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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:05,048 --> 00:00:09,357 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:02:47,515 --> 00:02:49,169 Marjorie: MY JOURNEY TO MATURITY 5 00:02:49,212 --> 00:02:52,650 BEGAN IN NEW YORK IN 1928. 6 00:02:52,694 --> 00:02:54,478 I WAS MARRIED TO CHARLES RAWLINGS, 7 00:02:54,522 --> 00:02:58,352 A NEWSPAPER MAN AND YACHTING ENTHUSIAST. 8 00:02:58,395 --> 00:03:00,005 I HAD BEEN TRYING TO WRITE STORIES 9 00:03:00,049 --> 00:03:03,661 THAT I THOUGHT WOULD BE MOST LIKELY TO SELL. 10 00:03:03,705 --> 00:03:07,099 GOTHIC ROMANCES WERE EXTREMELY POPULAR, 11 00:03:07,143 --> 00:03:10,364 AND I HAD WRITTEN DOZENS. 12 00:03:10,407 --> 00:03:13,671 I WAS DESPERATE TO EXPRESS MYSELF. 13 00:03:13,715 --> 00:03:15,847 EVEN AS A CHILD, I HAD BEEN CONSUMED 14 00:03:15,891 --> 00:03:18,937 WITH A DESIRE TO BE A WRITER. 15 00:03:18,981 --> 00:03:21,723 [RAGTIME MUSIC PLAYING] 16 00:03:27,598 --> 00:03:30,253 Man: CAR, PLEASE, NORRIS. 17 00:03:32,255 --> 00:03:34,953 [PEOPLE CHATTERING] 18 00:03:54,582 --> 00:03:56,584 MARJORIE. 19 00:04:01,502 --> 00:04:04,548 MAX REJECTED MY SHORT STORY. 20 00:04:04,592 --> 00:04:07,377 MAX PERKINS ISN'T THE ONLY EDITOR 21 00:04:07,421 --> 00:04:08,987 IN THE WORLD. 22 00:04:11,120 --> 00:04:12,295 I KNOW. 23 00:04:12,339 --> 00:04:16,212 I THOUGHT YOUR STORY WAS DAMN GOOD. 24 00:04:17,344 --> 00:04:21,348 EXCEPT FOR THE PRETENTIOUS PARTS. 25 00:04:24,351 --> 00:04:27,615 LET'S TAKE A RIDE UPSTATE TOMORROW. 26 00:04:27,658 --> 00:04:30,008 WE'LL MAKE A DAY OF IT? 27 00:04:32,228 --> 00:04:35,623 IT LOOKS LIKE I'M GONNA HAVE A HANGOVER TOMORROW. 28 00:04:35,666 --> 00:04:37,799 [SIGHS] 29 00:04:37,842 --> 00:04:41,629 I HAVE ARRANGEMENTS TO MAKE, CHARLES. 30 00:04:42,369 --> 00:04:43,457 WHAT KIND OF ARRANGEMENTS? 31 00:04:43,500 --> 00:04:46,416 I DON'T THINK WE SHOULD DISCUSS IT HERE. 32 00:04:46,460 --> 00:04:47,591 WHY NOT? 33 00:04:47,635 --> 00:04:50,638 WELL, PUBLIC SCENES EMBARRASS YOU. 34 00:04:50,681 --> 00:04:52,292 YOU BOUGHT THAT DAMN ORANGE GROVE. 35 00:04:52,335 --> 00:04:56,470 WHAT IN HELL POSSESSED YOU TO BUY A PLACE SIGHT UNSEEN? 36 00:04:56,513 --> 00:04:58,950 I WASN'T CONSULTED. 37 00:04:58,994 --> 00:05:00,996 YOU DIDN'T FOR ONE MINUTE THINK ABOUT ME 38 00:05:01,039 --> 00:05:02,214 OH, THAT'S NOT TRUE. 39 00:05:02,258 --> 00:05:03,477 ALL YOU CARED ABOUT WAS YOU AND YOUR DESIRE 40 00:05:03,520 --> 00:05:05,130 TO WRITE THE GREAT AMERICAN NOVEL. 41 00:05:05,174 --> 00:05:07,655 DO YOU SERIOUSLY EXPECT ME TO MOVE 42 00:05:07,698 --> 00:05:10,179 TO SOME HICK TOWN AND GROW ORANGES? 43 00:05:10,222 --> 00:05:12,355 IS THIS YOUR VISION OF AN ARTIST? 44 00:05:12,399 --> 00:05:13,313 I--I'M NOT A KID. 45 00:05:13,356 --> 00:05:14,836 I CAN'T JUST PICK UP AND LEAVE. 46 00:05:14,879 --> 00:05:16,403 WHY NOT? 47 00:05:18,535 --> 00:05:19,667 FINE. 48 00:05:19,710 --> 00:05:22,757 TAKE YOUR TYPEWRITER AND GO TO CROSS CREEK. 49 00:05:23,671 --> 00:05:27,327 JUST DON'T EXPECT ME TO SHARE IN YOUR SIMPLE LIFE. 50 00:05:28,371 --> 00:05:31,635 CHARLES... 51 00:05:31,679 --> 00:05:34,421 YOU'RE MY HUSBAND. 52 00:05:37,380 --> 00:05:39,600 AND I LOVE YOU, MARJORIE. 53 00:05:42,211 --> 00:05:44,561 COULDN'T YOU COME WITH ME? 54 00:05:44,605 --> 00:05:47,521 NO. 55 00:06:07,889 --> 00:06:10,544 [RADIATOR HISSING] 56 00:06:27,082 --> 00:06:29,737 [ENGINE SPUTTERING] 57 00:06:40,748 --> 00:06:41,879 [TURNS ENGINE OFF] 58 00:06:41,923 --> 00:06:44,404 [HISSING] 59 00:07:06,948 --> 00:07:09,254 Marjorie: AFTER 30 YEARS OF URBAN LIFE, 60 00:07:09,298 --> 00:07:14,999 I WAS TOTALLY UNPREPARED FOR THIS SMALL FLORIDA TOWN. 61 00:07:16,348 --> 00:07:18,916 [DOG BARKING IN DISTANCE] 62 00:07:18,960 --> 00:07:21,310 [BIRDS CHIRPING] 63 00:07:26,837 --> 00:07:27,925 EXCUSE ME, 64 00:07:27,969 --> 00:07:30,624 UH, IS THERE A TAXI AVAILABLE? 65 00:07:30,667 --> 00:07:33,322 YOU WANT THE HOTEL. 66 00:07:33,670 --> 00:07:35,672 OH, THANK YOU. 67 00:07:35,716 --> 00:07:37,152 YOU WANT NORTON BASKIN. 68 00:07:37,195 --> 00:07:40,111 JUST ASK FOR NORTON, HE'LL HELP YOU OUT. 69 00:07:40,155 --> 00:07:42,636 THANK YOU. 70 00:07:50,513 --> 00:07:53,342 [SWING MUSIC PLAYING ON RADIO] 71 00:08:08,531 --> 00:08:11,099 [RINGS BELL] 72 00:08:16,452 --> 00:08:18,323 MR. BASKIN? 73 00:08:18,367 --> 00:08:19,324 MM-HMM. 74 00:08:19,368 --> 00:08:21,979 I--I'M LOOKING FOR A TAXICAB. 75 00:08:22,023 --> 00:08:23,677 [LAUGHS] 76 00:08:23,720 --> 00:08:26,331 I'M GOING TO CROSS CREEK AND I NEED A RIDE THERE. 77 00:08:26,375 --> 00:08:27,507 IF YOU JUST COULD TELL ME 78 00:08:27,550 --> 00:08:29,857 WHERE I MIGHT FIND A TAXI. 79 00:08:30,858 --> 00:08:32,207 THERE'S NOT MUCH BUSINESS HERE. 80 00:08:32,250 --> 00:08:33,338 IF YOU CAN WAIT A MINUTE, 81 00:08:33,382 --> 00:08:35,645 I'LL RUN YOU DOWN. 82 00:08:35,689 --> 00:08:37,517 NO. 83 00:08:37,560 --> 00:08:40,171 IT'S TOO BAD ABOUT YOUR CAR. 84 00:08:40,215 --> 00:08:43,174 YOU AIN'T GONNA GET HER RUNNING AGAIN. 85 00:08:43,218 --> 00:08:44,349 NO, SIR. 86 00:08:44,393 --> 00:08:45,829 YOU GONNA HAVE TO GET YOURSELF 87 00:08:45,873 --> 00:08:48,049 ANOTHER ONE. 88 00:08:48,615 --> 00:08:52,401 SOMETHING IN A CLEANBLUE MIGHT BE NICE. 89 00:08:52,444 --> 00:08:53,663 I DON'T NEED A CAR. 90 00:08:53,707 --> 00:08:57,058 WELL, IF YOU'RE PARTIAL TO DIRTY BLUE-- 91 00:08:57,101 --> 00:08:59,364 NO, I DON'T HAVE ANY USE FOR A CAR. 92 00:08:59,408 --> 00:09:01,758 OH, I SEE. I LIKE WALKING. 93 00:09:01,802 --> 00:09:03,543 HA. THAT'S NICE. 94 00:09:03,586 --> 00:09:05,240 I INTEND TO WALK A LOT. 95 00:09:05,283 --> 00:09:08,417 THOSE YOUR HIKING SHOES? 96 00:09:10,593 --> 00:09:11,594 HEH. 97 00:09:11,638 --> 00:09:14,249 YOU AIN'T GONNA GET TOO FAR IN THEM. 98 00:09:14,292 --> 00:09:17,078 I'LL MANAGE. 99 00:09:25,913 --> 00:09:30,047 Baskin: UP THERE IS SIMMONS' TURPENTINE STILL. 100 00:09:30,091 --> 00:09:32,702 AND OVER THAT WAY IS ORANGE LAKE. 101 00:09:32,746 --> 00:09:34,225 IT'S GOOD FISHING. 102 00:09:34,269 --> 00:09:36,140 IF YOU DON'T MIND THE GATORS. 103 00:09:36,184 --> 00:09:39,622 SO YOU SAY YOU'RE A WRITER? 104 00:09:39,666 --> 00:09:41,581 WHAT DO YOU WRITE? 105 00:09:41,624 --> 00:09:44,409 I'M WORKING ON A NOVEL. 106 00:09:44,453 --> 00:09:46,586 MM. MM-HMM. 107 00:09:46,629 --> 00:09:49,501 HOLD ON, NOW. 108 00:09:49,545 --> 00:09:50,590 YOU ALL RIGHT? 109 00:09:50,633 --> 00:09:52,243 I'M JUST FINE. 110 00:09:52,287 --> 00:09:53,723 HMM. 111 00:09:53,767 --> 00:09:56,639 SO YOU WRITE LOVE STORIES? 112 00:09:56,683 --> 00:09:58,902 I'M WRITING A GOTHIC. 113 00:09:58,946 --> 00:10:00,904 YOU DO SAY. I DON'T BELIEVE 114 00:10:00,948 --> 00:10:03,080 I KNOW WHAT THAT IS. 115 00:10:03,124 --> 00:10:04,429 IT'S A TYPE OF WRITING. 116 00:10:04,473 --> 00:10:07,084 A CLASSIC GOTHIC NOVEL HAS A CASTLE AS ITS SETTING, 117 00:10:07,128 --> 00:10:10,435 AND A GOVERNESS OR A GENTLEWOMAN IN DISTRESS. 118 00:10:10,479 --> 00:10:12,699 LIKE YOU. 119 00:10:14,135 --> 00:10:15,353 YOU WON'T BE MEETING 120 00:10:15,397 --> 00:10:17,617 TOO MANY INTELLECTUALS OUT HERE. 121 00:10:17,660 --> 00:10:19,140 IT MIGHT GET A LITTLE LONESOME. 122 00:10:19,183 --> 00:10:23,623 I'VE COME HERE TO WORK, NOT SOCIALIZE. 123 00:10:27,148 --> 00:10:31,326 WELL, THIS IS CROSS CREEK. 124 00:10:44,208 --> 00:10:47,211 HOW MANY PEOPLE LIVE IN CROSS CREEK? 125 00:10:47,255 --> 00:10:49,170 NOW, LET'S SEE... 126 00:10:49,213 --> 00:10:51,955 THERE'S NEVER BEEN MORE THAN... 127 00:10:51,999 --> 00:10:53,522 SAY, UH... 128 00:10:53,565 --> 00:10:55,306 A DOZEN FAMILIES. 129 00:10:55,350 --> 00:10:56,786 YOU GOT TO BE A LITTLE CRAZY 130 00:10:56,830 --> 00:10:59,571 TO LIVE OUT AT THE CREEK. 131 00:10:59,615 --> 00:11:02,226 AH, NO OFFENSE, MA'AM. 132 00:11:02,270 --> 00:11:03,880 THE WAY I LOOK AT IT IS, 133 00:11:03,924 --> 00:11:06,230 IF AN ATTRACTIVE WOMAN WANTS TO HIKE 134 00:11:06,274 --> 00:11:09,320 HERSELF OUT INTO THE MIDDLE OF NOWHERE, 135 00:11:09,364 --> 00:11:12,280 IT IS HER BUSINESS. 136 00:11:22,769 --> 00:11:24,553 [ANIMALS CHIRPING AND CALLING] 137 00:11:24,596 --> 00:11:26,990 THERE SHE IS. 138 00:11:27,034 --> 00:11:29,689 YOUR NEW HOME. 139 00:11:39,437 --> 00:11:42,832 PLACE HERE LOOKS SLIGHTLY RUN DOWN. 140 00:11:42,876 --> 00:11:44,225 I GUESS YOU'LL BE WANTING ME 141 00:11:44,268 --> 00:11:45,574 TO TAKE YOU BACK INTO TOWN. 142 00:11:45,617 --> 00:11:47,750 THAT WON'T BE NECESSARY, THANK YOU. 143 00:11:47,794 --> 00:11:49,752 HERE, LET ME. 144 00:11:54,452 --> 00:11:56,890 HOW MUCH DO I OWE YOU? 145 00:11:56,933 --> 00:11:59,196 NOT A THING. 146 00:11:59,240 --> 00:12:00,067 THAT'S RIDICULOUS. 147 00:12:00,110 --> 00:12:01,546 I'D LIKE TO PAY FOR MY RIDE. 148 00:12:01,590 --> 00:12:03,853 HA. THE WAY I LOOK AT IT, 149 00:12:03,897 --> 00:12:06,203 YOU'RE A POTENTIAL CUSTOMER. 150 00:12:06,247 --> 00:12:09,032 AFTER A NIGHT OUT HERE, 151 00:12:09,076 --> 00:12:11,208 YOU'LL MOVE TO THE HOTEL 152 00:12:11,252 --> 00:12:12,775 GLADLY. 153 00:12:12,819 --> 00:12:14,385 I'LL, UH... 154 00:12:14,429 --> 00:12:15,647 GET A ROOM READY FOR YOU. 155 00:12:15,691 --> 00:12:18,520 I WON'T BE NEEDING IT. 156 00:12:20,914 --> 00:12:21,828 CAREFUL, NOW. 157 00:12:21,871 --> 00:12:24,569 THAT THING IS LIABLE TO GIVE OUT 158 00:12:24,613 --> 00:12:26,528 ANY MINUTE. 159 00:13:01,650 --> 00:13:03,913 I'LL LOOK IN ON YOU TOMORROW. 160 00:13:03,957 --> 00:13:06,350 I'LL BE PERFECTLY FINE, MR. BASKIN. 161 00:13:06,394 --> 00:13:07,917 OF COURSE YOU WILL. 162 00:13:07,961 --> 00:13:09,440 I'LL COME AROUND NOON. 163 00:13:09,484 --> 00:13:11,529 I'LL BE WORKING. 164 00:13:11,573 --> 00:13:14,315 IT'S NO TROUBLE AT ALL. 165 00:13:15,185 --> 00:13:16,143 MR. BASKIN-- 166 00:13:16,186 --> 00:13:18,798 I'LL GET THE REST OF THE LUGGAGE. 167 00:13:20,147 --> 00:13:23,367 IT'S NICE TO MEET YOU, MISS RAWLINGS. 168 00:13:54,442 --> 00:13:58,141 Marjorie: MY PLAN HAD BEEN TO LIVE OFF MY ORANGE CROPS, 169 00:13:58,185 --> 00:14:01,753 BUT THE GROVE HAD BEEN LONG UNTENDED. 170 00:14:01,797 --> 00:14:03,973 AND AS I HAD FILED FOR DIVORCE, 171 00:14:04,017 --> 00:14:08,935 I WAS TOO PROUD TO ACCEPT ANY MONEY FROM CHARLES. 172 00:14:15,942 --> 00:14:19,162 [FROGS CROAKING] 173 00:14:19,206 --> 00:14:21,556 [OWL HOOTING] 174 00:14:21,599 --> 00:14:24,211 [CLOCK TICKING] 175 00:14:45,754 --> 00:14:47,408 [GENERATOR STARTS] 176 00:16:23,025 --> 00:16:25,854 [TYPEWRITER KEYS CLACKING] 177 00:16:37,213 --> 00:16:40,434 I HEAR TELL YOU LOOKIN' FOR A GIRL. 178 00:16:41,522 --> 00:16:43,350 TAKE ME. 179 00:16:46,179 --> 00:16:49,095 WELL, I COME FOR THE JOB. 180 00:16:52,185 --> 00:16:54,665 I CAN'T PAY VERY HIGH WAGES. 181 00:16:54,709 --> 00:16:57,842 ANY WAGES IS BETTER THAN NOTHIN'. 182 00:16:57,886 --> 00:16:59,409 I GOT TO GET WORK. 183 00:16:59,453 --> 00:17:02,021 I GOT USE FOR MY PAY. 184 00:17:04,110 --> 00:17:06,155 I DON'T THINK THAT YOU'D BE SATISFIED 185 00:17:06,199 --> 00:17:07,156 SO FAR FROM TOWN. 186 00:17:07,200 --> 00:17:09,898 OH, TOWN AIN'T NOTHIN' TO ME! 187 00:17:09,941 --> 00:17:11,204 OH, YOU DON'T KNOW. 188 00:17:11,247 --> 00:17:13,032 I DON'T DO NO COURTIN'. 189 00:17:13,075 --> 00:17:16,296 I DON'T WANT NO MAN AROUND ME. 190 00:17:19,951 --> 00:17:22,519 I'M SURE THAT IT WOULDN'T SUIT YOU. 191 00:17:22,563 --> 00:17:26,393 IF I DON'T SUIT YOU, YOU CAN CUT MY THROAT. 192 00:17:38,796 --> 00:17:42,278 THIS PORCH FLOOR AIN'T BEEN SCRUBBED. 193 00:17:45,412 --> 00:17:48,763 YOU GOT TO HAVE CLEAN THINGS. 194 00:17:51,461 --> 00:17:55,074 I'LL BE HERE TOMORROW. I GOTTA GO FETCH MY THINGS! 195 00:17:55,117 --> 00:17:56,945 WAIT, I DON'T KNOW ANYTHING ABOUT YOU. 196 00:17:56,988 --> 00:18:00,079 I DON'T KNOW YOUR NAME, OR WHERE YOU CAME FROM. 197 00:18:00,122 --> 00:18:01,210 I BE GEECHEE. 198 00:18:01,254 --> 00:18:04,083 YOU DON'T NEED TO KNOW NO MORE THAN THAT. 199 00:18:32,154 --> 00:18:35,853 Man: HELLO? HELLO? 200 00:18:41,294 --> 00:18:43,687 HELLO! 201 00:18:51,304 --> 00:18:53,132 HELLO? 202 00:19:02,315 --> 00:19:05,274 I'M MARSH TURNER CALLED. 203 00:19:05,318 --> 00:19:07,972 THIS IS MY DAUGHTER ELLIE. 204 00:19:08,016 --> 00:19:09,278 MORNIN'. 205 00:19:09,322 --> 00:19:12,107 YOU CAN DO BETTER THAN THAT, YOUNG'UN. 206 00:19:13,891 --> 00:19:15,458 PLEASED TO MEET YOU, MA'AM. 207 00:19:15,502 --> 00:19:18,200 I'M MARJORIE RAWLINGS. 208 00:19:18,244 --> 00:19:20,724 YES, MA'AM. 209 00:19:20,768 --> 00:19:23,640 WE'RE JUST WONDERIN' WHETHER YOU HAD-- 210 00:19:23,684 --> 00:19:26,208 HAD A COMFORTABLE NIGHT. 211 00:19:26,252 --> 00:19:29,168 YES, I DID. THANK YOU. 212 00:19:29,211 --> 00:19:30,865 NO TROUBLES? 213 00:19:30,908 --> 00:19:32,823 NO. NONE AT ALL. 214 00:19:32,867 --> 00:19:36,000 SOMETIMES, CITY FOLKS THINK THEY HEAR THINGS 215 00:19:36,044 --> 00:19:37,480 AT NIGHT... 216 00:19:37,524 --> 00:19:40,440 BEARS OR GATORS. 217 00:19:42,703 --> 00:19:46,054 I SLEPT VERY WELL, THANK YOU. 218 00:19:48,056 --> 00:19:50,711 LOOKS WASHED OUT. 219 00:19:51,712 --> 00:19:53,844 SURE COULD USE SOME PAINT. 220 00:19:53,888 --> 00:19:57,370 THAT'S EXACTLY WHAT I INTEND TO DO. 221 00:19:58,980 --> 00:20:01,548 YOU GONNA FIX IT YOURSELF? 222 00:20:01,591 --> 00:20:03,898 YES. 223 00:20:03,941 --> 00:20:08,294 WELL, THAT ROOF LEAKS REAL BAD, NOW. 224 00:20:09,469 --> 00:20:11,035 WELL... 225 00:20:11,079 --> 00:20:13,255 I'LL JUST HAVE TO FIX THAT, TOO. 226 00:20:13,299 --> 00:20:14,256 [DUCK QUACKS] 227 00:20:14,300 --> 00:20:17,651 THAT'S A REAL ENTERPRISING WOMAN. 228 00:20:19,130 --> 00:20:20,349 YOU GET TO PATCHING THAT ROOF, 229 00:20:20,393 --> 00:20:22,046 AND YOU FALL OFF AND BREAK A LEG OR SOMETHING, 230 00:20:22,090 --> 00:20:24,527 YOU GIVE US A HOLLER. WE'LL COME FETCH YOU. 231 00:20:24,571 --> 00:20:26,529 THAT'S WHAT NEIGHBORS ARE FOR. 232 00:20:26,573 --> 00:20:28,966 GOOD DAY TO YOU, MA'AM. 233 00:20:29,010 --> 00:20:30,054 SOME SAGE AND LILY ROOT 234 00:20:30,098 --> 00:20:32,927 WILL EASE UP ON THAT RASH. 235 00:20:35,321 --> 00:20:36,757 HEY... 236 00:20:44,155 --> 00:20:46,723 DIDN'T MEAN TO SCARE YOU. 237 00:20:46,767 --> 00:20:49,422 THERE'S A COTTONMOUTH. 238 00:20:49,465 --> 00:20:51,598 DEADLY. 239 00:20:56,298 --> 00:20:59,170 [READING ALOUD, INDISTINCTLY] 240 00:21:05,829 --> 00:21:08,789 WHERE I BE PUTTIN' MY THINGS? 241 00:21:09,442 --> 00:21:12,445 IN THE ROOM BACK OF THE KITCHEN. 242 00:21:13,359 --> 00:21:17,014 NOBODY BEEN CARIN' FOR THINGS AROUND HERE. 243 00:21:17,058 --> 00:21:17,754 GEECHEE-- 244 00:21:17,798 --> 00:21:18,929 WE'LL SET THAT RIGHT. 245 00:21:18,973 --> 00:21:20,453 I'M NOT SURE THAT THIS IS GONNA WORK OUT. 246 00:21:20,496 --> 00:21:21,671 YOU SEE, I'M A WRITER. 247 00:21:21,715 --> 00:21:23,151 AND MY PRIVACY IS ESSENTIAL TO ME. 248 00:21:23,194 --> 00:21:26,197 NOBODY BE BOTHERIN' YOU, DON'T YOU WORRY. 249 00:21:26,241 --> 00:21:28,025 I'M WORKING, AND IT'S DIFFICULT 250 00:21:28,069 --> 00:21:29,810 TO CONCENTRATE WHEN THERE ARE PEOPLE AROUND. 251 00:21:29,853 --> 00:21:32,943 YOU JUST WRITE, I'LL CLEAN UP THE HOUSE. 252 00:21:32,987 --> 00:21:34,510 YES, WELL... 253 00:21:34,554 --> 00:21:36,164 WE'LL TRY THAT. 254 00:21:36,207 --> 00:21:37,426 LISTEN. 255 00:21:37,470 --> 00:21:38,949 I DON'T CARE IF THE ROOF FALLS IN. 256 00:21:38,993 --> 00:21:40,037 I DON'T WANT TO BE DISTURBED 257 00:21:40,081 --> 00:21:42,170 UNLESS IT'S A LIFE OR DEATH EMERGENCY. 258 00:21:42,213 --> 00:21:45,347 IS THAT CLEAR? YES'M. 259 00:22:06,020 --> 00:22:07,238 MISS RAWLINGS, 260 00:22:07,282 --> 00:22:08,849 YOU BE WANTIN' BEATEN BISCUITS WITH YOUR LUNCH, 261 00:22:08,892 --> 00:22:10,677 OR SPOON BREAD? 262 00:22:15,769 --> 00:22:17,336 BEATEN. 263 00:22:17,379 --> 00:22:20,034 [WATER PUMP SQUEAKING] 264 00:22:24,386 --> 00:22:27,563 OH, MY. 265 00:22:35,223 --> 00:22:36,267 GOOD MORNING. 266 00:22:36,311 --> 00:22:38,705 MORNIN'. 267 00:22:44,232 --> 00:22:46,365 HE'S BEAUTIFUL, ELLIE. 268 00:22:47,583 --> 00:22:50,194 MY PA SAYS TO PUT THIS ON YOUR RASH 269 00:22:50,238 --> 00:22:51,892 3 TIMES A DAY. 270 00:22:52,545 --> 00:22:55,374 OH, THANK YOU. 271 00:22:55,417 --> 00:22:56,418 MY MA SAYS WE'RE GONNA HAVE 272 00:22:56,462 --> 00:22:58,681 A POUND PARTY NEXT SATURDAY. 273 00:22:58,725 --> 00:23:01,510 SHE'D BE MOST PROUD IF YOU'D COME. 274 00:23:01,554 --> 00:23:03,207 I'D BE DELIGHTED TO. 275 00:23:03,251 --> 00:23:05,209 WHAT IS A POUND PARTY? 276 00:23:05,253 --> 00:23:07,864 EVERYBODY BRINGS A POUND OF SOMETHING... 277 00:23:07,908 --> 00:23:11,041 SUGAR OR BUTTER OR CAKE. 278 00:23:11,085 --> 00:23:12,869 CAKE WOULD BE FINE. 279 00:23:12,913 --> 00:23:14,393 DO YOU KNOW HOW TO BAKE A CAKE? 280 00:23:14,436 --> 00:23:16,046 I CERTAINLY DO. 281 00:23:16,090 --> 00:23:18,135 WHAT'S HIS NAME? 282 00:23:18,179 --> 00:23:20,050 OH, I CALL HIM FLAG. 283 00:23:20,094 --> 00:23:22,052 ON ACCOUNT OF HIS TAIL. 284 00:23:22,096 --> 00:23:23,271 KINDA LOOKS LIKE A FLAG. 285 00:23:23,314 --> 00:23:27,275 WELL, THAT'S A GOOD NAME FOR HIM. 286 00:23:28,102 --> 00:23:30,887 MY PA DON'T BELIEVE IN KEEPING PETS. 287 00:23:30,931 --> 00:23:32,149 BUT FLAG'S SPECIAL. 288 00:23:32,193 --> 00:23:35,501 HE'S REAL SMART AND KNOWS HIS NAME. 289 00:23:36,284 --> 00:23:37,938 HE LIKES YOU. 290 00:23:37,981 --> 00:23:41,594 WHY DOES YOUR FATHER NOT BELIEVE IN KEEPING PETS? 291 00:23:42,943 --> 00:23:45,249 MILK'S SOMETIMES SCARCE. 292 00:23:45,293 --> 00:23:46,773 BUT I DON'T NEED MILK NOW. 293 00:23:46,816 --> 00:23:49,950 SO FLAG GETS MY SHARE. 294 00:24:00,047 --> 00:24:01,788 DO YOU GO TO SCHOOL? 295 00:24:01,831 --> 00:24:03,572 MY MA TAUGHT US HOW TO READ, 296 00:24:03,616 --> 00:24:05,792 AND I'M A PRETTY FAIR SHOT. 297 00:24:07,315 --> 00:24:09,926 IT MUST GET LONELY OUT HERE. 298 00:24:09,970 --> 00:24:11,275 USED TO BE. 299 00:24:11,319 --> 00:24:12,842 BUT NOT SINCE FLAG. 300 00:24:12,886 --> 00:24:15,584 I'LL COME SHOW YOU THE WAY SATURDAY. 301 00:24:15,628 --> 00:24:17,804 ALL RIGHT. 302 00:24:25,333 --> 00:24:28,728 [KNOCKING] MORNIN'. 303 00:24:33,994 --> 00:24:35,691 MORNIN'? 304 00:24:45,179 --> 00:24:47,529 MISS RAWLINGS IS BUSY WORKIN'. 305 00:24:47,573 --> 00:24:49,183 MORNIN'. 306 00:24:57,713 --> 00:25:00,542 LIKE TO GO FOR A LITTLE SPIN? 307 00:25:00,586 --> 00:25:01,717 I HAVE WORK TO DO. 308 00:25:01,761 --> 00:25:04,851 I THOUGHT YOU'D LIKE TO TRY HER OUT. 309 00:25:05,199 --> 00:25:07,897 MR. BASKIN, I DON'T REALLY HAVE TIME FOR GAMES. 310 00:25:07,941 --> 00:25:11,640 WELL, I FIGURED THAT YOU MIGHT BE NEEDING A CAR. 311 00:25:11,684 --> 00:25:13,381 IT IS A LONG WALK INTO TOWN. 312 00:25:13,424 --> 00:25:16,863 SO, I BROUGHT ONE OUT FOR YOU TO TRY. 313 00:25:17,690 --> 00:25:18,995 I CAN'T AFFORD A CAR. 314 00:25:19,039 --> 00:25:21,171 YOU CAN AFFORD THIS ONE, MISS RAWLINGS. 315 00:25:21,215 --> 00:25:23,173 PUT YOUR SHOES ON, I'LL SHOW IT TO YOU. 316 00:25:23,217 --> 00:25:25,654 'COURSE, IT'S NOT WHAT YOU'D CALL A FORMAL CAR. 317 00:25:25,698 --> 00:25:27,351 SO IF YOU'D LIKE TO COME AS YOU ARE, 318 00:25:27,395 --> 00:25:28,352 THAT'D BE FINE. 319 00:25:28,396 --> 00:25:30,180 IT'S ALL RIGHT IF I CLEAN UP NOW? 320 00:25:30,224 --> 00:25:32,182 YES. THANK YOU. 321 00:25:32,226 --> 00:25:34,533 AND IF YOU WANT TO PUT ON A SUMMER DRESS 322 00:25:34,576 --> 00:25:36,186 AND PACK A NICE PICNIC LUNCH, 323 00:25:36,230 --> 00:25:37,448 THAT'D BE FINE, TOO. 324 00:25:37,492 --> 00:25:38,711 YOU DON'T WANT TO TURN IT DOWN 325 00:25:38,754 --> 00:25:40,190 BEFORE YOU LOOK IT OVER. 326 00:25:40,234 --> 00:25:43,672 MR. BASKIN-- NORTON. 327 00:25:43,716 --> 00:25:44,673 I APPRECIATE YOUR CONCERN, 328 00:25:44,717 --> 00:25:46,849 BUT I CAN'T POSSIBLY AFFORD A CAR. 329 00:25:46,893 --> 00:25:47,981 SO IF YOU'LL JUST EXCUSE ME-- 330 00:25:48,024 --> 00:25:49,722 NO MA'AM, I CERTAINLY DO NOT EXCUSE YOU. 331 00:25:49,765 --> 00:25:52,289 NOW, I'VE CONSIDERED THAT YOU'RE NEW HERE, 332 00:25:52,333 --> 00:25:55,075 AND THAT YOU'RE NERVOUS ABOUT STARTING OUT. 333 00:25:55,118 --> 00:25:56,206 BUT YOU'RE BEING PIG-HEADED. 334 00:25:56,250 --> 00:25:58,121 I DIDN'T COME TO SELL YOU A CAR. 335 00:25:58,165 --> 00:26:00,602 I PUT 2 AND 2 TOGETHER, AND AS FAR AS I CAN TELL, 336 00:26:00,646 --> 00:26:03,039 YOU DON'T HAVE ANYBODY TO DEPEND ON. 337 00:26:03,083 --> 00:26:04,563 I'M PERFECTLY CAPABLE OF TAKING-- 338 00:26:04,606 --> 00:26:06,390 I DON'T CARE HOW PERFECTLY CAPABLE 339 00:26:06,434 --> 00:26:07,870 YOU MAY THINKYOU ARE, 340 00:26:07,914 --> 00:26:09,568 THE FACT IS THAT YOU DON'T HAVE 341 00:26:09,611 --> 00:26:10,743 A MEANS OF TRANSPORTATION. 342 00:26:10,786 --> 00:26:12,875 NOW, MAYBE I'M OUT OF LINE, 343 00:26:12,919 --> 00:26:13,876 BUT I TOOK IT UPON MYSELF 344 00:26:13,920 --> 00:26:16,487 TO FETCH THAT OLD JALOPY OF YOURS. 345 00:26:16,531 --> 00:26:18,794 IT DOESN'T RUN. 346 00:26:18,838 --> 00:26:21,928 IT DOES NOW. 347 00:26:23,494 --> 00:26:25,322 OH. 348 00:26:27,107 --> 00:26:29,588 SO HOW MUCH DO I OWE YOU? 349 00:26:30,110 --> 00:26:31,938 I BROUGHT IT OUT HERE AS A GIFT. 350 00:26:31,981 --> 00:26:35,768 IF THAT OFFENDS YOU, I'M SORRY. 351 00:26:35,811 --> 00:26:37,291 BUT I SURE AS HELL DIDN'T COME HERE 352 00:26:37,334 --> 00:26:40,120 TO TAKE NOTHIN' FROM YOU. 353 00:26:45,299 --> 00:26:47,301 MR. BASKIN? 354 00:26:50,696 --> 00:26:54,047 WOULD YOU LIKE A CUP OF COFFEE? 355 00:26:56,484 --> 00:26:59,792 [SCREEN DOOR CREAKS] 356 00:27:02,882 --> 00:27:05,798 OH, MY GOODNESS. 357 00:27:10,977 --> 00:27:12,979 IT LOOKS BRAND-NEW. 358 00:27:13,022 --> 00:27:16,983 ALL IT NEEDED WAS A LITTLE LOVE AND AFFECTION. 359 00:27:19,507 --> 00:27:21,117 I'D LIKE TO PAY YOU FOR WHATEVER 360 00:27:21,161 --> 00:27:22,989 IT COST YOU TO DO THAT. 361 00:27:23,032 --> 00:27:24,207 [LAUGHS] 362 00:27:24,251 --> 00:27:27,341 ARE ALL WRITERS STUBBORN, OR IS IT JUST YOU? 363 00:27:27,384 --> 00:27:29,691 IS IT A DEAL? 364 00:27:32,868 --> 00:27:35,131 WELL, SEEING AS HOW WE'RE IN BUSINESS TOGETHER, 365 00:27:35,175 --> 00:27:37,656 YOU COULD DO ME A FAVOR. 366 00:27:38,352 --> 00:27:41,703 I'M GONNA NEED A LIFT BACK TO TOWN. 367 00:27:43,836 --> 00:27:46,752 [BOTH LAUGHING] 368 00:27:50,843 --> 00:27:53,323 Marjorie: THE PARTY WAS A WELCOME RESPITE 369 00:27:53,367 --> 00:27:54,585 FROM MY WORK. 370 00:27:54,629 --> 00:27:57,588 I LOOKED FORWARD TO SEEING ELLIE AGAIN. 371 00:27:57,632 --> 00:28:00,853 SHE STOOD ON THE THRESHOLD OF WOMANHOOD. 372 00:28:00,896 --> 00:28:03,986 CLINGING TO HER FAWN AS IF HE WERE THE LAST 373 00:28:04,030 --> 00:28:06,510 OF HER YOUTHFUL DREAMS. 374 00:28:06,554 --> 00:28:09,296 [PIANO MUSIC PLAYING] 375 00:28:15,868 --> 00:28:17,086 MAMA... 376 00:28:17,130 --> 00:28:19,654 MISS RAWLINGS HERE. 377 00:28:26,226 --> 00:28:29,272 HOW LOVELY OF YOU TO COME. 378 00:28:29,316 --> 00:28:30,534 I EXPECT THE OTHER GUESTS 379 00:28:30,578 --> 00:28:32,841 WILL BE HERE MOMENTARILY. 380 00:28:32,885 --> 00:28:34,713 AND THIS IS FOR YOU. 381 00:28:34,756 --> 00:28:36,105 OH, THANK YOU. 382 00:28:36,149 --> 00:28:38,760 HOW SWEET OF YOU. 383 00:28:38,804 --> 00:28:41,284 PLEASE, SIT DOWN. 384 00:28:41,328 --> 00:28:44,070 [CHICKENS CLUCKING] 385 00:28:56,430 --> 00:29:00,521 IT'LL HELP KEEP THE MOSQUITOES OFF YOU. 386 00:29:05,787 --> 00:29:08,747 FEELS LIKE RAIN. 387 00:29:09,269 --> 00:29:12,881 THE CHILDREN PICKED BLACKBERRIES ALL AFTERNOON. 388 00:29:12,925 --> 00:29:15,405 WE HAD A BLACKBERRY PATCH, BUT MY HUSBAND'S HOGS 389 00:29:15,449 --> 00:29:17,581 JUST HELPED THEIRSELVES TILL THERE WASN'T 390 00:29:17,625 --> 00:29:18,757 ANYTHING LEFT. 391 00:29:18,800 --> 00:29:23,239 I ENJOY PICKING BERRIES. 392 00:29:23,283 --> 00:29:28,462 FLOYD, BLOW SOME FOR OUR COMPANY. 393 00:29:29,637 --> 00:29:31,813 MARY. 394 00:29:31,857 --> 00:29:34,250 FLOYD TALKS TO THE ANIMALS. 395 00:29:34,294 --> 00:29:38,951 THEY COME CALLIN' FOR HIM EVERY MORNIN'. 396 00:29:38,994 --> 00:29:42,171 [PLAYS CAMPTOWN RACESON HARMONICA] 397 00:30:00,537 --> 00:30:02,452 DID MARY DANCE? 398 00:30:02,496 --> 00:30:04,106 NO, MA'AM. 399 00:30:04,150 --> 00:30:06,326 MARY. 400 00:30:19,426 --> 00:30:22,646 I BELIEVE THE OTHERS HAVE BEEN HELD UP. 401 00:30:22,690 --> 00:30:24,953 BILLY, PRESTON? 402 00:30:24,997 --> 00:30:27,173 YOU MAY BRING OUT THE REFRESHMENTS. 403 00:30:27,216 --> 00:30:29,828 YES, MA'AM. 404 00:30:47,628 --> 00:30:49,543 [WATER POURING] 405 00:31:23,316 --> 00:31:26,275 THANK YOU. 406 00:32:22,984 --> 00:32:26,466 [CHILDREN TALKING] 407 00:32:28,555 --> 00:32:29,773 NO, I GET HER. I GET FLAG. 408 00:32:29,817 --> 00:32:31,079 Ellie: TASTE GOOD, DOESN'T IT, FLAG? 409 00:32:31,123 --> 00:32:34,517 MA, ELLIE SAID I COULD PLAY WITH FLAG. 410 00:32:35,475 --> 00:32:36,780 Ellie: TASTES GOOD, HUH? 411 00:32:36,824 --> 00:32:38,826 Y'ALL HAVIN' A GOOD TIME? 412 00:32:38,869 --> 00:32:40,523 [ALL TALKING AT ONCE] 413 00:32:40,567 --> 00:32:41,655 HELLO, MISS RAWLINGS. 414 00:32:41,698 --> 00:32:42,917 HEY, BUBBA! HELLO. 415 00:32:42,961 --> 00:32:47,313 I BROUGHT YOU A NICE SOFT-TAILED CRITTER, HERE. 416 00:33:04,678 --> 00:33:08,160 HE SHOULD BE TIED BEHIND THE HOUSE. 417 00:33:08,682 --> 00:33:10,336 BUT HE'S SO SMALL, BUBBA. 418 00:33:10,379 --> 00:33:13,121 I'M SCARED A WILDCAT MIGHT GET HIM. 419 00:33:13,165 --> 00:33:15,384 CAKE'S AS LIGHT AS A FEATHER. 420 00:33:15,428 --> 00:33:17,996 GO ON, NOW. 421 00:33:19,084 --> 00:33:21,303 I SAVED YOU A PIECE, BUBBA. 422 00:33:21,347 --> 00:33:24,089 GO ON, NOW. 423 00:33:28,963 --> 00:33:32,619 COULD FLAG STAY IN? JUST FOR TONIGHT? 424 00:33:33,620 --> 00:33:36,144 HE BELONGS IN THE WOODS, YOU KNOW THAT. 425 00:33:36,188 --> 00:33:38,364 YES, SIR. 426 00:33:42,716 --> 00:33:44,500 BUT SEEING IT'S A SPECIAL DAY, 427 00:33:44,544 --> 00:33:45,893 YOU CAN LEAVE HIM BE. 428 00:33:45,936 --> 00:33:49,766 OH, THANK YOU, BUBBA. 429 00:33:55,076 --> 00:33:57,513 WE'RE HAVING A WONDERFUL PARTY. 430 00:33:57,557 --> 00:34:01,735 THREAT OF BAD WEATHER KEPT THE OTHER GUESTS AWAY. 431 00:34:02,388 --> 00:34:06,305 WE HAD A LOVELY CONVERSATION, DIDN'T WE? 432 00:34:07,480 --> 00:34:08,611 YES. 433 00:34:08,655 --> 00:34:12,398 I'M GONNA SEND MARY OVER WITH SOME DRESSES. 434 00:34:22,234 --> 00:34:26,238 I'LL BE TAKIN' MISS RAWLINGS HOME NOW. 435 00:34:37,336 --> 00:34:40,078 I HAD A LOVELY AFTERNOON, THANK YOU. 436 00:34:40,121 --> 00:34:42,080 IT WAS A PLEASURE. 437 00:34:42,123 --> 00:34:45,126 GOOD-BYE. 438 00:34:49,826 --> 00:34:53,961 ELLIE, NOW YOU COME HELP ME WITH THE DISHES. 439 00:34:54,004 --> 00:34:54,918 ALL YOU CHILDREN-- 440 00:34:54,962 --> 00:34:57,660 [CONTINUES INDISTINCTLY] 441 00:34:58,835 --> 00:35:01,099 [CHILDREN TALKING] 442 00:35:01,142 --> 00:35:04,014 I WANT LACE TRIM ON THE SLEEVE. 443 00:35:04,058 --> 00:35:05,277 STITCH IT NICE AND SMALL, 444 00:35:05,320 --> 00:35:09,019 SO THE THREAD DOESN'T SHOW THROUGH. 445 00:35:17,289 --> 00:35:19,987 [PIANO PLAYING] 446 00:35:56,850 --> 00:35:59,374 SHE WAS A VISITOR. 447 00:36:00,332 --> 00:36:02,203 SHE CAME TO A LOCAL SQUARE DANCE. 448 00:36:02,247 --> 00:36:05,859 I COULDN'T KEEP MY EYES OFF HER. 449 00:36:07,034 --> 00:36:09,167 SHOULDA LET HER BE. 450 00:36:09,210 --> 00:36:10,255 HEH. 451 00:36:10,298 --> 00:36:12,170 SHE'LL BE SENDING YOU CLOTHES TO MEND, 452 00:36:12,213 --> 00:36:15,042 DRESSES TO SEW. 453 00:36:15,521 --> 00:36:18,828 WELL, I'M AFRAID THAT... 454 00:36:18,872 --> 00:36:19,829 I HAVEN'T ANY NEED TO-- 455 00:36:19,873 --> 00:36:21,483 AW, SHE'S GOOD-HEARTED. 456 00:36:21,527 --> 00:36:23,311 DON'T PAY HER NO MIND. 457 00:36:23,355 --> 00:36:25,748 SHE'S SLIPPING AWAY FROM US. 458 00:36:25,792 --> 00:36:29,230 SHE'S FOUND HERSELF A MORE PEACEFUL WORLD. 459 00:36:29,274 --> 00:36:32,015 THIS CREEK'S HARD ON FOLKS. 460 00:36:32,059 --> 00:36:34,235 PARTICULARLY WOMEN. 461 00:36:34,279 --> 00:36:38,108 I'M NOT AFRAID OF LIVING HAND-TO-MOUTH. 462 00:36:38,152 --> 00:36:39,022 [LAUGHS] 463 00:36:39,066 --> 00:36:41,677 WELL, THAT'S WHAT IT'LL BE. 464 00:36:41,721 --> 00:36:44,245 I GUESS YOU'LL MAKE OUT. 465 00:36:44,289 --> 00:36:47,770 FOLKS AROUND HERE HAVE TO SCRATCH AND SCRAMBLE. 466 00:36:47,814 --> 00:36:49,250 THE PEOPLE THAT LOVE IT, 467 00:36:49,294 --> 00:36:50,730 THEY STAY HERE TILL THEY DIE, 468 00:36:50,773 --> 00:36:54,212 AND IF THEY DON'T, THEY MOVE ON. 469 00:37:29,290 --> 00:37:30,291 ARE WE LOST? 470 00:37:30,335 --> 00:37:32,815 THIS HERE'S THE RIVER STYX. 471 00:37:32,859 --> 00:37:35,253 BUT I LIVE AT CROSS CREEK. 472 00:37:35,296 --> 00:37:37,907 DON'T WORRY, I'LL GET YOU THERE, MISS RAWLINGS. 473 00:37:37,951 --> 00:37:40,606 SOMEBODY I WANT YOU TO MEET. 474 00:37:41,955 --> 00:37:43,957 GOT A GATOR HOLE RIGHT HERE. 475 00:37:44,000 --> 00:37:47,569 YOU DON'T WANT TO STEP IN IT. HEH. 476 00:37:47,613 --> 00:37:50,137 YOU'RE NOT EVEN AFRAID OF GATORS, ARE YOU? 477 00:37:50,180 --> 00:37:53,749 EVER BEEN BIT BY ONE? 478 00:37:53,793 --> 00:37:57,797 NOT RECENTLY. HA! 479 00:38:09,156 --> 00:38:10,505 WATCH YOUR STEP, NOW. 480 00:38:10,549 --> 00:38:13,900 WOULDN'T WANT TO FISH YOU OUT. 481 00:38:38,838 --> 00:38:40,361 THIS HERE'S YOUNG PAUL. 482 00:38:40,405 --> 00:38:43,146 WE CALL HIM "P". 483 00:38:43,190 --> 00:38:44,060 THIS IS MISS RAWLINGS. 484 00:38:44,104 --> 00:38:47,325 SHE'S LOOKING FOR A HIRED MAN. 485 00:38:47,368 --> 00:38:49,892 I COULD START ON MONDAY. 486 00:38:49,936 --> 00:38:51,329 WELL, I'M NOT SURE THAT I CAN AFFORD-- 487 00:38:51,372 --> 00:38:52,982 OH, HE'LL WORK OUT. HE'S A GOOD 'UN. 488 00:38:53,026 --> 00:38:56,856 GIVE YOU MORE TIME WITH YOUR WRITIN'. 489 00:38:59,032 --> 00:39:02,340 OH, I LIKE THIS BATCH, "P". 490 00:39:04,559 --> 00:39:07,345 WELL-- GOOD! 491 00:39:08,215 --> 00:39:10,913 IT'S SETTLED, THEN? 492 00:39:13,786 --> 00:39:16,397 WOULD YOU LIKE A LITTLE TASTE OF THIS? 493 00:39:17,442 --> 00:39:18,486 OH, THANK YOU. 494 00:39:18,530 --> 00:39:21,141 HERE'S TO YOU. 495 00:39:22,925 --> 00:39:24,884 AH, THAT'S GOOD. 496 00:39:25,537 --> 00:39:27,365 [SLURPS] 497 00:39:31,151 --> 00:39:35,329 HOW'D YOU--HOW DID YOU KNOW I WAS A WRITER? 498 00:39:38,245 --> 00:39:39,551 WILDCAT'S NOT THE ONLY THING 499 00:39:39,594 --> 00:39:42,205 THAT PROWLS AROUND IN THE DARK. 500 00:39:42,249 --> 00:39:43,729 [SPITS] 501 00:39:45,948 --> 00:39:47,210 I SEEM TO HAVE VERY LITTLE SAY 502 00:39:47,254 --> 00:39:50,475 ABOUT WHO I WILL AND WILL NOT HIRE. 503 00:39:51,171 --> 00:39:54,914 THAT'S THE WAY IT IS AT THE CREEK, MA'AM. 504 00:39:57,786 --> 00:39:59,484 'SCUSE ME. 505 00:40:02,922 --> 00:40:06,882 I DO INTEND TO WRITE AT LEAST 8 HOURS A DAY. 506 00:40:06,926 --> 00:40:10,712 ALL RIGHT, I'VE DECIDED TO HIRE YOUR FRIEND PAUL. 507 00:40:10,756 --> 00:40:12,627 HA! YOU YANKEE WOMEN LIKE TO MAKE 508 00:40:12,671 --> 00:40:14,412 ALL THE DECISIONS, DON'T YOU? 509 00:40:14,455 --> 00:40:16,718 WELL, IF YOU STAY, I'LL TAKE YOU 510 00:40:16,762 --> 00:40:18,416 ON A GATOR HUNT. 511 00:40:18,459 --> 00:40:22,245 I'LL BE STAYING, MR. TURNER. 512 00:40:22,289 --> 00:40:24,944 [HORSE NICKERS] 513 00:40:27,599 --> 00:40:29,427 ELLIE! 514 00:40:33,474 --> 00:40:37,086 THIS OLD BED MAY SEEM LIKE PURE "D" TRASH TO YOU, 515 00:40:37,130 --> 00:40:40,481 BUT IF YOU WANT IT, IT'S YOURS. 516 00:40:40,525 --> 00:40:42,265 IT'S BEAUTIFUL, MARSH. 517 00:40:42,309 --> 00:40:46,574 WELL, IT'S BEEN LAYIN' UP IN MY BARN ABOUT 50 YEARS. 518 00:40:46,618 --> 00:40:49,185 YOU WANT IT? 519 00:40:49,229 --> 00:40:54,277 WAY I FIGURE, A THING DESERVES TO BE USED. 520 00:40:54,321 --> 00:40:56,105 USED RIGHT. 521 00:40:56,149 --> 00:40:57,498 YOU LIVIN' NICE. 522 00:40:57,542 --> 00:40:59,761 YOU'RE TAKIN' CARE OF THIS OLD GROVE. 523 00:40:59,805 --> 00:41:01,459 YOU'RE THE ONE TO HAVE IT. 524 00:41:01,502 --> 00:41:03,286 BEEN SITTIN' UP ALL THESE YEARS 525 00:41:03,330 --> 00:41:05,027 WAITIN' FOR THE RIGHT PERSON. 526 00:41:05,071 --> 00:41:07,160 [HORSE NICKERS] 527 00:41:10,337 --> 00:41:13,383 YOU GOT BUGS IN THEM COLLARDS. 528 00:41:15,821 --> 00:41:18,476 YOU BETTER DUST 'EM. 529 00:41:18,519 --> 00:41:19,999 YOU'RE GONNA STAY BEHIND AND SHOW HER HOW, 530 00:41:20,042 --> 00:41:23,176 WON'T YOU, ELLIE, SWEETHEART? 531 00:41:23,524 --> 00:41:25,178 WHAT'S THAT FINE, HANDSOME CAR 532 00:41:25,221 --> 00:41:26,440 YOU GOT SITTIN' OUT FRONT? 533 00:41:26,484 --> 00:41:30,792 MR. NORTON, MR. BASKIN BROUGHT THAT OUT TO ME. 534 00:41:30,836 --> 00:41:32,664 IT'S MY CAR. HE JUST FIXED IT. 535 00:41:32,707 --> 00:41:34,796 THAT'S ALL RIGHT, MARJORIE. 536 00:41:34,840 --> 00:41:38,496 THERE'S NO NEED TO EXPLAIN ANYTHING. 537 00:41:39,540 --> 00:41:41,063 WELL, NOW, 538 00:41:41,107 --> 00:41:42,543 PAINTED YOUR HOUSE, 539 00:41:42,587 --> 00:41:44,893 PLANTED SOME COLLARDS, 540 00:41:44,937 --> 00:41:48,157 BOUGHT YOURSELF A MULE... 541 00:41:48,201 --> 00:41:49,507 FIXED YOUR CAR. 542 00:41:49,550 --> 00:41:52,858 I THINK YOU'RE SETTLIN' IN. 543 00:41:52,901 --> 00:41:56,992 WE GONNA TAKE YOU ON A GATOR HUNT REAL SOON. 544 00:41:57,036 --> 00:41:58,341 THANK YOU. 545 00:41:58,385 --> 00:42:01,170 FIRST WE GONNA START OUT WITH SOMETHIN' EASY-- 546 00:42:01,214 --> 00:42:03,042 SAY A BEAR HUNT. 547 00:42:08,700 --> 00:42:10,049 MARSH... 548 00:42:10,092 --> 00:42:12,660 YOU WANT IT, MARJORIE? 549 00:42:12,704 --> 00:42:15,533 IT'S YOURS. COME ON. 550 00:42:25,891 --> 00:42:27,588 [TYPEWRITER CLICKING] 551 00:42:27,632 --> 00:42:29,372 Marjorie: MARSH TURNER AND HIS FAMILY 552 00:42:29,416 --> 00:42:31,200 WERE UNLIKE ANY OF THE FRIENDS 553 00:42:31,244 --> 00:42:32,680 I HAD KNOWN BEFORE. 554 00:42:32,724 --> 00:42:34,464 I WAS DRAWN TO THEM. 555 00:42:34,508 --> 00:42:37,598 THE RUSTIC COTTAGE, THE CHILDREN. 556 00:42:37,642 --> 00:42:38,904 I WONDERED IF, LIKE THEM, 557 00:42:38,947 --> 00:42:42,734 I'D FIND PEACE IN MY NEW WORLD. 558 00:42:43,343 --> 00:42:45,563 PAUL WAS CARING FOR MY GROVE, 559 00:42:45,606 --> 00:42:49,349 AND GEECHEE WATCHED OVER THE HOUSE. 560 00:42:51,612 --> 00:42:54,702 SOMETIMES IN THE DISTANCE IN THE HAMMOCK SWAMP, 561 00:42:54,746 --> 00:42:57,705 I COULD HEAR THE FELLING OF CYPRUS TREES. 562 00:42:57,749 --> 00:43:00,621 I WAS LEARNING THAT THE GROVE WAS HARD FOUGHT, 563 00:43:00,665 --> 00:43:04,059 AND HARD MAINTAINED, AND MUST ALWAYS AS A CHILD 564 00:43:04,103 --> 00:43:07,628 BE KEPT SAFE FROM A SUDDEN FROST. 565 00:43:07,672 --> 00:43:10,065 I COULD NOW CONCENTRATE ON MY WRITING, 566 00:43:10,109 --> 00:43:13,155 BUT EACH WORD WAS A STRUGGLE. 567 00:43:13,199 --> 00:43:16,637 PHRASES, LINES, PARAGRAPHS ELUDED ME. 568 00:43:16,681 --> 00:43:18,334 I HAD BEEN HERE FOR SOME TIME. 569 00:43:18,378 --> 00:43:20,075 A STORY WASN'T HALF-FINISHED, 570 00:43:20,119 --> 00:43:23,905 AND MY FUNDS WERE TRICKLING SLOWLY AWAY. 571 00:43:23,949 --> 00:43:26,081 WHOO-HO! 572 00:43:26,125 --> 00:43:28,257 WHOO-WHOO, SOOIE! 573 00:43:28,301 --> 00:43:29,955 [PIGS SNORTING] 574 00:43:29,998 --> 00:43:31,913 HOG! HOG! HYAH! HYAH! 575 00:43:31,957 --> 00:43:34,786 OH, FOR HEAVEN'S SAKE. GEECHEE! 576 00:43:34,829 --> 00:43:35,917 HYAH! 577 00:43:35,961 --> 00:43:38,137 Marjorie: FOR PETE'S SAKE! 578 00:43:38,180 --> 00:43:39,312 GET OUT OF THERE! 579 00:43:39,355 --> 00:43:42,097 GET, GET! GET OUT OF HERE! 580 00:43:42,141 --> 00:43:43,011 GET ON! AAH! 581 00:43:43,055 --> 00:43:44,534 MISS RAWLINGS THEY GOT YOUR-- 582 00:43:44,578 --> 00:43:45,623 Marjorie: MR. TURNER. 583 00:43:45,666 --> 00:43:47,668 GOOD AFTERNOON, MA'AM. 584 00:43:47,712 --> 00:43:50,105 GO ON, GET OUTTA HERE! 585 00:43:50,149 --> 00:43:51,106 GET, GET! LOOK AT THIS. 586 00:43:51,150 --> 00:43:53,631 YAH! YAH! DAMN IT, GO ON! 587 00:43:53,674 --> 00:43:55,676 [PIGS SNORTING] 588 00:43:55,720 --> 00:44:00,333 MR. TURNER, YOUR PIGS ATE MY FLOWERS. 589 00:44:00,899 --> 00:44:05,599 I SEE MY HOGS BEEN BOTHERING YOU. 590 00:44:06,339 --> 00:44:10,212 IF THEM HOGS EVER COME BACK HERE TO BOTHER YOU, 591 00:44:10,256 --> 00:44:12,475 THEM'S YOUR HOGS! 592 00:44:12,519 --> 00:44:14,477 HAA! SOO! 593 00:44:14,521 --> 00:44:16,001 YA-YO! 594 00:44:16,044 --> 00:44:17,524 YO-HO! 595 00:44:17,567 --> 00:44:19,961 YO, HOG! DAMN YOU! 596 00:44:20,005 --> 00:44:21,528 HYAH! HYAH! 597 00:44:21,571 --> 00:44:22,877 HYAH! 598 00:44:22,921 --> 00:44:24,139 WHOA! 599 00:44:24,183 --> 00:44:26,272 [GIGGLING] 600 00:44:41,722 --> 00:44:44,377 I'M DONE TO SUIT YOU? 601 00:44:44,420 --> 00:44:45,683 YES. 602 00:44:45,726 --> 00:44:48,337 YOU TRUST ME? 603 00:44:48,381 --> 00:44:49,991 YES. 604 00:44:50,035 --> 00:44:52,690 I GOT A THING TO TELL YOU. 605 00:44:52,733 --> 00:44:55,344 I GOTTA HAVE HELP. 606 00:44:55,388 --> 00:44:58,521 THESE HERE IS FROM MY MAN. 607 00:44:58,565 --> 00:45:01,220 READ 'EM. 608 00:45:10,490 --> 00:45:12,448 "MY SWEET BEATRICE..." 609 00:45:12,492 --> 00:45:15,582 THAT'S WHAT HE CALLS ME BY. 610 00:45:17,410 --> 00:45:19,891 "I GOTTA GET OUT, I CAN'T STAND IT. 611 00:45:19,934 --> 00:45:21,370 "YOU GOTTA GET ME A JOB, 612 00:45:21,414 --> 00:45:22,720 SO THEY LET ME OUT." 613 00:45:22,763 --> 00:45:24,460 HE IN THE STATE PRISON. 614 00:45:24,504 --> 00:45:26,549 YOU CAN GET HIM OUT. 615 00:45:26,593 --> 00:45:27,725 YOU CAN WRITE 'EM A LETTER 616 00:45:27,768 --> 00:45:30,771 AND SAY YOU GOT WORK FOR HIM. 617 00:45:32,599 --> 00:45:33,600 BUT IT SAYS HERE, 618 00:45:33,643 --> 00:45:35,863 "20 YEARS FOR MANSLAUGHTER." 619 00:45:35,907 --> 00:45:37,125 HE DIDN'T DO NOTHIN'. 620 00:45:37,169 --> 00:45:39,214 THE OTHER NIGGER WAS LAYIN' FOR HIM. 621 00:45:39,258 --> 00:45:41,303 AND HE COME AT LEROY AND HE BOPPED HIM ONE, 622 00:45:41,347 --> 00:45:43,392 AND LEROY, SEE, HE'S STRONG, 623 00:45:43,436 --> 00:45:44,872 AND HE MADE A PASS AT HIM, 624 00:45:44,916 --> 00:45:46,874 AND IT DONE KILLED HIM. 625 00:45:46,918 --> 00:45:50,835 YOU NEED ANOTHER MAN OUT HERE TO HELP OUT. 626 00:45:53,446 --> 00:45:56,405 GEECHEE, I'M NOT SURE 627 00:45:56,449 --> 00:45:58,233 I CAN AFFORD TO HIRE ANYONE ELSE. 628 00:45:58,277 --> 00:45:59,452 MONEY DON'T MATTER. 629 00:45:59,495 --> 00:46:01,236 YOU WRITE THE SUPERINTENDENT A LETTER. 630 00:46:01,280 --> 00:46:03,412 HE'D LISTEN TO YOU... 631 00:46:03,456 --> 00:46:06,633 'CAUSE YOU THE WRITER. 632 00:46:09,201 --> 00:46:14,293 WELL, FINE, DON'T EXPECT TO-- 633 00:46:28,568 --> 00:46:31,136 [GRUNTING] 634 00:46:39,492 --> 00:46:40,928 THIS IS MY COUSIN, TIM. 635 00:46:40,972 --> 00:46:43,452 HIM AND HIS WIFE COME OUT TO HELP. 636 00:46:43,496 --> 00:46:45,324 Marjorie: THANK YOU. IF YOU LIKE, 637 00:46:45,367 --> 00:46:49,981 YOU CAN STAY IN THE SHACK AT THE END OF THE GROVE. 638 00:46:50,329 --> 00:46:53,201 HOW MUCH LONGER CAN MY GROVE LAST WITHOUT WATER? 639 00:46:53,245 --> 00:46:56,639 WELL...LEAVES WILL BE COMIN' UP. 640 00:46:56,683 --> 00:46:59,991 I DON'T KNOW WHAT THAT MEANS. 641 00:47:00,687 --> 00:47:03,690 IT MEANS YOU MIGHT LOSE YOUR CROP. 642 00:47:07,563 --> 00:47:09,870 WELL, I JUST CAN'T SIT HERE AND WATCH 643 00:47:09,914 --> 00:47:12,525 WHILE MY ORANGE GROVE DIES. 644 00:47:13,004 --> 00:47:14,962 MA'AM, TIM AND I CAN'T HAUL ALL THIS 645 00:47:15,006 --> 00:47:17,704 OUT OF HERE BY OURSELVES. 646 00:47:34,025 --> 00:47:35,156 WHAT DO I DO? 647 00:47:35,200 --> 00:47:37,419 A WOMAN CAN'T DO THIS KIND OF WORK. 648 00:47:37,463 --> 00:47:38,420 IT AIN'T RIGHT. 649 00:47:38,464 --> 00:47:39,508 DON'T YOU TELL ME 650 00:47:39,552 --> 00:47:42,120 WHAT A WOMAN CAN AND CANNOT DO. 651 00:47:55,568 --> 00:47:57,918 UHH. 652 00:48:08,581 --> 00:48:10,409 WELL? 653 00:48:23,291 --> 00:48:25,424 TIM? 654 00:48:25,772 --> 00:48:28,775 THAT WAS A GOOD DAY'S WORK, THANK YOU. 655 00:48:32,083 --> 00:48:32,910 MA'AM, 656 00:48:32,953 --> 00:48:35,042 [STAMMERING] THE W-WIFE NEEDS 657 00:48:35,086 --> 00:48:36,914 TO USE THE W-WATER PUMP ONCE A DAY. 658 00:48:36,957 --> 00:48:38,089 I W-WOULDN'T ASK, 659 00:48:38,132 --> 00:48:41,048 BUT SHE'LL BE HAVIN' A CHILD SHORTLY. 660 00:48:41,092 --> 00:48:42,571 SHE'S WELCOME TO USE MINE. 661 00:48:42,615 --> 00:48:43,572 IF SHE NEEDS ANYTHING AT ALL-- 662 00:48:43,616 --> 00:48:45,226 W-WATER'S ALL SHE'LL BE WANTIN'. 663 00:48:45,270 --> 00:48:48,273 THAT'S A-ALL I'LL BE ASKIN'. 664 00:48:52,973 --> 00:48:55,584 HE'S USED TO LIVIN' IN THE WOODS, 665 00:48:55,628 --> 00:48:56,498 MORE THAN ME. 666 00:48:56,542 --> 00:49:00,111 CAN'T SEEM TO ABIDE BY PEOPLE. 667 00:49:01,808 --> 00:49:07,422 โ™ช WE ARE CLIMBIN' JACOB'S LADDER โ™ช 668 00:49:07,466 --> 00:49:14,821 โ™ช WE ARE CLIMBIN' JACOB'S LADDER โ™ช 669 00:49:15,126 --> 00:49:21,610 โ™ช WE ARE CLIMBIN' JACOB'S LADDER โ™ช 670 00:49:21,654 --> 00:49:26,964 โ™ช SOLDIERS OF THE CROSS โ™ช 671 00:49:33,492 --> 00:49:36,147 [DOOR HINGE SQUEAKS] 672 00:49:45,025 --> 00:49:46,896 TIM SAID IT'D BE ALL RIGHT. 673 00:49:46,940 --> 00:49:49,769 OF COURSE IT'S ALL RIGHT. 674 00:49:53,599 --> 00:49:54,687 WOULD YOU LIKE TO SIT DOWN 675 00:49:54,730 --> 00:49:57,168 AND REST FOR A MINUTE? 676 00:49:59,344 --> 00:50:02,390 [PUMP SQUEAKS AND WATER RUNS] 677 00:50:22,715 --> 00:50:24,891 IT'S HEAVY. 678 00:50:24,934 --> 00:50:27,198 THANK YOU, MA'AM. 679 00:51:07,107 --> 00:51:09,109 Marjorie: DEAR MAX, 680 00:51:09,153 --> 00:51:11,111 HERE IT IS, FINALLY, 681 00:51:11,155 --> 00:51:13,940 MY GOTHIC STORY ABOUT AN ENGLISH TUTOR 682 00:51:13,983 --> 00:51:14,897 AND HER MISADVENTURES 683 00:51:14,941 --> 00:51:18,205 IN A NOBLEMAN'S ANCIENT CASTLE. 684 00:51:18,249 --> 00:51:21,904 I THINK IT'S THE BEST STORY I'VE EVER WRITTEN, 685 00:51:21,948 --> 00:51:23,732 AND I'M SENDING IT OFF TO YOU, 686 00:51:23,776 --> 00:51:28,128 POSITIVE THAT I WILL FINALLY BE PUBLISHED. 687 00:51:28,172 --> 00:51:31,479 SO MUCH HAPPENS HERE AT CROSS CREEK. 688 00:51:31,523 --> 00:51:34,830 MAX, I'M ATTEMPTING TO GET GEECHEE'S BOYFRIEND 689 00:51:34,874 --> 00:51:37,616 OUT OF JAIL AND BUILD A DAM. 690 00:51:37,659 --> 00:51:40,227 YOUNG ELLIE FOLLOWS THE FORTUNES 691 00:51:40,271 --> 00:51:43,926 OF MY GROVE AS CLOSELY AS IF IT HAD BEEN HER OWN. 692 00:51:43,970 --> 00:51:45,798 SHE AND HER FAWN ARE MY COWORKERS 693 00:51:45,841 --> 00:51:48,801 OVER THE HAZARDOUS FORTUNES OF MY CROP. 694 00:51:48,844 --> 00:51:53,501 IF THERE CAN BE SUCH A THING AS INSTINCTUAL MEMORY, 695 00:51:53,545 --> 00:51:57,288 THE CONSCIOUSNESS OF LAND AND WATER 696 00:51:57,331 --> 00:51:58,941 MUST LIE DEEPER IN THE CORE OF US 697 00:51:58,985 --> 00:52:02,989 THAN ANY KNOWLEDGE OF OUR FELLOW BEINGS. 698 00:52:03,642 --> 00:52:04,643 WE WERE BRED OF THE EARTH 699 00:52:04,686 --> 00:52:07,124 BEFORE WE WERE BORN OF OUR MOTHERS. 700 00:52:07,167 --> 00:52:11,954 ONCE BORN, WE CAN LIVE WITHOUT OUR MOTHERS 701 00:52:11,998 --> 00:52:13,260 OR...FATHERS, 702 00:52:13,304 --> 00:52:17,264 OR ANY OTHER KIN, OR ANY FRIEND, 703 00:52:17,308 --> 00:52:19,788 OR HUMAN LOVE. 704 00:52:19,832 --> 00:52:22,443 WE CANNOT LIVE WITHOUT THE EARTH, 705 00:52:22,487 --> 00:52:24,967 OR APART FROM IT. 706 00:52:25,011 --> 00:52:27,796 AND SOMETHING IS SHRIVELED IN MAN'S HEART 707 00:52:27,840 --> 00:52:29,450 WHEN HE TURNS AWAY FROM IT, 708 00:52:29,494 --> 00:52:33,976 AND CONCERNS HIMSELF ONLY WITH THE AFFAIRS OF MEN. 709 00:52:34,020 --> 00:52:36,849 COME ON, MULE, COME ON! 710 00:53:55,493 --> 00:53:57,756 MISS RAWLINGS! 711 00:53:59,279 --> 00:54:01,803 WE DID GOOD! 712 00:54:02,151 --> 00:54:05,938 WE DID MAGNIFICENTLY! 713 00:54:13,119 --> 00:54:15,774 [CRICKETS CHIRPING] 714 00:54:24,217 --> 00:54:26,611 MY, MY, MY. 715 00:54:27,351 --> 00:54:29,309 THIS IS MY UTTERLY DEADLY 716 00:54:29,353 --> 00:54:31,442 SOUTHERN PECAN PIE. 717 00:54:31,485 --> 00:54:32,747 MY, MY. 718 00:54:32,791 --> 00:54:36,447 I NEVER ATE BETTER IN MY LIFE. 719 00:54:38,187 --> 00:54:39,276 DO YOU WANT MORE COFFEE? 720 00:54:39,319 --> 00:54:41,843 I DON'T MIND IF I DO. 721 00:54:46,979 --> 00:54:48,763 DELICIOUS. 722 00:54:48,807 --> 00:54:51,244 MY OWN RECIPE. 723 00:54:53,246 --> 00:54:56,031 CANDLES, FLOWERS, 724 00:54:56,075 --> 00:54:58,730 DELICIOUS HOME-COOKED MEAL... 725 00:54:58,991 --> 00:55:00,993 I MUST HAVE DONE AN AWFULLY GOOD JOB 726 00:55:01,036 --> 00:55:02,299 ON THAT CAR. 727 00:55:02,342 --> 00:55:05,824 I TAKE IT IT'S STILL RUNNING SMOOTHLY? 728 00:55:06,215 --> 00:55:08,653 PERFECTLY SMOOTHLY. 729 00:55:13,832 --> 00:55:16,313 TO MY FIRST DINNER GUEST. 730 00:55:32,851 --> 00:55:35,375 THERE'S STILL PLENTY OF PIE. 731 00:55:35,419 --> 00:55:37,769 HMM. 732 00:55:39,553 --> 00:55:43,122 WE COULD EAT IT IN THE MORNIN'. 733 00:55:47,866 --> 00:55:51,783 DON'T YOU THINK THAT'D BE A GOOD IDEA, MARJORIE? 734 00:55:53,437 --> 00:55:57,049 IS YOUR GOVERNESS STILL LOST ON THE MOORS? 735 00:56:00,226 --> 00:56:02,924 NOW YOU KNOW WHAT I WOULD DO? 736 00:56:03,708 --> 00:56:05,840 I WOULD GIVE HER A FULL MOON-- 737 00:56:05,884 --> 00:56:08,843 SOMETHIN' LIKE WHAT WE HAVE TONIGHT-- 738 00:56:08,887 --> 00:56:12,891 AND A HANDSOME LORD. 739 00:56:13,152 --> 00:56:17,112 WELL, HE COULD LOOK, JUST A LITTLE BIT LIKE ME. 740 00:56:17,156 --> 00:56:20,246 AND HE'LL LEAD HER SAFELY HOME. 741 00:56:20,289 --> 00:56:22,814 I'M SURE OF IT. 742 00:56:41,789 --> 00:56:43,574 NORTON... 743 00:56:43,617 --> 00:56:45,706 YOU'RE A BIT OF A POET. 744 00:56:45,750 --> 00:56:48,274 YES'M. 745 00:56:48,796 --> 00:56:53,758 WITH YOU...I THINK I'M EVERYTHING. 746 00:57:30,882 --> 00:57:33,450 [BABY GURGLES] 747 00:57:37,062 --> 00:57:39,586 [HUMMING] 748 00:57:59,040 --> 00:58:02,304 I THOUGHT YOU MIGHT LIKE THAT. 749 00:58:04,219 --> 00:58:06,308 HOW ARE YOU GETTING ON? 750 00:58:06,352 --> 00:58:09,529 NOTHIN' EXTRA. 751 00:58:09,573 --> 00:58:12,837 THERE AIN'T NO SCREENS TO THE HOUSE, AND... 752 00:58:12,880 --> 00:58:14,926 THE SKEETERS LIKE TO EAT US ALIVE. 753 00:58:14,969 --> 00:58:18,799 CAN'T KEEP THE ANTSES OUT OF TIM'S BREAKFAST. 754 00:58:18,843 --> 00:58:20,932 WHY DIDN'T ANYONE SAY ANYTHING TO ME? 755 00:58:20,975 --> 00:58:23,282 I HAD NO IDEA. I'LL SEE TO IT. 756 00:58:23,325 --> 00:58:25,197 DON'T MATTER. 757 00:58:25,240 --> 00:58:28,853 WE'LL MAKE OUT. 758 00:58:29,462 --> 00:58:31,638 THAT'S A NICE BABY. 759 00:58:32,683 --> 00:58:36,251 THE OTHER DIDN'T LAST TILL SPRING. 760 00:58:36,295 --> 00:58:38,427 THIS ONE MIGHT FARE BETTER. 761 00:58:38,471 --> 00:58:41,387 TILL WINTER, MAYBE. 762 00:58:50,483 --> 00:58:52,485 I WAS WONDERING IF YOUR WIFE 763 00:58:52,529 --> 00:58:54,095 MIGHT HELP ME AT THE HOUSE. 764 00:58:54,139 --> 00:58:57,142 JUST A BIT OF LIGHT WASHING. 765 00:58:57,185 --> 00:58:58,099 [STAMMERING] W-WHITE WOMAN 766 00:58:58,143 --> 00:58:59,579 DON'T ASK ANOTHER W-WHITE WOMAN 767 00:58:59,623 --> 00:59:01,189 TO DO HER WASHIN'. 768 00:59:01,233 --> 00:59:05,063 CARRY HER SLOPS, NEITHER. 769 00:59:08,370 --> 00:59:11,025 US'LL BE LEAVIN' HERE NOW. 770 00:59:13,375 --> 00:59:17,075 I DIDN'T MEAN TO OFFEND YOU. 771 00:59:18,729 --> 00:59:21,601 I WAS TRYING TO BE NEIGHBORLY. 772 00:59:24,430 --> 00:59:27,085 [HARMONICA PLAYING] 773 00:59:32,786 --> 00:59:35,441 [BIRDS CAWING] 774 00:59:51,892 --> 00:59:54,460 [THUNDER] 775 01:00:07,691 --> 01:00:10,607 MAIL FOR YOU, MISS RAWLINGS. 776 01:00:13,000 --> 01:00:15,612 THANK YOU. 777 01:00:32,846 --> 01:00:34,979 Max: "MY DEAR MARJORIE, 778 01:00:35,022 --> 01:00:36,545 "PLEASE, BELIEVE ME WHEN I SAY 779 01:00:36,589 --> 01:00:38,243 "IT DISAPPOINTS ME AS MUCH AS YOU 780 01:00:38,286 --> 01:00:41,115 "TO HAVE TO RETURN YOUR MANUSCRIPT. 781 01:00:41,159 --> 01:00:44,336 "MARJORIE, YOUR WRITING IS TECHNICALLY PERFECT, 782 01:00:44,379 --> 01:00:46,294 "YET IT IS STILL AN IMITATION 783 01:00:46,338 --> 01:00:47,905 "OF OTHER AUTHORS' WORK. 784 01:00:47,948 --> 01:00:51,256 "YOUR LETTERS TO ME ABOUT YOUR LIFE IN CROSS CREEK 785 01:00:51,299 --> 01:00:52,779 "ARE ALIVE WITH EMOTION, 786 01:00:52,823 --> 01:00:55,260 "AND I READ THEM WITH SUCH PLEASURE. 787 01:00:55,303 --> 01:00:58,567 "THEY ARE THE MOST REVEALING BITS OF LIFE 788 01:00:58,611 --> 01:01:00,352 "THAT TELLS NOT TRIVIAL FACTS, 789 01:01:00,395 --> 01:01:01,962 "BUT HUMAN MOTIVES 790 01:01:02,006 --> 01:01:05,270 "AND THE SECRETS OF HUMAN HEARTS. 791 01:01:05,313 --> 01:01:07,228 "THAT CHILD WHO WANTS A DEAR, 792 01:01:07,272 --> 01:01:09,927 "THE YOUNG COUPLE WHO CHOSE TO LIVE IN THE WOODS 793 01:01:09,970 --> 01:01:13,408 "RATHER THAN CONFORM TO CIVILIZATION. 794 01:01:13,452 --> 01:01:15,367 "WRITE ME THOSE STORIES, 795 01:01:15,410 --> 01:01:18,022 "NOT THESE ENGLISH TEA PARTIES 796 01:01:18,065 --> 01:01:22,026 AND GOTHIC TALES YOU KNOW NOTHING ABOUT." 797 01:01:28,815 --> 01:01:30,730 [THUNDER] 798 01:01:30,774 --> 01:01:33,472 [CAR HORN HONKS] 799 01:01:34,342 --> 01:01:36,257 AFTERNOON. 800 01:01:36,301 --> 01:01:37,694 GOOD AFTERNOON. 801 01:01:37,737 --> 01:01:40,087 STICKY, ISN'T IT? 802 01:01:41,567 --> 01:01:43,830 YOU KNOW, I ALWAYS DID ADMIRE A WOMAN 803 01:01:43,874 --> 01:01:45,397 WITHOUT CURIOSITY. 804 01:01:45,440 --> 01:01:47,486 MOST WOMEN'D RIP THEIR MAIL OPEN 805 01:01:47,529 --> 01:01:49,967 AS SOON AS THEY GOT THEIR HANDS ON IT. 806 01:01:50,010 --> 01:01:51,055 BUT YOU-- 807 01:01:51,098 --> 01:01:53,187 THERE'S NO NEED FOR ME TO BE CURIOUS. 808 01:01:53,231 --> 01:01:54,101 THIS IS FOR GEECHEE, 809 01:01:54,145 --> 01:01:56,016 AND THIS IS A REJECTED STORY, 810 01:01:56,060 --> 01:01:58,366 AND I DON'T WANT TO TALK ABOUT IT ANYMORE. 811 01:01:58,410 --> 01:02:02,370 WELL, I GOT A FEELING IT'S A MIGHTY FINE STORY. 812 01:02:02,414 --> 01:02:03,676 I DOUBT THAT. 813 01:02:03,720 --> 01:02:05,634 GOOD STORIES GET PUBLISHED. 814 01:02:05,678 --> 01:02:06,897 [ENGINE STARTS] 815 01:02:06,940 --> 01:02:09,900 MARJORIE, I DON'T KNOW ANYTHING ABOUT WRITING, 816 01:02:09,943 --> 01:02:11,728 BUT I DO KNOW THAT YOU'RE THE KIND OF WOMAN 817 01:02:11,771 --> 01:02:13,991 THAT'S GONNA BE GOOD AT WHATEVER IT IS 818 01:02:14,034 --> 01:02:16,080 SHE DECIDES TO DO. 819 01:02:16,645 --> 01:02:18,778 NOW YOU BEEN THROUGH SO MUCH SINCE YOU CAME HERE, 820 01:02:18,822 --> 01:02:21,215 MAYBE YOU JUST NEED A LITTLE TIME 821 01:02:21,259 --> 01:02:24,566 FOR THINGS TO SETTLE OUT. 822 01:02:24,610 --> 01:02:26,307 THANK YOU. 823 01:02:26,351 --> 01:02:30,268 SUPPOSE I DROP BY LATER ON? 824 01:06:27,984 --> 01:06:30,595 [PIGS SNORTING] 825 01:06:57,230 --> 01:06:58,318 WHAT YOU DOIN'? 826 01:06:58,362 --> 01:06:59,841 PUT THAT THING DOWN! 827 01:06:59,885 --> 01:07:00,712 LEAVE ME ALONE! 828 01:07:00,755 --> 01:07:02,453 IT'S JUST MR. TURNER'S PIGS! 829 01:07:02,496 --> 01:07:04,585 I INTEND TO SHOOT THEM. 830 01:07:04,629 --> 01:07:05,934 AAH! [THUNDER] 831 01:07:05,978 --> 01:07:07,327 [PIGS SQUEALING] 832 01:07:07,371 --> 01:07:09,416 AAH! GET ON UP! 833 01:07:09,460 --> 01:07:11,679 COME IN THE HOUSE! 834 01:07:11,723 --> 01:07:15,944 [BOTH TALKING AT ONCE] 835 01:07:15,988 --> 01:07:17,076 WHERE'S MY GUN? 836 01:07:17,120 --> 01:07:17,990 COME ON IN. 837 01:07:18,034 --> 01:07:19,948 HERE IT IS. WHERE'S MY GUN? 838 01:07:19,992 --> 01:07:21,689 MISS, COME IN THE HOUSE! 839 01:07:21,733 --> 01:07:23,865 YOU'RE GONNA BE SICK! 840 01:07:23,909 --> 01:07:26,042 [SOBBING] 841 01:07:26,085 --> 01:07:28,044 WHOA! AAH! 842 01:07:28,087 --> 01:07:30,916 MISS RAWLINGS! 843 01:07:30,959 --> 01:07:33,223 I THINK I GOT ONE! 844 01:07:33,266 --> 01:07:35,660 GET ON IN THE HOUSE! 845 01:07:37,879 --> 01:07:39,577 [CAR ENGINE REVVING] 846 01:07:39,620 --> 01:07:42,232 [BRAKES SQUEAL] 847 01:07:43,363 --> 01:07:46,192 [ENGINE STOPS] 848 01:07:46,236 --> 01:07:47,367 MISS RAWLINGS NOT HOME. 849 01:07:47,411 --> 01:07:48,368 WOULD YOU TELL HER I'D LIKE TO TALK TO HER 850 01:07:48,412 --> 01:07:49,195 FOR A MINUTE, PLEASE. 851 01:07:49,239 --> 01:07:50,370 I MEAN, SHE BUSY WORKIN'. 852 01:07:50,414 --> 01:07:51,197 YOU CAN'T SEE HER. 853 01:07:51,241 --> 01:07:52,416 BETTER TELL HER I'M HERE. 854 01:07:52,459 --> 01:07:56,420 THOUGHT JUST FOR A MINUTE, I'D SPEAK TO HER. 855 01:07:56,463 --> 01:07:57,899 GEECHEE? 856 01:07:57,943 --> 01:07:59,771 WHO IS IT? 857 01:07:59,814 --> 01:08:00,859 IT'S MR. TURNER, 858 01:08:00,902 --> 01:08:03,340 AND HE GOT THAT FRESH FELLOW WITH HIM. 859 01:08:03,383 --> 01:08:04,384 SEND THEM IN. 860 01:08:04,428 --> 01:08:06,386 NO, MA'AM, YOU CAN'T BE ENTERTAININ' 861 01:08:06,430 --> 01:08:08,040 IN YOUR BEDROOM! 862 01:08:08,084 --> 01:08:10,564 [KNOCKS] 863 01:08:20,922 --> 01:08:23,708 YOU MAY COME IN, MR. TURNER. 864 01:08:27,973 --> 01:08:29,235 DEBT TO YOU, MA'AM. 865 01:08:29,279 --> 01:08:30,628 GOOD MORNING. 866 01:08:30,671 --> 01:08:33,848 I'D LIKE A CUP OF COFFEE, PLEASE. 867 01:08:37,025 --> 01:08:40,986 IT WAS STORMIN' LAST NIGHT, MISS RAWLINGS. 868 01:08:41,029 --> 01:08:41,987 REMEMBER? 869 01:08:42,030 --> 01:08:45,469 WHAT CAN I DO FOR YOU, MR. TURNER? 870 01:08:47,384 --> 01:08:50,126 SOMEBODY SHOT MY PIG. 871 01:08:53,607 --> 01:08:55,783 THIS IS SERIOUS, MARJORIE. 872 01:08:55,827 --> 01:08:57,437 I'D JUST LIKE TO KNOW WHO. 873 01:08:57,481 --> 01:08:59,309 I SHOT YOUR PIG. 874 01:08:59,352 --> 01:09:03,313 IT TORMENTED ME, AND I SHOT IT. 875 01:09:03,356 --> 01:09:05,967 THAT WAS MY PIG, MISS RAWLINGS. 876 01:09:06,011 --> 01:09:07,795 NO, THAT WAS MY PIG. 877 01:09:07,839 --> 01:09:08,883 YOU GAVE THAT PIG TO ME 878 01:09:08,927 --> 01:09:10,668 WHEN YOU SAID THAT IF THEY TRESPASSED, 879 01:09:10,711 --> 01:09:13,279 THEY WERE MINE. 880 01:09:13,323 --> 01:09:15,368 WHAT KIND OF WOMAN SHOOT A HOG 881 01:09:15,412 --> 01:09:16,630 IN THE MIDDLE OF A STORM? 882 01:09:16,674 --> 01:09:18,154 WAS IT A GOOD SHOT? 883 01:09:18,197 --> 01:09:19,285 NO, MA'AM, IT WAS NOT, 884 01:09:19,329 --> 01:09:20,591 I HAD TO FINISH IT OFF MYSELF. 885 01:09:20,634 --> 01:09:24,029 MR. TURNER, WOULD YOU LOWER YOUR VOICE, PLEASE. 886 01:09:26,858 --> 01:09:29,121 WON'T YOU JOIN ME? 887 01:09:31,210 --> 01:09:32,690 THANK YOU, MA'AM. 888 01:09:32,733 --> 01:09:33,995 WON'T GET NO WRITIN' DONE 889 01:09:34,039 --> 01:09:37,782 IF YOU'RE ENTERTAININ' ALL MORNIN'. 890 01:09:37,825 --> 01:09:39,610 WELL, THANK YOU, KINDLY. 891 01:09:39,653 --> 01:09:42,613 YOU'RE CERTAINLY WELCOME. 892 01:09:51,883 --> 01:09:54,015 I'LL PAY FOR YOUR PIG. 893 01:09:54,059 --> 01:09:56,801 BUT IT WAS AN OUTLAW. 894 01:09:56,844 --> 01:09:58,803 IT WAS PRACTICALLY A PET. 895 01:09:58,846 --> 01:10:01,022 YOU COULD CATCH IT WITH YOUR BARE HANDS. 896 01:10:01,066 --> 01:10:02,850 WELL, I WOULDN'T HAVE HAD THE PLEASURE 897 01:10:02,894 --> 01:10:04,548 OF SHOOTING IT. 898 01:10:11,903 --> 01:10:12,904 MISS RAWLINGS, 899 01:10:12,947 --> 01:10:14,384 I DIDN'T WANT TO DISTURB YOU, MA'AM. 900 01:10:14,427 --> 01:10:15,472 I WENT AROUND AND TALKED 901 01:10:15,515 --> 01:10:16,386 TO A LOT OF YOUR FRIENDS. 902 01:10:16,429 --> 01:10:17,474 EVEN NORTON, HERE, ASSURED ME 903 01:10:17,517 --> 01:10:18,562 YOU'RE NOT THE KIND OF WOMAN 904 01:10:18,605 --> 01:10:21,217 THAT WOULD HAVE SHOT MY HOG. 905 01:10:21,478 --> 01:10:23,697 THAT IS JUST THE WAY I AM. 906 01:10:23,741 --> 01:10:25,612 I GO ALONG QUIETLY FOR A WHILE, 907 01:10:25,656 --> 01:10:27,005 AND THEN OUT OF THE CLEAR BLUE SKY, 908 01:10:27,048 --> 01:10:28,528 I DON'T KNOW WHAT HAPPENS TO ME, 909 01:10:28,572 --> 01:10:29,486 I JUST PICK UP A GUN, 910 01:10:29,529 --> 01:10:30,878 I SHOOT WHATEVER MAKES ME ANGRY. 911 01:10:30,922 --> 01:10:35,187 I'M SO AFRAID ONE DAY IT JUST MIGHT BE A PERSON. 912 01:10:37,798 --> 01:10:40,627 I'M AFRAID WHATEVER IT IS I OWE YOU 913 01:10:40,671 --> 01:10:43,717 WILL HAVE TO WAIT UNTIL I'M... 914 01:10:43,761 --> 01:10:45,980 SOLVENT. I'M FLAT BROKE. 915 01:10:46,024 --> 01:10:49,549 MY LAST STORY WAS REJECTED. 916 01:10:59,385 --> 01:11:00,473 MISS RAWLINGS, 917 01:11:00,517 --> 01:11:04,085 SEEM IF I DO REMEMBER THAT WAS YOUR HOG. 918 01:11:04,129 --> 01:11:06,697 GOOD DAY TO YOU NOW, MA'AM. 919 01:11:06,740 --> 01:11:07,654 GOOD DAY. 920 01:11:07,698 --> 01:11:08,829 SEE YOU NOW. 921 01:11:08,873 --> 01:11:13,878 MR. TURNER, I'D LIKE TO HAVE THAT HOG BACK. 922 01:11:13,921 --> 01:11:14,661 SAY WHAT? 923 01:11:14,705 --> 01:11:16,402 I'D LIKE TO HAVE THAT HOG 924 01:11:16,446 --> 01:11:17,751 AND IT EAT IT, TOO, FOR DINNER. 925 01:11:17,795 --> 01:11:20,319 PERHAPS YOU AND MR. BASKIN WOULD JOIN ME? 926 01:11:20,363 --> 01:11:23,366 BE A SHAME TO WASTE ALL THEM RIBS. 927 01:11:23,409 --> 01:11:24,323 MISS RAWLINGS, 928 01:11:24,367 --> 01:11:25,455 YOU'RE GONNA HAVE THAT HOG 929 01:11:25,498 --> 01:11:28,762 BEFORE SUNDOWN, RIBS AND ALL. 930 01:11:29,197 --> 01:11:31,765 WON'T WE HAVE A LOVELY BARBECUE? 931 01:11:31,809 --> 01:11:33,376 DO IT PROUD. 932 01:11:34,551 --> 01:11:37,423 THIS MISS MARJORIE'S WORK TIME. 933 01:11:37,467 --> 01:11:40,165 YOU HAVE TO BE GOIN'. 934 01:11:42,515 --> 01:11:43,995 MARJORIE, I WOULD LIKE TO READ 935 01:11:44,038 --> 01:11:46,127 WHAT YOU WRITE TODAY. 936 01:11:50,001 --> 01:11:52,046 YOU WON'T READ WHAT I WRITE TODAY 937 01:11:52,090 --> 01:11:53,221 OR ANY OTHER DAY. 938 01:11:53,265 --> 01:11:54,745 WHAT I WRITE IS NONE OF YOUR DAMN BUSINESS. 939 01:11:54,788 --> 01:11:58,052 NOW WHY DON'T YOU JUST GET OUT OF HERE? 940 01:12:00,359 --> 01:12:02,927 I THINK I'LL DO JUST THAT. 941 01:12:18,508 --> 01:12:19,900 NORTON! 942 01:12:19,944 --> 01:12:21,815 I'M SORRY. 943 01:12:21,859 --> 01:12:23,817 [SIGHS] 944 01:12:23,861 --> 01:12:26,211 YOU GOT QUITE A TEMPER, MARJORIE. 945 01:12:26,254 --> 01:12:28,605 SHOOTIN' PIGS AND CHOPPIN' MY HEAD OFF. 946 01:12:28,648 --> 01:12:30,346 I KNOW... 947 01:12:30,389 --> 01:12:32,391 [SIGHS] 948 01:12:34,350 --> 01:12:37,178 I'M SCARED STIFF. 949 01:12:38,354 --> 01:12:41,357 I CAN'T IMAGINE YOU SCARED OF ANYTHING. 950 01:12:45,839 --> 01:12:50,888 I'M WRITING A STORY ABOUT TIM AND HIS WIFE. 951 01:12:50,931 --> 01:12:53,369 IT'S CALLED JACOB'S LADDER. 952 01:12:53,412 --> 01:12:56,981 IT'S SOMETHIN' I CARE VERY MUCH ABOUT. 953 01:12:57,024 --> 01:12:59,200 IT WOULDN'T BE LIKE ANYBODY ELSE'S WORK. 954 01:12:59,244 --> 01:13:01,028 IT'LL COME STRAIGHT OUTTA ME. 955 01:13:01,072 --> 01:13:03,901 DO YOU UNDERSTAND THAT? 956 01:13:06,294 --> 01:13:09,341 IF THIS GETS TURNED DOWN, I HAVE TO FACE THE FACT 957 01:13:09,385 --> 01:13:11,517 THAT I WASN'T MEANT TO BE A WRITER. 958 01:13:11,561 --> 01:13:14,651 THAT SOUNDS A LITTLE DRASTIC, MARJORIE. 959 01:13:14,694 --> 01:13:16,740 NO... 960 01:13:16,783 --> 01:13:21,179 THIS IS MY WORLD-- CROSS CREEK. 961 01:13:22,267 --> 01:13:24,443 THE PEOPLE HERE... 962 01:13:24,487 --> 01:13:29,927 ARE RICHER THAN MY IMAGINARY GOVERNESSES. 963 01:13:30,971 --> 01:13:32,408 IF I CAN'T WRITE 964 01:13:32,451 --> 01:13:35,280 MY OWN HONEST THOUGHTS AND FEELINGS, 965 01:13:35,323 --> 01:13:37,413 THEN I'M NO AUTHOR 966 01:13:41,329 --> 01:13:45,769 YOU'RE GONNA DO JUST FINE, MARJORIE. 967 01:13:52,428 --> 01:13:54,081 BELIEVE YOU'RE HOLDING MY HAND AGAIN, 968 01:13:54,125 --> 01:13:56,257 MR. BASKIN. 969 01:13:58,477 --> 01:14:01,045 SEEMS I AM. 970 01:14:01,088 --> 01:14:04,440 I SUPPOSE YOU'LL BE INSISTING ON STAYING FOR SUPPER. 971 01:14:04,483 --> 01:14:08,444 MY THOUGHTS EXACTLY. 972 01:14:11,708 --> 01:14:15,451 NOTHING'S GONNA HAPPEN BETWEEN US. 973 01:14:29,421 --> 01:14:33,338 Marjorie: THE YEARLING WAS GROWING UP. 974 01:14:33,381 --> 01:14:36,341 AND SO WAS ELLIE. 975 01:14:42,086 --> 01:14:46,786 THE LAND WE TOILED OVER RESPONDED TO OUR CARE. 976 01:14:46,830 --> 01:14:51,269 MY GROVE WAS THRIVING. 977 01:16:09,869 --> 01:16:12,089 THANK YOU, PAUL. 978 01:16:25,624 --> 01:16:27,539 [CHICKENS CLUCKING] 979 01:16:27,583 --> 01:16:30,281 [TYPEWRITER CLACKING] 980 01:16:31,587 --> 01:16:34,198 [BIRDS CHIRPING] 981 01:16:39,420 --> 01:16:41,292 LEROY! 982 01:16:41,335 --> 01:16:43,860 [LAUGHING] 983 01:16:48,821 --> 01:16:51,432 THIS IS HIM! THIS IS HIM! 984 01:16:51,476 --> 01:16:53,826 [LAUGHING] 985 01:16:53,870 --> 01:16:55,785 LEROY! 986 01:16:55,828 --> 01:16:58,744 Marjorie: IT SEEMED NOTHING COULD GO WRONG. 987 01:16:58,788 --> 01:17:01,312 GEECHEE HAD HER LEROY HOME, 988 01:17:01,355 --> 01:17:03,880 AND I HAD SETTLED INTO WRITING 989 01:17:03,923 --> 01:17:05,751 10 TO 12 HOURS A DAY. 990 01:17:05,795 --> 01:17:08,145 BUT AS TIME WENT ON, I SAW THAT LEROY 991 01:17:08,188 --> 01:17:10,713 MADE NO EFFORT TO LEND THE GROVE WORK. 992 01:17:10,756 --> 01:17:13,890 HE WAS CONTENT TO LANGUISH COMFORTABLY 993 01:17:13,933 --> 01:17:15,152 INTO GEECHEE'S CARE. 994 01:17:15,195 --> 01:17:19,243 AS FOR ME, MY DIVORCE HAD BECOME FINAL, 995 01:17:19,286 --> 01:17:22,638 AND I WAS BUSY WORKING ON JACOB'S LADDER. 996 01:17:22,681 --> 01:17:25,641 I SENSED IT WAS MORE HONEST AND ALIVE 997 01:17:25,684 --> 01:17:27,730 THAN ANYTHING I'D EVER WRITTEN. 998 01:17:27,773 --> 01:17:29,253 BUT I COULDN'T BRING MYSELF 999 01:17:29,296 --> 01:17:31,168 TO SEND IT TO MAXWELL PERKINS. 1000 01:17:31,211 --> 01:17:33,953 I COULDN'T FACE REJECTION... 1001 01:17:33,997 --> 01:17:37,653 NOT WITH JACOB'S LADDER. 1002 01:17:49,534 --> 01:17:52,189 PUT THAT BACK. 1003 01:17:53,625 --> 01:17:57,194 THAT BELONG TO MISS MARJORIE. 1004 01:17:58,586 --> 01:18:00,458 DID YOU HEAR ME? 1005 01:18:00,501 --> 01:18:02,895 I HEAR YOU. 1006 01:18:02,939 --> 01:18:06,420 YOU WANT MARMALADE OR MOLASSES? 1007 01:18:07,030 --> 01:18:09,641 I SAID, YOU WANT MARMALADE OR MOLASSES 1008 01:18:09,685 --> 01:18:11,208 WITH YOUR PANCAKE? 1009 01:18:11,251 --> 01:18:12,296 Marjorie: GEECHEE... 1010 01:18:12,339 --> 01:18:16,692 I'D LIKE TO SPEAK TO LEROY ALONE. 1011 01:18:19,999 --> 01:18:22,436 Marjorie: WE'VE HAD FROST WARNINGS. 1012 01:18:22,480 --> 01:18:24,656 PAUL COULD USE YOUR HELP IN THE GROVE. 1013 01:18:24,700 --> 01:18:26,876 I'LL CHOP ENOUGH WOOD FOR YOU TOMORROW. 1014 01:18:26,919 --> 01:18:30,749 I HAVE BETTER THINGS IN MIND THAN WORKING IN THE GROVE. 1015 01:18:30,793 --> 01:18:34,057 LEROY, YOU HAVE TO LEAVE. 1016 01:18:34,100 --> 01:18:35,798 I SUPPOSE GEECHEE WILL WANT TO GO WITH YOU, 1017 01:18:35,841 --> 01:18:37,277 AND I'LL BE SORRY TO SEE HER GO, 1018 01:18:37,321 --> 01:18:40,454 BUT THIS IS NOT GOING TO WORK OUT. 1019 01:18:44,415 --> 01:18:46,460 [DOOR OPENS] 1020 01:18:46,504 --> 01:18:49,115 [BIRDS CHIRPING] 1021 01:19:10,615 --> 01:19:13,226 I PACKED. 1022 01:19:17,317 --> 01:19:20,364 I'LL BE GOING AFTER LEROY NOW. 1023 01:19:23,280 --> 01:19:26,587 SO, GUESS I'LL BE GOING. 1024 01:19:33,986 --> 01:19:36,641 I GOT SOMETHING TO ASK YOU. 1025 01:19:36,684 --> 01:19:37,816 CERTAINLY. 1026 01:19:37,860 --> 01:19:41,602 YOU SATISFIED WITH MY WORK AROUND HERE? 1027 01:19:41,646 --> 01:19:42,821 OF COURSE I AM. 1028 01:19:42,865 --> 01:19:45,781 THEN HOW COME YOU LET ME GO JUST LIKE THAT? 1029 01:19:45,824 --> 01:19:48,435 I ASSUMED YOU WANTED TO GO. 1030 01:19:48,479 --> 01:19:50,089 SO WHAT IF I DID WANTED TO? 1031 01:19:50,133 --> 01:19:51,569 WHAT KIND OF PERSON LET ANOTHER PERSON 1032 01:19:51,612 --> 01:19:54,528 DO SOMETHING THEY KNOW WILL HURT HER? 1033 01:19:56,052 --> 01:19:57,836 GEECHEE... 1034 01:19:57,880 --> 01:19:59,316 I DON'T UNDERSTAND YOU, 1035 01:19:59,359 --> 01:20:01,535 I DON'T HAVE ANY RIGHT TO STOP YOU. 1036 01:20:01,579 --> 01:20:03,102 YOU DO IF YOU CARE ABOUT ME. 1037 01:20:03,146 --> 01:20:05,278 YOU KNOW WHAT LEROY GONNA DO TO ME. 1038 01:20:05,322 --> 01:20:08,804 USE ME UP AND SPEND ALL HIS TIME IN JUKE JOINTS 1039 01:20:08,847 --> 01:20:13,112 DRINKING UP MY PAYCHECK JUST LIKE BEFORE. 1040 01:20:13,156 --> 01:20:15,462 I GOT A GOOD LIFE HERE. 1041 01:20:15,506 --> 01:20:17,290 I GOT A BETTER LIFE AT THE CREEK-- 1042 01:20:17,334 --> 01:20:18,901 I DON'T WANT YOU TO GO. 1043 01:20:18,944 --> 01:20:20,598 I THOUGHT THAT YOU KNEW THAT. 1044 01:20:20,641 --> 01:20:23,427 HOW AM I SUPPOSED TO KNOW THAT? 1045 01:20:23,470 --> 01:20:28,084 IT'S EASY GET SOMEBODY FOR COOKIN' AND SWEEPIN'. 1046 01:20:28,127 --> 01:20:31,565 I THINK OF YOU AS A FRIEND. 1047 01:20:36,527 --> 01:20:41,575 YOU CARE ABOUT ME AND YOU WAS GONNA LET ME GO AWAY? 1048 01:20:41,619 --> 01:20:43,708 IT'S VERY DIFFICULT TO LEAVE SOMEONE 1049 01:20:43,751 --> 01:20:45,536 YOU'VE BEEN WITH. 1050 01:20:45,579 --> 01:20:48,669 AFTERWARDS, THE LONELINESS-- 1051 01:20:48,713 --> 01:20:50,846 I UNDERSTAND LONESOME. 1052 01:20:50,889 --> 01:20:53,892 MY LIFE WITH LEROY WAS LONESOME. 1053 01:20:53,936 --> 01:20:57,156 PROBABLY WILL BE AGAIN. 1054 01:20:57,591 --> 01:21:00,420 BUT YOU'RE A WOMAN, AND YOU LIVE BY YOURSELF 1055 01:21:00,464 --> 01:21:03,859 AND DON'T LET NOBODY TAKE ADVANTAGE OF YOU. 1056 01:21:03,902 --> 01:21:07,645 I'VE BEEN WATCHIN' HOW YOU DO IT. 1057 01:21:08,037 --> 01:21:11,214 THAT'S WHAT I WANT TO BE LIKE. 1058 01:21:14,130 --> 01:21:18,134 THAT'S SOMETHING I LEARNED OFF OF YOU. 1059 01:21:19,483 --> 01:21:22,921 I AIN'T GOIN' ON NO TRAIN WITH LEROY AND THAT'S FINAL. 1060 01:21:22,965 --> 01:21:26,229 HE AIN'T NEVER DONE NOTHIN' BUT WRONG TO ME. 1061 01:21:26,272 --> 01:21:29,188 AIN'T NOBODY-- NOBODY EVER 1062 01:21:29,232 --> 01:21:30,581 DONE FOR ME WHAT YOU DONE. 1063 01:21:30,624 --> 01:21:36,413 GIVING ME DECENT WAGES AND LENDING ME YOUR CAR. 1064 01:21:36,935 --> 01:21:41,635 WELL, US WILL DO FINE. US WILL DO BETTER. 1065 01:21:41,679 --> 01:21:46,466 I'M GLAD YOU'RE STAYING, GEECHEE, I REALLY AM. 1066 01:22:03,005 --> 01:22:04,180 NOW THAT WE'RE FRIENDS, 1067 01:22:04,223 --> 01:22:06,312 I GOT SOMETHIN' TO TELL YOU YOU DON'T KNOW. 1068 01:22:06,356 --> 01:22:07,923 [SIGHS] WHAT IS IT? 1069 01:22:07,966 --> 01:22:10,360 ON PAPER, YOU MIGHT BE REAL SMART, 1070 01:22:10,403 --> 01:22:13,972 BUT IN REAL LIFE, YOU GOT A LOT TO LEARN, 1071 01:22:14,016 --> 01:22:15,626 A WHOLE LOT. 1072 01:22:16,061 --> 01:22:17,062 WELL, IS THAT SO? 1073 01:22:17,106 --> 01:22:19,369 YOU CAN'T GO LETTIN' PEOPLE YOU LIKE 1074 01:22:19,412 --> 01:22:20,936 WALK OUT ON YOU. 1075 01:22:20,979 --> 01:22:23,895 YOU ALMOST LOST ME. 1076 01:22:23,939 --> 01:22:27,638 YOU'RE GONNA LOSE MR. NORTON, TOO. 1077 01:22:31,816 --> 01:22:32,904 [TYPING] 1078 01:22:32,948 --> 01:22:35,689 I DON'T WISH TO DISCUSS IT. 1079 01:22:35,733 --> 01:22:38,127 I DON'T KNOW WHY I STAY HERE WITH YOU FOR, 1080 01:22:38,170 --> 01:22:40,172 YOU OLD BAD-TEMPERED WOMAN! 1081 01:22:40,216 --> 01:22:42,087 JUST CRAZY, I GUESS. 1082 01:22:42,131 --> 01:22:44,089 I GUESS SO. 1083 01:22:44,133 --> 01:22:46,657 [TYPING] 1084 01:22:49,181 --> 01:22:51,967 [BLUEGRASS MUSIC PLAYING] 1085 01:23:09,549 --> 01:23:11,290 BUBBA! 1086 01:23:11,334 --> 01:23:13,031 HEY, HEY! 1087 01:23:31,180 --> 01:23:33,921 โ™ช SOMEBODY STOLE MY OLD COON DOG AWAY โ™ช 1088 01:23:33,965 --> 01:23:35,184 โ™ช SHOULD BRING HIM BACK 1089 01:23:35,227 --> 01:23:36,750 โ™ช HE'LL THROW THEM BIG HOGS OVER THE FENCE โ™ช 1090 01:23:36,794 --> 01:23:39,927 โ™ช LITTLE ONES THROUGH THE CRACKS โ™ช 1091 01:23:45,542 --> 01:23:47,239 โ™ช WHOA, TROUBLE, TROUBLE, TROUBLE โ™ช 1092 01:23:47,283 --> 01:23:49,502 โ™ช ALL I'VE HAD IT ALL MY DAYS โ™ช 1093 01:23:49,546 --> 01:23:51,113 โ™ช JUST LOOKS LIKE OLD TROUBLE โ™ช 1094 01:23:51,156 --> 01:23:54,507 โ™ช GONNA FOLLOW ME TO MY GRAVE โ™ช 1095 01:24:00,209 --> 01:24:01,514 ALL RIGHT! 1096 01:24:01,558 --> 01:24:02,863 [APPLAUSE] 1097 01:24:02,907 --> 01:24:04,256 [GIGGLING] 1098 01:24:04,300 --> 01:24:06,302 THANK YOU FOR COMIN', NOW. 1099 01:24:06,345 --> 01:24:08,565 Marjorie: I BROUGHT YOU A CAKE. 1100 01:24:08,608 --> 01:24:09,740 THANKS! BUBBA! 1101 01:24:09,783 --> 01:24:12,656 SHE BAKED ME A CAKE! 1102 01:24:12,917 --> 01:24:15,702 YOU KNOW, SHE WAS HOPIN' THAT YOU WERE GONNA 1103 01:24:15,746 --> 01:24:16,877 BAKE HER A BIRTHDAY CAKE. 1104 01:24:16,921 --> 01:24:20,011 I WAS HOPIN' YOU'D MAKE IT A BOURBON CAKE. 1105 01:24:20,055 --> 01:24:22,666 IT'S A CHOCOLATE LAYER CAKE. 1106 01:24:22,709 --> 01:24:27,062 I GUESS WE'LL HAVE TO SAMPLE MY HOME BREW, THEN. 1107 01:24:28,411 --> 01:24:32,502 WOULD YOU LIKE A TASTE? HERE WE GO. 1108 01:24:32,806 --> 01:24:34,504 THERE'S ONE FOR MISS RAWLINS. 1109 01:24:34,547 --> 01:24:35,809 I KNOW YOU HAVE TO SAVE YOURSELF 1110 01:24:35,853 --> 01:24:37,333 FOR YOUR WRITIN', MARJORIE, 1111 01:24:37,376 --> 01:24:39,726 SO WE, UH, WE GOT YOU A PITCHER 1112 01:24:39,770 --> 01:24:41,598 OF SASSAFRAS AND TEA OVER THERE. 1113 01:24:41,641 --> 01:24:44,470 WELL, THIS WILL DO ME FINE, THANK YOU. 1114 01:24:44,514 --> 01:24:46,211 HOLD IT, LILLY. 1115 01:24:46,255 --> 01:24:47,125 THANK YOU, LILLY. 1116 01:24:47,169 --> 01:24:48,909 NORTON, THIS ONE'S FOR YOU. 1117 01:24:48,953 --> 01:24:50,737 EASY, MARSH. 1118 01:24:50,781 --> 01:24:53,088 I'D LIKE TO PROPOSE THIS TOAST 1119 01:24:53,131 --> 01:24:54,698 TO MY DARLING DAUGHTER ELLIE 1120 01:24:54,741 --> 01:24:56,047 ON HER 14th BIRTHDAY. 1121 01:24:56,091 --> 01:24:57,918 HERE'S TO YOU, SUGAR. 1122 01:24:57,962 --> 01:24:59,833 Mary: HAPPY BIRTHDAY, ELLIE. 1123 01:24:59,877 --> 01:25:01,139 All: HAPPY BIRTHDAY. 1124 01:25:01,183 --> 01:25:02,967 Ellie: BUBBA? 1125 01:25:03,010 --> 01:25:04,055 HMM? 1126 01:25:04,099 --> 01:25:07,798 COULD I CUT THE FIRST PIECE FOR FLAG? 1127 01:25:11,802 --> 01:25:14,152 IT'S YOUR BIRTHDAY, SWEETHEART. 1128 01:25:14,196 --> 01:25:16,459 YOU GO RIGHT AHEAD. 1129 01:25:19,288 --> 01:25:23,509 PAUL! PAUL, PLAY SOMETHIN' FOR US, WILL YOU? 1130 01:25:53,496 --> 01:25:55,802 YOU WERE GIVEN THE PERFECT DAY 1131 01:25:55,846 --> 01:25:57,195 TO CELEBRATE ON. 1132 01:25:57,239 --> 01:25:59,154 THANKS. 1133 01:26:20,914 --> 01:26:23,178 FLAG! 1134 01:26:23,743 --> 01:26:27,007 FLAG! FLAG! 1135 01:26:30,272 --> 01:26:33,971 FLAG! PLEASE! 1136 01:26:43,807 --> 01:26:46,723 FLAG! 1137 01:26:51,423 --> 01:26:53,904 PRESTON, HELP ME! 1138 01:26:54,992 --> 01:26:56,559 FLAG! 1139 01:26:56,602 --> 01:27:00,215 FLAG, STOP! FLAG! 1140 01:27:01,868 --> 01:27:04,219 PLEASE, FLAG, STOP! 1141 01:27:07,178 --> 01:27:09,311 FLAG, NO! 1142 01:27:23,716 --> 01:27:26,937 [GLASS BREAKING] 1143 01:27:43,649 --> 01:27:45,085 MY HUSBAND IS A GENTLEMAN. 1144 01:27:45,129 --> 01:27:49,612 WHATEVER HE DOES WRONG, HE'LL SET RIGHT. 1145 01:27:52,919 --> 01:27:55,400 YOU YEARNED TO HAVE A PET OF YOUR OWN. 1146 01:27:55,444 --> 01:27:58,838 I DIDN'T HAVE THE HEART TO DENY YOU. 1147 01:27:59,404 --> 01:28:02,146 YOU'VE DONE AN INJUSTICE TO FLAG. 1148 01:28:02,189 --> 01:28:04,061 HE'S NOT HUMAN. 1149 01:28:04,104 --> 01:28:07,194 HE'S NOT A CRITTER. 1150 01:28:09,109 --> 01:28:10,894 HE BELONGS IN THE WOODS. 1151 01:28:10,937 --> 01:28:13,723 COULD HAVE CRIPPLED HIM, DARLIN'. 1152 01:28:13,984 --> 01:28:16,639 HE WOULDN'T KNOW HOW TO SURVIVE. 1153 01:28:17,117 --> 01:28:20,295 I PROMISE HE WON'T GET OUT AGAIN. 1154 01:28:21,034 --> 01:28:24,647 YOU CAN'T CHAIN HIM UP FOREVER. 1155 01:28:24,690 --> 01:28:27,954 WELL, I'LL WALK HIM AFTER MY CHORES ARE DONE. 1156 01:28:27,998 --> 01:28:30,609 LOOK, BUBBA, HE'S BEING REAL GOOD NOW. 1157 01:28:30,653 --> 01:28:33,308 HE DIDN'T MEAN ANY HARM. 1158 01:28:34,265 --> 01:28:36,136 MARJORIE. 1159 01:28:36,180 --> 01:28:39,705 PLEASE, BUBBA, DON'T MAKE ME GIVE HIM UP. 1160 01:28:41,228 --> 01:28:44,362 I DON'T THINK HE'S GIVING ME ANY CHOICE. 1161 01:28:44,406 --> 01:28:45,755 MARSH... 1162 01:28:45,798 --> 01:28:48,235 MAYBE IF THE PEN WAS A LITTLE STRONGER. 1163 01:28:48,279 --> 01:28:52,675 HE'D GO RIGHT THROUGH IT OR HE'D GO RIGHT OVER IT. 1164 01:28:54,154 --> 01:28:56,156 MARSH, PLEASE. 1165 01:28:56,200 --> 01:28:58,768 CAN'T WE TRY? 1166 01:29:06,210 --> 01:29:09,474 I'LL THINK ABOUT IT. 1167 01:29:09,518 --> 01:29:11,258 BUT I'M NOT MAKING YOU A PROMISE, 1168 01:29:11,302 --> 01:29:13,652 DO YOU UNDERSTAND ME? 1169 01:29:13,696 --> 01:29:16,525 YES, SIR. 1170 01:29:18,744 --> 01:29:21,530 I'LL THINK ABOUT IT. 1171 01:29:46,729 --> 01:29:48,861 COME ON, ELLIE. 1172 01:29:48,905 --> 01:29:49,906 [ELLIE CRYING] 1173 01:29:49,949 --> 01:29:52,256 IT'S GONNA BE ALL RIGHT. 1174 01:29:54,954 --> 01:29:56,695 OUT HERE, YOU JUST CAN'T AFFORD 1175 01:29:56,739 --> 01:29:58,175 TO HAVE NO SOFTNESS IN YOU. 1176 01:29:58,218 --> 01:30:01,091 DAILY LIFE DON'T ALLOW IT. 1177 01:30:04,573 --> 01:30:07,227 YOU KNOW ELLIE'S SPECIAL TO ME, 1178 01:30:07,271 --> 01:30:09,839 DON'T YOU? 1179 01:30:09,882 --> 01:30:11,188 SHE ALWAYS HAS BEEN. 1180 01:30:11,231 --> 01:30:13,799 SHE'S THE ONE THAT STAYS UP AT NIGHT 1181 01:30:13,843 --> 01:30:15,322 WAITIN' FOR ME. 1182 01:30:15,366 --> 01:30:16,628 SHE CALLS ME BUBBA. 1183 01:30:16,672 --> 01:30:18,282 IF ANYTHING HAPPENED TO THAT GIRL, 1184 01:30:18,325 --> 01:30:19,762 I DON'T THINK I COULD LIVE. 1185 01:30:19,805 --> 01:30:20,937 THAT'S JUST THE WAY IT IS. 1186 01:30:20,980 --> 01:30:22,242 THAT'S HOW MUCH I CARE. 1187 01:30:22,286 --> 01:30:23,853 MAY NOT MAKE MUCH SENSE, 1188 01:30:23,896 --> 01:30:25,071 THAT'S THE WAY IT IS. 1189 01:30:25,115 --> 01:30:28,031 I UNDERSTAND THAT. DO YOU? 1190 01:30:31,513 --> 01:30:34,603 WHY DO YOU INSIST ON... 1191 01:30:34,646 --> 01:30:38,171 PROLONGING THE PROBLEM? 1192 01:30:39,303 --> 01:30:40,652 SHE LOVES THAT ANIMAL. 1193 01:30:40,696 --> 01:30:42,567 IT'S GONNA HAVE TO BE SHOT. 1194 01:30:42,611 --> 01:30:43,525 WHY? 1195 01:30:43,568 --> 01:30:44,613 YOU SEE, IT'S ALMOST FULL GROWN. 1196 01:30:44,656 --> 01:30:46,441 IT'S NOT ONLY GOING TO DESTROY MY CROPS, 1197 01:30:46,484 --> 01:30:47,790 IT'S GONNA GET YOURS, 1198 01:30:47,833 --> 01:30:49,269 IT'S GONNA GET EVERYBODY'S 1199 01:30:49,313 --> 01:30:50,749 UP AND DOWN THIS CREEK. 1200 01:30:50,793 --> 01:30:54,100 NOT IF THAT NEW FENCE HOLDS. 1201 01:30:54,710 --> 01:30:55,624 [CHUCKLES] 1202 01:30:55,667 --> 01:30:58,714 WHAT IF IT DON'T, MISS MARJORIE? 1203 01:31:00,977 --> 01:31:04,633 IT'S ELLIE'S LAST DAYS OF CHILDHOOD, MARSH. 1204 01:31:04,676 --> 01:31:05,938 [CHUCKLES] 1205 01:31:05,982 --> 01:31:09,507 IT'LL BE A STRONGER FENCE. 1206 01:31:09,551 --> 01:31:13,163 [CHUCKLES] I HOPE SO. 1207 01:31:14,251 --> 01:31:16,819 OH, LORDY. 1208 01:31:17,210 --> 01:31:18,777 Marjorie: WE HELD OUR BREATHS, 1209 01:31:18,821 --> 01:31:21,867 PRAYING THAT THE FENCE WOULD BE STRONG ENOUGH. 1210 01:31:21,911 --> 01:31:24,130 DAYS PASSED, AND ELLIE'S DEER 1211 01:31:24,174 --> 01:31:27,438 STAYED WITHIN THE CONFINES OF THE PEN. 1212 01:31:27,482 --> 01:31:29,962 JACOB'S LADDER WAS FINISHED, 1213 01:31:30,006 --> 01:31:33,531 BUT I WAS AFRAID TO LET MAX PERKINS SEE IT 1214 01:31:33,575 --> 01:31:36,969 UNTIL I FELT IT WAS PERFECT. 1215 01:31:59,818 --> 01:32:01,733 MARJORIE? 1216 01:32:03,866 --> 01:32:06,651 THIS IS A GOOD STORY. 1217 01:32:16,052 --> 01:32:19,534 MAX WILL LIKE IT, MARJORIE. 1218 01:32:23,059 --> 01:32:25,757 I MIGHT AS WELL BRING A SUITCASE OVER, 1219 01:32:25,801 --> 01:32:29,369 I SPEND SO MUCH TIME OUT HERE. 1220 01:32:32,068 --> 01:32:34,940 THAT'S UNNECESSARY. 1221 01:32:35,811 --> 01:32:37,726 MARJORIE... 1222 01:32:38,901 --> 01:32:41,860 AHEM, MARJORIE. 1223 01:32:44,167 --> 01:32:47,866 I'M TRYIN' TO PROPOSE. 1224 01:32:55,570 --> 01:32:57,833 I DON'T WANT TO GET MARRIED. 1225 01:32:57,876 --> 01:32:59,748 [SCOFFS] I EAT WITH YOU, 1226 01:32:59,791 --> 01:33:01,184 I SLEEP WITH YOU, 1227 01:33:01,227 --> 01:33:03,055 I WORRY OVER YOUR WRITING WITH YOU. 1228 01:33:03,099 --> 01:33:04,709 IF THAT'S NOT BEING MARRIED, 1229 01:33:04,753 --> 01:33:06,232 I DON'T KNOW WHAT IS. 1230 01:33:06,276 --> 01:33:09,627 I JUST HAVEN'T TIME FOR MARRIAGE. 1231 01:33:09,671 --> 01:33:11,716 YOU HAVE TIME FOR PAUL 1232 01:33:11,760 --> 01:33:14,110 AND ELLIE AND GEECHEE. 1233 01:33:14,153 --> 01:33:17,809 WELL, THAT'S DIFFERENT. THEY'RE FRIENDS. 1234 01:33:18,680 --> 01:33:20,377 YOU'D WANT MORE OF ME, 1235 01:33:20,420 --> 01:33:22,292 AND I WOULDN'T BE ABLE TO GIVE IT TO YOU. 1236 01:33:22,335 --> 01:33:26,122 THAT'S A DAMN LOUSY EXCUSE. 1237 01:33:29,647 --> 01:33:31,606 WHY ISN'T WHAT WE HAVE 1238 01:33:31,649 --> 01:33:33,999 GOOD ENOUGH FOR YOU? 1239 01:33:34,521 --> 01:33:36,959 IT'S NOT. 1240 01:33:39,135 --> 01:33:41,790 IT'LL HAVE TO BE. 1241 01:33:43,095 --> 01:33:45,054 MARJORIE, YOU'RE SO BUSY WRITING 1242 01:33:45,097 --> 01:33:46,490 AND LIVING OTHER PEOPLE'S LIVES, 1243 01:33:46,533 --> 01:33:48,623 THAT YOU'RE CUTTING YOUR OWN OUT. 1244 01:33:48,666 --> 01:33:52,148 AND YOU CAN'T HIDE FROM FEELINGS. 1245 01:33:55,194 --> 01:33:58,328 I'M NOT IN LOVE WITH YOU. 1246 01:34:04,595 --> 01:34:07,424 I DON'T BELIEVE THAT. 1247 01:34:29,707 --> 01:34:32,579 Marjorie: I DELIBERATELY TURNED AWAY FROM NORTON, 1248 01:34:32,623 --> 01:34:34,843 FOR I BELIEVED THAT I COULDN'T BE 1249 01:34:34,886 --> 01:34:36,235 A WIFE AND A WRITER. 1250 01:34:36,279 --> 01:34:40,718 MY RELATIONSHIP WITH CHARLES HAD PROVED THAT TO ME. 1251 01:34:40,762 --> 01:34:43,503 I CHOSE TO ISOLATE MYSELF, 1252 01:34:43,547 --> 01:34:46,985 AND I USED MY WORK AS A REFUGE. 1253 01:34:47,029 --> 01:34:49,553 [TYPING] 1254 01:34:55,385 --> 01:34:58,040 [CAR APPROACHING] 1255 01:35:07,571 --> 01:35:10,052 [TYPING] 1256 01:35:13,229 --> 01:35:15,405 MAX? 1257 01:35:16,319 --> 01:35:18,713 MAX PERKINS? 1258 01:35:19,104 --> 01:35:23,718 WHAT IN THE WORLD ARE YOU DOING HERE? 1259 01:35:23,761 --> 01:35:25,371 OH! HA! 1260 01:35:25,415 --> 01:35:29,071 OH, UH, SOMETHING TO PROD THE MUSES WITH. 1261 01:35:29,114 --> 01:35:30,159 THANK YOU. 1262 01:35:30,202 --> 01:35:32,291 WELL, MR. BASKIN HERE WAS KIND ENOUGH 1263 01:35:32,335 --> 01:35:33,423 TO OFFER ME A LIFT. 1264 01:35:33,466 --> 01:35:35,817 HE SUGGESTED THAT I COME OUT RIGHT AWAY. 1265 01:35:35,860 --> 01:35:38,471 I'M SURE HE DID. 1266 01:35:38,515 --> 01:35:40,212 I HOPE I'M NOT INTRUDING. 1267 01:35:40,256 --> 01:35:41,213 NO. 1268 01:35:41,257 --> 01:35:43,868 I'M JUST... SURPRISED TO SEE YOU. 1269 01:35:43,912 --> 01:35:46,915 I'VE JUST BEEN ON A VISIT WITH ERNEST IN KEY WEST, 1270 01:35:46,958 --> 01:35:49,265 AND I JUST DROPPED BY TO SEE HOW YOU WERE. 1271 01:35:49,308 --> 01:35:50,396 WELL, YOU COULDN'T CALL 1272 01:35:50,440 --> 01:35:52,877 BECAUSE SHE DOESN'T HAVE A PHONE. 1273 01:35:54,444 --> 01:35:57,577 YOU ALREADY HAVE AN OPEN BOTTLE, MARJORIE. 1274 01:35:57,621 --> 01:35:59,754 MAX DRINKS ONLY THE BEST. 1275 01:35:59,797 --> 01:36:01,059 WELL, WE CAN START ON THAT ONE 1276 01:36:01,103 --> 01:36:03,758 AND THEN FINISH YOURS UP LATER ON. 1277 01:36:03,801 --> 01:36:05,411 AH. 1278 01:36:05,455 --> 01:36:06,630 MMM. 1279 01:36:06,673 --> 01:36:09,589 YOU HAVEN'T WRITTEN TO ME LATELY, MARJORIE. 1280 01:36:11,809 --> 01:36:16,292 I DON'T THINK MY WRITING INTERESTS YOU. 1281 01:36:18,816 --> 01:36:22,472 I-I'LL GET SOME GLASSES. 1282 01:36:23,647 --> 01:36:26,432 [DOOR OPENS AND CLOSES] 1283 01:36:27,259 --> 01:36:28,391 BIT CHILLY. 1284 01:36:28,434 --> 01:36:33,265 YOUR LAST LETTER DIDN'T GO DOWN SO WELL. 1285 01:36:33,309 --> 01:36:37,008 OH, DEAR, NOT ANOTHER GOTHIC, HMM? 1286 01:36:37,487 --> 01:36:39,576 SO WHAT IS IT THIS TIME, MARJORIE? 1287 01:36:39,619 --> 01:36:41,621 ANOTHER GOVERNESS PACKED OFF TO WALES, 1288 01:36:41,665 --> 01:36:44,363 DESTITUTE AND FILLED WITH FOREBODING? 1289 01:36:44,407 --> 01:36:45,451 YOU'VE MADE IT CLEAR 1290 01:36:45,495 --> 01:36:48,411 THAT YOU DON'T LIKE MY GOTHICS, MAX. 1291 01:36:48,454 --> 01:36:50,674 CORRECT. 1292 01:36:52,284 --> 01:36:54,199 I'VE OFTEN WONDERED WHY YOU BOTHER 1293 01:36:54,243 --> 01:36:55,722 WASTING YOUR PRECIOUS TIME 1294 01:36:55,766 --> 01:36:57,420 ON SUCH AN UNTALENTED NOVELIST. 1295 01:36:57,463 --> 01:36:59,639 I HAD HOPED THAT ANYONE WHO IS 1296 01:36:59,683 --> 01:37:00,858 AS DESPERATE TO WRITE AS YOU WERE-- 1297 01:37:00,902 --> 01:37:04,079 DAMN IT, MAX PERKINS, YOU'RE A COWARD! 1298 01:37:04,122 --> 01:37:08,083 YOU DIDN'T DARE TELL ME THE TRUTH. 1299 01:37:09,867 --> 01:37:11,956 WELL, I MUST ADMIT, 1300 01:37:12,000 --> 01:37:13,740 I DID STOP. 1301 01:37:13,784 --> 01:37:16,874 YOU CAN BE MOST FORMIDABLE, MARJORIE. 1302 01:37:16,918 --> 01:37:19,485 YOU LET ME BELIEVE I HAD TALENT. 1303 01:37:19,529 --> 01:37:23,402 YOU MAY BE ONE OF THE MOST TALENTED WRITERS 1304 01:37:23,446 --> 01:37:26,971 I'VE HAD THE PLEASURE OF WORKING WITH. 1305 01:37:27,015 --> 01:37:30,627 I HAVE HERE SOME OF YOUR FINEST WORK-- 1306 01:37:30,670 --> 01:37:32,020 YOUR LETTERS. 1307 01:37:32,063 --> 01:37:35,153 THE LETTERS I KEPT LOOKING FORWARD TO. 1308 01:37:35,197 --> 01:37:38,200 AND NOT BECAUSE I MISSED YOUR GOOD COMPANY, 1309 01:37:38,243 --> 01:37:42,900 BUT BECAUSE WHEN YOU WRITE ABOUT YOUR LIFE HERE... 1310 01:37:42,944 --> 01:37:47,296 THAT'S WHEN YOUR WRITING'S AT ITS BEST, MARJORIE. 1311 01:37:47,905 --> 01:37:52,257 MY SENSE TOLD THAT SOME TIME AGO. 1312 01:37:59,830 --> 01:38:02,006 THANK YOU. 1313 01:38:03,051 --> 01:38:05,749 [DISHES CLANGING] 1314 01:38:11,973 --> 01:38:14,410 MARJORIE, HE'LL LIKE IT. 1315 01:38:14,453 --> 01:38:17,152 IT'S A GOOD STORY. 1316 01:38:20,068 --> 01:38:23,201 YOU NEVER DID EVEN GET TO THE END. 1317 01:38:23,245 --> 01:38:25,203 YOU NEVER GAVE ME THE CHANCE. 1318 01:38:25,247 --> 01:38:27,162 [DOOR OPENS] 1319 01:38:27,205 --> 01:38:29,860 [FOOTSTEPS] 1320 01:38:33,255 --> 01:38:34,909 SMELLS GOOD. 1321 01:38:34,952 --> 01:38:38,390 COOKING IS MARJORIE'S ONE VANITY. 1322 01:38:38,434 --> 01:38:39,826 MAX. 1323 01:38:39,870 --> 01:38:42,090 THANK YOU, MARJORIE. 1324 01:39:02,414 --> 01:39:03,807 I KNOW THAT-- 1325 01:39:03,850 --> 01:39:05,591 I GAVE IT TO YOU TOO SOON. 1326 01:39:05,635 --> 01:39:08,943 IT WASN'T READY FOR YOU TO READ YET. 1327 01:39:11,858 --> 01:39:14,078 WELL, DEAR, 1328 01:39:14,122 --> 01:39:15,079 I LIKED IT, 1329 01:39:15,123 --> 01:39:17,821 AND I'M GONNA PUBLISH IT. 1330 01:39:30,573 --> 01:39:33,706 DOES $700 SEEM FAIR TO YOU? 1331 01:39:39,190 --> 01:39:41,671 YES. 1332 01:39:42,324 --> 01:39:46,981 YES, MR. PERKINS, THAT SOUNDS FINE TO ME. 1333 01:39:54,031 --> 01:39:56,686 MISS RAWLINGS! 1334 01:39:57,469 --> 01:40:00,037 MISS RA-- MISS RAWLINGS! 1335 01:40:00,081 --> 01:40:03,823 YOU HAVE TO HELP ME! FLAG ESCAPED. 1336 01:40:03,867 --> 01:40:06,783 [PANTING] 1337 01:40:08,698 --> 01:40:11,222 [SQUEALING] 1338 01:40:17,098 --> 01:40:18,838 JUST GO HOME, MARJORIE. 1339 01:40:18,882 --> 01:40:21,015 MARSH... GO HOME, PLEASE. 1340 01:40:21,058 --> 01:40:23,626 I FEEL RESPONSIBLE FOR THIS. 1341 01:40:23,669 --> 01:40:25,019 NO, IT'S THIS GIRL 1342 01:40:25,062 --> 01:40:26,846 THAT HAS TO BE RESPONSIBLE NOW, 1343 01:40:26,890 --> 01:40:28,544 NOT YOU. 1344 01:40:29,458 --> 01:40:31,068 DARLIN'... 1345 01:40:31,112 --> 01:40:33,331 WE HAD OURSELVES A BARGAIN. 1346 01:40:33,375 --> 01:40:36,639 NOW, YOU GOTTA DO WHAT'S RIGHT. 1347 01:40:37,814 --> 01:40:39,511 DARLIN', LISTEN TO ME. 1348 01:40:39,555 --> 01:40:41,035 A FAMILY CAN'T STARVE 1349 01:40:41,078 --> 01:40:43,167 OVER THE LOVE OF AN ANIMAL. 1350 01:40:43,211 --> 01:40:45,082 NOW TAKE IT. 1351 01:40:45,126 --> 01:40:48,868 I AIN'T DOIN' IT, BUBBA. YOU CAN'T MAKE ME. 1352 01:40:48,912 --> 01:40:50,348 TAKE IT. 1353 01:40:50,392 --> 01:40:52,176 [GASPS] BUBBA, PLEASE, NO! 1354 01:40:52,220 --> 01:40:54,831 BUBBA, NO! STOP IT, BUBBA! 1355 01:40:54,874 --> 01:40:56,354 NO, PLEASE, I PROMISE! 1356 01:40:56,398 --> 01:41:00,402 I'LL MEND THE FENCE, AND I'LL GROW SOME NEW CROPS. 1357 01:41:00,445 --> 01:41:01,490 PLEASE, BUBBA! 1358 01:41:01,533 --> 01:41:03,579 I'LL MAKE IT UP TO YOU. BUBBA, PLEASE! 1359 01:41:03,622 --> 01:41:04,841 LISTEN TO ME! 1360 01:41:04,884 --> 01:41:06,103 PLEASE, BUBBA! 1361 01:41:06,147 --> 01:41:08,236 BUBBA, PLEASE! PLEASE! 1362 01:41:08,279 --> 01:41:11,326 BUBBA! [SOBS] 1363 01:41:11,369 --> 01:41:13,415 STOP HIM! 1364 01:41:13,458 --> 01:41:14,633 ELLIE... 1365 01:41:14,677 --> 01:41:16,331 HE'LL LISTEN TO YOU! 1366 01:41:16,374 --> 01:41:17,462 I CAN'T STOP HIM. 1367 01:41:17,506 --> 01:41:19,551 HE HATES FLAG, HE ALWAYS HAS. 1368 01:41:19,595 --> 01:41:22,511 THAT'S MY DEER AND THERE AIN'T NOTHING-- 1369 01:41:22,554 --> 01:41:24,687 [GUNSHOT] 1370 01:41:24,730 --> 01:41:26,950 BUBBA, NO! 1371 01:41:28,517 --> 01:41:30,301 [ELLIE PANTING] 1372 01:41:30,345 --> 01:41:34,131 GO BACK TO THE HOUSE NOW! 1373 01:41:35,437 --> 01:41:36,568 GO BACK TO THE HOUSE! 1374 01:41:36,612 --> 01:41:40,877 I HATE YOU! I HATE YOU SO MUCH! 1375 01:41:40,920 --> 01:41:43,184 SAVE ME, I HATE YOU! FIGHT ME! 1376 01:41:43,227 --> 01:41:47,318 I HATE YOU SO MUCH! FIGHT ME! FIGHT ME! 1377 01:41:47,362 --> 01:41:49,755 AAH! SAVE ME! I HATE YOU! 1378 01:41:49,799 --> 01:41:51,714 I'LL ALWAYS HATE YOU! 1379 01:41:51,757 --> 01:41:54,282 [SOBBING] 1380 01:43:05,266 --> 01:43:08,007 [INDISTINCT CHATTER] 1381 01:43:08,704 --> 01:43:11,010 Man: NOT BAD. 1382 01:43:12,055 --> 01:43:14,666 [HORSE NICKERS] 1383 01:43:15,058 --> 01:43:17,887 [BALL ON POOL TABLE CLACKING] 1384 01:43:18,453 --> 01:43:21,195 [INDISTINCT CHATTER] 1385 01:43:28,376 --> 01:43:29,855 AHH. 1386 01:43:29,899 --> 01:43:32,206 [INDISTINCT CHATTER] 1387 01:43:32,249 --> 01:43:33,990 [HORSE NICKERS] 1388 01:43:34,033 --> 01:43:35,687 Man: UH-OH! 1389 01:43:35,731 --> 01:43:38,212 [LAUGHTER] 1390 01:43:40,910 --> 01:43:43,652 [ALL YELLING] [HORSE NEIGHS] 1391 01:43:45,654 --> 01:43:48,178 [YELLING CONTINUES] 1392 01:43:48,222 --> 01:43:49,832 Man: MARSH! 1393 01:43:49,875 --> 01:43:52,226 MARSH! 1394 01:43:53,270 --> 01:43:55,925 Marsh: ELLIE! 1395 01:44:01,539 --> 01:44:04,150 [HORSE NEIGHS] 1396 01:44:06,022 --> 01:44:08,981 ELLIE! 1397 01:44:12,376 --> 01:44:15,249 HEY, ELLIE! 1398 01:44:25,868 --> 01:44:28,436 [HORSE NEIGHS] 1399 01:44:55,027 --> 01:44:56,899 HEY, ELLIE? 1400 01:45:13,611 --> 01:45:16,266 SHE'LL COME HOME. 1401 01:45:16,571 --> 01:45:19,313 DON'T MAKE NO DIFFERENCE. 1402 01:45:19,704 --> 01:45:22,968 IT'LL NEVER BE THE SAME AGAIN. 1403 01:45:26,145 --> 01:45:28,452 AH. 1404 01:45:38,767 --> 01:45:39,985 MARSH? 1405 01:45:40,029 --> 01:45:42,161 IT'S ME, THE SHERIFF. 1406 01:45:42,205 --> 01:45:44,642 HOW YOU DOIN', JAKE? 1407 01:45:44,686 --> 01:45:47,036 PUT DOWN THAT GUN. 1408 01:45:47,863 --> 01:45:50,822 YOU WANT IT? IT'S YOURS. 1409 01:45:50,866 --> 01:45:53,347 [GUNSHOT] 1410 01:45:56,741 --> 01:45:59,614 Marjorie: THE SHERIFF SHOT... 1411 01:45:59,657 --> 01:46:01,006 AND MARSH FELL. 1412 01:46:01,050 --> 01:46:05,924 AND IT WAS THE END OF GLAMOUR AT CROSS CREEK. 1413 01:46:08,274 --> 01:46:10,364 AND THE ONLY PERSON WHO KNOWS, 1414 01:46:10,407 --> 01:46:13,279 WHO UNDERSTANDS THAT WHEN MARSH TURNER 1415 01:46:13,323 --> 01:46:15,064 SPOKE TO THE SHERIFF, 1416 01:46:15,107 --> 01:46:16,935 IT WAS WITHOUT MENACE. 1417 01:46:16,979 --> 01:46:19,111 I'M SURE HE WAS OFFERING THE SHERIFF 1418 01:46:19,155 --> 01:46:20,852 THE OFFENDING GUN, 1419 01:46:20,896 --> 01:46:23,377 EXACTLY AS HE ONCE OFFERED ME 1420 01:46:23,420 --> 01:46:26,467 HIS TRESPASSING HOGS. 1421 01:47:05,593 --> 01:47:07,290 ELLIE... 1422 01:47:07,333 --> 01:47:09,727 YOU DON'T BELONG HERE. 1423 01:47:09,771 --> 01:47:13,339 I WISH YOU NEVER CAME TO CROSS CREEK. 1424 01:47:13,383 --> 01:47:16,081 YOU'RE NOT ONE OF US. 1425 01:47:16,125 --> 01:47:17,866 WHY DON'T YOU TAKE YOUR STORIES 1426 01:47:17,909 --> 01:47:19,563 AND LEAVE US BE? 1427 01:47:19,607 --> 01:47:22,958 CROSS CREEK AIN'T FOR YOU. 1428 01:47:32,402 --> 01:47:35,144 [BOAT ENGINE HUMMING] 1429 01:48:05,609 --> 01:48:09,395 Marjorie: I LEFT THE CREEK. 1430 01:48:12,137 --> 01:48:13,965 I LEFT THE GROVE-- 1431 01:48:14,009 --> 01:48:16,490 SUDDENLY... 1432 01:48:16,533 --> 01:48:19,231 AND WITH NOTHING. 1433 01:51:03,047 --> 01:51:05,659 [ENGINE STARTS] 1434 01:51:25,635 --> 01:51:28,377 Geechee: MISS! 1435 01:51:28,420 --> 01:51:30,248 MISS RAWLINGS! 1436 01:51:30,292 --> 01:51:32,250 [LAUGHING] 1437 01:51:32,294 --> 01:51:34,818 [SOBBING] 1438 01:52:04,935 --> 01:52:07,633 [WHISTLE BLOWING] 1439 01:52:31,657 --> 01:52:32,833 WE'LL BEAT IT. 1440 01:52:32,876 --> 01:52:34,269 I WORKED ALL YEAR ON NURSING THOSE ORANGES. 1441 01:52:34,312 --> 01:52:36,184 I AIN'T GONNA LET A FREEZE HAVE THEM. 1442 01:52:36,227 --> 01:52:38,621 DON'T YOU WORRY. 1443 01:53:02,210 --> 01:53:04,081 HANG IN THERE. 1444 01:53:04,125 --> 01:53:05,430 ASK HIM WHAT'S TO BE DONE. 1445 01:53:05,474 --> 01:53:07,041 COME ON UP IN HERE. 1446 01:53:07,084 --> 01:53:07,911 COME HERE. 1447 01:53:07,955 --> 01:53:10,261 COME ON, Y'ALL. 1448 01:53:14,309 --> 01:53:16,746 TAKE ON OFF. 1449 01:53:34,416 --> 01:53:37,332 I SHOULD HAVE COME SOONER. 1450 01:53:37,898 --> 01:53:40,683 GOOD FRIENDS SHOULDN'T KEEP APART. 1451 01:54:00,007 --> 01:54:02,705 [BRAKES SQUEALING] 1452 01:54:07,623 --> 01:54:10,365 [SIGHS] 1453 01:54:32,039 --> 01:54:32,909 AND THAT LITTLE MARY 1454 01:54:32,953 --> 01:54:33,823 WAS KEEPING UP WITH US, 1455 01:54:33,867 --> 01:54:35,999 JUST SLOSHING THROUGH THE MUD. 1456 01:54:36,043 --> 01:54:37,871 ONE TIME, SHE WAS RIGHT HERE 1457 01:54:37,914 --> 01:54:38,959 AND THERE WAS HER SHOES 1458 01:54:39,002 --> 01:54:40,917 ABOUT 10 FEET BACK, STUCK IN THE MUD. 1459 01:54:40,961 --> 01:54:43,615 [KNOCKING ON DOOR] 1460 01:54:50,840 --> 01:54:52,450 WOULD YOU LIKE A CUP OF COFFEE? 1461 01:54:52,494 --> 01:54:56,890 THAT'D HIT THE SPOT, THANK YOU. 1462 01:54:57,412 --> 01:54:59,588 I WANT TO THANK YOU FOR YOUR HELP. 1463 01:54:59,631 --> 01:55:01,198 I JUST HAPPENED TO BE 1464 01:55:01,242 --> 01:55:03,026 PASSIN' THROUGH THE NEIGHBORHOOD. 1465 01:55:03,070 --> 01:55:05,550 AT 5:30 IN THE MORNING? 1466 01:55:05,594 --> 01:55:07,378 AT 5:30 IN THE MORNING. 1467 01:55:07,422 --> 01:55:11,339 I HEARD YOU WAS DOIN' POORLY. 1468 01:55:11,382 --> 01:55:12,296 YEAH? 1469 01:55:12,340 --> 01:55:16,126 HMM. PININ' AWAY FOR AN OLD BEAU. 1470 01:55:17,867 --> 01:55:21,610 I'M DOING EXTREMELY WELL. 1471 01:55:25,092 --> 01:55:28,138 SO I SEE. 1472 01:55:33,013 --> 01:55:35,189 LISTEN, WOULD YOU LIKE-- 1473 01:55:35,232 --> 01:55:37,669 YES. 1474 01:55:42,109 --> 01:55:44,938 GET MARRIED? 1475 01:55:51,770 --> 01:55:53,250 JUST LIKE I FIGURED. 1476 01:55:53,294 --> 01:55:56,340 YOU CERTAINLY ARE SURE OF YOURSELF. 1477 01:55:58,603 --> 01:56:01,215 YOU DIDN'T MISS ME AT ALL? 1478 01:56:01,258 --> 01:56:03,565 NOT A BIT, MR. BASKIN. 1479 01:56:03,608 --> 01:56:05,741 NOT A BIT. 1480 01:56:07,786 --> 01:56:11,703 Marjorie: I HAD BECOME A PART OF CROSS CREEK. 1481 01:56:11,747 --> 01:56:14,097 I WAS MORE THAN A WRITER-- 1482 01:56:14,141 --> 01:56:17,318 I WAS A WIFE, A FRIEND, 1483 01:56:17,361 --> 01:56:20,147 A PART OF THE EARTH. 1484 01:56:20,190 --> 01:56:23,585 WHO OWNS CROSS CREEK? 1485 01:56:23,933 --> 01:56:27,893 THE EARTH MAY BE FARMED, NOT BOUGHT. 1486 01:56:27,937 --> 01:56:30,287 MAY BE USED, NOT OWNED. 1487 01:56:30,331 --> 01:56:35,075 IT GIVES ITSELF IN RESPONSE TO LOVE AND TENDERNESS, 1488 01:56:35,118 --> 01:56:38,730 OFFERS ITS SEASONAL FLOWERING AND FRUITING. 1489 01:56:38,774 --> 01:56:43,648 CROSS CREEK BELONGS TO THE WIND AND THE RAIN, 1490 01:56:43,692 --> 01:56:46,086 TO THE SUN AND SEASONS, 1491 01:56:46,129 --> 01:56:49,654 TO THE COSMIC SECRECY OF SEED... 1492 01:56:49,698 --> 01:56:54,485 AND BEYOND ALL, TO TIME. 1493 01:58:38,154 --> 01:58:40,765 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 1494 01:58:40,809 --> 01:58:45,466 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 92532

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