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1
00:00:01,001 --> 00:00:05,788
♪♪
2
00:00:05,918 --> 00:00:07,964
They started calling us
computers.
3
00:00:08,095 --> 00:00:12,751
People began vanishing
and the cleaning began.
4
00:00:12,882 --> 00:00:15,624
You were dirty if
you looked different.
5
00:00:15,754 --> 00:00:18,975
You were dirty if you refused
to live the way they dictated.
6
00:00:19,106 --> 00:00:24,111
You were dirty if you showed
any form of opposition at all.
7
00:00:24,241 --> 00:00:29,116
And if you were dirty...
It was only a matter of time.
8
00:00:29,246 --> 00:00:39,213
♪♪
9
00:01:00,103 --> 00:01:10,070
♪♪
10
00:01:31,265 --> 00:01:41,231
♪♪
11
00:01:47,281 --> 00:01:57,160
♪♪
12
00:02:00,946 --> 00:02:05,125
Yea, yea, yea, just, okay.
13
00:02:10,217 --> 00:02:20,140
♪♪
14
00:02:46,340 --> 00:02:56,263
♪♪
15
00:02:56,393 --> 00:02:59,135
[VICTORIA OVER INTERCOM] You
will repeat after me.
16
00:02:59,266 --> 00:03:04,532
Your name is Jane 57821.
17
00:03:04,662 --> 00:03:09,406
My name is Jane 57821.
18
00:03:09,537 --> 00:03:12,627
[VICTORIA OVER INTERCOM] I am a
dirty computer.
19
00:03:14,106 --> 00:03:16,892
I am a dirty computer.
20
00:03:17,022 --> 00:03:20,504
[VICTORIA OVER INTERCOM] I am
ready to be cleaned.
21
00:03:22,027 --> 00:03:26,031
[VICTORIA OVER INTERCOM] I am
ready to be cleaned!
22
00:03:28,817 --> 00:03:34,518
[VICTORIA OVER INTERCOM]
Unfortunate, my dear. Cleaners
please initiate the NEVERMIND.
23
00:03:34,649 --> 00:03:43,962
♪♪
24
00:04:00,240 --> 00:04:10,162
♪♪
25
00:04:14,602 --> 00:04:17,692
[Radio plays "I Got the Juice"]
♪ YOUR SO DAMN ELECTIC,
YOU, ALRIGHT ♪
26
00:04:17,822 --> 00:04:21,478
[Police siren]
♪ YOU KNOW YOU GOT THAT JUICE,
YOU KNOW YOU GOT THAT JUICE ♪
27
00:04:21,609 --> 00:04:25,439
♪ YOU KNOW YOU GOT THAT JUICE,
UH HUH, NOW SQUEEZE ALL THAT
PASSIONFRUIT, SQUEEZE ♪
28
00:04:25,569 --> 00:04:28,485
♪ AIN'T NO ONE FRESHER THAN YOU,
AIN'T NO ONE ♪
[Radio stops]
29
00:04:34,274 --> 00:04:36,450
[ROBOT] I need sector clearance.
30
00:04:38,626 --> 00:04:41,150
[ROBOT] Prepare
for retinal scan.
31
00:04:42,325 --> 00:04:47,287
[ROBOT] Jane 57821 cleared.
32
00:04:53,858 --> 00:04:58,123
[Radio plays] ♪ DOWN DOG, DON'T
THINK ABOUT IT, DOWN DOG,
DON'T THINK ABOUT IT ♪
33
00:04:58,254 --> 00:05:02,127
♪ DOWN DOG, YOU'RE NUMBER ONE,
DOWN DOG, AND
DON'T YOU DOUBT IT ♪
34
00:05:02,258 --> 00:05:05,348
♪ DOWN DOG, DON'T THINK ABOUT
IT, DOWN DOG ♪
[Radio stops]
35
00:05:06,131 --> 00:05:11,180
♪ YOU TOLD US, WE HOLD THESE
TRUTHS TO BE SELF-EVIDENT ♪
36
00:05:11,311 --> 00:05:14,444
♪ THAT ALL MEN AND WOMEN ARE
CREATED EQUAL ♪
37
00:05:14,575 --> 00:05:17,360
♪ AND THAT THEY ARE ENDOWED BY
THEIR CREATOR ♪
38
00:05:17,491 --> 00:05:20,668
♪ WITH CERTAIN INALIENABLE
RIGHTS, AMONG THESE ♪
39
00:05:20,798 --> 00:05:25,673
♪ LIFE, LIBERTY, AND THE,
AND THE PURSUIT OF HAPPINESS ♪
40
00:05:25,803 --> 00:05:28,415
♪ YOUNG BLACK WILD AND FREE
41
00:05:28,545 --> 00:05:31,243
♪ NAKED IN A LIMOUSINE
42
00:05:31,374 --> 00:05:35,117
♪ OH OH OH OH, OH OH OH OH
43
00:05:35,247 --> 00:05:37,946
♪ RIDIN THROUGH THE
HOOD REAL SLOW ♪
44
00:05:38,076 --> 00:05:40,818
♪ I LOVE IT WHEN I
SMELL THE TREES ♪
45
00:05:40,949 --> 00:05:45,127
♪ OH OH OH OH, OH OH OH OH, UH
46
00:05:45,257 --> 00:05:47,651
♪ I JUST WANNA PARTY HARD
47
00:05:47,782 --> 00:05:50,001
♪ SEX IN THE SWIMMING POOL
48
00:05:50,132 --> 00:05:54,745
♪ OH OH OH OH, OH OH OH OH
49
00:05:54,876 --> 00:05:57,357
♪ I DON'T NEED A LOTTA CASH
50
00:05:57,487 --> 00:05:59,533
♪ I JUST WANNA BREAK THE RULES
51
00:05:59,663 --> 00:06:03,580
♪ OH OH OH OH, OH OH OH OH
52
00:06:03,711 --> 00:06:06,844
♪ OH, WE DON'T NEED
ANOTHER RULER ♪
53
00:06:06,975 --> 00:06:09,020
♪ ALL OF MY FRIENDS ARE KINGS
54
00:06:09,151 --> 00:06:14,156
♪ OH OH OH OH,
OH OH OH OH, OHH ♪
55
00:06:14,286 --> 00:06:20,336
♪ I AM NOT AMERICA'S NIGHTMARE,
I AM THE AMERICAN DREAM,
OH OH OH OH ♪
56
00:06:20,467 --> 00:06:26,081
♪ JUST LET ME LIVE MY LIFE,
I WANT A CRAZY CLASSIC LIFE ♪
57
00:06:26,211 --> 00:06:31,129
♪ I WANT A CRAZY CLASSIC LIFE
58
00:06:31,260 --> 00:06:36,221
♪ SO IF THE WORLD
SHOULD END TONIGHT ♪
59
00:06:36,352 --> 00:06:41,488
♪ I HAD A CRAZY CLASSIC LIFE
60
00:06:42,706 --> 00:06:47,319
♪ I DON'T NEED A DIAMOND RING,
I DON'T WANNA WASTE MY YOUTH ♪
61
00:06:52,368 --> 00:06:56,851
♪ I DON'T WANNA LIVE ON MY
KNEES, I JUST GOTTA
TELL THE TRUTH ♪
62
00:07:01,682 --> 00:07:06,208
♪ I DON'T WANNA BE LOCKED DOWN,
I DON'T WANNA CHEAT ON YOU ♪
63
00:07:06,338 --> 00:07:10,865
♪ OH OH OH OH, OH OH OH OH
64
00:07:10,995 --> 00:07:15,609
♪ I JUST WANNA FIND A GOD
AND I HOPE SHE LOVES ME TOO ♪
65
00:07:17,437 --> 00:07:20,527
♪ OH OH OH OH, OHHH
66
00:07:20,657 --> 00:07:25,183
♪ WE DON'T NEED ANOTHER RULER,
WE DON'T NEED ANOTHER FOOL ♪
67
00:07:25,314 --> 00:07:30,188
♪ OH OH OH OH, YEA OH OH OH OH
68
00:07:30,319 --> 00:07:36,368
♪ I AM NOT AMERICA'S NIGHTMARE,
I AM THE AMERICAN COOL, OH OH ♪
69
00:07:36,499 --> 00:07:38,196
♪ JUST LET ME LIVE MY LIFE
70
00:07:38,327 --> 00:07:42,374
♪ I WANT A CRAZY CLASSIC LIFE
71
00:07:42,505 --> 00:07:47,292
♪ I WANT A CRAZY
CLASSIC LIFE ♪
72
00:07:47,423 --> 00:07:52,254
♪ SO IF THE WORLD
SHOULD END TONIGHT ♪
73
00:07:52,384 --> 00:07:56,911
♪ I HAD A CRAZY CLASSIC LIFE
74
00:07:57,041 --> 00:08:01,655
♪ I WANT A CRAZY CLASSIC LIFE
75
00:08:01,785 --> 00:08:06,529
♪ I WANT A CRAZY
CLASSIC LIFE ♪
76
00:08:06,660 --> 00:08:11,229
♪ SO IF THE WORLD
SHOULD END TONIGHT ♪
77
00:08:11,360 --> 00:08:17,192
♪ I HAD A CRAZY CLASSIC
78
00:08:17,322 --> 00:08:25,113
♪ LIFE
79
00:08:25,243 --> 00:08:30,248
♪ OHHH OHHHH
80
00:08:30,379 --> 00:08:34,731
♪ OH, A CRAZY CLASSIC LIFE
81
00:08:44,872 --> 00:08:54,185
♪ YO, UH, YO YO YO UH
82
00:08:55,186 --> 00:08:57,362
♪ HANDCUFFED IN THE BANDO
83
00:08:57,493 --> 00:08:59,756
♪ WHITE BOY IN THE SANDLES
84
00:08:59,887 --> 00:09:01,845
♪ POLICE LIKE A RAMBO
85
00:09:01,976 --> 00:09:04,456
♪ BLOW IT OUT BLOW IT OUT LIKE A
CANDLE SAMBO ♪
86
00:09:04,587 --> 00:09:06,894
♪ ME AND YOU WAS FRIENDS BUT TO
THEM WE THE OPPOSITE ♪
87
00:09:07,024 --> 00:09:09,070
♪ THE SAME MISTAKE I'M IN JAIL
YOU ON TOP OF SHIT ♪
88
00:09:09,200 --> 00:09:11,725
♪ YOU LIVIN LIFE WHILE I'M
WALKIN ROUND MOPPIN SHIT ♪
89
00:09:11,855 --> 00:09:13,988
♪ TECH KID BACKPACK NOW YOU A
COLLEGE KID ♪
90
00:09:14,118 --> 00:09:16,120
♪ ALL I WANTED WAS TO BREAK THE
RULES LIKE YOU ♪
91
00:09:16,251 --> 00:09:18,645
♪ ALL I WANTED WAS FOR THEM TO
LOVE ME TOO ♪
92
00:09:18,775 --> 00:09:20,734
♪ BUT NO MATTER WHERE IT WAS I
ALWAYS STOOD OUT ♪
93
00:09:20,864 --> 00:09:22,866
♪ BLACK WALDO DANCIN WITH THE
THICK BROWS ♪
94
00:09:22,997 --> 00:09:25,216
♪ WE WAS BOTH RUNNIN NAKED AT
THE LUAU ♪
95
00:09:25,347 --> 00:09:28,045
♪ WE WAS BOTH ON SHROOMS PRAYIN
FACE DOWN WAIST DOWN ♪
96
00:09:28,176 --> 00:09:30,482
♪ MEMBER WHEN THEY TOLD YA
I WAS TOO BLACK FOR YA? ♪
97
00:09:30,613 --> 00:09:32,876
♪ NOW MY BLACK POPPING LIKE A
BRA STRAP ON YA ♪
98
00:09:33,007 --> 00:09:35,400
♪ I WAS KICKED OUT
SAID I'M TOO LOUD ♪
99
00:09:35,531 --> 00:09:37,533
♪ KICKED OUT SAID
I'M TOO PROUD ♪
100
00:09:37,664 --> 00:09:39,666
♪ BUT ALL I REALLY EVER FELT
WAS STRESSED OUT ♪
101
00:09:39,796 --> 00:09:42,756
♪ KINDA LIKE MY AFRO WHEN
IT'S PRESSED OUT ♪
102
00:09:42,886 --> 00:09:47,543
♪ AHHHH
103
00:09:47,674 --> 00:09:52,156
♪♪
104
00:10:02,036 --> 00:10:09,913
[inaudible robot chatter]
105
00:10:23,013 --> 00:10:30,717
[helicopters flying overhead]
106
00:10:59,920 --> 00:11:02,270
Good morning, Jane.
107
00:11:04,838 --> 00:11:06,796
Jane?
108
00:11:14,412 --> 00:11:16,632
My name is Maryapple 53.
109
00:11:16,763 --> 00:11:21,202
I'm here to escort you from
the darkness into the light.
110
00:11:23,117 --> 00:11:24,422
Zen.
111
00:11:24,553 --> 00:11:28,818
You won't be able to move
your legs for a while
112
00:11:28,949 --> 00:11:32,474
I didn't think I was ever
going to see you again.
113
00:11:36,086 --> 00:11:37,827
Did they hurt you?
114
00:11:37,958 --> 00:11:40,787
Is it okay if I call you Jane?
115
00:11:40,917 --> 00:11:42,266
What?
116
00:11:42,397 --> 00:11:47,968
-It's what we have in your
file, right?
-Yeah...
117
00:11:48,098 --> 00:11:50,884
If there's anything else you'd
rather be called, you just let
me know.
118
00:11:51,014 --> 00:11:55,105
I'm here to make your
experience sweet as pie.
119
00:11:55,236 --> 00:11:58,282
Why are you talking to me like
you don't know me Zen?
120
00:11:58,413 --> 00:12:02,678
Like I said, My name is
Maryapple 53,
121
00:12:02,809 --> 00:12:05,376
and I don't know you,
at least not yet.
122
00:12:05,507 --> 00:12:10,338
But what I do know is that you
have some bugs.
123
00:12:10,468 --> 00:12:13,384
So we are here to
get you clean.
124
00:12:13,515 --> 00:12:16,213
We'll be with you shortly.
125
00:12:22,306 --> 00:12:32,142
♪♪
126
00:12:40,890 --> 00:12:45,547
♪ I'M NOT THE KINDA GIRL YOU
TAKE HOME TO YOUR MAMA NOW ♪
127
00:12:45,677 --> 00:12:50,204
♪ I TELL YOU NO LIES,
I TELL NO LIES ♪
128
00:12:50,334 --> 00:12:54,861
♪ YOUR CODE IS PROGRAMMED
NOT TO LOVE ME BUT
YOU CAN'T PRETEND ♪
129
00:12:54,991 --> 00:12:59,430
♪ OH WHAT A SURPRISE
130
00:12:59,561 --> 00:13:03,913
♪ MAYBE IT'S LUST MAYBE IT'S
LOVE MAYBE IT NEVER ENDS ♪
131
00:13:04,044 --> 00:13:07,961
♪ OH SAY YOUR GOODBYES
132
00:13:08,091 --> 00:13:13,444
♪ SAY'EM NOW, PLAY IN MY HAIR
AND NIBBLE THERE ALL
ON MY MOCHA SKIN ♪
133
00:13:13,575 --> 00:13:17,753
♪ YEAH, JUST TAKE A BYTE
134
00:13:17,884 --> 00:13:22,932
♪ TAKE A BYTE,
JUST TAKE A BYTE ♪
135
00:13:23,063 --> 00:13:27,719
♪ HELP YOURSELF,
HELP YOURSELF ♪
136
00:13:27,850 --> 00:13:32,333
♪ IT'S ALRIGHT,
IT'S ALRIGHT ♪
137
00:13:32,463 --> 00:13:37,120
♪ I WON'T TELL, IT FEELS SO GOOD
WHEN YOU NIBBLE ON IT ♪
138
00:13:37,251 --> 00:13:41,646
♪ TAKE A BYTE,
JUST TAKE A BYTE ♪
139
00:13:41,777 --> 00:13:46,303
♪ HELP YOURSELF, YOU LOOK SO
GOOD JUST HELP YOURSELF ♪
140
00:13:46,434 --> 00:13:50,960
♪ DON'T THINK TWICE,
DON'T THINK TWICE ♪
141
00:13:51,091 --> 00:13:55,443
♪ I WON'T TELL
142
00:13:57,358 --> 00:13:59,186
[VOICE OVER INTERCOM] You will
repeat after me.
143
00:13:59,316 --> 00:14:01,841
I will repeat after you.
144
00:14:01,971 --> 00:14:05,061
[VICTORIA OVER INTERCOM] Your
name is Jane 57821.
145
00:14:05,192 --> 00:14:08,586
My name is Jane 57821.
146
00:14:08,717 --> 00:14:11,154
[VICTORIA OVER INTERCOM] I am a
dirty computer.
147
00:14:11,285 --> 00:14:13,113
I am a dirty computer.
148
00:14:13,243 --> 00:14:17,987
[VICTORIA OVER INTERCOM] I am
ready to be cleaned.
149
00:14:18,118 --> 00:14:21,077
I am ready to be cleaned.
150
00:14:24,864 --> 00:14:30,521
[Laughter]
151
00:14:30,652 --> 00:14:33,698
[VICTORIA OVER INTERCOM] Ready
for cleaning.
152
00:14:33,829 --> 00:14:36,658
-She's ready for cleaning!
-I heard her, I heard her
actually, but um which
153
00:14:36,788 --> 00:14:39,966
-Well?
-Which... Which memory exactly?
154
00:14:40,096 --> 00:14:42,316
Any memory you see.
Trash 'em and bag 'em.
155
00:14:42,446 --> 00:14:44,971
Yes, yes. Trash and bag. Okay.
156
00:14:55,416 --> 00:14:59,899
[birds singing]
157
00:15:25,663 --> 00:15:35,673
♪♪
158
00:15:47,729 --> 00:15:51,863
♪ I LIVE MY LIFE IN A MAGAZINE
159
00:15:51,994 --> 00:15:56,433
♪ I LIVE MY LIFE
ON A TV SCREEN ♪
160
00:15:56,564 --> 00:16:00,960
♪ I LIVE MY LIFE
ON BIRTH CONTROL ♪
161
00:16:01,090 --> 00:16:06,095
♪ I LOST MY MIND ON
ROCK AND ROLL ♪
162
00:16:06,226 --> 00:16:10,143
♪ AND I, I, I HEAR
THE SIRENS CALLIN ♪
163
00:16:10,273 --> 00:16:15,235
♪ AND THE BOMBS ARE FALLIN IN
THE STREETS WE'RE ALL, SCREWED ♪
164
00:16:15,365 --> 00:16:19,195
♪ AND I, I, I IT'S
MY BIRTHDAY BABY ♪
165
00:16:19,326 --> 00:16:24,244
♪ THOUGHT I'D GO SEX CRAZY BUT
I FEEL SO SCREWED ♪
166
00:16:24,374 --> 00:16:28,161
♪ SEX, BODY, WE'RE GONNA CRASH
YOUR PARTY ♪
167
00:16:28,291 --> 00:16:30,119
♪ LET'S GET SCREWED
168
00:16:30,250 --> 00:16:32,556
♪ I DON'T CARE,
I DON'T CARE ♪
169
00:16:32,687 --> 00:16:34,950
♪ YOU FUCKED THE WORLD UP NOW
170
00:16:35,081 --> 00:16:36,952
♪ WE'LL FUCK IT ALL BACK DOWN
171
00:16:37,083 --> 00:16:38,910
♪ LET'S GET SCREWED
172
00:16:39,041 --> 00:16:41,391
♪ I DON'T CARE
173
00:16:41,522 --> 00:16:44,003
♪ WE'LL PUT WATER IN YOUR GUNS
174
00:16:44,133 --> 00:16:47,484
♪ WE'LL DO IT ALL FOR FUN,
LET'S GET SCREWED ♪
175
00:16:47,615 --> 00:16:51,010
♪ I, I, I HEAR
THE SIRENS CALLIN ♪
176
00:16:51,140 --> 00:16:54,578
♪ AND THE BOMBS ARE FALLIN IN
THE STREETS WE'RE ALL ♪
177
00:16:54,709 --> 00:16:56,667
♪ THE STREETS WE'RE ALL,
SCREWED ♪
178
00:16:56,798 --> 00:17:00,628
♪ I, I, I IT'S YOUR
BIRTHDAY BABY ♪
179
00:17:00,758 --> 00:17:04,849
♪ THOUGHT WE'D GO SEX CRAZY
BUT WE FEEL SO SCREWED ♪
180
00:17:04,980 --> 00:17:08,679
♪ I, I, I HEAR THE
SIRENS CALLIN ♪
181
00:17:08,810 --> 00:17:12,727
♪ AND THE BOMBS ARE FALLIN IN
THE STREETS WE'RE ALL ♪
182
00:17:12,857 --> 00:17:15,860
♪ STREETS WE'RE ALL SCREWED
183
00:17:17,253 --> 00:17:21,866
♪ HAHA WE'RE SO SCREWED
184
00:17:21,997 --> 00:17:26,523
♪ LET'S GET SCREWED
185
00:17:26,654 --> 00:17:30,397
♪ I DON'T CARE
186
00:17:30,527 --> 00:17:35,097
♪ LET'S GET SCREWED
187
00:17:35,228 --> 00:17:40,407
♪ I DON'T CARE
188
00:17:40,537 --> 00:17:45,281
♪ SEE EVERYTHING IS SEX EXCEPT
SEX WHICH IS POWER ♪
189
00:17:45,412 --> 00:17:47,283
♪ YOU KNOW POWER IS JUST SEX
190
00:17:47,414 --> 00:17:50,112
♪ YOU SCREW ME AND I'LL
SCREW YOU TOO ♪
191
00:17:50,243 --> 00:17:54,160
♪ EVERYTHING IS SEX EXCEPT SEX
WHICH IS POWER ♪
192
00:17:54,290 --> 00:17:56,336
♪ YOU KNOW POWER IS JUST SEX
193
00:17:56,466 --> 00:17:59,121
♪ NOW ASK YOURSELF WHO'S
SCREWING YOU ♪
194
00:17:59,252 --> 00:18:01,428
♪ 100 MEN TELLING ME COVER UP MY
AREOLAS ♪
195
00:18:01,558 --> 00:18:04,257
♪ WHILE THEY BLOCKING EQUAL PAY
SIPPING ON THEY COCA COLAS ♪
196
00:18:06,563 --> 00:18:10,524
♪ OHHH, FAKE NEWS, FAKE BOOBS,
FAKE FOOD WHAT'S REAL ♪
197
00:18:10,654 --> 00:18:13,483
♪ STILL IN THE MATRIX EATING ALL
THE BLUE PILLS ♪
198
00:18:15,659 --> 00:18:19,489
♪ OHH, THE DEVIL MET WITH RUSSIA
AND THEY JUST MADE A DEAL ♪
199
00:18:19,620 --> 00:18:22,318
♪ WE WERE MARCHING THROUGH THE
STREETS THEY WERE BLOCKING
EVERY BILL ♪
200
00:18:24,364 --> 00:18:30,152
[woman screams]
♪ I'M TIRED OF HOTEPS TRYNA
TELL ME HOW TO FEEL FOR REAL ♪
201
00:18:30,283 --> 00:18:36,767
♪♪
202
00:18:39,205 --> 00:18:47,300
♪♪
203
00:18:57,571 --> 00:19:01,096
♪ YEAH, YEAH THIS IS MY PALACE
204
00:19:01,227 --> 00:19:03,142
♪ CHAMPAGNE IN MY CHALICE
205
00:19:03,272 --> 00:19:05,231
♪ I GOT IT ALL COVERED LIKE A
WEDDING BAND ♪
206
00:19:05,361 --> 00:19:07,885
♪ WONDALAND,
SO MY ALIAS IS ALICE ♪
207
00:19:08,016 --> 00:19:10,192
♪ AND WE GON START A MUTHAFUCKIN
PUSSY RIOT ♪
208
00:19:10,323 --> 00:19:12,673
♪ OR WE GONE PUT EM ON A
PUSSY DIET ♪
209
00:19:12,803 --> 00:19:15,023
♪ LOOK AT THAT I GUARANTEE
I GOT'EM QUIET ♪
210
00:19:15,154 --> 00:19:17,286
♪ LOOK AT THAT I GUARANTEE THEY
ALL INSPIRED ♪
211
00:19:17,417 --> 00:19:18,983
♪ A-TOWN MADE IT OUT THERE
212
00:19:19,114 --> 00:19:21,334
♪ STRAIGHT OUT KANSAS CITY YEAH
WE MADE IT OUT THERE ♪
213
00:19:21,464 --> 00:19:23,423
♪ CELEBRATED, GRADUATED MADE IT
PASS, FAIL ♪
214
00:19:23,553 --> 00:19:25,990
♪ SASSY, CLASSY, KOOL AID WITH
THE KALE ♪
215
00:19:26,121 --> 00:19:28,297
♪ MOMMA WAS A G, SHE WAS
CLEANING HOTELS ♪
216
00:19:28,428 --> 00:19:30,734
♪ POPPA WAS A DRIVER,
I WAS WORKING RETAIL ♪
217
00:19:30,865 --> 00:19:32,910
♪ KEPT US IN THE BACK
OF THE STORE ♪
218
00:19:33,041 --> 00:19:35,478
♪ WE AIN'T HIDDEN NO MORE,
MOONLIT NIGGA, LIT NIGGA ♪
219
00:19:35,609 --> 00:19:38,307
♪ ALREADY GOT AN OSCAR
FOR THE CASA ♪
220
00:19:38,438 --> 00:19:40,875
♪ RUNNING DOWN GRAMMYS WITH
THE FAMILY ♪
221
00:19:41,005 --> 00:19:43,182
♪ PROLLY GIVE A TONY
TO THE HOMIES ♪
222
00:19:43,312 --> 00:19:46,881
♪ PROLLY GET AN EMMY DEDICATE IT
TO THE HIGHLY MELANATED ♪
223
00:19:48,056 --> 00:19:49,971
♪ ARCHANDROID ORCHESTRATED
224
00:19:50,101 --> 00:19:52,234
♪ YEAH WE HIGHLY MELANATED
225
00:19:52,365 --> 00:19:54,671
♪ ARCHANDROID ORCHESTRATED
226
00:19:54,802 --> 00:19:56,673
♪ YEAH, JAMINATI STILL JAMMIN
227
00:19:56,804 --> 00:19:59,023
♪ BOX OFFICE NUMBERS AND THEY
DOING OUTSTANDING ♪
228
00:19:59,154 --> 00:20:01,330
♪ RUNNIN OUTTA SPACE ON
MY DAMN BANDWAGON ♪
229
00:20:01,461 --> 00:20:03,854
♪ REMEMBA WHEN THEY USED TO SAY
I LOOKED TOO MANNISH ♪
230
00:20:03,985 --> 00:20:05,856
♪ BLACK GIRL MAGIC
Y'ALL CAN'T STAND IT ♪
231
00:20:05,987 --> 00:20:08,598
♪ Y'ALL CAN'T BAN IT,
MADE OUT LIKE A BANDIT ♪
232
00:20:08,729 --> 00:20:10,644
♪ THEY BEEN TRYING HARD JUST TO
MAKE US ALL VANISH ♪
233
00:20:10,774 --> 00:20:13,734
♪ I SUGGEST THEY PUT A FLAG ON A
WHOLE 'NOTHER PLANET ♪
234
00:20:13,864 --> 00:20:15,866
♪ JANE BOND, NEVER JANE DOE
235
00:20:15,997 --> 00:20:18,086
♪ AND I DJANGO NEVER SAMBO
236
00:20:18,217 --> 00:20:20,567
♪ BLACK AND WHITE, YEAH THAT'S
ALWAYS BEEN MY CAMO ♪
237
00:20:20,697 --> 00:20:22,656
♪ IT'S LOOKING LIKE Y'ALL
GONE NEED SOMMO AMMO ♪
238
00:20:22,786 --> 00:20:25,354
♪ I CUT'EM OFF, I CUT'EM OFF I
CUT'EM OFF LIKE VAN GOGH ♪
239
00:20:25,485 --> 00:20:27,313
♪ NOW PAN RIGHT FOR THE ANGLE
240
00:20:27,443 --> 00:20:30,229
♪ I GOT AWAY WITH MURDER,
NO SCANDAL, HUH ♪
241
00:20:30,359 --> 00:20:32,318
♪ CUE THE VIOLINS AND VIOLAS
242
00:20:32,448 --> 00:20:34,537
♪ WE GAVE YOU LIFE,
WE GAVE YOU BIRTH ♪
243
00:20:34,668 --> 00:20:36,974
♪ WE GAVE YOU GOD,
WE GAVE YOU EARTH ♪
244
00:20:37,105 --> 00:20:39,281
♪ WE FEM THE FUTURE,
DON'T MAKE IT WORSE ♪
245
00:20:39,412 --> 00:20:41,544
♪ YOU WANT THE WORLD? WELL
WHAT'S IT WORTH? ♪
246
00:20:41,675 --> 00:20:43,894
♪ EMOTICONS? DECEPTICONS?
247
00:20:44,025 --> 00:20:46,419
♪ AND AUTOBOTS,
WHO TWIST THE PLOT ♪
248
00:20:46,549 --> 00:20:48,682
♪ WHO SHOT THE SHERIFF,
THEN FLED TO PARIS ♪
249
00:20:48,812 --> 00:20:51,250
♪ IN THE DARKEST HOUR,
SPOKE TRUTH TO POWER ♪
250
00:20:51,380 --> 00:20:53,208
♪ MADE A FANDROID OUTTA
YOUR GIRLFRIEND ♪
251
00:20:53,339 --> 00:20:55,863
♪ LET'S GET CAUGHT DOWNTOWN
IN A WHIRLWIND ♪
252
00:20:55,993 --> 00:20:58,169
♪ AND PAINT THE CITY PYNK,
PAINT THE CITY PYNK ♪
253
00:20:58,300 --> 00:21:01,260
♪ AND TUCK THE PEARLS IN JUST IN
CASE THE WORLD END, HUH ♪
254
00:21:01,390 --> 00:21:03,610
♪ AND NIGGA DOWN DOG,
NIGGA MOVE BACK ♪
255
00:21:03,740 --> 00:21:06,656
♪ TAKE A SEAT YOU
ARE NOT INVOLVED ♪
256
00:21:06,787 --> 00:21:09,920
♪ AND HIT THE MUTE BUTTON,
LET THE VAGINA HAVE A
MONOLOGUE ♪
257
00:21:10,051 --> 00:21:12,575
♪ MANSPLAINING I FOLD'EM
LIKE ORIGAMI ♪
258
00:21:12,706 --> 00:21:16,797
♪ WHAT'S A WAVE BABY THISSA
TSUNAMI FOR THE CULTURE,
I KAMIKAZE ♪
259
00:21:16,927 --> 00:21:19,147
♪ I PUT MY LIFE ON THE
LIFE LINE ♪
260
00:21:19,278 --> 00:21:21,541
♪ IF SHE THE G.O.A.T. NOW WOULD
ANYBODY DOUBT IT? ♪
261
00:21:21,671 --> 00:21:24,979
♪ IF SHE THE G.O.A.T. NOW
WOULD ANYBODY DOUBT IT? ♪
262
00:21:25,109 --> 00:21:28,852
♪ DO ANYBODY GOT IT?
DO ANYBODY GOT IT?
I SAY ANYBODY GOT IT? ♪
263
00:21:37,644 --> 00:21:47,610
♪♪
264
00:21:52,267 --> 00:21:54,574
I don't know what this is,
265
00:21:54,704 --> 00:21:57,098
this doesn't even look
like a memory.
266
00:21:57,228 --> 00:21:59,274
What is that, that a dream?
267
00:21:59,405 --> 00:22:01,276
You just pull the content,
keep moving.
268
00:22:01,407 --> 00:22:04,105
Uhh, yeah but, what is it?
269
00:22:04,235 --> 00:22:06,368
Delete it and move on.
270
00:22:06,499 --> 00:22:07,935
What just delete everything?
271
00:22:08,065 --> 00:22:10,024
Yeah. Just delete it.
272
00:22:14,202 --> 00:22:19,425
♪♪
273
00:22:19,555 --> 00:22:22,210
-[VICTORIA OVER INTERCOM]
War is old.
-So is sex.
274
00:22:22,341 --> 00:22:24,430
-[VICTORIA OVER INTERCOM] Let's
play God.
-You go next.
275
00:22:24,560 --> 00:22:26,693
-[VICTORIA OVER INTERCOM] Hands
go up.
-Man go down.
276
00:22:26,823 --> 00:22:28,738
-[VICTORIA OVER INTERCOM] Try my
luck.
-Stand my ground.
277
00:22:28,869 --> 00:22:30,697
-[VICTORIA OVER INTERCOM] Die in
church.
-Live in Jail.
278
00:22:30,827 --> 00:22:33,264
-[VICTORIA OVER INTERCOM] Say
her name.
-Twice in hell.
279
00:22:33,395 --> 00:22:37,007
-[VICTORIA OVER INTERCOM] Uncle
Sam.
-Kissed a man.
280
00:22:37,138 --> 00:22:40,533
They called this place "The
House of the New Dawn".
281
00:22:40,663 --> 00:22:42,883
This place where they drained
us of our dirt...
282
00:22:43,013 --> 00:22:45,755
and all the things that
made us special.
283
00:22:45,886 --> 00:22:48,584
And just when you thought you
could remember something,
284
00:22:48,715 --> 00:22:52,762
just when you thought you
could see the past clearly,
285
00:22:52,893 --> 00:22:55,852
they would hit you with
NEVERMIND.
286
00:22:55,983 --> 00:22:57,550
This gas would take over,
287
00:22:57,680 --> 00:23:00,640
and then you were lost.
Sleeping.
288
00:23:00,770 --> 00:23:03,120
And you didn't remember
anything at all.
289
00:23:03,251 --> 00:23:06,863
-[VICTORIA OVER INTERCOM] Jim
Crow Jesus.
-Rose again.
290
00:23:06,994 --> 00:23:16,003
[electronic music continues]
291
00:23:26,579 --> 00:23:32,976
[ambience]
292
00:23:52,866 --> 00:24:02,832
♪♪
293
00:24:12,755 --> 00:24:17,368
♪ PINK LIKE THE INSIDE OF
YOUR, BABY ♪
294
00:24:17,499 --> 00:24:22,025
♪ PINK BEHIND ALL OF THE
DOORS, CRAZY ♪
295
00:24:22,156 --> 00:24:27,117
♪ PINK LIKE THE TONGUE THAT
GOES DOWN, MAYBE ♪
296
00:24:27,248 --> 00:24:29,642
♪ PINK LIKE THE
PARADISE FOUND ♪
297
00:24:31,426 --> 00:24:36,344
♪ PINK WHEN YOU'RE
BLUSHING INSIDE, BABY ♪
298
00:24:36,475 --> 00:24:40,914
♪ PINK IS THE TRUTH YOU CAN'T
HIDE, MAYBE ♪
299
00:24:41,044 --> 00:24:46,006
♪ PINK LIKE THE FOLDS OF YOUR
BRAIN, CRAZY ♪
300
00:24:46,136 --> 00:24:48,617
♪ PINK AS WE ALL GO INSANE...
301
00:24:50,793 --> 00:24:52,621
♪ SO HERE WE ARE IN THE CAR
302
00:24:52,752 --> 00:24:55,581
♪ LEAVING TRACES OF US
DOWN THE BOULEVARD ♪
303
00:24:55,711 --> 00:24:57,539
♪ I WANNA FALL THROUGH
THE STARS ♪
304
00:24:57,670 --> 00:25:00,237
♪ GETTING LOST IN THE DARK IS MY
FAVORITE PART ♪
305
00:25:00,368 --> 00:25:04,981
♪ LET'S COUNT THE WAYS WE
COULD MAKE THIS LAST FOREVER ♪
306
00:25:05,112 --> 00:25:07,506
♪ SUNNY MONEY KEEP IT FUNKY
307
00:25:07,636 --> 00:25:09,812
♪ TOUCH YO TOP AND LET IT DOWN
308
00:25:11,335 --> 00:25:15,383
♪ YEAH SOMETHIN LIKE THAT
309
00:25:15,514 --> 00:25:19,387
♪ OWWW! SOMETHIN LIKE THAT
310
00:25:21,041 --> 00:25:23,870
♪ YEAH SOMETHIN LIKE THAT
311
00:25:24,000 --> 00:25:28,091
♪ 'CAUSE BOY IT'S COOL,
IF YOU GOT BLUE ♪
312
00:25:28,222 --> 00:25:30,267
♪ WE GOT THE PINK
313
00:25:38,319 --> 00:25:43,019
♪ PINK LIKE THE LIPS AROUND
YOUR, MAYBE ♪
314
00:25:43,150 --> 00:25:47,763
♪ PINK LIKE THE SKIN THAT'S
UNDER, BABY ♪
315
00:25:47,894 --> 00:25:52,551
♪ PINK WHERE IT'S DEEPEST
INSIDE, CRAZY ♪
316
00:25:52,681 --> 00:25:56,990
♪ PINK BEYOND FOREST
AND THIGHS ♪
317
00:25:57,120 --> 00:26:02,038
♪ PINK LIKE THE SECRETS YOU
HIDE, MAYBE ♪
318
00:26:02,169 --> 00:26:06,521
♪ PINK LIKE THE LID OF YOUR
EYE, BABY ♪
319
00:26:06,652 --> 00:26:11,613
♪ PINK IS WHERE ALL OF IT
STARTS, CRAZY ♪
320
00:26:11,744 --> 00:26:15,051
♪ PINK LIKE THE HOLES
OF YOUR HEART ♪
321
00:26:16,357 --> 00:26:18,054
♪ SO HERE WE ARE IN THE CAR
322
00:26:18,185 --> 00:26:20,970
♪ LEAVING TRACES OF US
DOWN THE BOULEVARD ♪
323
00:26:21,101 --> 00:26:22,798
♪ I WANNA FALL THROUGH
THE STARS ♪
324
00:26:22,929 --> 00:26:25,671
♪ GETTING LOST IN THE DARK IS MY
FAVORITE PART ♪
325
00:26:25,801 --> 00:26:30,414
♪ LET'S COUNT THE WAYS WE
COULD MAKE THIS LAST FOREVER ♪
326
00:26:30,545 --> 00:26:32,895
♪ SUNNY MONEY KEEP IT FUNKY
327
00:26:33,026 --> 00:26:35,768
♪ TOUCH YO TOP AND LET IT DOWN
328
00:26:35,898 --> 00:26:41,512
♪ YEAH SOMETHIN' LIKE THAT
329
00:26:41,643 --> 00:26:46,126
♪ OWWW! SOMETHIN' LIKE THAT
330
00:26:46,256 --> 00:26:49,346
♪ YEAH SOMETHIN' LIKE THAT
331
00:26:49,477 --> 00:26:53,568
♪ 'CAUSE BOY IT'S COOL,
IF YOU GOT BLUE ♪
332
00:26:53,699 --> 00:26:56,310
♪ WE GOT THE PINK
333
00:26:56,440 --> 00:27:00,444
♪ YEAH SOMTHIN' LIKE THAT
334
00:27:00,575 --> 00:27:05,145
♪ OWWW! SOMETHIN' LIKE THAT
335
00:27:05,275 --> 00:27:08,278
♪ YEAH SOMETHIN' LIKE THAT
336
00:27:08,409 --> 00:27:12,587
♪ 'CAUSE BOY IT'S COOL,
IF YOU GOT BLUE ♪
337
00:27:12,718 --> 00:27:17,853
♪ WE GOT THE PINK,
I JUST WANNA, I JUST WANNA, I
JUST WANNA PAINT THE TOWN ♪
338
00:27:17,984 --> 00:27:19,899
♪ I DON'’T WANNA TO
HIDE MY LOVE ♪
339
00:27:20,029 --> 00:27:22,031
♪ I JUST WANNA HOLD YOUR HAND
340
00:27:22,162 --> 00:27:24,643
♪ AND BE THE ONE
THAT YOU THINK OF ♪
341
00:27:24,773 --> 00:27:26,993
♪ WHEN YOU NEED A HOLIDAY
342
00:27:27,123 --> 00:27:29,386
♪ WHEN YOU WANNA DRINK ROSEÉ ♪
343
00:27:29,517 --> 00:27:31,693
♪ I JUST WANNA PAINT YOUR TOES
344
00:27:31,824 --> 00:27:34,261
♪ IN THE MORNING
KISS YOUR NOSE ♪
345
00:27:34,391 --> 00:27:36,611
♪ 'CAUSE WHEN I'’M WITH YOU
I DON'’T FEEL AFRAID ♪
346
00:27:36,742 --> 00:27:39,092
♪ MAYBE THIS LOVE WILL
INDOCTRINATE ♪
347
00:27:39,222 --> 00:27:41,834
♪ I ECHO EVERY
WORD THAT YOU SAY ♪
348
00:27:41,964 --> 00:27:43,836
♪ THE WAY YOU FEEL YEAH
I FEEL THE SAME WAY ♪
349
00:27:43,966 --> 00:27:46,055
♪ REMEMBER THE NIGHT WHEN
I COMBED YOUR HAIR ♪
350
00:27:46,186 --> 00:27:48,449
♪ I HOPE I DON'T FREAK
YOU OUT WHEN I STARED ♪
351
00:27:48,579 --> 00:27:51,582
♪ I DONATE MY TRUTH TO
YOU LIKE I'’M RICH ♪
352
00:27:51,713 --> 00:27:53,584
♪ THE TRUTH IS MY LOVE
AIN'’T GOT NO OFF SWITCH ♪
353
00:27:53,715 --> 00:27:56,196
♪ SO IF THE WALLS
COME TUMBLING DOWN ♪
354
00:27:56,326 --> 00:27:58,372
♪ AND IF THE OCEAN
REALLY DOES DROWN ♪
355
00:27:58,502 --> 00:28:00,548
♪ AND IF MY MEMORIES
NEVER COME BACK ♪
356
00:28:00,679 --> 00:28:03,029
♪ I'’LL STILL REMEMBER WHERE
WE FIRST WAS NAKED AT ♪
357
00:28:03,159 --> 00:28:05,379
♪ PICTURE OUR FACES
IN NEW OASIS ♪
358
00:28:05,509 --> 00:28:07,729
♪ WHEN WE MADE LOVE
WE LEFT MANY TRACES ♪
359
00:28:07,860 --> 00:28:09,862
♪ JUST LIKE THE BLUSH
THAT'’S ON YOUR CHEEKS ♪
360
00:28:09,992 --> 00:28:12,778
♪ DEEP INSIDE
WE'’RE ALL JUST PINK ♪
361
00:28:12,908 --> 00:28:17,347
-♪ PINK LIKE THE INSIDE OF
YOUR, BABY ♪
-♪ WE'RE ALL JUST PINK
362
00:28:17,478 --> 00:28:21,656
-♪ PINK LIKE THE FOLDS IN YOUR
DOORS, MAYBE ♪
-♪ WE'RE ALL JUST PINK
363
00:28:21,787 --> 00:28:26,835
♪ PINK LIKE YOU'RE FINGERS IN
MY, MAYBE ♪
364
00:28:26,966 --> 00:28:29,446
♪ PINK IS THE TRUTH
YOU CAN'T HIDE ♪
365
00:28:32,101 --> 00:28:36,323
♪ PINK LIKE YOUR TONGUE GOING
ROUND, BABY ♪
366
00:28:36,453 --> 00:28:41,197
♪ PINK LIKE THE SUN GOING
DOWN, MAYBE ♪
367
00:28:41,328 --> 00:28:46,028
♪ PINK LIKE THE HOLES IN YOUR
HEART, BABY ♪
368
00:28:46,159 --> 00:28:49,162
♪ PINK IS MY FAVORITE PART
369
00:28:50,206 --> 00:28:55,385
[AMBIENCE]
370
00:28:59,302 --> 00:29:09,225
[background music and
people talking]
371
00:29:14,491 --> 00:29:22,151
♪♪
372
00:29:30,681 --> 00:29:32,640
♪ YEAH
373
00:29:34,773 --> 00:29:38,515
♪ BABY DON'T MAKE ME SPELL
IT OUT FOR YA ♪
374
00:29:38,646 --> 00:29:42,432
♪ ALL OF THE FEELINGS
THAT I'VE GOT FOR YA ♪
375
00:29:42,563 --> 00:29:46,610
♪ CAN'T BE EXPLAINED BUT
I CAN TRY FOR YA ♪
376
00:29:46,741 --> 00:29:51,093
♪ YEAH BABY DON'T MAKE ME
SPELL IT OUT FOR YA ♪
377
00:29:51,224 --> 00:29:55,184
♪ YOU KEEP ON ASKIN ME THE SAME
QUESTIONS, WHY ♪
378
00:29:55,315 --> 00:29:59,101
♪ AND SECOND GUESSING ALL
MY INTENTIONS ♪
379
00:29:59,232 --> 00:30:03,323
♪ SHOULD KNOW BY THE WAY I USE
MY COMPRESSION ♪
380
00:30:03,453 --> 00:30:07,370
♪ THAT YOU GOT THE ANSWERS
TO MY CONFESSIONS ♪
381
00:30:07,501 --> 00:30:12,593
♪ IT'S LIKE I'M POWERFUL WITH
A LITTLE BIT OF TENDER ♪
382
00:30:12,723 --> 00:30:16,423
♪ AN EMOTIONAL SEXUAL BENDER
383
00:30:16,553 --> 00:30:20,949
♪ MESS ME UP YEAH BUT NO ONE
DOES IT BETTER ♪
384
00:30:21,080 --> 00:30:22,908
♪ THERE'S NOTHIN BETTER
385
00:30:23,038 --> 00:30:27,216
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
386
00:30:27,347 --> 00:30:30,872
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
387
00:30:31,003 --> 00:30:32,221
♪ UH HUH
388
00:30:32,352 --> 00:30:35,616
♪ SO GOOD SO GOOD SO,
FUCKIN REAL UH HUH ♪
389
00:30:35,746 --> 00:30:38,227
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
390
00:30:38,358 --> 00:30:41,578
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
391
00:30:41,709 --> 00:30:45,017
♪ YOU KNOW I LOVE YOU SO PLEASE
DON'T STOP IT ♪
392
00:30:45,147 --> 00:30:49,935
♪ YOU GOT ME RIGHT HERE IN YOUR
JEAN POCKET ♪
393
00:30:50,065 --> 00:30:53,677
♪ LAYIN YOUR BODY ON A SHAG
CARPET, OOH ♪
394
00:30:53,808 --> 00:30:57,420
♪ YOU KNOW I LOVE IT SO
PLEASE DON'T STOP IT, AH AH ♪
395
00:30:57,551 --> 00:31:02,251
♪ IT'S LIKE I'M POWERFUL WITH
A LITTLE BIT OF TENDER ♪
396
00:31:02,382 --> 00:31:06,342
♪ AN EMOTIONAL SEXUAL BENDER
397
00:31:06,473 --> 00:31:10,825
♪ MESS ME UP YEAH BUT NO ONE
DOES IT BETTER ♪
398
00:31:10,956 --> 00:31:13,349
♪ THERE'S NOTHIN BETTER
399
00:31:13,480 --> 00:31:17,397
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
400
00:31:17,527 --> 00:31:20,966
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
401
00:31:21,096 --> 00:31:25,709
♪ UH HUH SO GOOD SO GOOD
SO FUCKIN REAL UH HUH ♪
402
00:31:25,840 --> 00:31:30,062
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
403
00:31:30,192 --> 00:31:33,413
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
404
00:31:33,543 --> 00:31:37,808
♪ OH! THAT'S JUST THE WAY THAT
I FEEL NOW BABY ♪
405
00:31:37,939 --> 00:31:42,204
♪ GOOD GOD, I CAN'T
HELP IT, UH, HEY ♪
406
00:31:42,335 --> 00:31:46,078
♪ THAT'S JUST THE WAY THAT I
FEEL, YEAH ♪
407
00:31:46,208 --> 00:31:48,167
♪ PLEASE! I CAN'T HELP IT!
408
00:31:48,297 --> 00:31:52,475
♪ IT'S LIKE I'M POWERFUL WITH
A LITTLE BIT OF TENDER ♪
409
00:31:52,606 --> 00:31:56,566
♪ AN EMOTIONAL SEXUAL BENDER
410
00:31:56,697 --> 00:32:00,919
♪ MESS ME UP YEAH BUT NO ONE
DOES IT BETTER ♪
411
00:32:01,049 --> 00:32:03,878
♪ THERE'S NOTHIN BETTER
412
00:32:04,009 --> 00:32:05,358
♪ DAMN
413
00:32:05,488 --> 00:32:09,710
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
414
00:32:09,840 --> 00:32:14,367
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL UH HUH ♪
415
00:32:14,497 --> 00:32:17,979
♪ SO GOOD SO GOOD SO
FUCKIN REAL UH HUH ♪
416
00:32:18,110 --> 00:32:22,027
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
417
00:32:22,157 --> 00:32:25,204
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
418
00:32:25,682 --> 00:32:31,123
♪ OOOO, THAT'S JUST THE WAY YOU
MAKE ME FEEL, YOU MAKE ME FEEL ♪
419
00:32:31,253 --> 00:32:34,300
♪ SO GOOD SO GOOD SO,
FUCKIN REAL, SO GOOD SO GOOD ♪
420
00:32:34,430 --> 00:32:38,826
♪ THAT'S JUST THE WAY
YOU MAKE ME FEEL ♪
421
00:32:38,957 --> 00:32:41,002
♪ THAT'S JUST THE WAY YOU MAKE
ME FEEL ♪
422
00:32:41,829 --> 00:32:47,966
[ambience]
423
00:32:48,096 --> 00:32:54,363
[background music]
424
00:33:02,458 --> 00:33:05,374
They're taking everything
away from me.
425
00:33:05,505 --> 00:33:07,768
Huh.
426
00:33:07,898 --> 00:33:10,727
I don't even remember how we
met anymore...
427
00:33:14,079 --> 00:33:18,300
I'm not sure if any
of this actually happened
428
00:33:25,394 --> 00:33:28,180
Listen.
429
00:33:28,310 --> 00:33:31,966
Thinking will only
make it harder.
430
00:33:32,097 --> 00:33:37,711
It's best if you just
enjoy the process.
431
00:33:37,841 --> 00:33:40,279
Accept it.
432
00:33:40,409 --> 00:33:44,283
People used to work so hard to
be free.
433
00:33:44,413 --> 00:33:47,373
But we're lucky here.
434
00:33:47,503 --> 00:33:49,897
All we have to do is forget.
435
00:33:52,595 --> 00:33:54,945
But I don't want
to forget you.
436
00:34:01,778 --> 00:34:04,999
You don't have a choice.
437
00:34:10,874 --> 00:34:20,884
♪♪
438
00:34:24,975 --> 00:34:32,157
♪ OOOOOO OOOOO OOOOO OOOOO
439
00:34:32,287 --> 00:34:38,250
♪ OOOOOO OOOOO OOOOO OOOOO
440
00:34:38,380 --> 00:34:41,470
♪ SOMETIMES A MYSTERY
SOMETIMES I'M FREE ♪
441
00:34:41,601 --> 00:34:45,213
♪ DEPENDING ON MY MOOD
OR MY ATTITUDE ♪
442
00:34:45,344 --> 00:34:48,912
♪ SOMETIMES I WANNA ROLL
OR STAY AT HOME ♪
443
00:34:49,043 --> 00:34:52,568
♪ WALKING CONTRADICTION
GUESS IM FACTUAL AND FICTION ♪
444
00:34:52,699 --> 00:34:55,745
♪ A LITTLE CRAZY, A LITTLE SEXY
A LITTLE COOL ♪
445
00:34:55,876 --> 00:34:59,488
♪ LITTLE ROUGH AROUND THE EDGES
BUT I KEEP IT SMOOTH ♪
446
00:34:59,619 --> 00:35:03,318
♪ I'M ALWAYS LEFT OF CENTER AND
THAT'S RIGHT WHERE I BELONG ♪
447
00:35:03,449 --> 00:35:06,582
♪ I'M THE RANDOM MINOR NOTE
YOU HEAR IN MAJOR SONGS ♪
448
00:35:06,713 --> 00:35:09,194
♪ AND I LIKE THAT
449
00:35:09,324 --> 00:35:15,722
♪ I DON'T REALLY GIVE A FUCK
IF I WAS JUST THE ONLY ONE,
WHO LIKES THAT ♪
450
00:35:15,852 --> 00:35:20,596
♪ I NEVER LIKE TO FOLLOW, FOLLOW
ALL AROUND, THE CHASE IS ON ♪
451
00:35:20,727 --> 00:35:24,034
♪ OH ME OH ME OH ME OH MY
452
00:35:24,165 --> 00:35:28,343
♪ OH ME OH ME OH ME OH MY I
453
00:35:28,474 --> 00:35:31,999
♪ OH ME OH ME OH ME OH MY
454
00:35:32,130 --> 00:35:34,915
♪ I LIKE THAT
455
00:35:35,045 --> 00:35:38,440
♪ I DON'’T CARE WHAT I LOOK
LIKE BUT I FEEL GOOD ♪
456
00:35:38,571 --> 00:35:41,835
♪ BETTER THAN AMAZING
AND BETTER THAN I COULD ♪
457
00:35:41,965 --> 00:35:45,839
♪ TOLD THE WHOLE WORLD I'M
THE VENOM AND THE ANTIDOTE ♪
458
00:35:45,969 --> 00:35:49,756
♪ TAKE A DIFFERENT TYPE
OF GIRL TO KEEP THE
WHOLE WORLD A FLOAT ♪
459
00:35:49,886 --> 00:35:52,672
♪ CAUSE I'M CRAZY AND
I'M SEXY THEN I'M COOL ♪
460
00:35:52,802 --> 00:35:56,632
♪ LITTLE ROUGH AROUND THE
EDGES BUT I KEEP IT SMOOTH ♪
461
00:35:56,763 --> 00:36:00,288
♪ I'’M ALWAYS LEFT OF CENTER AND
THAT'’S RIGHT WHERE I BELONG ♪
462
00:36:00,419 --> 00:36:06,816
♪ I'’M THE RANDOM MINOR NOTE
YOU HEAR IN MAJOR SONGS
AND I LIKE THAT ♪
463
00:36:06,947 --> 00:36:13,823
♪ I DON'T REALLY GIVE A FUCK
IF I WAS JUST THE ONLY ONE
WHO LIKES THAT ♪
464
00:36:13,954 --> 00:36:18,741
♪ I NEVER LIKE TO FOLLOW, FOLLOW
ALL AROUND, THE CHASE IS ON ♪
465
00:36:18,872 --> 00:36:21,875
♪ OH ME OH ME OH ME OH MY
466
00:36:22,005 --> 00:36:25,183
♪ OH ME OH ME OH ME OH MY I
467
00:36:25,313 --> 00:36:28,708
♪ OH ME OH ME OH ME OH MY
468
00:36:28,838 --> 00:36:33,060
♪ I LIKE THAT
469
00:36:33,191 --> 00:36:34,670
♪ I REMEMBER WHEN
YOU CALLED ME WEIRD ♪
470
00:36:34,801 --> 00:36:38,196
♪ WE WAS IN MATH CLASS, THIRD
ROW I WAS SITTIN' BY YOU ♪
471
00:36:38,326 --> 00:36:39,980
♪ RIGHT BEFORE
MR. AMMON'S CLASS ♪
472
00:36:40,110 --> 00:36:41,677
♪ CAUSE MY MAMA COULDN'T
AFFORD NEW J'S, POLO, ♪
473
00:36:41,808 --> 00:36:45,551
♪ THRIFT STORES, THRIFT CLOTHES,
THAT WAS ALL I KNEW ♪
474
00:36:45,681 --> 00:36:47,683
♪ DO YOU REMEMBER?
475
00:36:47,814 --> 00:36:52,297
♪ I REMEMBER WHEN YOU LAUGHED
WHEN I CUT MY PERM OFF AND YOU
RATED ME A 6 ♪
476
00:36:52,427 --> 00:36:54,473
♪ I WAS LIKE, DAMN
477
00:36:54,603 --> 00:36:58,912
♪ BUT EVEN BACK THEN, WITH THE
TEARS IN MY EYES I ALWAYS KNEW
I WAS THE SHIT ♪
478
00:37:00,827 --> 00:37:03,612
♪ I LIKE THAT
479
00:37:03,743 --> 00:37:10,315
♪ I DON'T REALLY GIVE A FUCK
IF I WAS JUST THE ONLY ONE WHO
LIKES THAT ♪
480
00:37:10,445 --> 00:37:15,624
♪ I NEVER LIKE TO FOLLOW, FOLLOW
ALL AROUND, THE CHASE IS ON ♪
481
00:37:15,755 --> 00:37:18,975
♪ OH ME OH ME OH ME OH MY
482
00:37:19,106 --> 00:37:21,674
♪ OH ME OH ME OH ME OH MY I
483
00:37:21,804 --> 00:37:22,892
♪ I LIKE THAT
484
00:37:23,023 --> 00:37:25,417
♪ OH ME OH ME OH ME OH MY
485
00:37:25,547 --> 00:37:28,768
♪ I LIKE THAT
486
00:37:28,898 --> 00:37:30,204
♪ I LIKE
THAT ♪
487
00:37:34,382 --> 00:37:44,131
♪♪
488
00:37:50,137 --> 00:37:53,183
Wh-What is that?
That's not memory.
489
00:37:53,314 --> 00:37:56,274
What part of delete everything
you don't understand?
490
00:38:12,681 --> 00:38:15,989
Mother Victoria? May I speak
with you for a minute?
491
00:38:16,119 --> 00:38:18,121
I hope this is important.
492
00:38:18,252 --> 00:38:21,037
It's about Jane 57821.
493
00:38:21,168 --> 00:38:24,084
Go on.
494
00:38:24,214 --> 00:38:26,739
It's as if she remembers me.
495
00:38:26,869 --> 00:38:30,438
Like really knows me. She tells
me things about myself.
496
00:38:30,569 --> 00:38:32,788
About where I'm from.
497
00:38:32,919 --> 00:38:35,617
She says that my name was Zen.
498
00:38:35,748 --> 00:38:39,055
And I made films, played
instruments.
499
00:38:39,186 --> 00:38:45,845
And she says that,
that we were in love.
500
00:38:45,975 --> 00:38:48,761
That's enough. Now
you know that's impossible.
501
00:38:48,891 --> 00:38:52,155
A dirty mind will do
anything to survive.
502
00:38:52,286 --> 00:38:53,896
Right now she's dirty.
503
00:38:54,027 --> 00:38:56,812
Tomorrow after The Walk
she'll be clean.
504
00:38:56,943 --> 00:39:01,251
And if she's lucky in a few
days she'll be a torch just
like you.
505
00:39:01,382 --> 00:39:05,038
And we'll have all this
nonsense behind us.
506
00:39:07,606 --> 00:39:08,955
Yes, mother.
507
00:39:10,609 --> 00:39:19,008
♪♪
508
00:39:39,115 --> 00:39:48,603
♪ LA LA LA LA OOOOO LA LA LA LA
OOOOO LA LA LA ♪
509
00:39:48,734 --> 00:39:58,657
♪ LA LA LA LA OOOOO
LA LA LA LA OOOO LA LA LA ♪
510
00:39:59,658 --> 00:40:02,878
♪ LAAAAAA
511
00:40:16,326 --> 00:40:26,293
♪♪
512
00:40:27,729 --> 00:40:30,558
I thought we deleted this beach
stuff already.
513
00:40:33,256 --> 00:40:41,264
♪♪
514
00:40:50,099 --> 00:40:52,101
You remember...
515
00:41:02,895 --> 00:41:04,853
It's too late.
516
00:41:49,724 --> 00:41:51,639
Just walk.
517
00:41:51,770 --> 00:42:01,736
♪♪
518
00:42:43,038 --> 00:42:52,961
♪ OHHHHHHH OOOO OHHHHH
519
00:42:53,092 --> 00:43:02,884
♪ OOOOOO OOHHHH OOOOOO
520
00:43:03,015 --> 00:43:09,282
♪♪
521
00:43:12,938 --> 00:43:21,337
[Voices]
522
00:43:21,468 --> 00:43:26,821
Good morning. Che Achebe.
Patient 06756.
523
00:43:26,952 --> 00:43:31,391
-Jane?
-I'm Maryapple 54 and I'm
your torch.
524
00:43:31,521 --> 00:43:37,919
That means that I'm here to
bring you from the darkness
into the light.
525
00:43:40,966 --> 00:43:47,973
♪♪
526
00:44:33,627 --> 00:44:37,936
-Let's go.
-♪ ALONE, DON'T FIGHT
YOUR WAR ALONE ♪
527
00:44:38,066 --> 00:44:41,374
I always used to say I would
never hurt a fly...
528
00:44:41,504 --> 00:44:46,161
But I would put one to
sleep.
529
00:44:46,292 --> 00:44:50,339
♪ WE WILL WIN THIS FIGHT
530
00:44:50,470 --> 00:44:53,865
♪ LET ALL SOULS BE BRAVE
531
00:44:53,995 --> 00:44:57,172
♪ WE'LL FIND A WAY TO HEAVEN
532
00:44:57,303 --> 00:45:01,611
♪ WE'LL FIND A WAY
533
00:45:02,177 --> 00:45:05,441
♪ WAR IS OLD, SO IS SEX,
LET'S PLAY GOD ♪
534
00:45:05,572 --> 00:45:09,184
♪ YOU GO NEXT, HANDS GO UP,
MAN GO DOWN ♪
535
00:45:09,315 --> 00:45:12,797
♪ TRY MY LUCK, STAND MY
GROUND, DIE IN CHURCH ♪
536
00:45:12,927 --> 00:45:16,322
♪ LIVE IN JAIL, SAY HER NAME,
TWICE IN HELL ♪
537
00:45:16,452 --> 00:45:18,803
♪ UNCLE SAM KISSED A MAN
538
00:45:18,933 --> 00:45:21,283
♪ JIM CROW JESUS, ROSE AGAIN
539
00:45:21,414 --> 00:45:25,723
♪ I LIKE MY WOMAN
IN THE KITCHEN ♪
540
00:45:25,853 --> 00:45:30,466
♪ I TEACH MY CHILDREN
SUPERSTITIONS ♪
541
00:45:30,597 --> 00:45:35,602
♪ I KEEP MY TWO GUNS ON MY BLUE
NIGHTSTAND ♪
542
00:45:35,733 --> 00:45:37,865
♪ A PRETTY YOUNG THANG, SHE CAN
WASH MY CLOTHES ♪
543
00:45:37,996 --> 00:45:40,433
♪ BUT SHE'LL NEVER EVER WEAR MY
PANTS AHHHHH ♪
544
00:45:40,563 --> 00:45:42,870
♪ I PLEDGE ALLEGIANCE TO
THE FLAG ♪
545
00:45:43,001 --> 00:45:45,177
♪ LEARNED THE WORDS FROM MY MOM
AND DAD ♪
546
00:45:45,307 --> 00:45:47,353
♪ CROSS MY HEART AND
I HOPE TO DIE ♪
547
00:45:47,483 --> 00:45:50,225
♪ WITH A BIG OL PIECE OF
AMERICAN PIE ♪
548
00:45:50,356 --> 00:45:52,097
♪ LOVE ME BABY
549
00:45:52,227 --> 00:45:55,056
♪ LOVE ME FOR WHO I AM
550
00:45:55,187 --> 00:45:56,841
♪ FALLING ANGELS
551
00:45:56,971 --> 00:45:59,800
♪ SING AND CLAP YO HANDS
552
00:45:59,931 --> 00:46:01,671
♪ DON'T TRY TO TAKE MY
COUNTRY ♪
553
00:46:01,802 --> 00:46:07,852
♪♪
554
00:46:08,026 --> 00:46:11,769
[JANELLE] A dirty computer is
someone who is told because of
555
00:46:11,899 --> 00:46:14,946
their sexual orientation,
their gender, the class that
556
00:46:15,076 --> 00:46:17,818
they come from...
those that are in those
557
00:46:17,949 --> 00:46:20,647
marginalized groups,
being told that they
558
00:46:20,778 --> 00:46:22,823
have these bugs,
that they have these viruses
559
00:46:22,954 --> 00:46:24,607
and they need to be cleansed.
560
00:46:24,738 --> 00:46:27,523
But dirty computers
don't see their bugs and
561
00:46:27,654 --> 00:46:29,351
their viruses as negatives.
562
00:46:29,482 --> 00:46:32,267
They see them as features,
as attributes, something
563
00:46:32,398 --> 00:46:33,573
to be celebrated.
564
00:46:33,703 --> 00:46:36,184
My name is Jane 57821.
565
00:46:36,315 --> 00:46:38,883
[VICTORIA OVER INTERCOM] I am a
dirty computer.
566
00:46:39,013 --> 00:46:41,624
I am a dirty computer.
567
00:46:41,755 --> 00:46:43,713
[VICTORIA OVER INTERCOM] I am
ready to be cleaned.
568
00:46:46,064 --> 00:46:48,762
I am ready to be cleaned.
569
00:46:48,893 --> 00:46:51,547
So on the album you have three,
three different stages.
570
00:46:51,678 --> 00:46:54,115
The first few songs represent
the reckoning, you know
571
00:46:54,246 --> 00:47:00,469
realizing that hey,
I represent to society
a dirty computer.
572
00:47:00,600 --> 00:47:02,428
It's like the first time
a black person is
573
00:47:02,558 --> 00:47:04,517
called a nigga,
or the first time a woman
574
00:47:04,647 --> 00:47:07,520
is called a bitch by a man
and having to reckon
575
00:47:07,650 --> 00:47:11,524
with what that means.
And then you have the
576
00:47:11,654 --> 00:47:14,005
celebration towards the
middle of the album where
577
00:47:14,135 --> 00:47:16,224
you have those songs like
'Pynk' and 'Make Me Feel'
578
00:47:16,355 --> 00:47:17,791
and 'Django Jane'
that's saying hey,
579
00:47:17,922 --> 00:47:21,012
despite being a dirty computer,
despite what the world
580
00:47:21,142 --> 00:47:23,623
says about me, I'm going
to celebrate my bugs,
581
00:47:23,753 --> 00:47:25,146
I'm going to
celebrate my viruses.
582
00:47:25,277 --> 00:47:27,801
Y'know, I'm going to be
the best fucking dirty
583
00:47:27,932 --> 00:47:29,542
computer I can be.
584
00:47:29,672 --> 00:47:31,936
And then when you get
to a song like 'American',
585
00:47:32,066 --> 00:47:33,894
that's a part of the
reclamation.
586
00:47:34,025 --> 00:47:36,810
That's saying that
I am a dirty computer,
587
00:47:36,941 --> 00:47:39,160
but I too am American.
588
00:47:39,291 --> 00:47:41,423
You know my ancestors
helped build this country.
589
00:47:41,554 --> 00:47:44,035
We worked hard - blood,
sweat, and tears.
590
00:47:44,165 --> 00:47:47,386
And those are the stages,
and so visually what
591
00:47:47,516 --> 00:47:50,868
we wanted to do was we
wanted to create a story that
592
00:47:50,998 --> 00:47:56,221
allowed you to focus in on
what it would mean to have
593
00:47:56,351 --> 00:48:01,095
those in the position of
power erase your identity.
594
00:48:01,226 --> 00:48:02,923
When we were working
on the music,
595
00:48:03,054 --> 00:48:07,188
we were envisioning
this dystopian
near-future um society,
596
00:48:07,319 --> 00:48:11,410
an America that had kind
of succumbed to,
597
00:48:11,540 --> 00:48:16,328
I guess the worst impulses
of our current President
598
00:48:16,458 --> 00:48:19,331
and it became something
really sickening and dangerous.
599
00:48:19,461 --> 00:48:22,116
We were trying to figure out:
how can we take the music,
600
00:48:22,247 --> 00:48:25,250
how can we take a film,
how can we tell this like really
601
00:48:25,380 --> 00:48:27,339
cool story with these elements?
602
00:48:31,517 --> 00:48:37,044
We had come into the story
with ummm seeing that Jane
603
00:48:37,175 --> 00:48:39,264
had been captured and
put in this institution.
604
00:48:39,394 --> 00:48:41,875
So 'Crazy Classic Life'
is a memory.
605
00:48:42,006 --> 00:48:45,096
They're erasing her memory,
so this is how we get to
606
00:48:45,226 --> 00:48:47,141
see what the outside
world looks like.
607
00:48:47,272 --> 00:48:49,361
What her experience was
before she got put in.
608
00:48:49,491 --> 00:48:53,365
The fact that these songs
and this album and these
609
00:48:53,495 --> 00:48:56,977
concepts came along at this
point in our history of this
610
00:48:57,108 --> 00:49:00,241
country was really
gripping and poignant.
611
00:49:00,372 --> 00:49:01,808
We use that as fuel.
612
00:49:01,939 --> 00:49:08,554
♪♪
613
00:49:08,684 --> 00:49:10,730
With 'I Like That' I was
614
00:49:10,860 --> 00:49:15,300
trying to accomplish making
a video that really celebrated
615
00:49:15,430 --> 00:49:18,825
black girl magic.
I kind of knew where she
was going and what direction
616
00:49:18,956 --> 00:49:22,742
she was going in with her
project before it even came out,
and I wanted to kind of show
617
00:49:22,872 --> 00:49:24,918
that she was going to be
stripping down a little bit
and showing
618
00:49:25,049 --> 00:49:27,094
a little bit more of herself and
being more vulnerable.
619
00:49:27,225 --> 00:49:29,575
The song is about embracing
the things that make you
620
00:49:29,705 --> 00:49:32,143
unique even if it makes
others uncomfortable.
621
00:49:32,273 --> 00:49:36,060
And so it was important
to sort of exaggerate
certain images
622
00:49:36,190 --> 00:49:41,456
to show that my
world y'know how I
see life umm is
623
00:49:41,587 --> 00:49:44,329
just slightly different,
y'know it's, it's surreal.
624
00:49:44,459 --> 00:49:46,157
On one of our shoot
days we umm,
625
00:49:46,287 --> 00:49:49,073
we shot with a umm,
an actual peacock.
626
00:49:49,203 --> 00:49:53,555
So he started to take flight
behind Janelle and she like
627
00:49:53,686 --> 00:49:56,384
freaked out and like ran off set
and said she was done,
628
00:49:56,515 --> 00:50:00,258
basically like that was
the end of the shoot day
[laughs],
629
00:50:00,388 --> 00:50:02,782
but we got everything
we needed so it was cool.
630
00:50:02,912 --> 00:50:04,827
♪ IT'S LIKE I'M POWERFUL
631
00:50:04,958 --> 00:50:07,134
♪ WITH A LITTLE BIT OF TENDER
632
00:50:07,265 --> 00:50:11,269
♪ AN EMOTIONAL SEXUAL BENDER
633
00:50:11,399 --> 00:50:15,447
[background talking]
634
00:50:15,577 --> 00:50:18,972
With 'Make Me Feel'
I knew that I wanted
635
00:50:19,103 --> 00:50:21,801
to come out with a
focus on duality.
636
00:50:21,931 --> 00:50:24,499
And 'Make Me Feel'
with the song and what
637
00:50:24,630 --> 00:50:28,503
it represents in terms
of women's empowerment
and agency
638
00:50:28,634 --> 00:50:32,768
over your body and
image it was important
to have clothing
639
00:50:32,899 --> 00:50:37,512
and dancing and just like
performance that gave you
640
00:50:37,643 --> 00:50:44,084
the rawest sexy most unfiltered
version of who I am.
641
00:50:44,215 --> 00:50:48,219
When Janelle put on that
chain mask and she came out
642
00:50:48,349 --> 00:50:49,742
I was just blown away.
643
00:50:49,872 --> 00:50:51,483
Like that was my
favorite outfit,
644
00:50:51,613 --> 00:50:55,095
and I had seen her practicing
in rehearsal like how
645
00:50:55,226 --> 00:50:57,054
she was gonna interact
with the guitar and things
646
00:50:57,184 --> 00:51:00,448
like that and I was like 'wow
I can't wait to shoot that.'
647
00:51:00,579 --> 00:51:02,276
So I did 'Make Me Feel'
and 'Django Jane'
648
00:51:02,407 --> 00:51:04,670
at the same time and
I knew I wanted those
to go together.
649
00:51:04,800 --> 00:51:08,587
What you don't know is there is
a video for 'Django Jane'
650
00:51:08,717 --> 00:51:10,545
that did not get released.
651
00:51:10,676 --> 00:51:13,592
'Django Jane' was a ah
an interesting come about.
652
00:51:13,722 --> 00:51:16,116
Uh very different than your
average music video.
653
00:51:16,247 --> 00:51:18,858
Um I had been working with the
team on 'Dirty Computer'
654
00:51:18,988 --> 00:51:22,079
and 'Django Jane' was obviously
like an essential keystone
655
00:51:22,209 --> 00:51:23,863
piece of the project.
656
00:51:23,993 --> 00:51:26,387
And they shot a really cool
video with a great team,
657
00:51:26,518 --> 00:51:29,912
but uh as many of us in
the music video world know
658
00:51:30,043 --> 00:51:32,524
visual effects are
time consuming
659
00:51:32,654 --> 00:51:36,310
and expensive and the
'Django Jane' video was
initially entirely
660
00:51:36,441 --> 00:51:39,226
green screen, so as deadlines
were coming and I was kind
661
00:51:39,357 --> 00:51:41,315
of tracking along with the video
and watching progress
662
00:51:41,446 --> 00:51:43,404
there was this moment
where you realize there
663
00:51:43,535 --> 00:51:46,973
was no chance of finishing it
in its original form.
664
00:51:47,104 --> 00:51:50,803
We didn't have an idea
for Django until Sunday
665
00:51:50,933 --> 00:51:54,154
morning before our
Monday evening shoot.
666
00:51:54,285 --> 00:51:57,026
So in the span of three
and a half, maybe four days
667
00:51:57,157 --> 00:52:00,813
we wrote the video,
shot the video,
edited the video,
668
00:52:00,943 --> 00:52:04,208
colored the video and upload
it and it was just a total
669
00:52:04,338 --> 00:52:06,210
whirlwind of a process.
670
00:52:06,340 --> 00:52:12,129
♪ PINK LIKE THE INSIDE
OF YOUR BABY ♪
671
00:52:12,259 --> 00:52:16,829
♪ PINK BEHIND ALL OF
THE DOORS CRAZY ♪
672
00:52:16,959 --> 00:52:19,092
The infamous vagina pants,
673
00:52:19,223 --> 00:52:22,530
the labia pants,
the flower pants.
They have so many names.
674
00:52:22,661 --> 00:52:24,402
I was actually calling them
675
00:52:24,532 --> 00:52:28,362
the coochie pants at first,
but then everybody
676
00:52:28,493 --> 00:52:30,364
just calls them vagina pants
and I guess that's
677
00:52:30,495 --> 00:52:32,149
what they are, so
A friend of mine
678
00:52:32,279 --> 00:52:34,586
who is a designer
Duran Dontick,
679
00:52:34,716 --> 00:52:37,893
he uhh made some sketches
and sent them over to Janelle
680
00:52:38,024 --> 00:52:40,461
and I think Janelle
had a really clear idea of
681
00:52:40,592 --> 00:52:43,551
what she wanted from them
as well so she sent notes back
682
00:52:43,682 --> 00:52:46,206
and then he sent a new
version and kind of went
683
00:52:46,337 --> 00:52:49,514
back and forth and he flew
in the night before ahhh
684
00:52:49,644 --> 00:52:53,344
we were gonna shoot
this scene and uhh came
685
00:52:53,474 --> 00:52:55,476
to the desert with
these pants and put them on her
686
00:52:55,607 --> 00:52:58,697
and the dancers and
made some adjustments
687
00:52:58,827 --> 00:53:01,613
and yeah we shot the next day.
688
00:53:01,743 --> 00:53:03,745
Doing the fitting I was like
I can't believe it.
689
00:53:03,876 --> 00:53:06,966
I just kept opening my legs,
closing them, open them,
690
00:53:07,096 --> 00:53:09,098
close them. I mean,
they're very fun.
691
00:53:09,229 --> 00:53:11,666
There's some women
in the 'Pynk' video
692
00:53:11,797 --> 00:53:14,103
that don't have on the pants
because one of the things
693
00:53:14,234 --> 00:53:15,888
we wanted to say is that
you don't have to have
694
00:53:16,018 --> 00:53:17,498
a vagina to be a woman.
695
00:53:17,629 --> 00:53:21,415
You don't have to look
like her to be respected
696
00:53:21,546 --> 00:53:25,463
and so umm for us we
wanted to just showcase
the diversity.
697
00:53:25,593 --> 00:53:29,031
We wanted to be as
inclusive as possible,
698
00:53:29,162 --> 00:53:34,298
uhhh and we also wanted,
yeah we, we wanted
to do something fun.
699
00:53:34,428 --> 00:53:44,221
[background music]
700
00:53:48,834 --> 00:53:50,357
It took two, two and a
half years probably
701
00:53:50,488 --> 00:53:52,403
to make this thing
and during that time
702
00:53:52,533 --> 00:53:54,448
there was probably
a good ten times that
703
00:53:54,579 --> 00:53:56,058
all of us were throwing
in the towel,
704
00:53:56,189 --> 00:53:58,844
it's not happening,
it's not gonna happen,
it's over.
705
00:53:58,974 --> 00:54:03,152
The label was, you know,
emailing us, we're costing
706
00:54:03,283 --> 00:54:05,807
so many people money.
I'm spending money,
707
00:54:05,938 --> 00:54:07,983
we're spending money
as wonderland.
708
00:54:08,114 --> 00:54:13,467
Oh it was stressful,
but it really, really happened
the way it was supposed to.
709
00:54:13,598 --> 00:54:17,558
I kind of walked away
with this, this feeling
of pride that, y'know
710
00:54:17,689 --> 00:54:19,995
we're able to make
this content, we're able
711
00:54:20,126 --> 00:54:22,433
to show these different
sides of humanity and
712
00:54:22,563 --> 00:54:25,218
show there's beauty
in the imperfections
713
00:54:30,789 --> 00:54:35,402
[JANELLE] So I think there are
some really, really, really
heartbreaking moments.
714
00:54:35,533 --> 00:54:38,275
One in particular is when
Tess is walking me down
715
00:54:38,405 --> 00:54:40,494
the hall and I'm going
to get my last dose of
716
00:54:40,625 --> 00:54:46,457
Nevermind and y'know
I'm basically gonna
become a torch.
717
00:54:46,587 --> 00:54:48,720
And I just remember when
we were doing that scene
718
00:54:48,850 --> 00:54:53,768
it was just, uh, painful,
just going through it and
719
00:54:53,899 --> 00:54:57,598
just thinking about what
it would really mean
to lose your identity.
720
00:54:57,729 --> 00:55:00,253
[ANDREW] To have, have two
actors that already know
each other really helps,
721
00:55:00,384 --> 00:55:02,821
'cause we didn't have
rehearsals.
722
00:55:02,951 --> 00:55:07,826
[JANELLE] Tessa was a trooper.
She was filming Westworld,
she was filming another movie,
723
00:55:07,956 --> 00:55:10,176
and she was with us.
724
00:55:10,307 --> 00:55:13,745
And her schedule was bananas.
725
00:55:13,875 --> 00:55:16,661
When it was time for
her to like forget me
726
00:55:16,791 --> 00:55:19,838
and to be like a torch,
she was very convincing
727
00:55:19,968 --> 00:55:26,105
to the point that
I was just like, "This is,
this is next level."
728
00:55:26,235 --> 00:55:30,588
It's as if she remembers me,
like really knows me.
729
00:55:30,718 --> 00:55:34,287
She tells me things about
myself, about where I'm from.
730
00:55:34,418 --> 00:55:37,769
She says that my
name was Zen.
731
00:55:37,899 --> 00:55:40,554
It's just kinda crazy, 'cause it
all lived, it all lived
732
00:55:40,685 --> 00:55:42,426
and died in that one day
where like we're either
733
00:55:42,556 --> 00:55:44,558
going to have a great day
today and this thing is
734
00:55:44,689 --> 00:55:46,734
gonna make it, or if
we have a horrible day today
735
00:55:46,865 --> 00:55:49,302
this whole project is
gonna be crazy.
736
00:55:49,433 --> 00:55:51,391
The last scene was
that hallway scene,
737
00:55:51,522 --> 00:55:54,916
and we knew by that time
that if it was gonna work
738
00:55:55,047 --> 00:55:56,527
it was going to really have
to come together,
739
00:55:56,657 --> 00:55:59,834
and um they did it they,
it really came together
740
00:55:59,965 --> 00:56:01,619
and they really did.
741
00:56:01,749 --> 00:56:04,404
♪♪
742
00:56:04,535 --> 00:56:07,581
[JANELLE] It was important that
I was working with women
743
00:56:07,712 --> 00:56:11,455
on this project, and black
women in particular and
744
00:56:11,585 --> 00:56:14,066
Lacey Duke was one of
my first picks to work with.
745
00:56:14,196 --> 00:56:16,503
She knows my music,
she knows me as a person,
746
00:56:16,634 --> 00:56:19,593
as an artist and we would
just have great conversations
747
00:56:19,724 --> 00:56:23,423
around art and around
the importance of making
748
00:56:23,554 --> 00:56:27,427
sure that our stories are told
and we had so much fun.
749
00:56:27,558 --> 00:56:30,038
Emma Westonburg,
um I love her.
750
00:56:30,169 --> 00:56:33,172
I saw her work online
through a friend and
751
00:56:33,302 --> 00:56:35,217
I was just blown away.
When she sent the treatment
752
00:56:35,348 --> 00:56:41,310
over for 'Pynk' I was like
you ma'am, your
mind is crazy,
753
00:56:41,441 --> 00:56:44,879
let's do this. I love working
with Andrew as well,
754
00:56:45,010 --> 00:56:46,838
uhh he came through.
755
00:56:46,968 --> 00:56:50,711
I'm telling you like
Andrew came through.
756
00:56:50,842 --> 00:56:53,322
We were able to connect
over this story, over what
757
00:56:53,453 --> 00:56:55,324
it meant to be a dirty computer,
how important it was
758
00:56:55,455 --> 00:56:57,675
to create something that
dirty computers could
759
00:56:57,805 --> 00:57:01,766
feel umm seen by,
you know celebrated and loved.
760
00:57:01,896 --> 00:57:05,204
Chuck Lightning really
did help bring this
story together
761
00:57:05,334 --> 00:57:08,860
and write it up and make sure
that all of our
ideas were there.
762
00:57:08,990 --> 00:57:11,906
Chuck knows me best
because we did the
763
00:57:12,037 --> 00:57:14,169
album together,
so he knew the integrity
of the project.
764
00:57:14,300 --> 00:57:16,868
Nate Wonder and Wynne Bennett
putting them in the room
765
00:57:16,998 --> 00:57:21,350
as producers umm on this
project was just incredible.
766
00:57:21,481 --> 00:57:25,093
I would just watch them take so
many amazing like new and
767
00:57:25,224 --> 00:57:28,923
interesting synth sounds
and like they exceeded
my expectations.
768
00:57:29,054 --> 00:57:35,626
Alan Ferguson has been
around since like the genesis
of us making visuals.
769
00:57:35,756 --> 00:57:38,019
He did 'Many Moons'
and he's believed in me
770
00:57:38,150 --> 00:57:44,330
umm when nobody on
the visual side even
knew who I was.
771
00:57:44,461 --> 00:57:47,202
He said, "I'll do this."
Like he's put in
772
00:57:47,333 --> 00:57:50,336
a lot of blood, sweat,
and tears like us.
773
00:57:50,467 --> 00:57:55,602
[ALAN] The ambition for it.
Wanting to push the boundaries.
I really respected that.
774
00:57:55,733 --> 00:57:57,996
Y'know I really hope
the film kind of shows
775
00:57:58,126 --> 00:58:00,955
there is a world out there
and there is a community
776
00:58:01,086 --> 00:58:03,871
and there is a rebellion
that you can be a part of.
777
00:58:04,002 --> 00:58:07,048
And you don't have to fall into
line with the way that you're
supposed to be.
778
00:58:07,179 --> 00:58:09,137
I think we all believed
in the message so much.
779
00:58:09,268 --> 00:58:11,531
You know that we just
wanted to help,
780
00:58:11,662 --> 00:58:14,229
so it really didn't
matter you know if
781
00:58:14,360 --> 00:58:16,797
who had the idea,
at the end of the day
782
00:58:16,928 --> 00:58:18,930
everybody was pitching
in to make sure that
783
00:58:19,060 --> 00:58:21,106
we could make this
emotion picture umm
784
00:58:21,236 --> 00:58:26,241
and Janelle's vision come
um to life and be as great
as it could possibly be.
785
00:58:26,372 --> 00:58:30,419
It was great to work
with Janelle and her
wonderland team.
786
00:58:30,550 --> 00:58:33,379
She and her team really have
fun in collaborating and
787
00:58:33,510 --> 00:58:37,035
in actually in the making of
and I think that is uhhh
788
00:58:37,165 --> 00:58:43,432
what makes beautiful stuff,
and that is worthwhile as well.
789
00:58:43,563 --> 00:58:46,958
What I'm learning throughout
this process is like,
freedom is not free.
790
00:58:47,088 --> 00:58:50,178
It comes with a price.
It comes with great sacrifice
791
00:58:50,309 --> 00:58:52,572
and I'm realizing that
more and more and more
792
00:58:52,703 --> 00:58:55,880
as I've done this project
and I've put out these visuals.
793
00:58:56,010 --> 00:58:59,840
I'm just thankful y'know
to be able to have an outlet,
794
00:58:59,971 --> 00:59:02,756
to be able to have songs,
to be able to have visuals
795
00:59:02,887 --> 00:59:06,847
a story that allows me,
even in my darkest hours,
796
00:59:06,978 --> 00:59:08,980
even in my most
insecure moments,
797
00:59:09,110 --> 00:59:11,722
in my most vulnerable
moments that I can put on
798
00:59:11,852 --> 00:59:15,508
'Dirty Computer' and you know
I can reconnect with who I am
799
00:59:15,639 --> 00:59:19,468
and, and what I am,
and be proud of my dirt
800
00:59:19,599 --> 00:59:23,821
and be proud of where
I come from and I can
find myself again.
801
00:59:23,951 --> 00:59:26,040
♪ I PLEDGE ALLEGIANCE
TO THE FLAG ♪
802
00:59:26,171 --> 00:59:28,565
♪ LEARNED THE WORDS
FROM MY MOM AND DAD ♪
803
00:59:28,695 --> 00:59:30,741
♪ CROSS MY HEART AND
I HOPE TO DIE ♪
804
00:59:30,871 --> 00:59:33,352
♪ WITH A BIG OL' PIECE OF
AMERICAN PIE ♪
805
00:59:33,482 --> 00:59:38,400
♪ LOVE ME BABY,
LOVE ME FOR WHO I AM ♪
806
00:59:38,531 --> 00:59:43,188
♪ FALLEN ANGELS SINGING,
"CLAP YOUR HANDS" ♪
807
00:59:43,318 --> 00:59:48,149
♪ DON'T TRY TO TAKE MY COUNTRY,
I WILL DEFEND MY LAND ♪
808
00:59:48,280 --> 00:59:51,500
♪ I'M NOT CRAZY, BABY, NAW
809
00:59:51,631 --> 00:59:55,983
♪ I'M AMERICAN,
I'M AMERICAN ♪
810
00:59:56,114 --> 01:00:01,162
♪ I'M AMERICAN, I'M AMERICAN
811
01:00:02,250 --> 01:00:06,864
♪ SEVENTY-NINE CENT
TO YOUR DOLLAR ♪
812
01:00:07,516 --> 01:00:11,825
♪ ALL THAT BULLSHIT FROM
WHITE-COLLARS ♪
813
01:00:11,956 --> 01:00:16,438
♪ YOU SEE MY COLOR
BEFORE MY VISION ♪
814
01:00:16,569 --> 01:00:20,529
♪ SOMETIMES I WONDER IF YOU
WOULD FLY WOULD IT HELP YOU MAKE
A BETTER DECISION? ♪
815
01:00:20,660 --> 01:00:23,750
♪ I PLEDGE ALLEGIANCE
TO THE FLAG ♪
816
01:00:23,881 --> 01:00:26,100
♪ LEARNED THE WORDS
FROM MY MOM AND DAD ♪
817
01:00:26,231 --> 01:00:28,233
♪ CROSS MY HEART AND
I HOPE TO DIE ♪
818
01:00:28,363 --> 01:00:31,062
♪ WITH A BIG OL' PIECE OF
AMERICAN PIE ♪
819
01:00:31,192 --> 01:00:35,936
♪ JUST LOVE ME BABY,
LOVE ME FOR WHO I AM ♪
820
01:00:36,067 --> 01:00:40,941
♪ FALLEN ANGELS SINGING,
"CLAP YOUR HANDS" ♪
821
01:00:41,072 --> 01:00:45,642
♪ DON'T TRY TO TAKE MY COUNTRY,
I WILL DEFEND MY LAND ♪
822
01:00:45,772 --> 01:00:49,036
♪ I'M NOT CRAZY, BABY, NAW
823
01:00:49,167 --> 01:00:53,954
♪ I'M AMERICAN,
I'M AMERICAN ♪
824
01:00:54,085 --> 01:00:58,742
♪ I'M AMERICAN, I'M AMERICAN
825
01:00:59,699 --> 01:01:01,222
♪ LET ME HELP YOU IN HERE
826
01:01:01,353 --> 01:01:05,531
♪ UNTIL WOMEN CAN GET EQUAL PAY
FOR EQUAL WORK ♪
827
01:01:05,662 --> 01:01:07,402
♪ THIS IS NOT MY AMERICA
828
01:01:07,533 --> 01:01:11,450
♪ UNTIL SAME GENDER LOVING
PEOPLE CAN BE WHO THEY ARE ♪
829
01:01:11,580 --> 01:01:13,321
♪ THIS IS NOT MY AMERICA
830
01:01:13,452 --> 01:01:16,673
♪ UNTIL BLACK PEOPLE CAN COME
HOME FROM A POLICE STOP ♪
831
01:01:16,803 --> 01:01:18,587
♪ WITHOUT BEING SHOT
IN THE HEAD ♪
832
01:01:18,718 --> 01:01:21,286
♪ THIS IS NOT MY AMERICA
833
01:01:21,416 --> 01:01:24,985
♪ UNTIL POOR WHITES CAN GET A
SHOT AT BEING SUCCESSFUL ♪
834
01:01:25,116 --> 01:01:26,726
♪ THIS IS NOT MY AMERICA
835
01:01:26,857 --> 01:01:28,597
♪ I CAN'T HEAR NOBODY
TALKIN' TO ME ♪
836
01:01:28,728 --> 01:01:33,777
♪ JUST LOVE ME BABY,
LOVE ME FOR WHO I AM ♪
837
01:01:33,907 --> 01:01:38,390
♪ FALLEN ANGELS SINGING,
"CLAP YOUR HANDS" ♪
838
01:01:38,520 --> 01:01:43,221
♪ DON'T TRY TO TAKE MY COUNTRY,
I WILL DEFEND MY LAND ♪
839
01:01:43,351 --> 01:01:46,746
♪ I'M NOT CRAZY, BABY, NAW
840
01:01:46,877 --> 01:01:49,401
♪ I'M AMERICAN, LOVE ME BABY
841
01:01:49,531 --> 01:01:54,232
-Action!
-♪ I'M AMERICAN, LOVE ME FOR WHO
I AM, FALLEN ANGELS ♪
842
01:01:54,362 --> 01:01:58,976
-Let's go.
-♪ UNTIL LATINOS AND LATINAS
DON'T HAVE TO RUN FROM WALLS ♪
843
01:01:59,106 --> 01:02:01,152
♪ THIS IS NOT MY AMERICA
844
01:02:01,282 --> 01:02:04,895
♪ BUT I TELL YOU TODAY THAT THE
DEVIL IS A LIAR ♪
845
01:02:05,025 --> 01:02:08,507
♪ BECAUSE IT'S GON' BE MY
AMERICA BEFORE IT'S ALL OVER ♪
846
01:02:08,637 --> 01:02:15,993
♪♪
847
01:02:16,123 --> 01:02:19,213
♪ PLEASE SIGN YOUR NAME ON THE
DOTTED LINE ♪
66359
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