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>> I SEE...
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I SEE...
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I SEE...
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I SEE...
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>> UH...COULD YOU HURRY UP WITH
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THIS?
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>> ...ANOTHER MAN.
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>> YOU SEE ANOTHER...MAN FOR...
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>> CYNTHIA.
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>> THAT'S WHAT YOU SEE?
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THAT
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YOUR BALL MUST BE DIRTY.
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>> IT'S CRYSTAL.
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>> NOT REALLY, IT ISN'T.
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COULD YOU...STOP DOING THAT?!
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>> IT'S A PIECE OF BAZOOKA
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BUBBLE GUM.
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IT'S NOT A BOMB, FOR CHRIST'S
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SAKE.
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SHIT!
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YOU'RE SUCH A SCAREDY-CAT.
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>> I'M NOT -- I'M NOT A
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SCAREDY-CAT.
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>> OH, YES, YOU ARE.
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YOU GET FREAKED OUT ABOUT EVERY
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LITTLE THING.
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>> LOOK, I KNOW AT TIMES I HAVE
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SOME ISSUES.
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>> IT'S GONE BEYOND ISSUES.
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IT'S, LIKE, WEIRD
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CHOKE-IN-YOUR-SLEEP KIND OF
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SHIT.
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DO YOU KNOW WHAT IT'S LIKE?
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DO YOU?
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>> NO.
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>> NO.
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OF COURSE NOT, 'CAUSE YOU DON'T
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REMEMBER A GODDAMN ONE.
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>> NOCTURNAL PANIC ATTACKS.
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>> IT'S AMAZING.
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THEY HAVE A NAME FOR EVERYTHING
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NOWADAYS.
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>> I DON'T WANT TO TALK ABOUT
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THIS RIGHT NOW.
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I JUST DON'T LIKE YOU POPPING
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YOUR GUM.
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>> LET'S GO TO THE CARDS.
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>> WELL, THE BALL SEEMED TO BE
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WORKING PRETTY WELL.
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>> YES.
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SHE'S HAVING AN AFFAIR.
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>> WHO?
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>> CYNTHIA.
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>> * THE BEST IS YET TO COME *
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>> IS THIS TRUE?
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>> WELL...JACK, UM...
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YEAH.
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>> SHE'S LEAVING YOU.
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>> IT SAYS THAT?
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>> LEAVING ME FOR WHO?
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>> A ROCK...
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>>
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LET ME DO THIS.
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JACK, UM...
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I THOUGHT THAT THIS WOULD BE
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FUN, YOU KNOW, TO COME HERE AND
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GET OUR FUTURES READ.
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MAYBE SOMETHING WOULD CHANGE
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THINGS.
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I-I NEVER EXPECTED THIS.
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SHE'S GOOD.
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YOU'RE GOOD.
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>> UH...WHAT...WHAT IS GOING ON?
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>> IT'S OVER.
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I KIND OF MET THIS ROCK
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MUSICIAN...
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...IN MY ACTING CLASS, AND...
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GOD, HE TOTALLY BANGS MY WORLD.
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AND...
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>> I-I DON'T UNDERSTAND.
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>> LOOK.
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I WANT TO HAVE FUN, JACK.
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I'M TOO YOUNG NOT TO BE LIVING.
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>> WHAT ARE YOU TALKING ABOUT?
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JUST BECAUSE I DON'T WANT TO GO
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OUT AND PARTY?
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>> YOU JUST DON'T GET IT, DO
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YOU?
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>> WHAT
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I...I'M HERE.
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I'M HERE.
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WE'RE GOING TO THE MOVIES.
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>> THE FIRST TIME IN FIVE
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MONTHS.
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YOU KNOW, JACK, YOU WEREN'T LIKE
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THIS WHEN WE MET.
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YOU'RE GETTING WORSE, AND...
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I'M DONE WASTING TIME THINKING
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THAT YOU'RE GONNA CHANGE.
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>> * WE'VE ONLY TASTED
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THE WINE *
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>> I CAN'T BELIEVE THIS.
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I HAVE TO GO AFTER HER.
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>>
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>> WHAT NOW?
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>> DEATH.
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>> I'M GOING TO DIE?
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>> IT COULD BE DEATH OR A
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LIFE-ALTERING CHANGE THAT COULD
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INCLUDE DEATH.
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>> I DON'T BELIEVE THIS.
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>> IT HAS SOMETHING TO DO WITH
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YOUR NEXT BIRTHDAY.
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>> NO, THIS IS...
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THIS IS REALLY, REALLY SCREWED
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UP.
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YOU KNOW, I THINK THAT YOU JUST
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WANT ME TO BUY ALL YOUR LITTLE
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CANDLES AND CRYSTALS SO THAT YOU
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CAN MAKE RENT THIS MONTH.
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>> I FEEL A PRESENCE...
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AN OLDER MAN.
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YOUR FATHER, MAYBE?
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>> WHAT DO YOU MEAN MY FATHER?
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>> HE HAS A MESSAGE FOR YOU.
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>> I'M ON MY LAST LEG, FOR
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CHRIST'S SAKE.
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IT'D BE SO MUCH EASIER IF YOU
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COULD JUST MAKE THE TRIP OUT
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HERE, AND WE COULD FINISH
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SORTING OUT MY AFFAIRS ONCE AND
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FOR ALL.
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>> I WOULD LOVE TO, MR. HINES.
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YEAH, I'M FEELING UNDER THE
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WEATHER.
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I WOULDN'T WANT TO GET YOU SICK.
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>> I'M DYING, JACK.
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HOW MUCH SICKER DO I NEED TO BE?
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>> YEAH, I JUST WOULDN'T FEEL
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RIGHT, YOU SEEING ME LIKE THIS.
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>> WHY, IT'S ALWAYS SOMETHING
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WITH YOU, JACK!
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WHAT ARE YOU, THE ELEPHANT MAN?
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>> I'M, UH, I'M JUST SOMEONE YOU
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DON'T NEED TO MEET IN PERSON.
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>> NONSENSE!
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I'D LOVE TO MEET YOU.
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I TALK TO YOU MORE THAN I DO MY
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OWN KIDS.
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>> AND I WOULD LOVE TO MEET YOU,
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TOO, BUT I REGRET I CAN'T COME
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TO THE HAMPTONS ANYTIME SOON.
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I'M CERTAIN IF YOU'RE NOT HAPPY
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WITH MY WORK SO FAR, MY FIRM
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COULD SEND YOU OUT ANOTHER
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ESTATE PLANNER.
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>> NO! NO, NO NEED.
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YOU'RE AT THE TOP OF YOUR GAME.
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I'M CONFIDENT YOU WILL COMPLETE
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IT ALL BEFORE I EXPIRE.
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>> MR. HINES.
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>> LIFE'S LITTLE CURVES.
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HELL, I HAVE NO IDEA ABOUT
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ANYTHING ANYMORE.
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JUST GET IT DONE!
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>> YEAH, CONSIDER IT DONE,
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MR. HINES.
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NOW, IF THERE'S NOTHING ELSE AT
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THE MOMENT THAT YOU HAVE
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QUESTIONS ABOUT, I MUST GET BACK
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TO WORK.
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>> FEEL BETTER, JACK.
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>> Good night, sir.
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WHO IS IT?
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>> IT'S
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MOMMY!
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>> UM, MA, DID YOU TAKE ALL YOUR
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VITAMINS THIS WEEK?
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>> YOU CAN'T KEEP LIVING LIKE
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THIS.
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DO YOU HEAR ME, JACK?
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IT'S JUST ENOUGH.
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>> NO, I DON'T WANT TO HEAR
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ABOUT IT, NOT NOW, NOT WHEN I
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ONLY HAVE A FEW MORE WEEKS.
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>> WHAT IF IT NEVER ENDS, JACK?
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ARE YOU STILL SEEING YOUR
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SHRINK, YOUR DOCTOR?
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>> YES.
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I HAVE AN APPOINTMENT ON FRIDAY.
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>> AND HE STILL THINKS THAT THIS
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IS RATIONAL?
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>> I KNOW THIS IS NOT RATIONAL!
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BUT, YOU KNOW, THAT PSYCHIC KNEW
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THINGS -- THAT CYNTHIA WAS
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HAVING AN AFFAIR, THAT SHE WAS
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LEAVING ME.
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WHAT WAS I SUPPOSED TO THINK?
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>> THAT THERE WAS ANOTHER
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PSYCHIC NUTJOB TWO DOORS DOWN
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THE STREET.
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DID YOU EVER CONSIDER A SECOND
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OPINION?
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I SAW A PROGRAM THE OTHER NIGHT
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ON OBSESSIVE-COMPULSIVE
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DISORDER.
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YOU KNOW, JACK, THEY HAVE DRUGS.
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>> I DON'T HAVE THAT.
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I HAVE "I'M GOING TO DIE
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DISORDER."
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SO, I DON'T UNDERSTAND WHY
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TAKING A YEAR OUT OF MY LIFE TO
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MAKE SURE I DON'T SEEMS HASTY.
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>> WELL, YOU HARDLY TOUCHED IT.
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>> YEAH, IT WAS OLD.
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IT HAD AIR...
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I'LL MAKE A NEW ONE.
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>> JACK, PLEASE HEAR ME.
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CYNTHIA WAS NOT THE GIRL FOR
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YOU.
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SHE WAS AN ACTRESS.
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AND EVEN THOUGH I THOUGHT SHE
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WAS HORRIBLY WRONG FOR YOU --
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AND NOT A VERY GOOD ACTRESS AT
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THAT -- I'M SURE IT HURT YOU
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TERRIBLY WHEN SHE LEFT.
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BUT, DARLING, RESUME YOUR LIFE.
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BE HAPPY.
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FINE. DO IT YOUR WAY.
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I JUST, UH...
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THANK GOD YOUR FATHER'S NOT
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ALIVE TO SEE THIS.
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>> DON'T...
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DON'T BRING UP DAD.
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>> WHY?
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BECAUSE HE WOULD TELL YOU THIS
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IS RIDICULOUS?
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>> MOM...
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>> AND YOU KNOW WHAT?
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YOU'D LISTEN TO HIM.
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>> GODDAMN IT!
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>> HEY.
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TELL ME WHY YOU'RE SO ANGRY.
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>> BECAUSE YOU WON'T LISTEN!
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I'M SORRY.
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>> I DON'T UNDERSTAND.
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I JUST DON'T UNDERSTAND YOU
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ANYMORE.
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>> I KNOW THIS HAS BEEN HARD FOR
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YOU.
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I DO.
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I DON'T WANT TO DIE.
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SO, IF BEING A NUTCASE FOR --
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IT'S JUST THREE MORE WEEKS UNTIL
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I GET THIS CRAZY YEAR OVER WITH.
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IF THAT'S TOO MUCH TO ASK, THEN,
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DON'T COME BACK WITH ANY MORE
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STUFF.
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>> I GOT YOU THOSE SHIITAKE
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MUSHROOMS YOU WANTED -- THE
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ORGANIC ONES FROM MR. CHUI.
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>>
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>> ARE WE GONNA TALK TODAY?
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JACK...WHY DON'T YOU TAKE THAT
265
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THING OFF?
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I DON'T EXPECT ANYTHING'S GOING
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TO HAPPEN HERE DURING OUR
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SESSION.
269
00:10:06,406 --> 00:10:09,042
WHAT DO YOU THINK?
270
00:10:11,745 --> 00:10:14,815
JACK...I WANT YOU TO SLIP OUT OF
271
00:10:14,815 --> 00:10:16,717
THAT THING.
272
00:10:16,717 --> 00:10:18,118
I PROMISE YOU, YOU'RE GOING TO
273
00:10:18,118 --> 00:10:19,853
BE TOTALLY SAFE SITTING ON MY
274
00:10:19,853 --> 00:10:23,791
SOFA.
275
00:10:24,925 --> 00:10:26,326
JACK?
276
00:10:26,326 --> 00:10:27,695
JACK?
277
00:10:27,695 --> 00:10:29,730
WHAT IS THE PROBABILITY THAT
278
00:10:29,730 --> 00:10:32,666
SOMETHING'S GOING TO HAPPEN?
279
00:10:34,868 --> 00:10:37,705
>> IT COULD HAPPEN.
280
00:10:37,705 --> 00:10:40,273
>> BUT WHAT IS THE PROBABILITY?
281
00:10:40,273 --> 00:10:42,943
>> THIS TIME, IT COULD HAPPEN.
282
00:10:42,943 --> 00:10:44,945
>> BUT WHAT IS THE PROBABILITY?
283
00:10:44,945 --> 00:10:46,814
JACK, FOCUS.
284
00:10:46,814 --> 00:10:48,415
WE ARE TALKING ABOUT
285
00:10:48,415 --> 00:10:49,883
PROBABILITY.
286
00:10:49,883 --> 00:10:53,053
WHAT IS THE PROBABILITY?
287
00:10:53,053 --> 00:10:54,387
>> THERE ARE PEOPLE OUT THERE
288
00:10:54,387 --> 00:10:56,223
DYING EVERY DAY, THINKING THAT
289
00:10:56,223 --> 00:10:58,792
THERE WAS NO PROBABILITY.
290
00:10:58,792 --> 00:10:59,760
>>
291
00:10:59,760 --> 00:11:00,794
HOW AM I GONNA BE ABLE TO HELP
292
00:11:00,794 --> 00:11:01,394
YOU, JACK?
293
00:11:01,394 --> 00:11:02,429
AND I DO SO MUCH WANT TO HELP
294
00:11:02,429 --> 00:11:04,798
YOU.
295
00:11:04,798 --> 00:11:06,099
>> DON'T JUDGE ME BECAUSE NONE
296
00:11:06,099 --> 00:11:07,067
OF THE ASSORTMENT OF
297
00:11:07,067 --> 00:11:08,802
ANTIDEPRESSANTS YOU PRESCRIBED
298
00:11:08,802 --> 00:11:09,436
TOOK ON ME.
299
00:11:09,436 --> 00:11:10,938
>> I AM NOT JUDGING YOU.
300
00:11:10,938 --> 00:11:14,942
I THINK YOU HAVE A VERY STRONG
301
00:11:14,942 --> 00:11:16,076
WILL.
302
00:11:16,076 --> 00:11:20,247
YOU ARE STEADFAST, COMMITTED.
303
00:11:20,247 --> 00:11:21,281
THESE ARE EXTRAORDINARY
304
00:11:21,281 --> 00:11:24,952
CHARACTERISTICS, HONORABLE.
305
00:11:24,952 --> 00:11:26,486
>> THAT I'M COMPLETELY COMMITTED
306
00:11:26,486 --> 00:11:28,288
TO SCREWING UP MY LIFE AND THAT
307
00:11:28,288 --> 00:11:30,991
I DO IT SO WELL?
308
00:11:30,991 --> 00:11:32,059
>> I THINK YOU'RE MISSING MY
309
00:11:32,059 --> 00:11:33,326
POINT, JACK.
310
00:11:33,326 --> 00:11:35,195
IT'S NOT WHAT WE DO IN LIFE.
311
00:11:35,195 --> 00:11:39,199
IT'S NOT WHAT WE ACCOMPLISH, BUT
312
00:11:39,199 --> 00:11:42,202
IT'S HOW WE DO IT.
313
00:11:42,202 --> 00:11:43,403
YOU KNOW, THERE IS MORE TO A
314
00:11:43,403 --> 00:11:45,338
BOOK THAN THE ENDING.
315
00:11:45,338 --> 00:11:48,141
>> THE JOURNEY -- I...I KNOW.
316
00:11:48,141 --> 00:11:48,976
I KNOW.
317
00:11:48,976 --> 00:11:50,310
>> DO YOU, JACK?
318
00:11:50,310 --> 00:11:53,313
>> WELL, NOT EXACTLY.
319
00:11:53,313 --> 00:11:56,884
I MEAN...
320
00:11:56,884 --> 00:11:58,886
LOOK AT ME.
321
00:11:58,886 --> 00:12:00,520
>> YEAH.
322
00:12:00,520 --> 00:12:03,757
WELL...WE'LL JUST WRITE THIS OFF
323
00:12:03,757 --> 00:12:06,760
AS ONE LITTLE CHAPTER IN THE
324
00:12:06,760 --> 00:12:09,062
JACK WHILTON EPIC.
325
00:12:09,062 --> 00:12:11,364
YOU KNOW...
326
00:12:11,364 --> 00:12:13,834
THE FUCKED-UP YEARS.
327
00:12:53,807 --> 00:12:54,942
>> WHAT FLOOR?
328
00:12:54,942 --> 00:12:56,910
>>
329
00:12:56,910 --> 00:12:59,346
>> THREE, PLEASE.
330
00:13:17,898 --> 00:13:19,166
OH, NO!
331
00:13:19,166 --> 00:13:19,900
>> OH.
332
00:13:19,900 --> 00:13:20,467
>> NO.
333
00:13:20,467 --> 00:13:22,169
>> OH, HERE, HERE, LET ME HELP
334
00:13:22,169 --> 00:13:24,804
YOU.
335
00:13:31,578 --> 00:13:32,612
THEY'RE A LITTLE OUT OF
336
00:13:32,612 --> 00:13:34,915
SEQUENCE.
337
00:14:04,577 --> 00:14:06,947
YEAH, I'M MAKING COPIES NOW.
338
00:14:06,947 --> 00:14:08,615
I'LL MESSENGER THEM TO THE FIRM
339
00:14:08,615 --> 00:14:10,283
TO HAVE THEM REVIEWED.
340
00:14:10,283 --> 00:14:13,353
>> I HAVEN'T GOTTEN...TOO
341
00:14:13,353 --> 00:14:16,089
PERSONAL, JACK, BUT...
342
00:14:17,257 --> 00:14:19,159
WHAT'S WRONG WITH YOU?
343
00:14:19,159 --> 00:14:21,929
ARE YOU UGLY OR JUST SICK?
344
00:14:21,929 --> 00:14:23,596
>> IT'S SOMEWHERE IN BETWEEN,
345
00:14:23,596 --> 00:14:25,398
SIR.
346
00:14:25,398 --> 00:14:26,499
>> WELL, I DON'T KNOW YOU THAT
347
00:14:26,499 --> 00:14:29,002
WELL, BUT...
348
00:14:29,002 --> 00:14:30,437
TAKE A PIECE OF ADVICE.
349
00:14:30,437 --> 00:14:33,506
DON'T...SQUANDER YOUR LIFE
350
00:14:33,506 --> 00:14:37,544
THINKING ABOUT...THE REGRETS,
351
00:14:37,544 --> 00:14:38,645
'CAUSE THERE'S NOT A DAMN THING
352
00:14:38,645 --> 00:14:40,180
YOU CAN DO ABOUT IT, ANYWAY!
353
00:14:43,250 --> 00:14:45,652
BE HAPPY...
354
00:14:45,652 --> 00:14:46,653
that you were given the
355
00:14:46,653 --> 00:14:50,123
opportunity to...
356
00:14:50,123 --> 00:14:54,594
BE HERE AT ALL.
357
00:14:54,594 --> 00:14:58,698
EXPERIENCE LIFE'S POTENTIALS.
358
00:14:58,698 --> 00:15:02,602
HAVE...SOMETHING TO TAKE WITH
359
00:15:02,602 --> 00:15:07,074
YOU.
360
00:15:07,074 --> 00:15:10,210
THERE'S PEACE IN THAT, JACK...
361
00:15:10,210 --> 00:15:14,681
knowing that you're dying...
362
00:15:14,681 --> 00:15:16,349
but that you weren't afraid to
363
00:15:16,349 --> 00:15:19,219
live.
364
00:15:20,954 --> 00:15:23,723
YOU HEAR ME?
365
00:15:23,723 --> 00:15:26,359
>> I DID, SIR.
366
00:15:26,359 --> 00:15:31,031
>> IT TAKES...BALLS...
367
00:15:31,031 --> 00:15:36,169
TO LIVE LIFE.
368
00:15:36,169 --> 00:15:38,271
YOU HAVE BALLS, DON'T YOU, JACK?
369
00:15:38,271 --> 00:15:39,406
>> MOST OF THE TIME.
370
00:15:39,406 --> 00:15:41,408
I MEAN, I DEFINITELY HAD THEM
371
00:15:41,408 --> 00:15:43,610
LAST YEAR.
372
00:15:43,610 --> 00:15:47,014
>> WELL, I'LL GET YOU SOME.
373
00:15:47,014 --> 00:15:50,617
>> OKAY.
374
00:15:50,617 --> 00:15:54,387
>> I'M TIRED.
375
00:15:54,387 --> 00:15:55,522
I'LL TALK TO YOU LATER.
376
00:15:55,522 --> 00:15:58,025
>> You will, sir.
377
00:15:58,025 --> 00:15:59,459
>>
378
00:15:59,459 --> 00:16:01,528
>> GOOD NIGHT.
379
00:16:10,103 --> 00:16:12,639
WHO IS IT?
380
00:16:12,639 --> 00:16:14,174
>> IT'S THE GIRL FROM THE
381
00:16:14,174 --> 00:16:16,543
ELEVATOR.
382
00:16:25,485 --> 00:16:27,020
>> HEY.
383
00:16:27,020 --> 00:16:30,257
>> HELLO, UH, AGAIN.
384
00:16:30,257 --> 00:16:33,093
>> ARE YOU, UH...
385
00:16:33,093 --> 00:16:35,262
ARE YOU FEELING BETTER?
386
00:16:35,262 --> 00:16:38,098
>> SORT OF.
387
00:16:38,098 --> 00:16:41,668
UM...YOU'RE PROBABLY WONDERING
388
00:16:41,668 --> 00:16:47,140
WHY I'M HERE.
389
00:16:47,140 --> 00:16:48,708
WELL, FIRST OF ALL, I WANT TO
390
00:16:48,708 --> 00:16:50,610
THANK YOU FOR THAT EPISODE IN
391
00:16:50,610 --> 00:16:51,311
THE ELEVATOR.
392
00:16:51,311 --> 00:16:53,446
I'M A LITTLE EMBARRASSED.
393
00:16:53,446 --> 00:16:56,516
>> DON'T BE.
394
00:16:56,516 --> 00:17:01,188
>> BUT, UM...
395
00:17:01,188 --> 00:17:05,825
I RECEIVED SOME...
396
00:17:05,825 --> 00:17:08,661
UM...SOME REALLY BAD NEWS THE
397
00:17:08,661 --> 00:17:10,397
OTHER DAY.
398
00:17:10,397 --> 00:17:15,535
AND, UH...
399
00:17:15,535 --> 00:17:17,070
I UNDERSTAND THAT YOU'RE AN
400
00:17:17,070 --> 00:17:18,705
ESTATE PLANNER.
401
00:17:18,705 --> 00:17:23,076
>> YES...I AM.
402
00:17:23,076 --> 00:17:25,812
>> I WOULD LIKE TO HIRE YOU.
403
00:17:25,812 --> 00:17:27,347
>> OKAY.
404
00:17:27,347 --> 00:17:29,582
>> FOR ME.
405
00:17:29,582 --> 00:17:31,251
I KNOW. I KNOW.
406
00:17:31,251 --> 00:17:33,320
YOU'RE PROBABLY THINKING THAT
407
00:17:33,320 --> 00:17:36,156
I'M A LITTLE YOUNG, AND I HAVE
408
00:17:36,156 --> 00:17:37,557
MY WHOLE LIFE IN FRONT OF ME.
409
00:17:37,557 --> 00:17:39,459
SO, WHAT'S THE RUSH?
410
00:17:39,459 --> 00:17:43,730
BUT THE OTHER DAY...
411
00:17:44,631 --> 00:17:48,635
I LEARNED ABOUT...
412
00:17:48,635 --> 00:17:51,738
>> LIFE'S LITTLE CURVES?
413
00:17:51,738 --> 00:17:55,442
>> EXACTLY.
414
00:17:55,442 --> 00:17:58,845
SO...
415
00:17:58,845 --> 00:18:01,148
CAN YOU DO IT?
416
00:18:01,148 --> 00:18:02,715
>> SURE.
417
00:18:02,715 --> 00:18:03,683
>> GREAT!
418
00:18:03,683 --> 00:18:08,155
I'M AUDREY, UH, 306.
419
00:18:08,155 --> 00:18:09,756
>> JACK WHILTON.
420
00:18:09,756 --> 00:18:10,657
>> * I WILL TELL YOU
421
00:18:10,657 --> 00:18:16,629
MY HAPPINESS SOFTLY *
422
00:18:16,629 --> 00:18:18,565
>> UH, SHOULD I COME DOWN TO
423
00:18:18,565 --> 00:18:20,833
YOUR OFFICE, OR...
424
00:18:20,833 --> 00:18:22,435
>> OH, I WORK OUT OF MY
425
00:18:22,435 --> 00:18:23,303
APARTMENT.
426
00:18:23,303 --> 00:18:24,471
>> OH, THAT'S EASY.
427
00:18:24,471 --> 00:18:25,838
SO DO I.
428
00:18:25,838 --> 00:18:30,810
>> WRITER?
429
00:18:30,810 --> 00:18:34,314
UH, AUDREY, WHY DON'T YOU COME
430
00:18:34,314 --> 00:18:36,616
BY...
431
00:18:36,616 --> 00:18:39,219
LET'S SEE. UM...
432
00:18:39,219 --> 00:18:43,256
HOW ABOUT, UH...
433
00:18:43,256 --> 00:18:44,491
UH...
434
00:18:44,491 --> 00:18:48,695
HOW ABOUT...
435
00:18:48,695 --> 00:18:50,463
>> YOU SEEM A LITTLE HESITANT.
436
00:18:50,463 --> 00:18:52,199
ARE YOU SURE THAT YOU HAVE THE
437
00:18:52,199 --> 00:18:53,533
TIME?
438
00:18:53,533 --> 00:18:55,568
>> UH, NO, I, YEAH, I
439
00:18:55,568 --> 00:18:57,737
D-DEFINITELY HAVE THE TIME.
440
00:18:57,737 --> 00:18:59,839
UM, JUST...IT'S MORE ABOUT ME,
441
00:18:59,839 --> 00:19:00,573
AND --
442
00:19:00,573 --> 00:19:01,841
>> YOU KNOW WHAT?
443
00:19:01,841 --> 00:19:03,710
IT'S FINE.
444
00:19:03,710 --> 00:19:05,512
FORGET IT.
445
00:19:05,512 --> 00:19:07,647
IT WAS JUST A THOUGHT.
446
00:19:11,251 --> 00:19:13,720
>> NO, WAIT. WAIT!
447
00:19:13,720 --> 00:19:16,823
HOLD...
448
00:19:16,823 --> 00:19:19,826
UH, I CAN DO THIS.
449
00:19:19,826 --> 00:19:21,594
I MEAN, I-I-I WANT TO DO THIS
450
00:19:21,594 --> 00:19:22,595
FOR YOU.
451
00:19:22,595 --> 00:19:24,631
>> REALLY?
452
00:19:24,631 --> 00:19:27,267
>> REALLY.
453
00:19:27,267 --> 00:19:31,471
>> OKAY.
454
00:19:31,471 --> 00:19:33,806
>> SO, WHY DON'T YOU COME OVER
455
00:19:33,806 --> 00:19:36,509
TOMORROW...
456
00:19:36,509 --> 00:19:38,278
5:00?
457
00:19:38,278 --> 00:19:38,945
>> SHARP.
458
00:19:38,945 --> 00:19:40,713
I'M VERY GOOD ABOUT PUNCTUALITY
459
00:19:40,713 --> 00:19:41,914
AND MEETING DEADLINES.
460
00:19:41,914 --> 00:19:43,950
IN FACT, IT'S KIND OF MY PET
461
00:19:43,950 --> 00:19:44,951
PEEVE.
462
00:19:44,951 --> 00:19:49,422
>> WELL, 5:00 IT IS, THEN.
463
00:19:49,422 --> 00:19:51,991
>> OKAY.
464
00:19:51,991 --> 00:19:55,228
>> OH, BRING BANK STATEMENTS,
465
00:19:55,228 --> 00:19:57,330
STOCK PORTFOLIOS JUST -- JUST TO
466
00:19:57,330 --> 00:20:00,400
GET US STARTED.
467
00:20:00,400 --> 00:20:02,902
>> I'LL SEE YOU TOMORROW.
468
00:20:02,902 --> 00:20:04,437
>> RIGHT.
469
00:20:04,437 --> 00:20:06,873
YEP, RIGHT.
470
00:21:47,106 --> 00:21:49,776
>> I'M GONNA MISS YOU.
471
00:21:51,778 --> 00:21:52,712
YOU'RE SO
472
00:21:52,712 --> 00:21:54,381
STUPID.
473
00:21:56,949 --> 00:21:58,818
YOU'RE SO STUPID.
474
00:21:58,818 --> 00:22:00,019
IT'S AUDREY. LEAVE A MESSAGE.
475
00:22:01,087 --> 00:22:04,724
>> It's me. It's Melanie.
476
00:22:04,724 --> 00:22:07,927
AUDREY, ARE YOU THERE?
477
00:22:07,927 --> 00:22:12,499
Audrey?
478
00:22:12,499 --> 00:22:13,533
WHAT HAPPENED TO THAT LONG
479
00:22:13,533 --> 00:22:14,667
MESSAGE ABOUT "DON'T BOTHER ME
480
00:22:14,667 --> 00:22:15,702
BETWEEN THE HOURS OF 8:00 AND
481
00:22:15,702 --> 00:22:16,068
2:00.
482
00:22:16,068 --> 00:22:17,804
I'M CREATING," OR WHATEVER IT IS
483
00:22:17,804 --> 00:22:19,606
YOU SAY?
484
00:22:19,606 --> 00:22:20,940
ANYWAY, PAUL AND I ARE OUTSIDE.
485
00:22:20,940 --> 00:22:22,909
WE'RE WAITING TO HEAR.
486
00:22:22,909 --> 00:22:24,544
ARE WE CELEBRATING?
487
00:22:24,544 --> 00:22:25,578
Call me on my cell.
488
00:22:25,578 --> 00:22:28,047
Okay. Bye.
489
00:22:48,034 --> 00:22:51,738
>> YOU ARE SO...PUNCTUAL.
490
00:22:51,738 --> 00:22:52,805
>>
491
00:22:52,805 --> 00:22:53,673
I KNOW.
492
00:22:53,673 --> 00:22:56,409
IT'S A LITTLE DAUNTING, BUT IT
493
00:22:56,409 --> 00:22:59,612
WAS PART OF MY JOB
494
00:22:59,612 --> 00:23:00,947
I'M KIND OF A FREAK ABOUT
495
00:23:00,947 --> 00:23:02,649
DEADLINES.
496
00:23:02,649 --> 00:23:04,584
>> OH, UH, COME IN.
497
00:23:04,584 --> 00:23:05,585
I DON'T WANT TO MESS UP YOUR WAY
498
00:23:05,585 --> 00:23:07,487
OF DOING THINGS.
499
00:23:07,487 --> 00:23:08,521
>> OH, IT'S PRETTY DIFFICULT TO
500
00:23:08,521 --> 00:23:10,490
THROW ME OFF TRACK.
501
00:23:10,490 --> 00:23:11,558
>> YEAH, I KNOW WHAT YOU MEAN.
502
00:23:11,558 --> 00:23:13,493
I CAN BE PRETTY HARDHEADED WHEN
503
00:23:13,493 --> 00:23:18,898
IT COMES TO CERTAIN THINGS.
504
00:23:18,898 --> 00:23:21,934
>> IS THIS YOUR FAMILY?
505
00:23:21,934 --> 00:23:24,170
>> YEAH.
506
00:23:24,170 --> 00:23:26,439
>> YOU HAVE A BROTHER.
507
00:23:26,439 --> 00:23:29,809
>> TWO, ACTUALLY.
508
00:23:29,809 --> 00:23:33,746
SISTER. I'M THE YOUNGEST.
509
00:23:33,746 --> 00:23:35,014
YOU?
510
00:23:35,014 --> 00:23:37,717
>> UH, ACTUALLY, BOTH MY PARENTS
511
00:23:37,717 --> 00:23:39,819
PASSED AWAY WHEN I WAS IN
512
00:23:39,819 --> 00:23:42,755
COLLEGE -- PART OF THIS.
513
00:23:50,630 --> 00:23:51,898
YOU HAVE YOUR WORK CUT OUT FOR
514
00:23:51,898 --> 00:23:54,534
YOU, JACK, TO TRY TO FIGURE OUT
515
00:23:54,534 --> 00:23:57,103
WHO TO LEAVE ALL MY STUFF TO.
516
00:24:03,576 --> 00:24:04,511
>> OKAY.
517
00:24:04,511 --> 00:24:06,546
SO, BASICALLY, I'VE GOT AN IDEA
518
00:24:06,546 --> 00:24:07,179
OF WHAT YOUR FINANCIAL
519
00:24:07,179 --> 00:24:08,014
RESPONSIBILITIES ARE.
520
00:24:08,014 --> 00:24:08,981
I KNOW WHAT YOU HAVE, WHAT YOU
521
00:24:08,981 --> 00:24:11,718
OWE, INCLUDING THAT PHONE BILL
522
00:24:11,718 --> 00:24:13,720
YOU THREW AWAY.
523
00:24:13,720 --> 00:24:15,722
>>
524
00:24:15,722 --> 00:24:17,657
>> BLESS YOU.
525
00:24:17,657 --> 00:24:22,829
>>
526
00:24:22,829 --> 00:24:24,931
>> BLESS YOU...SQUARED.
527
00:24:24,931 --> 00:24:27,700
>> THEY ALWAYS COME IN THREES.
528
00:24:27,700 --> 00:24:33,540
>> THAT'S INTERESTING.
529
00:24:33,540 --> 00:24:38,645
SO, UM...
530
00:24:38,645 --> 00:24:39,979
I'M GONNA NEED YOU TO MAKE OUT A
531
00:24:39,979 --> 00:24:41,814
WILL, IF YOU HAVEN'T ALREADY
532
00:24:41,814 --> 00:24:42,515
DONE IT.
533
00:24:42,515 --> 00:24:43,650
>> OH, MY GOD.
534
00:24:43,650 --> 00:24:46,519
YOU KNOW IT'S ALMOST 8:00?
535
00:24:53,726 --> 00:24:55,995
HEY, ARE YOU HUNGRY?
536
00:24:55,995 --> 00:24:57,129
YOU WANT TO GRAB SOMETHING TO
537
00:24:57,129 --> 00:24:58,064
EAT?
538
00:24:58,064 --> 00:24:59,566
THERE'S THIS NEW ETHIOPIAN
539
00:24:59,566 --> 00:25:00,567
RESTAURANT DOWN IN
540
00:25:00,567 --> 00:25:01,701
HELL'S KITCHEN THAT I'VE BEEN
541
00:25:01,701 --> 00:25:02,301
WANTING TO TRY.
542
00:25:02,301 --> 00:25:03,770
YOU EAT EVERYTHING WITH YOUR
543
00:25:03,770 --> 00:25:05,204
HANDS.
544
00:25:05,204 --> 00:25:07,006
>> YEAH, BUT I WAS GONNA HAVE A
545
00:25:07,006 --> 00:25:08,541
SHAKE FOR DINNER.
546
00:25:08,541 --> 00:25:11,944
>> UM...OH, OKAY.
547
00:25:11,944 --> 00:25:13,179
THEN, I GUESS I'LL GET GOING.
548
00:25:13,179 --> 00:25:16,115
>> UH, YOU DON'T HAVE TO GO.
549
00:25:17,283 --> 00:25:18,150
>> NO, NO, THAT'S OKAY.
550
00:25:18,150 --> 00:25:21,721
I HAVE MY CAT, MR. HUNGRY GUY.
551
00:25:21,721 --> 00:25:26,593
>> UH...HOLD -- HOLD -- HOLD ON.
552
00:25:28,861 --> 00:25:29,962
I'M SORRY I CAN'T HAVE DINNER
553
00:25:29,962 --> 00:25:32,064
WITH YOU TONIGHT.
554
00:25:32,064 --> 00:25:33,132
>> IT'S OKAY, JACK.
555
00:25:33,132 --> 00:25:35,802
WE'LL GO SOME OTHER TIME.
556
00:25:35,802 --> 00:25:39,839
>> NO, WAIT!
557
00:25:39,839 --> 00:25:43,943
I'LL...I'LL COME.
558
00:25:43,943 --> 00:25:45,277
>> ARE YOU SURE?
559
00:25:45,277 --> 00:25:48,781
>> I WILL MEET YOU DOWNSTAIRS AT
560
00:25:48,781 --> 00:25:51,851
8:30...SHARP!
561
00:26:12,705 --> 00:26:14,874
>>
562
00:26:22,048 --> 00:26:22,849
It's Audrey.
563
00:26:22,849 --> 00:26:23,983
Leave a message.
564
00:26:25,051 --> 00:26:27,319
>> AUDREY?
565
00:26:27,319 --> 00:26:29,689
IT'S JACK.
566
00:26:29,689 --> 00:26:31,157
YOU WON'T BELIEVE THIS.
567
00:26:31,157 --> 00:26:33,225
I LAID DOWN FOR, LIKE, A MINUTE,
568
00:26:33,225 --> 00:26:35,728
AND I FELL ASLEEP.
569
00:26:35,728 --> 00:26:36,929
SO SORRY.
570
00:26:36,929 --> 00:26:39,632
I'LL -- I'LL MAKE IT UP TO YOU.
571
00:26:39,632 --> 00:26:42,935
HOW ABOUT FRIDAY?
572
00:26:42,935 --> 00:26:44,937
AGAIN, DON'T BE MAD.
573
00:26:44,937 --> 00:26:46,773
IT'S NOT YOU.
574
00:26:55,081 --> 00:26:56,082
>> CAN'T WE JUST TALK ABOUT THIS
575
00:26:56,082 --> 00:26:56,883
ON THE WAY?
576
00:26:56,883 --> 00:26:58,050
>> YOU NEVER HAVE TIME.
577
00:26:58,050 --> 00:26:59,986
YOU ALWAYS HAVE TO GO.
578
00:26:59,986 --> 00:27:00,953
>> I DO HAVE TIME FOR YOU.
579
00:27:00,953 --> 00:27:02,054
I JUST HAVE THIS APPOINTMENT I
580
00:27:02,054 --> 00:27:02,989
NEED TO GET TO, AUDREY.
581
00:27:02,989 --> 00:27:04,223
>> IT TAKES ME TWO WEEKS TO GET
582
00:27:04,223 --> 00:27:05,257
A HOLD OF YOU, AND THEN I
583
00:27:05,257 --> 00:27:05,958
HAVE --
584
00:27:05,958 --> 00:27:07,059
>> OH, THAT IS SO UNTRUE!
585
00:27:07,059 --> 00:27:08,027
>> YOU'RE IN MEETINGS ALL DAY
586
00:27:08,027 --> 00:27:08,695
LONG.
587
00:27:08,695 --> 00:27:09,996
WHAT DO YOU DO ALL DAY LONG?
588
00:27:09,996 --> 00:27:10,730
NO, I'M SERIOUS.
589
00:27:10,730 --> 00:27:11,297
>> YOU KNOW WHAT?
590
00:27:11,297 --> 00:27:12,098
YOU ARE SO DRAMATIC.
591
00:27:12,098 --> 00:27:12,832
>> I'M DRAMATIC?
592
00:27:12,832 --> 00:27:13,966
>> IT'S ALWAYS ABOUT --
593
00:27:13,966 --> 00:27:15,401
>> AUDREY.
594
00:27:15,401 --> 00:27:16,736
WHAT A SURPRISE.
595
00:27:16,736 --> 00:27:20,773
>> HEY, JACK.
596
00:27:20,773 --> 00:27:22,809
WHAT'S GOING ON?
597
00:27:22,809 --> 00:27:25,344
>> OH, UH...JUST OUT RUNNING
598
00:27:25,344 --> 00:27:26,679
ERRANDS, YOU KNOW?
599
00:27:26,679 --> 00:27:27,680
>> OH, YEAH?
600
00:27:27,680 --> 00:27:29,148
>> HI. I'M MELANIE.
601
00:27:29,148 --> 00:27:30,216
>> YEAH, ACTUALLY, WE ARE ON OUR
602
00:27:30,216 --> 00:27:32,284
WAY TO A MOVIE.
603
00:27:32,284 --> 00:27:33,319
WE HAVE TO GO.
604
00:27:33,319 --> 00:27:36,122
SORRY.
605
00:27:36,122 --> 00:27:37,023
>> OKAY.
606
00:27:37,023 --> 00:27:37,790
>> I'M SORRY.
607
00:27:37,790 --> 00:27:38,891
I'M ACTING WEIRD FOR SOME
608
00:27:38,891 --> 00:27:40,092
REASON.
609
00:27:40,092 --> 00:27:41,360
I DON'T KNOW WHY.
610
00:27:41,360 --> 00:27:42,729
>> IT'S OKAY.
611
00:27:42,729 --> 00:27:43,696
>> BUT I'LL SEE YOU FOR DINNER
612
00:27:43,696 --> 00:27:45,097
TONIGHT, RIGHT?
613
00:27:45,097 --> 00:27:47,900
>> YEAH. I'LL BE THERE.
614
00:27:47,900 --> 00:27:49,235
>> GREAT. SO, WE HAVE TO GO.
615
00:27:49,235 --> 00:27:50,402
I WILL SEE YOU SOON.
616
00:27:50,402 --> 00:27:51,237
>> YEAH.
617
00:27:51,237 --> 00:27:53,706
SO, IT WAS NICE MEETING YOU.
618
00:27:53,706 --> 00:27:55,041
>> GOOD. GOOD TO MEET YOU.
619
00:27:55,041 --> 00:27:56,809
>> BYE, JACK.
620
00:27:56,809 --> 00:27:57,744
>> WHO IS THAT GUY?
621
00:27:57,744 --> 00:27:59,411
>> JUST...
622
00:28:39,852 --> 00:28:41,821
>> ISN'T THERE SOMETHING YOU CAN
623
00:28:41,821 --> 00:28:43,389
GIVE ME?
624
00:28:43,389 --> 00:28:44,490
>> NOTHING HAS WORKED SO FAR,
625
00:28:44,490 --> 00:28:45,124
JACK.
626
00:28:45,124 --> 00:28:47,259
YOU SAID SO YOURSELF.
627
00:28:47,259 --> 00:28:49,128
>> BUT I...I LIKE HER!
628
00:28:49,128 --> 00:28:50,296
I...
629
00:28:50,296 --> 00:28:53,332
I'VE NEVER FELT LIKE THIS.
630
00:28:53,332 --> 00:28:56,135
>> I UNDERSTAND.
631
00:28:56,135 --> 00:28:58,771
BUT DO YOU REALLY WANT TO GET
632
00:28:58,771 --> 00:29:00,472
CLOSE TO THIS GIRL, CONSIDERING
633
00:29:00,472 --> 00:29:01,473
HER CIRCUMSTANCES?
634
00:29:01,473 --> 00:29:03,075
I MEAN, FROM WHAT YOU TOLD ME --
635
00:29:03,075 --> 00:29:05,945
>> AS CLOSE AS I CAN GET.
636
00:29:05,945 --> 00:29:07,113
>> WHAT IS IT ABOUT HER THAT SHE
637
00:29:07,113 --> 00:29:08,781
FINALLY MAKES YOU FEEL LIKE
638
00:29:08,781 --> 00:29:10,449
WANTING TO TAKE CHANCES?
639
00:29:10,449 --> 00:29:11,984
YOU KNOW, THIS IS A LITTLE ODD,
640
00:29:11,984 --> 00:29:13,820
JACK.
641
00:29:13,820 --> 00:29:15,154
>> Please...
642
00:29:15,154 --> 00:29:17,189
JUST TELL ME WHAT I SHOULD DO.
643
00:29:17,189 --> 00:29:19,826
>> OKAY.
644
00:29:19,826 --> 00:29:21,994
OKAY. TEMPORARY FIX.
645
00:29:21,994 --> 00:29:24,496
TEMPORARY.
646
00:29:24,496 --> 00:29:26,298
I'M GOING TO PRESCRIBE TO YOU
647
00:29:26,298 --> 00:29:27,834
SOME VALIUM.
648
00:29:27,834 --> 00:29:29,435
IT'S VERY GOOD.
649
00:29:29,435 --> 00:29:32,371
NOW, I WANT YOU TO TAKE ONE-HALF
650
00:29:32,371 --> 00:29:35,007
OF A VALIUM ONE HOUR BEFORE YOU
651
00:29:35,007 --> 00:29:36,542
MEET HER -- AND NO ALCOHOL.
652
00:29:36,542 --> 00:29:39,478
NO ALCOHOL, OKAY?
653
00:29:39,478 --> 00:29:40,546
AND I WANT YOU TO GO THROUGH ALL
654
00:29:40,546 --> 00:29:42,882
OF YOUR ROUTINES -- EVERYTHING
655
00:29:42,882 --> 00:29:45,952
BY THE JACK WHILTON BOOK.
656
00:29:45,952 --> 00:29:48,420
OKAY?
657
00:29:48,420 --> 00:29:50,322
JACK...
658
00:29:50,322 --> 00:29:53,159
WHAT IS IT ABOUT HER THAT SHE
659
00:29:53,159 --> 00:29:54,460
MAKES YOU FEEL LIKE YOU'RE NOT
660
00:29:54,460 --> 00:29:58,064
GOING TO DIE?
661
00:29:58,064 --> 00:30:04,203
>> SHE'S...FEARLESS.
662
00:30:04,203 --> 00:30:05,371
>>
663
00:30:05,371 --> 00:30:08,107
NOT AGAIN, JACK.
664
00:30:18,584 --> 00:30:21,187
>> AUDREY?
665
00:30:29,528 --> 00:30:32,064
SORRY I'M LATE.
666
00:31:58,550 --> 00:31:59,551
[ PEOPLE CONVERSING IN
667
00:31:59,551 --> 00:32:01,420
FOREIGN LANGUAGE ]
668
00:32:03,355 --> 00:32:04,623
>> MMM.
669
00:32:04,623 --> 00:32:07,459
OH, MY GOD. MMM!
670
00:32:07,459 --> 00:32:10,096
MMM, THIS IS SO GOOD.
671
00:32:10,096 --> 00:32:13,399
MMM.
672
00:32:13,399 --> 00:32:17,369
YOU DON'T LIKE IT?
673
00:32:17,369 --> 00:32:23,609
>> NO, IT'S GREAT.
674
00:32:23,609 --> 00:32:27,713
GREAT.
675
00:32:27,713 --> 00:32:29,615
>> JACK...
676
00:32:29,615 --> 00:32:33,652
WE'RE IN A RESTAURANT?
677
00:32:33,652 --> 00:32:37,756
>> IN THE MIDDLE OF HARLEM.
678
00:32:37,756 --> 00:32:39,758
YOU COULDN'T HAVE HAD A CRAVING
679
00:32:39,758 --> 00:32:40,726
FOR DELI?
680
00:32:40,726 --> 00:32:42,394
>> NO!
681
00:32:42,394 --> 00:32:44,596
I HAVE ALWAYS WANTED TO TRY AN
682
00:32:44,596 --> 00:32:47,533
AUTHENTIC SOUL FOOD RESTAURANT.
683
00:32:47,533 --> 00:32:48,434
OH, COME ON!
684
00:32:48,434 --> 00:32:49,435
WHAT -- WHAT ARE YOU SO AFRAID
685
00:32:49,435 --> 00:32:50,102
OF?
686
00:32:50,102 --> 00:32:51,303
NO ONE IS GOING TO HURT YOU.
687
00:32:58,044 --> 00:32:59,478
WOW!
688
00:32:59,478 --> 00:33:01,047
YOU REALLY DON'T LIKE LIVING
689
00:33:01,047 --> 00:33:03,682
DANGEROUSLY, DO YOU, JACK?
690
00:33:03,682 --> 00:33:06,518
>> UH...AUDREY, I KNOW THIS IS
691
00:33:06,518 --> 00:33:08,520
HARD TO BELIEVE, BUT ALMOST A
692
00:33:08,520 --> 00:33:12,724
YEAR AGO I WAS NOTHING LIKE...
693
00:33:12,724 --> 00:33:15,294
WELL, THIS.
694
00:33:15,294 --> 00:33:19,198
>> WHAT CHANGED?
695
00:33:19,198 --> 00:33:22,000
>> ME?
696
00:33:26,572 --> 00:33:29,408
WILL YOU EXCUSE ME A SECOND?
697
00:34:10,782 --> 00:34:13,719
THIS IS JUST...JUST MY LUCK.
698
00:34:13,719 --> 00:34:16,255
I NEVER THOUGHT I'D DIE WHILE
699
00:34:16,255 --> 00:34:18,590
DIGESTING SOUL FOOD.
700
00:34:18,590 --> 00:34:19,825
>> YOU HARDLY ATE
701
00:34:19,825 --> 00:34:20,792
ANYTHING.
702
00:34:20,792 --> 00:34:24,463
>> I'M...I'M SORRY FOR...FOR
703
00:34:24,463 --> 00:34:26,298
EVERYTHING.
704
00:34:26,298 --> 00:34:28,400
YOU KNOW, YOU, UH...YOU CAN GO
705
00:34:28,400 --> 00:34:29,668
BACK AND REORDER.
706
00:34:29,668 --> 00:34:31,437
>> HEY, YOU
707
00:34:31,437 --> 00:34:32,271
>> I NEED TO SIT DOWN.
708
00:34:32,271 --> 00:34:33,705
>> HEY! HEY, HEY!
709
00:34:33,705 --> 00:34:35,874
COME ON. LET'S GO.
710
00:34:35,874 --> 00:34:37,376
JACK?
711
00:34:37,376 --> 00:34:38,510
WHAT ARE YOU DOING?
712
00:34:38,510 --> 00:34:40,812
I FOUND A CAB.
713
00:34:40,812 --> 00:34:43,549
NO, WAIT!
714
00:34:44,716 --> 00:34:45,517
YEAH, THIS IS GREAT.
715
00:34:45,517 --> 00:34:47,353
NOW WHAT DO WE DO?
716
00:34:47,353 --> 00:34:52,224
>> THAT IS SO...WRONG!
717
00:34:52,224 --> 00:34:55,894
>> JACK?
718
00:34:55,894 --> 00:34:58,164
>> WRONG!
719
00:34:58,164 --> 00:35:02,868
WRONG, WRONG, WRONG, WRONG!
720
00:35:02,868 --> 00:35:04,836
>> YEAH, BUT, UM, DON'T TELL
721
00:35:04,836 --> 00:35:06,872
THEM THAT BECAUSE, YOU KNOW,
722
00:35:06,872 --> 00:35:07,806
THEY NEVER GET IT.
723
00:35:07,806 --> 00:35:09,708
>> HEY!
724
00:35:09,708 --> 00:35:12,611
YOU...DESTRUCTORS OF PRIVATE
725
00:35:12,611 --> 00:35:14,680
PROPERTY!
726
00:35:14,680 --> 00:35:18,484
THAT'S WRONG!
727
00:35:18,484 --> 00:35:19,885
THEY STOPPED!
728
00:35:19,885 --> 00:35:22,754
>> JACK, I TOLD YOU NOT TO SAY
729
00:35:22,754 --> 00:35:25,157
ANYTHING.
730
00:35:25,157 --> 00:35:26,158
>> WELL, THEY'RE -- THEY'RE JUST
731
00:35:26,158 --> 00:35:28,160
LITTLE KIDS.
732
00:35:28,160 --> 00:35:29,361
WHAT COULD THEY POSSIBLY DO TO
733
00:35:29,361 --> 00:35:30,329
ME?
734
00:35:52,351 --> 00:35:54,753
>> YOU LOOK...MORE FLESH TONE
735
00:35:54,753 --> 00:35:57,856
THIS AFTERNOON.
736
00:35:57,856 --> 00:36:00,592
WHAT HAPPENED TO YOUR EYE?
737
00:36:00,592 --> 00:36:04,263
>> ONCE I SOBERED UP AND PICKED
738
00:36:04,263 --> 00:36:05,531
MYSELF UP OFF THE BATHROOM
739
00:36:05,531 --> 00:36:07,966
FLOOR, I WENT BACK AND KICKED
740
00:36:07,966 --> 00:36:10,902
THOSE KIDS' ASSES AND THEIR BIG
741
00:36:10,902 --> 00:36:12,638
BROTHERS' ASS, THEN THEIR
742
00:36:12,638 --> 00:36:13,605
FATHERS' ASSES.
743
00:36:13,605 --> 00:36:15,274
BUT, YOU KNOW, WHEN THEIR
744
00:36:15,274 --> 00:36:16,575
MOTHERS SHOWED UP, I RAN LIKE
745
00:36:16,575 --> 00:36:17,743
HELL.
746
00:36:17,743 --> 00:36:18,710
>> ARE YOU GONNA TELL ME WHAT
747
00:36:18,710 --> 00:36:19,711
HAPPENED TO YOUR EYE?
748
00:36:19,711 --> 00:36:21,747
IT LOOKS LIKE IT HURTS.
749
00:36:21,747 --> 00:36:24,316
>> I SLIPPED.
750
00:36:24,316 --> 00:36:26,318
THAT'S ALL.
751
00:36:26,318 --> 00:36:27,519
AND, UH...IT DOES.
752
00:36:27,519 --> 00:36:29,421
>> YOU SHOULD BE MORE CAREFUL,
753
00:36:29,421 --> 00:36:30,922
JACK.
754
00:36:30,922 --> 00:36:31,990
>> I'VE BEEN THE DICTATOR OF
755
00:36:31,990 --> 00:36:34,326
CAREFUL UP UNTIL LAST NIGHT.
756
00:36:34,326 --> 00:36:37,663
BUT I'VE GOT IT ALL UNDER
757
00:36:37,663 --> 00:36:39,331
CONTROL NOW.
758
00:36:39,331 --> 00:36:40,632
>> NOW THAT YOU MENTION IT, WHAT
759
00:36:40,632 --> 00:36:42,334
WAS UP WITH YOU LAST NIGHT?
760
00:36:42,334 --> 00:36:44,770
>> MOMENTARY LAPSE IS ALL.
761
00:36:44,770 --> 00:36:45,571
>> NO, REALLY.
762
00:36:45,571 --> 00:36:46,972
IS THERE SOMETHING THAT I SHOULD
763
00:36:46,972 --> 00:36:48,640
KNOW?
764
00:36:48,640 --> 00:36:50,409
>> I DON'T DRINK MUCH.
765
00:36:50,409 --> 00:36:51,543
>>
766
00:36:51,543 --> 00:36:53,345
YOU HAD A SIP OF BEER.
767
00:36:53,345 --> 00:36:55,547
COME ON!
768
00:36:55,547 --> 00:36:57,283
>> YEAH, BUT I ALSO HAD THE
769
00:36:57,283 --> 00:36:59,718
BOURBON SHRIMP AS MY ENTREE.
770
00:36:59,718 --> 00:37:02,454
>> I DON'T GET YOU, JACK.
771
00:37:07,926 --> 00:37:08,727
TSK.
772
00:37:08,727 --> 00:37:10,929
BUT IT LOOKS LIKE YOU'RE GOING
773
00:37:10,929 --> 00:37:13,332
TO LIVE.
774
00:37:15,401 --> 00:37:17,936
>> WELL, THAT'S GOOD NEWS.
775
00:37:23,375 --> 00:37:25,477
SO, WHERE DID WE LEAVE --
776
00:37:25,477 --> 00:37:27,879
>> HEY, JACK?
777
00:37:27,879 --> 00:37:29,281
>> YEAH?
778
00:37:29,281 --> 00:37:30,349
>> DO YOU WANT TO GO TO THE
779
00:37:30,349 --> 00:37:31,783
TRACK?
780
00:37:31,783 --> 00:37:32,918
>> THE TRACK?
781
00:37:32,918 --> 00:37:34,386
>> YEAH! YEAH!
782
00:37:34,386 --> 00:37:37,723
BELMONT -- HORSES, BETTING,
783
00:37:37,723 --> 00:37:40,426
REAL-BEEF HOT DOGS AND ICE-COLD
784
00:37:40,426 --> 00:37:41,059
BEER.
785
00:37:41,059 --> 00:37:43,929
I'VE NEVER BEEN.
786
00:37:43,929 --> 00:37:45,797
>> OH, ACTUALLY, I HAVE A LOT OF
787
00:37:45,797 --> 00:37:47,633
WORK TO DO.
788
00:37:47,633 --> 00:37:49,468
I HAVE ANOTHER CLIENT I'M
789
00:37:49,468 --> 00:37:51,303
FINISHING UP SOME WORK FOR.
790
00:37:51,303 --> 00:37:51,937
>> YEAH, THAT'S FINE.
791
00:37:51,937 --> 00:37:52,704
THAT'S FINE.
792
00:37:52,704 --> 00:37:54,373
YOU DON'T HAVE TO GO.
793
00:37:54,373 --> 00:37:57,476
>> WE HAVE ALL YOUR STUFF TO DO.
794
00:37:57,476 --> 00:37:58,544
>>
795
00:37:58,544 --> 00:38:03,014
I DON'T FEEL LIKE IT TODAY.
796
00:38:03,014 --> 00:38:06,718
>> AUDREY?
797
00:38:06,718 --> 00:38:09,054
WHAT'S WRONG?
798
00:38:09,054 --> 00:38:10,889
YOU KNOW, WITH YOU?
799
00:38:10,889 --> 00:38:11,857
>> WHY THE
800
00:38:11,857 --> 00:38:12,791
HELL WOULD YOU ASK ME THAT?
801
00:38:12,791 --> 00:38:14,760
WHY THE HELL WOULD YOU ASK ME
802
00:38:14,760 --> 00:38:16,562
THAT?!
803
00:38:16,562 --> 00:38:19,565
I'M NOT SHARING, BUT I HAVE SOME
804
00:38:19,565 --> 00:38:22,368
TIME, JACK, AND IT'S MY TIME,
805
00:38:22,368 --> 00:38:23,769
AND THERE'S STUFF THAT I'VE
806
00:38:23,769 --> 00:38:24,970
ALWAYS WANTED TO DO.
807
00:38:24,970 --> 00:38:26,838
SO, I'M GONNA DO IT.
808
00:38:26,838 --> 00:38:28,807
YOU GET IT?
809
00:38:28,807 --> 00:38:29,841
>> I GET IT.
810
00:38:29,841 --> 00:38:30,909
LIKE, EATING AT THAT SOUL FOOD
811
00:38:30,909 --> 00:38:31,577
RESTAURANT.
812
00:38:31,577 --> 00:38:32,511
I GET IT.
813
00:38:32,511 --> 00:38:35,080
>> OR RIDING ON A HARLEY.
814
00:38:35,080 --> 00:38:36,982
OR FLYING TO PARIS FOR THE
815
00:38:36,982 --> 00:38:37,916
OPERA.
816
00:38:37,916 --> 00:38:39,518
>> I'VE NEVER BEEN TO PARIS.
817
00:38:39,518 --> 00:38:41,553
>> THE SMALL, ALMOST SUPERFICIAL
818
00:38:41,553 --> 00:38:43,054
STUFF, THAT ONLY MATTERS WHEN
819
00:38:43,054 --> 00:38:44,756
THE HOURGLASS IS RUNNING OUT OF
820
00:38:44,756 --> 00:38:45,891
SAND.
821
00:38:45,891 --> 00:38:49,595
>> I GET ALL THAT, BUT...
822
00:38:49,595 --> 00:38:53,799
WHAT ABOUT LOVE?
823
00:38:53,799 --> 00:38:58,003
>> LOVE.
824
00:38:58,003 --> 00:39:00,639
LOVE IS WHAT ME GOT INTO THIS
825
00:39:00,639 --> 00:39:03,141
MESS IN THE FIRST PLACE.
826
00:39:05,076 --> 00:39:07,379
I'VE HAD ENOUGH LOVE.
827
00:39:07,379 --> 00:39:10,382
>> BUT, AUDREY...
828
00:39:10,382 --> 00:39:12,418
>> YEAH?
829
00:39:12,418 --> 00:39:16,888
>> ARE YOU SCARED?
830
00:39:16,888 --> 00:39:19,090
>> NO.
831
00:39:19,090 --> 00:39:21,760
I'M NOT AFRAID OF DYING.
832
00:39:21,760 --> 00:39:24,430
I'M RELIEVED.
833
00:39:33,539 --> 00:39:35,574
>> WONDER WHAT'S BEEN GOING ON
834
00:39:35,574 --> 00:39:36,107
IN THE WORLD.
835
00:39:36,107 --> 00:39:37,676
>> WRECKAGE HAS BEEN FOUND IN
836
00:39:37,676 --> 00:39:39,077
THE NORTHERN ATLANTIC OCEAN...
837
00:39:39,077 --> 00:39:40,145
>> ...SAY THERE ARE NO
838
00:39:40,145 --> 00:39:40,879
SURVIVORS.
839
00:39:40,879 --> 00:39:42,080
>> ...COMMERCIAL JETLINER...
840
00:39:42,080 --> 00:39:43,582
>> CASUALTIES ARE EXPECTED...
841
00:39:44,182 --> 00:39:45,817
>> JACK WHILTON.
842
00:39:45,817 --> 00:39:48,687
>> HELLO, HONEY. IT'S MOMMY.
843
00:39:48,687 --> 00:39:49,555
SORRY FOR THE NOISE.
844
00:39:49,555 --> 00:39:50,656
Your sister and I are getting
845
00:39:50,656 --> 00:39:51,657
our hair done.
846
00:39:51,657 --> 00:39:52,958
AND AFTER THAT, WE'RE GONNA GO
847
00:39:52,958 --> 00:39:53,992
OUT AND PICK UP SOME YOUNGER
848
00:39:53,992 --> 00:39:54,660
MEN.
849
00:39:54,660 --> 00:39:56,762
>> DON'T TELL HIM THAT!
850
00:39:56,762 --> 00:39:58,797
>> WELL, IT'S THE THING.
851
00:39:58,797 --> 00:40:00,766
OLDER WOMEN, YOUNGER MEN.
852
00:40:00,766 --> 00:40:01,900
THEY SAY WOMEN LIVE LONGER.
853
00:40:01,900 --> 00:40:03,635
>> MOM, THAT IS SO DISGUSTING.
854
00:40:03,635 --> 00:40:04,836
>> YOUR SISTER THINKS I'M
855
00:40:04,836 --> 00:40:06,738
DISGUSTING.
856
00:40:06,738 --> 00:40:08,574
HOW ARE YOU, SWEETHEART?
857
00:40:08,574 --> 00:40:09,675
>> ACTUALLY, YOU'D BE PROUD OF
858
00:40:09,675 --> 00:40:10,175
ME, MOM.
859
00:40:10,175 --> 00:40:11,810
I WENT ON A DATE.
860
00:40:11,810 --> 00:40:13,211
>> OH, MY GOD!
861
00:40:13,211 --> 00:40:15,213
HE WENT ON A DATE.
862
00:40:15,213 --> 00:40:16,982
TELL ME ALL ABOUT IT, HONEY.
863
00:40:16,982 --> 00:40:19,451
>> HANG ON, MOM.
864
00:40:19,451 --> 00:40:20,786
JACK WHILTON.
865
00:40:20,786 --> 00:40:22,588
>> THIS IS DR. ANDERSON.
866
00:40:22,588 --> 00:40:24,956
I'M MR. HINES' PHYSICIAN.
867
00:40:24,956 --> 00:40:26,825
>> IS EVERYTHING ALL RIGHT?
868
00:40:26,825 --> 00:40:27,626
>> NO.
869
00:40:27,626 --> 00:40:29,495
NO, I'M AFRAID IT'S NOT.
870
00:40:29,495 --> 00:40:30,596
He is still conscious.
871
00:40:30,596 --> 00:40:31,497
AND HE WANTS TO KNOW IF
872
00:40:31,497 --> 00:40:32,564
EVERYTHING HAS BEEN TAKEN CARE
873
00:40:32,564 --> 00:40:33,499
OF.
874
00:40:33,499 --> 00:40:35,066
>> YEAH, ALL THE PAPERS HAVE
875
00:40:35,066 --> 00:40:36,768
BEEN SIGNED.
876
00:40:36,768 --> 00:40:37,736
YEAH, ALL THE PAPERS HAVE BEEN
877
00:40:37,736 --> 00:40:38,136
SIGNED.
878
00:40:38,136 --> 00:40:39,104
I'LL HAVE THEM DELIVERED FIRST
879
00:40:39,104 --> 00:40:40,138
THING IN THE MORNING.
880
00:40:40,138 --> 00:40:41,773
>> I'LL LET HIM KNOW.
881
00:40:41,773 --> 00:40:43,909
>> COULD I TALK TO HIM, PLEASE?
882
00:40:43,909 --> 00:40:46,177
>> I'M SORRY, MR. WHILTON.
883
00:40:46,177 --> 00:40:48,680
THAT WILL NOT BE POSSIBLE.
884
00:40:48,680 --> 00:40:52,718
THEN, UM, THANK YOU AND TELL HIM
885
00:40:52,718 --> 00:40:55,186
I WILL TAKE CARE OF EVERYTHING.
886
00:40:55,186 --> 00:40:57,789
>> Thank you.
887
00:41:00,692 --> 00:41:01,993
>> MOM, CAN I CALL YOU BACK?
888
00:41:01,993 --> 00:41:02,928
>> NO! JACK, COME ON.
889
00:41:02,928 --> 00:41:03,895
I WANT TO HEAR ALL ABOUT YOUR
890
00:41:03,895 --> 00:41:05,096
DATE, PLEASE?
891
00:41:05,096 --> 00:41:06,698
>> DOESN'T MATTER, ANYWAY.
892
00:41:06,698 --> 00:41:08,099
IT WAS A PATHETIC MESS.
893
00:41:08,099 --> 00:41:08,967
I SCREWED IT UP.
894
00:41:08,967 --> 00:41:10,569
IT'S...IT'S OVER.
895
00:41:10,569 --> 00:41:13,138
I'LL CALL YOU TOMORROW.
896
00:41:45,971 --> 00:41:48,740
>> JACK, I HAD A GOOD DAY -- I
897
00:41:48,740 --> 00:41:50,241
HAD A GOOD DAY AT THE TRACK.
898
00:41:50,241 --> 00:41:51,710
YOU'RE NEVER GONNA BELIEVE WHAT
899
00:41:51,710 --> 00:41:52,277
HAPPENED TO ME.
900
00:41:52,277 --> 00:41:53,011
SO --
901
00:41:53,011 --> 00:41:54,245
>> UNLESS THIS IS REALLY
902
00:41:54,245 --> 00:41:56,081
IMPORTANT, I DON'T HAVE TIME TO
903
00:41:56,081 --> 00:41:58,650
CHAT ABOUT HORSES AND -- AND
904
00:41:58,650 --> 00:41:59,718
REAL-BEEF HOT DOGS AND WHATEVER
905
00:41:59,718 --> 00:42:04,690
ELSE YOU FOUND SIMPLE.
906
00:42:04,690 --> 00:42:07,092
>> FINE.
907
00:42:07,092 --> 00:42:11,029
JACK, I GET THE MESSAGE.
908
00:42:11,029 --> 00:42:14,900
I'LL SEE YOU AROUND.
909
00:42:14,900 --> 00:42:17,569
>> AUDREY?
910
00:42:23,675 --> 00:42:24,142
>>
911
00:42:24,142 --> 00:42:26,645
Jack.
912
00:42:31,149 --> 00:42:32,951
>>
913
00:42:36,655 --> 00:42:39,090
THIS ISN'T REAL, IS IT?
914
00:42:39,090 --> 00:42:42,728
>> THAT WAS MY FATHER'S.
915
00:42:42,728 --> 00:42:45,130
>> Oh.
916
00:43:12,223 --> 00:43:14,660
>> THAT'S MY BROTHER.
917
00:43:14,660 --> 00:43:16,828
>> OH.
918
00:43:16,828 --> 00:43:17,328
YEAH, RIGHT.
919
00:43:17,328 --> 00:43:19,330
I, UH, I THOUGHT I SAW A
920
00:43:19,330 --> 00:43:22,033
RESEMBLANCE.
921
00:43:31,643 --> 00:43:34,913
WHAT'S THAT?
922
00:43:34,913 --> 00:43:39,951
>> I AM GONNA GET YOU DRUNK.
923
00:43:39,951 --> 00:43:41,052
DON'T WORRY, JACK.
924
00:43:41,052 --> 00:43:41,920
WE'RE NOT GONNA LEAVE MY
925
00:43:41,920 --> 00:43:43,388
APARTMENT.
926
00:43:43,388 --> 00:43:45,156
NOT TONIGHT, ANYWAY.
927
00:43:45,156 --> 00:43:47,993
AND I PROMISE I WON'T TAKE
928
00:43:47,993 --> 00:43:49,127
ADVANTAGE OF YOU, EITHER.
929
00:43:49,127 --> 00:43:49,895
>> LET ME GUESS.
930
00:43:49,895 --> 00:43:52,163
GETTING SHITFACED ON TEQUILA IS
931
00:43:52,163 --> 00:43:53,364
ON YOUR LIST.
932
00:43:53,364 --> 00:43:54,365
>> NO!
933
00:43:54,365 --> 00:43:55,834
BUT YOU LOOK LIKE YOU NEED
934
00:43:55,834 --> 00:44:01,873
SEVERAL DRINKS, AND I GOT THEM.
935
00:44:01,873 --> 00:44:04,843
HERE'S TO GOING TO PARIS.
936
00:44:04,843 --> 00:44:07,378
>> TO PARIS.
937
00:44:10,348 --> 00:44:13,351
>> MMM.
938
00:44:13,351 --> 00:44:15,386
OOH-WHEE!
939
00:44:17,422 --> 00:44:20,792
YOU LIKE PARIS, RIGHT, JACK?
940
00:44:20,792 --> 00:44:22,227
RIGHT?
941
00:44:22,227 --> 00:44:23,929
I HAD A GOOD DAY AT THE TRACK.
942
00:44:23,929 --> 00:44:26,397
I HAD A REALLY, REALLY GOOD DAY
943
00:44:26,397 --> 00:44:28,466
AT THE TRACK.
944
00:44:28,466 --> 00:44:30,301
>> OH.
945
00:44:30,301 --> 00:44:31,336
OH, AUD--
946
00:44:32,203 --> 00:44:33,438
NO, I-I-I --
947
00:44:33,438 --> 00:44:35,073
>> NO, NO, NO, NO, NO, NO.
948
00:44:35,073 --> 00:44:36,808
DON'T -- DON'T DECIDE NOW.
949
00:44:36,808 --> 00:44:40,178
HAVE -- HAVE A FEW MORE AND
950
00:44:40,178 --> 00:44:41,947
THEN DECIDE.
951
00:44:41,947 --> 00:44:44,716
>> NO, I -- I...
952
00:44:44,716 --> 00:44:47,886
>> OH, THERE'S MY HEMINGWAY!
953
00:44:47,886 --> 00:44:49,921
OH, PART OF THE FLYING-CIRCUS
954
00:44:49,921 --> 00:44:50,889
ACT.
955
00:44:50,889 --> 00:44:52,991
HE LOVES HANGING ON THE LEDGE.
956
00:44:52,991 --> 00:44:53,825
COME HERE, BABY.
957
00:44:53,825 --> 00:44:54,926
TSK-TSK-TSK.
958
00:44:54,926 --> 00:44:55,493
COME HERE!
959
00:44:55,493 --> 00:44:56,327
>>
960
00:44:56,327 --> 00:44:58,296
>> AH, HE'S BEING ANTISOCIAL.
961
00:44:58,296 --> 00:45:00,799
>> WHY ARE YOU GETTING ME DRUNK?
962
00:45:00,799 --> 00:45:02,100
>> I THINK THAT YOU NEED IT.
963
00:45:02,100 --> 00:45:03,969
I'M A TEQUILA ADVOCATE UNDER
964
00:45:03,969 --> 00:45:06,071
THESE PRECISE CIRCUMSTANCES.
965
00:45:06,071 --> 00:45:07,038
>> WHAT CIRCUMSTANCES ARE WE
966
00:45:07,038 --> 00:45:08,073
TALKING?
967
00:45:08,073 --> 00:45:09,941
>> WELL, THE CRUMMY DAY YOU'RE
968
00:45:09,941 --> 00:45:10,441
HAVING.
969
00:45:10,441 --> 00:45:11,877
>> ME
970
00:45:11,877 --> 00:45:13,311
I SHOULD BE GETTING YOU DRUNK.
971
00:45:13,311 --> 00:45:14,079
>> OH, NO, NO, NO.
972
00:45:14,079 --> 00:45:16,081
JACK -- JACK, I HAD A WONDERFUL
973
00:45:16,081 --> 00:45:16,915
DAY.
974
00:45:16,915 --> 00:45:18,216
I HAD A GREAT DAY.
975
00:45:18,216 --> 00:45:19,785
>> HOW DO YOU DO IT?
976
00:45:19,785 --> 00:45:21,419
>> DO WHAT?
977
00:45:21,419 --> 00:45:23,188
>> YOU KNOW, HOW DO YOU...
978
00:45:23,188 --> 00:45:26,224
STAY SO WELL-ADJUSTED,
979
00:45:26,224 --> 00:45:28,927
CONSIDERING WHAT YOU'RE ABOUT TO
980
00:45:28,927 --> 00:45:30,328
FACE?
981
00:45:30,328 --> 00:45:32,197
>> FACE?
982
00:45:32,197 --> 00:45:36,167
OH, OH, YOU MEAN THE BIG "D"?
983
00:45:36,167 --> 00:45:37,402
>> YOU SEE?
984
00:45:37,402 --> 00:45:38,970
IT ABSOLUTELY TERRIFIES ME, AND
985
00:45:38,970 --> 00:45:42,240
YOU JUST SAY IT CASUALLY, LIKE,
986
00:45:42,240 --> 00:45:43,809
"Q."
987
00:45:43,809 --> 00:45:44,275
>> "Q"?
988
00:45:44,275 --> 00:45:47,212
>> OR...
989
00:45:47,212 --> 00:45:48,479
"MARGARITA."
990
00:45:48,479 --> 00:45:51,516
>> OH, DO YOU PREFER THAT?
991
00:45:51,516 --> 00:45:54,185
>> WHAT, YOU BEING NONCHALANT
992
00:45:54,185 --> 00:45:55,453
ABOUT THE ALPHABET?
993
00:45:55,453 --> 00:45:57,388
>> NO, THE MARGARITAS.
994
00:45:57,388 --> 00:45:59,958
OH, I MAKE KILLER MARGARITAS!
995
00:45:59,958 --> 00:46:01,559
>> NO, I WANT TO KNOW WHY YOU'RE
996
00:46:01,559 --> 00:46:02,861
SO CAVALIER ABOUT YOUR
997
00:46:02,861 --> 00:46:03,494
CONDITION.
998
00:46:03,494 --> 00:46:05,997
>> AND YOU'RE NOT?
999
00:46:05,997 --> 00:46:08,466
>> ABOUT YOUR CONDITION?
1000
00:46:08,466 --> 00:46:10,568
>>
1001
00:46:10,568 --> 00:46:11,536
>> NO. WAIT.
1002
00:46:11,536 --> 00:46:13,038
NO, AUDREY, AUDREY, PLEASE.
1003
00:46:13,038 --> 00:46:14,339
PLEASE JUST -- JUST ANSWER THE
1004
00:46:14,339 --> 00:46:15,573
QUESTION.
1005
00:46:15,573 --> 00:46:17,008
>> NO!
1006
00:46:17,008 --> 00:46:19,878
NO. I WANT TO TALK ABOUT YOU.
1007
00:46:19,878 --> 00:46:20,545
>> WHY?
1008
00:46:20,545 --> 00:46:23,481
>> BECAUSE IT'S OBVIOUS.
1009
00:46:23,481 --> 00:46:25,016
>> HOW DO YOU MEAN?
1010
00:46:25,016 --> 00:46:26,818
>> YOU AND EVERYTHING THAT YOU
1011
00:46:26,818 --> 00:46:27,485
DO.
1012
00:46:27,485 --> 00:46:30,055
IT'S OBVIOUS.
1013
00:46:30,055 --> 00:46:33,224
>> OBVIOUS ABOUT WHAT?
1014
00:46:33,224 --> 00:46:35,360
>> HOW AFRAID YOU ARE OF
1015
00:46:35,360 --> 00:46:40,398
EVERYTHING.
1016
00:46:40,398 --> 00:46:42,167
>> I WANT TO TALK ABOUT YOU.
1017
00:46:42,167 --> 00:46:44,369
>> DO YOU THINK THAT I WAS BLIND
1018
00:46:44,369 --> 00:46:46,537
THAT FIRST DAY THAT WE MET?
1019
00:46:46,537 --> 00:46:49,474
YOU IN THAT FUNNY FOOTBALL
1020
00:46:49,474 --> 00:46:51,542
HELMET.
1021
00:46:51,542 --> 00:46:57,348
ACTUALLY, IT WAS KIND OF CUTE.
1022
00:46:57,348 --> 00:46:59,217
OH, DON'T BE EMBARRASSED, JACK!
1023
00:46:59,217 --> 00:47:00,118
COME ON.
1024
00:47:00,118 --> 00:47:01,619
I'VE NOTICED YOU FOR A LONG
1025
00:47:01,619 --> 00:47:03,955
TIME.
1026
00:47:05,523 --> 00:47:06,992
>> HOW LONG?
1027
00:47:06,992 --> 00:47:09,160
>> SINCE I MOVED IN.
1028
00:47:09,160 --> 00:47:10,528
PEOPLE TALK, YOU KNOW?
1029
00:47:10,528 --> 00:47:12,363
I WAS CURIOUS WHO THE HERMIT
1030
00:47:12,363 --> 00:47:14,399
WAS, SNEAKING AROUND THE HALL IN
1031
00:47:14,399 --> 00:47:15,633
FOOTBALL GEAR.
1032
00:47:15,633 --> 00:47:17,903
YOU WERE DEFINITELY TOO YOUNG TO
1033
00:47:17,903 --> 00:47:18,369
BE...
1034
00:47:20,638 --> 00:47:22,473
AND DEFINITELY TOO SMALL TO BE
1035
00:47:22,473 --> 00:47:23,942
IN THE NFL -- NO OFFENSE.
1036
00:47:23,942 --> 00:47:26,377
SORRY.
1037
00:47:26,377 --> 00:47:28,613
>> WHY HAVEN'T YOU SAID
1038
00:47:28,613 --> 00:47:29,915
ANYTHING?
1039
00:47:29,915 --> 00:47:30,882
>> BECAUSE IT'S NONE OF MY
1040
00:47:30,882 --> 00:47:32,617
BUSINESS.
1041
00:47:32,617 --> 00:47:35,353
BUT, UM...
1042
00:47:35,353 --> 00:47:40,558
THAT FIRST DAY, WHEN WE MET,
1043
00:47:40,558 --> 00:47:42,460
THOSE REGRETTABLE EYES THROUGH
1044
00:47:42,460 --> 00:47:46,932
THAT FACE MASK?
1045
00:47:47,899 --> 00:47:51,036
YOU ARE A NICE GUY, JACK.
1046
00:47:51,036 --> 00:47:52,170
TOO BAD I DIDN'T MEET YOU A DAY
1047
00:47:52,170 --> 00:47:54,973
SOONER.
1048
00:47:58,309 --> 00:47:59,677
OH, LOOK! LOOK!
1049
00:47:59,677 --> 00:48:00,211
SEE?
1050
00:48:00,211 --> 00:48:03,148
HE KNOWS YOU'RE A NICE GUY, TOO.
1051
00:48:03,148 --> 00:48:05,116
>> ALL THE HERBAL CRAP I'M
1052
00:48:05,116 --> 00:48:06,517
TAKING, I'M PROBABLY ON CATNIP,
1053
00:48:06,517 --> 00:48:08,519
TOO, AND DON'T KNOW IT.
1054
00:48:08,519 --> 00:48:11,256
>> SO...
1055
00:48:11,256 --> 00:48:12,223
ARE YOU GOING?
1056
00:48:12,223 --> 00:48:14,625
>> AS YOU HAVE CLEVERLY DEDUCED,
1057
00:48:14,625 --> 00:48:18,029
I'M A BASKET CASE, AND NOW
1058
00:48:18,029 --> 00:48:20,231
YOU'RE ASKING ME TO FLY...IN AN
1059
00:48:20,231 --> 00:48:23,668
AIRPLANE ACROSS A VERY, VERY
1060
00:48:23,668 --> 00:48:24,369
DEEP OCEAN.
1061
00:48:24,369 --> 00:48:25,603
>> I WOULDN'T WORRY ABOUT HOW
1062
00:48:25,603 --> 00:48:27,105
DEEP THE OCEAN IS, JACK.
1063
00:48:27,105 --> 00:48:30,041
YOU'RE GONNA DIE FROM THE CRASH.
1064
00:48:30,041 --> 00:48:31,376
>> YES! THAT, TOO.
1065
00:48:31,376 --> 00:48:32,310
THANK YOU.
1066
00:48:32,310 --> 00:48:33,945
THANK YOU SO MUCH FOR CONFIRMING
1067
00:48:33,945 --> 00:48:35,113
MY WORST NIGHTMARE.
1068
00:48:35,113 --> 00:48:37,715
>> MY PLEASURE.
1069
00:48:37,715 --> 00:48:38,683
>> AND WHO KNOWS WHAT I'LL BE
1070
00:48:38,683 --> 00:48:41,252
LIKE AT 35,000 FEET.
1071
00:48:41,252 --> 00:48:44,589
>> DO YOU HAVE A FEAR OF FLYING?
1072
00:48:44,589 --> 00:48:47,592
>> NO.
1073
00:48:47,592 --> 00:48:50,595
A FEAR OF DYING.
1074
00:48:50,595 --> 00:48:52,230
>> HAVE YOU EVER BEEN ANYWHERE
1075
00:48:52,230 --> 00:48:54,399
ON A PLANE?
1076
00:48:54,399 --> 00:48:58,436
>> UH...NOT SINCE LAST TRIP TO
1077
00:48:58,436 --> 00:49:00,972
JACKSON HOLE WITH MY DAD, AND
1078
00:49:00,972 --> 00:49:04,442
THEN HE DIED.
1079
00:49:04,442 --> 00:49:07,712
>> OH...OH-OH-OH-OH.
1080
00:49:07,712 --> 00:49:10,481
THOUGH MY EYES ARE FUZZY FROM
1081
00:49:10,481 --> 00:49:12,317
THE HOOCH, THE PICTURE IS
1082
00:49:12,317 --> 00:49:14,986
GETTING MUCH CLEARER NOW.
1083
00:49:14,986 --> 00:49:16,754
>> I, UH, I MIGHT NOT BE THE GUY
1084
00:49:16,754 --> 00:49:18,689
FOR YOU.
1085
00:49:18,689 --> 00:49:20,225
YOU'RE DOING SOMETHING
1086
00:49:20,225 --> 00:49:24,162
IMPORTANT ON YOUR LIST.
1087
00:49:24,162 --> 00:49:25,130
ARE YOU SURE YOU DON'T WANT TO
1088
00:49:25,130 --> 00:49:26,731
ASK SOMEONE ELSE?
1089
00:49:26,731 --> 00:49:28,499
I ONLY HAVE A COUPLE MORE WEEKS.
1090
00:49:28,499 --> 00:49:34,739
>> ME TOO.
1091
00:49:34,739 --> 00:49:38,009
>> I DON'T KNOW.
1092
00:49:38,009 --> 00:49:39,210
WELL, MAYBE YOU SHOULD TAKE YOUR
1093
00:49:39,210 --> 00:49:40,378
BROTHER OR SOMEONE --
1094
00:49:40,378 --> 00:49:42,613
>> MY BROTHER'S DEAD.
1095
00:49:48,319 --> 00:49:49,254
YOU KNOW WHAT?
1096
00:49:49,254 --> 00:49:52,623
I DON'T WANT TO TALK ABOUT THIS.
1097
00:49:52,623 --> 00:49:54,725
I WANT TO TALK ABOUT PARIS.
1098
00:49:54,725 --> 00:49:57,428
HAVE A WEAKNESS FOR ME, JACK.
1099
00:49:57,428 --> 00:49:59,397
SEE, I DON'T CARE ABOUT ALL OF
1100
00:49:59,397 --> 00:50:01,366
YOUR SCARED-TO-DEATH CRAP THAT
1101
00:50:01,366 --> 00:50:03,368
YOU MAY FLIP OUT AT 35,000 FEET
1102
00:50:03,368 --> 00:50:04,502
AND KILL US ALL.
1103
00:50:04,502 --> 00:50:06,371
>> YEAH, YOU IN PARTICULAR
1104
00:50:06,371 --> 00:50:06,804
WOULDN'T.
1105
00:50:06,804 --> 00:50:08,273
>> I DON'T HAVE TIME TO GO
1106
00:50:08,273 --> 00:50:09,307
INVITE ANOTHER ONE OF MY
1107
00:50:09,307 --> 00:50:10,341
FRIENDS -- HAVE THEM TAKE THE
1108
00:50:10,341 --> 00:50:12,410
TIME OFF OF WORK.
1109
00:50:12,410 --> 00:50:13,744
YOU'RE HERE!
1110
00:50:13,744 --> 00:50:15,213
YOU'RE FLEXIBLE.
1111
00:50:15,213 --> 00:50:16,747
I'M A CLIENT.
1112
00:50:16,747 --> 00:50:18,416
IT'S JUST ONE MORE ADVENTURE
1113
00:50:18,416 --> 00:50:19,750
WITH ME.
1114
00:50:19,750 --> 00:50:20,685
WE'LL WRAP UP ALL OF OUR
1115
00:50:20,685 --> 00:50:23,321
BUSINESS AND EXPERIENCE PARIS
1116
00:50:23,321 --> 00:50:25,156
WHILE WE'RE AT IT.
1117
00:50:25,156 --> 00:50:30,628
AND THE TICKET IS IN YOUR NAME,
1118
00:50:30,628 --> 00:50:33,231
AND IT WILL COST ME 100 BUCKS TO
1119
00:50:33,231 --> 00:50:34,565
CHANGE IT, JACK.
1120
00:50:34,565 --> 00:50:36,601
A HUNDRED BONES THAT I COULD
1121
00:50:36,601 --> 00:50:39,637
HAVE LEFT TO SOME POOR SOUL.
1122
00:50:44,109 --> 00:50:46,177
>> WHEN ARE WE LEAVING?
1123
00:50:46,177 --> 00:50:47,845
>> JACK, PLEASE.
1124
00:50:47,845 --> 00:50:49,380
PLEASE COME ON.
1125
00:50:49,380 --> 00:50:50,581
PLEASE.
1126
00:50:50,581 --> 00:50:51,749
>> MISS, I NEED YOU TO GET HIM
1127
00:50:51,749 --> 00:50:52,717
ON THE FLIGHT NOW, OR IT'S
1128
00:50:52,717 --> 00:50:53,518
LEAVING WITHOUT YOU.
1129
00:50:53,518 --> 00:50:54,485
>> OKAY, PLEASE JUST GIVE ME A
1130
00:50:54,485 --> 00:50:55,286
COUPLE MORE MINUTES.
1131
00:50:55,286 --> 00:50:56,587
>> YOU HAVE EXACTLY ONE.
1132
00:50:56,587 --> 00:50:57,422
>> JACK, PLEASE.
1133
00:50:57,422 --> 00:50:58,723
IF WE DON'T LEAVE RIGHT NOW, THE
1134
00:50:58,723 --> 00:51:00,391
PLANE IS GONNA LEAVE WITHOUT US.
1135
00:51:00,391 --> 00:51:02,127
>> I TOLD YOU YOU SHOULD HAVE
1136
00:51:02,127 --> 00:51:04,229
BROUGHT SOMEONE ELSE.
1137
00:51:04,229 --> 00:51:05,696
JUST...JUST GO WITHOUT ME.
1138
00:51:05,696 --> 00:51:06,697
>> YOU -- NO, NO, NO.
1139
00:51:06,697 --> 00:51:10,101
THIS IS ALL IN YOUR HEAD.
1140
00:51:10,101 --> 00:51:12,570
>> NO, NOT THIS.
1141
00:51:12,570 --> 00:51:14,772
I'VE...
1142
00:51:14,772 --> 00:51:15,706
I'VE ALWAYS HAD A FEAR OF
1143
00:51:15,706 --> 00:51:18,576
FLYING.
1144
00:51:21,646 --> 00:51:23,248
>> LET ME GET THIS STRAIGHT.
1145
00:51:23,248 --> 00:51:25,716
YOU AGREED UNDER FALSE PRETENSES
1146
00:51:25,716 --> 00:51:27,385
TO COME ON THIS TRIP WITH ME,
1147
00:51:27,385 --> 00:51:28,786
KNOWING FULL WELL THAT YOU COULD
1148
00:51:28,786 --> 00:51:30,121
NEVER GET ON THIS PLANE.
1149
00:51:30,121 --> 00:51:31,322
>> I WANTED TO.
1150
00:51:33,358 --> 00:51:35,226
I REALLY -- I REALLY, REALLY
1151
00:51:35,226 --> 00:51:35,760
WANTED TO.
1152
00:51:35,760 --> 00:51:39,397
>> I NEED YOU TO BOARD NOW.
1153
00:51:39,397 --> 00:51:42,267
>> PLEASE DON'T BE MAD.
1154
00:51:42,267 --> 00:51:44,869
>> I'M NOT MAD.
1155
00:51:46,671 --> 00:51:47,738
>> Y-YOU'LL HAVE A BETTER TIME
1156
00:51:47,738 --> 00:51:50,875
WITHOUT ME!
1157
00:51:50,875 --> 00:51:52,443
SCHMUCK!
1158
00:51:52,443 --> 00:51:55,446
SCHMUCK, SCHMUCK, SCHMUCK!
1159
00:51:55,446 --> 00:51:58,183
>> MR. WHILTON?
1160
00:52:01,586 --> 00:52:03,888
MR. WHILTON, ARE YOU SURE THIS
1161
00:52:03,888 --> 00:52:06,524
IS WHAT YOU WANT TO DO?
1162
00:52:10,261 --> 00:52:11,496
>> LADIES AND GENTLEMEN, AT THIS
1163
00:52:11,496 --> 00:52:12,697
TIME WE'RE READY TO LEAVE THE
1164
00:52:12,697 --> 00:52:13,631
GATE.
1165
00:52:13,631 --> 00:52:14,865
PLEASE MAKE SURE ALL YOUR
1166
00:52:14,865 --> 00:52:17,202
PERSONAL...
1167
00:52:17,202 --> 00:52:19,504
>> SHH-SHH!
1168
00:52:22,240 --> 00:52:26,611
Stop it!
1169
00:52:26,611 --> 00:52:28,679
>> SHE'S HERE.
1170
00:52:28,679 --> 00:52:30,781
>> IT'S ALL RIGHT.
1171
00:52:30,781 --> 00:52:33,318
YOU'LL BE FINE.
1172
00:52:35,753 --> 00:52:38,389
MR. WHILTON, THIS IS KIMBERLY.
1173
00:52:38,389 --> 00:52:39,890
SHE'S BEEN FLYING FOR OVER
1174
00:52:39,890 --> 00:52:42,227
15 YEARS, AND SHE'LL BE
1175
00:52:42,227 --> 00:52:43,861
PERSONALLY RESPONSIBLE FOR YOU
1176
00:52:43,861 --> 00:52:45,896
FOR THE DURATION OF THIS FLIGHT.
1177
00:52:45,896 --> 00:52:48,499
>> RIGHT THIS WAY, MR. WHILTON.
1178
00:52:52,537 --> 00:52:56,774
RIGHT HERE, MR. WHILTON.
1179
00:52:56,774 --> 00:52:59,577
>> THERE WAS A YOUNG WOMAN...
1180
00:53:18,263 --> 00:53:19,564
>> AND AFTER WE REACH OUR
1181
00:53:19,564 --> 00:53:20,965
CRUISING ALTITUDE, I'LL BE BACK
1182
00:53:20,965 --> 00:53:27,938
WITH SOME CHAMPAGNE, OKAY?
1183
00:53:27,938 --> 00:53:29,674
>> IT'S LIKE A GIANT FLYING
1184
00:53:29,674 --> 00:53:31,309
LIVING ROOM WITH COCKTAIL
1185
00:53:31,309 --> 00:53:35,680
SERVICE, RIGHT?
1186
00:53:35,680 --> 00:53:37,582
>> HEY...
1187
00:53:37,582 --> 00:53:41,419
I'M GLAD YOU'RE HERE.
1188
00:53:41,419 --> 00:53:43,421
>> NOT FOR LONG.
1189
00:53:43,421 --> 00:53:45,523
I TOOK ABOUT FIVE VALIUM.
1190
00:53:45,523 --> 00:53:48,293
>> OOH-OOH!
1191
00:53:48,293 --> 00:53:49,994
YOU OKAY?
1192
00:53:49,994 --> 00:53:52,497
>> I THINK THE RUSH OF PANIC
1193
00:53:52,497 --> 00:53:53,798
JUST KICKED IN THE DRUGS.
1194
00:53:53,798 --> 00:53:58,703
>> * YOU'RE ALL I REALLY WANT
1195
00:53:58,703 --> 00:54:02,507
* HEADLONG
1196
00:54:07,645 --> 00:54:12,883
* I'M FALLING IN HEADLONG
1197
00:54:20,958 --> 00:54:25,496
* AND ACT A LITTLE BRAVER
1198
00:54:25,496 --> 00:54:28,766
* THE LIES THAT TRY
1199
00:54:28,766 --> 00:54:32,937
TO TRIP YOU *
1200
00:54:42,547 --> 00:54:45,350
>> YOU MADE IT, JACK.
1201
00:54:50,488 --> 00:54:52,089
>> HOW DID I GET HERE?
1202
00:54:52,089 --> 00:54:53,991
>> WELL, BETWEEN THE FLIGHT
1203
00:54:53,991 --> 00:54:57,762
ATTENDANT, THE SECURITY CART,
1204
00:54:57,762 --> 00:55:00,398
AND SERGE, THE 300-POUND
1205
00:55:00,398 --> 00:55:03,901
CABDRIVER.
1206
00:55:03,901 --> 00:55:05,903
>> HE CARRIED ME TO BED?
1207
00:55:05,903 --> 00:55:08,906
>> LIKE A SACK OF POTATOES.
1208
00:55:13,478 --> 00:55:14,044
>> THANK GOD.
1209
00:55:14,044 --> 00:55:15,346
>>
1210
00:55:15,346 --> 00:55:19,016
OKAY, THEN, I AM GOING TO GO TO
1211
00:55:19,016 --> 00:55:20,385
MY ROOM AND GRAB MY THINGS.
1212
00:55:20,385 --> 00:55:24,088
I'LL MEET YOU DOWNSTAIRS AT
1213
00:55:24,088 --> 00:55:25,490
3:00...
1214
00:55:25,490 --> 00:55:31,095
>> Both: SHARP.
1215
00:55:31,095 --> 00:55:32,630
>> YEAH, WELL, THINGS DON'T SEEM
1216
00:55:32,630 --> 00:55:34,932
TO CHANGE FOR ME MUCH, DO THEY?
1217
00:55:34,932 --> 00:55:39,604
NOT EVEN IN PARIS.
1218
00:55:39,604 --> 00:55:45,676
>> I WASN'T CRITICIZING YOU.
1219
00:55:45,676 --> 00:55:48,345
AUDREY?
1220
00:55:56,721 --> 00:55:59,524
>> HEY, JACK? COME HERE.
1221
00:56:01,692 --> 00:56:02,793
>> WOW!
1222
00:56:02,793 --> 00:56:05,930
>>
1223
00:56:05,930 --> 00:56:08,599
>> IT'S MORE BEAUTIFUL THAN I
1224
00:56:08,599 --> 00:56:12,470
IMAGINED.
1225
00:56:12,470 --> 00:56:13,838
>> OH, YOU JUST WAIT UNTIL YOU
1226
00:56:13,838 --> 00:56:18,108
TOUCH IT AND TASTE IT, SMELL IT.
1227
00:56:24,649 --> 00:56:27,117
>> CAN I ASK YOU A QUESTION?
1228
00:56:27,117 --> 00:56:29,754
>> SURE.
1229
00:56:29,754 --> 00:56:30,721
>> WHY'D YOU REALLY WANT ME TO
1230
00:56:30,721 --> 00:56:35,426
COME TO PARIS?
1231
00:56:35,426 --> 00:56:36,827
>> WHY?
1232
00:56:36,827 --> 00:56:41,131
BECAUSE...I LIKE YOU, JACK.
1233
00:56:41,131 --> 00:56:42,867
YOU'RE NICE.
1234
00:56:42,867 --> 00:56:43,634
AND WE GET ALONG.
1235
00:56:43,634 --> 00:56:46,036
THERE'S NO COMPLICATIONS, NO
1236
00:56:46,036 --> 00:56:47,572
HISTORY...
1237
00:56:47,572 --> 00:56:50,775
NO PRESSURE.
1238
00:56:50,775 --> 00:56:52,743
>> OH.
1239
00:56:52,743 --> 00:56:55,746
JUST SEEMS LIKE I'M AN
1240
00:56:55,746 --> 00:56:57,081
UNNECESSARY HANDFUL FOR A WOMAN
1241
00:56:57,081 --> 00:57:00,518
WHO'S QUITE SELF-SUFFICIENT.
1242
00:57:00,518 --> 00:57:01,752
>> YEAH, WELL, I'M NOT AS STRONG
1243
00:57:01,752 --> 00:57:05,189
AS YOU THINK I AM.
1244
00:57:05,189 --> 00:57:07,024
LOOK.
1245
00:57:07,024 --> 00:57:10,528
I DIDN'T WANT TO DO THIS ALONE.
1246
00:57:10,528 --> 00:57:11,696
I NEEDED SOMEONE WHO WOULDN'T
1247
00:57:11,696 --> 00:57:13,931
JUDGE ME, SOMEONE WHO WOULDN'T
1248
00:57:13,931 --> 00:57:15,666
THINK THAT I WAS CRAZY FOR BEING
1249
00:57:15,666 --> 00:57:18,102
IMPETUOUS.
1250
00:57:18,102 --> 00:57:22,640
AND YOU ARE REMARKABLY THAT
1251
00:57:22,640 --> 00:57:24,809
SOMEONE.
1252
00:57:24,809 --> 00:57:27,011
>> YEAH.
1253
00:57:27,011 --> 00:57:28,813
THE GUY WANDERING THE HALLS IN A
1254
00:57:28,813 --> 00:57:30,915
FOOTBALL HELMET.
1255
00:57:30,915 --> 00:57:33,150
>>
1256
00:57:33,150 --> 00:57:34,184
HEY, COME ON.
1257
00:57:34,184 --> 00:57:36,487
LET'S GO SEE WHAT HENRY MILLER
1258
00:57:36,487 --> 00:57:38,989
WAS TALKING ABOUT.
1259
00:57:49,667 --> 00:57:51,536
>>
1260
00:57:51,536 --> 00:57:52,603
OUI, MONSIEUR?
1261
00:57:52,603 --> 00:57:54,238
>> YES, I WOULD LIKE TO GET TWO
1262
00:57:54,238 --> 00:57:55,740
TICKETS FOR THE OPERA, IF I
1263
00:57:55,740 --> 00:57:56,707
COULD.
1264
00:57:56,707 --> 00:57:57,942
>> WHAT EVENING?
1265
00:57:57,942 --> 00:57:58,976
>> SOON AS POSSIBLE?
1266
00:57:58,976 --> 00:58:00,110
>> I WILL TRY MY BEST.
1267
00:58:00,110 --> 00:58:02,479
>> THANK YOU.
1268
00:58:32,176 --> 00:58:35,045
>> SO, UM, THINGS LIKE YOUR
1269
00:58:35,045 --> 00:58:38,248
PUBLISHED WRITING, WILL THAT
1270
00:58:38,248 --> 00:58:41,085
CONTINUE TO BRING IN INCOME?
1271
00:58:41,085 --> 00:58:42,086
>> ARE WE REALLY GONNA TALK
1272
00:58:42,086 --> 00:58:43,153
BUSINESS NOW?
1273
00:58:43,153 --> 00:58:44,589
I MEAN, AS WE TRAVEL ON THESE
1274
00:58:44,589 --> 00:58:48,158
HISTORIC STREETS?
1275
00:58:48,158 --> 00:58:49,193
>> SO, HOW LONG HAVE YOU BEEN A
1276
00:58:49,193 --> 00:58:50,027
WRITER?
1277
00:58:50,027 --> 00:58:50,728
>> OH, MY GOD.
1278
00:58:50,728 --> 00:58:52,663
QUIT TALKING ABOUT MY WRITING!
1279
00:58:52,663 --> 00:58:53,731
UGH!
1280
00:58:53,731 --> 00:58:55,332
THE BANE OF MY EXISTENCE.
1281
00:58:55,332 --> 00:58:56,667
>> DON'T SAY THAT.
1282
00:58:56,667 --> 00:59:00,237
>> YEAH, YOU THINK I'M KIDDING?
1283
00:59:00,237 --> 00:59:01,205
>> JUST ANSWER THE SIMPLE
1284
00:59:01,205 --> 00:59:03,808
QUESTION.
1285
00:59:03,808 --> 00:59:04,909
I WANT TO KNOW SOME THINGS ABOUT
1286
00:59:04,909 --> 00:59:08,579
YOU.
1287
00:59:08,579 --> 00:59:09,614
>> OKAY.
1288
00:59:09,614 --> 00:59:12,282
UM...I'VE BEEN WRITING FOR A
1289
00:59:12,282 --> 00:59:13,584
LONG TIME.
1290
00:59:13,584 --> 00:59:15,219
I'VE WRITTEN EDITORIAL FOR
1291
00:59:15,219 --> 00:59:16,153
DIFFERENT MAGAZINES, MOSTLY
1292
00:59:16,153 --> 00:59:18,222
VANITY FAIR.
1293
00:59:18,222 --> 00:59:19,724
UM, SHORT STORIES, MY EXPOSITORY
1294
00:59:19,724 --> 00:59:21,125
JOURNAL, YOU KNOW, THE USUAL
1295
00:59:21,125 --> 00:59:22,359
FARE.
1296
00:59:22,359 --> 00:59:23,694
>> A NOVEL?
1297
00:59:23,694 --> 00:59:25,730
>> OH, YES.
1298
00:59:25,730 --> 00:59:28,032
MY GREAT AMERICAN TRAGEDY.
1299
00:59:28,032 --> 00:59:29,700
WHICH WILL NOW NEVER BE READ.
1300
00:59:29,700 --> 00:59:30,935
DO WE HAVE TO TALK ABOUT THIS?
1301
00:59:30,935 --> 00:59:32,737
>> WAIT, WAIT, WAIT.
1302
00:59:32,737 --> 00:59:34,805
ARE YOU DONE?
1303
00:59:34,805 --> 00:59:36,306
>> OH, YEAH.
1304
00:59:36,306 --> 00:59:39,243
YEAH, I'M FINISHED, ALL RIGHT.
1305
00:59:39,243 --> 00:59:41,278
HEY, MAYBE AFTER I DIE, I'LL
1306
00:59:41,278 --> 00:59:43,814
BECOME A BIG HIT, LIKE VAN GOGH
1307
00:59:43,814 --> 00:59:44,314
DID.
1308
00:59:44,314 --> 00:59:45,082
>> DON'T SAY THAT.
1309
00:59:45,082 --> 00:59:45,850
>> NO, IT'S TRUE.
1310
00:59:45,850 --> 00:59:46,651
I MEAN, HE PAINTED.
1311
00:59:46,651 --> 00:59:48,385
NOBODY NOTICED, NOT EVEN WHEN HE
1312
00:59:48,385 --> 00:59:49,654
CUT OFF HIS EAR.
1313
00:59:49,654 --> 00:59:52,089
THEN, HE DIES.
1314
00:59:52,089 --> 00:59:53,023
PFFT!
1315
00:59:53,023 --> 00:59:54,792
"THE IRISES" -- PRICELESS.
1316
00:59:54,792 --> 00:59:56,193
>> YEAH, WELL, HE WAS A LITTLE
1317
00:59:56,193 --> 00:59:59,129
UNBALANCED.
1318
00:59:59,129 --> 01:00:00,665
SO, UM, HOW LONG DID IT TAKE YOU
1319
01:00:00,665 --> 01:00:01,265
TO WRITE?
1320
01:00:01,265 --> 01:00:02,199
>> OH, MY GOD, ALL OF THESE
1321
01:00:02,199 --> 01:00:02,833
QUESTIONS.
1322
01:00:02,833 --> 01:00:03,801
YOU KNOW, YOU'RE TURNING INTO
1323
01:00:03,801 --> 01:00:05,736
LARRY KING.
1324
01:00:05,736 --> 01:00:07,938
>> WE'RE HAVING A CONVERSATION
1325
01:00:07,938 --> 01:00:09,674
ABOUT YOU FOR A CHANGE.
1326
01:00:09,674 --> 01:00:11,175
I THINK I CAN ASK YOU THESE
1327
01:00:11,175 --> 01:00:12,810
THINGS NOW, DON'T YOU?
1328
01:00:12,810 --> 01:00:13,778
>> OKAY, I'M GONNA ANSWER THIS
1329
01:00:13,778 --> 01:00:14,779
LAST QUESTION, AND THEN WE'RE ON
1330
01:00:14,779 --> 01:00:18,749
TO MORE INTERESTING TOPICS.
1331
01:00:18,749 --> 01:00:21,118
WHAT WAS THE QUESTION?
1332
01:00:21,118 --> 01:00:23,053
>> YOUR NOVEL -- HOW LONG DID IT
1333
01:00:23,053 --> 01:00:25,089
TAKE TO WRITE?
1334
01:00:25,089 --> 01:00:28,092
>> UM...MY WHOLE LIFE,
1335
01:00:28,092 --> 01:00:29,359
BASICALLY.
1336
01:00:29,359 --> 01:00:30,761
OH, WELL, FIVE YEARS OF ACTUALLY
1337
01:00:30,761 --> 01:00:33,097
WEAVING IT ONTO MY COMPUTER.
1338
01:00:33,097 --> 01:00:34,699
ARE WE DONE?
1339
01:00:34,699 --> 01:00:36,701
>> WOW.
1340
01:00:36,701 --> 01:00:41,238
IT'S, UH, IT'S AMAZING.
1341
01:00:41,238 --> 01:00:43,974
YOU KNOW, THAT YOU CAN WRITE AND
1342
01:00:43,974 --> 01:00:45,309
A NOVEL.
1343
01:00:45,309 --> 01:00:47,077
>> IT'S NOT THAT HARD.
1344
01:00:47,077 --> 01:00:48,312
JUST GO TO YOUR LOCAL BOOKSTORE.
1345
01:00:48,312 --> 01:00:51,115
APPARENTLY, ANYBODY CAN DO IT.
1346
01:01:01,859 --> 01:01:02,827
>> SO, DO YOU WANT TO TELL ME
1347
01:01:02,827 --> 01:01:05,395
WHAT IT'S ABOUT?
1348
01:01:05,395 --> 01:01:09,199
>> WHAT?
1349
01:01:09,199 --> 01:01:12,803
>> YOUR NOVEL.
1350
01:01:12,803 --> 01:01:14,104
>> WHY ARE YOU SO INTERESTED?
1351
01:01:14,104 --> 01:01:19,343
THIS IS UNBELIEVABLE, REALLY.
1352
01:01:22,179 --> 01:01:23,447
ME.
1353
01:01:23,447 --> 01:01:25,149
IT'S ALL ABOUT ME.
1354
01:01:25,149 --> 01:01:27,117
EVEN THOUGH I WROTE IT ABOUT
1355
01:01:27,117 --> 01:01:28,485
OTHER PEOPLE, IT'S STILL ALL
1356
01:01:28,485 --> 01:01:29,754
ABOUT ME.
1357
01:01:29,754 --> 01:01:30,921
I JUST CHANGED THEIR NAMES.
1358
01:01:30,921 --> 01:01:32,990
I CALLED THEM CHARACTERS.
1359
01:01:32,990 --> 01:01:34,224
I PUT THEM IN A GRANDER
1360
01:01:34,224 --> 01:01:35,259
LANDSCAPE.
1361
01:01:35,259 --> 01:01:37,161
I MADE THEIR LIFE STORIES MORE
1362
01:01:37,161 --> 01:01:38,362
INTERESTING AND THEIR LOSSES
1363
01:01:38,362 --> 01:01:40,064
WRENCHING BY USING SPECIFIC
1364
01:01:40,064 --> 01:01:40,798
ADJECTIVES.
1365
01:01:40,798 --> 01:01:42,266
JESUS CHRIST, IT'S ALWAYS ABOUT
1366
01:01:42,266 --> 01:01:44,034
ME.
1367
01:01:44,034 --> 01:01:45,335
>> I'M...I'M SURE IT'S
1368
01:01:45,335 --> 01:01:47,104
INCREDIBLE.
1369
01:01:47,104 --> 01:01:48,773
>> WHY?
1370
01:01:48,773 --> 01:01:51,942
>> BECAUSE YOU WROTE IT.
1371
01:01:51,942 --> 01:01:53,143
AND YOU'RE PROBABLY A GREAT
1372
01:01:53,143 --> 01:01:54,211
WRITER.
1373
01:01:54,211 --> 01:01:56,013
>> LIKE YOU'RE A GREAT ESTATE
1374
01:01:56,013 --> 01:01:57,782
PLANNER?
1375
01:01:57,782 --> 01:01:59,950
UM, EXCUSEZ-MOI, MONSIEUR.
1376
01:01:59,950 --> 01:02:05,189
VIN ROUGE, S'IL VOUS PLAIT.
1377
01:02:05,189 --> 01:02:07,825
>> UM...I'M CONFUSED.
1378
01:02:07,825 --> 01:02:09,193
DID I SAY SOMETHING WRONG?
1379
01:02:09,193 --> 01:02:12,997
>> NO.
1380
01:02:12,997 --> 01:02:15,800
>> YOU SEEM ANGRY.
1381
01:02:15,800 --> 01:02:16,867
>> NO, I'M NOT ANGRY.
1382
01:02:16,867 --> 01:02:19,336
I JUST -- I WANT TO KNOW WHY ALL
1383
01:02:19,336 --> 01:02:21,505
THE QUESTIONS.
1384
01:02:25,509 --> 01:02:26,443
>> I'M JUST TRYING TO GET TO
1385
01:02:26,443 --> 01:02:28,545
KNOW YOU BETTER.
1386
01:02:28,545 --> 01:02:30,147
IF I'VE SAID SOMETHING TO OFFEND
1387
01:02:30,147 --> 01:02:30,915
YOU...
1388
01:02:30,915 --> 01:02:32,850
>> OKAY, OKAY.
1389
01:02:32,850 --> 01:02:33,818
WHAT ELSE DO YOU WANT TO KNOW
1390
01:02:33,818 --> 01:02:38,288
ABOUT ME, JACK?
1391
01:02:38,288 --> 01:02:38,956
>> NOTHING.
1392
01:02:38,956 --> 01:02:41,158
>> COME ON. FIRE AWAY, JACK.
1393
01:02:41,158 --> 01:02:42,827
GIVE ME YOUR HARD LINE.
1394
01:02:42,827 --> 01:02:44,328
>> WHERE IS THIS COMING FROM?
1395
01:02:44,328 --> 01:02:45,863
>> OKAY.
1396
01:02:45,863 --> 01:02:47,197
WHY DON'T I HELP YOU WITH THIS
1397
01:02:47,197 --> 01:02:49,333
PROBING, LITTLE INTERVIEW?
1398
01:02:49,333 --> 01:02:51,836
MY PARENTS ARE DEAD.
1399
01:02:51,836 --> 01:02:53,337
MY BROTHER WENT AND KILLED
1400
01:02:53,337 --> 01:02:54,939
HIMSELF BECAUSE HE WAS TOO HIGH
1401
01:02:54,939 --> 01:02:57,441
TO REALIZE THAT HE COULDN'T FLY.
1402
01:02:57,441 --> 01:02:59,409
AND MY NOVEL THAT I SPENT MY
1403
01:02:59,409 --> 01:03:02,412
BLOOD AND MY GUTS AND MY SOUL ON
1404
01:03:02,412 --> 01:03:03,580
WAS UNIVERSALLY REJECTED BY
1405
01:03:03,580 --> 01:03:05,515
EVERY PUBLISHING HOUSE FOR BEING
1406
01:03:05,515 --> 01:03:07,384
TOO SIMPLE AND UNINTERESTING.
1407
01:03:07,384 --> 01:03:10,187
OH, GOSH, I GUESS I JUST DIDN'T
1408
01:03:10,187 --> 01:03:12,422
CHOOSE THE RIGHT ADJECTIVES.
1409
01:03:12,422 --> 01:03:15,926
AND...
1410
01:03:15,926 --> 01:03:17,895
THE INCREDIBLE ENDING IN THE
1411
01:03:17,895 --> 01:03:21,398
INSIPID LIFE OF AUDREY GERSONS?
1412
01:03:21,398 --> 01:03:24,201
I'M GONNA DIE.
1413
01:03:31,909 --> 01:03:33,143
IS THERE ANYTHING ELSE YOU'D
1414
01:03:33,143 --> 01:03:35,880
LIKE TO KNOW ABOUT ME?
1415
01:03:40,284 --> 01:03:42,386
>> NO.
1416
01:03:42,386 --> 01:03:44,521
>> GOOD.
1417
01:03:47,357 --> 01:03:53,363
>> * SEVENTEEN
1418
01:03:53,363 --> 01:03:57,267
* MISSING IN LIFE
1419
01:03:57,267 --> 01:03:59,503
* YOU DIDN'T
1420
01:03:59,503 --> 01:04:03,007
* AND OWING HIM LIFE
1421
01:04:03,007 --> 01:04:03,607
* YOU DIDN'T
1422
01:04:03,607 --> 01:04:05,475
>>
1423
01:04:05,475 --> 01:04:08,078
>> AUDREY?
1424
01:04:08,078 --> 01:04:11,515
>> WHAT DO I DO?
1425
01:04:11,515 --> 01:04:13,884
WHAT DO I DO?
1426
01:04:13,884 --> 01:04:14,885
>> IT'S ALL RIGHT.
1427
01:04:14,885 --> 01:04:16,186
>> NO.
1428
01:04:16,186 --> 01:04:18,655
NO, YOU DON'T UNDERSTAND.
1429
01:04:18,655 --> 01:04:20,090
>> I DO.
1430
01:04:20,090 --> 01:04:21,191
>> NO, YOU DON'T.
1431
01:04:21,191 --> 01:04:23,260
YOU DON'T. YOU DON'T.
1432
01:04:23,260 --> 01:04:24,028
>> DOESN'T MATTER.
1433
01:04:24,028 --> 01:04:24,929
IT DOESN'T MATTER.
1434
01:04:24,929 --> 01:04:28,933
I'M...I'M HERE.
1435
01:04:28,933 --> 01:04:31,635
I'M HERE.
1436
01:04:31,635 --> 01:04:34,038
IT DOESN'T MATTER.
1437
01:04:43,547 --> 01:04:44,581
OH, MY GOD.
1438
01:04:44,581 --> 01:04:47,617
I'M...I'M SORRY.
1439
01:04:47,617 --> 01:04:52,622
>> * THE INNOCENT
1440
01:04:52,622 --> 01:04:57,194
* I DIDN'T KNOW THAT I COULD
1441
01:05:09,073 --> 01:05:11,508
>> AUDREY?
1442
01:05:15,312 --> 01:05:19,349
AUDREY?
1443
01:05:19,349 --> 01:05:20,550
AUDREY?!
1444
01:05:20,550 --> 01:05:23,387
>> MR. WHILTON?
1445
01:05:23,387 --> 01:05:25,689
>> AUDREY?!
1446
01:06:38,462 --> 01:06:40,364
>> It's Audrey. Leave a message.
1447
01:06:41,465 --> 01:06:44,034
>> Hey, Audrey. It's me.
1448
01:06:44,034 --> 01:06:45,535
It's Jack.
1449
01:06:45,535 --> 01:06:47,371
I just got home.
1450
01:06:47,371 --> 01:06:49,173
I wish you'd call me.
1451
01:06:50,207 --> 01:06:51,308
HELLO?
1452
01:06:51,308 --> 01:06:53,177
>> HI. IT'S MOM.
1453
01:06:53,177 --> 01:06:54,778
>> OH. HEY, MOM.
1454
01:06:54,778 --> 01:06:57,381
>> UH, HONEY...WHERE HAVE YOU
1455
01:06:57,381 --> 01:06:57,814
BEEN?
1456
01:06:57,814 --> 01:07:01,151
I MEAN, I'VE BEEN WORRIED SICK.
1457
01:07:01,151 --> 01:07:03,387
>> PARIS.
1458
01:07:03,387 --> 01:07:05,155
>> PARIS AS IN FRANCE?
1459
01:07:06,390 --> 01:07:09,126
>> UM...MOM, THINGS HAVE
1460
01:07:09,126 --> 01:07:10,327
CHANGED.
1461
01:07:10,327 --> 01:07:12,262
>> WELL, HOW SO, JACK?
1462
01:07:12,262 --> 01:07:17,167
>> I'M BETTER.
1463
01:07:17,167 --> 01:07:20,204
>> BETTER, REALLY? BETTER.
1464
01:07:20,204 --> 01:07:22,439
>> YEAH.
1465
01:07:22,439 --> 01:07:24,208
>> WOW.
1466
01:07:24,208 --> 01:07:25,242
HOW WONDERFUL.
1467
01:07:25,242 --> 01:07:26,243
DOES THIS HAVE ANYTHING TO DO
1468
01:07:26,243 --> 01:07:31,515
WITH...THIS NEW GIRL?
1469
01:07:31,515 --> 01:07:33,617
>> SORT OF.
1470
01:07:33,617 --> 01:07:35,385
>> THAT'S GREAT.
1471
01:07:35,385 --> 01:07:36,153
THAT'S JUST GREAT.
1472
01:07:36,153 --> 01:07:37,721
I TELL YOU WHAT.
1473
01:07:37,721 --> 01:07:39,589
LET ME ORGANIZE A LITTLE
1474
01:07:39,589 --> 01:07:41,691
BIRTHDAY CELEBRATION FOR YOU
1475
01:07:41,691 --> 01:07:42,792
TOMORROW NIGHT.
1476
01:07:42,792 --> 01:07:44,628
I'll invite all the kids.
1477
01:07:44,628 --> 01:07:45,662
AND YOU FEEL FREE TO BRING YOUR
1478
01:07:45,662 --> 01:07:47,231
NEW GIRL.
1479
01:07:47,231 --> 01:07:50,400
>> SHE WON'T BE ABLE TO MAKE IT.
1480
01:07:50,400 --> 01:07:52,769
>> I'M SORRY. HOW COME?
1481
01:07:52,769 --> 01:07:54,704
>> I BLEW IT.
1482
01:07:54,704 --> 01:07:56,840
>> NOT AGAIN.
1483
01:07:56,840 --> 01:07:57,641
LISTEN.
1484
01:07:57,641 --> 01:07:58,675
Ma, can you make it earlier
1485
01:07:58,675 --> 01:08:00,177
tomorrow?
1486
01:08:00,177 --> 01:08:01,211
I HAVE A CLIENT I WANT TO VISIT
1487
01:08:01,211 --> 01:08:02,312
OUT ON THE ISLAND IN THE
1488
01:08:02,312 --> 01:08:02,779
AFTERNOON.
1489
01:08:02,779 --> 01:08:06,283
>> WELL, UH, TOMORROW, THEN.
1490
01:08:06,283 --> 01:08:08,885
SO, HOW'S 11:30? I'LL DO BRUNCH.
1491
01:08:08,885 --> 01:08:10,154
>> YEAH.
1492
01:08:10,154 --> 01:08:12,522
I'LL SEE YOU TOMORROW.
1493
01:08:12,522 --> 01:08:13,190
UH, MOM?
1494
01:08:13,190 --> 01:08:14,158
>> YEAH?
1495
01:08:14,158 --> 01:08:16,393
>> THANK YOU.
1496
01:08:16,393 --> 01:08:18,795
>> I LOVE YOU, JACK.
1497
01:08:18,795 --> 01:08:22,466
>> * AND MANY MORE
1498
01:08:22,466 --> 01:08:23,167
>> YAY!
1499
01:08:23,867 --> 01:08:24,601
>> MAKE A WISH.
1500
01:08:24,601 --> 01:08:25,769
DON'T BLOW IT, THOUGH, LIKE YOU
1501
01:08:25,769 --> 01:08:26,803
DO WITH ALL THE GIRLS, HUH?
1502
01:08:26,803 --> 01:08:27,671
>> ARE YOU EVER NICE?
1503
01:08:27,671 --> 01:08:32,209
>> NO. TRUST ME.
1504
01:08:32,209 --> 01:08:33,177
>> YAY!
1505
01:08:33,177 --> 01:08:35,812
>> VERY NICE.
1506
01:08:35,812 --> 01:08:37,547
>>
1507
01:08:37,547 --> 01:08:39,816
>> MICHAEL!
1508
01:08:39,816 --> 01:08:41,351
WAS THAT ABSOLUTELY NECESSARY,
1509
01:08:41,351 --> 01:08:42,152
MICHAEL?
1510
01:08:42,152 --> 01:08:42,586
>> SORRY!
1511
01:08:42,586 --> 01:08:44,188
>> I'M ASKING YOU NICELY.
1512
01:08:44,188 --> 01:08:45,289
>> VERY FUNNY.
1513
01:08:45,289 --> 01:08:46,256
>> WELL, HE'S GOT UNTIL
1514
01:08:46,256 --> 01:08:47,357
TOMORROW, RIGHT?
1515
01:08:47,357 --> 01:08:48,258
HUH?
1516
01:08:48,258 --> 01:08:48,892
>> CAREFUL, JACK.
1517
01:08:48,892 --> 01:08:49,659
YOU NEVER KNOW.
1518
01:08:49,659 --> 01:08:51,561
MA'S COOKING COULD KILL YOU.
1519
01:08:51,561 --> 01:08:52,662
>> STOP IT!
1520
01:08:52,662 --> 01:08:54,298
>> SHE WAS DRINKING EARLIER.
1521
01:08:55,899 --> 01:08:56,866
>> DON'T YOU PAY ANY ATTENTION
1522
01:08:56,866 --> 01:08:57,467
TO THEM.
1523
01:08:57,467 --> 01:08:58,368
I'M JUST GLAD YOU'RE BACK.
1524
01:08:59,169 --> 01:08:59,936
>> HOW ABOUT A PIECE OF CAKE,
1525
01:08:59,936 --> 01:09:00,537
PLEASE?
1526
01:09:00,537 --> 01:09:01,505
>> HOW ABOUT YOU GET IN LINE?
1527
01:09:01,505 --> 01:09:02,572
IT'S NOT YOUR BIRTHDAY.
1528
01:09:02,572 --> 01:09:03,240
>> Hello?
1529
01:09:03,240 --> 01:09:05,309
>> JACK, IT'S HOWARD, MR. HINES'
1530
01:09:05,309 --> 01:09:07,211
PERSONAL ASSISTANT.
1531
01:09:07,211 --> 01:09:09,346
HE'S VERY WEAK.
1532
01:09:09,346 --> 01:09:10,280
I think you should come out
1533
01:09:10,280 --> 01:09:12,516
right away.
1534
01:09:12,516 --> 01:09:17,621
>> YEAH. YEAH, I'M COMING.
1535
01:09:17,621 --> 01:09:18,388
I HAVE TO GO.
1536
01:09:18,388 --> 01:09:18,822
>> WHAT?
1537
01:09:18,822 --> 01:09:23,427
>> COME ON, DARLING, PLEASE.
1538
01:09:23,427 --> 01:09:24,428
LOVE YOU, BABY.
1539
01:09:24,428 --> 01:09:25,529
>> SEE YOU, JACK.
1540
01:09:25,529 --> 01:09:26,496
>> HAPPY BIRTHDAY!
1541
01:09:26,496 --> 01:09:27,364
>> LOAD ME UP HERE.
1542
01:09:27,364 --> 01:09:28,265
>> I DON'T THINK SO.
1543
01:09:28,265 --> 01:09:30,267
>> WHAT'S HIS DEAL? HE'S CRAZY.
1544
01:09:30,267 --> 01:09:32,536
>> MOM, PIECE OF CAKE.
1545
01:09:32,536 --> 01:09:34,304
>> MR. HINES?
1546
01:09:35,605 --> 01:09:37,841
MR. HINES?
1547
01:09:44,914 --> 01:09:46,983
>> HELLO, SIR.
1548
01:09:46,983 --> 01:09:48,452
>> SHALL I TAKE THIS OFF FOR A
1549
01:09:48,452 --> 01:09:51,321
FEW MINUTES, HMM?
1550
01:09:51,321 --> 01:09:53,557
OKAY.
1551
01:09:53,557 --> 01:09:54,824
I'M GONNA BE RIGHT OUTSIDE IF
1552
01:09:54,824 --> 01:09:57,661
YOU NEED ANYTHING, OKAY?
1553
01:10:11,941 --> 01:10:17,381
>> YOU'RE GONNA DIE ON ME, TOO?
1554
01:10:17,381 --> 01:10:21,585
>> I'M READY.
1555
01:10:21,585 --> 01:10:23,753
>> THANK YOU...
1556
01:10:23,753 --> 01:10:25,455
AT LEAST FOR WAITING UNTIL I
1557
01:10:25,455 --> 01:10:27,691
SAID GOODBYE.
1558
01:10:27,691 --> 01:10:30,560
>> DON'T BE AFRAID ANYMORE, SON.
1559
01:10:46,610 --> 01:10:52,949
>> CAN I SIT HERE A WHILE?
1560
01:10:52,949 --> 01:10:55,819
>> I WOULD LIKE THAT.
1561
01:11:20,377 --> 01:11:21,845
>>
1562
01:11:21,845 --> 01:11:24,080
WHAT'S THIS ABOUT, JACK?
1563
01:11:24,080 --> 01:11:27,751
>> HEY, CYNTHIA.
1564
01:11:27,751 --> 01:11:30,387
I'M NOT HERE TO TRY AND GET YOU
1565
01:11:30,387 --> 01:11:31,955
BACK OR ANYTHING.
1566
01:11:31,955 --> 01:11:33,557
>> WELL, GOOD, BECAUSE I'M
1567
01:11:33,557 --> 01:11:34,591
PREGNANT.
1568
01:11:34,591 --> 01:11:36,693
AND STEVIE IS SO THE JEALOUS
1569
01:11:36,693 --> 01:11:37,961
TYPE.
1570
01:11:37,961 --> 01:11:40,897
>> PREGNANT?
1571
01:11:40,897 --> 01:11:43,633
TERRIFIC.
1572
01:11:43,633 --> 01:11:45,735
YEAH, AND IT'S NOTHING LIKE
1573
01:11:45,735 --> 01:11:46,770
THAT.
1574
01:11:46,770 --> 01:11:48,605
>> WHAT, THEN?
1575
01:11:48,605 --> 01:11:52,542
>> A YEAR AGO, WHEN YOU TOOK ME
1576
01:11:52,542 --> 01:11:54,678
TO SEE THAT PSYCHIC, AND SHE
1577
01:11:54,678 --> 01:11:57,113
SAID THAT YOU WERE LEAVING ME.
1578
01:11:57,113 --> 01:11:59,649
>> YEAH?
1579
01:11:59,649 --> 01:12:02,051
OH, JACK, YOU DIDN'T THINK THAT
1580
01:12:02,051 --> 01:12:04,120
WAS FOR REAL, DID YOU?
1581
01:12:04,120 --> 01:12:05,655
THAT PSYCHIC LADY KNOWING ALL
1582
01:12:05,655 --> 01:12:08,358
THAT SHIT?
1583
01:12:08,358 --> 01:12:09,393
LOOK.
1584
01:12:09,393 --> 01:12:10,126
I'M NOT REALLY GOOD WITH
1585
01:12:10,126 --> 01:12:11,495
GOODBYES.
1586
01:12:11,495 --> 01:12:13,129
AND STEVIE ALWAYS TELLS ME THAT
1587
01:12:13,129 --> 01:12:16,366
WHEN I BREAK UP WITH HIM.
1588
01:12:16,366 --> 01:12:18,635
BUT I COULDN'T JUST DUMP YOU,
1589
01:12:18,635 --> 01:12:20,604
JACK.
1590
01:12:20,604 --> 01:12:22,606
YOU'RE TOO NICE FOR THAT.
1591
01:12:22,606 --> 01:12:27,611
SO, I SET IT UP.
1592
01:12:27,611 --> 01:12:29,679
OH, GOD.
1593
01:12:29,679 --> 01:12:31,548
OH, MAN.
1594
01:12:31,548 --> 01:12:32,749
JACK!
1595
01:12:32,749 --> 01:12:33,783
OH!
1596
01:12:33,783 --> 01:12:35,151
I'M SORRY. TSK.
1597
01:12:35,151 --> 01:12:36,986
I THOUGHT YOU KNEW.
1598
01:12:36,986 --> 01:12:38,822
>> NO, NO, NO, NO, NO, NO.
1599
01:12:38,822 --> 01:12:40,690
I-I-I THOUGHT SO.
1600
01:12:40,690 --> 01:12:41,825
I WAS -- I WAS JUST -- I WAS
1601
01:12:41,825 --> 01:12:42,992
HAVING A CONVERSATION ABOUT IT
1602
01:12:42,992 --> 01:12:45,495
NOT TOO LONG AGO, AND IT CAME UP
1603
01:12:45,495 --> 01:12:46,530
IS ALL.
1604
01:12:46,530 --> 01:12:48,865
>> OH, GOOD, 'CAUSE, YOU KNOW, I
1605
01:12:48,865 --> 01:12:51,435
THOUGHT YOU THOUGHT...
1606
01:12:51,435 --> 01:12:52,836
>> NO.
1607
01:12:52,836 --> 01:12:55,405
>>
1608
01:12:55,405 --> 01:12:56,873
YOU REALLY HAD ME GOING THERE
1609
01:12:56,873 --> 01:12:59,743
FOR A SEC.
1610
01:12:59,743 --> 01:13:00,076
WOW.
1611
01:13:00,076 --> 01:13:01,611
IT'S NOT LIKE YOU TO BE CLEVER,
1612
01:13:01,611 --> 01:13:02,946
JACK.
1613
01:13:02,946 --> 01:13:03,880
YOU GOT ME.
1614
01:13:07,551 --> 01:13:08,885
YEAH, NO, I TOTALLY CAME UP WITH
1615
01:13:08,885 --> 01:13:10,420
IT IN ACTING CLASS.
1616
01:13:10,420 --> 01:13:11,755
>> YOU'RE A BETTER ACTRESS THAN
1617
01:13:11,755 --> 01:13:13,457
I THOUGHT YOU WERE.
1618
01:13:13,457 --> 01:13:17,160
>> THANKS, JACK.
1619
01:13:17,160 --> 01:13:18,995
>> I WAS JUST IN THE
1620
01:13:18,995 --> 01:13:21,465
NEIGHBORHOOD.
1621
01:13:21,465 --> 01:13:23,066
IT'S MY BIRTHDAY.
1622
01:13:23,066 --> 01:13:25,101
WELL, TOMORROW.
1623
01:13:25,101 --> 01:13:26,636
>> REALLY?
1624
01:13:26,636 --> 01:13:29,839
HAPPY BIRTHDAY.
1625
01:13:29,839 --> 01:13:30,907
>> YEAH.
1626
01:13:30,907 --> 01:13:32,642
THANKS.
1627
01:13:32,642 --> 01:13:35,178
IT WAS NICE SEEING YOU AGAIN.
1628
01:13:35,178 --> 01:13:38,982
YOU BETTER GET BACK TO STEVIE.
1629
01:13:38,982 --> 01:13:39,716
>> YEAH.
1630
01:13:40,917 --> 01:13:42,652
OH, WELL, IT WAS NICE SEEING
1631
01:13:42,652 --> 01:13:44,120
YOU, TOO.
1632
01:13:44,120 --> 01:13:45,989
STILL THE SAME, OLD JACK.
1633
01:13:48,792 --> 01:13:51,795
>> ONE -- ONE QUESTION.
1634
01:13:51,795 --> 01:13:56,132
WHY THE WHOLE DYING THING?
1635
01:13:56,132 --> 01:13:57,133
>> I DON'T KNOW WHAT YOU'RE
1636
01:13:57,133 --> 01:13:59,636
TALKING ABOUT.
1637
01:13:59,636 --> 01:14:01,204
LOOK, JACK.
1638
01:14:01,204 --> 01:14:02,539
I JUST WANTED TO BREAK UP WITH
1639
01:14:02,539 --> 01:14:05,542
YOU, NOT KILL YOU.
1640
01:14:05,542 --> 01:14:07,944
SEE YA!
1641
01:14:21,825 --> 01:14:24,460
>> Beautiful.
1642
01:14:40,910 --> 01:14:44,848
>> DR. SHAW.
1643
01:14:44,848 --> 01:14:47,016
>> OH, MY GOD. JACK?
1644
01:14:48,117 --> 01:14:49,786
YOU KNOW, I ALMOST DIDN'T EVEN
1645
01:14:49,786 --> 01:14:50,887
RECOGNIZE YOU.
1646
01:14:50,887 --> 01:14:51,755
HOW ARE YOU?
1647
01:14:51,755 --> 01:14:53,056
>> I KNOW I HAVEN'T CALLED.
1648
01:14:53,056 --> 01:14:55,992
>> STOP. SIT DOWN.
1649
01:14:55,992 --> 01:14:58,061
SIT DOWN.
1650
01:15:04,734 --> 01:15:06,636
>> IT'S MY BIRTHDAY.
1651
01:15:06,636 --> 01:15:09,673
>> AND YOU'RE STILL HERE.
1652
01:15:09,673 --> 01:15:12,075
YOU KNOW, THAT WOMAN MUST BE
1653
01:15:12,075 --> 01:15:13,577
PRETTY GOOD MEDICINE, BETTER
1654
01:15:13,577 --> 01:15:14,811
THAN ANYTHING I COULD HAVE
1655
01:15:14,811 --> 01:15:16,079
PRESCRIBED.
1656
01:15:16,079 --> 01:15:16,846
AND BELIEVE ME.
1657
01:15:16,846 --> 01:15:18,114
I CAN PRESCRIBE SOME PRETTY GOOD
1658
01:15:18,114 --> 01:15:20,049
STUFF.
1659
01:15:20,049 --> 01:15:22,919
>> IT DIDN'T WORK OUT WITH HER.
1660
01:15:22,919 --> 01:15:23,620
>> OH.
1661
01:15:23,620 --> 01:15:25,989
I'M SORRY TO HEAR THAT, BUT SHE
1662
01:15:25,989 --> 01:15:29,258
HAD HER OWN HEAVY LOAD TO CARRY.
1663
01:15:29,258 --> 01:15:30,627
BUT LOOK AT YOU, HUH?
1664
01:15:30,627 --> 01:15:32,862
>> NEW CHAPTER, I GUESS.
1665
01:15:32,862 --> 01:15:34,230
>> WHAT DO YOU THINK MADE THE
1666
01:15:34,230 --> 01:15:35,932
CHANGE?
1667
01:15:35,932 --> 01:15:37,901
>> A LOT OF THINGS.
1668
01:15:37,901 --> 01:15:39,669
YOU KNOW, AND THEN CINDY.
1669
01:15:39,669 --> 01:15:44,207
IT WAS, UH, IT WAS ALL UNTRUE.
1670
01:15:44,207 --> 01:15:45,008
CAN YOU BELIEVE IT?
1671
01:15:45,008 --> 01:15:46,309
>> YES.
1672
01:15:46,309 --> 01:15:47,944
>> AND THAT I BOUGHT IT.
1673
01:15:47,944 --> 01:15:48,878
>> NO, NO, NO, NO.
1674
01:15:48,878 --> 01:15:51,080
SHE PLANTED THE THOUGHT, AND THE
1675
01:15:51,080 --> 01:15:52,816
MIND IS A VERY POWERFUL
1676
01:15:52,816 --> 01:15:54,050
PERSUADER.
1677
01:15:54,050 --> 01:15:56,019
BUT IT DIDN'T ALL HAPPEN THAT
1678
01:15:56,019 --> 01:15:57,353
ONE DAY.
1679
01:15:57,353 --> 01:15:59,155
YOU HAD BEEN CARRYING THAT FEAR
1680
01:15:59,155 --> 01:16:02,225
FOR A LONG TIME.
1681
01:16:02,225 --> 01:16:03,860
>> SINCE MY DAD.
1682
01:16:03,860 --> 01:16:06,062
>> WELL, I THINK THAT YOU WERE
1683
01:16:06,062 --> 01:16:07,163
OLD ENOUGH TO UNDERSTAND YOUR
1684
01:16:07,163 --> 01:16:09,165
FATHER'S DEATH, BUT I THINK
1685
01:16:09,165 --> 01:16:11,768
SOMEHOW YOU THOUGHT THAT YOU
1686
01:16:11,768 --> 01:16:13,603
COULD HAVE STOPPED HIM.
1687
01:16:13,603 --> 01:16:15,639
SOMEHOW YOU HAD THE WILL TO KEEP
1688
01:16:15,639 --> 01:16:18,942
HIM FROM DYING.
1689
01:16:18,942 --> 01:16:21,010
>> MAYBE.
1690
01:16:21,010 --> 01:16:21,911
>> WELL, YOU ARE AN ESTATE
1691
01:16:21,911 --> 01:16:22,311
PLANNER.
1692
01:16:22,311 --> 01:16:24,347
YOU PLAN DEATHS.
1693
01:16:24,347 --> 01:16:31,655
AND THERE ARE NO ACCIDENTS.
1694
01:16:31,655 --> 01:16:35,291
JACK?
1695
01:16:35,291 --> 01:16:39,763
>> I KILLED MY FATHER, DR. SHAW.
1696
01:16:39,763 --> 01:16:43,366
HE WAS DYING.
1697
01:16:43,366 --> 01:16:44,333
HE ASKED ME TO DO IT WHILE HE
1698
01:16:44,333 --> 01:16:49,673
WAS SLEEPING, AND I...
1699
01:16:49,673 --> 01:16:51,174
I...
1700
01:16:51,174 --> 01:16:53,743
SMOTHERED HIM WITH A PILLOW
1701
01:16:53,743 --> 01:16:59,382
BECAUSE HE WAS IN SO MUCH PAIN.
1702
01:16:59,382 --> 01:17:02,285
I'VE NEVER TOLD ANOTHER SOUL.
1703
01:17:08,958 --> 01:17:10,093
>> * SO WHAT HAPPENS
1704
01:17:10,093 --> 01:17:15,331
WHEN YOUR HEART JUST STOPS? *
1705
01:17:15,331 --> 01:17:16,833
>> YOU'RE A GOOD DOCTOR.
1706
01:17:16,833 --> 01:17:23,306
>> * ...CARING FOR ANYONE
1707
01:17:23,306 --> 01:17:25,441
* THE HOLLOW IN YOUR CHEST
1708
01:17:25,441 --> 01:17:28,311
DRIES UP *
1709
01:17:28,311 --> 01:17:30,947
* YOU STOP BELIEVING
1710
01:17:37,153 --> 01:17:39,322
* SO, WHAT HAPPENS WHEN...
1711
01:17:39,322 --> 01:17:44,861
>> HOLD THE ELEVATOR.
1712
01:17:44,861 --> 01:17:45,895
>> * THE BODY...
1713
01:17:45,895 --> 01:17:47,163
>> HELLO.
1714
01:17:47,163 --> 01:17:51,835
>> HEY.
1715
01:17:51,835 --> 01:17:54,203
>> * THE BLOOD CRAWLS TO A SLOW
1716
01:17:54,203 --> 01:17:56,906
AND STOPS *
1717
01:17:56,906 --> 01:17:59,876
* AND FLOWS AWAY
1718
01:17:59,876 --> 01:18:02,278
>> EXCUSE ME?
1719
01:18:02,278 --> 01:18:03,212
EXCUSE ME?
1720
01:18:03,212 --> 01:18:04,814
>> AUDREY, IT'S ME.
1721
01:18:04,814 --> 01:18:06,182
COME ON, HONEY. OPEN THE DOOR.
1722
01:18:06,182 --> 01:18:07,250
>> WHAT'S GOING ON?
1723
01:18:07,250 --> 01:18:09,052
>> AUDREY, HONEY? OPEN THE DOOR!
1724
01:18:09,052 --> 01:18:09,452
AUDREY?!
1725
01:18:09,452 --> 01:18:10,186
>> IS SHE OKAY?
1726
01:18:10,186 --> 01:18:11,020
>> YOU'RE SCARING ME.
1727
01:18:11,020 --> 01:18:12,722
OPEN THE DOOR, HONEY.
1728
01:18:12,722 --> 01:18:14,457
>> WE MET ONCE. I'M JACK.
1729
01:18:14,457 --> 01:18:15,959
I'M DOING HER ESTATE.
1730
01:18:15,959 --> 01:18:17,360
I'M SORRY. I FORGET YOUR NAME.
1731
01:18:17,360 --> 01:18:18,828
>> MELANIE, HER SISTER.
1732
01:18:18,828 --> 01:18:19,963
>> HER SISTER.
1733
01:18:19,963 --> 01:18:21,230
>> DO YOU HAVE A KEY?
1734
01:18:21,230 --> 01:18:22,799
>> NO. W
1735
01:18:22,799 --> 01:18:23,299
IS SHE SICK?
1736
01:18:23,299 --> 01:18:24,167
>> DO YOU HAVE A SUPER?
1737
01:18:24,167 --> 01:18:25,134
>> NO, WE DON'T HAVE A SUPER.
1738
01:18:25,134 --> 01:18:27,236
>> I-I THINK SHE'S IN TROUBLE.
1739
01:18:27,236 --> 01:18:29,072
>> SHOULD I CALL AN AMBULANCE?
1740
01:18:29,072 --> 01:18:30,406
>> WHAT -- WHAT ARE YOU TALKING
1741
01:18:30,406 --> 01:18:31,040
ABOUT?
1742
01:18:31,040 --> 01:18:32,108
>> SHE'S DYING.
1743
01:18:32,108 --> 01:18:33,476
Oh, my God.
1744
01:18:33,476 --> 01:18:35,178
Oh, my God.
1745
01:18:35,178 --> 01:18:36,780
NOT AGAIN. NOT AGAI--
1746
01:18:36,780 --> 01:18:38,181
AUDREY
1747
01:18:38,181 --> 01:18:39,315
DON'T -- AUDREY, PLEASE.
1748
01:18:39,315 --> 01:18:41,317
OPEN THE -- AUDREY, OPEN THE
1749
01:18:41,317 --> 01:18:42,185
DOOR!
1750
01:18:42,185 --> 01:18:44,988
>> I'M NOT AFRAID OF DYING.
1751
01:18:44,988 --> 01:18:48,925
I'M RELIEVED.
1752
01:18:48,925 --> 01:18:53,062
>> AUDREY?
1753
01:18:53,062 --> 01:18:55,431
AUDREY?!
1754
01:18:55,431 --> 01:18:58,534
>> AUDREY, PLEASE OPEN THE DOOR!
1755
01:18:58,534 --> 01:19:01,838
>> THE PHONE'S THERE.
1756
01:19:01,838 --> 01:19:05,474
>> * YOU SEE I'M FEELING...
1757
01:19:05,474 --> 01:19:09,112
>> JACK?
1758
01:19:09,112 --> 01:19:10,279
YEAH, YEAH, HI.
1759
01:19:10,279 --> 01:19:11,815
I NEED AN AMBULANCE AT
1760
01:19:11,815 --> 01:19:14,951
40 WEST 75th STREET.
1761
01:19:14,951 --> 01:19:17,854
>> * ...A HOLLOW IN MY CHEST
1762
01:19:17,854 --> 01:19:19,255
>> JACK, WHERE ARE YOU?!
1763
01:19:19,255 --> 01:19:21,224
>> * THE TIME I WON'T FORGET
1764
01:19:21,224 --> 01:19:23,827
* THERE IS NO COMFORT
1765
01:19:23,827 --> 01:19:25,328
IN THE EYES
1766
01:19:25,328 --> 01:19:28,497
THAT PUT US ALWAYS TO THE TEST *
1767
01:19:28,497 --> 01:19:31,034
* I CAN'T PREPARE MYSELF
1768
01:19:31,034 --> 01:19:32,435
FOR THAT *
1769
01:19:32,435 --> 01:19:35,471
* BUT I WORK IT OUT IN TIME
1770
01:19:35,471 --> 01:19:37,473
* THERE IS A LOVE
1771
01:19:37,473 --> 01:19:39,909
THAT FLOWS BETWEEN US *
1772
01:19:39,909 --> 01:19:42,946
* EVER CHANGING EVERY DAY
1773
01:19:42,946 --> 01:19:44,981
* I WORKED MYSELF UP
1774
01:19:44,981 --> 01:19:47,083
TO A CRAWL *
1775
01:19:47,083 --> 01:19:49,085
* BUT I'M NOT FEARING IT
1776
01:19:49,085 --> 01:19:50,119
AT ALL *
1777
01:19:50,119 --> 01:19:52,021
* WE HAVE NO REASON
1778
01:19:52,021 --> 01:19:53,422
LEFT TO STAY *
1779
01:19:53,422 --> 01:19:57,160
* AND THAT'S WHY WE'RE LEAVING
1780
01:19:57,160 --> 01:19:58,995
* THERE WAS NO ANSWER
1781
01:19:58,995 --> 01:20:01,064
IN THE DUST *
1782
01:20:01,064 --> 01:20:03,132
* AND THE ONE I FEARED
1783
01:20:03,132 --> 01:20:04,100
TO TRUST *
1784
01:20:04,100 --> 01:20:07,136
* THERE IS A LIE THAT DRAGS US
1785
01:20:07,136 --> 01:20:08,571
BEATING AND... *
1786
01:20:08,571 --> 01:20:09,939
>> NO!!
1787
01:20:09,939 --> 01:20:11,007
>> AAH!
1788
01:20:11,007 --> 01:20:18,481
>> * ...INTO DISAPPOINTMENT
1789
01:20:18,481 --> 01:20:21,517
* DISAPPOINTMENT
1790
01:20:21,517 --> 01:20:25,554
>> JACK!
1791
01:20:25,554 --> 01:20:30,026
>> * DISAPPOINTMENT
1792
01:20:34,397 --> 01:20:36,432
>> "I AM WATCHING JACK SLEEP AS
1793
01:20:36,432 --> 01:20:38,501
WE FLY ACROSS THIS DEEP OCEAN
1794
01:20:38,501 --> 01:20:41,170
THAT HE WAS SO WARY OF, LOOKING
1795
01:20:41,170 --> 01:20:44,007
MYSTERIOUS, YET LONELY, AS IF
1796
01:20:44,007 --> 01:20:47,877
THE SEA ACTUALLY FEARS US.
1797
01:20:47,877 --> 01:20:49,545
PARIS...
1798
01:20:49,545 --> 01:20:52,048
CITY OF LIGHT...
1799
01:20:52,048 --> 01:20:53,216
TO WHAT COULD HAVE BEEN A
1800
01:20:53,216 --> 01:20:55,118
BRILLIANT BEGINNING.
1801
01:20:55,118 --> 01:20:57,320
BUT I'M A STUBBORN WOMAN,
1802
01:20:57,320 --> 01:21:00,256
DAMAGED BEYOND RECOGNITION.
1803
01:21:00,256 --> 01:21:02,391
AND THOUGH HE IS THE KINDEST,
1804
01:21:02,391 --> 01:21:04,427
MOST GENTLE PERSON I'VE EVER
1805
01:21:04,427 --> 01:21:07,596
KNOWN, IT IS TOO LATE.
1806
01:21:07,596 --> 01:21:10,333
MY COWARDICE POSSESSES ME, MY
1807
01:21:10,333 --> 01:21:12,301
SELF-DEPRECATION MAKING ME
1808
01:21:12,301 --> 01:21:14,303
FEARLESS OF THE END.
1809
01:21:14,303 --> 01:21:16,639
THE ONLY SOLACE I TAKE WITH ME
1810
01:21:16,639 --> 01:21:18,607
IS THAT JACK HAS GIVEN ME THE
1811
01:21:18,607 --> 01:21:21,210
KNOWING THAT I AM NOT COMPLETELY
1812
01:21:21,210 --> 01:21:24,080
DEAD IN THIS WAKING STATE."
1813
01:21:55,011 --> 01:22:00,984
>> * SEVENTEEN
1814
01:22:00,984 --> 01:22:05,354
* MISSING IN LIFE
1815
01:22:05,354 --> 01:22:07,190
* YOU DIDN'T
1816
01:22:07,190 --> 01:22:10,994
* AND OWING HIM LIFE
1817
01:22:10,994 --> 01:22:12,728
* YOU DIDN'T
1818
01:22:12,728 --> 01:22:14,363
* HE...
1819
01:22:14,363 --> 01:22:16,632
>> WHY?
1820
01:22:16,632 --> 01:22:19,035
>> WHY DOES ANYONE DECIDE TO
1821
01:22:19,035 --> 01:22:20,970
KILL THEMSELF?
1822
01:22:20,970 --> 01:22:26,709
>> * SINGING AND MISSING YOU
1823
01:22:26,709 --> 01:22:32,415
* I'M MISSING YOU
1824
01:22:32,415 --> 01:22:36,585
* SINGING AND MISSING YOU
1825
01:22:36,585 --> 01:22:37,720
>> AND WHEN YOU MAKE THAT
1826
01:22:37,720 --> 01:22:42,225
DECISION TO END IT...
1827
01:22:42,225 --> 01:22:45,995
Oh, God.
1828
01:22:45,995 --> 01:22:46,695
SUDDENLY, IT JUST MAKES
1829
01:22:46,695 --> 01:22:49,698
EVERYTHING SEEM SO MUCH EASIER.
1830
01:22:54,770 --> 01:23:00,643
* YOU'RE INNOCENT
1831
01:23:00,643 --> 01:23:03,212
* I DIDN'T KNOW THAT I COULD
1832
01:23:03,212 --> 01:23:04,213
>> I MIGHT AS WELL HAVE BEEN
1833
01:23:04,213 --> 01:23:09,085
DEAD, TOO.
1834
01:23:09,085 --> 01:23:10,586
AND THEN I MET YOU.
1835
01:23:17,226 --> 01:23:23,299
>> * SEVENTEEN
1836
01:23:23,299 --> 01:23:28,104
* AND I KNOW THAT YOU LOVE
1837
01:23:28,104 --> 01:23:30,106
TO BLAME *
1838
01:23:30,106 --> 01:23:32,641
* AND IF I COULD... *
1839
01:23:46,089 --> 01:23:49,425
>> * NO COMPLAINTS
1840
01:23:49,425 --> 01:23:51,560
AND NO REGRETS *
1841
01:23:51,560 --> 01:23:53,662
* I STILL BELIEVE
1842
01:23:53,662 --> 01:23:55,664
IN CHASING DREAMS
1843
01:23:55,664 --> 01:23:58,534
AND PLACING BETS *
1844
01:23:58,534 --> 01:24:00,536
* BUT I HAVE LEARNED
1845
01:24:00,536 --> 01:24:03,239
THAT ALL YOU GIVE
1846
01:24:03,239 --> 01:24:06,442
IS ALL YOU GET *
1847
01:24:06,442 --> 01:24:18,121
* SO, GIVE IT ALL YOU'VE GOT
1848
01:24:18,121 --> 01:24:21,590
* I HAD MY SHARE
1849
01:24:21,590 --> 01:24:24,560
* I DRANK MY FILL
1850
01:24:24,560 --> 01:24:28,631
* AND EVEN THOUGH I'M SATISFIED,
1851
01:24:28,631 --> 01:24:32,268
I'M HUNGRY STILL
1852
01:24:32,268 --> 01:24:35,771
TO SEE WHAT'S DOWN ANOTHER ROAD
1853
01:24:35,804 --> 01:24:40,876
BEYOND THE HILL *
1854
01:24:40,876 --> 01:24:50,853
* AND DO IT ALL AGAIN
1855
01:24:50,853 --> 01:24:59,228
* SO, HERE'S TO LIFE
1856
01:24:59,228 --> 01:25:04,099
* AND EVERY JOY IT BRINGS
1857
01:25:08,904 --> 01:25:16,712
* SO, HERE'S TO LIFE,
1858
01:25:16,712 --> 01:25:26,489
TO DREAMERS AND THEIR DREAMS *
1859
01:25:32,528 --> 01:25:34,663
* FUNNY HOW THE TIME
1860
01:25:34,663 --> 01:25:36,832
JUST FLIES *
1861
01:25:36,832 --> 01:25:41,737
* A LOVE CAN GO FROM WARM HELLOS
1862
01:25:41,737 --> 01:25:45,674
TO SAD GOODBYES *
1863
01:25:45,674 --> 01:25:46,642
* AND LEAVE YOU
1864
01:25:46,642 --> 01:25:49,445
WITH THE MEMORIES
1865
01:25:49,445 --> 01:25:53,516
YOU'VE MEMORIZED
1866
01:25:53,516 --> 01:25:59,355
TO KEEP YOUR WINTERS WARM *
1867
01:26:06,229 --> 01:26:07,396
* FOR THERE'S NO "YES"
1868
01:26:07,396 --> 01:26:11,200
IN YESTERDAY *
1869
01:26:11,200 --> 01:26:13,602
* AND WHO KNOWS WHAT TOMORROW
1870
01:26:13,602 --> 01:26:18,841
BRINGS OR TAKES AWAY? *
1871
01:26:18,841 --> 01:26:20,676
* AS LONG AS I'M STILL
1872
01:26:20,676 --> 01:26:22,578
IN THE GAME,
1873
01:26:22,578 --> 01:26:25,448
I WANT TO PLAY
1874
01:26:25,448 --> 01:26:32,788
FOR LAUGHS, FOR LIFE, FOR LOVE *
1875
01:26:36,992 --> 01:26:42,265
* HERE'S TO LIFE
1876
01:26:42,265 --> 01:26:47,636
* HERE'S TO LOVE
1877
01:26:47,636 --> 01:26:58,314
* HERE'S TO YOU
113179
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