01:46:12,125 --> 01:46:15,332
Come, Freder!
We still have to go through the Workers' City.
254
01:46:50,000 --> 01:46:52,665
Women and men,
let no-one miss out on today - !
255
01:46:52,791 --> 01:46:54,915
Death to the machines - ! !
256
01:49:03,708 --> 01:49:08,624
Not one man -
not one woman has stayed behind - !
257
01:49:49,250 --> 01:49:56,540
Leave the machines - !
Let them race to their death - !
258
01:50:05,041 --> 01:50:07,874
To the Heart-Machine - !
259
01:50:18,250 --> 01:50:20,957
DANGER
260
01:51:42,333 --> 01:51:44,624
Open the gates!
261
01:51:51,750 --> 01:51:55,624
You have to open the gates!
262
01:51:58,166 --> 01:52:00,874
If the Heart-Machine perishes,
263
01:52:01,000 --> 01:52:04,749
nothing in the Machine-District
will be left standing - ! !
264
01:52:52,875 --> 01:52:56,415
Have you lost your minds - ??
265
01:52:56,541 --> 01:53:01,999
If the Heart-Machine perishes,
the entire Workers' City will be laid to waste - ! !
266
01:58:52,583 --> 01:58:57,165
Where are your fathers,
your mothers?
267
01:59:49,750 --> 01:59:54,665
Do you have any idea that your son
is amongst the workers?!
268
02:01:32,500 --> 02:01:37,415
Yes - you! You're Maria - !
269
02:01:48,250 --> 02:01:54,832
To the air shafts - quickly! Quickly!
The reservoirs have burst! The city is drowning - !
270
02:06:29,791 --> 02:06:34,707
We'll take the children
to the Sons' Club!
271
02:06:46,083 --> 02:06:51,040
Why are all the lights out?
272
02:07:13,875 --> 02:07:18,790
I need to know - !
Where is my son?! ! !
273
02:07:21,958 --> 02:07:25,665
Tomorrow thousands
will ask in fury and desperation:
274
02:07:25,791 --> 02:07:28,540
Joh Fredersen,
where is my son - ?!
275
02:08:13,375 --> 02:08:17,457
Where are your children??!
276
02:08:26,000 --> 02:08:32,582
The city is drowned,
the shafts are totally flooded - ! !
277
02:08:39,416 --> 02:08:48,499
Who bade you attack the machines,
without which you're finished, you idiots - ??!
278
02:08:54,750 --> 02:08:58,332
It's the witch's fault - !
279
02:09:08,375 --> 02:09:12,707
We'll be looking on
as the world goes to the devil - !
280
02:09:53,875 --> 02:10:00,457
Find the witch; this is all her fault - !
Strike her dead - ! !
281
02:11:14,833 --> 02:11:19,749
Now I'm going to take you home,
my Hel - !
282
02:12:33,125 --> 02:12:39,707
The witch - ! the witch - !
There she is - ! there she is - !
283
02:12:42,916 --> 02:12:49,499
Where are our children,
you witch, you - ??!
284
02:12:55,083 --> 02:13:01,665
Burn the witch. -
To the stake with her! ! !
285
02:14:55,875 --> 02:14:59,124
To the stake with her - ! !
286
02:17:24,958 --> 02:17:29,915
Hel - ! My Hel - ! !
287
02:21:18,416 --> 02:21:23,332
Your children... saved - ! ! !
288
02:25:25,708 --> 02:25:30,749
Head and hands want to join together,
but they don't have the heart to do it...
289
02:25:30,916 --> 02:25:34,790
Oh Mediator,
show them the way to one another...
290
02:26:14,541 --> 02:26:23,624
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
291
02:26:28,791 --> 02:26:33,790
Restoration: F. W. Murnau Stiftung, Wiesbaden
jointly with Deutsche Kinemathek -
292
02:26:33,916 --> 02:26:37,915
Museum für Film und Fernsehen, Berlin
293
02:26:38,041 --> 02:26:43,415
in co-operation with Museo del Cine Pablo
C. Ducros Hicken, Buenos Aires
294
02:26:43,708 --> 02:26:48,707
Supported by:
295
02:26:58,916 --> 02:27:03,915
Contributors of material and guidance:
296
02:28:19,541 --> 02:28:24,540
Special Thanks:
297
02:29:30,416 --> 02:29:32,082
Reconstruction and synchronisation
298
02:29:32,208 --> 02:29:33,748
of the original music
by Gottfried Huppertz:
299
02:29:33,874 --> 02:29:35,373
Frank Strobel
300
02:29:35,458 --> 02:29:37,165
Instrumentation of the missing parts
of the score:
301
02:29:37,291 --> 02:29:38,790
Marco Jovic
302
02:29:38,916 --> 02:29:40,373
Musical notation:
303
02:29:40,499 --> 02:29:42,165
Jörg Peltzer
304
02:29:42,291 --> 02:29:43,790
Edition on behalf of ZDF/ARTE:
305
02:29:43,916 --> 02:29:45,415
Europäische Filmphilharmonie -
Die Film Philharmonie GmbH
306
02:29:46,416 --> 02:29:48,207
Performed by the:
Rundfunk-Sinfonieorchester Berlin
307
02:29:48,333 --> 02:29:50,123
an ensemble of the
Rundfunk Orchester und Chöre GmbH
308
02:29:50,249 --> 02:29:51,998
Musical direction:
309
02:29:52,124 --> 02:29:53,915
Frank Strobel
310
02:29:53,999 --> 02:29:55,790
Music production:
311
02:29:55,916 --> 02:29:57,665
Nina Goslar, ZDF/ARTE
312
02:29:57,791 --> 02:29:59,540
Stefan Lang,
Deutschlandradio Kultur
27154
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