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These are the user uploaded subtitles that are being translated: 1 00:00:07,257 --> 00:00:12,804 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:12,804 --> 00:00:17,976 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:17,976 --> 00:00:24,524 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:24,524 --> 00:00:35,326 ♪ ♪ ♪ ♪ ♪ ♪ 5 00:00:35,326 --> 00:00:37,412 (CHEERS AND APPLAUSE ) >> James: GOOD EVENING, LADIES 6 00:00:37,412 --> 00:00:38,204 AND GENTLEMEN AND WELCOME TO THE "LATE, LATE SHOW." 7 00:00:38,204 --> 00:00:40,874 I HOPE YOU HAD A GREAT THURSDAY. 8 00:00:40,874 --> 00:00:43,042 WE'VE HAD A GOOD WEEK AT THE SHOW. 9 00:00:43,042 --> 00:00:44,043 I'VE ENJOYED THIS WEEK. 10 00:00:44,043 --> 00:00:46,921 IT'S BEEN A GOOD WEEK, YOU KNOW WHY? 11 00:00:46,921 --> 00:00:49,716 THE FABULOUS ALICIA KEYS HAS BEEN WITH US ALL WEEK LONG 12 00:00:49,716 --> 00:00:52,552 BLOWING US AWAY WITH HER PERFORMANCES EVERY NIGHT. 13 00:00:52,552 --> 00:00:55,221 BUT SADLY THIS IS OUR FINAL NIGHT OF ALICIA KEYS. 14 00:00:55,221 --> 00:01:01,227 IT IS ALICIA LEAVE. 15 00:01:01,227 --> 00:01:04,230 ALICIA, THE FINAL NIGHT. 16 00:01:04,230 --> 00:01:07,525 YOU KNOW WHAT I THINK, YOU KNOW SHE PLAYS PIANO. 17 00:01:07,525 --> 00:01:08,526 >> Reggie: YEAH. 18 00:01:08,526 --> 00:01:11,279 >> James: ALICIA KEYS. 19 00:01:11,279 --> 00:01:19,204 AND I SAID, I SAID YOU SHOULD CHANGE YOUR NAME TO ALICIA PIANO 20 00:01:19,204 --> 00:01:22,248 I DIDN'T HEAR WHAT SHE SAID, SHE HAD A MASK ON BUT IT WAS, BUT 21 00:01:22,248 --> 00:01:26,294 YOU KNOW WHO WILL BE HEAR NEXT WEEK? 22 00:01:26,294 --> 00:01:29,506 NO ONE, NO ONE, NO-- . 23 00:01:29,506 --> 00:01:33,259 ♪ IT IS NOT TRUEK WE HAVE SOME WONDERFUL GESESES. 24 00:01:33,259 --> 00:01:35,720 IT JUST WORKED WITH THE SONG. 25 00:01:35,720 --> 00:01:38,431 BUT ALICIA WILL BE SINGING FROM OUR PARKING LOT AGAIN TONIGHT. 26 00:01:38,431 --> 00:01:41,935 SHE WILL BE PERFORMING HER BRILLIANT SONG UNDERDOG. 27 00:01:41,935 --> 00:01:43,102 THEY'RE OUTSIDE GETTING READY FOR THAT. 28 00:01:43,102 --> 00:01:48,316 AND IT'S BEEN AN ABSOLUTE BLOODY, BLOODY PLEASURE HAVING 29 00:01:48,316 --> 00:01:50,109 H.E.R., HASN'T IT, REG. 30 00:01:50,109 --> 00:01:51,236 >> Reggie: TOP OF THE MORNING. 31 00:01:51,236 --> 00:01:53,279 >> James: YEAH, IT'S BEEN TOP OF THE MORNING. 32 00:01:53,279 --> 00:01:55,323 EVEN IN THE AFTERNOON IT HAS BEEN TOP OF THE MORNING. 33 00:01:55,323 --> 00:01:58,827 ALSO ON THE SHOW WE WILL BE JOINED BY THE ALWAYS CHARMING 34 00:01:58,827 --> 00:02:00,495 JASON SCHWARTZMAN SO STICK AROUND FOR THAT. 35 00:02:00,495 --> 00:02:03,122 AND DID YOU GUYS SEE THIS EARLIER TODAY, PRESIDENT TRUMP 36 00:02:03,122 --> 00:02:05,416 WENT TO PAY HIS RESPECTS TO JUSTICE RUTH BADER GINSBURG AT 37 00:02:05,416 --> 00:02:09,420 THE SUPREME COURT TODAY AND A CROWD GATHERED AND THEY STARTED 38 00:02:09,420 --> 00:02:19,180 JEERING HIM AND CHANTING "VOTE HIM OUT" HAVE A LOOK. 39 00:02:19,180 --> 00:02:24,936 VOTE HIM OUT VOTE HIM OUT. 40 00:02:24,936 --> 00:02:26,020 VOTE HIM OUT. 41 00:02:26,020 --> 00:02:30,149 >> James: THE ONE TIME TRUMP DECIDES TO WEAR A MASK IN 42 00:02:30,149 --> 00:02:33,486 PUBLIC, HE IS GETTING BOOED AND WE CAN'T ENJOY THE GRIMACE ON 43 00:02:33,486 --> 00:02:36,406 HIS ANNOYED FACE. 44 00:02:36,406 --> 00:02:44,163 THIS IS HOW I HOPE PEOPLE HONOR ME ONE DAY. 45 00:02:44,163 --> 00:02:45,999 -- MY ENEMIES. 46 00:02:45,999 --> 00:02:50,044 SIMON FROM FOURTH GRADE. 47 00:02:50,044 --> 00:02:52,338 IT WAS PRETTY BAD THAT YOU JUST KNOW ONE OF TRUMP'S AIDES WHEN 48 00:02:52,338 --> 00:02:59,220 THEY LEFT IS LIKE NO, NO, THEY WERE CHANTING VOGUE HIM OUT, YOU 49 00:02:59,220 --> 00:03:00,471 KNOW, DO YOU REMEMBER? 50 00:03:00,471 --> 00:03:04,392 THAT IS WHAT THEY WERE-- GRETA GAR BEAU, AND MONROE, YOU KNOW, 51 00:03:04,392 --> 00:03:09,063 AND A PRESS BRIEFING YESTERDAY PRESIDENT TRUMP WAS ASKED A VERY 52 00:03:09,063 --> 00:03:13,943 STRAIGHT FORWARD QUESTION ABOUT THE OUTCOME OF THE ELECTION AND 53 00:03:13,943 --> 00:03:15,028 TRUMP'S ANSWER WAS ALARMING. 54 00:03:15,028 --> 00:03:17,405 >> WHEN YOU COMMIT TO MAKING SURE THERE IS A PEACEFUL 55 00:03:17,405 --> 00:03:20,366 TRANSFER OF POWER AFTER THE ELECTION. 56 00:03:20,366 --> 00:03:22,285 >> WELL, WE'RE GOING TO HAVE TO SEE WHAT HAPPENS. 57 00:03:22,285 --> 00:03:25,413 YOU KNOW I HAVE BEEN COMPLAINING VERY STRNGLY ABOUT THE BALLOTS 58 00:03:25,413 --> 00:03:27,540 AND THE BALLOTS ARE A DISASTER. 59 00:03:27,540 --> 00:03:30,126 >> James: YEAH, IT'S THE BALLOTS. 60 00:03:30,126 --> 00:03:32,253 IT'S THE BALLOTS THAT ARE A DISASTER, YOU'RE RIGHT. 61 00:03:32,253 --> 00:03:36,049 TRUMP SAYS YOU KNOW I'VE BEEN COMPLAINING. 62 00:03:36,049 --> 00:03:39,052 WHICH IS ACTUALLY THE TRUEST THING DONALD TRUMP HAS EVER 63 00:03:39,052 --> 00:03:40,261 SAID. 64 00:03:40,261 --> 00:03:42,347 TRUMP SAID HE MAY NOT ACCEPT THE RESULTS OF THE ELECTION BUT 65 00:03:42,347 --> 00:03:46,059 DON'T WORRY, THE SITUATION IS HANDLED. 66 00:03:46,059 --> 00:03:55,360 THE DEMOCRATS RESPONDED WITH A VERY FIRM, OH YEAH, WELL, YOU 67 00:03:55,360 --> 00:03:56,235 BETTER. 68 00:03:56,235 --> 00:03:57,445 (LAUGHTER) TO GIVE YOU AN IDEA FOR A NEW 69 00:03:57,445 --> 00:04:01,908 SITCOM, TRUMP REFUSES TO LEAVE THE WHITE HOUSE, BIDEN MOVES IN 70 00:04:01,908 --> 00:04:07,205 ANYWAY, OUR TWO PRESIDENTS, THIS JANUARY ON CBS. 71 00:04:07,205 --> 00:04:09,499 (LAUGHTER) AND THIS IS BIG NEWS TODAY, THIS 72 00:04:09,499 --> 00:04:14,587 MORNING NEARLY 500 GENERALS, ADMIRALS AND FORMER NATIONAL 73 00:04:14,587 --> 00:04:17,548 SECURITY OFFICIALS FROM BOTH PARTIESES PUB LUSHED A LETTER 74 00:04:17,548 --> 00:04:19,467 OFFICIALLY ENDORSING JOE BIDEN. 75 00:04:19,467 --> 00:04:23,346 TOP BREAK FOR TRUMP, THAT, ALTHOUGH THERE IS STILL ONE GUY 76 00:04:23,346 --> 00:04:29,727 IN THE NAVY WHO IS STICKING BY HIM, CAPTAIN CRUNCH. 77 00:04:29,727 --> 00:04:35,400 HERE IS SOME OLD JAPANESE-- AS THEY CALL HIM IT IN JAPAN, NEWS, 78 00:04:35,400 --> 00:04:42,448 A SUPERMARKET THERE HAS JUST INTRODUCED A SEVEN FOOT TALL 79 00:04:42,448 --> 00:04:45,451 ROBOT TO STOCK THE SHELVES. 80 00:04:45,451 --> 00:04:47,996 HERE IT IS HERE, LOOK AT THAT. 81 00:04:47,996 --> 00:05:01,342 IT LOOKS LIKE A COMPUTER WHEN ARE WE GOING TO STOP THE ROBOT. 82 00:05:01,342 --> 00:05:06,806 >> WE EVERY FEW MONTHS WE DO A ROBOT STORY, WE DON'T EVEN HAVE 83 00:05:06,806 --> 00:05:08,766 RELIABLE PAPERER TOWEL DISPENSERS YET. 84 00:05:08,766 --> 00:05:15,023 STP TRYING TO MAKE ROBOTS HAPPEN. 85 00:05:15,023 --> 00:05:19,485 ALSO THEY BUILD ROBOTS. 86 00:05:19,485 --> 00:05:23,948 -- YOU ARE PROBABLY INTO ROBOTS, REG, YOU ARE A ROBOT GUY, YOU 87 00:05:23,948 --> 00:05:25,450 WOULD PROBABLY LIKE A ROBOT, WOULD YOU. 88 00:05:25,450 --> 00:05:28,494 >> HAVE-OF-I HAVE A ROBOT VACUUM CLEANER, I LOVE IT. 89 00:05:28,494 --> 00:05:29,620 THE ROOMBA, YEAH. 90 00:05:29,620 --> 00:05:34,000 >> James: I HAVE A ROOMBA, I DON'T KNOW, WE WILL FIND OUT 91 00:05:34,000 --> 00:05:40,089 WHETHER THIS GETS CUT OUT OR NOT. 92 00:05:40,089 --> 00:05:47,138 IF THEY ADVERTISE ON CBS YOU WILL NEVER SEE THIS. 93 00:05:47,138 --> 00:05:50,141 BLEEP BLEECH CAPTAIN CRUNCH JOKE. 94 00:05:50,141 --> 00:05:53,811 >> I GT A ROOMBA. 95 00:05:53,811 --> 00:05:54,520 YOU CAN [BLEEP]. 96 00:05:54,520 --> 00:05:56,147 >> >> Reggie: YOU DON'T LIKE IT 97 00:05:56,147 --> 00:05:57,815 SWRZ IT IS JUST TERRIBLE. 98 00:05:57,815 --> 00:05:58,691 IT DOESN'T REALLY DO IT. 99 00:05:58,691 --> 00:06:01,527 NOT TO THE STANDARDS THAT I WANT IT DONE. 100 00:06:01,527 --> 00:06:04,030 YOU KNOW? 101 00:06:04,030 --> 00:06:05,114 I MEAN. 102 00:06:05,114 --> 00:06:06,532 >> Reggie: I THINK MINE IS OKAY BUT IT GETS TRAPPED IN 103 00:06:06,532 --> 00:06:11,996 PLACES AND A COME BACK HOME AND ST NOT ON THE-- AND I HAVE TO GO 104 00:06:11,996 --> 00:06:12,622 FIND IT. 105 00:06:12,622 --> 00:06:13,581 >> James: THAT SAY PROBLEM. 106 00:06:13,581 --> 00:06:15,541 STOP WITH THE ROBOTS, IT'S NOT HAPPENING. 107 00:06:15,541 --> 00:06:16,751 I'M IN THE EVEN SURE IT IS NECESSARY. 108 00:06:16,751 --> 00:06:22,173 THE ROBOT THAT YOU JUST THOUGHT IS CONTROLLED REMOTELY BY A 109 00:06:22,173 --> 00:06:25,885 PERSON, IT MIRRORS THEIR MOVEMENTS. 110 00:06:25,885 --> 00:06:34,102 HER IT IS IN ACTION. 111 00:06:34,102 --> 00:06:41,567 RRS NO, NO. 112 00:06:41,567 --> 00:06:42,777 (LAUGHTER). 113 00:06:42,777 --> 00:06:49,075 >> James: WHO CAME IN TO THE SUPERMARKET AND WAS LIKE TOP OF 114 00:06:49,075 --> 00:06:51,202 THE-- CHOCOLATE MILK NEEDS STACKING, GUYS. 115 00:06:51,202 --> 00:06:54,372 WE GT TO STACK THE CHOCOLATE MILK. 116 00:06:54,372 --> 00:06:55,206 ALL RIGHT. 117 00:06:55,206 --> 00:07:00,545 WE SHOULD BUILD A ROBOT. 118 00:07:00,545 --> 00:07:03,631 (LAUGHTER) GIVE IT ABOUT TWO YEARS, NO 119 00:07:03,631 --> 00:07:07,426 CHOCOLATE MILK FOR TWO YEARS BUT AFTER THAT, AFTER THAT I WILL GO 120 00:07:07,426 --> 00:07:11,889 IN A BACK ROOM AND I WILL DO THIS, AND THEN YOU WON'T BE ABLE 121 00:07:11,889 --> 00:07:13,891 TO MOVE THE CHOCOLATE MILK. 122 00:07:23,651 --> 00:07:27,321 HOW ARE WE DOING? 123 00:07:27,321 --> 00:07:30,658 SEE THAT, WHAT HAVE YOU GOT THERE. 124 00:07:30,658 --> 00:07:31,951 >> LACROUX. 125 00:07:31,951 --> 00:07:32,994 >> FRENCH. 126 00:07:32,994 --> 00:07:43,671 >> James: IS IT LA CROUX, EITHER WAY, IT IT [BLEEP] 127 00:07:43,671 --> 00:07:49,802 > Reggie: THAT'S SAYING IT, THAT IS SAYING IT. 128 00:07:49,802 --> 00:07:52,722 OKAY, OKAY JAMES. 129 00:07:52,722 --> 00:07:56,976 >> James: WE HAVEN'T EVEN DONE DOGS IN SUNGLASSES YET. 130 00:07:56,976 --> 00:07:58,102 >> Reggie: OH MY LORD. 131 00:07:58,102 --> 00:08:03,274 >> James: HAVE YOU SEEN THIS, GUCH SI NOW SELLING DENIM 132 00:08:03,274 --> 00:08:09,655 OVERALLS WITH FAKE GRASS STAINS ON THEM, AND THIS IS TRUE, THAT 133 00:08:09,655 --> 00:08:10,823 COST $1400. 134 00:08:10,823 --> 00:08:14,785 THEY MAY BE BE $1300 TASHED IN ONE OF THOSE POCKETS BUT I DO 135 00:08:14,785 --> 00:08:23,002 LIKE THE IDEA OF PRESTAINING, IF I SPILLED CHOCOLATE ON A WHITE 136 00:08:23,002 --> 00:08:25,838 SWEATER, NO, IT SUPPOSED TO BE LIKE THAT, IT'S GUCCI. 137 00:08:25,838 --> 00:08:28,716 DO YOU SEE THE GUCCI OVERALLS AGAIN, LOOK AT THAT, EVERY 138 00:08:28,716 --> 00:08:34,722 FARMER IN NEBRASKA IS NOW LIKE HELEN, GET WHAT? 139 00:08:34,722 --> 00:08:43,189 WE'RE ON FLEEK. 140 00:08:43,189 --> 00:08:46,692 HELEN! 141 00:08:46,692 --> 00:08:50,696 HELEN! 142 00:08:50,696 --> 00:08:55,201 HELEN! 143 00:08:55,201 --> 00:08:58,704 HELEN! 144 00:08:58,704 --> 00:08:59,372 HELEN! 145 00:08:59,372 --> 00:09:01,123 I'M SAYING-- I'LL TEXT YOU. 146 00:09:01,123 --> 00:09:03,125 I'M SAYING WE'RE ON FLEEK. 147 00:09:14,679 --> 00:09:19,100 SORRY. 148 00:09:19,100 --> 00:09:26,774 -- IT IS A LIVING IS WHAT ST. AND FINALLY HELEN! 149 00:09:26,774 --> 00:09:32,947 AND FINALLY A FACTORY IN VIETNAM HAS JUST BEEN ACCUSED OF 150 00:09:32,947 --> 00:09:38,494 BREAKING SEVERAL LAWS AFTER THEY WERE CAUGHT TAKING USED CONDOMS, 151 00:09:38,494 --> 00:09:43,249 WASHING THEM AND THIS IS TRUE, RESELLING THEM. 152 00:09:43,249 --> 00:09:45,584 THEY'RE RESELLING USED CONDOMS. 153 00:09:45,584 --> 00:09:49,964 I MEAN I DON'T EVEN LIKE PUTTING ON THE RENTED BOWLING SHOES 154 00:09:49,964 --> 00:09:54,760 AFTER SOMEONE ELSE. 155 00:09:54,760 --> 00:09:58,389 WHAT ARE THEY GOING TO-- THE BOWLING SHOES THARK WHAT THEY 156 00:09:58,389 --> 00:10:01,142 SHOULD BE WORKING ON, NOT ROBOT TO STOCK THE MILK. 157 00:10:01,142 --> 00:10:03,436 LET ME WEAR MY SHOES BOWLING. 158 00:10:03,436 --> 00:10:11,819 HOW ARE WE SO FAR ADVANCED IN SCIENCE, PEOPLE ARE THROWING 159 00:10:11,819 --> 00:10:16,907 HUMAN EARS ON MICE AND THEY'RE LIKE NO, YOU CAN'T, YOU HAVE TO 160 00:10:16,907 --> 00:10:19,327 PUT THESE ON. 161 00:10:19,327 --> 00:10:24,665 THESE ARE CLEAN, DON'T WORRY. 162 00:10:24,665 --> 00:10:27,168 THEY'RE WASHING AND RESELLING THEM. 163 00:10:27,168 --> 00:10:29,795 SO THE NEXT TIME ARE YOU IN THE DRUG STORE, KEEP AN EYE OUT AND 164 00:10:29,795 --> 00:10:35,509 AVOID ANYTHING THAT LOOKS LIKE THIS. 165 00:10:35,509 --> 00:10:39,347 VIETNAMESE CONDOM. 166 00:10:39,347 --> 00:10:44,477 NOW IT SAYS ONE-- IF THERE IS ONE THING WE LOVE DOING HERE IS 167 00:10:44,477 --> 00:10:47,104 LOOKING AT PICTURES OF DOGS IN SUNGLASSES, BUT WHAT PEOPLE 168 00:10:47,104 --> 00:10:50,316 MIGHT NOT KNOW IS THERE IS A LOT MORE TO THESE DOGS IN SUNGLASSES 169 00:10:50,316 --> 00:10:51,484 THAN MEETS THE EYE. 170 00:10:51,484 --> 00:10:54,320 I WILL TELL YOU A LITTLE BIT THEIR PERSONALITIES TO LET YOU 171 00:10:54,320 --> 00:10:57,990 KNOW WHAT THEY ARE ALL ABOUT, THIS IS DOGS IN SUNGLASSES. 172 00:10:57,990 --> 00:11:03,037 >> Reggie: DOGS IN SUNGLASSES, DOGS IN SUNGLASSES. 173 00:11:03,037 --> 00:11:05,664 ♪ DUGS IN SUNGLASSES. 174 00:11:05,664 --> 00:11:09,710 ♪ DUGS IN SUNGLASSES. 175 00:11:09,710 --> 00:11:12,963 ♪ DOGS IN SUNGLASSES. 176 00:11:12,963 --> 00:11:18,969 ♪ WOOF WOOF. 177 00:11:18,969 --> 00:11:27,478 ♪ DOGS. 178 00:11:27,478 --> 00:11:33,567 >> James: HELEN! 179 00:11:33,567 --> 00:11:36,904 ALL RIGHT, ROB, HOW LONG WE GT ON THIS SEGMENT BECAUSE I REALLY 180 00:11:36,904 --> 00:11:37,988 WANT TO GO OUT ON TIME. 181 00:11:37,988 --> 00:11:41,784 >> JUST 22 MORE MINUTES. 182 00:11:41,784 --> 00:11:45,413 >> James: OF THE WHOLE SHOW. 183 00:11:45,413 --> 00:11:49,875 ALL RIGHT, HAGAR, YOU GOT A MINUTE, YOU KNOW RUSSIAN, I WILL 184 00:11:49,875 --> 00:12:01,762 TELL PU THIS, STH GUY, THIS GUY, THIS GUY THIS GUY LETS HIS 185 00:12:01,762 --> 00:12:12,731 FAMILY-- THIS GUY, THIS GUY LEFT HIS FAMILY VIA WHATSAPP. 186 00:12:12,731 --> 00:12:27,663 THIS GUY, THIS GUY CAN HANG TEN ALL RIGHT. WATCHING SEVERAL 187 00:12:27,663 --> 00:12:33,043 THIS GUY, THIS GUY CAN HANG TEN ALL RIGHT. WATCHING SEVERAL 188 00:12:33,043 --> 00:12:36,547 PEOPLE FROWN, STEERVEG YOU GOOD FOR A MINUTE. 189 00:12:36,547 --> 00:12:37,673 >> YEAH HAVE. 190 00:12:37,673 --> 00:12:39,800 >> James: GOOD CUZ I WANT TO TALK TO YOU ABOUT THIS GUY. 191 00:12:39,800 --> 00:12:46,849 THIS GUY IS THE ONLY REMAINING EMPLOYEE OF BLOCKBUSTER VIDEO. 192 00:12:46,849 --> 00:12:52,062 THIS GUY, THIS GUY SPUT A FLAMING BAG OF CRAP ON HIS 193 00:12:52,062 --> 00:12:56,984 NEIGHBOR'S DOORSTEP AND WHEN THINGS GOT OUT OF HAND, HE 194 00:12:56,984 --> 00:13:07,077 BLAMED SOME GUY WHO DID A GENDER REVEAL. 195 00:13:07,077 --> 00:13:10,789 SON, YOU ALL RIGHT FOR A MINUTE, YOU GOOD? 196 00:13:10,789 --> 00:13:14,919 I WOULD LOVE TO TALK TO YOU ABOUT THIS GAL, THIS GAL IS 197 00:13:14,919 --> 00:13:18,005 CONSTANTLY SAYING SURE, I WENT THE WEES MUM IN THE WORLD 198 00:13:18,005 --> 00:13:20,799 BUT-- BEST MUM IN THE WORLD BUT I WAS A LOT OF FUN, RIGHT? 199 00:13:33,979 --> 00:13:39,026 THIS GAL HAS SET TO JERRY GARCIA TWICE WHILE HE WAS ALIVE AND 200 00:13:39,026 --> 00:13:48,035 ONCE WHEN HE WAS DEAD. 201 00:13:48,035 --> 00:13:51,163 LET ME TALK TO YOU ABOUT THIS GAL. 202 00:13:51,163 --> 00:13:54,041 THIS GAL DREUFS AN ELECTRIC CAR THAT USES A GAS POWERED 203 00:13:54,041 --> 00:13:56,919 VIBRATOR. 204 00:13:56,919 --> 00:14:02,299 (LAUGHTER). 205 00:14:02,299 --> 00:14:04,301 >> Reggie: WOW. 206 00:14:21,402 --> 00:14:26,073 >> James: I DON'T KNOW IF I CAN READ IT, THIS GAL, THIS GAL 207 00:14:26,073 --> 00:14:39,086 JUST HAD 300,000 WORTH OF-- THIS GAL VUS HAD $300,000 WORTH OF 208 00:14:39,086 --> 00:14:41,880 COSMETIC SURGERY TO MAKE HER SPHINCTER-- I CAN'T READ IT. 209 00:14:47,678 --> 00:14:57,521 (LAUGHTER) LET ME TALK TO YOU ABOUT THIS 210 00:14:57,521 --> 00:14:58,731 GUY. 211 00:14:58,731 --> 00:15:02,443 THIS GUY SAID THE WORD YOU CAN'T GET HUNGOVER IF YOU NEVER STOP 212 00:15:02,443 --> 00:15:10,826 DRINKING TO A JUDGE ON THREE SEPARATE OCCASIONS. 213 00:15:10,826 --> 00:15:21,712 THIS GUY-- LET ME TALK TO YOU ABOUT THIS GUY. 214 00:15:21,712 --> 00:15:23,088 GUILLERMO, CAN I TALK TO YOU ABOUT THIS GUY. 215 00:15:23,088 --> 00:15:24,256 >> ABSOLUTELY. 216 00:15:24,256 --> 00:15:29,970 >> James: THIS GUY WILL TELL YOU HE ONLY EATS WELL-ROUNDED 217 00:15:29,970 --> 00:15:35,976 MEALS AND THEN-- THIS GIEL, THIS GUY WILL TILL HE ONLY EATS 218 00:15:35,976 --> 00:15:40,439 WELL-ROUNDED MEALS AND THEN IS QUICK TO POINT OUT THAT HIS MOM 219 00:15:40,439 --> 00:15:52,409 HAS A WELL-ROUNDED ASS. 220 00:15:52,409 --> 00:15:54,286 HELEN! 221 00:15:54,286 --> 00:15:56,997 AND STEVE ARE YOU OKAY I KNOW, ARE YOU OKAY, DO WE HAVE THE 222 00:15:56,997 --> 00:16:00,459 TIME BECAUSE I WOULD LOVE TO TALK TO YOU ABOUT THESE GUYS. 223 00:16:00,459 --> 00:16:04,129 THESE GUYS, THESE GUYS LIFELONG DREAM IS TO PLAY BETTER AND 224 00:16:04,129 --> 00:16:11,178 ERNIE, MAINLY BECAUSE THEY WANT TO HANG-- IN THEIR. 225 00:16:11,178 --> 00:16:15,808 >> THAT WAS DOGS IN SUNGLASSES, WE'LL RIGHT BACK WITH MORE OF 226 00:16:15,808 --> 00:16:17,810 THE "LATE, LATE SHOW," EVERYBODY. DOGS WITH GLASSES. 227 00:16:22,189 --> 00:16:22,314 ♪ I WOULD LIKE TO TAKE A MOMENT TO 228 00:16:23,232 --> 00:16:26,193 WISH A HAPPY BIRTHDAY TO A DEAR FRIEND OF MINE. 229 00:16:26,193 --> 00:16:30,197 THIS IS SOMEONE WHO HAS ALWAYS HAD MY BACK. 230 00:16:30,197 --> 00:16:34,159 THROUGH GOOD TIMES AND BAD, HAS ALWAYS BEEN THERE FOR ME. 231 00:16:34,159 --> 00:16:40,541 I'M TALKING OF COURSE ABOUT THE MCDONALD'S McFLURY. 232 00:16:40,541 --> 00:16:44,712 I CAN'T BELIEVE IT, IT HAS BEEN 25 YEARS. 233 00:16:44,712 --> 00:16:47,464 YOU, YOU HAVE DONE SO MUCH FOR ME. 234 00:16:47,464 --> 00:16:49,800 YOU ARE MADE WITH REAL DAIRY. 235 00:16:49,800 --> 00:16:52,553 PRODUCED BY DAIRY FARMERS RIGHT HERE IN THE UNITED STATES. 236 00:16:52,553 --> 00:16:59,226 BUT MOST IMPORTANTLY,-- I AM GOING TO CELEBRATE WITH A CHIPS 237 00:16:59,226 --> 00:17:04,898 A'HOY McFLURY AND MY McFLURY 25th B DAY-- AND YOU SHOULD 238 00:17:04,898 --> 00:17:08,318 GO TO YOUR NEAREST MCDONALD'S FOR A McFLURY OR ONLINE MERCH 239 00:17:08,318 --> 00:17:16,493 SHOP GOLDEN ARCHES UNLIMITED FOR TIS TRENDY LOUNGEWEAR SUIT AND 240 00:17:16,493 --> 00:17:16,869 CHAIN. 241 00:17:16,869 --> 00:17:23,041 WOW, 25 YEARS. 242 00:17:23,041 --> 00:17:25,252 OH, NO, THANK YOU, THANK YOU FOR EVERYTHING. 243 00:17:25,252 --> 00:17:27,045 HEY, STOP IT. 244 00:17:51,278 --> 00:17:53,280 ♪ ♪ ♪ >> James: ALICIA, IS THAT YOU? 245 00:17:53,280 --> 00:17:54,281 >> OH, HEY, JAMES. 246 00:17:54,281 --> 00:17:56,200 >> James: WHAT ARE YOU DOING? 247 00:17:56,200 --> 00:17:57,910 >> YOU KNOW, JUST MESSING AROUND. 248 00:17:57,910 --> 00:18:03,290 IT'S JUST KINDA WEIRD NOT HAVING AN AUDIENCE ANYMORE. 249 00:18:03,290 --> 00:18:03,916 IT'S WEIRD. 250 00:18:03,916 --> 00:18:05,042 >> James: YOU'RE TELLING ME. 251 00:18:05,042 --> 00:18:07,044 I KNOW, WE'RE BOTH USED TO PERFORMING FOR THOUSANDS OF 252 00:18:07,044 --> 00:18:08,295 PEOPLE. 253 00:18:08,295 --> 00:18:13,425 >> I MEAN, I'M USED TO PLAYING MADISON SQUARE GARDEN. 254 00:18:13,425 --> 00:18:17,054 >> James: IS THAT BIGGER THAN MY STUDIO? 255 00:18:17,054 --> 00:18:22,309 I DIDN'T GROW UP HERE. 256 00:18:22,309 --> 00:18:31,318 ♪ EMPTY STUDIO ♪ FOR OUR SAFETY, IT'S BETTER 257 00:18:31,318 --> 00:18:39,159 NOT A SOUL IN SIGHT ♪ AND IT ECHOES FOREVER 258 00:18:39,159 --> 00:18:47,125 WE USED TO BE TOGETHER ♪ THERE WERE CROWDS AND LIGHTS 259 00:18:47,125 --> 00:18:51,296 BUT NOT RIGHT NOW ¡CAUSE ♪ NOBODY CAN BE PACKED IN TIGHT 260 00:18:51,296 --> 00:18:55,342 SKIP THE CROWDSURFING ♪ PEOPLE STAY BACK SIX FEET 261 00:18:55,342 --> 00:19:02,015 AND ALL I SEE ARE ♪ EMPTY ROWS OF BLANK SEATS' 262 00:19:02,015 --> 00:19:07,980 NO ONE, NO ONE, NO ONE ♪ IS HERE IN THE ROOM 263 00:19:07,980 --> 00:19:17,322 IT'S A WEIRD FEELING NO ONE, NO ONE, NO ONE 264 00:19:17,322 --> 00:19:21,910 ♪ NOW WHEN I PLAY IT'S JUST TO YOU, JUST YOU, 265 00:19:21,910 --> 00:19:33,005 ♪ AND YOU, YOU TOO' THIS IS THE WAY IT HAS TO BE ♪ 266 00:19:33,005 --> 00:19:34,131 >> HELLO? 267 00:19:34,131 --> 00:19:35,132 DID SOMEONE HIT THE LIGHTS? 268 00:19:35,132 --> 00:19:37,384 >> James: EXCUSE US, WE'RE STILL SINGING IN HERE. 269 00:19:37,384 --> 00:19:39,970 >> OH, SORRY. 270 00:19:39,970 --> 00:19:42,347 I DIDN'T REALIZE ANYONE WAS IN HERE. 271 00:19:42,347 --> 00:19:44,474 >> WELL THERE ISN'T REALLY. 272 00:19:44,474 --> 00:19:46,518 THAT'S WHAT THE SONG IS ABOUT. 273 00:19:46,518 --> 00:19:47,728 >> UH, OKAY. 274 00:19:47,728 --> 00:19:51,732 JUST LET ME KNOW WHEN YOU'RE DONE, WE GOTTA CLOSE UP FOR THE 275 00:19:51,732 --> 00:19:55,652 NIGHT. 276 00:19:55,652 --> 00:19:57,529 >> James: WILL DO. 277 00:19:57,529 --> 00:20:03,869 ♪ NO ONE, NO ONE, NO ONE CAN GET IN THE WAY 278 00:20:03,869 --> 00:20:12,252 ♪ OF US PERFORMING NO ONE, NO ONE, NO ONE 279 00:20:12,252 --> 00:20:17,215 ♪ HOPING SOMEDAY WE'LL MEET AGAIN REAL SOON 280 00:20:17,215 --> 00:20:21,887 ♪ OH OH OH OH OH OH OH OH 281 00:20:21,887 --> 00:20:24,890 ♪ OH OH OH OH OH OH OH OH 282 00:20:24,890 --> 00:20:33,231 ♪ EVERYBODY ♪ ♪ ♪ 283 00:20:33,231 --> 00:20:38,737 OH OH OH OH ♪ OH OH OH OH 284 00:20:38,737 --> 00:20:44,242 OH OH OH OH ♪ OH OH OH OH 285 00:20:44,242 --> 00:20:49,206 ♪ HOPING SOMEDAY WE'LL MEET AGAIN REAL SOON 286 00:20:49,206 --> 00:20:53,794 >> James: LADIES AND GENTLEMEN, ALICIA KEYS! 287 00:20:53,794 --> 00:20:55,921 YEAH! 288 00:20:55,921 --> 00:20:56,672 >> HEY! 289 00:20:56,672 --> 00:21:00,217 DOES THAT MEAN YOU GUYS ARE DONE? 290 00:21:00,217 --> 00:21:04,304 >> James: YEAH, THANKS MAN. 291 00:21:04,304 --> 00:21:10,269 >> FUN SONG. 292 00:21:10,269 --> 00:21:14,272 FUN NIGHT. 293 00:21:14,272 --> 00:21:14,648 ♪ NOBODY ♪ 294 00:21:22,489 --> 00:21:23,657 ♪ ♪ ♪ >> James: WELCOME BACK, LET'S 295 00:21:23,657 --> 00:21:26,618 MEET OUR GUEST TONIGHT, IS HE A GOLDEN GLOBE AWARD-WINNING 296 00:21:26,618 --> 00:21:30,497 ACTOR, WRITER, PRODUCER, AN ABSOLUTE DELIGHT. 297 00:21:30,497 --> 00:21:34,501 WE ARE SO HAPPY HE IS HERE, THE FANTASTIC MR. JASON SCHWARTZMAN 298 00:21:34,501 --> 00:21:40,340 IS ON THE SHOW HOW ARE YOU, FRIEND? 299 00:21:40,340 --> 00:21:41,967 >> I AM GOOD, HOW ARE YOU, SIR. 300 00:21:41,967 --> 00:21:45,971 >> James: I'M GOOD, I'M LOVING THIS, HAVE YOU DONE THIS 301 00:21:45,971 --> 00:21:48,473 ESPECIALLY FOR US OR IS THIS JUST FOR YOUR DAILY ZOOM CALLS 302 00:21:48,473 --> 00:21:51,351 THIS PARTY ATMOSPHERE? 303 00:21:51,351 --> 00:21:52,060 >> A LITTLE OF BOTH. 304 00:21:52,060 --> 00:21:53,979 I THINK IT IS A LITTLE OF BOTH. 305 00:21:53,979 --> 00:21:57,399 I THINK THIS IS DEFINITELY, I SPENT THE LAST HOUR PUTTING THIS 306 00:21:57,399 --> 00:21:58,525 UP FOR YOU. 307 00:21:58,525 --> 00:22:01,653 THESE ARE PART OF MY SON'S BIRTHDAY PARTY YESTERDAY AND 308 00:22:01,653 --> 00:22:03,155 THEN WE THREW THEM AWAY. 309 00:22:03,155 --> 00:22:07,617 AND THEN I HAD THE IDEA TO GET THEM, SO I GOT THEM OUT OF THE 310 00:22:07,617 --> 00:22:08,785 TRASH AND I HAVE TAPED THEM UP. 311 00:22:08,785 --> 00:22:12,497 THEY MIGHT COME DOWN AT SOME POINT DURING THE SHOW, BY THE 312 00:22:12,497 --> 00:22:13,665 WAY. 313 00:22:13,665 --> 00:22:15,042 >> James: WELL LOOK AT THAT, VIEWERS, THAT IS SOMETHING TO 314 00:22:15,042 --> 00:22:17,627 LOOK FORWARD TO. 315 00:22:17,627 --> 00:22:20,839 DON'T-- DON'T CHANGE THE CHANNEL CUZ YOU NEVER KNOW. 316 00:22:20,839 --> 00:22:21,590 >> YEAH. 317 00:22:21,590 --> 00:22:22,841 >> James: YOU NEVER, EVER KNOW. 318 00:22:22,841 --> 00:22:23,425 HOW ARE YOU? 319 00:22:23,425 --> 00:22:23,884 YOU LOOK VERY, VERY WELL. 320 00:22:23,884 --> 00:22:24,843 HOW ARE YOU DOING? 321 00:22:24,843 --> 00:22:26,053 HOW IS YOUR LIFE? 322 00:22:26,053 --> 00:22:30,474 >> YOU KNOW, I'M DOING-- YOU KNOW, THE BEST I CAN, ALL THINGS 323 00:22:30,474 --> 00:22:31,224 CONSIDERED. 324 00:22:31,224 --> 00:22:34,686 I HOPE THAT YOU ARE DOING WELL TOO. 325 00:22:34,686 --> 00:22:42,319 AND YOU ARE, YOU KNOW SPENDING A LOT OF TIME WITH OUR KIDS THESE 326 00:22:42,319 --> 00:22:42,694 DAYS. 327 00:22:42,694 --> 00:22:43,862 >> James: YES. 328 00:22:43,862 --> 00:22:46,490 >> I JUST WANT TO SAY THAT, WHILE I HAVE THE CHANCE TO SAY 329 00:22:46,490 --> 00:22:47,741 IT, THAT YOU ARE A BIG PART OF THAT. 330 00:22:47,741 --> 00:22:56,541 IN FACT, I HEAR YOUR VOICE DAILY BECAUSE MY MIDDLE DAUGHTER TINA 331 00:22:56,541 --> 00:23:03,006 WHO SHARES A BIRTHDAY WITH REGGIE, I FOUND OUT, SHE IS 332 00:23:03,006 --> 00:23:06,885 OBSESSED WITH TROLLS, OBSESSED. 333 00:23:06,885 --> 00:23:16,061 BEYOND OBSESSED AND TROLLS, IS ON ALL THE TIME IN OUR HOME. 334 00:23:16,061 --> 00:23:19,231 AND YOUR CHARACTER IS THE CHARACTER THAT I SHOW HAVE BEEN 335 00:23:19,231 --> 00:23:20,440 DESIGNATED TO PLAY. 336 00:23:20,440 --> 00:23:23,193 >> James: OH, YOU'RE BIGGIE. 337 00:23:23,193 --> 00:23:24,361 >> SORT OF. 338 00:23:24,361 --> 00:23:25,570 >> James: YEAH. 339 00:23:25,570 --> 00:23:30,534 >> I DON'T DO A LOT OF LINES BUT SHE LIKES TO RUN AWAY AND I'M 340 00:23:30,534 --> 00:23:31,159 CONSTANTLY CHASING HER AROUND. 341 00:23:31,159 --> 00:23:33,286 SHE REALLY RESPONDS TO THAT. 342 00:23:33,286 --> 00:23:35,539 >> James: THAT MAKES ME SO HAPPY. 343 00:23:35,539 --> 00:23:39,709 >> THANK YOU FOR ALL THE JOY THAT YOU HAVE BROUGHT TO MY LIFE 344 00:23:39,709 --> 00:23:42,587 AND IT REALLY IS A GREAT MOVIE. 345 00:23:42,587 --> 00:23:46,133 >> James: THAT HAS REALLY MADE MY DAY, IT HAS. 346 00:23:46,133 --> 00:23:49,636 AND I'M PLEASED THAT YOU ARE ALL WELL AND HEALTHY AND SAFE IN 347 00:23:49,636 --> 00:23:51,888 YOUR GLORIOUS FAMILY. 348 00:23:51,888 --> 00:23:54,641 I MEAN HOW HAS IT BEEN FOR YOU. 349 00:23:54,641 --> 00:23:58,478 YOU HAVE BEEN WORKING NOW FOR I THINK 23 YEARS OR SOMETHING LIKE 350 00:23:58,478 --> 00:24:00,939 THAT AND THEN LOCKDOWN HAPPENS. 351 00:24:00,939 --> 00:24:04,818 HOW HAVE YOU FOUND BEING AT HOME FOR ALL OF THESE MONTHS, HAVE 352 00:24:04,818 --> 00:24:07,279 YOU FOUND IT A DIFFICULT ADJUSTMENT? 353 00:24:07,279 --> 00:24:11,449 >> YEAH, MY TYPE OF WORK DOESN'T HAVE LIKE A CHECK LIST TYPE 354 00:24:11,449 --> 00:24:11,867 THING. 355 00:24:11,867 --> 00:24:13,118 >> James: SURE. 356 00:24:13,118 --> 00:24:18,999 >> THINKING ABOUT THINGS OR YOU KNOW, AND THE ODDEST THING HAS 357 00:24:18,999 --> 00:24:22,586 BEEN HAVING TO GET COMFORTABLE WITH THAT AROUND MY CHILDREN. 358 00:24:22,586 --> 00:24:26,840 LIKE HOW DO I NOT LOOK LIKE-- THEY'RE USUALLY IN DISOOL 359 00:24:26,840 --> 00:24:31,344 WHEN I'M SITTING THERE GOING LIKE THIS. 360 00:24:31,344 --> 00:24:36,808 THAT IS WHY-- WHY I PRETEND THAT I'M WORKING HARD, I AM WORKING 361 00:24:36,808 --> 00:24:40,020 HARD AND WHEN GI TO WORK I GO TO WORK HARD, BUT WHEN I AM HOME 362 00:24:40,020 --> 00:24:41,229 TRK IS JUST A DIFFERENT THING. 363 00:24:41,229 --> 00:24:44,649 I DON'T WANT THEM TO SAY WHAT DOES HE DO ALL DAY, MY FATHER. 364 00:24:44,649 --> 00:24:45,442 WHAT IS HE DOING. 365 00:24:45,442 --> 00:24:46,651 >> James: THAT IS A VERY GOOD POINT. 366 00:24:46,651 --> 00:24:49,821 >> AND IT IS ODD. 367 00:24:49,821 --> 00:24:54,451 LIKE THE OTHER MORNING I WAS READING AN ARTICLE, LIKE ON MY 368 00:24:54,451 --> 00:24:57,913 iPAD AND MY DAUGHTER CAME OVER AND SAID DAD I'M SO SORRY TO BUG 369 00:24:57,913 --> 00:24:59,456 YOU, I KNOW YOU ARE WORKING. 370 00:24:59,456 --> 00:25:03,335 I WAS READING AN ARTICLE LIKE ABOUT CLONING OR SOMETHING. 371 00:25:03,335 --> 00:25:06,796 AND SHE GOES, DADDY, I'M SO SORRY TO BUG YOU, I KNOW YOU ARE 372 00:25:06,796 --> 00:25:07,839 WORKING. 373 00:25:07,839 --> 00:25:13,303 AND I JUST KIND OF WENT WITH IT, I WAS LIKE-- YEAH. 374 00:25:13,303 --> 00:25:13,803 I AM. 375 00:25:13,803 --> 00:25:15,430 HOW CAN I HELP YOU? 376 00:25:15,430 --> 00:25:19,517 LIKE I NEED HELP WITH THE HOMEWORK. 377 00:25:19,517 --> 00:25:22,229 LET ME FINISH THIS, I'M ALMOST DONE WITH THIS. 378 00:25:22,229 --> 00:25:24,689 WHEN I AM DONE I WILL COME HELP YOU, OKAY. 379 00:25:24,689 --> 00:25:25,649 YEAH. 380 00:25:25,649 --> 00:25:28,568 JUST DON'T BE WORRY-- SORRY, THIS IS HOW IT IS. 381 00:25:28,568 --> 00:25:30,862 pWE ARE BOTH DOING THIS. 382 00:25:30,862 --> 00:25:36,743 IT IS KIND OF LIKE THIS KIND OF CHARADE, I'M KEEPING UP A 383 00:25:36,743 --> 00:25:39,829 CHARADE OF LOOKING LIKE I'M WORKING ALL THE TIME, LISTENING 384 00:25:39,829 --> 00:25:42,707 TO LIKE-- I AM GOING TO LISTEN THIS AUDIO BOOK BECAUSE I GOT TO 385 00:25:42,707 --> 00:25:45,335 GO WORK ON IT. 386 00:25:45,335 --> 00:25:47,545 AND IT'S NOTHING, TO DO WITH WORK. 387 00:25:47,545 --> 00:25:50,006 >> James: NOW LET'S TALK, I'M EXCITED ABOUT THIS. 388 00:25:50,006 --> 00:25:52,008 LET'S TALK ABOUT THE NEW SEASON OF FARGO. 389 00:25:52,008 --> 00:25:53,885 ONE OF MY FAVORITE SHOWS ON TV. 390 00:25:53,885 --> 00:25:57,722 FOR ANYONE WHO DOESN'T KNOW, IT IS AN ANALOGY, THERE IS A NEW 391 00:25:57,722 --> 00:26:01,768 STORY, NEW CAST, TELL ANYONE WHAT THIS ONE IS ABOUT AND WHO 392 00:26:01,768 --> 00:26:02,894 YOU PLAY. 393 00:26:02,894 --> 00:26:04,104 >> BASICALLY I DON'T WANT TO GIVE TOO MUCH AWAY BUT IT IS 394 00:26:04,104 --> 00:26:09,567 ABOUT THESE TWO CRIME FAMILIES THAT ARE FIGHTING FOR POWER IN 395 00:26:09,567 --> 00:26:11,736 KANSAS CITY IN THE '50S. 396 00:26:11,736 --> 00:26:16,616 AND ONE OF THE ASPECTS TO IT IS THAT THEY EACH HAVE TO TRADE 397 00:26:16,616 --> 00:26:21,913 THEIR YOUNGEST SON TO THE OTHER CRIME FAMILY BOSS TO LOOK AFTER 398 00:26:21,913 --> 00:26:23,081 THEM. 399 00:26:23,081 --> 00:26:28,086 AND SO WE'RE WATCHING CHRIS ROCK'S CHILD AND HE'S WATCHING 400 00:26:28,086 --> 00:26:29,379 MY LITTLE BROTHER. 401 00:26:29,379 --> 00:26:38,305 AND IT IS BASICALLY JUST, TO ME I THINK IT'S THE BEST JOB I HAVE 402 00:26:38,305 --> 00:26:38,847 HAD. 403 00:26:38,847 --> 00:26:40,432 >> James: REALLY, WOW. 404 00:26:40,432 --> 00:26:43,101 >> I THINK SHALL-- I MEAN I REALLY WAS HONORED. 405 00:26:43,101 --> 00:26:45,645 AND I KNOW, YOU KNOW, IT IS FUNNY BECAUSE ST ANALOGY. 406 00:26:45,645 --> 00:26:48,106 EVERY SEASON IT IS A DIFFERENT CAST. 407 00:26:48,106 --> 00:26:51,901 BUT YOU REALLY, YOU KNOW, WHEN-- YOU ARE RARELY ASKED TO 408 00:26:51,901 --> 00:26:53,611 JOIN SOMETHING YOU LOVE. 409 00:26:53,611 --> 00:26:54,738 LIKE THE THINGS THAT I LOVE ARE ALREADY DONE WITH. 410 00:26:54,738 --> 00:26:57,741 >> James: YEAH. 411 00:26:57,741 --> 00:27:02,829 >> SO TO BECOME PART OF SOMETHING THAT YOU LOVE, EVEN 412 00:27:02,829 --> 00:27:05,957 WITH ALL NEW PEOPLE, YOU FEEL A RESPONSIBILITY TO MARTIN FREEMAN 413 00:27:05,957 --> 00:27:10,920 WHOS WITH IN THE FIRST SEASON AND KIRSTEN DUNST AND EWING 414 00:27:10,920 --> 00:27:12,922 McGREGER, ALL THESE PEOPLE IT IS LIKE A BATON, YOU KNOW, AND I 415 00:27:12,922 --> 00:27:16,926 YUS DON'T WANT TO RUIN ALL OF THEIR WORK EITHER. 416 00:27:16,926 --> 00:27:18,178 I DON'T WANT TO BE THE WORST SEASON. 417 00:27:18,178 --> 00:27:23,808 LIKE I DON'T WANT-- YOU KNOW, I DON'T WANT TO NEGLECT ATE THEIR 418 00:27:23,808 --> 00:27:28,104 WORK OR-- THEY GATE THEIR WORK OR WHATEVER, AS A HUGE FAN, I 419 00:27:28,104 --> 00:27:29,481 WANT IT TO BE A GREAT SEASON. 420 00:27:29,481 --> 00:27:30,440 I REALLY THINK IT IS. 421 00:27:30,440 --> 00:27:32,817 IT WAS SUCH AN INCREDIBLE EXPERIENCE FOR ME. 422 00:27:32,817 --> 00:27:34,778 >> James: IT IS A REAL DEPARTURE OF CHARACTER. 423 00:27:34,778 --> 00:27:39,157 WHEN YOU PAY A CHARACTER LIKE, THIS THE HEAD OF A MAFIA CRIME 424 00:27:39,157 --> 00:27:41,993 FAMILY, IS IT, IS THAT SOMETHING, IS THAT EASY TO 425 00:27:41,993 --> 00:27:45,288 SWITCH OFF FROM AT THE END OF A WORKING DAY? 426 00:27:45,288 --> 00:27:49,667 >> IT'S NOT THAT IT IS HARD TO SWITCH OFF BUT IT IS HARD TO 427 00:27:49,667 --> 00:27:54,881 REMIND YOURSELF THAT NOBODY ELSE KNOWS THAT YOU ARE DOING THIS. 428 00:27:54,881 --> 00:28:01,513 SO FOR INSTANCE SALVATOREEE ESPOSITO, A FULL BLENDED ITALIAN 429 00:28:01,513 --> 00:28:05,892 PIECE OF MAN WHO MAYS MY LITTLE BROTHER, BUT HE'S MY 430 00:28:05,892 --> 00:28:09,354 FALLER-- TALLER BROTHER, ANYWAY, HE'S FROM ITALY. 431 00:28:09,354 --> 00:28:10,855 AND HE WAS IN CHICAGO. 432 00:28:10,855 --> 00:28:15,402 AND WE-- COULD TO GO TO THE MOVIES TOGETHER. 433 00:28:15,402 --> 00:28:18,863 WE HAVE A ROUTINE WHERE A CAR WOULD COME, AN UBER OR WHATEVER, 434 00:28:18,863 --> 00:28:21,825 WOULD PICK ME UP AND PICK HIM UP ALONG THE WAY TO THE MOVIE 435 00:28:21,825 --> 00:28:23,368 THEATER AND GO SEE THE MOVIE. 436 00:28:23,368 --> 00:28:28,081 WELL, IT HAD BEEN LIKE A FEW-- LIKE RIGHT AFTER COUNTRIES 437 00:28:28,081 --> 00:28:30,875 MACE-- CHRISTMAS, I HADN'T SEEN HIM SO WE WERE GOING TO GO SEE A 438 00:28:30,875 --> 00:28:32,085 MOVIE. 439 00:28:32,085 --> 00:28:34,712 I GET THE CAR AND THEN I SAY TO THE GENTLEMAN WHO IS DRIVING, 440 00:28:34,712 --> 00:28:38,091 WE'RE GOING TO GO TO MAKE A QUICK STOP OVER HERE, PICK UP MY 441 00:28:38,091 --> 00:28:41,511 BUDDY, HE'S FROM ITALY ON BUSINESS, A GOOD MAN, YOU'LL 442 00:28:41,511 --> 00:28:41,970 SEE. 443 00:28:41,970 --> 00:28:42,887 HOW ARE YOU DOING? 444 00:28:42,887 --> 00:28:45,849 >> GOOD, THIS IS MY LAST DRIVE OF THE DAY. 445 00:28:45,849 --> 00:28:49,018 TIRED, WANT TO GO HOME. 446 00:28:49,018 --> 00:28:51,771 WE'LL BE OUT OF HERE SOON. 447 00:28:51,771 --> 00:28:56,359 WE PULL UP, GET N HELLO MY FRIEND, WHAT'S HAPPENING, GIVES 448 00:28:56,359 --> 00:28:57,610 ME A BIG HUG. 449 00:28:57,610 --> 00:29:01,906 AND WE'RE CATCH UP, HE SAYS HOW ARE YOU, I'M GOOD, GOOD, HOW ARE 450 00:29:01,906 --> 00:29:04,200 YOU, WHAT DID YOU DO THERE WEEK? 451 00:29:04,200 --> 00:29:09,205 >> THIS WEEK WE SHOOT THE THREE GUYS IN THE PARKING LOT, WE 452 00:29:09,205 --> 00:29:09,706 ASSASSINATE THEM. 453 00:29:09,706 --> 00:29:10,582 >> YOU DID. 454 00:29:10,582 --> 00:29:10,915 YOU DID THAT? 455 00:29:10,915 --> 00:29:11,332 HOW WAS IT? 456 00:29:11,332 --> 00:29:13,042 WAS IT SHALL. 457 00:29:13,042 --> 00:29:13,835 >> IT WAS FUN, IT WAS FAST. 458 00:29:13,835 --> 00:29:16,087 >> WAS THERE A LOT OF BLOOD. 459 00:29:16,087 --> 00:29:18,465 >> NO, NO, NO. 460 00:29:18,465 --> 00:29:19,757 VERY FAST. HOW ABOUT YOU. 461 00:29:19,757 --> 00:29:21,050 >> WHAT DID I DO? 462 00:29:21,050 --> 00:29:26,598 I DID THE THING WHERE WE PRETEND-- PRETENDED TO KILL THAT 463 00:29:26,598 --> 00:29:30,894 GUY, WE LIT HIM ON FIRE AND WE SHOVED HIM DOWN THE HILL, HE WAS 464 00:29:30,894 --> 00:29:35,398 ROLLING THEN WE BLEW HIS BODY APART DOWN THERE, IT HAS BEEN A 465 00:29:35,398 --> 00:29:36,608 GREAT WEEK. 466 00:29:36,608 --> 00:29:39,944 I LOOK UP, AT SOME POINT I LOOK UP AT THE REARVIEW MIRROR AND 467 00:29:39,944 --> 00:29:45,909 THE DRIVER OF THIS CAR IS LIKE-- AND I DON'T THINK 468 00:29:45,909 --> 00:29:51,915 ERECTED, SALVATORE DID NOT, AND I SAID IMMEDIATELY, SIR, I'M SO 469 00:29:51,915 --> 00:29:55,168 SORRY, WE ARE ACTORS, THIS IS NOT, WE AREN'T TALKING, THESE 470 00:29:55,168 --> 00:29:59,088 AREN'T REAL DEATHS WE ARE TALKING ABOUT, WE ARE NOT, LOOK, 471 00:29:59,088 --> 00:30:09,849 AND HE SAID THANK YOU SO MUCH, I WOULDN'T HAVE SAID ANYTHING. 472 00:30:09,849 --> 00:30:11,142 BUT-- OKAY, I'M GLAD EVERYONE IS OKAY. 473 00:30:11,142 --> 00:30:11,976 BUT I WOULDN'T HAVE SAID ANYTHING. 474 00:30:11,976 --> 00:30:14,020 LITERALLY, I WOULDN'T HAVE SAID. 475 00:30:14,020 --> 00:30:16,689 JUST, JUST SO YOU KNOW. 476 00:30:16,689 --> 00:30:17,982 AND I THOUGHT TO MYSELF, YEAH, THIS IS ODD. 477 00:30:17,982 --> 00:30:20,985 YOU HAVE TO BE CAREFUL WHEN ARE YOU TALKING ABOUT YOUR JOB IN 478 00:30:20,985 --> 00:30:24,989 PUBLIC, IF YOUR JOB IS KILLING PEOPLE THIS TIME AROUND. 479 00:30:24,989 --> 00:30:26,533 YOU HAVE TO BE VERY MINDFUL OF THAT. 480 00:30:26,533 --> 00:30:29,160 >> James: WELL, I'M SO EXCITED TO SEE THE SHOW. 481 00:30:29,160 --> 00:30:32,038 I REALLY, REALLY AM, LET'S LOOK AT A CLIP FROM FARGO WHICH 482 00:30:32,038 --> 00:30:37,627 PREMIER THIS SUNDAY AT 9:00 ON FX AND THE NEXT DAY ON FX ON 483 00:30:37,627 --> 00:30:41,756 GOOGLE. 484 00:30:41,756 --> 00:30:48,096 >> HEY, YOU GOT ANY BENNYS, GLEERMS, LAY LITTLE CHICKEN 485 00:30:48,096 --> 00:30:50,682 POWDER, SOMETHING TO PICK ME UP. 486 00:30:50,682 --> 00:30:54,978 I'VE HAD A WORLD-CLASS DAY. 487 00:30:54,978 --> 00:31:00,525 >> WOW, SURE, THERE ARE TRIEPS OF NARCOTICS WHEN PRESCRIBEDS A 488 00:31:00,525 --> 00:31:04,195 MEDICAL REMEDY SAY AS A MOOD ELEVATOR OR TO STRENGTHEN THE 489 00:31:04,195 --> 00:31:06,990 CONCENTRATION CAN BE QUITE EFFECTIVE BUT INGESTED THEM 490 00:31:06,990 --> 00:31:10,493 WITHOUT THE WRITTEN PRESCRIPTION OF A CERTIFIED PHYSICIAN, THAT'S 491 00:31:10,493 --> 00:31:21,212 NOT SOMETHING I CAN HELP YOU WITH. 492 00:31:21,212 --> 00:31:27,093 >> WHAT IF I SHARE? 493 00:31:27,093 --> 00:31:30,888 >> James: STICK AROUND, MORE WITH JASON SCHWARTZMAN WHEN WE 494 00:31:30,888 --> 00:31:32,849 COME BACK. 495 00:31:32,849 --> 00:31:32,890 (APPLAUSE) 496 00:31:46,112 --> 00:31:48,072 >> James: WELCOME BACK, WE ARE HERE WITH JASON SCHWARTZMAN, WE 497 00:31:48,072 --> 00:31:51,743 HAVE BEEN DOING A THING, A "LATE, LATE SHOW" AND TELL WHERE 498 00:31:51,743 --> 00:31:54,078 WE ASK OUR GUESTS TO SHARE SOMETHING FROM HOME THAT WE MAY 499 00:31:54,078 --> 00:31:55,413 OTHERWISE NEVER GET TO SEE. 500 00:31:55,413 --> 00:31:57,206 DO YOU HAVE SOMETHING YOU WOULD LIKE TO SHARE WITH US THIS 501 00:31:57,206 --> 00:31:58,374 EVENING. 502 00:31:58,374 --> 00:31:58,916 >> I DO. 503 00:31:58,916 --> 00:31:59,626 I DO. 504 00:31:59,626 --> 00:32:00,752 I WAS THINK BEING THIS. 505 00:32:00,752 --> 00:32:05,006 I HAVE SOMETHING THAT IS VERY MEANINGFUL TO ME. 506 00:32:05,006 --> 00:32:09,552 I HAVE A DAUGHTER, MY MIDDLE CHILD HAS SPECIAL NEEDS. 507 00:32:09,552 --> 00:32:13,097 AND SPEAKING IS SOMETHING SHE IS WORKING ON. 508 00:32:13,097 --> 00:32:20,730 AND YOU KNOW, THAT SHE IS CHALLENGED WITH. 509 00:32:20,730 --> 00:32:26,110 AND WE NOTICED THOUGH THAT SHE SPEAKS OR SHE VOCALIZES THE MOST 510 00:32:26,110 --> 00:32:31,449 WHEN SHE'S ON THE PHONE. 511 00:32:31,449 --> 00:32:35,161 AND FOR AWHILE AT OUR HOUSE I WOULD CALL LINE ONE CALL PICK UP 512 00:32:35,161 --> 00:32:40,917 LINE TWO, LINE ONE, LINE TWO, AND GIVE IT TO HER AND RUN TO A 513 00:32:40,917 --> 00:32:43,461 DIFFERENT ROOM AND TALK TO HER FOR LIKE AN HOUR. 514 00:32:43,461 --> 00:32:47,715 AND SHE WAS JUST TALKING AND IT WAS JUST SO WONDERFUL BUT IT WAS 515 00:32:47,715 --> 00:32:50,802 A PROBLEM BECAUSE IT WAS TIEING UP THE PHONE LINES. 516 00:32:50,802 --> 00:32:51,219 >> RIGHT. 517 00:32:51,219 --> 00:32:52,303 >> James: AND. 518 00:32:52,303 --> 00:32:56,307 >> AND SO ANYWAY, I WAS WONDERING LIKE HOW DO I GET A 519 00:32:56,307 --> 00:33:00,520 PHONE BUT THAT DOESN'T HAVE, YOU KNOW, THAT DOESN'T ACTUALLY USE 520 00:33:00,520 --> 00:33:05,024 UP OUR LINES AND WHEN I WAS ON FARGO I WAS TALKING TO THE 521 00:33:05,024 --> 00:33:14,325 PROPERTY MASTER, AND HE BUILT ME THIS FOR MY DAUGHTER. 522 00:33:14,325 --> 00:33:20,206 THIS PHONE ACTUALLY GOES TO A BOX, A SEPARATE BOX AND THEN IT 523 00:33:20,206 --> 00:33:25,670 RINGS TO THIS OTHER PHONE THAT IS CONNECTED TO THE OTHER SIDE 524 00:33:25,670 --> 00:33:28,047 OF IT, THIS ONE, AND I CAN PUT IT WHEREVER I WANT. 525 00:33:28,047 --> 00:33:36,139 AND IT IS JUST, FOR HER, WE CAN TALK FOR HOURS AND STUFF ON OUR 526 00:33:36,139 --> 00:33:38,850 OWN PHONE LINES THAT IS NOT BEING USED. 527 00:33:38,850 --> 00:33:44,230 AND IT IS WHEN HE TBAIF IT TO ME, IT WAS ONE OF THE MOST 528 00:33:44,230 --> 00:33:48,234 MEANINGFUL GIFTS I'VE EVER BEEN PRESENTED WITH IN MY LIFE. 529 00:33:48,234 --> 00:33:49,861 AND MY DAUGHTER LOVES IT. 530 00:33:49,861 --> 00:33:51,696 >> James: THAT IS SO. 531 00:33:51,696 --> 00:33:53,573 >> I'M REALLY PROUD TO HAVE THERE IN MY LIFE. 532 00:33:53,573 --> 00:33:55,158 >> James: THAT IS SO BEAUTIFUL. 533 00:33:55,158 --> 00:33:56,033 THANK YOU SO MUCH FOR SHARING. 534 00:33:56,033 --> 00:33:57,410 THAT IS GORGEOUS. 535 00:33:57,410 --> 00:34:01,748 PLEASE THANK THE ONE, THE ONLY JASON SCHWARTZMAN, EVERYBODY. 536 00:34:01,748 --> 00:34:04,667 ALICIA KEYS GIVES HER FINAL PERFORMANCE OF THE WEEK OUTSIDE 537 00:34:04,667 --> 00:34:05,251 RIGHT AFTER THIS. 538 00:34:05,251 --> 00:34:09,005 COME ON BACK, EVERYBODY. 539 00:34:22,268 --> 00:34:24,312 ♪ ♪ ♪ >> James: WELCOME BACK, HERE 540 00:34:24,312 --> 00:34:27,065 PERFORMING UNDERDOG FROM HER NEW ALBUM ALICIA, PLEASE WELCOME 541 00:34:27,065 --> 00:34:36,574 ALICIA KEYS! 542 00:34:36,574 --> 00:34:42,997 IN SONG IS FOR EVERYBODY WHO DEFIES THE ODDS, WHO BREAKFAST 543 00:34:42,997 --> 00:34:44,624 ANY CEILINGS, THIS IS FOR YOU. 544 00:34:44,624 --> 00:34:47,126 ♪ SHE WAS WALKING IN THE STREET LOOKED UP AND NOTICED 545 00:34:47,126 --> 00:34:49,128 ♪ HE WAS NAMELESS HE WAS HOMELESS 546 00:34:49,128 --> 00:34:50,379 ♪ SHE ASKED HIM HIS NAME AND TOLD HIM WHAT HERS WAS 547 00:34:50,379 --> 00:34:53,257 ♪ HE GAVE HER A STORY 'BOUT A LIFE 548 00:34:53,257 --> 00:34:57,094 ♪ WITH A GLINT IN HIS EYE AND A CORNER OF A SMILE 549 00:34:57,094 --> 00:34:59,222 ♪ ONE CONVERSATION A SIMPLE MOMENT 550 00:34:59,222 --> 00:35:01,641 ♪ THE THINGS THAT CHANGE US IF WE NOTICE 551 00:35:01,641 --> 00:35:06,979 ♪ WHEN WE LOOK UP, SOMETIMES THEY SAID I WOULD NEVER MAKE IT 552 00:35:06,979 --> 00:35:09,774 ♪ BUT I WAS BUILT TO BREAK THE MOLD 553 00:35:09,774 --> 00:35:16,322 ♪ THE ONLY DREAM THAT I'VE BEEN CHASING IS MY OWN 554 00:35:16,322 --> 00:35:20,618 ♪ SO I SING A SONG FOR THE HUSTLERS TRADING AT THE BUS STOP 555 00:35:20,618 --> 00:35:24,455 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 556 00:35:24,455 --> 00:35:26,958 ♪ YOUNG TEACHERS STUDENT DOCTORS 557 00:35:26,958 --> 00:35:29,293 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 558 00:35:29,293 --> 00:35:31,295 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT 559 00:35:31,295 --> 00:35:35,633 ♪ WHAT YOU LOVE YOU'LL FIND THAT 560 00:35:35,633 --> 00:35:38,678 ♪ SOMEDAY SOON ENOUGH YOU WILL RISE UP 561 00:35:38,678 --> 00:35:42,640 ♪ RISE UP, YEAH OOH, OOH, OOH 562 00:35:42,640 --> 00:35:46,435 ♪ OOH, OOH, OOH YEAH 563 00:35:46,435 --> 00:35:50,982 ♪ OOH, OOH, OOH SHE'S RIDING IN A TAXI 564 00:35:50,982 --> 00:35:53,317 ♪ BACK TO THE KITCHEN TALKING TO THE DRIVER 'BOUT 565 00:35:53,317 --> 00:35:55,403 ♪ HIS WIFE AND HIS CHILDREN ON THE RUN FROM A COUNTRY 566 00:35:55,403 --> 00:35:59,073 ♪ WHERE THEY PUT YOU IN PRISON FOR BEING A WOMAN AND 567 00:35:59,073 --> 00:36:01,200 ♪ SPEAKING YOUR MIND SHE LOOKED IN HIS EYES IN 568 00:36:01,200 --> 00:36:04,120 ♪ THE MIRROR AND HE SMILED ONE CONVERSATION 569 00:36:04,120 --> 00:36:06,956 ♪ A SINGLE MOMENT THE THINGS THAT CHANGE US 570 00:36:06,956 --> 00:36:11,168 ♪ IF WE NOTICE WHEN WE LOOK UP, SOMETIMES 571 00:36:11,168 --> 00:36:13,337 ♪ THEY SAID I WOULD NEVER MAKE IT, BUT I WAS BUILT 572 00:36:13,337 --> 00:36:17,508 ♪ TO BREAK THE MOLD THE ONLY DREAM THAT I'VE 573 00:36:17,508 --> 00:36:22,179 ♪ BEEN CHASING IS MY OWN SO I SING A SONG FOR THE 574 00:36:22,179 --> 00:36:24,515 ♪ HUSTLERS TRADING AT THE BUS STOP 575 00:36:24,515 --> 00:36:26,392 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 576 00:36:26,392 --> 00:36:29,645 ♪ YOUNG TEACHERS STUDENT DOCTORS 577 00:36:29,645 --> 00:36:32,899 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 578 00:36:32,899 --> 00:36:36,777 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT 579 00:36:36,777 --> 00:36:38,404 ♪ WHAT YOU LOVE YOU'LL FIND THAT SOMEDAY 580 00:36:38,404 --> 00:36:42,366 ♪ SOON ENOUGH YOU WILL RISE UP, RISE UP, YEAH 581 00:36:42,366 --> 00:36:50,833 ♪ OOH, OOH, OOH OOH, OOH, OOH 582 00:36:50,833 --> 00:36:53,252 ♪ YEAH OOH, OOH, OOH 583 00:36:53,252 --> 00:37:03,512 ♪ EVERYBODY RISE UP YOU GONNA RISE UP, AY 584 00:37:03,512 --> 00:37:11,187 ♪ I SING A SONG FOR THE HUSTLERS YOU GONNA RISE UP, AY 585 00:37:11,187 --> 00:37:19,028 ♪ YEAH ♪ I SING A SONG FOR THE HUSTLERS 586 00:37:19,028 --> 00:37:20,571 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 587 00:37:20,571 --> 00:37:22,990 ♪ YOUNG TEACHERS STUDENT DOCTORS 588 00:37:22,990 --> 00:37:26,077 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 589 00:37:26,077 --> 00:37:31,082 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT WHAT YOU LOVE 590 00:37:31,082 --> 00:37:33,918 ♪ YOU'LL FIND THAT SOMEDAY SOON ENOUGH YOU WILL 591 00:37:33,918 --> 00:37:39,590 ♪ RISE UP, RISE UP, YEAH OOH, OOH, OOH 592 00:37:39,590 --> 00:37:45,262 ♪ OOH, OOH, OOH OOH, OOH, OOH 593 00:37:45,262 --> 00:37:56,065 ♪ OOH, OOH, OOH ♪ OOH, OOH, OOH 594 00:37:56,065 --> 00:38:10,997 ♪ OOH, OOH, OOH ♪ ♪ ♪ ♪ 595 00:38:10,997 --> 00:38:17,753 ♪ OOH, OOH, OOH ♪ ♪ ♪ ♪ 596 00:38:17,753 --> 00:38:25,094 (CHEERS AND APPLAUSE ) (CARS HONKING ) 597 00:38:25,094 --> 00:38:25,970 >> James: ALICIA KEYS EVERYBODY! 598 00:38:25,970 --> 00:38:31,642 HER NEW ALBUM "ALICIA" IS OUT RIGHT NOW! 599 00:38:31,642 --> 00:38:40,359 COME ON BACK, EVERYBODY. 600 00:38:40,359 --> 00:38:41,861 ♪ 601 00:38:48,576 --> 00:38:49,535 ♪ ♪ ♪ >> James: LADIES AND 602 00:38:49,535 --> 00:38:52,538 GENTLEMEN, THIS IS THE END OF ALICIA WEEK. 603 00:38:52,538 --> 00:38:59,045 WHAT AN INCREDIBLE THING TO HAVE ALICIA KEYS HERE EVERY NIGHT, 604 00:38:59,045 --> 00:39:00,588 BLESSED WITH HER MUSIC AND HER PRESENCE. 605 00:39:00,588 --> 00:39:04,425 WE'LL NEVER FORGET T ALICIA, THANK YOU, FOR COMING AND DOING 606 00:39:04,425 --> 00:39:05,634 THIS, IT HAS BEEN INCREDIBLE. 607 00:39:05,634 --> 00:39:10,473 WE'LL SEE YOU NECK WEEK, STAY SAFE, EVERYBODY. 608 00:39:10,473 --> 00:39:13,601 REGGIE, TAKE US HOME! 609 00:39:14,226 --> 00:39:14,852 Captioning sponsored by CBS Captioned by 49081

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