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These are the user uploaded subtitles that are being translated: 1 00:00:07,257 --> 00:00:11,261 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:11,261 --> 00:00:15,807 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:15,807 --> 00:00:25,692 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:25,692 --> 00:00:36,161 ♪ ♪ ♪ ♪ ♪ ♪ 5 00:00:36,161 --> 00:00:37,620 >> James: GOOD EVENING LADIES AND GENTLEMEN, WELCOME TO THE 6 00:00:37,620 --> 00:00:38,705 "LATE LATE SHOW." 7 00:00:38,705 --> 00:00:39,622 HOPE YOU HAD A GREAT TUESDAY. 8 00:00:39,622 --> 00:00:40,707 WE HAVE A FUN ONE PLANNED FOR YOU TONIGHT. 9 00:00:40,707 --> 00:00:41,583 WE'LL BE CHATTING WITH THE INCREDIBLY TALENTED ANDREW 10 00:00:41,583 --> 00:00:42,834 RANNELLS. 11 00:00:42,834 --> 00:00:44,210 THEN LATER ON, WE'LL HAVE A PERFORMANCE FROM BRITTANY 12 00:00:44,210 --> 00:00:47,797 HOWARD, SO STICK AROUND FOR THAT. 13 00:00:47,797 --> 00:00:51,843 TONIGHT, OF COURSE, WAS THE FIRST PRESIDENTIAL DEBATE. 14 00:00:51,843 --> 00:00:53,595 NOW OBVIOUSLY, WE TAPE THIS SHOW EARLIER IN THE DAY, SO WE DON'T 15 00:00:53,595 --> 00:00:57,182 KNOW WHAT HAPPENED YET. 16 00:00:57,182 --> 00:01:01,603 IF YOU HAD TO GUESS, REGGIE, WHAT HAPPENED IN THE DEBATE? 17 00:01:01,603 --> 00:01:07,442 >> Reggie: TRUMP SAID A BUNCH OF STUFF THAT DOESN'T MAKE SENSE 18 00:01:07,442 --> 00:01:13,615 BUT KEPT SAYING IT ANYWAYS, AND THEN BIDEN WAS, WHAT ARE YOU, 19 00:01:13,615 --> 00:01:17,911 SOME JIVE TURKEY? 20 00:01:17,911 --> 00:01:19,746 ( LAUGHTER ) >> James: IMAGINE IF WE TUNE 21 00:01:19,746 --> 00:01:25,335 IN TONIGHT AND JOE BIDEN DOES SAY, WHAT ARE YOU, SOME JIVE 22 00:01:25,335 --> 00:01:26,252 TURKEY? 23 00:01:26,252 --> 00:01:27,420 ( LAUGHTER ) IT WOULD CEMENT WHAT I'VE ALWAYS 24 00:01:27,420 --> 00:01:30,924 THOUGHT IS REGGIE TRAVELS BACK AND FORWARD THROUGH TIME. 25 00:01:30,924 --> 00:01:31,508 >> Reggie: YES. 26 00:01:31,508 --> 00:01:33,635 >> James: I DO BELIEVE IT. 27 00:01:33,635 --> 00:01:36,596 I DO. 28 00:01:36,596 --> 00:01:40,558 WELL, DONALD TRUMP'S TEAM WASTED NO TIME GOING ON THE OFFENSIVE 29 00:01:40,558 --> 00:01:41,726 TODAY. 30 00:01:41,726 --> 00:01:46,397 AHEAD OF THE DEBATE THIS MORNING RUDY GIULIANI WENT ON "FOX 31 00:01:46,397 --> 00:01:49,150 & FRIENDS" AND CLAIMED JOE BIDEN IS UNWELL. 32 00:01:49,150 --> 00:01:51,110 >> THE MAN HAS DEMENTIA. 33 00:01:51,110 --> 00:01:52,445 NO DOUBT ABOUT IT. 34 00:01:52,445 --> 00:01:55,448 I'VE TALKED TO DOCTOR, HAD THEM LOOK AT 100 DIFFERENT TAPES OF 35 00:01:55,448 --> 00:01:56,908 HIS FIVE YEARS AGO AND TODAY. 36 00:01:56,908 --> 00:01:59,452 >> THE BIDEN PEOPLE SAY HE'S FINE. 37 00:01:59,452 --> 00:02:03,832 >> WELL, WELL, WELL, HE CAN'T RECITE THE PLEDGE OF ALLEGIANCE 38 00:02:03,832 --> 00:02:04,916 AND HE'S FINE? 39 00:02:04,916 --> 00:02:06,125 >> Reggie: WOW. 40 00:02:06,125 --> 00:02:13,591 >> James: I HAVE TO GIVE IT TO JULIAN, IT'S HARD TO ARGUE WITH 41 00:02:13,591 --> 00:02:17,512 BUAWAAWA! 42 00:02:17,512 --> 00:02:22,475 LOOKS LIKE HE GOT BUSTED BY SCOOBY AND THE GANG. 43 00:02:22,475 --> 00:02:27,188 I LIKE WHEN HE SAID I'VE TALKED TO DOCTORS. 44 00:02:27,188 --> 00:02:32,151 THOSE WHO DON'T WANT TO WEAR MASKS, SUDDENLY DOCTORS ARE 45 00:02:32,151 --> 00:02:33,319 EXPERTS AGAIN. 46 00:02:33,319 --> 00:02:39,617 I AM CERTAIN RUDY GIULIANI HAS SPOKEN TO MULTIPLE DOCTORS AND 47 00:02:39,617 --> 00:02:40,493 DEMENTIA. 48 00:02:40,493 --> 00:02:42,370 ( LAUGHTER ) HIS FAMILY WERE LIKE, NO, NO, 49 00:02:42,370 --> 00:02:44,831 IT'S NOTHING TO DO WITH YOU. 50 00:02:44,831 --> 00:02:48,835 THEY'RE GOING TO ASK YOU QUESTIONS ABOUT JOE BIDEN. 51 00:02:48,835 --> 00:02:54,340 YEAH, YOU WILL BE THERE THE WHOLE WEEKEND! 52 00:02:54,340 --> 00:02:58,136 GIULIANI THEN TRIED TO PRESENT MORE EVIDENCE OF BIDEN'S MENTAL 53 00:02:58,136 --> 00:03:01,514 DECLINE BUT SEEMED TO STRUGGLE A BIT HIMSELF. 54 00:03:01,514 --> 00:03:06,352 >> HE'S BEEN A -- HE'S BEEN -- HE WAS IN A CENTER FOR 160 55 00:03:06,352 --> 00:03:07,645 YEARS. 56 00:03:07,645 --> 00:03:15,737 I MEAN, HE CAN'T DO THE PROLOGS TO THE CONST -- THE CONSTITUTION 57 00:03:15,737 --> 00:03:20,408 OF THE UNITED STATES OR THE DECLARATION OF INDEPENDENCE OR 58 00:03:20,408 --> 00:03:22,160 ANY OF THEM? 59 00:03:22,160 --> 00:03:24,037 HE CAN'T DO NUMBERS. 60 00:03:24,037 --> 00:03:25,496 THE NUMBERS ARE SCREWED UP. 61 00:03:25,496 --> 00:03:28,499 >> James: I STOPPED LISTENING WHEN HE SAID BIDEN WAS IN THE 62 00:03:28,499 --> 00:03:30,251 SENATE FOR 160 YEARS. 63 00:03:30,251 --> 00:03:34,255 LOOKT AT HIS FACIAL EXPRESSION. 64 00:03:34,255 --> 00:03:39,761 RUDY GIULIANI CAN'T EVEN BELIEVE RUDY GIULIANI SAID THAT. 65 00:03:39,761 --> 00:03:42,889 MAYBE GIULIANI IS RIGHT, 160 YEARS. 66 00:03:42,889 --> 00:03:45,767 WHO COULD FORGET JOE BIDEN'S PIVOTAL WORK TO UNIT THE COUNTRY 67 00:03:45,767 --> 00:03:47,852 DURING THE AMERICAN CIVIL WAR? 68 00:03:47,852 --> 00:03:49,520 ( LAUGHTER ) I'VE ONLY LIVED IN AMERICA FIVE 69 00:03:49,520 --> 00:03:53,399 AND A HALF ALMOST SIX YEARS. 70 00:03:53,399 --> 00:03:56,736 IAN, EXPLAIN RUDY GIULIANI TO ME. 71 00:03:56,736 --> 00:04:00,114 >> UM -- HE'S LIKE A ONE-HIT WONDER POLITICIAN. 72 00:04:00,114 --> 00:04:04,744 HE WAS KIND OF POPPING IN THE EARLY 2000s, BUT NOW PEOPLE 73 00:04:04,744 --> 00:04:07,580 ONLY CARE ABOUT HIM BECAUSE OF TRUMP. 74 00:04:07,580 --> 00:04:10,959 HE'S LIKE IF KID ROCK WAS A POLITICIAN. 75 00:04:10,959 --> 00:04:13,419 >> James: DO YOU KNOW WHAT I THINK THE RUDY GIULIANI THING 76 00:04:13,419 --> 00:04:14,587 IS? 77 00:04:14,587 --> 00:04:17,340 I THINK IT MIGHT BE A GENIUS MOVE -- I THINK THEY BRING HIM 78 00:04:17,340 --> 00:04:21,469 OUT ON TV RIGHT BEFORE A DEBATE TO MAKE TRUMP LOOK MORE TOGETHER 79 00:04:21,469 --> 00:04:23,429 AND NORMAL. 80 00:04:23,429 --> 00:04:24,597 >> Reggie: OH, NICE. 81 00:04:24,597 --> 00:04:27,433 >> James: PRESIDENT TRUMP DIDN'T SEEM TOO CONCERNED ABOUT 82 00:04:27,433 --> 00:04:31,312 HIS DEBATE WITH JOE BIDEN TONIGHT BECAUSE ACCORDING TO 83 00:04:31,312 --> 00:04:35,441 REPORTS, TRUMP DID ALMOST NO DEBATE PREP WHATSOEVER. 84 00:04:35,441 --> 00:04:40,071 ALMOST NO PREP IS STILL MORE PREP THAN I WOULD HAVE GUESSED. 85 00:04:40,071 --> 00:04:44,659 APPARENTLY, EACH TEAM MADE UNUSUAL REQUESTS HEADING INTO 86 00:04:44,659 --> 00:04:49,539 TONIGHT'S DEBATE AND THOSE REQUESTED WERE VETOED BY THE 87 00:04:49,539 --> 00:04:50,790 OTHER SIDE. 88 00:04:50,790 --> 00:04:54,752 TEAM BIDEN APPARENTLY REQUESTED FOR A BREAK EVERY 30 MINUTES, 89 00:04:54,752 --> 00:04:58,798 WHILE TEAM TRUMP ASKED FOR EACH CANDIDATES' EARS TO BE INSPECTED 90 00:04:58,798 --> 00:04:59,590 FOR ELECTRONIC DEVICES. 91 00:04:59,590 --> 00:05:01,175 >> Reggie: WOW. 92 00:05:01,175 --> 00:05:05,471 >> James: THE SECOND REQUEST WAS REJECTED BECAUSE THEY 93 00:05:05,471 --> 00:05:09,475 COULDN'T FIND A SINGLE PERSON IN THE COUNTRY WILLING TO LOOK 94 00:05:09,475 --> 00:05:13,479 INSIDE DONALD TRUMP'S EARS. 95 00:05:13,479 --> 00:05:18,651 ( LAUGHTER ) THOUGH I THINK IF YOU LOOK INTO 96 00:05:18,651 --> 00:05:25,324 HIS EARS, YOU WILL JUST SEE RIGHT OUT THE OTHER SIDE. 97 00:05:25,324 --> 00:05:26,617 ( APPLAUSE ) >> YES, THAT'S TRUE. 98 00:05:26,617 --> 00:05:31,039 >> James: I CAN'T BELIEVE I GOT OVERLOOKED IN THE WRITING 99 00:05:31,039 --> 00:05:31,998 CATEGORIES. 100 00:05:31,998 --> 00:05:32,623 ( LAUGHTER ) I ACTUALLY THINK THAT'S THE JOKE 101 00:05:32,623 --> 00:05:36,002 THAT WILL BRING HIM DOWN. 102 00:05:36,002 --> 00:05:36,794 >> THAT'S IT. 103 00:05:36,794 --> 00:05:38,504 IT'S CURTAINS FOR HIM AFTER THAT. 104 00:05:38,504 --> 00:05:41,549 >> James: THEY'LL PROBABLY CANCEL THE DEBATE AFT THAT. 105 00:05:41,549 --> 00:05:45,720 IF THEY PUT THAT UP NOW, THEY'LL CANCEL THE DEBATE. 106 00:05:45,720 --> 00:05:50,516 THEY CAN'T COPE WITH THAT LEVEL OF SATIRE. 107 00:05:50,516 --> 00:05:52,852 >> IT'S TRENDING ON TWITTER NOW. 108 00:05:52,852 --> 00:05:58,149 THE SHOW HASN'T GONE OUT YET, I HAVE NO IDEA HOW IT HAPPENED, 109 00:05:58,149 --> 00:06:04,405 BUT IT'S THE NUMBER ONE TOPIC. 110 00:06:04,405 --> 00:06:05,490 BIDEN ASKED FOR A BREAK EVERY 30 MINUTES? 111 00:06:05,490 --> 00:06:06,699 HE CAN'T JUST CHECK OUT WHENEVER HE WANTS TO! 112 00:06:06,699 --> 00:06:10,369 WHO DOES JOE BIDEN THINK HE IS, A MEMBER OF OUR BAND? 113 00:06:10,369 --> 00:06:14,999 YOU CAN'T JUST ZONE OUT IN BETWEEN COMMERCIAL BREAK BUMPS. 114 00:06:14,999 --> 00:06:19,212 IN THE PRESIDENCY, IF YOU HAVE TO TAKE A BREAK EVERY 30 115 00:06:19,212 --> 00:06:22,882 MINUTES, YOU'RE NOT GETTING A SHIFT MANAGER POSITION AT DEL 116 00:06:22,882 --> 00:06:24,133 TACO. 117 00:06:24,133 --> 00:06:27,762 AND BIG NEWS THIS MORNING FOR JOE BIDEN, HE'S BEEN OFFICIALLY 118 00:06:27,762 --> 00:06:30,598 NOMINATED FOR A NOBEL PEACE PRIZE. 119 00:06:30,598 --> 00:06:31,349 I MEAN, YEAH. 120 00:06:31,349 --> 00:06:33,559 HE SHOULD GET SOME KIND OF AWARD. 121 00:06:33,559 --> 00:06:35,520 HE SERVED 160 YEARS IN THE SENATE. 122 00:06:35,520 --> 00:06:36,646 >> Reggie: YEAH. 123 00:06:36,646 --> 00:06:41,859 >> James: FIRST, TRUMP WAS NOMINATED FOR ONE, NOW BIDEN. 124 00:06:41,859 --> 00:06:44,445 HOW EASY IS IT TO GET THESE NOMINATIONS? 125 00:06:44,445 --> 00:06:48,449 I'M STARTING TO THINK GETTING A NOBEL PRIZE NOMINATION SEEMS A 126 00:06:48,449 --> 00:06:54,455 LIT LIKE AN INSTAGRAM CHALLENGE. 127 00:06:54,455 --> 00:06:57,458 WHO ELSE DESERVES A NOBEL PRIZE NOMINATION THIS YEAR, IAN? 128 00:06:57,458 --> 00:07:00,128 REGGIE? 129 00:07:00,128 --> 00:07:02,922 >> Reggie: PROBABLY CINDY LAUPER. 130 00:07:02,922 --> 00:07:04,090 >> James: YEAH, GO ON. 131 00:07:04,090 --> 00:07:05,758 >> Reggie: YOU MEAN SOMEONE ELSE? 132 00:07:05,758 --> 00:07:10,555 >> James: NO, I MEAN WHAT'S SHE DONE THIS YEAR? 133 00:07:10,555 --> 00:07:16,060 >> Reggie: OH, GOSH -- >> James: RETROSPECTIVELY. 134 00:07:16,060 --> 00:07:19,397 >> Reggie: SHE'S JUST DONE A LOT. 135 00:07:19,397 --> 00:07:20,648 SHOWN HER TRUE COLORS. 136 00:07:20,648 --> 00:07:23,317 ( CHEERS AND APPLAUSE ) >> James: YOU'RE RIGHT. 137 00:07:23,317 --> 00:07:24,277 SHE JUST WANTS TO HAVE FUN. 138 00:07:24,277 --> 00:07:26,612 >> Reggie: SHE JUST WANTS TO HAVE FUN. 139 00:07:26,612 --> 00:07:27,572 WE NEED THAT. 140 00:07:27,572 --> 00:07:30,283 >> JAMES: AND WE HAD TO TELL YOU ABOUT THIS. 141 00:07:30,283 --> 00:07:33,077 A FIVE-YEAR-OLD AFRICAN RAT WAS RECENTLY AWARDED A PRESTIGIOUS 142 00:07:33,077 --> 00:07:34,120 MEDAL FOR HIS WORK DETECTING MINES AND EXPLOSIVES IN 143 00:07:34,120 --> 00:07:37,498 CAMBODIA. 144 00:07:37,498 --> 00:07:38,332 THE RAT WAS GIVEN A MEDAL. 145 00:07:38,332 --> 00:07:44,755 OR AS THE RAT CALLED IT, "NOT CHEESE." 146 00:07:44,755 --> 00:07:48,134 ( LAUGHTER ) THE RAT'S LIKE, RIGHT, WHAT DO I 147 00:07:48,134 --> 00:07:48,968 DO WITH THIS? 148 00:07:48,968 --> 00:07:51,679 TH THAT IS THE MOST IMPRESSIVE RAT 149 00:07:51,679 --> 00:07:53,347 I'VE EVER SEEN. 150 00:07:53,347 --> 00:07:54,557 AND I ONCE SAW A DOCUMENTARY ABOUT A RAT WHO LOVED TO COOK 151 00:07:54,557 --> 00:07:57,768 AND ENDED UP OWNING HIS OWN RESTAURANT. 152 00:07:57,768 --> 00:08:00,688 ( LAUGHTER ) BUT THE EXPLOSIVE-DETECTING RAT 153 00:08:00,688 --> 00:08:05,109 WAS REALLY MODEST ABOUT THE WHOLE THING. 154 00:08:05,109 --> 00:08:09,488 THE RAT SAID HE THINKS NOTHING OF PUTTING HIS LIFE ON THE LINE 155 00:08:09,488 --> 00:08:12,742 TO SAVE OTHERS... BECAUSE HE HAS NO CLUE WHAT'S GOING ON. 156 00:08:12,742 --> 00:08:16,996 ( LAUGHTER ) BECAUSE HE'S A RAT. 157 00:08:16,996 --> 00:08:18,122 I DON'T UNDERSTAND. 158 00:08:18,122 --> 00:08:20,625 SO THE RAT GOES IN AND SAYS, THERE'S MINES HERE OR THERE 159 00:08:20,625 --> 00:08:23,002 ISN'T MINES HERE. 160 00:08:23,002 --> 00:08:24,670 IMAGINE THAT, REGGIE. 161 00:08:24,670 --> 00:08:27,715 IT'S FINE, YOU CAN GO ACROSS THAT FIELD NOW. 162 00:08:27,715 --> 00:08:28,674 YOU SURE? 163 00:08:28,674 --> 00:08:32,094 NO, THE RAT SAID IT'S FINE. 164 00:08:32,094 --> 00:08:33,346 ( LAUGHTER ) SORRY, WHAT? 165 00:08:33,346 --> 00:08:34,847 THE RAT. 166 00:08:34,847 --> 00:08:36,724 SORRY, HAVE YOU MET NIGEL? 167 00:08:36,724 --> 00:08:39,727 NIGEL SAYS -- ( LAUGHTER ) 168 00:08:39,727 --> 00:08:41,479 TOTALLY FINE. 169 00:08:41,479 --> 00:08:42,688 SO I'M GOOD TO GO ACROSS. 170 00:08:42,688 --> 00:08:44,732 YEAH, YEAH YEAH. 171 00:08:44,732 --> 00:08:46,192 BECAUSE -- ( LAUGHTER ) 172 00:08:46,192 --> 00:08:47,026 BUT WHY DON'T YOU GO? 173 00:08:47,026 --> 00:08:47,944 I CAN'T. 174 00:08:47,944 --> 00:08:50,655 I'M LOOKING AFTER NIGEL. 175 00:08:50,655 --> 00:08:52,323 I'M GIVING HIM A MEDAL LATER. 176 00:08:52,323 --> 00:08:52,698 GO ON, YOU GO. 177 00:08:52,698 --> 00:08:55,076 YOU TAKE OFF. 178 00:08:55,076 --> 00:08:56,702 ( LAUGHTER ) DID YOU SEE THIS STORY? 179 00:08:56,702 --> 00:09:03,417 AN AIRLINE IS NOW SELLING OFF USED DRINK CARTS FROM THEIR 180 00:09:03,417 --> 00:09:04,418 RETIRED 747 AIRSPACE. 181 00:09:04,418 --> 00:09:07,713 YOU KNOW THE BIG CARTS THAT ROLL DOWN THE AISLES? 182 00:09:07,713 --> 00:09:11,717 THEY'RE FULLY STOCKED WITH DRINKS AND SOLD FOR $685 EACH. 183 00:09:11,717 --> 00:09:20,851 GREAT NEWS FOR ANYONE ON THE HUMP OF A METAL BOX 184 00:09:20,851 --> 00:09:24,188 FILLED WITH CANS OF EXPIRED TOMATO JUICE. 185 00:09:24,188 --> 00:09:27,066 MAKES A GREAT CONVERSATION STARTER THAT STARTS WITH, KEVIN, 186 00:09:27,066 --> 00:09:30,069 WE'RE ALL A BIT CONCERNED ABOUT YOU. 187 00:09:30,069 --> 00:09:31,320 ( LAUGHTER ) AND THIS IS NICE, FOR AN EXTRA 188 00:09:31,320 --> 00:09:32,738 $50, THEY'LL BRING IT TO YOUR HOUSE AND SLAM IT INTO YOUR KNEE 189 00:09:32,738 --> 00:09:36,742 WHILE YOU'RE ASLEEP. 190 00:09:36,742 --> 00:09:38,869 ( LAUGHTER ) >> Reggie: YEAH. 191 00:09:38,869 --> 00:09:42,915 >> James: DID YOU SEE THIS? 192 00:09:42,915 --> 00:09:48,087 APPLE RECENTLY HELD A VIRTUAL EVENT WHERE THEY ANNOUNCED THE 193 00:09:48,087 --> 00:09:51,757 BRAND-NEW APPLE WATCH SERIES 6 WHICH WILL INTRODUCE WITH ALONG 194 00:09:51,757 --> 00:09:55,928 WITH LOTS OF THINGS A NEW HAND WASHING REMINDER. 195 00:09:55,928 --> 00:09:58,764 IT'S NOT ENOUGH BIG TECH IS MONITORING ALL OUR PERSONAL 196 00:09:58,764 --> 00:10:03,102 INFORMATION, THEY'RE NOW MONITORING OUR PERSONAL HYGIENE. 197 00:10:03,102 --> 00:10:06,605 I HAPPEN TO HAVE BEEN SENT ONE OF THESE SAID NEW WATCHES THAT 198 00:10:06,605 --> 00:10:09,442 HAS A TON OF INTERESTING FEATURES I WOULD LIKE TO SHARE 199 00:10:09,442 --> 00:10:10,609 WITH YOU NOW. 200 00:10:10,609 --> 00:10:13,612 FIRST OFF, THEY'VE ADDED THIS AND THIS IS QUITE A COOL ONE, 201 00:10:13,612 --> 00:10:16,657 THIS IS BANJO MODE, WHICH IS PRETTY FUN IF YOU HAVEN'T 202 00:10:16,657 --> 00:10:20,661 LEARNED TO PLAY THE BANJO, BUT YOU WANT TO PLAY THE BANJO, AND 203 00:10:20,661 --> 00:10:25,916 YOU SET IT TO BANJO MODE AND YOU'VE JUST GOT THIS, LOOK 204 00:10:25,916 --> 00:10:32,673 ( BANJO MUSIC ) ♪ 205 00:10:32,673 --> 00:10:33,799 ♪ ♪ 206 00:10:33,799 --> 00:10:45,603 AND SINCE WE'RE LIVING IN THE -- ( BANJO STRING PLUCKED ) 207 00:10:45,603 --> 00:10:50,149 AND I THINK THIS IS USEFUL, A DISTANT HIGH FIVE MODE WHICH 208 00:10:50,149 --> 00:10:51,400 WORKS THROUGH BLUETOOTH. 209 00:10:51,400 --> 00:10:55,780 SO YOU SET YOUR WATCH -- YOU SEE SOMEONE, WANT TO HIGH FIVE THEM 210 00:10:55,780 --> 00:10:59,033 AND YOU JUST DO THIS. 211 00:10:59,033 --> 00:11:09,293 HEY, REGGIE! 212 00:11:09,293 --> 00:11:10,669 ( HAND SLAP ) MISSED. 213 00:11:10,669 --> 00:11:11,462 GO AGAIN. 214 00:11:11,462 --> 00:11:12,463 GOT IT. 215 00:11:12,463 --> 00:11:13,172 TRY THIS. 216 00:11:13,172 --> 00:11:20,388 TRY LIKE OVER AND BACK, TOP GUN. 217 00:11:20,388 --> 00:11:21,514 HEY, REGGIE! 218 00:11:21,514 --> 00:11:23,808 ( SLAP SLAP ) SEE YOU LATER. 219 00:11:23,808 --> 00:11:26,352 HERE'S ANOTHER ONE. 220 00:11:26,352 --> 00:11:30,022 WE ALL WANT TO LET LOOSE. 221 00:11:30,022 --> 00:11:32,692 WE'VE ADDED THIS NEW MODE. 222 00:11:32,692 --> 00:11:33,859 IT'S THRASH MODE. 223 00:11:33,859 --> 00:11:38,823 YOU SET IT TO THRASH MODE AND YOUNG ADULT PLAY HEAVY THRASH 224 00:11:38,823 --> 00:11:41,700 METAL WHENEVER YOU JUST START DOING THIS. 225 00:11:41,700 --> 00:11:54,880 SO HEAVY THRASH MODE AND YOU (HEAVY METAL MUSIC ) 226 00:11:54,880 --> 00:11:56,048 RIGHT? 227 00:11:56,048 --> 00:11:58,717 BUT IF THAT GETS TOO LOUD, THERE'S ALSO VOLUME MODE, WHICH 228 00:11:58,717 --> 00:12:01,887 ALLOWS YOU TO CONTROL THE COLONEL VOLUME YIEWM OF ANY 229 00:12:01,887 --> 00:12:03,889 MUSIC YOU HAVE BEEN LISTENING TO. 230 00:12:03,889 --> 00:12:04,932 YOU CAN TURN THE DIAL UP OR DOWN. 231 00:12:04,932 --> 00:12:13,732 SO I'LL PUT SOME MUSIC ON NOW. 232 00:12:13,732 --> 00:12:24,702 ♪ ♪ ♪ LET ME TRY ANOTHER SONG. 233 00:12:24,702 --> 00:12:29,039 AND WHEN I SAY "SONG," I MEAN, YOU KNOW, SOMETHING THAT SOUNDS 234 00:12:29,039 --> 00:12:32,585 LIKE A SONG. 235 00:12:32,585 --> 00:12:37,673 ( LAUGHTER ) OH -- THIS IS A GOOD ONE. 236 00:12:37,673 --> 00:12:50,811 ♪ ♪ ♪ (MUSIC VOLUME LOWERING ) 237 00:12:50,811 --> 00:12:56,066 (MUSIC VOLUME RAISING ) >> James: YEAH, TWO SUGARS. 238 00:12:56,066 --> 00:12:59,945 THE MUSIC, STILL UPLOUD. 239 00:12:59,945 --> 00:13:01,614 MUTE IT. 240 00:13:01,614 --> 00:13:03,782 A (MUSIC STOPS ) 241 00:13:03,782 --> 00:13:05,618 ND IT JUST MUTES INSTANTLY. 242 00:13:05,618 --> 00:13:09,622 AND ♪ ♪ ♪ 243 00:13:09,622 --> 00:13:21,592 (MUSIC VOLUME LOWERING ) (MUSIC STOPS ) 244 00:13:21,592 --> 00:13:26,305 (LAUGHTER ) (MUSIC VOLUME RAISING ) 245 00:13:26,305 --> 00:13:28,098 THEN -- SO, AND SINCE NONE OF US ARE REALLY ABLE TO GO OUT 246 00:13:28,098 --> 00:13:31,977 AT THE MOMENT AND SOCIALIZE THE WAY WE USED TO, THEY'VE ADDED 247 00:13:31,977 --> 00:13:33,354 THIS, THIS IS PUB MODE. 248 00:13:33,354 --> 00:13:35,856 SO IF YOU'RE IN ON YOUR OWN BUT YOU WANT TO FEEL LIKE YOU'RE IN 249 00:13:35,856 --> 00:13:40,653 A PACKED PUB WITH PEOPLE ALL AROUND YOU, YOU KNOW, YOU JUST 250 00:13:40,653 --> 00:13:45,324 SET IT TO PUB MODE, AND WHENEVER YOU TAKE A DRINK, IT JUST GIVES 251 00:13:45,324 --> 00:13:50,037 YOU THE ATMOSPHERE AND FEELING OF BEING IN A PUB. 252 00:13:50,037 --> 00:13:50,955 LOOK. 253 00:13:50,955 --> 00:14:05,553 (CROWD NOISE ) AND THIS IS -- 254 00:14:05,553 --> 00:14:08,013 ( LAUGHTER ) BUT HERE'S WHAT'S REALLY GREAT, 255 00:14:08,013 --> 00:14:12,685 IF YOU SET THE WATCH TO SWITCH MODE, YOU CAN SWITCH 256 00:14:12,685 --> 00:14:14,979 EFFORTLESSLY BETWEEN ALL OF THE DIFFERENT SETTINGS. 257 00:14:14,979 --> 00:14:20,317 SO, LOOK, YOU SET IT ON TO SWITCH MODE, AND THEN YOU CAN BE 258 00:14:20,317 --> 00:14:24,738 JUST LIKE -- (BANJO ) 259 00:14:24,738 --> 00:14:29,577 (SLAPPING ) (HEAVY METAL MUSIC ) 260 00:14:29,577 --> 00:14:37,585 (BANJO ) (HEAVY METAL MUSIC ) 261 00:14:37,585 --> 00:14:49,597 (MUSIC VOLUME LOWERING ) (SLAPPING ) 262 00:14:49,597 --> 00:14:53,017 (CROWD NOISE ) (MUSIC VOLUME RAISING ) 263 00:14:53,017 --> 00:15:07,948 (HEAVY METAL MUSIC ) ♪ ♪ ♪ 264 00:15:07,948 --> 00:15:08,741 (HEAVY METAL MUSIC ) ♪ ♪ ♪ 265 00:15:08,741 --> 00:15:11,577 (BANJO ) ♪ ♪ ♪ 266 00:15:32,181 --> 00:15:32,931 ♪ >> James: WELCOME BACK. 267 00:15:32,931 --> 00:15:35,225 LET'S MEET OUR FIRST GUEST TONIGHT! 268 00:15:35,225 --> 00:15:36,977 HE'S A GRAMMY-WINNING AND TONY-NOMINATED PERFORMER YOU 269 00:15:36,977 --> 00:15:41,649 KNOW AND LOVE FROM "GIRLS," "A SIMPLE FAVOR" AND "THE INTERN." 270 00:15:41,649 --> 00:15:42,983 AND SO MUCH MORE. 271 00:15:42,983 --> 00:15:48,280 PLEASE WELCOME THE WILDLY TALENTED ANDREW RANNELLS. 272 00:15:48,280 --> 00:15:49,281 THERE HE IS! 273 00:15:49,281 --> 00:15:52,910 HOW ARE YOU? 274 00:15:52,910 --> 00:15:54,453 >> I'M SO GOOD AND SO GOOD TO SEE YOU. 275 00:15:54,453 --> 00:15:56,080 >> James: IT'S NICE TO SEE YOU. 276 00:15:56,080 --> 00:15:59,083 I DON'T KNOW IF PEOPLE KNOW THIS, BUT BASICALLY, OUTSIDE MY 277 00:15:59,083 --> 00:16:03,462 FAMILY, I FEEL LIKE YOU'RE THE PERSON I SAW THE MOST THIS YEAR 278 00:16:03,462 --> 00:16:05,130 BEFORE COVID HAPPENS BECAUSE WE WERE SHOOTING THIS FILM 279 00:16:05,130 --> 00:16:10,135 TOGETHER, A FILM CALLED "THE PROM," AND I MISS IT VERY MUCH. 280 00:16:10,135 --> 00:16:12,930 IT FEELS LIKE ANOTHER WORLD NOW, DOESN'T IT? 281 00:16:12,930 --> 00:16:15,933 >> IT DOES FEEL LIKE ANOTHER WORLD BECAUSE I FEEL LIKE WE 282 00:16:15,933 --> 00:16:19,311 FELL INTO -- YOU KNOW, WE ALL GOT VERY COZY TOGETHER, AND THEN 283 00:16:19,311 --> 00:16:22,022 TO HAVE THAT ALL RIPPED OUT FROM UNDER US WAS VERY ODD. 284 00:16:22,022 --> 00:16:27,111 BUT I JUST GOT VERY USED TO SEEING YOUR FACE EVERY DAY, AND, 285 00:16:27,111 --> 00:16:31,949 YOU KNOW, YOU WERE SORT OF MY, UM -- WELL, NOT SORT OF -- I 286 00:16:31,949 --> 00:16:35,160 MEAN, YOU WERE MY ON-SET HUSBAND, LET'S BE HONEST. 287 00:16:35,160 --> 00:16:38,789 >> James: I WAS VERY COMFORTABLE. 288 00:16:38,789 --> 00:16:42,543 IT JUST BECAME SORT OF ANDREW AND JAMES. 289 00:16:42,543 --> 00:16:43,502 >> IT REALLY WAS. 290 00:16:43,502 --> 00:16:46,171 >> James: WE WERE NEVER MENTIONED ON OUR OWN. 291 00:16:46,171 --> 00:16:53,011 >> WE CREATED A CLIQUE AND LEANED INTO THAT AND EXCLUDED 292 00:16:53,011 --> 00:16:54,847 MERYL STREEP AND NICOLE KIDMAN FROM THAT. 293 00:16:54,847 --> 00:16:56,348 ( LAUGHTER ) >> James: WHAT WOULD A YOUNG 294 00:16:56,348 --> 00:16:58,225 ANDREW RANNELLS THINK OF HIS LIFE RIGHT NOW TODAY? 295 00:16:58,225 --> 00:17:00,978 >> HE WOULD HAVE LOST HIS MIND. 296 00:17:00,978 --> 00:17:02,146 HE WOULD HAVE LOST HIS MIND. 297 00:17:02,146 --> 00:17:07,901 THERE WAS A MOMENT DURING THAT FILM WHERE I FINALLY HAD THE 298 00:17:07,901 --> 00:17:15,993 COURAGE TO TELL NICOLE EXACTLY HOW MUCH I LOVE MULAN ROUGE, AND 299 00:17:15,993 --> 00:17:20,330 SHE REENACTED HER DEATH SCENE FOR ME. 300 00:17:20,330 --> 00:17:22,541 ( LAUGHTER ) AND I WAS, LIKE, NO ONE ELSE -- 301 00:17:22,541 --> 00:17:24,084 I MEAN, MAYBE SHE DOES IT ALL THE TIME, I DON'T KNOW. 302 00:17:24,084 --> 00:17:28,213 BUT SHE DID THE WHOLE THING FOR ME. 303 00:17:28,213 --> 00:17:33,051 SHE, LIKE, COUGHED AND DID ALL OF THE -- SHE WAS, LIKE, OH, IT 304 00:17:33,051 --> 00:17:34,219 MEANS SO MUCH TO ME THAT YOU LIKED IT. 305 00:17:34,219 --> 00:17:37,055 AND THEN SHE DID IT. 306 00:17:37,055 --> 00:17:42,060 I SAID, NICOLE KIDMAN, YOU ARE DOWN TO CLOUD. 307 00:17:42,060 --> 00:17:43,479 ( LAUGHTER ) >> James: YOU'RE CURRENTLY IN 308 00:17:43,479 --> 00:17:50,235 NEW YORK CITY AND I KNOW BROADWAY IS A BIG PART OF YOUR 309 00:17:50,235 --> 00:17:51,403 LIFE. 310 00:17:51,403 --> 00:17:54,281 TELL ME, BECAUSE I HAVEN'T BEEN IN PROBABLY A YEAR NOW TO 311 00:17:54,281 --> 00:17:55,407 NEW YORK. 312 00:17:55,407 --> 00:17:58,368 LIKE, HOW IS IT -- HOW SURREAL IS IT SEEING THAT KIND OF 313 00:17:58,368 --> 00:18:05,918 STRETCH OF EIGHT OR TEN BLOCKS OF BROADWAY CLOSED WITHOUT 314 00:18:05,918 --> 00:18:06,835 ACTIVITY? 315 00:18:06,835 --> 00:18:08,420 WHAT'S IT LIKE WHEN YOU WALK AROUND THE AREA? 316 00:18:08,420 --> 00:18:13,050 >> IT'S VERY SAD BECAUSE, YOU KNOW -- AND I FEEL IT'S SORT 317 00:18:13,050 --> 00:18:16,637 OF -- YOU KNOW, THAT OBVIOUSLY IS SUCH A HUGE PART OF MY LIFE. 318 00:18:16,637 --> 00:18:22,226 SO TO HAVE THAT ALL GONE, IT FEELS LIKE JUST SOMETHING VERY 319 00:18:22,226 --> 00:18:25,103 LARGE IS MISSING HERE. 320 00:18:25,103 --> 00:18:28,941 AND NEW YORK, YOU KNOW, I'M HAPPY TO SAY, YOU KNOW, IT FEELS 321 00:18:28,941 --> 00:18:33,111 LIKE IT'S SORT OF STARTING TO FUNCTION AGAIN IN A GOOD WAY, 322 00:18:33,111 --> 00:18:36,615 BUT THAT PARTICULAR PART OF IT IS REALLY, UM, THERE'S A HOLE. 323 00:18:36,615 --> 00:18:43,914 THERE'S A HOLE IN THE CITY THAT IT'S JUST NOT -- IT CAN'T BE 324 00:18:43,914 --> 00:18:47,125 REPLACED AND, YEAH, THAT'S HARD. 325 00:18:47,125 --> 00:18:53,090 >> James: AND EVERY SINGLE BROADWAY PERFORMING, MUSICIAN, 326 00:18:53,090 --> 00:18:56,802 CREW, STAGEHAND, BOX OFFICE WORKER, YOU KNOW, WE'RE THINKING 327 00:18:56,802 --> 00:19:01,014 ABOUT EVERY SINGLE ONE OF THEM, WE REALLY, REALLY ARE. 328 00:19:01,014 --> 00:19:05,060 IT'S WORRYING, BUT WE HOPE SO MUCH THAT IT WILL, YOU KNOW, 329 00:19:05,060 --> 00:19:08,981 THAT IT WILL FIND A WAY THROUGH THIS AS SO MANY OTHER THINGS 330 00:19:08,981 --> 00:19:10,148 ARE. 331 00:19:10,148 --> 00:19:12,860 AND LET'S TALK ABOUT THIS, THIS IS VERY EXCITING TO ME. 332 00:19:12,860 --> 00:19:18,615 YOU'VE JUST FINISHED WORKING ON YOUR DIRECTORIAL DEBUT. 333 00:19:18,615 --> 00:19:20,826 I'M REALLY EXCITED FOR YOU. 334 00:19:20,826 --> 00:19:23,328 HOW NERVOUS WERE YOU GOING INTO IT? 335 00:19:23,328 --> 00:19:25,455 I THINK YOU JUST WRAPPED. 336 00:19:25,455 --> 00:19:27,624 HOW DID IT GO? 337 00:19:27,624 --> 00:19:28,834 >> IT WAS TERRIFYING. 338 00:19:28,834 --> 00:19:31,795 I WAS ASKED TO ADAPT AN ESSAY I WROTE FOR MODERN LOVE IN THE 339 00:19:31,795 --> 00:19:33,005 "NEW YORK TIMES." 340 00:19:33,005 --> 00:19:37,301 I WAS ASKED TO ADAPT THAT FOR THE SECOND SEASON, AND THEN JOHN 341 00:19:37,301 --> 00:19:40,345 CARNEY, THE EXECUTIVE PRODUCER WAS, LIKE, WELL, MAYBE WOULD YOU 342 00:19:40,345 --> 00:19:44,391 WANT TO DIRECT IT BECAUSE IT'S YOUR STORY AND YOU'RE WRITING 343 00:19:44,391 --> 00:19:45,517 IT? 344 00:19:45,517 --> 00:19:48,854 SO I WAS TERRIFIED, ABSOLUTELY TERRIFIED, BUT I HAD MANY 345 00:19:48,854 --> 00:19:52,441 CONVERSATIONS WITH RYAN MURPHY AND JOE MANTELLO WHO DIRECTED 346 00:19:52,441 --> 00:19:56,486 "THE BOYS IN THE BAND" AND THEY JUST SORT OF TALKED ME THROUGH 347 00:19:56,486 --> 00:20:03,535 IT IN A GREAT WAY AND WERE VERY ENCOURAGING, AND, UM -- SO I 348 00:20:03,535 --> 00:20:07,873 TRIED -- WELL, SEE -- WE'LL SEE WHAT HAPPENS, BUT I FEEL LIKE IT 349 00:20:07,873 --> 00:20:08,498 WENT WELL, JAMES. 350 00:20:08,498 --> 00:20:10,375 I FEEL LIKE IT WENT WELL. 351 00:20:10,375 --> 00:20:13,045 >> James: WE HAVE A PHOTO OF YOU HERE IN ACTION, AND YOU LOOK 352 00:20:13,045 --> 00:20:14,212 LIKE A DIRECTOR HERE. 353 00:20:14,212 --> 00:20:18,884 IT'S A VERY -- IT'S A VERY DIRECTOR'S CHOICE OF JACKET. 354 00:20:18,884 --> 00:20:19,927 >> YES. 355 00:20:19,927 --> 00:20:22,846 NO, I BOUGHT THAT JACKET -- SO MY FRIEND SUSANNAH -- 356 00:20:22,846 --> 00:20:25,265 >> James: DID YOU BUY THE JACKET TO LOOK LIKE A DIRECTOR? 357 00:20:25,265 --> 00:20:25,682 >> YES. 358 00:20:25,682 --> 00:20:28,560 >> James: WOW. 359 00:20:28,560 --> 00:20:29,436 YES, I DID. 360 00:20:29,436 --> 00:20:33,065 ( LAUGHTER ) IT CAME FROM A PLACE CALLED 361 00:20:33,065 --> 00:20:33,899 PHILSON. 362 00:20:33,899 --> 00:20:36,234 IT FELT LIKE A VERY DIRECTOR JACKET. 363 00:20:36,234 --> 00:20:40,113 SO IF NOTHING ELSE, YOU KNOW, BECAUSE I'M AN ACTOR SORT OF 364 00:20:40,113 --> 00:20:43,784 FIRST, I WAS, LIKE, IF NOTHING ELSE, I'LL LOOK THE PART. 365 00:20:43,784 --> 00:20:44,743 >> James: YEAH. 366 00:20:44,743 --> 00:20:47,120 I MIGHT FAIL, BUT I'LL TRY THAT. 367 00:20:47,120 --> 00:20:48,413 >> James: I DON'T THINK YOU WILL. 368 00:20:48,413 --> 00:20:49,748 I'M VERY EXCITED TO SEE IT. 369 00:20:49,748 --> 00:20:50,582 I CAN'T WAIT. 370 00:20:50,582 --> 00:20:51,959 I REALLY, REALLY CAN'T. 371 00:20:51,959 --> 00:20:58,382 NOW, WE HAVE TO CONGRATULATE YOU ON YOUR BRILLIANT PERFORMANCE IN 372 00:20:58,382 --> 00:21:00,842 "THE BOYS IN THE BAND." 373 00:21:00,842 --> 00:21:04,513 TELL THEM ABOUT THIS PROJECT AND WHO YOU PLAY. 374 00:21:04,513 --> 00:21:10,269 >> "THE BOYS IN THE BAND" IS A FABULOUS PLAY IN 1968, MARK 375 00:21:10,269 --> 00:21:14,314 CROWLEY WROTE IT, WE GOT TO REVIVE IT IN BROADWAY IN 2018, A 376 00:21:14,314 --> 00:21:20,445 LOT OF DATES, BUT THE POINT IS IT'S ABOUT NINE GAY MEN SORT OF 377 00:21:20,445 --> 00:21:27,661 TRAPPED IN AN APARTMENT AT A BIRTHDAY PARTY IN 1968, IN ONE 378 00:21:27,661 --> 00:21:30,580 APARTMENT, THAT, YOU KNOW, WITH ENOUGH BOOS AND ENOUGH EMOTION 379 00:21:30,580 --> 00:21:37,754 THAT THE WHEELS SORT OF START TO COME OFF, AND IT'S JUST -- I 380 00:21:37,754 --> 00:21:39,006 LOVE BEING A PART OF IT. 381 00:21:39,006 --> 00:21:43,301 IT WAS SUCH A UNIQUE EXPERIENCE GETTING TO DO IT ON BROADWAY AND 382 00:21:43,301 --> 00:21:46,972 THEN, YOU KNOW, WITH THE EXACT SAME CAST COMING BACK AND DOING 383 00:21:46,972 --> 00:21:50,267 IT AS A FILM WAS REALLY INCREDIBLE. 384 00:21:50,267 --> 00:21:55,105 AND IT WILL BE ON, YOU KNOW, NETFLIX ON THE 30th, AND WE'RE 385 00:21:55,105 --> 00:21:58,150 SO EXCITED TO FINALLY GET TO SHARE IT WITH PEOPLE. 386 00:21:58,150 --> 00:22:00,819 IT'S BEEN A VERY LONG JOURNEY WITH THE SHOW. 387 00:22:00,819 --> 00:22:02,487 SO WE'RE VERY EXCITED FOR PEOPLE TO SEE THIS VERSION. 388 00:22:02,487 --> 00:22:06,366 >> James: I'M INCREDIBLY EXCITED TO WATCH IT. 389 00:22:06,366 --> 00:22:08,994 I'M A REAL FAN OF THE ORIGINAL. 390 00:22:08,994 --> 00:22:13,498 I DON'T EVEN KNOW, I THINK THERE'S A GENERATION OF YOUNG 391 00:22:13,498 --> 00:22:17,169 PEOPLE THAT DON'T SORT OF UNDERSTAND THAT IN 1968 YOU 392 00:22:17,169 --> 00:22:19,546 COULD BE ARRESTED FOR BEING GAY. 393 00:22:19,546 --> 00:22:20,714 >> YES. 394 00:22:20,714 --> 00:22:23,508 >> James: AS AN OUT GAY MAN, HOW DO YOU PROCESS THAT, WHEN 395 00:22:23,508 --> 00:22:26,636 YOU'RE GOING INTO A PROJECT LIKE THIS? 396 00:22:26,636 --> 00:22:29,347 >> WELL, I THINK THAT WAS SOMETHING THAT WE GOT TO EXPLORE 397 00:22:29,347 --> 00:22:34,102 IN A VERY DIFFERENT WAY ON THE FILM THAN WE DID WHEN WE WERE 398 00:22:34,102 --> 00:22:39,983 DOING THE BROADWAY VERSION THAT THERE WAS THIS SORT OF 399 00:22:39,983 --> 00:22:44,029 OVERARCHING FEELING OF CONCERN AND OF DANGER THAT, IF SOMEONE 400 00:22:44,029 --> 00:22:48,200 HAD CALLED THE POLICE AND SAID THERE'S, YOU KNOW, A PARTY OF A 401 00:22:48,200 --> 00:22:52,120 BUNCH OF GAY MEN HAPPENING RIGHT NOW, ALL OF THEM COULD HAVE BEEN 402 00:22:52,120 --> 00:22:54,539 ARRESTED, THEIR NAMES WOULD HAVE BEEN PUT IN THE NEWSPAPER, THEIR 403 00:22:54,539 --> 00:22:57,834 LIVES WOULD HAVE BEEN DISRUPTED, AND IT'S SOMETHING THAT I SORT 404 00:22:57,834 --> 00:23:00,504 OF TOOK -- I DIDN'T REALLY UNDERSTAND THAT. 405 00:23:00,504 --> 00:23:06,802 AND THEN, LIKE, I DIDN'T -- BECAUSE WHEN I CAME OUT IN THE 406 00:23:06,802 --> 00:23:09,513 '90s, YOU KNOW, OBVIOUSLY THAT WAS NOT A CONCERN. 407 00:23:09,513 --> 00:23:11,431 AND PUTTING YOURSELF -- AND REALLY BEING ABLE TO PUT 408 00:23:11,431 --> 00:23:18,271 YOURSELF IN THAT PLACE AND SAYT THAT JUST BEING YOURSELF WAS NOT 409 00:23:18,271 --> 00:23:23,068 OKAY WAS SOMETHING THAT I THINK WE ALL HAD TO -- HAD TO REMIND 410 00:23:23,068 --> 00:23:30,450 OURSELVES OF WHEN WE WERE DOING THE FILM, YOU KNOW, TO SAY, YES, 411 00:23:30,450 --> 00:23:31,660 THERE'S VERY COMPLICATED RELATIONSHIPS HAPPENING IN THIS 412 00:23:31,660 --> 00:23:37,624 ROOM, BUT, ALSO, ON TOP OF THAT, THERE'S A LOT ELSE HAPPENING 413 00:23:37,624 --> 00:23:40,919 JUST POLITICALLY AND SOCIALLY. 414 00:23:40,919 --> 00:23:46,591 SO JOE MANTELLO, OUR BRILLIANT DIRECTOR, ALLOWED US TO SORT OF 415 00:23:46,591 --> 00:23:49,052 EXPLORE THAT PART OF IT AS WELL. 416 00:23:49,052 --> 00:23:51,596 BUT IT'S ALSO, LIKE -- IT'S VERY FUNNY. 417 00:23:51,596 --> 00:23:53,932 IT'S A FUNNY MOVIE. 418 00:23:53,932 --> 00:23:59,062 THERE'S A LOT OF LOVE IN IT, BUT IT IS SORT OF A DARK STORY OF 419 00:23:59,062 --> 00:24:03,608 THESE FRIENDS SORT OF, YOU KNOW, REALLY TRUTH TELLING. 420 00:24:03,608 --> 00:24:06,611 BUT I THINK THAT WHAT -- AGAIN, WHAT WE GOT TO EXPLORE MAYBE IN 421 00:24:06,611 --> 00:24:12,576 THE FILM THAN WE DID ON BROADWAY WAS THERE'S A REASON THEY'RE ALL 422 00:24:12,576 --> 00:24:16,329 IN THE ROOM TOGETHER AND IT'S BECAUSE THEY LOVE EACH OTHER AND 423 00:24:16,329 --> 00:24:19,583 IT'S BECAUSE THEY'RE FRIENDS AND IT'S ABOUT CHOSEN FAMILY AND 424 00:24:19,583 --> 00:24:24,963 ABOUT THESE GUYS WHO REALLY DO CARE AND WANT TO PROTECT EACH 425 00:24:24,963 --> 00:24:25,922 OTHER. 426 00:24:25,922 --> 00:24:28,466 SO AS A CAST, WE ALL KNEW EACH OTHER SO WELL. 427 00:24:28,466 --> 00:24:32,596 YOU KNOW, WHEN YOU DO A SHOW ON BROADWAY OR WHEREVER, THAT'S 428 00:24:32,596 --> 00:24:38,185 YOUR FAMILY, RIGHT, LIKE THAT'S YOUR FAMILY FOR A BIT. 429 00:24:38,185 --> 00:24:43,815 SO WE ALL BECAME VERY CLOSE, SO IT WAS REALLY FUN TO GET TO 430 00:24:43,815 --> 00:24:45,358 REUNITE AND TELL THIS STORY ON FILM. 431 00:24:45,358 --> 00:24:46,776 >> James: WELL, I'M REALLY, REALLY EXCITED TO SEE. 432 00:24:46,776 --> 00:24:50,655 I THINK IT'S GOING TO BE A HUGE SUCCESS. 433 00:24:50,655 --> 00:24:54,534 LET'S TAKE A LOOK AT THE CLIP FROM THE BOYS IN THE BAND 434 00:24:54,534 --> 00:24:56,995 STREAMING ON NETFLIX. 435 00:24:56,995 --> 00:24:58,121 >> WHERE'S YOUR PRESENT? 436 00:24:58,121 --> 00:24:59,331 IT'S ARRIVING LATER. 437 00:24:59,331 --> 00:25:00,999 LARRY, LARRY. 438 00:25:00,999 --> 00:25:01,708 LARRY. 439 00:25:01,708 --> 00:25:02,209 >> WHAT? 440 00:25:02,209 --> 00:25:05,003 GIVE MIKE THE GIFT. 441 00:25:05,003 --> 00:25:05,712 OH. 442 00:25:05,712 --> 00:25:06,713 HERE. 443 00:25:06,713 --> 00:25:09,674 LOUDER SO MY MOTHER IN PHILADELPHIA CAN HEAR YOU. 444 00:25:09,674 --> 00:25:11,343 >> YOU'RE JUST STANDING THERE IN TRANCE. 445 00:25:11,343 --> 00:25:12,594 >> WHAT'S THAT? 446 00:25:12,594 --> 00:25:15,013 NOW BOTH KNOW DONALD, DON'T YOU? 447 00:25:15,013 --> 00:25:15,430 >> SURE. 448 00:25:15,430 --> 00:25:16,306 NICE TO SEE YOU. 449 00:25:16,306 --> 00:25:16,765 >> HI. 450 00:25:16,765 --> 00:25:17,515 NICE TO MEET YOU. 451 00:25:17,515 --> 00:25:19,726 OH, I'M SORRY, I THOUGHT YOU'D MET. 452 00:25:19,726 --> 00:25:23,188 >> WELL, WE HAVEN'T EXACTLY MET, BUT WE'VE -- HI. 453 00:25:23,188 --> 00:25:23,647 >> HI. 454 00:25:23,647 --> 00:25:24,606 BUT YOU'VE WHAT? 455 00:25:27,734 --> 00:25:28,235 >> James: STICK AROUND. 456 00:25:28,860 --> 00:25:31,529 MORE WITH ANDREW RANNELLS WHEN WE COME BACK, EVERYBODY. 457 00:25:45,752 --> 00:25:46,962 ♪ >> James: WELCOME BACK! 458 00:25:46,962 --> 00:25:49,798 WE ARE HERE WITH THE BRILLIANT AND ALWAYS TERRIFIC FUN ANDREW 459 00:25:49,798 --> 00:25:51,007 RANNELLS. 460 00:25:51,007 --> 00:25:56,388 NOW, ANDREW, WE HAVE BEEN ASKING OUR GUEST TO DO THE THING, A 461 00:25:56,388 --> 00:25:59,557 LATE LATE SHOW AND TELL, WHEN WE ASK OUR GUESTS TO SHOW SOMETHING 462 00:25:59,557 --> 00:26:04,271 FROM THEIR HOME WE MIGHT NOT OTHERWISE GET TO SEE. 463 00:26:04,271 --> 00:26:06,439 DO YOU HAVE SOMETHING YOU COULD SHARE WITH US THIS EVENING IS 464 00:26:06,439 --> 00:26:06,731 THIS. 465 00:26:06,731 --> 00:26:07,732 >> I DO. 466 00:26:07,732 --> 00:26:11,861 I DO. 467 00:26:11,861 --> 00:26:14,906 IT'S -- I DON'T KNOW IF YOU CAN -- CAN YOU SEE THAT? 468 00:26:14,906 --> 00:26:18,535 ( LAUGHTER ) >> James: YEAH. 469 00:26:18,535 --> 00:26:22,414 I HAVE BEEN ON THE SHOW MANY TIMES AND I'VE NEVER GOTTEN A 470 00:26:22,414 --> 00:26:22,831 MUG. 471 00:26:22,831 --> 00:26:23,456 >> James: WHAT?! 472 00:26:23,456 --> 00:26:24,541 WELL THAT'S YOUR PUBLICIST. 473 00:26:24,541 --> 00:26:27,711 YOUR PUBLICIST IS STEALING ALL OF THE MUGS BECAUSE -- 474 00:26:27,711 --> 00:26:28,086 >> NO. 475 00:26:28,086 --> 00:26:29,629 >> James: YES. 476 00:26:29,629 --> 00:26:35,802 NO, BECAUSE THEY'RE USUALLY IN A BAG IN THE DRESSING ROOM. 477 00:26:35,802 --> 00:26:36,678 NO. 478 00:26:36,678 --> 00:26:40,557 BUT THIS GUY HANDED ONE TO ME DIRECTLY. 479 00:26:40,557 --> 00:26:42,767 SO I JUST WANTED TO SHOW YOU THAT. 480 00:26:42,767 --> 00:26:45,770 SO, I DON'T KNOW. 481 00:26:45,770 --> 00:26:47,731 ( LAUGHTER ) IT'S JUST INFORMATIO FOR YOU. 482 00:26:47,731 --> 00:26:50,358 THERE'S NO JUDGMENT. 483 00:26:50,358 --> 00:26:58,783 I JUST WANTED TO -- >> James: YOU ARE ABOUT TO 484 00:26:58,783 --> 00:27:03,413 ENTER MUG WAYS, THE GATES OF HELL. 485 00:27:03,413 --> 00:27:06,750 I CANNOT STRESS TO YOU HOW MUCH YOU WILL REGRET THIS, BECAUSE I 486 00:27:06,750 --> 00:27:13,298 HAVE BOTH YOUR ADDRESSES AND I WILL FILL YOUR HOUSE WITH THESE 487 00:27:13,298 --> 00:27:13,798 VERY MUGS. 488 00:27:13,798 --> 00:27:14,132 OKAY? 489 00:27:14,132 --> 00:27:14,924 >> I KNOW. 490 00:27:14,924 --> 00:27:17,969 BUT WHY DON'T I HAVE ONE OF THOSE? 491 00:27:17,969 --> 00:27:20,305 >> James: BECAUSE YOU HAVEN'T TAKEN ONE. 492 00:27:20,305 --> 00:27:23,475 I DIDN'T REALIZE I HAD TO HAND ONE TO YOU PERSONALLY. 493 00:27:23,475 --> 00:27:24,642 >> WELL. 494 00:27:24,642 --> 00:27:28,813 >> James: I THOUGHT IT WAS OBVIOUS THE ONE -- YEAH, YEAH. 495 00:27:28,813 --> 00:27:30,023 >> OKAY! 496 00:27:30,023 --> 00:27:33,943 >> Reggie: REGGIE, DO YOU HAVE A QUESTION FOR OUR GUEST THIS IS 497 00:27:33,943 --> 00:27:34,486 EVENING? 498 00:27:34,486 --> 00:27:35,904 >> Reggie: YES, I DO. 499 00:27:35,904 --> 00:27:39,866 TONIGHT'S QUESTION GOES TO -- ( DRUM ROLL ) 500 00:27:39,866 --> 00:27:41,659 -- LET'S MAKE IT FOR ALL OUR GUESTS. 501 00:27:41,659 --> 00:27:51,127 >> James: WOULD YOU RATHER THE QUESTION WAS ASKED TO YOU BY JON 502 00:27:51,127 --> 00:27:55,548 BAPTISTE OR ARE YOU OKAY? 503 00:27:55,548 --> 00:27:56,424 >> NO, I'M GOOD. 504 00:27:56,424 --> 00:27:58,802 ( LAUGHTER ) >> James: REGGIE, WHAT'S THE 505 00:27:58,802 --> 00:27:59,886 QUESTION? 506 00:27:59,886 --> 00:28:00,720 >> Reggie: WHAT WAS YOUR FAVORITE GREEN ROOM EXPERIENCE 507 00:28:00,720 --> 00:28:04,849 BETWEEN THIS SHOW AND THE "LATE SHOW"? 508 00:28:04,849 --> 00:28:08,812 >> JAMES IS A VERY TENDER HUGGER, SO I APPRECIATED THAT, 509 00:28:08,812 --> 00:28:10,021 YEAH. 510 00:28:10,021 --> 00:28:13,983 SO THAT'S -- THAT'S, YOU KNOW, THE BEST GREEN ROOM I HAVE BEEN 511 00:28:13,983 --> 00:28:17,862 IN BECAUSE I JUST FELT SEEN AND HEARD AND HELD AND, YEAH, I FELT 512 00:28:17,862 --> 00:28:23,493 VERY CLOSE TO -- I'VE NEVER FELT SO CLOSE TO A HOST BEFORE. 513 00:28:23,493 --> 00:28:28,081 >> James: HE'S A TENDER HUGGER BUT A STINGY MUGGER. 514 00:28:28,081 --> 00:28:32,710 THAT'S WHAT WE'VE GOT FROM THIS. 515 00:28:32,710 --> 00:28:33,503 REG, IS THAT CORRECT? 516 00:28:33,503 --> 00:28:35,213 >> Reggie: IT'S ABSOLUTELY CORRECT. 517 00:28:35,213 --> 00:28:37,173 >> James: IT'S ABSOLUTELY CORRECT. 518 00:28:37,173 --> 00:28:38,842 PLEASE THANK THE ONE, THE ONLY ANDREW RANNELLS. 519 00:28:38,842 --> 00:28:41,678 WHEN WE COME BACK, BRITTANY HOWARD IS GOING TO BE HERE. 520 00:28:41,678 --> 00:28:42,679 COME ON BACK, EVERYBODY! 521 00:28:57,986 --> 00:28:59,946 ♪ >> James: WELCOME BACK. 522 00:28:59,946 --> 00:29:01,156 OUR NEXT GUEST IS A FOUR-TIME GRAMMY AWARD WINNING 523 00:29:01,156 --> 00:29:03,575 SINGER-SONGWRITER AND MUSICIAN YOU KNOW FROM ALABAMA SHAKES. 524 00:29:03,575 --> 00:29:09,122 HER CRITICALLY ACCLAIMED DEBUT SOLO ALBUM "JAMIE" IS OUT NOW. 525 00:29:09,122 --> 00:29:15,545 PLEASE WELCOME THE EXCEPTIONAL, THE SINGULAR, BRITTANY HOWARD, 526 00:29:15,545 --> 00:29:17,213 EVERYBODY! 527 00:29:17,213 --> 00:29:21,926 ( APPLAUSE ) BRITTANY, IT'S SO GOOD TO SEE 528 00:29:21,926 --> 00:29:23,178 YOU. 529 00:29:23,178 --> 00:29:25,054 I'M SO HAPPY THAT YOU'RE HERE, AND, YES, I'M DISAPPOINTED THAT 530 00:29:25,054 --> 00:29:29,142 YOU'RE NOT HERE IN THE STUDIO BECAUSE I WILL SAY -- AND I MEAN 531 00:29:29,142 --> 00:29:36,274 THIS TO THIS DAY, 812 SHOWS IN, YOUR PERFORMANCE THAT YOU DID IN 532 00:29:36,274 --> 00:29:39,277 THE STUDIO IS STILL MY FAVORITE PERFORMANCE WE'VE EVER HAD ON 533 00:29:39,277 --> 00:29:40,778 THE SHOW. 534 00:29:40,778 --> 00:29:42,113 I MEAN IT. 535 00:29:42,113 --> 00:29:43,114 LIKE, IT WAS JUST INCREDIBLE. 536 00:29:43,114 --> 00:29:44,616 HOW ARE YOU DOING? 537 00:29:44,616 --> 00:29:46,034 ARE YOU WELL? 538 00:29:46,034 --> 00:29:49,120 >> I'M DOING REALLY GOOD, JAMES, THANK YOU. 539 00:29:49,120 --> 00:29:55,793 AND THANK YOU FOR HAVING ME, BY THE WAY, AND THANK YOU FOR YOUR 540 00:29:55,793 --> 00:29:56,628 KIND WORDS. 541 00:29:56,628 --> 00:29:57,462 >> James: WE SHOULD CONGRATULATE YOU. 542 00:29:57,462 --> 00:30:01,341 YOU HAVE A BIRTHDAY COMING UP FRIDAY. 543 00:30:01,341 --> 00:30:02,467 HAPPY BIRTHDAY FRIDAY. 544 00:30:02,467 --> 00:30:05,970 HOW ARE YOU GOING TO BE CELEBRATING THIS MON MEN US TO 545 00:30:05,970 --> 00:30:07,138 OCCASION? 546 00:30:07,138 --> 00:30:10,308 >> WELL, ME AND A GROUP OF MY CLOSEST FRIENDS ARE GOING TO 547 00:30:10,308 --> 00:30:13,353 RENT A CABIN AND WE'RE GOING FISHING. 548 00:30:13,353 --> 00:30:16,648 >> James: FISHING IN A BOAT OR FROM THE BANK? 549 00:30:16,648 --> 00:30:18,858 >> HOPEFULLY, I WILL BE FISHING ON ALL OF IT. 550 00:30:18,858 --> 00:30:22,779 HOPEFULLY, I WILL BE IN A BOAT, BANK, I'LL GO UNDERWATER, I'LL 551 00:30:22,779 --> 00:30:23,363 DO WHATEVER IT TAKES. 552 00:30:23,363 --> 00:30:25,031 >> James: CAN I BE HONEST? 553 00:30:25,031 --> 00:30:29,619 I CAN THINK OF NOTHING BETTER THAN GOING FISHING WITH BRITTANY 554 00:30:29,619 --> 00:30:30,495 HOWARD. 555 00:30:30,495 --> 00:30:32,205 ( LAUGHTER ) AND I SAY THAT, AND I FEED YOU 556 00:30:32,205 --> 00:30:35,291 TO KNOW I MEAN THIS, THERE IS NO ONE IN THIS ROOM I WOULD WANT TO 557 00:30:35,291 --> 00:30:37,043 GO FISHING WITH. 558 00:30:37,043 --> 00:30:39,170 ( LAUGHTER ) >> HAVE YOU BEEN FISHING? 559 00:30:39,170 --> 00:30:41,839 >> James: I'VE NEVER BEEN FISHING. 560 00:30:41,839 --> 00:30:43,341 BECAUSE IT DOESN'T APPEAL TO ME. 561 00:30:43,341 --> 00:30:50,139 BUT IF I WAS FISHING WITH YOU, I THINK I WOULD BE INTO IT. 562 00:30:50,139 --> 00:30:57,021 IF I WOULD BE FISHING WITH IAN, I WOULD BE WE'RE LEAVING. 563 00:30:57,021 --> 00:30:59,524 >> THE FISHING FASHION IS WHY I DO IT. 564 00:30:59,524 --> 00:31:01,067 >> James: THE WADERS, I'M INTO THE WHOLE THING. 565 00:31:01,067 --> 00:31:05,071 >> THE WADERS, THE WADING BOOTS, YOU KNOW, REAL EARTH AND TONE. 566 00:31:05,071 --> 00:31:06,739 >> James: YES. 567 00:31:06,739 --> 00:31:07,740 YEAH, YEAH, YEAH. 568 00:31:07,740 --> 00:31:09,117 THAT'S WHERE UH IT'S AT. 569 00:31:09,117 --> 00:31:11,703 THAT'S THE FUTURE, GUCCI WADERS. 570 00:31:11,703 --> 00:31:14,872 >> James: I NEVER KNEW YOU WERE A FISHER BECAUSE IN 571 00:31:14,872 --> 00:31:23,965 ADDITION TO FISHING, YOU'VE ALSO TAKEN UP -- AND THIS IS 572 00:31:23,965 --> 00:31:25,174 IMPRESSIVE. 573 00:31:25,174 --> 00:31:29,053 YOU'VE TAKEN UP WEIGHT LIFTING AND YOU DEAD LIFT 250 POUNDS. 574 00:31:29,053 --> 00:31:30,888 LOOK AT THIS! 575 00:31:30,888 --> 00:31:33,016 ( APPLAUSE ) THIS IS SO IMPRESSIVE. 576 00:31:33,016 --> 00:31:34,726 HOW DID YOU GET INTO THIS? 577 00:31:34,726 --> 00:31:38,229 WHEN DID DEAD LIFTING BECOME A PART OF YOUR LIFE? 578 00:31:38,229 --> 00:31:40,565 >> I GET INTO IT OVER THE PANDEMIC. 579 00:31:40,565 --> 00:31:45,069 I'M A PERSON WHO REALLY LIKES TO STAY BUSY, AND RUNNING OUT OF 580 00:31:45,069 --> 00:31:49,032 TOUR THE DO AND SITTING AROUND THE HOUSE, I HAD TO COME UP WITH 581 00:31:49,032 --> 00:31:50,074 SOME NEW SOLUTIONS. 582 00:31:50,074 --> 00:31:53,911 AND ONE OF THOSE THINGS WAS, LIKE, WEIGHT LIFTING. 583 00:31:53,911 --> 00:31:56,372 I GREW UP, MY MOTHER WAS A BODY BUILDER. 584 00:31:56,372 --> 00:31:59,083 SO, YOU KNOW, AS A KID, I GREW UP AROUND ALL THESE REALLY 585 00:31:59,083 --> 00:32:02,962 TANNED, YOU KNOW, STRONG MEN AND WOMEN, AND I GUESS AS I GOT 586 00:32:02,962 --> 00:32:06,924 OLDER, I WAS JUST, LIKE, OH, YEAH, THAT'S SOMETHING I KNOW 587 00:32:06,924 --> 00:32:08,134 ABOUT. 588 00:32:08,134 --> 00:32:11,596 SO I TRIED IT, AND I HAVE BEEN TRAINING WITH MY TRAINER, AND, 589 00:32:11,596 --> 00:32:12,847 YEAH, I'M LIFTING. 590 00:32:12,847 --> 00:32:17,644 I GOT PEOPLE HITTING ME UP NOW, CELEBRITIES AND STUFF, THEY WANT 591 00:32:17,644 --> 00:32:18,311 TO WEIGHT TRAIN WITH ME, NOW. 592 00:32:18,311 --> 00:32:19,437 >> James: WHO? 593 00:32:19,437 --> 00:32:24,442 WHO WANTS TO WEIGHT TRAIN? 594 00:32:24,442 --> 00:32:25,610 >> PABLO SCHREIBER. 595 00:32:25,610 --> 00:32:28,988 >> James: HE CALLS YOU SAND SAYS, I WANT TO DEAD LIFT, I 596 00:32:28,988 --> 00:32:30,990 WANT TO PICK SOME STUFF UP? 597 00:32:30,990 --> 00:32:34,619 >> HE SAID, NEXT TIME YOU'RE IN L.A., LET'S GO TRAIN TOGETHER. 598 00:32:34,619 --> 00:32:36,746 I SAID, OH, YES. 599 00:32:36,746 --> 00:32:37,330 OKAY. 600 00:32:37,330 --> 00:32:38,122 I CAN GET THAT IN MY LIFE. 601 00:32:38,122 --> 00:32:39,123 YOU KNOW WHAT I MEAN? 602 00:32:39,123 --> 00:32:42,168 >> James: SO YOU TAKE IT TO THE WAIST. 603 00:32:42,168 --> 00:32:51,469 DO YOU EVER TO THE -- AAAHHH! 604 00:32:51,469 --> 00:32:54,472 >> WE CALL IT CLING AND PRESS. 605 00:32:54,472 --> 00:32:57,475 >> James: YEAH, THESE ARE ALL TECHNICAL THINGS YOU NEED TO 606 00:32:57,475 --> 00:32:58,142 KNOW ABOUT. 607 00:32:58,142 --> 00:32:59,894 ARE YOU A CLEAN PRESSER? 608 00:32:59,894 --> 00:33:00,395 >> I'M A CLEAN PRESSER. 609 00:33:00,395 --> 00:33:01,312 I'M THE BEST AROUND. 610 00:33:01,312 --> 00:33:04,774 THAT'S THE THING, I CAN'T WAIT TO GO STATE. 611 00:33:04,774 --> 00:33:06,025 YOU NEVER KNOW. 612 00:33:06,025 --> 00:33:09,028 I THINK I WOULD LIKE TO PACK IN AS MANY TITLES AND AWARDSHIPS AS 613 00:33:09,028 --> 00:33:11,114 I CAN IN THIS LIFETIME. 614 00:33:11,114 --> 00:33:14,325 I WANT TO BE THE TENNESSEE STATE CHAMP. 615 00:33:14,325 --> 00:33:15,118 >> James: OH, MY GOODNESS. 616 00:33:15,118 --> 00:33:16,160 THAT WOULD BE INCREDIBLE. 617 00:33:16,160 --> 00:33:18,496 NOW, LET'S TALK ABOUT YOUR ALBUM, JAMIE. 618 00:33:18,496 --> 00:33:23,668 YOU SAID THAT IT'S A MEMORIAL TO YOUR SISTER, WHO PASSED AWAY 619 00:33:23,668 --> 00:33:25,044 WHEN YOU WERE YOUNGER. 620 00:33:25,044 --> 00:33:29,882 TALK TO ME ABOUT THAT, HOW HAS SHE IMPACTED YOUR CAREER AS A 621 00:33:29,882 --> 00:33:32,218 SOLO ARTIST AND, PARTICULARLY, THIS RECORD? 622 00:33:32,218 --> 00:33:33,511 >> SURE. 623 00:33:33,511 --> 00:33:38,015 SO WHEN I WAS LITTLE, MY SISTER JAMIE WAS MY FIRST TEACHER, SHE 624 00:33:38,015 --> 00:33:43,312 WAS MY HERO, YOU KNOW, SHE WAS FOUR YEARS OLDER THAN ME, SO I 625 00:33:43,312 --> 00:33:47,525 GOT ON HER NERVOUS, AND SHE WAS ALSO JUST LIKE THE BEST THING IN 626 00:33:47,525 --> 00:33:48,693 THE WORLD. 627 00:33:48,693 --> 00:33:53,114 SHE TAUGHT ME HOW TO PLAY PIANO, HOW TO DRAW, HOW TO USE MY 628 00:33:53,114 --> 00:33:54,240 IMAGINATION. 629 00:33:54,240 --> 00:33:57,076 REALLY TAUGHT ME EVERYTHING I USE TODAY TO BE WHO I AM. 630 00:33:57,076 --> 00:34:01,706 AND TO HAVE THIS MUSIC CAREER THAT I HAVE BEEN GIFTED, YOU 631 00:34:01,706 --> 00:34:02,874 KNOW. 632 00:34:02,874 --> 00:34:06,711 SO WHEN I WAS DOING MY SOLO RECORD I WAS AFRAID AND SCARED. 633 00:34:06,711 --> 00:34:10,214 I THOUGHT, THIS COULD BE A REALLY BAD IDEA BUT THERE WAS 634 00:34:10,214 --> 00:34:15,303 SOMETHING IN ME THAT MADE ME WANT TO LEAN INTO IT AND MAKE 635 00:34:15,303 --> 00:34:18,848 SOMETHING ON MY OWN AND CREATING AND TAKING A RISK. 636 00:34:18,848 --> 00:34:20,183 MY SISTER TAUGHT ME THOSE THINGS AND THOSE QUALITIES. 637 00:34:20,183 --> 00:34:23,227 I KNEW WHEN THE RECORD WAS FINISHED EVERYONE WAS ASKING ME 638 00:34:23,227 --> 00:34:26,230 WHT ARE YOU GOING TO CALL A RECORD? 639 00:34:26,230 --> 00:34:29,859 AND I KNEW MY NAME HAD TO BE ON IT, OF COURSE, BUT MY SISTER'S 640 00:34:29,859 --> 00:34:31,235 NAME HAD TO BE ON IT. 641 00:34:31,235 --> 00:34:34,906 I WANTED TO SHARE THAT AND PUT GRATEFULNESS ON HER NAME. 642 00:34:34,906 --> 00:34:36,532 >> James: THAT'S SO WONDERFUL. 643 00:34:36,532 --> 00:34:42,038 THANK YOU SO MUCH FOR BEING HERE WITH US, BRITTANY, I CAN'T TELL 644 00:34:42,038 --> 00:34:44,749 YOU HOW MUCH -- I FEEL LIKE I COULD TALK TO YOU FOR A WEEK AND 645 00:34:44,749 --> 00:34:46,417 I WOULD BE HAPPY. 646 00:34:46,417 --> 00:34:47,293 BRITTANY HOWARD WILL BE PERFORMING RIGHT HERE. 647 00:34:47,293 --> 00:34:50,087 COME ON BACK, EVERYBODY. 648 00:35:13,319 --> 00:35:14,529 ♪ >> James: WELCOME BACK. 649 00:35:14,529 --> 00:35:15,530 HERE PERFORMING "BABY" OFF HER BRILLIANT ALBUM "JAMIE," WHICH 650 00:35:15,530 --> 00:35:25,123 IS OUT RIGHT NOW, PLEASE WELCOME BRITTANY HOWARD! 651 00:35:25,123 --> 00:35:29,126 ♪ ♪ ♪ ♪ YEAH, THIS IS THE CHECK 652 00:35:29,126 --> 00:35:33,130 ONE, TWO ♪ THE CHECK 653 00:35:33,130 --> 00:35:43,516 THREE, FOUR ♪ YOU KNOW WHO IT IS 654 00:35:43,516 --> 00:35:49,105 ♪ ♪ ♪ YOU SEE 655 00:35:49,105 --> 00:35:53,109 ♪ I TRIED TO BE EVERYTHING YOU'D EVER WANT 656 00:35:53,109 --> 00:35:57,113 ♪ YOU'LL EVER WANT YOU EVER WOULD ASK ME 657 00:35:57,113 --> 00:36:04,871 ♪ TO BE, BABY HA, BABY 658 00:36:04,871 --> 00:36:09,083 ♪ HOW COULD YOU CALL ME YOUR BABE 659 00:36:09,083 --> 00:36:13,045 ♪ YOU DON'T PROVIDE FOR ME YOU DON'T RIDE FOR ME 660 00:36:13,045 --> 00:36:17,133 ♪ YOU DON'T, NO, YOU DON'T HOW COULD YOU CALL 661 00:36:17,133 --> 00:36:27,310 ♪ ME YOUR BABE I TRIED TO DO EVERYTHING 662 00:36:27,310 --> 00:36:31,063 ♪ YOU ASKED ME TO I NEVER THOUGHT YOU 663 00:36:31,063 --> 00:36:39,322 ♪ EVER WOULD ASK ME TO LEAVE, BABY 664 00:36:39,322 --> 00:36:44,243 ♪ I GUESS THE JOKE'S ON ME, BABY 665 00:36:44,243 --> 00:36:46,370 ♪ YOU NEVER DID FAIL TO DECEIVE 666 00:36:46,370 --> 00:36:53,044 ♪ I GUESS THAT'S WHAT I GET FOR BEING SO QUALITY, BABE 667 00:36:53,044 --> 00:37:01,177 ♪ HA, BABY BABY, BABY 668 00:37:01,177 --> 00:37:09,060 ♪ BABY, BABY ♪ ♪ ♪ 669 00:37:09,060 --> 00:37:15,274 BABY, BABY ♪ HOW COULD YOU CALL 670 00:37:15,274 --> 00:37:30,248 ME YOUR BABY ♪ ♪ ♪ 671 00:37:30,248 --> 00:37:33,084 ME YOUR BABY ♪ ♪ ♪ 672 00:37:33,084 --> 00:37:38,547 ♪ ♪ ♪ ♪ ♪ ♪ 673 00:37:38,547 --> 00:37:49,100 OOH, OOH, OOH, OW ♪ ♪ ♪ 674 00:37:49,100 --> 00:37:55,773 ♪ ♪ ♪ ♪ ♪ ♪ 675 00:37:55,773 --> 00:37:59,777 ♪ ♪ ♪ ♪ ♪ ♪ 676 00:37:59,777 --> 00:38:02,780 ♪ ♪ ♪ ♪ ♪ ♪ 677 00:38:02,780 --> 00:38:05,074 ♪ ♪ ♪ ♪ ♪ ♪ 678 00:38:05,074 --> 00:38:12,456 ♪ ♪ ♪ >> James: OH, THE INCREDIBLE 679 00:38:12,456 --> 00:38:14,709 BRITTANY HOWARD, EVERYBODY. 680 00:38:14,709 --> 00:38:21,132 HER ALBUM ALABAM ALBUM JAMIE IS RIGHT NOW. 681 00:38:21,132 --> 00:38:22,133 BACK AFTER THIS. 682 00:38:39,525 --> 00:38:40,526 ♪ ♪ ♪ >> James: THANKS SO MUCH FOR 683 00:38:40,526 --> 00:38:41,736 WATCHING. 684 00:38:41,736 --> 00:38:44,530 TOMORROW NIGHT: FORMER SECRETARY OF STATE HILLARY CLINTON AND 685 00:38:44,530 --> 00:38:45,531 EVAN RACHEL WOOD. 686 00:38:45,531 --> 00:38:47,491 WE'LL SEE YOU THEN. 687 00:38:47,491 --> 00:38:49,243 REGGIE, TAKE US HOME. 688 00:38:49,493 --> 00:38:51,620 Captioning sponsored by CBS Captioned by 54309

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