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- Storytelling is
the last part of any journey.
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There is experience.
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And then there's that emotion
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that's connected to
the experience.
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Whether it's a scent,
whether it's the sound,
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00:00:41,625 --> 00:00:45,087
that emotional connection
to that particular moment
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is the thing that makes it
worthy of telling in a story.
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- Skin.
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Touch.
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Feel.
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Ouch!
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Beware.
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She's dangerous.
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The savage.
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A knife.
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She'll cut you with her curves.
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Entice you with her words.
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A dream.
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A curse.
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A savage.
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A lion.
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Wild, free, ferocious.
23
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She is not to be tamed.
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Just let her be.
25
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A burning room.
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00:02:17,763 --> 00:02:20,307
She'll stop your breath.
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00:02:20,391 --> 00:02:23,060
Inhale, exhale.
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She moves like water.
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Float.
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Spill.
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An overflow of cockiness.
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00:02:32,903 --> 00:02:36,574
Drink if you will.
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Her power unmatched.
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Her body unleashed.
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They call her a savage.
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A gun. A beast.
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00:09:05,629 --> 00:09:07,631
- Did ten year old me
even have a diary?
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00:09:09,049 --> 00:09:11,093
Ten year old me had secrets.
39
00:09:11,260 --> 00:09:13,887
Ten year old me did not
put secrets down on paper.
40
00:09:14,513 --> 00:09:17,641
- As a child, I was definitely
a bit of an alien,
41
00:09:17,724 --> 00:09:19,184
or a bit of a creature.
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00:09:19,268 --> 00:09:20,519
Just felt very feral.
43
00:09:20,602 --> 00:09:21,979
- I always wanted a diary,
44
00:09:22,062 --> 00:09:23,981
but I always thought my mom
would get into it,
45
00:09:24,064 --> 00:09:25,857
so my diary was always
in my head.
46
00:09:25,941 --> 00:09:29,653
- If my little girl, uh,
snuck into my diary today,
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00:09:29,736 --> 00:09:31,047
I wouldn't want her
to read half of it.
48
00:09:31,071 --> 00:09:32,948
- Just don't go in the diary.
49
00:09:33,031 --> 00:09:35,325
That's all I'm gonna say,
just don't go in the diary.
50
00:09:35,409 --> 00:09:39,162
- You know, if she gets to that
"to be continued" ellipses part,
51
00:09:39,246 --> 00:09:41,248
I think that she'll have
a lot of hope in her heart
52
00:09:41,331 --> 00:09:43,208
for, you know, what's to come.
53
00:09:43,292 --> 00:09:48,588
- So me telling my
10-year-old self at 32 now,
54
00:09:48,672 --> 00:09:51,049
just roll with it, girl.
Just go.
55
00:09:51,133 --> 00:09:54,469
Be grateful always,
be thankful always,
56
00:09:54,553 --> 00:09:58,598
and just let God
take you on the ride.
57
00:10:07,065 --> 00:10:09,651
Creation for people
are driven from within.
58
00:10:09,735 --> 00:10:12,654
- She loves something
if it's a story.
59
00:10:12,738 --> 00:10:14,990
- I think we have
a unique opportunity
60
00:10:15,073 --> 00:10:19,119
to use this concept in a way
that hasn't been done before.
61
00:10:19,202 --> 00:10:22,289
- Let's talk about that chick.
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00:10:22,372 --> 00:10:24,499
Rihanna the creator.
63
00:10:24,583 --> 00:10:27,377
- I don't think about this pink
in lingerie ever.
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00:10:27,461 --> 00:10:30,255
Inspiration can
come from anything.
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00:10:30,339 --> 00:10:35,177
What makes it unique is
your own interpretation
on that message,
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00:10:35,260 --> 00:10:39,431
that color scheme, that texture,
67
00:10:39,514 --> 00:10:42,601
and so everything that I do
is gonna be personal to me,
68
00:10:42,684 --> 00:10:46,563
when it comes to Savage,
especially, but...
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00:10:46,646 --> 00:10:49,149
I want to kind of
establish that as something
core to the brand.
70
00:10:49,232 --> 00:10:51,109
I think we should make...
71
00:10:51,193 --> 00:10:53,236
- I think she's very,
very observant
72
00:10:53,320 --> 00:10:57,199
how beauty, how make up,
how styling affects
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00:10:57,282 --> 00:10:58,658
how people react to you.
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00:10:58,742 --> 00:11:00,494
-...tone pink, but more...
75
00:11:00,577 --> 00:11:04,664
- We gain inspiration from
everything that we're around,
76
00:11:04,748 --> 00:11:07,959
and we have just been blessed
to have the opportunity
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00:11:08,043 --> 00:11:11,004
to be around a lot of
different experiences,
78
00:11:11,088 --> 00:11:13,340
a lot of different cultures,
79
00:11:13,423 --> 00:11:17,803
and we try to take advantage of
all of those experiences.
80
00:11:17,886 --> 00:11:19,846
- When you travel the world
and you experience
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00:11:19,930 --> 00:11:22,182
these different countries
and cultures,
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00:11:22,265 --> 00:11:23,850
you reflect that
in your daily life.
83
00:11:25,936 --> 00:11:30,065
- Whether it's Japan
or Paris or the U.S...
84
00:11:30,774 --> 00:11:32,359
Wherever I see a fabric,
85
00:11:32,484 --> 00:11:34,194
the first thing
I want to do is touch it.
86
00:11:34,319 --> 00:11:37,155
And I get into a lot of trouble
at museums because of that.
87
00:11:38,573 --> 00:11:42,994
Whether it's a shoe,
or whether it's a piece of
fabric on a tablecloth,
88
00:11:43,078 --> 00:11:47,707
she has that eye that spots
beautiful aesthetics,
89
00:11:47,791 --> 00:11:50,335
and sometimes imperfections
and makes them into
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00:11:50,419 --> 00:11:52,963
this global sensation.
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00:11:56,883 --> 00:11:59,761
- This was screaming,
it's so fresh and perfect.
92
00:11:59,845 --> 00:12:02,139
- You can really see her
come to life
93
00:12:02,222 --> 00:12:04,766
when she works on something
and it gets her excited.
94
00:12:04,850 --> 00:12:06,977
- I love the hot pink.
95
00:12:07,060 --> 00:12:09,521
It's so fucking dope.
96
00:12:09,604 --> 00:12:12,441
- It's like tapping into, like,
the fun side of design.
97
00:12:12,524 --> 00:12:15,694
If you try too hard,
then it becomes stale.
98
00:12:15,777 --> 00:12:18,071
But if it's kind of
spontaneous and fun,
99
00:12:18,155 --> 00:12:19,781
it works.
100
00:12:19,865 --> 00:12:21,533
- And I'm
the number one customer so...
101
00:12:21,616 --> 00:12:23,493
- Same. Same.
102
00:12:23,577 --> 00:12:26,329
- So what the fuck is it, then?
Savage X Rosales?
103
00:12:26,413 --> 00:12:27,831
- Do I get number two?
104
00:12:27,914 --> 00:12:29,916
Can I at least be number two?
105
00:12:33,253 --> 00:12:36,298
The experience of fabric
is completely different.
106
00:12:36,381 --> 00:12:38,758
Seeing it and feeling it,
107
00:12:38,842 --> 00:12:42,804
you can't really grasp
how beautiful fabric is
108
00:12:42,888 --> 00:12:45,807
until you come into contact
with it personally.
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00:12:45,891 --> 00:12:48,727
This is amazing.
This feels so good.
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00:12:48,810 --> 00:12:52,105
I get to see fabrics,
I get to experience them,
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00:12:52,189 --> 00:12:55,108
I get to say this is tacky,
this is gonna itch,
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00:12:55,192 --> 00:12:59,321
this is gonna not feel great
on our bodies.
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00:12:59,404 --> 00:13:01,823
By the time it becomes produced,
114
00:13:01,907 --> 00:13:03,617
you get to see it
in its full realm,
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00:13:03,700 --> 00:13:05,595
you get to see it perform,
you get to see it move,
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00:13:05,619 --> 00:13:09,372
you get to see it
lay on the body.
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00:13:09,456 --> 00:13:10,999
- She has a lot of experience
118
00:13:11,082 --> 00:13:13,793
having couture garments
fitted on her, lingerie,
119
00:13:13,877 --> 00:13:16,588
and so she can just
look at something really quickly
120
00:13:16,671 --> 00:13:18,632
and just know
exactly what it's gonna do.
121
00:13:18,715 --> 00:13:21,843
- We need the curve
to marry in front.
- Okay.
122
00:13:21,927 --> 00:13:24,262
- And that kind of steers us
and makes it better,
123
00:13:24,346 --> 00:13:25,847
but also makes it hers.
124
00:13:25,931 --> 00:13:27,182
She puts her stamp on it.
125
00:13:29,809 --> 00:13:31,603
- It comes across
and it tells a story.
126
00:13:31,686 --> 00:13:32,686
- It's so good.
127
00:16:52,804 --> 00:16:54,973
- Savage X Fenty.
128
00:16:55,056 --> 00:16:57,308
I go by the name of
Mustard and, uh,
129
00:16:57,392 --> 00:16:59,185
since we in Los Angeles,
California,
130
00:16:59,269 --> 00:17:01,146
I felt it was only right
131
00:17:01,229 --> 00:17:03,106
that I do something special
with my family.
132
00:17:03,189 --> 00:17:04,189
Let's do it.
133
00:17:06,109 --> 00:17:07,277
Ella Mai.
134
00:17:14,409 --> 00:17:15,952
- New shit.
135
00:17:28,548 --> 00:17:29,716
- Talk to it.
136
00:17:34,679 --> 00:17:35,722
- Yeah.
137
00:17:44,647 --> 00:17:45,982
- That's right.
138
00:17:50,570 --> 00:17:51,738
- Here we go, here we go.
139
00:18:02,540 --> 00:18:03,792
- That's right, that's right.
140
00:18:15,094 --> 00:18:16,304
- That's right.
141
00:18:21,017 --> 00:18:22,393
- She's...
142
00:18:30,401 --> 00:18:32,904
- Like I said,
143
00:18:32,987 --> 00:18:36,449
we in Los Angeles,
California, tonight.
144
00:18:36,533 --> 00:18:40,703
It's only right that
I do this with my brother.
145
00:18:40,787 --> 00:18:42,181
We'll make a movie out here
tonight,
146
00:18:42,205 --> 00:18:44,958
you know what I'm sayin'?
147
00:18:45,041 --> 00:18:46,668
- Roddy.
- Yeah, yeah.
148
00:18:46,751 --> 00:18:48,211
- Here we go.
Three, two one, go!
149
00:18:52,757 --> 00:18:55,093
- Why?
150
00:18:55,176 --> 00:18:57,720
- That's right.
151
00:19:07,230 --> 00:19:08,499
- No, no, no, we gotta do
some of that other stuff.
152
00:19:08,523 --> 00:19:10,108
We at a fashion show.
153
00:19:10,191 --> 00:19:12,819
The high fashion, the highest
of highest fashion.
154
00:19:12,902 --> 00:19:14,129
- Yeah.
- You know what I'm sayin'?
155
00:19:14,153 --> 00:19:16,573
- Yeah.
- Here we go.
156
00:19:17,866 --> 00:19:20,159
- Let's do it. Yeah.
157
00:19:32,755 --> 00:19:35,341
- Break it down.
158
00:19:35,425 --> 00:19:37,385
- Break it down.
159
00:19:46,769 --> 00:19:49,272
- Is it okay?
160
00:19:49,355 --> 00:19:51,566
- That's right.
161
00:19:51,649 --> 00:19:53,943
- Yeah, yeah.
162
00:19:54,027 --> 00:19:56,529
- Yeah, yeah.
163
00:19:56,613 --> 00:19:58,907
- Okay.
164
00:19:58,990 --> 00:20:01,659
- Talk to 'em.
165
00:20:06,080 --> 00:20:07,790
- What you say.
166
00:20:10,501 --> 00:20:12,879
- Inside my heart.
167
00:20:12,962 --> 00:20:14,505
- That's right.
168
00:20:14,589 --> 00:20:16,883
- That's right.
169
00:20:16,966 --> 00:20:18,885
- One more time, here we go.
170
00:20:20,261 --> 00:20:21,346
- Yes, sir.
171
00:20:21,429 --> 00:20:22,555
- Like what?
172
00:20:22,639 --> 00:20:23,890
- Yes, sir.
173
00:20:23,973 --> 00:20:26,142
- What else?
174
00:20:26,225 --> 00:20:28,728
- Okay.
175
00:20:31,522 --> 00:20:33,816
- Break it down.
176
00:20:33,900 --> 00:20:36,361
- Break it down.
177
00:20:42,075 --> 00:20:43,826
- Once again, I go by
the name of Mustard.
178
00:20:43,910 --> 00:20:45,828
I'm from Los Angeles,
California.
179
00:20:45,912 --> 00:20:48,373
That was Ella Mai.
That was Roddy Ricch.
180
00:20:48,456 --> 00:20:49,499
Thank you.
181
00:20:52,251 --> 00:20:55,421
- I feel like
a true bad bitch comes to life
182
00:20:55,505 --> 00:20:57,507
whenever she puts an outfit on.
183
00:20:57,590 --> 00:20:59,801
If I could switch,
getting new personas
184
00:20:59,884 --> 00:21:02,595
is creating new avenues
to expand.
185
00:21:05,181 --> 00:21:08,184
It really is inspiring to me
how you can use
186
00:21:08,267 --> 00:21:12,313
colors, paint, make up, textures
187
00:21:12,397 --> 00:21:15,775
just to embody whatever
you want to.
188
00:21:15,858 --> 00:21:17,568
I watch drag queens
do the same thing
189
00:21:17,652 --> 00:21:19,654
when they draw on their lips
and all of a sudden
190
00:21:19,737 --> 00:21:22,532
their entire demeanor changes.
191
00:21:22,615 --> 00:21:26,160
You can see the confidence,
you can feel the confidence.
192
00:21:26,244 --> 00:21:29,247
There's a huge emotional
attachment to that,
193
00:21:29,330 --> 00:21:31,332
and there's an empowerment
within that.
194
00:21:31,416 --> 00:21:34,877
- We all have
multiple personalities.
195
00:21:34,961 --> 00:21:37,463
There's so many
different parts of us
196
00:21:37,547 --> 00:21:41,217
that are colliding and
weaving themselves together.
197
00:21:41,300 --> 00:21:42,635
That's powerful.
198
00:21:42,719 --> 00:21:45,847
- I changed my hair
all the time growing up.
199
00:21:45,930 --> 00:21:48,349
Dyed it blond, dyed it orange,
dyed it black.
200
00:21:48,433 --> 00:21:51,227
- I want a pixie. No,
I actually want to be blond.
201
00:21:51,310 --> 00:21:54,480
- I always want my art
and my fashion
202
00:21:54,564 --> 00:21:57,817
to be where I express
that evolution.
203
00:21:57,900 --> 00:22:00,862
- I'm, like, fuck it.
Just be you.
204
00:22:00,945 --> 00:22:03,531
- Using make up and hair
to kind of float through
205
00:22:03,614 --> 00:22:05,825
all of genders and sexuality.
206
00:22:05,908 --> 00:22:09,245
- Like, if I wear Burberry,
I might feel classy.
207
00:22:09,328 --> 00:22:11,873
If I put on some Doc Martens,
208
00:22:11,956 --> 00:22:14,625
that might mean I'm about to
kick a bitch in her face.
209
00:22:14,709 --> 00:22:17,712
- Fashion is just
an extension of expression.
210
00:22:17,795 --> 00:22:20,256
It's your very first
impression, you know,
211
00:22:20,339 --> 00:22:22,175
that you give
and get from people.
212
00:22:24,343 --> 00:22:26,095
It's fun to watch artists
like Rihanna
213
00:22:26,179 --> 00:22:27,638
do it so effortlessly.
214
00:22:27,722 --> 00:22:29,724
That's what being a creative
215
00:22:29,807 --> 00:22:32,685
and being a shape shifter
is all about.
216
00:22:32,769 --> 00:22:34,187
Rihanna's the queen of it.
217
00:22:34,270 --> 00:22:36,522
- She has so many personas
and roles in her,
218
00:22:36,606 --> 00:22:39,192
and the sexuality is elegant.
219
00:22:39,275 --> 00:22:41,360
They're all part of
her personality,
220
00:22:41,444 --> 00:22:44,614
and she can, like a chameleon,
go from one to the other.
221
00:22:45,740 --> 00:22:48,034
- Oh yes, it's a mood thing
for me, girl.
222
00:22:48,284 --> 00:22:50,953
It's a mood thing always.
223
00:22:52,080 --> 00:22:53,748
- Rihanna is somewhat demure.
224
00:22:53,831 --> 00:22:55,917
She's super, like,
reserved and chill,
225
00:22:56,000 --> 00:23:00,046
and those are sides
that people probably
will never really see
226
00:23:00,129 --> 00:23:01,672
unless you, like, knew her.
227
00:23:01,756 --> 00:23:03,925
She's Robin.
228
00:23:04,008 --> 00:23:05,551
It all about the mood.
229
00:23:07,595 --> 00:23:09,222
- So much inspiration
230
00:23:10,139 --> 00:23:13,351
comes from my mood
in regards to my fashion.
231
00:23:13,434 --> 00:23:15,144
If I'm feeling lazy,
I'm gonna wear
232
00:23:15,478 --> 00:23:18,356
the biggest hoodie,
the biggest sweat pants.
233
00:23:18,439 --> 00:23:21,484
And be just as bummy
as I would feel
234
00:23:21,609 --> 00:23:23,611
when I'm not feeling
my prettiest.
235
00:23:24,320 --> 00:23:27,240
Whatever makes you feel the best
just go for it.
236
00:23:27,406 --> 00:23:29,033
Like, we've all been there.
237
00:26:29,672 --> 00:26:31,882
- Displaying sexuality
238
00:26:32,466 --> 00:26:36,178
has become something that's
way deeper than surface for me.
239
00:26:37,805 --> 00:26:40,099
- There are
all different forms of
240
00:26:40,182 --> 00:26:42,268
beautiful, authentic sexuality.
241
00:26:42,351 --> 00:26:43,561
- It's that empowerment
242
00:26:43,644 --> 00:26:46,188
and wearing
whatever the hell I want
243
00:26:46,272 --> 00:26:48,024
however the hell
I want to wear it.
244
00:26:48,107 --> 00:26:50,735
For myself.
Not even for anybody else.
245
00:26:50,818 --> 00:26:54,155
- There's no book written
how to be a woman.
246
00:26:58,701 --> 00:27:01,245
- Sexuality is personal.
247
00:27:01,329 --> 00:27:04,790
It is something that
has to be owned or earned.
248
00:27:06,542 --> 00:27:10,338
Sometimes it tainted because
you've had horrible experiences,
249
00:27:10,421 --> 00:27:14,258
or been robbed of
your own power.
250
00:27:14,342 --> 00:27:17,636
- Sexuality
is inherently powerful.
251
00:27:17,720 --> 00:27:19,638
It's kind of been co-opted
252
00:27:19,722 --> 00:27:22,099
into a performance
for someone else.
253
00:27:22,183 --> 00:27:26,729
But sexuality is so deeply
each of our own.
254
00:27:26,812 --> 00:27:30,649
- For me, sexuality
is not for anybody else.
255
00:27:30,733 --> 00:27:33,402
I am a virgin.
256
00:27:33,486 --> 00:27:35,464
I mean, like,
I love fooling around,
don't get me wrong.
257
00:27:35,488 --> 00:27:37,323
It just hasn't happened.
258
00:27:37,406 --> 00:27:39,575
- You're not worried about
nobody else feelin' you,
259
00:27:39,658 --> 00:27:41,911
like, you're into your own
fantasy, you know.
260
00:27:41,994 --> 00:27:44,014
- I know, I turned 30 and
I just like don't give a fuck.
261
00:27:44,038 --> 00:27:45,414
Like...
262
00:27:45,498 --> 00:27:48,417
- Sometimes I feel like
I could get someone
263
00:27:48,501 --> 00:27:50,544
because of my flair.
264
00:27:50,628 --> 00:27:54,673
You know, she's cute.
I'm, you know, a bad ass bitch.
265
00:27:54,757 --> 00:27:58,677
- Sexuality is human.
It's part of who we are.
266
00:27:58,761 --> 00:28:00,429
It's what got us here.
267
00:28:00,513 --> 00:28:04,350
- It's your own
divine inner power,
268
00:28:04,433 --> 00:28:07,144
whether it's finding it,
269
00:28:07,228 --> 00:28:09,772
whether it's sharing it,
270
00:28:09,855 --> 00:28:11,482
or just being it.
271
00:39:59,815 --> 00:40:01,108
- When I imagine something,
272
00:40:01,191 --> 00:40:03,360
I imagine everyone
that I know and love
273
00:40:03,443 --> 00:40:05,946
being a part of it.
274
00:40:06,029 --> 00:40:08,198
I want to make stuff
that I can see
275
00:40:08,281 --> 00:40:10,242
on the people that I know,
276
00:40:10,325 --> 00:40:12,786
and they come in
all different shapes, sizes,
277
00:40:12,869 --> 00:40:14,121
races, religions.
278
00:40:15,872 --> 00:40:20,043
Whether that comes from
my household and my childhood,
279
00:40:20,127 --> 00:40:23,130
to the circle of family that
I've created around me.
280
00:40:23,213 --> 00:40:28,385
I really care that they be
a part of what I do.
281
00:40:28,468 --> 00:40:31,972
- Not everyone's the same.
You have a slew of people
282
00:40:32,055 --> 00:40:34,307
that you love and enjoy
and admire,
283
00:40:34,391 --> 00:40:37,602
and when she creates anything,
284
00:40:37,686 --> 00:40:39,604
she thinks of all the people
in her life.
285
00:40:39,688 --> 00:40:41,332
- The beautiful thing
about Rihanna is that
286
00:40:41,356 --> 00:40:44,860
she's a global artist,
and she includes everyone.
287
00:40:44,943 --> 00:40:48,321
- She kicked the door down
and she opened up the world
288
00:40:48,405 --> 00:40:53,243
to all these possibilities of
make up, fashion, lingerie,
289
00:40:53,326 --> 00:40:57,122
all that being for every size,
every shape.
290
00:40:57,205 --> 00:41:00,208
That's some, like, ballsy,
powerful shit.
291
00:41:01,710 --> 00:41:03,170
- Found a community of creatives
292
00:41:03,253 --> 00:41:04,629
that are pushing the boundaries,
293
00:41:04,713 --> 00:41:06,840
and showing that
that uniqueness, girl,
294
00:41:06,923 --> 00:41:08,163
is what you need to start with.
295
00:41:10,760 --> 00:41:15,307
- To work on something
and love it is enough,
296
00:41:15,390 --> 00:41:19,769
but then
to have it received globally
the same way is just...
297
00:41:19,853 --> 00:41:21,271
next level.
298
00:41:21,354 --> 00:41:24,482
- We are strong women
and strong men...
299
00:41:24,566 --> 00:41:26,526
- Inclusivity for me
300
00:41:26,610 --> 00:41:29,154
has always been something
second nature.
301
00:41:29,237 --> 00:41:30,757
It's not anything
I really think about.
302
00:41:31,281 --> 00:41:32,699
- I would never have
thought Rihanna
303
00:41:32,782 --> 00:41:34,242
had sizes that would fit me.
304
00:41:34,659 --> 00:41:36,870
I asked her and she said yes.
305
00:41:37,746 --> 00:41:39,164
- I didn't think it would be
306
00:41:39,247 --> 00:41:42,876
such a talking point
after the fact.
307
00:41:42,959 --> 00:41:47,088
The only thing
I could think about was
including everyone.
308
00:51:32,173 --> 00:51:33,633
- I ain't got all day.
309
00:51:33,716 --> 00:51:36,093
- MAN #2: Oh, that's okay.
What's he doin'?
310
00:51:40,306 --> 00:51:43,184
- Come on, man,
don't be slow rollin'
Get the pallet, bro.
311
00:51:44,477 --> 00:51:47,814
Yeah, act like you
been here before, right?
312
00:51:51,067 --> 00:51:53,861
Hey, yo, man. Come on,
get that out the way, bro.
313
00:52:10,336 --> 00:52:12,547
- No bet, no bet, no bet.
Ey, yo, Francois, man,
314
00:52:12,630 --> 00:52:15,299
we need about a hundred of
them things in the freight, man.
315
00:52:15,383 --> 00:52:17,260
We supposed to go, man.
316
00:52:30,356 --> 00:52:31,983
- Got all day.
317
00:52:37,446 --> 00:52:39,866
Hey, how many times
I gotta tell y'all, man?
318
00:52:45,371 --> 00:52:47,373
- Hey, watch that!
319
00:52:47,456 --> 00:52:49,000
Watch that!
Y'all gonna hit that!
320
00:52:49,083 --> 00:52:51,544
Man, we need about
two more of them, bro!
321
00:52:51,627 --> 00:52:53,671
Hey, man, let's go, bro.
322
00:52:53,754 --> 00:52:55,214
Let's go, bro.
323
00:53:05,224 --> 00:53:07,977
- No, no, no, no, no, no!
What y'all doin'?
324
00:53:08,001 --> 00:53:11,001
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