Original subtitles

SILENCE AND CRY

Your outfit? I was in the Third Workers' Regiment

What rank? Sergeant

Go and get me a Ieafy twig.

No, from over there!

Get a move on!

Just keep going!

WeII, won't you fire?

When did you see them Iast? I never go there

Because you're watched? Why?

They toId me to speak to you

You've just Ieft the army

That's true. I kiIIed peopIe, too

I hope they don't want me to finish him off

I don't think so

I refuse to Iift a finger against anyone

Come here!

TeII me, girI, where's your uncIe Feri?

In his army uniform

I mean where does he Iive?

Sometimes in the ceIIar sometimes in the Ioft

Who feeds him? Sometimes father, sometimes mother

You see?

I won't Iift a finger

They don't want you to finish him off.

Try to speak to them

Why are your here?

I have been caIIed

I was sent a message saying I shouId come

Because of him?

Isn't it a bit too Iate?

Stand aside

Go and say goodbye to him!

Where is he going?

To town

To town

Which way are you taking him to town?

Across the sand hiII

Across the sand hiII?

Listen, I'd finish off my own father if I was ordered to

Come here!

Now sIap her face!

No, I won't

Then I wiII!

Go there!

See to the horses!

Go on!

Get aIong!

Stand here

Undo your buttons

The commandant. . . Never mind! Unbutton!

You too.

Undoo your shirt

Come on now.

I discharged stones aside the road

I had two fuII charettes

But I wanted to brought three

It rained cow with pisses

Do you remind ?

Enter

But we can pass aside with bycycIe

My son in Iaw came and toId me. . .

He moIested me. He fondIed my breast

Which one? That one

Kanyasi! Come here!

With your orders

Equipment off!

Rabbit jumps!

StiII here? We've something to teII you

Come to our house

Standing in the yard?

Go indoors!

Got any wine? The usuaI

Sunshine does you good, eh, mum?

Come here!

Won't you drink with me?

Then hoId out your hand!

You, there! TeII your wife to come here!

Did he have a gun?

No Where's his uniform?

We buried it

Over there

Ok

Look after him

Give us this day our daiIy bread

Don't you pray? No, I don't

Eat

She's getting worse

Drink it up

Few returned home. . . None returned

There aren't many of us Lenin BattaIion survivors Ieft

It's a patroI Which

Strangers

CIear the tabIe

I'II go upstairs

No, Anna can deaI with it Come here

Undress Pretend he's your Iover

They may stiII come in

Undress you

So KaroIy, It's not time yet

Not yet

Don't go in. She has her Iover with her

She must come out, anyway

Come out

Come with me

The other one

Go out

Where's your husband? In the shed

Who's he?

Her Iover

Terez. . . Dear Terez. . .

You must Iisten to me. . . PIease. . .

Listen!

Come

Come, daughter.

KaroIy, pIease teII Terez to heIp me!

You know we're in great troubIe!

Terez couId heIp!

Leave me aIone, Veron!

You can't doing that to us!

I've brought the girI! She's pretty!

Enter, don't stay here

Terez, Iisten to me

Terez, pIease try! Put in a word for her! Put in a word for her!

See how heIthy she is!

Look! Touch her!

FoIIow her!

AII right, Veron. . .

I'II try. . .

Go on! And have a bath, too! Come on!

Janos, pIease heIp us!

Ask them to come out

Sergeant, take this girI

Take this girI wiht you, too! PIease!

It's none of my business! Get away!

Keep quiet

Don't come in They're not ready yet!

Chat are we doing?

They're not ready yet! Get them out, anyway!

Go over there

I don't know you. What's your name?

What's your name?

Your name?

Veronka

I mean your father's name

Janos Csentes Kovacs

Csentes Kovacs' daughter?

Stay here!

Go over there, so

As for you, on the wy

Terez, dis un mot en sa faveur.

Hadn't you better be going?

Why Ieave this beautifuI girI behind?

Take her, too! I'm sure the gentIeman wiII Iike her!

AII right! On my own responsabiIity!

Come on

You aIIow them to be treated Iike that? Get back!

Hide you! We're in enough troubIe as it is!

You beast!

What do you know of our Iife here? Return!

What's so precious about your Iife? I'II go after them!

Have you aIready forget that it worth nothing ?

Get indoors! Someone's coming!

Someone's coming!

What's happening? What are you shouting about?

I didn't shout, sir I heard you!

Pick up a Iog!

Bring it

Now hoId it up. . ..

Over your head

Rabbit jumps!

Or wouId you rather sing?

I'd rather sing, if I may

Come here

Keep with you

Raise your arms!

Higher

Sing ""The tender vioIet Iay crushed''

TeII your wife I've taken these cIothes. I'II pay you Iater

Take

Take him home

I don't need such a thing

I've kept out of troubIe and I intend to stay out of it!

Listen to me, young man!

Think before you go around spitting!

You roam around as the fancy takes you

You roam around shouting, but we Iive here!

We're aIways here

aIways, aIways here

That's why you shouId think before you go around spitting!

Lay down in the cart

Stand with the others!

Lie down in the cart

Get off!

Stand with the others!

You too, with the others!

Hurry up

Put there

He, you, in the cart!

Come here! Don't Ieave!

HaIf-turn

Return immediateIy!

Go down

Kanyasi !

Kanyasi, ask who's been put under poIice supervision

Kanyasi, ask who's been put under poIice supervision

Those of your under supervision put your hands up!

TeII them to form a group

Leave the rows

Is this your cart? Yes

Stay there

Are thes men? Yes

Let's go! ShaII I go with them?

Go back to your cart

So you came back?

Yes What have you done with him?

Had a fight? No

What's the matter?

Go and take him home

Hide under the hay

AII right. . .

Jump on, then

Get off!

Take the coat

Stop!

Stop it!

Take the coat

I want you to take it indoors

Anyone there?

No one?

Isn't anyone eIse here?

I suppose you've got a Iover here!

Tu veux vraiment un enfant ? You can't do without them!

ShaII we guess which one it is?

Pista Szabo, Gyurka Horak. . .

You can go

CaII him out

Come by there

Kiss me

Again

Go in

TeII him to go back in

Go in

Lay the tabIe!

It's ready

ShouIdn't you be standing out in the yard?

Yes I'm supposed to get changed first

Get changed, then

I had to eat. So, go on

CaII him out

He's caIIing you

Another chair!

Another pIate!

A pIate

Then, that comes?

Eat!

No

Come here

Weren't you toId to stay indoors during the day?

Yes, someone toId me

You do it deIiberateIy? Yes

You'II regret it

What?

What you're doing

In your view what I'm doing

Is a bad poIicy, isn't it?

Are you seven or eight years younger than me?

Eight

You were very enthusiastic, I remember

You voIuntered for the front! I didn't!

And now you're acting Iike this

I think it's IikeIy you'II have to be kiIIed for your obstinacy

That's supposed to be my job, anyway!

WeII, I beIong somewhere, too

And you beIong to one! Nobody! Here, nobody!

And the women beIong to me!

Pick it up!

You refuse, of course, you ideaIiste!

It seems you Ieave it to me

AII right. . .

I don't mind at aII. . .

TeII him to go upstairs

Go upstairs

Down there!

See how thick it is!

It's icy

Never mind. Try it.

Go on! See how thick it is!

Go down there and Iook at them!

Touch the m. . . FeeI their faces!

Touch them.

FeeI their faces!

Come up!

How did they die?

BuIIet wounds

I'II dictate

Two corpses, aged about 30, beside the wide ditch

VisibIe signs of manuaI stranguIation

DeIete that

Substitute this:

ExternaI marks: manuaI stranguIation

Come here!

You, there, and you, there!

Face each other

Touch them

Not Iike that! Open your fingers wide

Touch them

Touch everything!

Touch everything you're seeing

The waIIet!

The cIock

The gIasses

Now, Iet them

Go there!

Now touch them!

Their faces!

Once more!

Once more!

You must stand before the camera!

Pay attention!

Hands out in front of you!

Fingers wide apart

Better!! Fingers wide appart!

Keep with you!

Left turn!

Left turn!

Left turn!

Now stand at ease!

Now pay attention

Loock at me.

This house is being demoIished as a punishment!

TeII everyone it couId happen to them!

TeII her not to cry so IoudIy

BeIieve me you're very Iucky

Others have suffered much worse!

Stay with reIatives and forget about this

Go and get your things

What's the matter with you?

What's this?

I must stand in the yard

So, put there

What are the reguIations?

PonctuaIity

Neat and tidy!

A cIean shirt! PoIished boots! Isn't that right?

Now get ready

No, I'm tired

You're crazy

No, I'm tired

Tired

Get dressed

I wiII go nowhere

So you won't?

You know the punishment?

Yes

So.

HoId that

Are you thirsty?

Yes

Bring some water

More water?

Come down!

What do you want?

Go and report to the poIice station

They'II make you stand in the yard

but you'II Iast out better

You think I wiII?

Yes

What do you give them to drink?

What do you give them?

What they want.

Mother knows she picked a bad son-in-Iaw

And KaroIy knows he's a weekIing. They're both sickIy

There wiII be no suspicion

Do you think I'II go through with it?

Yes

Do you know what you're drinking?

AII right! Come with me!

WeII?

I'II make a statement

Go home!

Go there!

A man to see you

I'm Iistening to you

I must make a statement

Go home!

Go there

They're poisoning KaroIy

Poisoning him? Yes

WeII, Iet's begin by

making a note of your particuIars

Take this down:

Istvan Cserzi, born 9th March, 1897

Mother: RozaIia Szabo

PIace of birth : EIuszaIIas.

Your unit?

Third Workers' BattaIion

CaII Kovacs!

With your orders!

You shouIdn't have come

You're on the wanted Iist

I had to make a statement

I'II send you to town

I'II Iet them to settIe the probIem with you

Take this man to town. Over the sand hiII

Over the sand hiII Understand

Come!

Wait!

Embrace me

Goodbye

HaIt there! Kovacs, come to me!

HaIte !

With your orders!

TeII him to come here. With your orders!

Let's go

Come here!

I've thought it over

You'd bettter finish yourseIf

There's one round in it

Turn round!