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1
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**
2
00:00:18,102 --> 00:00:28,032
**
3
00:00:28,067 --> 00:00:29,467
JAMES, THAT YOU?
4
00:00:29,502 --> 00:00:30,832
YEAH, IT'S ME.
5
00:00:30,867 --> 00:00:32,727
COME ON IN FOR BREAKFAST.
6
00:00:32,733 --> 00:00:36,603
PAT WAS A WONDERFUL
MOTHER, VERY LOVING,
7
00:00:36,638 --> 00:00:38,865
VERY CARING, CONSIDERATE.
8
00:00:38,900 --> 00:00:40,200
WHAT ARE YOU DRAWING?
IT'S YOU.
9
00:00:40,235 --> 00:00:42,265
YOU'RE COOKING.
10
00:00:42,300 --> 00:00:43,832
NIKKI WAS A PRETTY GOOD KID.
11
00:00:43,867 --> 00:00:46,467
SHE WAS AN ARTIST,
AND PAT SUPPORTED THAT.
12
00:00:46,502 --> 00:00:48,132
THEY WERE BEST BUDDIES.
13
00:00:48,167 --> 00:00:49,997
GOOD MORNING, LADIES.
GOOD MORNING, BABY.
14
00:00:50,000 --> 00:00:51,630
HOW WAS WORK?
15
00:00:51,633 --> 00:00:53,698
IT WAS THE NIGHT SHIFT.
WHAT CAN I SAY?
16
00:00:53,733 --> 00:00:57,233
I WOULD DESCRIBE JAMES
AS A SOUTHERN GENTLEMAN.
17
00:00:57,268 --> 00:00:59,700
THAT'S WHO HE WAS.
18
00:00:59,735 --> 00:01:02,098
ALREADY DRAWING?
19
00:01:02,133 --> 00:01:04,073
I MEAN, THESE WERE GOOD,
DECENT PEOPLE.
20
00:01:04,108 --> 00:01:05,327
NONE HAD BAGGAGE.
21
00:01:05,333 --> 00:01:06,980
THEY WERE HARDWORKING.
22
00:01:07,015 --> 00:01:08,627
YOU WORK AGAIN TONIGHT?
23
00:01:08,633 --> 00:01:11,073
YEAH. TRY TO CATCH A NAP
THIS AFTERNOON
24
00:01:11,108 --> 00:01:12,397
BEFORE I HEAD IN TONIGHT.
25
00:01:12,400 --> 00:01:14,135
NIKKI, BABY,
I'M GOING TO BE LATE
26
00:01:14,170 --> 00:01:15,870
SO WHY DON'T YOU
PICK UP SOME PIZZA,
27
00:01:15,905 --> 00:01:17,516
AND SAVE ME A PIECE?
28
00:01:17,551 --> 00:01:19,127
I'M GOING TO BE HUNGRY.
29
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A CRIME LIKE THIS,
THEY'RE TOUGH.
30
00:01:22,067 --> 00:01:27,167
THIS FAMILY DID NOT BRING
TROUBLE TO THEIR DOOR.
31
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IT CAME TO THEIR DOOR.
32
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**
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00:01:37,619 --> 00:01:46,093
**
34
00:01:46,128 --> 00:01:54,647
**
35
00:01:54,682 --> 00:02:03,132
**
36
00:02:07,233 --> 00:02:16,265
**
37
00:02:16,300 --> 00:02:25,297
**
38
00:02:25,300 --> 00:02:27,683
YOU CALL FOR THE POLICE?
YEAH, THAT'S ME.
39
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IT'S PROBABLY NOTHING,
BUT I DON'T KNOW.
40
00:02:30,067 --> 00:02:32,467
THE FIRST THING THAT
ANYBODY KNEW WAS WRONG
41
00:02:32,502 --> 00:02:34,397
WAS THAT JAMES DID NOT SHOW UP
FOR WORK
42
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FOR HIS OVERNIGHT SHIFT AT
THE SOUTH JERSEY PAPER FACTORY,
43
00:02:36,833 --> 00:02:40,673
AND SO HIS FRIEND, TONY MATOS,
WENT TO SEE WHAT WAS GOING ON.
44
00:02:40,708 --> 00:02:42,067
SO THERE ARE THREE PEOPLE
LIVING IN HERE?
45
00:02:42,102 --> 00:02:43,397
YEAH, THERE'S
THREE PEOPLE THERE.
46
00:02:43,400 --> 00:02:46,300
THERE'S JAMES, WHO I WORK WITH,
HIS GIRLFRIEND PATRICIA,
47
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AND PATRICIA'S DAUGHTER NIKKI.
48
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HE DISCOVERED THAT THE BACKDOOR
WAS NOT ONLY UNLOCKED,
49
00:02:50,868 --> 00:02:52,633
BUT IT WAS OPEN,
AND THAT CONCERNED HIM.
50
00:02:52,668 --> 00:02:54,532
HE DIDN'T GO INSIDE,
BUT HE DECIDED
51
00:02:54,567 --> 00:02:56,397
THAT WAS WORTH
ALERTING THE POLICE.
52
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AND HER CAR IS HERE, TOO,
WHICH IS WEIRD.
53
00:02:58,733 --> 00:03:00,703
ALL RIGHT.
JUST STAY PUT FOR ME.
54
00:03:00,738 --> 00:03:01,970
ALL RIGHT.
55
00:03:02,005 --> 00:03:07,897
**
56
00:03:07,900 --> 00:03:13,765
**
57
00:03:13,800 --> 00:03:15,700
PHILADELPHIA POLICE.
HELLO?
58
00:03:15,735 --> 00:03:24,401
**
59
00:03:24,436 --> 00:03:33,032
**
60
00:03:33,067 --> 00:03:35,067
THE OFFICER GAINED ENTRY
TO THE PROPERTY
61
00:03:35,102 --> 00:03:36,897
THROUGH A BASEMENT LEVEL,
62
00:03:36,900 --> 00:03:38,330
DIDN'T SEE ANYTHING UNUSUAL,
63
00:03:38,333 --> 00:03:42,833
WENT UP A SET OF STEPS
INTO A MAIN LIVING AREA.
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00:03:42,868 --> 00:03:48,765
**
65
00:03:48,800 --> 00:03:50,170
PHILADELPHIA POLICE!
66
00:03:50,205 --> 00:03:51,827
ANYONE HERE?
67
00:03:51,833 --> 00:03:57,268
**
68
00:03:57,303 --> 00:04:02,665
**
69
00:04:02,700 --> 00:04:03,832
PHILADELPHIA POLICE.
70
00:04:03,867 --> 00:04:06,697
IF THERE'S ANYBODY HERE,
COME OUT RIGHT NOW.
71
00:04:06,700 --> 00:04:14,530
**
72
00:04:14,533 --> 00:04:22,332
**
73
00:04:22,367 --> 00:04:24,097
RIGHT AT THE TOP OF THE STAIRS
74
00:04:24,100 --> 00:04:27,830
HE MAKES A GRUESOME
DISCOVERY OF A FEMALE BODY
75
00:04:27,833 --> 00:04:29,032
LAYING FACE DOWN,
76
00:04:29,067 --> 00:04:31,432
PARTIALLY COVERED
WITH A BLANKET.
77
00:04:31,467 --> 00:04:35,367
ONE-12 TO DISPATCH,
REQUESTING ADDITIONAL UNITS
78
00:04:35,402 --> 00:04:39,197
AT 5400 BLOCK OF BINGHAM ROAD.
79
00:04:39,200 --> 00:04:42,200
ONE DECEASED ON SCENE, FEMALE.
80
00:04:42,235 --> 00:04:48,332
**
81
00:04:48,367 --> 00:04:50,267
PHILADELPHIA POLICE!
82
00:04:50,302 --> 00:04:51,667
ANYONE HERE?
83
00:04:51,702 --> 00:04:58,597
**
84
00:04:58,600 --> 00:05:05,565
**
85
00:05:05,600 --> 00:05:07,365
AND THEN IN ONE
OF THEIR BEDROOMS,
86
00:05:07,400 --> 00:05:11,130
THEY DISCOVERED A BODY
OF A MALE STILL LYING IN BED
87
00:05:11,133 --> 00:05:13,465
WITH A BLANKET
OVER THE BODY.
88
00:05:13,500 --> 00:05:16,850
DISPATCH, THERE'S TWO
DECEASED ON SCENE.
89
00:05:16,885 --> 00:05:19,657
TWO VICTIMS ON SCENE,
DO YOU COPY THAT?
90
00:05:19,692 --> 00:05:22,430
THE REPORT OF
TWO DEAD BODIES
91
00:05:22,433 --> 00:05:25,073
ALERTS PHILADELPHIA HOMICIDE
TO THE CRIME SCENE
92
00:05:25,108 --> 00:05:32,332
IN THE CITY'S
CRESCENTVILLE SECTION.
93
00:05:32,367 --> 00:05:35,527
SERGEANT ROBERT KUHLMEIER
IS SUPERVISING DETECTIVE
94
00:05:35,533 --> 00:05:37,898
ON THE CASE.
95
00:05:37,933 --> 00:05:39,073
- YOU FOUND THEM?
- YES, SIR.
96
00:05:39,108 --> 00:05:40,727
I DID.
- LEAD THE WAY.
97
00:05:40,733 --> 00:05:44,073
I ARRIVED SHORTLY AFTER
DETECTIVES THAT WERE ASSIGNED
98
00:05:44,108 --> 00:05:46,827
TO GO TO THE CRIME SCENE.
99
00:05:46,833 --> 00:05:48,165
THE CRESCENTVILLE NEIGHBORHOOD
100
00:05:48,200 --> 00:05:51,230
IS A RELATIVELY
SAFE NEIGHBORHOOD,
101
00:05:51,233 --> 00:05:53,132
BASICALLY BLUE-COLLAR WORKERS.
102
00:05:53,167 --> 00:05:57,127
IT'S RARE YOU WOULD SEE
SOMETHING LIKE THAT.
103
00:05:57,133 --> 00:05:59,432
FOUND THE FEMALE FIRST.
104
00:05:59,467 --> 00:06:01,897
THE WOMAN THAT WAS
FOUND UPSTAIRS
105
00:06:01,900 --> 00:06:03,465
ON THE SECOND-FLOOR LANDING
106
00:06:03,500 --> 00:06:07,970
WAS THE DAUGHTER,
NIKKI STALLWORTH.
107
00:06:08,005 --> 00:06:10,427
ONE SHOT TO THE HEAD,
108
00:06:10,433 --> 00:06:12,333
ALMOST POINT-BLANK.
109
00:06:16,267 --> 00:06:19,127
THE MALE IS IN THE BEDROOM
BACK THERE.
110
00:06:19,133 --> 00:06:21,773
IN THE FRONT BEDROOM,
PATRICIA HENRY'S BOYFRIEND,
111
00:06:21,808 --> 00:06:25,827
JAMES COFER,
WAS FOUND IN THE BED.
112
00:06:25,833 --> 00:06:29,583
THERE'S BLOOD COMING FROM
THE HEAD AREA OF BOTH VICTIMS.
113
00:06:29,618 --> 00:06:33,060
THE BODIES WERE COVERED
IN EITHER A BLANKET OR A QUILT,
114
00:06:33,095 --> 00:06:36,503
EITHER CONCEALED THE FACE OR,
YOU KNOW, SOME OF THE BODY.
115
00:06:36,538 --> 00:06:38,770
HIS FACE WAS COVERED
WHEN YOU GOT HERE?
116
00:06:38,805 --> 00:06:40,032
BOTH OF THEM WERE.
117
00:06:40,067 --> 00:06:41,727
WHY DO YOU THINK
HE COVERED THEM?
118
00:06:41,733 --> 00:06:43,298
WHAT DO YOU THINK?
119
00:06:43,333 --> 00:06:47,803
THE DUDE WAS TRYING
TO CONCEAL THEM?
120
00:06:47,838 --> 00:06:49,130
OR THEY KNEW HIM.
121
00:06:52,933 --> 00:06:56,765
LET'S GET TO WORK.
122
00:06:56,800 --> 00:06:59,783
WHEN YOU HAVE
A MURDER INSIDE A RESIDENCE,
123
00:06:59,818 --> 00:07:02,767
WE'RE AUTOMATICALLY THINKING
IT'S A FAMILY MEMBER.
124
00:07:02,802 --> 00:07:04,132
IT'S A CRIME OF PASSION.
125
00:07:04,167 --> 00:07:06,227
IS THERE SOMEONE IN PARTICULAR
IN THE FAMILY
126
00:07:06,233 --> 00:07:07,898
THAT WE NEED TO FOCUS ON THAT
127
00:07:07,933 --> 00:07:10,765
WOULD HAVE AN ANSWER
AS TO WHAT HAPPENED?
128
00:07:10,800 --> 00:07:13,600
SERGEANT KUHLMEIER IS
JOINED BY SERGEANT BILL BRITT
129
00:07:13,635 --> 00:07:16,670
FROM PHILLY PD
FUGITIVE TASK FORCE.
130
00:07:16,705 --> 00:07:19,432
ROBBERY?
131
00:07:19,467 --> 00:07:21,097
DOESN'T LOOK THAT WAY.
132
00:07:21,100 --> 00:07:23,370
THERE DIDN'T SEEM TO BE
A TV MISSING,
133
00:07:23,405 --> 00:07:25,897
A RADIO MISSING OR ANY DRAWERS
134
00:07:25,900 --> 00:07:29,270
THAT WERE GONE THROUGH
AND DUMPED OUT.
135
00:07:29,305 --> 00:07:30,627
WITH NO CLEAR MOTIVE,
136
00:07:30,633 --> 00:07:32,732
INVESTIGATORS TURN TO
THE PHYSICAL EVIDENCE
137
00:07:32,767 --> 00:07:36,927
LEFT ON SCENE FOR CLUES
TO WHAT MAY HAVE TRANSPIRED.
138
00:07:36,933 --> 00:07:40,032
THERE WERE SOME ITEMS THAT
APPEARED TO BE OUT OF PLACE,
139
00:07:40,067 --> 00:07:43,627
SOME DRINK CONTAINERS, SOME FOOD
CONTAINERS THAT WERE LEFT OUT.
140
00:07:43,633 --> 00:07:45,098
WHAT DO YOU THINK?
141
00:07:45,133 --> 00:07:47,132
THE GIRL WAS DOWN HERE
EATING PIZZA.
142
00:07:47,167 --> 00:07:51,067
SHE RESPONDS TO THE DOER AT
THE DOOR WHO FORCES HIS WAY IN
143
00:07:51,102 --> 00:07:55,227
AND TAKES HER UPSTAIRS
TOWARD THE BEDROOMS.
144
00:07:55,233 --> 00:07:58,532
WE GOT ANOTHER SODA
CAN IN THE KITCHEN.
145
00:07:58,567 --> 00:08:00,497
I WANT THIS WHOLE PLACE
DUSTED AND PRESERVED.
146
00:08:00,500 --> 00:08:03,465
EVERYTHING HERE IS EVIDENCE.
147
00:08:03,500 --> 00:08:07,070
NOW, THE FOCUS WITH THE CRIME
SCENE UNIT IS, HEY,
148
00:08:07,105 --> 00:08:11,132
LET'S LOOK AT THESE
DRINK CONTAINERS.
149
00:08:11,167 --> 00:08:13,927
AT THAT POINT, I WANTED TO MAKE
SURE THAT THOSE ITEMS
150
00:08:13,933 --> 00:08:16,080
GET TO THE FINGERPRINT EXPERT
151
00:08:16,115 --> 00:08:18,227
TO HAVE THEM CONDUCT THEIR TEST.
152
00:08:18,233 --> 00:08:20,273
WHILE POLICE CONTINUE
TO PROCESS THE SCENE,
153
00:08:20,308 --> 00:08:22,727
WORRIED RELATIVES
BEGIN TO GATHER.
154
00:08:22,733 --> 00:08:24,633
DETECTIVES ARE ANXIOUS
TO LEARN MORE ABOUT
155
00:08:24,668 --> 00:08:25,832
WHO THEIR VICTIMS ARE.
156
00:08:25,867 --> 00:08:28,197
DID ANYONE TALK
TO THE FAMILY YET?
157
00:08:28,200 --> 00:08:29,032
NO, NOT YET.
158
00:08:29,067 --> 00:08:30,832
IT'S THE TWO WOMEN OVER THERE.
159
00:08:30,867 --> 00:08:32,832
WE HAVE TO NOW GO OUT
TO THE FAMILY MEMBERS
160
00:08:32,867 --> 00:08:37,467
WHO ARE GATHERED OUTSIDE
AND MAKE OUR NOTIFICATION.
161
00:08:37,502 --> 00:08:38,727
MA'AM?
162
00:08:38,733 --> 00:08:41,073
WOULD YOU GUYS MIND
STEPPING BACK FOR A MINUTE?
163
00:08:41,108 --> 00:08:42,667
THANK YOU.
WHAT'S GOING ON?
164
00:08:42,702 --> 00:08:44,227
I'M SERGEANT ROBERT KUHLMEIER.
165
00:08:44,233 --> 00:08:46,173
DO YOU HAVE RELATIVES
THAT LIVE AT THIS RESIDENCE?
166
00:08:46,208 --> 00:08:47,327
YES.
167
00:08:47,333 --> 00:08:50,165
IT WASN'T LONG AFTER
MY GETTING OUT THE CAR
168
00:08:50,200 --> 00:08:55,370
THAT THEY TELL ME THAT THEY HAD
FOUND TWO BODIES IN THE HOUSE.
169
00:08:55,405 --> 00:08:56,427
WHAT DO YOU MEAN "BODIES"?!
170
00:08:56,433 --> 00:08:57,898
WHAT'S GOING ON?
171
00:08:57,933 --> 00:09:00,473
WELL, THAT'S WHAT
WE'RE TRYING TO DETERMINE.
172
00:09:00,508 --> 00:09:03,627
WE FOUND A MAN
AND A TEENAGE FEMALE.
173
00:09:03,633 --> 00:09:07,432
MY GOD.
MY GOD.
174
00:09:07,467 --> 00:09:10,827
AFTER I WAS TOLD THAT
THEY HAD FOUND THE TWO BODIES,
175
00:09:10,833 --> 00:09:14,573
AND I KNEW THAT IT WAS
THREE OF THEM IN THE HOUSE,
176
00:09:14,608 --> 00:09:18,427
MY CONCERN WAS NOW,
WHERE WAS MY SISTER, PAT.
177
00:09:20,367 --> 00:09:21,797
EAT UP.
178
00:09:21,800 --> 00:09:23,230
LOOK AT THAT!
179
00:09:23,233 --> 00:09:26,798
VEGGIE BURGERS ON THE GRILL.
180
00:09:26,833 --> 00:09:29,568
PATRICIA HENRY
AND HER DAUGHTER, NIKKI,
181
00:09:29,603 --> 00:09:32,265
HAD LIVED IN THE CRESCENTVILLE
HOME FOR A DECADE.
182
00:09:32,300 --> 00:09:36,130
PATRICIA'S BOYFRIEND, JAMES, HAD
MOVED IN ABOUT A YEAR BEFORE.
183
00:09:36,133 --> 00:09:39,198
IT WAS, APPARENTLY,
A HAPPY HOUSEHOLD.
184
00:09:39,233 --> 00:09:42,516
MY SISTER, PAT, SHE WAS
A WIDOW AT A YOUNG AGE.
185
00:09:42,551 --> 00:09:45,560
PAT HAD TO RAISE MY NIECE,
NIKKI, HER DAUGHTER.
186
00:09:45,595 --> 00:09:48,570
JAMES, YOU BETTER NOT BE
OVERCOOKING MY BURGER.
187
00:09:48,605 --> 00:09:50,097
YOU BETTER MAKE MINE A DOUBLE.
188
00:09:50,100 --> 00:09:52,730
PHYLLIS, I'LL MAKE YOU
ANYTHING YOUR HEART DESIRES.
189
00:09:52,733 --> 00:09:56,665
A FEW YEARS LATER,
SHE MET JAMES.
190
00:09:56,700 --> 00:10:01,200
THEY MET ON A CRUISE FOR MY
SISTER PAT'S 49TH BIRTHDAY.
191
00:10:01,235 --> 00:10:04,470
PAT AND JAMES HIT IT
OFF REALLY WELL,
192
00:10:04,505 --> 00:10:07,827
AND JAMES GOT ALONG WITH NIKKI.
193
00:10:07,833 --> 00:10:10,298
THEY JUST CLICKED RIGHT AWAY.
194
00:10:10,333 --> 00:10:12,903
THE FIRST TIME
I MET JAMES
195
00:10:12,938 --> 00:10:14,932
WAS AT A FOURTH OF JULY EVENT.
196
00:10:14,967 --> 00:10:18,397
IT WAS AS IF I HAD
KNOWN HIM FOR YEARS
197
00:10:18,400 --> 00:10:22,730
BECAUSE HE JUST FIT
RIGHT IN WITH THE FAMILY.
198
00:10:22,733 --> 00:10:26,273
ALL THREE SEEMED TO
WANT THIS RELATIONSHIP.
199
00:10:26,308 --> 00:10:31,097
THEY WERE A FAMILY.
200
00:10:31,100 --> 00:10:34,530
PATRICIA HENRY'S
WHEREABOUTS ARE NOW A MYSTERY.
201
00:10:34,533 --> 00:10:36,933
DO YOU HAVE ANY IDEA
WHERE YOUR SISTER MAY HAVE GONE?
202
00:10:36,968 --> 00:10:39,673
HER CAR IS THERE. OKAY?
I SAW IT.
203
00:10:39,708 --> 00:10:41,727
SHE WOULDN'T JUST TAKE OFF.
204
00:10:41,733 --> 00:10:44,803
I DIDN'T KNOW AT THAT POINT
IF SHE HAD BEEN TAKEN
205
00:10:44,838 --> 00:10:46,565
AGAINST HER WILL.
206
00:10:46,600 --> 00:10:49,432
I JUST DIDN'T KNOW
WHAT HAD HAPPENED TO HER.
207
00:10:49,467 --> 00:10:51,567
HAVE YOU TRIED CONTACTING HER
OR CALLING HER CELL?
208
00:10:51,602 --> 00:10:54,832
I KEEP CALLING AND CALLING.
I GET NO ANSWER.
209
00:10:54,867 --> 00:10:59,467
WE REALIZE PATRICIA IS NOT
IN THE UPSTAIRS SECOND FLOOR.
210
00:10:59,502 --> 00:11:02,097
PATRICIA'S CAR WAS IN
THE REAR OF THE PROPERTY.
211
00:11:02,100 --> 00:11:03,532
WHERE IS PATRICIA?
212
00:11:03,567 --> 00:11:05,697
WITH NO OTHER CLUES,
DETECTIVES FOCUSED
213
00:11:05,700 --> 00:11:07,730
THEIR ATTENTION
BACK INTO THE HOME.
214
00:11:07,733 --> 00:11:09,832
THEN THEY FIND SOMETHING.
215
00:11:09,867 --> 00:11:13,267
SARGE, YOU ON THE AIR?
216
00:11:13,302 --> 00:11:15,127
YEAH, GO 'HEAD.
217
00:11:15,133 --> 00:11:17,203
YEAH, WE NEED YOU
IN THE BASEMENT.
218
00:11:17,238 --> 00:11:23,130
**
219
00:11:25,067 --> 00:11:29,197
**
220
00:11:31,433 --> 00:11:33,932
HOURS AFTER FINDING
THE BODIES OF
221
00:11:33,967 --> 00:11:37,617
15-YEAR-OLD NIKKI STALLWORTH
AND HER MOTHER'S PARTNER,
222
00:11:37,652 --> 00:11:41,267
JAMES COFER, GUNNED DOWN IN
THEIR PHILADELPHIA ROW HOUSE,
223
00:11:41,302 --> 00:11:44,384
DETECTIVES ARE SEARCHING
FOR PATRICIA HENRY,
224
00:11:44,419 --> 00:11:47,432
NIKKI'S MOTHER,
WHO IS NOWHERE TO BE FOUND.
225
00:11:47,467 --> 00:11:50,597
WE'RE NOT SURE WHETHER
THAT INDIVIDUAL IS A SUSPECT,
226
00:11:50,600 --> 00:11:53,532
OR WHERE IS THAT INDIVIDUAL?
227
00:11:53,567 --> 00:11:55,867
WE NOW HAVE NIKKI
AND JAMES UPSTAIRS.
228
00:11:55,902 --> 00:12:00,727
WE NEED TO FIND PATRICIA.
229
00:12:00,733 --> 00:12:02,903
AS THE CROWD OF MOURNERS GROW,
230
00:12:02,938 --> 00:12:04,365
POLICE INTENSIFY THEIR SEARCH
231
00:12:04,400 --> 00:12:07,930
FOR PATRICIA'S WHEREABOUTS,
AND THEY FIND SOMETHING.
232
00:12:07,933 --> 00:12:10,273
WE START CONDUCTING
MORE EXTENSIVE SEARCH
233
00:12:10,308 --> 00:12:13,237
OF THE HOME, AND THERE WAS ONE
PARTICULAR AREA
234
00:12:13,272 --> 00:12:16,167
IN THE HOME THAT REALLY
WASN'T LOOKED DEEPLY INTO,
235
00:12:16,202 --> 00:12:20,227
AND IT WAS IN THE BASEMENT.
236
00:12:20,233 --> 00:12:24,465
RIGHT HERE, DETECTIVES.
237
00:12:24,500 --> 00:12:26,932
WE HAD TO REMOVE
THE PILES OF CLOTHING,
238
00:12:26,967 --> 00:12:33,767
AND WE DISCOVERED AN AREA RUG
THAT WAS ROLLED UP.
239
00:12:33,802 --> 00:12:36,667
AT THAT POINT, WE DISCOVERED
PATRICIA HENRY.
240
00:12:36,702 --> 00:12:46,132
**
241
00:12:46,167 --> 00:12:50,132
SHOT JUST LIKE JAMES AND NIKKI.
242
00:12:50,167 --> 00:12:54,067
WENT THROUGH A LOT OF TROUBLE TO
HIDE HER, MAKING HER DISAPPEAR.
243
00:12:54,102 --> 00:12:55,432
THEY ROLLED HER UP
IN THE CARPET,
244
00:12:55,467 --> 00:12:59,567
PUT HER BEHIND A CURTAIN
UNDER SOME CLOTHES.
245
00:12:59,602 --> 00:13:03,097
CONSISTENT WITH
THE TWO UPSTAIRS.
246
00:13:03,100 --> 00:13:06,830
YEAH, BUT HE WRAPPED HER UP.
247
00:13:06,833 --> 00:13:09,903
MAYBE HE JUST DIDN'T WANT HER
TO BE FOUND AT ALL.
248
00:13:09,938 --> 00:13:11,802
FOR INVESTIGATORS,
249
00:13:11,837 --> 00:13:13,632
FINDING PATRICIA HENRY'S BODY
250
00:13:13,667 --> 00:13:16,667
COVERED JUST LIKE JAMES
AND NIKKI'S UPSTAIRS
251
00:13:16,702 --> 00:13:18,432
LENDS CREDENCE
TO THE THEORY
252
00:13:18,467 --> 00:13:20,767
THAT THE KILLER COULD BE
SOMEONE THE FAMILY KNEW.
253
00:13:20,802 --> 00:13:22,867
WHEN YOU'RE INVESTIGATING
A CRIME SCENE
254
00:13:22,902 --> 00:13:24,727
AND YOU SEE A BODY COVERED,
255
00:13:24,733 --> 00:13:27,850
SOMETIMES THAT'S AN INDICATION
OF THEY KNEW THEM,
256
00:13:27,885 --> 00:13:30,967
OR THERE'S SOME TYPE OF
RELATIONSHIP WHERE THEY COVER
257
00:13:31,002 --> 00:13:34,032
BECAUSE THEY DON'T WANT
TO SEE WHAT THEY DID.
258
00:13:34,067 --> 00:13:37,197
AND THAT SUGGESTS THAT
THE KILLER SOMEHOW HAD REMORSE
259
00:13:37,200 --> 00:13:39,430
OR WAS UPSET ABOUT
WHAT THEY HAD DONE,
260
00:13:39,433 --> 00:13:42,703
WHICH IS TYPICAL IN CASES WHERE
THE KILLER KNOWS THE VICTIMS.
261
00:13:42,738 --> 00:13:44,332
WANNA GRAB
HAVE AN OFFICER
262
00:13:44,367 --> 00:13:45,927
AND START KNOCKING ON DOORS?
263
00:13:45,933 --> 00:13:49,032
SOMEONE MUST HAVE
SEEN SOMETHING.
264
00:13:49,067 --> 00:13:52,197
AS FAR AS WE COULD SEE,
THERE WAS NO INDICATION
265
00:13:52,200 --> 00:13:55,185
THAT THERE WAS REALLY
A WHOLE LOT OF THINGS TAKEN.
266
00:13:55,220 --> 00:13:58,973
WE DIDN'T KNOW HOW THE PERSON
GOT IN, WHO THEY WERE,
267
00:13:59,008 --> 00:14:02,727
SO WE WEREN'T SURE
WHAT WE WERE DEALING WITH YET.
268
00:14:02,733 --> 00:14:04,633
NOW, WITH A CONFIRMED
THIRD VICTIM
269
00:14:04,668 --> 00:14:06,565
AND STILL NO CLEAR MOTIVE,
270
00:14:06,600 --> 00:14:09,770
SERGEANT KUHLMEIER REJOINS
PATRICIA'S SISTERS
271
00:14:09,805 --> 00:14:11,797
TO GIVE THEM THE NEWS.
272
00:14:11,800 --> 00:14:13,830
SO I'M VERY SORRY TO HAVE
TO TELL YOU THIS.
273
00:14:13,833 --> 00:14:16,833
WE FOUND YOUR SISTER
INSIDE THE HOUSE ALSO DECEASED.
274
00:14:16,868 --> 00:14:19,465
- NO.
- GOD.
275
00:14:19,500 --> 00:14:21,730
IT WAS JUST SHOCKING
TO THE WHOLE NEIGHBORHOOD.
276
00:14:21,733 --> 00:14:25,900
ALL OUR FRIENDS, THEY WOULD,
"THAT'S NOT OUR PAT, IS IT?
277
00:14:25,935 --> 00:14:30,067
THAT'S NOT OUR PATRICIA. TELL ME
THAT'S NOT OUR PATRICIA."
278
00:14:30,102 --> 00:14:31,967
I'M AFRAID I NEED TO ASK YOU
SOME HARD QUESTIONS,
279
00:14:32,002 --> 00:14:33,632
AND I KNOW IT'S NOT
GOING TO BE EASY,
280
00:14:33,667 --> 00:14:36,567
BUT YOUR ANSWERS COULD
HELP US FIND WHO DID THIS.
281
00:14:36,602 --> 00:14:38,232
SURE, BUT GO AHEAD.
GO AHEAD.
282
00:14:38,267 --> 00:14:43,067
WAS PAT, OR NIKKI FOR THAT
MATTER, INVOLVED WITH SOMEONE?
283
00:14:43,102 --> 00:14:46,127
SOMEONE JAMES DIDN'T KNOW ABOUT?
284
00:14:46,133 --> 00:14:48,198
NO.
285
00:14:48,233 --> 00:14:52,803
THE DETECTIVES ASKED ME, DID I
KNOW ANYONE THAT WOULD DO THIS
286
00:14:52,838 --> 00:14:55,330
OR ANY REASON FOR DOING THIS,
287
00:14:55,333 --> 00:14:57,673
AND, I MEAN, I COULD NOT
THINK OF ANYONE
288
00:14:57,708 --> 00:14:59,197
THAT WOULD HARM THEM THAT WAY.
289
00:14:59,200 --> 00:15:02,070
I MEAN, THEY DID NOT
HANG OUT WITH PEOPLE,
290
00:15:02,105 --> 00:15:04,316
YOU KNOW, THAT WERE CRIMINALS.
291
00:15:04,351 --> 00:15:06,527
AS SERGEANT KUHLMEIER
292
00:15:06,533 --> 00:15:08,298
GRILLS THE FAMILY
FOR INFORMATION,
293
00:15:08,333 --> 00:15:11,303
DETECTIVES FAN OUT ACROSS
THE CRESCENTVILLE NEIGHBORHOOD
294
00:15:11,338 --> 00:15:13,130
IN SEARCH OF ANY WITNESSES.
295
00:15:13,133 --> 00:15:16,573
SOMEBODY MIGHT HAVE SEEN HER
WALKING OR ANY OF THEM
296
00:15:16,608 --> 00:15:19,197
WALKING WITH SOMEONE
TO THE HOUSE,
297
00:15:19,200 --> 00:15:21,465
SAW SOMEBODY
KNOCKING ON THE DOOR,
298
00:15:21,500 --> 00:15:25,500
ANYTHING LIKE THAT, THAT WOULD
GIVE YOU A STARTING POINT.
299
00:15:25,535 --> 00:15:27,065
EXCUSE ME?
YES?
300
00:15:27,100 --> 00:15:28,565
I'M WITH
THE PHILADELPHIA POLICE.
301
00:15:28,600 --> 00:15:31,230
YOU GOT A MINUTE FOR A QUESTION
OR TWO ABOUT YOUR NEIGHBORS,
302
00:15:31,233 --> 00:15:33,032
PAT, NIKKI AND JAMES?
303
00:15:33,067 --> 00:15:35,797
YEAH, I HEARD.
I'M STILL IN SHOCK.
304
00:15:35,800 --> 00:15:38,270
DID YOU HEAR OR SEE
ANYTHING UNUSUAL LAST NIGHT?
305
00:15:38,305 --> 00:15:41,332
NO, NOTHING THAT I CAN THINK OF.
306
00:15:41,367 --> 00:15:44,627
NO ONE COMING OR GOING THAT
SEEMED LIKE THEY DIDN'T BELONG?
307
00:15:44,633 --> 00:15:45,632
WELL, NO, NOT THAT DAY,
308
00:15:45,667 --> 00:15:49,267
BUT THERE IS ONE GUY
THAT COMES AROUND.
309
00:15:49,302 --> 00:15:51,097
WHAT ABOUT EXES?
310
00:15:51,100 --> 00:15:56,583
AFTER PAT'S HUSBAND DIED, DID
SHE DATE ANYONE BEFORE JAMES?
311
00:15:56,618 --> 00:16:02,067
WELL, THERE WAS ONE GUY, JOHN,
BUT IT WAS BRIEF, YOU KNOW?
312
00:16:02,102 --> 00:16:03,432
THEY MET AT WORK.
313
00:16:03,467 --> 00:16:07,432
THEY STILL KEEP IN TOUCH,
AS FAR AS I KNOW.
314
00:16:07,467 --> 00:16:11,527
SHE WORKED WITH A LOT
OF MALE COUNSELORS,
315
00:16:11,533 --> 00:16:15,665
AND PAT, BEING
A BEAUTIFUL WOMAN, JOHN,
316
00:16:15,700 --> 00:16:18,530
ONE OF THE COUNSELORS THERE,
SHOWED AN INTEREST IN HER.
317
00:16:18,533 --> 00:16:20,603
YEAH, JOHN.
HE COMES AND GOES.
318
00:16:20,638 --> 00:16:22,502
HE GETS HIS MAIL THERE, I THINK.
319
00:16:22,537 --> 00:16:24,967
I SEE HIM. I WAVE.
HE WAVES.
320
00:16:25,002 --> 00:16:27,397
COMES AND GOES AS IN CURRENTLY?
321
00:16:27,400 --> 00:16:29,132
YEAH.
322
00:16:29,167 --> 00:16:30,927
I GUESS THAT COULD
BE WEIRD?
323
00:16:30,933 --> 00:16:32,651
I MEAN, WITH JAMES AND ALL.
324
00:16:32,686 --> 00:16:34,332
WHAT DO YOU MEAN BY WEIRD?
325
00:16:34,367 --> 00:16:36,227
WELL JAMES IS
THE CURRENT BOYFRIEND,
326
00:16:36,233 --> 00:16:39,233
AND HE'S THE EX-BOYFRIEND
COMING AROUND LIKE THAT.
327
00:16:39,268 --> 00:16:42,465
THAT'S WEIRD.
328
00:16:42,500 --> 00:16:44,700
PAT HAD AN EX-BOYFRIEND,
AND NEIGHBORS
329
00:16:44,735 --> 00:16:46,032
SAID THAT THEY HAD SEEN HIM
330
00:16:46,067 --> 00:16:47,627
OCCASIONALLY COMING
TO THE PROPERTY
331
00:16:47,633 --> 00:16:49,350
AND LETTING HIMSELF
IN WITH A KEY.
332
00:16:49,385 --> 00:16:51,141
THAT WOULD BE CAUSE
FOR CONCERN
333
00:16:51,176 --> 00:16:52,897
BECAUSE THERE WAS
NO FORCED ENTRY.
334
00:16:52,900 --> 00:16:55,070
WHEN WAS THE LAST TIME
YOU SAW THEM AT THE HOUSE?
335
00:16:55,105 --> 00:16:56,497
I DON'T KNOW.
336
00:16:56,500 --> 00:16:59,270
I MEAN, IT WASN'T SOMETHING
I PAID THAT CLOSE ATTENTION TO.
337
00:16:59,305 --> 00:17:02,336
THE EX-BOYFRIEND STILL COMING
AROUND TO THE HOUSE,
338
00:17:02,371 --> 00:17:05,219
AND PATRICIA'S INVOLVED
IN ANOTHER RELATIONSHIP,
339
00:17:05,254 --> 00:17:08,067
IS THERE A JEALOUSY THING
WITH THE EX-BOYFRIEND
340
00:17:08,102 --> 00:17:09,832
AND THE NEW BOYFRIEND?
341
00:17:09,867 --> 00:17:12,167
DO YOU HAPPEN TO KNOW
JOHN'S LAST NAME BY ANY CHANCE?
342
00:17:12,202 --> 00:17:16,327
OF COURSE I KNOW IT.
IT'S BOSTON, JOHN BOSTON.
343
00:17:16,333 --> 00:17:19,380
YOU HAVE TO INVESTIGATE
THAT POSSIBILITY THAT,
344
00:17:19,415 --> 00:17:22,427
WAS THERE A PROBLEM BETWEEN
THOSE TWO OVER MONEY,
345
00:17:22,433 --> 00:17:24,665
OVER RELATIONSHIP,
OVER ANYTHING?
346
00:17:24,700 --> 00:17:29,070
BUT THE FACT THAT HE COULD
LET HIMSELF INTO THAT PROPERTY
347
00:17:29,105 --> 00:17:32,227
IS SUSPICIOUS.
348
00:17:32,233 --> 00:17:34,315
DETECTIVES TRACK DOWN
349
00:17:34,350 --> 00:17:36,397
JOHN BOSTON'S
LAST KNOWN ADDRESS.
350
00:17:36,400 --> 00:17:38,770
SERGEANT BRITT
AND DETECTIVE JIM BURKE
351
00:17:38,805 --> 00:17:41,127
FROM PHILLY PD'S FUGITIVE SQUAD
352
00:17:41,133 --> 00:17:43,873
MEET WITH BOSTON'S LANDLORD
IN FRONT OF HIS HOME.
353
00:17:43,908 --> 00:17:45,297
HOW ARE YOU DOING?
GOOD MORNING.
354
00:17:45,300 --> 00:17:47,070
SO WE WERE JUST GOING TO GO
AHEAD AND KNOCK ON THE DOOR,
355
00:17:47,105 --> 00:17:48,427
SEE WHAT'S WHAT.
356
00:17:48,433 --> 00:17:50,073
IF WE DON'T GET AN ANSWER,
GO AHEAD AND UNLOCK THE DOOR.
357
00:17:50,108 --> 00:17:51,497
YOU GOT IT.
358
00:17:51,500 --> 00:17:54,070
WHY IS HE CONTINUING TO COME
BACK TO PATRICIA HENRY'S HOME
359
00:17:54,105 --> 00:17:59,467
WHEN PATRICIA IS INVOLVED
IN A NEW RELATIONSHIP?
360
00:17:59,502 --> 00:18:02,297
JOHN BOSTON,
PHILADELPHIA POLICE.
361
00:18:02,300 --> 00:18:03,432
COME TO THE DOOR.
362
00:18:03,467 --> 00:18:05,832
EVERY TIME YOU GO OUT, SUSPECT,
363
00:18:05,867 --> 00:18:09,227
LOCATING A WITNESS,
OR AFTER A HOMICIDE FUGITIVE,
364
00:18:09,233 --> 00:18:10,798
YOU ALWAYS GO THE SAME WAY.
365
00:18:10,833 --> 00:18:13,803
ALWAYS BE PREPARED FOR WHAT YOU
DON'T KNOW IS GOING TO HAPPEN.
366
00:18:13,838 --> 00:18:16,700
JOHN BOSTON, COME TO THE DOOR.
367
00:18:16,735 --> 00:18:18,400
SARGE, DO YOU SMELL THAT?
368
00:18:18,435 --> 00:18:19,865
SURE DO.
369
00:18:19,900 --> 00:18:22,132
WE DID KNOCK.
WE WEREN'T GETTING ANSWERS.
370
00:18:22,167 --> 00:18:26,067
WE COULD SMELL A FOUL ODOR
COMING FROM THE RESIDENCE...
371
00:18:26,102 --> 00:18:27,632
IT SMELLS LIKE A DEAD BODY.
372
00:18:27,667 --> 00:18:31,927
SO WE WANTED TO GAIN ACCESS
TO SEE IF HE WAS IN THERE,
373
00:18:31,933 --> 00:18:33,265
DEAD OR ALIVE.
374
00:18:33,300 --> 00:18:36,930
MR. JOHN BOSTON,
COME TO THE DOOR.
375
00:18:36,933 --> 00:18:38,103
ALL RIGHT.
UNLOCK IT.
376
00:18:38,138 --> 00:18:39,400
YOU GOT IT.
377
00:18:39,435 --> 00:18:46,701
**
378
00:18:46,736 --> 00:18:54,016
**
379
00:18:54,051 --> 00:19:01,297
**
380
00:19:01,300 --> 00:19:03,900
LET'S START LOOKING AROUND.
381
00:19:06,367 --> 00:19:11,327
EVEN WHEN IT'S AN EMPTY HOUSE,
YOU'RE APPREHENSIVE.
382
00:19:11,333 --> 00:19:12,532
YOU KNOW, YOUR WEAPON IS DRAWN.
383
00:19:12,567 --> 00:19:15,067
YOU'RE GOING SLOWLY,
AND YOU DON'T WANT ANYBODY
384
00:19:15,102 --> 00:19:16,897
SNEAKING UP BEHIND YOU.
385
00:19:16,900 --> 00:19:24,998
**
386
00:19:25,033 --> 00:19:33,097
**
387
00:19:33,100 --> 00:19:36,800
WE FOUND HIS RESIDENCE
IN DISARRAY
388
00:19:36,835 --> 00:19:39,700
WHICH PIQUED OUR INTEREST.
389
00:19:39,735 --> 00:19:44,981
**
390
00:19:45,016 --> 00:19:50,227
**
391
00:19:50,233 --> 00:19:53,165
HE'S NOT HERE.
392
00:19:53,200 --> 00:19:56,565
WE REALIZED IT WASN'T
WHAT WE THOUGHT,
393
00:19:56,600 --> 00:20:00,070
THAT THE FOUL ODOR
WAS COMING FROM SOMETHING
394
00:20:00,105 --> 00:20:02,827
OTHER THAN A DEAD CORPSE.
395
00:20:02,833 --> 00:20:05,353
DID HE DISAPPEAR?
DID HE TAKE OFF?
396
00:20:05,388 --> 00:20:07,873
IS HE A FLIGHT, YOU KNOW,
A FUGITIVE?
397
00:20:07,908 --> 00:20:09,367
IS HE RUNNING AWAY?
398
00:20:09,402 --> 00:20:10,827
IS HE RESPONSIBLE?
399
00:20:10,833 --> 00:20:13,733
LIKE, WE REALLY NEED
TO FIND WHERE HE IS.
400
00:20:13,768 --> 00:20:20,903
**
401
00:20:23,333 --> 00:20:27,798
**
402
00:20:27,833 --> 00:20:30,101
POLICE INVESTIGATING
A TRIPLE MURDER
403
00:20:30,136 --> 00:20:32,370
IN PHILADELPHIA'S
CRESCENTVILLE NEIGHBORHOOD
404
00:20:32,405 --> 00:20:33,632
ARE LOOKING FOR VICTIM
405
00:20:33,667 --> 00:20:37,627
PATRICIA HENRY'S
EX-BOYFRIEND, JOHN BOSTON.
406
00:20:37,633 --> 00:20:41,133
NEIGHBORS HAD SEEN BOSTON COMING
AND GOING FROM PATRICIA'S HOUSE
407
00:20:41,168 --> 00:20:43,065
EVEN AFTER THEY SPLIT UP.
408
00:20:43,100 --> 00:20:46,032
DETECTIVES CHECK HIS RESIDENCE,
BUT HE'S NOT THERE.
409
00:20:46,067 --> 00:20:48,667
FROM WHAT THEY COULD SEE,
THINGS LOOKED IN DISARRAY.
410
00:20:48,702 --> 00:20:49,897
THINGS DIDN'T LOOK RIGHT.
411
00:20:49,900 --> 00:20:53,230
WE COULD NOT LOCATE HIM,
AND NOW YOU'RE WONDERING,
412
00:20:53,233 --> 00:20:54,998
"DID SOMETHING HAPPEN TO HIM
413
00:20:55,033 --> 00:21:00,098
OR DID HE JUST NOT
WANT TO BE FOUND?"
414
00:21:00,133 --> 00:21:02,500
WHEN DETECTIVES SPEAK
WITH NEIGHBORS,
415
00:21:02,535 --> 00:21:04,867
THEY LEARN THAT BOSTON
IS NO LONGER IN THE HOME
416
00:21:04,902 --> 00:21:06,067
BUT IN THE HOSPITAL.
417
00:21:06,102 --> 00:21:13,014
**
418
00:21:13,049 --> 00:21:19,927
**
419
00:21:19,933 --> 00:21:22,083
MR. BOSTON?
420
00:21:22,118 --> 00:21:24,198
YES, THAT'S ME.
421
00:21:24,233 --> 00:21:26,273
SERGEANT KUHLMEIER,
PHILADELPHIA HOMICIDE.
422
00:21:30,067 --> 00:21:33,797
I KNOW WHY YOU'RE HERE,
PATRICIA AND HER DAUGHTER.
423
00:21:33,800 --> 00:21:35,530
I WENT BY YOUR PLACE.
424
00:21:35,533 --> 00:21:37,832
YOUR NEIGHBOR TOLD US
YOU WERE HERE.
425
00:21:37,867 --> 00:21:40,897
IF YOU DON'T MIND ME ASK,
WHAT ARE YOU HERE FOR?
426
00:21:40,900 --> 00:21:44,470
I HAD A STROKE, GOT TO GET
MY ENERGY BACK
427
00:21:44,505 --> 00:21:46,797
BEFORE I CAN GO BACK HOME.
428
00:21:46,800 --> 00:21:48,830
HE WAS REHABBING FROM
THE STROKE
429
00:21:48,833 --> 00:21:52,633
AND WAS PHYSICALLY
UNABLE TO GET AROUND.
430
00:21:52,668 --> 00:21:54,698
SO YOU HEARD WHAT HAPPENED?
431
00:21:54,733 --> 00:21:58,403
LISTEN, PAT AND NIKKI
ARE GOOD PEOPLE.
432
00:21:58,438 --> 00:22:00,430
I LOVE PATRICIA...
433
00:22:00,433 --> 00:22:04,773
EVEN THOUGH WE WEREN'T EXACTLY
A PERFECT MATCH.
434
00:22:04,808 --> 00:22:06,867
SHE WAS, UM...
435
00:22:06,902 --> 00:22:10,132
OUT OF MY LEAGUE.
436
00:22:10,167 --> 00:22:13,267
JOHN COULD NOT
KEEP UP WITH PAT.
437
00:22:13,302 --> 00:22:16,332
HE WAS OLDER,
AND HE WAS SICKLY.
438
00:22:16,367 --> 00:22:20,197
NO HARD FEELINGS,
HER LEAVING YOU LIKE THAT?
439
00:22:20,200 --> 00:22:24,332
I KNOW YOU HAVE TO ASK BUT NO.
NO.
440
00:22:24,367 --> 00:22:27,327
THERE SEEMED TO BE NO FORCED
ENTRY AT THE REAR DOOR,
441
00:22:27,333 --> 00:22:29,332
AND THAT COMBINED
WITH THE INFORMATION
442
00:22:29,367 --> 00:22:32,327
WE WERE GETTING THAT
PATRICIA HENRY'S EX-BOYFRIEND
443
00:22:32,333 --> 00:22:35,673
WOULD COME TO THE HOUSE
TO PICK UP MAIL LEAVES US
444
00:22:35,708 --> 00:22:38,397
TO BELIEVE THAT
HE POSSESSED A KEY.
445
00:22:38,400 --> 00:22:40,170
YOU STILL HAVE A KEY
TO HER PLACE, RIGHT?
446
00:22:40,205 --> 00:22:41,597
YOU COULD COME
AND GO AS YOU WANT.
447
00:22:41,600 --> 00:22:45,500
HAD A KEY, SO I COULD
PICK UP MY MAIL.
448
00:22:45,535 --> 00:22:48,032
I GAVE IT BACK TO HER.
449
00:22:48,067 --> 00:22:52,427
I DON'T HOLD A GRUDGE,
NEVER HAVE,
450
00:22:52,433 --> 00:22:55,483
AND EVEN IF I DID,
451
00:22:55,518 --> 00:22:58,498
WHAT COULD I DO?
452
00:22:58,533 --> 00:23:02,183
I WAS HERE WHEN IT HAPPENED,
SAW IT ON TELEVISION.
453
00:23:02,218 --> 00:23:05,210
INVESTIGATORS
CONFIRMED THAT BOSTON WAS,
454
00:23:05,245 --> 00:23:08,165
INDEED, IN THE HOSPITAL
WHEN THE KILLER STRUCK.
455
00:23:08,200 --> 00:23:11,830
AND WE DETERMINED THAT HE WAS IN
THE HOSPITAL DURING THE MURDER.
456
00:23:11,833 --> 00:23:15,503
THEREFORE, HE WAS
ELIMINATED AS A SUSPECT.
457
00:23:15,538 --> 00:23:19,230
WELL, THANKS FOR YOUR TIME, SIR.
458
00:23:19,233 --> 00:23:21,073
HERE'S MY CARD.
459
00:23:21,108 --> 00:23:22,232
KEEP IT.
460
00:23:22,267 --> 00:23:25,067
IF YOU THINK OF ANYTHING
THAT MIGHT HELP US, CALL ME.
461
00:23:25,102 --> 00:23:30,397
**
462
00:23:30,400 --> 00:23:32,598
AFTER SPEAKING WITH
JOHN BOSTON
463
00:23:32,633 --> 00:23:34,797
AND LEARNING MORE
ABOUT PATRICIA'S LIFE,
464
00:23:34,800 --> 00:23:37,670
DETECTIVES BEGAN TO QUESTION
WHETHER PATRICIA HENRY
465
00:23:37,705 --> 00:23:39,627
WAS ACTUALLY
THE INTENDED TARGET.
466
00:23:39,633 --> 00:23:41,698
THE EX-BOYFRIEND REVEALED
TO US
467
00:23:41,733 --> 00:23:44,473
THAT ONE OF THE REASONS
THAT PATRICIA AND HE BROKE UP
468
00:23:44,508 --> 00:23:47,417
WAS HE WASN'T PARTICULARLY
CLEAN AND NEAT.
469
00:23:47,452 --> 00:23:50,327
REFLECTING BACK TO
THE CRIME SCENE,
470
00:23:50,333 --> 00:23:54,103
DETECTIVES RECALL THE PIZZA
LEFT OUT IN THE LIVING ROOM.
471
00:23:54,138 --> 00:23:56,032
IF PATRICIA WAS HOME
AT THE TIME,
472
00:23:56,067 --> 00:23:59,432
THOSE ITEMS WOULD HAVE BEEN
CLEANED UP AND PUT AWAY.
473
00:23:59,467 --> 00:24:02,797
BASED ON THE INFORMATION
FROM PATRICIA'S EX-BOYFRIEND,
474
00:24:02,800 --> 00:24:04,532
LET'S FOCUS BACK ON NIKKI.
475
00:24:04,567 --> 00:24:07,067
DID NIKKI INVITE SOMEONE
IN TO THE PROPERTY,
476
00:24:07,102 --> 00:24:09,032
AND IF SO, WHO WOULD THAT BE?
477
00:24:09,067 --> 00:24:11,497
DETECTIVES GO TO THE
PERFORMING ARTS HIGH SCHOOL
478
00:24:11,500 --> 00:24:15,485
THAT NIKKI ATTENDED
TO SPEAK TO HER FRIENDS.
479
00:24:15,520 --> 00:24:19,470
SO, YOU GUYS, DO YOU THINK
YOU KNOW WHO DID IT?
480
00:24:19,505 --> 00:24:21,697
NOT YET, BUT WE WILL.
481
00:24:21,700 --> 00:24:23,032
I PROMISE YOU THAT.
482
00:24:23,067 --> 00:24:24,627
SHE WAS A SOPHOMORE
HONORS STUDENT
483
00:24:24,633 --> 00:24:26,115
AT THE PHILADELPHIA HIGH SCHOOL
484
00:24:26,150 --> 00:24:27,597
FOR CREATIVE
AND PERFORMING ARTS.
485
00:24:27,600 --> 00:24:29,032
SHE WAS JUST A GREAT STUDENT.
486
00:24:29,067 --> 00:24:31,427
NO ONE HAD ANYTHING BAD
TO SAY ABOUT HER.
487
00:24:31,433 --> 00:24:33,332
SHE WAS SO TALENTED.
488
00:24:33,367 --> 00:24:35,897
SHE WON SO MANY AWARDS
THAT SHE WAS BASICALLY
489
00:24:35,900 --> 00:24:37,732
TEACHING THE ART CLASS.
490
00:24:37,767 --> 00:24:40,067
WE FIND OUT THAT SHE'S
A GIFTED STUDENT.
491
00:24:40,102 --> 00:24:42,697
SHE'S GOING TO A GIFTED SCHOOL
492
00:24:42,700 --> 00:24:45,013
AND THAT SHE'S
A STRAIGHT-A STUDENT.
493
00:24:45,048 --> 00:24:47,327
DID NIKKI HAVE TROUBLE
WITH ANYONE?
494
00:24:47,333 --> 00:24:49,665
SHE WAS ONE OF THOSE GIRLS.
495
00:24:49,700 --> 00:24:52,400
SHE GOT ALONG WITH EVERYONE,
YOU KNOW?
496
00:24:52,435 --> 00:24:53,830
SHE WAS INDEPENDENT.
497
00:24:53,833 --> 00:24:55,773
SHE HAD A SINGLE MOM
WHO WORKED ALL THE TIME
498
00:24:55,808 --> 00:24:57,897
AND COULD TAKE CARE OF HERSELF.
499
00:24:57,900 --> 00:24:59,548
EVERY SCHOOL HAS ITS BAD KIDS.
500
00:24:59,583 --> 00:25:01,197
DID SHE EVER HANG WITH THEM?
501
00:25:01,200 --> 00:25:03,832
THIS IS NOT THAT KIND OF SCHOOL.
502
00:25:03,867 --> 00:25:06,297
EVERYONE HERE WORKED HARD
TO GET HERE,
503
00:25:06,300 --> 00:25:11,670
BUT WHAT HAPPENS AFTER
SHE LEFT HERE,
504
00:25:11,705 --> 00:25:13,697
I DON'T KNOW.
505
00:25:13,700 --> 00:25:15,900
NIKKI, YOU KNOW,
DIDN'T HAVE A BOYFRIEND.
506
00:25:15,935 --> 00:25:17,270
IT DIDN'T APPEAR THAT
SHE HAD A BOYFRIEND
507
00:25:17,305 --> 00:25:19,967
THAT WAS IN THE CRIMINAL WORLD.
508
00:25:20,002 --> 00:25:23,332
**
509
00:25:23,367 --> 00:25:26,327
DETECTIVES DIG DEEPER
INTO NIKKI'S LIFE
510
00:25:26,333 --> 00:25:29,098
AND FIND NO DARK SECRETS.
511
00:25:29,133 --> 00:25:32,073
THERE WAS NO ISSUES
AND NO PROBLEMS IN NIKKI'S LIFE.
512
00:25:32,108 --> 00:25:36,332
WE WERE KIND OF PERPLEXED
AS TO WHERE ELSE TO GO.
513
00:25:36,367 --> 00:25:39,432
AND AS THEY CHECK INTO
PATRICIA'S BOYFRIEND,
514
00:25:39,467 --> 00:25:42,497
JAMES COFER'S BACKGROUND,
THEY FIND SIMILAR RESULTS.
515
00:25:42,500 --> 00:25:45,130
WE DO A COMPUTER CHECK TO SEE,
516
00:25:45,133 --> 00:25:48,051
WAS JAMES EVER ARRESTED?
IS HE GAMBLING?
517
00:25:48,086 --> 00:25:50,970
IS HE TAKING DRUGS
THAT ANYONE'S AWARE OF,
518
00:25:51,005 --> 00:25:52,327
AND DOES HE HAVE A DRUG DEBT?
519
00:25:52,333 --> 00:25:53,565
ONCE AGAIN, NEGATIVE.
520
00:25:53,600 --> 00:25:56,530
JAMES, WE DETERMINED,
WAS A GOOD PERSON.
521
00:25:56,533 --> 00:25:58,903
STRAIGHT-A STUDENT,
HARDWORKING MOTHER
522
00:25:58,938 --> 00:26:03,065
AND HER
STRAIGHT-ARROW BOYFRIEND,
523
00:26:03,100 --> 00:26:05,998
I GUESS YOU COULD CALL
THEM ATYPICAL VICTIMS.
524
00:26:06,033 --> 00:26:08,897
WE COULD FIND NOTHING IN
EITHER ONE'S PAST
525
00:26:08,900 --> 00:26:11,765
THAT WOULD INDICATE THAT THEY
WOULD HAVE ANY KIND OF
526
00:26:11,800 --> 00:26:15,100
RELATIONSHIP WITH ANYBODY WHO
WOULD BE CAPABLE OF THESE ACTS.
527
00:26:15,135 --> 00:26:19,530
**
528
00:26:19,533 --> 00:26:22,015
THEY NEVER SAW THIS COMING.
529
00:26:22,050 --> 00:26:24,497
YEAH, MAYBE THAT'S THE POINT.
530
00:26:24,500 --> 00:26:29,070
IT WAS AT THIS POINT,
WE'RE GIVING SERIOUS THOUGHT.
531
00:26:29,105 --> 00:26:31,967
WHAT IF THIS WAS A STRANGER
THAT CAME INTO
532
00:26:32,002 --> 00:26:34,197
THE BINGHAM STREET HOUSE
533
00:26:34,200 --> 00:26:37,630
AND WAS RESPONSIBLE FOR
MURDERING THREE FAMILY MEMBERS?
534
00:26:37,633 --> 00:26:41,132
IT'S AN UNSETTLING
BUT REAL POSSIBILITY.
535
00:26:41,167 --> 00:26:44,327
INVESTIGATORS MUST NOW CONSIDER
IF THE MURDERS OF PATRICIA,
536
00:26:44,333 --> 00:26:46,603
JAMES AND NIKKI
ARE TIED TO A STRING
537
00:26:46,638 --> 00:26:48,873
OF OTHER HOMICIDES
IN PHILADELPHIA.
538
00:26:48,908 --> 00:26:50,127
THERE WERE SEVERAL MURDERS
539
00:26:50,133 --> 00:26:51,565
IN WHICH THERE ARE
MULTIPLE VICTIMS.
540
00:26:51,600 --> 00:26:53,965
THESE WERE FAMILIES THAT WERE
KILLED IN THEIR HOMES,
541
00:26:54,000 --> 00:26:56,330
AND THE PUBLIC WAS CONCERNED
THAT THEY WERE LINKED.
542
00:26:56,333 --> 00:26:58,665
YOU BETTER BELIEVE
WE'RE STARTING TO WORRY
543
00:26:58,700 --> 00:27:02,570
BECAUSE NOW WE DON'T KNOW
IF WE HAVE A SERIAL KILLER.
544
00:27:02,605 --> 00:27:05,032
WE DON'T KNOW WHAT'S GOING ON.
545
00:27:05,067 --> 00:27:07,067
WE DO KNOW THAT WE HAVE
TO STOP THIS,
546
00:27:07,102 --> 00:27:09,127
AND WE HAVE TO STOP IT QUICK.
547
00:27:15,200 --> 00:27:21,032
**
548
00:27:21,067 --> 00:27:23,827
PHILADELPHIA POLICE
ARE TRYING TO CATCH THE KILLER
549
00:27:23,833 --> 00:27:27,303
WHO GUNNED DOWN PATRICIA HENRY,
HER DAUGHTER, NIKKI,
550
00:27:27,338 --> 00:27:31,565
AND PATRICIA'S BOYFRIEND,
JAMES COFER.
551
00:27:31,600 --> 00:27:33,630
NOW, POLICE ARE QUESTIONING
WHETHER THEIR DEATHS
552
00:27:33,633 --> 00:27:35,473
ARE A PART OF A SERIES
OF MURDERS
553
00:27:35,508 --> 00:27:37,327
OF UPSTANDING FAMILIES
554
00:27:37,333 --> 00:27:39,133
THROUGHOUT PHILADELPHIA.
555
00:27:39,168 --> 00:27:41,365
ROBERT.
BILL.
556
00:27:41,400 --> 00:27:44,165
THERE WERE MURDERS
THAT HAD MULTIPLE VICTIMS
557
00:27:44,200 --> 00:27:46,630
THAT WERE SOMEWHAT SIMILAR
TO THE CRESCENTVILLE KILLINGS.
558
00:27:46,633 --> 00:27:49,553
THEY WERE INNOCENT VICTIMS
THAT WERE KILLED IN THEIR HOME.
559
00:27:49,588 --> 00:27:52,473
TWO COUPLES, ALMOST THE SAME
PROFILE AS PAT, NIKKI AND JAMES,
560
00:27:52,508 --> 00:27:54,032
ALL SHOT AT HOME.
561
00:27:54,067 --> 00:27:56,067
BOTH MURDERS HAPPENED
WITHIN 10 MILES
562
00:27:56,102 --> 00:27:57,827
OF PATRICIA HENRY'S RESIDENCE,
563
00:27:57,833 --> 00:27:59,332
ROUGHLY 4 MONTHS EARLIER.
564
00:27:59,367 --> 00:28:01,727
WE WENT OVER THE CASE
FILES FOR ALL THREE,
565
00:28:01,733 --> 00:28:03,265
AND, YOU KNOW,
SOME OF IT FITS,
566
00:28:03,300 --> 00:28:05,130
AND SOME OF IT'S JUST
TOO EARLY TO SAY.
567
00:28:05,133 --> 00:28:07,873
WE LOOKED FOR A THING CALLED
COMMON THEME AND DESIGN.
568
00:28:07,908 --> 00:28:09,402
HOW WAS ENTRANCE GAINED?
569
00:28:09,437 --> 00:28:10,897
WHERE WERE THE PEOPLE FOUND?
570
00:28:10,900 --> 00:28:12,530
HOW WERE THE PEOPLE FOUND?
571
00:28:12,533 --> 00:28:14,365
DO THEY WORK TOGETHER?
572
00:28:14,400 --> 00:28:16,233
WAS THERE SOME SORT OF
COMMON THREAD
573
00:28:16,268 --> 00:28:18,032
THAT WOULD TIE
THE TWO OF THEM IN?
574
00:28:18,067 --> 00:28:20,427
IN THE OTHER HOMICIDES
THERE WAS NO FORCED ENTRY.
575
00:28:20,433 --> 00:28:22,032
JUST LIKE AT PAT'S HOUSE.
576
00:28:22,067 --> 00:28:24,567
BEFORE YOU ASK,
THERE WERE NO EYE WITNESSES.
577
00:28:24,602 --> 00:28:27,067
HE GETS IN AND OUT,
AND NOBODY SEES HIM.
578
00:28:27,102 --> 00:28:28,227
IT SEEMS SO.
579
00:28:28,233 --> 00:28:29,703
THE PUBLIC WONDERED
IF THEY WERE LINKED,
580
00:28:29,738 --> 00:28:32,530
AND THERE WERE
SOME CONCERNS AND FEARS,
581
00:28:32,533 --> 00:28:34,032
YOU KNOW, AMONG
THE PEOPLE OF PHILADELPHIA
582
00:28:34,067 --> 00:28:36,932
THAT, YOU KNOW, DO WE HAVE
A SERIAL KILLER AT WORK?
583
00:28:36,967 --> 00:28:39,797
AS INVESTIGATORS
CONSIDER WHETHER THESE CASES
584
00:28:39,800 --> 00:28:42,070
COULD HAVE BEEN COMMITTED
BY THE SAME KILLER,
585
00:28:42,105 --> 00:28:43,197
THEY CATCH A BREAK.
586
00:28:43,200 --> 00:28:46,870
GENTLEMEN, I HAVE WHAT
YOU'VE BEEN WAITING FOR.
587
00:28:46,905 --> 00:28:48,227
RIGHT THERE IS THE FINGERPRINTS.
588
00:28:48,233 --> 00:28:49,465
THANKS.
589
00:28:49,500 --> 00:28:52,000
THAT'S A POSITIVE ID
ON A GOOD SUSPECT.
590
00:28:52,035 --> 00:28:54,502
THERE WAS A FINGERPRINT
LIFTED FROM
591
00:28:54,537 --> 00:28:56,932
A SODA CAN THAT WAS ON
THE COFFEE TABLE
592
00:28:56,967 --> 00:29:00,697
IN THE LIVING ROOM
AT THE SCENE OF THIS CRIME.
593
00:29:00,700 --> 00:29:05,070
CAME BACK TO A YOUNG FELLOW
BY THE NAME OF SEAN BROWN.
594
00:29:05,105 --> 00:29:07,727
THIS GUY LOOKS LIKE TROUBLE.
595
00:29:07,733 --> 00:29:10,798
LIKE I SAID...
596
00:29:10,833 --> 00:29:14,215
THE LAB WORK ALSO
POINTS TO A MOTIVE.
597
00:29:14,250 --> 00:29:17,597
THE KILLER SEXUALLY ASSAULTED
15-YEAR-OLD NIKKI.
598
00:29:17,600 --> 00:29:21,065
THE GUY WHO DID THIS
IS GOING DOWN.
599
00:29:21,100 --> 00:29:23,230
THEIR NEW SUSPECT,
SEAN BROWN,
600
00:29:23,233 --> 00:29:24,933
IS SOMEONE PHILADELPHIA POLICE
601
00:29:24,968 --> 00:29:28,332
KNOW ALL TOO WELL.
602
00:29:28,367 --> 00:29:32,327
SEAN IS COMMITTING
SOME BURGLARIES IN THE AREA,
603
00:29:32,333 --> 00:29:33,798
AND HE WAS CAUGHT.
604
00:29:33,833 --> 00:29:36,673
AND HE WAS ALLEGEDLY
ON HOUSE ARREST
605
00:29:36,708 --> 00:29:38,627
SERVING TIME
FOR THE SAID BURGLARY.
606
00:29:38,633 --> 00:29:42,203
POLICY IMMEDIATELY
WANT TO BRING IN SEAN BROWN
607
00:29:42,238 --> 00:29:44,830
FOR QUESTIONING,
BUT THERE'S A PROBLEM.
608
00:29:44,833 --> 00:29:47,398
SEAN BROWN WAS PUT
ON PROBATION,
609
00:29:47,433 --> 00:29:51,403
AND HE WAS ALLOWED TO REMAIN
HOME WITH AN ANKLE MONITOR.
610
00:29:51,438 --> 00:29:54,100
HE VIOLATED IT
BY CUTTING THE BRACELET OFF
611
00:29:54,135 --> 00:29:57,365
AND TAKING OFF.
612
00:29:57,400 --> 00:29:59,265
SEAN BROWN IS ON THE RUN.
613
00:29:59,300 --> 00:30:01,170
DETECTIVES TURN TO ONE
OF THE FEW PEOPLE
614
00:30:01,205 --> 00:30:02,897
WHO MAY KNOW WHERE HE IS,
615
00:30:02,900 --> 00:30:04,170
HIS FATHER.
616
00:30:04,205 --> 00:30:10,332
**
617
00:30:10,367 --> 00:30:13,727
PHILADELPHIA POLICE.
618
00:30:13,733 --> 00:30:15,753
PHILADELPHIA POLICE.
619
00:30:15,788 --> 00:30:18,292
YOU'RE HERE FOR SEAN.
620
00:30:18,327 --> 00:30:20,797
YOU SEAN'S FATHER?
621
00:30:20,800 --> 00:30:23,430
YEAH, I AM.
622
00:30:23,433 --> 00:30:25,518
WHEN I WENT TO SEE
SEAN BROWN'S FATHER
623
00:30:25,553 --> 00:30:27,565
AT HIS RESIDENCE,
HE WAS VERY COOPERATIVE.
624
00:30:27,600 --> 00:30:30,770
HE WANTED TO HELP.
HE WANTED US TO LOCATE HIS SON.
625
00:30:30,805 --> 00:30:33,497
WE NEED TO CLEAR SOMETHING UP.
626
00:30:33,500 --> 00:30:34,732
WHAT IS IT THIS TIME?
627
00:30:34,767 --> 00:30:35,997
RIGHT NOW, WE JUST WANT
TO TALK TO HIM.
628
00:30:36,000 --> 00:30:39,270
IT MUST BE BAD IF YOU CAN'T
TELL ME WHAT IT IS.
629
00:30:39,305 --> 00:30:41,766
IT AIN'T TOO GOOD.
THAT'S ALL I CAN SAY.
630
00:30:41,801 --> 00:30:44,227
HE HAD TOLD US THAT
HE RECENTLY HAD TO KICK
631
00:30:44,233 --> 00:30:45,698
HIS SON OUT OF THE HOUSE.
632
00:30:45,733 --> 00:30:49,673
IT JUST CAME TO A POINT THAT HE
WAS GOING THE WRONG DIRECTION,
633
00:30:49,708 --> 00:30:53,027
AND HE JUST WASN'T GOING
TO TOLERATE THE BEHAVIOR.
634
00:30:53,033 --> 00:30:55,532
I TRIED WITH HIM.
I DID.
635
00:30:55,567 --> 00:30:57,997
I GOT HIM THE HELP
WHEN HE NEEDED IT.
636
00:30:58,000 --> 00:31:01,100
I LOOK AT HIM IN THE EYE NOW,
AND I SEE SOMEONE
637
00:31:01,135 --> 00:31:02,632
I DON'T RECOGNIZE.
638
00:31:02,667 --> 00:31:04,067
DO YOU KNOW WHERE WE MIGHT
BE ABLE TO FIND
639
00:31:04,102 --> 00:31:05,827
SEAN, MR. BROWN?
640
00:31:05,833 --> 00:31:10,833
YEAH, HE GOT A FRIEND
OVER BY HIS MOM'S HOUSE.
641
00:31:10,868 --> 00:31:12,732
I BET HE'S THERE.
642
00:31:12,767 --> 00:31:13,897
ALL RIGHT.
THANK YOU.
643
00:31:13,900 --> 00:31:16,332
LET'S GO.
644
00:31:16,367 --> 00:31:18,927
AND THIS FRIEND IS
AS BAD AS SEAN IS.
645
00:31:21,233 --> 00:31:23,073
I'D BE CAREFUL.
646
00:31:23,108 --> 00:31:30,727
**
647
00:31:30,733 --> 00:31:33,233
DETECTIVE BURKE
AND THE FUGITIVE SQUAD
648
00:31:33,268 --> 00:31:35,335
DESCEND UPON
SEAN BROWN'S FRIEND'S HOME
649
00:31:35,370 --> 00:31:37,403
WHERE THEY BELIEVE
SEAN IS HIDING OUT.
650
00:31:37,438 --> 00:31:40,430
**
651
00:31:40,433 --> 00:31:44,173
PHILADELPHIA POLICE,
COME TO THE DOOR.
652
00:31:44,208 --> 00:31:46,597
PHILADELPHIA POLICE!
653
00:31:46,600 --> 00:31:48,830
PHILADELPHIA
POLICE, COME TO THE DOOR!
654
00:31:48,833 --> 00:31:50,432
WHAT DO YOU WANT?
655
00:31:50,467 --> 00:31:51,497
I HAVE A SEARCH WARRANT,
656
00:31:51,500 --> 00:31:54,632
SO I WANT YOU TO COME
TO THE DOOR NOW.
657
00:31:54,667 --> 00:31:58,227
IF YOU DON'T COME TO THE DOOR,
I'M TAKING IT DOWN.
658
00:31:58,233 --> 00:32:01,198
GET READY.
659
00:32:01,233 --> 00:32:02,833
THIS IS A WARRANT
TO SEARCH THE PREMISES.
660
00:32:02,868 --> 00:32:04,665
WE'RE LOOKING FOR SEAN BROWN.
661
00:32:04,700 --> 00:32:06,383
I DON'T KNOW WHO
YOU'RE TALKING ABOUT.
662
00:32:06,418 --> 00:32:08,067
JUST SIT DOWN,
AND STAY OUT OF THE WAY.
663
00:32:08,102 --> 00:32:11,764
PHILADELPHIA POLICE!
664
00:32:11,799 --> 00:32:15,427
PHILADELPHIA POLICE.
665
00:32:15,433 --> 00:32:17,333
PHILADELPHIA POLICE.
666
00:32:17,368 --> 00:32:22,265
**
667
00:32:22,300 --> 00:32:25,583
WHEN WE WENT OUT ON THIS,
WE HAD A FINGERPRINT.
668
00:32:25,618 --> 00:32:28,867
WE HAD NO KNOWLEDGE OF WHETHER
HE WAS AN INVITED GUEST
669
00:32:28,902 --> 00:32:34,032
OR IF HE WAS OUR KILLER.
670
00:32:34,067 --> 00:32:38,627
IT WASN'T UNTIL WE GOT
TO THAT HOUSE
671
00:32:38,633 --> 00:32:43,133
THAT WE JUMPED
INTO FUGITIVE MODE.
672
00:32:43,168 --> 00:32:44,333
BASEMENT.
673
00:32:44,368 --> 00:32:49,565
**
674
00:32:49,600 --> 00:32:52,230
WE WANTED TO LOCATE HIM
AS QUICK AS WE COULD.
675
00:32:52,233 --> 00:32:59,253
**
676
00:32:59,288 --> 00:33:06,232
**
677
00:33:06,267 --> 00:33:09,032
WE SEARCHED THE WHOLE HOUSE,
678
00:33:09,067 --> 00:33:12,067
AND THE LAST PLACE
TO SEARCH WAS THE GARAGE.
679
00:33:12,102 --> 00:33:13,327
GET THE DOOR.
680
00:33:13,333 --> 00:33:14,532
EVERY TIME YOU GO OUT,
681
00:33:14,567 --> 00:33:16,227
YOU DON'T KNOW WHAT
YOU'RE GOING TO ENCOUNTER,
682
00:33:16,233 --> 00:33:17,973
AND YOU ALWAYS GET NERVOUS.
683
00:33:18,008 --> 00:33:24,367
**
684
00:33:27,700 --> 00:33:33,765
**
685
00:33:33,800 --> 00:33:35,900
PHILADELPHIA POLICE
INVESTIGATORS THINK
686
00:33:35,935 --> 00:33:38,732
THEY'VE FINALLY TRACKED DOWN
SEAN BROWN,
687
00:33:38,767 --> 00:33:42,697
NOW THEIR STRONGEST SUSPECT
IN THE MURDER OF PATRICIA HENRY,
688
00:33:42,700 --> 00:33:46,630
HER BOYFRIEND, JAMES COFER,
AND HER DAUGHTER, NIKKI.
689
00:33:46,633 --> 00:33:51,032
**
690
00:33:51,067 --> 00:33:53,267
SEAN BROWN, IF YOU'RE
IN HERE, COME OUT.
691
00:33:53,302 --> 00:33:58,727
**
692
00:33:58,733 --> 00:34:01,133
SEAN BROWN, IF YOU'RE
IN HERE, COME OUT.
693
00:34:01,168 --> 00:34:02,773
PUT YOUR HANDS ON YOUR HEAD.
694
00:34:02,808 --> 00:34:10,897
**
695
00:34:10,900 --> 00:34:12,365
DON'T MOVE, SEAN.
DON'T MOVE!
696
00:34:12,400 --> 00:34:13,730
ALL RIGHT. ALL RIGHT.
ALL RIGHT. ALL RIGHT.
697
00:34:13,733 --> 00:34:14,932
YOU GOT ME.
YOU GOT ME.
698
00:34:14,967 --> 00:34:17,467
HE WAS SURPRISED,
AND HE LOOKED UP AT US,
699
00:34:17,502 --> 00:34:19,832
AND HE WAS OBVIOUSLY
HIDING FROM US.
700
00:34:19,867 --> 00:34:23,297
SEAN BROWN, YOU HAVE THE RIGHT
TO REMAIN SILENT.
701
00:34:23,332 --> 00:34:26,727
ANYTHING YOU SAY CAN
AND WILL BE USED AGAINST YOU
702
00:34:26,733 --> 00:34:28,973
IN THE COURT OF LAW.
703
00:34:29,008 --> 00:34:30,932
LET'S GO.
704
00:34:30,967 --> 00:34:35,227
HE WAS TAKEN IN CUSTODY
ON HIS PROBATION VIOLATIONS,
705
00:34:35,233 --> 00:34:37,098
HIS OUTSTANDING WARRANTS,
706
00:34:37,133 --> 00:34:40,773
AND HE WAS TRANSPORTED
TO THE HOMICIDE UNIT
707
00:34:40,808 --> 00:34:44,097
FOR FURTHER QUESTIONING.
708
00:34:44,100 --> 00:34:46,065
BUT YOU GOT TO REMEMBER
AT THAT POINT,
709
00:34:46,100 --> 00:34:50,735
WE DIDN'T KNOW WHETHER
SEAN BROWN WAS AN INVITED GUEST.
710
00:34:50,770 --> 00:34:55,370
WE DIDN'T KNOW WHAT HIS
CONNECTION WAS TO THE HOUSE
711
00:34:55,405 --> 00:34:58,551
OR THE MURDER VICTIMS.
712
00:34:58,586 --> 00:35:01,697
YOU ALL RIGHT, SEAN?
713
00:35:01,700 --> 00:35:03,200
NEED SOMETHING TO EAT, DRINK?
714
00:35:03,235 --> 00:35:06,132
NO, I'M GOOD.
715
00:35:06,167 --> 00:35:07,767
SO I GOT SOME
HOUSEKEEPING-TYPE STUFF
716
00:35:07,802 --> 00:35:09,827
I GOT TO GET OUT OF THE WAY.
717
00:35:09,833 --> 00:35:11,032
GO AHEAD.
718
00:35:11,067 --> 00:35:13,567
WHEN I FIRST PUT SEAN
INTO AN INTERVIEW ROOM,
719
00:35:13,602 --> 00:35:14,797
I ASKED HIM COULD I SIT WITH HIM
720
00:35:14,800 --> 00:35:17,870
AND GET SOME BACKGROUND
INFORMATION ON HIM.
721
00:35:17,905 --> 00:35:20,267
SO YOU'RE, WHAT, 19?
722
00:35:20,302 --> 00:35:21,332
YEAH.
723
00:35:21,367 --> 00:35:23,267
YOU'RE ON HOUSE ARREST
OVER ON YORK STREET?
724
00:35:23,302 --> 00:35:25,927
YEAH.
A LOT OF TIMES WHEN YOU DO THAT,
725
00:35:25,933 --> 00:35:27,465
YOU BUILD A RAPPORT
WITH SOMEONE.
726
00:35:27,500 --> 00:35:31,300
JUST ASKING SIMPLE QUESTIONS
ABOUT THEIR LIFE
727
00:35:31,335 --> 00:35:32,730
AND THEIR RELATIVES
AND WHERE THEY LIVE
728
00:35:32,733 --> 00:35:35,703
AND WHERE THEY WENT TO SCHOOL,
AND YOU BUILD A RAPPORT.
729
00:35:35,738 --> 00:35:37,402
YOU WORKING, SEAN?
730
00:35:37,437 --> 00:35:39,032
NO, NOT FOR A MINUTE.
731
00:35:39,067 --> 00:35:42,527
AND YOUR DAD, HOW IS YOUR
RELATIONSHIP WITH HIM?
732
00:35:42,533 --> 00:35:46,073
IN THE 20-SO MINUTES IT TOOK
TO GET THROUGH THAT REPORT,
733
00:35:46,108 --> 00:35:49,297
SEAN, AT SOME POINT, SAID,
734
00:35:49,300 --> 00:35:53,330
"I KNOW THIS ISN'T ABOUT ME
CUTTING OFF MY ANKLE BRACELET."
735
00:35:53,333 --> 00:35:55,373
AND I SAID, "YOU'RE RIGHT.
IT'S NOT."
736
00:35:55,408 --> 00:35:56,632
WHAT'S ALL THIS FOR?
737
00:35:56,667 --> 00:35:58,032
YOU ALL KNOW I GOT
A SHEET, RIGHT?
738
00:35:58,067 --> 00:36:00,497
ALL THAT'S ON THERE SOMEWHERE,
SO WHAT'S ALL THIS FOR?
739
00:36:00,500 --> 00:36:02,065
I BET YOU ALREADY KNOW.
740
00:36:02,100 --> 00:36:04,632
IN FACT, I KNOW
YOU ALREADY KNOW.
741
00:36:04,667 --> 00:36:11,927
IT'S ABOUT THOSE THREE PEOPLE
YOU KILLED IN CRESCENTVILLE.
742
00:36:11,933 --> 00:36:14,832
WHAT YOU MEAN?
743
00:36:14,867 --> 00:36:18,067
WHAT I MEAN IS, SEAN,
IS YOUR FINGERPRINTS WERE FOUND
744
00:36:18,102 --> 00:36:20,497
ON A SODA CAN IN THE HOUSE
745
00:36:20,500 --> 00:36:23,770
WHERE THE THREE PEOPLE
YOU MURDERED LIVED, NIKKI,
746
00:36:23,805 --> 00:36:26,927
PATRICIA AND JAMES.
747
00:36:26,933 --> 00:36:32,598
YOU KNOW, THE THREE PEOPLE
YOU SHOT AND KILLED?
748
00:36:32,633 --> 00:36:38,533
SO IF YOU GOT MY FINGERPRINTS,
THEN YOU ALREADY KNOW THAT,
749
00:36:38,568 --> 00:36:42,703
BUT YEAH.
I DID ALL THREE OF THEM.
750
00:36:42,738 --> 00:36:44,465
HE HAD A COCKINESS ABOUT HIM.
751
00:36:44,500 --> 00:36:47,070
IT SEEMED TO ME LIKE HE WAS
ALMOST PROUD
752
00:36:47,105 --> 00:36:48,567
OF WHAT HE DID HERE.
753
00:36:48,602 --> 00:36:50,497
ALL RIGHT.
754
00:36:50,500 --> 00:36:52,670
SO YOU WANT TO TELL US
HOW IT HAPPENED?
755
00:36:52,705 --> 00:36:54,327
WHY NOT?
756
00:36:57,867 --> 00:37:00,727
I CAUGHT HER COMING HOME.
757
00:37:00,733 --> 00:37:04,803
SHE DIDN'T EVEN SEE ME,
BUT I SAW HER.
758
00:37:04,838 --> 00:37:07,484
MAN, THAT GIRL WAS FINE.
759
00:37:07,519 --> 00:37:10,130
I WANTED TO GET WITH HER.
760
00:37:10,133 --> 00:37:11,698
HEY!
DON'T SCREAM.
761
00:37:11,733 --> 00:37:13,603
I AIN'T GOING TO HURT YOU.
OKAY, PLEASE DON'T HURT ME.
762
00:37:13,638 --> 00:37:15,117
GET INSIDE.
763
00:37:15,152 --> 00:37:16,597
SHUT UP.
764
00:37:16,600 --> 00:37:18,065
SHUT UP.
SHUT UP.
765
00:37:18,100 --> 00:37:20,665
HE JUST WALKED UP ON THE GIRL
766
00:37:20,700 --> 00:37:24,500
WHO WAS BASICALLY GETTING OFF
A BUS GOING INTO HER HOUSE
767
00:37:24,535 --> 00:37:26,230
SHE HAD JUST PURCHASED A PIZZA.
768
00:37:26,233 --> 00:37:27,973
IF YOU SCREAM, I'LL KILL YOU.
769
00:37:28,008 --> 00:37:29,297
WHO ELSE IS IN HERE?
770
00:37:29,300 --> 00:37:30,670
NO ONE, I SWEAR.
771
00:37:30,705 --> 00:37:31,797
WHO?
772
00:37:31,800 --> 00:37:33,165
NO ONE, I SWEAR.
773
00:37:33,200 --> 00:37:36,730
SHE THOUGHT SEAN BROWN
WANTED SOME MONEY
774
00:37:36,733 --> 00:37:38,673
AND MAYBE SOME ITEMS
IN THE HOUSE.
775
00:37:38,708 --> 00:37:39,697
WHO'S IN HERE?
776
00:37:39,700 --> 00:37:41,513
I'LL GIVE YOU ALL THE MONEY
I GOT.
777
00:37:41,548 --> 00:37:43,327
I DON'T WANT YOUR MONEY.
I WANT YOU.
778
00:37:43,333 --> 00:37:48,801
**
779
00:37:48,836 --> 00:37:54,232
**
780
00:37:54,267 --> 00:37:57,067
SEAN, DID YOU RAPE NIKKI?
781
00:37:57,102 --> 00:37:58,497
YOU DON'T KNOW?
782
00:37:58,500 --> 00:38:01,070
I ONLY KNOW WHAT YOU TELL ME.
783
00:38:01,105 --> 00:38:02,527
MAN, WE DID IT.
784
00:38:02,533 --> 00:38:04,973
THAT'S WHY I WAS THERE
IN THE FIRST PLACE.
785
00:38:05,008 --> 00:38:06,397
I HAD TO.
786
00:38:06,400 --> 00:38:10,430
THAT GIRL WAS FINE.
787
00:38:10,433 --> 00:38:13,030
AND HE PRETTY MUCH REENACTED
788
00:38:13,065 --> 00:38:15,627
CERTAIN ASPECTS
OF THE CRIME SCENE,
789
00:38:15,633 --> 00:38:20,073
WHICH WERE PRETTY GRAPHIC
AND WITH NO REMORSE.
790
00:38:20,108 --> 00:38:21,602
WIPE THAT SMIRK OFF YOUR FACE.
791
00:38:21,637 --> 00:38:23,097
YOU THINK YOU'RE A BIG MAN?
792
00:38:23,100 --> 00:38:27,032
YOU THINK
WE'RE PLAYING HERE, SEAN?
793
00:38:27,067 --> 00:38:29,527
AFTER THAT, YOU TOOK HER
TO THE BEDROOM?
794
00:38:31,133 --> 00:38:33,503
SEE, I WAS GOING TO GO
TO HER ROOM FOR A LITTLE BIT,
795
00:38:33,538 --> 00:38:34,830
LIE DOWN WITH HER.
796
00:38:39,400 --> 00:38:40,583
WHERE'S YOUR ROOM AT?
797
00:38:40,618 --> 00:38:41,767
IT'S THERE.
WALK.
798
00:38:41,802 --> 00:38:44,197
PLEASE, NO!
799
00:38:44,200 --> 00:38:47,130
THAT'S WHEN HE DISCOVERED
JAMES COFER,
800
00:38:47,133 --> 00:38:49,115
AND HE BECAME UPSET AT NIKKI.
801
00:38:49,150 --> 00:38:51,097
WHO THE HELL IS THAT
IN THERE?
802
00:38:51,100 --> 00:38:53,600
YOU TOLD ME NOBODY WAS HOME.
803
00:38:53,635 --> 00:38:55,865
NO!
804
00:38:55,900 --> 00:38:59,770
HE WENT OVER AND FIRED
HIS HANDGUN AT JAMES COFER
805
00:38:59,805 --> 00:39:01,827
WHILE HE WAS SLEEPING.
806
00:39:01,833 --> 00:39:03,703
AND THAT SO UPSET NIKKI,
807
00:39:03,738 --> 00:39:05,402
OF COURSE,
THAT SHE SCREAMED,
808
00:39:05,437 --> 00:39:07,067
AND SO HE TURNED
THE GUN ON NIKKI
809
00:39:07,102 --> 00:39:08,597
AND SHOT HER IN THE HEAD.
810
00:39:09,800 --> 00:39:13,665
**
811
00:39:13,700 --> 00:39:16,500
AFTER THAT, EAT SOME PIZZA,
812
00:39:16,535 --> 00:39:18,630
HAD A SODA, TOO...
813
00:39:21,100 --> 00:39:25,570
AND I WENT AND WATCHED
SOME FOOTBALL ON TV.
814
00:39:25,605 --> 00:39:27,236
MAN, OR AS I USED
TO LIKE TO SAY,
815
00:39:27,271 --> 00:39:28,832
"HERE WE ARE IN THE LAND
OF MURDER,
816
00:39:28,867 --> 00:39:32,067
MAYHEM AND MAN'S BASIC
INHUMANITY TO MAN."
817
00:39:32,102 --> 00:39:35,732
NO!
818
00:39:35,767 --> 00:39:38,727
THIS LITTLE ****.
819
00:39:38,733 --> 00:39:40,132
AFTER HE KILLS THESE PEOPLE,
820
00:39:40,167 --> 00:39:43,597
HE DECIDES HE WANTS TO WATCH
MONDAY NIGHT FOOTBALL,
821
00:39:43,600 --> 00:39:46,930
SO HE DOES WHAT ANY RED-BLOODED
AMERICAN TEENAGER WILL DO,
822
00:39:46,933 --> 00:39:48,973
PROCEEDS TO WATCH
THE DALLAS GAME.
823
00:39:52,067 --> 00:39:54,532
HE WAS THEN WATCHING SOME TV.
824
00:39:54,567 --> 00:40:01,267
AT SOME POINT IN THE EVENING,
PATRICIA HENRY CAME HOME.
825
00:40:01,302 --> 00:40:04,032
**
826
00:40:04,067 --> 00:40:07,997
THEN I HEARD A NOISE
COMING FROM THE BASEMENT.
827
00:40:08,000 --> 00:40:12,870
PATRICIA HENRY WAS COMING
IN THROUGH THE BASEMENT DOOR.
828
00:40:12,905 --> 00:40:18,597
IT WAS THE MOM COMING HOME,
AND I DID HER, TOO.
829
00:40:18,600 --> 00:40:23,032
HAD TO, I CAN'T LEAVE A WITNESS.
830
00:40:23,067 --> 00:40:32,927
AND HE CONFRONTED HER
AND SHOT AND KILLED HER.
831
00:40:32,933 --> 00:40:35,032
HE THEN ROLLED
PAT HENRY UP IN A RUG,
832
00:40:35,067 --> 00:40:38,627
ATTEMPTING TO HIDE HER BODY
BEHIND A PILE OF CLOTHES.
833
00:40:38,633 --> 00:40:40,732
SEAN HARDLY LOOKED 19.
834
00:40:40,767 --> 00:40:42,832
HE LOOKED LIKE ANY YOUNG KID
835
00:40:42,867 --> 00:40:44,097
THAT YOU WOULD SEE
ON THE STREET,
836
00:40:44,100 --> 00:40:46,232
COMING AND GOING FROM SCHOOL,
837
00:40:46,267 --> 00:40:48,897
BUT YOU PUT A GUN
IN THAT KID'S HAND,
838
00:40:48,900 --> 00:40:52,865
AND THEY'RE CAPABLE
OF KILLING SOMEONE.
839
00:40:52,900 --> 00:40:56,700
THIS WAS A STRANGER THAT
WALKED UP ON A 15-YEAR-OLD
840
00:40:56,735 --> 00:41:01,330
AND FOUND HIS WAY
INTO THE HOUSE WITH A GUN
841
00:41:01,333 --> 00:41:04,565
AND COMMITTED
ALL THESE HOMICIDES.
842
00:41:04,600 --> 00:41:09,170
SO I GOT TO ASK SEAN,
WHY DID YOU DO IT?
843
00:41:09,205 --> 00:41:13,032
MAN, PEOPLE DIE EVERY DAY.
844
00:41:13,067 --> 00:41:15,532
HE WAS A THIEF AND A PUNK,
845
00:41:15,567 --> 00:41:18,632
AND HE WANTED TO GRADUATE
TO BEING A MURDERER,
846
00:41:18,667 --> 00:41:23,267
AND ON THAT DAY, HE DID, AND HE
KILLED THREE INNOCENT PEOPLE.
847
00:41:23,302 --> 00:41:27,867
HOW COULD SOMEONE JUST
RANDOMLY COME OFF OF THE STREET
848
00:41:27,902 --> 00:41:29,484
AND DO SUCH AN ACT?
849
00:41:29,519 --> 00:41:31,032
TO DO WHAT HE DID,
850
00:41:31,067 --> 00:41:33,827
ESPECIALLY AFTER THE ACTS
HE COMMITTED IN THAT HOUSE,
851
00:41:33,833 --> 00:41:35,398
AND THEN TO SIT DOWN
AND EAT A PIZZA
852
00:41:35,433 --> 00:41:40,673
AND WATCH MONDAY NIGHT FOOTBALL
WAS PURE EVIL.
853
00:41:40,708 --> 00:41:43,032
NINETEEN-YEAR-OLD
SEAN BROWN
854
00:41:43,067 --> 00:41:46,467
IS CHARGED WITH THE KILLING OF
PAT, NIKKI AND JAMES.
855
00:41:46,502 --> 00:41:48,727
PHILADELPHIA POLICE NEVER
CONNECTED BROWN
856
00:41:48,733 --> 00:41:50,332
WITH ANY OTHER MURDERS.
857
00:41:50,367 --> 00:41:52,397
THE FIRST TIME I EVER SAW
SEAN ERIC BROWN
858
00:41:52,400 --> 00:41:55,432
WAS AT THE SENTENCING,
859
00:41:55,467 --> 00:42:00,767
AND I WAS JUST STUNNED
TO SEE THIS YOUNG BOY
860
00:42:00,802 --> 00:42:03,227
THAT HAD COMMITTED
SUCH A DEVIOUS ACT.
861
00:42:03,233 --> 00:42:06,665
THE JUDGE SENTENCES BROWN
862
00:42:06,700 --> 00:42:10,097
TO THREE CONSECUTIVE LIFE TERMS.
863
00:42:10,100 --> 00:42:14,300
IT WASN'T GOING TO BRING
MY FAMILY MEMBERS BACK,
864
00:42:14,335 --> 00:42:15,632
BUT IT DID HELP IN KNOWING
865
00:42:15,667 --> 00:42:18,527
THAT THE PERSON
THAT ACTUALLY PULLED THE TRIGGER
866
00:42:18,533 --> 00:42:22,632
AND THAT DID ALL OF THIS
WAS BEHIND THE BARS,
867
00:42:22,667 --> 00:42:27,327
AND THERE WAS NO QUESTIONING AS
TO WHETHER OR NOT HE WAS GUILTY.
868
00:42:27,333 --> 00:42:29,398
HE WAS THE ONE
THAT HAD DID THIS,
869
00:42:29,433 --> 00:42:31,373
AND HE WAS THE ONE NOW
PAYING THE PRICE FOR IT.
63862
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