All language subtitles for SA 02

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,202 --> 00:00:04,002 [ DRAMATIC MUSIC PLAYS ] 2 00:00:30,431 --> 00:00:34,341 [ SIRENS WAILING, HELICOPTER PASSING ] 3 00:00:34,335 --> 00:00:37,035 [ INDISTINCT CONVERSATIONS ] 4 00:00:41,909 --> 00:00:44,649 [ POLICE RADIO CHATTER ] 5 00:00:53,687 --> 00:00:57,057 BELIEVE ME, GOD DID US A FAVOR. 6 00:00:57,057 --> 00:00:59,327 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 7 00:00:59,327 --> 00:01:01,357 ARRESTING THAT LITTLE VATO'S ASS, 8 00:01:01,362 --> 00:01:03,962 OR AT LEAST ZIPPING HIM UP IN A BIGGER BODY BAG. 9 00:01:03,964 --> 00:01:07,244 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 10 00:01:07,235 --> 00:01:09,235 "KEEP IT REAL, BABY GIRL"? 11 00:01:09,237 --> 00:01:12,007 MAN, THAT'S SOMEBODY'S KID. 12 00:01:12,005 --> 00:01:13,465 [ CAMERA SHUTTER CLICKS ] 13 00:01:13,474 --> 00:01:16,184 MOST GOOD COPS ARE PASSIONATE COPS. 14 00:01:16,177 --> 00:01:17,647 PUT ENOUGH OF THEM TOGETHER, 15 00:01:17,645 --> 00:01:21,075 AND OCCASIONALLY THOSE PASSIONS EXPLODE. 16 00:01:21,081 --> 00:01:23,451 Munoz: OH, FROSTY THE SNOW MAN. 17 00:01:23,451 --> 00:01:25,421 Nate: DOESN'T LOOK JOLLY TO ME. 18 00:01:25,419 --> 00:01:28,259 LOOKS LIKE HE CAUGHT A FEW HOT ONES AND MELTED. 19 00:01:28,256 --> 00:01:30,956 AH, THERE'S ONE GOOD ONE FOR MY COLLECTION HERE. 20 00:01:30,958 --> 00:01:33,288 REMEMBER HIS BROTHER BIGFOOT, FUNERAL HE HAD -- 21 00:01:33,294 --> 00:01:35,334 STRETCH HUMMERS, STRIPPERS THROWING CASH? 22 00:01:35,329 --> 00:01:36,899 YEAH, BIGFOOT HAD STYLE. 23 00:01:36,897 --> 00:01:40,297 BUT FROSTY AIN'T HAVING NO PARADE -- TELL YOU THAT MUCH. 24 00:01:40,301 --> 00:01:42,001 NOBODY SHOT FROSTY? 25 00:01:42,002 --> 00:01:44,572 DID I STUTTER? NOBODY SHOT HIM. 26 00:01:44,572 --> 00:01:49,312 SO THE BULLETS JUST FELL OUT OF THE SKY LIKE RAINDROPS, 27 00:01:49,310 --> 00:01:50,480 LANDED ON MY MAN. 28 00:01:50,478 --> 00:01:52,208 WHAT ELSE YOU WANT ME TO SAY? 29 00:01:52,213 --> 00:01:54,113 START WITH THE TRUTH, ASSHOLE. 30 00:01:54,114 --> 00:01:56,354 I AIN'T GETTING KILLED OVER THIS SHIT. 31 00:01:56,350 --> 00:01:59,720 NOBODY DID IT. THAT'S ALL I'M SAYING. 32 00:01:59,720 --> 00:02:01,660 YOUR BUDDY OVER THERE -- 33 00:02:01,655 --> 00:02:05,355 HE'S GOT A MOTHER, A GIRLFRIEND, A SISTER. 34 00:02:05,359 --> 00:02:07,729 DOESN'T MATTER, 'CAUSE I'M GONNA HAVE TO TELL THEM 35 00:02:07,728 --> 00:02:09,658 THAT NOBODY SHOT THEIR BABY THREE TIMES 36 00:02:09,663 --> 00:02:11,633 AND HOLD THEM AS THEY CRY THEIR EYES OUT. 37 00:02:11,632 --> 00:02:13,702 I'M STANDING IN LIVING ROOMS FOUR TIMES A WEEK 38 00:02:13,701 --> 00:02:15,201 'CAUSE OF ASSHOLES LIKE YOU. 39 00:02:15,203 --> 00:02:17,143 I HATE IT. 40 00:02:17,137 --> 00:02:19,407 SO DON'T TELL ME NOBODY DID THIS. 41 00:02:19,407 --> 00:02:21,437 DON'T TELL ME THAT. 42 00:02:21,442 --> 00:02:23,812 LOOK AT ME! DON'T TELL ME THAT! 43 00:02:23,811 --> 00:02:25,151 SAMMY. 44 00:02:25,145 --> 00:02:28,245 WHAT YOU GETTING ALL LOCO ON THIS KID FOR? 45 00:02:28,249 --> 00:02:30,219 NOBODY, MY ASS. HE'S LYING, NATE. 46 00:02:30,218 --> 00:02:32,248 [BLEEP] LYING. 47 00:02:37,791 --> 00:02:39,531 NOBODY IS SOMEBODY. 48 00:02:39,527 --> 00:02:41,627 [ DOG BARKS, CAR ALARM BLARES ] 49 00:02:41,629 --> 00:02:43,559 YOU ALL RIGHT? 50 00:02:43,564 --> 00:02:45,704 COME ON. KEEP IT TOGETHER. 51 00:03:17,130 --> 00:03:18,570 [ ENGINE REVS ] 52 00:03:18,566 --> 00:03:21,466 Hill: IT'S HOT IN JANUARY. 53 00:03:21,469 --> 00:03:24,269 FROSTY FROM WESTSIDE RIDAZ 54 00:03:24,272 --> 00:03:26,272 WAS SHOT DEAD THIS MORNING OFF FLORENCE. 55 00:03:26,274 --> 00:03:27,944 Man: THE INJUSTICE. 56 00:03:27,941 --> 00:03:30,741 DOWNTOWN CALLED HALF AN HOUR AFTER HE STAINED THE SIDEWALK. 57 00:03:30,744 --> 00:03:32,654 WE DON'T WANT OCTOBER ALL OVER AGAIN, 58 00:03:32,646 --> 00:03:34,516 WITH THE RIDAZ AND LATIN HUSTLAZ 59 00:03:34,515 --> 00:03:36,645 LIGHTING EACH OTHER UP ON EVERY OTHER BLOCK. 60 00:03:36,650 --> 00:03:39,650 THE LAST THING OUR NEW CHIEF WANTS IS A RACIAL GANG WAR 61 00:03:39,653 --> 00:03:41,763 TO BREAK OUT OVER THE MLK HOLIDAY. 62 00:03:41,755 --> 00:03:45,025 SHOOTOUT ON KING BOULEVARD! HEY! [ APPLAUSE ] 63 00:03:45,025 --> 00:03:47,895 HEY, I LEAVE FOR FOUR MONTHS, AND THE WHOLE WORLD FALLS APART. 64 00:03:47,895 --> 00:03:50,795 YOU FORGOT HOW TO READ YOUR WATCH IN REHAB, OFFICER DUDEK? 65 00:03:50,798 --> 00:03:52,468 SORRY ABOUT THAT, SIR. WON'T HAPPEN AGAIN. 66 00:03:52,466 --> 00:03:54,666 GODDAMN RIGHT. FIND A SEAT. 67 00:03:54,668 --> 00:03:59,038 THESE FLYERS HAVE INFORMATION ON CLOTHING, 68 00:03:59,039 --> 00:04:00,869 HAND SIGNS, GRAFFITI, 69 00:04:00,874 --> 00:04:04,114 KNOWN HANGOUTS OF THE RIDAZ AND HUSTLAZ. 70 00:04:04,111 --> 00:04:06,981 YOU SEE ANY TRAFFIC INFRACTIONS, WRITE THEM UP. 71 00:04:06,980 --> 00:04:08,320 TOW THE CAR IF YOU CAN. 72 00:04:08,316 --> 00:04:09,916 THE MORE GANGSTERS WE GET OFF THE STREET, 73 00:04:09,917 --> 00:04:12,387 THE BETTER CHANCE WE HAVE OF THIS THING NOT ESCALATING. 74 00:04:12,386 --> 00:04:14,856 ALL RIGHT? THAT'S IT FOR NOW. 75 00:04:14,855 --> 00:04:16,155 STAY FROSTY. 76 00:04:16,156 --> 00:04:18,226 Man: HOPEFULLY BETTER THAN HIM. [ LAUGHTER ] 77 00:04:18,225 --> 00:04:20,285 BROWN, A35, WITH SHERMAN. 78 00:04:20,294 --> 00:04:24,234 GONZALEZ, A25, WITH ROKOS. 79 00:04:24,231 --> 00:04:27,641 A10 IS ROBINSON WITH LISCO. HEY, YOU AND ME, ROMEO. 80 00:04:28,502 --> 00:04:30,572 WHAT'S GOING ON, SARGE? 81 00:04:30,571 --> 00:04:32,411 DEWEY'S RIDING WITH YOU IN A43. 82 00:04:32,406 --> 00:04:35,336 LOOK. I CAN'T STICK HIM IN A U-BOAT BY HIMSELF. 83 00:04:35,343 --> 00:04:36,783 HE'S BEEN OUT FOR MONTHS. 84 00:04:36,777 --> 00:04:39,177 YOU'RE THE BEST I GOT. GET HIM BACK IN THE SADDLE. 85 00:04:39,179 --> 00:04:41,519 OKAY? ALL RIGHT. 86 00:04:42,716 --> 00:04:45,046 [ LAUGHS ] 87 00:04:47,120 --> 00:04:48,820 [ SIREN CHIRPS ] 88 00:04:49,723 --> 00:04:53,433 REDHEAD SALLY? YOU? REALLY? 89 00:04:53,427 --> 00:04:56,927 YEAH. SALLY. WHAT'S SO GODDAMN FUNNY? 90 00:04:58,065 --> 00:05:00,525 WHAT? 91 00:05:00,534 --> 00:05:03,004 [ DOOR CLOSES, ENGINE TURNS OVER ] 92 00:05:03,003 --> 00:05:06,713 [ POLICE RADIO CHATTER, CAMERA SHUTTER CLICKING ] 93 00:05:10,844 --> 00:05:14,424 MAN, SHE WASN'T EVEN HOME FIVE MINUTES. 94 00:05:14,415 --> 00:05:16,015 THIS IS UGLY. 95 00:05:18,185 --> 00:05:20,845 [ SIGHS ] 96 00:05:20,854 --> 00:05:24,064 [ SIREN WAILS ] 97 00:05:26,159 --> 00:05:28,199 [ DOG BARKING IN DISTANCE ] 98 00:05:28,195 --> 00:05:30,625 Josie: YOU LOOK AT THIS? 99 00:05:30,631 --> 00:05:33,371 THE GUN IS STILL SMOKING IN HIS HAND, 100 00:05:33,367 --> 00:05:35,697 WITH A HANDWRITTEN SUICIDE NOTE. 101 00:05:35,703 --> 00:05:39,573 AND HIS WALLET HAS A RECEIPT FOR THE GUN AND THE BULLETS. 102 00:05:39,573 --> 00:05:43,483 WE'RE GONNA BE OUT OF HERE BY 5:00. THIS IS BEAUTIFUL. 103 00:05:44,845 --> 00:05:48,075 IT JUST SEEMS WEIRD. SHE'LL BE AS BIG AS A HOUSE. 104 00:05:48,081 --> 00:05:50,621 MISSIONARY'S OUT OF THE QUESTION AFTER THE FIFTH MONTH. 105 00:05:50,618 --> 00:05:52,388 BUT IF TAMMI'S ANYTHING LIKE MARIELLA WAS, 106 00:05:52,386 --> 00:05:54,086 SHE'S GONNA BE ALL OVER YOU. 107 00:05:54,087 --> 00:05:56,387 Sammy: I JUST CAN'T GET MY HEAD AROUND IT, THAT'S ALL. 108 00:05:56,390 --> 00:05:57,760 HEAD AROUND WHAT -- THE CASE 109 00:05:57,758 --> 00:05:59,788 OR YOUR WIFE'S RAPIDLY EXPANDING ASS? 110 00:05:59,793 --> 00:06:02,133 WE EVEN GOT A NAME FOR THIS SHOOTER YET? 111 00:06:02,129 --> 00:06:03,859 WE GOT NOBODY, BOSS. 112 00:06:03,864 --> 00:06:06,534 YOU SAY THAT WITH SOME PRIDE, BRYANT. 113 00:06:06,534 --> 00:06:10,174 NOBODY, AS IN JUAN "NOBODY" VARGAS, 114 00:06:10,170 --> 00:06:11,640 LATIN HUSTLAZ. 115 00:06:11,639 --> 00:06:13,439 HIS MOTHER HASN'T SEEN HIM. NEITHER HAS HIS P.O. 116 00:06:13,441 --> 00:06:14,681 HE'S OUT AND ABOUT. 117 00:06:14,675 --> 00:06:17,545 SO NOBODY'S SEEN NOBODY. CUTE. 118 00:06:17,545 --> 00:06:19,205 WE NEED TO GET HIM INTO CUSTODY 119 00:06:19,212 --> 00:06:22,122 BEFORE SOMEBODY DECIDES TO EVEN THE SCORE FOR FROSTY. 120 00:06:22,115 --> 00:06:24,845 YOU HAVE ANY SPECIFIC STREET CORNERS WE CAN HIT? 121 00:06:24,852 --> 00:06:26,192 I GOT A C.I. I CAN TALK TO 122 00:06:26,186 --> 00:06:27,956 WHO KNOWS THE LATIN HUSTLAZ PRETTY WELL. 123 00:06:27,955 --> 00:06:29,915 OKAY. LET'S DO THAT, ALL RIGHT? 124 00:06:29,923 --> 00:06:31,663 NOBODY. 125 00:06:31,659 --> 00:06:32,959 SEE, THAT'S THE PROBLEM 126 00:06:32,960 --> 00:06:35,200 WITH THESE NEW-SCHOOL GANGSTERS THESE DAYS -- 127 00:06:35,195 --> 00:06:37,495 NO AMBITION. 128 00:06:37,498 --> 00:06:40,168 [ SNIFFS ] AHH. 129 00:06:40,167 --> 00:06:41,937 YOU SMELL THAT, HUH? 130 00:06:41,935 --> 00:06:45,035 GARBAGE AND PISS. [ LAUGHS ] 131 00:06:45,038 --> 00:06:48,378 THAT'S LIFE, BABY. THAT IS LIFE. 132 00:06:48,375 --> 00:06:52,275 I USED TO THINK I COULD SEE STUFF WHEN I WAS DRINKING. 133 00:06:52,279 --> 00:06:53,909 BLIND AS A BAT, MAN. 134 00:06:53,914 --> 00:06:56,454 MY EYES ARE WIDE OPEN NOW, BABY. 135 00:06:56,450 --> 00:06:58,750 * I CAN SEE CLEARLY NOW 136 00:06:58,752 --> 00:07:02,622 * THE RAIN IS GONE 137 00:07:02,623 --> 00:07:04,733 JOHN, YOU KNOW WHAT THIS JOB IS ABOUT? 138 00:07:04,725 --> 00:07:06,525 ABOUT STEP NUMBER FOUR, MY MAN. 139 00:07:06,527 --> 00:07:08,857 YOU HAVE TO BE WILLING TO TAKE A SERIOUS, 140 00:07:08,862 --> 00:07:11,102 DEEP-ASS INVENTORY OF YOURSELF. 141 00:07:11,098 --> 00:07:14,098 I MEAN, IF YOU WANT TO BE OUT HERE CATCHING DEMONS, JOHN, 142 00:07:14,101 --> 00:07:16,341 YOU GOT TO KNOW YOUR OWN DEMONS, BROTHER. 143 00:07:16,336 --> 00:07:18,736 SURE, PEOPLE ARE GONNA FIGHT. THEY'RE GONNA [BLEEP] 144 00:07:18,739 --> 00:07:20,109 THEY'RE GONNA KILL EACH OTHER. 145 00:07:20,107 --> 00:07:22,477 I MEAN, WE CAN'T DO ANYTHING ABOUT THAT. 146 00:07:22,476 --> 00:07:24,206 I MEAN, THEY'RE DRIVING THE CARS. 147 00:07:24,211 --> 00:07:26,451 WE'RE JUST THE GUARDRAILS, BABY. WE DON'T GOT ANY REAL POWER. 148 00:07:26,446 --> 00:07:28,546 THE REAL POWER IS FROM THE MAN UPSTAIRS. 149 00:07:28,549 --> 00:07:30,419 HEY, LOOK AT ME. 150 00:07:30,417 --> 00:07:32,117 THE SOONER YOU REALIZE THAT, 151 00:07:32,119 --> 00:07:35,789 YOU START UNDERSTANDING HOW IT ALL WORKS, MAN. 152 00:07:35,789 --> 00:07:38,459 YOU SEEING THIS? WHOA. 153 00:07:38,458 --> 00:07:40,188 LIGHT 'EM UP. 154 00:07:40,193 --> 00:07:41,803 [ SIREN CHIRPS ] 155 00:07:47,267 --> 00:07:48,497 AHH. YOU READY FOR THIS? 156 00:07:48,502 --> 00:07:50,142 YOU KIDDING ME? 157 00:07:50,137 --> 00:07:52,737 I WAS DOING THIS FOR THREE YEARS BEFORE YOU EVER BECAME A BOOT. 158 00:08:06,119 --> 00:08:07,889 CAN YOU ROLL THE WINDOW DOWN, PLEASE? 159 00:08:10,658 --> 00:08:12,758 I'M GONNA HAVE TO ASK YOU TO STEP OUT. 160 00:08:12,760 --> 00:08:15,630 CAN -- CAN EVERYBODY STEP OUT OF THE CAR? 161 00:08:32,980 --> 00:08:36,020 STEP ON THROUGH, PLEASE. EVERYBODY OUT. 162 00:08:41,288 --> 00:08:43,558 LET'S GO. EVERYBODY OUT. 163 00:08:44,958 --> 00:08:48,228 COME ON. EVERYBODY. EVERYBODY. 164 00:08:50,764 --> 00:08:52,374 OFFICERS, I'M SORRY. 165 00:08:52,365 --> 00:08:55,095 WE ALWAYS TAKE TWO CARS, BUT TODAY ONE BROKE DOWN. 166 00:08:55,102 --> 00:08:57,612 WE'RE LATE FOR A GIG AT MY COUSIN'S RESTAURANT. 167 00:08:57,605 --> 00:08:59,065 IT'S THEIR GRAND OPENING. 168 00:08:59,072 --> 00:09:01,682 AND IF WE DON'T MAKE IT, SHE'S GONNA KILL ME. 169 00:09:01,675 --> 00:09:03,775 SHE'LL KILL ME. 170 00:09:03,777 --> 00:09:06,507 YOU, UH -- YOU KNOW "CIELITO LINDO"? 171 00:09:06,513 --> 00:09:11,053 [ DOWN-TEMPO R&B PLAYING, INDISTINCT CONVERSATIONS ] 172 00:09:14,254 --> 00:09:15,724 ESE, CHECK IT OUT. 173 00:09:15,723 --> 00:09:17,223 WE'RE HAVING AN MLK UNITY CAR SHOW THIS SUNDAY. 174 00:09:17,224 --> 00:09:19,094 FAT TERRY'S GONNA BE THERE. YOU SHOULD COME BY. 175 00:09:19,092 --> 00:09:20,432 OH, YEAH? YEAH. 176 00:09:20,427 --> 00:09:22,757 WHAT EVER HAPPENED TO FAT TERRY'S GOLD SIX-TREY IMPALA? 177 00:09:22,763 --> 00:09:24,433 OH, MAN, THAT VATO SOLD THAT 178 00:09:24,431 --> 00:09:25,971 SO HE COULD GET THAT LAP-BAND THING DONE, MAN. 179 00:09:25,966 --> 00:09:27,566 ACTUALLY, HE'S JUST TERRY NOW, 180 00:09:27,567 --> 00:09:29,037 'CAUSE HE AIN'T FAT NO MORE, YOU KNOW? 181 00:09:29,036 --> 00:09:30,696 OH, THAT'S MESSED UP, MAN -- MAKE A MAN CHOOSE 182 00:09:30,704 --> 00:09:32,014 BETWEEN HIS HEALTH AND HIS SHOW CAR. 183 00:09:32,005 --> 00:09:33,765 SHIT, THAT'S WHAT I'M SAYING, HOMES. 184 00:09:33,774 --> 00:09:37,584 YO, UH, WHAT ARE YOU HEARING ABOUT FROSTY AND NOBODY? 185 00:09:38,846 --> 00:09:40,446 MAN, I AIN'T NO SNITCH. 186 00:09:40,447 --> 00:09:42,477 I'M OFF THE PAPER NOW, YOU KNOW? 187 00:09:42,482 --> 00:09:45,352 WE'RE NOT GONNA PUT YOUR NAME ANYWHERE NEAR THIS SHIT, MAN. 188 00:09:45,352 --> 00:09:47,252 JUST TELL US WHAT THE STREET'S SAYING. 189 00:09:48,989 --> 00:09:51,519 COME ON, DUDE. YOU CAN TRUST ME. 190 00:09:51,524 --> 00:09:53,994 WELL, I HEARD THAT NOBODY'S COUSIN LETI 191 00:09:53,994 --> 00:09:56,264 WAS CREEPING ACROSS TOWN WITH FROSTY, HOMES. 192 00:09:56,263 --> 00:09:57,973 LIKE ROMEO AND JULIET? 193 00:09:57,965 --> 00:10:00,825 [ SPEAKING SPANISH ] 194 00:10:00,834 --> 00:10:02,604 HE'S MY PARTNER, MAN. HE'S GOOD. 195 00:10:02,602 --> 00:10:04,442 DON'T WORRY ABOUT IT, ALL RIGHT? 196 00:10:04,437 --> 00:10:06,637 YEAH, YEAH, THAT BLACK AND BROWN TOGETHER 197 00:10:06,640 --> 00:10:08,210 AND ALL THAT SHIT, HOMES. 198 00:10:08,208 --> 00:10:10,278 HEY, THEY WERE IN GLENDALE, AT THE CHEESECAKE FACTORY. 199 00:10:10,277 --> 00:10:12,577 AND SOME HEINA THAT WORKS ACROSS THE WAY AT THE MALL 200 00:10:12,579 --> 00:10:14,079 CAUGHT THEM SLIPPING, DOG. 201 00:10:14,081 --> 00:10:16,351 SO WORD GOT BACK TO NOBODY, AND NOBODY HIT UP FROSTY, 202 00:10:16,349 --> 00:10:18,619 AND FROSTY SLAPPED THE SHIT OUT OF HIM, HOMES, 203 00:10:18,618 --> 00:10:20,048 IN FRONT OF ALL THE HOMIES. 204 00:10:20,053 --> 00:10:23,523 THIS WHOLE THING IS OVER A STUPID GIRL? 205 00:10:23,523 --> 00:10:24,733 [ SCOFFS ] 206 00:10:24,725 --> 00:10:26,285 IF YOU'D SEEN THIS GIRL, HOMES, 207 00:10:26,293 --> 00:10:28,733 YOU WOULDN'T THINK IT WAS SO STUPID, ESE. 208 00:10:29,629 --> 00:10:30,829 WOW. ALL RIGHT, MAN. 209 00:10:30,831 --> 00:10:32,071 YOU'RE ALWAYS HELPFUL, MAN. 210 00:10:32,065 --> 00:10:33,595 [ "CIELITO LINDO" PLAYING ] 211 00:10:33,600 --> 00:10:34,800 Dewey: HEY! 212 00:10:34,802 --> 00:10:36,902 THERE WAS A TIME RIGHT ABOUT NOW 213 00:10:36,904 --> 00:10:39,744 WHEN I'D HAVE TO BE FIRING UP A COUPLE OF MARGARITAS, 214 00:10:39,740 --> 00:10:41,270 BUT I-I DON'T DO THAT NOW. 215 00:10:41,274 --> 00:10:43,614 I KNOW WHAT YOU'RE SAYING. I GOT THREE YEARS IN. 216 00:10:43,610 --> 00:10:44,910 SHUT THE HELL UP! 217 00:10:44,912 --> 00:10:46,152 YOU JUST HAVE TO KEEP DOING THE STEPS 218 00:10:46,146 --> 00:10:47,306 EVERY SINGLE DAY, HERMANO. 219 00:10:47,314 --> 00:10:49,684 LOOK, LOOK. FOUR MONTHS, BABY. 220 00:10:49,683 --> 00:10:51,993 YOU'RE MY HERO! COME HERE! 221 00:10:51,985 --> 00:10:54,985 [ LAUGHS ] OKAY. ALL RIGHT. STOP, STOP. OKAY, STOP. 222 00:10:54,988 --> 00:10:57,188 SIR, YOU HAVE 11 PEOPLE IN YOUR VEHICLE. 223 00:10:57,190 --> 00:10:59,330 IT'S A SEVEN-SEATER, CORRECT? YES. 224 00:10:59,326 --> 00:11:02,596 OKAY. YEAH, THAT MANY PEOPLE IN A VAN IS DANGEROUS. 225 00:11:02,595 --> 00:11:03,995 YOU CAN CAUSE AN ACCIDENT. 226 00:11:03,997 --> 00:11:05,967 I'M VERY SORRY, BUT WE REALLY NEED THIS GIG. 227 00:11:05,966 --> 00:11:08,296 NO, I UNDERSTAND THAT, BUT YOU'RE GONNA HAVE TO -- JOHN, JOHN, LISTEN. 228 00:11:08,301 --> 00:11:10,341 LET'S -- LET'S JUST THROW A COUPLE OF THEM IN THE BACK OF THE CAR. 229 00:11:10,337 --> 00:11:11,837 IT'S ONLY A FEW BLOCKS AWAY. WE'LL GIVE THEM A RIDE DOWN THERE. 230 00:11:11,839 --> 00:11:13,209 NO, WE'RE NOT GONNA DO THAT, OKAY? 231 00:11:13,206 --> 00:11:14,776 NO, WE'RE NOT GIVING ANYBODY A RIDE. 232 00:11:14,775 --> 00:11:16,335 NO, SIR, YOU NEED TO HANDLE THIS ON YOUR OWN. 233 00:11:16,343 --> 00:11:18,353 GET THE VAN -- WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 234 00:11:18,345 --> 00:11:19,905 JOHN, JOHN, THIS IS MY FAVORITE PART. 235 00:11:19,913 --> 00:11:23,083 * AY, AY, AY, AY 236 00:11:23,083 --> 00:11:26,853 * CANTA Y NO LLORES 237 00:11:26,854 --> 00:11:29,824 * PORQUE CANTANDO SE ALEGRAN 238 00:11:29,823 --> 00:11:31,623 * CIELITO LINDO 239 00:11:31,624 --> 00:11:33,834 * LOS CORAZONES 240 00:11:33,827 --> 00:11:37,427 [ MUSIC CONTINUES ] 241 00:11:53,413 --> 00:11:55,023 SOMEBODY SHOT NOBODY. 242 00:11:55,015 --> 00:11:58,285 SOMEBODY JUST MESSED UP OUR WEEKEND. 243 00:11:58,285 --> 00:12:00,145 [ SIRENS WAILING ] 244 00:12:00,153 --> 00:12:09,063 YOU MEAN NOBODY MESSED UP OUR WEEKEND. 245 00:12:09,062 --> 00:12:10,802 THE FIRST SHARE, IN FRONT OF THE WHOLE GROUP. 246 00:12:10,798 --> 00:12:12,668 I MEAN, YOU'RE STANDING THERE THINKING, 247 00:12:12,665 --> 00:12:15,765 "THERE'S NO WAY I'M AS BAD AS THESE PATHETIC PIECES OF SHIT." 248 00:12:15,769 --> 00:12:18,639 BUT THE MORE YOU TALK, THE MORE YOU LISTEN, 249 00:12:18,638 --> 00:12:22,778 YOU START REALIZE, YOU KNOW, WE'RE ALL THE SAME, BROTHER. 250 00:12:22,776 --> 00:12:25,506 WE'RE JUST TRYING TO FIGURE IT OUT. 251 00:12:25,512 --> 00:12:26,782 [ SIGHS ] 252 00:12:26,780 --> 00:12:28,550 THERE'S THIS ONE GUY IN MY GROUP. 253 00:12:28,548 --> 00:12:29,918 YOU KNOW HIM, MAN. 254 00:12:29,917 --> 00:12:32,047 THE, UH -- HE'S LIKE THE DEPUTY MAYOR. 255 00:12:32,052 --> 00:12:34,992 OH, YOU THOUGHT I WAS BAD. JESUS. [ LAUGHS ] 256 00:12:34,988 --> 00:12:37,388 THE MAID RUN OUT SCREAMING. SHE WAS GOING CRAZY. 257 00:12:37,390 --> 00:12:39,030 WHICH ROOM? 42. 258 00:12:39,026 --> 00:12:41,386 SHE WAS CRYING, SPANISH. 259 00:12:41,394 --> 00:12:43,164 DID YOU CHECK IT OUT? 260 00:12:44,731 --> 00:12:46,431 WHAT ARE THE COPS FOR, THEN? 261 00:12:46,433 --> 00:12:47,433 YOU GOT A PASSKEY? 262 00:12:47,434 --> 00:12:50,674 YEAH. HERE. PASSKEY -- TAKE IT. 263 00:12:50,670 --> 00:12:52,640 WAIT INSIDE. 264 00:12:52,639 --> 00:12:54,069 [ HORN HONKS ] 265 00:12:55,608 --> 00:12:57,278 [ SIGHS ] 266 00:12:58,478 --> 00:13:00,548 D.B.? NO. 267 00:13:00,547 --> 00:13:02,317 HOT AS IT IS TODAY, 268 00:13:02,315 --> 00:13:05,045 WE'D HAVE SMELLED IT BEFORE WE HIT THE STAIRS. 269 00:13:12,559 --> 00:13:13,759 POLICE! OPEN UP! 270 00:13:13,760 --> 00:13:16,230 [ MUFFLED SHOUTING ] 271 00:13:23,303 --> 00:13:25,073 IT'S JAMMED. 272 00:13:26,239 --> 00:13:29,309 MAYBE WE SHOULD HEED THE SIGN. [ CHUCKLES ] 273 00:13:29,309 --> 00:13:31,909 YOU WANT ME TO GO BACK DOWNSTAIRS? 274 00:13:31,912 --> 00:13:34,882 [BLEEP] THAT. WE'RE ALREADY UP HERE. 275 00:13:34,882 --> 00:13:36,452 ALL RIGHT. 276 00:13:37,918 --> 00:13:41,148 [ MUFFLED SHOUTING ] 277 00:13:41,154 --> 00:13:43,994 CLEAR! 278 00:13:43,991 --> 00:13:45,391 [ GASPING ] 279 00:13:45,392 --> 00:13:46,932 WHAT'S YOUR NAME? 280 00:13:46,927 --> 00:13:48,457 DAN CHARNAS. 281 00:13:48,461 --> 00:13:51,031 WHAT HAPPENED HERE, MR. CHARNAS? 282 00:13:51,031 --> 00:13:52,431 MY GIRLFRIEND TIED ME UP. 283 00:13:52,432 --> 00:13:54,232 BY HERSELF? 284 00:13:54,234 --> 00:13:56,344 NO. SHE WAS WITH MY WIFE AND MY OTHER GIRLFRIEND. 285 00:13:56,336 --> 00:13:58,066 MY WIFE WAS THE ONE HOLDING THE GUN. 286 00:13:58,071 --> 00:13:59,241 PLAYER, PLAYER! 287 00:13:59,239 --> 00:14:01,039 [ CHUCKLES ] WHAT? 288 00:14:01,041 --> 00:14:02,911 I WAS CHECKING OUT SOME HIP-HOP IN REHAB, MAN. 289 00:14:02,910 --> 00:14:04,210 THERE WAS THIS BALLPLAYER. 290 00:14:04,211 --> 00:14:05,881 I CAN'T REALLY TELL YOU HIS NAME, 291 00:14:05,879 --> 00:14:07,779 BUT, UH, LET'S JUST SAY HE COMES OFF THE BENCH 292 00:14:07,780 --> 00:14:09,220 FOR THE LAKERS, BABY -- MONEY. 293 00:14:09,216 --> 00:14:11,376 LOOK, HEY, I GOT TO TAKE A PISS, MAN. 294 00:14:11,384 --> 00:14:13,224 ALL RIGHT. JUST GIVE ME A SECOND TO GET YOU UNTIED. 295 00:14:13,220 --> 00:14:16,320 NO, NO. HEY. THAT'S NOT THE PROBLEM, OFFICER. 296 00:14:18,625 --> 00:14:19,955 YEAH. 297 00:14:24,331 --> 00:14:26,101 AAH! OH! 298 00:14:26,099 --> 00:14:27,629 WHAT? DOES IT -- WHAT? DOES IT LOOK BAD? 299 00:14:27,634 --> 00:14:29,744 W-WHAT'D THE HELL DID SHE USE, KRAZY GLUE? 300 00:14:29,736 --> 00:14:31,166 YEAH. YEAH. 301 00:14:31,171 --> 00:14:32,871 ALL RIGHT. WE'RE GONNA NEED AN R.A. UNIT. 302 00:14:32,872 --> 00:14:34,472 OH, NO. COME ON. 303 00:14:34,474 --> 00:14:36,444 SHIT, I THOUGHT MY WIFE WAS PISSED. 304 00:14:36,443 --> 00:14:37,953 WHAT? 305 00:14:37,945 --> 00:14:39,375 A43, SEND AN R.A. UNIT TO OUR LOCATION. 306 00:14:39,379 --> 00:14:41,279 [ Dispatcher speaking indistinctly ] YEAH. 307 00:14:41,281 --> 00:14:42,881 WE GOT A STICKY SITUATION HERE. 308 00:14:42,882 --> 00:14:44,122 HEY. HEY, WHERE YOU GOING?! 309 00:14:44,117 --> 00:14:45,447 WHAT'S THE USE OF A TRAFFIC CAM 310 00:14:45,452 --> 00:14:47,252 IF ALL YOU GET IS A PARTIAL PLATE? 311 00:14:47,254 --> 00:14:49,764 AT LEAST WE GOT THE MAKE OF THE CAR RIGHT AFTER NOBODY GOT SHOT. 312 00:14:49,756 --> 00:14:51,256 THAT'LL NARROW IT DOWN. 313 00:14:51,258 --> 00:14:54,458 YOU KNOW HOW MANY CADILLAC ESCALADES THAT COULD BE? 314 00:14:54,461 --> 00:14:58,471 SO CHUY THINKS LETI STILL WORKS ON OLVERA STREET? 315 00:14:58,465 --> 00:15:00,995 YEAH. CHUY'S USUALLY GOT PRETTY GOOD INFO. 316 00:15:01,001 --> 00:15:03,871 WHAT'S SHE DOING DATING A GANGSTER, ESE? 317 00:15:03,870 --> 00:15:06,110 BETTER TO DATE A GANGSTER THAN A COP 318 00:15:06,106 --> 00:15:08,036 IN THIS NEIGHBORHOOD, HOMEY. 319 00:15:08,041 --> 00:15:09,741 Lydia: 30 YEARS OF MARRIAGE. 320 00:15:09,742 --> 00:15:12,612 THEY LOST $6 MILLION IN CONDOS THAT THEY INVESTED 321 00:15:12,612 --> 00:15:15,922 BEFORE THE MARKET CRASHED, AND HE FILED FOR BANKRUPTCY. 322 00:15:15,915 --> 00:15:17,945 HMM. 323 00:15:17,951 --> 00:15:19,451 AND OF COURSE, AT THAT EXACT TIME 324 00:15:19,452 --> 00:15:21,052 IS WHEN SHE FILED FOR DIVORCE. 325 00:15:21,054 --> 00:15:23,594 ROMANCE WITHOUT FINANCE IS A NUISANCE. 326 00:15:23,590 --> 00:15:25,660 [ CHUCKLES ] GUESS HE DIDN'T TAKE IT WELL. 327 00:15:25,658 --> 00:15:28,158 YOU KNOW, I READ SOMEWHERE THAT AS A BLACK WOMAN OVER 30, 328 00:15:28,161 --> 00:15:30,031 I HAVE A BETTER CHANCE OF GETTING SHOT 329 00:15:30,030 --> 00:15:31,200 THAN GETTING MARRIED. 330 00:15:31,198 --> 00:15:32,868 I GOT SHOT WHEN I WAS AT NEWTON. LOOK. 331 00:15:32,865 --> 00:15:34,395 AND I'VE BEEN DIVORCED TWICE. 332 00:15:34,401 --> 00:15:38,611 TRUST ME, NENA, BOTH EXPERIENCES ARE OVERRATED. 333 00:15:38,605 --> 00:15:41,135 OH, THE DAUGHTER -- SHE'S FLYING IN FROM ATLANTA, 334 00:15:41,141 --> 00:15:42,541 AND SHE WANTS TO SPEAK WITH US 335 00:15:42,542 --> 00:15:43,782 AFTER SHE IDENTIFIES HER PARENTS. 336 00:15:43,776 --> 00:15:45,176 SPEAK TO US ABOUT WHAT? 337 00:15:45,178 --> 00:15:47,408 OUR JOB IS TO GET THE CASE DOWN. IT'S DOWN. 338 00:15:47,414 --> 00:15:49,084 BUT YOU GOT TO FEEL FOR THE DAUGHTER. 339 00:15:49,082 --> 00:15:50,552 I MEAN, BOTH OF HER PARENTS ARE DEAD 340 00:15:50,550 --> 00:15:52,550 AND HER FATHER'S THE KILLER? 341 00:15:52,552 --> 00:15:53,522 NO. 342 00:15:53,520 --> 00:15:55,420 I SAVE MY PITY FOR THE FAMILIES 343 00:15:55,422 --> 00:15:57,092 WHOSE MURDERERS WE CAN'T CATCH. 344 00:15:57,090 --> 00:15:59,160 THERE'S A SALE AT NORDSTROM THIS WEEKEND. 345 00:15:59,159 --> 00:16:00,529 YOU WANT TO GO? 346 00:16:00,527 --> 00:16:02,157 YOU'RE INCREDIBLE. 347 00:16:02,162 --> 00:16:04,402 THE DEN MOTHER? 348 00:16:04,397 --> 00:16:05,327 [ LAUGHS ] 349 00:16:05,332 --> 00:16:07,072 YOU PREFER BUGS THE BADGE BUNNY? 350 00:16:07,067 --> 00:16:08,467 THAT'S WHAT THEY USED TO CALL HER. 351 00:16:08,468 --> 00:16:10,668 SHE TRIED TO GET ME TO DO A THREESOME WITH HER ONCE. 352 00:16:10,670 --> 00:16:14,610 SHE STILL HAVE THAT AUTOGRAPHED "DIRTY HARRY" POSTER 353 00:16:14,607 --> 00:16:15,977 BY THE FRONT DOOR? 354 00:16:19,879 --> 00:16:20,909 UH-OH. 355 00:16:20,913 --> 00:16:22,783 SHIT. 356 00:16:22,782 --> 00:16:25,152 [ POLICE RADIO CHATTER ] 357 00:16:31,491 --> 00:16:33,691 SIR. 358 00:16:33,693 --> 00:16:35,603 YOU ALL RIGHT? 359 00:16:35,595 --> 00:16:37,855 YOU OKAY? 360 00:16:37,864 --> 00:16:39,434 IT'S MY GIRL ROSA. 361 00:16:39,432 --> 00:16:40,832 I DON'T KNOW WHY SHE'S TRIPPING LIKE THIS. 362 00:16:40,833 --> 00:16:42,303 DID SHE CUT YOU? 363 00:16:42,302 --> 00:16:43,902 IT WAS AN ACCIDENT, HOMES. SHE DIDN'T MEAN IT. 364 00:16:43,903 --> 00:16:45,673 ALL RIGHT. WHERE IS SHE? 365 00:16:45,672 --> 00:16:47,812 THE BACK OF THE CARRUCHA OVER THERE. 366 00:16:47,807 --> 00:16:48,537 RIGHT HERE? 367 00:16:49,742 --> 00:16:52,412 ALL RIGHT. WE'LL CHECK IT OUT. STAY HERE. 368 00:17:02,589 --> 00:17:04,589 [ DOG BARKS ] 369 00:17:08,795 --> 00:17:11,155 [ SIREN WAILING ] 370 00:17:11,164 --> 00:17:13,234 YOU GOT TO BE KIDDING ME. 371 00:17:13,233 --> 00:17:14,733 HIS BLOOD'S REAL. 372 00:17:21,674 --> 00:17:25,114 SIR, HOW'D YOU GET THAT CUT ON YOUR ARM? 373 00:17:25,112 --> 00:17:27,182 YOU DIDN'T SEE HER? YEAH, YEAH, YEAH. 374 00:17:27,180 --> 00:17:28,720 WE SAW HER. WE SAW HER. COME HERE. 375 00:17:28,715 --> 00:17:30,075 SO, WHAT HAPPENED? 376 00:17:30,083 --> 00:17:32,323 I JUST TOLD HER TO CHANGE HER CLOTHES, 377 00:17:32,319 --> 00:17:33,889 GO PUT ON SOMETHING NICE, EH? UH-HUH. 378 00:17:33,886 --> 00:17:36,116 SHE ALWAYS WANTS TO GO OUT LOOKING LIKE THAT. YEAH. 379 00:17:36,123 --> 00:17:37,663 THE MOVIES, THE PARK. 380 00:17:37,657 --> 00:17:39,457 AND THEN I GOT TO GET INTO FIGHTS WITH DUDES, 381 00:17:39,459 --> 00:17:41,159 'CAUSE -- 'CAUSE THEY BE LOOKING AT HER, 382 00:17:41,161 --> 00:17:42,661 THEN THEY BE LOOKING AT ME, TALKING SHIT. 383 00:17:42,662 --> 00:17:43,662 OKAY. ALL RIGHT. 384 00:17:43,663 --> 00:17:45,533 SO SHE CUT YOU WHEN SHE GOT MAD. 385 00:17:45,532 --> 00:17:47,332 YEAH. BUT I DIDN'T WANT TO, DOG. 386 00:17:47,334 --> 00:17:49,304 SHE MADE IT DO IT -- SHE STARTS YELLING, 387 00:17:49,302 --> 00:17:51,402 SHE LOSES IT, AND I JUST WANTED HER TO CALM DOWN. 388 00:17:51,404 --> 00:17:55,484 A35 REQUESTING AN R.A. UNIT AT 1200 EAST PLEASANT AVENUE, 389 00:17:55,475 --> 00:17:58,875 WILL THEN BE EN ROUTE FOR MENTAL EVALUATION. 390 00:17:58,878 --> 00:18:00,348 YOU EVER BEEN IN LOVE? 391 00:18:00,347 --> 00:18:02,447 IT'S A BITCH, ESE. 392 00:18:05,017 --> 00:18:06,347 WHAT'S IT GONNA BE, SAMMY JR. 393 00:18:06,353 --> 00:18:08,193 OR ONE OF THOSE WHITE-BOY VALLEY NAMES 394 00:18:08,188 --> 00:18:10,788 LIKE KYLE OR PRESTON, DYLAN? 395 00:18:10,790 --> 00:18:12,560 WAYNE, AFTER MY DAD. 396 00:18:12,559 --> 00:18:16,459 RACHEL, MAYBE -- MAYBE -- IF IT'S A GIRL. GOOD. 397 00:18:16,463 --> 00:18:18,373 AT LEAST IT'S NOT GONNA BE BRITTANY OR AMBER, 398 00:18:18,365 --> 00:18:20,095 OR ONE OF THOSE PORN-STAR NAMES, RIGHT? 399 00:18:20,099 --> 00:18:22,469 YOU'VE GIVEN THIS WAY TOO MUCH THOUGHT, MAN. 400 00:18:24,604 --> 00:18:26,914 DAMN. WAS THAT KID BORN SAGGING? 401 00:18:26,906 --> 00:18:29,706 PROBABLY DIDN'T HAVE MUCH OF A CHOICE. 402 00:18:29,709 --> 00:18:33,579 NOW THAT I'M GONNA BE A DAD, THIS WHOLE THING IS HITTING ME. 403 00:18:33,580 --> 00:18:35,320 YOU KNOW, ALL THE GUYS WE ARRESTED. 404 00:18:35,315 --> 00:18:36,715 ALL THE BODIES WE STOOD OVER -- 405 00:18:36,716 --> 00:18:38,686 HOW MANY OF THEM DO YOU THINK HAD FATHERS -- 406 00:18:38,685 --> 00:18:40,915 I MEAN IN THE HOUSE, AROUND? 407 00:18:40,920 --> 00:18:42,260 NOT TOO MANY, MAN. 408 00:18:42,255 --> 00:18:44,615 THIS WHOLE GANG PROBLEM IS ABOUT PARENTING. 409 00:18:44,624 --> 00:18:47,694 YOU WALK INTO THE LIVING ROOM, IT'S ALWAYS THE SAME SONG. 410 00:18:47,694 --> 00:18:50,404 "WHY, WHY, WHY? WHY DID THE LORD TAKE MY BABY?" 411 00:18:50,397 --> 00:18:52,627 AND I'M THINKING, "WELL, MAYBE HE'S DEAD 412 00:18:52,632 --> 00:18:55,872 "BECAUSE YOU'RE A CRACKHEAD AND DON'T KNOW WHO THE FATHER IS, 413 00:18:55,868 --> 00:18:59,438 "OR MAYBE HAD YOU RAISED HIM INSTEAD OF THE HOMIES, 414 00:18:59,439 --> 00:19:01,009 I WOULDN'T BE STANDING HERE." 415 00:19:01,007 --> 00:19:04,537 FATHER'S DAY IS THE MOST CONFUSING DAY IN THE GHETTO. 416 00:19:05,678 --> 00:19:07,478 THERE SHE IS. 417 00:19:07,480 --> 00:19:10,520 THE FACE THAT LAUNCHED A THOUSAND BULLETS. 418 00:19:10,517 --> 00:19:13,147 I'D DODGE A FEW BULLETS FOR A SHOT AT THAT ASS. 419 00:19:13,152 --> 00:19:15,292 YEAH. 420 00:19:15,288 --> 00:19:17,288 MAYBE FROSTY WASN'T SO CRAZY AFTER ALL. 421 00:19:17,290 --> 00:19:20,530 ONCE YOU GO BROWN, YOU STICK AROUND. 422 00:19:20,527 --> 00:19:23,627 I'M GONNA PRETEND YOU DIDN'T JUST SAY THAT. 423 00:19:23,630 --> 00:19:25,600 WHAT? 424 00:19:25,598 --> 00:19:27,298 A-AND I WON'T TELL MARIELLA 425 00:19:27,300 --> 00:19:29,100 WHAT YOU SAID ABOUT HER ASS, EITHER. 426 00:19:29,101 --> 00:19:31,101 [ LAUGHS ] [ CELLPHONE RINGS ] 427 00:19:31,103 --> 00:19:32,573 ALL RIGHT. 428 00:19:34,807 --> 00:19:37,377 GEEZ. WHAT? 429 00:19:39,612 --> 00:19:42,952 [ SIRENS WAILING, HELICOPTER PASSING ] 430 00:19:42,949 --> 00:19:45,489 [ INDISTINCT CONVERSATIONS ] 431 00:19:52,158 --> 00:19:53,728 NO! 432 00:19:53,726 --> 00:19:55,356 [ SCREAMING ] 433 00:19:55,362 --> 00:19:57,302 OH, MY BABY! 434 00:19:57,297 --> 00:20:01,067 OH! 435 00:20:01,067 --> 00:20:04,897 WHY?! WHY?! WHY?! 436 00:20:06,539 --> 00:20:08,839 DAMN. 437 00:20:08,841 --> 00:20:10,081 [ SIGHS ] 438 00:20:10,076 --> 00:20:11,706 WHAT THE HELL ARE WE DOING HERE? 439 00:20:11,711 --> 00:20:14,611 YOU JINXED US WITH ALL THAT LONG-WEEKEND AND NORDSTROM TALK. 440 00:20:14,614 --> 00:20:17,084 WHO THE HELL CARES IF JOKER SHOT LIL SCOOBY? 441 00:20:17,083 --> 00:20:18,223 IT'S STILL MURDER. 442 00:20:18,217 --> 00:20:20,047 HEY, SAL. 443 00:20:20,052 --> 00:20:21,422 HEY, LYDIA. HOW ARE YOU? 444 00:20:21,421 --> 00:20:24,221 DETECTIVE OCHOA. HEY, SAL. 445 00:20:24,223 --> 00:20:26,433 HOW'S SUSAN? I DON'T KNOW. 446 00:20:26,426 --> 00:20:28,656 YOU PROBABLY TALK TO HER MORE THAN I DO THESE DAYS. 447 00:20:28,661 --> 00:20:31,131 OF COURSE, YOU KNEW THAT BEFORE YOU ASKED THE QUESTION, HUH? 448 00:20:31,130 --> 00:20:32,600 SO WHAT'S GOING ON? 449 00:20:32,599 --> 00:20:35,269 RIDAZ AND HUSTLAZ ARE AT IT AGAIN. 450 00:20:35,268 --> 00:20:37,898 METRO'S SENDING OUT BOY PLATOON FOR CRIME SUPPRESSION. 451 00:20:37,904 --> 00:20:39,614 IT'S THE THIRD BODY IN 10 HOURS. 452 00:20:39,606 --> 00:20:42,836 WE DON'T HAVE ENOUGH COPPERS TO COVER THE CASES. 453 00:20:42,842 --> 00:20:45,382 SO THIS IS OURS NOW? 454 00:20:45,378 --> 00:20:48,008 ALL GIFT-WRAPPED WITH A BOW. 455 00:20:48,014 --> 00:20:50,324 HEY, ONE MORE DEAD BODY, AND WE'RE GONNA END UP 456 00:20:50,317 --> 00:20:51,917 ON THE FRONT PAGE OF THE TIMES. 457 00:20:51,918 --> 00:20:54,748 AND ALL THE 11:00 NEWS SHOWS ARE GONNA MAKE US LOOK LIKE IDIOTS. 458 00:20:54,754 --> 00:20:57,364 NATE, SAM, YOU FINISH UP THE CANVASS 459 00:20:57,357 --> 00:21:01,357 AND THEN, UH, TAKE THESE GUYS BACK TO ALVARADO, DEBRIEF THEM. 460 00:21:01,361 --> 00:21:03,101 HOOK UP WITH METRO. 461 00:21:03,095 --> 00:21:05,625 SNATCH UP SOME GANGSTERS WHILE THEY'RE WORKING THE HOMICIDE. 462 00:21:05,632 --> 00:21:07,132 YOU GOT THAT? GOT IT. 463 00:21:07,133 --> 00:21:10,003 AND HEY, NO MORE DEAD BODIES THIS WEEKEND, OKAY? 464 00:21:10,002 --> 00:21:11,442 GOOD TO SEE YOU. 465 00:21:11,438 --> 00:21:14,138 SEE YOU LATER, SAL. 466 00:21:14,140 --> 00:21:18,010 IN MY NEWTON GANG-UNIT DAYS, WE NEVER NEEDED ANY HELP. 467 00:21:18,010 --> 00:21:20,350 WE WORKED TRIPLES BY OURSELVES -- ONE DETECTIVE. 468 00:21:20,347 --> 00:21:21,877 HIGHEST CLEARANCE RATE IN THE CITY. 469 00:21:21,881 --> 00:21:25,691 I HEARD THEY WERE WEEPING IN THE HALLS WHEN YOU LEFT. 470 00:21:25,685 --> 00:21:27,485 WHY DON'T YOU GO BACK? 471 00:21:33,225 --> 00:21:34,885 SEE YOU GUYS. 472 00:21:36,796 --> 00:21:39,266 I MEAN, IT'S COMMON KNOWLEDGE. I'M NOT ASHAMED OF IT. 473 00:21:39,265 --> 00:21:40,725 I'M A FREAK. PEOPLE KNOW THAT. 474 00:21:40,733 --> 00:21:42,503 KNOW WHAT I MEAN? ALL Y'ALL KNOW. 475 00:21:42,502 --> 00:21:44,772 I LIKE THAT SWINGING-FROM- THE-CHANDELIER STUFF. 476 00:21:44,771 --> 00:21:47,211 HELL, I DON'T EVEN CARE IF MONKEYS IS WATCHING. 477 00:21:47,206 --> 00:21:48,936 YOU KNOW? Chickie: [ LAUGHS ] 478 00:21:48,941 --> 00:21:51,541 AND SO WHEN SALLY BREAKS OUT THE POLAROID CAMERA, 479 00:21:51,544 --> 00:21:54,054 WELL, SHOOT, I GET CONFUSED, 480 00:21:54,046 --> 00:21:56,616 SINCE, YOU KNOW, NORMALLY I'M THE TECHNOLOGICAL ONE 481 00:21:56,616 --> 00:21:58,246 WHEN IT COMES TO STUFF LIKE THAT. 482 00:21:58,250 --> 00:22:01,720 I'M A GYNECOLOGIST IN MY SPARE TIME, RIGHT? MM-HMM. 483 00:22:01,721 --> 00:22:03,591 SO I BREAK OUT MY BRAND-NEW iPHONE, 484 00:22:03,590 --> 00:22:05,530 THINKING I'M GONNA GET A CHANCE TO USE 485 00:22:05,525 --> 00:22:07,255 SOME OF THAT H.D.-VIDEO ACTION. 486 00:22:07,259 --> 00:22:08,499 TAKE A LITTLE TRIP TO BRAZIL 487 00:22:08,495 --> 00:22:10,025 WITHOUT EVER GOING TO THE AIRPORT? 488 00:22:10,029 --> 00:22:11,459 OH, NOT EVEN, BROTHER. 489 00:22:11,464 --> 00:22:13,374 SHE WAS ALREADY DRESSED FOR WINTER. 490 00:22:13,366 --> 00:22:14,696 YEAH, SHE GOT THAT FUR COAT. 491 00:22:14,701 --> 00:22:15,771 [ LAUGHTER ] COME ON. 492 00:22:15,768 --> 00:22:16,998 YEAH. THAT'S THE DEAL. 493 00:22:17,003 --> 00:22:18,843 BOOT KNOWS WHAT I'M TALKING ABOUT. 494 00:22:18,838 --> 00:22:20,268 MM-HMM. UH-HUH, UH-HUH. 495 00:22:20,272 --> 00:22:22,812 WELL, ANYWAY, SHE STOPS ME -- FIRST TIME EVER. 496 00:22:22,809 --> 00:22:24,909 I MEAN, SHE REALLY WANTS THIS POLAROID. 497 00:22:24,911 --> 00:22:26,481 SO SHE STANDS ME UP AGAINST THE WALL, 498 00:22:26,479 --> 00:22:28,079 PULLS OUT HER CAMERA, AND TAKES A PICTURE 499 00:22:28,080 --> 00:22:30,620 LIKE WHEN WE SNATCH UP ONE OF THESE LITTLE BABY GANGSTERS 500 00:22:30,617 --> 00:22:32,387 TRYING TO MAKE A, UM -- F.I. CARD. 501 00:22:32,385 --> 00:22:34,845 EXACTLY, AND THEN SHE SIGNS MY NAME 502 00:22:34,854 --> 00:22:37,124 AND TOSSES THE POLAROID IN A SHOE BOX. 503 00:22:37,123 --> 00:22:39,233 John: SHE'S PROBABLY GOT HALF THE DIVISION IN THERE. 504 00:22:39,225 --> 00:22:40,555 THIS IS WHAT I'M SAYING. 505 00:22:40,560 --> 00:22:42,960 SO, DID SHE TAKE A PICTURE OF YOU YET, BOOT? 506 00:22:42,962 --> 00:22:44,532 NO. 507 00:22:44,531 --> 00:22:47,401 Dewey: ANYBODY GOT A BUCK? I'M TRYING TO GET ANOTHER COFFEE. 508 00:22:47,400 --> 00:22:49,100 JOHN, GIVE ME A DOLLAR. 509 00:22:50,770 --> 00:22:54,370 YOU'D THINK I ASKED YOU FOR YOUR FIRSTBORN OR SOMETHING. 510 00:22:56,476 --> 00:22:58,446 I DEALT WITH IT FOR FIVE YEARS. 511 00:22:58,445 --> 00:23:00,475 YOU CAN'T TAKE IT FOR FOUR HOURS? 512 00:23:00,480 --> 00:23:01,610 YOU KNOW WHAT? 513 00:23:01,614 --> 00:23:03,554 WHEN HE WAS DRUNK, IT WAS FUNNY. 514 00:23:03,550 --> 00:23:05,890 IF I GOT TO HEAR ONE MORE THING ABOUT A.A., 515 00:23:05,885 --> 00:23:08,815 I'M GONNA BRING BACK THE DARYL GATES CHOKE HOLD MYSELF. 516 00:23:08,821 --> 00:23:10,961 HEY, DID YOU GUYS HEAR ABOUT THAT SHOOTING 517 00:23:10,957 --> 00:23:13,427 DOWN AT EAST GAGE STREET BETWEEN THE RIDAZ AND THE HUSTLAZ? 518 00:23:13,426 --> 00:23:14,756 STUPID IDIOTS. 519 00:23:14,761 --> 00:23:17,061 IF THEY HAD A HALF A BRAIN BETWEEN THEM, 520 00:23:17,063 --> 00:23:19,933 THEY'D BELIEVE IN A HIGHER POWER AND SANITY COULD BE RESTORED. 521 00:23:19,932 --> 00:23:21,532 STEP NUMBER TWO, MY FRIENDS. 522 00:23:21,534 --> 00:23:22,844 ALL RIGHT. LET'S GO. 523 00:23:22,835 --> 00:23:24,995 YOU GET THAT FOR ME, PLEASE? YES. 524 00:23:25,004 --> 00:23:28,484 HEY, BOOT, SALLY EVER ASK YOU TO WEAR YOUR HAT? 525 00:23:28,475 --> 00:23:30,075 HUH? 526 00:23:30,076 --> 00:23:32,746 I USED TO KEEP MY SPARE SET OF BLUES IN HER CLOSET, MAN. 527 00:23:32,745 --> 00:23:35,945 SHE'S A FREAK! [ LAUGHS ] 528 00:23:37,484 --> 00:23:39,394 * HEY, I KNOW I WANT YOU, WANT YOU * 529 00:23:39,385 --> 00:23:41,115 * I KNOW YOU WANT ME, WANT ME * 530 00:23:41,120 --> 00:23:43,120 * YOU KNOW I WANT YOU, WANT YOU * 531 00:23:43,122 --> 00:23:44,992 * I KNOW YOU WANT ME 532 00:23:44,991 --> 00:23:47,191 * YOU KNOW I WANT YOU, WANT YOU * 533 00:23:47,193 --> 00:23:49,533 * 1, 2, 3, 4 534 00:23:49,529 --> 00:23:51,759 * UNO, DOS, TRES, CUATRO 535 00:23:51,764 --> 00:23:55,104 [ INDISTINCT CONVERSATIONS ] 536 00:23:55,101 --> 00:23:57,271 * SI ES VERDAD 537 00:23:57,269 --> 00:24:00,369 * QUE TU ERES GUAPA 538 00:24:00,372 --> 00:24:02,512 * YO TE VOY A PONER GOZAR 539 00:24:02,509 --> 00:24:04,509 * TU TIENE LA BOCA GRANDE 540 00:24:04,511 --> 00:24:06,281 * DALE PONTE A JUGAR, COMO? 541 00:24:06,278 --> 00:24:09,148 * 1, 2, 3, 4 542 00:24:09,148 --> 00:24:10,648 * UNO, DOS, TRES, CUATRO 543 00:24:10,650 --> 00:24:13,550 [ GUNFIRE, SCREAMING ] 544 00:24:15,254 --> 00:24:16,824 [ DOG BARKING ] 545 00:24:20,092 --> 00:24:22,432 FIRST BODY WE CAUGHT WAS FROSTY, OF THE WESTSIDE RIDAZ. 546 00:24:22,428 --> 00:24:25,358 ORIGINALLY WE THOUGHT IT WAS TYPICAL BEEF OVER DRUG TERRITORY. 547 00:24:25,364 --> 00:24:26,834 TURNS OUT IT WAS OVER A GIRL. 548 00:24:26,833 --> 00:24:28,333 FROSTY WAS BANGING LETI VARGAS, 549 00:24:28,334 --> 00:24:31,374 FIRST COUSIN OF JUAN VARGAS, STREET NAME NOBODY, 550 00:24:31,370 --> 00:24:32,870 OF THE LATIN HUSTLAZ. 551 00:24:32,872 --> 00:24:35,912 Josie: SO NOBODY SHOT FROSTY, BUT WHO SHOT NOBODY? 552 00:24:35,908 --> 00:24:37,878 CAMS PICKED UP A SILVER ESCALADE 553 00:24:37,877 --> 00:24:39,677 LEAVING THE SCENE OF THE DRIVE-BY. 554 00:24:39,679 --> 00:24:40,949 DAVID MARCUS HAS THE CAR, 555 00:24:40,947 --> 00:24:42,877 AND THE PROFILE FITS THE DESCRIPTION. 556 00:24:42,882 --> 00:24:45,422 MIGHT HAVE THE CAR BUT DOESN'T FIT THE PROFILE. 557 00:24:45,417 --> 00:24:47,017 JUST GOT BACK FROM S.I.D. 558 00:24:47,019 --> 00:24:49,389 NO GSR MARKS ON HIS HAND, NO GUN. 559 00:24:49,388 --> 00:24:52,388 THIS KID DAVID MARCUS IS LITERALLY A CHOIR BOY. 560 00:24:52,391 --> 00:24:54,461 HE PLAYS THE DRUMS AT SECOND A.M.E. 561 00:24:54,460 --> 00:24:56,130 AND THIS TRUCK -- PAID FOR. 562 00:24:56,128 --> 00:24:57,458 PERFECT CREDIT, 563 00:24:57,463 --> 00:24:59,603 MANAGER OF A VIDEO-GAME STORE IN THE FOX HILLS MALL. 564 00:24:59,599 --> 00:25:01,029 NO TATS. 565 00:25:01,033 --> 00:25:02,973 HE DOESN'T EVEN HAVE ANY PARKING TICKETS. 566 00:25:02,969 --> 00:25:05,139 DIAMOND EARRINGS, BAGGY JEANS, 567 00:25:05,137 --> 00:25:08,677 DROVE A TRICKED-OUT S.U.V. BLASTING GLASSES MALONE. 568 00:25:08,675 --> 00:25:11,035 SO? THIS GUY COULD BE AN INNOCENT CIVILIAN. 569 00:25:11,043 --> 00:25:13,553 OR HE'S JUST ANOTHER ASSHOLE WE HAVEN'T CAUGHT YET. 570 00:25:13,546 --> 00:25:15,546 EITHER WAY, LOOK THE PART, PAY THE PRICE. 571 00:25:15,548 --> 00:25:17,578 OH, COME ON, MAN. 572 00:25:17,584 --> 00:25:19,554 IF -- IF DUDE WAS DRIVING A PRIUS, 573 00:25:19,552 --> 00:25:22,122 BUMPING JOHN MAYER, HE'D BE ALIVE RIGHT NOW. 574 00:25:22,121 --> 00:25:23,521 YOU KNOW IT. 575 00:25:23,522 --> 00:25:25,662 YOU SEE? 576 00:25:25,658 --> 00:25:27,758 THAT'S TONY IN FRONT OF HIS ESCALADE, 577 00:25:27,760 --> 00:25:29,660 RODRIGO, NEXT TO EDDIE, MY BABY. 578 00:25:29,662 --> 00:25:33,332 THEY ALL HAVE SHAVED HEADS, EARRINGS, BAGGY JEANS. 579 00:25:33,332 --> 00:25:34,772 THEY LOVE HIP-HOP. 580 00:25:34,767 --> 00:25:37,067 TONY'S A CAPTAIN IN AFGHANISTAN, 581 00:25:37,069 --> 00:25:39,539 RODRIGO JUST BECAME A P2 IN SOUTHEAST, 582 00:25:39,538 --> 00:25:40,838 AT EDDIE'S AT BERKELEY, 583 00:25:40,840 --> 00:25:43,140 AND YOU'RE GONNA TELL ME THAT MY BOYS 584 00:25:43,142 --> 00:25:44,342 DESERVE TO GET SHOT UP 585 00:25:44,343 --> 00:25:47,053 JUST BECAUSE THEY WEAR BAGGY JEANS AND LOVE HIP-HOP? 586 00:25:47,046 --> 00:25:48,746 I BET YOU IF THEY WERE WHITE 587 00:25:48,748 --> 00:25:50,548 AND THEY LIVED NEXT DOOR TO YOU IN SANTA CLARITA -- 588 00:25:50,549 --> 00:25:52,119 CASTAIC -- I LIVE IN CASTAIC. 589 00:25:52,118 --> 00:25:53,918 AND DON'T THROW THAT TIRED "WHITE BOY 590 00:25:53,920 --> 00:25:55,790 DOESN'T UNDERSTAND THE NEIGHBORHOOD" BULLSHIT AT ME. 591 00:25:55,788 --> 00:25:57,688 DON'T DO IT. WHERE DO YOU LIVE? 592 00:25:59,358 --> 00:26:00,688 LA CAГ‘ADA FLINTRIDGE. 593 00:26:00,693 --> 00:26:03,833 OH, TIMES IS HARD. 594 00:26:03,830 --> 00:26:05,770 SO MUCH CRIME OUT IN THE FLINT. 595 00:26:05,765 --> 00:26:07,665 BODIES JUST STACKING UP. 596 00:26:07,667 --> 00:26:10,597 [ CELLPHONES RINGING ] 597 00:26:13,172 --> 00:26:16,212 [ SIRENS WAILING, HELICOPTER PASSING ] 598 00:26:21,948 --> 00:26:24,318 [ WOMAN SPEAKING SPANISH ] 599 00:26:52,478 --> 00:26:53,848 A JOYOUS CELEBRATION -- 600 00:26:53,846 --> 00:26:56,146 A YOUNG GIRL'S FIRST STEP INTO WOMANHOOD, 601 00:26:56,148 --> 00:26:57,018 A QUINCEAГ‘ERA. 602 00:26:57,016 --> 00:26:58,846 INSTEAD, IT'S A CRIME SCENE, 603 00:26:58,851 --> 00:27:00,651 WITH THE GUNMAN STILL AT LARGE 604 00:27:00,653 --> 00:27:02,893 AND TWO INNOCENT VICTIMS LEFT IN HIS WAKE. 605 00:27:02,889 --> 00:27:05,489 A YOUNG MOTHER AND HER 4-YEAR-OLD SON LIE DEAD, 606 00:27:05,491 --> 00:27:06,891 THE FOURTH AND FIFTH VICTIMS 607 00:27:06,893 --> 00:27:09,463 OF AN MLK WEEKEND FULL OF VIOLENCE, 608 00:27:09,461 --> 00:27:10,961 IN SHARP CONTRAST 609 00:27:10,963 --> 00:27:13,873 WITH MARTIN LUTHER KING'S MESSAGE OF NONVIOLENCE. 610 00:27:13,866 --> 00:27:16,536 [ HELICOPTER PASSING, HORN BLARING ] 611 00:27:16,535 --> 00:27:18,265 DETECTIVE SALINGER. 612 00:27:18,270 --> 00:27:20,770 IS THIS SHOOTING RELATED TO THE OTHER ONES? 613 00:27:20,773 --> 00:27:21,913 NO COMMENT. 614 00:27:21,908 --> 00:27:23,808 IS IT RACIALLY MOTIVATED? 615 00:27:25,945 --> 00:27:27,645 HEY, WHAT DO WE GOT? 616 00:27:27,646 --> 00:27:29,816 LYDIA AND I ARE CHECKING TRAFFIC CAMS 617 00:27:29,816 --> 00:27:32,116 TO SEE IF WE GET LUCKY AND CATCH A PLATE. 618 00:27:32,118 --> 00:27:34,788 WE'RE LOOKING FOR A DARK BLUE CHEVY SUBURBAN. 619 00:27:34,787 --> 00:27:36,487 ALL RIGHT. HANG IN THERE. 620 00:27:36,488 --> 00:27:40,128 THE FATHER OF THE BABY IS A LATIN HUSTLA. 621 00:27:40,126 --> 00:27:42,086 DID HE GET A GOOD LOOK AT THE SHOOTER? 622 00:27:42,094 --> 00:27:43,034 NOPE. 623 00:27:43,029 --> 00:27:45,999 DARK, CHEVY SUBURBAN, MAYBE. 624 00:27:45,998 --> 00:27:47,568 SHOOTER WAS BLACK. 625 00:27:47,566 --> 00:27:50,266 THE GUN? Sammy: AK-47, BASED ON THE SHELL CASINGS. 626 00:27:50,269 --> 00:27:52,869 S.I.D. IS RUNNING THE BALLISTICS NOW. 627 00:27:52,872 --> 00:27:55,172 GEEZ. AN AK? 628 00:27:55,174 --> 00:27:57,814 WASN'T EVEN A BULLET FRAGMENT THAT KILLED THE KID. 629 00:27:57,810 --> 00:27:59,480 IT WAS SHRAPNEL FROM THE CAR DOOR. 630 00:27:59,478 --> 00:28:01,648 Nate: THERE'S A LOT OF GUYS COMING UP FROM MEXICO. 631 00:28:01,647 --> 00:28:03,147 AK IS EASY MONEY ON THE STREET. 632 00:28:03,149 --> 00:28:06,019 HARDWARE THAT HEAVY, IT'S GOT TO BE A NEIGHBORHOOD GUN. 633 00:28:06,018 --> 00:28:09,188 THEY PASS IT AROUND THE GANG FROM CRIME TO CRIME. 634 00:28:09,188 --> 00:28:10,688 WELL, GOOD. 635 00:28:10,689 --> 00:28:13,159 IF IT'S BEEN USED BEFORE, MAYBE WE'LL CATCH A BREAK. 636 00:28:13,159 --> 00:28:15,959 LISTEN, FIND ME A GOOD WIT, ALL RIGHT? 637 00:28:18,164 --> 00:28:21,634 THERE'S NO WAY WE FIND A CASING THIS FAR FROM THE HOUSE. 638 00:28:21,633 --> 00:28:24,243 WELL, YOU NEVER KNOW. 639 00:28:24,236 --> 00:28:25,766 [ CHUCKLES ] 640 00:28:25,772 --> 00:28:27,612 HEY, THIS ONE TIME, WHEN I WAS A BOOT, 641 00:28:27,606 --> 00:28:30,936 THIS DRUNK LOST HIS GLASS EYE IN THE MIDDLE OF THE STREET. 642 00:28:30,943 --> 00:28:33,213 MY PARTNER AND I HAD TO LOOK FOR IT. 643 00:28:33,212 --> 00:28:35,712 JUST ABOUT THE TIME I'M GONNA GIVE UP 644 00:28:35,714 --> 00:28:38,154 AND GO ASK MY T.O. IF I COULD PUNCH OUT, 645 00:28:38,150 --> 00:28:40,620 KKKT! -- I STEPPED RIGHT ON THAT BITCH. 646 00:28:40,619 --> 00:28:43,059 [ LAUGHS ] OH. 647 00:28:43,055 --> 00:28:44,485 WHAT WAS THE KID'S NAME? 648 00:28:44,490 --> 00:28:47,430 THE HELL WOULD YOU WANT THAT IN YOUR HEAD FOR? 649 00:28:47,426 --> 00:28:50,856 BELIEVE ME, GOD DID US A FAVOR. 650 00:28:50,863 --> 00:28:52,133 THIS NEIGHBORHOOD, TWO GANGSTER PARENTS -- 651 00:28:52,131 --> 00:28:54,631 WE'D BE RIGHT BACK HERE IN EIGHT YEARS, 652 00:28:54,633 --> 00:28:56,173 ARRESTING THAT LITTLE VATO'S ASS, 653 00:28:56,168 --> 00:28:59,068 DAMN SURE BE ZIPPING HIM UP IN A BIGGER BODY BAG. 654 00:28:59,071 --> 00:29:00,911 THE UNIVERSE SAVED US A TRIP. 655 00:29:00,907 --> 00:29:04,107 WHAT DID YOU SAY? HEY, I'M JUST TRYING TO KEEP IT REAL, BABY GIRL. 656 00:29:04,110 --> 00:29:06,580 "KEEP IT REAL, BABY GIRL"? 657 00:29:06,578 --> 00:29:08,778 MAN, THAT'S SOMEBODY'S KID. 658 00:29:08,781 --> 00:29:10,751 YEAH. TWO [BLEEP] GANGSTERS. 659 00:29:10,749 --> 00:29:13,549 YOU SEE ANY BONA FIDE HUMANS AROUND HERE? 660 00:29:13,552 --> 00:29:15,492 [ INDISTINCT SHOUTING ] 661 00:29:15,487 --> 00:29:17,917 [BLEEP] GET BACK IN YOUR TUNA BOAT, BITCH! 662 00:29:17,924 --> 00:29:20,234 BITCH? I'LL SHOW YOU A BITCH! Sal: HEY, HEY! 663 00:29:20,226 --> 00:29:22,756 KNOCK IT OFF! KNOCK IT OFF! MEET ME IN A PARKING LOT OFF SHIFT! 664 00:29:22,761 --> 00:29:24,761 GOD DAMN IT, THERE'S CAMERAS EVERYWHERE! BITCH. 665 00:29:24,763 --> 00:29:26,173 SHUT HIM UP. LOOK AT ME. LOOK AT ME. 666 00:29:26,165 --> 00:29:27,895 EVERYBODY GET THE HELL OUT OF HERE NOW. 667 00:29:27,900 --> 00:29:29,200 GET HIM OUT OF HERE. John: ALL RIGHT. 668 00:29:29,201 --> 00:29:30,771 LET GET OF ME, MAN. JUST LET GO OF ME. 669 00:29:30,769 --> 00:29:32,599 LET GO. GET OUT OF HERE, ALL OF YOU. 670 00:29:32,604 --> 00:29:34,244 LYDIA. 671 00:29:40,947 --> 00:29:43,847 [ INDISTINCT CONVERSATIONS ] 672 00:29:47,887 --> 00:29:50,057 "I'LL SHOW YOU A BITCH, BITCH." 673 00:29:51,657 --> 00:29:53,927 TUNA BOAT, MY ASS. 674 00:29:53,926 --> 00:29:56,426 [ LAUGHS ] [ SCOFFS ] 675 00:29:58,998 --> 00:30:00,828 Dewey: ARE YOU KIDDING ME, MAN? 676 00:30:00,833 --> 00:30:02,433 ARE YOU FREAKIN' KIDDING ME?! 677 00:30:02,434 --> 00:30:03,974 THOSE STUPID BITCHES. 678 00:30:03,970 --> 00:30:05,770 JOHN, I'VE NEVER HIT A WOMAN IN MY LIFE. 679 00:30:05,771 --> 00:30:07,041 I'M NOT A WOMAN-BEATER, MAN. 680 00:30:07,039 --> 00:30:09,279 BUT TONIGHT I WAS THIS CLOSE 681 00:30:09,275 --> 00:30:11,405 TO BEATING BOTH THOSE BITCHES DOWN, MAN. 682 00:30:11,410 --> 00:30:13,880 ARMED OR UNARMED. I DON'T GIVE A SHIT! 683 00:30:13,880 --> 00:30:15,510 THE ONLY PIECE OF METAL 684 00:30:15,514 --> 00:30:18,354 THOSE BITCHES SHOULD BE ALLOWED TO CARRY IS A FRYING PAN! 685 00:30:18,350 --> 00:30:21,320 JESUS CHRIST! 686 00:30:21,320 --> 00:30:23,390 OH [BLEEP] JOHN, YOU KNOW WHAT? 687 00:30:23,389 --> 00:30:25,419 ALL I DID WAS TELL THE TRUTH, BRO. 688 00:30:25,424 --> 00:30:27,594 THAT IS IT, MAN. I TOLD THE TRUTH. 689 00:30:27,593 --> 00:30:28,933 YOU KNOW AS WELL AS I DO 690 00:30:28,928 --> 00:30:31,328 WE SHOULD BUS EVERY ONE OF THOSE DIRTY GANGSTERS 691 00:30:31,330 --> 00:30:34,300 DOWN TO THE COLISEUM, THROW IN SOME GUNS AND AMMO, 692 00:30:34,300 --> 00:30:36,340 LOCK THE DOOR, AND LET GOD SORT IT OUT. 693 00:30:36,335 --> 00:30:37,935 LET'S GET SOME MORE COFFEE. 694 00:30:37,937 --> 00:30:40,067 YES, LET'S GET SOME COFFEE. 695 00:30:40,072 --> 00:30:42,212 STUPID BITCHES. 696 00:30:42,208 --> 00:30:45,008 GET IN YOUR TUNA BOAT AND GET OUT OF MY FACE. 697 00:30:45,011 --> 00:30:46,881 OH, GREAT. 698 00:30:49,115 --> 00:30:50,875 YOU WANT YOUR COFFEE BLACK, RIGHT? 699 00:30:50,883 --> 00:30:51,853 YEP. 700 00:30:51,850 --> 00:30:54,120 NOT A WORD, BOOT. 701 00:30:54,120 --> 00:30:57,460 [ SIGHS ] LET'S ROLL. 702 00:30:57,456 --> 00:30:58,816 WHAT? 703 00:30:58,824 --> 00:31:00,234 COME ON. 704 00:31:05,131 --> 00:31:07,301 [ ENGINE TURNS OVER ] 705 00:31:10,069 --> 00:31:12,199 [ TIRES SCREECH, ENGINE REVS ] 706 00:31:14,106 --> 00:31:16,176 SON OF A BITCH! 707 00:31:21,613 --> 00:31:23,523 WE GOT AT LEAST FIVE DIFFERENT CASES 708 00:31:23,515 --> 00:31:25,985 WHERE AN AK WAS USED IN THE LAST THREE MONTHS. 709 00:31:25,985 --> 00:31:27,585 ALL NEAR RIDAZ TERRITORY. 710 00:31:27,586 --> 00:31:29,416 WOULDN'T THEY JUST TOSS THE GUN? 711 00:31:29,421 --> 00:31:31,221 TOSS AN AK? NO WAY, MAN. 712 00:31:31,223 --> 00:31:32,763 IT'S TOO HARD TO REPLACE. IT'S GOLDEN. 713 00:31:32,758 --> 00:31:35,628 ALEJANDRO JOAQUIN CUERVO. 714 00:31:36,862 --> 00:31:39,032 4 YEARS OLD. 715 00:31:39,966 --> 00:31:42,796 REMEMBER THE NAME. 716 00:31:42,801 --> 00:31:45,301 REMEMBER THE FACE. 717 00:31:45,304 --> 00:31:47,644 HE'S A REMINDER AS TO WHY WE DRAG OUR SORRY ASSES 718 00:31:47,639 --> 00:31:49,279 OUT OF BED EVERY MORNING 719 00:31:49,275 --> 00:31:51,705 IN THE SERVICE OF A CITY WHO JUST DOESN'T GIVE A DAMN. 720 00:31:51,710 --> 00:31:54,750 FIGHTING GANG CRIME IS LIKE PUNCHING WATER. 721 00:31:54,746 --> 00:31:57,376 NO MATTER HOW HARD YOU HIT, YOU JUST CAN'T SEEM TO LEAVE A DENT. 722 00:31:57,383 --> 00:31:59,893 BUT WHEN A BABY IS MURDERED, IT MAKES YOU REMEMBER 723 00:31:59,885 --> 00:32:02,915 WHAT IT FELT LIKE THE FIRST TIME YOU PUT YOUR BLUES ON 724 00:32:02,921 --> 00:32:04,321 AND STOOD IN FRONT OF A MIRROR. 725 00:32:04,323 --> 00:32:07,793 IT MAKES YOU REMEMBER WHY YOU BECAME A COP. 726 00:32:07,793 --> 00:32:09,963 THE MISSION'S CLEAR. 727 00:32:09,962 --> 00:32:13,232 PUNISH EVIL EVERYWHERE. 728 00:32:13,232 --> 00:32:15,772 THERE ARE HARDWORKING, DECENT FOLKS 729 00:32:15,767 --> 00:32:17,537 THAT LIVE IN THESE COMMUNITIES. 730 00:32:17,536 --> 00:32:19,706 CERTAIN LINES JUST CANNOT BE CROSSED. 731 00:32:19,705 --> 00:32:22,365 THERE'S ONLY ONE WAY TO SEND THAT MESSAGE SOMETIMES. 732 00:32:24,043 --> 00:32:27,083 SO WE'RE GONNA SEND OUR BOOTS SO FAR UP THESE GANGSTERS' ASSES, 733 00:32:27,079 --> 00:32:30,349 THEY WON'T EVEN DREAM ABOUT PULLING THIS BULLSHIT AGAIN. 734 00:32:30,349 --> 00:32:32,779 GOD DAMN IT, I WANT THE GUN. 735 00:32:32,784 --> 00:32:34,324 I WANT THE KILLER. 736 00:32:34,320 --> 00:32:37,460 I WANT THEM BOTH -- PRONTO. 737 00:32:38,724 --> 00:32:41,764 YOU KNOW WHAT WE'RE LOOKING FOR, RIGHT? 738 00:32:41,760 --> 00:32:43,430 YOU GUYS DON'T KNOW? 739 00:32:43,429 --> 00:32:48,529 WE'RE LOOKING FOR AN AK-47. YOU GUYS KNOW WHERE THAT IS? 740 00:32:48,534 --> 00:32:50,944 NOBODY KNOWS? 741 00:32:50,936 --> 00:32:52,036 WHAT ABOUT YOU? 742 00:32:52,038 --> 00:32:54,638 [ UP-TEMPO HIP-HOP PLAYING ] 743 00:32:54,640 --> 00:32:56,010 GET YOUR HANDS UP! 744 00:32:56,008 --> 00:32:57,778 [ INDISTINCT SHOUTING ] HANDS UP! 745 00:32:57,776 --> 00:32:59,306 HANDS UP RIGHT NOW! 746 00:32:59,311 --> 00:33:01,451 [BLEEP] HEY, MAN. Y'ALL GOT A WARRANT, MAN? 747 00:33:01,447 --> 00:33:03,017 WHAT THE HELL'S GOING ON, MAN? 748 00:33:03,015 --> 00:33:04,615 HEY, MAN, THAT'S MEDICINAL RIGHT THERE, MAN! 749 00:33:04,616 --> 00:33:07,016 I WANT NAMES, LOCATION, GUN, 750 00:33:07,019 --> 00:33:09,419 RIGHT NOW, OR I TAKE YOU IN. 751 00:33:09,421 --> 00:33:11,321 THREE STRIKES, YOU'RE OUT. 752 00:33:11,323 --> 00:33:14,993 SEE, BABY? THAT'S WHY YOU NEVER TRUST THE POLICE, MAN! 753 00:33:14,993 --> 00:33:17,303 [ DOG BARKING ] 754 00:33:17,296 --> 00:33:19,426 [ CAR ALARM BLARING ] 755 00:33:21,167 --> 00:33:22,897 WHERE'S THE AK? 756 00:33:22,901 --> 00:33:24,041 HUH? 757 00:33:24,036 --> 00:33:25,336 WHERE'S THE GUN?! 758 00:33:26,538 --> 00:33:29,208 GIVE ME THE OTHER HAND. GIVE ME THE OTHER HAND. 759 00:33:29,208 --> 00:33:31,508 TELL US WHERE THE SHIT IS. 760 00:33:31,510 --> 00:33:32,640 COME ON, BOYS. 761 00:33:32,644 --> 00:33:35,684 YOU WANT TO GO HOME, YOU WANT TO GO TO JAIL? 762 00:33:35,681 --> 00:33:38,351 WE WON'T PUT YOUR NAME ANYWHERE NEAR THIS. 763 00:33:38,350 --> 00:33:40,550 JUST TELL US WHERE THE GUN'S AT. 764 00:33:49,728 --> 00:33:51,158 TAKE HIM. 765 00:33:52,998 --> 00:33:54,368 GO! 766 00:33:54,366 --> 00:33:56,096 BACK DOOR! KITCHEN, KITCHEN, KITCHEN, KITCHEN! 767 00:33:56,102 --> 00:33:57,272 HE'S RUNNING! 768 00:34:06,945 --> 00:34:08,575 PIGS CAN'T CATCH ME. 769 00:34:12,384 --> 00:34:14,754 [ GRUNTS ] [BLEEP] HEY THERE, DIRTY. 770 00:34:14,753 --> 00:34:17,663 CAN I GET YOU A CHAIR? 771 00:34:19,291 --> 00:34:20,531 Vern: MORETTA! 772 00:34:20,526 --> 00:34:22,156 PULL UP, MAN. 773 00:34:22,161 --> 00:34:25,231 WE GOT IT. IT WAS UNDER THE COUCH. 774 00:34:26,665 --> 00:34:29,065 AK-47 WITH YOUR SHEET -- 775 00:34:29,067 --> 00:34:30,737 MAN, YOU AIN'T EVER COMING OUT. 776 00:34:30,736 --> 00:34:32,066 PULL YOUR LEG UNDER. 777 00:34:32,070 --> 00:34:33,940 YOU KILLED A HUSTLA BABY. 778 00:34:33,939 --> 00:34:35,569 I KNOW A COUPLE VATOS IN FOLSOM 779 00:34:35,574 --> 00:34:37,144 THAT WOULD LOVE TO HOLLER AT YOU. 780 00:34:37,143 --> 00:34:38,783 MAN, I AIN'T KILL THAT KID, MAN. 781 00:34:38,777 --> 00:34:41,847 ON GOD, ONE OF THE HOMIES JUST DROPPED THAT GUN OFF, MAN. 782 00:34:41,847 --> 00:34:45,147 GIVE US A NAME. 783 00:34:45,151 --> 00:34:47,951 A NAME, ASSHOLE. 784 00:34:47,953 --> 00:34:49,523 G-RON, MAN. 785 00:34:49,521 --> 00:34:51,421 MAN, LOOK, G-RON KILLED THAT KID, MAN. 786 00:34:51,423 --> 00:35:01,903 I SWEAR TO GOD THAT'S ALL I KNOW. 787 00:35:01,900 --> 00:35:03,640 WAS HE ALWAYS LIKE THAT? 788 00:35:03,635 --> 00:35:06,505 NO. HE WAS PASSIONATE AND FOCUSED, LIKE YOU. 789 00:35:06,505 --> 00:35:08,635 THE JOB DOESN'T MAKE YOU SOMETHING. 790 00:35:08,640 --> 00:35:10,580 IT JUST BRINGS OUT WHO YOU ALREADY ARE. 791 00:35:10,576 --> 00:35:12,776 YOU CAN'T TELL ME DEAD BABIES DON'T BOTHER YOU ANYMORE. 792 00:35:12,778 --> 00:35:15,408 YOU GOT TO LEARN WHEN TO TURN OFF 793 00:35:15,414 --> 00:35:17,754 THE CAMERA INSIDE YOUR HEAD. 794 00:35:19,751 --> 00:35:21,521 HOW DO YOU DO THAT? 795 00:35:23,255 --> 00:35:24,785 WELL, WHEN YOU LEARN HOW TO DO THAT, 796 00:35:24,790 --> 00:35:26,730 YOU'RE READY TO BE A TRAINING OFFICER. 797 00:35:30,962 --> 00:35:32,862 SEE THE SUBURBAN? 798 00:35:32,864 --> 00:35:34,134 YEAH. 799 00:35:34,132 --> 00:35:36,772 LIGHT 'EM UP ON MY SIGNAL. 800 00:35:38,637 --> 00:35:39,867 [ TIRES SCREECH ] 801 00:35:39,871 --> 00:35:42,611 [ SIREN WAILING ] 802 00:35:42,608 --> 00:35:46,808 A43, SHOW US IN PURSUIT OF A DARK BLUE CHEVY SUBURBAN, 803 00:35:46,812 --> 00:35:52,052 LICENSE PLATE THREE-ADAM-BAKER FOUR-FIVE-SEVEN-DAVID. 804 00:35:52,050 --> 00:35:56,390 HEADING EAST ON VAN NESS, JUST PASSING SLAUSON. 805 00:35:56,388 --> 00:36:00,228 [ POLICE RADIO CHATTER ] 806 00:36:03,362 --> 00:36:06,602 [ ENGINE REVVING, TIRES SCREECHING ] 807 00:36:19,411 --> 00:36:21,911 [ TIRES SCREECH ] 808 00:36:50,242 --> 00:36:52,142 [ BOTH GRUNTING ] 809 00:36:52,143 --> 00:36:54,213 OW! SHIT! 810 00:36:54,212 --> 00:36:56,982 [ BREATHING HEAVILY ] 811 00:36:56,982 --> 00:36:58,122 GET UP. 812 00:36:58,116 --> 00:36:59,416 I AM. GET UP! 813 00:36:59,418 --> 00:37:00,988 WHAT'S YOUR NAME? GREG RONALDSON. 814 00:37:00,986 --> 00:37:02,816 WHAT'S YOUR STREET NAME?! YOU GOT THESE ON TOO TIGHT. 815 00:37:02,821 --> 00:37:03,861 YOUR STREET NAME! 816 00:37:03,855 --> 00:37:05,655 G-RON. 817 00:37:05,657 --> 00:37:07,127 WHAT? 818 00:37:07,125 --> 00:37:08,325 LET'S TAKE A TRIP, G-RON. 819 00:37:08,327 --> 00:37:10,897 LAY OFF, MAN. 820 00:37:10,896 --> 00:37:13,296 Josie: SO, HOW DOES A GOOD GUY LIKE DAVID MARCUS 821 00:37:13,299 --> 00:37:15,529 END UP WITH AN ASSHOLE BEST FRIEND LIKE YOU? 822 00:37:15,534 --> 00:37:16,944 WAS HE IN THE STREETS? 823 00:37:16,935 --> 00:37:17,995 HELL NAW. 824 00:37:18,003 --> 00:37:19,873 HIS POPS WOULD HAVE WHUPPED HIS ASS. 825 00:37:19,871 --> 00:37:23,241 BUT Y'ALL HUNG ANYWAY? SINCE MARKHAM ELEMENTARY. 826 00:37:23,241 --> 00:37:25,641 BUT HE DIDN'T END UP A RIDA. 827 00:37:25,644 --> 00:37:28,814 DID ALL YOUR FRIENDS END UP AS COPS? 828 00:37:28,814 --> 00:37:29,924 YOU GOT CHOICES. 829 00:37:29,915 --> 00:37:31,745 BUT YOUR PEOPLES ARE YOUR PEOPLES. 830 00:37:31,750 --> 00:37:33,850 HE EVER LET YOU BORROW THE CAR? 831 00:37:33,852 --> 00:37:35,292 THREE WEEKS AGO. 832 00:37:35,287 --> 00:37:36,787 BUNCH OF US TOOK SOME CLUCK-CLUCKS 833 00:37:36,788 --> 00:37:38,758 DOWN TO THE CHEESECAKE FACTORY IN GLENDALE. 834 00:37:38,757 --> 00:37:41,087 FROSTY'S GIRL -- SHE WAS THERE. 835 00:37:41,092 --> 00:37:44,662 YOUR FRIEND IS DEAD BECAUSE YOU BORROWED HIS CAR. 836 00:37:44,663 --> 00:37:47,503 THEY KNEW THE CAR. THEY THOUGHT THEY HAD YOU. 837 00:37:47,499 --> 00:37:49,439 BUT INSTEAD IT WAS DAVID WHO WAS SHOT. 838 00:37:49,435 --> 00:37:50,895 THAT'S NOT MY FAULT. 839 00:37:50,902 --> 00:37:53,742 I NEVER DID NO DIRT AROUND HIM. 840 00:37:53,739 --> 00:37:58,279 DAVID HAD DREAMS, A WIFE, KID. 841 00:37:58,276 --> 00:38:00,476 HE AIN'T DESERVE TO GO OUT LIKE THAT. 842 00:38:00,479 --> 00:38:02,809 SO YOU SHOOT UP A BIRTHDAY PARTY 843 00:38:02,814 --> 00:38:06,224 OUT OF LOYALTY TO A MAN WITH A WIFE, A KID, 844 00:38:06,217 --> 00:38:08,247 A MAN THAT WAS CHURCHGOING? 845 00:38:08,253 --> 00:38:10,193 HE WASN'T EVEN BANGING. 846 00:38:10,188 --> 00:38:12,958 YOU KILLED A BABY, ASSHOLE. 847 00:38:12,958 --> 00:38:17,628 IF I COULD DO IT AGAIN, I'D USE A MAC-10 NEXT TIME, 848 00:38:17,629 --> 00:38:20,299 MAKE SURE I TAKE EVEN MORE OF THEM OUT. 849 00:38:20,298 --> 00:38:21,998 [BLEEP] 'EM. 850 00:38:22,000 --> 00:38:25,540 [BLEEP] 'EM ALL AND ANYBODY WHO'S DOWN WITH THEM. 851 00:38:27,072 --> 00:38:32,042 [ INDISTINCT CONVERSATIONS, DOWN-TEMPO ROCK MUSIC PLAYING ] 852 00:38:45,957 --> 00:38:48,927 [ MUSIC CONTINUES ] 853 00:39:19,257 --> 00:39:21,987 YOU DON'T HAVE A SALLY STORY? 854 00:39:23,895 --> 00:39:24,955 NO. 855 00:39:28,600 --> 00:39:31,870 MY CAR IS PARKED AT HER PLACE. 856 00:39:31,870 --> 00:39:33,440 [ HORN HONKS ] 857 00:39:37,242 --> 00:39:40,852 AND I COULD REALLY USE A MASSAGE AFTER I TACKLED THAT DUDE. 858 00:39:40,846 --> 00:39:42,476 YOU'RE A GLUTTON FOR PUNISHMENT. 859 00:39:42,481 --> 00:39:44,321 YOU GUYS ARE JUST JEALOUS. 860 00:39:44,315 --> 00:39:45,515 YEAH. 861 00:39:45,517 --> 00:39:49,187 YOU HAVE BEEN WARNED, MY FRIEND. 862 00:39:49,187 --> 00:39:51,087 YOU HAVE BEEN WARNED. 863 00:39:51,089 --> 00:39:53,529 WHAT CAN I SAY? 864 00:39:53,525 --> 00:39:56,085 LOVE'S A BITCH, ESE. 865 00:39:57,563 --> 00:40:00,503 SEE YOU TOMORROW! 866 00:40:16,147 --> 00:40:17,447 [ CAR ALARM CHIRPS ] 867 00:40:20,018 --> 00:40:21,588 CAN I HELP YOU WITH SOMETHING? 868 00:40:21,587 --> 00:40:23,287 YEAH. I'M VICTOR CIFUENTES. YEAH? 869 00:40:23,288 --> 00:40:25,718 WE MET A COUPLE OF MONTHS AGO AT THE OPEN HOUSE. YEAH? 870 00:40:25,724 --> 00:40:28,264 I'M TAMMI'S PHOTOGRAPHY INSTRUCTOR. 871 00:40:28,259 --> 00:40:29,959 WHAT'S GOING ON? 872 00:40:29,961 --> 00:40:33,501 LISTEN, I DON'T KNOW HOW ELSE, YOU KNOW, I'M GONNA SAY IT, 873 00:40:33,499 --> 00:40:35,299 SO I'M JUST GONNA SAY IT. 874 00:40:35,300 --> 00:40:37,040 I'M IN LOVE WITH YOUR WIFE. 875 00:40:38,770 --> 00:40:40,910 WE NEED TO BE ADULT ABOUT THIS, 876 00:40:40,906 --> 00:40:42,236 FIGURE IT OUT, 877 00:40:42,240 --> 00:40:44,340 AND DO WHAT'S IN THE BEST INTERESTS OF THE BABY. 878 00:40:44,342 --> 00:40:45,682 THAT'S ALL I WANTED TO SAY. 879 00:40:53,652 --> 00:40:57,222 [ VEHICLE DOOR OPENS, CLOSES ] 880 00:40:59,858 --> 00:41:02,758 [ ENGINE TURNS OVER ] 60483

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.