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1
00:00:12,625 --> 00:00:14,416
You guys are doing great work
there.
2
00:00:15,541 --> 00:00:16,792
Fuck yourself, Frankie.
3
00:00:18,999 --> 00:00:21,458
Oh, shit.
4
00:00:21,541 --> 00:00:24,166
(SIGHS) I guess we should've
packed that first.
5
00:00:24,249 --> 00:00:25,208
REGGIE "REG" WINHORN: Oh.
6
00:00:25,291 --> 00:00:27,083
No, there's no room really.
7
00:00:27,166 --> 00:00:29,124
-MELISSA: Reg, you want it?
-REG: No.
8
00:00:29,208 --> 00:00:31,999
Well, hell. Just leave it on
the street for anyone, I guess.
9
00:00:32,083 --> 00:00:34,124
FRANKIE MARTINO: Come here.
10
00:00:34,208 --> 00:00:35,708
-MELISSA: Thank you.
-FRANKIE: Yeah.
11
00:00:35,792 --> 00:00:37,458
Turns out you weren't
the worst boss I ever had.
12
00:00:37,541 --> 00:00:39,750
-(FRANKIE LAUGHS)
-Boss?
13
00:00:42,458 --> 00:00:44,166
Yeah, I'm a filmmaker.
14
00:00:47,083 --> 00:00:48,667
(WOMAN SPEAKS SPANISH
IN DISTANCE)
15
00:00:48,750 --> 00:00:49,958
MATTHEW ROUSE: Right.
16
00:00:52,416 --> 00:00:53,708
FRANKIE: Fuck.
17
00:00:53,792 --> 00:00:55,249
-Mr. Rouse, you got a minute?
-MELISSA: Reg!
18
00:00:55,333 --> 00:00:56,833
REG: I'm so proud of you,
baby girl.
19
00:00:56,917 --> 00:00:59,249
-Look... I get it.
-MELISSA: I'm scared!
20
00:00:59,333 --> 00:01:02,291
You're her father. She's been
through a few things,
21
00:01:02,375 --> 00:01:04,208
and this can't be easy.
22
00:01:04,291 --> 00:01:05,583
What, a few things?
23
00:01:05,667 --> 00:01:07,958
Whatever happened in your past
and hers,
24
00:01:08,041 --> 00:01:09,792
whatever's already been
said and done,
25
00:01:09,875 --> 00:01:11,458
just... let it be.
26
00:01:11,541 --> 00:01:13,375
Don't talk about it,
don't pick it up,
27
00:01:13,458 --> 00:01:15,708
don't look at it,
don't pick off no scabs,
28
00:01:15,792 --> 00:01:17,166
just let it be.
29
00:01:18,708 --> 00:01:19,792
Can you do that?
30
00:01:20,833 --> 00:01:21,917
Could you?
31
00:01:23,958 --> 00:01:26,458
All these years
I thought that...
32
00:01:26,541 --> 00:01:28,208
I thought she might be dead.
33
00:01:29,500 --> 00:01:31,875
And now I know
the world was just...
34
00:01:31,958 --> 00:01:34,625
using her as a... whore.
35
00:01:35,333 --> 00:01:36,667
Taking advantage.
36
00:01:38,166 --> 00:01:39,166
Of her.
37
00:01:41,416 --> 00:01:42,625
Of me.
38
00:01:42,708 --> 00:01:44,958
(MELISSA AND REG CHATTING
INDISTINCTLY)
39
00:01:45,041 --> 00:01:49,500
I've-- I've been
in Times Square a long time.
40
00:01:50,333 --> 00:01:53,041
I've known a lot of whores.
41
00:01:54,208 --> 00:01:55,917
Some are actually decent people.
42
00:01:55,999 --> 00:01:58,291
MELISSA: Thanks, Reg.
43
00:01:58,375 --> 00:02:00,124
-REG: Shit. (CHUCKLES)
-(MELISSA LAUGHS)
44
00:02:00,208 --> 00:02:01,917
-My time in New York is done.
-MATTHEW: Margaret?
45
00:02:01,999 --> 00:02:03,500
-You ready?
-Yeah.
46
00:02:04,792 --> 00:02:06,041
Thanks, guys.
47
00:02:06,124 --> 00:02:08,750
FRANKIE: See ya. (SIGHS)
48
00:02:08,833 --> 00:02:10,166
(ENGINE STARTS)
49
00:02:13,917 --> 00:02:15,541
(EXHALES)
50
00:02:20,917 --> 00:02:24,291
Man, that's great.
She's going home.
51
00:02:24,375 --> 00:02:25,541
(SCOFFS)
52
00:02:26,291 --> 00:02:27,375
What?
53
00:02:28,291 --> 00:02:29,541
What, you stupid?
54
00:02:32,416 --> 00:02:33,917
They can never go home.
55
00:02:36,083 --> 00:02:39,166
♪ ("DREAMING"
BY BLONDIE PLAYS) ♪
56
00:02:50,750 --> 00:02:54,917
♪ I don't want to live
On charity ♪
57
00:02:56,625 --> 00:03:01,083
♪ Pleasure's real
Or is it fantasy? ♪
58
00:03:02,708 --> 00:03:06,999
♪ Reel to reel
Is living verité ♪
59
00:03:07,083 --> 00:03:10,041
♪ People stop and stare at me ♪
60
00:03:10,124 --> 00:03:12,875
♪ We just walk on by ♪
61
00:03:12,958 --> 00:03:16,291
♪ We just keep on dreaming ♪
62
00:03:17,750 --> 00:03:20,500
♪ Dream, dream
Even for a little while ♪
63
00:03:20,583 --> 00:03:23,416
♪ Dream, dream
Filling up an idle hour ♪
64
00:03:23,500 --> 00:03:26,416
♪ Fade away ♪
65
00:03:26,500 --> 00:03:32,041
♪ Radiate ♪
66
00:03:32,124 --> 00:03:36,750
♪ I sit by
And watch the river flow ♪
67
00:03:38,458 --> 00:03:43,792
♪ I sit by
And watch the traffic go ♪
68
00:03:43,875 --> 00:03:48,583
♪ Imagine something
Of your very own ♪
69
00:03:48,667 --> 00:03:51,541
♪ Something you can
Have and hold ♪
70
00:03:51,625 --> 00:03:54,625
♪ I build a road in gold ♪
71
00:03:54,708 --> 00:03:57,958
♪ Just to have some dreaming ♪
72
00:03:59,249 --> 00:04:02,041
♪ Dreaming is free ♪
73
00:04:02,124 --> 00:04:05,458
-♪ Dreaming ♪
-♪ Dreaming ♪
74
00:04:05,541 --> 00:04:07,833
♪ Dreaming is free ♪
75
00:04:08,833 --> 00:04:15,541
♪ (GUITARS STRUM) ♪
76
00:04:15,625 --> 00:04:18,375
-Oh, shit, I--
-It goes to the A there.
77
00:04:18,458 --> 00:04:20,458
Oh, yeah. The A. Okay, um...
78
00:04:20,541 --> 00:04:21,875
-This?
-All on the same fret.
79
00:04:21,958 --> 00:04:23,750
-Right here.
-(PLAYS CHORD)
80
00:04:23,833 --> 00:04:25,917
GREG TAYLOR: (CLICKS FINGERS)
Lori, taxi's here. We gotta go.
81
00:04:25,999 --> 00:04:27,833
-Okay.
-Come on.
82
00:04:27,917 --> 00:04:30,833
Sorry, I guess I gotta go.
(SIGHS)
83
00:04:33,833 --> 00:04:34,917
So, how am I doing?
84
00:04:34,999 --> 00:04:36,249
GUITARIST:
You're getting there.
85
00:04:36,333 --> 00:04:37,541
Cool, thanks.
86
00:04:37,625 --> 00:04:39,792
Yeah, I'm gonna take it with me
to New York,
87
00:04:39,875 --> 00:04:41,249
so I can practice there.
88
00:04:41,333 --> 00:04:43,291
You know, and then I--
I just wanna get to a point
89
00:04:43,375 --> 00:04:45,792
where I can play along with you
while I sing.
90
00:04:45,875 --> 00:04:47,583
Cool. See you when you get back.
91
00:04:47,667 --> 00:04:49,166
Cool. Thanks. Bye.
92
00:04:49,249 --> 00:04:50,708
GREG: Lori, come on!
93
00:04:50,792 --> 00:04:53,416
Jacket, purse, bag, let's go!
94
00:04:53,500 --> 00:04:55,541
-Come on.
-Okay. Jesus fucking...
95
00:04:57,833 --> 00:04:58,875
GREG: Let's go.
96
00:05:04,458 --> 00:05:06,291
-♪ (MUSIC PLAYS IN BACKGROUND) ♪
-MC: 24 hours a day,
97
00:05:06,375 --> 00:05:08,625
all you can handle,
all right here.
98
00:05:08,708 --> 00:05:11,999
Frankie, don't it seem a little
bit reasonable to you
99
00:05:12,083 --> 00:05:14,792
to give Rudy just a taste
of the movie thing,
100
00:05:14,875 --> 00:05:16,416
seein' as we've been
taking a taste
101
00:05:16,500 --> 00:05:18,333
of the peeps the whole time?
102
00:05:18,416 --> 00:05:20,458
Look, he expects the skim.
103
00:05:20,541 --> 00:05:22,583
As long as we don't
take too much, we're good.
104
00:05:22,667 --> 00:05:24,166
But he's pissed about
the movies.
105
00:05:24,249 --> 00:05:25,958
Why not give him
just a small piece?
106
00:05:26,041 --> 00:05:27,625
MC: Coming to the stage,
Heavenly Heather...
107
00:05:27,708 --> 00:05:29,750
Well, if he stops bitchin'
about it all the time,
108
00:05:29,833 --> 00:05:31,625
-maybe I will.
-Come on, Frankie.
109
00:05:31,708 --> 00:05:33,958
Just a taste,
so I don't have to stress.
110
00:05:35,041 --> 00:05:38,750
All right. A taste. For you.
111
00:05:38,833 --> 00:05:42,583
-TOMMY LONGO: Hey.
-Hey. Hey.
112
00:05:45,291 --> 00:05:47,667
(MC CONTINUES ANNOUNCING)
113
00:05:47,750 --> 00:05:48,917
Here you go.
114
00:05:50,208 --> 00:05:51,541
(EXHALES)
115
00:05:54,458 --> 00:05:56,917
Anything else for Rudy?
116
00:05:56,999 --> 00:05:58,999
You know,
from your movies?
117
00:05:59,083 --> 00:06:00,708
What, he's still bitching
about that?
118
00:06:00,792 --> 00:06:02,625
MC: Live, live pussy,
119
00:06:02,708 --> 00:06:04,792
-Twenty-four hours a day.
-Well, if he's still bitching
about it,
120
00:06:04,875 --> 00:06:06,208
then fuck him.
121
00:06:06,291 --> 00:06:09,625
♪ (MUSIC CONTINUES PLAYING
IN BACKGROUND) ♪
122
00:06:14,917 --> 00:06:19,291
MC: Hot, wet ladies are here
to make your day...
123
00:06:21,333 --> 00:06:25,583
WOMAN: (OVER PA)
...824 to New York JFK,
now boarding at Gate 32.
124
00:06:25,667 --> 00:06:30,625
...824 to New York JFK,
now boarding at Gate 32.
125
00:06:33,625 --> 00:06:35,458
Oh, shit, I forgot to bring
my guitar!
126
00:06:35,541 --> 00:06:38,375
Lori, let go. They just called
our flight! Come on!
127
00:06:38,458 --> 00:06:40,999
WOMAN: (OVER PA)
American Airlines flight 27...
128
00:06:45,792 --> 00:06:46,833
BRYAN: Cecil!
129
00:06:47,458 --> 00:06:48,458
Petey?
130
00:06:50,458 --> 00:06:51,458
Alone?
131
00:06:53,041 --> 00:06:54,458
A hundred years
132
00:06:54,541 --> 00:06:56,208
-have I watched.
-CANDY: (WHISPERING)
Do your thing.
133
00:06:56,291 --> 00:06:57,999
-Your flashlight on the tree.
-Every living creature
134
00:06:58,083 --> 00:06:59,917
who wanders this way
135
00:06:59,999 --> 00:07:03,249
-bemoans their lonely existence.
-(HENRY AND CANDY GIGGLING)
136
00:07:03,333 --> 00:07:05,083
And yet, I stand witness.
137
00:07:05,166 --> 00:07:07,875
-Proof they are not alone.
-(INDISTINCT WHISPERING)
138
00:07:07,958 --> 00:07:09,458
-(BOTH GIGGLING)
-Who...
139
00:07:09,541 --> 00:07:10,792
-HENRY "HANK" JAFFE:
Am I doing it wrong?
-...is...
140
00:07:10,875 --> 00:07:12,249
-CANDY: Yes!
-...lonelier?
141
00:07:12,333 --> 00:07:14,083
-BRYAN: Woe is me.
-It's a deer in the headlights.
142
00:07:14,166 --> 00:07:14,999
I get it.
-CANDY: Shh.
143
00:07:15,083 --> 00:07:16,208
Abandoned by kin.
144
00:07:16,291 --> 00:07:17,750
-(MUFFLED LAUGHTER)
-MAN: Shut up.
145
00:07:17,833 --> 00:07:19,416
-HANK: Shh.
-BRYAN:
Assaulted by the very...
146
00:07:19,500 --> 00:07:21,541
-♪ (SOUL MUSIC PLAYS) ♪
-I need some time off.
147
00:07:21,625 --> 00:07:22,999
No problem. When?
148
00:07:23,083 --> 00:07:24,833
Don't exactly know yet.
149
00:07:25,667 --> 00:07:27,958
Let me know when you do.
150
00:07:28,041 --> 00:07:30,917
It's to go down to Washington
for those porn hearings.
151
00:07:30,999 --> 00:07:32,958
-I'm gonna testify.
-(ABIGAIL "ABBY" PARKER SIGHS)
152
00:07:35,333 --> 00:07:37,333
-(ABBY SIGHS)
-They're looking for ex-hookers
153
00:07:37,416 --> 00:07:39,667
and porn people
to tell their stories, and...
154
00:07:39,750 --> 00:07:41,541
shit, I got a story, don't I?
155
00:07:42,833 --> 00:07:45,124
I didn't even ask.
Why tell me?
156
00:07:45,208 --> 00:07:47,208
'Cause you should come with me.
157
00:07:47,291 --> 00:07:48,792
Stop.
158
00:07:48,875 --> 00:07:50,875
You were one of the people
who started the movement.
159
00:07:50,958 --> 00:07:53,958
Now something's really happenin'
and you're not with us.
160
00:07:54,041 --> 00:07:56,208
-We want the same things!
-Not really.
161
00:07:56,291 --> 00:07:57,999
How can you say that?
162
00:07:58,083 --> 00:08:01,291
How can I say that?
How can you?
163
00:08:01,375 --> 00:08:02,667
You-- You're about to take
164
00:08:02,750 --> 00:08:04,249
something that was
supposed to be
165
00:08:04,333 --> 00:08:07,166
a campaign about awareness
and consciousness-raising
166
00:08:07,249 --> 00:08:10,625
and-- and hand it over
to Reagan, and Meese, and...
167
00:08:10,708 --> 00:08:12,583
Phyllis Schlafly.
168
00:08:12,667 --> 00:08:14,708
You're being used
by extremists.
169
00:08:14,792 --> 00:08:16,124
How is it extreme?
170
00:08:16,208 --> 00:08:17,833
We got that law passed
in Indiana.
171
00:08:17,917 --> 00:08:20,500
We got another one
almost passed in Minnesota.
172
00:08:20,583 --> 00:08:21,999
-(JULIE SIGHS)
-And who got hurt?
173
00:08:22,083 --> 00:08:24,667
Nobody but some fucking
pornographers,
174
00:08:24,750 --> 00:08:27,500
and now, there a chance
for a federal law
175
00:08:27,583 --> 00:08:28,917
to do it everywhere.
176
00:08:28,999 --> 00:08:31,166
Dworkin and the others
are playing with fire.
177
00:08:31,249 --> 00:08:32,333
-Yeah!
-ABBY: Yeah.
178
00:08:32,416 --> 00:08:34,083
You tie
the anti-pornography movement
179
00:08:34,166 --> 00:08:35,999
to censorship and you lose.
180
00:08:36,083 --> 00:08:37,333
You piss away any good
181
00:08:37,416 --> 00:08:39,249
that Women Against Pornography
ever did.
182
00:08:42,166 --> 00:08:44,041
You take all the time you need.
183
00:08:47,249 --> 00:08:49,124
Sometimes that's what you gotta
look for.
184
00:08:49,208 --> 00:08:51,458
The ones that can make
the stupid shit
185
00:08:51,541 --> 00:08:53,999
-sound smart. That's an actor.
-(INDISTINCT CHATTER)
186
00:08:54,083 --> 00:08:56,166
So, the-- the deer,
but not the tree.
187
00:08:56,249 --> 00:08:58,958
-(DOOR CREAKS OPEN)
-Nah. I didn't believe
that leafy bitch for one second.
188
00:08:59,041 --> 00:09:01,249
-(HANK CHUCKLES)
-Blitzen!
189
00:09:01,333 --> 00:09:05,208
-Huh. 'Scuse me?
-You were fucking great!
190
00:09:05,291 --> 00:09:08,166
You were! You were the best
part of that mess.
191
00:09:08,249 --> 00:09:09,375
(CHUCKLES)
192
00:09:09,458 --> 00:09:11,875
I got some good news
and some bad news.
193
00:09:11,958 --> 00:09:13,708
Which one you want first?
194
00:09:13,792 --> 00:09:15,625
I'm an actor, so give me
the bad news.
195
00:09:15,708 --> 00:09:19,958
I got a great part for you,
but it's in an X-rated movie.
196
00:09:20,041 --> 00:09:22,124
-Nah. (SIGHS)
-Hang on.
197
00:09:22,208 --> 00:09:24,124
I'm gonna match the SAG rate,
198
00:09:24,208 --> 00:09:26,041
but to get it you gotta
show your ass,
199
00:09:26,124 --> 00:09:28,041
you gotta fuck a little
on film.
200
00:09:28,124 --> 00:09:29,333
The good news?
201
00:09:29,416 --> 00:09:32,541
The good news is
no fucking antlers!
202
00:09:32,625 --> 00:09:34,667
Come on. Let me buy you
a cup of coffee.
203
00:09:34,750 --> 00:09:36,708
There's a place
around the corner.
204
00:09:36,792 --> 00:09:39,083
-Yeah, all right.
-(CANDY LAUGHS)
205
00:09:40,333 --> 00:09:42,083
FLORENCIA:
Hey, Papi, wanna warm up?
206
00:09:42,792 --> 00:09:44,124
Just a little bit?
207
00:09:44,208 --> 00:09:45,999
JENNIFER PRESTON:
Hey, Daddy. You wanna date?
208
00:09:48,458 --> 00:09:50,124
If I break an ankle
in these stilts,
209
00:09:50,208 --> 00:09:54,041
-I get workman's comp, right?
-(CHUCKLES)
210
00:09:54,124 --> 00:09:55,708
RALPH: Hey. Lemme help you out.
211
00:09:58,667 --> 00:10:00,416
-Gracias.
-You look cold.
212
00:10:00,500 --> 00:10:02,083
You gonna give me your jacket,
Papi?
213
00:10:02,166 --> 00:10:04,333
(CHUCKLES) No,
but I can help you warm up.
214
00:10:04,416 --> 00:10:06,875
-I got a room inside.
-How much?
215
00:10:06,958 --> 00:10:09,708
Fifty'll get ya 30 minutes
in heaven with Florencia.
216
00:10:09,792 --> 00:10:11,458
RALPH: Half and half, right?
217
00:10:12,124 --> 00:10:13,958
(SIREN CHIRPS)
218
00:10:14,833 --> 00:10:16,249
Rob, company's comin'.
219
00:10:16,333 --> 00:10:18,041
ROB: (OVER RADIO) Copy that.
220
00:10:22,416 --> 00:10:25,750
PIMP: Bitch, everything I say,
you hear backwards.
221
00:10:25,833 --> 00:10:29,124
-MAN: It's bullshit, man.
-MAN 2: I know, I know.
That's what I said.
222
00:10:29,208 --> 00:10:31,375
RALPH: Oh, let's get this goin'.
All right.
223
00:10:31,458 --> 00:10:33,291
Mama's so fucking hot.
224
00:10:33,375 --> 00:10:35,375
I cannot wait to fuck you.
225
00:10:35,458 --> 00:10:38,208
-Yeah, it's gonna be so good.
-So fucking good, baby.
226
00:10:38,291 --> 00:10:40,708
-Yeah, let's get--
-Ah, ah, ah, lover boy!
227
00:10:41,875 --> 00:10:43,041
Money first.
228
00:10:44,333 --> 00:10:46,792
-(KEYS CLATTER)
-You a cop?
229
00:10:46,875 --> 00:10:48,833
Honey, do I look like a cop?
230
00:10:49,958 --> 00:10:53,541
No, you do not look like a cop.
(CHUCKLES)
231
00:10:54,124 --> 00:10:55,333
Thank you!
232
00:10:55,416 --> 00:10:57,249
Thank you.
233
00:10:57,333 --> 00:10:59,249
-Knock, knock!
-What the fuck?
234
00:10:59,333 --> 00:11:02,625
-Oh, shit!
-Shit. You set me up?
235
00:11:02,708 --> 00:11:04,792
You got cops hiding in your room
and I set you up?
236
00:11:04,875 --> 00:11:06,667
-You set me up!
-Oh, fuck me!
237
00:11:06,750 --> 00:11:08,750
-Sorry. That's pretty much
off the table now.
-RALPH: Fuck you, bitch!
238
00:11:08,833 --> 00:11:10,625
-FLORENCIA: Puta madre.
-ROB: Out the door. Come on.
239
00:11:10,708 --> 00:11:13,041
-(RALPH MUTTERING)
-ROB: Down the hall,
to the right.
240
00:11:15,083 --> 00:11:17,958
POLICE OFFICER: (OVER RADIO)
The wagon's around the corner.
ETA 30 seconds
241
00:11:20,500 --> 00:11:23,124
(ABBY AND PILAR
BREATHING HEAVILY, GIGGLING)
242
00:11:24,917 --> 00:11:27,625
(BOTH MOANING)
243
00:11:35,333 --> 00:11:37,750
(MOANING CONTINUES)
244
00:11:39,124 --> 00:11:42,416
(BOTH PANTING)
245
00:11:46,124 --> 00:11:49,792
(CLEARS THROAT) Hey.
246
00:11:50,500 --> 00:11:53,958
(BREATHES HEAVILY) Hey.
247
00:11:57,124 --> 00:11:58,166
I'm, uh...
248
00:11:58,708 --> 00:11:59,792
Vince.
249
00:12:00,291 --> 00:12:01,291
Pilar.
250
00:12:02,083 --> 00:12:03,625
Nice to meet you, Pilar.
251
00:12:04,291 --> 00:12:07,416
(GROANS, SIGHS)
252
00:12:07,500 --> 00:12:08,917
Didn't I leave the thing on?
253
00:12:08,999 --> 00:12:11,583
Uh... Yeah you did,
but-- but it's cool.
254
00:12:11,667 --> 00:12:14,291
I-- I'm just beat. I was gonna
crash on the sofa.
255
00:12:15,208 --> 00:12:17,625
I'll just grab an extra blanket.
256
00:12:17,708 --> 00:12:21,458
Look, I gotta-- I gotta crash.
It was a long night at the club.
257
00:12:25,875 --> 00:12:27,792
Of course, if, uh...
258
00:12:27,875 --> 00:12:30,541
you two ladies
need a spare part or two, I'm...
259
00:12:30,625 --> 00:12:32,166
nothing if not a giver.
260
00:12:33,833 --> 00:12:35,208
Uh... I mean, I--
261
00:12:35,291 --> 00:12:36,833
I like women too, so...
262
00:12:36,917 --> 00:12:38,667
we already got that in common.
263
00:12:39,124 --> 00:12:40,166
Vin.
264
00:12:42,833 --> 00:12:44,041
Okay. (CHUCKLES)
265
00:12:49,999 --> 00:12:52,667
-(BOTH LAUGHING)
-Fuck.
266
00:12:59,333 --> 00:13:00,667
(SIGHS) Ah, minga.
267
00:13:03,458 --> 00:13:05,249
-(SNIFFS)
-(KNOCKING ON DOOR)
268
00:13:05,333 --> 00:13:06,750
-GREG: Baby, you're up.
-Yeah?
269
00:13:06,833 --> 00:13:08,875
-Oh, okay. Sorry. One sec.
-(KNOCKING CONTINUES)
270
00:13:08,958 --> 00:13:10,083
(TOILET FLUSHING)
271
00:13:10,166 --> 00:13:12,583
-She's just--
-(INDISTINCT CHATTER)
272
00:13:12,667 --> 00:13:13,833
Come on.
273
00:13:13,917 --> 00:13:15,333
-GREG: You ready?
-LORI MADISON: Yeah.
274
00:13:15,416 --> 00:13:17,208
-GREG: You feel good? Right.
-LORI: Yeah.
275
00:13:17,291 --> 00:13:18,917
-Make sure you say hi
to Stevie for me, okay?
-Mm. Mm-hm.
276
00:13:18,999 --> 00:13:20,500
-I've known him a long time.
-Okay.
277
00:13:20,583 --> 00:13:22,416
Oh, baby. Hold on one second.
One sec-- One second.
278
00:13:22,500 --> 00:13:24,291
-Okay. Right. Good.
-(CHUCKLES)
279
00:13:24,375 --> 00:13:26,500
-Go for it. Okay.
-Thank you, sweetie. Okay. Yeah.
280
00:13:26,583 --> 00:13:28,541
All right.
Good luck! (CHUCKLES)
281
00:13:28,625 --> 00:13:30,166
-LORI: Thank you.
-Break a leg.
282
00:13:30,249 --> 00:13:33,541
Hi. I'm Lori Madison,
and I'm 120 pounds,
283
00:13:33,625 --> 00:13:35,792
-give or take.
-SELMA: And your height?
284
00:13:35,875 --> 00:13:38,541
Oh, um... 5'5"
and three-and-a-half quarters.
285
00:13:40,041 --> 00:13:42,458
Excuse me. Do you work here?
286
00:13:42,541 --> 00:13:45,249
I'm sorry. One sec. (CHUCKLES)
287
00:13:46,041 --> 00:13:47,041
Um...
288
00:13:49,208 --> 00:13:52,291
Yes, sir. How can I help you?
289
00:13:52,375 --> 00:13:54,583
I'm looking for something
to buy my wife.
290
00:13:55,667 --> 00:13:57,249
Oh, I see.
291
00:13:58,208 --> 00:13:59,667
What's her style?
292
00:13:59,750 --> 00:14:02,208
Can't you just tell me
what scarf you'd want?
293
00:14:05,124 --> 00:14:08,249
If that's what you'd like,
but I'm not your wife.
294
00:14:09,917 --> 00:14:12,333
Could we run it one more time
from the top?
295
00:14:12,416 --> 00:14:13,667
Mm-hm.
296
00:14:13,750 --> 00:14:16,249
And, uh, this time,
give us seductive.
297
00:14:17,124 --> 00:14:18,708
Oh, okay. That...
298
00:14:18,792 --> 00:14:20,999
What you really wanna do is
get him to screw you
299
00:14:21,083 --> 00:14:22,208
in a dressing room.
300
00:14:27,083 --> 00:14:28,792
Um... Can I just ask...
301
00:14:29,708 --> 00:14:31,792
what, uh, is the story?
302
00:14:32,541 --> 00:14:34,083
Like, beyond the scene.
303
00:14:35,958 --> 00:14:37,333
He's a serial killer.
304
00:14:37,416 --> 00:14:39,875
He doesn't actually have a wife;
he's lying about that.
305
00:14:39,958 --> 00:14:42,208
SELMA: His mother worked in
a department store.
306
00:14:42,291 --> 00:14:44,458
She stole a scarf from work,
lost her job.
307
00:14:44,541 --> 00:14:47,333
And that forced her to
turn to a life of prostitution
308
00:14:47,416 --> 00:14:48,500
in order to survive.
309
00:14:49,458 --> 00:14:50,708
Okay.
310
00:14:50,792 --> 00:14:53,249
And now he goes around
murdering young women
311
00:14:53,333 --> 00:14:55,208
who remind him of his mother.
312
00:14:55,291 --> 00:14:57,917
In the next scene, he's gonna
actually strangle you
313
00:14:57,999 --> 00:14:59,750
with a scarf you picked out.
314
00:15:00,375 --> 00:15:01,458
Ready?
315
00:15:03,249 --> 00:15:06,166
SAM: 'Scuse me,
do you work here?
316
00:15:09,208 --> 00:15:10,291
(CLEARS THROAT)
317
00:15:13,833 --> 00:15:14,917
Yes, sir.
318
00:15:16,416 --> 00:15:18,166
How can I help you?
319
00:15:18,249 --> 00:15:20,583
CHRIS ALSTON:
Everything we can do
to the guy, we're doing it.
320
00:15:20,667 --> 00:15:22,583
You've got six
prostitution stings
321
00:15:22,667 --> 00:15:23,999
in the last three weeks,
322
00:15:24,083 --> 00:15:26,375
all with convictions
on the premises.
323
00:15:26,458 --> 00:15:29,166
I've had the fire marshal
through there twice this month.
324
00:15:29,249 --> 00:15:31,416
Building inspectors,
health inspectors.
325
00:15:31,500 --> 00:15:33,083
How much longer are we talking?
326
00:15:33,166 --> 00:15:35,917
We only need two convictions,
one more case in the pipeline,
327
00:15:35,999 --> 00:15:38,416
and you've got enough
to padlock.
328
00:15:38,500 --> 00:15:41,124
I understand how the padlock law
works, Constable.
329
00:15:41,208 --> 00:15:42,416
What I'm asking is how long?
330
00:15:42,500 --> 00:15:44,541
Gene. These cases should
hold up,
331
00:15:44,625 --> 00:15:46,875
but we can't speed the process
all that much.
332
00:15:46,958 --> 00:15:49,583
The fact is the property owner
has the right to appeal
333
00:15:49,667 --> 00:15:51,917
our use of this case
under the nuisance statute.
334
00:15:51,999 --> 00:15:53,166
Even with a TRO,
335
00:15:53,249 --> 00:15:55,041
the judge could deny us
conjunctive relief
336
00:15:55,124 --> 00:15:56,917
if they mount
a coherent appeal.
337
00:15:56,999 --> 00:15:59,708
The rights of property owners
are baked into the system.
338
00:15:59,792 --> 00:16:03,166
-It's how it works.
-(SHOUTS) Fuck all!
339
00:16:03,249 --> 00:16:05,583
And thanks to this shit-stain
of a hotel,
340
00:16:05,667 --> 00:16:07,792
we have lost a 30 million dollar
business complex.
341
00:16:07,875 --> 00:16:08,875
Is that what I'm hearing?
342
00:16:08,958 --> 00:16:10,166
The money won't wait?
343
00:16:10,249 --> 00:16:12,541
Not a month more.
It will go elsewhere.
344
00:16:16,291 --> 00:16:18,375
What the fuck is it about
the center of this fucking town?
345
00:16:18,458 --> 00:16:21,041
Everything is one step forward,
two steps back.
346
00:16:26,458 --> 00:16:29,041
Hey, Lor. Check it out.
347
00:16:29,124 --> 00:16:30,750
Everywhere we go, there you are.
348
00:16:34,041 --> 00:16:35,917
So, how'd it go?
349
00:16:35,999 --> 00:16:37,958
-Okay, I guess.
-Yeah? What did Stevie say?
350
00:16:38,041 --> 00:16:39,291
Stevie wasn't there.
351
00:16:39,375 --> 00:16:40,999
Why not?
352
00:16:41,083 --> 00:16:43,583
Okay. Well, I'll call him
when we get back to the hotel.
353
00:16:43,667 --> 00:16:44,750
It's no problem.
354
00:16:45,416 --> 00:16:46,333
Christ.
355
00:16:46,416 --> 00:16:48,249
Which way is the hotel?
356
00:16:48,333 --> 00:16:50,958
This whole goddamn city
smells like piss, you know that?
357
00:16:51,041 --> 00:16:52,541
(CAR HORNS HONKING)
358
00:16:52,625 --> 00:16:56,208
ALSTON: No complaints, Jack.
Everything ran like clockwork.
359
00:16:56,291 --> 00:16:58,333
Your people gave me everything
I asked for.
360
00:16:58,416 --> 00:16:59,833
♪ (MUSIC PLAYS
IN BACKGROUND) ♪
361
00:16:59,917 --> 00:17:01,416
You don't look happy.
362
00:17:01,500 --> 00:17:03,500
Oh, the case work is fine.
363
00:17:03,583 --> 00:17:06,124
By the time it leads us
to a padlock on the place,
364
00:17:06,208 --> 00:17:09,041
the money will have walked away,
so my boss is telling me.
365
00:17:09,124 --> 00:17:10,500
So, what?
366
00:17:10,583 --> 00:17:12,999
You're not a realtor,
you're a fucking cop, right?
367
00:17:13,083 --> 00:17:14,249
(CHUCKLES)
368
00:17:14,333 --> 00:17:15,999
The last I checked.
369
00:17:16,083 --> 00:17:17,999
But I'm good
taking my people back?
370
00:17:18,083 --> 00:17:19,333
I mean, everyone comes home,
371
00:17:19,416 --> 00:17:21,583
I get to put 'em back down
in the hole?
372
00:17:21,667 --> 00:17:23,249
Everybody goes home, Jack.
373
00:17:26,291 --> 00:17:28,083
Even Jennifer?
374
00:17:28,166 --> 00:17:30,458
-Fuck you, Jack.
-Fuck you, Jack!
375
00:17:32,375 --> 00:17:33,999
-(LAUGHS)
-He's right though.
376
00:17:35,792 --> 00:17:37,416
You, I'd prefer to keep.
377
00:17:37,500 --> 00:17:41,500
Well, if you have more work
for me, then you can.
378
00:17:41,583 --> 00:17:44,333
Well, I wouldn't call it work.
379
00:17:44,416 --> 00:17:46,917
-You flatter yourself.
-(LAUGHS)
380
00:17:46,999 --> 00:17:48,750
Girl, you got a mouth on you.
381
00:17:48,833 --> 00:17:50,041
(CHUCKLES)
382
00:17:50,124 --> 00:17:51,541
JACK: Drink up, motherfuckers!
383
00:17:51,625 --> 00:17:53,458
-ALL: Yeah!
-JACK: Good work.
384
00:18:06,958 --> 00:18:09,333
Angela, I forgot your birthday.
385
00:18:09,416 --> 00:18:11,083
-ANGELA: Mm-hm.
-TONY: Oh my--
386
00:18:11,166 --> 00:18:13,083
-How could I have done that?
-(PHONE RINGING)
387
00:18:13,166 --> 00:18:15,625
-(PHONE CLATTERS)
-GREG: (MUTTERS) Shit.
388
00:18:15,708 --> 00:18:17,667
Yeah. Hello-- Hello.
389
00:18:17,750 --> 00:18:19,583
Stevie, hey! (CHUCKLES)
390
00:18:19,667 --> 00:18:21,416
Yeah, not bad, buddy.
Not bad.
391
00:18:21,500 --> 00:18:23,458
Uh... So-- So listen,
how did, um...
392
00:18:23,541 --> 00:18:26,541
-(INDISTINCT CHATTER ON TV)
-Uh-huh. Uh-huh. Uh...
393
00:18:26,625 --> 00:18:28,541
Okay. Well, how about this?
How about she comes back in,
394
00:18:28,625 --> 00:18:30,124
and reads against your guy,
and we--
395
00:18:30,208 --> 00:18:32,333
(INDISTINCT CHATTER ON TV)
396
00:18:32,416 --> 00:18:33,625
Come on, man, seriously.
397
00:18:33,708 --> 00:18:36,166
We came all this way
because you said we'd--
398
00:18:36,249 --> 00:18:38,583
Right. Yeah. (CHUCKLES)
Right. Right.
399
00:18:38,667 --> 00:18:40,124
Right, well,
thanks for nothing.
400
00:18:40,208 --> 00:18:42,041
-(PHONE SLAMS)
-Fuck!
401
00:18:42,124 --> 00:18:45,333
(INDISTINCT CHATTER ON TV
CONTINUES)
402
00:18:47,291 --> 00:18:48,583
Where are you going?
403
00:18:48,667 --> 00:18:50,958
To go talk to him.
He's making a big mistake.
404
00:18:51,041 --> 00:18:52,208
LORI: Let it go, Greg!
405
00:18:52,291 --> 00:18:53,958
Nah, he owes me.
We have history.
406
00:18:54,041 --> 00:18:55,375
If I'm not good enough
for the part,
407
00:18:55,458 --> 00:18:56,667
then I shouldn't have the part.
408
00:18:56,750 --> 00:18:58,291
Baby, you were good enough.
409
00:18:58,375 --> 00:18:59,958
How the fuck do you know?
You weren't even in the room.
410
00:19:00,041 --> 00:19:02,208
Yeah, neither was he.
And that's the problem.
411
00:19:03,375 --> 00:19:04,416
Greg!
412
00:19:04,500 --> 00:19:05,999
He's got to see it for himself,
okay?
413
00:19:06,083 --> 00:19:07,541
It was his idea to have you
audition.
414
00:19:07,625 --> 00:19:10,083
His. I didn't even ask him,
Lori. He came to me.
415
00:19:10,166 --> 00:19:11,625
I don't want the part!
416
00:19:11,708 --> 00:19:14,166
Then what the fuck are we
even doing in this shithole?
417
00:19:14,249 --> 00:19:16,458
I swear to Christ
on the motherfucking cross,
418
00:19:16,541 --> 00:19:18,083
do you even know what you want?
Huh?
419
00:19:18,166 --> 00:19:19,708
You don't wanna do fuck films
anymore,
420
00:19:19,792 --> 00:19:21,625
-you don't wanna do real films--
-I do wanna do real films!
421
00:19:21,708 --> 00:19:23,875
How can you say that when you're
turning your back on a job?
422
00:19:23,958 --> 00:19:25,375
It's not a job,
they don't want me!
423
00:19:25,458 --> 00:19:28,458
They want you!
They just don't know it yet.
424
00:19:30,249 --> 00:19:32,958
-(DOOR SLAMS)
-(LAUGHTER ON TV)
425
00:19:33,041 --> 00:19:35,708
ABBY:
Thirty-fucking-thousand dollars.
426
00:19:35,792 --> 00:19:38,625
(INDISTINCT CHATTER)
427
00:19:41,083 --> 00:19:43,958
PILAR:
Hey, that's a steal. (LAUGHS)
428
00:19:47,124 --> 00:19:49,041
How long have you known
that artist?
429
00:19:49,124 --> 00:19:50,667
-Marco? Uh...
-Mm.
430
00:19:50,750 --> 00:19:53,083
...about ten years.
We were at RISD together.
431
00:19:54,249 --> 00:19:56,333
I know he's your friend and all,
but...
432
00:19:56,416 --> 00:19:59,833
doesn't it burn you up?
He gets a solo show to...
433
00:19:59,917 --> 00:20:02,041
papier-mâché fucking cowboy.
434
00:20:02,958 --> 00:20:04,291
Yeah, it does.
435
00:20:05,541 --> 00:20:06,999
But who cares what I think?
436
00:20:07,083 --> 00:20:09,416
Wall Streeters think
they've found the next Basquiat,
437
00:20:09,500 --> 00:20:11,041
so he can name his price.
438
00:20:11,124 --> 00:20:12,583
And he has.
439
00:20:15,792 --> 00:20:17,541
Stay with me tonight.
440
00:20:17,625 --> 00:20:19,667
That was the plan.
441
00:20:19,750 --> 00:20:23,249
I mean all night.
Don't go back up town.
442
00:20:25,249 --> 00:20:27,667
-I'm afraid we rattled him.
-(CHUCKLES)
443
00:20:28,500 --> 00:20:29,833
I'm gonna have to call,
444
00:20:29,917 --> 00:20:31,917
so at least
he's not expecting me.
445
00:20:36,833 --> 00:20:39,291
SERVER: Slice of cheese.
Enjoy, man.
446
00:20:42,958 --> 00:20:45,792
(HORNS HONKING)
447
00:20:53,249 --> 00:20:55,500
MAN: Hey, look at her.
Look at her!
448
00:21:00,667 --> 00:21:03,750
-Lori? Lori?
-LORI: Hey.
449
00:21:03,833 --> 00:21:05,833
-Hey, Lori.
-LORI: Mike.
450
00:21:05,917 --> 00:21:08,750
Oh, my God.
Hi. (INHALES SHARPLY)
451
00:21:08,833 --> 00:21:10,166
(SIGHS)
452
00:21:16,792 --> 00:21:18,124
Hi.
453
00:21:19,291 --> 00:21:22,166
(SIREN WAILS)
454
00:21:24,249 --> 00:21:25,917
I'm tellin' ya,
this is no different
455
00:21:25,999 --> 00:21:27,541
than anything else
you and me are gonna do.
456
00:21:27,625 --> 00:21:30,667
-ABBY: We'll get some breakfast.
-No. N-- Abby.
457
00:21:30,750 --> 00:21:33,500
-The problem--
-Abb-- Abby. Abby.
458
00:21:33,583 --> 00:21:34,875
WORKER: Ready, Roy?
459
00:21:34,958 --> 00:21:37,041
You have fun. Okay?
460
00:21:56,208 --> 00:21:57,833
Hey. Look who I found.
461
00:21:59,999 --> 00:22:02,708
Holy hell. Lori Madison.
462
00:22:04,625 --> 00:22:06,083
Shit, you're not even open yet.
463
00:22:06,166 --> 00:22:08,375
(SIGHS) What, are you kiddin'?
You're royalty.
464
00:22:09,625 --> 00:22:11,291
What are you drinkin'?
465
00:22:11,375 --> 00:22:13,249
Uh... Vodka cranberry.
466
00:22:13,333 --> 00:22:15,875
VINCENT MARTINO: You got it.
Have a seat.
467
00:22:15,958 --> 00:22:17,750
Tell me everything.
468
00:22:17,833 --> 00:22:19,917
There's nothing to tell.
469
00:22:19,999 --> 00:22:22,583
I'm still a whore,
I just got famous for it.
470
00:22:23,249 --> 00:22:25,875
Ah! Come on.
471
00:22:25,958 --> 00:22:27,792
I'm not gonna lie to you,
Vincent.
472
00:22:31,375 --> 00:22:32,416
Look...
473
00:22:33,291 --> 00:22:35,416
Even when you were a whore...
474
00:22:36,583 --> 00:22:37,958
you weren't a whore.
475
00:22:38,041 --> 00:22:39,124
Not ever.
476
00:22:40,625 --> 00:22:41,875
What does that even mean?
477
00:22:41,958 --> 00:22:44,583
It means... welcome home.
478
00:22:45,667 --> 00:22:48,583
(WORKERS CHATTING
INDISTINCTLY)
479
00:22:52,583 --> 00:22:55,458
Oh. Hey, fellas.
480
00:22:55,541 --> 00:22:57,541
What the fuck
is going on here?
481
00:22:57,625 --> 00:22:59,166
Interviewin'.
482
00:22:59,249 --> 00:23:00,500
Interviewin'?
483
00:23:03,208 --> 00:23:04,875
I'm holdin' onto
a lot of tension,
484
00:23:04,958 --> 00:23:07,083
so I need Maya to do that thing
she does.
485
00:23:07,166 --> 00:23:08,500
Shit!
486
00:23:08,583 --> 00:23:10,541
(SIGHS) Rudy, I'm sorry.
Maya's on an outcall tonight.
487
00:23:10,625 --> 00:23:11,833
Had I known...
488
00:23:11,917 --> 00:23:13,208
All right,
who's available then?
489
00:23:13,291 --> 00:23:14,583
Right now, um...
490
00:23:14,667 --> 00:23:16,792
Star. She should be coming off
her break soon.
491
00:23:16,875 --> 00:23:19,124
Which one is Star?
The redhead with the...
492
00:23:19,208 --> 00:23:22,708
No gingers. Freckles fuck me up.
It's too Irish.
493
00:23:22,792 --> 00:23:25,833
All right, so, what about, uh,
one of these?
494
00:23:25,917 --> 00:23:28,792
I could ask, but officially
they're not hired yet.
495
00:23:28,875 --> 00:23:30,083
Uh...
496
00:23:32,625 --> 00:23:35,708
The big one...
is the outcall envelope.
497
00:23:35,792 --> 00:23:38,750
All my girls are practically
living in Midtown hotels.
498
00:23:38,833 --> 00:23:40,708
-We're making a killin'.
-RUDY: That's great,
499
00:23:40,792 --> 00:23:43,583
but who am I supposed
to fuck now?
500
00:23:43,667 --> 00:23:46,083
I'm sorry
for the inconvenience, Rudy.
501
00:23:46,166 --> 00:23:48,416
You can come back in an hour
or two.
502
00:23:48,500 --> 00:23:50,416
You're telling me that
business is so good,
503
00:23:50,500 --> 00:23:53,375
I can't even get laid in
my own goddamn whorehouse?
504
00:23:53,458 --> 00:23:56,208
(WOMEN CHATTING INDISTINCTLY)
505
00:23:56,291 --> 00:23:57,750
I'll call over to the Alhambra
506
00:23:57,833 --> 00:23:59,999
and see if Jackie can send over
some girls for you.
507
00:24:00,750 --> 00:24:02,124
Thank you, sweetheart.
508
00:24:03,416 --> 00:24:05,166
Orientals if they got 'em.
509
00:24:06,166 --> 00:24:08,500
VINCENT: There you go. (SIGHS)
510
00:24:09,667 --> 00:24:11,124
Is he taking requests?
511
00:24:12,249 --> 00:24:14,500
He is now.
512
00:24:14,583 --> 00:24:17,667
Do you have "No Easy Way Down"
by Dusty Springfield?
513
00:24:17,750 --> 00:24:19,291
Dusty in Memphis.
514
00:24:20,166 --> 00:24:21,375
Got it right here.
515
00:24:21,458 --> 00:24:22,667
Excuse me.
516
00:24:33,875 --> 00:24:37,833
♪ ("NO EASY WAY DOWN"
BY DUSTY SPRINGFIELD PLAYS) ♪
517
00:24:40,458 --> 00:24:43,208
(MOANING)
518
00:24:45,625 --> 00:24:49,083
(PANTS)
You're my first lieutenant.
519
00:24:49,166 --> 00:24:51,999
-That a fact?
-(CHUCKLES)
520
00:24:52,083 --> 00:24:53,917
I don't like guys who make rank.
521
00:24:53,999 --> 00:24:57,208
-(MOANS, GASPS)
-Me neither.
522
00:25:00,375 --> 00:25:04,041
♪ ("NO EASY WAY DOWN"
BY DUSTY SPRINGFIELD PLAYS) ♪
523
00:25:11,291 --> 00:25:12,333
♪ (SONG ENDS) ♪
524
00:25:12,416 --> 00:25:13,750
Can you play that again?
525
00:25:17,291 --> 00:25:20,083
♪ ("NO EASY WAY DOWN"
BY DUSTY SPRINGFIELD PLAYS) ♪
526
00:25:25,958 --> 00:25:27,041
Hey.
527
00:25:28,958 --> 00:25:32,625
♪ Your toy balloon has sailed ♪
528
00:25:32,708 --> 00:25:36,750
♪ In the sky, love ♪
529
00:25:38,958 --> 00:25:42,416
♪ But now it must fall ♪
530
00:25:42,500 --> 00:25:47,583
♪ To the ground ♪
531
00:25:47,667 --> 00:25:52,917
♪ Now your sad eyes reveal ♪
532
00:25:52,999 --> 00:25:58,249
♪ Just how badly you feel ♪
533
00:25:58,333 --> 00:26:02,416
♪ 'Cause there is no ♪
534
00:26:02,500 --> 00:26:07,124
♪ Easy way down ♪
535
00:26:09,124 --> 00:26:11,208
-Manuel!
-MANUEL: Yeah, Vince?
536
00:26:11,291 --> 00:26:13,875
You and Jay, you go, uh,
have a dinner on me.
537
00:26:13,958 --> 00:26:15,333
It's gonna be a long night.
538
00:26:15,416 --> 00:26:18,249
-Now, boss?
-Yeah, now.
539
00:26:18,333 --> 00:26:20,208
-I'll finish up here.
-MANUEL: Jay,
540
00:26:20,291 --> 00:26:21,541
Vamos a comer.
541
00:26:21,625 --> 00:26:24,083
(JAY AND MANUEL
CHATTING INDISTINCTLY)
542
00:26:24,166 --> 00:26:27,375
-Jerome!
-JEROME: Yeah? What's up?
543
00:26:27,458 --> 00:26:29,625
-BIG MIKE: Let's take a walk.
-All right, man.
544
00:26:29,708 --> 00:26:34,208
♪ Now you're stranded alone ♪
545
00:26:34,291 --> 00:26:39,583
♪ And the past is unknown ♪
546
00:26:39,667 --> 00:26:43,833
♪ And there is no ♪
547
00:26:43,917 --> 00:26:48,458
♪ Easy way down ♪
548
00:26:51,833 --> 00:26:55,041
♪ No, it isn't very easy ♪
549
00:26:56,541 --> 00:27:00,166
♪ When you're left
On your own ♪
550
00:27:01,792 --> 00:27:04,416
♪ No, it isn't very easy ♪
551
00:27:04,500 --> 00:27:06,875
♪ When each road you take ♪
552
00:27:06,999 --> 00:27:09,249
♪ Is one more mistake ♪
553
00:27:09,333 --> 00:27:14,625
♪ There's no one to break
Your fall ♪
554
00:27:14,708 --> 00:27:17,750
♪ And lead you back home,
Yeah ♪
555
00:27:17,833 --> 00:27:21,208
-TAXI DRIVER: Delancey and what?
-Uh... Delancey and Essex.
556
00:27:22,541 --> 00:27:23,917
(MOANING)
557
00:27:23,999 --> 00:27:25,917
Actually, go to the FDR
and take us
558
00:27:25,999 --> 00:27:27,708
halfway around the island, okay?
559
00:27:29,249 --> 00:27:30,541
(MOANING)
560
00:27:31,708 --> 00:27:33,833
(TAXI RADIO CHATTER)
561
00:27:41,708 --> 00:27:44,208
(BOTH PANTING)
562
00:27:48,124 --> 00:27:50,416
♪ (SONG ENDS) ♪
563
00:27:53,166 --> 00:27:57,541
W-- Wait, wait. Hold on.
(PANTS)
564
00:27:57,625 --> 00:28:00,583
♪ ("I CAN'T MAKE IT ALONE"
BY DUSTY SPRINGFIELD PLAYS) ♪
565
00:28:01,375 --> 00:28:03,375
Wha-- For a blowjob?
566
00:28:04,249 --> 00:28:05,583
Just for safety.
567
00:28:06,708 --> 00:28:07,750
For safety?
568
00:28:09,541 --> 00:28:12,291
(STUTTERS) You haven't been
in New York.
569
00:28:12,375 --> 00:28:13,792
It's going around.
It's everywhere.
570
00:28:15,541 --> 00:28:16,583
Hmm.
571
00:28:17,541 --> 00:28:19,416
Once a whore, always a whore.
572
00:28:20,750 --> 00:28:22,667
No, no, no, no. It's-- It--
573
00:28:22,750 --> 00:28:23,917
It's not like that.
574
00:28:23,999 --> 00:28:26,416
You can fuck me,
but you can't use a cover.
575
00:28:27,750 --> 00:28:28,875
Jesus, Lori.
576
00:28:33,958 --> 00:28:36,625
I guess there are worse things
I could be, right, Vincent?
577
00:28:38,792 --> 00:28:41,458
Some of the best people
I've known have been whores.
578
00:28:47,166 --> 00:28:52,583
♪ I've tried and I know
I can't make it alone ♪
579
00:28:52,667 --> 00:28:54,750
What's the last thing
you remember?
580
00:28:54,833 --> 00:28:56,375
I was driving.
581
00:28:56,458 --> 00:29:00,458
There was a bright light
and then... I woke up here.
582
00:29:00,541 --> 00:29:02,375
Is it weird to be proud of this?
583
00:29:02,458 --> 00:29:03,875
Not at all. You did great.
584
00:29:03,958 --> 00:29:05,999
-You think?
-Shh.
585
00:29:06,083 --> 00:29:07,875
-WOMAN: (ON TV) How long
have I been in the hospital?
-TOD: (ON TV) A week.
586
00:29:07,958 --> 00:29:09,792
WOMAN: Oh, my God. A week?
587
00:29:09,875 --> 00:29:12,708
-TOD: (ON TV)
You've been in a coma.
-(BOTH CHUCKLING)
588
00:29:12,792 --> 00:29:16,833
Don't worry. Everything's
going to be all right now.
589
00:29:16,917 --> 00:29:18,750
You're in good hands.
590
00:29:18,833 --> 00:29:19,999
Bravo.
591
00:29:21,166 --> 00:29:25,291
And so fucking handsome.
592
00:29:30,333 --> 00:29:33,333
-I don't know.
-What's wrong?
593
00:29:34,500 --> 00:29:36,208
I'm a little run down.
594
00:29:36,291 --> 00:29:38,124
WOMAN: (ON TV) What do you mean
you don't know?
595
00:29:38,208 --> 00:29:40,583
-Aren't you a doctor?
-You...
596
00:29:40,667 --> 00:29:42,833
don't have to
do anything.
597
00:29:43,833 --> 00:29:45,208
Just relax.
598
00:29:46,875 --> 00:29:48,500
Nurse Paul is here.
599
00:29:48,583 --> 00:29:51,708
(IN SOUTHERN ACCENT)
I do declare, my big,
handsome man.
600
00:29:51,792 --> 00:29:53,500
(BOTH LAUGHING)
601
00:29:54,416 --> 00:29:56,166
PAUL: Don't worry, Dr. Mackie.
602
00:29:57,208 --> 00:29:58,667
You're in good hands.
603
00:29:58,750 --> 00:30:02,416
-WOMAN: You saved me.
-I was only doing my job.
604
00:30:06,208 --> 00:30:08,083
I'm sorry.
I'll make it up to you.
605
00:30:08,166 --> 00:30:09,583
It's not your fault.
606
00:30:25,291 --> 00:30:28,291
♪ (MUSIC PLAYS
IN BACKGROUND) ♪
607
00:30:28,375 --> 00:30:30,875
-(INDISTINCT CHATTER)
-Thank you.
608
00:30:32,249 --> 00:30:33,999
-Hey.
-Hey.
609
00:30:34,083 --> 00:30:36,166
-Thanks for stopping by.
-Yeah. What's up?
610
00:30:36,249 --> 00:30:38,541
I want you to come talk
to some people...
611
00:30:38,625 --> 00:30:40,166
about what you do.
612
00:30:40,249 --> 00:30:42,416
-What I do?
-Your films.
613
00:30:43,958 --> 00:30:45,333
Okay. Who am I talking to?
614
00:30:45,416 --> 00:30:47,333
Woman Against Pornography.
615
00:30:47,416 --> 00:30:51,416
(LAUGHS) Why the fuck
would I do that?
616
00:30:52,249 --> 00:30:53,625
No, I've seen those ladies
617
00:30:53,708 --> 00:30:56,750
parading out
in front of the peeps.
618
00:30:56,833 --> 00:30:59,833
Sad housewives,
pissed-off lesbians...
619
00:30:59,917 --> 00:31:01,833
-and Loretta!
-Who, me?
620
00:31:01,917 --> 00:31:03,667
Not all. Not all.
621
00:31:03,750 --> 00:31:05,249
Some of them are movers
and shakers.
622
00:31:05,333 --> 00:31:08,875
Dworkin, a few others.
They're thinkers.
623
00:31:08,958 --> 00:31:12,541
And they believe they can get
a federal law on the books...
624
00:31:12,625 --> 00:31:14,208
to ban pornography.
625
00:31:16,124 --> 00:31:19,166
Why do they wanna talk to me?
I make dirty movies.
626
00:31:21,375 --> 00:31:22,625
They're feminists.
627
00:31:23,458 --> 00:31:24,500
So are you.
628
00:31:25,375 --> 00:31:26,416
(SCOFFS) Oh, I am?
629
00:31:26,500 --> 00:31:29,375
-Yeah! You are.
-I mean...
630
00:31:29,458 --> 00:31:31,541
Isn't that what your movies
are saying?
631
00:31:31,625 --> 00:31:32,750
Think about it.
632
00:31:32,833 --> 00:31:34,208
I'm just making my movies
for me.
633
00:31:34,291 --> 00:31:36,541
My movies say
what I want 'em to say.
634
00:31:36,625 --> 00:31:38,958
Okay then. Tell 'em that.
635
00:31:40,458 --> 00:31:42,500
Candy, these women are about
to take something
636
00:31:42,583 --> 00:31:44,917
that was meant to be a campaign
637
00:31:44,999 --> 00:31:48,541
-about the objectification
of women...
-CANDY: Mm-hm.
638
00:31:48,625 --> 00:31:51,375
and hand it to Ronnie Reagan,
so he can use feminism
639
00:31:51,458 --> 00:31:52,792
to beat down open speech.
640
00:31:53,583 --> 00:31:55,249
Just... go with me.
641
00:31:55,333 --> 00:31:59,750
And tell them you're a woman,
and you shoot fuck films,
642
00:31:59,833 --> 00:32:02,083
because they say exactly what
you wanna say.
643
00:32:02,166 --> 00:32:03,999
Make them tell you you're wrong.
644
00:32:05,249 --> 00:32:06,958
Because you're not wrong.
645
00:32:07,041 --> 00:32:09,708
(INDISTINCT CHATTER)
646
00:32:13,917 --> 00:32:16,541
(WINDOW WINDS DOWN)
647
00:32:21,166 --> 00:32:22,249
DOORMAN: Hey!
648
00:32:22,333 --> 00:32:23,625
You can't park here.
649
00:32:23,708 --> 00:32:25,458
-I'm not staying.
-DOORMAN: I know you're not.
650
00:32:25,541 --> 00:32:27,500
That's my cab lane
you're blocking.
651
00:32:27,583 --> 00:32:29,416
All right, girls.
You got my beeper number.
652
00:32:29,500 --> 00:32:30,792
I'll stay close.
653
00:32:37,166 --> 00:32:39,083
LEON:
Pick up: chili and a hot dog.
654
00:32:39,166 --> 00:32:40,500
We got an order of...
655
00:32:40,583 --> 00:32:44,500
(GRUNTS) Apple pie with a slice
of melty yellow cheese.
656
00:32:44,583 --> 00:32:45,708
You want some?
657
00:32:46,541 --> 00:32:48,166
I'm trying to lose a few.
658
00:32:49,500 --> 00:32:50,958
Well, you could take
that rug off.
659
00:32:51,041 --> 00:32:52,208
There's a couple right there.
660
00:32:52,291 --> 00:32:53,375
That's not funny.
661
00:32:53,458 --> 00:32:55,708
-(LAUGHS) Wait, that--
-Fuck you.
662
00:32:57,375 --> 00:32:59,124
Hey, don't you, uh...
663
00:32:59,208 --> 00:33:00,750
Don't you gotta be going through
the, uh...
664
00:33:00,833 --> 00:33:03,708
parlors about now? It's your--
It's your busy time.
665
00:33:04,917 --> 00:33:07,041
There's no busy time anymore.
666
00:33:07,124 --> 00:33:10,500
Not as many are coming in with
that virus scaring everybody.
667
00:33:10,583 --> 00:33:12,875
Those that do
wrap themselves in plastic,
668
00:33:12,958 --> 00:33:14,375
just to get their dicks nibbled.
669
00:33:14,999 --> 00:33:16,249
Pathetic.
670
00:33:18,999 --> 00:33:20,083
Glad I'm married.
671
00:33:21,249 --> 00:33:22,375
Me too.
672
00:33:24,249 --> 00:33:29,249
I'll tell ya, the real money now
is the outcall.
673
00:33:29,333 --> 00:33:31,375
Parties especially.
674
00:33:31,458 --> 00:33:33,333
Half the guys don't wanna fuck.
675
00:33:33,416 --> 00:33:34,917
They just want the girls
to dance
676
00:33:34,999 --> 00:33:36,500
or eat each other's pussy.
677
00:33:36,583 --> 00:33:38,667
Or maybe take 'em
in the back room for a blow,
678
00:33:38,750 --> 00:33:41,041
but they still tip
like it's straight fucking.
679
00:33:41,917 --> 00:33:43,500
Easy money for the girls.
680
00:33:43,583 --> 00:33:46,583
All it costs me is gas money
and some car rentals.
681
00:33:48,458 --> 00:33:52,041
You know, I remember when
sex was sex.
682
00:33:52,124 --> 00:33:54,083
(SIGHS) Yeah.
683
00:33:57,792 --> 00:33:59,083
Speaking of which,
684
00:34:00,416 --> 00:34:03,500
Rudy came in last night
for some trim.
685
00:34:03,583 --> 00:34:05,375
And he was crying about
you not giving him
686
00:34:05,458 --> 00:34:08,375
-no piece of your movies.
-What the fuck?
687
00:34:08,458 --> 00:34:10,875
His feelings are hurt.
688
00:34:10,958 --> 00:34:13,458
-Throw him a little somethin'.
-All right!
689
00:34:14,625 --> 00:34:15,958
But keep the peace.
690
00:34:16,041 --> 00:34:19,208
All right, I said! Jesus Christ!
691
00:34:19,291 --> 00:34:23,208
Fucking guy. Left, right,
and fucking center!
692
00:34:23,291 --> 00:34:24,792
Fucking sawed-off guinea.
693
00:34:24,875 --> 00:34:27,166
-Just wears you down.
-LEON: Order up. Two pork chops
694
00:34:27,249 --> 00:34:28,875
-with mashed potatoes...
-Goddamn.
695
00:34:28,958 --> 00:34:31,041
LEON: ...chicken and waffles,
thighs only,
696
00:34:31,124 --> 00:34:32,625
two scrambled eggs
697
00:34:32,708 --> 00:34:34,416
-with pancakes.
-Have some fucking pie,
why don't ya?
698
00:34:35,458 --> 00:34:36,500
Fine.
699
00:34:36,583 --> 00:34:38,041
-It'll cost ya one wig.
-Hey!
700
00:34:38,124 --> 00:34:40,500
-Don't fucking touch that thing.
-(LAUGHS)
701
00:34:42,833 --> 00:34:45,999
(BEEPING)
702
00:34:49,041 --> 00:34:50,124
Shit.
703
00:34:52,333 --> 00:34:54,833
(PHONE RINGS)
704
00:34:56,750 --> 00:34:57,875
(ELEVATOR DINGS)
705
00:34:59,375 --> 00:35:03,875
Excuse me. Excuse me!
Hey! Hey! Hey!
706
00:35:03,958 --> 00:35:05,333
Hey, hey!
707
00:35:05,416 --> 00:35:07,083
(ELEVATOR DINGS)
708
00:35:07,166 --> 00:35:10,166
XIOMARA: Frankie.
Come on. Please, please.
709
00:35:10,249 --> 00:35:11,999
Go. Quick!
710
00:35:13,917 --> 00:35:15,416
-Okay, do something.
-What happened?
711
00:35:15,500 --> 00:35:17,249
He-- He wanted to be fed lobster
while getting blown.
712
00:35:17,333 --> 00:35:18,667
Why didn't you call security?
713
00:35:18,750 --> 00:35:20,291
You said,
for trouble to call you!
714
00:35:20,375 --> 00:35:21,416
Fuck.
715
00:35:21,500 --> 00:35:22,917
-I told you to call 911.
-What the fuck?
716
00:35:22,999 --> 00:35:24,249
-I told you.
-What the fuck is happening?
717
00:35:24,333 --> 00:35:25,625
What the fuck is happening
right now?
718
00:35:25,708 --> 00:35:27,792
(GRUNTS) Fuck.
719
00:35:27,875 --> 00:35:30,249
Do the thing.
Do the mouth thing.
720
00:35:30,958 --> 00:35:31,958
It's not working.
721
00:35:32,041 --> 00:35:33,667
-It's not working!
-Fuck!
722
00:35:34,792 --> 00:35:35,750
Get a pen.
723
00:35:35,833 --> 00:35:36,999
Get a fucking pen!
724
00:35:37,083 --> 00:35:40,249
(SOBS) Okay. Okay.
725
00:35:40,333 --> 00:35:42,541
-I can't find one an--
-Come on.
726
00:35:46,208 --> 00:35:48,833
What are you do--
What the-- What the fuck?
727
00:35:48,917 --> 00:35:50,541
-What the fuck?
-(SOBS)
728
00:35:50,625 --> 00:35:51,750
-(BOTH SHRIEK)
-Hush now.
729
00:35:53,458 --> 00:35:55,833
BAMBI: Oh, no.
This is your fault. I told you--
730
00:35:55,917 --> 00:35:58,166
-XIOMARA: Shut the fuck up!
-(KNOCKING ON DOOR)
731
00:35:58,249 --> 00:35:59,999
SECURITY GUARD:
Security. Open up!
732
00:36:01,124 --> 00:36:03,124
(BLOWING)
733
00:36:03,208 --> 00:36:04,375
Motherfucker!
734
00:36:04,458 --> 00:36:06,124
(CLAMORING)
735
00:36:06,208 --> 00:36:08,583
What are you doing?
They're breaking--
736
00:36:08,667 --> 00:36:10,416
Hey, he's saving him!
737
00:36:10,500 --> 00:36:12,833
(INDISTINCT SHOUTING)
738
00:36:12,917 --> 00:36:15,124
-(CANDY LAUGHS)
-HANK: Bermuda.
739
00:36:16,833 --> 00:36:19,124
-For the fucking weekend?
-Yeah.
740
00:36:20,792 --> 00:36:23,583
No, no, no.
No, there's a, um...
741
00:36:23,667 --> 00:36:25,333
There's an opening at La MaMa
742
00:36:25,416 --> 00:36:26,583
that I wanna see
on Friday night.
743
00:36:26,667 --> 00:36:27,958
There's one actor
in particular...
744
00:36:28,041 --> 00:36:29,875
(SIGHS) What's he playing?
A rock?
745
00:36:29,958 --> 00:36:35,083
Or maybe he's Death himself
with a scythe and a dildo.
(CHUCKLES)
746
00:36:35,166 --> 00:36:37,833
I think I've seen everything
that off-off Broadway
747
00:36:37,917 --> 00:36:39,541
has to offer. Come on.
748
00:36:40,667 --> 00:36:42,041
-Oh, thanks.
-Bermuda.
749
00:36:43,500 --> 00:36:46,458
I... Oh, I can't go away
this weekend.
750
00:36:50,625 --> 00:36:51,999
Is he better looking than me?
751
00:36:52,083 --> 00:36:53,625
I bet he's got a full head
of hair.
752
00:36:53,708 --> 00:36:55,291
(LAUGHS) No.
753
00:36:55,375 --> 00:36:58,541
I gotta cast my movie.
754
00:36:58,625 --> 00:37:01,291
I don't-- I don't get the point
of finding everybody now.
755
00:37:01,375 --> 00:37:04,249
You're talking
about shooting it piecemeal
756
00:37:04,333 --> 00:37:05,875
between paying jobs, right?
757
00:37:05,958 --> 00:37:07,458
-Mm-hm.
-So...
758
00:37:07,541 --> 00:37:09,208
what's the point in finding
everybody now
759
00:37:09,291 --> 00:37:12,708
if you're just gonna wait
for months to use some of them?
760
00:37:12,792 --> 00:37:15,667
So, what? Start with the scenes
based on which actors
761
00:37:15,750 --> 00:37:18,041
I can find first?
That's not a bad idea.
762
00:37:18,124 --> 00:37:20,208
You're welcome.
So, we're going this weekend?
763
00:37:20,291 --> 00:37:23,166
RONALD REAGAN: (ON TV)
...thank you for sharing
your time with me tonight.
764
00:37:23,249 --> 00:37:24,875
The subject I wanna discuss
with you,
765
00:37:24,958 --> 00:37:28,041
peace and national security,
is both timely and important.
766
00:37:28,124 --> 00:37:29,792
Timely, because I have reached
a decision,
767
00:37:29,875 --> 00:37:32,083
which offers a new hope
for our children...
768
00:37:32,166 --> 00:37:34,458
When shall we three meet again?
769
00:37:35,291 --> 00:37:36,500
In thunder,
770
00:37:36,583 --> 00:37:38,083
-lightning...
-Ah, the Scottish play.
771
00:37:38,166 --> 00:37:39,999
-...or in rain?
-No, no. It's Macbeth.
772
00:37:40,083 --> 00:37:42,875
ACTOR:
When the hurly-burly's done,
when the battle's lost and won.
773
00:37:44,375 --> 00:37:47,166
-(INDISTINCT CHATTER)
-(SIREN WAILS)
774
00:38:11,500 --> 00:38:12,667
(SIGHS)
775
00:38:18,875 --> 00:38:19,875
(GRUNTS)
776
00:38:22,416 --> 00:38:23,999
(SIGHS)
777
00:38:26,249 --> 00:38:27,333
Stay.
778
00:38:33,333 --> 00:38:34,375
(SIGHS)
779
00:38:35,124 --> 00:38:36,208
ABBY: Close your eyes.
780
00:38:37,083 --> 00:38:38,124
What?
781
00:38:38,208 --> 00:38:40,249
ABBY:
Close your eyes, Vincent.
782
00:38:42,333 --> 00:38:43,875
'Kay. They're closed.
783
00:38:58,208 --> 00:38:59,416
Open your eyes.
784
00:39:02,083 --> 00:39:03,249
(CHUCKLES)
785
00:39:04,750 --> 00:39:05,875
Make a wish.
786
00:39:06,583 --> 00:39:07,917
(SIGHS)
787
00:39:15,500 --> 00:39:16,875
I hope it comes true.
788
00:39:18,208 --> 00:39:19,583
You sure about that?
789
00:39:26,166 --> 00:39:27,249
Come here.
790
00:39:42,792 --> 00:39:45,208
HADDIX: So, what,
is it like a-- like a pus?
791
00:39:45,291 --> 00:39:47,416
-(PHONE RINGING)
-A pus. Well, take a look.
792
00:39:47,500 --> 00:39:49,792
Just get a mirror, like
a bathroom pocket-book mirror,
793
00:39:49,875 --> 00:39:51,625
and hold it underneath.
794
00:39:51,708 --> 00:39:53,333
And if it's you, Sammy,
no one's gonna believe
795
00:39:53,416 --> 00:39:55,541
it's a hooker anyway, right?
796
00:39:55,625 --> 00:39:58,708
Uh... Hold that thought. A suit
just walked into my office.
797
00:39:58,792 --> 00:40:00,583
I gotta go. All right.
798
00:40:03,083 --> 00:40:04,291
-(PHONE RINGING)
-(HADDIX SIGHS)
799
00:40:04,375 --> 00:40:05,917
Hey, guys. Give us a minute,
all right?
800
00:40:05,999 --> 00:40:07,291
POLICE OFFICER:
Sure thing, Mike.
801
00:40:10,083 --> 00:40:11,541
Back in five.
802
00:40:11,625 --> 00:40:14,124
WOMAN: (OVER PA)
Officer Dugan, move your car.
803
00:40:14,208 --> 00:40:16,667
You're blocking someone
trying to go home.
804
00:40:17,333 --> 00:40:18,416
A suit?
805
00:40:19,625 --> 00:40:21,166
You ain't that?
806
00:40:21,249 --> 00:40:23,333
I remember when you were
in the bag, Alston.
807
00:40:23,416 --> 00:40:25,041
-I remember you--
-Yeah,
808
00:40:25,124 --> 00:40:26,875
we were all in the bag once.
809
00:40:28,583 --> 00:40:30,166
I need some help with somethin'.
810
00:40:32,667 --> 00:40:34,333
Something I don't know
how to do.
811
00:40:35,291 --> 00:40:36,541
How to do it.
812
00:40:36,625 --> 00:40:38,667
Who I would ask. How it happens.
813
00:40:39,416 --> 00:40:40,583
I don't got a clue.
814
00:40:40,667 --> 00:40:41,917
And I do?
815
00:40:41,999 --> 00:40:43,750
What happened to your new
messiah, Jack Maple?
816
00:40:43,833 --> 00:40:45,249
It's not police work.
817
00:40:45,333 --> 00:40:47,333
POLICE OFFICER: Uh...
The file's back on my desk.
818
00:40:52,166 --> 00:40:54,083
-(PHONES RINGING)
-Sounds fucked up.
819
00:40:54,166 --> 00:40:57,124
WOMAN: (OVER PA)
Whoever's got the voucher log,
bring it back to the desk,
820
00:40:57,208 --> 00:40:59,041
-please!
-That bad?
821
00:41:01,124 --> 00:41:03,124
When it's that bad
and that fucked up,
822
00:41:03,208 --> 00:41:04,708
there's usually
a hell of a price tag.
823
00:41:06,958 --> 00:41:09,083
♪ (HORROR MUSIC PLAYS
ON TV) ♪
824
00:41:11,541 --> 00:41:15,208
-(GROWLING)
-(OWL HOOTS)
825
00:41:22,208 --> 00:41:24,999
-(WOLF HOWLING)
-Enough.
826
00:41:25,083 --> 00:41:27,124
No. Hey, we're just getting
to the good part.
827
00:41:27,208 --> 00:41:29,875
-The money shot, as it were?
-No, there's no money shot
828
00:41:29,958 --> 00:41:31,875
in this one.
The wolf's gonna get his.
829
00:41:31,958 --> 00:41:33,458
The point we're trying to make,
830
00:41:33,541 --> 00:41:35,625
the reason I asked Eileen
to come to speak to us tonight--
831
00:41:35,708 --> 00:41:37,166
-Us?
-CELINE: Come on, Abby,
832
00:41:37,249 --> 00:41:40,333
you haven't stood with us
in a long time now.
833
00:41:40,416 --> 00:41:42,750
Still standing
in the same place.
834
00:41:42,833 --> 00:41:44,958
And we've moved on, yes.
835
00:41:45,041 --> 00:41:48,249
Andrea, putting me aside
for a moment,
836
00:41:48,333 --> 00:41:50,583
the reason it's so dangerous
to think that
837
00:41:50,667 --> 00:41:53,208
there's
a one-size-fits-all answer to...
838
00:41:53,291 --> 00:41:57,333
pornography, or, uh, obscenity,
or prostitution--
839
00:41:57,416 --> 00:41:59,541
Yes, it's because...
840
00:42:00,249 --> 00:42:01,875
um...
841
00:42:01,958 --> 00:42:06,416
what you wanna say about
men and women and fucking
842
00:42:06,500 --> 00:42:08,833
is probably not the same thing
I wanna say, right?
843
00:42:08,917 --> 00:42:11,541
So, we're all intelligent
people here.
844
00:42:11,625 --> 00:42:15,792
We have to find some way
to be okay with that difference.
845
00:42:15,875 --> 00:42:18,792
You're doing fine.
You're on the other side of
the camera now.
846
00:42:18,875 --> 00:42:20,625
I'm sorry,
I forgot your name.
847
00:42:20,708 --> 00:42:22,124
Andrea.
848
00:42:22,208 --> 00:42:26,041
Andrea. Uh... I was fine with it
when I was fucking on film.
849
00:42:26,124 --> 00:42:28,124
Yeah, I was fine with it when
I was fucking in the street.
850
00:42:28,208 --> 00:42:30,667
-Those were choices I made.
-And you've done well by them.
851
00:42:30,750 --> 00:42:32,041
Well, I've done what I've done.
852
00:42:32,124 --> 00:42:34,249
That makes sense to me,
maybe not to you.
853
00:42:34,333 --> 00:42:35,999
And this makes sense to me.
854
00:42:36,083 --> 00:42:37,667
Not to you, okay.
855
00:42:37,750 --> 00:42:39,458
But if we're...
856
00:42:39,541 --> 00:42:41,667
gonna stand together on this
as women--
857
00:42:41,750 --> 00:42:44,833
I mean, look, you're not gonna
wanna tell me who I can fuck,
right?
858
00:42:44,917 --> 00:42:47,291
You don't wanna do that.
You don't wanna tell me...
859
00:42:48,249 --> 00:42:50,708
what should turn me on.
860
00:42:50,792 --> 00:42:52,917
It's just the same
with what I film.
861
00:42:52,999 --> 00:42:54,541
It's the same goddamn thing,
862
00:42:54,625 --> 00:42:56,750
because I'm not trying
to clean shit up.
863
00:42:56,833 --> 00:42:59,708
When I'm filming people fucking,
864
00:42:59,792 --> 00:43:04,333
what I'm after is the truest,
wildest shit
865
00:43:04,416 --> 00:43:05,958
that's already in all our heads.
866
00:43:06,041 --> 00:43:07,917
I mean, that's the truth
I'm after.
867
00:43:07,999 --> 00:43:10,500
I'm sorry, who are you?
(LAUGHS)
868
00:43:10,583 --> 00:43:14,750
To come in here and pretend
that your outcome, right,
869
00:43:14,833 --> 00:43:16,458
your personal achievements
870
00:43:16,541 --> 00:43:19,291
in a multi-million dollar
industry
871
00:43:19,375 --> 00:43:24,375
that feeds off and fuels
American sexual oppression
872
00:43:24,458 --> 00:43:27,458
are representative
of what awaits other women.
873
00:43:27,541 --> 00:43:29,958
Are they becoming auteurs?
874
00:43:30,041 --> 00:43:32,750
Are they gonna get paid
for their vision?
875
00:43:32,833 --> 00:43:34,875
You think I was born with
a camera in my hand?
876
00:43:34,958 --> 00:43:36,500
N-- (SIGHS) No.
877
00:43:36,583 --> 00:43:37,917
Do you know where I've been?
878
00:43:37,999 --> 00:43:39,958
You know how hard it was
for me to get here?
879
00:43:40,041 --> 00:43:41,416
-This is pointless.
-CANDY: Why?
880
00:43:41,500 --> 00:43:42,833
-I know.
-ABBY: Andrea,
881
00:43:42,917 --> 00:43:44,875
-this is a woman that--
-ANDREA DWORKIN: No. No, no, no.
882
00:43:44,958 --> 00:43:49,041
The anecdotal does not help us
here, Abby.
883
00:43:49,124 --> 00:43:53,166
The anecdotal is the problem,
because the fact remains that
884
00:43:53,249 --> 00:43:55,333
for every prostitute who thinks
885
00:43:55,416 --> 00:43:58,208
that she can manage
her own commodification,
886
00:43:58,291 --> 00:44:00,625
there are two dozen who can't.
887
00:44:00,708 --> 00:44:03,583
Okay. They're brutalized
by the process.
888
00:44:03,667 --> 00:44:06,500
For every porn actress
who thinks she can stand
889
00:44:06,583 --> 00:44:09,166
in the light,
there are two dozen who are
890
00:44:09,249 --> 00:44:11,792
-used up and tossed aside.
-Okay.
891
00:44:11,875 --> 00:44:13,124
You are the strong one.
892
00:44:13,208 --> 00:44:16,208
That's very good for you,
Candy. Or...
893
00:44:16,291 --> 00:44:17,999
Arlene, or whatever
your name is.
894
00:44:18,083 --> 00:44:21,124
But how many women do you know
who've done what you've done,
895
00:44:21,208 --> 00:44:25,124
whose outcome was not yours?
Where are they now?
896
00:44:25,208 --> 00:44:28,625
And how many are better
because of this brave new world,
897
00:44:28,708 --> 00:44:31,124
and how many are worse?
And, remember,
898
00:44:31,208 --> 00:44:35,124
for every playful little scene
of some self-actualized
899
00:44:35,208 --> 00:44:38,999
Red Riding Hood, vanquishing
her fears and inhibitions,
900
00:44:39,083 --> 00:44:43,333
there are a dozen videotapes
up on Eighth Avenue of women
901
00:44:43,416 --> 00:44:48,541
being gang-banged or tortured,
or made to fuck everything.
902
00:44:48,625 --> 00:44:49,999
What about those women?
903
00:44:50,083 --> 00:44:51,750
Are you speaking for them?
904
00:44:54,500 --> 00:44:55,583
Uh...
905
00:45:03,667 --> 00:45:06,249
(SCOFFS) I-- I don't know.
906
00:45:08,416 --> 00:45:09,750
But I'm speaking.
907
00:45:09,833 --> 00:45:13,792
So are we, okay? And we
are doing so for every woman
908
00:45:13,875 --> 00:45:18,208
who now has to be seen
and considered...
909
00:45:18,291 --> 00:45:22,083
and subordinated in light of
what you have made your work.
910
00:45:22,166 --> 00:45:25,750
For every woman who is raped
or tortured,
911
00:45:25,833 --> 00:45:29,083
if not because of what
you thought to film,
912
00:45:29,166 --> 00:45:31,833
then for all the help
that you gave them
913
00:45:31,917 --> 00:45:35,208
making that thinkable
for some pornographer
914
00:45:35,291 --> 00:45:37,124
to put up on screen.
915
00:45:40,083 --> 00:45:42,083
Excuse me.
916
00:45:42,166 --> 00:45:45,625
-(SCOFFS)
-(DOOR OPENS, CLOSES)
917
00:45:51,792 --> 00:45:55,625
(DOOR OPENS, CLOSES)
918
00:46:18,833 --> 00:46:20,166
Are you a fucking moron?
919
00:46:21,999 --> 00:46:25,333
Come on. Get out. Let's go. Go!
920
00:46:33,500 --> 00:46:35,375
(CAN CLATTERS)
921
00:47:02,041 --> 00:47:03,041
Really?
922
00:47:03,124 --> 00:47:04,833
What? It's just in case.
923
00:47:04,917 --> 00:47:07,541
-Yeah, go ahead. It's sulfate.
-Yes.
924
00:47:20,124 --> 00:47:22,083
Look, Candy, I'm sorry.
925
00:47:23,583 --> 00:47:25,625
-That was vicious.
-Yeah.
926
00:47:28,083 --> 00:47:29,750
Yeah, they were assholes.
927
00:47:37,583 --> 00:47:38,583
Fuck it!
928
00:47:44,625 --> 00:47:46,917
Maybe I needed to hear
some of that shit.
929
00:47:54,500 --> 00:47:57,041
Uh... Maybe I should just sing
and you should play.
930
00:47:57,124 --> 00:47:58,750
Whatever you want.
931
00:47:58,833 --> 00:48:00,124
Okay, thanks.
932
00:48:02,124 --> 00:48:07,166
♪ (PLAYS BLUES PROGRESSION) ♪
933
00:48:31,333 --> 00:48:32,917
Shouldn't even charge for this.
934
00:48:32,999 --> 00:48:35,833
(COUGHS)
935
00:48:37,917 --> 00:48:43,083
♪ Happy birthday to you ♪
936
00:48:43,166 --> 00:48:47,750
♪ Happy birthday to you ♪
937
00:48:47,833 --> 00:48:54,583
♪ Happy birthday
Dear... ♪ (ALL MUMBLING)
938
00:48:54,667 --> 00:49:00,333
♪ Happy birthday to you ♪
939
00:49:00,416 --> 00:49:01,792
One, two, three.
940
00:49:01,875 --> 00:49:04,416
(CHEERING, APPLAUSE)
941
00:49:04,500 --> 00:49:06,291
FRANKIE: Ah!
942
00:49:08,249 --> 00:49:09,750
Officially, we're late.
943
00:49:09,833 --> 00:49:12,416
-It's after midnight.
-Boo!
944
00:49:12,500 --> 00:49:14,249
My brother could ruin
a wet dream.
945
00:49:14,333 --> 00:49:17,208
(ALL LAUGHING, CLAMORING)
946
00:49:17,291 --> 00:49:18,750
(LAUGHTER)
947
00:49:18,833 --> 00:49:22,124
One more trip around the sun
for the Martino brothers!
948
00:49:22,208 --> 00:49:24,416
(ALL CHEERING)
949
00:49:24,500 --> 00:49:25,917
VINCENT: Thank you!
950
00:49:25,999 --> 00:49:28,208
♪ ("HAPPY BIRTHDAY"
BY ALTERED IMAGES PLAYS) ♪
951
00:49:30,333 --> 00:49:33,625
♪ Happy, happy birthday
In a hot bath ♪
952
00:49:33,708 --> 00:49:35,083
Hey! Some champagne.
953
00:49:36,583 --> 00:49:38,291
♪ I remember always, always ♪
954
00:49:38,375 --> 00:49:39,833
Hey babe, will you grab me
some bubbly?
955
00:49:39,917 --> 00:49:42,333
-I'll be right back. Okay?
-You got it.
956
00:49:42,416 --> 00:49:45,792
-♪ Seeing them
In my dark cupboard ♪
-Yes.
957
00:49:45,875 --> 00:49:47,458
♪ With my great big cake ♪
958
00:49:47,541 --> 00:49:48,958
All right. Let's go.
959
00:49:49,041 --> 00:49:51,291
♪ If they were me
If they were me ♪
960
00:49:51,375 --> 00:49:53,999
♪ And I was you
And I was you ♪
961
00:49:54,083 --> 00:49:55,458
What the fuck is it now?
962
00:49:55,541 --> 00:49:56,917
You know what now.
You keep steppin' on my shit.
963
00:49:56,999 --> 00:49:59,041
Oh, did I? Well, you know what?
964
00:49:59,124 --> 00:50:01,166
You're the only one
who complains.
965
00:50:01,249 --> 00:50:02,500
Am I right, George?
966
00:50:04,333 --> 00:50:07,999
Everybody else is getting
their head up on our shit.
967
00:50:08,083 --> 00:50:09,541
Except you.
968
00:50:09,625 --> 00:50:12,667
You're the only one who keeps
running back to Tommy Longo
969
00:50:12,750 --> 00:50:14,166
to get your fucking discount.
970
00:50:14,249 --> 00:50:17,124
Well, you know what?
I'm done with your bullshit.
971
00:50:20,875 --> 00:50:22,667
This ain't right.
972
00:50:22,750 --> 00:50:25,458
♪ I got such a fright ♪
973
00:50:25,541 --> 00:50:27,416
♪ Seeing them
In my dark cupboard ♪
974
00:50:27,500 --> 00:50:29,917
-Goddamn it!
-(PHONE HANGS UP)
975
00:50:31,583 --> 00:50:32,958
Vince.
976
00:50:33,041 --> 00:50:34,500
I gotta go.
977
00:50:34,583 --> 00:50:37,041
-What's the problem?
-Black Frankie is at Rikers.
978
00:50:37,124 --> 00:50:38,333
What the hell happened?
979
00:50:38,416 --> 00:50:39,667
Something went wrong at a hotel.
980
00:50:39,750 --> 00:50:41,541
They fucked up one of
the outcall johns.
981
00:50:42,249 --> 00:50:43,166
How bad?
982
00:50:43,249 --> 00:50:44,333
Attempted murder.
983
00:50:44,416 --> 00:50:47,249
I gotta go find a lawyer
and a bondsman.
984
00:50:47,333 --> 00:50:48,875
Tell Fran I had an emergency.
985
00:50:48,958 --> 00:50:50,458
Make sure you walk her
to the car.
986
00:50:50,541 --> 00:50:52,375
Yeah, all right.
987
00:50:52,458 --> 00:50:54,333
♪ ("EVERYBODY WANTS TO
RULE THE WORLD"
BY TEARS FOR FEARS PLAYS) ♪
988
00:50:54,416 --> 00:50:57,458
FRANKIE:
All right, first birthday dance
goes to you, Miss Fuego.
989
00:50:57,541 --> 00:50:58,958
CHRISTINA: Who, me? (LAUGHS)
990
00:50:59,041 --> 00:51:00,958
FRANKIE: Oh! Oh, oh, oh, oh.
991
00:51:08,792 --> 00:51:09,833
Uh-oh.
992
00:51:13,750 --> 00:51:14,917
You wanna dance?
993
00:51:14,999 --> 00:51:18,833
♪ Welcome to your life ♪
994
00:51:18,917 --> 00:51:23,166
-♪ There's no turning back ♪
-(LAUGHS)
995
00:51:23,249 --> 00:51:27,416
♪ Even while we sleep ♪
996
00:51:27,500 --> 00:51:33,667
♪ We will find you acting on
Your best behavior... ♪
997
00:51:33,750 --> 00:51:36,750
(SINGING)
♪ I come home, sad and lonely ♪
998
00:51:36,833 --> 00:51:39,458
♪ Feel like I wanna cry ♪
999
00:51:39,541 --> 00:51:45,416
♪ I want a man to hold me
Not some fool to ask me why ♪
1000
00:51:45,500 --> 00:51:49,375
♪ And I need someone
To love me ♪
1001
00:51:50,500 --> 00:51:53,166
♪ And darling I know you can ♪
1002
00:51:53,249 --> 00:51:57,750
-♪ (GUITAR STRUMS) ♪
-(INDISTINCT CHATTER)
1003
00:51:57,833 --> 00:52:00,875
♪ Don't you put yourself
Above me ♪
1004
00:52:00,958 --> 00:52:05,958
♪ Just love me like a man ♪
1005
00:52:08,416 --> 00:52:10,667
♪ (GUITAR STRUMMING ENDS) ♪
1006
00:52:10,750 --> 00:52:14,583
(CHEERING
AND SCATTERED APPLAUSE)
1007
00:52:14,667 --> 00:52:16,583
(INDISTINCT CHATTER)
1008
00:52:16,667 --> 00:52:17,833
Thank you.
1009
00:52:22,458 --> 00:52:25,291
-You're Lori Madison, right?
-No.
1010
00:52:25,375 --> 00:52:26,999
You sounded great, babe.
1011
00:52:35,999 --> 00:52:39,166
(PERFORMER SPEAKS INDISTINCTLY)
1012
00:52:43,833 --> 00:52:46,583
Whatever you want me to do,
I'll do.
1013
00:52:46,667 --> 00:52:49,667
You want me to fuck, I'll fuck.
You want me to suck, I'll suck.
1014
00:52:49,750 --> 00:52:51,792
You wanna shove a fucking broom
up my ass...
1015
00:52:51,875 --> 00:52:54,833
I can sweep up the set floor
while I do everything else.
1016
00:52:54,917 --> 00:52:56,708
-Lori...
-LORI: Okay?
1017
00:52:56,792 --> 00:52:59,124
You win. I can't do
anything else. You happy?
1018
00:52:59,208 --> 00:53:02,750
♪ (MAN PLAYING
"HOUSE OF THE RISING SUN") ♪
1019
00:53:04,375 --> 00:53:06,333
-ALSTON: Who called it in?
-FIRE INVESTIGATOR: Anonymous.
1020
00:53:06,416 --> 00:53:09,458
-ALSTON: What d'you find?
-Oh, a set fire definitely.
1021
00:53:09,541 --> 00:53:11,625
Accelerant's petroleum-based.
1022
00:53:11,708 --> 00:53:13,792
Pour pattern evident
on the floor.
1023
00:53:14,875 --> 00:53:16,333
Whole shit-pile would have
gone up
1024
00:53:16,416 --> 00:53:18,249
if the guy had checked
the air vent in that room.
1025
00:53:19,833 --> 00:53:21,375
It was shut.
1026
00:53:21,458 --> 00:53:23,208
-Thank you.
-Yeah.
1027
00:53:26,500 --> 00:53:30,958
(INDISTINCT CHATTER
OVER POLICE RADIO)
1028
00:53:31,041 --> 00:53:34,583
When you speak of me,
speak well.
1029
00:53:44,291 --> 00:53:46,750
Frankie, this is gonna hurt.
1030
00:53:46,833 --> 00:53:48,375
♪ ("FEVER" BY SYLVESTER PLAYS) ♪
1031
00:53:48,458 --> 00:53:50,583
MAN: Kings full of tens!
1032
00:53:50,667 --> 00:53:52,124
Fuck you.
1033
00:53:52,208 --> 00:53:54,333
You bring a full boat
to my straight on my birthday!
1034
00:53:54,416 --> 00:53:55,917
That's not how friends
treat friends.
1035
00:53:55,999 --> 00:53:58,166
You want me to fold
with a full house
1036
00:53:58,249 --> 00:54:01,958
because your mother dropped you
one day and not the next.
1037
00:54:02,625 --> 00:54:03,792
No, malaka.
1038
00:54:03,875 --> 00:54:05,124
-(LAUGHS)
-Frankie, Georgie raped you.
1039
00:54:05,208 --> 00:54:07,375
You all are fucking degenerates.
1040
00:54:07,458 --> 00:54:09,667
I'm actually going to bed.
1041
00:54:09,750 --> 00:54:10,917
Kalinixta.
1042
00:54:16,124 --> 00:54:17,667
Hey!
1043
00:54:17,750 --> 00:54:19,667
Happy birthday, you little shit!
1044
00:54:21,124 --> 00:54:23,833
What, you givin' up?
The shake of the evening.
1045
00:54:25,291 --> 00:54:26,541
Don't hurt yourself.
1046
00:54:40,833 --> 00:54:43,500
(GUNSHOT, GLASS SHATTERING)
1047
00:54:43,583 --> 00:54:47,999
(GUNSHOTS)
1048
00:54:55,708 --> 00:54:57,333
MAN: Holy shit!
1049
00:54:57,416 --> 00:55:00,416
(GUNSHOTS RICOCHET)
1050
00:55:02,625 --> 00:55:04,999
-Open the door!
-♪ (MUSIC PLAYS LOUDLY) ♪
1051
00:55:05,083 --> 00:55:08,083
-Open the fucking door!
-(DOOR BUZZING)
1052
00:55:09,208 --> 00:55:11,333
-BOUNCER: What happened?
-Motherfucker!
1053
00:55:11,416 --> 00:55:12,750
I thought you left.
1054
00:55:12,833 --> 00:55:15,249
I did, th-- There's some
fucking asshole out there
1055
00:55:15,333 --> 00:55:16,999
shooting up the fucking block.
1056
00:55:20,208 --> 00:55:21,291
MAN: Oh shit!
1057
00:55:21,375 --> 00:55:24,083
WOMAN: Come on!
Let's get out of here.
1058
00:55:24,999 --> 00:55:27,249
Frankie. Shit.
1059
00:55:28,625 --> 00:55:31,625
-Fuck. Go get Vince!
-(FRANKIE GROANS)
1060
00:55:31,708 --> 00:55:34,124
-Shit. Fuck, Frankie!
-BOUNCER: Vince! Vince!
1061
00:55:34,208 --> 00:55:35,625
Yo! Come quick!
1062
00:55:35,708 --> 00:55:36,625
Fuck!
1063
00:55:36,708 --> 00:55:38,458
BOUNCER: Vince, come on!
1064
00:55:39,083 --> 00:55:40,083
Shit!
1065
00:55:44,291 --> 00:55:45,375
Shit!
1066
00:55:55,625 --> 00:55:56,750
VINCENT: Frankie.
1067
00:55:58,416 --> 00:55:59,792
What happened?
1068
00:55:59,875 --> 00:56:01,875
-BOUNCER:
Call a fucking ambulance.
-Hey.
1069
00:56:04,541 --> 00:56:06,291
BOUNCER: Hey, yo,
cut the fucking music!
1070
00:56:08,249 --> 00:56:09,625
-♪ (MUSIC STOPS) ♪
-Little brother.
1071
00:56:10,375 --> 00:56:12,833
Don't. Don't. Don't.
1072
00:56:12,917 --> 00:56:15,208
(CONFUSED CHATTER)
1073
00:56:15,291 --> 00:56:17,625
-The rule.
-BOUNCER: Back the fuck up!
1074
00:56:17,708 --> 00:56:18,875
What rule?
1075
00:56:23,500 --> 00:56:24,958
Infield fly...
1076
00:56:26,792 --> 00:56:28,041
What?
1077
00:56:28,124 --> 00:56:29,999
BOUNCER: Back it up!
1078
00:56:30,083 --> 00:56:31,458
You never got it.
1079
00:56:32,541 --> 00:56:34,792
-It's simple.
-Frankie.
1080
00:56:37,208 --> 00:56:39,041
Two men on base.
1081
00:56:39,124 --> 00:56:40,708
Jesus Christ.
1082
00:56:40,792 --> 00:56:41,958
One out...
1083
00:56:42,917 --> 00:56:43,958
Frankie.
1084
00:56:46,124 --> 00:56:47,708
Don't. Frankie!
1085
00:56:47,792 --> 00:56:48,958
Simple.
1086
00:56:51,124 --> 00:56:52,166
Bet that.
1087
00:56:53,625 --> 00:56:54,667
Frankie!
1088
00:56:58,291 --> 00:57:00,708
(SOBS)
1089
00:57:08,667 --> 00:57:10,416
(CONTINUES SOBBING)
1090
00:57:10,500 --> 00:57:12,999
BOUNCER: Jesus Christ!
Where's the fucking ambulance?
1091
00:57:21,500 --> 00:57:22,667
(SOBS)
1092
00:57:24,625 --> 00:57:27,375
♪ (MUSIC PLAYS) ♪
78791
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