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1
00:00:01,375 --> 00:00:04,125
♪
2
00:00:49,417 --> 00:00:53,542
YOU SEE, AFTER ALL
IS SAID AND DONE,
3
00:00:53,542 --> 00:00:56,208
THE ONLY THING YOU
CAN BE REALLY SURE OF,
4
00:00:56,208 --> 00:00:57,667
THE ONLY THING YOU CAN
REALLY COUNT ON
5
00:00:57,667 --> 00:01:00,041
IN THIS WORLD,
6
00:01:00,041 --> 00:01:03,333
IS THAT YOU JUST
NEVER FUCKING KNOW.
7
00:01:03,333 --> 00:01:06,250
I BET THE LAST THING
YOU WERE THINKIN' ABOUT
8
00:01:06,250 --> 00:01:08,375
WHEN YOU WERE TYING
YOUR SHOELACES
THIS MORNING
9
00:01:08,375 --> 00:01:12,709
WAS THAT THERE WAS A CHANCE
THAT BY THE END OF THE DAY,
THIS DAY,
10
00:01:12,709 --> 00:01:15,959
THOSE SAME SHOELACES
WERE GOIN' TO BE UNTIED
11
00:01:15,959 --> 00:01:18,709
BY SOMEBODY WORKING
FOR THE CORONER'S OFFICE.
12
00:01:18,709 --> 00:01:21,250
AM I RIGHT?
13
00:01:21,250 --> 00:01:25,083
I'M RIGHT, RIGHT?
14
00:01:25,083 --> 00:01:28,458
HEY! GET THE FUCK
OUT OF HERE!
15
00:01:28,458 --> 00:01:29,917
WHAT, YOU WANNA KNOW
ABOUT THIS?
16
00:01:29,917 --> 00:01:31,417
GET THE FUCK
OUT OF HERE!
17
00:01:31,417 --> 00:01:33,625
TAKE THAT SHIT
TO THE DRY CLEANERS.
18
00:01:33,625 --> 00:01:34,208
NOW!
19
00:01:39,083 --> 00:01:40,834
SORRY. LONG DAY.
20
00:01:40,834 --> 00:01:43,125
WHERE WAS I?
OK.
21
00:01:43,125 --> 00:01:43,959
YOU KNOW, THE HUMAN BODY IS,
LIKE,
22
00:01:43,959 --> 00:01:47,125
80 PERCENT MOISTURE,
RIGHT?
23
00:01:47,125 --> 00:01:51,375
HOW MUCH DO YOU WEIGH?
165
24
00:01:51,375 --> 00:01:55,208
NOW, I FIGURE
IF YOU COULD
SOMEHOW EXTRACT
25
00:01:55,208 --> 00:01:57,208
80 PERCENT OF THAT,
26
00:01:57,208 --> 00:02:01,166
YOU'D HAVE...
GIVE ME A SECOND...
27
00:02:01,166 --> 00:02:02,709
34 POUNDS
28
00:02:02,709 --> 00:02:05,709
OF, LIKE, SOLID,
29
00:02:05,709 --> 00:02:08,750
NOT MEAT...
30
00:02:08,750 --> 00:02:11,333
IT'D BE MORE LIKE
BEEF JERKY, YOU KNOW?
31
00:02:11,333 --> 00:02:15,250
BUT WITH HAIR
AND BONES AND TEETH,
32
00:02:15,250 --> 00:02:18,875
SHRIVELED-UP
TATTOOS AND WHATNOT.
33
00:02:18,875 --> 00:02:20,875
PROBABLY BE, LIKE, THIS BIG.
34
00:02:20,875 --> 00:02:23,333
IN ANY EVENT,
35
00:02:23,333 --> 00:02:25,375
YOU'RE STARTIN' TO FOLLOW
MY DRIFT HERE, PAPI?
36
00:02:25,375 --> 00:02:30,166
BECAUSE SOMEBODY HAS SOME MONEY
THAT BELONGS TO LOUIS.
37
00:02:30,166 --> 00:02:31,625
IS IT YOU, PERCHANCE?
38
00:02:31,625 --> 00:02:36,500
IS IT YOU
THAT HAS SOME MONEY
THAT BELONGS TO LOUIS?
39
00:02:36,500 --> 00:02:37,667
NO, NO.
40
00:02:37,667 --> 00:02:38,208
- NO.
41
00:02:38,208 --> 00:02:39,625
- NO.
42
00:02:39,625 --> 00:02:40,792
NO
43
00:02:40,792 --> 00:02:43,250
- YEAH.
- OK.
44
00:02:43,250 --> 00:02:45,291
I'M GONNA START
THIS THING AND LEAVE.
45
00:02:48,208 --> 00:02:50,375
WHAT DO YOU THINK?
PERMANENT PRESS
OR DELICATE? NAH.
46
00:02:54,542 --> 00:02:56,667
WOULDN'T BE APPROPRIATE
IF I ASKED YOU
47
00:02:56,667 --> 00:02:57,917
IF YOU HAD
CHANGE FOR A DOLLAR.
48
00:02:57,917 --> 00:02:59,500
I GOT IT. I GOT IT.
49
00:02:59,500 --> 00:03:02,375
ALL RIGHT. CALM DOWN.
I JUST NEED 4 QUARTERS.
50
00:03:02,375 --> 00:03:06,250
NO. I GOT
LOUIS'S MONEY.
51
00:03:07,000 --> 00:03:08,834
OH.
YOU GOT IT.
52
00:03:08,834 --> 00:03:10,166
YEAH, I DO.
53
00:03:10,166 --> 00:03:15,250
WELL, I GOT SOME OF IT,
ANYWAYS.
54
00:03:17,375 --> 00:03:20,375
NAH, THIS ISN'T
WHAT WE TALKED ABOUT.
55
00:03:20,375 --> 00:03:21,667
NAH, THIS IS--
IT'S FUCKING SIMPLE.
56
00:03:21,667 --> 00:03:24,583
- FUCKIN' BREAKING THE CONTRACT.
ABSOLUTELY RIGHT.
57
00:03:24,583 --> 00:03:25,834
- IT'S VERY SIMPLE.
I GIVE YOU, YOU GIVE ME.
58
00:03:25,834 --> 00:03:28,500
YOU DON'T GIVE ME, THAT'S
NOT RIGHT. BREACH OF CONTRACT.
59
00:03:28,500 --> 00:03:30,750
YOU'RE FUCKIN' UP.
THAT'S WHAT YOU'RE DOING.
60
00:03:30,750 --> 00:03:33,083
WHAT DO YOU THINK
I'M OUT HERE FOR?
I'M ASKING YOU A QUESTION.
61
00:03:33,083 --> 00:03:33,875
- WHAT DO YOU THINK
I'M OUT HERE FOR, HUH?
- LOUIS,
62
00:03:33,875 --> 00:03:36,291
I'M REALLY SCARED NOW.
63
00:03:36,291 --> 00:03:38,208
YOU'RE SCARED
NOW? I DON'T GIVE A FUCK.
64
00:03:38,208 --> 00:03:39,583
I TOLD YOU NOT TO LET THIS
GET OUT OF CONTROL, DIDN'T I?
65
00:03:39,583 --> 00:03:41,625
WHAT'D I TELL YOU?
I TOLD YOU THAT,
RIGHT
66
00:03:41,625 --> 00:03:44,375
LISTEN, HERE'S WHAT
YOU'RE GONNA DO
FOR ME, OK?
67
00:03:44,375 --> 00:03:45,250
YOU'RE GONNA COME
SEE ME TOMORROW
68
00:03:45,250 --> 00:03:48,083
AND YOU'RE GONNA
BRING ME SOMETHING.
69
00:03:48,083 --> 00:03:50,375
OK, YOU HEAR ME?
- YES. YES, I DO.
70
00:03:50,375 --> 00:03:52,458
SOMETHING TO SCALE,
ALL RIGHT?
71
00:03:52,458 --> 00:03:54,333
OTHERWISE I CAN'T--I CAN'T
TALK TO YOU NO MORE,
ALL RIGHT?
72
00:03:54,333 --> 00:03:56,959
I'M GONNA HAVE TO SEND
JIGGLY OVER,
73
00:03:56,959 --> 00:03:59,208
AND HE'S GONNA HAVE TO
SETTLE UP WITH YOU.
74
00:03:59,208 --> 00:04:01,208
YOU COME TO ME TOMORROW
OR HE GOES TO YOU TOMORROW.
VERY SIMPLE.
75
00:04:01,208 --> 00:04:03,041
- I'LL BE HERE TOMORROW.
76
00:04:03,041 --> 00:04:04,667
- THAT'S GOOD.
- AND I'M NOT
KIDDIN' YA.
77
00:04:04,667 --> 00:04:06,166
- GET THE FUCK OUT OF HERE NOW.
78
00:04:06,166 --> 00:04:08,709
GET THE FUCK...
GO, YOU FUCKIN'...
79
00:04:08,709 --> 00:04:10,208
FUCKIN' ROACH.
80
00:04:10,208 --> 00:04:12,709
FUCKING CLASS OF PEOPLE.
81
00:04:12,709 --> 00:04:14,750
I'M IN SIBERIA
AROUND HERE.
82
00:04:14,750 --> 00:04:15,250
I KNOW.
83
00:04:15,250 --> 00:04:17,417
FUCK THIS CITY.
84
00:04:17,417 --> 00:04:18,375
I DON'T KNOW HOW YOU
GUYS CUT IT OUT HERE.
85
00:04:18,375 --> 00:04:21,417
IT'S, UH, IT'S GIGLI,
BY THE WAY.
86
00:04:21,417 --> 00:04:23,291
- MY NAME IS GI--
87
00:04:23,291 --> 00:04:25,208
PRONOUNCED "ZHEE-LEE."
IT RHYMES WITH "REALLY.
88
00:04:25,208 --> 00:04:27,041
IS THAT RIGHT?
IS THAT SO?
89
00:04:27,041 --> 00:04:28,417
YEAH.
90
00:04:28,417 --> 00:04:30,125
ALL RIGHT.
WELL, YOU KNOW WHAT,
91
00:04:30,125 --> 00:04:32,083
I'LL REMEMBER THAT
FOR THE NEXT TIME, THEN.
92
00:04:32,083 --> 00:04:32,917
MEANWHILE, YOU GOT
SOMETHIN' FOR ME,
GIGLI...
93
00:04:32,917 --> 00:04:35,625
RHYMES WITH REALLY?
94
00:04:35,625 --> 00:04:37,792
IT'S--IT'S ABOUT HALF.
95
00:04:37,792 --> 00:04:39,750
HALF?
96
00:04:39,750 --> 00:04:40,917
HALF FOR TODAY.
97
00:04:40,917 --> 00:04:42,709
BELIEVE ME,
THAT'S ALL THE GUY HAD.
98
00:04:42,709 --> 00:04:44,917
YOU KNOW,
IT'S BETTER THAN NOTHIN'.
99
00:04:44,917 --> 00:04:47,917
HOW ABOUT IT'S
NOT BETTER THAN NOTHIN',
YOU FUCKIN' IDIOT?
100
00:04:47,917 --> 00:04:48,959
BETTER IS FUCK THE MONEY
101
00:04:48,959 --> 00:04:50,875
AND THEN YOU HURT HIM,
IT'S TO SPREAD THE WORD.
102
00:04:50,875 --> 00:04:53,792
SINCE WHEN ARE YOU
AUTHORIZED TO MAKE
CORPORATE POLICY DECISIONS?
103
00:04:53,792 --> 00:04:56,583
I'M SORRY, LOUIS.
I DIDN'T KNOW.
I'M SORRY.
104
00:04:56,583 --> 00:04:57,875
ARE YOU ALL THEY
GOT TO OFFER AROUND HERE?
105
00:04:57,875 --> 00:05:03,291
YOU'RE SUPPOSED TO BE
LIKE THIS VICIOUS,
FUCKIN' MAD DOG.
106
00:05:03,291 --> 00:05:05,250
I'M SORRY.
107
00:05:10,166 --> 00:05:11,959
WALK WITH ME.
108
00:05:13,291 --> 00:05:15,709
THERE IS A CERTAIN
INDIVIDUAL
109
00:05:15,709 --> 00:05:17,333
WHO IS CREATING
VERY SUBSTANTIAL
DIFFICULTIES
110
00:05:17,333 --> 00:05:20,959
FOR A DEAR FRIEND
OF MINE IN NEW YORK.
111
00:05:20,959 --> 00:05:23,333
NOW, THIS CERTAIN PARTY
112
00:05:23,333 --> 00:05:25,583
IS VERY BULLHEADED
AND SEEMS TO BE REMOVED
113
00:05:25,583 --> 00:05:28,417
FROM WHAT I
WOULD LIKE TO CALL
MY SPHERE OF INFLUENCE.
114
00:05:28,417 --> 00:05:30,125
ALL RIGHT,
HOW CAN I HELP?
115
00:05:30,125 --> 00:05:32,291
THE PLOT NEEDS A TWIST.
116
00:05:32,291 --> 00:05:35,834
THE INDIVIDUAL
NEEDS TO BE TOUCHED
IN SOME MANNER AS TO, UH,
117
00:05:35,834 --> 00:05:37,333
CONVINCE HIM OF
THE ERROR OF HIS WAYS
118
00:05:37,333 --> 00:05:39,667
BEFORE HE CAN
HURT OTHER PEOPLE,
119
00:05:39,667 --> 00:05:41,834
PARTICULARLY
MY FRIEND FROM NEW YORK.
120
00:05:41,834 --> 00:05:44,375
RIGHT.
121
00:05:44,375 --> 00:05:47,959
NOW, THIS CERTAIN
INDIVIDUAL,
HE'S GOT A, UH,
122
00:05:47,959 --> 00:05:51,959
A BELOVED RELATIVE
WITH CERTAIN
PSYCHOLOGICAL DEFECTS.
123
00:05:54,500 --> 00:05:57,000
I WANT THE RELATIVE GOTTEN,
ALL RIGHT?
124
00:05:57,000 --> 00:06:01,500
AND I WANT HIM,
FOR THE TIME BEING,
HELD ONTO.
125
00:06:01,500 --> 00:06:03,500
PERHAPS THEN
126
00:06:03,500 --> 00:06:05,500
REASON CAN PREVAIL.
127
00:06:05,500 --> 00:06:07,000
YOU--YOU'RE FOLLOWING
ALL THIS?
128
00:06:07,000 --> 00:06:09,291
YEAH, ALL OF IT.
129
00:06:09,291 --> 00:06:11,125
ALL OF IT.
130
00:06:11,125 --> 00:06:12,625
GOT IT.
131
00:06:41,250 --> 00:06:43,000
ALL RIGHT. WAIT.
WHOA. WHOA.
132
00:06:43,000 --> 00:06:45,250
WHERE IS HE?
133
00:06:45,250 --> 00:06:46,625
OVER THERE.
134
00:06:46,625 --> 00:06:48,458
RIGHT THERE?
THAT'S HIM?
135
00:06:48,458 --> 00:06:49,875
ALL RIGHT.
136
00:06:49,875 --> 00:06:51,625
THANKS.
137
00:06:51,625 --> 00:06:53,834
I'M ALL RIGHT.
YOU CAN GO OUTSIDE.
I'M OK.
138
00:06:53,834 --> 00:06:54,667
THANKS.
139
00:07:18,000 --> 00:07:19,959
HEY.
140
00:07:19,959 --> 00:07:21,917
ARE YOU BRIAN?
141
00:07:21,917 --> 00:07:23,000
HUH?
142
00:07:23,000 --> 00:07:25,041
BRIAN.
143
00:07:26,583 --> 00:07:27,542
I KNOW YOU'RE BRIAN.
144
00:07:27,542 --> 00:07:31,000
YOUR FRIEND RATTED
YOU OUT BACK THERE.
145
00:07:31,000 --> 00:07:32,875
HELLO?
146
00:07:36,625 --> 00:07:37,750
WHAT ARE YOU, UH,
EATIN' THERE?
147
00:07:37,750 --> 00:07:40,625
WHAT DO YOU GOT, UH?
WHAT ARE THOSE, POLLY SEEDS?
148
00:07:40,625 --> 00:07:43,333
THEY'RE NOT.
YOU'RE STUPID.
149
00:07:43,333 --> 00:07:44,333
I'M STUPID.
150
00:07:44,333 --> 00:07:46,917
THEY LOOK LIKE
POLLY SEEDS TO ME.
151
00:07:46,917 --> 00:07:50,208
- THEY'RE SUNFLOWER SEEDS.
- IT'S THE SAME THING.
152
00:07:50,208 --> 00:07:52,500
WE JUST CALLED THEM
POLLY SEEDS WHEN I WAS A KID.
153
00:07:52,500 --> 00:07:56,083
YOU MUST BE
THE STUPIDEST PERSON,
YOU PISS-HEAD, PISSER-FUCKER.
154
00:07:59,291 --> 00:08:01,125
AHEM. ALL RIGHT, LOOK.
155
00:08:01,125 --> 00:08:05,250
ME AND YOU, WE'RE SUPPOSED
TO GO FOR A QUICK WALK.
YOU READY?
156
00:08:05,250 --> 00:08:06,792
YEAH, WE GOTTA GO
TAKE A WALK
AROUND THE BLOCK.
157
00:08:06,792 --> 00:08:10,208
- I WON'T GIVE ANYBODY MY SEEDS.
158
00:08:10,208 --> 00:08:12,458
BARRY ALWAYS ASKS
WHY I DON'T GIVE
ANYBODY ANY.
159
00:08:12,458 --> 00:08:14,667
DON'T WORRY ABOUT IT.
KEEP THOSE.
160
00:08:14,667 --> 00:08:16,291
THAT'S FOR YOU, OK?
161
00:08:16,291 --> 00:08:18,375
COME ON, LET'S GO.
WE'RE GONNA TAKE A WALK.
COME ON.
162
00:08:18,375 --> 00:08:20,542
WHAT DID THAT?!
- SHH.
163
00:08:20,542 --> 00:08:24,000
HE'S KIDDIN'. HE'S KIDDIN'.
HE'S KIDDIN'.
164
00:08:24,000 --> 00:08:24,792
AH...
165
00:08:31,291 --> 00:08:33,542
SORRY ABOUT THAT.
166
00:08:33,542 --> 00:08:36,709
ALL RIGHT, LOOK,
IT'S REAL SIMPLE.
167
00:08:36,709 --> 00:08:38,458
YOU AND I
ARE GONNA GO OUTSIDE
AND TAKE A LITTLE WALK.
168
00:08:38,458 --> 00:08:40,625
I WON'T GRAB YOU AGAIN, OK?
169
00:08:42,750 --> 00:08:46,250
- I HAVE TO GO TO THE BAYWATCH.
170
00:08:46,250 --> 00:08:49,500
I HAVE TO GO TO THE BAYWATCH.
I WAS GONNA GO.
171
00:08:49,500 --> 00:08:51,208
YOU WANNA WATCH BAYWATCH?
172
00:08:51,208 --> 00:08:53,208
ROLL BY MY APARTMENT,
WE'LL TURN ON BAYWATCH.
173
00:08:53,208 --> 00:08:56,667
AH! YOU'RE THE STUPIDEST PERSON.
YOU'RE THE STUPIDEST PERSON.
174
00:08:56,667 --> 00:08:57,917
NOT TELEVISION.
THE BAYWATCH.
175
00:08:57,917 --> 00:09:00,458
OH.
176
00:09:00,458 --> 00:09:01,250
THE BAYWATCH?
177
00:09:01,250 --> 00:09:03,208
YEAH, THE BAYWATCH.
178
00:09:03,208 --> 00:09:04,375
OK. ALL RIGHT.
179
00:09:04,375 --> 00:09:07,375
YEAH. THE BAYWATCH.
180
00:09:07,375 --> 00:09:09,083
CAN I GO?
181
00:09:13,458 --> 00:09:14,166
YOU WANNA GO NOW?
182
00:09:14,166 --> 00:09:17,375
TO THE BAYWATCH.
183
00:09:17,375 --> 00:09:19,709
YEAH. I'M GOIN' THERE.
184
00:09:19,709 --> 00:09:22,333
I WAS ON MY WAY.
185
00:09:24,583 --> 00:09:26,166
- YES, I WOULD.
- ALL RIGHT.
186
00:09:26,166 --> 00:09:27,709
- YES, I WOULD.
- LET'S GO, LET'S GO.
187
00:09:27,709 --> 00:09:29,166
LET'S GO.
188
00:09:32,458 --> 00:09:33,709
COME ON, LET'S GO.
189
00:09:33,709 --> 00:09:36,667
OK, I GOTTA GET MY RADIO.
I GOTTA GET MY RADIO.
190
00:09:36,667 --> 00:09:37,041
THE MUSIC'S
GONNA BE GOOD THERE.
191
00:09:37,041 --> 00:09:38,208
OK, GOOD.
192
00:09:43,166 --> 00:09:44,250
BAYWATCH!
193
00:09:46,417 --> 00:09:47,750
HERE WE COME.
194
00:09:47,750 --> 00:09:48,625
HEY, UH, WAIT A MINUTE.
195
00:09:48,625 --> 00:09:51,583
YOU HEAR THAT, NOW?
WHAT IS THAT?
196
00:09:51,583 --> 00:09:54,583
YOU HEAR THAT?
- NO.
197
00:09:54,583 --> 00:09:57,542
YEP, IT'S MY
WALKIE-TALKIE CALLIN'.
198
00:09:57,542 --> 00:09:59,125
YEAH, HELLO?
199
00:09:59,125 --> 00:10:00,875
HEY, I TOLD YOU,
DON'T EVER BOTHER ME AGAIN
200
00:10:00,875 --> 00:10:03,083
WHEN I'M TAKIN'
TRIPS WITH MY FRIENDS.
201
00:10:03,083 --> 00:10:05,417
YEP.
202
00:10:05,417 --> 00:10:07,291
WHAT? NO,
WE'RE GOIN' TO
THE BAYWATCH.
203
00:10:07,291 --> 00:10:10,083
YEP, THAT'S RIGHT,
THE BAYWATCH.
204
00:10:10,083 --> 00:10:11,917
HUH?
205
00:10:11,917 --> 00:10:12,709
NO!
206
00:10:12,709 --> 00:10:15,417
HOLY MACKEREL.
207
00:10:15,417 --> 00:10:17,250
WOULD YOU KNOW
WHEN THEY'RE GONNA BE
OPEN AGAIN?
208
00:10:17,250 --> 00:10:18,750
AH, OK.
209
00:10:18,750 --> 00:10:21,875
WE'LL CALL YOU
TOMORROW FOR THE UPDATE. OK.
210
00:10:23,250 --> 00:10:24,917
HOW DO YOU LIKE THAT?
211
00:10:24,917 --> 00:10:27,625
THE BAYWATCH IS CLOSED TODAY.
212
00:10:27,625 --> 00:10:29,083
NO.
213
00:10:29,083 --> 00:10:30,959
TOMORROW WE'LL GO.
WE'LL GO TOMORROW.
214
00:10:30,959 --> 00:10:33,000
I CAN'T BELIEVE IT.
215
00:10:33,000 --> 00:10:34,667
THIS ALWAYS
HAPPENS LIKE THAT, RIGHT?
216
00:10:34,667 --> 00:10:35,417
WHEN YOU--
WHEN YOU PLAN A BIG TRIP.
217
00:10:41,125 --> 00:10:41,709
HELLO.
218
00:10:41,709 --> 00:10:44,542
HELLO THERE. P.O.B.
219
00:10:44,542 --> 00:10:45,458
WHAT DOES THAT MEAN?
220
00:10:45,458 --> 00:10:48,125
P.O.B.
LIMO DRIVERS SAY THAT.
221
00:10:48,125 --> 00:10:49,667
THAT'S GOOD.
WHAT DOES IT MEAN?
222
00:10:49,667 --> 00:10:51,208
P.O.B. PASSENGER ON BOARD.
223
00:10:51,208 --> 00:10:52,333
ALREADY, HUH?
224
00:10:52,333 --> 00:10:54,291
YEAH, ALREADY.
225
00:10:54,291 --> 00:10:55,500
THAT'S GOOD.
226
00:10:55,500 --> 00:10:56,667
YOU HEADED BACK
TO YOUR PLACE?
227
00:10:56,667 --> 00:10:57,959
I AM, I AM.
228
00:10:57,959 --> 00:10:59,792
GOOD. WE'LL TALK LATER.
229
00:10:59,792 --> 00:11:01,709
YEAH, WE'LL TALK LATER.
230
00:11:11,667 --> 00:11:12,917
COME ON IN.
IT'S ALL RIGHT.
231
00:11:12,917 --> 00:11:14,250
I DON'T BITE.
232
00:11:14,250 --> 00:11:16,750
COME ON.
233
00:11:21,291 --> 00:11:22,792
HEY, YOU HUNGRY?
234
00:11:22,792 --> 00:11:24,166
I GOT FOOD.
235
00:11:24,166 --> 00:11:25,333
HUH?
236
00:11:25,333 --> 00:11:28,125
YOU THIRSTY?
237
00:11:28,125 --> 00:11:28,959
I WANT A SODA.
238
00:11:28,959 --> 00:11:30,250
YOU WANT A SODA?
I'M OUT OF SODA.
239
00:11:30,250 --> 00:11:31,667
WANT A WATER?
240
00:11:31,667 --> 00:11:33,792
HUH? HEY,
YOU WANT A WATER?
241
00:11:33,792 --> 00:11:35,750
I'LL GET YOU A WATER.
242
00:11:41,208 --> 00:11:42,583
ALL RIGHT. HOW IS THAT?
243
00:11:42,583 --> 00:11:43,875
GOOD?
244
00:11:51,250 --> 00:11:52,375
I WANNA GO HOME.
245
00:11:52,375 --> 00:11:55,208
ALL RIGHT, YOU GOT TO
STAY HERE FOR A LITTLE BIT.
246
00:12:00,959 --> 00:12:01,583
NO, I WANNA GO HOME.
247
00:12:01,583 --> 00:12:03,875
NO, WE GOT TO STAY HERE.
248
00:12:03,875 --> 00:12:05,417
CAN'T DO IT RIGHT NOW.
249
00:12:05,417 --> 00:12:08,750
SO MAYBE YOU WANNA
WATCH T.V. OR CARTOONS?
250
00:12:08,750 --> 00:12:10,375
I WANNA GO HOME.
251
00:12:10,375 --> 00:12:13,250
WE GOT TO STAY HERE.
252
00:12:13,250 --> 00:12:15,208
NO.
253
00:12:15,208 --> 00:12:18,583
- TAKE ME HOME NOW.
254
00:12:18,583 --> 00:12:20,083
- STOP.
- HEY!
255
00:12:20,083 --> 00:12:21,417
FUCK ALL OF YOU!
YOU STUPID SOUP-FUCKER!
256
00:12:21,417 --> 00:12:22,709
WHAT?
257
00:12:22,709 --> 00:12:24,417
DON'T DO THAT,
MOTHERFUCKER!
258
00:12:24,417 --> 00:12:25,834
BRIAN, WHAT'S WRONG WITH YOU?
CUT THAT OUT.
259
00:12:25,834 --> 00:12:29,041
CUT IT OUT! STOP! STOP!
BE QUIET!
260
00:12:29,041 --> 00:12:30,834
- I'M GOIN' TO THE BAYWATCH.
- BRIAN!
261
00:12:30,834 --> 00:12:32,917
- I'M GOIN' TO THE BAYWATCH.
- HEY!
262
00:12:32,917 --> 00:12:36,583
I'M GOIN' TO THE BAYWATCH.
263
00:12:36,583 --> 00:12:38,333
ALL RIGHT.
264
00:12:42,667 --> 00:12:43,166
WHERE ARE MY SEEDS?
265
00:12:43,166 --> 00:12:45,166
HUH?
266
00:12:45,166 --> 00:12:47,709
THEY'RE
SUNFLOWER SEEDS, IDIOT.
267
00:12:47,709 --> 00:12:49,500
- THEY'RE RIGHT THERE.
- THEY'RE SUNFLOWER SEEDS!
268
00:12:49,500 --> 00:12:51,917
OK, THEY'RE RIGHT THERE.
269
00:12:51,917 --> 00:12:53,125
- THEY'RE SUNFLOWER SEEDS!
- BEHIND YOU.
270
00:12:53,125 --> 00:12:54,583
THEY'RE RIGHT THERE.
271
00:12:54,583 --> 00:12:56,083
RIGHT THERE.
272
00:12:57,208 --> 00:12:58,875
OK.
273
00:13:05,333 --> 00:13:07,417
STAY HERE.
274
00:13:07,417 --> 00:13:09,500
EVERYTHING'S FINE.
275
00:13:09,500 --> 00:13:11,375
JUST KIDDIN' AROUND.
276
00:13:23,458 --> 00:13:25,125
HELLO.
277
00:13:25,125 --> 00:13:25,917
HI.
278
00:13:27,750 --> 00:13:29,000
MAY I BE OF SOME ASSISTANCE?
279
00:13:31,125 --> 00:13:33,083
WELL, THAT REMAINS
TO BE SEEN.
280
00:13:33,083 --> 00:13:34,709
- LOOK, I'M--
281
00:13:34,709 --> 00:13:36,250
I'M SORRY TO BOTHER YOU.
IT'S JUST, UH...
282
00:13:36,250 --> 00:13:38,333
I WAS WONDERING
IF IT WOULDN'T BE
283
00:13:38,333 --> 00:13:40,208
TOO MUCH TROUBLE IF
I COULD USE YOUR PHONE
FOR A SECOND.
284
00:13:40,208 --> 00:13:41,959
- THAT'S-- I, UH...
- RIGHT.
285
00:13:41,959 --> 00:13:44,166
I JUST TOOK
A ONE-BEDROOM IN THE FRONT,
286
00:13:44,166 --> 00:13:45,291
AND I'VE BEEN WAITIN' ALL DAY
287
00:13:45,291 --> 00:13:48,041
FOR THE PHONE COMPANY
TO COME HOOK ME UP, BUT...
288
00:13:48,041 --> 00:13:50,000
YEAH, IT'S JUST KIND
OF A BAD...
289
00:13:50,000 --> 00:13:52,291
IT'LL ONLY TAKE A SECOND,
I PROMISE.
290
00:13:52,291 --> 00:13:55,959
YOU KNOW,
IT'S PROBABLY A LOCAL CALL.
291
00:13:55,959 --> 00:13:57,041
I CAN'T.
I'M SORRY, YOU KNOW.
292
00:13:57,041 --> 00:13:59,500
I'LL BE IN AND OUT
BEFORE YOU KNOW IT.
293
00:13:59,500 --> 00:14:01,542
I PROMISE.
294
00:14:01,542 --> 00:14:04,125
JUST LEAVE A FAINT SCENT.
295
00:14:07,834 --> 00:14:10,834
YEAH, ALL RIGHT.
COME ON IN.
296
00:14:10,834 --> 00:14:12,500
THANK YOU.
297
00:14:12,500 --> 00:14:15,500
SURE.
298
00:14:15,500 --> 00:14:17,834
IT'S, UH...
THE PHONE'S
RIGHT THERE.
299
00:14:17,834 --> 00:14:18,500
I PROMISE
IT'LL ONLY TAKE A MINUTE.
300
00:14:18,500 --> 00:14:20,166
ALL RIGHT.
301
00:14:23,834 --> 00:14:25,250
AHEM.
302
00:14:35,375 --> 00:14:37,875
HELLO.
303
00:14:39,834 --> 00:14:42,291
WHAT ARE YOU DOIN'?
GO SIT DOWN.
GO IN THE KITCHEN.
304
00:14:43,750 --> 00:14:45,458
THESE COMPUTER
ANSWERING THINGS,
305
00:14:45,458 --> 00:14:47,375
THEY DRIVE ME NUTS.
306
00:14:47,375 --> 00:14:49,291
YOU'RE MAKIN'
A TELEPHONE CALL.
307
00:14:49,291 --> 00:14:51,208
THAT'S RIGHT,
SHE'S MAKIN'
A TELEPHONE CALL.
308
00:14:51,208 --> 00:14:52,542
DON'T CALL BAYWATCH
BECAUSE THEY'RE CLOSED TODAY.
309
00:14:53,625 --> 00:14:56,166
I WOULDN'T THINK OF IT.
310
00:15:12,625 --> 00:15:14,542
I'M SORRY, I GOT TO ASK.
311
00:15:14,542 --> 00:15:16,959
DO WE KNOW EACH OTHER?
312
00:15:17,709 --> 00:15:19,458
NOT YET.
313
00:15:21,750 --> 00:15:23,417
I'M RICKI.
314
00:15:23,417 --> 00:15:26,542
LARRY.
315
00:15:26,542 --> 00:15:27,792
LARRY GIGGLY, RIGHT?
316
00:15:27,792 --> 00:15:30,417
I SAW IT ON THE MAILBOX.
317
00:15:30,417 --> 00:15:33,750
YEAH, IT'S PRONOUNCED
"ZHEE-LEE," LIKE, UH...
318
00:15:33,750 --> 00:15:35,583
RHYMES WITH "REALLY."
319
00:15:35,583 --> 00:15:38,166
IT'S NICE TO MEET YOU,
LARRY GIGLI.
320
00:15:38,166 --> 00:15:38,583
NICE TO MEET YOU, LARRY.
321
00:15:39,667 --> 00:15:42,208
WHAT'S YOUR NAME?
322
00:15:43,917 --> 00:15:45,291
BOB.
323
00:15:45,291 --> 00:15:46,792
YOU'RE STUPID.
THAT'S NOT MY NAME.
324
00:15:46,792 --> 00:15:48,125
THAT'S NOT YOUR NAME?
325
00:15:48,125 --> 00:15:49,500
WHAT IS YOUR NAME, SWEETIE?
326
00:15:49,500 --> 00:15:50,834
THAT'S IT.
HIS NAME'S BOB.
327
00:15:50,834 --> 00:15:51,917
HIS NAME'S NOT BOB.
328
00:15:51,917 --> 00:15:53,250
YOUR NAME IS BOB.
329
00:15:53,250 --> 00:15:55,291
WELL, WHATEVER YOUR NAME IS,
330
00:15:55,291 --> 00:15:58,166
HAS ANYONE
EVER TOLD YOU YOU'RE
A VERY HANDSOME YOUNG MAN?
331
00:16:13,000 --> 00:16:14,125
CAN I TALK TO
YOU FOR A MINUTE?
332
00:16:16,625 --> 00:16:18,125
SURE.
333
00:16:22,709 --> 00:16:24,208
IN PRIVATE.
334
00:16:30,834 --> 00:16:31,875
I CAN'T FUCKIN'
BELIEVE THIS.
335
00:16:31,875 --> 00:16:34,208
IT'S AN UNEXPECTED BONUS.
336
00:16:34,208 --> 00:16:35,959
WHO'D HAVE THOUGHT
YOU WERE A BABE MAGNET?
337
00:16:35,959 --> 00:16:37,500
YOU'RE BETTER THAN
A FUCKIN' DOG.
338
00:16:37,500 --> 00:16:38,500
YOU'RE A DOG,
YOU DOG-HEAD PISS-FART!
339
00:16:38,500 --> 00:16:40,208
OH, WHATEVER.
340
00:16:52,750 --> 00:16:56,250
YOU KNOW,
I HEARD YOU WERE
A BIT OF A FUCK-UP.
341
00:16:56,250 --> 00:16:58,375
BUT I GOTTA TELL YOU,
I'M FRANKLY AMAZED
342
00:16:58,375 --> 00:17:02,375
AT HOW MUCH OF A FUCK-UP
YOU ACTUALLY ARE.
343
00:17:02,375 --> 00:17:03,000
AM I MISSIN' SOMETHING HERE?
344
00:17:03,000 --> 00:17:05,291
WELL, IT WOULD SEEM SO.
345
00:17:05,291 --> 00:17:06,166
BUT YOU KNOW,
WHY DON'T YOU CALL LOUIS
346
00:17:06,166 --> 00:17:08,208
AND HE'LL EXPLAIN
EVERYTHING TO YOU.
347
00:17:10,458 --> 00:17:12,250
UH, I, UH...
348
00:17:12,250 --> 00:17:15,125
I DON'T KNOW THAT
I KNOW ANY LOUIS.
349
00:17:15,125 --> 00:17:17,208
WELL, THEN I GUESS
HE HASN'T CALLED YOU
350
00:17:17,208 --> 00:17:18,875
TO TELL YOU HE
DOESN'T TRUST YOU
351
00:17:18,875 --> 00:17:21,333
WITH A TASK
OF THIS MAGNITUDE.
352
00:17:21,333 --> 00:17:24,125
THAT HE FEELS
THE STAKES ARE TOO HIGH.
353
00:17:24,125 --> 00:17:26,375
- NOPE.
- "NOPE."
354
00:17:26,375 --> 00:17:29,000
WELL, THEN I GUESS HE ALSO
PROBABLY HASN'T CALLED
TO TELL YOU
355
00:17:29,000 --> 00:17:33,041
THAT HE'D FEEL MUCH MORE
COMFORTABLE IF THERE WERE
TWO INDEPENDENT, UNACQUAINTED,
356
00:17:33,041 --> 00:17:36,125
PERHAPS EVEN MUTUALLY HOSTILE
CONTRACTORS WORKING ON THIS,
357
00:17:36,125 --> 00:17:39,458
SO THEY COULD KEEP
AN EYE ON ONE ANOTHER?
358
00:17:39,458 --> 00:17:40,750
NOPE.
359
00:17:40,750 --> 00:17:43,291
YOU KNOW WHAT,
THERE'S NO REASON
FOR YOU TO TAKE MY WORD
360
00:17:43,291 --> 00:17:45,625
FOR PRECISELY
HOW SECOND-RATE
HE CONSIDERS YOU.
361
00:17:45,625 --> 00:17:47,041
IT'D PROBABLY MAKE
BOTH OUR LIVES A LOT EASIER
362
00:17:47,041 --> 00:17:50,458
IF YOU JUST HEARD IT
DIRECTLY FROM HIM.
363
00:17:54,333 --> 00:17:56,875
THAT'S GOOD STUFF.
I HAD THAT TODAY.
364
00:17:56,875 --> 00:17:58,792
EXCUSE ME ONE MINUTE.
365
00:17:58,792 --> 00:17:59,375
SURE.
366
00:18:03,750 --> 00:18:05,208
LOUIS, YOU THERE?
367
00:18:05,208 --> 00:18:07,959
I'M HERE.
WHAT DO YOU WANT?
368
00:18:07,959 --> 00:18:10,417
YEAH, THERE'S THIS, UH,
369
00:18:10,417 --> 00:18:12,792
YOUNG LADY HERE
TRYING TO TELL ME THAT--
370
00:18:12,792 --> 00:18:14,667
ALL RIGHT,
THIS THING IS MONUMENTAL, OK?
371
00:18:14,667 --> 00:18:15,959
CERTAINLY TOO BIG
FOR A JERK-OFF LIKE YOURSELF,
372
00:18:15,959 --> 00:18:18,583
BUT TODAY, I HAD NO CHOICE.
373
00:18:18,583 --> 00:18:21,250
THIS THING REPRESENTS
MY ASS AND MY FUTURE.
374
00:18:21,250 --> 00:18:23,291
I WANT YOU TO WORK
WITH HER AND I WANT YOU
375
00:18:23,291 --> 00:18:25,959
TO WATCH HER AS SHE
WILL BE WATCHING YOU.
376
00:18:25,959 --> 00:18:27,875
I WANT YOU TO KNOW
377
00:18:27,875 --> 00:18:29,166
THAT I WILL
PERSONALLY EXCORIATE
ANYONE RESPONSIBLE
378
00:18:29,166 --> 00:18:32,250
FOR THE TINIEST
FUCK-UP IN THIS ACTION.
379
00:18:32,250 --> 00:18:34,041
AND I WANT YOU TO
UNDERSTAND THAT.
380
00:18:34,041 --> 00:18:36,250
YES, LOUIS.
381
00:18:36,250 --> 00:18:38,792
"YES, LOUIS"?
382
00:18:38,792 --> 00:18:41,083
DO YOU HAPPEN TO KNOW
WHAT "EXCORIATE" MEANS?
383
00:18:41,083 --> 00:18:42,500
UH...
384
00:18:42,500 --> 00:18:44,250
IT'S NOT COMIN' TO ME
AT THE MOMENT.
385
00:18:44,250 --> 00:18:48,542
IT MEANS "TO STRIP
OR WEAR OFF THE SKIN OF,
386
00:18:48,542 --> 00:18:49,709
TO FLAY."
387
00:18:49,709 --> 00:18:51,583
NOW, I'M LEARNING
A WORD A DAY.
388
00:18:51,583 --> 00:18:53,792
AND IT'S CRITICAL TO USE
THESE WORDS IN CONVERSATION,
389
00:18:53,792 --> 00:18:55,583
BUT THAT'S NOT WHY I USED IT
IN THIS CONVERSATION.
390
00:18:55,583 --> 00:18:59,959
IN THIS CONVERSATION
I USED IT BECAUSE I MEANT IT.
391
00:18:59,959 --> 00:19:03,208
NOW, IF YOU'LL EXCUSE ME,
I'LL BE GOING NOW.
392
00:19:04,792 --> 00:19:06,375
ALL RIGHT,
I'LL TALK TO YOU LATER.
393
00:19:06,375 --> 00:19:07,625
YEAH,
DON'T WORRY ABOUT IT.
394
00:19:07,625 --> 00:19:09,792
OK.
395
00:19:12,000 --> 00:19:14,458
NOW DON'T GET
YOURSELF ALL TIED
IN A KNOT.
396
00:19:14,458 --> 00:19:15,917
OK? I DON'T KNOW
THIS GUY,
397
00:19:15,917 --> 00:19:17,625
AND HE DOESN'T KNOW ME.
398
00:19:17,625 --> 00:19:20,458
BUT MY REPUTATION
APPARENTLY IS PRETTY SOLID.
399
00:19:20,458 --> 00:19:24,125
SO WHY DON'T YOU JUST
GET YOURSELF STRAIGHT,
400
00:19:24,125 --> 00:19:26,625
AND WE CAN PUT THIS
WHOLE THING BEHIND US.
401
00:19:26,625 --> 00:19:30,458
AND IF YOU HAVE ANY
DECAFFEINATED OR HERBAL TEA,
402
00:19:30,458 --> 00:19:32,458
I WOULD REALLY BE
MOST APPRECIATIVE.
403
00:19:32,458 --> 00:19:34,834
- I WANT TEA.
- TWO TEAS.
404
00:19:36,208 --> 00:19:37,458
LET ME TELL YOU SOMETHIN',
OK?
405
00:19:37,458 --> 00:19:40,583
I DON'T KNOW WHO THE FUCK
YOU THINK YOU ARE,
406
00:19:40,583 --> 00:19:41,709
BUT I DON'T WORK
LIKE THIS.
407
00:19:41,709 --> 00:19:43,291
YOU GOT THAT?
408
00:19:43,291 --> 00:19:45,333
IF YOU WANNA TALK
ABOUT REPUTATIONS,
409
00:19:45,333 --> 00:19:48,083
AND IF BY SOME
FUCKIN' MIRACLE LONG SHOT
410
00:19:48,083 --> 00:19:50,208
YOU HAVEN'T HEARD
OF MY REPUTATION,
411
00:19:50,208 --> 00:19:51,291
LET ME TELL YOU
WHO THE FUCK I AM.
412
00:19:51,291 --> 00:19:54,709
I AM THE FUCKIN'
SULTAN OF SLICK, SADIE.
413
00:19:54,709 --> 00:19:56,375
I AM THE RULE
OF FUCKIN' COOL.
414
00:19:56,375 --> 00:19:59,583
YOU WANNA BE A GANGSTER?
YOU WANNA BE A THUG?
415
00:19:59,583 --> 00:20:01,333
YOU SIT AT MY FUCKIN' FEET.
416
00:20:01,333 --> 00:20:03,291
GATHER THE PEARLS
THAT EMANATE FORTH FROM ME.
417
00:20:03,291 --> 00:20:05,125
BECAUSE I'M
THE FUCKIN' ORIGINAL,
418
00:20:05,125 --> 00:20:08,291
STRAIGHT-FIRST-FOREMOST,
PIMP-MACK
419
00:20:08,291 --> 00:20:13,166
FUCKIN' HUSTLER,
ORIGINAL GANGSTER'S GANGSTER.
420
00:20:16,083 --> 00:20:17,917
I DON'T KNOW WHAT
YOU'RE TALKIN' ABOUT,
421
00:20:17,917 --> 00:20:20,208
BUT I'M GONNA GO
AND GET MY STUFF.
422
00:20:22,041 --> 00:20:25,834
AND DON'T YOU WORRY
YOUR LITTLE GANGSTER'S
GANGSTER HEAD ABOUT IT,
423
00:20:25,834 --> 00:20:26,834
I CAN MANAGE.
424
00:20:28,208 --> 00:20:30,709
HOW MANY CUPS
OF YOUR OWN SPIT
425
00:20:30,709 --> 00:20:32,625
DO YOU THINK YOU
SWALLOW EVERY DAY, LARRY?
426
00:20:34,959 --> 00:20:37,625
I THINK ABOUT 35 CUPS.
427
00:20:37,625 --> 00:20:39,333
WOULD YOU JUST
SHUT THE FUCK UP.
428
00:20:39,333 --> 00:20:40,583
YOU'RE AN IDIOT!
429
00:20:42,417 --> 00:20:44,542
- NO, YOU!
430
00:20:44,542 --> 00:20:46,166
WHAT, YOU JUST GO IN AND OUT,
RIGHT?
431
00:20:46,166 --> 00:20:47,625
YOU'RE AN IDIOT.
432
00:20:47,625 --> 00:20:49,291
WHAT THE FUCK
ARE YOU TALKIN' ABOUT?
433
00:20:49,291 --> 00:20:51,625
YOU'RE THE FUCK,
YOU STUPID DUCK-FUCK.
434
00:20:51,625 --> 00:20:54,417
WHY DON'T YOU DO ME A FAVOR
AND JUST ACT FUCKIN'
NORMAL FOR A MINUTE.
435
00:20:54,417 --> 00:20:56,375
- LOOKS LIKE--
- JUST FOR A MINUTE.
436
00:20:56,375 --> 00:20:58,792
YOU'LL END UP WITH
ELLIOT OVER THERE.
437
00:20:58,792 --> 00:21:01,542
I KNOW YOU UNDERSTAND
WHAT I'M TALKIN' ABOUT.
JUST FUCKIN' BE NORMAL, OK.
438
00:21:01,542 --> 00:21:02,750
I'M TELLING YOU--
439
00:21:02,750 --> 00:21:04,583
NOT FUCKIN' CRAZY! NORMAL!
440
00:21:04,583 --> 00:21:06,375
HOW ABOUT IF I SMACK YOU
IN THE FUCKIN' HEAD, HUH?
441
00:21:06,375 --> 00:21:08,625
- HEY! LEAVE HIM ALONE.
WHAT ARE YOU DOIN'?
442
00:21:08,625 --> 00:21:11,333
WE'RE SUPPOSED TO WATCH HIM,
NOT SLAP HIM AROUND.
443
00:21:11,333 --> 00:21:13,542
DON'T TELL ME WHAT
WE'RE SUPPOSED TO DO.
444
00:21:13,542 --> 00:21:16,000
WELL, HOW ABOUT THIS?
YOU LEAVE HIM ALONE
OR I'LL KILL YOU.
445
00:21:16,000 --> 00:21:17,834
OH, YOU'LL KILL ME, HUH?
446
00:21:17,834 --> 00:21:19,917
FU-FUCK YOU! GO AHEAD.
447
00:21:19,917 --> 00:21:22,000
I'LL KILL YOU.
448
00:21:22,000 --> 00:21:25,333
DON'T-- YOU DON'T TELL ME
WHAT TO DO. OK?
449
00:21:25,333 --> 00:21:27,083
DON'T TELL ME
WHAT WE MIGHT DO.
450
00:21:27,083 --> 00:21:28,875
DON'T TELL ME
WHAT WE'RE SUPPOSED TO DO.
451
00:21:28,875 --> 00:21:30,667
DON'T TELL ME
WHAT WE MAYBE SHOULD DO.
452
00:21:30,667 --> 00:21:32,750
DON'T EVER TELL ME NOTHIN'!
453
00:21:34,625 --> 00:21:35,542
WELL, I'LL TELL YOU THIS,
454
00:21:35,542 --> 00:21:38,834
YOU LEAVE HIM ALONE
OR I'LL KILL YOU.
455
00:21:40,959 --> 00:21:42,500
I'M GONNA SAY 35 CUPS.
456
00:21:42,500 --> 00:21:44,583
I'M GONNA SAY
35 CUPS OF SPIT.
457
00:21:46,375 --> 00:21:49,458
I'M A GENIUS.
I'M A GENIUS, MON.
458
00:21:53,166 --> 00:21:54,875
WHAT'S HE TALKIN' ABOUT?
459
00:21:54,875 --> 00:21:58,542
I DON'T KNOW.
460
00:21:58,542 --> 00:22:02,875
LOOK, WHY DON'T WE TRY
AND MAKE THIS PLEASANT.
461
00:22:02,875 --> 00:22:05,333
OK?
462
00:22:07,917 --> 00:22:08,500
NICE.
463
00:22:11,792 --> 00:22:12,542
EASY.
464
00:22:22,375 --> 00:22:25,333
SO, WHAT DO YOU
NORMALLY HIRE OUT FOR?
465
00:22:25,333 --> 00:22:28,542
I DO JOBS
OF VARIOUS TYPES.
466
00:22:30,250 --> 00:22:30,917
HOW ABOUT YOURSELF?
467
00:22:30,917 --> 00:22:32,542
ME, TOO.
468
00:22:32,542 --> 00:22:37,333
I DO VARIOUS TYPES OF JOBS
OF VARIOUS KINDS.
469
00:22:37,333 --> 00:22:39,542
WELL, THERE YOU HAVE IT.
470
00:22:41,458 --> 00:22:44,041
HOW COME I NEVER
SEEN YOU AROUND BEFORE?
471
00:22:44,041 --> 00:22:47,291
I'M FROM ANOTHER PLACE.
472
00:22:47,291 --> 00:22:49,834
W
473
00:22:51,542 --> 00:22:53,834
SOMEWHERE ELSE, LARRY.
474
00:22:53,834 --> 00:22:56,917
OH. OK. I SEE.
475
00:22:58,875 --> 00:23:00,208
AND MY NAME'S
NOT REALLY RICKI.
476
00:23:00,208 --> 00:23:03,667
AND WHAT WOULD IT BE, THEN?
477
00:23:08,542 --> 00:23:11,667
THEN HOW ABOUT I
KEEP CALLIN' YOU RICKI
JUST TO PISS YOU OFF?
478
00:23:11,667 --> 00:23:13,083
IF IT'LL MAKE YOU HAPPY.
479
00:23:13,083 --> 00:23:14,834
YEAH, IT WILL.
480
00:23:18,291 --> 00:23:20,083
THIS ISN'T VERY GOOD FOOD.
481
00:23:20,083 --> 00:23:22,709
TOO BAD.
THAT'S YOUR DINNER.
EAT IT.
482
00:23:22,709 --> 00:23:24,500
- I'M HUNGRY.
- FUCK.
483
00:23:27,542 --> 00:23:29,875
- I'M HUNGRY.
- HE SAID HE'S HUNGRY.
484
00:23:29,875 --> 00:23:31,709
SO? LET HIM EAT HIS FOOD.
HE GOT FOOD.
485
00:23:31,709 --> 00:23:32,291
- I DON'T LIKE
THIS FOOD.
- TOO BAD!
486
00:23:32,291 --> 00:23:34,208
EAT YOUR FOOD,
STUPID!
487
00:23:34,208 --> 00:23:35,792
HEY! BACK OFF!
488
00:23:35,792 --> 00:23:37,542
GOD!
IT'S NOT HIS FAULT.
489
00:23:37,542 --> 00:23:39,000
YEAH, IT'S NOT MY FAULT
I'M BRAIN-DAMAGED.
490
00:23:41,500 --> 00:23:42,500
BEAUTIFUL.
491
00:23:42,500 --> 00:23:45,125
WHAT ARE YOU,
HIS SHOP STEWARD?
492
00:23:45,125 --> 00:23:46,250
LISTEN TO ME,
YOU FUCKING RETARD,
EAT YOUR--
493
00:23:46,250 --> 00:23:48,792
-HEY! ENOUGH!
-NOT ENOUGH!
494
00:23:48,792 --> 00:23:50,750
- LET ME TELL YOU SOMETHIN'.
495
00:23:50,750 --> 00:23:53,458
IN EVERY RELATIONSHIP
THERE'S A BULL AND A COW.
496
00:23:53,458 --> 00:23:56,417
IT JUST SO HAPPENS THAT
IN THIS RELATIONSHIP
RIGHT HERE WITH ME AND YOU,
497
00:23:56,417 --> 00:24:00,375
I'M THE BULL,
YOU'RE THE COW.
498
00:24:00,375 --> 00:24:03,917
ALL RIGHT?
BULL. COW.
499
00:24:03,917 --> 00:24:05,208
YOU GOT THAT?
500
00:24:05,208 --> 00:24:06,583
YEAH, I GOT IT.
BULL, COW.
501
00:24:06,583 --> 00:24:08,500
YOU WANT TO MAKE HIM SOMETHIN'
ELSE TO EAT,
502
00:24:08,500 --> 00:24:09,583
BE MY GUEST. OTHERWISE,
MIND YOUR BUSINESS.
503
00:24:09,583 --> 00:24:11,375
I WANNA GO HOME.
504
00:24:12,542 --> 00:24:13,041
YOU CAN'T GO HOME.
505
00:24:13,041 --> 00:24:14,583
I WANNA GO HOME.
506
00:24:14,583 --> 00:24:17,291
YOU CAN'T GO HOME RIGHT NOW!
EAT YOUR FOOD!
507
00:24:17,291 --> 00:24:19,083
PISS YOU!
I WANT TO GO HOME!
508
00:24:25,792 --> 00:24:27,041
HOW YOU GONNA GO
TO THE BAYWATCH TOMORROW
509
00:24:27,041 --> 00:24:28,625
IF YOU GO HOME?
510
00:24:32,500 --> 00:24:35,750
THIS IS YOUR SPOT.
YEAH?
511
00:24:37,125 --> 00:24:39,917
IT'S NICE.
COME ON.
LIE DOWN.
512
00:24:40,291 --> 00:24:41,709
ALL RIGHT.
513
00:24:44,041 --> 00:24:45,583
THIS IS A COUCH.
514
00:24:45,583 --> 00:24:48,041
DON'T WORRY ABOUT IT.
IT'S FINE.
515
00:24:48,041 --> 00:24:49,834
IT'S A GOOD SLEEPING PLACE.
LIE DOWN.
516
00:24:56,250 --> 00:24:58,959
LARRY, READ TO ME.
517
00:24:59,291 --> 00:25:01,250
WHAT?
518
00:25:01,250 --> 00:25:03,291
READ TO ME, LARRY.
519
00:25:03,291 --> 00:25:05,917
READ TO HIM, LARRY.
520
00:25:05,917 --> 00:25:07,458
I DON'T WANNA
READ TO HIM.
521
00:25:07,458 --> 00:25:09,125
WHAT DO I GOT TO
READ TO HIM FOR?
522
00:25:09,125 --> 00:25:10,500
READ TO ME, LARRY.
523
00:25:10,500 --> 00:25:11,750
WHAT FOR?
524
00:25:11,750 --> 00:25:13,291
IT SOOTHES ME DOWN.
525
00:25:13,291 --> 00:25:15,625
IT SOOTHES YOU DOWN?
526
00:25:15,625 --> 00:25:16,750
OH, COME ON, LARRY,
READ TO HIM.
527
00:25:16,750 --> 00:25:19,166
WHAT AM I GONNA READ?
I GOT NOTHIN' HERE.
528
00:25:19,166 --> 00:25:21,792
READ HIM A BOOK.
529
00:25:28,834 --> 00:25:30,959
YOU DON'T HAVE A BOOK?
530
00:25:33,250 --> 00:25:34,208
I GOT A PHONE BOOK.
531
00:25:34,208 --> 00:25:36,125
THERE YOU GO.
532
00:25:36,125 --> 00:25:38,166
READ TO ME, LARRY.
533
00:25:38,166 --> 00:25:39,750
ALL RIGHT, FINE.
534
00:25:47,250 --> 00:25:48,375
HERE YOU GO.
535
00:25:48,375 --> 00:25:52,208
"SINCE 1868.
536
00:25:52,208 --> 00:25:53,166
"FOR WELL OVER A CENTURY,
537
00:25:53,166 --> 00:25:54,875
"THE ADVENTUROUS FLAVOR
OF TABASCO SAUCE
538
00:25:54,875 --> 00:25:59,041
HAS FIRED UP GENERATIONS
OF THRILL-SEEKERS."
539
00:25:59,041 --> 00:25:59,500
OK?
540
00:25:59,500 --> 00:26:01,333
THAT WAS GOOD.
541
00:26:01,333 --> 00:26:04,083
READ TO ME MORE.
542
00:26:08,000 --> 00:26:10,166
UH, "ITS ALL-NATURAL
INGREDIENTS
543
00:26:10,166 --> 00:26:12,709
"AND UNIQUE AGING PROCESS
IN WHITE OAK BARRELS
544
00:26:12,709 --> 00:26:17,208
"KEEP TABASCO ON
THE CULINARY CUTTING EDGE.
545
00:26:21,458 --> 00:26:24,291
"TRY IT ON EGGS,
PIZZA, SALADS,
AND ANY OTHER FOOD
546
00:26:24,291 --> 00:26:26,917
FOR A BURST OF FLAVOR
THAT WILL TANTALIZE YOUR
TASTE BUDS."
547
00:26:26,917 --> 00:26:28,250
- THAT'S IT.
- READ TO ME MORE.
548
00:26:28,250 --> 00:26:31,750
NO, THAT'S IT.
I'M NOT READIN'
THE INGREDIENTS. I'M DONE.
549
00:26:31,750 --> 00:26:34,166
OK, THANK YOU, LARRY.
550
00:26:34,166 --> 00:26:35,166
SURE.
551
00:26:55,667 --> 00:26:57,917
TELL YOU WHAT,
NO OFFENSE,
552
00:26:57,917 --> 00:27:00,750
YOU DON'T LOOK
LIKE ANY CONTRACTOR
I EVER MET.
553
00:27:00,750 --> 00:27:03,709
WELL...
APPARENTLY,
554
00:27:03,709 --> 00:27:06,792
THERE'S A NEED
FOR ALL TYPES.
555
00:27:11,291 --> 00:27:13,500
SO, LISTEN.
556
00:27:13,500 --> 00:27:15,125
YOU KNOW, UH,
557
00:27:15,125 --> 00:27:17,125
I WAS THINKING
ABOUT WHAT YOU
SAID BEFORE,
558
00:27:17,125 --> 00:27:18,959
ABOUT US BEING STUCK
IN THIS SITUATION.
559
00:27:18,959 --> 00:27:21,041
THERE'S NOTHIN'
WE CAN DO.
560
00:27:21,041 --> 00:27:22,625
I THINK YOU'RE RIGHT.
561
00:27:22,625 --> 00:27:24,458
WE MIGHT AS WELL
MAKE THE BEST OF IT.
562
00:27:24,458 --> 00:27:26,333
I THINK SO.
563
00:27:26,333 --> 00:27:29,792
SO, YOU KNOW, LOOK,
DON'T TAKE THIS
THE WRONG WAY,
564
00:27:29,792 --> 00:27:31,291
BELIEVE ME.
565
00:27:31,291 --> 00:27:32,917
BUT I JUST...
THIS IS, YOU KNOW...
566
00:27:32,917 --> 00:27:36,166
I HATE TO SEE YOU SLEEP
ON THE FLOOR LIKE THAT.
567
00:27:36,166 --> 00:27:37,792
I MEAN, COME ON.
568
00:27:37,792 --> 00:27:39,333
SO IF YOU WANT TO,
569
00:27:39,333 --> 00:27:42,250
YOU CAN GO AHEAD
AND JUST, YOU KNOW,
570
00:27:42,250 --> 00:27:46,709
JUST TAKE HALF OF MY BED.
AND, UH...
571
00:27:46,709 --> 00:27:49,625
YOU KNOW, 'CAUSE LOOK,
WE'RE WORKIN' TOGETHER.
WE'RE GROWNUPS, RIGHT?
572
00:27:49,625 --> 00:27:52,417
YOU KNOW, WE'RE PARTNERS.
WE'LL JUST, YOU KNOW,
573
00:27:52,417 --> 00:27:55,709
JUST, YOU KNOW,
DO THE WHOLE THING
PROFESSIONALLY.
574
00:27:57,375 --> 00:27:59,667
WELL, THAT'S...
575
00:27:59,667 --> 00:28:01,583
THAT'S VERY KIND OF YOU.
THANK YOU.
576
00:28:01,583 --> 00:28:04,125
I MEAN, I'D LOVE TO.
577
00:28:05,917 --> 00:28:08,166
YOU KNOW, PROFESSIONALLY.
578
00:28:08,166 --> 00:28:10,709
PLEASE.
579
00:28:10,709 --> 00:28:12,792
HOW'S THAT PROFESSIONALLY?
580
00:28:12,792 --> 00:28:14,875
HUH
581
00:28:14,875 --> 00:28:16,500
THAT'S PROFESSIONAL.
RIGHT HERE.
582
00:28:16,500 --> 00:28:18,834
BULL. COW.
583
00:28:18,834 --> 00:28:20,291
THAT'S HOW THAT WORKS.
584
00:28:25,500 --> 00:28:27,291
THERE'S YOUR BULL
RIGHT THERE!
585
00:28:27,291 --> 00:28:28,375
THERE'S YOUR BULL.
586
00:28:28,375 --> 00:28:31,250
THERE'S THE HORN.
587
00:28:31,250 --> 00:28:32,875
YOU FUCK WITH THE BULL,
588
00:28:32,875 --> 00:28:34,375
YOU GET THE HORN.
589
00:28:39,875 --> 00:28:41,834
THAT'S PROFESSIONAL.
590
00:28:43,834 --> 00:28:46,583
FUCKIN' PROFESSIONAL.
591
00:28:46,583 --> 00:28:48,041
LOOK AT THAT.
592
00:28:49,709 --> 00:28:51,542
THAT'S THE BULL. RIGHT.
593
00:28:51,542 --> 00:28:53,875
GET THE BULL BY THE HORN.
594
00:28:53,875 --> 00:28:54,542
YOU KNOW WHAT
I'M TALKIN' ABOUT?
595
00:28:54,542 --> 00:28:56,542
I'LL GIVE YOU THE HORN.
596
00:28:56,542 --> 00:28:58,375
WANT TO SEE THE HORN?
597
00:28:58,375 --> 00:28:59,917
WANT TO SEE THE HORN?
598
00:30:04,250 --> 00:30:05,792
YOU KNOW,
599
00:30:05,792 --> 00:30:09,083
YOU'RE ACTUALLY
A VERY ATTRACTIVE WOMAN.
600
00:30:11,625 --> 00:30:13,792
THANK YOU.
601
00:30:13,792 --> 00:30:16,417
YOU'RE WELCOME.
602
00:30:16,417 --> 00:30:19,291
YOU KNOW,
THIS MAY BE A GOOD TIME
TO SUGGEST
603
00:30:19,291 --> 00:30:23,458
THAT YOU NOT ALLOW
THE SEEDS OF CRUEL HOPE
TO SPROUT IN YOUR SOUL.
604
00:30:24,667 --> 00:30:26,041
I DON'T KNOW
WHAT THAT MEANS,
605
00:30:26,041 --> 00:30:27,750
BUT IT SOUNDS BEAUTIFUL.
606
00:30:27,750 --> 00:30:31,291
IT MEANS
YOU'RE NOT MY TYPE.
607
00:30:32,375 --> 00:30:34,750
IS THAT RIGHT?
608
00:30:36,875 --> 00:30:40,166
WHAT ABOUT ME
IS NOT YOUR TYPE?
609
00:30:43,834 --> 00:30:45,375
YOUR PENIS.
610
00:30:45,959 --> 00:30:48,166
WHAT DOES THAT MEAN?
611
00:30:49,709 --> 00:30:51,542
IT MEANS I'M GAY.
612
00:30:51,542 --> 00:30:55,000
IT MEANS I'M A LESBIAN.
613
00:30:57,000 --> 00:31:01,166
BUT I GOT TO TELL YOU,
IF I WASN'T...
614
00:31:01,166 --> 00:31:02,834
I MEAN, AFTER A FIRST DATE
LIKE THIS,
615
00:31:02,834 --> 00:31:05,250
I'D FIND IT REALLY HARD
616
00:31:05,250 --> 00:31:07,500
NOT TO JUST GET
UNDER THE COVERS
617
00:31:07,500 --> 00:31:10,417
AND DO YOU BIG-TIME RIGHT NOW.
618
00:31:10,417 --> 00:31:12,166
GOOD NIGHT.
619
00:31:16,709 --> 00:31:18,917
"GOOD NIGHT"?
620
00:31:19,542 --> 00:31:21,375
GOOD NIGHT.
621
00:31:33,250 --> 00:31:37,583
WHOA, STEP-PAPA.
WITH THAT SASSY NEW LOOK,
622
00:31:37,583 --> 00:31:41,333
SHEEP'S ALL THAT
AND A BAG OF CHIPS.
623
00:31:50,875 --> 00:31:52,500
MELBOURNE'S FORECAST:
624
00:31:52,500 --> 00:31:54,166
THE CHANCE OF
A BRIEF SHOWER TOMORROW,
625
00:31:54,166 --> 00:31:55,208
BUT WE'RE EXPECTING
A MOSTLY FINE DAY
626
00:31:55,208 --> 00:31:58,125
WITH A LIGHT-TO-MODERATE
SOUTHWESTWARDLY WIND.
627
00:31:58,125 --> 00:31:59,959
- WHO THE FUCK ARE
YOU TALKIN' TO?
- OW!
628
00:31:59,959 --> 00:32:01,750
SYDNEY ALSO FINE AND 18.
629
00:32:01,750 --> 00:32:04,458
- BRISBANE, SHOWERS...
- GIVE ME THAT BACK, PLEASE.
630
00:32:04,458 --> 00:32:06,333
- SUNNY, 32.
- GIVE ME THAT BACK.
631
00:32:06,333 --> 00:32:08,917
ADELAIDE AND HOBART BOTH
MAINLY FINE DAYS TOMORROW...
632
00:32:08,917 --> 00:32:11,792
YOU KNOW HOW MUCH
THIS SHIT COSTS?
633
00:32:13,542 --> 00:32:14,625
IT'S $5.
634
00:32:14,625 --> 00:32:17,291
NO, IT'S NOT $5.
635
00:32:18,792 --> 00:32:19,792
IT'S $10.
636
00:32:19,792 --> 00:32:21,709
NO, IT'S...
637
00:32:23,417 --> 00:32:25,417
WHY AM I EVEN
TALKING TO YOU FOR?
638
00:32:25,417 --> 00:32:27,417
IT'S $10.
639
00:32:27,417 --> 00:32:28,166
YEAH, IT'S $10.
ALL RIGHT.
640
00:32:35,917 --> 00:32:37,083
HEY.
641
00:32:38,500 --> 00:32:40,417
JUST WANTED TO
TELL YOU, YOU KNOW,
642
00:32:40,417 --> 00:32:44,500
JUST GET STRAIGHT ABOUT
THAT THING LAST NIGHT.
643
00:32:44,500 --> 00:32:46,959
YOU KNOW,
NO HARD FEELINGS.
644
00:32:46,959 --> 00:32:48,625
YOU KNOW WHAT I MEAN?
645
00:32:48,625 --> 00:32:50,041
I DON'T WANT YOU TO
GET UPSET OR NOTHIN'.
646
00:32:53,625 --> 00:32:56,375
THAT'S--THAT'S IT.
D-DON'T BE COMIN' BACK,
THOUGH.
647
00:32:56,375 --> 00:32:58,000
I MEAN,
IT'S A ONE-TIME OFFER.
648
00:32:58,000 --> 00:33:00,542
ONE SHOT WITH ME.
I'M OUT.
649
00:33:04,667 --> 00:33:07,041
ARE YOU EXPECTING SOMEBODY?
650
00:33:10,625 --> 00:33:14,291
COME ON!
651
00:33:14,291 --> 00:33:15,291
LARRY!
652
00:33:15,291 --> 00:33:15,792
SHIT!
653
00:33:15,792 --> 00:33:17,667
IT'S YOUR MOTHER.
654
00:33:17,667 --> 00:33:18,625
FUCK! IT'S A COP.
655
00:33:18,625 --> 00:33:20,333
OPEN THE DOOR!
656
00:33:20,333 --> 00:33:23,208
HEY! I WAS WATCHING THAT.
SHH! BE QUIET.
657
00:33:23,208 --> 00:33:24,250
I HEAR YOU SNEAKIN' AROUND.
658
00:33:24,250 --> 00:33:27,166
GO IN THIS ROOM.
GO. I WANT YOU
TO STAY HERE.
659
00:33:27,166 --> 00:33:29,208
DON'T COME OUT.
DON'T SAY ANYTHING.
YOU UNDERSTAND ME?
660
00:33:29,208 --> 00:33:30,166
WE'RE GOING
TO BAYWATCH TODAY?
661
00:33:30,166 --> 00:33:32,834
- YEAH. SOON. STAY HERE.
BE QUIET.
- OK.
662
00:33:32,834 --> 00:33:35,000
COME ON, I'M DYING HERE!
- COMING!
663
00:33:35,000 --> 00:33:38,041
LARRY, I HAVE A CHICKEN.
664
00:33:38,500 --> 00:33:41,041
WHAT?
665
00:33:41,041 --> 00:33:42,125
YOUR DOOR'S NOT
THICK ENOUGH TO PRETEND
666
00:33:42,125 --> 00:33:44,667
YOU'RE NOT HOME
WHEN YOU'RE HOME.
667
00:33:44,667 --> 00:33:46,125
WHAT'S UP?
668
00:33:46,125 --> 00:33:47,667
I WAS IN THE NEIGHBORHOOD.
669
00:33:48,750 --> 00:33:50,667
HOW ARE YOU TODAY?
670
00:33:50,667 --> 00:33:51,625
JUST FINE. YOURSELF?
671
00:33:51,625 --> 00:33:54,166
JUST FINE.
672
00:33:54,166 --> 00:33:58,250
I'M SEARCHING FOR NEWS
ON THE UNDERGROUND.
673
00:34:00,125 --> 00:34:03,542
MIGHT YOU KNOW WHAT
IT IS I'M GETTING AT?
674
00:34:03,542 --> 00:34:04,709
NO.
675
00:34:04,709 --> 00:34:06,542
NO. WELL...
676
00:34:06,542 --> 00:34:09,709
THIS IS ONE OF THOSE
MYSTERIOUS CASES.
677
00:34:09,709 --> 00:34:13,250
UNSOLVABLE. PROBABLY TURN OUT
TO BE AN ALIEN ABDUCTION,
678
00:34:13,250 --> 00:34:14,458
BUT YOU KNOW WE'RE OBLIGATED
679
00:34:14,458 --> 00:34:17,583
TO AT LEAST CREATE
THE APPEARANCE
OF DUE DILIGENCE.
680
00:34:17,583 --> 00:34:19,500
WHAT?
681
00:34:19,500 --> 00:34:20,834
I DIDN'T SAY NOTHIN'.
682
00:34:20,834 --> 00:34:22,375
OH YEAH.
683
00:34:22,375 --> 00:34:25,417
YOU KNOW, YOUR FRIEND...
684
00:34:25,417 --> 00:34:27,333
LOUIS,
685
00:34:27,333 --> 00:34:29,667
HIS SUPERVISOR BACK
IN THE HOME OFFICE
686
00:34:29,667 --> 00:34:31,542
IS ABOUT TO FOLD
HIS NAPKIN, RIGHT?
687
00:34:31,542 --> 00:34:32,750
SORRY?
688
00:34:32,750 --> 00:34:36,041
STARKMAN, IN NEW YORK.
689
00:34:36,041 --> 00:34:37,041
HE'S THROUGH.
690
00:34:37,041 --> 00:34:39,166
LOOKING AT HUGE FEDERAL TIME.
691
00:34:39,166 --> 00:34:42,041
BIG, UGLY,
DARK DUNGEON UNDERGROUND.
692
00:34:42,041 --> 00:34:44,458
NO CHANCE OF PAROLE,
NEVER EVER.
693
00:34:44,458 --> 00:34:46,083
TIME.
694
00:34:50,375 --> 00:34:52,875
YEP. I'M SORRY TO SAY.
695
00:34:52,875 --> 00:34:56,625
I HEAR HE'S A GOOD GUY,
BUT, YOU KNOW...
696
00:34:56,625 --> 00:34:58,834
IN ANY EVENT,
HERE'S MY PROBLEM,
697
00:34:58,834 --> 00:35:00,083
AND IF YOU KNOW ANY OF THIS,
698
00:35:00,083 --> 00:35:02,041
FEEL FREE, JUMP IN,
SHUT ME UP.
699
00:35:02,041 --> 00:35:06,417
THIS FEDERAL
PROSECUTOR OUT HERE,
700
00:35:06,417 --> 00:35:10,583
THE ONE WITH
STARKMAN'S TESTICULAR MATTER
CLUTCHED IN HIS FIST,
701
00:35:10,583 --> 00:35:14,458
THIS VERY
FEDERAL PROSECUTOR'S
LITTLE BROTHER...
702
00:35:14,458 --> 00:35:16,750
ANY OF THIS SOUND FAMILIAR?
703
00:35:16,750 --> 00:35:18,750
TO ME? NO.
704
00:35:18,750 --> 00:35:21,458
NO. WELL...
705
00:35:21,458 --> 00:35:23,583
THIS VERY FEDERAL
PROSECUTOR'S
LITTLE BROTHER,
706
00:35:23,583 --> 00:35:25,834
A BIT DOPEY
FROM WHAT I GATHER,
707
00:35:25,834 --> 00:35:28,125
MAY HAVE BEEN ABSCONDED WITH,
708
00:35:28,125 --> 00:35:30,542
WHICH, AS YOU CAN IMAGINE,
WOULD BE
709
00:35:30,542 --> 00:35:33,500
TO THE DISMAY
OF OUR PROSECUTOR.
710
00:35:35,750 --> 00:35:38,041
I THINK...
711
00:35:38,041 --> 00:35:40,083
BUT I COULD BE WRONG
ABOUT THIS,
712
00:35:40,083 --> 00:35:42,333
BECAUSE IT'S ALMOST
TOO STUPID FOR A MIND
TO GRASP.
713
00:35:42,333 --> 00:35:45,000
BUT I THINK MAYBE SOMEONE
714
00:35:45,000 --> 00:35:48,792
IN YOUR PROFESSIONAL
COMMUNITY
715
00:35:48,792 --> 00:35:51,917
MIGHT BE PARTICIPATING
IN THESE SHENANIGANS
716
00:35:51,917 --> 00:35:54,750
TO, I DON'T KNOW,
717
00:35:54,750 --> 00:35:57,917
HELP SQUEEZE
A LITTLE FRIENDSHIP,
718
00:35:57,917 --> 00:36:00,166
ALTRUISM, WHATEVER,
719
00:36:00,166 --> 00:36:01,208
OUT OF THIS PARTICULAR
FEDERAL OFFICIAL.
720
00:36:01,208 --> 00:36:04,792
MAYBE IN THE HOPES
THAT STARKMAN
721
00:36:04,792 --> 00:36:07,959
WILL WAKE UP
722
00:36:07,959 --> 00:36:10,333
ONE MORNING...
723
00:36:13,208 --> 00:36:17,375
WAKE UP ONE MORNING
TO FIND ALL CHARGES
MYSTERIOUSLY DROPPED.
724
00:36:17,375 --> 00:36:19,458
THE SCHOOL OF
THOUGHT AMONGST MY COLLEAGUES
725
00:36:19,458 --> 00:36:22,250
IS THAT THIS KID IS
ALREADY WAY OUT OF TOWN.
726
00:36:22,250 --> 00:36:24,667
I ALONE AM OF
THE OPPOSITE SCHOOL.
727
00:36:24,667 --> 00:36:26,333
I THINK HE'S STILL HERE.
THAT'S WHAT I THINK.
728
00:36:26,333 --> 00:36:29,041
BUT WHAT'S IMPORTANT
IS WHAT YOU THINK.
729
00:36:29,041 --> 00:36:30,709
WHAT DO YOU THINK?
730
00:36:30,709 --> 00:36:32,834
AS A FRIEND WHO'S GOT
HIS EAR TO THE STREET.
731
00:36:32,834 --> 00:36:34,542
SERIOUSLY.
732
00:36:36,083 --> 00:36:39,000
- I NEVER... YOU KNOW--
- I KNOW.
733
00:36:39,000 --> 00:36:41,667
YOU DON'T KNOW NOTHIN'.
734
00:36:41,667 --> 00:36:45,166
I CAN TELL JUST BY
LOOKIN' AT YOU.
735
00:36:50,750 --> 00:36:53,834
THE WHOLE THING'S PROBABLY
ALIEN ABDUCTION,
736
00:36:53,834 --> 00:36:55,375
LIKE I SAID BEFORE.
737
00:36:59,750 --> 00:37:03,667
MAN, YOU KNOW
WHAT I'D LOVE TO DO
738
00:37:03,667 --> 00:37:04,333
RIGHT NOW?
739
00:37:11,458 --> 00:37:14,041
GO DOWN
TO MARIE CALLENDER'S,
740
00:37:14,041 --> 00:37:18,083
GET ME A BIG BOWL,
PIE, SOME ICE CREAM ON IT.
741
00:37:18,083 --> 00:37:19,208
MMM-HMM.
742
00:37:19,208 --> 00:37:20,709
GOOD.
743
00:37:20,709 --> 00:37:22,041
PUT SOME ON YOUR HEAD,
744
00:37:22,041 --> 00:37:26,875
YOUR TONGUE WOULD
SLAP YOUR BRAINS OUT
TRYING TO GET TO IT.
745
00:37:26,875 --> 00:37:28,625
INTERESTED?
746
00:37:28,625 --> 00:37:31,583
SURE?
747
00:37:31,583 --> 00:37:33,542
YEAH, I'M TRYING TO
GET IN SHAPE, YOU KNOW.
748
00:37:55,917 --> 00:37:58,083
SAY NO MORE.
749
00:37:58,083 --> 00:38:00,667
LOOK,
750
00:38:00,667 --> 00:38:03,417
THANKS FOR THE HOSPITALITY.
751
00:38:03,417 --> 00:38:05,208
IT CAN'T BE
THE MOST PLEASANT THING
752
00:38:05,208 --> 00:38:08,125
TO HAVE YOUR PRIVACY
BE INTRUDED ON.
753
00:38:08,125 --> 00:38:10,750
MAYBE IF YOU HEAR ANYTHING,
YOU'LL LET ME KNOW?
754
00:38:12,750 --> 00:38:16,333
YEAH, YOU KNOW,
IF I HEAR ANYTHING.
755
00:38:21,625 --> 00:38:22,417
YEAH, I'LL LET YOU KNOW.
756
00:38:42,959 --> 00:38:44,625
- ALL RIGHT.
- YUP.
757
00:38:48,250 --> 00:38:52,125
A FEDERAL FUCKIN' PROSECUTOR!
758
00:38:52,125 --> 00:38:53,875
FUCK!
759
00:38:53,875 --> 00:38:55,000
LARRY?
760
00:38:55,000 --> 00:38:56,792
I'LL COME BACK NOW, OK?
761
00:38:56,792 --> 00:38:59,125
WHAT ARE YOU DOIN'?
I TOLD YOU TO...
762
00:38:59,125 --> 00:39:02,333
- I'M HUNGRY.
- WE GOT NOTHIN' TO EAT.
763
00:39:02,333 --> 00:39:03,166
I'M HUNGRY, THOUGH.
764
00:39:03,166 --> 00:39:06,834
A FEDERAL FUCKIN' PROSECUTOR.
765
00:39:06,834 --> 00:39:10,000
MY BROTHER'S A FEDERAL
FUCKIN' "PROSTITUTOR."
766
00:39:10,000 --> 00:39:11,667
YOU DON'T SAY.
767
00:39:15,417 --> 00:39:16,750
PUT THIS ON.
768
00:39:18,625 --> 00:39:20,291
DID YOU KNOW
ABOUT ALL THAT STUFF?
769
00:39:20,291 --> 00:39:21,792
NO, NOT ALL OF IT.
770
00:39:21,792 --> 00:39:23,417
MAYBE WE SHOULD
CHECK INTO A HOTEL.
771
00:39:23,417 --> 00:39:25,458
FUCK THAT. I LIVE HERE.
THIS IS MY PLACE.
772
00:39:25,458 --> 00:39:28,333
NO ONE'S GETTIN' ME
OUT OF MY PLACE.
PUT THIS ON, TOO.
773
00:39:28,333 --> 00:39:30,417
I'M HUNGRY.
I WANNA EAT NOW.
774
00:39:30,417 --> 00:39:32,875
I HEARD YOU THE FIRST
FUCKIN' FIVE TIMES, BRIAN.
COME ON.
775
00:39:37,000 --> 00:39:37,625
COME ON.
776
00:39:40,333 --> 00:39:41,875
STOP FUCKIN' AROUND.
777
00:39:42,750 --> 00:39:45,792
WHEN ARE WE
GETTIN' TO THE BAYWATCH?
778
00:39:45,792 --> 00:39:48,542
WHAT'S THAT?
YOU HEAR THAT?
- NO.
779
00:39:48,542 --> 00:39:51,875
WHAT IS THAT?
IT'S THE WALKIE-TALKIE AGAIN.
780
00:39:51,875 --> 00:39:52,875
HELLO?
781
00:39:52,875 --> 00:39:54,542
WHAT?
782
00:39:54,542 --> 00:39:56,458
YOU GOT TO BE
KIDDING ME.
AGAIN?
783
00:39:56,458 --> 00:39:59,291
WHAT'S THE DEAL
WITH THESE GUYS?
784
00:39:59,291 --> 00:40:02,000
HOW LONG?
MAYBE TOMORROW? OK.
785
00:40:02,000 --> 00:40:04,709
HEY, KICK THOSE GUYS IN
THE ASS FOR ME, WILL YOU?
786
00:40:04,709 --> 00:40:07,542
THOSE FUCKIN' GUYS. ALL RIGHT.
TALK TO YOU LATER.
787
00:40:07,542 --> 00:40:09,959
YEAH, GIVE US A CALL BACK.
788
00:40:09,959 --> 00:40:11,959
UNBELIEVABLE.
789
00:40:11,959 --> 00:40:15,125
YOU BELIEVE THAT? THE BAYWATCH
IS CLOSED TODAY. AGAIN.
790
00:40:15,125 --> 00:40:17,166
- YEAH, I TALKED TO 'EM.
791
00:40:17,166 --> 00:40:20,125
THEY--THEY SAID THEY'RE
WORKIN' ON THE PROBLEM,
BUT, YOU KNOW,
792
00:40:20,125 --> 00:40:22,083
THEY DON'T KNOW HOW
LONG IT'S GONNA BE.
793
00:40:22,083 --> 00:40:24,667
WHAT IS THE BAYWATCH?
794
00:40:26,583 --> 00:40:29,375
IT'S WHERE
ALL THE BEAUTIFUL GIRLS ARE.
795
00:40:29,375 --> 00:40:31,083
THEY SWIM.
796
00:40:31,083 --> 00:40:33,333
THEY SWIM THERE.
797
00:40:33,333 --> 00:40:35,291
YOU'RE TALKIN'
ABOUT THE T.V. SHOW?
798
00:40:35,291 --> 00:40:38,875
NO, YOU--
NOT T.V. THAT'S T.V.
799
00:40:38,875 --> 00:40:41,625
THE BAYWATCH IS
WHERE THEY REALLY ARE.
800
00:40:41,625 --> 00:40:44,375
THEY'RE REALLY THERE.
801
00:40:44,375 --> 00:40:46,667
I THINK YOU COULD BE
FRIENDS THERE.
802
00:40:53,083 --> 00:40:55,083
I THINK THAT'S WHERE
THE SEX IS.
803
00:40:55,083 --> 00:40:58,083
I THINK SO.
804
00:40:58,083 --> 00:41:00,834
I THINK THAT'S WHERE
THE SEX IS.
805
00:41:12,041 --> 00:41:16,375
[Demagogue
by Urban Dance Squad playing]
806
00:41:16,375 --> 00:41:18,625
♪ I KICK THE MUSIC SO HARD ♪
807
00:41:18,625 --> 00:41:20,125
♪ PEOPLE GET INJURIES ♪
808
00:41:20,125 --> 00:41:21,417
♪ STEP TO ME ♪
809
00:41:21,417 --> 00:41:22,667
♪ BE A BIG STITCH M.C. ♪
810
00:41:22,667 --> 00:41:23,542
♪ LYRICS I CHOP ♪
811
00:41:23,542 --> 00:41:25,583
♪ KICK SKILLS
LIKE JACKIE CHAN ♪
812
00:41:25,583 --> 00:41:27,166
♪ MANY PROPS LOOT ♪
813
00:41:27,166 --> 00:41:28,000
♪ GLADLY PAY THE TAX MAN ♪
814
00:41:28,000 --> 00:41:29,291
♪ FLEX PLANS ♪
815
00:41:29,291 --> 00:41:30,792
♪ LEAVE BODYBAGS FULL OF MEN ♪
816
00:41:30,792 --> 00:41:32,834
HEY,
YOU WANNA TURN THAT DOWN?
817
00:41:32,834 --> 00:41:34,250
YOU FUCKIN'
TURN IT DOWN.
818
00:41:34,250 --> 00:41:36,041
♪ PLUS THE SQUAD ♪
819
00:41:36,041 --> 00:41:37,792
♪ TOOK SOMETIME OFF
WITH THE WILD FUNK, SO WHAT? ♪
820
00:41:37,792 --> 00:41:38,709
I DON'T THINK
THIS IS THE BEST TIME
821
00:41:38,709 --> 00:41:42,000
TO BE DRAWING
ATTENTION TO OURSELVES.
822
00:41:42,000 --> 00:41:44,542
♪ LIKE THE BEASTIE BOYS,
THE FUNKY DEMAGOGUE ♪
823
00:41:44,542 --> 00:41:46,917
HEY, BEAVIS,
TURN THE FUCKIN' RADIO OFF.
824
00:41:46,917 --> 00:41:48,792
WHAT THE FUCK IS
YOUR PROBLEM, BITCH?
825
00:41:48,792 --> 00:41:50,500
♪ HEAR THE DEMAGOGUE,
FUNKY DEMAGOGUE ♪
826
00:41:50,500 --> 00:41:52,000
"BITCH"?
827
00:41:52,000 --> 00:41:53,417
YOU KNOW WHAT,
CREATING A SCENE RIGHT NOW
828
00:41:53,417 --> 00:41:55,125
WOULD BE A BAD THING.
829
00:41:55,125 --> 00:41:57,000
♪ CHECK A LOOK-ALIKE,
WANNA SEE A JOKE ♪
830
00:41:57,000 --> 00:41:58,375
YEAH, THAT'S RIGHT.
WHY DON'T YOU COME OVER HERE,
831
00:41:58,375 --> 00:42:00,792
SO WE CAN KICK YOUR ASS.
832
00:42:06,542 --> 00:42:09,000
WHAT HAPPENED?
833
00:42:09,000 --> 00:42:10,834
LET ME. OK?
834
00:42:10,834 --> 00:42:11,959
♪ STYLES
NOT REALLY MATCHED UP ♪
835
00:42:11,959 --> 00:42:13,959
GO AHEAD.
836
00:42:13,959 --> 00:42:15,375
♪ PUSHED 'N DRESSED UP ♪
837
00:42:15,375 --> 00:42:17,000
YOU KNOW,
WHAT YOU BOYS NEED
838
00:42:17,000 --> 00:42:19,583
IS TO DEVELOP
BETTER PEOPLE SKILLS.
839
00:42:19,583 --> 00:42:22,667
HOWEVER,
IN THE MEANTIME...
840
00:42:22,667 --> 00:42:23,208
♪ CALLED NEW YORK ♪
841
00:42:23,208 --> 00:42:24,166
♪ YOU GOT BEEF ♪
842
00:42:24,166 --> 00:42:26,375
EXCUSE ME.
843
00:42:26,375 --> 00:42:27,375
♪ FOUL LIKE A PIG ON A BUM ♪
844
00:42:30,041 --> 00:42:32,959
YOU EVER HEARD OF
TAI MOI CHAI?
845
00:42:32,959 --> 00:42:34,583
NO. OK.
846
00:42:34,583 --> 00:42:35,667
IN TRADITIONAL TAI MOI CHAI,
847
00:42:35,667 --> 00:42:39,792
THERE ARE 5 LEVELS OF
DIGITAL ORB EXTRUSION.
848
00:42:39,792 --> 00:42:43,417
THAT'S THE GOUGING OUT
OF YOUR OPPONENT'S EYEBALL
849
00:42:43,417 --> 00:42:45,250
WITH ONE'S FINGER.
850
00:42:45,250 --> 00:42:46,792
NOW,
851
00:42:46,792 --> 00:42:47,417
THE HIGHEST
AND MOST DIFFICULT TO MASTER
852
00:42:47,417 --> 00:42:50,000
IS MY PERSONAL FAVORITE:
853
00:42:50,000 --> 00:42:51,750
KAI TOI MAI.
854
00:42:51,750 --> 00:42:55,250
LOOSELY TRANSLATED,
THAT'S "THE RIP
THAT TAKES THE PAST."
855
00:42:55,250 --> 00:42:59,208
NOW, ONCE THE THUMB
LIQUEFIES THE EYE,
856
00:42:59,208 --> 00:43:03,250
IT IS DEFTLY AND
IMMEDIATELY REPLACED
BY THE FOREFINGER.
857
00:43:03,250 --> 00:43:08,000
DEEP THRUST, HOOKING AROUND
AND SECURING THE OCULAR NERVE
858
00:43:08,000 --> 00:43:10,625
AND THEN REMOVING
IT WITH SUCH FORCE
859
00:43:10,625 --> 00:43:12,750
AS TO BRING WITH IT,
BY SUCTION,
860
00:43:12,750 --> 00:43:15,750
A VITAL PORTION
OF THE VISUAL CORTEX.
861
00:43:15,750 --> 00:43:18,458
THE PART OF THE BRAIN,
AS I'M SURE YOU MAY KNOW,
862
00:43:18,458 --> 00:43:21,333
THAT STORES VISUAL MEMORY.
863
00:43:21,333 --> 00:43:22,917
NOW,
864
00:43:22,917 --> 00:43:25,291
THE EXTRAORDINARY
ELEMENT OF THIS MOVE,
865
00:43:25,291 --> 00:43:28,166
THE GENIUS OF IT,
866
00:43:28,166 --> 00:43:33,208
THE--THE--THE ABSOLUTE
POETRY OF IT
867
00:43:33,208 --> 00:43:36,458
IS THAT,
ASIDE FROM THE OBVIOUS WOUND,
868
00:43:36,458 --> 00:43:41,750
ONE'S OPPONENT IS
LEFT WITH NO MEMORY
OF ANYTHING HE HAS EVER SEEN.
869
00:43:41,750 --> 00:43:45,208
FAMILY, FRIENDS, NOTHING.
870
00:43:46,333 --> 00:43:50,834
HENCE, KAI TOI MAI:
871
00:43:50,834 --> 00:43:53,750
"THE RIP THAT
TAKES THE PAST."
872
00:43:53,750 --> 00:43:55,625
AS YOU CAN IMAGINE,
VERY DIFFICULT
873
00:43:55,625 --> 00:43:58,583
TO PRACTICE HERE IN
THE UNITED STATES
874
00:43:58,583 --> 00:44:02,834
BUT, I FELT, WELL WORTH
THE TRIPS
TO THE CHANG RAI PROVINCE.
875
00:44:07,333 --> 00:44:09,583
PEOPLE SKILLS.
876
00:44:10,917 --> 00:44:13,250
SEE, KNOWING
HOW TO PROPERLY
JUDGE CHARACTER,
877
00:44:13,250 --> 00:44:15,250
KNOWING HOW AND WHEN
TO MAKE A MOVE,
878
00:44:15,250 --> 00:44:19,500
IN SHORT,
KNOWING WHO TO AND
WHO NOT TO FUCK WITH.
879
00:44:19,500 --> 00:44:22,375
THESE ARE THINGS
YOU BOYS ARE GONNA
WANNA WORK ON
880
00:44:22,375 --> 00:44:23,500
IN THE FUTURE.
OK?
881
00:44:23,500 --> 00:44:25,750
OH, AND ONE MORE THING:
882
00:44:25,750 --> 00:44:27,583
SPORTS ARE ALL WELL AND GOOD,
883
00:44:27,583 --> 00:44:29,709
BUT VERY HARD TO
EARN A LIVING AT.
884
00:44:29,709 --> 00:44:31,333
SO I WANT YOU
GUYS TO STUDY HARD,
885
00:44:31,333 --> 00:44:33,875
AND KEEP YOUR
GRADES UP, ALL RIGHT?
886
00:44:33,875 --> 00:44:34,333
OK
887
00:44:34,333 --> 00:44:35,250
YES.
888
00:44:35,250 --> 00:44:36,792
OK. GOOD.
889
00:44:41,875 --> 00:44:44,041
BRIAN, LET'S GO.
890
00:44:52,375 --> 00:44:53,959
NICE COMPUTER.
891
00:44:57,500 --> 00:45:00,750
HERE'S SUCK-MY-DICK.COM.
892
00:45:07,458 --> 00:45:10,500
HEY, SO CAN YOU REALLY DO
ALL THAT KUNG FU SHIT
893
00:45:10,500 --> 00:45:14,083
YOU SAID BACK THERE
WITH THE
894
00:45:14,083 --> 00:45:16,750
NO.
895
00:45:16,750 --> 00:45:19,750
THAT WAS ALL BULLSHIT, HUH?
896
00:45:20,208 --> 00:45:22,250
YEP.
897
00:45:23,542 --> 00:45:26,166
SUN TZU SAID THAT, IN A WAR,
898
00:45:26,166 --> 00:45:29,375
THE BEST VICTORY
IS THAT WHICH
REQUIRES NO BATTLE.
899
00:45:29,375 --> 00:45:32,083
IS THIS SOME MORE
BULLSHIT NOW I'M GETTIN'?
900
00:45:32,083 --> 00:45:34,917
- NO.
901
00:45:36,542 --> 00:45:38,834
A CHINESE
MILITARY THEORETICIAN
WHO POINTED OUT
902
00:45:38,834 --> 00:45:41,542
THAT IN A CONFLICT,
GETTING ANGRY,
903
00:45:41,542 --> 00:45:43,041
WHICH YOU SEEM
TO DO A LOT OF,
904
00:45:43,041 --> 00:45:47,041
IS A TACTICALLY AND
STRATEGICALLY STUPID MOVE.
905
00:45:47,041 --> 00:45:49,917
IT CLOUDS YOUR ABILITY
TO REASON.
906
00:45:49,917 --> 00:45:52,250
IT GIVES YOUR ADVERSARY
THE UPPER HAND.
907
00:45:52,250 --> 00:45:55,083
YOU WANNA CLOUD
YOUR ADVERSARY'S
ABILITY TO REASON,
908
00:45:55,083 --> 00:45:57,083
THUS GAINING
THE UPPER HAND YOURSELF.
909
00:46:01,500 --> 00:46:03,417
WHATEVER.
910
00:46:03,417 --> 00:46:05,709
YOU KNOW WHAT?
GIVEN HOW UNHAPPY
YOU SEEM TO BE,
911
00:46:05,709 --> 00:46:07,250
I CAN SEE HOW
THAT WOULDN'T BE
912
00:46:07,250 --> 00:46:08,750
THE EASIEST THING
FOR YOU TO DO.
913
00:46:08,750 --> 00:46:10,250
WHAT IS THAT
SUPPOSED TO MEAN?
914
00:46:10,250 --> 00:46:13,375
JUST THAT.
915
00:46:13,375 --> 00:46:14,583
I MEAN,
916
00:46:14,583 --> 00:46:16,250
WHEN MEN ARE LITTLE BOYS,
917
00:46:16,250 --> 00:46:17,917
THEY'RE--THEY'RE ENCOURAGED
NOT TO CRY,
918
00:46:17,917 --> 00:46:20,125
NOT TO SHOW THEIR SADNESS,
919
00:46:20,125 --> 00:46:21,667
SO THEY'RE FORCED TO FIND
OTHER WAYS TO LET
THOSE FEELINGS OUT.
920
00:46:21,667 --> 00:46:22,583
AND AS I'M SURE YOU KNOW,
921
00:46:22,583 --> 00:46:25,250
FIGHTING AND GETTING ANGRY
922
00:46:25,250 --> 00:46:28,125
ARE MUCH MORE ACCEPTABLE
MALE BEHAVIORS.
923
00:46:28,125 --> 00:46:30,000
SO WHEN THESE LITTLE BOYS
GROW UP,
924
00:46:30,000 --> 00:46:32,208
GUESS WHAT OUTLET THEY USE
TO EXPRESS THEIR SADNESS.
925
00:46:32,208 --> 00:46:35,250
A GUY WHO'S MISERABLE AT WORK
OR DEPRESSED ABOUT HIS LIFE
926
00:46:35,250 --> 00:46:39,333
COMES HOME AT THE END
OF THE DAY,
WHAT DOES HE DO?
927
00:46:39,333 --> 00:46:43,458
HE DOESN'T USUALLY CRY
IN FRONT OF THE WIFE AND KIDS.
928
00:46:43,458 --> 00:46:45,000
HE USUALLY YELLS AT THEM.
929
00:46:50,291 --> 00:46:52,417
SO, LARRY...
930
00:46:52,417 --> 00:46:54,625
WHAT?
931
00:46:54,625 --> 00:46:57,291
WHAT IS IT EXACTLY
YOU'RE SO SAD ABOUT?
932
00:47:00,125 --> 00:47:02,542
NO, I'M SERIOUS.
933
00:47:08,375 --> 00:47:10,417
YO.
934
00:47:13,375 --> 00:47:14,667
YEAH.
935
00:47:14,667 --> 00:47:15,959
WHAT ABOUT YOUR FRIEND?
936
00:47:15,959 --> 00:47:19,166
MRS. LEONARD.
WHATEVER HER NAME IS.
937
00:47:22,583 --> 00:47:23,542
LOOK, I CAN'T RIGHT NOW,
I'M SORRY.
938
00:47:23,542 --> 00:47:26,625
IT'S NOT A GOOD TIME.
939
00:47:26,625 --> 00:47:30,333
IT'S NOT A GOOD TIME,
MA, THAT'S WHY.
940
00:47:30,333 --> 00:47:31,959
NO.
941
00:47:31,959 --> 00:47:33,625
OK, OK. ALL RIGHT.
942
00:47:33,625 --> 00:47:35,125
ALL RIGHT!
943
00:47:35,125 --> 00:47:36,834
OK, WHAT DO YOU WANT, BLOOD?
944
00:47:36,834 --> 00:47:37,667
I SAID OK.
I'M COMIN' OVER,
ALL RIGHT?
945
00:47:37,667 --> 00:47:40,208
I'LL BE RIGHT OVER THERE.
946
00:47:41,792 --> 00:47:43,667
I GOT TO, UH,
MAKE A QUICK DETOUR.
947
00:47:43,667 --> 00:47:46,166
YOU CAN STAY IN THE CAR.
948
00:47:48,250 --> 00:47:49,667
OH, EASY. A LITTLE LOWER.
949
00:47:49,667 --> 00:47:51,667
RIGHT HERE?
950
00:47:51,667 --> 00:47:52,959
A LITTLE BIT HIGHER.
951
00:47:52,959 --> 00:47:54,458
A LITTLE LOWER.
952
00:47:54,458 --> 00:47:56,917
- - MA.
A LITTLE LOWER!
953
00:47:56,917 --> 00:47:59,583
ALL RIGHT,
RIGHT-- OHH, GOD.
954
00:47:59,583 --> 00:48:01,166
LOOK, MA,
IF MRS. LEONARD
ISN'T AROUND,
955
00:48:01,166 --> 00:48:04,166
YOU'RE GONNA HAVE TO CALL
A DOCTOR SOMETIMES.
956
00:48:04,166 --> 00:48:07,417
I CAN'T JUST DROP EVERYTHING
AND SHOW UP HERE
ALL THE TIME, OK?
957
00:48:07,417 --> 00:48:10,083
WHAT, AND I DIDN'T
DROP EVERYTHING FOR YOU?
958
00:48:10,083 --> 00:48:11,542
"OH, I'M SO SORRY, LARRY,
959
00:48:11,542 --> 00:48:13,125
"I CAN'T CHANGE
YOUR DIAPER NOW.
960
00:48:13,125 --> 00:48:14,667
YOU'RE GONNA HAVE TO CALL
MRS. LEONARD."
961
00:48:16,875 --> 00:48:19,166
- LET ME JUST--
- LET ME. HOLD ON.
962
00:48:27,375 --> 00:48:29,166
WHAT?
963
00:48:29,166 --> 00:48:29,709
HE'S GOT TO PEE.
964
00:48:29,709 --> 00:48:31,834
I GOT TO PEE, LARRY.
965
00:48:33,041 --> 00:48:34,000
I THOUGHT I TOLD YOU
TO WAIT IN THE CAR.
966
00:48:34,000 --> 00:48:36,542
I THOUGHT YOU'D
PREFER IT IF WE CAME IN
967
00:48:36,542 --> 00:48:38,375
RATHER THAN TAKE
THE CAR SOMEWHERE.
968
00:48:38,375 --> 00:48:41,208
WOULDN'T WANT YOU TO THINK
WE LAMMED OUT ON YOU.
969
00:48:41,208 --> 00:48:43,667
BESIDES, I WANT TO MEET
YOUR MOTHER.
970
00:48:43,667 --> 00:48:45,500
NO.
971
00:48:45,500 --> 00:48:48,166
LARRY,
ARE THOSE FRIENDS OF YOURS?
972
00:48:49,917 --> 00:48:50,917
YEAH, CLOSE PERSONAL.
973
00:48:50,917 --> 00:48:52,667
- WELL,
INVITE THEM IN.
974
00:48:52,667 --> 00:48:55,166
- I GOT TO PEE, LARRY.
975
00:48:55,166 --> 00:48:57,667
- LARRY, INVITE THEM IN!
976
00:48:57,667 --> 00:49:00,208
I AM, MA,
ALL RIGHT?
977
00:49:04,750 --> 00:49:06,583
WELL,
978
00:49:07,667 --> 00:49:09,625
HELLO, EVERYBODY.
979
00:49:09,625 --> 00:49:10,667
HELLO.
980
00:49:10,667 --> 00:49:12,458
MY GOD.
981
00:49:12,458 --> 00:49:14,458
WHAT A BEAUTY.
982
00:49:14,458 --> 00:49:15,041
MA.
983
00:49:15,041 --> 00:49:17,250
WHAT? I'M JUST SAYIN'.
984
00:49:17,250 --> 00:49:19,917
YOU SHOULD SEE
SOME OF THE PIGS
HE'S BROUGHT BY.
985
00:49:19,917 --> 00:49:20,959
I MEAN, NOT THAT
THEY WERE PIGS,
PER SE.
986
00:49:20,959 --> 00:49:23,792
IT'S JUST THAT,
BY AND LARGE,
987
00:49:23,792 --> 00:49:27,500
THEY WERE WHAT I WOULD CALL
INSIGNIFICANT WOMEN.
988
00:49:27,500 --> 00:49:29,375
YOU, I COULD TELL
RIGHT OFF THE BAT,
989
00:49:29,375 --> 00:49:31,959
YOU SEEM TO BE
OF SOME SUBSTANCE.
990
00:49:31,959 --> 00:49:33,792
EXCUSE ME, MISS,
WHERE'S THE MEN'S ROOM?
991
00:49:33,792 --> 00:49:37,250
OH, RIGHT THIS WAY,
DARLIN'.
992
00:49:37,250 --> 00:49:39,291
LARRY, SHE'S GORGEOUS.
993
00:49:39,291 --> 00:49:42,125
DON'T YOU FUCK THIS ONE UP.
994
00:49:42,125 --> 00:49:44,625
SO, WHAT IS YOUR STORY,
HONEY?
995
00:49:44,625 --> 00:49:46,208
I'M LARRY'S FRIEND.
996
00:49:46,208 --> 00:49:47,792
DON'T, DON'T PAY
NO ATTENTION TO HER.
997
00:49:47,792 --> 00:49:49,417
SHE THINKS
I'M BEAUTIFUL.
998
00:49:49,417 --> 00:49:51,917
YEAH. SHE'S BLIND
IN ONE EYE, THOUGH.
999
00:49:51,917 --> 00:49:53,917
OPEN THE DOOR.
1000
00:49:55,125 --> 00:49:55,917
YOU ALL RIGHT IN THERE?
1001
00:49:55,917 --> 00:50:00,291
SO THIS IS WHERE
YOU GREW UP?
1002
00:50:00,291 --> 00:50:02,542
ARE YOU WRITIN'
A BOOK?
1003
00:50:09,709 --> 00:50:12,959
- MA.
1004
00:50:12,959 --> 00:50:16,333
OH, SHUT UP.
I DIDN'T SAY ANYTHING.
1005
00:50:16,333 --> 00:50:20,083
I THINK YOU TWO MAKE
A VERY CUTE COUPLE, THOUGH.
1006
00:50:20,083 --> 00:50:21,625
- MA.
1007
00:50:21,625 --> 00:50:23,959
WHAT'S WITH THE
"MA, MA, MA, MA, MA"?
1008
00:50:23,959 --> 00:50:26,667
STOP ALREADY WITH THE "MA."
1009
00:50:27,959 --> 00:50:30,291
SO, TELL ME,
1010
00:50:30,291 --> 00:50:32,667
- MA!
1011
00:50:32,667 --> 00:50:35,041
BEFORE YOU ANSWER,
LET ME SAY UP FRONT
1012
00:50:35,041 --> 00:50:36,959
THAT I HOPE SO.
1013
00:50:36,959 --> 00:50:39,458
WHAT?
YES, I HOPE SO.
1014
00:50:39,458 --> 00:50:41,709
WHAT'S SO TERRIBLE
ABOUT "I HOPE SO"?
1015
00:50:41,709 --> 00:50:42,750
YEAH? GUESS WHAT.
1016
00:50:42,750 --> 00:50:43,750
WHAT?
1017
00:50:43,750 --> 00:50:45,250
SHE'S A LESBIAN.
1018
00:50:51,542 --> 00:50:53,542
NEVER MIND.
1019
00:50:53,542 --> 00:50:55,250
SHE'S BEEN WITH
FELLAS BEFORE.
1020
00:50:55,250 --> 00:50:57,625
AM I RIGHT, DARLIN'?
1021
00:50:57,625 --> 00:50:59,000
HUH?
1022
00:50:59,000 --> 00:51:01,542
YOU'RE RIGHT.
1023
00:51:01,542 --> 00:51:04,709
BUT SOMETIMES
THEY HAVE
THEIR LIMITATIONS.
1024
00:51:04,709 --> 00:51:06,959
AM I RIGHT?
1025
00:51:06,959 --> 00:51:08,083
YEAH.
1026
00:51:11,542 --> 00:51:13,000
WHAT ARE YOU TWO
TALKIN' ABOUT?
1027
00:51:13,000 --> 00:51:14,500
OH, NEVER MIND.
1028
00:51:14,500 --> 00:51:15,917
WE KNOW WHAT
WE'RE TALKIN' ABOUT.
1029
00:51:15,917 --> 00:51:17,250
AM I RIGHT,
SWEETHEART?
1030
00:51:17,250 --> 00:51:19,000
YOU'RE RIGHT.
1031
00:51:19,000 --> 00:51:20,458
YOU KNOW,
1032
00:51:20,458 --> 00:51:23,208
I WASN'T ALWAYS
JUST LARRY'S MOTHER.
1033
00:51:23,208 --> 00:51:24,959
MMM, I USED TO BE
1034
00:51:24,959 --> 00:51:27,166
QUITE EXPERIMENTAL.
1035
00:51:27,166 --> 00:51:29,250
- OH, JESUS CHRIST!
- LOOK AT HIM!
1036
00:51:29,250 --> 00:51:32,041
LOOK WHO'S NOT
UP-TO-THE-MINUTE NOW.
1037
00:51:32,041 --> 00:51:33,917
- BIG BOY.
- THAT'S IT.
WE'RE GOIN'.
1038
00:51:33,917 --> 00:51:36,333
BRIAN, COME ON.
WE'RE GOIN'. THAT'S IT.
MA, WHAT THE...
1039
00:51:36,333 --> 00:51:38,250
ALL RIGHT, ALL RIGHT.
JUST REMEMBER, YOU TWO,
1040
00:51:38,250 --> 00:51:40,208
LIFE'S NOT JUST
BLACK-AND-WHITE.
1041
00:51:40,208 --> 00:51:41,166
ALL RIGHT, MA,
WE'LL REMEMBER THAT.
BRIAN, LET'S GO.
1042
00:51:41,166 --> 00:51:43,667
WE'RE GOIN' NOW.
WE'RE GOIN'. LET'S GO.
1043
00:51:43,667 --> 00:51:46,333
COME HERE, YOU BIG LUG,
GIVE ME A KISS.
1044
00:51:46,333 --> 00:51:48,875
- I LOVE YOU.
- YEAH.
1045
00:51:48,875 --> 00:51:51,458
- I WASHED MY HANDS, LARRY.
- CONGRATULATIONS. LET'S GO.
1046
00:51:51,458 --> 00:51:54,500
- GOODBYE.
- COME HERE, DARLIN'.
1047
00:51:55,667 --> 00:51:57,625
I FEEL LIKE
I KNOW YOU ALREADY.
1048
00:51:57,625 --> 00:51:59,709
- VERY NICE MEETING YOU.
- IT'S MY PLEASURE.
1049
00:51:59,709 --> 00:52:01,291
ALL RIGHT, WE'RE GOIN'.
LET'S GO.
1050
00:52:01,291 --> 00:52:03,333
COME ON. LET'S GO, BRIAN.
1051
00:52:03,333 --> 00:52:06,000
JUST REMEMBER, YOU TWO,
KEEP AN OPEN MIND
1052
00:52:06,000 --> 00:52:07,583
BECAUSE YOU NEVER KNOW.
1053
00:52:07,583 --> 00:52:09,458
- WE WILL.
- BYE.
- BYE.
1054
00:52:09,458 --> 00:52:11,041
I LIKE HER,
SHE'S VERY NICE.
1055
00:52:11,041 --> 00:52:12,750
OH, MAN.
1056
00:52:22,291 --> 00:52:25,250
ON THE SATELLITE MAP,
THE CLOUD OVER QUEENSLAND
1057
00:52:25,250 --> 00:52:27,291
AND NEW SOUTH WALES
IS BRINGING SHOWERS,
1058
00:52:27,291 --> 00:52:28,125
AND THERE'S VERY
LITTLE ACTIVITY
1059
00:52:28,125 --> 00:52:30,875
OVER THE REST
OF THE CONTINENT.
1060
00:52:30,875 --> 00:52:33,125
BUT THERE IS
SOME LOW-LEVEL CLOUD
OVER SOUTHERN VICTORIA
1061
00:52:33,125 --> 00:52:36,000
WHICH WILL BRING
ISOLATED SHOWERS
MAINLY TO COASTAL AREAS.
1062
00:52:36,000 --> 00:52:39,291
ANOTHER CHILLY NIGHT
IN MELBOURNE'S OUTER SUBURBS
WITH THE MERCURY...
1063
00:52:39,291 --> 00:52:41,500
HEY.
WHAT ARE YOU
DOING NOW?
1064
00:52:41,500 --> 00:52:42,500
...AND AVALON FALLING
AS LOW...
1065
00:52:42,500 --> 00:52:45,125
BRIAN, I TOLD YOU,
THIS IS VERY EXPENSIVE.
1066
00:52:45,125 --> 00:52:47,375
IT'S NOT EXPENSIVE.
1067
00:52:47,375 --> 00:52:49,125
DON'T ARGUE WITH ME.
1068
00:52:49,125 --> 00:52:51,125
WHAT--WHAT ARE--
WHY ARE YOU DOING THIS?
1069
00:52:51,125 --> 00:52:52,959
WHAT DO YOU CARE
ABOUT THE WEATHER
IN FUCKING ENGLAND FOR?
1070
00:52:52,959 --> 00:52:55,250
IT'S IN AUSTRALIA.
1071
00:52:55,250 --> 00:52:57,625
- WHATEVER.
- IT'S NOT ENGLAND.
1072
00:52:57,625 --> 00:52:59,500
WHATEVER, BRIAN.
WHY DO YOU KEEP
CALLING THERE?
1073
00:53:04,458 --> 00:53:06,417
'CAUSE I REALLY, REALLY
LIKE HER VOICE.
1074
00:53:11,834 --> 00:53:15,250
OK. TRY TO KEEP IT
UNDER CONTROL, THOUGH.
1075
00:53:15,250 --> 00:53:16,333
ALL RIGHT?
1076
00:53:16,333 --> 00:53:16,834
OK, LARRY, I'LL TRY.
1077
00:53:16,834 --> 00:53:17,917
THANK YOU.
1078
00:53:17,917 --> 00:53:20,417
YOU'RE WELCOME.
1079
00:53:43,208 --> 00:53:45,375
SO I'M NOT
YOUR TYPE, HUH?
1080
00:53:46,917 --> 00:53:50,625
HOW DID WE GET BACK THERE
ALL OF A SUDDEN?
1081
00:53:50,625 --> 00:53:52,500
RELAX.
1082
00:53:52,500 --> 00:53:54,583
YOU'RE MORE WOMAN
THAN I KNOW
WHAT TO DO WITH.
1083
00:53:54,583 --> 00:53:58,041
I DON'T NEED TO BE
DIPPIN' INTO
THE SISTERHOOD.
1084
00:53:58,041 --> 00:54:01,375
BUT I'M JUST CURIOUS,
BECAUSE ALL OF A SUDDEN NOW
1085
00:54:01,375 --> 00:54:03,667
YOU SAY YOU'VE
BEEN WITH GUYS.
1086
00:54:03,667 --> 00:54:06,542
I HAVE.
1087
00:54:06,542 --> 00:54:10,583
BUT THEY HAVE THEIR, UH,
SHORTCOMINGS...
1088
00:54:10,583 --> 00:54:13,375
WELL, BESIDES THE FACT THAT
THEY GIVE TERRIBLE HEAD.
1089
00:54:13,375 --> 00:54:17,375
SEE, RIGHT THERE,
THAT TELLS ME SOMETHING.
1090
00:54:17,375 --> 00:54:19,583
I KNOW THE GUYS
YOU'VE BEEN WITH
OBVIOUSLY DIDN'T KNOW
1091
00:54:19,583 --> 00:54:22,750
HOW TO, UH, HOW TO
BRING HOME THE PEARLS
1092
00:54:22,750 --> 00:54:25,500
WHEN THEY WERE
DIVING FOR OYSTERS.
1093
00:54:25,500 --> 00:54:26,667
I WAS ACTUALLY JUST JOKING.
1094
00:54:26,667 --> 00:54:29,291
EH, WELL,
SINCE WE'RE LETTING IT
ALL HANG OUT NOW,
1095
00:54:29,291 --> 00:54:31,792
LET ME TELL YOU
SOMETHING ELSE.
1096
00:54:31,792 --> 00:54:34,417
OK, WHEN IT COMES
TO PLEASING A WOMAN,
1097
00:54:34,417 --> 00:54:36,917
YOUR GIRLFRIENDS,
THEY'RE JUST...
1098
00:54:36,917 --> 00:54:39,417
THEY'RE AT
A NATURAL DISADVANTAGE.
1099
00:54:39,417 --> 00:54:40,250
IT'S LIKE THEY
MIGHT TRY HARD,
1100
00:54:40,250 --> 00:54:42,834
BUT THEY'RE
JUST NOT BACKED UP
1101
00:54:42,834 --> 00:54:45,083
WITH MILLIONS OF YEARS
OF GENETIC ENGINEERING,
1102
00:54:45,083 --> 00:54:48,875
PROGRAMMING, INSTINCT.
1103
00:54:48,875 --> 00:54:52,917
NATURE HAS EVOLVED MAN
FOR THAT PURPOSE.
1104
00:54:52,917 --> 00:54:55,875
SATISFY.
1105
00:54:55,875 --> 00:54:58,291
LEAD THE PACK.
1106
00:54:58,291 --> 00:55:01,083
THAT'S WHY THESE LESBIANS
ARE ALWAYS GOING OUT BUYING,
YOU KNOW,
1107
00:55:01,083 --> 00:55:03,667
SPENDING ALL THEIR DOUGH
ON, LIKE, YOU KNOW,
1108
00:55:03,667 --> 00:55:07,542
SEXUAL APPLIANCES,
EROTIC MONKEY WRENCHES
AND SHIT,
1109
00:55:07,542 --> 00:55:09,625
TRYING TO COMPENSATE
1110
00:55:09,625 --> 00:55:13,917
FOR WHAT THEY DON'T HAVE.
WHAT THEY'RE NOT GETTING.
1111
00:55:13,917 --> 00:55:15,250
THE PENIS.
1112
00:55:15,250 --> 00:55:18,000
THAT'S RIGHT.
1113
00:55:18,000 --> 00:55:22,542
ITS VERY DESIGN TELLS YOU
EVERYTHING YOU NEED TO KNOW.
1114
00:55:23,750 --> 00:55:25,875
FORWARD MOTION.
1115
00:55:25,875 --> 00:55:26,792
WITH ADVANCEMENTS.
1116
00:55:26,792 --> 00:55:30,583
FUCKING PROGRESS
INTO THE DARK, DEEP,
1117
00:55:30,583 --> 00:55:34,250
MYSTERIOUS UNKNOWN.
1118
00:55:35,083 --> 00:55:38,166
IT'S LIKE ADVENTURE-SEEKING,
1119
00:55:38,166 --> 00:55:41,000
FRONTIER-CONQUERING,
1120
00:55:41,000 --> 00:55:43,583
OBSTACLE-ERADICATING.
1121
00:55:43,583 --> 00:55:47,458
WHOA. AND YOU TRIED
TO CREATE THE IMPRESSION
YOU DIDN'T READ BOOKS.
1122
00:55:47,458 --> 00:55:50,500
WELL, YOU'RE SETTLING
FOR SECOND BEST.
1123
00:55:50,500 --> 00:55:52,709
THAT'S ALL I'M SAYING.
1124
00:55:52,709 --> 00:55:55,667
SO, IN REVIEW,
1125
00:55:55,667 --> 00:55:58,625
YOU'RE SAYING
THAT IT'S MEN
1126
00:55:58,625 --> 00:56:02,166
THAT ARE AT THE TOP
OF THE MUST
1127
00:56:02,166 --> 00:56:05,250
THAT'S ALL
I'M TELLING YOU.
1128
00:56:05,250 --> 00:56:07,625
LOVING, CARING,
1129
00:56:07,625 --> 00:56:11,917
SENSITIVE, GIVING MEN.
- THAT'S RIGHT.
1130
00:56:11,917 --> 00:56:15,750
WELL, YOU'RE ENTITLED
TO YOUR OPINION.
1131
00:56:15,750 --> 00:56:21,959
BUT LET US RECONSIDER WOMEN
FOR A MINUTE. SHALL WE?
1132
00:56:21,959 --> 00:56:24,333
SURE.
1133
00:56:24,333 --> 00:56:27,083
THEIR FORM:
1134
00:56:27,083 --> 00:56:32,041
NECK. SHOULDERS.
1135
00:56:32,041 --> 00:56:34,417
LEGS.
1136
00:56:34,417 --> 00:56:37,208
HIPS.
1137
00:56:37,208 --> 00:56:40,250
I THINK PRETTY COOL.
1138
00:56:40,250 --> 00:56:43,542
NOW, AS FAR AS YOUR FAMOUS
1139
00:56:43,542 --> 00:56:45,709
PENIS GOES...
1140
00:56:45,709 --> 00:56:48,583
THE PENIS
IS LIKE SOME SORT OF
1141
00:56:48,583 --> 00:56:50,208
BIZARRE SEA SLUG
1142
00:56:50,208 --> 00:56:54,709
OR LIKE A REALLY LONG TOE.
1143
00:56:54,709 --> 00:56:57,041
I MEAN, IT'S HANDY,
IMPORTANT, EVEN.
1144
00:56:57,041 --> 00:56:59,875
BUT THE PINNACLE
OF SEXUAL DESIGN?
1145
00:56:59,875 --> 00:57:03,000
THE TOP OF THE LIST
OF EROTIC DESTINATIONS?
1146
00:57:03,000 --> 00:57:05,458
I DON'T THINK SO.
1147
00:57:05,458 --> 00:57:10,583
ONE'S FIRST IMPULSE
IS TO KISS WHAT?
1148
00:57:12,500 --> 00:57:15,709
TO KISS THE LIPS.
1149
00:57:15,709 --> 00:57:19,291
FIRM, DELICIOUS LIPS.
1150
00:57:19,291 --> 00:57:21,333
SWEET LIPS.
1151
00:57:21,333 --> 00:57:26,750
SURROUNDING A WARM, MOIST,
1152
00:57:26,750 --> 00:57:29,875
DIZZYINGLY SCENTED MOUTH.
1153
00:57:29,875 --> 00:57:33,500
THAT'S WHAT
EVERYONE WANTS TO KISS.
1154
00:57:33,500 --> 00:57:37,417
NOT A TOE.
NOT A SEA SLUG.
1155
00:57:37,417 --> 00:57:40,458
A MOUTH.
1156
00:57:40,458 --> 00:57:43,792
NOW, WHY DO YOU THINK
THAT IS, STUPID?
1157
00:57:45,500 --> 00:57:48,625
BECAUSE THE MOUTH
IS THE TWIN SISTER,
1158
00:57:48,625 --> 00:57:53,625
THE ALMOST EXACT
LOOK
1159
00:57:55,458 --> 00:57:58,250
NOT THE TOE.
1160
00:57:58,250 --> 00:58:01,417
THE MOUTH IS THE TWIN SISTER
1161
00:58:01,417 --> 00:58:05,500
OF--OF THE VAGINA.
1162
00:58:08,458 --> 00:58:11,083
AND ALL CREATURES,
BIG AND SMALL,
1163
00:58:11,083 --> 00:58:13,417
SEEK THE ORIFICE.
THE OPENING.
1164
00:58:13,417 --> 00:58:18,208
TO--TO BE TAKEN IN,
ENGULFED.
1165
00:58:18,208 --> 00:58:22,875
TO BE SQUEEZED
AND LOVINGLY CRUSHED
BY WHAT IS TRULY
1166
00:58:22,875 --> 00:58:26,041
THE ALL-POWERFUL,
ALL-ENCOMPASSING.
1167
00:58:26,041 --> 00:58:28,959
NOW, IF IT'S DESIGN
YOU'RE CONCERNED WITH,
1168
00:58:28,959 --> 00:58:32,125
HIDDEN MEANINGS,
SYMBOLISM AND POWER,
1169
00:58:32,125 --> 00:58:33,834
WELL, FORGET THE TOP
OF MOUNT EVEREST.
1170
00:58:33,834 --> 00:58:38,000
FORGET THE BOTTOM OF THE SEA,
THE MOON, THE STARS.
1171
00:58:38,000 --> 00:58:40,917
THERE IS NO PLACE, NOWHERE,
THAT HAS BEEN THE OBJECT
1172
00:58:40,917 --> 00:58:43,375
OF MORE AMBITIONS,
MORE BATTLES
1173
00:58:43,375 --> 00:58:45,750
THAN THE SWEET,
SACRED MYSTERY
1174
00:58:45,750 --> 00:58:51,625
BETWEEN A WOMAN'S LEGS
THAT I AM PROUD TO CALL
1175
00:58:51,625 --> 00:58:53,959
MY PUSSY.
1176
00:58:56,000 --> 00:58:57,875
SO I GUESS THIS IS
JUST MY ROUNDABOUT WAY
OF SAYING
1177
00:58:57,875 --> 00:59:03,333
THAT IT IS WOMEN
WHO ARE, IN FACT,
THE MOST DESIRABLE FORM.
1178
00:59:04,458 --> 00:59:06,959
WOULDN'T YOU AGREE?
1179
00:59:08,583 --> 00:59:10,458
I AGREE.
1180
00:59:10,458 --> 00:59:11,083
MMM.
1181
00:59:11,083 --> 00:59:13,667
AND SO DO I.
1182
00:59:27,125 --> 00:59:27,709
HELLO?
1183
00:59:29,875 --> 00:59:30,875
HELLO?
1184
00:59:32,417 --> 00:59:33,959
HELLO?
1185
00:59:36,291 --> 00:59:38,083
IS SOMEBODY THERE?
1186
00:59:38,083 --> 00:59:39,333
YES.
1187
00:59:39,333 --> 00:59:41,583
WHO'S THIS?
1188
00:59:41,583 --> 00:59:42,709
WHO IS THIS?
1189
00:59:42,709 --> 00:59:44,041
WHO'S THIS?
1190
00:59:44,041 --> 00:59:45,250
WHO IS THIS?
1191
00:59:45,250 --> 00:59:48,041
I DON'T FIND THIS FUNNY.
1192
00:59:48,041 --> 00:59:50,500
WHO IS THIS?
1193
00:59:50,500 --> 00:59:52,083
IS THIS THE RETARD?
1194
00:59:52,083 --> 00:59:53,917
WHO IS THIS?
1195
00:59:53,917 --> 00:59:55,959
BRIAN, WHAT ARE YOU
DOING NOW?
1196
00:59:55,959 --> 00:59:57,750
GIVE ME THE FUCKING PHONE.
1197
01:00:00,250 --> 01:00:01,417
HELLO?
1198
01:00:01,417 --> 01:00:02,959
WHO THE FUCK IS THIS?
1199
01:00:02,959 --> 01:00:03,875
WHO THE FUCK
IS THIS?
1200
01:00:03,875 --> 01:00:07,333
WHAT THE FUCK IS
GOING ON OVER THERE?
1201
01:00:07,333 --> 01:00:09,375
NOTHING. SORRY, LOUIS.
1202
01:00:09,375 --> 01:00:11,083
- WE'RE NOT GETTING
THE DESIRED MOVEMENT HERE.
1203
01:00:11,083 --> 01:00:13,125
WE'RE STEPPING UP
THE OPERATION.
1204
01:00:13,125 --> 01:00:15,792
FIRST THING IN THE MORNING,
I WANT YOU
TO SEND HIS THUMB
1205
01:00:15,792 --> 01:00:18,166
TO JAMES DORF...
ARE YOU LISTENING TO THIS?
1206
01:00:18,166 --> 01:00:19,417
- YEAH.
- GOOD.
1207
01:00:19,417 --> 01:00:23,750
TO JAMES DORF
AT THE U.S. COURTHOUSE
ON SPRING STREET.
1208
01:00:25,417 --> 01:00:28,834
HOLD ON ONE SECOND.
GO--GO IN THE OTHER ROOM.
1209
01:00:28,834 --> 01:00:30,583
GO IN THE OTHER ROOM
IN THE BACK.
1210
01:00:30,583 --> 01:00:32,166
GO IN THE BACK.
1211
01:00:32,166 --> 01:00:34,000
I'M TALKING ON THE PHONE.
GO IN THE BACK.
1212
01:00:36,041 --> 01:00:38,834
WHAT DO YOU MEAN?
HOW DO I SEND HIS THUMB?
1213
01:00:38,834 --> 01:00:41,458
YOU CUT IT THE FUCK OFF.
YOU TAKE IT TO BOXES 'R' US
1214
01:00:41,458 --> 01:00:44,959
OR WHATEVER THE FUCK IT IS,
YOU PUT THE APPROPRIATE
POSTAGE ON IT,
1215
01:00:44,959 --> 01:00:45,917
AND THAT'S HOW YOU SEND IT.
1216
01:00:45,917 --> 01:00:48,125
AND SEND IT EXPRESS
NEXT-DAY DELIVERY.
1217
01:00:48,125 --> 01:00:50,041
AND MAKE SURE
YOU KINDLY REFRAIN
1218
01:00:50,041 --> 01:00:52,208
FROM PROVIDING
A RETURN ADDRESS,
YOU FUCKING DUMMY.
1219
01:00:52,208 --> 01:00:54,875
I MEAN...
1220
01:00:54,875 --> 01:00:56,917
YOU WANT ME
TO CUT HIS THUMB OFF?
1221
01:00:56,917 --> 01:00:59,750
OH, IT'S ENOUGH ALREADY.
PUT THE CLAM-LICKER ON.
1222
01:00:59,750 --> 01:01:01,792
HOLD ON.
W-W-WAIT A MINUTE.
1223
01:01:01,792 --> 01:01:03,208
WH-WH-WHAT ABOUT,
LIKE, YOU KNOW,
THE BLEEDING AND THE--
1224
01:01:03,208 --> 01:01:06,500
I CAN'T BELIEVE I'M
HAVING THIS CONVERSATION
WITH A PROFESSIONAL.
1225
01:01:06,500 --> 01:01:09,417
YOU WANT I SHOULD SEND
PEOPLE THERE TO HELP YOU?
THEY'LL TAKE YOUR THUMB, TOO.
1226
01:01:09,417 --> 01:01:10,917
I'M NOT SAYING THAT.
1227
01:01:10,917 --> 01:01:11,834
I DO NOT LIKE
THE HABIT OF HIRING YOU
1228
01:01:11,834 --> 01:01:13,625
AND THEN HAVING
TO HIRE SOMEONE ELSE
1229
01:01:13,625 --> 01:01:16,000
TO MAKE SURE YOU
DO YOUR JOB RIGHT.
1230
01:01:16,000 --> 01:01:18,000
- DO YOUR FUCKING JOB RIGHT!
- OK.
1231
01:01:18,000 --> 01:01:20,041
I'M GETTING TIRED OF THIS.
1232
01:01:28,000 --> 01:01:28,333
LARRY.
1233
01:01:28,333 --> 01:01:30,500
WHAT?
1234
01:01:30,500 --> 01:01:33,041
CAN I STAY HERE WITH YOU?
1235
01:01:33,041 --> 01:01:36,208
NO.
1236
01:01:37,834 --> 01:01:38,834
TIME FOR YOU
TO GO TO BED ANYWAYS.
1237
01:01:38,834 --> 01:01:40,834
- I DON'T WANNA GO TO BED.
- GO TO BED.
1238
01:01:40,834 --> 01:01:43,291
IF I TELL YOU TO GO
TO BED, GO TO BED.
1239
01:01:43,291 --> 01:01:46,250
I DON'T WANNA
GO TO BED, THOUGH.
1240
01:01:47,750 --> 01:01:50,375
"NEW. OUR BEST CHARMIN EVER.
1241
01:01:50,375 --> 01:01:51,917
"CHARMIN ULTRA DOUBLE ROLL.
1242
01:01:51,917 --> 01:01:54,000
"TWICE AS MANY SHEETS
AS REGULAR CHARMIN ULTRA.
1243
01:01:54,000 --> 01:01:58,375
UNSCENTED BATHROOM TISSUE.
170 SQUARE FEET."
1244
01:01:58,375 --> 01:02:01,917
BLAH, BLAH, BLAH.
"4.5 INCHES BY 4.0 INCHES."
1245
01:02:01,917 --> 01:02:06,375
AND THEY GOT IT IN
CENTIMETERS OR WHATEVER.
1246
01:02:08,875 --> 01:02:12,792
IT'S THE SAME SHIT
ON THE BACK. ALL RIGHT?
1247
01:02:12,792 --> 01:02:15,917
GOOD NIGHT.
- GOOD NIGHT, LARRY.
1248
01:02:18,291 --> 01:02:19,375
YEAH.
1249
01:02:19,375 --> 01:02:22,834
THANK YOU VERY MUCH.
1250
01:02:45,750 --> 01:02:48,667
WHAT ARE
YOUR FRIENDS LIKE?
1251
01:02:48,667 --> 01:02:51,709
I DON'T REALLY
HAVE FRIENDS.
1252
01:02:51,709 --> 01:02:54,417
WELL, WHO DO YOU
HANG OUT WITH?
1253
01:02:54,417 --> 01:02:56,917
NOBODY.
1254
01:02:58,917 --> 01:03:02,000
WHY DO I THINK
YOU'RE NOT EXAGGERATING?
1255
01:03:05,333 --> 01:03:08,417
I JUST KEEP TO MYSELF.
I GO ABOUT MY BUSINESS,
YOU KNOW.
1256
01:03:08,417 --> 01:03:10,250
DO MY WORK.
1257
01:03:10,250 --> 01:03:15,166
A CHARMING, LOVEABLE GUY
LIKE YOURSELF?
YOU SHOULD GET OUT MORE.
1258
01:03:15,166 --> 01:03:17,041
I'M SURE THERE'S
A TON OF STRAIGHT WOMEN
1259
01:03:17,041 --> 01:03:19,750
WHO YOU COULD
MAKE VERY HAPPY.
1260
01:03:22,542 --> 01:03:25,750
LOUIS WANTS US TO CUT
THE KID'S THUMB OFF.
1261
01:03:33,625 --> 01:03:36,250
♪ THIS IS A STORY
ABOUT THE DRIFTER ♪
1262
01:03:36,250 --> 01:03:39,083
♪ WHO WAITED THROUGH THE WORST
FOR THE BEST IN CROSSTOWN ♪
1263
01:03:39,083 --> 01:03:41,875
♪ WHO NEVER PLANNED
ON HAVIN' SO DICK ♪
1264
01:03:41,875 --> 01:03:43,792
♪ WHY ME, HUH? ♪
1265
01:03:43,792 --> 01:03:45,083
♪ EVERYTHING'S GONNA BE
ALL RIGHT, ALL RIGHT ♪
1266
01:03:45,083 --> 01:03:48,166
♪ EVERYTHING'S GONNA BE
ALL RIGHT, ALL RIGHT ♪
1267
01:03:48,166 --> 01:03:50,291
♪ EVERYTHING'S GONNA
BE ALL RIGHT NOW
ALL RIGHT ♪
1268
01:03:50,291 --> 01:03:52,417
♪ EVERYTHING'S GONNA BE
ALL RIGHT, ALL RIGHT ♪
1269
01:03:52,417 --> 01:03:55,000
♪ I COULDN'T GET A JOB
NAPPY HAIR WAS NOT ALLOWED ♪
1270
01:03:55,000 --> 01:03:57,500
♪ MY MOTHER
COULDN'T AFFORD US ALL
SHE HAD TO THROW ME OUT ♪
1271
01:03:57,500 --> 01:04:00,208
♪ I WALKED THE STRIP
WHICH IS A CLIP
WHO WANNA HIT? ♪
1272
01:04:00,208 --> 01:04:02,375
♪ THEY GOT 'EM QUICK,
I HAD TO EAT
THIS MONEY'S GOOD AS SPENT ♪
1273
01:04:02,375 --> 01:04:04,875
♪ I THREW IN GRAVES,
I WASN'T PAID, ENOUGH ♪
1274
01:04:04,875 --> 01:04:07,250
♪ I KEPT 'EM LONG
'CAUSE I COULDN'T AFFORD
A HAIRCUT ♪
1275
01:04:07,250 --> 01:04:09,667
♪ I GOT LAUGHED AT,
I GOT CHUMPED,
I GOT DISSED ♪
1276
01:04:09,667 --> 01:04:12,125
♪ I GOT UPSET,
I GOT A TEC
AND A BANANA CLIP ♪
1277
01:04:12,125 --> 01:04:13,291
♪ WHY WHEN I WAS A KID
AND PLAYED OUT
WAS A SAD ONE ♪
1278
01:04:13,291 --> 01:04:16,250
♪ AND ALWAYS WANTED TO LIVE
LIKE JUST A FAT ONE ♪
1279
01:04:16,250 --> 01:04:19,458
LET ME GIVE SHOUTS
TO ALL MY HOMIES!
1280
01:04:19,458 --> 01:04:21,500
MRS. FRIEDMAN. LILY.
1281
01:04:21,500 --> 01:04:24,667
MR. MOSSMAN AND THE MAN
HE PLAYS CARDS WITH.
1282
01:04:24,667 --> 01:04:26,583
FORGOT HIS NAME.
1283
01:04:26,583 --> 01:04:28,417
♪ A GHETTO BASTARD,
BORN INTO THE PROJECTS... ♪
1284
01:04:28,417 --> 01:04:30,250
AND ALL MY PEEPS
AT--AT WILSHIRE ADULT CARE.
1285
01:04:30,250 --> 01:04:34,250
EVERYBODY IN THE CAFETERIA.
BIG UPS, BIG UPS!
1286
01:04:34,250 --> 01:04:37,917
WHAT'S UP TO MY MAN LARRY.
AND RICKI.
1287
01:04:37,917 --> 01:04:39,875
YO, YO, YO. PEACE, "G."
1288
01:04:41,375 --> 01:04:42,792
AND THE REC ROOM,
THE REC ROOM!
1289
01:04:42,792 --> 01:04:45,041
♪ FOR EVERY BOTTLE SOLD-- ♪
1290
01:04:47,208 --> 01:04:50,000
I GOT NEIGHBORS, YOU KNOW.
1291
01:04:51,542 --> 01:04:53,417
DIGAME SABROSA.
1292
01:04:55,041 --> 01:04:57,792
- IT'S ESPANOL.
1293
01:04:57,792 --> 01:04:59,917
WHAT DOES IT MEAN?
1294
01:05:00,750 --> 01:05:02,458
I DON'T KNOW.
1295
01:05:05,959 --> 01:05:07,500
SEE THAT?
1296
01:05:08,917 --> 01:05:12,917
DON'T BE A PLAYA HATER, "G."
1297
01:05:17,667 --> 01:05:19,083
YEAH?
1298
01:05:19,083 --> 01:05:21,333
WHO THE FUCK ARE YOU?
1299
01:05:21,333 --> 01:05:24,000
WHO THE FUCK
ARE YOU?
1300
01:05:26,333 --> 01:05:27,417
EXCUSE ME.
1301
01:05:27,417 --> 01:05:28,917
WOW.
1302
01:05:28,917 --> 01:05:30,500
WHAT A SHITHOLE.
1303
01:05:30,500 --> 01:05:32,250
LADY, I THINK YOU'RE
IN THE WRONG PLACE.
1304
01:05:32,250 --> 01:05:34,166
NO, YOU ARE
IN THE WRONG PLACE.
1305
01:05:34,166 --> 01:05:36,041
ALL RIGHT?
YOU'RE IN THE WRONG PLACE.
1306
01:05:36,041 --> 01:05:37,500
YOU HAVE NO IDEA.
1307
01:05:37,500 --> 01:05:38,792
OH!
1308
01:05:38,792 --> 01:05:40,750
AND WHO THE FUCK
ARE YOU?
1309
01:05:40,750 --> 01:05:42,625
YOU'RE THE FUCK ARE YOU.
1310
01:05:46,208 --> 01:05:48,000
WHAT ARE YOU DOING HERE?
1311
01:05:48,000 --> 01:05:50,208
I'M STALKING YOU.
1312
01:05:50,208 --> 01:05:51,417
WAIT A MINUTE,
YOU KNOW HER?
1313
01:05:51,417 --> 01:05:54,166
FIRST OF ALL,
DO NOT SAY MY NAME
IN THIS ROOM. ALL RIGHT?
1314
01:05:54,166 --> 01:05:56,000
SECOND OF ALL,
YOU'RE OUT OF LINE.
1315
01:05:56,000 --> 01:05:57,667
THIS IS A PROFESSIONAL
SITUATION,
1316
01:05:57,667 --> 01:05:59,417
AND YOU HAVE NO RIGHT
TO INTRUDE HERE.
1317
01:05:59,417 --> 01:06:01,750
WHAT KIND OF
PROFESSIONAL SITUATION?
1318
01:06:01,750 --> 01:06:03,625
I CAN'T BELIEVE THIS.
1319
01:06:03,625 --> 01:06:05,291
A FUCKING MAN?
1320
01:06:05,291 --> 01:06:07,834
OK. I--I REALLY THOUGHT
THIS WAS ALL ABOUT SHARON.
1321
01:06:07,834 --> 01:06:09,542
WHAT, ARE YOU TELLING PEOPLE
WHERE WE ARE NOW?
1322
01:06:09,542 --> 01:06:11,041
MIND YOUR OWN
FUCKING BUSINESS.
1323
01:06:11,041 --> 01:06:11,917
- SHUT THE FUCK UP.
- BLOW ME.
1324
01:06:11,917 --> 01:06:14,500
LISTEN, BOTH OF YOU
SHUT UP!
1325
01:06:14,500 --> 01:06:16,959
LOOK, I HAVEN'T TOLD
ANYBODY WHERE WE ARE.
1326
01:06:16,959 --> 01:06:18,000
AND, ROBIN,
1327
01:06:18,000 --> 01:06:21,250
THIS IS
A PROFESSIONAL SITUATION.
1328
01:06:21,250 --> 01:06:24,166
OUR PROBLEMS
HAVE NOTHING
TO DO WITH SHARON,
1329
01:06:24,166 --> 01:06:26,834
AND THEY HAVE
NOTHING TO DO WITH HIM!
1330
01:06:26,834 --> 01:06:28,834
I WANT YOU
TO LEAVE RIGHT NOW!
1331
01:06:28,834 --> 01:06:30,333
- NO! UH-UH!
- PLEASE.
1332
01:06:30,333 --> 01:06:32,166
I'M NOT LEAVING,
HE'S LEAVING.
1333
01:06:32,166 --> 01:06:34,166
WHAT? WHO THE FUCK
DO YOU THINK YOU ARE?
1334
01:06:34,166 --> 01:06:36,125
I FUCKING LIVE HERE.
I'M NOT GOING ANYWHERE.
1335
01:06:36,125 --> 01:06:38,333
YEAH?
WELL, NEITHER AM I.
1336
01:06:38,333 --> 01:06:39,750
GONNA BE
ALL THERE IS TO THAT.
1337
01:06:39,750 --> 01:06:41,375
WHY ARE YOU
DOING THIS?
1338
01:06:41,375 --> 01:06:42,917
HOW ABOUT IF
I THROW YOU THE FUCK OUT?
1339
01:06:42,917 --> 01:06:44,709
HOW ABOUT
IF I ROUNDHOUSE YOU
1340
01:06:44,709 --> 01:06:46,250
UPSIDE YOUR FAT FUCKING
HEAD AND COLLAPSE YOUR SKULL?
1341
01:06:46,250 --> 01:06:47,458
I DON'T KNOW.
GIVE IT A SHOT.
1342
01:06:47,458 --> 01:06:50,375
NO, DON'T. BECAUSE SHE KNOWS
HOW TO DO THAT STUFF, OK?
1343
01:06:50,375 --> 01:06:52,250
- DON'T BE ALL MACHO--
I DON'T GIVE A FUCK
WHAT SHE KNOWS!
1344
01:06:52,250 --> 01:06:53,375
THIS AIN'T FUCKING
LESBIAN TALK-CIRCLE TIME!
1345
01:06:53,375 --> 01:06:55,834
WE GOT SOMETHING TO DO.
YOU'RE GETTING THE FUCK OUT.
1346
01:06:55,834 --> 01:06:56,750
GOT IT?
1347
01:06:56,750 --> 01:06:59,125
YOU
1348
01:06:59,125 --> 01:07:00,000
YOU NEED, LIKE,
A LITTLE FREEDOM
OR SOMETHING?
1349
01:07:00,000 --> 01:07:02,667
YOU WANNA DABBLE?
WE CAN ALL FUCK.
1350
01:07:02,667 --> 01:07:05,625
YOU KNOW, WE CAN ALL HAVE
SEX TOGETHER, THAT'S FINE.
1351
01:07:05,625 --> 01:07:07,792
WHAT DO YOU SAY, HOT ROCKS?
WOULD YOU LIKE THAT, HUH?
1352
01:07:07,792 --> 01:07:10,250
- I'D SAY YOU'RE FUCKING
OUT OF YOUR MIND.
- YOU KNOW YOU WANT IT.
1353
01:07:10,250 --> 01:07:12,834
LOOK, OUR SITUATION
HAS NOTHING TO DO
WITH HIM.
1354
01:07:12,834 --> 01:07:15,125
IT'S OVER.
1355
01:07:15,125 --> 01:07:18,000
AND IT'S NOT HIM.
IT'S US, HONEY.
1356
01:07:18,000 --> 01:07:19,709
THAT'S RIGHT, IT'S NOT YOU,
IT'S HER. WHATEVER.
1357
01:07:19,709 --> 01:07:22,250
JUST SHUT UP FOR ONE SECOND!
GOD! FUCK!
1358
01:07:22,250 --> 01:07:24,500
THIS HAS NOTHING
TO DO WITH HIM.
1359
01:07:28,291 --> 01:07:28,875
IT'S JUST, WE'RE OVER.
1360
01:07:28,875 --> 01:07:31,542
NO, WE'RE NOT OVER.
1361
01:07:31,542 --> 01:07:33,625
WE'LL--WE'LL ALL
SET UP TOGETHER,
THE THREE OF US,
1362
01:07:33,625 --> 01:07:35,375
TILL YOU GET THIS
OUT OF YOUR SYSTEM.
1363
01:07:35,375 --> 01:07:36,125
BABY, YOU'RE NOT
HEARING ME.
1364
01:07:36,125 --> 01:07:38,750
I'M FUCKING HEARING YOU.
OK?
1365
01:07:38,750 --> 01:07:40,667
I'M FUCKING HEARING YOU!
1366
01:07:40,667 --> 01:07:42,542
GOD DAMN IT!
1367
01:07:42,542 --> 01:07:47,417
SEE, I'M GONNA
KILL MYSELF RIGHT NOW
AND YOU CARE,
1368
01:07:47,417 --> 01:07:49,000
YOU CARE BECAUSE YOU LOVE ME.
- THAT'S A NICE GIRL.
1369
01:07:49,000 --> 01:07:50,917
SHUT THE FUCK UP,
ALL RIGHT!
1370
01:07:50,917 --> 01:07:52,542
HEY, WHAT--
1371
01:07:52,542 --> 01:07:54,041
OH, MY GOD.
1372
01:07:54,041 --> 01:07:55,458
WHAT DID YOU...
1373
01:07:55,458 --> 01:07:57,959
- OH, NO. OH, NO.
1374
01:07:57,959 --> 01:07:59,417
WHAT DID YOU DO?
1375
01:07:59,417 --> 01:08:01,041
- THIS HOT ENOUGH
FOR YOU, BABY?
1376
01:08:01,041 --> 01:08:02,709
- GET AWAY FROM ME.
1377
01:08:02,709 --> 01:08:04,375
- SIT DOWN.
!
1378
01:08:04,375 --> 01:08:05,166
- OH, MY GOD.
1379
01:08:05,166 --> 01:08:07,625
LADY, YOU NEED SOME
BAND-AIDS.
1380
01:08:11,333 --> 01:08:15,375
THIS MUST BE
MENTAL-FUCKING-ILLNESS WEEK.
1381
01:08:26,417 --> 01:08:31,125
THAT WOMAN...
IS FUCKING BEAUTIFUL.
1382
01:08:32,250 --> 01:08:33,792
YES.
1383
01:08:33,792 --> 01:08:35,375
SHE'S LIKE
THE ONES AT THE BAYWATCH.
1384
01:08:37,625 --> 01:08:39,083
YES.
1385
01:08:39,083 --> 01:08:41,417
THEY MAKE MY PENIS SNEEZE.
1386
01:08:45,417 --> 01:08:49,208
YOU GOT A GOOD
SENSE OF HUMOR,
YOU KNOW THAT?
1387
01:08:49,208 --> 01:08:50,792
GOD BLESS YOU.
1388
01:08:53,333 --> 01:08:55,583
- THANK YOU.
- NO, NOT YOU, STUPID.
1389
01:08:55,583 --> 01:08:56,917
WHEN MY PENIS SNEEZES,
I SAY, "GOD BLESS YOU."
1390
01:08:56,917 --> 01:08:59,667
GOD BLESS YOU, PENIS.
1391
01:09:18,792 --> 01:09:21,208
SHE'S GONNA BE OK.
1392
01:09:21,208 --> 01:09:22,417
OH, WHAT A RELIEF.
1393
01:09:25,291 --> 01:09:26,291
BRIAN, WOULD YOU
EXCUSE US?
1394
01:09:26,291 --> 01:09:28,125
I WANNA TALK
TO LARRY FOR A MINUTE. OK?
1395
01:09:28,125 --> 01:09:30,291
YOU BE ALL RIGHT
IN THE CAR?
1396
01:09:30,291 --> 01:09:32,375
- YEAH.
- OK, GOOD.
1397
01:09:43,750 --> 01:09:45,667
I JUST...
1398
01:09:45,667 --> 01:09:49,166
I GOTTA TELL YOU,
I'M NOT UP FOR THIS
THUMB DEAL.
1399
01:09:49,166 --> 01:09:50,333
I SAY WE DON'T DO IT.
1400
01:09:56,166 --> 01:09:59,125
YOU TRYING
TO TEST ME?
1401
01:09:59,125 --> 01:10:01,542
IS THAT IT? YOU WANNA SEE
IF I'M GONNA DO WHAT
I'M SUPPOSED TO DO?
1402
01:10:01,542 --> 01:10:04,709
NO.
1403
01:10:04,709 --> 01:10:08,208
SO, WHAT ARE YOU,
A CONTRACTOR
WITH A CONSCIENCE?
1404
01:10:09,834 --> 01:10:12,333
LOOK, I'VE DONE
SOME BAD THINGS,
1405
01:10:12,333 --> 01:10:16,000
BUT I DIDN'T SIGN ON TO THIS
TO BE A BRUTAL STREET THUG.
1406
01:10:16,000 --> 01:10:19,333
BECAUSE FAR AS I'M CONCERNED,
THAT'S NOT THE JOB I TOOK.
1407
01:10:23,208 --> 01:10:26,875
HOW WOULD YOU
GET AROUND IT?
1408
01:10:26,875 --> 01:10:28,917
I'D WORK IT OUT.
1409
01:10:28,917 --> 01:10:33,250
BUT FIRST I GOT TO KNOW,
ARE YOU WITH ME?
1410
01:10:43,041 --> 01:10:44,875
SURE.
1411
01:10:44,875 --> 01:10:46,166
SURE OR YES?
1412
01:10:46,166 --> 01:10:47,500
THAT'S THE SAME THING.
1413
01:10:47,500 --> 01:10:49,375
NO, IT'S NOT
THE SAME THING.
1414
01:10:49,375 --> 01:10:51,125
SEE, IF I WERE TO ASK YOU
TO MOVE MY COUCH FOR ME,
1415
01:10:51,125 --> 01:10:53,875
YOU'D PROBABLY SAY, "SURE."
1416
01:10:53,875 --> 01:10:56,625
BUT IF I WERE TO ASK YOU
TO LOOK DEEP INTO MY EYES,
1417
01:10:56,625 --> 01:10:58,542
AND TELL ME FROM
THE BOTTOM OF YOUR HEART
1418
01:10:58,542 --> 01:11:00,333
IF IT WOULD GIVE
YOU GREAT PLEASURE
1419
01:11:00,333 --> 01:11:03,083
IF I WERE TO SUCK YOUR COCK
FOR 12 HOURS,
1420
01:11:03,083 --> 01:11:06,667
IF I MAY BE PRESUMPTUOUS,
YOU'D PROBABLY SAY, "YES."
1421
01:11:06,667 --> 01:11:11,250
SEE, IT JUST IMPLIES
A DIFFERENT LEVEL
OF COMMITMENT.
1422
01:11:13,333 --> 01:11:16,041
ASK ME THE QUESTION AGAIN.
1423
01:11:16,041 --> 01:11:18,667
OK. ARE YOU WITH ME?
1424
01:11:20,250 --> 01:11:21,792
YES.
1425
01:11:26,083 --> 01:11:27,583
GOOD.
1426
01:11:30,500 --> 01:11:33,166
- THIS IS "D" LEVEL.
YOU'RE NOT SUPPOSED TO BE HERE.
1427
01:11:33,166 --> 01:11:35,834
WELL, I'M LOOKING
FOR "B" LEVEL.
1428
01:11:35,834 --> 01:11:37,542
NO, THIS IS A "D" LEVEL
AND NO ONE IS ALLOWED
ON "D" LEVEL.
1429
01:11:37,542 --> 01:11:38,583
SO YOU NEED TO GO BACK
TO "B" LEVEL.
1430
01:11:38,583 --> 01:11:41,125
OK, HOLD ON, BECAUSE
YOU'RE CONFUSING ME, OK?
1431
01:11:41,125 --> 01:11:43,417
NO, YOU'RE CONFUSING ME.
1432
01:11:43,417 --> 01:11:44,625
LET'S JUST START
FROM THE BEGINNING.
1433
01:11:44,625 --> 01:11:45,250
IF THIS ISN'T "B"--
1434
01:11:45,250 --> 01:11:47,333
OH, MY GOD.
1435
01:11:47,333 --> 01:11:50,625
OH, MY GOD.
I AM SO SORRY.
1436
01:11:50,625 --> 01:11:52,041
- OH, THAT'S OK.
- I'M SORRY.
1437
01:11:52,041 --> 01:11:52,417
SHH.
1438
01:11:55,542 --> 01:11:58,917
JUST SOAK THAT IN COLD WATER
AND IT'LL COME RIGHT OUT, OK?
1439
01:11:58,917 --> 01:12:02,000
I PROMISE YOU.
YES. NO, IT WILL. IT WILL.
1440
01:12:02,000 --> 01:12:03,583
LOOK, THE THING IS,
THE REASON I'M HERE
1441
01:12:03,583 --> 01:12:06,083
IS THEY TOLD ME TO GO
AROUND THE CORNER...
1442
01:12:06,083 --> 01:12:08,583
- CLOSE YOUR EYES.
1443
01:12:08,583 --> 01:12:10,458
CLOSE YOUR EYES.
FOLLOW ME.
1444
01:12:10,458 --> 01:12:12,375
JUST WALK IN.
CLOSE YOUR EYES.
DON'T LOOK.
1445
01:12:12,375 --> 01:12:15,375
COME ON. GO, GO, GO.
YOU'RE FINE.
1446
01:12:20,417 --> 01:12:23,458
- NO. STAND RIGHT HERE.
1447
01:12:23,458 --> 01:12:24,917
- IT'S COLD IN HERE.
- SHH.
1448
01:12:24,917 --> 01:12:26,583
DON'T LOOK AT NOTHIN',
ALL RIGHT?
1449
01:12:36,417 --> 01:12:37,750
CAN I OPEN 'EM?
1450
01:12:37,750 --> 01:12:39,000
NO.
1451
01:12:39,000 --> 01:12:40,333
STAY TURNED AROUND.
1452
01:12:40,333 --> 01:12:42,500
SMELLS LIKE
MY GRANDMOTHER'S.
1453
01:12:47,834 --> 01:12:49,333
WHAT WAS THAT?
1454
01:12:49,333 --> 01:12:50,625
IT'S NOTHIN'.
1455
01:13:18,583 --> 01:13:21,458
♪ I LIKE BIG BUTTS
AND I CANNOT LIE ♪
1456
01:13:21,458 --> 01:13:23,709
♪ THE OTHER BROTHERS
CAN'T DENY ♪
1457
01:13:23,709 --> 01:13:26,792
♪ WHEN THE GIRLS WALK IN
WITH AN ITTY-BITTY WAIST ♪
1458
01:13:26,792 --> 01:13:28,583
♪ AND ROUND THINGS
IN YOUR FACE ♪
1459
01:13:28,583 --> 01:13:31,208
♪ YOU GET SPRUNG
WANNA PULL UP TOUGH ♪
1460
01:13:31,208 --> 01:13:33,291
♪ 'CAUSE YOU NOTICE
THAT BUTT WAS STUFFED ♪
1461
01:13:33,291 --> 01:13:35,709
♪ 'CAUSE I'M LONG,
AND I'M STRONG ♪
1462
01:13:35,709 --> 01:13:37,458
♪ AND I'M DOWN TO
GET THE FRICTION ON ♪
1463
01:13:37,458 --> 01:13:39,458
♪ SO, LADIES, YEAH
LADIES, YEAH ♪
1464
01:13:39,458 --> 01:13:42,375
♪ YOU WANNA ROLL
IN MY MERCEDES ♪
1465
01:13:42,375 --> 01:13:45,667
♪ SO TURN AROUND
STICK IT OUT ♪
1466
01:13:45,667 --> 01:13:47,667
♪ EVEN WHITE BOYS
GOT TO SHOUT ♪
1467
01:13:47,667 --> 01:13:48,166
♪ BABY GOT BACK! ♪
1468
01:13:48,166 --> 01:13:50,375
♪ ♪
1469
01:13:50,375 --> 01:13:51,542
♪ BABY GOT BACK! ♪
1470
01:13:51,542 --> 01:13:53,000
♪ ♪
1471
01:13:54,750 --> 01:13:58,083
THAT'S AN OLD-SCHOOL--
THAT'S AN OLD-SCHOOL SONG.
1472
01:13:58,083 --> 01:14:01,583
YOU'RE OLD-SCHOOL,
TOO, LARRY.
YOU'RE OLD-SCHOOL.
1473
01:14:04,375 --> 01:14:08,458
SO WE GOT AN ITEM
THAT WE WANNA PACKAGE
OURSELVES AND, UH, YOU KNOW...
1474
01:14:08,458 --> 01:14:10,291
- MAIL OUT.
- OK.
1475
01:14:10,291 --> 01:14:12,417
SO COULD WE JUST GET, LIKE,
AN ENVELOPE FROM YOU?
1476
01:14:12,417 --> 01:14:13,792
WHAT SIZE WOULD YOU LIKE?
1477
01:14:13,792 --> 01:14:14,417
JUST THE TOP,
RIGHT--
1478
01:14:14,417 --> 01:14:16,792
- SIX BY NINE.
- YEAH.
1479
01:14:20,083 --> 01:14:22,667
SO, ALL RIGHT.
1480
01:14:22,667 --> 01:14:25,458
- MMM-HMM.
1481
01:14:25,458 --> 01:14:27,083
THAT'S IT.
1482
01:14:27,083 --> 01:14:27,625
ALL RIGHT, THEN.
1483
01:14:36,458 --> 01:14:37,709
YEAH.
1484
01:14:42,250 --> 01:14:43,709
THANKS.
1485
01:14:59,834 --> 01:15:03,875
WOULD YOU LIKE
YOUR PARCEL INSURED?
1486
01:15:05,166 --> 01:15:07,458
NO, THAT'S ALL RIGHT.
1487
01:15:25,458 --> 01:15:27,000
I'LL BE RIGHT BACK.
1488
01:15:30,000 --> 01:15:32,291
FRIEND OF YOURS?
1489
01:15:32,291 --> 01:15:33,875
CLOSE PERSONAL.
1490
01:15:42,542 --> 01:15:44,750
YOU KNOW SOMETHING?
YOU'RE RIGHT.
1491
01:15:44,750 --> 01:15:48,166
IT IS SADNESS.
IT'S SADNESS,
AND I'M FUCKING SAD.
1492
01:15:48,166 --> 01:15:49,417
YOU GOT ME.
1493
01:15:49,417 --> 01:15:50,458
YOU'RE A GENIUS.
1494
01:15:50,458 --> 01:15:53,417
YOU KNOW WHY I'M FUCKING SAD?
1495
01:15:53,417 --> 01:15:56,250
BECAUSE I GOT THIS FUCKING
1496
01:15:56,250 --> 01:15:59,417
BEAUTIFUL, SEXY, GORGEOUS
1497
01:15:59,417 --> 01:16:03,542
HEARTTHROB-O-RAMA,
FUCKING SMART,
AMAZING BOMBSHELL,
1498
01:16:03,542 --> 01:16:07,083
17-ON-A-FUCKING-10-SCALE GIRL
1499
01:16:07,083 --> 01:16:10,375
SLEEPING IN A BED
RIGHT NEXT TO ME.
1500
01:16:10,375 --> 01:16:13,375
AND YOU KNOW WHAT?
1501
01:16:13,375 --> 01:16:17,125
SHE'S A STONE-COLD DYKE.
1502
01:16:17,125 --> 01:16:19,125
A FUCKING UNTOUCHABLE,
1503
01:16:19,125 --> 01:16:22,250
UNHAVEABLE,
UNATTAINABLE BRICK WALL
1504
01:16:22,250 --> 01:16:24,709
FUCKING DYKEASAURUS REXI.
1505
01:16:25,250 --> 01:16:28,375
SO IT'S SAD, OK?
1506
01:16:28,375 --> 01:16:30,000
WHAT DO YOU WANT ME TO DO?
1507
01:16:30,000 --> 01:16:33,000
I FEEL FUCKING
SADNESS ABOUT THAT.
1508
01:16:33,000 --> 01:16:36,625
THERE'S NOTHING
I CAN FUCKING DO.
1509
01:16:40,917 --> 01:16:44,917
AND NOT ONLY IS SHE
A MAJOR BABE,
1510
01:16:44,917 --> 01:16:48,166
BUT I REALLY LIKE
THIS GIRL A LOT.
1511
01:16:48,166 --> 01:16:50,166
A LOT.
1512
01:16:50,166 --> 01:16:52,917
I MEAN,
SHE'S NOT LIKE ANYBODY ELSE
I EVER KNEW BEFORE,
1513
01:16:52,917 --> 01:16:54,792
AND THAT'S A COMPLETELY
FUCKING NEW ONE ON ME.
1514
01:16:56,959 --> 01:16:58,250
AND I DON'T EVEN KNOW
HER REAL FUCKING NAME.
1515
01:16:58,250 --> 01:17:00,750
SO THERE YOU GO.
1516
01:17:00,750 --> 01:17:05,250
OH, AND IN CASE
YOU'RE INTERESTED,
MY LIFE SUCKS.
1517
01:17:05,250 --> 01:17:08,583
ALL RIGHT?
STICK A FORK IN ME, I'M DONE.
1518
01:17:25,000 --> 01:17:26,709
CLEAN THE BAR ALL YOU LIKE.
1519
01:17:26,709 --> 01:17:28,959
I'M JUST GONNA
PUKE ON IT AGAIN.
1520
01:17:28,959 --> 01:17:30,583
OH, YOU GOT ME.
1521
01:17:30,583 --> 01:17:32,667
OH! I GOT YOU! OH!
1522
01:17:40,875 --> 01:17:43,917
DO YOU THINK
YOUR FINGERNAILS
NEED TRIMMING?
1523
01:17:52,667 --> 01:17:54,625
THEY'RE FINE.
1524
01:17:56,875 --> 01:18:00,333
WHAT? YOU DON'T LIKE
MY FINGERNAILS NOW?
1525
01:18:02,375 --> 01:18:07,417
LOOK, I HAVE NO IDEA
IF THIS IS TRUE OR NOT,
BUT I'VE HEARD IT SAID
1526
01:18:07,417 --> 01:18:09,375
THAT THOSE WHO ARE BALANCED
1527
01:18:09,375 --> 01:18:11,667
MORE TOWARD
THE MASCULINE OF EITHER SEX
1528
01:18:11,667 --> 01:18:12,875
CHECK THEIR
FINGERNAILS THIS WAY.
1529
01:18:12,875 --> 01:18:16,333
AND THOSE BALANCED MORE
TOWARD THE FEMININE
1530
01:18:16,333 --> 01:18:18,959
CHECK THEM THAT WAY.
1531
01:18:18,959 --> 01:18:21,583
AND I JUST HAD A FEELING
THAT EVEN THOUGH
1532
01:18:21,583 --> 01:18:23,834
YOU HAVE THIS TOUGH GUY THING
GOING ON, THAT YOU...
1533
01:18:23,834 --> 01:18:27,667
ARE WRESTLING WITH SOME
VERY STRONG FEMININE LEANINGS.
1534
01:18:27,667 --> 01:18:29,834
THAT'S FUCKIN' BULLSHIT.
1535
01:18:29,834 --> 01:18:32,000
I--I CAN'T SEE.
I'M FARSIGHTED.
1536
01:18:32,000 --> 01:18:33,834
NEARSIGHTED.
WHATEVER IT IS.
1537
01:18:33,834 --> 01:18:37,959
SO I HOLD 'EM OUT HERE,
BUT I CAN'T SEE 'EM UP CLOSE.
1538
01:18:37,959 --> 01:18:41,500
YOU WANNA FIND OUT HOW
SOMEBODY'S BALANCED TOWARD
A MASCULINE, LOOK AT ME.
1539
01:18:41,500 --> 01:18:43,917
I CAN'T SEE.
THAT'S WHY I HOLD 'EM FAR AWAY.
1540
01:18:43,917 --> 01:18:47,041
ALL RIGHT.
- YEAH, IT IS ALL RIGHT.
1541
01:18:47,041 --> 01:18:48,417
NO, ALL RIGHT, ALL RIGHT.
ALL RIGHT.
1542
01:18:48,417 --> 01:18:50,041
I WAS GONNA GO LIKE THIS,
1543
01:18:50,041 --> 01:18:51,834
THAT'S WHAT I WANNA DO.
BUT I KNOW I CAN'T SEE,
1544
01:18:51,834 --> 01:18:53,542
SO I HOLD THEM OUT
THERE TO LOOK AT 'EM.
1545
01:18:53,542 --> 01:18:55,083
ALL RIGHT.
1546
01:19:06,041 --> 01:19:08,792
DON'T GIVE ME THAT LOOK.
I SEE YOU LOOKING AT ME.
1547
01:19:12,250 --> 01:19:13,500
ARE YOU GAY?
1548
01:19:13,500 --> 01:19:14,667
WHAT THE FUCK.
1549
01:19:14,667 --> 01:19:17,250
NO! I'M NOT GAY!
1550
01:19:17,250 --> 01:19:19,583
I AM NOT GAY.
WHY DO YOU LOOK AT ME
AND THINK I'M GAY?
1551
01:19:19,583 --> 01:19:21,917
I AM NOT FUCKING GAY!
1552
01:19:21,917 --> 01:19:23,083
ARE YOU SURE?
1553
01:19:23,083 --> 01:19:25,792
YEAH, I'M FUCKIN' SURE.
1554
01:19:25,792 --> 01:19:29,500
YOU KNOW WHAT,
I BET YOU'RE RIGHT.
1555
01:19:29,500 --> 01:19:31,250
- THANK YOU.
- IT WASN'T A COMPLIMENT.
1556
01:19:31,250 --> 01:19:36,375
RICKI,
WHATEVER YOUR REAL NAME IS,
ALL RIGHT, THIS IS MY EYES.
1557
01:19:38,291 --> 01:19:40,959
LOOK--LOOK--LOOK
HOW I'M ACTING.
1558
01:19:40,959 --> 01:19:42,750
YOU'RE DRIVING ME CRAZY.
1559
01:19:42,750 --> 01:19:46,917
YOU, LIKE, FUCKIN' GIVE ME
A FUCKIN' H-H-HEADACHE.
1560
01:19:46,917 --> 01:19:49,333
I DON'T EVEN KNOW WHY
I HAD A CRUSH ON YOU
1561
01:19:49,333 --> 01:19:52,208
BACK A LONG TIME
WHEN I FIRST MET YOU,
1562
01:19:52,208 --> 01:19:54,375
THAT YOU REALLY
CURED ME OF.
1563
01:19:56,333 --> 01:19:58,208
I DON'T KNOW.
1564
01:19:58,208 --> 01:20:01,542
MAYBE IT'S BECAUSE
YOU KNOW I CAN
KICK YOUR ASS.
1565
01:20:01,542 --> 01:20:03,333
MAYBE THAT TURNS YOU ON.
1566
01:20:04,625 --> 01:20:07,458
YOU CANNOT KICK MY ASS.
1567
01:20:25,625 --> 01:20:27,542
OW!
1568
01:20:27,542 --> 01:20:28,125
WHAT?
1569
01:20:33,000 --> 01:20:33,959
YOU--YOU
NEED A WOMAN.
1570
01:20:36,250 --> 01:20:37,000
I GOT ONE.
1571
01:20:38,667 --> 01:20:40,250
OW! STOP.
1572
01:20:40,667 --> 01:20:43,125
KISS ME AGAIN.
1573
01:20:46,250 --> 01:20:48,333
I THOUGHT YOU WANTED
TO BE MY BITCH.
1574
01:20:50,166 --> 01:20:52,792
THIS IS SO FUCKED UP.
1575
01:21:15,041 --> 01:21:16,625
WHERE YOU GOIN'?
1576
01:21:16,625 --> 01:21:18,917
IT'S TURKEY TIME.
1577
01:21:20,709 --> 01:21:21,125
HUH?
1578
01:21:23,583 --> 01:21:25,208
GOBBLE, GOBBLE.
1579
01:21:26,875 --> 01:21:28,000
WHAT?
1580
01:21:28,709 --> 01:21:31,083
NOW, YOU TALK THE TALK,
1581
01:21:31,083 --> 01:21:32,875
YOU KNOW I'M EXPECTING
YOU TO WALK THE WALK.
1582
01:21:32,875 --> 01:21:34,375
COME ON. SHOW ME WHAT
1583
01:21:34,375 --> 01:21:36,417
I'VE BEEN MISSING
MY WHOLE LIFE.
1584
01:21:36,417 --> 01:21:39,166
LAY SOME OF THAT SWEET
HETEROLINGUS ON ME.
1585
01:21:44,500 --> 01:21:47,208
I THINK, UH,
1586
01:21:47,208 --> 01:21:50,458
TO BE SERIOUS...
1587
01:21:50,458 --> 01:21:53,000
I JUST...
YOU KNOW, I THINK...
1588
01:21:53,000 --> 01:21:56,166
I WAS THINKING, YOU KNOW,
AND YOU WERE RIGHT
1589
01:21:56,166 --> 01:21:59,208
WHEN YOU SAID, YOU KNOW,
PROBABLY, ACTUALLY A WOMAN
MIGHT KNOW MORE
1590
01:21:59,208 --> 01:22:01,583
ABOUT WHAT FEELS BETTER
TO ANOTHER WOMAN.
1591
01:22:01,583 --> 01:22:03,417
SHE'S A WOMAN HERSELF.
1592
01:22:03,417 --> 01:22:05,583
A GUY MIGHT BE AT
A CERTAIN DISADVANTAGE.
1593
01:22:05,583 --> 01:22:08,542
YOU KNOW, LIKE, UH...
1594
01:22:08,542 --> 01:22:10,583
IT'S LIKE, YOU NEED,
LIKE, A HANDICAP.
1595
01:22:10,583 --> 01:22:14,000
YOU KNOW, LIKE GOLF.
1596
01:22:14,667 --> 01:22:17,875
SHUT UP AND GET OVER HERE.
1597
01:22:50,959 --> 01:22:53,375
OH!
1598
01:24:07,208 --> 01:24:09,375
GOD BLESS YOU,
PENIS.
1599
01:24:10,750 --> 01:24:13,083
WHAT'D YOU SAY?
1600
01:24:14,959 --> 01:24:16,333
NOTHIN'.
1601
01:24:19,250 --> 01:24:23,750
EVERY RELATIONSHIP
HAS A BULL AND A COW, HUH?
1602
01:24:23,750 --> 01:24:25,291
THAT'S RIGHT.
1603
01:24:27,500 --> 01:24:29,333
MMMMMMOOOO!
1604
01:24:43,041 --> 01:24:46,583
JUST TO BE UP FRONT
ABOUT ALL THIS...
1605
01:24:47,875 --> 01:24:50,542
- WHEN THIS GIG IS OVER,
1606
01:24:50,542 --> 01:24:54,041
I WANT YOU TO KNOW
THAT I'M GONNA BE LEAVING.
1607
01:25:14,083 --> 01:25:15,542
LISTEN,
1608
01:25:15,542 --> 01:25:18,834
YOU AND TRIXIE OVER THERE,
MEET ME AT BEVERLY AND LOMITAS.
1609
01:25:18,834 --> 01:25:20,959
LOUIS, WHAT'S GOING ON?
1610
01:25:20,959 --> 01:25:22,959
AND DON'T BRING THE THING.
1611
01:25:22,959 --> 01:25:26,208
- THE THING.
1612
01:25:26,208 --> 01:25:28,000
- DON'T BRING THE THING.
1613
01:25:28,000 --> 01:25:31,000
THE THING! DON'T BRING--
DON'T BRING IT.
1614
01:25:31,000 --> 01:25:33,291
- OH, YOU MEAN THE, UH...
- YEAH. DON'T BRING IT.
1615
01:25:33,291 --> 01:25:36,125
YOU LEAVE IT SOMEWHERE SAFE
FOR THE TIME BEING.
1616
01:25:36,125 --> 01:25:38,542
- ALL RIGHT.
1617
01:25:38,542 --> 01:25:40,208
- YEAH, I UNDERSTAND,
I UNDERSTAND.
1618
01:25:40,208 --> 01:25:41,625
- AND HURRY UP, JACKASS.
1619
01:25:42,542 --> 01:25:45,333
WHAT?
1620
01:25:45,333 --> 01:25:47,375
IT'S LOUIS.
HE'S FUCKIN' PISSED.
1621
01:25:47,375 --> 01:25:51,792
SEE THIS?
SOME COOKIES IN THERE.
1622
01:25:51,792 --> 01:25:53,625
WE'LL BE BACK.
1623
01:25:53,625 --> 01:25:55,750
- SOON.
1624
01:25:55,750 --> 01:25:58,041
JUST RELAX,
EAT YOUR BREAKFAST. OK?
1625
01:25:58,041 --> 01:25:59,625
I'M NOT HUNGRY,
THOUGH.
1626
01:25:59,625 --> 01:26:01,458
WELL, YOU CAN'T SKIP
BREAKFAST.
1627
01:26:01,458 --> 01:26:03,417
IT'S A VERY IMPORTANT MEAL.
ALL RIGHT?
1628
01:26:03,417 --> 01:26:06,208
DON'T GO NOWHERE.
DON'T TOUCH NOTHING.
1629
01:26:06,208 --> 01:26:08,375
DON'T MAKE ANY PHONE CALLS.
I'M NOT KIDDING.
1630
01:26:08,375 --> 01:26:09,041
ALL RIGHT, LARRY.
1631
01:26:09,041 --> 01:26:10,792
ALL RIGHT.
SEE YOU LATER.
1632
01:26:10,792 --> 01:26:12,750
BYE, RICKI.
1633
01:26:12,750 --> 01:26:13,458
BYE, BRIAN.
1634
01:26:25,208 --> 01:26:26,917
WHAT?
1635
01:26:26,917 --> 01:26:28,291
NOTHIN'.
1636
01:26:35,667 --> 01:26:38,125
YOU KNOW,
I GOT THIS, UH, FANTASY.
1637
01:26:38,125 --> 01:26:41,500
ABOUT MAKING IT
WITH A GUY?
1638
01:26:41,500 --> 01:26:44,667
NO.
1639
01:26:47,166 --> 01:26:48,834
THAT'S NOT IT.
1640
01:26:50,458 --> 01:26:55,875
GOING SOMEWHERE, YOU KNOW,
LIKE, SOMEWHERE REALLY,
1641
01:26:55,875 --> 01:27:00,500
REALLY, UH...CLEAN.
1642
01:27:02,208 --> 01:27:03,542
CLEAN?
1643
01:27:03,542 --> 01:27:05,375
YEAH.
1644
01:27:05,375 --> 01:27:07,917
NO SCUMBAGS
TELLING YOU WHAT TO DO.
1645
01:27:07,917 --> 01:27:10,542
NOBODY YELLING AT YOU
ALL THE TIME.
1646
01:27:10,542 --> 01:27:13,959
SOMEPLACE
YOU COULD JUST BE.
1647
01:27:15,875 --> 01:27:17,458
BE YOURSELF.
1648
01:27:21,709 --> 01:27:23,458
NO BAD STUFF.
1649
01:27:27,834 --> 01:27:29,792
THAT SOUNDS GOOD.
1650
01:27:44,500 --> 01:27:46,125
WHAT'S UP?
1651
01:27:46,125 --> 01:27:50,000
WE HAVE A VISITOR
FROM NEW YORK.
1652
01:27:50,000 --> 01:27:51,667
FOLLOW ME.
1653
01:28:02,041 --> 01:28:05,041
HELLO.
1654
01:28:05,041 --> 01:28:07,250
WELCOME.
NICE TO MEET YOU.
1655
01:28:07,250 --> 01:28:09,291
- HELLO, SIR.
- FINALLY.
1656
01:28:09,291 --> 01:28:10,709
NICE TO MEET YOU, TOO.
1657
01:28:10,709 --> 01:28:12,792
COME. WOW, LOOK AT YOU.
BEAUTIFUL.
1658
01:28:12,792 --> 01:28:16,166
COME ON IN.
HERE. GRAB A COUCH.
1659
01:28:16,166 --> 01:28:17,792
SIT, SIT.
1660
01:28:17,792 --> 01:28:21,333
I SAY EVERYTHING TWICE.
IN, IN. SIT, SIT.
1661
01:28:21,333 --> 01:28:24,250
I'M SO GLAD
YOU COULD COME
1662
01:28:24,250 --> 01:28:25,625
ON SUCH
A SHORT NOTICE, TOO.
1663
01:28:25,625 --> 01:28:29,250
THANK YOU,
I REALLY APPRECIATE IT.
I REALLY...
1664
01:28:29,250 --> 01:28:30,834
I THANK YOU.
1665
01:28:30,834 --> 01:28:32,709
I APPRECIATE IT.
HERE, I'VE GOT SOME STUFF.
1666
01:28:32,709 --> 01:28:34,375
I'M SORRY IF I'M
A BIT OF A MESS,
1667
01:28:34,375 --> 01:28:37,959
BUT I JUST GOT IN
A FEW HOURS AGO.
1668
01:28:37,959 --> 01:28:41,458
I'M SURE LOUIS TOLD YOU,
YOU KNOW, I'M HAVING, UH,
1669
01:28:41,458 --> 01:28:46,542
SOME LITTLE LEGAL PROBLEMS
OUT HERE RIGHT NOW.
1670
01:28:46,542 --> 01:28:50,000
WHAT ARE YOU GONNA DO?
IT'S A REAL NUISANCE,
1671
01:28:50,000 --> 01:28:54,291
BUT WHAT ARE YOU GONNA DO?
I GOT TO FIGHT IT, RIGHT?
1672
01:28:54,291 --> 01:28:56,166
I MEAN, I CAN'T GO TO JAIL.
1673
01:28:56,166 --> 01:28:59,000
THAT JUST CAN'T HAPPEN.
1674
01:28:59,000 --> 01:29:01,083
HUH? I'M USED TO
THE FINER THINGS.
1675
01:29:01,083 --> 01:29:02,458
LOUIS, AM I RIGHT?
1676
01:29:02,458 --> 01:29:04,083
YOU ARE RIGHT.
1677
01:29:04,083 --> 01:29:09,000
IT CAN'T BE.
SO I THINK WE CAN SAY
1678
01:29:09,000 --> 01:29:13,500
BEYOND A SHADOW OF A DOUBT,
THAT IT'S NOT GONNA HAPPEN.
1679
01:29:13,500 --> 01:29:15,500
HUH?
1680
01:29:18,250 --> 01:29:21,000
SOMEWHERE, A MISTAKE
HAS BEEN MADE.
1681
01:29:24,000 --> 01:29:26,208
DID YOU KNOW
1682
01:29:26,208 --> 01:29:29,000
THAT APPARENTLY SOME PEOPLE
1683
01:29:29,000 --> 01:29:33,500
DO NOT REGARD THE THUMB,
TECHNICALLY, TO BE A FINGER?
1684
01:29:36,583 --> 01:29:38,917
CURIOUS FOR MYSELF,
I TURNED TO LOUIS HERE,
1685
01:29:38,917 --> 01:29:45,000
WHO, WITH HIS
NEWFOUND DICTIONARY SKILLS,
LOOKED IT UP FOR ME.
1686
01:29:45,000 --> 01:29:46,208
YOU KNOW WHAT IT SAID?
1687
01:29:46,208 --> 01:29:47,667
NO.
1688
01:29:47,667 --> 01:29:50,125
TELL HIM
WHAT IT SAID, LOUIS.
1689
01:29:51,125 --> 01:29:52,667
IT SAID, QUOTE:
1690
01:29:52,667 --> 01:29:54,500
"THE SHORT, THICK,
INNER DIGIT OF THE HAND
1691
01:29:54,500 --> 01:29:56,417
NEXT TO THE FOREFINGER."
UNQUOTE.
1692
01:29:56,417 --> 01:30:00,041
NOW IT SAID,
"DIGIT," NOT "FINGER."
1693
01:30:00,041 --> 01:30:03,041
SO I STILL DON'T
REALLY KNOW, TECHNICALLY,
1694
01:30:03,041 --> 01:30:05,250
IF IT'S CONSIDERED
A FINGER OR NOT.
1695
01:30:05,250 --> 01:30:07,333
RIGHT?
- RIGHT.
1696
01:30:07,333 --> 01:30:10,375
RIGHT. LOOK AT HIM.
I LOVE HIM.
1697
01:30:10,375 --> 01:30:13,083
I LOVE THIS GUY.
HE EATS NO MATTER WHAT.
1698
01:30:13,083 --> 01:30:14,041
I LOVE YOU, LOUIS.
1699
01:30:14,041 --> 01:30:16,709
WHAT'S THIS?
1700
01:30:16,709 --> 01:30:20,041
WHAT IS THIS?
LOUIS...
1701
01:30:20,041 --> 01:30:24,083
I'VE BEEN SUBPOENAED.
1702
01:30:24,083 --> 01:30:28,458
I CAN'T BE CONSORTING
WITH ARMED FELONS.
1703
01:30:29,709 --> 01:30:32,834
A LITTLE CONSIDERATION,
PLEASE.
1704
01:30:32,834 --> 01:30:36,500
BESIDES, YOU THINK SOMETHING
LIKE THIS IS NECESSARY,
1705
01:30:36,500 --> 01:30:39,458
ANYWAY, TO INTIMIDATE PEOPLE?
1706
01:30:41,834 --> 01:30:44,333
I SAY INTIMIDATION
COMES FROM WITHIN.
1707
01:30:44,333 --> 01:30:48,166
THERE ARE A MULTITUDE
OF QUALITIES AN INDIVIDUAL
CAN POSSESS
1708
01:30:48,166 --> 01:30:50,291
THAT MAKE THEM INTIMIDATING.
1709
01:30:50,291 --> 01:30:52,750
NOT ONLY THIS,
THIS IS THE OUTSIDE.
1710
01:30:52,750 --> 01:30:54,583
THEN THERE'S THE INSIDE.
1711
01:30:54,583 --> 01:30:58,250
BUT YOU KNOW WHAT'S
THE MOST INTIMIDATING QUALITY?
1712
01:30:58,250 --> 01:31:00,125
NOT THAT YOU ASKED.
1713
01:31:00,125 --> 01:31:03,583
BUT THE ABSOLUTELY
MOST INTIMIDATING,
IN MY OPINION?
1714
01:31:03,583 --> 01:31:07,792
WHEN AN INDIVIDUAL
JUST DOESN'T GIVE A SHIT.
1715
01:31:07,792 --> 01:31:09,166
LOUIS, YOU WANNA GO
TO MEDICAL SCHOOL?
1716
01:31:09,166 --> 01:31:11,667
MEDICAL SCHOOL?
1717
01:31:14,125 --> 01:31:15,709
YES!
1718
01:31:18,041 --> 01:31:22,792
STUDENTS THERE CAN ALWAYS USE
SOMETHING TO LEARN ON.
1719
01:31:27,709 --> 01:31:29,583
I FEEL LIKE I'M FLOATING.
1720
01:31:31,291 --> 01:31:33,959
I FEEL...
1721
01:31:33,959 --> 01:31:36,625
RELEASED.
1722
01:31:40,250 --> 01:31:43,125
I DON'T GIVE A SHIT.
1723
01:31:43,125 --> 01:31:45,000
I DON'T.
1724
01:31:54,667 --> 01:31:58,709
I HAVE NO COMPUNCTIONS,
1725
01:31:58,709 --> 01:32:02,000
NONE WHATSOEVER.
1726
01:32:05,208 --> 01:32:08,709
AND I AM VERY CONCERNED
1727
01:32:08,709 --> 01:32:12,917
ABOUT THE WAY
THINGS HAVE TURNED OUT HERE.
1728
01:32:20,500 --> 01:32:22,917
HOW WAS THE BLEEDING?
1729
01:32:26,250 --> 01:32:28,542
THE BLEEDING?
1730
01:32:28,542 --> 01:32:31,417
NO, NO, NO.
NOT HIM.
1731
01:32:33,041 --> 01:32:36,041
THE RETARD,
WHEN YOU CUT HIS THUMB OFF.
1732
01:32:36,041 --> 01:32:40,000
LOUIS, UH, TOLD ME
YOU WERE CONCERNED.
1733
01:32:45,709 --> 01:32:46,667
BLEEDING WAS FINE.
1734
01:32:49,125 --> 01:32:51,208
FINE?
1735
01:32:51,208 --> 01:32:53,500
IT WAS ALL RIGHT.
1736
01:32:56,125 --> 01:32:58,959
OK. GOOD.
1737
01:33:05,083 --> 01:33:08,000
I DIDN'T NEED
YOUR HELP, YOU KNOW.
1738
01:33:08,000 --> 01:33:11,291
I COULD HAVE BEATEN
THESE CHARGES.
1739
01:33:11,291 --> 01:33:13,750
WHAT WERE YOU THINKING?
1740
01:33:13,750 --> 01:33:18,834
YOU WERE GONNA EXTORT
A FEDERAL PROSECUTOR.
1741
01:33:18,834 --> 01:33:22,959
YOU THOUGHT
YOU COULD SAY...
1742
01:33:22,959 --> 01:33:25,333
"KIDNAPPED YOUR
LITTLE BROTHER,
DROP ALL CHARGES,"
1743
01:33:25,333 --> 01:33:29,417
AND THE GUY'D ROLL OVER?
1744
01:33:29,417 --> 01:33:33,667
YOU DIDN'T THINK ALL HELL
WOULDN'T BREAK LOOSE?
1745
01:33:34,917 --> 01:33:37,834
YOU DIDN'T THINK
EVERY FUCKING FED
1746
01:33:37,834 --> 01:33:41,083
WOULDN'T DROP
WHATEVER THEY WERE DOING
1747
01:33:41,083 --> 01:33:45,125
AND DIVE IN TO PROTECT
ONE OF THEIR OWN?
1748
01:33:46,417 --> 01:33:49,625
WHAT DO YOU MORONS THINK,
1749
01:33:49,625 --> 01:33:52,750
THIS IS LITTLE ITALY?!
1750
01:33:54,000 --> 01:33:55,333
WAKE UP!
1751
01:33:55,333 --> 01:33:58,917
THIS IS THE
TWENTY-FUCKING-FIRST CENTURY!
1752
01:34:13,125 --> 01:34:15,959
SO NOW...
1753
01:34:17,333 --> 01:34:19,875
THINGS ARE BAD.
1754
01:34:21,917 --> 01:34:25,375
AND WHETHER YOU
WANNA CALL A THUMB
1755
01:34:25,375 --> 01:34:28,208
A FINGER OR A DIGIT,
1756
01:34:28,208 --> 01:34:32,208
FOR THE SAKE OF
THIS DISCUSSION,
IT DOESN'T REALLY MATTER.
1757
01:34:32,208 --> 01:34:34,959
YOU KNOW WHY?
1758
01:34:34,959 --> 01:34:40,000
BECAUSE WHATEVER
YOU CHOOSE TO CALL IT,
1759
01:34:40,000 --> 01:34:41,875
A THUMB
1760
01:34:41,875 --> 01:34:44,959
HAS A FINGERPRINT,
1761
01:34:44,959 --> 01:34:47,500
AND THE ONE YOU SENT
1762
01:34:47,500 --> 01:34:52,250
HAD THE WRONG FUCKING ONE.
1763
01:34:54,625 --> 01:34:55,834
MR. STARKMAN--
1764
01:34:55,834 --> 01:34:58,625
I KNOW MY FUCKING NAME,
1765
01:34:58,625 --> 01:35:00,875
YOU PIECE OF SHIT!
1766
01:35:06,000 --> 01:35:08,667
YOU DON'T TRY TO EXTORT
1767
01:35:08,667 --> 01:35:11,959
A FEDERAL FUCKING PROSECUTOR!
1768
01:35:15,250 --> 01:35:18,458
AND IF YOU DO,
1769
01:35:18,458 --> 01:35:23,000
YOU DON'T FUCK AROUND!
1770
01:35:28,458 --> 01:35:30,041
FUCK THIS.
1771
01:35:30,041 --> 01:35:31,625
CUTTING OFF HIS THUMB
WAS A STUPID ORDER
1772
01:35:31,625 --> 01:35:34,875
AND WE WOULD HAVE BEEN DERELICT
IN OUR RESPONSIBILITIES
IF WE HAD FOLLOWED IT.
1773
01:35:37,500 --> 01:35:39,125
HELLO.
1774
01:35:39,125 --> 01:35:40,875
HOW LONG DO YOU THINK WE COULDA
KEPT BELOW THE RADAR
1775
01:35:40,875 --> 01:35:43,375
WITH A THUMBLESS,
BLEEDING HALF
1776
01:35:43,375 --> 01:35:46,625
YOU SEE, SOMETIMES
1777
01:35:46,625 --> 01:35:50,750
ONE HAS TO USE
THEIR PROFESSIONAL
PREROGATIVE
1778
01:35:50,750 --> 01:35:54,250
TO OVERRIDE
A DUMB REQUEST.
1779
01:35:55,750 --> 01:35:57,500
WITH ALL DUE RESPECT,
1780
01:35:57,500 --> 01:36:00,333
EVEN AT THIS POINT
IF YOU WERE TO ASK US
1781
01:36:00,333 --> 01:36:04,917
TO PURSUE
A COURSE OF ACTION
THAT WOULD BE,
1782
01:36:04,917 --> 01:36:09,125
LET'S SAY, CONTRARY
TO YOUR BEST INTERESTS,
1783
01:36:09,125 --> 01:36:11,917
THEN AS AWKWARD
AS IT MIGHT BE,
1784
01:36:11,917 --> 01:36:15,125
WE WOULD HAVE TO
TAKE EXCEPTION.
1785
01:36:20,208 --> 01:36:22,792
ASIDE FROM THOSE OF US
HERE IN THIS ROOM,
1786
01:36:22,792 --> 01:36:24,917
THERE IS ONLY
ONE PERSON, REALLY,
1787
01:36:24,917 --> 01:36:27,750
THAT CAN LINK YOU
TO THIS FUCK-UP.
1788
01:36:27,750 --> 01:36:32,875
AND I FEEL THAT WE SHOULD...
1789
01:36:32,875 --> 01:36:36,083
RECTIFY THAT PROBLEM
AS SOON AS WE CAN.
1790
01:36:37,792 --> 01:36:43,458
I THINK I'D MUCH PREFER
JUST TO,
1791
01:36:43,458 --> 01:36:46,583
YOU KNOW,
1792
01:36:46,583 --> 01:36:49,041
END IT RIGHT HERE.
1793
01:36:50,208 --> 01:36:52,083
HMM.
1794
01:36:52,083 --> 01:36:55,333
AND THAT WOULD BE
YOUR PROFESSIONAL
PREROGATIVE.
1795
01:36:55,333 --> 01:36:58,333
IF YOU THINK THAT HAVING
THAT KID PICKED UP
BY THE AUTHORITIES
1796
01:36:58,333 --> 01:37:00,208
AND TELLING THEM ALL
ABOUT BEING KIDNAPPED
1797
01:37:00,208 --> 01:37:04,208
IN AN ATTEMPT TO SAVE
YOUR ASS MAKES ANY SENSE.
1798
01:37:04,208 --> 01:37:08,375
IF YOU THINK
THAT'S THE BEST TACTIC
TO KEEP YOU OUT OF JAIL.
1799
01:37:08,375 --> 01:37:10,375
IF YOU THINK
THAT'S ANY LESS DUMB
1800
01:37:10,375 --> 01:37:11,875
THAN ASKING TO HAVE
HIS FINGER CUT OFF,
1801
01:37:11,875 --> 01:37:15,291
WELL, THEN THAT WOULD BE
1802
01:37:15,291 --> 01:37:17,041
THE THING
THAT YOU SHOULD DO.
1803
01:37:19,417 --> 01:37:22,834
BUT IF YOU DON'T,
1804
01:37:22,834 --> 01:37:25,959
THEN LET US
TAKE THE THORN
OUT OF YOUR SIDE.
1805
01:37:25,959 --> 01:37:26,875
LET US MAKE SURE
THAT KID WILL NEVER BE
1806
01:37:26,875 --> 01:37:30,041
ABLE TO TESTIFY
AGAINST ANYBODY.
1807
01:37:33,208 --> 01:37:36,709
AND IF AFTER THAT
YOU'RE STILL NOT HAPPY,
1808
01:37:36,709 --> 01:37:40,125
THEN WE CAN
ALL TALK AGAIN.
1809
01:37:47,542 --> 01:37:50,583
YOU WERE KIDDING, RIGHT?
WHAT DO YOU THINK?
1810
01:37:50,583 --> 01:37:54,166
WE'LL JUST TAKE BRIAN BACK
TO WHERE YOU FOUND HIM
AND GET THE HELL OUT OF HERE.
1811
01:37:55,750 --> 01:37:58,291
ARE WE GOING TO
THE BAYWATCH NOW?
1812
01:37:58,291 --> 01:38:00,500
NO, WE CAN'T GO
TO THE BAYWATCH NOW.
1813
01:38:00,500 --> 01:38:02,458
TAKE YOU LATER.
1814
01:38:07,208 --> 01:38:09,667
MAYBE THIS IS IT. I MEAN,
MAYBE THIS IS THE THING,
YOU KNOW.
1815
01:38:09,667 --> 01:38:12,208
MAYBE THIS IS, LIKE, A SIGN
COMING FROM NOWHERE,
FROM OUT OF THE BLUE,
1816
01:38:12,208 --> 01:38:15,542
JUST TELLING ME IT'S TIME.
IT'S TIME TO GET OUT.
1817
01:38:15,542 --> 01:38:17,333
IT'S TIME TO DO IT.
1818
01:38:24,417 --> 01:38:27,834
♪ WHEN I'M ALONE IN MY ROOM
SOMETIMES I STARE
AT THE WALL ♪
1819
01:38:27,834 --> 01:38:30,542
♪ AND IN THE BACK OF MY MIND
I HEAR MY CONSCIENCE CALL ♪
1820
01:38:30,542 --> 01:38:33,542
♪ TELLING ME I NEED A GIRL
WHO'S AS SWEET AS A DOVE ♪
1821
01:38:33,542 --> 01:38:36,875
♪ FOR THE FIRST TIME
IN MY LIFE I COULD SEE
I NEED LOVE ♪
1822
01:38:36,875 --> 01:38:40,375
♪ SO IF YOU KNOW WHO YOU ARE
WILLING TO MAKE
YOURSELF SEEN ♪
1823
01:38:40,375 --> 01:38:44,375
♪ TAKE A CHANCE WITH MY LOVE
AND FIND OUT WHAT I MEAN ♪
1824
01:38:44,375 --> 01:38:45,625
♪ I NEED LOVE ♪
1825
01:38:45,625 --> 01:38:49,583
♪ ♪
1826
01:38:49,583 --> 01:38:50,709
BRIAN.
1827
01:38:50,709 --> 01:38:51,959
♪ I NEED LOVE ♪
1828
01:38:51,959 --> 01:38:53,542
LET ME ASK YOU SOMETHING.
1829
01:38:53,542 --> 01:38:55,417
YOU GOT A GIRLFRIEND?
1830
01:38:59,667 --> 01:39:01,917
NO, I DON'T.
1831
01:39:01,917 --> 01:39:04,333
LET ME DO SOMETHING FOR YOU,
OK, 'CAUSE, YOU KNOW,
1832
01:39:04,333 --> 01:39:08,250
TO MAKE UP FOR ALL
THE PROBLEMS I CAUSED YOU.
1833
01:39:08,250 --> 01:39:11,333
'CAUSE I SEE YOU'RE A LITTLE--
A LITTLE NERVOUS AROUND WOMEN.
1834
01:39:11,333 --> 01:39:13,500
RIGHT?
LET ME TELL YOU SOMETHING.
1835
01:39:13,500 --> 01:39:16,500
YOU GOT NO REASON TO BE SHY.
THERE'S NO MAGIC TO IT.
1836
01:39:16,500 --> 01:39:18,834
LET--LET ME TELL YOU
THIS THING THAT I HEARD,
1837
01:39:18,834 --> 01:39:20,792
AND I'M STARTING
TO BELIEVE THAT IT'S TRUE.
1838
01:39:20,792 --> 01:39:23,458
YOU KNOW?
1839
01:39:23,458 --> 01:39:26,875
IT'S THAT, LIKE, THE THING
YOU'RE MOST AFRAID OF IN LIFE,
1840
01:39:26,875 --> 01:39:31,792
IF YOU DO IT, IF YOU STEP UP,
GOOD THINGS WILL HAPPEN.
1841
01:39:31,792 --> 01:39:35,458
YOU SEE A GIRL THAT YOU LIKE
THAT YOU'RE SCARED TO TALK TO,
1842
01:39:35,458 --> 01:39:37,917
BRO, STEP UP.
1843
01:39:37,917 --> 01:39:40,291
GO UP TO HER AND SAY:
1844
01:39:40,291 --> 01:39:44,417
"HI, HOW ARE YOU TODAY?
NICE WEATHER WE'RE HAVING."
YOU KNOW, TAKE IT FROM THERE,
1845
01:39:44,417 --> 01:39:47,291
WHEREVER THE CONVERSATION
GOES. ALL RIGHT, YOU TRY IT.
1846
01:39:47,291 --> 01:39:50,083
TRY IT WITH ME.
PRACTICE. GO AHEAD.
1847
01:39:50,083 --> 01:39:52,375
HELLO, HOW ARE YOU TODAY?
1848
01:39:52,375 --> 01:39:55,875
TRY IT WITH ME.
GO AHEAD. JUST SAY IT.
1849
01:39:55,875 --> 01:39:58,125
HELLO, HOW ARE YOU TODAY?
1850
01:40:00,166 --> 01:40:02,625
COME ON.
HELLO. HELLO?
1851
01:40:02,625 --> 01:40:04,125
HELLO.
1852
01:40:06,000 --> 01:40:07,417
HOW ARE YOU TODAY?
1853
01:40:09,000 --> 01:40:09,834
HOW
1854
01:40:09,834 --> 01:40:13,208
NICE WEATHER WE'RE HAVING.
1855
01:40:16,125 --> 01:40:17,083
NICE WEATHER WE'RE HAVING.
1856
01:40:17,083 --> 01:40:20,375
THERE YOU GO.
YOU SEE HOW HE DID IT?
1857
01:40:20,375 --> 01:40:22,709
IT'S BECAUSE YOU
STEPPED UP, BRIAN.
1858
01:40:22,709 --> 01:40:27,542
IF YOU'RE AFRAID,
STEP UP AND GOOD THINGS
START TO HAPPEN. AM I RIGHT?
1859
01:40:27,542 --> 01:40:28,834
I STEPPED UP.
1860
01:40:28,834 --> 01:40:30,875
STEP IT UP, PIMP.
1861
01:40:30,875 --> 01:40:33,125
THAT'S HOW YOU DO.
STEP IT UP.
1862
01:40:45,125 --> 01:40:48,166
SO, UH, NOW THAT WE'RE
PARTNERS IN CRIME,
1863
01:40:48,166 --> 01:40:50,375
HOW ABOUT TELLING ME
YOUR REAL NAME?
1864
01:40:52,875 --> 01:40:55,125
THE REASON
THAT I ASK THAT
1865
01:40:55,125 --> 01:40:58,667
IS BECAUSE, I DON'T KNOW
IF YOU GAVE IT ANY THOUGHT
SINCE LAST NIGHT,
1866
01:40:58,667 --> 01:41:00,208
BUT I'VE BEEN
THINKING ABOUT IT.
1867
01:41:00,208 --> 01:41:01,166
AND SEEING,
YOU KNOW,
1868
01:41:01,166 --> 01:41:06,208
LOOKS LIKE
NOW WE'RE BOTH
GONNA BE LEAVING.
1869
01:41:06,208 --> 01:41:08,709
SO I THOUGHT,
YOU KNOW...
1870
01:41:08,709 --> 01:41:10,375
ALL RIGHT, LOOK.
1871
01:41:10,375 --> 01:41:12,333
I'M GONNA LAY IT ALL
OUT THERE FOR YOU RIGHT NOW.
1872
01:41:12,333 --> 01:41:18,458
I'M JUST GONNA SAY IT,
BECAUSE, YOU KNOW, HERE I AM.
1873
01:41:18,458 --> 01:41:18,750
I THINK--
1874
01:41:18,750 --> 01:41:21,875
LARRY.
1875
01:41:21,875 --> 01:41:25,208
YOU KNOW I HAVEN'T DONE
THIS KIND OF THING
HARDLY EVER.
1876
01:41:25,208 --> 01:41:26,291
YOU KNOW,
THE WHOLE MAN THING
1877
01:41:26,291 --> 01:41:31,000
DOESN'T REALLY
HOLD THAT MUCH
FOR ME, USUALLY.
1878
01:41:31,000 --> 01:41:33,083
I KNOW.
1879
01:41:33,083 --> 01:41:36,083
BUT SOMEHOW
YOU GOT THROUGH.
1880
01:41:37,125 --> 01:41:39,166
SOMEHOW.
1881
01:41:41,667 --> 01:41:45,417
BUT IN THE END...
1882
01:41:45,417 --> 01:41:51,125
I DON'T THINK
I COULD EVER BE
WHAT YOU REALLY WANT.
1883
01:42:04,709 --> 01:42:06,834
SO WHERE DO YOU THINK
YOU'LL GO?
1884
01:42:06,834 --> 01:42:09,542
I DON'T KNOW.
1885
01:42:13,083 --> 01:42:15,375
SOMEWHERE CLEAN.
1886
01:42:19,125 --> 01:42:22,792
YOU KNOW,
NORTHERN CALIFORNIA,
1887
01:42:22,792 --> 01:42:25,083
OREGON MAYBE.
1888
01:42:25,083 --> 01:42:28,125
YOU COULD JUST DROP ME OFF
ANYWHERE NEAR
THE PACIFIC COAST HIGHWAY
1889
01:42:28,125 --> 01:42:30,792
AND I'LL FIGURE
IT OUT FROM THERE.
1890
01:42:30,792 --> 01:42:32,834
OK.
1891
01:42:32,834 --> 01:42:37,291
AFTER THAT, BRIAN, UH,
I THINK IT'S GONNA BE
TIME TO GO HOME.
1892
01:42:39,417 --> 01:42:42,625
WE JUST LEFT THERE
A LITTLE WHILE AGO, THOUGH.
1893
01:42:42,625 --> 01:42:44,333
I DON'T MEAN
MY APARTMENT.
1894
01:42:44,333 --> 01:42:46,917
I MEAN, YOU KNOW,
THE PLACE WHERE YOU LIVE.
1895
01:42:46,917 --> 01:42:48,375
WHERE I GOT YOU.
1896
01:42:50,792 --> 01:42:52,375
WHAT, YOU MEAN TO STAY?
1897
01:42:54,166 --> 01:42:56,709
YEAH, BUDDY. TO STAY.
1898
01:43:53,834 --> 01:43:56,291
OH, MY GOD.
1899
01:43:58,208 --> 01:43:59,166
OH, MY GOD. OH, MY GOD.
1900
01:43:59,166 --> 01:44:01,875
OH, MY GOD.
OH, MY GOD.
1901
01:44:03,417 --> 01:44:06,291
- IT'S OPEN. OH MY GOD.
1902
01:44:06,291 --> 01:44:08,625
- SIT DOWN.
- LOOK, IT'S OPEN! HO HO HO!
1903
01:44:08,625 --> 01:44:10,208
WHAT'S HE TALKING ABOUT?
1904
01:44:10,208 --> 01:44:11,834
THEY'RE OPEN.
OH, MY GOD. MY GOD.
1905
01:44:14,000 --> 01:44:15,875
THEY'RE OPEN, THEY'RE OPEN.
1906
01:44:15,875 --> 01:44:17,166
OH, MY GOD. THE BAYWATCH,
THE BAYWATCH, THE BAYWATCH.
1907
01:44:17,166 --> 01:44:19,709
THEY'RE OPEN, THEY'RE OPEN!
1908
01:44:20,417 --> 01:44:22,417
- COWABUNGA!
- OH, MY GOD.
1909
01:44:22,417 --> 01:44:24,250
THAT'S THE BAYWATCH?
1910
01:44:24,250 --> 01:44:26,291
- IT'S OPEN, IT'S OPEN.
THE BAYWATCH. IT'S THE BAYWATCH.
1911
01:44:26,291 --> 01:44:28,792
IT'S THE BAYWATCH.
HELLO THERE!
1912
01:44:29,834 --> 01:44:32,875
I CAN'T BELIEVE THIS!
I CAN'T BELIEVE THIS!
1913
01:44:32,875 --> 01:44:34,583
I CAN'T BELIEVE IT.
WE HAVE TO STOP.
1914
01:44:34,583 --> 01:44:36,166
- WE CAN'T STOP NOW.
COME ON, LARRY.
1915
01:44:36,166 --> 01:44:37,500
NO, NO, NO, NO, NO.
1916
01:44:37,500 --> 01:44:39,000
WE HAVE TO STOP! HAVE TO STOP!
1917
01:44:39,000 --> 01:44:40,583
NO, LARRY, NO!
NO, NO, NO, NO.
1918
01:44:40,583 --> 01:44:43,208
THEY'RE HERE. WE'RE HERE.
WE'RE HERE. WE'RE HERE.
1919
01:44:43,208 --> 01:44:44,458
BRIAN, I KNOW. WE CAN'T, THOUGH.
1920
01:44:44,458 --> 01:44:46,208
I'M SORRY. WE CAN'T STOP.
1921
01:44:46,208 --> 01:44:48,083
- LARRY, WE'RE HERE.
- WE'RE HERE!
1922
01:44:48,083 --> 01:44:49,792
- WE'RE RIGHT HERE!
- BRIAN.
1923
01:44:49,792 --> 01:44:51,083
- WAIT, WAIT, WAIT, WAIT.
WE'RE RIGHT HERE!
1924
01:44:51,083 --> 01:44:53,083
- BRIAN.
- LARRY.
1925
01:44:53,083 --> 01:44:54,291
- BRIAN.
- LARRY.
1926
01:44:54,291 --> 01:44:55,500
- BRIAN.
- LARRY.
1927
01:44:55,500 --> 01:44:56,250
- BRIAN.
- LARRY.
1928
01:44:56,250 --> 01:44:58,291
WAIT, WAIT A SECOND.
1929
01:44:58,291 --> 01:45:01,333
WAIT. SO TURN
AROUND NOW, OK?
1930
01:45:14,083 --> 01:45:16,583
ALL RIGHT. EH?
1931
01:45:19,500 --> 01:45:21,458
WHAT DO YOU THINK?
1932
01:45:27,000 --> 01:45:28,625
CAN I GO DOWN THERE?
1933
01:45:28,625 --> 01:45:31,792
BRIAN, YOU CAN'T GO DOWN THERE,
NO. THAT'S...
1934
01:45:31,792 --> 01:45:36,333
I MEAN, THEY--
WE'RE NOT ALLOWED
DOWN THERE. IT'S...
1935
01:45:36,333 --> 01:45:39,333
PLUS, WE GOT TO GO SOON.
1936
01:45:39,333 --> 01:45:42,917
PLEASE? PLEASE CAN I
GO DOWN THERE?
1937
01:45:42,917 --> 01:45:47,333
YOU KNOW, BRIAN,
I DON'T EVEN THINK...
1938
01:45:47,333 --> 01:45:49,500
THIS MIGHT NOT EVEN
BE THE BAYWATCH.
1939
01:45:49,500 --> 01:45:52,667
I THINK THIS IS PROBABLY
SOMETHING ELSE.
1940
01:45:55,041 --> 01:45:56,458
LARRY,
YOU PROMISED ME.
1941
01:45:59,000 --> 01:46:00,500
YOU PROMISED ME.
1942
01:46:07,375 --> 01:46:09,125
IT'S RIGHT THERE.
1943
01:46:09,125 --> 01:46:11,166
I KNOW.
1944
01:46:11,166 --> 01:46:13,166
JUST FOR FIVE MINUTES?
1945
01:46:13,166 --> 01:46:14,959
FOR FIVE MINUTES?
1946
01:46:18,917 --> 01:46:21,709
BRIAN, WHAT'S YOUR
BROTHER'S NAME?
1947
01:46:23,667 --> 01:46:25,750
BRIAN.
- MY BROTHER'S--
MY BROTHER'S--
1948
01:46:25,750 --> 01:46:28,458
MY BROTHER'S NAME
IS STINKY JIMMY DORF.
WANNA KNOW WHY?
1949
01:46:28,458 --> 01:46:31,041
YEAH, SOME OTHER TIME,
I DO.
1950
01:46:31,041 --> 01:46:33,250
YEAH, LOS ANGELES.
THE U.S. COURTHOUSE.
1951
01:46:33,250 --> 01:46:35,709
THE OFFICE OF A JAMES DORF.
1952
01:46:35,709 --> 01:46:39,333
BECAUSE....
DO YOU WANNA KNOW WHY?
DO YOU WANNA KNOW WHY?
1953
01:46:39,333 --> 01:46:40,417
UH-HUH. YEAH, YEAH.
1954
01:46:40,417 --> 01:46:43,709
BECAUSE SOMETIMES
HE SMELLS LIKE FISH.
1955
01:46:43,709 --> 01:46:44,917
NO, I DON'T THINK SO.
1956
01:46:44,917 --> 01:46:47,375
UH, YEAH, YEAH,
I'LL GIVE YOU MY NAME.
GIVE ME A MINUTE.
1957
01:46:47,375 --> 01:46:48,875
HOLD ON. I FORGOT IT.
YEAH.
1958
01:47:01,709 --> 01:47:03,417
BRIAN.
1959
01:47:03,417 --> 01:47:06,500
BRIAN, LOOK AT ME.
1960
01:47:06,500 --> 01:47:09,583
I THINK YOUR BROTHER
AND HIS FRIENDS
ARE GONNA BE HERE SOON
1961
01:47:09,583 --> 01:47:11,917
TO PICK YOU UP.
OK?
1962
01:47:15,750 --> 01:47:17,792
I WANT YOU
TO KNOW SOMETHING.
1963
01:47:20,208 --> 01:47:23,500
YOU'RE A GOOD KID.
1964
01:47:23,500 --> 01:47:28,375
I'M SORRY ABOUT
ALL THE, UH...
1965
01:47:28,375 --> 01:47:31,959
I'M SORRY FOR BEING, UH...
1966
01:47:39,250 --> 01:47:40,792
I'M SORRY.
1967
01:47:46,458 --> 01:47:48,041
I THINK YOU'RE WRONG.
1968
01:47:49,667 --> 01:47:53,083
I THINK THAT IS
THE BAYWATCH RIGHT THERE.
1969
01:47:58,000 --> 01:48:00,291
WHO KNOWS? MAYBE IT IS.
1970
01:48:01,750 --> 01:48:04,125
I'M A GENIUS, MON.
1971
01:48:04,125 --> 01:48:05,625
I KNEW IT.
1972
01:48:08,542 --> 01:48:11,041
YOU TAKE GOOD CARE
OF YOURSELF, BRIAN.
1973
01:48:22,917 --> 01:48:24,959
YOU TAKE GOOD CARE
OF YOURSELF, LARRY.
1974
01:48:28,333 --> 01:48:28,792
I'LL DO THAT.
1975
01:48:32,834 --> 01:48:35,333
BRIAN,
LET ME ASK YOU SOMETHING.
1976
01:48:35,333 --> 01:48:37,959
HOW DO YOUR FINGERNAILS
LOOK?
1977
01:48:37,959 --> 01:48:38,875
MY FINGERNAILS?
1978
01:48:38,875 --> 01:48:40,875
YOUR FINGERNAILS,
HOW ARE THEY LOOKING?
1979
01:48:44,291 --> 01:48:46,667
DON'T SAY NOTHIN'.
1980
01:48:46,667 --> 01:48:48,834
THEY LOOK VERY GOOD.
1981
01:48:48,834 --> 01:48:50,333
I GOT A-PLUS NAILS.
I GOT A-PLUS NAILS.
1982
01:48:50,333 --> 01:48:55,166
NEVER MIND. OK. GOOD.
1983
01:48:55,166 --> 01:48:55,750
GO AHEAD.
1984
01:49:07,500 --> 01:49:09,208
GO ON.
1985
01:49:15,375 --> 01:49:16,542
YOU KNOW, I DON'T KNOW
HOW YOU'RE THINKING
1986
01:49:16,542 --> 01:49:19,000
ABOUT GETTING OUT
OF HERE OR WHATEVER,
1987
01:49:19,000 --> 01:49:21,959
WHAT YOUR PLANS ARE,
BUT, UH....
1988
01:49:24,667 --> 01:49:25,792
I THINK YOU SHOULD TAKE MY CAR.
1989
01:49:27,875 --> 01:49:30,166
GO AHEAD, TAKE IT.
TAKE IT.
1990
01:49:32,500 --> 01:49:34,834
I COULDN'T DO THAT, LARRY.
1991
01:49:39,417 --> 01:49:42,792
I'D RATHER...
YOU KNOW, I'D PREFER
IF YOU HAD IT.
1992
01:49:42,792 --> 01:49:47,333
IT'S A GOOD CAR,
AND I WANT YOU
TO BE ALL RIGHT.
1993
01:49:47,333 --> 01:49:50,458
AND I KNOW THAT, YOU KNOW,
IT'LL GET YOU
WHEREVER YOU NEED TO GO,
1994
01:49:50,458 --> 01:49:52,834
SO JUST, YOU KNOW, TAKE IT.
1995
01:49:52,834 --> 01:49:55,792
I WAS THINKING ABOUT
GETTING RID OF IT ANYWAY.
1996
01:49:57,375 --> 01:49:59,625
I'M TRYING TO CHANGE MY IMAGE.
1997
01:50:03,417 --> 01:50:04,792
GO AHEAD, TAKE IT.
1998
01:50:09,542 --> 01:50:10,959
PLEASE.
1999
01:50:19,417 --> 01:50:21,125
OK.
2000
01:50:22,333 --> 01:50:23,333
I WILL, THANK YOU.
2001
01:50:23,333 --> 01:50:26,875
NAH, DON'T MENTION IT.
2002
01:50:26,875 --> 01:50:29,959
JUST DO ME
ONE FAVOR, THOUGH.
2003
01:50:30,333 --> 01:50:32,834
NAME IT.
2004
01:50:32,834 --> 01:50:39,125
AS FAR AS THE, UH,
LESBIAN THING GOES...
2005
01:50:39,125 --> 01:50:41,417
YEAH?
2006
01:50:41,417 --> 01:50:45,875
IF YOU DO EVER THINK ABOUT
HOPPING THE FENCE,
2007
01:50:45,875 --> 01:50:48,125
PROMISE YOU'LL
GIVE ME A CALL FIRST.
2008
01:51:39,667 --> 01:51:43,709
OK, LADIES AND GENTLEMEN,
LISTEN UP.
2009
01:51:43,709 --> 01:51:46,834
CAMERA IS READY
AND PICTURE IS UP.
2010
01:51:46,834 --> 01:51:50,834
I NEED ALL DANCERS
TO FIRST POSITION
AS SOON AS POSSIBLE.
2011
01:51:50,834 --> 01:51:54,333
ALL DANCERS TO FIRST POSITION
AS SOON AS POSSIBLE.
LET'S GO.
2012
01:52:33,625 --> 01:52:35,500
OK, LISTEN UP, GUYS.
2013
01:52:35,500 --> 01:52:38,208
CAN WE PLEASE FINISH
PAIRING UP, EVERYONE?
2014
01:52:38,208 --> 01:52:41,250
COME ON, GUYS,
IT'S NOT LIKE
YOU'RE MATING FOR LIFE.
2015
01:52:41,250 --> 01:52:43,542
AS THE OLD SONG GOES:
"JUST LOVE
THE ONE YOU'RE WITH."
2016
01:52:43,542 --> 01:52:46,000
FIND SOMEONE TO LOVE.
2017
01:53:21,625 --> 01:53:23,959
NICE WEATHER
WE'RE HAVING.
2018
01:53:23,959 --> 01:53:27,208
YES, IT'S VERY NICE.
2019
01:53:35,625 --> 01:53:37,417
IT IS?
2020
01:53:37,417 --> 01:53:39,625
YES.
2021
01:53:39,625 --> 01:53:43,125
BUT THE WEATHER'S
ALWAYS VERY NICE
AROUND HERE, ISN'T IT?
2022
01:53:43,542 --> 01:53:47,709
YES, AND...
2023
01:53:47,709 --> 01:53:50,959
A 10% CHANCE OF PRECIPITATION
FOR LOW-LYING COASTAL REGIONS
2024
01:53:50,959 --> 01:53:54,959
EXTENDING FROM
NEW SOUTH WALES
TO VICTORIA.
2025
01:54:03,000 --> 01:54:04,834
AND PLAYBACK.
2026
01:54:04,834 --> 01:54:06,375
♪
2027
01:54:06,375 --> 01:54:08,041
AND...ACTION!
2028
01:54:11,959 --> 01:54:15,333
♪ I HEAR YOUR THUNDER ♪
2029
01:54:19,166 --> 01:54:23,250
♪ I HEAR YOUR THUNDER ♪
2030
01:54:25,667 --> 01:54:30,041
♪ I HEAR YOUR THUNDER ♪
2031
01:54:33,208 --> 01:54:37,792
♪ I HEAR YOUR THUNDER ♪
2032
01:54:40,125 --> 01:54:44,125
♪ I HEAR YOUR THUNDER... ♪
2033
01:55:36,917 --> 01:55:38,250
ROCHELLE.
2034
01:55:39,917 --> 01:55:41,792
WHAT?
2035
01:55:41,792 --> 01:55:46,041
ROCHELLE.
THAT'S MY REAL NAME.
2036
01:55:47,667 --> 01:55:49,583
ROCHELLE.
2037
01:55:56,500 --> 01:56:00,875
SO, ROCHELLE,
2038
01:56:00,875 --> 01:56:04,250
DOES THIS MEAN
YOU DECIDED
TO HOP THE FENCE?
2039
01:56:04,250 --> 01:56:06,917
WELL, I WOULDN'T GO
THAT FAR.
2040
01:56:06,917 --> 01:56:11,041
BUT I FIGURED
SINCE I HELPED GET
YOU INTO ALL THIS,
2041
01:56:11,041 --> 01:56:15,417
THE LEAST I COULD DO
IS OFFER YOU
A RIDE OUT OF TOWN.
2042
01:56:16,792 --> 01:56:19,000
FAIR ENOUGH.
2043
01:56:33,750 --> 01:56:35,792
WHAT?
2044
01:56:35,792 --> 01:56:39,083
YOU KNOW,
I BET YOU'D LOOK AWESOME
IN SOME MASCARA.
2045
01:56:44,333 --> 01:56:46,083
I'M NOT SURE
HOW TO TAKE THAT.
2046
01:56:46,083 --> 01:56:48,041
IT'S A COMPLIMENT.
2047
01:56:48,041 --> 01:56:50,000
YEAH?
2048
01:56:50,000 --> 01:56:52,208
LIKE YOUR MOTHER SAID,
2049
01:56:52,208 --> 01:56:54,917
LIFE'S NOT ALWAYS
BLACK-AND-WHITE.
2050
01:56:54,917 --> 01:56:57,709
SOMETIMES YOU
JUST NEVER KNOW.
2051
01:56:57,709 --> 01:56:59,291
ARE YOU DRIVIN'
OR ARE YOU BULLSHITTIN'?
2052
01:57:01,834 --> 01:57:03,667
I'M DRIVIN'.
2053
01:57:29,333 --> 01:57:31,250
♪
2054
02:00:21,959 --> 02:00:26,083
♪ I LOVE BIG BUTTS
AND I CANNOT LIE ♪
2055
02:00:26,083 --> 02:00:28,291
♪ THE OTHER BROTHERS
CAN'T DENY ♪
2056
02:00:28,291 --> 02:00:30,291
♪ WHEN THE GIRLS WALK IN
WITH THEIR ITTY-BITTY WAIST ♪
2057
02:00:30,291 --> 02:00:31,333
♪ AND ROUND THINGS
IN YOUR FACE ♪
2058
02:00:31,333 --> 02:00:34,792
♪ YOU GET SPRUNG
OR PULL UP TOUGH ♪
2059
02:00:34,792 --> 02:00:36,291
♪ 'CAUSE YOU NOTICE
THAT BUTT WAS STUFFED ♪
2060
02:00:36,291 --> 02:00:39,333
♪ 'CAUSE I'M LONG,
AND I'M STRONG ♪
2061
02:00:39,333 --> 02:00:40,333
♪ AND I'M DOWN TO
GET THE FRICTION ON ♪
2062
02:00:40,333 --> 02:00:44,083
♪ SO, LADIES, YEAH
LADIES, YEAH ♪
2063
02:00:44,083 --> 02:00:46,917
♪ YOU WANNA ROLL
IN MY MERCEDES? YEAH! ♪
2064
02:00:46,917 --> 02:00:49,083
♪ SO TURN AROUND
STICK IT OUT ♪
2065
02:00:49,083 --> 02:00:51,166
♪ EVEN WHITE BOYS
GOT TO SHOUT ♪
2066
02:00:51,166 --> 02:00:52,625
♪ BABY GOT BACK! ♪
2067
02:00:52,625 --> 02:00:53,959
♪ ♪
2068
02:00:53,959 --> 02:00:55,250
♪ BABY GOT BACK! ♪
2069
02:00:55,250 --> 02:00:56,792
♪ ♪
2070
02:00:57,667 --> 02:01:00,583
♪
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