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1
00:00:01,202 --> 00:00:04,002
[ DRAMATIC MUSIC PLAYS ]
2
00:00:30,431 --> 00:00:34,341
[ SIRENS WAILING,
HELICOPTER PASSING ]
3
00:00:34,335 --> 00:00:37,035
[ INDISTINCT CONVERSATIONS ]
4
00:00:41,909 --> 00:00:44,649
[ POLICE RADIO CHATTER ]
5
00:00:53,687 --> 00:00:57,057
BELIEVE ME,
GOD DID US A FAVOR.
6
00:00:57,057 --> 00:00:59,327
WE'D BE RIGHT BACK HERE
IN EIGHT YEARS,
7
00:00:59,327 --> 00:01:01,357
ARRESTING
THAT LITTLE VATO'S ASS,
8
00:01:01,362 --> 00:01:03,962
OR AT LEAST ZIPPING HIM UP
IN A BIGGER BODY BAG.
9
00:01:03,964 --> 00:01:07,244
WHAT DID YOU SAY?
HEY, I'M JUST TRYING TO
KEEP IT REAL, BABY GIRL.
10
00:01:07,235 --> 00:01:09,235
"KEEP IT REAL, BABY GIRL"?
11
00:01:09,237 --> 00:01:12,007
MAN, THAT'S SOMEBODY'S KID.
12
00:01:12,005 --> 00:01:13,465
[ CAMERA SHUTTER CLICKS ]
13
00:01:13,474 --> 00:01:16,184
MOST GOOD COPS
ARE PASSIONATE COPS.
14
00:01:16,177 --> 00:01:17,647
PUT ENOUGH OF THEM TOGETHER,
15
00:01:17,645 --> 00:01:21,075
AND OCCASIONALLY
THOSE PASSIONS EXPLODE.
16
00:01:21,081 --> 00:01:23,451
Munoz:
OH, FROSTY THE SNOW MAN.
17
00:01:23,451 --> 00:01:25,421
Nate:
DOESN'T LOOK JOLLY TO ME.
18
00:01:25,419 --> 00:01:28,259
LOOKS LIKE HE CAUGHT
A FEW HOT ONES AND MELTED.
19
00:01:28,256 --> 00:01:30,956
AH, THERE'S ONE GOOD ONE
FOR MY COLLECTION HERE.
20
00:01:30,958 --> 00:01:33,288
REMEMBER HIS BROTHER BIGFOOT,
FUNERAL HE HAD --
21
00:01:33,294 --> 00:01:35,334
STRETCH HUMMERS,
STRIPPERS THROWING CASH?
22
00:01:35,329 --> 00:01:36,899
YEAH,
BIGFOOT HAD STYLE.
23
00:01:36,897 --> 00:01:40,297
BUT FROSTY AIN'T HAVING
NO PARADE -- TELL YOU THAT MUCH.
24
00:01:40,301 --> 00:01:42,001
NOBODY SHOT FROSTY?
25
00:01:42,002 --> 00:01:44,572
DID I STUTTER?
NOBODY SHOT HIM.
26
00:01:44,572 --> 00:01:49,312
SO THE BULLETS JUST FELL
OUT OF THE SKY LIKE RAINDROPS,
27
00:01:49,310 --> 00:01:50,480
LANDED ON MY MAN.
28
00:01:50,478 --> 00:01:52,208
WHAT ELSE YOU WANT ME
TO SAY?
29
00:01:52,213 --> 00:01:54,113
START WITH THE TRUTH,
ASSHOLE.
30
00:01:54,114 --> 00:01:56,354
I AIN'T GETTING KILLED
OVER THIS SHIT.
31
00:01:56,350 --> 00:01:59,720
NOBODY DID IT.
THAT'S ALL I'M SAYING.
32
00:01:59,720 --> 00:02:01,660
YOUR BUDDY OVER THERE --
33
00:02:01,655 --> 00:02:05,355
HE'S GOT A MOTHER,
A GIRLFRIEND, A SISTER.
34
00:02:05,359 --> 00:02:07,729
DOESN'T MATTER, 'CAUSE I'M GONNA
HAVE TO TELL THEM
35
00:02:07,728 --> 00:02:09,658
THAT NOBODY SHOT
THEIR BABY THREE TIMES
36
00:02:09,663 --> 00:02:11,633
AND HOLD THEM AS THEY CRY
THEIR EYES OUT.
37
00:02:11,632 --> 00:02:13,702
I'M STANDING IN LIVING ROOMS
FOUR TIMES A WEEK
38
00:02:13,701 --> 00:02:15,201
'CAUSE OF ASSHOLES
LIKE YOU.
39
00:02:15,203 --> 00:02:17,143
I HATE IT.
40
00:02:17,137 --> 00:02:19,407
SO DON'T TELL ME
NOBODY DID THIS.
41
00:02:19,407 --> 00:02:21,437
DON'T TELL ME THAT.
42
00:02:21,442 --> 00:02:23,812
LOOK AT ME!
DON'T TELL ME THAT!
43
00:02:23,811 --> 00:02:25,151
SAMMY.
44
00:02:25,145 --> 00:02:28,245
WHAT YOU GETTING ALL LOCO
ON THIS KID FOR?
45
00:02:28,249 --> 00:02:30,219
NOBODY, MY ASS.
HE'S LYING, NATE.
46
00:02:30,218 --> 00:02:32,248
[BLEEP] LYING.
47
00:02:37,791 --> 00:02:39,531
NOBODY IS SOMEBODY.
48
00:02:39,527 --> 00:02:41,627
[ DOG BARKS, CAR ALARM BLARES ]
49
00:02:41,629 --> 00:02:43,559
YOU ALL RIGHT?
50
00:02:43,564 --> 00:02:45,704
COME ON.
KEEP IT TOGETHER.
51
00:03:17,130 --> 00:03:18,570
[ ENGINE REVS ]
52
00:03:18,566 --> 00:03:21,466
Hill:
IT'S HOT IN JANUARY.
53
00:03:21,469 --> 00:03:24,269
FROSTY FROM WESTSIDE RIDAZ
54
00:03:24,272 --> 00:03:26,272
WAS SHOT DEAD THIS MORNING
OFF FLORENCE.
55
00:03:26,274 --> 00:03:27,944
Man:
THE INJUSTICE.
56
00:03:27,941 --> 00:03:30,741
DOWNTOWN CALLED HALF AN HOUR
AFTER HE STAINED THE SIDEWALK.
57
00:03:30,744 --> 00:03:32,654
WE DON'T WANT OCTOBER
ALL OVER AGAIN,
58
00:03:32,646 --> 00:03:34,516
WITH THE RIDAZ
AND LATIN HUSTLAZ
59
00:03:34,515 --> 00:03:36,645
LIGHTING EACH OTHER UP
ON EVERY OTHER BLOCK.
60
00:03:36,650 --> 00:03:39,650
THE LAST THING OUR NEW CHIEF
WANTS IS A RACIAL GANG WAR
61
00:03:39,653 --> 00:03:41,763
TO BREAK OUT
OVER THE MLK HOLIDAY.
62
00:03:41,755 --> 00:03:45,025
SHOOTOUT ON KING BOULEVARD!
HEY!
[ APPLAUSE ]
63
00:03:45,025 --> 00:03:47,895
HEY, I LEAVE FOR FOUR MONTHS,
AND THE WHOLE WORLD FALLS APART.
64
00:03:47,895 --> 00:03:50,795
YOU FORGOT HOW TO READ YOUR
WATCH IN REHAB, OFFICER DUDEK?
65
00:03:50,798 --> 00:03:52,468
SORRY ABOUT THAT, SIR.
WON'T HAPPEN AGAIN.
66
00:03:52,466 --> 00:03:54,666
GODDAMN RIGHT.
FIND A SEAT.
67
00:03:54,668 --> 00:03:59,038
THESE FLYERS HAVE INFORMATION
ON CLOTHING,
68
00:03:59,039 --> 00:04:00,869
HAND SIGNS, GRAFFITI,
69
00:04:00,874 --> 00:04:04,114
KNOWN HANGOUTS OF THE RIDAZ
AND HUSTLAZ.
70
00:04:04,111 --> 00:04:06,981
YOU SEE ANY TRAFFIC INFRACTIONS,
WRITE THEM UP.
71
00:04:06,980 --> 00:04:08,320
TOW THE CAR IF YOU CAN.
72
00:04:08,316 --> 00:04:09,916
THE MORE GANGSTERS
WE GET OFF THE STREET,
73
00:04:09,917 --> 00:04:12,387
THE BETTER CHANCE WE HAVE
OF THIS THING NOT ESCALATING.
74
00:04:12,386 --> 00:04:14,856
ALL RIGHT?
THAT'S IT FOR NOW.
75
00:04:14,855 --> 00:04:16,155
STAY FROSTY.
76
00:04:16,156 --> 00:04:18,226
Man:
HOPEFULLY BETTER THAN HIM.
[ LAUGHTER ]
77
00:04:18,225 --> 00:04:20,285
BROWN, A35, WITH SHERMAN.
78
00:04:20,294 --> 00:04:24,234
GONZALEZ, A25, WITH ROKOS.
79
00:04:24,231 --> 00:04:27,641
A10 IS ROBINSON WITH LISCO.
HEY, YOU AND ME, ROMEO.
80
00:04:28,502 --> 00:04:30,572
WHAT'S GOING ON, SARGE?
81
00:04:30,571 --> 00:04:32,411
DEWEY'S RIDING WITH YOU
IN A43.
82
00:04:32,406 --> 00:04:35,336
LOOK. I CAN'T STICK HIM
IN A U-BOAT BY HIMSELF.
83
00:04:35,343 --> 00:04:36,783
HE'S BEEN OUT FOR MONTHS.
84
00:04:36,777 --> 00:04:39,177
YOU'RE THE BEST I GOT.
GET HIM BACK IN THE SADDLE.
85
00:04:39,179 --> 00:04:41,519
OKAY?
ALL RIGHT.
86
00:04:42,716 --> 00:04:45,046
[ LAUGHS ]
87
00:04:47,120 --> 00:04:48,820
[ SIREN CHIRPS ]
88
00:04:49,723 --> 00:04:53,433
REDHEAD SALLY?
YOU? REALLY?
89
00:04:53,427 --> 00:04:56,927
YEAH. SALLY.
WHAT'S SO GODDAMN FUNNY?
90
00:04:58,065 --> 00:05:00,525
WHAT?
91
00:05:00,534 --> 00:05:03,004
[ DOOR CLOSES,
ENGINE TURNS OVER ]
92
00:05:03,003 --> 00:05:06,713
[ POLICE RADIO CHATTER,
CAMERA SHUTTER CLICKING ]
93
00:05:10,844 --> 00:05:14,424
MAN, SHE WASN'T EVEN HOME
FIVE MINUTES.
94
00:05:14,415 --> 00:05:16,015
THIS IS UGLY.
95
00:05:18,185 --> 00:05:20,845
[ SIGHS ]
96
00:05:20,854 --> 00:05:24,064
[ SIREN WAILS ]
97
00:05:26,159 --> 00:05:28,199
[ DOG BARKING IN DISTANCE ]
98
00:05:28,195 --> 00:05:30,625
Josie:
YOU LOOK AT THIS?
99
00:05:30,631 --> 00:05:33,371
THE GUN IS STILL SMOKING
IN HIS HAND,
100
00:05:33,367 --> 00:05:35,697
WITH A HANDWRITTEN
SUICIDE NOTE.
101
00:05:35,703 --> 00:05:39,573
AND HIS WALLET HAS A RECEIPT
FOR THE GUN AND THE BULLETS.
102
00:05:39,573 --> 00:05:43,483
WE'RE GONNA BE OUT OF HERE
BY 5:00. THIS IS BEAUTIFUL.
103
00:05:44,845 --> 00:05:48,075
IT JUST SEEMS WEIRD.
SHE'LL BE AS BIG AS A HOUSE.
104
00:05:48,081 --> 00:05:50,621
MISSIONARY'S OUT OF THE QUESTION
AFTER THE FIFTH MONTH.
105
00:05:50,618 --> 00:05:52,388
BUT IF TAMMI'S ANYTHING
LIKE MARIELLA WAS,
106
00:05:52,386 --> 00:05:54,086
SHE'S GONNA BE
ALL OVER YOU.
107
00:05:54,087 --> 00:05:56,387
Sammy: I JUST CAN'T GET MY HEAD
AROUND IT, THAT'S ALL.
108
00:05:56,390 --> 00:05:57,760
HEAD AROUND WHAT --
THE CASE
109
00:05:57,758 --> 00:05:59,788
OR YOUR WIFE'S
RAPIDLY EXPANDING ASS?
110
00:05:59,793 --> 00:06:02,133
WE EVEN GOT A NAME
FOR THIS SHOOTER YET?
111
00:06:02,129 --> 00:06:03,859
WE GOT NOBODY, BOSS.
112
00:06:03,864 --> 00:06:06,534
YOU SAY THAT
WITH SOME PRIDE, BRYANT.
113
00:06:06,534 --> 00:06:10,174
NOBODY,
AS IN JUAN "NOBODY" VARGAS,
114
00:06:10,170 --> 00:06:11,640
LATIN HUSTLAZ.
115
00:06:11,639 --> 00:06:13,439
HIS MOTHER HASN'T SEEN HIM.
NEITHER HAS HIS P.O.
116
00:06:13,441 --> 00:06:14,681
HE'S OUT AND ABOUT.
117
00:06:14,675 --> 00:06:17,545
SO NOBODY'S SEEN NOBODY.
CUTE.
118
00:06:17,545 --> 00:06:19,205
WE NEED TO GET HIM
INTO CUSTODY
119
00:06:19,212 --> 00:06:22,122
BEFORE SOMEBODY DECIDES
TO EVEN THE SCORE FOR FROSTY.
120
00:06:22,115 --> 00:06:24,845
YOU HAVE ANY SPECIFIC
STREET CORNERS WE CAN HIT?
121
00:06:24,852 --> 00:06:26,192
I GOT A C.I. I CAN TALK TO
122
00:06:26,186 --> 00:06:27,956
WHO KNOWS THE LATIN HUSTLAZ
PRETTY WELL.
123
00:06:27,955 --> 00:06:29,915
OKAY.
LET'S DO THAT, ALL RIGHT?
124
00:06:29,923 --> 00:06:31,663
NOBODY.
125
00:06:31,659 --> 00:06:32,959
SEE, THAT'S THE PROBLEM
126
00:06:32,960 --> 00:06:35,200
WITH THESE NEW-SCHOOL
GANGSTERS THESE DAYS --
127
00:06:35,195 --> 00:06:37,495
NO AMBITION.
128
00:06:37,498 --> 00:06:40,168
[ SNIFFS ]
AHH.
129
00:06:40,167 --> 00:06:41,937
YOU SMELL THAT, HUH?
130
00:06:41,935 --> 00:06:45,035
GARBAGE AND PISS.
[ LAUGHS ]
131
00:06:45,038 --> 00:06:48,378
THAT'S LIFE, BABY.
THAT IS LIFE.
132
00:06:48,375 --> 00:06:52,275
I USED TO THINK I COULD
SEE STUFF WHEN I WAS DRINKING.
133
00:06:52,279 --> 00:06:53,909
BLIND AS A BAT, MAN.
134
00:06:53,914 --> 00:06:56,454
MY EYES ARE WIDE OPEN NOW,
BABY.
135
00:06:56,450 --> 00:06:58,750
* I CAN SEE CLEARLY NOW
136
00:06:58,752 --> 00:07:02,622
* THE RAIN IS GONE
137
00:07:02,623 --> 00:07:04,733
JOHN, YOU KNOW
WHAT THIS JOB IS ABOUT?
138
00:07:04,725 --> 00:07:06,525
ABOUT STEP NUMBER FOUR,
MY MAN.
139
00:07:06,527 --> 00:07:08,857
YOU HAVE TO BE WILLING
TO TAKE A SERIOUS,
140
00:07:08,862 --> 00:07:11,102
DEEP-ASS INVENTORY
OF YOURSELF.
141
00:07:11,098 --> 00:07:14,098
I MEAN, IF YOU WANT TO BE
OUT HERE CATCHING DEMONS, JOHN,
142
00:07:14,101 --> 00:07:16,341
YOU GOT TO KNOW
YOUR OWN DEMONS, BROTHER.
143
00:07:16,336 --> 00:07:18,736
SURE, PEOPLE ARE GONNA FIGHT.
THEY'RE GONNA [BLEEP]
144
00:07:18,739 --> 00:07:20,109
THEY'RE GONNA KILL
EACH OTHER.
145
00:07:20,107 --> 00:07:22,477
I MEAN, WE CAN'T
DO ANYTHING ABOUT THAT.
146
00:07:22,476 --> 00:07:24,206
I MEAN,
THEY'RE DRIVING THE CARS.
147
00:07:24,211 --> 00:07:26,451
WE'RE JUST THE GUARDRAILS, BABY.
WE DON'T GOT ANY REAL POWER.
148
00:07:26,446 --> 00:07:28,546
THE REAL POWER
IS FROM THE MAN UPSTAIRS.
149
00:07:28,549 --> 00:07:30,419
HEY, LOOK AT ME.
150
00:07:30,417 --> 00:07:32,117
THE SOONER
YOU REALIZE THAT,
151
00:07:32,119 --> 00:07:35,789
YOU START UNDERSTANDING
HOW IT ALL WORKS, MAN.
152
00:07:35,789 --> 00:07:38,459
YOU SEEING THIS?
WHOA.
153
00:07:38,458 --> 00:07:40,188
LIGHT 'EM UP.
154
00:07:40,193 --> 00:07:41,803
[ SIREN CHIRPS ]
155
00:07:47,267 --> 00:07:48,497
AHH.
YOU READY FOR THIS?
156
00:07:48,502 --> 00:07:50,142
YOU KIDDING ME?
157
00:07:50,137 --> 00:07:52,737
I WAS DOING THIS FOR THREE YEARS
BEFORE YOU EVER BECAME A BOOT.
158
00:08:06,119 --> 00:08:07,889
CAN YOU ROLL THE WINDOW DOWN,
PLEASE?
159
00:08:10,658 --> 00:08:12,758
I'M GONNA HAVE TO ASK YOU
TO STEP OUT.
160
00:08:12,760 --> 00:08:15,630
CAN -- CAN EVERYBODY
STEP OUT OF THE CAR?
161
00:08:32,980 --> 00:08:36,020
STEP ON THROUGH, PLEASE.
EVERYBODY OUT.
162
00:08:41,288 --> 00:08:43,558
LET'S GO.
EVERYBODY OUT.
163
00:08:44,958 --> 00:08:48,228
COME ON. EVERYBODY.
EVERYBODY.
164
00:08:50,764 --> 00:08:52,374
OFFICERS, I'M SORRY.
165
00:08:52,365 --> 00:08:55,095
WE ALWAYS TAKE TWO CARS,
BUT TODAY ONE BROKE DOWN.
166
00:08:55,102 --> 00:08:57,612
WE'RE LATE FOR A GIG
AT MY COUSIN'S RESTAURANT.
167
00:08:57,605 --> 00:08:59,065
IT'S THEIR GRAND OPENING.
168
00:08:59,072 --> 00:09:01,682
AND IF WE DON'T MAKE IT,
SHE'S GONNA KILL ME.
169
00:09:01,675 --> 00:09:03,775
SHE'LL KILL ME.
170
00:09:03,777 --> 00:09:06,507
YOU, UH --
YOU KNOW "CIELITO LINDO"?
171
00:09:06,513 --> 00:09:11,053
[ DOWN-TEMPO R&B PLAYING,
INDISTINCT CONVERSATIONS ]
172
00:09:14,254 --> 00:09:15,724
ESE, CHECK IT OUT.
173
00:09:15,723 --> 00:09:17,223
WE'RE HAVING AN MLK
UNITY CAR SHOW THIS SUNDAY.
174
00:09:17,224 --> 00:09:19,094
FAT TERRY'S GONNA BE THERE.
YOU SHOULD COME BY.
175
00:09:19,092 --> 00:09:20,432
OH, YEAH?
YEAH.
176
00:09:20,427 --> 00:09:22,757
WHAT EVER HAPPENED TO FAT
TERRY'S GOLD SIX-TREY IMPALA?
177
00:09:22,763 --> 00:09:24,433
OH, MAN,
THAT VATO SOLD THAT
178
00:09:24,431 --> 00:09:25,971
SO HE COULD GET THAT LAP-BAND
THING DONE, MAN.
179
00:09:25,966 --> 00:09:27,566
ACTUALLY,
HE'S JUST TERRY NOW,
180
00:09:27,567 --> 00:09:29,037
'CAUSE HE AIN'T FAT NO MORE,
YOU KNOW?
181
00:09:29,036 --> 00:09:30,696
OH, THAT'S MESSED UP, MAN --
MAKE A MAN CHOOSE
182
00:09:30,704 --> 00:09:32,014
BETWEEN HIS HEALTH
AND HIS SHOW CAR.
183
00:09:32,005 --> 00:09:33,765
SHIT, THAT'S WHAT I'M SAYING,
HOMES.
184
00:09:33,774 --> 00:09:37,584
YO, UH, WHAT ARE YOU HEARING
ABOUT FROSTY AND NOBODY?
185
00:09:38,846 --> 00:09:40,446
MAN, I AIN'T NO SNITCH.
186
00:09:40,447 --> 00:09:42,477
I'M OFF THE PAPER NOW,
YOU KNOW?
187
00:09:42,482 --> 00:09:45,352
WE'RE NOT GONNA PUT YOUR NAME
ANYWHERE NEAR THIS SHIT, MAN.
188
00:09:45,352 --> 00:09:47,252
JUST TELL US
WHAT THE STREET'S SAYING.
189
00:09:48,989 --> 00:09:51,519
COME ON, DUDE.
YOU CAN TRUST ME.
190
00:09:51,524 --> 00:09:53,994
WELL, I HEARD
THAT NOBODY'S COUSIN LETI
191
00:09:53,994 --> 00:09:56,264
WAS CREEPING ACROSS TOWN
WITH FROSTY, HOMES.
192
00:09:56,263 --> 00:09:57,973
LIKE ROMEO AND JULIET?
193
00:09:57,965 --> 00:10:00,825
[ SPEAKING SPANISH ]
194
00:10:00,834 --> 00:10:02,604
HE'S MY PARTNER, MAN.
HE'S GOOD.
195
00:10:02,602 --> 00:10:04,442
DON'T WORRY ABOUT IT,
ALL RIGHT?
196
00:10:04,437 --> 00:10:06,637
YEAH, YEAH,
THAT BLACK AND BROWN TOGETHER
197
00:10:06,640 --> 00:10:08,210
AND ALL THAT SHIT, HOMES.
198
00:10:08,208 --> 00:10:10,278
HEY, THEY WERE IN GLENDALE,
AT THE CHEESECAKE FACTORY.
199
00:10:10,277 --> 00:10:12,577
AND SOME HEINA THAT WORKS
ACROSS THE WAY AT THE MALL
200
00:10:12,579 --> 00:10:14,079
CAUGHT THEM SLIPPING, DOG.
201
00:10:14,081 --> 00:10:16,351
SO WORD GOT BACK TO NOBODY,
AND NOBODY HIT UP FROSTY,
202
00:10:16,349 --> 00:10:18,619
AND FROSTY SLAPPED THE SHIT
OUT OF HIM, HOMES,
203
00:10:18,618 --> 00:10:20,048
IN FRONT OF ALL THE HOMIES.
204
00:10:20,053 --> 00:10:23,523
THIS WHOLE THING
IS OVER A STUPID GIRL?
205
00:10:23,523 --> 00:10:24,733
[ SCOFFS ]
206
00:10:24,725 --> 00:10:26,285
IF YOU'D SEEN
THIS GIRL, HOMES,
207
00:10:26,293 --> 00:10:28,733
YOU WOULDN'T THINK
IT WAS SO STUPID, ESE.
208
00:10:29,629 --> 00:10:30,829
WOW.
ALL RIGHT, MAN.
209
00:10:30,831 --> 00:10:32,071
YOU'RE ALWAYS
HELPFUL, MAN.
210
00:10:32,065 --> 00:10:33,595
[ "CIELITO LINDO" PLAYING ]
211
00:10:33,600 --> 00:10:34,800
Dewey: HEY!
212
00:10:34,802 --> 00:10:36,902
THERE WAS A TIME
RIGHT ABOUT NOW
213
00:10:36,904 --> 00:10:39,744
WHEN I'D HAVE TO BE FIRING UP
A COUPLE OF MARGARITAS,
214
00:10:39,740 --> 00:10:41,270
BUT I-I DON'T DO THAT NOW.
215
00:10:41,274 --> 00:10:43,614
I KNOW WHAT YOU'RE SAYING.
I GOT THREE YEARS IN.
216
00:10:43,610 --> 00:10:44,910
SHUT THE HELL UP!
217
00:10:44,912 --> 00:10:46,152
YOU JUST HAVE TO KEEP
DOING THE STEPS
218
00:10:46,146 --> 00:10:47,306
EVERY SINGLE DAY,
HERMANO.
219
00:10:47,314 --> 00:10:49,684
LOOK, LOOK.
FOUR MONTHS, BABY.
220
00:10:49,683 --> 00:10:51,993
YOU'RE MY HERO!
COME HERE!
221
00:10:51,985 --> 00:10:54,985
[ LAUGHS ]
OKAY. ALL RIGHT.
STOP, STOP. OKAY, STOP.
222
00:10:54,988 --> 00:10:57,188
SIR, YOU HAVE 11 PEOPLE
IN YOUR VEHICLE.
223
00:10:57,190 --> 00:10:59,330
IT'S A SEVEN-SEATER,
CORRECT?
YES.
224
00:10:59,326 --> 00:11:02,596
OKAY. YEAH, THAT MANY PEOPLE
IN A VAN IS DANGEROUS.
225
00:11:02,595 --> 00:11:03,995
YOU CAN CAUSE
AN ACCIDENT.
226
00:11:03,997 --> 00:11:05,967
I'M VERY SORRY,
BUT WE REALLY NEED THIS GIG.
227
00:11:05,966 --> 00:11:08,296
NO, I UNDERSTAND THAT,
BUT YOU'RE GONNA HAVE TO --
JOHN, JOHN, LISTEN.
228
00:11:08,301 --> 00:11:10,341
LET'S -- LET'S JUST
THROW A COUPLE OF THEM
IN THE BACK OF THE CAR.
229
00:11:10,337 --> 00:11:11,837
IT'S ONLY A FEW BLOCKS AWAY.
WE'LL GIVE THEM A RIDE
DOWN THERE.
230
00:11:11,839 --> 00:11:13,209
NO, WE'RE NOT GONNA
DO THAT, OKAY?
231
00:11:13,206 --> 00:11:14,776
NO, WE'RE NOT GIVING
ANYBODY A RIDE.
232
00:11:14,775 --> 00:11:16,335
NO, SIR, YOU NEED TO HANDLE THIS
ON YOUR OWN.
233
00:11:16,343 --> 00:11:18,353
GET THE VAN --
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
234
00:11:18,345 --> 00:11:19,905
JOHN, JOHN,
THIS IS MY FAVORITE PART.
235
00:11:19,913 --> 00:11:23,083
* AY, AY, AY, AY
236
00:11:23,083 --> 00:11:26,853
* CANTA Y NO LLORES
237
00:11:26,854 --> 00:11:29,824
* PORQUE CANTANDO SE ALEGRAN
238
00:11:29,823 --> 00:11:31,623
* CIELITO LINDO
239
00:11:31,624 --> 00:11:33,834
* LOS CORAZONES
240
00:11:33,827 --> 00:11:37,427
[ MUSIC CONTINUES ]
241
00:11:53,413 --> 00:11:55,023
SOMEBODY SHOT NOBODY.
242
00:11:55,015 --> 00:11:58,285
SOMEBODY JUST MESSED UP
OUR WEEKEND.
243
00:11:58,285 --> 00:12:00,145
[ SIRENS WAILING ]
244
00:12:00,153 --> 00:12:09,063
YOU MEAN NOBODY MESSED UP
OUR WEEKEND.
245
00:12:09,062 --> 00:12:10,802
THE FIRST SHARE,
IN FRONT OF THE WHOLE GROUP.
246
00:12:10,798 --> 00:12:12,668
I MEAN, YOU'RE STANDING
THERE THINKING,
247
00:12:12,665 --> 00:12:15,765
"THERE'S NO WAY I'M AS BAD AS
THESE PATHETIC PIECES OF SHIT."
248
00:12:15,769 --> 00:12:18,639
BUT THE MORE YOU TALK,
THE MORE YOU LISTEN,
249
00:12:18,638 --> 00:12:22,778
YOU START REALIZE, YOU KNOW,
WE'RE ALL THE SAME, BROTHER.
250
00:12:22,776 --> 00:12:25,506
WE'RE JUST TRYING
TO FIGURE IT OUT.
251
00:12:25,512 --> 00:12:26,782
[ SIGHS ]
252
00:12:26,780 --> 00:12:28,550
THERE'S THIS ONE GUY
IN MY GROUP.
253
00:12:28,548 --> 00:12:29,918
YOU KNOW HIM, MAN.
254
00:12:29,917 --> 00:12:32,047
THE, UH --
HE'S LIKE THE DEPUTY MAYOR.
255
00:12:32,052 --> 00:12:34,992
OH, YOU THOUGHT I WAS BAD.
JESUS. [ LAUGHS ]
256
00:12:34,988 --> 00:12:37,388
THE MAID RUN OUT SCREAMING.
SHE WAS GOING CRAZY.
257
00:12:37,390 --> 00:12:39,030
WHICH ROOM?
42.
258
00:12:39,026 --> 00:12:41,386
SHE WAS CRYING, SPANISH.
259
00:12:41,394 --> 00:12:43,164
DID YOU CHECK IT OUT?
260
00:12:44,731 --> 00:12:46,431
WHAT ARE THE COPS FOR, THEN?
261
00:12:46,433 --> 00:12:47,433
YOU GOT A PASSKEY?
262
00:12:47,434 --> 00:12:50,674
YEAH. HERE.
PASSKEY -- TAKE IT.
263
00:12:50,670 --> 00:12:52,640
WAIT INSIDE.
264
00:12:52,639 --> 00:12:54,069
[ HORN HONKS ]
265
00:12:55,608 --> 00:12:57,278
[ SIGHS ]
266
00:12:58,478 --> 00:13:00,548
D.B.?
NO.
267
00:13:00,547 --> 00:13:02,317
HOT AS IT IS TODAY,
268
00:13:02,315 --> 00:13:05,045
WE'D HAVE SMELLED IT
BEFORE WE HIT THE STAIRS.
269
00:13:12,559 --> 00:13:13,759
POLICE!
OPEN UP!
270
00:13:13,760 --> 00:13:16,230
[ MUFFLED SHOUTING ]
271
00:13:23,303 --> 00:13:25,073
IT'S JAMMED.
272
00:13:26,239 --> 00:13:29,309
MAYBE WE SHOULD HEED THE SIGN.
[ CHUCKLES ]
273
00:13:29,309 --> 00:13:31,909
YOU WANT ME TO GO
BACK DOWNSTAIRS?
274
00:13:31,912 --> 00:13:34,882
[BLEEP] THAT.
WE'RE ALREADY UP HERE.
275
00:13:34,882 --> 00:13:36,452
ALL RIGHT.
276
00:13:37,918 --> 00:13:41,148
[ MUFFLED SHOUTING ]
277
00:13:41,154 --> 00:13:43,994
CLEAR!
278
00:13:43,991 --> 00:13:45,391
[ GASPING ]
279
00:13:45,392 --> 00:13:46,932
WHAT'S YOUR NAME?
280
00:13:46,927 --> 00:13:48,457
DAN CHARNAS.
281
00:13:48,461 --> 00:13:51,031
WHAT HAPPENED HERE,
MR. CHARNAS?
282
00:13:51,031 --> 00:13:52,431
MY GIRLFRIEND
TIED ME UP.
283
00:13:52,432 --> 00:13:54,232
BY HERSELF?
284
00:13:54,234 --> 00:13:56,344
NO. SHE WAS WITH MY WIFE
AND MY OTHER GIRLFRIEND.
285
00:13:56,336 --> 00:13:58,066
MY WIFE WAS THE ONE
HOLDING THE GUN.
286
00:13:58,071 --> 00:13:59,241
PLAYER, PLAYER!
287
00:13:59,239 --> 00:14:01,039
[ CHUCKLES ]
WHAT?
288
00:14:01,041 --> 00:14:02,911
I WAS CHECKING OUT SOME HIP-HOP
IN REHAB, MAN.
289
00:14:02,910 --> 00:14:04,210
THERE WAS THIS BALLPLAYER.
290
00:14:04,211 --> 00:14:05,881
I CAN'T REALLY TELL YOU
HIS NAME,
291
00:14:05,879 --> 00:14:07,779
BUT, UH, LET'S JUST SAY
HE COMES OFF THE BENCH
292
00:14:07,780 --> 00:14:09,220
FOR THE LAKERS, BABY --
MONEY.
293
00:14:09,216 --> 00:14:11,376
LOOK, HEY,
I GOT TO TAKE A PISS, MAN.
294
00:14:11,384 --> 00:14:13,224
ALL RIGHT. JUST GIVE ME A SECOND
TO GET YOU UNTIED.
295
00:14:13,220 --> 00:14:16,320
NO, NO. HEY.
THAT'S NOT THE PROBLEM, OFFICER.
296
00:14:18,625 --> 00:14:19,955
YEAH.
297
00:14:24,331 --> 00:14:26,101
AAH!
OH!
298
00:14:26,099 --> 00:14:27,629
WHAT? DOES IT -- WHAT?
DOES IT LOOK BAD?
299
00:14:27,634 --> 00:14:29,744
W-WHAT'D THE HELL DID SHE USE,
KRAZY GLUE?
300
00:14:29,736 --> 00:14:31,166
YEAH. YEAH.
301
00:14:31,171 --> 00:14:32,871
ALL RIGHT.
WE'RE GONNA NEED AN R.A. UNIT.
302
00:14:32,872 --> 00:14:34,472
OH, NO.
COME ON.
303
00:14:34,474 --> 00:14:36,444
SHIT, I THOUGHT MY WIFE
WAS PISSED.
304
00:14:36,443 --> 00:14:37,953
WHAT?
305
00:14:37,945 --> 00:14:39,375
A43, SEND AN R.A. UNIT
TO OUR LOCATION.
306
00:14:39,379 --> 00:14:41,279
[ Dispatcher
speaking indistinctly ]
YEAH.
307
00:14:41,281 --> 00:14:42,881
WE GOT A STICKY SITUATION
HERE.
308
00:14:42,882 --> 00:14:44,122
HEY.
HEY, WHERE YOU GOING?!
309
00:14:44,117 --> 00:14:45,447
WHAT'S THE USE
OF A TRAFFIC CAM
310
00:14:45,452 --> 00:14:47,252
IF ALL YOU GET
IS A PARTIAL PLATE?
311
00:14:47,254 --> 00:14:49,764
AT LEAST WE GOT THE MAKE OF THE
CAR RIGHT AFTER NOBODY GOT SHOT.
312
00:14:49,756 --> 00:14:51,256
THAT'LL NARROW IT DOWN.
313
00:14:51,258 --> 00:14:54,458
YOU KNOW HOW MANY CADILLAC
ESCALADES THAT COULD BE?
314
00:14:54,461 --> 00:14:58,471
SO CHUY THINKS LETI STILL WORKS
ON OLVERA STREET?
315
00:14:58,465 --> 00:15:00,995
YEAH. CHUY'S USUALLY GOT
PRETTY GOOD INFO.
316
00:15:01,001 --> 00:15:03,871
WHAT'S SHE DOING
DATING A GANGSTER, ESE?
317
00:15:03,870 --> 00:15:06,110
BETTER TO DATE A GANGSTER
THAN A COP
318
00:15:06,106 --> 00:15:08,036
IN THIS NEIGHBORHOOD, HOMEY.
319
00:15:08,041 --> 00:15:09,741
Lydia:
30 YEARS OF MARRIAGE.
320
00:15:09,742 --> 00:15:12,612
THEY LOST $6 MILLION IN CONDOS
THAT THEY INVESTED
321
00:15:12,612 --> 00:15:15,922
BEFORE THE MARKET CRASHED,
AND HE FILED FOR BANKRUPTCY.
322
00:15:15,915 --> 00:15:17,945
HMM.
323
00:15:17,951 --> 00:15:19,451
AND OF COURSE,
AT THAT EXACT TIME
324
00:15:19,452 --> 00:15:21,052
IS WHEN SHE FILED
FOR DIVORCE.
325
00:15:21,054 --> 00:15:23,594
ROMANCE WITHOUT FINANCE
IS A NUISANCE.
326
00:15:23,590 --> 00:15:25,660
[ CHUCKLES ]
GUESS HE DIDN'T TAKE IT WELL.
327
00:15:25,658 --> 00:15:28,158
YOU KNOW, I READ SOMEWHERE
THAT AS A BLACK WOMAN OVER 30,
328
00:15:28,161 --> 00:15:30,031
I HAVE A BETTER CHANCE
OF GETTING SHOT
329
00:15:30,030 --> 00:15:31,200
THAN GETTING MARRIED.
330
00:15:31,198 --> 00:15:32,868
I GOT SHOT WHEN I WAS AT NEWTON.
LOOK.
331
00:15:32,865 --> 00:15:34,395
AND I'VE BEEN DIVORCED
TWICE.
332
00:15:34,401 --> 00:15:38,611
TRUST ME, NENA,
BOTH EXPERIENCES ARE OVERRATED.
333
00:15:38,605 --> 00:15:41,135
OH, THE DAUGHTER --
SHE'S FLYING IN FROM ATLANTA,
334
00:15:41,141 --> 00:15:42,541
AND SHE WANTS TO SPEAK
WITH US
335
00:15:42,542 --> 00:15:43,782
AFTER SHE IDENTIFIES
HER PARENTS.
336
00:15:43,776 --> 00:15:45,176
SPEAK TO US ABOUT WHAT?
337
00:15:45,178 --> 00:15:47,408
OUR JOB IS TO GET THE CASE DOWN.
IT'S DOWN.
338
00:15:47,414 --> 00:15:49,084
BUT YOU GOT TO FEEL
FOR THE DAUGHTER.
339
00:15:49,082 --> 00:15:50,552
I MEAN, BOTH OF HER PARENTS
ARE DEAD
340
00:15:50,550 --> 00:15:52,550
AND HER FATHER'S
THE KILLER?
341
00:15:52,552 --> 00:15:53,522
NO.
342
00:15:53,520 --> 00:15:55,420
I SAVE MY PITY
FOR THE FAMILIES
343
00:15:55,422 --> 00:15:57,092
WHOSE MURDERERS
WE CAN'T CATCH.
344
00:15:57,090 --> 00:15:59,160
THERE'S A SALE AT NORDSTROM
THIS WEEKEND.
345
00:15:59,159 --> 00:16:00,529
YOU WANT TO GO?
346
00:16:00,527 --> 00:16:02,157
YOU'RE INCREDIBLE.
347
00:16:02,162 --> 00:16:04,402
THE DEN MOTHER?
348
00:16:04,397 --> 00:16:05,327
[ LAUGHS ]
349
00:16:05,332 --> 00:16:07,072
YOU PREFER
BUGS THE BADGE BUNNY?
350
00:16:07,067 --> 00:16:08,467
THAT'S WHAT THEY USED TO
CALL HER.
351
00:16:08,468 --> 00:16:10,668
SHE TRIED TO GET ME TO DO
A THREESOME WITH HER ONCE.
352
00:16:10,670 --> 00:16:14,610
SHE STILL HAVE THAT AUTOGRAPHED
"DIRTY HARRY" POSTER
353
00:16:14,607 --> 00:16:15,977
BY THE FRONT DOOR?
354
00:16:19,879 --> 00:16:20,909
UH-OH.
355
00:16:20,913 --> 00:16:22,783
SHIT.
356
00:16:22,782 --> 00:16:25,152
[ POLICE RADIO CHATTER ]
357
00:16:31,491 --> 00:16:33,691
SIR.
358
00:16:33,693 --> 00:16:35,603
YOU ALL RIGHT?
359
00:16:35,595 --> 00:16:37,855
YOU OKAY?
360
00:16:37,864 --> 00:16:39,434
IT'S MY GIRL ROSA.
361
00:16:39,432 --> 00:16:40,832
I DON'T KNOW WHY SHE'S TRIPPING
LIKE THIS.
362
00:16:40,833 --> 00:16:42,303
DID SHE CUT YOU?
363
00:16:42,302 --> 00:16:43,902
IT WAS AN ACCIDENT, HOMES.
SHE DIDN'T MEAN IT.
364
00:16:43,903 --> 00:16:45,673
ALL RIGHT.
WHERE IS SHE?
365
00:16:45,672 --> 00:16:47,812
THE BACK OF THE CARRUCHA
OVER THERE.
366
00:16:47,807 --> 00:16:48,537
RIGHT HERE?
367
00:16:49,742 --> 00:16:52,412
ALL RIGHT. WE'LL CHECK IT OUT.
STAY HERE.
368
00:17:02,589 --> 00:17:04,589
[ DOG BARKS ]
369
00:17:08,795 --> 00:17:11,155
[ SIREN WAILING ]
370
00:17:11,164 --> 00:17:13,234
YOU GOT TO BE
KIDDING ME.
371
00:17:13,233 --> 00:17:14,733
HIS BLOOD'S REAL.
372
00:17:21,674 --> 00:17:25,114
SIR, HOW'D YOU GET
THAT CUT ON YOUR ARM?
373
00:17:25,112 --> 00:17:27,182
YOU DIDN'T SEE HER?
YEAH, YEAH, YEAH.
374
00:17:27,180 --> 00:17:28,720
WE SAW HER. WE SAW HER.
COME HERE.
375
00:17:28,715 --> 00:17:30,075
SO, WHAT HAPPENED?
376
00:17:30,083 --> 00:17:32,323
I JUST TOLD HER
TO CHANGE HER CLOTHES,
377
00:17:32,319 --> 00:17:33,889
GO PUT ON
SOMETHING NICE, EH?
UH-HUH.
378
00:17:33,886 --> 00:17:36,116
SHE ALWAYS WANTS TO GO OUT
LOOKING LIKE THAT.
YEAH.
379
00:17:36,123 --> 00:17:37,663
THE MOVIES, THE PARK.
380
00:17:37,657 --> 00:17:39,457
AND THEN I GOT TO GET
INTO FIGHTS WITH DUDES,
381
00:17:39,459 --> 00:17:41,159
'CAUSE -- 'CAUSE THEY BE
LOOKING AT HER,
382
00:17:41,161 --> 00:17:42,661
THEN THEY BE LOOKING AT ME,
TALKING SHIT.
383
00:17:42,662 --> 00:17:43,662
OKAY.
ALL RIGHT.
384
00:17:43,663 --> 00:17:45,533
SO SHE CUT YOU
WHEN SHE GOT MAD.
385
00:17:45,532 --> 00:17:47,332
YEAH.
BUT I DIDN'T WANT TO, DOG.
386
00:17:47,334 --> 00:17:49,304
SHE MADE IT DO IT --
SHE STARTS YELLING,
387
00:17:49,302 --> 00:17:51,402
SHE LOSES IT, AND I JUST WANTED
HER TO CALM DOWN.
388
00:17:51,404 --> 00:17:55,484
A35 REQUESTING AN R.A. UNIT
AT 1200 EAST PLEASANT AVENUE,
389
00:17:55,475 --> 00:17:58,875
WILL THEN BE EN ROUTE
FOR MENTAL EVALUATION.
390
00:17:58,878 --> 00:18:00,348
YOU EVER BEEN IN LOVE?
391
00:18:00,347 --> 00:18:02,447
IT'S A BITCH, ESE.
392
00:18:05,017 --> 00:18:06,347
WHAT'S IT GONNA BE,
SAMMY JR.
393
00:18:06,353 --> 00:18:08,193
OR ONE OF THOSE
WHITE-BOY VALLEY NAMES
394
00:18:08,188 --> 00:18:10,788
LIKE KYLE OR PRESTON,
DYLAN?
395
00:18:10,790 --> 00:18:12,560
WAYNE, AFTER MY DAD.
396
00:18:12,559 --> 00:18:16,459
RACHEL, MAYBE -- MAYBE --
IF IT'S A GIRL.
GOOD.
397
00:18:16,463 --> 00:18:18,373
AT LEAST IT'S NOT GONNA BE
BRITTANY OR AMBER,
398
00:18:18,365 --> 00:18:20,095
OR ONE OF THOSE
PORN-STAR NAMES, RIGHT?
399
00:18:20,099 --> 00:18:22,469
YOU'VE GIVEN THIS WAY
TOO MUCH THOUGHT, MAN.
400
00:18:24,604 --> 00:18:26,914
DAMN.
WAS THAT KID BORN SAGGING?
401
00:18:26,906 --> 00:18:29,706
PROBABLY DIDN'T HAVE
MUCH OF A CHOICE.
402
00:18:29,709 --> 00:18:33,579
NOW THAT I'M GONNA BE A DAD,
THIS WHOLE THING IS HITTING ME.
403
00:18:33,580 --> 00:18:35,320
YOU KNOW,
ALL THE GUYS WE ARRESTED.
404
00:18:35,315 --> 00:18:36,715
ALL THE BODIES
WE STOOD OVER --
405
00:18:36,716 --> 00:18:38,686
HOW MANY OF THEM DO YOU THINK
HAD FATHERS --
406
00:18:38,685 --> 00:18:40,915
I MEAN IN THE HOUSE,
AROUND?
407
00:18:40,920 --> 00:18:42,260
NOT TOO MANY, MAN.
408
00:18:42,255 --> 00:18:44,615
THIS WHOLE GANG PROBLEM
IS ABOUT PARENTING.
409
00:18:44,624 --> 00:18:47,694
YOU WALK INTO THE LIVING ROOM,
IT'S ALWAYS THE SAME SONG.
410
00:18:47,694 --> 00:18:50,404
"WHY, WHY, WHY?
WHY DID THE LORD TAKE MY BABY?"
411
00:18:50,397 --> 00:18:52,627
AND I'M THINKING,
"WELL, MAYBE HE'S DEAD
412
00:18:52,632 --> 00:18:55,872
"BECAUSE YOU'RE A CRACKHEAD AND
DON'T KNOW WHO THE FATHER IS,
413
00:18:55,868 --> 00:18:59,438
"OR MAYBE HAD YOU RAISED HIM
INSTEAD OF THE HOMIES,
414
00:18:59,439 --> 00:19:01,009
I WOULDN'T BE
STANDING HERE."
415
00:19:01,007 --> 00:19:04,537
FATHER'S DAY IS THE MOST
CONFUSING DAY IN THE GHETTO.
416
00:19:05,678 --> 00:19:07,478
THERE SHE IS.
417
00:19:07,480 --> 00:19:10,520
THE FACE THAT LAUNCHED
A THOUSAND BULLETS.
418
00:19:10,517 --> 00:19:13,147
I'D DODGE A FEW BULLETS
FOR A SHOT AT THAT ASS.
419
00:19:13,152 --> 00:19:15,292
YEAH.
420
00:19:15,288 --> 00:19:17,288
MAYBE FROSTY WASN'T SO CRAZY
AFTER ALL.
421
00:19:17,290 --> 00:19:20,530
ONCE YOU GO BROWN,
YOU STICK AROUND.
422
00:19:20,527 --> 00:19:23,627
I'M GONNA PRETEND
YOU DIDN'T JUST SAY THAT.
423
00:19:23,630 --> 00:19:25,600
WHAT?
424
00:19:25,598 --> 00:19:27,298
A-AND I WON'T TELL MARIELLA
425
00:19:27,300 --> 00:19:29,100
WHAT YOU SAID ABOUT HER ASS,
EITHER.
426
00:19:29,101 --> 00:19:31,101
[ LAUGHS ]
[ CELLPHONE RINGS ]
427
00:19:31,103 --> 00:19:32,573
ALL RIGHT.
428
00:19:34,807 --> 00:19:37,377
GEEZ.
WHAT?
429
00:19:39,612 --> 00:19:42,952
[ SIRENS WAILING,
HELICOPTER PASSING ]
430
00:19:42,949 --> 00:19:45,489
[ INDISTINCT CONVERSATIONS ]
431
00:19:52,158 --> 00:19:53,728
NO!
432
00:19:53,726 --> 00:19:55,356
[ SCREAMING ]
433
00:19:55,362 --> 00:19:57,302
OH, MY BABY!
434
00:19:57,297 --> 00:20:01,067
OH!
435
00:20:01,067 --> 00:20:04,897
WHY?! WHY?! WHY?!
436
00:20:06,539 --> 00:20:08,839
DAMN.
437
00:20:08,841 --> 00:20:10,081
[ SIGHS ]
438
00:20:10,076 --> 00:20:11,706
WHAT THE HELL
ARE WE DOING HERE?
439
00:20:11,711 --> 00:20:14,611
YOU JINXED US WITH ALL THAT
LONG-WEEKEND AND NORDSTROM TALK.
440
00:20:14,614 --> 00:20:17,084
WHO THE HELL CARES
IF JOKER SHOT LIL SCOOBY?
441
00:20:17,083 --> 00:20:18,223
IT'S STILL MURDER.
442
00:20:18,217 --> 00:20:20,047
HEY, SAL.
443
00:20:20,052 --> 00:20:21,422
HEY, LYDIA.
HOW ARE YOU?
444
00:20:21,421 --> 00:20:24,221
DETECTIVE OCHOA.
HEY, SAL.
445
00:20:24,223 --> 00:20:26,433
HOW'S SUSAN?
I DON'T KNOW.
446
00:20:26,426 --> 00:20:28,656
YOU PROBABLY TALK TO HER
MORE THAN I DO THESE DAYS.
447
00:20:28,661 --> 00:20:31,131
OF COURSE, YOU KNEW THAT BEFORE
YOU ASKED THE QUESTION, HUH?
448
00:20:31,130 --> 00:20:32,600
SO WHAT'S GOING ON?
449
00:20:32,599 --> 00:20:35,269
RIDAZ AND HUSTLAZ
ARE AT IT AGAIN.
450
00:20:35,268 --> 00:20:37,898
METRO'S SENDING OUT BOY PLATOON
FOR CRIME SUPPRESSION.
451
00:20:37,904 --> 00:20:39,614
IT'S THE THIRD BODY
IN 10 HOURS.
452
00:20:39,606 --> 00:20:42,836
WE DON'T HAVE ENOUGH COPPERS
TO COVER THE CASES.
453
00:20:42,842 --> 00:20:45,382
SO THIS IS OURS NOW?
454
00:20:45,378 --> 00:20:48,008
ALL GIFT-WRAPPED
WITH A BOW.
455
00:20:48,014 --> 00:20:50,324
HEY, ONE MORE DEAD BODY,
AND WE'RE GONNA END UP
456
00:20:50,317 --> 00:20:51,917
ON THE FRONT PAGE
OF THE TIMES.
457
00:20:51,918 --> 00:20:54,748
AND ALL THE 11:00 NEWS SHOWS ARE
GONNA MAKE US LOOK LIKE IDIOTS.
458
00:20:54,754 --> 00:20:57,364
NATE, SAM, YOU FINISH UP
THE CANVASS
459
00:20:57,357 --> 00:21:01,357
AND THEN, UH, TAKE THESE GUYS
BACK TO ALVARADO, DEBRIEF THEM.
460
00:21:01,361 --> 00:21:03,101
HOOK UP WITH METRO.
461
00:21:03,095 --> 00:21:05,625
SNATCH UP SOME GANGSTERS WHILE
THEY'RE WORKING THE HOMICIDE.
462
00:21:05,632 --> 00:21:07,132
YOU GOT THAT?
GOT IT.
463
00:21:07,133 --> 00:21:10,003
AND HEY, NO MORE DEAD BODIES
THIS WEEKEND, OKAY?
464
00:21:10,002 --> 00:21:11,442
GOOD TO SEE YOU.
465
00:21:11,438 --> 00:21:14,138
SEE YOU LATER, SAL.
466
00:21:14,140 --> 00:21:18,010
IN MY NEWTON GANG-UNIT DAYS,
WE NEVER NEEDED ANY HELP.
467
00:21:18,010 --> 00:21:20,350
WE WORKED TRIPLES
BY OURSELVES -- ONE DETECTIVE.
468
00:21:20,347 --> 00:21:21,877
HIGHEST CLEARANCE RATE
IN THE CITY.
469
00:21:21,881 --> 00:21:25,691
I HEARD THEY WERE WEEPING
IN THE HALLS WHEN YOU LEFT.
470
00:21:25,685 --> 00:21:27,485
WHY DON'T YOU GO BACK?
471
00:21:33,225 --> 00:21:34,885
SEE YOU GUYS.
472
00:21:36,796 --> 00:21:39,266
I MEAN, IT'S COMMON KNOWLEDGE.
I'M NOT ASHAMED OF IT.
473
00:21:39,265 --> 00:21:40,725
I'M A FREAK.
PEOPLE KNOW THAT.
474
00:21:40,733 --> 00:21:42,503
KNOW WHAT I MEAN?
ALL Y'ALL KNOW.
475
00:21:42,502 --> 00:21:44,772
I LIKE THAT SWINGING-FROM-
THE-CHANDELIER STUFF.
476
00:21:44,771 --> 00:21:47,211
HELL, I DON'T EVEN CARE
IF MONKEYS IS WATCHING.
477
00:21:47,206 --> 00:21:48,936
YOU KNOW?
Chickie: [ LAUGHS ]
478
00:21:48,941 --> 00:21:51,541
AND SO WHEN SALLY BREAKS OUT
THE POLAROID CAMERA,
479
00:21:51,544 --> 00:21:54,054
WELL, SHOOT,
I GET CONFUSED,
480
00:21:54,046 --> 00:21:56,616
SINCE, YOU KNOW, NORMALLY I'M
THE TECHNOLOGICAL ONE
481
00:21:56,616 --> 00:21:58,246
WHEN IT COMES TO STUFF
LIKE THAT.
482
00:21:58,250 --> 00:22:01,720
I'M A GYNECOLOGIST
IN MY SPARE TIME, RIGHT?
MM-HMM.
483
00:22:01,721 --> 00:22:03,591
SO I BREAK OUT
MY BRAND-NEW iPHONE,
484
00:22:03,590 --> 00:22:05,530
THINKING I'M GONNA GET
A CHANCE TO USE
485
00:22:05,525 --> 00:22:07,255
SOME OF THAT
H.D.-VIDEO ACTION.
486
00:22:07,259 --> 00:22:08,499
TAKE A LITTLE TRIP
TO BRAZIL
487
00:22:08,495 --> 00:22:10,025
WITHOUT EVER GOING
TO THE AIRPORT?
488
00:22:10,029 --> 00:22:11,459
OH, NOT EVEN, BROTHER.
489
00:22:11,464 --> 00:22:13,374
SHE WAS ALREADY DRESSED
FOR WINTER.
490
00:22:13,366 --> 00:22:14,696
YEAH, SHE GOT
THAT FUR COAT.
491
00:22:14,701 --> 00:22:15,771
[ LAUGHTER ]
COME ON.
492
00:22:15,768 --> 00:22:16,998
YEAH.
THAT'S THE DEAL.
493
00:22:17,003 --> 00:22:18,843
BOOT KNOWS
WHAT I'M TALKING ABOUT.
494
00:22:18,838 --> 00:22:20,268
MM-HMM.
UH-HUH, UH-HUH.
495
00:22:20,272 --> 00:22:22,812
WELL, ANYWAY, SHE STOPS ME --
FIRST TIME EVER.
496
00:22:22,809 --> 00:22:24,909
I MEAN, SHE REALLY WANTS
THIS POLAROID.
497
00:22:24,911 --> 00:22:26,481
SO SHE STANDS ME UP
AGAINST THE WALL,
498
00:22:26,479 --> 00:22:28,079
PULLS OUT HER CAMERA,
AND TAKES A PICTURE
499
00:22:28,080 --> 00:22:30,620
LIKE WHEN WE SNATCH UP ONE
OF THESE LITTLE BABY GANGSTERS
500
00:22:30,617 --> 00:22:32,387
TRYING TO MAKE A, UM --
F.I. CARD.
501
00:22:32,385 --> 00:22:34,845
EXACTLY,
AND THEN SHE SIGNS MY NAME
502
00:22:34,854 --> 00:22:37,124
AND TOSSES THE POLAROID
IN A SHOE BOX.
503
00:22:37,123 --> 00:22:39,233
John: SHE'S PROBABLY GOT HALF
THE DIVISION IN THERE.
504
00:22:39,225 --> 00:22:40,555
THIS IS WHAT I'M SAYING.
505
00:22:40,560 --> 00:22:42,960
SO, DID SHE TAKE A PICTURE
OF YOU YET, BOOT?
506
00:22:42,962 --> 00:22:44,532
NO.
507
00:22:44,531 --> 00:22:47,401
Dewey: ANYBODY GOT A BUCK? I'M
TRYING TO GET ANOTHER COFFEE.
508
00:22:47,400 --> 00:22:49,100
JOHN, GIVE ME A DOLLAR.
509
00:22:50,770 --> 00:22:54,370
YOU'D THINK I ASKED YOU
FOR YOUR FIRSTBORN OR SOMETHING.
510
00:22:56,476 --> 00:22:58,446
I DEALT WITH IT
FOR FIVE YEARS.
511
00:22:58,445 --> 00:23:00,475
YOU CAN'T TAKE IT
FOR FOUR HOURS?
512
00:23:00,480 --> 00:23:01,610
YOU KNOW WHAT?
513
00:23:01,614 --> 00:23:03,554
WHEN HE WAS DRUNK,
IT WAS FUNNY.
514
00:23:03,550 --> 00:23:05,890
IF I GOT TO HEAR
ONE MORE THING ABOUT A.A.,
515
00:23:05,885 --> 00:23:08,815
I'M GONNA BRING BACK THE
DARYL GATES CHOKE HOLD MYSELF.
516
00:23:08,821 --> 00:23:10,961
HEY, DID YOU GUYS HEAR
ABOUT THAT SHOOTING
517
00:23:10,957 --> 00:23:13,427
DOWN AT EAST GAGE STREET BETWEEN
THE RIDAZ AND THE HUSTLAZ?
518
00:23:13,426 --> 00:23:14,756
STUPID IDIOTS.
519
00:23:14,761 --> 00:23:17,061
IF THEY HAD A HALF A BRAIN
BETWEEN THEM,
520
00:23:17,063 --> 00:23:19,933
THEY'D BELIEVE IN A HIGHER POWER
AND SANITY COULD BE RESTORED.
521
00:23:19,932 --> 00:23:21,532
STEP NUMBER TWO,
MY FRIENDS.
522
00:23:21,534 --> 00:23:22,844
ALL RIGHT.
LET'S GO.
523
00:23:22,835 --> 00:23:24,995
YOU GET THAT
FOR ME, PLEASE?
YES.
524
00:23:25,004 --> 00:23:28,484
HEY, BOOT, SALLY EVER ASK YOU
TO WEAR YOUR HAT?
525
00:23:28,475 --> 00:23:30,075
HUH?
526
00:23:30,076 --> 00:23:32,746
I USED TO KEEP MY SPARE SET
OF BLUES IN HER CLOSET, MAN.
527
00:23:32,745 --> 00:23:35,945
SHE'S A FREAK!
[ LAUGHS ]
528
00:23:37,484 --> 00:23:39,394
* HEY, I KNOW I WANT YOU,
WANT YOU *
529
00:23:39,385 --> 00:23:41,115
* I KNOW YOU WANT ME,
WANT ME *
530
00:23:41,120 --> 00:23:43,120
* YOU KNOW I WANT YOU,
WANT YOU *
531
00:23:43,122 --> 00:23:44,992
* I KNOW YOU WANT ME
532
00:23:44,991 --> 00:23:47,191
* YOU KNOW I WANT YOU,
WANT YOU *
533
00:23:47,193 --> 00:23:49,533
* 1, 2, 3, 4
534
00:23:49,529 --> 00:23:51,759
* UNO, DOS, TRES, CUATRO
535
00:23:51,764 --> 00:23:55,104
[ INDISTINCT CONVERSATIONS ]
536
00:23:55,101 --> 00:23:57,271
* SI ES VERDAD
537
00:23:57,269 --> 00:24:00,369
* QUE TU ERES GUAPA
538
00:24:00,372 --> 00:24:02,512
* YO TE VOY A PONER GOZAR
539
00:24:02,509 --> 00:24:04,509
* TU TIENE LA BOCA GRANDE
540
00:24:04,511 --> 00:24:06,281
* DALE PONTE A JUGAR, COMO?
541
00:24:06,278 --> 00:24:09,148
* 1, 2, 3, 4
542
00:24:09,148 --> 00:24:10,648
* UNO, DOS, TRES, CUATRO
543
00:24:10,650 --> 00:24:13,550
[ GUNFIRE, SCREAMING ]
544
00:24:15,254 --> 00:24:16,824
[ DOG BARKING ]
545
00:24:20,092 --> 00:24:22,432
FIRST BODY WE CAUGHT WAS FROSTY,
OF THE WESTSIDE RIDAZ.
546
00:24:22,428 --> 00:24:25,358
ORIGINALLY WE THOUGHT
IT WAS TYPICAL BEEF OVER
DRUG TERRITORY.
547
00:24:25,364 --> 00:24:26,834
TURNS OUT
IT WAS OVER A GIRL.
548
00:24:26,833 --> 00:24:28,333
FROSTY WAS BANGING
LETI VARGAS,
549
00:24:28,334 --> 00:24:31,374
FIRST COUSIN OF JUAN VARGAS,
STREET NAME NOBODY,
550
00:24:31,370 --> 00:24:32,870
OF THE LATIN HUSTLAZ.
551
00:24:32,872 --> 00:24:35,912
Josie: SO NOBODY SHOT FROSTY,
BUT WHO SHOT NOBODY?
552
00:24:35,908 --> 00:24:37,878
CAMS PICKED UP
A SILVER ESCALADE
553
00:24:37,877 --> 00:24:39,677
LEAVING THE SCENE
OF THE DRIVE-BY.
554
00:24:39,679 --> 00:24:40,949
DAVID MARCUS HAS THE CAR,
555
00:24:40,947 --> 00:24:42,877
AND THE PROFILE FITS
THE DESCRIPTION.
556
00:24:42,882 --> 00:24:45,422
MIGHT HAVE THE CAR
BUT DOESN'T FIT THE PROFILE.
557
00:24:45,417 --> 00:24:47,017
JUST GOT BACK FROM S.I.D.
558
00:24:47,019 --> 00:24:49,389
NO GSR MARKS ON HIS HAND,
NO GUN.
559
00:24:49,388 --> 00:24:52,388
THIS KID DAVID MARCUS
IS LITERALLY A CHOIR BOY.
560
00:24:52,391 --> 00:24:54,461
HE PLAYS THE DRUMS
AT SECOND A.M.E.
561
00:24:54,460 --> 00:24:56,130
AND THIS TRUCK -- PAID FOR.
562
00:24:56,128 --> 00:24:57,458
PERFECT CREDIT,
563
00:24:57,463 --> 00:24:59,603
MANAGER OF A VIDEO-GAME STORE
IN THE FOX HILLS MALL.
564
00:24:59,599 --> 00:25:01,029
NO TATS.
565
00:25:01,033 --> 00:25:02,973
HE DOESN'T EVEN HAVE
ANY PARKING TICKETS.
566
00:25:02,969 --> 00:25:05,139
DIAMOND EARRINGS,
BAGGY JEANS,
567
00:25:05,137 --> 00:25:08,677
DROVE A TRICKED-OUT S.U.V.
BLASTING GLASSES MALONE.
568
00:25:08,675 --> 00:25:11,035
SO? THIS GUY COULD BE
AN INNOCENT CIVILIAN.
569
00:25:11,043 --> 00:25:13,553
OR HE'S JUST ANOTHER ASSHOLE
WE HAVEN'T CAUGHT YET.
570
00:25:13,546 --> 00:25:15,546
EITHER WAY, LOOK THE PART,
PAY THE PRICE.
571
00:25:15,548 --> 00:25:17,578
OH, COME ON, MAN.
572
00:25:17,584 --> 00:25:19,554
IF -- IF DUDE WAS DRIVING
A PRIUS,
573
00:25:19,552 --> 00:25:22,122
BUMPING JOHN MAYER,
HE'D BE ALIVE RIGHT NOW.
574
00:25:22,121 --> 00:25:23,521
YOU KNOW IT.
575
00:25:23,522 --> 00:25:25,662
YOU SEE?
576
00:25:25,658 --> 00:25:27,758
THAT'S TONY
IN FRONT OF HIS ESCALADE,
577
00:25:27,760 --> 00:25:29,660
RODRIGO, NEXT TO EDDIE,
MY BABY.
578
00:25:29,662 --> 00:25:33,332
THEY ALL HAVE SHAVED HEADS,
EARRINGS, BAGGY JEANS.
579
00:25:33,332 --> 00:25:34,772
THEY LOVE HIP-HOP.
580
00:25:34,767 --> 00:25:37,067
TONY'S A CAPTAIN
IN AFGHANISTAN,
581
00:25:37,069 --> 00:25:39,539
RODRIGO JUST BECAME A P2
IN SOUTHEAST,
582
00:25:39,538 --> 00:25:40,838
AT EDDIE'S AT BERKELEY,
583
00:25:40,840 --> 00:25:43,140
AND YOU'RE GONNA TELL ME
THAT MY BOYS
584
00:25:43,142 --> 00:25:44,342
DESERVE TO GET SHOT UP
585
00:25:44,343 --> 00:25:47,053
JUST BECAUSE THEY WEAR
BAGGY JEANS AND LOVE HIP-HOP?
586
00:25:47,046 --> 00:25:48,746
I BET YOU
IF THEY WERE WHITE
587
00:25:48,748 --> 00:25:50,548
AND THEY LIVED NEXT DOOR
TO YOU IN SANTA CLARITA --
588
00:25:50,549 --> 00:25:52,119
CASTAIC --
I LIVE IN CASTAIC.
589
00:25:52,118 --> 00:25:53,918
AND DON'T THROW THAT TIRED
"WHITE BOY
590
00:25:53,920 --> 00:25:55,790
DOESN'T UNDERSTAND THE
NEIGHBORHOOD" BULLSHIT AT ME.
591
00:25:55,788 --> 00:25:57,688
DON'T DO IT.
WHERE DO YOU LIVE?
592
00:25:59,358 --> 00:26:00,688
LA CAГ‘ADA FLINTRIDGE.
593
00:26:00,693 --> 00:26:03,833
OH, TIMES IS HARD.
594
00:26:03,830 --> 00:26:05,770
SO MUCH CRIME
OUT IN THE FLINT.
595
00:26:05,765 --> 00:26:07,665
BODIES JUST STACKING UP.
596
00:26:07,667 --> 00:26:10,597
[ CELLPHONES RINGING ]
597
00:26:13,172 --> 00:26:16,212
[ SIRENS WAILING,
HELICOPTER PASSING ]
598
00:26:21,948 --> 00:26:24,318
[ WOMAN SPEAKING SPANISH ]
599
00:26:52,478 --> 00:26:53,848
A JOYOUS CELEBRATION --
600
00:26:53,846 --> 00:26:56,146
A YOUNG GIRL'S FIRST STEP
INTO WOMANHOOD,
601
00:26:56,148 --> 00:26:57,018
A QUINCEAГ‘ERA.
602
00:26:57,016 --> 00:26:58,846
INSTEAD, IT'S A CRIME SCENE,
603
00:26:58,851 --> 00:27:00,651
WITH THE GUNMAN
STILL AT LARGE
604
00:27:00,653 --> 00:27:02,893
AND TWO INNOCENT VICTIMS
LEFT IN HIS WAKE.
605
00:27:02,889 --> 00:27:05,489
A YOUNG MOTHER
AND HER 4-YEAR-OLD SON LIE DEAD,
606
00:27:05,491 --> 00:27:06,891
THE FOURTH AND FIFTH VICTIMS
607
00:27:06,893 --> 00:27:09,463
OF AN MLK WEEKEND
FULL OF VIOLENCE,
608
00:27:09,461 --> 00:27:10,961
IN SHARP CONTRAST
609
00:27:10,963 --> 00:27:13,873
WITH MARTIN LUTHER KING'S
MESSAGE OF NONVIOLENCE.
610
00:27:13,866 --> 00:27:16,536
[ HELICOPTER PASSING,
HORN BLARING ]
611
00:27:16,535 --> 00:27:18,265
DETECTIVE SALINGER.
612
00:27:18,270 --> 00:27:20,770
IS THIS SHOOTING RELATED
TO THE OTHER ONES?
613
00:27:20,773 --> 00:27:21,913
NO COMMENT.
614
00:27:21,908 --> 00:27:23,808
IS IT RACIALLY MOTIVATED?
615
00:27:25,945 --> 00:27:27,645
HEY, WHAT DO WE GOT?
616
00:27:27,646 --> 00:27:29,816
LYDIA AND I ARE CHECKING
TRAFFIC CAMS
617
00:27:29,816 --> 00:27:32,116
TO SEE IF WE GET LUCKY
AND CATCH A PLATE.
618
00:27:32,118 --> 00:27:34,788
WE'RE LOOKING FOR A DARK BLUE
CHEVY SUBURBAN.
619
00:27:34,787 --> 00:27:36,487
ALL RIGHT.
HANG IN THERE.
620
00:27:36,488 --> 00:27:40,128
THE FATHER OF THE BABY
IS A LATIN HUSTLA.
621
00:27:40,126 --> 00:27:42,086
DID HE GET A GOOD LOOK
AT THE SHOOTER?
622
00:27:42,094 --> 00:27:43,034
NOPE.
623
00:27:43,029 --> 00:27:45,999
DARK, CHEVY SUBURBAN,
MAYBE.
624
00:27:45,998 --> 00:27:47,568
SHOOTER WAS BLACK.
625
00:27:47,566 --> 00:27:50,266
THE GUN?
Sammy: AK-47, BASED ON
THE SHELL CASINGS.
626
00:27:50,269 --> 00:27:52,869
S.I.D. IS RUNNING
THE BALLISTICS NOW.
627
00:27:52,872 --> 00:27:55,172
GEEZ. AN AK?
628
00:27:55,174 --> 00:27:57,814
WASN'T EVEN A BULLET FRAGMENT
THAT KILLED THE KID.
629
00:27:57,810 --> 00:27:59,480
IT WAS SHRAPNEL
FROM THE CAR DOOR.
630
00:27:59,478 --> 00:28:01,648
Nate: THERE'S A LOT OF GUYS
COMING UP FROM MEXICO.
631
00:28:01,647 --> 00:28:03,147
AK IS EASY MONEY
ON THE STREET.
632
00:28:03,149 --> 00:28:06,019
HARDWARE THAT HEAVY, IT'S GOT TO
BE A NEIGHBORHOOD GUN.
633
00:28:06,018 --> 00:28:09,188
THEY PASS IT AROUND THE GANG
FROM CRIME TO CRIME.
634
00:28:09,188 --> 00:28:10,688
WELL, GOOD.
635
00:28:10,689 --> 00:28:13,159
IF IT'S BEEN USED BEFORE,
MAYBE WE'LL CATCH A BREAK.
636
00:28:13,159 --> 00:28:15,959
LISTEN, FIND ME A GOOD WIT,
ALL RIGHT?
637
00:28:18,164 --> 00:28:21,634
THERE'S NO WAY WE FIND A CASING
THIS FAR FROM THE HOUSE.
638
00:28:21,633 --> 00:28:24,243
WELL, YOU NEVER KNOW.
639
00:28:24,236 --> 00:28:25,766
[ CHUCKLES ]
640
00:28:25,772 --> 00:28:27,612
HEY, THIS ONE TIME,
WHEN I WAS A BOOT,
641
00:28:27,606 --> 00:28:30,936
THIS DRUNK LOST HIS GLASS EYE
IN THE MIDDLE OF THE STREET.
642
00:28:30,943 --> 00:28:33,213
MY PARTNER AND I
HAD TO LOOK FOR IT.
643
00:28:33,212 --> 00:28:35,712
JUST ABOUT THE TIME
I'M GONNA GIVE UP
644
00:28:35,714 --> 00:28:38,154
AND GO ASK MY T.O.
IF I COULD PUNCH OUT,
645
00:28:38,150 --> 00:28:40,620
KKKT! --
I STEPPED RIGHT ON THAT BITCH.
646
00:28:40,619 --> 00:28:43,059
[ LAUGHS ]
OH.
647
00:28:43,055 --> 00:28:44,485
WHAT WAS THE KID'S NAME?
648
00:28:44,490 --> 00:28:47,430
THE HELL WOULD YOU WANT THAT
IN YOUR HEAD FOR?
649
00:28:47,426 --> 00:28:50,856
BELIEVE ME,
GOD DID US A FAVOR.
650
00:28:50,863 --> 00:28:52,133
THIS NEIGHBORHOOD,
TWO GANGSTER PARENTS --
651
00:28:52,131 --> 00:28:54,631
WE'D BE RIGHT BACK HERE
IN EIGHT YEARS,
652
00:28:54,633 --> 00:28:56,173
ARRESTING
THAT LITTLE VATO'S ASS,
653
00:28:56,168 --> 00:28:59,068
DAMN SURE BE ZIPPING HIM UP
IN A BIGGER BODY BAG.
654
00:28:59,071 --> 00:29:00,911
THE UNIVERSE SAVED US
A TRIP.
655
00:29:00,907 --> 00:29:04,107
WHAT DID YOU SAY?
HEY, I'M JUST TRYING TO
KEEP IT REAL, BABY GIRL.
656
00:29:04,110 --> 00:29:06,580
"KEEP IT REAL, BABY GIRL"?
657
00:29:06,578 --> 00:29:08,778
MAN, THAT'S SOMEBODY'S KID.
658
00:29:08,781 --> 00:29:10,751
YEAH.
TWO [BLEEP] GANGSTERS.
659
00:29:10,749 --> 00:29:13,549
YOU SEE ANY BONA FIDE HUMANS
AROUND HERE?
660
00:29:13,552 --> 00:29:15,492
[ INDISTINCT SHOUTING ]
661
00:29:15,487 --> 00:29:17,917
[BLEEP] GET BACK
IN YOUR TUNA BOAT, BITCH!
662
00:29:17,924 --> 00:29:20,234
BITCH?
I'LL SHOW YOU A BITCH!
Sal: HEY, HEY!
663
00:29:20,226 --> 00:29:22,756
KNOCK IT OFF!
KNOCK IT OFF!
MEET ME IN A PARKING LOT
OFF SHIFT!
664
00:29:22,761 --> 00:29:24,761
GOD DAMN IT,
THERE'S CAMERAS EVERYWHERE!
BITCH.
665
00:29:24,763 --> 00:29:26,173
SHUT HIM UP.
LOOK AT ME. LOOK AT ME.
666
00:29:26,165 --> 00:29:27,895
EVERYBODY GET THE HELL
OUT OF HERE NOW.
667
00:29:27,900 --> 00:29:29,200
GET HIM OUT OF HERE.
John: ALL RIGHT.
668
00:29:29,201 --> 00:29:30,771
LET GET OF ME, MAN.
JUST LET GO OF ME.
669
00:29:30,769 --> 00:29:32,599
LET GO.
GET OUT OF HERE, ALL OF YOU.
670
00:29:32,604 --> 00:29:34,244
LYDIA.
671
00:29:40,947 --> 00:29:43,847
[ INDISTINCT CONVERSATIONS ]
672
00:29:47,887 --> 00:29:50,057
"I'LL SHOW YOU A BITCH,
BITCH."
673
00:29:51,657 --> 00:29:53,927
TUNA BOAT, MY ASS.
674
00:29:53,926 --> 00:29:56,426
[ LAUGHS ]
[ SCOFFS ]
675
00:29:58,998 --> 00:30:00,828
Dewey:
ARE YOU KIDDING ME, MAN?
676
00:30:00,833 --> 00:30:02,433
ARE YOU FREAKIN'
KIDDING ME?!
677
00:30:02,434 --> 00:30:03,974
THOSE STUPID BITCHES.
678
00:30:03,970 --> 00:30:05,770
JOHN, I'VE NEVER HIT A WOMAN
IN MY LIFE.
679
00:30:05,771 --> 00:30:07,041
I'M NOT A WOMAN-BEATER,
MAN.
680
00:30:07,039 --> 00:30:09,279
BUT TONIGHT
I WAS THIS CLOSE
681
00:30:09,275 --> 00:30:11,405
TO BEATING BOTH
THOSE BITCHES DOWN, MAN.
682
00:30:11,410 --> 00:30:13,880
ARMED OR UNARMED.
I DON'T GIVE A SHIT!
683
00:30:13,880 --> 00:30:15,510
THE ONLY PIECE OF METAL
684
00:30:15,514 --> 00:30:18,354
THOSE BITCHES SHOULD BE ALLOWED
TO CARRY IS A FRYING PAN!
685
00:30:18,350 --> 00:30:21,320
JESUS CHRIST!
686
00:30:21,320 --> 00:30:23,390
OH [BLEEP]
JOHN, YOU KNOW WHAT?
687
00:30:23,389 --> 00:30:25,419
ALL I DID WAS TELL
THE TRUTH, BRO.
688
00:30:25,424 --> 00:30:27,594
THAT IS IT, MAN.
I TOLD THE TRUTH.
689
00:30:27,593 --> 00:30:28,933
YOU KNOW AS WELL AS I DO
690
00:30:28,928 --> 00:30:31,328
WE SHOULD BUS EVERY ONE
OF THOSE DIRTY GANGSTERS
691
00:30:31,330 --> 00:30:34,300
DOWN TO THE COLISEUM,
THROW IN SOME GUNS AND AMMO,
692
00:30:34,300 --> 00:30:36,340
LOCK THE DOOR,
AND LET GOD SORT IT OUT.
693
00:30:36,335 --> 00:30:37,935
LET'S GET
SOME MORE COFFEE.
694
00:30:37,937 --> 00:30:40,067
YES, LET'S GET
SOME COFFEE.
695
00:30:40,072 --> 00:30:42,212
STUPID BITCHES.
696
00:30:42,208 --> 00:30:45,008
GET IN YOUR TUNA BOAT
AND GET OUT OF MY FACE.
697
00:30:45,011 --> 00:30:46,881
OH, GREAT.
698
00:30:49,115 --> 00:30:50,875
YOU WANT YOUR COFFEE BLACK,
RIGHT?
699
00:30:50,883 --> 00:30:51,853
YEP.
700
00:30:51,850 --> 00:30:54,120
NOT A WORD, BOOT.
701
00:30:54,120 --> 00:30:57,460
[ SIGHS ]
LET'S ROLL.
702
00:30:57,456 --> 00:30:58,816
WHAT?
703
00:30:58,824 --> 00:31:00,234
COME ON.
704
00:31:05,131 --> 00:31:07,301
[ ENGINE TURNS OVER ]
705
00:31:10,069 --> 00:31:12,199
[ TIRES SCREECH, ENGINE REVS ]
706
00:31:14,106 --> 00:31:16,176
SON OF A BITCH!
707
00:31:21,613 --> 00:31:23,523
WE GOT AT LEAST FIVE
DIFFERENT CASES
708
00:31:23,515 --> 00:31:25,985
WHERE AN AK WAS USED
IN THE LAST THREE MONTHS.
709
00:31:25,985 --> 00:31:27,585
ALL NEAR RIDAZ TERRITORY.
710
00:31:27,586 --> 00:31:29,416
WOULDN'T THEY JUST TOSS
THE GUN?
711
00:31:29,421 --> 00:31:31,221
TOSS AN AK?
NO WAY, MAN.
712
00:31:31,223 --> 00:31:32,763
IT'S TOO HARD TO REPLACE.
IT'S GOLDEN.
713
00:31:32,758 --> 00:31:35,628
ALEJANDRO JOAQUIN CUERVO.
714
00:31:36,862 --> 00:31:39,032
4 YEARS OLD.
715
00:31:39,966 --> 00:31:42,796
REMEMBER THE NAME.
716
00:31:42,801 --> 00:31:45,301
REMEMBER THE FACE.
717
00:31:45,304 --> 00:31:47,644
HE'S A REMINDER AS TO WHY
WE DRAG OUR SORRY ASSES
718
00:31:47,639 --> 00:31:49,279
OUT OF BED EVERY MORNING
719
00:31:49,275 --> 00:31:51,705
IN THE SERVICE OF A CITY
WHO JUST DOESN'T GIVE A DAMN.
720
00:31:51,710 --> 00:31:54,750
FIGHTING GANG CRIME
IS LIKE PUNCHING WATER.
721
00:31:54,746 --> 00:31:57,376
NO MATTER HOW HARD YOU HIT, YOU
JUST CAN'T SEEM TO LEAVE A DENT.
722
00:31:57,383 --> 00:31:59,893
BUT WHEN A BABY IS MURDERED,
IT MAKES YOU REMEMBER
723
00:31:59,885 --> 00:32:02,915
WHAT IT FELT LIKE THE FIRST TIME
YOU PUT YOUR BLUES ON
724
00:32:02,921 --> 00:32:04,321
AND STOOD IN FRONT
OF A MIRROR.
725
00:32:04,323 --> 00:32:07,793
IT MAKES YOU REMEMBER
WHY YOU BECAME A COP.
726
00:32:07,793 --> 00:32:09,963
THE MISSION'S CLEAR.
727
00:32:09,962 --> 00:32:13,232
PUNISH EVIL EVERYWHERE.
728
00:32:13,232 --> 00:32:15,772
THERE ARE HARDWORKING,
DECENT FOLKS
729
00:32:15,767 --> 00:32:17,537
THAT LIVE IN THESE COMMUNITIES.
730
00:32:17,536 --> 00:32:19,706
CERTAIN LINES
JUST CANNOT BE CROSSED.
731
00:32:19,705 --> 00:32:22,365
THERE'S ONLY ONE WAY TO SEND
THAT MESSAGE SOMETIMES.
732
00:32:24,043 --> 00:32:27,083
SO WE'RE GONNA SEND OUR BOOTS SO
FAR UP THESE GANGSTERS' ASSES,
733
00:32:27,079 --> 00:32:30,349
THEY WON'T EVEN DREAM ABOUT
PULLING THIS BULLSHIT AGAIN.
734
00:32:30,349 --> 00:32:32,779
GOD DAMN IT, I WANT THE GUN.
735
00:32:32,784 --> 00:32:34,324
I WANT THE KILLER.
736
00:32:34,320 --> 00:32:37,460
I WANT THEM BOTH -- PRONTO.
737
00:32:38,724 --> 00:32:41,764
YOU KNOW WHAT WE'RE
LOOKING FOR, RIGHT?
738
00:32:41,760 --> 00:32:43,430
YOU GUYS DON'T KNOW?
739
00:32:43,429 --> 00:32:48,529
WE'RE LOOKING FOR AN AK-47.
YOU GUYS KNOW WHERE THAT IS?
740
00:32:48,534 --> 00:32:50,944
NOBODY KNOWS?
741
00:32:50,936 --> 00:32:52,036
WHAT ABOUT YOU?
742
00:32:52,038 --> 00:32:54,638
[ UP-TEMPO HIP-HOP PLAYING ]
743
00:32:54,640 --> 00:32:56,010
GET YOUR HANDS UP!
744
00:32:56,008 --> 00:32:57,778
[ INDISTINCT SHOUTING ]
HANDS UP!
745
00:32:57,776 --> 00:32:59,306
HANDS UP RIGHT NOW!
746
00:32:59,311 --> 00:33:01,451
[BLEEP] HEY, MAN.
Y'ALL GOT A WARRANT, MAN?
747
00:33:01,447 --> 00:33:03,017
WHAT THE HELL'S
GOING ON, MAN?
748
00:33:03,015 --> 00:33:04,615
HEY, MAN, THAT'S MEDICINAL
RIGHT THERE, MAN!
749
00:33:04,616 --> 00:33:07,016
I WANT NAMES,
LOCATION, GUN,
750
00:33:07,019 --> 00:33:09,419
RIGHT NOW,
OR I TAKE YOU IN.
751
00:33:09,421 --> 00:33:11,321
THREE STRIKES,
YOU'RE OUT.
752
00:33:11,323 --> 00:33:14,993
SEE, BABY? THAT'S WHY YOU
NEVER TRUST THE POLICE, MAN!
753
00:33:14,993 --> 00:33:17,303
[ DOG BARKING ]
754
00:33:17,296 --> 00:33:19,426
[ CAR ALARM BLARING ]
755
00:33:21,167 --> 00:33:22,897
WHERE'S THE AK?
756
00:33:22,901 --> 00:33:24,041
HUH?
757
00:33:24,036 --> 00:33:25,336
WHERE'S THE GUN?!
758
00:33:26,538 --> 00:33:29,208
GIVE ME THE OTHER HAND.
GIVE ME THE OTHER HAND.
759
00:33:29,208 --> 00:33:31,508
TELL US
WHERE THE SHIT IS.
760
00:33:31,510 --> 00:33:32,640
COME ON, BOYS.
761
00:33:32,644 --> 00:33:35,684
YOU WANT TO GO HOME,
YOU WANT TO GO TO JAIL?
762
00:33:35,681 --> 00:33:38,351
WE WON'T PUT YOUR NAME
ANYWHERE NEAR THIS.
763
00:33:38,350 --> 00:33:40,550
JUST TELL US
WHERE THE GUN'S AT.
764
00:33:49,728 --> 00:33:51,158
TAKE HIM.
765
00:33:52,998 --> 00:33:54,368
GO!
766
00:33:54,366 --> 00:33:56,096
BACK DOOR! KITCHEN, KITCHEN,
KITCHEN, KITCHEN!
767
00:33:56,102 --> 00:33:57,272
HE'S RUNNING!
768
00:34:06,945 --> 00:34:08,575
PIGS CAN'T CATCH ME.
769
00:34:12,384 --> 00:34:14,754
[ GRUNTS ] [BLEEP]
HEY THERE, DIRTY.
770
00:34:14,753 --> 00:34:17,663
CAN I GET YOU A CHAIR?
771
00:34:19,291 --> 00:34:20,531
Vern:
MORETTA!
772
00:34:20,526 --> 00:34:22,156
PULL UP, MAN.
773
00:34:22,161 --> 00:34:25,231
WE GOT IT.
IT WAS UNDER THE COUCH.
774
00:34:26,665 --> 00:34:29,065
AK-47 WITH YOUR SHEET --
775
00:34:29,067 --> 00:34:30,737
MAN, YOU AIN'T
EVER COMING OUT.
776
00:34:30,736 --> 00:34:32,066
PULL YOUR LEG UNDER.
777
00:34:32,070 --> 00:34:33,940
YOU KILLED
A HUSTLA BABY.
778
00:34:33,939 --> 00:34:35,569
I KNOW A COUPLE VATOS
IN FOLSOM
779
00:34:35,574 --> 00:34:37,144
THAT WOULD LOVE
TO HOLLER AT YOU.
780
00:34:37,143 --> 00:34:38,783
MAN, I AIN'T KILL
THAT KID, MAN.
781
00:34:38,777 --> 00:34:41,847
ON GOD, ONE OF THE HOMIES
JUST DROPPED THAT GUN OFF, MAN.
782
00:34:41,847 --> 00:34:45,147
GIVE US A NAME.
783
00:34:45,151 --> 00:34:47,951
A NAME, ASSHOLE.
784
00:34:47,953 --> 00:34:49,523
G-RON, MAN.
785
00:34:49,521 --> 00:34:51,421
MAN, LOOK,
G-RON KILLED THAT KID, MAN.
786
00:34:51,423 --> 00:35:01,903
I SWEAR TO GOD
THAT'S ALL I KNOW.
787
00:35:01,900 --> 00:35:03,640
WAS HE ALWAYS LIKE THAT?
788
00:35:03,635 --> 00:35:06,505
NO. HE WAS PASSIONATE
AND FOCUSED, LIKE YOU.
789
00:35:06,505 --> 00:35:08,635
THE JOB DOESN'T MAKE YOU
SOMETHING.
790
00:35:08,640 --> 00:35:10,580
IT JUST BRINGS OUT
WHO YOU ALREADY ARE.
791
00:35:10,576 --> 00:35:12,776
YOU CAN'T TELL ME DEAD BABIES
DON'T BOTHER YOU ANYMORE.
792
00:35:12,778 --> 00:35:15,408
YOU GOT TO LEARN
WHEN TO TURN OFF
793
00:35:15,414 --> 00:35:17,754
THE CAMERA
INSIDE YOUR HEAD.
794
00:35:19,751 --> 00:35:21,521
HOW DO YOU DO THAT?
795
00:35:23,255 --> 00:35:24,785
WELL, WHEN YOU LEARN
HOW TO DO THAT,
796
00:35:24,790 --> 00:35:26,730
YOU'RE READY TO BE
A TRAINING OFFICER.
797
00:35:30,962 --> 00:35:32,862
SEE THE SUBURBAN?
798
00:35:32,864 --> 00:35:34,134
YEAH.
799
00:35:34,132 --> 00:35:36,772
LIGHT 'EM UP ON MY SIGNAL.
800
00:35:38,637 --> 00:35:39,867
[ TIRES SCREECH ]
801
00:35:39,871 --> 00:35:42,611
[ SIREN WAILING ]
802
00:35:42,608 --> 00:35:46,808
A43, SHOW US IN PURSUIT
OF A DARK BLUE CHEVY SUBURBAN,
803
00:35:46,812 --> 00:35:52,052
LICENSE PLATE THREE-ADAM-BAKER
FOUR-FIVE-SEVEN-DAVID.
804
00:35:52,050 --> 00:35:56,390
HEADING EAST ON VAN NESS,
JUST PASSING SLAUSON.
805
00:35:56,388 --> 00:36:00,228
[ POLICE RADIO CHATTER ]
806
00:36:03,362 --> 00:36:06,602
[ ENGINE REVVING,
TIRES SCREECHING ]
807
00:36:19,411 --> 00:36:21,911
[ TIRES SCREECH ]
808
00:36:50,242 --> 00:36:52,142
[ BOTH GRUNTING ]
809
00:36:52,143 --> 00:36:54,213
OW! SHIT!
810
00:36:54,212 --> 00:36:56,982
[ BREATHING HEAVILY ]
811
00:36:56,982 --> 00:36:58,122
GET UP.
812
00:36:58,116 --> 00:36:59,416
I AM.
GET UP!
813
00:36:59,418 --> 00:37:00,988
WHAT'S YOUR NAME?
GREG RONALDSON.
814
00:37:00,986 --> 00:37:02,816
WHAT'S YOUR STREET NAME?!
YOU GOT THESE ON TOO TIGHT.
815
00:37:02,821 --> 00:37:03,861
YOUR STREET NAME!
816
00:37:03,855 --> 00:37:05,655
G-RON.
817
00:37:05,657 --> 00:37:07,127
WHAT?
818
00:37:07,125 --> 00:37:08,325
LET'S TAKE A TRIP, G-RON.
819
00:37:08,327 --> 00:37:10,897
LAY OFF, MAN.
820
00:37:10,896 --> 00:37:13,296
Josie: SO, HOW DOES A GOOD GUY
LIKE DAVID MARCUS
821
00:37:13,299 --> 00:37:15,529
END UP WITH AN ASSHOLE
BEST FRIEND LIKE YOU?
822
00:37:15,534 --> 00:37:16,944
WAS HE IN THE STREETS?
823
00:37:16,935 --> 00:37:17,995
HELL NAW.
824
00:37:18,003 --> 00:37:19,873
HIS POPS WOULD HAVE WHUPPED
HIS ASS.
825
00:37:19,871 --> 00:37:23,241
BUT Y'ALL HUNG ANYWAY?
SINCE MARKHAM ELEMENTARY.
826
00:37:23,241 --> 00:37:25,641
BUT HE DIDN'T END UP A RIDA.
827
00:37:25,644 --> 00:37:28,814
DID ALL YOUR FRIENDS
END UP AS COPS?
828
00:37:28,814 --> 00:37:29,924
YOU GOT CHOICES.
829
00:37:29,915 --> 00:37:31,745
BUT YOUR PEOPLES
ARE YOUR PEOPLES.
830
00:37:31,750 --> 00:37:33,850
HE EVER LET YOU BORROW
THE CAR?
831
00:37:33,852 --> 00:37:35,292
THREE WEEKS AGO.
832
00:37:35,287 --> 00:37:36,787
BUNCH OF US TOOK
SOME CLUCK-CLUCKS
833
00:37:36,788 --> 00:37:38,758
DOWN TO THE CHEESECAKE FACTORY
IN GLENDALE.
834
00:37:38,757 --> 00:37:41,087
FROSTY'S GIRL --
SHE WAS THERE.
835
00:37:41,092 --> 00:37:44,662
YOUR FRIEND IS DEAD
BECAUSE YOU BORROWED HIS CAR.
836
00:37:44,663 --> 00:37:47,503
THEY KNEW THE CAR.
THEY THOUGHT THEY HAD YOU.
837
00:37:47,499 --> 00:37:49,439
BUT INSTEAD IT WAS DAVID
WHO WAS SHOT.
838
00:37:49,435 --> 00:37:50,895
THAT'S NOT MY FAULT.
839
00:37:50,902 --> 00:37:53,742
I NEVER DID NO DIRT
AROUND HIM.
840
00:37:53,739 --> 00:37:58,279
DAVID HAD DREAMS,
A WIFE, KID.
841
00:37:58,276 --> 00:38:00,476
HE AIN'T DESERVE TO GO OUT
LIKE THAT.
842
00:38:00,479 --> 00:38:02,809
SO YOU SHOOT UP
A BIRTHDAY PARTY
843
00:38:02,814 --> 00:38:06,224
OUT OF LOYALTY TO A MAN
WITH A WIFE, A KID,
844
00:38:06,217 --> 00:38:08,247
A MAN THAT WAS CHURCHGOING?
845
00:38:08,253 --> 00:38:10,193
HE WASN'T EVEN BANGING.
846
00:38:10,188 --> 00:38:12,958
YOU KILLED A BABY,
ASSHOLE.
847
00:38:12,958 --> 00:38:17,628
IF I COULD DO IT AGAIN,
I'D USE A MAC-10 NEXT TIME,
848
00:38:17,629 --> 00:38:20,299
MAKE SURE I TAKE
EVEN MORE OF THEM OUT.
849
00:38:20,298 --> 00:38:21,998
[BLEEP] 'EM.
850
00:38:22,000 --> 00:38:25,540
[BLEEP] 'EM ALL AND ANYBODY
WHO'S DOWN WITH THEM.
851
00:38:27,072 --> 00:38:32,042
[ INDISTINCT CONVERSATIONS,
DOWN-TEMPO ROCK MUSIC PLAYING ]
852
00:38:45,957 --> 00:38:48,927
[ MUSIC CONTINUES ]
853
00:39:19,257 --> 00:39:21,987
YOU DON'T HAVE
A SALLY STORY?
854
00:39:23,895 --> 00:39:24,955
NO.
855
00:39:28,600 --> 00:39:31,870
MY CAR IS PARKED
AT HER PLACE.
856
00:39:31,870 --> 00:39:33,440
[ HORN HONKS ]
857
00:39:37,242 --> 00:39:40,852
AND I COULD REALLY USE A MASSAGE
AFTER I TACKLED THAT DUDE.
858
00:39:40,846 --> 00:39:42,476
YOU'RE A GLUTTON
FOR PUNISHMENT.
859
00:39:42,481 --> 00:39:44,321
YOU GUYS ARE JUST JEALOUS.
860
00:39:44,315 --> 00:39:45,515
YEAH.
861
00:39:45,517 --> 00:39:49,187
YOU HAVE BEEN WARNED,
MY FRIEND.
862
00:39:49,187 --> 00:39:51,087
YOU HAVE BEEN WARNED.
863
00:39:51,089 --> 00:39:53,529
WHAT CAN I SAY?
864
00:39:53,525 --> 00:39:56,085
LOVE'S A BITCH, ESE.
865
00:39:57,563 --> 00:40:00,503
SEE YOU TOMORROW!
866
00:40:16,147 --> 00:40:17,447
[ CAR ALARM CHIRPS ]
867
00:40:20,018 --> 00:40:21,588
CAN I HELP YOU
WITH SOMETHING?
868
00:40:21,587 --> 00:40:23,287
YEAH.
I'M VICTOR CIFUENTES.
YEAH?
869
00:40:23,288 --> 00:40:25,718
WE MET A COUPLE OF MONTHS AGO
AT THE OPEN HOUSE.
YEAH?
870
00:40:25,724 --> 00:40:28,264
I'M TAMMI'S
PHOTOGRAPHY INSTRUCTOR.
871
00:40:28,259 --> 00:40:29,959
WHAT'S GOING ON?
872
00:40:29,961 --> 00:40:33,501
LISTEN, I DON'T KNOW HOW ELSE,
YOU KNOW, I'M GONNA SAY IT,
873
00:40:33,499 --> 00:40:35,299
SO I'M JUST GONNA SAY IT.
874
00:40:35,300 --> 00:40:37,040
I'M IN LOVE WITH YOUR WIFE.
875
00:40:38,770 --> 00:40:40,910
WE NEED TO BE ADULT
ABOUT THIS,
876
00:40:40,906 --> 00:40:42,236
FIGURE IT OUT,
877
00:40:42,240 --> 00:40:44,340
AND DO WHAT'S IN THE BEST
INTERESTS OF THE BABY.
878
00:40:44,342 --> 00:40:45,682
THAT'S ALL I WANTED TO SAY.
879
00:40:53,652 --> 00:40:57,222
[ VEHICLE DOOR OPENS, CLOSES ]
880
00:40:59,858 --> 00:41:02,758
[ ENGINE TURNS OVER ]
60483
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