All language subtitles for Colombiana.2011.720p.BluRay.x264.[YTS.MX]-English

♪ FRANZ SCHUBERT'S
"AVE MARlA" PLAYlNG ♪

l can't believe this.

Why not?

Because l love you,
Fabio, like a son.

l love you, Don Luis,
like a father.

l'm going to miss you.

And l'm going to miss you.

Okay. Enough of this
sentimental bullshit.

One last drink?
Next we'll be crying

like two old women. Come on!

To the future.

[lN SPANlSH]
Good health and life!

So business is all clear?

[lN SPANlSH]
Totally.

lt's all here.

No other copies?
You have to ask?

Hey, hey, hey.

Oh, come on, eh?

LUIS: l'm going to miss you.

FABlO: Adiós, Marco.

Kill this motherfucker.

[IN SPANlSH]
I cannot believe this.

[YELLS]

Not okay, boss?

The bastard thinks l'm an idiot,
playing it mellow and shit.

lf he screamed and threatened
to kill my whole family,

it would've been better!

We have an hour
to get out of here at the most.

[IN SPANlSH] Go!
[ENGlNE STARTS]

[IN SPANlSH]
Be careful...

[IN SPANlSH]
...all be vigilant!

We've got 10 minutes.

Cataleya, go pack.
l'm packed, Mama.

Cataleya.

[lN SPANlSH]
Listen to me darling.

ln case anything happens,

this... This is your passport.

You find yourself alone,

you go to the address
on this card,

you show it to the man
at the gate.

l don't understand, Papa.

Cata, you don't
have to understand.

You just have to listen
and remember.

Now...

[IN SPANlSH] If something happens to you,
go here, to your uncle.

And this,
this will keep you safe.

The Cattleya orchid.

My mother, your grandmother,
used to grow them.

Every morning,
l'd wake up to the sight of them,

the smell of them.

That's why
l named you Cataleya.

Never forget
where you came from.

[lN SPANlSH] God bless you.

[lN SPANlSH] Hello!

We want to see Don Fabio.

He is not home.

[lN SPANlSH] Shit!

ALlClA: l'm ready.

[lN SPANlSH] Come on, let's go!

[TlRES SCREECHING]

Back! Back! Back!

He said he's not home yet.

MAN [OVER RADlO]:
Wait a minute.

lt's too late. Get ready.

Go. Go.

l love you very much.

l love you too, Papa.

MAN: Do it now. Okay.

Change of plans.

[PEOPLE SCREAMlNG]

Cata.

Alicia!

[lN SPANlSH] Let's go.

[GUN COCKS]

[GUNSHOTS]

Fabio...

you should know
that you don't leave Don Luis.

Only die.

Hey, what are you doing?
Don Luis said kill everyone.

He also said no names.
She won't remember.

She's a kid. So what?

What do you mean, "So what?" Hm?

What do you mean?

Do you remember me, Cataleya?

l was at your confirmation.

My name is Marco, and l was a
very good friend of your father.

You know who Don Luis is, right?

He was like a father
to your father.

That makes you family too.

But when someone

is good to you

and you're not good to them back,
then bad things happen.

You do very well in school.

So l know this is not too
complicated for you. Am l right?

Excellent. Now, your father

had something
that belonged to Don Luis.

lt's a small thing,
not bigger than this.

Do you know where it is?

Well, if you give it to me,

Don Luis will be very happy
and very grateful.

So why don't you just
give me that little thing

which belongs to him?

Would you do that?

You're a smart girl,

and in this life, smart girls

always get what they want. Hm?

So just tell me.

Just tell me, sweetheart.

What do you want?

Aah! To kill Don Luis.

[GROANlNG]

MARCO: Get that little bitch!

[GUNSHOTS]

We need her alive!

Find her! Find the little bitch!

[lN SPANlSH] - Let's go!
- Come on.

[lN SPANlSH] Where so fast?

Eh?

[PEOPLE SCREAMlNG]

Alive.

Got you.

MAN 3: Quick!

MAN 4: Get her! Go! Quick!

Shit!

Excuse me.

And you say you have
something for us, sweetie?

Well, may I see it?

Jesus.

Um...

Everybody,
take a five-minute coffee break.

Jim, we're going to
have to record this.

[BEEPS]

Where did you get this, sweetie?
My papa.

And where is your papa?

Dead.

Do you know what this is?

Yes.

My passport.

We're about to arrive in Miami.

Let me buckle you up.

Welcome to America.

Go ahead. l'll wait right here.

Cataleya?

Hello, young lady. Where are
we wanting to go today?

Chicago. lt's not just
down the street, you know.

How much?

Hey, kid.

What are you doing here?

Emilio.

[MAN SOBBlNG]

Emilio.

There's a girl looking for you.

[IN SPANlSH] I don't want a girl now.

Her name is Cataleya.

Cataleya.

[lN SPANlSH] Uncle?

[CATALEYA SOBBlNG]

l thought you were dead.

You're safe.

lt's okay. You're safe now.

You're safe.

[SIREN WAILlNG lN DlSTANCE]

[TRAlN RUMBLlNG]

MAN [ON TV]: ... still locked in a
bitter battle over the budget.

[lN SPANlSH] -Here!
- Thanks mam.

[IN SPANlSH] Hi, dear.

You have

your mother's beautiful eyes.

Don't be afraid.

This is your home.

How long has it been
since you sleep?

l don't know. A long time ago.

Well, good.
A young body needs to sleep.

When l was your age,
l would sleep half the day.

l don't know if it helped
with the growing,

but l was always ready
for what came after.

Whose room did l sleep in?

My son.

Your cousin.

Where is he?

He's dead.

Killed?

Yes.

By who?

No one who is still alive.

You are very talented.

ls this what you want to be,
an artist?

l used to want to be like Xena.

Warrior princess.

Not anymore?

Now?

l want to be a killer.

Can you help?

Sure.

[SCHOOL BELL RlNGS]

Normally, we don't accept students
in the middle of the academic year.

But under these circumstances,

losing her parents
in this tragic car accident...

Here you are.
These are the school supplies

you will need. EMlLlO: Sorry.

She's a little traumatized.

Of course.
We'll see you Monday, Cataleya.

Such a pretty name.

[EMlLlO CLEARS THROAT]

[lN SPANlSH] Thank you.

After we get this stuff, we'll go
to Maxwell Street to get a hot dog

from the Polish people.
You like hot dogs?

Hey.

What is it now?

That school has nothing
to teach me.

l told you what I want.

You don't want
to help me? Fine.

l'll do it myself.

Look.

MAN: Stop! Run!

[PEOPLE SCREAMlNG]

Like that?
That's what you want?

You want me to teach you
how to be a killer?

No problem. I teach you.

But you'll be dead in five years.

[CHATTERlNG]

lf you want to be a killer and survive,
you got to be a smart one.

Have to know things
besides how to pull a trigger.

You have to know how people think.

You got to learn how
to be psychological.

l cannot teach you that unless
you learn the basics at a school.

You got that? Hm?

Come on, what's it going to be?
Cataleya, you choose.

Come on.

Now. Choose. Come on.

What you want? Choose.

[SIRENS WAlLlNG lN DlSTANCE]

Better.

[SIGHS]

[COUNTRY MUSlC
PLAYlNG ON CAR RADlO]

Hey, buddy.

l got the good stuff.
So then l suggest,

you know, let's buy some
things, spice it up a bit.

A garter belt, some of those
stockings that come up to the thigh.

Right, nice.
lt's been 14 years.

You know?
No matter how much l like steak,

sometimes a lamb chop
isn't a bad thing, right?

Exactly.

[TlRES SCREECHING]

Oh, my God.

Son of a bitch!

[PHOEBE KlLLDEER & THE SHORT STRAWS'
"THE FADE OUT LlNE" PLAYlNG]

COP: Fuck, man.

What the...?

Put your hands on the car!

Hands on the vehicle
right now. Right now.

Oh, bad...

[LAUGHlNG]

COP: You stupid crazy bitch.
l'm really sorry. This is not...

lt's not even my car.
COP: This is funny?

No, sir!

[LAUGHlNG]

l'll give you something
to laugh about.

l'm sor... Officer, l'm sorry.
l don't drink.

[ALAN HACKSHAW'S
"BEAT ME 'TlL l'M BLUE" PLAYlNG]

What the...?

Oh, hey. There's nothing here.

No license, no registration,
no ID.

Except for a library card.

Miss Valerie Phillips.

ln addition to all that,
you are being charged with DUI,

driving the wrong side
of the road,

and destruction
of police property.

Miss Phillips!

Do l have your full attention?

Yeah.

That's it?

Unless there's anything
else you can think of.

l have to throw up.

Oh, no, no, no.
Get her out of here!

[RETCHES]

And a cup of coffee.
We'll book her tomorrow.

Let her sleep it off,
for chrissakes.

["BEAT ME 'TlL I'M BLUE"
PLAYlNG]

All right, big step.
Down you come.

All right, stretch those legs.
Come on, move.

Regis, check downstairs.

She's from Roma.
And she says to the other...

Excuse me. U.S. Marshal Warren.

l'm here with Gennaro Rizzo
on an overnight.

Wait, hold a second.
You know, it says here

you're not expected until tomorrow.
Never expect the expected, sergeant.

ls that coffee there? ls that fresh?
Yes, it is.

Do you mind? Patrick.

WARREN: Appreciate it.
Officer Doyle

is gonna show you
the cell blocks.

Oh, come on.

WARREN: Home, sweet home.

After you, sir.

[CHUCKLES]

l'm gonna miss you, Rizzo.

l'll leave that there.

Just in case you get hungry
in the night.

Sleep well.

Be a caffeine kind of night, Joe.
Keep your eyes open.

[DOOR BUZZES]

[SNORlNG]

[DOOR OPENS THEN CLOSES]

MAN [ON RADlO]:
- -the count two balls and no strikes.

He does have
24 home runs and...

[DOOR BUZZES]

[BEEPS]

Two.

One.

Oh, f...

Not again.

Hey, Doyle, go check the
ventilation system, will you?

As in today, please.
Jesus Christ.

Oh, shit.

[lNTERCOM BUZZES]

COP: Yeah? Yeah, l gotta pee.

[DOOR BUZZES]

[TOlLET FLUSHES]

[GRUNTS]

[lNTERCOM BUZZES]

[DOOR BUZZES]

Unbutton your shirt. What?

Now.

Who are you?

Not room service.

[GUNSHOTS]

MARSHAL: Go! Come on!

High-level security threat.

[ALARM RlNGlNG]

COP 1: Come on!
COP 2: Move! Move!

Come on, move! Get inside!
Somebody open the door!

[GROANS]

Look at me. Look at me.
Give me the gun.

Just give it to me, okay?
lt's okay. That's good.

MAN 1: Move it! Hold him down!
l didn't do it!

You really gotta listen to me.

MAN 2: You got him?
MAN 3: Watch him!

WARREN: Get him out.
GUARD: l didn't do it!

Get him out! Call it in.
l didn't do it!

Call it in!

WARREN: Come on!

Step aside! MAN 4: Go, go!

[ALARM WAlLlNG]

COP 1:
Come on, spread out, men.

[GRUNTlNG]

COP 2: There!

MAN [OVER RADlO]:
Check out the north side.

lt's clear here.

[SNORlNG]

Okay, okay, let's go.

[SIGHS]

WARREN: Agent Ross.

Where is he?

He's in the morgue. Let's go.

This is just how he came in.

lt's the same handwriting.

Same drawing, right?

lt's him.

l want to see the location,
please.

Thank you.

CATALEYA: Oh, I shouldn't drink.
ATTWOOD: No, you shouldn't.

Oh, God, l'm so sorry.
Yeah, you can tell that to the judge

in 10 days' time at your hearing.
Oh, my God.

[PEOPLE SHOUTING
AND CAR HORNS HONKlNG]

What's going on down there?
Nothing. Sign this form.

And then you can go.

Really? But l'm sure the judge

will send you back here.
l probably deserve it.

Yeah, well, you're just lucky
no one got hurt.

REPORTER 1: Marshal. Marshal!

ROSS: Okay, okay, back up.

REPORTER 2:
Was it an assassination?

You didn't lock it down.

lt was after the fact.

l didn't think anybody...
You have to do it.

Nobody in, nobody out, please.
Okay.

You heard the man, lock it down.
Nobody in, nobody out.

REPORTER 3:
When will there be a statement?

Will the commissioner hold
a press conference again?

Yes or no?

REPORTER 4:
People need to know!

l want to see paper on everybody
in and out of this station

in the last 24 hours.

And l want the tapes
from all the security cameras.

All of them.

[FOOTSTEP]

[PHONE RlNGS]

[lN SPANlSH] -Is everything ok?
- Yes.

We're good. When you are back?

The day after tomorrow. Good.

l have something for you.

Give me a day. Okay.

We can't wait to see you back.

Give Mama a kiss for me.
l will.

[BUS HORN HONKING]

MAN: Thank you.

Twenty-two murders in the last
four years, all with the same MO.

l'm right.
He is sending a message,

but l believe
it's not meant for us.

We're the ones
with the information.

We're not getting anywhere with it.
Put it out to the press.

lt's time. The word.
This lipstick drawing.

l want it splashed over
every newspaper, magazine.

Front page, national.
lf the message isn't meant for us,

let's make sure it gets
to who it's intended for.

[M. GAUCl'S "UN BEL
Dl VEDREMO" PLAYlNG]

MARCO: Mr. Richard. Hm. Marco.

lt's been a long time.
lt has. How is the hand?

lt only hurts when it's humid.

Let us relocate you to Arizona
instead of New Orleans.

Yeah, right.
But the boss likes it humid.

He's waiting for you. Okay.

RlCHARD: What do you think? Hm?

Coincidence. Twenty-two times?

Flower that only grows
in one place on earth.

Uh, didn't that used to be
the calling card of...?

Shoot. l forgot his name.

What was his name?
Your partner?

You know, the one who
used to do your wet work.

Fabio. Fabio.

Fabio Maria Restrepo.

May l?

The ClA is not
an amusement park.

When the agency extracted you
from Colombia 15 years ago,

and set you up here, we allowed you
to resume your little business.

What we should've done
was lock you away for life.

Now, in exchange, you should've
kept the information flowing.

And l have. Not much.

l had nothing to do with this.
Then find out who did.

She's talking to us.

Could be anyone.

ldiot.

l told you, everyone dead,
down to the dog.

You screwed up the first time.

Now, go fix it.

♪ PHOEBE KlLLDEER & THE SHORT STRAWS'
"THE FADE OUT LlNE" PLAYlNG OVER SPEAKERS ♪

♪ Deeper down ♪

♪ We're all goin' down ♪

♪ Down, deeper down, yeah ♪

♪ We are all plunging
Straight towards our own decline ♪

♪ Without noticing
We slide down, deeper down ♪

♪ Down ♪

♪ Down, deeper down, yeah ♪

Each and every one of the victims
was a professional bad apple.

As for motive,
l've narrowed it down to

payback, but not much else.
My best guess:

Alexa Milshinova.

She made a career
out of getting intimate

with high-stakes gamblers
out of Vegas.

She would rip them off and then
send them to meet their maker.

Here, DiAngelo James.

He tried to take over
the heroin trade from Houston

from the Gemini cartel.

lf you do not know all there is
to know about these twins,

you should not be in this room.

You see, he tilts
the camera just enough

so he won't be seen going into
the cell. The time, 1:55 a.m.

That means our perp
was in that station that...

l don't have to spell it out
for you, do l?

Excuse me.

Hand these out, please.

These are names, addresses
and phone numbers

of everyone with a pulse who was
in that station before 1:55 a.m.

Everyone. Which means
one of them was our target.

Locate the 10 people in the folder
you've just been handed.

l want a detailed dossier on each

for the last 10 years of their lives.

l want you to run down every lead.
You will check every story.

Our killer, ladies and gentlemen,
is in those folders.

And l mean to catch him
before he kills again.

CATALEYA: Don't move.

Hello, Jennifer.

Hello, Danny.

♪ JOHN MARTYN'S "GLORY BOX" PLAYlNG ♪

♪ Get so tired ♪

You haven't finished
your painting.

DANNY: You never finish a painting.
You just stop working on it.

l know something you finish.

Oh, yeah? Yeah.

♪ A thousand flowers ♪

Tell me something.

Will we ever go on a normal date?
What's a normal date?

You know, go out, have dinner,
drink wine, get drunk.

Mmm. Dessert?

♪ Give me a reason
To love you ♪

♪ Give me a reason
To want to be your man ♪

♪ Give me a reason to love you ♪

[DOORKNOB SQUEAKS
THEN DOOR CLOSES]

♪ ROGER AND THE GYPSlES' "PASS THE HATCHET" ♪

♪ "PASS THE HATCHET" ♪

♪ Watch out, watch out ♪

♪ Timber ♪

Safe?

From my end. You?

Safe.

How's Mama?

She is missing you.

Tell her l miss her back.

l think she would love
to hear that from you.

l know.

What do we have?

Remember the guy on the news
running a Ponzi scheme

about a year ago? Mm-hm.

Made $50 million
and vanished into thin air.

Clever guy. Now he's
living in the Caribbean.

Oh. Mm.

So left a lot of people very upset.

So we give him a break.
Permanently.

Okay.

There's something else.

How long has this
been going on?

Not long. Newspaper says 22.

Why? You know why.

Think this will
smoke Don Luis out?

You think he's that stupid? lt's not
just about you, okay, Cataleya?

There's me, Mama, the family.

[lN SPANlSH] - The family?
- Yes.

Tio, please. You're clean.

You book the work,
you collect the money.

Oh. How nice. And l watch your back.
That's what l do.

Each and every job,
l vet, l double-vet.

lf l give you a job,
l turn down five, 10,

because l made a promise
to keep you safe.

l keep you safe, Cataleya.
That is a full-time job,

no matter what
you think. But this?

lt's not professional.

l don't care about what's professional.
l'm doing this my way.

That is your way? Yeah.

A Tag Killer?

[lN SPANlSH] You are naive.

[SIGHS]

[lN SPANlSH] Gracious God.

l should never have
let you do this.

Never.
You didn't let me do anything.

l chose this, remember?
l chose this.

From the moment
l walked in your door,

l had already made my decision.
By yourself?

Yes.

Not you or anybody
is going to change that.

We love you, Cataleya.

Then watch my back
until it's done.

Cattleya.

Excuse me?

lt's an orchid. What? This is?

Sure it is. lt grows in Colombia.
How do you know that?

My wife, she's Colombian.

Colombia. Uh...

Cattleya? That's right.

Okay. Let's try "organization."

Well, shit.

Hi, boys. Did you miss me?

[BARKlNG]

Yeah? Well, l missed you too.

Hi. Come.

[KISSlNG]

You guys been good? Hm?

All right, stay.

Sirloin.

Juicy. Delicious.

Want one? Good.

Eat.

[CLANKlNG]

l know that song.

[lN SPANlSH] Hi Pepe.

l guess the boys
gave me away, huh?

You spoil them. l train them.

♪ lf you're on the court alone ♪
♪ Hoop dreams ♪

♪ Try to give it all you got ♪
♪ Hoop dreams ♪

♪ Yo, it's 10:00 in the park
Gettin' dark ♪

♪ But you still gotta hit this last shot ♪
♪ Hoop dreams ♪

♪ Yo, I got this hoop dream
Written all on my mind ♪

♪ l'm 'bout to push rocks
Orange with the black lines ♪

♪ Y'all know the deal
l got dreams of dunks ♪

Fishy, fishy.

Willie!

Why are they ignoring me?

[LAUGHlNG]

What? WOODGARD: Baby,

you put one drop of blood
in there,

they'll be your biggest admirers.
Really?

WOODGARD: Oh, yeah, baby.

All the way down to your clean,
stripped bones.

Cool.

[WOMEN LAUGHING AND WHOOPlNG]

Alejandro, you bring in
extra security for tonight.

Yes, sir. You make sure

that we are shut down, tight.

Yes, sir. Take care.

[LAUGHlNG AND SHRIEKlNG]

Girls! Come to papa, huh?

[WOODGARD WHOOPS THEN LAUGHS]

There are guys in the garden
and guys out back.

l want you three upstairs.
MAN: Yes, sir.

ALEJANDRO: Two on the roof.

Hurry!

[GASPS]

What's this?

Willie, come back to bed.

Shh.

What the fuck is it?

Turn around.

[CHUCKLES]

Who are you?
lt doesn't matter who l am.

[GUNS CLlCKlNG]

[YELLS]

[CHUCKLES]

Okay, what do you want?

l want you exactly where you are.

[SCREAMlNG]

Whatever they're paying,
l'll double it.

Please, please don't kill me.
l'm not gonna kill you.

Eh...? Wha...?

Oh.

Oh, no, no. Please.

[SCREAMS]

Oh, no!

[GRUNTlNG]

[SCREAMS]

[PHONE RlNGlNG]

Yeah? ROSS: Mr. Steven Richard?

Who is this?

This is FBl Special Agent Ross.

Look, I'm lead agent on a case.
lt's a serial

we call the Tag Killer.
You might have heard of him.

l've seen the publicity.

He marks his victims with a flower.
lt's from Colombia.

The Cattleya orchid.
Each time l try to access information,

l get stuck with a ClA
"access denied" tag.

l'm at the end of a long road,
Mr. Richard. l've been led to believe

that you are the man...
Listen, Agent Ross.

l can't give any information
out over the phone.

l suggest you file a formal request
with the agency

for any information you might want.
l'll be happy

to get back to you
as soon as l can.

[BUSY SIGNAL]

Thank you.

[CELL PHONE RlNGS]

MARCO: Hello.
Stop bullshitting me, Marco!

l got the FBl on my ass now.

l want that problem taken care of.

Do you hear me? Loud and clear.

Good.

WOMAN [OVER PA]: Keep your
baggage with you at all times.

Where to?

Downtown. And we question
every Colombian we meet

until we find an address
to get her family, okay?

DANNY: Jen, in case you show
up, I wanted to let you know

that I went to New York to meet
with galleries. I'll be back tomorrow,

but if you're already here,
make yourself at home.

ROSS: What do we got?

WlLLlAMS: We do have the surveillance
tapes from a few angles.

[SCOFFS]

That's it? That's it.

lt's not a lot to go on.
Come on.

Run it through the database,
see what happens.

We're not looking for a woman.
lt's not possible.

[DOOR OPENS]

Wow.

Wine? Thank you.

Come. l'm impressed.

l got you something.

You did? Yeah.

[CHUCKLES]

A stuffed alligator? Yeah.

Exactly what
l've always wanted.

Hey, wait. Wait, wait.

Let's just, uh...

Let's just sit, have this food
and talk for a bit first.

[LAUGHS]

What do you want to talk about?

l don't know. Anything.

Ask me something.

How was your trip?

lt was great. The gallery
liked my paintings.

They're gonna put up a show.
That's good.

Right? Yeah.

My turn.

How was your trip?

Hot.
Did you do anything exciting?

l went swimming. Anything else?

Come on, talk to me.

What do you want to know?
Anything.

Something about you.

Something.

Where are you from?

Are your parents
from here in the city?

Okay. Let's start with something
a little more simple.

What do you like
to eat for breakfast?

l don't eat breakfast.

l'm not gonna hurt you.

l want to know
a little bit about you.

About what you feel, what you
feel about me. Anything.

Just a little.

l feel lonely sometimes.

Thank you.

Me too.

Let me this time.

[CAMERA SHUTTER CLlCKS]

DANNY: Morning.

You say you don't eat breakfast,
so l thought l'd make lunch.

Oh, my God. Oh, shit.
Wait. Where you going?

l shouldn't have done this.
Done what?

Any of it!
l don't understand. Why?

What are you talking about? Why?
Because.

Can you just hold on?
Can we just talk about this?

No, no, Danny.
We've talked too much.

Jennifer, just stay for a minute.
l'm sorry, l have to go.

Jennifer!

[DOOR SLAMS]

[SIGHS]

l'm sorry l'm late.

[lN SPANlSH] It's your turn.

EMlLlO: Eight people
slaughtered in Miami.

One of them is my friend.

So what?

You know exactly what.

He's getting too close.

Please, again with that?

They're looking for you,
so don't play with me.

You're bringing them to you.

l know how your twisted
little mind works.

Think this is a game?
l'm a fucking joke to you?

Hm?

You scare me, Cataleya.

l don't want to deal
with your shit anymore.

l don't want to give you work
or anything anymore.

You are retired.

You can't do that. Lunatic!

How many people did you
kill when your boy died?

[lN SPANlSH] How many?

What you know about my son?

You know fucking nothing
about my son.

[lN SPANlSH] Tell me!

But it changed nothing.

When l lose my son,
l lose my life.

Everything that's important
to me is gone.

But l want to believe
in you, Cataleya.

Why? I still pray that you
find a life away from this,

because no one in our entire family
has a chance for one.

[SIGHS]

Listen. Never come to the house,
never come to the church.

Don't bother.

l don't want to wait for
your phone call no more.

l don't want you to break
my mother's heart.

Maybe this

will help you to understand
what l try to tell you.

[lN SPANlSH] God damn...

[SOBBlNG]

[THUNDER RUMBLlNG]

Five-six, brown eyes...
Well, hazel, actually.

Dark hair, thick. Shiny.

lncredible body, killer smile.

l think about her all day long.
Dude, you're in love.

[SCOFFS]

You're so smart.
Seriously, and I mean this

from the bottom of my heart,
you're nuts.

l haven't had anyone
in my life for 10 years.

l finally meet someone
that l really like.

That l want to be with
all the time.

l've got nothing.
A stuffed animal and a picture.

You got a picture? Give it up.

lt's not even a whole picture.

l took it of her
while she was sleeping.

Oh, my God! Jesus, relax.

When do l meet
the future Mrs. Delanay?

You? Never.

Oh, shit. Ha, ha.

DANNY: Excuse me. Excuse me.
Why are you writing a ticket?

[PHONE RlNGS]

Third Precinct.
RYAN: Hey, Shari.

You got that picture?

SHARl: Hello, skinny face
lying on my computer.

Ooh. She's beautiful.
Clearly out of your league.

lt's not for me, it's for Danny.
Remember the painter?

Oh, yeah, yeah, yeah.
Much better match.

How long's this gonna take?

Slow your roll. You're my
brother-in-law, not my boss.

l'm not supposed to do this.
Shari, you are gonna be

the fairy godmother in the most
beautiful love story ever.

Okay? Think about it.

You get the honor of saying you
made this all happen.

And l get to lose my job
if l get caught.

Done. l'll call when
l got something.

Thank you, baby.

[KISSES]

He'll thank me later.

[COMPUTER BEEPlNG]

l want a trace put on
an incoming transmission.

Chicago, Third Precinct.
Get somebody down there now.

[SPEAKlNG INDlSTlNCTLY]

That was such a nice surprise.

Everyone grows up sometime.

She's gonna be okay.

Yes, Mama. l think so.

Um, excuse me.
AGENT: Come with me, please.

That's my computer. Why...?

Why are you on my computer?
AGENT: Remain silent.

SHARl: You better not
mess up my favorites.

We need a common base,
so let's try his eyes.

Good. Now, let's see hands.

Looking good. And now...

Hm. Nice nose.

Congratulations.
You have a girl.

Print it. Get it out to all stations.

And get the mobile unit ready.

Yes, sir.

[CELL PHONE VIBRATES]

DANNY: Hello? lt's me.

Jen? Are you busy?

DANNY: No. No, l'm not.

TECH: Danny Delanay.

Localization in progress.

CATALEYA: l was just

looking out the window
and thinking.

Where are you?
l'm... I'm at home.

Looking out the window too.
We're looking

at the same sky now? Almost.

You have a sexy voice
on the phone.

DANNY: Yeah, you do too.

TECH: Progress. We've got it.

There it is. We got it.

Give SWAT the location.

Let's go!

DANNY: I'm really glad you called me.
Me too.

l was just looking
at a picture of you

when the phone rang. Picture?

l took a picture of you sleeping
with my phone.

But l just wanted to have
something to remind me of you.

Did you show it to anybody?
No. Well, actually, my friend Ryan.

Who else saw the picture?
DANNY: Nobody. Why?

Danny, who else?

I didn't show it to anybody.
What's the big deal?

DANNY: l just took a picture
with my phone. l'm sorry.

l'm sorry too. Oh, fuck.

See what we got.

Special Agent Williams. FBl.

AGENT: lt's clear.

CATALEYA: Shh. Unh.

[ON TV] I mean, l really think,
like, he was publicly humiliated...

Everything's under control.

l need you to come with us.

We're evacuating the building.

MAN [OVER RADlO]:
Copy. Ten-four.

Charges.

Blow it.

[COUGHlNG]

No, she's not here.
Lock down this building ASAP.

Anything? No, nothing.

No, wait, wait, wait.
One security camera down.

Second down. Where?

The garage!
All units, get to the garage.

Let's go. Let's go.
Cover all the damn exits.

[GRUNTlNG]

She's here!

Look everywhere!

Under every car.
Look in every boot.

She's here. Find her!

Anything? Come on.
Check that boot. ln here.

[lN SPANlSH] Uncle?

Mama.

[GASPlNG]

Mama!

[SOBBlNG]

Emilio! Emilio!

[GROANS]

[SOBBlNG]

l'm sorry.

[SCREAMS]

Thank you.

[GUN COCKS]

This won't take long.
Please, sit.

You think you've been smart.

Have you covered
all your bases?

Because this?
This is already over.

This whole place
is wired with webcams.

You mean these?

Talk about covering
all my bases.

Your chair is pressure-wired.
You move a single inch,

it'll be the last move
you ever make.

And given what you
know about me,

you know I don't bluff.

[BEEPlNG]

l don't know about you.

So l'm just gonna ask.

What happened to you
that you could kill 23 people?

Would you believe me if l told you
this wasn't the life l had imagined

when l was a child?

l wanted to be like you,
on the other side.

Really? So, what happened?

Luis Sandoval.

l was 9
when he had my parents killed

in front of me.

So all this?

The tag killing, the clues

weren't for us at all.
lt was all for him?

Only way to track him down.

You needed us
to put it all in the press?

Yes, but it took you
so fucking long.

Goddamn. You've had
to be really determined.

Very focused, huh?
Not focused enough.

This morning he took
the last piece of me.

You sent the man a message,
he sent you one right back.

And now l'm gonna finish it.

Oh, l can't help you.

Yes, he's protected
by your government.

By a part of my government
that l cannot reach.

lt's CIA, and l don't know
why, but l can't get under it.

l can't get over it, and you have
to believe me, l have tried.

Try harder, Agent Ross.

You have a beautiful family.

You go anywhere near my family,
and l swear to God, l will...

Shh.

Now you know
what you have to do.

Get me Luis Sandoval.

Because if you don't,

you're going to go
to a funeral every week,

and l will not stop
until you begin to feel

what l felt all these years.

l'm sorry.

Cataleya.

When your dinner's ready,

the timer in your chair
will have expired.

Don't get up before.

Hey!

[BEEPlNG]

[MICROWAVE DlNGS]

[TlMER BEEPS]

RlCHARD: You do understand
that l only took this meeting

out of professional courtesy.

Now, the truth is,
l really can't help you at all.

Can't or won't?
lt's the same thing, really.

But in the spirit
of reaching out,

let me put my cards on the table.
Yeah?

l have met this woman,

this Tag Killer. lt's a woman?

Yeah. ls she pretty?

She got the drop on me
in my home, told me

that if l don't bring her
the whereabouts of this man,

she's going to kill
a member of my family

every week until l have none left.
Are you kidding me?

Does it seem to you that l would
make something like this up?

So why don't you just
tell me what l should do?

Call 911.

Now, if you'll excuse me,
l have a meeting.

lt starts now.

[CELL PHONE RlNGlNG]

Ross.

lt's her. lf you don't give her
what she wants,

she's going to redecorate
your whole office. With you.

Can you tell her that glass
is tempered to resist

a direct hit
by a 57 mm ordinance?

[GASPS]

Ten seconds
to give up that address.

How can l be sure
she won't kill me?

She says you can't,
but you can trust me.

lf you don't give her what she wants,
you will be her 24th victim.

Eight-six-seven Magnolia Terrace,
New Orleans.

She asked that you keep
this conversation confidential.

With pleasure.

What about my family?

[BUSY SIGNAL]

[DOOR CLOSES]

[SIGHS]

[WHlMPERlNG]

[BARKlNG]

Good morning. Who are you?

That's not important.

What's important is,
l need the floor plans

to 867 Magnolia Terrace.
lf you don't leave immediately,

l will call the police.

l really need those floor plans.

MARCO: You will take positions
here, here and here.

You must expect the unexpected.

She's like mist under a door,
like a mouse in the wall.

She will never attack straight on,

and you will not see her
until it's too late.

She's that invisible.

Shit! Marco!

[MEN COUGHlNG AND GRUNTlNG]

Don Luis.

Don Luis, are you okay?

Get the Mercedes!

LUIS: What happened?
We need to get out.

Leave me alone! MAN 1: Come on!

MAN 2: Come on, come on!

MAN 3: Everyone in!

We have to move.

MAN 4: Quick! Let's go!
Hurry up.

Come on.

You hide here.

Wait for my call. LUIS: Okay.

MARCO: Come on! Find her!

And look everywhere!

[MAN SCREAMlNG]

[COUGHS]

[CELL PHONE RlNGS]

Hello. LUIS: Did you catch her?

We're checking it.

l think we got her.

[SIGHS]

[GUNSHOTS AND MEN SCREAMlNG]

Marco! Marco!

[YELLlNG]

[GUN COCKS]

Marco!

What the hell is going on?

l will hold here. Marco!

[GUNSHOTS]

[DOOR CREAKS]

You've been waiting for this
moment for a long time, right?

Yes.

[BOTH GRUNTlNG]

[SCREAMS]

[GASPS]

[MARCO SCREAMS]

[LUlS SPEAKlNG lN SPANlSH]

[RlNGlNG]

Marco?

CATALEYA [ON SPEAKERPHONE]: No.

lt's Cataleya.

What were you expecting?

You have ruined
your whole life trying to kill me.

Someone like me?

l cannot be killed. l do the killing.

And now it's your turn to be hunted.

You will never find me.

But as day follows night,
believe me,

l'll find you, and l will kill you!
And you know why?

Because I will never be
where you want me to be.

Actually...

you're exactly where
l want you to be.

Huh?

[DOGS WHlMPERlNG]

[BARKlNG]

Aah! Eat.

[LUlS SCREAMlNG
AND DOGS GROWLlNG]

ROSS:
You should think very carefully.

ls there anything else?
l've already told you everything.

She'd come by for a couple of hours,
then she'd leave.

lt's late, l'm tired.
lf you are not gonna arrest me...

We don't actually have
anything to charge you with.

So can l leave? No.

l got a few more questions.

Can l at least get a cup of coffee?
Yeah.

Cream and sugar?

Yes, please.

[CELL PHONE VIBRATlNG]

Hello? Hello?

Jen. Thank God.
Look, l had no idea.

l'm so sorry. Are you okay?

l'm fine.

Where are you? FBI.

Danny, you know that they...
Yeah.

How much time do we have?

Forty seconds.

Use this time for three questions.
What's your real name?

Cataleya.

Like the flower?

Yes. Like the flower.

Twenty-two seconds.

Will my little bird
come back one day?

Leave your window open
and you'll see.

WlLLlAMS: Hey, Ross! Yeah?

We're picking something up
off that guy's phone.

Last question.

l love you.

Give me that phone.
Give it. Hello?

Hello?

You can go.

♪ JOHNNY CASH'S "HURT" ♪

♪ l hurt myself today ♪

♪ To see if l still feel ♪

♪ l focus on the pain ♪

♪ The only thing that's real ♪

♪ The needle tears a hole ♪

♪ The old familiar sting ♪

♪ Try to kill it all away ♪

♪ But l remember everything ♪

♪ What have I become ♪

♪ My sweetest friend? ♪

♪ Everyone l know ♪

♪ Goes away in the end ♪

♪ And you could have it all ♪

♪ My empire of dirt ♪

♪ I will let you down ♪

♪ I will make you hurt ♪

♪ l wear this crown of thorns ♪

♪ Upon my liar's chair ♪

♪ Full of broken thoughts ♪

♪ l cannot repair ♪

♪ Beneath the stains of time ♪

♪ The feelings disappear ♪

♪ You are someone else ♪

♪ l am still right here ♪

♪ What have I become ♪

♪ My sweetest friend? ♪

♪ Everyone l know ♪

♪ Goes away in the end ♪

♪ And you could have it all ♪

♪ My empire of dirt ♪

♪ I will let you down ♪

♪ I will make you hurt ♪

♪ lf I could start again ♪

♪ A million miles away ♪

♪ l would keep myself ♪

♪ l would find a way ♪

SubRip & Improvements by: HighCode